All language subtitles for D S S01E04 1080p WEB h264-DiRT (1)_track3_[eng]

- [Announcer] Previously
on "Death Squad."

- Pavel has disappeared.

He went to the lab.

- Not possible.

The doors are sealed, he
couldn't have gotten in there.

- We have to get the doors open

and get him out of there, Peter.

- I hear you.

But we've got people in
there doing their job.

We're gonna have to wait
until they clear things up.

- Peter, he's my son!

I'll do anything for him.

(dramatic music)

(zombie growls)
(women scream)

(machete thuds)

- We need to move, let's go.

- And I was starting to think
your approach is half baked.

- And I'm starting to
think you're as brain dead

as those things out there.

- You're just pissed

because you got us into
this stinking mess,

and you have no idea
how to get outta here.

You escorted us into oblivion.

(dramatic music)

You're just pissed

because you got us into
this stinking mess,

and you have no idea
how to get outta here.

You escorted us into oblivion.

(Shepherd grunts)
(punch thuds)

- Guys!
- Let them work it out.

- You wanna go?

Really, you want a piece of me?

(dramatic music)

You wanna do this?

Let's go.

Been waiting a long time.

Come on, bring it, tough guy.

Bennett, let's go.

Think you're Mr. Tough Guy?

Come on.

(kicks thudding)
(men grunting)

Come on!

(dramatic music)

Come on.

Come on, tough guy.

(dramatic music)

You done, Bennett?

Are you done?

- Go to hell, Shepherd!

(head thuds)
(Shepherd grunts)

(dramatic music)

(both grunting)

- Tap, Bennett, come on.

- Tap out.

Tap out, Bennett.

You're not gonna get out of it.

(Kirk panting)

- [Kirk] Oh god.

(suspenseful music)

- Great fight, guys.

Perfect time, perfect place.

- Kirk, what are you doing?

He's still our
commanding officer.

This is insubordination.

- Insubordination?

This isn't the Army, Emily.

Out of all people I expected
you to be on my side.

- I'm not taking sides,

and I shouldn't
have to take sides.

And you kicking the
crap outta each other

isn't helping anything.

- We good?

Bennett.

- Look, I think there's
another way outta here.

- He already said that.

- Yeah, well places like this

have a massive
ventilation system.

- They'd have to shut it down

to avoid spreading
the airborne disease.

- She's right, it
would be closed.

- Even so, they should be
way easier to get through

than those security doors.

- Where?

(suspenseful music)

What?

We're gonna go
practically halfway back?

- Through all those zombies?

That'd be suicide.

- Do we have someone who could
get inside Sambuco's house

to get us some information?

- Maybe.

I'll talk to some people.

I'll get right on it.

- He is not telling
me everything.

I need to know what's in house.

Find out everything
exactly what's going on.

Anything that could help
us get Pavel out of there.

- Understood.

(dramatic music)

- Okay.

Almost there, ladies.

Just one more building
to get through.

- I can't.

I feel lightheaded.

- Lightheaded?

Okay, we can take a breather.

Yeah?

Right here.

When was the last time you
two had something to eat?

- Other than your chocolate,
it's been about four days.

- Four days?

Damn, why didn't you say so?

I've got plenty of food.

I have processed canned meat.

And,

more processed canned meat.

Mmm.

Let's see here. (grunts)

Oh yeah, that's pretty good.

Here we go.

Smells pretty good.

- Thank you.

- Hey, no problem.

Yeah, it's good, isn't it?

Mmm, tasty.

So how long have
you two worked here?

(dramatic music)

- Me, about three years.

And Gabriella just
over a year, right?

- And with no contact
with the outside world,

I'm guessing your families must
be pretty worried about you.

- Not yet.

We're usually down her
for four weeks at a time.

(Brooks scoffs)

- And do they know
what you do for work?

- We all signed no
disclosure agreements.

Everything about this
lab is confidential.

No one even knows where we are.

- I see.

So, your families, they
don't ask you where you work,

or what it is that you do?

- They do.

But when you are paid enough,

you can avoid the truth.

- Just by curiosity,
what do you tell them?

- My parents think
that I work abroad.

So once a week, on Wednesday,
I talk to them on Skype.

Today is Sunday, there is
no reason to worry about me.

- Same with me and
most of the workers.

You've seen our shelters.

We live here, we work here.

We go home for a week

on holidays,

but it's just once in
three months or so.

- Oh.

Starting to understand
why you locked the doors

from the outside in this place.

- There's no way leave
the facility on their own.

- It's for security reasons,

so that no viruses can get out.

- So all this time that you
two have been working here

you never suspected
that these scientists

were cooking up some
kind of zombie recipe?

- We were thinking that
we're working to help people.

- Lot of helping it did.

- Look, you saved our
lives, and we owe you,

but you have no right to
accuse us of any of this.

- Okay, relax.

- Anna, he didn't mean it.

- Yeah.

- I'm sorry, I'm just
on edge with everything.

- You'll feel better when
we finally get to Pavel.

- I hardly think so.

- Damn.

(scoffs) Will you
cut this kid a break?

I mean, I don't even
like the little bastard,

but I kinda feel bad for him.

If he survives this, you
owe him, like, a hug,

or a cookie, or something.

- Don't we have to go
and see your friends?

- Yeah.

- Who's coming with me to
the ventilation shafts?

- Kirk,

listen to me, we need to
stay together as a team.

Whatever happened
here is whatever--

- Not now, Thompson.

You.

- No offense, but
I'm surfin' with guy

who didn't just get tapped out.

- Fine.

Emily.

- I'm going with the group.

- Serious?

You know I'm right.

We reach the vent,
we get outta here.

- Even if you are right,
and there is a vent,

we need to stick
together as a unit.

- Great.

So we reach the command
center, enter the code,

what if the code's BS?

Then what?

- Then we figure
out what's next.

As a unit.

- Emily, come with me.

- I don't know what
you're playing at,

but you're not thinking clearly.

- Emily, I'm not playing games!

- I don't know
what you're doing.

If it's just us that
goes outta there,

we'll be dead in
a couple of hours.

(suspenseful music)

- Fine.

I guess we have nothing
more to discuss.

- We had nothing to discuss
for a while now, Kirk,

but it doesn't mean that we
should separate from our team.

It's suicidal.

- You two have 10 seconds to
figure out what you're doing.

They rest of you, grab
you gear and your weapons.

We're moving.

- Sir.

(suspenseful music)

- Emily, look at me.

- What is it?

- I know about you and Shepherd.

- What?
(dramatic music)

There's nothing between
me and Shepherd.

- When we were in Iraq.

- You're so wrong.

- Emily, be honest.

- One night, you
were out on patrol,

and I was back at
the fort with him,

and he made a pass at me,

but I'm the one
who shut him down.

Nothing happened.

Okay?

- You should've told me.

- There was nothing to tell.

Why are bringing this up now?

Are you trying to guilt trip
me into coming with you?

Don't act like
you're so innocent.

- What are you talking about?

- Take it easy, Kirk.

- Okay, fine.

Go ahead and follow Shepherd.

You know he's making a mistake

and everyone's gonna pay for it.

(somber music)

- This doesn't fell
right, commander.

Leaving Bennett back there.

- It was his choice
to go off on his own.

Let him live with it.

Keep moving.

(suspenseful music)

(zombies growling)

(rifle blasts)
(dramatic music)

(zombies growling)

- [Anna] Oh my god!

- Stay back.

- Anna, come on.

(zombies growling)
(dramatic music)

(blood squelches)

(dramatic music)

(Brooks grunts)
(women scream)

(dramatic music)

(zombies growl)
(dramatic music)

(women screaming)

- This way.

(dramatic music)

(guns blasting)

- Girls, get over here.

- Everyone okay?

- Yeah.

Made some new friends.

Everybody, Anna, Gabriella.

- Is that it, or are there more?

- Well we shouldn't
wait around to find out.

(dramatic music)

- Is that blood?

Did you get bit?

- No.

I'm fine, I wasn't bit.

It's not my blood.

- Let's move out.

(dramatic music)

(zombie grunting)

(dramatic music)

(doctor grunting)

(dramatic music)

(blood squelches)

- No!

No!

Why did you do that?

- I think what you mean
to say was "Thank you."

- You ruined everything!

- And what have
you ruined, doctor?

All these people's
lives with this virus.

- So you are the mad scientist.

(dramatic music)

- Look, I can stop this.

All of it.

I was trying to
capture Tovmasyan,

so that way we can
stop all this madness.

- Stop?

How are you going to
stop all of this, doctor?

Have you seen all
those people out there?

They're all monsters like him.

- Even more reason why
he have to keep going

with our work, Pavel.

The only way to end this

is to alter the virus.

We need a specimen from
one of the infected.

- Listen, I hate to break
up your little reunion,

but we should move.

- Wait.

What about Anna?

Is she still alive?

Is she still human?

- I dunno.

(dramatic music)

- Move.

Come on.

(dramatic music)

Go.

(dramatic music)

- [Peter] Viktor.

- Boss, you don't want to swim?

- No.

I wanna put somebody
on on Meknikov.

- [Viktor] Dmitry Meknikov?

- Yeah, I wanna know his
every step, his every breath.

I want you to put a
mobile unite on him

for when he's on the move.

- Okay, I'm on it.

- And obviously, be
discreet about it.

I don't want him to know.

- Of course.

I'll get my best guys on it.

- Do it now.

(suspenseful music)

- Here.

- Okay, go.

(dramatic music)

Sit down.

Now, tell us everything.

- You don't need to
point that thing at me.

- Do not tell me
what to do, doctor.

Now start telling us
about your experiment,

and why the people turned.

Because I have no problem
blowing your head off.

- You wanna kill me?

Go 'head.

Shoot me now.

At this point you would
be doing me a favor.

- What happened to you, doctor?

You were a well respective,
published researcher.

And now this virus.

And what made you think you
had the right to experiment

on human beings?

- If you really wanted answers,

you'd already have them by now.

- You are the elite scientist.

What the hell are
you talking about?

We were working on
bio-medical treatments

to help people with terrible,
debilitating conditions.

It was all to help mankind.

What was that?

Some kind of a noble
fairy tale to get us

to do your dirty work?

- I didn't create
that fairy tale.

- Who did then?

- You already know that.

(dramatic music)

You're fooling
yourself if you think

I would do anything

without your dad's and
Sambuco's approval.

They approved everything,

including the human experiment.

- You're lying.

My father would not do
something like that.

- Maybe you don't know him
as well as you think you do.

This all was his idea.

He built this lab, hired me,
and set the things in motion.

I'm just one piece of this.

- No, you're full of it.

- Believe what you want but
I'm telling you the truth.

- What about the
immune modulators?

- Nothing more than a
convenient cover story

so we could create
biological weapons

and soldiers who can
be easily controlled

but fearing nothing,
including death.

- I do not believe a
word you're saying.

- Think about it,

this lab is underground,

the secrecy,

heavy security,

this lab was built for a reason,

and it was built by
your dad and Sambuco.

- Why would he do that?

No.

- Money is capable of making
people do just anything.

Pavel, you need to grow
up and accept the facts.

(suspenseful music)

- What do you think?

Is it true?

- The truth hurts,
doesn't it, Pavel?

(dramatic music)

- That's him.

- Wait here.

(dramatic music)

(shutter snaps)

(birds chirping)

Do you mind if I
share this bench?

I like the view from this spot.

- Not at all.

Nice weather we're having, yeah?

- If you prefer the
rain, I prefer the sun,

or skiing in late November.

- Okay, what's the deal?

- Well, I want you to
get inside the house.

I want to know what's
going on in that lab.

- Security?

Harder targets are extra.

- Well the place is
tightly locked down.

But once you're inside,

there shouldn't be any cameras.

- How many guards?

- I couldn't tell
you an exact number.

- 300,000, U.S. for the job.

With an additional
20,000 for each person

I'll have to take out.

- Take out?

- Yeah.

It might happen.

It's dangerous work.

If it makes you afraid,

you can find someone
else to do it for you.

- No, no.

Deal.

- Half up front, now.

- Andrei will bring
you the money.

- Just make it happen
today, all right?

- Yes.

This has the
address, some photos,

and contact details where
you'll send the info

that you find.

- Someone followed you here.

(dramatic music)

- I don't think so.

(dramatic music)

You don't have to
worry about it.

- I don't worry.

I'm a businessman

and worrying about
every inconvenience

is bad for business.

But I'll need an extra
10,000 for this added it.

- What?

- For all I know
that's the police

and in my business,

the last thing I
need is them here.

- I'm sure it's not police.

- 10,000.

- Okay, deal.

- Have a nice day.

Enjoy the skiing.

- Thank you.

(suspenseful music)

(water rushing)

- What have you done, dad?

(dramatic music)

- Hey, you feeling okay?

- I don't think how I feel
really matters at this point.

- I spent six months
in an ISIL prison camp.

My wife didn't tell
my kid the true.

She said I was
traveling for work.

She gave gifts to my kid saying,

"It's from your father."

My wife lied so my daughter
didn't think I was in danger.

You feel guilty because
of your father but,

but we don't choose our parents.

Don't blame yourself.

- But how can I get
over what he's done?

- You can't.

Understand that you don't
have to forgive him.

You are not to blame for
what someone else did,

even if that person
was your father.

Accept that and you
will find peace.

(melancholy music)

Eagle Six to Eagle
One, do you read me?

The radio's not working.

I don't know what's happened.

- Maybe it got damaged.

- We have to let the others
know that we found him.

Come on.

(lock rattling)

Come on now.

- Handcuffs are pointless.

I'm not going anywhere.

- So we found the
doctor and his work.

Our task is complete.

We can go to the control center

and meet with the others.

- Where are you taking me?

- Come on.

- I can't leave.

I must stay and finish my work.

Pavel, tell him to free me.

I'm working on developing
an antivirus now.

That's why I was trying to
catch the infected ones.

I can't stop now.

- Pavel, what do you think?

We should trust him?

- No.
(dramatic music)

- Move.

- You're making a big mistake.
- Come on.

(suspenseful music)

- [Emily] Eagle Six to
Eagle Five, come in.

(zombies growling)
(dramatic music)

- Holy hell!

(dramatic music)

(machinery hums)

- Walk faster.

I want to get to that control
center as quickly as possible,

enter the stupid code,

and be down with this place.

(dramatic music)

- You will open the
door to the laboratory?

- [Pavel] Yes.

- No, no, no, no, no!

You can't do that.

That would be a huge
mistake for everyone.

(dramatic music)

- Eagle Six to
Eagle Five, come in.

He's still not answering.

- Just give him
time to cool off.

He'll come around.

What?

- I shouldn't've
let him go alone.

He was acting off of ego
instead of just using logic.

He was upset.

I should've tried harder
to convince him to stay.

If something happens to him

what kind of person
does that make me?

- Makes you human that's all.

He didn't really give you
much choice back there.

Letting you walk away,

that's pretty stupid.

- Are we still
talking about Kirk?

Come on, we need to keep moving.

- Wait a minute.

- Let's just finish this, okay?

- You know, I remember when
you first started dating Kirk.

I never--
- I'm serious.

I just wanna focus
on finishing this.

Can we actually
make that happen?

(dramatic music)

- What do we got?

- We got about...

We got about 15 problems.

- Seriously, there's
gotta be another way

to the command center.

- We can go back that way.

- If we backtrack we don't know
how long that's gonna take.

- And there's no guarantee

there won't be
more of them there.

- So what are we gonna do?

- What are we gonna do?

We're gonna kill some zombies.
(gun clicks)

(dramatic music)

- The next one is where we turn.

(suspenseful music)

Look.

- Wait, wait, wait.

Don't kill them both, save one.

If I confine the virus then
I can save these people.

- Shut up.

We are killing
them, both of them.

- What if we take another way
and avoid them altogether?

- How do we know if
we go another way

there won't be some there too?

Even more than here?

- [Pavel] We don't.

- Then let's stop wasting
time and get this over with.

(suspenseful music)

- But what if he's on the level?

What if he can come
up with a cure?

Then all these
people can be saved.

But if we kill them--

- We are already
been killing them.

- But that was before we
knew we could save them.

- Sorry, kid, we have
no time for this.

If we don't stop Shepherd
from opening those doors,

millions could die.

(dramatic music)

Let's just get this
out of the way.

- No, no, no, wait, wait!

Pavel, wait.
(zombie groans)

Pavel.

No, you don't have to do this!

(zombie groans)
(flesh squelches)

(dramatic music)

- Keep it up, I have more ammo.

- Let's just keep on going.

We are almost there.

- Move.
(dramatic music)

Move, come on!

(dramatic music)

- Oh, really?

You tell that Somali pinhead
if he wants more Abrams Tanks

he's gonna have to pay
it in gold bullion,

otherwise, forget it.
(Viktor knocking)

Unless it's about the lab
I don't wanna hear it.

- It's about Meknikov.

Now he has a mercenary.

- What, seriously?

Who is it?

Anybody good?

- Apparently.

Georgian guy.

Ex-KGB, I don't know
him but he is smart.

He got away from us.

- What did he hire him for?

To kill me?

- You think he would do that?

- I don't know.

If he's desperate
anything's possible.

- I'll increase your
security detail.

- No kidding?

Now listen,

see if you guys can find
out what he hired him for.

- You got it, boss.

(suspenseful music)

- We got here first.

- How do you know?

- If they were here,

they would have have
answered the password.

- Unless they figure it out

that doing that would
put everyone in danger.

- It was part of the job.

- And my job requires
me to be back in my lab

trying to fix this mistake.

- Looks like all
cameras are working.

- Yes, but what about
communicating with the outside?

(suspenseful music)

- No.

It's out.

- Maybe it can be fixed.

- If it can.

(suspenseful music)

We will wait for them.

I suggest we get some rest.

(suspenseful music)

(Tariq sighs)

Oh my god.

I am so tired.

You guys get some rest.

We're safe here.

- Pavel.

Pavel, you're a
man of science too.

You of all people
should understand

why staying here is
a waste of my time.

I can help but I
need to be in my lab.

- Actually, I don't
understand you at all.

So just sit down

and be thankful that this
man hasn't killed you yet.

- Yet?

It's not that I don't trust you,

but I don't trust you, doctor.

Don't make me use this.

(suspenseful music)

Calm down, doctor!

- I can not.

As I said, this is not
the best use of my time,

which we are running out of.

- You know I have been
thinking that maybe he's right.

- Are you kidding?

- No, I'm serious.

- You think we should let
him continue the experiments?

- If we can't open the doors,

what are we going to do?

If we stay here, all of us
are going to be infected,

sooner or later.

- If we don't die
of dehydration,

or hunger first.

- There is always a way.

- How many people that work
here do you think got infected?

- I...

I dunno.

Most if not all, I'm afraid.

- We don't know if there
aren't any survivors.

- All those people,
people I've worked with.

And all of this because of
these crazy experiments.

- Don't worry, everything
will be all right.

(suspenseful music)

(gunshots roaring)

- Definitely gunshots.

Think Tariq?

- We weren't the only
ones that heard those.

- Then we need to go now!

- Okay, we all
take three apiece.

We should be fine.

- These civvies aren't gonna
help us much, are they?

- Ladies, come here.

I know you're scared,
I'm scared too,

I'm gonna give you
something for the anxiety.

I'm gonna give you
Big Bertha, okay?

I'm gonna keep Big Daddy.

Hey!

Keep your booger picker
off that trigger, okay?

Em, you gonna help 'em?

- I'm on it.

- Listen, I want these
back when we're done,

do you understand?

- [Anton] Why did you
give a gun to her?

- Ask your mom!

- So the plan is, we go
straight through 'em?

- Yeah, right through them.

Then to the command center.

- Let's do it.

- All right, you
three stay back.

The rest of you, lock and load.

Let's move out.

Godspeed.

(suspenseful music)

- I'll take the
ones on the left.

You guys can handle
the ones on the right.

- You sure you can handle that?

- I think you know the
answer to that, commander.

- Like in Baghdad?

- Like Baghdad.

- Get hell, those
sons of bitches.

And the rest of you,

nobody shoot until
absolutely necessary.

I don't wanna attract
anymore of those freaks.

Brooks, that shouldn't
be a problem for you.

- No, sir.

Guns are overrated.

- Steady.

Steady.

Now!
(dramatic music)

(zombies growling)

(dramatic music)

(guns blasting)

(dramatic music)

- I'm not gonna be
your damn dinner today.

(zombie growls)

(head thuds)
(blood squelches)

(dramatic music)

(Thompson panting)

- Everybody okay?

- I'm okay.
- Great.

Thompson?

- Yeah, I'm okay.

(dramatic music)

What?

- Were you bitten?

- No.

It's just a scratch.

I was hurt way worse in
Kabul, kept going no problem.

You were there, commander.

- It's just that--

- We wanna make sure
you're not sick, bro.

- Do I look sick?

- No, but that could change.

- Come on, guys, I'm not
gonna turn into one of them.

I promise that, hold on, oh no!

Wait a minute.

- [Shepherd] What?

- I think I'm a zombie. (groans)

- Knock it off, Thompson.

Seriously, are you okay?

- Told ya, I'm fine.

- Clean up his wound.

- Wait, no, don't
touch his wound.

- If he was bitten it
could be transmitted--

- I wasn't bitten!

- You could still be carrying
the virus in your bloodstream.

- What are you trying to say?

Spit it out.

- We should isolate him.

- I said I'm fine.

Let's just go.

- You are fine now,
but it could change,

and change quickly.

We've seen it.

I'm sorry.

- Commander,

let's just do this.

Emily, Brooks.

- Look, that man there,

he dragged my injured
ass three miles

out of a hot zone, after he
took three rounds to the gut.

I'm not leaving him.

- Me neither.

- You're putting us all at
risk if he's staying with us!

- You don't know that.

- Yeah, you suggest that we
just leave our friend behind,

based on something
that might happen?

- You're acting as if I'm
enjoying this or something.

- Everybody just settle down.

We're not leaving him.

- What if we are right?

- And what if you're wrong?

- Where we come from,

we don't leave our
friends behind.

- We're wasting time right now.

We're not leaving him.

So clean up his
wound and let's go.

- You are making a mistake.

- We're not leaving him!

(suspenseful music)

- Thompson, please
take off your vest,

I need to clean the wound.

(dramatic music)

- What's the news?

- [Peter] It's
that other matter.

- [Man] What is it?

- Meknikov, apparently
he's hired some kind

of professional
mercenary or something.

- [Man] Meknikov, really?

What for?

- To spy on me, to
kill me, I dunno,

does it really matter?

- Not if you get in front of it.

- I've taken measures,

but Meknikov is
becoming a real concern.

- Yes, yes, you might be right.

But we still need him for now.

He seems to be
incriminating himself.

- I'm just afraid that he may
actually do something rash.

- Watch him carefully.

And Peter,

I trust your judgment to take
whatever steps are necessary.

- I think we're pretty close

to having this
completely resolved.

- Good.

Keep me informed.

- Will do.

All right.

(suspenseful music)

- What time is it?

- Relax, we are being
relieved in one hour.

(gunshots whooshing)

(dramatic music)

- [Announcer] Next
time on "Death Squad."

- What happened, baby?

- The monster came,
it want to eat me.

- How many times I told you
not to watch scary cartoons?

- Dad!

- Close your ears
and go to sleep.

(dramatic music)

- Pavel!

- Deal with you later.

Get this over with.

Anton, enter the passcode.

- Wait.

We can't do it.

- We have to restrain you.

- I'm not a dog!

- You need to find a new plan.

- Tariq,

dude, get some sleep.

- Can't.

- Dmitry Meknikov.

- This has to do with Pavel.

- [Man] With your son?

- [Dmitry] Yes, he's in trouble.

- You think you can kill me?

Do you think you can kill me?

(dramatic music)