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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,120 --> 00:00:05,089 hey guys this is Ola 2 00:00:05,089 --> 00:00:07,290 I'm going to briefly show you how I 3 00:00:07,290 --> 00:00:09,389 approach microphone positioning when it 4 00:00:09,389 --> 00:00:11,420 comes to my own productions and videos 5 00:00:11,420 --> 00:00:13,980 remember this is how I go about it 6 00:00:13,980 --> 00:00:16,619 doesn't mean it's right or wrong so see 7 00:00:16,619 --> 00:00:19,080 this more as of a guideline rather than 8 00:00:19,080 --> 00:00:22,380 look back for this test I'm using a make 9 00:00:22,380 --> 00:00:24,869 us custom hater amp and the carbon 10 00:00:24,869 --> 00:00:27,500 legacy 4 by 12 with Celestion vintage 11 00:00:27,500 --> 00:00:31,109 verde speakers for my videos I mainly 12 00:00:31,109 --> 00:00:34,920 use one shure sm57 microphone just works 13 00:00:34,920 --> 00:00:38,820 great for me I guess when I start the 14 00:00:38,820 --> 00:00:41,850 amp when I start tweaking the amp I try 15 00:00:41,850 --> 00:00:43,710 to make it sound good in the room at 16 00:00:43,710 --> 00:00:46,379 first you should also dial down both the 17 00:00:46,379 --> 00:00:48,379 mids and presence of the amp 18 00:00:48,379 --> 00:00:50,969 you also don't need as much mids as you 19 00:00:50,969 --> 00:00:53,039 think and everything will fit better in 20 00:00:53,039 --> 00:00:55,379 the mix afterwards I'm going to show you 21 00:00:55,379 --> 00:00:57,750 a couple of placements I work with the 22 00:00:57,750 --> 00:00:59,399 general idea is to make it sound as good 23 00:00:59,399 --> 00:01:01,500 as possible at the source rather than 24 00:01:01,500 --> 00:01:03,899 having to use a lot of post EQ and stuff 25 00:01:03,899 --> 00:01:06,960 afterwards start with placing the 26 00:01:06,960 --> 00:01:08,340 microphone straight into the centre of 27 00:01:08,340 --> 00:01:10,409 the speaker this will give you a very 28 00:01:10,409 --> 00:01:12,299 nasty sound with a lot of presence and 29 00:01:12,299 --> 00:01:12,830 attack 30 00:01:12,830 --> 00:01:19,640 [Music] 31 00:01:19,650 --> 00:01:22,230 when I use this mic position I tend to 32 00:01:22,230 --> 00:01:24,000 put on a low-pass filter and logic to 33 00:01:24,000 --> 00:01:25,070 tame the highs 34 00:01:25,070 --> 00:01:27,600 this next mic position is right on the 35 00:01:27,600 --> 00:01:29,220 edge of the dust cap where it meets the 36 00:01:29,220 --> 00:01:31,770 cone this gets a little less attack in a 37 00:01:31,770 --> 00:01:32,560 bit more bass 38 00:01:32,560 --> 00:01:40,030 [Music] 39 00:01:40,030 --> 00:01:42,730 in general you'll notice the further you 40 00:01:42,730 --> 00:01:44,650 go out towards the edge of the speaker 41 00:01:44,650 --> 00:01:46,510 the more base you'll get with less 42 00:01:46,510 --> 00:01:50,020 attacking presence this position is even 43 00:01:50,020 --> 00:01:51,100 more off-center 44 00:01:51,100 --> 00:02:03,280 [Music] 45 00:02:03,280 --> 00:02:06,320 you 46 00:02:06,330 --> 00:02:08,640 this has the same position but aiming 47 00:02:08,640 --> 00:02:10,020 the microphone against the center 48 00:02:10,020 --> 00:02:11,590 dustcap 49 00:02:11,590 --> 00:02:21,140 [Music] 50 00:02:21,150 --> 00:02:25,160 the final one is even more off-center 51 00:02:25,160 --> 00:02:33,739 [Music] 52 00:02:33,739 --> 00:02:36,510 this is the mic position I chose for 53 00:02:36,510 --> 00:02:38,639 this demo in this position I don't feel 54 00:02:38,639 --> 00:02:40,950 that I have to use any post-processing 55 00:02:40,950 --> 00:02:43,109 such as the EQ for this particular song 56 00:02:43,109 --> 00:02:46,409 I'm doing but this is the part where I 57 00:02:46,409 --> 00:02:49,469 record everything two tracks one left 58 00:02:49,469 --> 00:02:56,750 one right 59 00:02:56,760 --> 00:03:38,940 [Music] 60 00:03:38,950 --> 00:03:42,849 so that's all you guys3930