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[Music]
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hey guys
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this is elliott with modern music studio
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i'm gonna be walking us through a couple
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different techniques for miking a grand
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piano
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and i'm just gonna hop right into it so
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let's dive in
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so to start off with there's a couple
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different things that i want to go into
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about just the
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kind of physics of a piano and why you
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mic them the way we're gonna be making
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them
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and to start with the piano has a really
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large
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range for uh frequencies of notes so you
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got really high end note
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you got really low notes
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and to really capture the entire piano
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what you want to do is you want to get a
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mic on at least the bottom
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end of the piano and a mic on the top
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end of the piano so you're really
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able to pick up those highs and those
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lows
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all right so now we've gone into a
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little bit about just where you're
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putting the mics
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i want to talk a little bit about the
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strings as well so on the left side of
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the piano
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you have really long really thick
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strings these are your lows
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and on the right side we have our really
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short really thin
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strings those are your highs so let's
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make sure if you're putting a mic
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on either side you just want to pick up
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both ends of those strings
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now in front of me right now i have a
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spaced stereos
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pair or otherwise known as an orft
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setup i think it's ortf setup
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and what this is going to do is it's
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just going to be a
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good way of capturing the lows and the
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highs
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from a really close point so these mics
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are really close to the strings they're
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about probably like an
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inch and a half off the strings max and
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they're
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uh pointed directly at the strings i
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usually try and find like a middle
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ground so if this is the high end
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and this is the low end of the piano we
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just split it in half
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at middle c you want to make sure that
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your mic is in the very
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center of these uh this set of strings
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for these
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keys so obviously this string
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is on the farthest side of the piano i
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don't want a mic right there i want a
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mic a little bit closer to right here
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and you can visually see where that note
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is when you hit the piano key you
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normally are able to look into the piano
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and see the hammer move
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and see what string that that hammer is
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on
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um conversely so on the low end of it
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you don't want to mic this very very low
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string right here you want to kind of be
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in the middle as well
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so say like c2 or
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c3 but somewhere in that area and use
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the same trick
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just look for where that hammer is
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moving and put the mic on that string
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right now i'm just using two mics you
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can go uh
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farther into it if you have the setup
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and put a mic kind of um
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across the board of it and really pick
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up all the strings
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a little bit better that way but i don't
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necessarily think that is necessary
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especially with some of the other
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techniques that i'm going to be going
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into
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so now i've gone through a little bit of
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the ortf
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setup or your spaced stereo pair i'm
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just going to play a couple little notes
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and give you a chance to really hear
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what that sounds like
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and then compare them to some of the
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other mic and techniques that i'm going
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to use
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so here's a little something
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[Music]
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what i want to play
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so
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so there's a little something just kind
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of showing you the whole side of the
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or the whole range of the piano going
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from low end to high end
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and now i'm going to go into a similar
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pair but i'm going to use the
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move the mics a little farther away from
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the piano
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so bear with me while i move these
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right so i've moved these mics just a
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little farther away
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you can see them one mic right here and
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one mic
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uh kind of pointing towards the low end
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strings
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and notice that they're still pointed at
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the piano at the strings
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but the the main difference is just
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distance from the piano right now
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and what we're looking at is as you play
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any note on the piano
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the way a piano works especially a grand
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piano
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is with this shell up here this uh this
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lid
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um with it angled what's happening is
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you hit a note and the sound's gonna
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move
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up and bounce off of this and go
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pretty much just like out towards your
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microphones or if you're in a kind of
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concert hall towards your concert
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hall or the audience and that's the
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reason why a lot of times people don't
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actually mic
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a grand piano in a concert hall is
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because they are
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super loud and just the way they're
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designed they project
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all of their sound towards the audience
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using this
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lid so what's cool about this miking
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technique
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is you're getting a really big stereo
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sound
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and you're picking up the high end left
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right keys in the high end
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or low end left keys using this
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technique
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just the same as if you had the mics
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right on the actual strings themselves
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the only difference here is you're
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getting a you're giving the sound the
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strings a little more time to develop
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as they uh move toward the mic so
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instead of picking the sound up right
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away right here
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the sound's gonna kind of come up hit
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here and then bounce towards the mic
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and what this is gonna do is it's gonna
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allow all the
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high end notes that you're playing to
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kind of blend together a little bit more
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and get a slightly more
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balanced sound going to your mic same
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with the low end
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rather than picking up super lows
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instantly
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what's happening is the low end they're
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going to have time to bounce up and go
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towards your low end mic
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and pick up a little more blended sound
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if you will so let me give you a little
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bit of a demo of what that sounds like
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right now
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i'm gonna play something similar to what
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i played earlier
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[Music]
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so that kind of gives you a little bit
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of a demo of what the
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spaced ortf a little bit farther from
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the piano sounds like
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so try it out try different distances
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from the piano
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sometimes really far away and by really
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far i mean more like probably five feet
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six feet sounds pretty good
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sometimes closer sounds better it really
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just depends on the room that you're in
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as well as the type of mic that you're
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using so my next um
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miking technique that i want to show you
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guys is we're going to do something
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called an
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xy with these two mics and xy is only
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doable with two mics so
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kind of keep that in mind you can't do
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it with one and give me a second i'm
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gonna set it up and i'll explain what it
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looks like
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okay so now i got my xy setup
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set up and um i'm just gonna go into
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just a touch really quick
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so an xy microphone setup is all you're
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doing is you're putting
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both microphones in the exact same place
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but one's uh facing one direction
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and one is at the same spot facing at a
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90 degree angle at the other direction
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and i'll give a close-up of what that
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looks like in a minute
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but for now just uh no what you're doing
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here is you're picking up a stereo field
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but instead of
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a stereo field in a sense of like if
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your ear was right there
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you're picking up all the sound from
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this side as well as all the sound from
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this side
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and i'm just gonna play it so you can
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hear what it sounds like
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and we'll go from there
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[Music]
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so there you have it that's an xy that's
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what it sounds like
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and i really like this uh setup
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um personally i still prefer the ortf
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over it that's spaced stereo pair but
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say you have four microphones it's
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not a bad idea to try this and then
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blend all four mics together
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but we don't all have that kind of setup
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so keep it in mind maybe you'll like it
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maybe you want
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feel free to try these out move the mics
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around a little bit
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try different distances and if you have
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any questions
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leave a comment below and we'll make
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sure to answer
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you15853
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