All language subtitles for 03. Widening a mono signal_EN

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:04,506 Hi! It's Alan Meyerson from Mix With The Masters. 2 00:00:04,507 --> 00:00:09,030 I'm doing a short little video for you about different things. 3 00:00:09,031 --> 00:00:10,859 And so a question has been asked, 4 00:00:10,860 --> 00:00:12,702 "What do I do when I have a mono sound 5 00:00:12,703 --> 00:00:15,088 and I want to create a stereo image out of it?" 6 00:00:15,089 --> 00:00:17,562 And there's a lot of ways to do this. 7 00:00:18,063 --> 00:00:20,853 In this particular piece 8 00:00:20,854 --> 00:00:23,484 I have a dulcimer, 9 00:00:23,485 --> 00:00:25,459 which is a very simple little sound. 10 00:00:30,260 --> 00:00:31,924 It's pretty mono. 11 00:00:31,925 --> 00:00:33,795 There's a couple of things you can do. 12 00:00:33,796 --> 00:00:35,087 First of all, 13 00:00:35,288 --> 00:00:36,776 there's the... 14 00:00:36,777 --> 00:00:40,108 and this might not work so well with something this percussive, 15 00:00:40,141 --> 00:00:43,572 but the simple idea of just adding a tiny bit of delay, 16 00:00:43,573 --> 00:00:47,054 which is like 8 or 10 milliseconds, or even less. 17 00:00:47,055 --> 00:00:50,270 Right now this is 5 milliseconds of delay, 18 00:00:50,271 --> 00:00:53,273 or 225 samples approximately, to one side. 19 00:00:53,274 --> 00:00:55,487 You'll get a much wider image. 20 00:00:56,403 --> 00:00:59,071 And then if you balance left and right, 21 00:00:59,953 --> 00:01:01,921 you get a pretty effective way to do it. 22 00:01:01,922 --> 00:01:04,900 The only thing is with that, on a sound this percussive, 23 00:01:04,901 --> 00:01:08,712 is you really do lose a little bit of the impact of the sound 24 00:01:08,713 --> 00:01:11,421 so you can try to tighten it up. 25 00:01:11,422 --> 00:01:13,284 There are other ways to do it. 26 00:01:13,698 --> 00:01:19,330 One of the ways to do it is just to add a very, very short reverb 27 00:01:21,137 --> 00:01:24,070 and I use for that a couple of different things. 28 00:01:24,071 --> 00:01:27,756 I like the 2016, the Eventide Stereo Room, 29 00:01:27,757 --> 00:01:30,016 where I make it 100% Wet, 30 00:01:30,017 --> 00:01:31,308 and as dry as I can... 31 00:01:31,309 --> 00:01:34,733 100% Wet and as close as I can make it. 32 00:01:34,734 --> 00:01:37,709 And I find that I get great imaging out of this. 33 00:01:39,733 --> 00:01:44,329 So you can hardly tell it's doing anything 34 00:01:45,030 --> 00:01:46,756 until you take it out and you go, 35 00:01:46,757 --> 00:01:49,107 "Oh my God, it sounds dead and flat." 36 00:01:52,858 --> 00:01:55,066 Now it's got this beautiful image. 37 00:01:55,067 --> 00:01:56,877 So that brought us a long way. 38 00:01:56,978 --> 00:01:59,725 But there's another technique that's really a lot of fun, 39 00:01:59,726 --> 00:02:03,216 and that's just using sort of a random auto-panner. 40 00:02:03,217 --> 00:02:07,793 And the one I use for this, I don't use an actual panner, I use the Tremolator. 41 00:02:08,388 --> 00:02:10,341 And I set it, 42 00:02:10,342 --> 00:02:13,725 you go into it, and if you take the Width and go to 100%, 43 00:02:13,726 --> 00:02:16,533 it actually, in fact, turns it into a panner. 44 00:02:21,720 --> 00:02:24,427 But then you could pick a couple of interesting patterns 45 00:02:24,428 --> 00:02:26,552 or you could make your own pattern, 46 00:02:26,753 --> 00:02:29,004 which I like to do a lot, 47 00:02:29,005 --> 00:02:32,757 just sort of messing around with the pattern a little bit. 48 00:02:33,705 --> 00:02:36,606 And I know it sounds weird, but believe me, 49 00:02:38,890 --> 00:02:41,415 this one might sound better 50 00:02:41,416 --> 00:02:44,527 as a dotted quarter or something. 51 00:02:46,201 --> 00:02:48,258 When you just mix it, 52 00:02:52,646 --> 00:02:55,033 it just gives it a little bit of movement. 53 00:02:58,620 --> 00:03:00,596 See how without it, 54 00:03:01,097 --> 00:03:02,664 it's sitting in one spot. 55 00:03:03,497 --> 00:03:06,413 Now, all of a sudden, it's got a little bit of movement in it. 56 00:03:06,414 --> 00:03:09,192 Basically what I've done is I've taken the mix blend, 57 00:03:09,193 --> 00:03:11,469 which in this case is called Depth, 58 00:03:11,670 --> 00:03:15,582 and I've backed it off to about 40%, 59 00:03:18,597 --> 00:03:21,225 and I've played with the Feel a little bit 60 00:03:21,226 --> 00:03:24,575 just to get it so that it's got a little movement to it. 61 00:03:24,876 --> 00:03:27,499 And now, with that, 62 00:03:27,500 --> 00:03:31,121 putting that back into maybe that room simulation... 63 00:03:34,632 --> 00:03:37,415 So you've taken something that started... 64 00:03:38,280 --> 00:03:39,897 ...like that. 65 00:03:41,099 --> 00:03:43,596 You're just sitting in one place, 66 00:03:44,985 --> 00:03:47,397 and now it's got 67 00:03:47,398 --> 00:03:49,434 all kinds of movement in it, 68 00:03:49,889 --> 00:03:52,321 and yet it doesn't really sound wet. 69 00:04:02,220 --> 00:04:05,009 I need a little bit more gain back from it. 70 00:04:26,760 --> 00:04:28,356 So it puts it onto a sound. 71 00:04:28,357 --> 00:04:31,214 It puts it into a staging, it gives it some staging, 72 00:04:31,215 --> 00:04:34,222 it gives it some imaging, but it doesn't necessarily sound wet 73 00:04:34,223 --> 00:04:37,070 or in the back of the room, it still has focus and presence. 74 00:04:37,071 --> 00:04:39,892 But because it has a tiny bit of movement on it, 75 00:04:39,893 --> 00:04:42,748 and it has a tiny bit of a very, very short reverb... 76 00:04:42,749 --> 00:04:45,730 you can use other short reverbs, you can use rooms and stuff, 77 00:04:45,731 --> 00:04:50,323 one of the popular ones instead of the 2016 that I like 78 00:04:50,324 --> 00:04:55,068 is the Altiverb preset that you call up. 79 00:04:55,269 --> 00:04:57,307 But this one you can't use at 100%. 80 00:04:57,308 --> 00:04:59,231 You've got to back it off. 81 00:05:00,893 --> 00:05:03,026 It's a little bit wet. 82 00:05:03,227 --> 00:05:04,752 Actually, you know what? 83 00:05:04,753 --> 00:05:07,460 Better than that is if you go into the Studio space 84 00:05:07,461 --> 00:05:10,248 and you go into the Allaire room. 85 00:05:15,703 --> 00:05:17,260 That's a good one. 86 00:05:24,080 --> 00:05:26,140 I mean, there's a million ways to do that. 87 00:05:26,141 --> 00:05:29,869 Basically a very short reverb and a little bit of auto-panning 88 00:05:29,870 --> 00:05:31,700 with a sort of random... 89 00:05:31,701 --> 00:05:36,441 especially on something fast like that, a random pattern. 90 00:05:36,442 --> 00:05:39,558 If you have something that's not fast like that or not transient, 91 00:05:39,559 --> 00:05:41,251 you could still do the auto-panning 92 00:05:41,252 --> 00:05:43,729 and just sort of blend it in there just a little bit. 93 00:05:43,730 --> 00:05:46,320 It's very, very effective. It works on keyboard pads, 94 00:05:46,321 --> 00:05:48,573 it works on guitars, 95 00:05:48,574 --> 00:05:50,529 blending it in there a little bit, 96 00:05:50,530 --> 00:05:52,467 and it makes a big difference. 97 00:05:52,468 --> 00:05:53,771 So thanks a lot. 7649

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