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1
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Sir, your noodles
2
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are here.
3
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Finally.
4
00:00:17,440 --> 00:00:19,880
Any word on locating Pops?
5
00:00:19,880 --> 00:00:23,560
We're still scouring
6
00:00:19,880 --> 00:00:23,560
the Bleisdorf Quadrant, sir.
7
00:00:23,560 --> 00:00:27,040
Any word on locating
8
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the special sauce?
9
00:00:27,040 --> 00:00:28,320
Scouring the bag, sir.
10
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Uh, there doesn't seem
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to be any, sir.
12
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What? Aah.
13
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Noodle-Verse is the worst.
14
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There were
15
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no packets of special sauce
16
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in my bag.
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Never ordering from you again.
18
00:00:42,080 --> 00:00:44,600
Huh? Where are
19
00:00:42,080 --> 00:00:44,600
the negative stars?
20
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Noodle-Verse
21
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deserves negative stars.
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[GRUNTS]
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Yes. Yello Customer Service?
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I'm trying to leave
25
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a negative-star review and--
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What do you mean
27
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the lowest review is zero stars?
28
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They deserve
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negative five stars.
30
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Your archaic rating system
31
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does not reflect
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my level of hate.
33
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[GASPS] Oh, dear.
34
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He has grown more powerful
35
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than a five-star rating system
36
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can contain.
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All right, Pops, go.
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Hyah.
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Hyah. Hyah. Hyah.
40
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Hyah.
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[GROANS]
42
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Wait. Did you even hit it?
43
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I don't want to break it.
44
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This board could one day
45
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grow up to be
46
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a beautiful dinette centrepiece.
47
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Pops, we're supposed to be
48
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training you.
49
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Cone on, Pops.
50
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Fly like a butterfly,
51
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sting like a...
52
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Hey, wait, Pops.
53
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Sting like a bee, Pops.
54
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A bee.
55
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This isn't working.
56
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I'm hungry.
57
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[LAUGHING]
58
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[SIGHS]
59
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Our "B"s
60
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are about to be stung.
61
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And by that,
62
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I mean our butts.
63
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Why?
64
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Anti-Pops
65
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forever grows in power.
66
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We must hasten our training.
67
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How are we gonna do that?
68
00:02:01,320 --> 00:02:03,160
Even with everyone helping,
69
00:02:01,320 --> 00:02:03,160
it's still going slow.
70
00:02:03,160 --> 00:02:05,280
Have you heard of
71
00:02:03,160 --> 00:02:05,280
the ancient technique
72
00:02:05,280 --> 00:02:07,520
of training montage?
73
00:02:07,520 --> 00:02:09,680
Montage?
74
00:02:07,520 --> 00:02:09,680
No. What is it?
75
00:02:09,680 --> 00:02:12,000
Masters of it
76
00:02:09,680 --> 00:02:12,000
could condense time and space
77
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to train faster.
78
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They could skip right over
79
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the parts
80
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where they took a break
81
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to pee.
82
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Wait. That sounds familiar.
83
00:02:16,440 --> 00:02:18,320
Oh, yeah.
84
00:02:18,320 --> 00:02:20,360
It's a film technique
85
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in which a collection of shots,
86
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cut with wipes and dissolves
87
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in quick succession,
88
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is used to condense
89
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space and time.
90
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I went to art school.
91
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Yes, exactly.
92
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By doing this, they were able to
93
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do weeks of training
94
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in mere days
95
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to reach the next level.
96
00:02:31,600 --> 00:02:33,720
Is Pops gonna level up
97
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like in a video game?
98
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Something like that.
99
00:02:35,320 --> 00:02:37,960
Cool.
100
00:02:35,320 --> 00:02:37,960
Cool.
101
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Ah, music.
102
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With the right track,
103
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these lessons will fly by.
104
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This is my favourite song.
105
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[♪♪♪]
106
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Hyah.
107
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Hyah.
108
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[GROANS]
109
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Whoa.
110
00:04:09,360 --> 00:04:10,680
Whoa.
111
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BOTH: He levelled up.
112
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Again.
113
00:04:13,080 --> 00:04:14,360
[♪♪♪]
114
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This montage technique
115
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is nuts, dude.
116
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Yeah, man,
117
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it's crazy.
118
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First they're, like, over here,
119
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and then they're all wipe.
120
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Boom.
121
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Hey, we're over here.
122
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Yeah. I bet Pops
123
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will be ready in no time.
124
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I even like the song.
125
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It's catchy.
126
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Hwah. Hyah.
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Hwah. Heh heh.
128
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[KARATE YELLS]
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[BOTH LAUGH]
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[♪♪♪]
131
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Ahh. It's so early.
132
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[BOTH GROAN]
133
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Aah.
134
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Aah.
135
00:04:44,360 --> 00:04:45,800
[BOTH GASP]
136
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No.
137
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Wait. Stop.
138
00:04:47,040 --> 00:04:48,920
Wait.
139
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No. No.
140
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[VIDEO GAME PLAYS]
141
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Hey.
142
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MAN:
You lose.
143
00:04:51,800 --> 00:04:53,000
Aw, man.
144
00:04:53,000 --> 00:04:55,600
Uhh. How long is this
145
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gonna take?
146
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Dude, I can't handle
147
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that song anymore.
148
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He played it, like, 120 times.
149
00:05:04,160 --> 00:05:05,640
What are we gonna do?
150
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I have an idea.
151
00:05:05,640 --> 00:05:08,600
Let's change the tune-age.
152
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[PANTING] I'm ready for
153
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today's training montage, Earl.
154
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Ah, you've caught
155
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the montage bug.
156
00:05:15,000 --> 00:05:18,240
If we keep this steady pace,
157
00:05:15,000 --> 00:05:18,240
we should be ready in two weeks.
158
00:05:18,240 --> 00:05:20,200
[♪♪♪]
159
00:05:18,240 --> 00:05:20,200
What?
160
00:05:20,200 --> 00:05:22,240
It's so... strong.
161
00:05:22,240 --> 00:05:23,600
Where is my music?
162
00:05:22,240 --> 00:05:23,600
I don't know.
163
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Get something
164
00:05:23,600 --> 00:05:25,520
a little different, I guess.
165
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Don't you know
166
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what you've done?
167
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♪ And endlessly
168
00:05:27,280 --> 00:05:30,520
we're roaming free tonight ♪
169
00:05:30,520 --> 00:05:32,320
Huh?
170
00:05:32,320 --> 00:05:34,840
♪ And on the wings of a dream ♪
171
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♪ So far beyond reality ♪
172
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♪ All alone in desperation ♪
173
00:05:37,160 --> 00:05:39,320
What's the problem?
174
00:05:39,320 --> 00:05:41,120
It just looks like
175
00:05:39,320 --> 00:05:41,120
he's training faster.
176
00:05:41,120 --> 00:05:42,600
Don't you see?
177
00:05:42,600 --> 00:05:44,840
Montages are more powerful
178
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the faster the song is.
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♪ My own mind ♪
180
00:05:48,520 --> 00:05:50,160
ALL: Ach. Huh?
181
00:05:50,160 --> 00:05:51,720
All right, Pops,
182
00:05:50,160 --> 00:05:51,720
you chopped the board.
183
00:05:51,720 --> 00:05:53,280
That's enough montage for now.
184
00:05:53,280 --> 00:05:55,360
No. Don't get near him.
185
00:05:55,360 --> 00:05:56,720
Huh?
186
00:05:55,360 --> 00:05:56,720
Huh?
187
00:05:56,720 --> 00:05:58,480
Uhh.
188
00:05:56,720 --> 00:05:58,480
Uhh.
189
00:05:58,480 --> 00:06:00,480
Huh?
190
00:05:58,480 --> 00:06:00,480
Pops, you gotta stop.
191
00:06:00,480 --> 00:06:01,840
Huh?
192
00:06:00,480 --> 00:06:01,840
Uhh.
193
00:06:01,840 --> 00:06:03,280
Pops.
194
00:06:04,400 --> 00:06:05,920
How long is this song?
195
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It's five and a half minutes.
196
00:06:07,640 --> 00:06:09,080
You have to turn off
197
00:06:07,640 --> 00:06:09,080
the boom box
198
00:06:09,080 --> 00:06:10,320
from within the montage.
199
00:06:10,320 --> 00:06:12,560
We can't do it,
200
00:06:10,320 --> 00:06:12,560
or we'll get sucked in, too.
201
00:06:16,760 --> 00:06:18,920
Aah.
202
00:06:16,760 --> 00:06:18,920
Aah.
203
00:06:18,920 --> 00:06:20,040
After him.
204
00:06:21,920 --> 00:06:23,280
Huh?
205
00:06:21,920 --> 00:06:23,280
Huh?
206
00:06:25,520 --> 00:06:26,800
How'd I get
207
00:06:25,520 --> 00:06:26,800
this fishing pole?
208
00:06:26,800 --> 00:06:28,680
Montage logic. Just use it.
209
00:06:28,680 --> 00:06:30,520
Huuh.
210
00:06:31,760 --> 00:06:33,320
Dang it.
211
00:06:31,760 --> 00:06:33,320
The wipe cut my line.
212
00:06:33,320 --> 00:06:36,520
Pops, the bed is made.
213
00:06:33,320 --> 00:06:36,520
You can stop.
214
00:06:36,520 --> 00:06:38,080
All right,
215
00:06:36,520 --> 00:06:38,080
our next step is--
216
00:06:38,080 --> 00:06:39,560
What? No.
217
00:06:39,560 --> 00:06:43,040
Oh, great. Now we're stuck in
218
00:06:39,560 --> 00:06:43,040
the montage, too.
219
00:06:43,040 --> 00:06:44,400
Way to mess everything up
220
00:06:44,400 --> 00:06:46,720
with your young,
221
00:06:44,400 --> 00:06:46,720
hip, fast music.
222
00:06:46,720 --> 00:06:48,040
This is dangerous.
223
00:06:48,040 --> 00:06:50,400
You can't just
224
00:06:48,040 --> 00:06:50,400
throw fast music around.
225
00:06:52,320 --> 00:06:54,360
Whoa,
226
00:06:52,320 --> 00:06:54,360
it didn't explode.
227
00:06:55,560 --> 00:06:56,880
Uhh.
228
00:06:55,560 --> 00:06:56,880
Uhh.
229
00:06:58,040 --> 00:06:59,720
Go get the boom box.
230
00:07:03,680 --> 00:07:05,120
[ALL SCREAM]
231
00:07:05,120 --> 00:07:06,480
Eh?
232
00:07:11,640 --> 00:07:13,320
ALL: What?
233
00:07:18,320 --> 00:07:20,360
He's montaging
234
00:07:18,320 --> 00:07:20,360
out of control.
235
00:07:20,360 --> 00:07:23,280
If we don't stop him,
236
00:07:20,360 --> 00:07:23,280
he'll destroy everything.
237
00:07:23,280 --> 00:07:24,760
[SCREAMS]
238
00:07:39,000 --> 00:07:41,200
[RUMBLING]
239
00:07:39,000 --> 00:07:41,200
[GASPS] What's that sound?
240
00:07:41,200 --> 00:07:43,400
It's a thematically appropriate
241
00:07:41,200 --> 00:07:43,400
transition.
242
00:07:48,640 --> 00:07:50,880
That coin was huge.
243
00:07:50,880 --> 00:07:52,760
Are we breathing in space?
244
00:07:52,760 --> 00:07:54,920
This isn't space.
245
00:07:52,760 --> 00:07:54,920
It is the void.
246
00:07:54,920 --> 00:07:57,920
This is where you end up
247
00:07:54,920 --> 00:07:57,920
when you reach peak montage.
248
00:07:57,920 --> 00:08:00,240
Colour cards, morphing,
249
00:07:57,920 --> 00:08:00,240
split screens.
250
00:08:00,240 --> 00:08:01,960
Anything can happen here.
251
00:08:01,960 --> 00:08:03,880
Where's Pops?
252
00:08:10,960 --> 00:08:13,200
He's perfecting
253
00:08:10,960 --> 00:08:13,200
every exercise.
254
00:08:14,160 --> 00:08:16,040
Pops, slow down.
255
00:08:16,040 --> 00:08:17,800
Pops, just--
256
00:08:19,080 --> 00:08:21,400
What are we supposed to do?
257
00:08:21,400 --> 00:08:23,960
Every training montage has
258
00:08:21,400 --> 00:08:23,960
a place that appears repeatedly
259
00:08:23,960 --> 00:08:25,800
to show someone's progress.
260
00:08:25,800 --> 00:08:29,520
If we find the nexus point,
261
00:08:25,800 --> 00:08:29,520
we can turn off that boom box.
262
00:08:30,640 --> 00:08:32,880
Huh? Aah.
263
00:08:32,880 --> 00:08:34,320
I'm a ghost.
264
00:08:34,320 --> 00:08:36,560
Aah. Aah.
265
00:08:36,560 --> 00:08:38,840
Bro, is this what it's like
266
00:08:36,560 --> 00:08:38,840
for you all the time?
267
00:08:38,840 --> 00:08:40,160
Pretty much.
268
00:08:40,160 --> 00:08:43,040
I'm, uh... I'm getting
269
00:08:40,160 --> 00:08:43,040
a little sick here.
270
00:08:43,040 --> 00:08:45,440
You are not ghosts.
271
00:08:43,040 --> 00:08:45,440
You are overlays.
272
00:08:45,440 --> 00:08:47,560
Now figure out
273
00:08:45,440 --> 00:08:47,560
Pops' nexus point.
274
00:08:47,560 --> 00:08:50,040
♪ With their blood
275
00:08:47,560 --> 00:08:50,040
On our hands ♪
276
00:08:50,040 --> 00:08:53,040
♪ We fought so hard,
277
00:08:50,040 --> 00:08:53,040
Now can we-- ♪
278
00:08:53,040 --> 00:08:54,400
The wood chopping.
279
00:08:54,400 --> 00:08:56,440
He always levels up
280
00:08:54,400 --> 00:08:56,440
when he chops wood.
281
00:08:56,440 --> 00:08:58,040
Rigby, get to where
282
00:08:56,440 --> 00:08:58,040
the boom box will be
283
00:08:58,040 --> 00:08:59,720
when we come out
284
00:08:58,040 --> 00:08:59,720
of the void.
285
00:08:59,720 --> 00:09:01,080
Throw me, Skips.
286
00:09:01,080 --> 00:09:02,400
Yaah.
287
00:09:03,960 --> 00:09:07,280
♪ So far away,
288
00:09:03,960 --> 00:09:07,280
We wait for-- ♪
289
00:09:07,280 --> 00:09:09,080
Uh, a little faster, Rigby.
290
00:09:09,080 --> 00:09:13,800
♪ For the light source
291
00:09:09,080 --> 00:09:13,800
So wasted and gone ♪
292
00:09:13,800 --> 00:09:16,360
♪ We feel the pain
293
00:09:13,800 --> 00:09:16,360
Of a lifetime ♪
294
00:09:16,360 --> 00:09:18,280
♪ Lost in a thousand days ♪
295
00:09:18,280 --> 00:09:21,640
Oh, no, all he has left to do
296
00:09:18,280 --> 00:09:21,640
is write the perfect signature.
297
00:09:21,640 --> 00:09:24,000
♪ Carry on ♪
298
00:09:25,000 --> 00:09:26,920
Is the boom box about here?
299
00:09:26,920 --> 00:09:28,400
Dude, it's to the left.
300
00:09:26,920 --> 00:09:28,400
To the left.
301
00:09:28,400 --> 00:09:29,680
[OVERLAPPING CHATTER]
302
00:09:29,680 --> 00:09:31,360
Here?
303
00:09:31,360 --> 00:09:32,640
[CHATTER CONTINUES]
304
00:09:35,960 --> 00:09:38,000
Here?
305
00:09:35,960 --> 00:09:38,000
That's it.
306
00:09:40,560 --> 00:09:42,320
[GASPS]
307
00:09:40,560 --> 00:09:42,320
The perfect signature.
308
00:09:42,320 --> 00:09:44,240
ALL: Aah.
309
00:09:46,880 --> 00:09:48,920
Rigby, the boom box.
310
00:09:52,920 --> 00:09:54,440
[ALL PANTING]
311
00:09:56,720 --> 00:09:58,120
[MUSIC STOPS]
312
00:10:04,000 --> 00:10:05,320
Huh?
313
00:10:04,000 --> 00:10:05,320
Huh?
314
00:10:05,320 --> 00:10:06,760
Uhh.
315
00:10:06,760 --> 00:10:09,000
Uhh. Pops?
316
00:10:13,640 --> 00:10:15,080
Rain.
317
00:10:15,080 --> 00:10:16,520
[THUNDER RUMBLES]
318
00:10:24,520 --> 00:10:26,360
[GIGGLES]
319
00:10:26,360 --> 00:10:28,440
He is ready.
320
00:10:28,440 --> 00:10:32,120
Ha ha ha. Ha ha ha ha.
321
00:10:32,120 --> 00:10:34,600
Good show.
322
00:10:34,600 --> 00:10:36,840
[♪♪♪]
323
00:10:45,760 --> 00:10:48,640
[BOTH CHUCKLE]
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