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These are the user uploaded subtitles that are being translated: 1 00:00:07,790 --> 00:00:21,847 ♪♪ 2 00:00:23,110 --> 00:00:28,071 [GUNSHOTS] 3 00:00:39,691 --> 00:00:41,258 [ENGINE REVVING] 4 00:00:41,302 --> 00:00:43,217 [TIRES SCREECHING] 5 00:02:59,309 --> 00:03:00,789 [TYPEWRITER CLACKING AWAY] 6 00:03:00,832 --> 00:03:03,661 Man: TO WHOM IT MAY CONCERN, 7 00:03:03,705 --> 00:03:05,924 MY NAME IS JACK POTTER. 8 00:03:05,968 --> 00:03:09,885 I'M A PRIVATE DETECTIVE, A P.I., A DICK. 9 00:03:09,928 --> 00:03:13,976 THIS IS MY TOWN, THE CITY OF ANGELS, 10 00:03:14,019 --> 00:03:17,849 THE LAND OF SUNSHINE, THE LAND OF MAKE-BELIEVE, 11 00:03:17,893 --> 00:03:22,202 BUT SOMETIMES IT'S TOUGH KNOWING WHAT'S REAL 12 00:03:22,245 --> 00:03:24,421 AND WHAT'S FAKE. 13 00:03:24,465 --> 00:03:26,423 [GUNSHOTS] 14 00:03:26,467 --> 00:03:28,077 [MEN SHOUTING] 15 00:03:28,120 --> 00:03:29,644 [DOOR SLAMMING] 16 00:03:29,687 --> 00:03:32,647 WHAT I'M TELLING YOU IS THE TRUTH. 17 00:03:32,690 --> 00:03:35,563 THIS IS EXACTLY HOW IT HAPPENED. 18 00:03:35,606 --> 00:03:37,826 IT'S ALL RIGHT. YOU'RE GOING TO BE FINE. 19 00:03:39,175 --> 00:03:40,394 OH, RYAN. 20 00:03:40,437 --> 00:03:44,136 OH, THANK GOD. HOW DID YOU FIND ME? 21 00:03:44,180 --> 00:03:46,704 WELL, FLANAGAN MESSED UP. 22 00:03:46,748 --> 00:03:50,665 THE POSTMARK FROM THE LETTER YOU SUPPOSEDLY SENT 23 00:03:50,708 --> 00:03:52,449 IS FROM A BUSINESS, AND HERE I AM. 24 00:03:52,493 --> 00:03:54,930 OH! OH, I'M SO GLAD. 25 00:03:54,973 --> 00:03:57,237 I THOUGHT I'D BE HERE FOREVER. 26 00:04:08,117 --> 00:04:10,206 SORRY, RYAN. 27 00:04:10,250 --> 00:04:14,689 IT AMAZES ME HOW YOU CAN BE SMART YET SO STUPID, 28 00:04:14,732 --> 00:04:17,779 ALL AT THE SAME TIME. 29 00:04:17,822 --> 00:04:19,911 SO, IT WAS YOU. 30 00:04:19,955 --> 00:04:22,131 YOU KILLED MICHAEL. 31 00:04:22,174 --> 00:04:23,872 Woman: AND YOU'RE THE ONLY ONE WHO KNOWS. 32 00:04:23,915 --> 00:04:25,003 [GUN CLICKING] 33 00:04:25,047 --> 00:04:26,962 HEY! 34 00:04:29,094 --> 00:04:33,055 YOU KNOW, THERE'S THREE THINGS I LEARNED AS A P.I. 35 00:04:33,098 --> 00:04:35,405 NEVER TRUST A DAME, 36 00:04:35,449 --> 00:04:38,669 ALWAYS GET IT ON TAPE 37 00:04:38,713 --> 00:04:40,367 AND ALWAYS BRING BACKUP. 38 00:04:40,410 --> 00:04:42,325 SHE'S ALL YOURS, FELLAS! 39 00:04:42,369 --> 00:04:45,197 BUT-- OOH! 40 00:04:45,241 --> 00:04:46,938 GET THE TRAMP OUT OF HERE! 41 00:04:46,982 --> 00:04:48,766 [GASPING] 42 00:04:48,810 --> 00:04:51,203 TOO BAD SHE WAS ROTTEN, HUH, RYAN? 43 00:04:51,247 --> 00:04:54,163 COULD'VE HAD A NICE LIFE TOGETHER. 44 00:04:54,206 --> 00:04:56,513 YEAH... 45 00:04:56,557 --> 00:04:58,472 IT'S TOO BAD. 46 00:05:06,828 --> 00:05:09,091 HOW COULD SHE DO THIS TO ME? 47 00:05:09,134 --> 00:05:10,222 Woman: HOW COULD HE DO THIS TO US? 48 00:05:10,266 --> 00:05:13,051 [AUDIENCE MURMURING] 49 00:05:13,095 --> 00:05:14,575 [SCATTERED APPLAUSE] 50 00:05:14,618 --> 00:05:17,273 THANK YOU! 51 00:05:17,317 --> 00:05:19,928 I'D JUST LIKE TO THANK YOU ALL FOR COMING TO THE WORLD PREMIERE 52 00:05:19,971 --> 00:05:21,930 OF SHOOTING IN THE DARK, 53 00:05:21,973 --> 00:05:25,760 MY DEBUT AS WRITER, DIRECTOR, PRODUCER AND STAR. 54 00:05:25,803 --> 00:05:26,978 [SIGHING] 55 00:05:27,022 --> 00:05:28,850 THANK YOU. 56 00:05:28,893 --> 00:05:30,808 OKAY, LET'S GO. 57 00:05:30,852 --> 00:05:34,116 HOLLYWOOD'S THE LAND OF ILLUSION, 58 00:05:34,159 --> 00:05:36,553 AND FOR A LOT OF THESE BOZOS, 59 00:05:36,597 --> 00:05:38,773 IT'S THE LAND OF DELUSION. 60 00:05:38,816 --> 00:05:41,123 HEY, HOW ARE YOU DOING? 61 00:05:41,166 --> 00:05:43,386 HE-HEY, FELLAS! JOHNNY, WHAT'S UP? 62 00:05:43,430 --> 00:05:45,214 HEY, FRANKIE. I'LL CATCH YOU GUYS IN A BIT. 63 00:05:46,650 --> 00:05:49,784 HE-HEY! GUYS! LET ME BUY YOU A DRINK. 64 00:05:53,657 --> 00:05:55,311 HEY! HEY! 65 00:05:55,355 --> 00:05:56,965 OH, SWEETIE. 66 00:05:57,008 --> 00:06:00,490 IT WAS REALLY, REALLY GOOD. 67 00:06:00,534 --> 00:06:03,058 THANKS A LOT FOR COMING, YOU GUYS. 68 00:06:03,101 --> 00:06:06,366 WELL, ERNIE, ANY OF THE PEOPLE YOU BROUGHT LIKED MY WORK? 69 00:06:06,409 --> 00:06:08,368 I MEAN, COME ON, MAN. 70 00:06:08,411 --> 00:06:10,805 THEY HAD TO BE SOME OF THE BEST STUFF I'VE EVER DONE. 71 00:06:10,848 --> 00:06:13,808 WELL, I KNOW YOU GAVE IT YOUR BEST SHOT, MARTY. 72 00:06:13,851 --> 00:06:16,637 I JUST WANTED TO COME DOWN HERE AND TELL YOU MYSELF. 73 00:06:16,680 --> 00:06:17,986 IT SUCKED. 74 00:06:18,029 --> 00:06:20,423 [CHUCKLING] 75 00:06:20,467 --> 00:06:22,425 I MEAN IT REALLY SUCKED. 76 00:06:22,469 --> 00:06:25,341 BUT HEY, DON'T BEAT YOURSELF UP. 77 00:06:25,385 --> 00:06:28,213 DON'T BEAT MYSELF UP? 78 00:06:28,257 --> 00:06:31,739 ERNIE, I SUNK EVERY LAST DIME I HAD INTO THIS THING. 79 00:06:31,782 --> 00:06:34,132 I EVEN SOLD MY CAR, FOR CHRIST'S SAKE. 80 00:06:34,176 --> 00:06:36,918 YEAH, YEAH. I KNOW, I KNOW. LOOK, I'VE GOT TO GO. 81 00:06:36,961 --> 00:06:38,746 HOLD IT! 82 00:06:38,789 --> 00:06:41,313 ERNIE, HOW ARE WE GOING TO DO? 83 00:06:41,357 --> 00:06:43,533 WELL, I'M GOING SOMEWHERE ELSE, 84 00:06:43,577 --> 00:06:45,753 AND YOU'RE GOING TO START LOOKING FOR NEW REPRESENTATION. 85 00:06:45,796 --> 00:06:47,015 OKAY? 86 00:06:47,058 --> 00:06:48,277 HOLD IT! 87 00:06:48,320 --> 00:06:50,148 HEY. 88 00:06:50,192 --> 00:06:51,280 ERNIE, LOOK AT ME. 89 00:06:51,323 --> 00:06:52,716 GET YOUR HANDS OFF ME. 90 00:06:52,760 --> 00:06:54,501 I'M CASTABLE. I'M EXTREMELY CASTABLE. 91 00:06:54,544 --> 00:06:55,893 I MEAN IT. LET GO OF ME. 92 00:06:55,937 --> 00:06:57,155 YOU CAN'T DO THIS TO ME. 93 00:06:57,199 --> 00:06:58,766 REALLY? 94 00:06:58,809 --> 00:07:00,594 [PEOPLE GASPING] 95 00:07:03,510 --> 00:07:06,295 [CHOKING] 96 00:07:06,338 --> 00:07:07,949 THE FIGHT IS OVER, ALL RIGHT? 97 00:07:07,992 --> 00:07:10,255 OR DO YOU WANT ME TO SHOVE THIS POOL CUE UP YOUR FLABBY ASS? 98 00:07:10,299 --> 00:07:11,692 OH, NO PROBLEM. I'M GONE. 99 00:07:15,565 --> 00:07:17,001 LOSE MY NUMBER. 100 00:07:18,873 --> 00:07:20,831 OH, SWEETIE, YOUR NOSE. 101 00:07:20,875 --> 00:07:22,267 OH, SIT DOWN. 102 00:07:22,311 --> 00:07:25,793 LET ME TAKE A LOOK AT THAT BEAK. 103 00:07:25,836 --> 00:07:28,709 SEE, YOU MIGHT HAVE SOME FRAGMENTED CARTILAGE 104 00:07:28,752 --> 00:07:30,841 JAMMED UP THAT FRONTAL LOBE. 105 00:07:30,885 --> 00:07:32,887 WOULDN'T BE GOOD FOR YOUR GRAMP STATUS. 106 00:07:32,930 --> 00:07:34,018 OW! 107 00:07:34,062 --> 00:07:35,498 ALL RIGHT. 108 00:07:35,542 --> 00:07:37,674 NOW, I CAN STRAIGHTEN OUT THAT SEPTUM 109 00:07:37,718 --> 00:07:39,328 IF YOU WANT TO KEEP YOUR GOOD LOOKS. 110 00:07:39,371 --> 00:07:41,852 OH, HIS LIVELIHOOD DEPENDS ON IT. 111 00:07:41,896 --> 00:07:42,897 YOU A PIMP? 112 00:07:42,940 --> 00:07:44,986 NO. 113 00:07:45,029 --> 00:07:46,727 I'M AN ACTOR. 114 00:07:46,770 --> 00:07:47,902 HMM. 115 00:07:47,945 --> 00:07:49,077 THIS IS GOING TO HURT? 116 00:07:49,120 --> 00:07:50,731 NO, IT'S JUST A MINOR ADJUSTMENT. 117 00:07:50,774 --> 00:07:52,428 HERE WE GO. 118 00:07:52,472 --> 00:07:53,603 [CRACKING] 119 00:07:53,647 --> 00:07:55,475 [SCREAMING] 120 00:07:56,998 --> 00:07:59,261 CHRIST! 121 00:07:59,304 --> 00:08:00,915 JESUS, THAT HURT! 122 00:08:00,958 --> 00:08:02,786 WELL, YOU SEE, ALL PAIN IS NOT BAD. 123 00:08:02,830 --> 00:08:05,223 SOMETIMES THAT'S HOW WE LEARN. 124 00:08:05,267 --> 00:08:06,921 SEE YOU AROUND, KID. 125 00:08:10,707 --> 00:08:12,535 OH, SWEETIE.OW! 126 00:08:12,579 --> 00:08:14,798 WHO WAS THAT? 127 00:08:14,842 --> 00:08:17,409 JACK POTTER. HE'S BEEN A REGULAR HERE FOR OVER 20 YEARS. 128 00:08:17,453 --> 00:08:19,673 HE'S A PRIVATE EYE. 129 00:08:19,716 --> 00:08:21,501 NO SHIT? 130 00:08:21,544 --> 00:08:22,719 WHAT, YOU MEAN THE REAL THING? 131 00:08:22,763 --> 00:08:25,635 THE REAL DEAL. 132 00:08:25,679 --> 00:08:29,334 I DEAL IN THE TRUTH. 133 00:08:29,378 --> 00:08:31,511 SOMETIMES THE TRUTH HURTS BAD. 134 00:08:31,554 --> 00:08:33,338 WHEN YOU GET UP AT NIGHT TO TAKE A LEAK 135 00:08:33,382 --> 00:08:35,819 AND CRACK YOUR TOE ON THE EDGE OF THE FRIGGING BED. 136 00:08:35,863 --> 00:08:38,953 JESUS, THAT HURTS. 137 00:08:38,996 --> 00:08:40,998 I KEEP AN OFFICE ON HOLLYWOOD AND VINE, 138 00:08:41,042 --> 00:08:44,480 A SEEDY PART OF TOWN BUT 10 OR 20 YEARS AGO 139 00:08:44,524 --> 00:08:47,483 WAS A SEEDY PART OF TOWN. 140 00:08:47,527 --> 00:08:50,007 THE ONLY THING ANYBODY EVER DISCOVERED HERE 141 00:08:50,051 --> 00:08:52,793 IS THE HOOKER THEY JUST PAID HAS A PENIS. 142 00:08:52,836 --> 00:08:56,274 POTTER, MORRIS AND MANN. 143 00:08:56,318 --> 00:08:59,016 BUT I WAS ABOUT TO BE DISCOVERED BY THE KID. 144 00:09:04,979 --> 00:09:07,111 HIS NAME IS MARTY MACKENZIE, 145 00:09:07,155 --> 00:09:09,592 ANOTHER ACTOR WITH EMPTY POCKETS 146 00:09:09,636 --> 00:09:13,509 AND A HEAD FILLED WITH DREAMS OF STARDOM. 147 00:09:13,553 --> 00:09:16,599 HE WROTE HIS OWN PLAY, A DETECTIVE STORY, 148 00:09:16,643 --> 00:09:19,820 BUT MARTY DIDN'T HAVE A CLUE. 149 00:09:19,863 --> 00:09:22,779 THAT'S WHAT SET INTO MY DOOR. 150 00:09:22,823 --> 00:09:25,042 [KNOCKING] 151 00:09:25,086 --> 00:09:26,696 COME IN! 152 00:09:26,740 --> 00:09:28,611 Radio: HOLLYWOOD AND 603 BROADWAY... 153 00:09:28,655 --> 00:09:30,265 SUSPECT IS A WHITE HERMAPHRODITE 154 00:09:30,308 --> 00:09:31,919 DRESSED IN A BLACK HOCKEY JERSEY 155 00:09:31,962 --> 00:09:33,529 WITH MATCHING PLEATED SKIRT, OVER. 156 00:09:33,573 --> 00:09:35,749 UH, HEY. POTTER? 157 00:09:35,792 --> 00:09:39,143 YOU REMEMBER ME, THE BLOODY NOSE FROM LAST NIGHT? 158 00:09:39,187 --> 00:09:42,407 THE NAME IS MR. POTTER OR JACK. 159 00:09:42,451 --> 00:09:44,453 I'M POTTER TO THOSE I'VE KNOWN FOR A LONG TIME 160 00:09:44,496 --> 00:09:48,413 OR WHO CAN WHIP MY ASS. NOW, WHAT CAN I DO FOR YOU? 161 00:09:48,457 --> 00:09:52,026 UM, MAYBE YOU COULD HELP ME OUT. 162 00:09:52,069 --> 00:09:54,158 THAT'S MY JOB, HELPING OUT PEOPLE FOR A PRICE, OF COURSE. 163 00:09:54,202 --> 00:09:55,856 SO, WHAT'S YOUR PROBLEM? 164 00:09:55,899 --> 00:09:57,379 YOUR OLD LADY FUCKING SOMEBODY ELSE? 165 00:09:59,120 --> 00:10:00,643 NO. 166 00:10:00,687 --> 00:10:04,821 I'M DOING RESEARCH FOR MY NEW DETECTIVE PLAY. 167 00:10:04,865 --> 00:10:07,389 TEACH ME HOW A REAL P.I. WORKS, MR. POTTER. 168 00:10:07,432 --> 00:10:09,130 PLEASE, I-- 169 00:10:09,173 --> 00:10:11,959 YOU KNOW, I'D MAKE A GREAT DETECTIVE, AND YOU KNOW WHY? 170 00:10:12,002 --> 00:10:14,570 BECAUSE I JUST PLAYED ONE IN THIS REALLY COOL PLAY, 171 00:10:14,614 --> 00:10:16,180 AND I TORE IT UP. 172 00:10:16,224 --> 00:10:18,487 I DON'T NEED ANY HELP, SO YOU'RE WASTING YOUR TIME. 173 00:10:18,530 --> 00:10:20,532 WELL, WHAT ABOUT YOUR PARTNERS? 174 00:10:20,576 --> 00:10:22,578 DO THEY NEED ANY HELP? 175 00:10:22,622 --> 00:10:25,233 I WORK ALONE. 176 00:10:25,276 --> 00:10:27,627 WELL, CAN I AT LEAST FILL OUT AN APPLICATION? 177 00:10:27,670 --> 00:10:29,498 UH, YEAH. 178 00:10:29,541 --> 00:10:31,761 HERE'S AN APPLICATION. 179 00:10:31,805 --> 00:10:34,808 PUT YOUR NAME AND NUMBER DOWN THERE, 180 00:10:34,851 --> 00:10:36,679 AND IF I NEED YOU, I'LL GIVE YOU A CALL. 181 00:10:39,247 --> 00:10:42,859 YOU WON'T REGRET HIRING ME. 182 00:10:42,903 --> 00:10:47,211 HERE'S MY NAME AND MY NUMBER ON THERE, AND PLEASE. 183 00:10:47,255 --> 00:10:49,126 IF YOU HAVE ANYTHING, GIVE ME A CALL. 184 00:10:49,170 --> 00:10:51,651 SEE YOU AROUND. 185 00:10:53,043 --> 00:10:55,132 YEAH. 186 00:10:55,176 --> 00:10:58,440 OH, THE... YOUR PEN. 187 00:11:07,841 --> 00:11:10,670 MARTY DIDN'T KNOW DICK ABOUT BEING A DICK. 188 00:11:10,713 --> 00:11:13,150 THE CRITICS MURDERED HIS PLAY, 189 00:11:13,194 --> 00:11:16,676 HIS AGENT GAVE HIM THE OLD FIVE-KNUCKLE NOSE JOB, 190 00:11:16,719 --> 00:11:18,460 THEN HIS GIRLFRIEND DUMPED HIM FOR HER GIRLFRIEND. 191 00:11:18,503 --> 00:11:20,288 MARTY WAS ON A ROLL... 192 00:11:20,331 --> 00:11:22,159 EVICTED. 193 00:11:22,203 --> 00:11:24,466 DOWNHILL. 194 00:11:34,432 --> 00:11:36,304 ANYTHING ELSE, SPORT? 195 00:11:36,347 --> 00:11:38,349 UH, A LITTLE WATER? 196 00:11:38,393 --> 00:11:40,525 NO, THANKS. 197 00:11:40,569 --> 00:11:42,571 OH, HERE HE IS. HEY, JACK. 198 00:11:42,614 --> 00:11:45,574 HI, NICK. 199 00:11:46,967 --> 00:11:48,664 MR. POTTER! 200 00:11:51,667 --> 00:11:53,582 LOOK, MR. POTTER... 201 00:11:55,497 --> 00:11:57,455 MR. POTTER, I-- 202 00:11:57,499 --> 00:11:59,457 I GOT NOBODY. 203 00:11:59,501 --> 00:12:03,374 I HAVE NO MONEY, NO PLACE TO GO, 204 00:12:03,418 --> 00:12:06,160 NOWHERE. 205 00:12:06,203 --> 00:12:07,770 LOOK, I'LL DO ANYTHING. 206 00:12:07,814 --> 00:12:10,381 I'LL SCRUB YOUR FLOORS, I'LL MOP YOUR CEILINGS, 207 00:12:10,425 --> 00:12:12,253 I'LL CLEAN YOUR TOILET, 208 00:12:12,296 --> 00:12:15,952 I'LL EVEN KISS YOUR ASS, IF YOU PLEASE 209 00:12:15,996 --> 00:12:20,043 JUST LET ME SLEEP ON THAT UGLY GREEN COUCH OF YOURS, 210 00:12:20,087 --> 00:12:23,525 AND I'LL WORK FOR FREE. 211 00:12:25,266 --> 00:12:28,008 YOU KNOW WHAT YOU NEED? 212 00:12:28,051 --> 00:12:29,749 A DRINK. 213 00:12:40,020 --> 00:12:43,023 THAT TASTES LIKE PEPSI. 214 00:12:43,066 --> 00:12:46,983 IT IS PEPSI. 215 00:12:47,027 --> 00:12:48,376 ULCERS. 216 00:12:55,775 --> 00:12:58,386 SO, I TOSSED THE KID A BREAK. 217 00:12:58,429 --> 00:13:01,302 I GAVE HIM A TW0-WEEK TEST DRIVE TO SEE IF HE COULD CUT IT, 218 00:13:01,345 --> 00:13:04,958 AND DON'T CALL ME SOFTIE. THE VIAGRA FIXED THAT. 219 00:13:06,568 --> 00:13:08,875 SHIT. 220 00:13:08,918 --> 00:13:11,529 JESUS CHRIST. 221 00:13:11,573 --> 00:13:13,923 THIS PEN ALMOST TOOK MY FINGER OFF. 222 00:13:13,967 --> 00:13:15,795 NOT A PEN. 223 00:13:15,838 --> 00:13:18,841 FROM THE GODFATHER. IT COMES IN HANDY 224 00:13:18,885 --> 00:13:21,888 WHEN SOME MUGGER WANTS YOUR AUTOGRAPH. 225 00:13:21,931 --> 00:13:28,720 NOW, YOU'RE GOING TO HAVE TO QUIT PLAYING WITH MY SHIT. 226 00:13:28,764 --> 00:13:31,854 SORRY. I WAS JUST WRITING A NOTE THAT I WAS GOING OUT FOR A BURGER. 227 00:13:31,898 --> 00:13:33,943 DO YOU WANT ME TO GET YOU ONE? 228 00:13:33,987 --> 00:13:36,816 NO. I'VE GOT TO GO OVER TO THE NUTHOUSE IN PASADENA, 229 00:13:36,859 --> 00:13:39,253 SERVE A PAPER ON ONE OF THE WOO-WOOS OVER THERE. 230 00:13:39,296 --> 00:13:42,125 I'LL BE GONE FOR AN HOUR OR TWO. 231 00:13:42,169 --> 00:13:44,780 UH, HEY, JACK. 232 00:13:44,824 --> 00:13:46,347 CAN I GO WITH YOU? 233 00:13:46,390 --> 00:13:48,131 WHAT FOR? 234 00:13:48,175 --> 00:13:51,395 YOU NEVER LET ME DO ANY REAL DETECTIVE WORK. 235 00:13:51,439 --> 00:13:53,397 THAT'S BECAUSE YOU'RE NOT A REAL DETECTIVE. 236 00:13:53,441 --> 00:13:56,096 COME ON, POTTER. LET ME GO. 237 00:13:56,139 --> 00:13:57,532 I SWEAR I WILL NOT GET IN THE WAY. 238 00:13:57,575 --> 00:13:59,795 IT'S MR. POTTER OR JACK. 239 00:13:59,839 --> 00:14:02,276 RIGHT. SORRY. 240 00:14:02,319 --> 00:14:04,060 WELL, CAN I GO? 241 00:14:04,104 --> 00:14:07,020 MARTY, I'VE BEEN MEANING TO TELL YOU THIS. 242 00:14:07,063 --> 00:14:09,805 IT'S NOT WORKING OUT. YOU'RE GOING TO HAVE TO LEAVE. 243 00:14:13,940 --> 00:14:16,943 LEAVE? BUT, BUT JACK, I-- 244 00:14:16,986 --> 00:14:18,814 I'VE BEEN WORKING REAL HARD. I'VE BEEN MOPPING AND-- 245 00:14:18,858 --> 00:14:22,339 YOU'VE BEEN DOING FINE. IT'S GOT NOTHING TO DO WITH YOU. 246 00:14:22,383 --> 00:14:25,342 IT'S JUST THAT YOU'RE NOT THE ONLY DESPERATE, BURNT OUT 247 00:14:25,386 --> 00:14:28,084 END-OF-THE-LINE CHARACTER IN TOWN. 248 00:14:28,128 --> 00:14:29,999 I HAVEN'T HAD A CASE FOR WEEKS. 249 00:14:32,349 --> 00:14:35,570 I THINK MAYBE IT'S TIME FOR ME TO BUY THAT BAIT AND TACKLE SHOP 250 00:14:35,613 --> 00:14:39,182 OUT IN THE FLORIDA KEYS AND... 251 00:14:39,226 --> 00:14:41,141 SEMI-RETIRE. 252 00:14:43,143 --> 00:14:44,709 BUT-- 253 00:14:44,753 --> 00:14:46,624 YOU DON'T HAVE ANY CASES AT ALL? 254 00:14:50,802 --> 00:14:53,414 LISTEN, THERE IS THIS CASE. 255 00:14:53,457 --> 00:14:55,024 THE GUY'S WIFE, A REAL SLUT. 256 00:14:55,068 --> 00:14:57,505 SHE'S SCREWING AROUND WITH SOME LOCAL STUD UP IN THIS 257 00:14:57,548 --> 00:15:01,204 HALF-ASSED LITTLE TOWN UP IN OREGON CALLED BEAVER RIDGE. 258 00:15:01,248 --> 00:15:02,989 HE WANTS ME TO GO UP THERE AND GET THE GOODS ON HER, 259 00:15:03,032 --> 00:15:04,816 SO HE CAN DIVORCE HER CHEATING ASS. 260 00:15:04,860 --> 00:15:07,732 BUT I'M NOT GOING TO TAKE THE CASE 261 00:15:07,776 --> 00:15:10,605 BECAUSE I'M SICK OF DEALING WITH ADULTEROUS SWINE. 262 00:15:10,648 --> 00:15:12,607 BUT JACK-- 263 00:15:12,650 --> 00:15:14,087 LET ME DO IT. 264 00:15:14,130 --> 00:15:15,131 OH, YEAH-- 265 00:15:15,175 --> 00:15:16,480 NO, I'M SERIOUS. 266 00:15:16,524 --> 00:15:17,829 LOOK, YOU CAN STAY HOME, 267 00:15:17,873 --> 00:15:19,744 PLAY POOL AND DO WHATEVER IT IS THAT YOU DO. 268 00:15:19,788 --> 00:15:21,050 YOU WOULDN'T KNOW WHERE TO BEGIN. 269 00:15:21,094 --> 00:15:23,531 SO, TEACH ME. I'M A QUICK LEARNER. 270 00:15:31,104 --> 00:15:33,106 I'M GOING TO SHOW YOU A SURVEILLANCE VAN 271 00:15:33,149 --> 00:15:35,978 THAT WAS TOP OF THE LINE WHEN I BOUGHT IT, AND I LOVE IT. 272 00:15:36,022 --> 00:15:38,633 I CALL IT THE GOOD OLD BOY. 273 00:15:38,676 --> 00:15:40,809 NOW, A DETECTIVE THAT'S UP TO HIS SNUFF, 274 00:15:40,852 --> 00:15:43,768 HE HAS THE PROPER TOOLS, AND HE'S GOT THE PROPER DRESS. 275 00:15:43,812 --> 00:15:45,161 NOW, THESE EARRINGS--OW! 276 00:15:45,205 --> 00:15:46,597 THAT'S GOT TO COME OUT OF THERE. 277 00:15:46,641 --> 00:15:47,947 I'LL DO IT! 278 00:15:47,990 --> 00:15:50,253 WELL, TAKE IT OUT! 279 00:15:50,297 --> 00:15:53,343 IF YOU'RE PIERCED ANYWHERE ELSE, THAT'S GOT TO GO, TOO. 280 00:15:55,911 --> 00:15:58,087 HEY, BITCHIN' SLIT BACK. 281 00:16:03,527 --> 00:16:07,009 AH. DON'T FOOL WITH MY SHIT. 282 00:16:07,053 --> 00:16:09,881 NOW, YOU'RE GOING TO NEED THREE THINGS. 283 00:16:09,925 --> 00:16:12,319 YOU'RE GOING TO NEED A CAMERA, TAPE RECORDER AND A SHOTGUN MIKE. 284 00:16:12,362 --> 00:16:13,973 WELL, JACK, WHAT ABOUT A GUN? 285 00:16:14,016 --> 00:16:15,148 NO. 286 00:16:15,191 --> 00:16:16,192 FOR PROTECTION? 287 00:16:16,236 --> 00:16:17,541 NO! 288 00:16:17,585 --> 00:16:19,369 HEY, THIS IS COOL. 289 00:16:19,413 --> 00:16:21,458 OKAY LEAVE MY SHIT ALONE! PUT THAT BACK UP THERE. 290 00:16:23,852 --> 00:16:26,246 YEAH, YOU DO NEED SOMETHING. 291 00:16:26,289 --> 00:16:29,162 HERE, MACE. 292 00:16:29,205 --> 00:16:30,772 IN CASE YOU RUN ACROSS 293 00:16:30,815 --> 00:16:34,558 ANY GIANT KILLER BEAVERS IN BEAVER RIDGE. 294 00:16:34,602 --> 00:16:36,212 NOW, WHEN YOU GET UP THERE, 295 00:16:36,256 --> 00:16:37,909 YOU CHECK IN WITH THE LOCAL POLICE DEPARTMENT, 296 00:16:37,953 --> 00:16:39,824 SO THAT THEY WON'T THINK THAT YOU'RE SOME 297 00:16:39,868 --> 00:16:43,654 OUT OF TOWN DOPE DEALER WHEN THEY CATCH YOU SNOOPING AROUND. 298 00:16:43,698 --> 00:16:46,396 SO, LET'S GET OUT ON THE FIELD 299 00:16:46,440 --> 00:16:49,573 AND ACQUIRE SOME SKILLS. 300 00:16:49,617 --> 00:16:52,576 I TOOK MARTY TO A STAKEOUT 301 00:16:52,620 --> 00:16:55,318 AT A MAKE OUT MOTEL IN MAUI, 302 00:16:55,362 --> 00:16:58,104 DUMPED WITH TEFLON SHEETS AND A TWO-CONDOM MINIMUM. 303 00:17:00,889 --> 00:17:03,848 FIRST THING YOU DO IS, YOU TAKE YOURSELF A PICTURE 304 00:17:03,892 --> 00:17:05,894 OF THE TWO OF THEM GOING INSIDE. 305 00:17:05,937 --> 00:17:07,591 TAKE A PICTURE OF THEM, JUST FOR PRACTICE. 306 00:17:07,635 --> 00:17:08,679 NOW, BEFORE THEY GET INSIDE-- 307 00:17:08,723 --> 00:17:10,072 [SHUTTER CLICKING] 308 00:17:10,116 --> 00:17:12,466 THAT'S ENOUGH. ONE PICTURE IS ENOUGH. 309 00:17:14,120 --> 00:17:15,599 ALL RIGHT. 310 00:17:15,643 --> 00:17:18,124 NOW, WE'VE GOT THE TAPE RECORDER GOING. 311 00:17:18,167 --> 00:17:19,777 OKAY. 312 00:17:19,821 --> 00:17:21,562 MAYBE YOU'LL HEAR THEM SAYING EACH OTHER'S NAMES. 313 00:17:21,605 --> 00:17:22,911 [MOANING] 314 00:17:22,954 --> 00:17:24,217 THERE, NOW SEE... 315 00:17:24,260 --> 00:17:27,002 [WOMAN SPEAKING SPANISH] 316 00:17:27,046 --> 00:17:28,221 [MAN MOANING] 317 00:17:28,264 --> 00:17:29,657 OH, YEAH. 318 00:17:29,700 --> 00:17:32,616 Man: I LOVE IT WHEN YOU TALK TO ME THAT WAY. 319 00:17:32,660 --> 00:17:34,662 IT MAKES ME GO HARD. 320 00:17:34,705 --> 00:17:37,621 [MOANING] 321 00:17:37,665 --> 00:17:38,970 [SHOUTING] 322 00:17:39,014 --> 00:17:40,320 LOOKS LIKE THAT'S HER HUSBAND. 323 00:17:40,363 --> 00:17:41,712 SOMEONE BROKE THE CARDINAL RULE. 324 00:17:41,756 --> 00:17:44,063 "YOU MUST NEVER TELL THE CLIENT 325 00:17:44,106 --> 00:17:46,021 WHERE THE STAKEOUT IS GOING TO BE." 326 00:17:46,065 --> 00:17:47,153 CALM DOWN! 327 00:17:47,196 --> 00:17:48,676 COME ON! 328 00:17:48,719 --> 00:17:51,157 GET OUT OF MY FACE! MY WIFE'S IN THERE! 329 00:17:51,200 --> 00:17:53,333 COME ON, HONEY! [SHOUTING] 330 00:17:53,376 --> 00:17:55,639 THAT'S WHAT TENDS TO HAPPEN. 331 00:17:55,683 --> 00:17:57,641 Marty: JESUS. 332 00:17:57,685 --> 00:18:00,079 [SHOUTING] 333 00:18:00,122 --> 00:18:01,863 [HORN HONKING] 334 00:18:01,906 --> 00:18:04,692 HEY, THOSE ARE MY TITS! I PAID GOOD MONEY FOR THOSE! 335 00:18:04,735 --> 00:18:06,737 YOU STILL WANT TO BE A PRIVATE EYE? 336 00:18:06,781 --> 00:18:08,130 OH, YEAH. 337 00:18:08,174 --> 00:18:09,871 JACK, I'M READY. 338 00:18:11,307 --> 00:18:13,048 ALL RIGHT. 339 00:18:13,092 --> 00:18:18,053 HERE ARE THE KEYS TO MY CHERRY CHEVELLE. 340 00:18:18,097 --> 00:18:19,576 WOW. 341 00:18:19,620 --> 00:18:21,535 JUST A MINUTE. 342 00:18:24,190 --> 00:18:26,322 DON'T YOU SCRATCH THAT PAINT, KID. 343 00:18:26,366 --> 00:18:30,065 THE NEXT MORNING, I POINTED MARTY NORTH WITH FINGERS CROSSED. 344 00:18:30,109 --> 00:18:32,154 WITH ONLY A DAY OF TRAINING UNDER HIS BELT, 345 00:18:32,198 --> 00:18:34,461 I WAS WORRIED. 346 00:18:34,504 --> 00:18:37,377 I LOVED THAT CAR. 347 00:18:37,420 --> 00:18:42,469 ♪♪ 348 00:18:54,176 --> 00:18:56,613 THE KID WASN'T PLAY-ACTING ANYMORE. 349 00:18:56,657 --> 00:18:58,659 HE WAS WORKING A REAL CASE, 350 00:18:58,702 --> 00:19:02,967 THE CASE OF INFIDELITY, LUST, FOOLING AROUND. 351 00:19:03,011 --> 00:19:05,927 YOU KNOW, HUMPING. 352 00:19:15,763 --> 00:19:18,331 AS MARTY DROVE NORTH, THE WEATHER WENT SOUTH. 353 00:19:18,374 --> 00:19:20,550 FROM 'FRISCO TO OREGON, 354 00:19:20,594 --> 00:19:23,074 THE SKY WAS WETTER THAN A FAT STRIPPER'S THONG. 355 00:19:35,086 --> 00:19:36,697 I'M STARVING. 356 00:19:36,740 --> 00:19:38,177 IS THERE A CANDY MACHINE AROUND HERE OR SOMETHING? 357 00:19:38,220 --> 00:19:40,266 UH-HUH. 358 00:19:40,309 --> 00:19:42,877 OH, HEY. THERE YOU ARE. 359 00:19:42,920 --> 00:19:44,966 ATTA GIRL. HI. 360 00:19:55,106 --> 00:19:56,325 [CROAKING] 361 00:19:56,369 --> 00:19:57,892 JESUS. 362 00:20:00,590 --> 00:20:02,244 ISN'T THAT THING DANGEROUS? 363 00:20:02,288 --> 00:20:04,725 ONLY IF HE BITES YOU. 364 00:20:04,768 --> 00:20:06,770 [CROAKING] 365 00:20:15,475 --> 00:20:17,433 AFTER A LONG NIGHT ON A SHORT MATTRESS, 366 00:20:17,477 --> 00:20:19,957 MARTY WAS UP WITH THE BIRDS, HEADING INTO TOWN. 367 00:20:22,308 --> 00:20:26,312 BEAVER RIDGE-- SMALL TOWN, USA. 368 00:20:39,586 --> 00:20:42,197 NORMAN ROCKWELL CAN EAT ME. 369 00:20:42,241 --> 00:20:44,460 PEOPLE ARE FREAKS, DOESN'T MATTER WHERE THEY LIVE, 370 00:20:44,504 --> 00:20:48,638 AND BEAVER RIDGE IS NO EXCEPTION. 371 00:20:48,682 --> 00:20:51,598 THE GUIDEBOOK SAYS THE NAME BEAVER RIDGE 372 00:20:51,641 --> 00:20:53,426 COMES FROM THE INDIANS, 373 00:20:53,469 --> 00:20:56,167 BUT THE LOCAL LUMBERJACKS TELL A DIFFERENT STORY. 374 00:20:56,211 --> 00:20:58,126 SOMETHING ABOUT A POORLY RUN GIRL'S SCHOOL 375 00:20:58,169 --> 00:21:00,998 THAT USED TO BE UP IN THE HILL. 376 00:21:01,042 --> 00:21:02,696 [PHONE RINGING] 377 00:21:10,225 --> 00:21:12,358 GOOD MORNING. 378 00:21:12,401 --> 00:21:14,838 AH, HOW CAN I HELP YOU? 379 00:21:14,882 --> 00:21:17,101 UH, I WAS JUST WONDERING IF YOUR SHERIFF WAS IN. 380 00:21:18,668 --> 00:21:20,235 SHERIFF! 381 00:21:20,279 --> 00:21:21,889 SOMEONE HERE TO SEE YOU, BY GOD! 382 00:21:21,932 --> 00:21:24,326 Man: HOLD YOUR DAMN HORSES, CHARLIE! 383 00:21:24,370 --> 00:21:25,849 [TOILET FLUSHING] 384 00:21:25,893 --> 00:21:28,156 [LATCH CLICKING] 385 00:21:28,199 --> 00:21:30,376 THANK YOU. 386 00:21:39,210 --> 00:21:41,125 YOU THE ONE HERE TO SEE ME? 387 00:21:41,169 --> 00:21:43,345 YES, SIR. 388 00:21:43,389 --> 00:21:46,000 WHAT DO YOU WANT? 389 00:21:46,043 --> 00:21:48,132 UH, I JUST WANTED TO CHECK IN WITH YOU 390 00:21:48,176 --> 00:21:49,438 AND LET YOU KNOW I'M IN TOWN. 391 00:21:49,482 --> 00:21:51,919 MY NAME'S MARTY MACKENZIE. 392 00:21:51,962 --> 00:21:54,443 I'M A PRIVATE DETECTIVE FROM LOS ANGELES, 393 00:21:54,487 --> 00:21:56,402 AND I'M JUST HERE, WORKING ON A CASE. 394 00:21:56,445 --> 00:21:58,752 NOTHING-- NOTHING SERIOUS, 395 00:21:58,795 --> 00:22:00,667 BUT, YOU KNOW, I'D JUST LIKE YOUR COOPERATION, 396 00:22:00,710 --> 00:22:02,277 IN CASE SOMETHING HAPPENS, YOU KNOW. 397 00:22:02,321 --> 00:22:04,671 WELL, YOU DON'T LOOK LIKE NO PRIVATE DETECTIVE. 398 00:22:04,714 --> 00:22:06,716 WHAT YOU INVESTIGATING, BOY? 399 00:22:06,760 --> 00:22:08,979 UH, WELL, IT'S JUST AN ADULTERY CASE. 400 00:22:13,027 --> 00:22:15,029 I, I REALLY CAN'T TELL YOU MUCH MORE THAN THAT. 401 00:22:15,072 --> 00:22:16,683 DON'T YOU THINK FOLKS' PRIVATE BUSINESS 402 00:22:16,726 --> 00:22:18,380 IS THEIR OWN PRIVATE BUSINESS? 403 00:22:18,424 --> 00:22:21,209 WELL, SIR, IT'S JUST MY JOB. 404 00:22:21,252 --> 00:22:23,211 WHAT'S YOUR JOB? SNEAKING AROUND, PEEKING AROUND, 405 00:22:23,254 --> 00:22:25,213 SEEING WHO'S DIDDLING WHO? THAT AIN'T NO JOB. 406 00:22:25,256 --> 00:22:26,693 THAT'S A PERVERSION, BOY. 407 00:22:29,260 --> 00:22:31,524 WELL, I SHOULD ONLY BE IN TOWN A COUPLE OF DAYS. 408 00:22:31,567 --> 00:22:33,047 YOU KNOW WHAT I THINK? 409 00:22:33,090 --> 00:22:34,962 I THINK YOU OUGHT TO LEAVE TOWN RIGHT NOW. 410 00:22:35,005 --> 00:22:38,357 YOU AIN'T GOT NO BUSINESS HERE. SEE, FOLKS AROUND HERE, 411 00:22:38,400 --> 00:22:41,751 WE DON'T LIKE NO ONE, EXCEPT FOR OURSELVES. 412 00:22:45,276 --> 00:22:49,063 WELL, SHERIFF, I CAN'T LEAVE UNTIL I DO MY JOB. IT'S... 413 00:22:54,068 --> 00:22:55,939 EXCUSE ME. 414 00:22:55,983 --> 00:22:58,420 I WAS JUST WONDERING IF YOU COULD MAYBE 415 00:22:58,464 --> 00:23:00,857 KEEP MY PRESENCE HERE, YOU KNOW, QUIET. 416 00:23:00,901 --> 00:23:02,859 OH, WE AIN'T GOING TO TELL ANYBODY. 417 00:23:05,471 --> 00:23:08,256 WELL, THANKS. 418 00:23:08,299 --> 00:23:10,780 [PHONE RINGING] 419 00:23:10,824 --> 00:23:13,566 IT HAD BEEN A HALF AN HOUR SINCE MARTY ATE BREAKFAST, 420 00:23:13,609 --> 00:23:17,178 SO HE WENT FOR A BITE AT BUD'S, A GREASY SPOON 421 00:23:17,221 --> 00:23:19,398 WHERE THE LOCALS GATHERED TO CHEW THE FAT. 422 00:23:34,978 --> 00:23:38,025 WHEN IN ROME, DO LIKE THE ROMANS; 423 00:23:38,068 --> 00:23:40,549 BUT MARTY WASN'T IN ROME. 424 00:23:40,593 --> 00:23:42,899 ROME'S IN ITALY. 425 00:23:47,469 --> 00:23:49,210 PSST. 426 00:23:49,253 --> 00:23:51,517 YOU'RE THAT POLICEMAN FROM DOWN SOUTH, AIN'T YOU? 427 00:23:53,736 --> 00:23:57,174 NO, NO, NO. I'M JUST A TOURIST. 428 00:23:57,218 --> 00:24:00,787 NO. I HEARD YOU'RE HERE, INVESTIGATING. 429 00:24:00,830 --> 00:24:04,094 NO, NO. 430 00:24:04,138 --> 00:24:05,748 YOU KNOW, THAT IS SOME BEAUTIFUL WEATHER 431 00:24:05,792 --> 00:24:07,271 YOU'RE HAVING OUT THERE, HUH? 432 00:24:09,012 --> 00:24:11,014 HI. UM, CAN I JUST GET 433 00:24:11,058 --> 00:24:13,843 A CUP OF COFFEE AND THREE DOUGHNUTS? 434 00:24:13,887 --> 00:24:16,455 ANYTHING FOR A GOVERNMENT MAN. 435 00:24:16,498 --> 00:24:18,500 I'M, I'M NOT A GOVERNMENT... 436 00:24:25,638 --> 00:24:29,816 THE PORCUPINES IS TOO BIG AROUND HERE. 437 00:24:32,514 --> 00:24:34,995 REALLY? 438 00:24:35,038 --> 00:24:37,171 THAT'S INTERESTING. 439 00:24:37,214 --> 00:24:39,826 I'M GOING TO TELL YOU SOME TOP SECRET INFORMATION, 440 00:24:39,869 --> 00:24:42,045 BUT IT'S TOP SECRET. 441 00:24:42,089 --> 00:24:44,613 SO, IF IT GOES ANY FURTHER, 442 00:24:44,657 --> 00:24:46,441 YOU'RE A GODDAMN LIAR. 443 00:24:49,357 --> 00:24:51,620 OKAY. 444 00:24:51,664 --> 00:24:56,320 THERE AIN'T SUPPOSED TO BE NO NUCLEAR TESTING AROUND HERE, 445 00:24:56,364 --> 00:24:57,974 BUT THEY DO IT ANYHOW. 446 00:24:59,323 --> 00:25:01,935 THAT'S REALLY INTERESTING. 447 00:25:01,978 --> 00:25:03,719 I'M GOING TO TELL YOU SOMETHING ELSE, 448 00:25:03,763 --> 00:25:06,766 BUT IT'S TOP, TOP SECRET. 449 00:25:06,809 --> 00:25:08,985 ME AND MY OLD MAN, WE SEEN A TWO-HEADED MULE THE OTHER DAY, 450 00:25:09,029 --> 00:25:12,336 RIGHT UP ON THAT RIDGE, SOUTH OF TOWN. 451 00:25:12,380 --> 00:25:16,689 JUST THOUGHT YOU SHOULD KNOW, BEING A GOVERNMENT SPY AND ALL. 452 00:25:19,692 --> 00:25:21,607 THANK YOU. 453 00:25:25,654 --> 00:25:28,004 WITH A BELLY FULL OF DOUGHNUTS, 454 00:25:28,048 --> 00:25:31,399 HE TRACKED DOWN DIANE'S HOUSE AND SETTLED IN. 455 00:25:31,442 --> 00:25:33,836 THE OLD WAITING GAME: 456 00:25:33,880 --> 00:25:36,273 SECOND WORST PART OF THE GIG. 457 00:25:36,317 --> 00:25:38,145 THE WORST IS WHEN YOU GET YOUR BUTT CHEEKS RIPPED OFF 458 00:25:38,188 --> 00:25:40,234 BY PIT BULL WITH TOURETTE'S. 459 00:25:40,277 --> 00:25:41,931 THAT REALLY SUCKS. 460 00:25:49,896 --> 00:25:52,246 OKAY, DIANE. 461 00:25:52,289 --> 00:25:54,248 TAKE ME TO YOUR LOVE NEST. 462 00:26:12,440 --> 00:26:15,922 FROM A SAFE DISTANCE, HE TAILED DIANE WITH HIS HEADLIGHTS OFF, 463 00:26:15,965 --> 00:26:20,230 WHICH IS A GOOD WAY TO HIT A DEER, BUST UP MY GRILL WORK. 464 00:26:20,274 --> 00:26:22,668 KNUCKLEHEAD. 465 00:26:45,342 --> 00:26:47,736 [THUNDER CRASHING] 466 00:26:53,916 --> 00:26:56,397 OH, IF JACK COULD SEE ME NOW. 467 00:27:02,969 --> 00:27:04,884 Woman: WE HAVEN'T HAD THIS KIND OF FUN 468 00:27:04,927 --> 00:27:07,669 SINCE WE GOT MARRIED. IT'S LIKE WE'RE KIDS AGAIN! 469 00:27:07,713 --> 00:27:09,236 MARRIED? 470 00:27:09,279 --> 00:27:12,021 IT'S SO ROMANTIC. 471 00:27:12,065 --> 00:27:14,371 Man: ARE YOU READY FOR SOME REAL LOVING? 472 00:27:14,415 --> 00:27:19,725 Woman: OOH, OOH! DEEPER, DEEPER! 473 00:27:19,768 --> 00:27:22,249 [MOANING AND GROANING] 474 00:27:22,292 --> 00:27:25,382 UNTIE THE KNOT AND GIVE ME MORE ROPE. 475 00:27:25,426 --> 00:27:26,906 Man: HERE COMES MORE ROPE, BABY. 476 00:27:26,949 --> 00:27:29,778 Woman: OH! I SAID MORE ROPE! 477 00:27:29,822 --> 00:27:33,434 Man: THAT'S ALL THE ROPE I HAVE, DIANE. 478 00:27:33,477 --> 00:27:37,656 IT WAS ALL TOO EASY, EXCEPT FOR ONE LITTLE DETAIL. 479 00:27:37,699 --> 00:27:39,919 WHILE DIANE WAS GETTING LAID-- 480 00:27:39,962 --> 00:27:41,921 Man: OH, GOD. HELP! SOMEBODY HELP! 481 00:27:41,964 --> 00:27:45,185 SOMEONE ELSE WAS GETTING FUCKED. 482 00:27:45,228 --> 00:27:47,535 [FOOTSTEPS RUNNING] 483 00:27:52,714 --> 00:27:56,283 Woman: OH, DEEPER, DEEPER. 484 00:27:56,326 --> 00:27:58,938 Man: OH, YES. YES. 485 00:27:58,981 --> 00:28:00,635 [GROANING] 486 00:28:00,679 --> 00:28:02,158 Man: PLEASE, DON'T! DON'T! 487 00:28:02,202 --> 00:28:05,074 UH! 488 00:28:05,118 --> 00:28:06,641 [GASPING] 489 00:28:07,816 --> 00:28:09,688 [EXPLOSION] 490 00:28:18,218 --> 00:28:20,263 THE KID'S NERVES HELD, 491 00:28:20,307 --> 00:28:22,657 ALTHOUGH HE DID WASTE HALF A ROLL OF FILM 492 00:28:22,701 --> 00:28:24,790 TAKING PICTURES OF HIS MICROPHONE. 493 00:28:24,833 --> 00:28:26,226 GET HOME.BYE. 494 00:28:27,880 --> 00:28:30,578 [EXPLOSION] 495 00:28:32,449 --> 00:28:34,364 [ENGINE STARTING] 496 00:29:22,848 --> 00:29:25,111 WHAT THE HELL ARE YOU DOING HERE, BOY? 497 00:29:25,154 --> 00:29:26,547 YOU DO THIS? 498 00:29:26,590 --> 00:29:27,896 NO. 499 00:29:27,940 --> 00:29:30,072 THEN WHAT ARE YOU DOING HERE? 500 00:29:30,116 --> 00:29:32,553 I'M WORKING ON MY CASE. 501 00:29:32,596 --> 00:29:35,382 YOU MEAN THAT ADULTERY THING? 502 00:29:35,425 --> 00:29:37,340 YEAH. 503 00:29:37,384 --> 00:29:38,777 WHAT ARE YOU DOING HERE? 504 00:29:38,820 --> 00:29:40,866 I'M THE DAMN SHERIFF OF THIS TOWN. 505 00:29:40,909 --> 00:29:42,998 WHAT THE HELL DO YOU THINK I'M DOING HERE? 506 00:29:43,042 --> 00:29:44,695 I'M INVESTIGATING! 507 00:29:44,739 --> 00:29:47,611 SHERIFF, I THINK THAT I HEARD SOMEONE BEING MURDERED OUT HERE. 508 00:29:47,655 --> 00:29:50,005 I GOT A LOT OF WORK TO DO. 509 00:29:50,049 --> 00:29:52,094 I AIN'T GOT TIME TO DEAL WITH WHAT YOU THINK YOU HEARD. 510 00:29:52,138 --> 00:29:53,835 NOW, I'LL TAKE YOUR STATEMENT IN THE MORNING. 511 00:29:53,879 --> 00:29:55,402 NOW, GET! 512 00:29:55,445 --> 00:29:57,099 OKAY. SURE. HEY, I UNDERSTAND. 513 00:29:57,143 --> 00:29:59,928 I'M IN THE INVESTIGATING BUSINESS MYSELF. 514 00:30:10,896 --> 00:30:13,420 SON OF A BITCH. 515 00:30:13,463 --> 00:30:15,161 Woman: MORE ROPE. 516 00:30:15,204 --> 00:30:16,858 Man: OH, HERE COMES MORE ROPE, BABY. 517 00:30:16,902 --> 00:30:20,601 Woman: OH. I SAID MORE ROPE! 518 00:30:20,644 --> 00:30:22,298 Man: THAT'S ALL THE ROPE I HAVE, DIANE. 519 00:30:22,342 --> 00:30:23,952 [MOANING] 520 00:30:23,996 --> 00:30:27,477 Woman: OH, DEEPER, DEEPER. DEEPER. 521 00:30:27,521 --> 00:30:29,915 Man: OH, YEAH. YEAH. 522 00:30:29,958 --> 00:30:32,439 Woman: OH, MORE! DEEPER! 523 00:30:32,482 --> 00:30:34,571 Man: OKAY. HERE IT COMES. 524 00:30:34,615 --> 00:30:36,660 [GROANING] 525 00:30:36,704 --> 00:30:38,575 [MOANING] 526 00:30:46,801 --> 00:30:49,630 SHIT. 527 00:30:49,673 --> 00:30:51,588 THE TAPE RAN OUT. 528 00:30:58,030 --> 00:31:00,641 Marty: YEAH, HOLD ON! 529 00:31:04,732 --> 00:31:06,168 YOU ON DRUGS, BOY? 530 00:31:06,212 --> 00:31:08,431 WHAT? 531 00:31:08,475 --> 00:31:11,347 I SAID, YOU ON DRUGS? 532 00:31:11,391 --> 00:31:14,481 NO. SHERIFF, NO. I, I JUST-- 533 00:31:14,524 --> 00:31:16,613 I WAS UP MOST OF THE NIGHT. 534 00:31:16,657 --> 00:31:19,225 I COMPLETED MY INVESTIGATION 535 00:31:19,268 --> 00:31:21,444 ON WHAT HAPPENED LAST NIGHT, DOWN AT THE GRAVEL PIT. 536 00:31:21,488 --> 00:31:24,143 SOMEBODY WAS KILLED, ALL RIGHT, BUT IT WASN'T MURDER. 537 00:31:24,186 --> 00:31:26,536 SEEMS THE FOREMAN AT THAT PLACE 538 00:31:26,580 --> 00:31:29,235 HAD A LITTLE GRUDGE AGAINST THE OWNER, MR. PALM. 539 00:31:29,278 --> 00:31:31,541 TRIED TO BLOW THE PLACE UP BUT KILLED HIMSELF INSTEAD. 540 00:31:31,585 --> 00:31:34,805 AIN'T NOTHING LEFT OF HIM BUT LITTLE BITTY PIECES NOW. 541 00:31:34,849 --> 00:31:37,765 NOW, YOU GOT YOUR BUSINESS DONE. 542 00:31:37,808 --> 00:31:39,941 I'D LIKE YOU TO GET THE HELL OUT OF MY TOWN. 543 00:31:41,508 --> 00:31:43,336 YOU HAVE A NICE DAY, BOY. 544 00:31:47,122 --> 00:31:48,819 Man: LET'S GET SOME FRIES. 545 00:31:55,435 --> 00:31:57,437 WHILE MARTY WAS GETTING HIS WAKEUP CALL, 546 00:31:57,480 --> 00:31:59,569 I WAS OUT MAKING A CALL OF MY OWN 547 00:31:59,613 --> 00:32:01,571 ON A REAL ESTATE BROKER. 548 00:32:01,615 --> 00:32:04,357 HAD A LEAD ON A NICE SPOT ON THE BEACH IN FLORIDA. 549 00:32:04,400 --> 00:32:08,709 THOUGHT I COULD HAVE IT FOR A SONG AND $410,000. 550 00:32:11,190 --> 00:32:12,713 [BEEPING] 551 00:32:12,756 --> 00:32:14,889 Marty: POTTER, I MEAN JACK, HEY, IT'S ME, MARTY. 552 00:32:14,933 --> 00:32:17,065 I GOT THE DIRT ON DIANE, 553 00:32:17,109 --> 00:32:18,937 BUT THE GUY SHE'S DOING IS HER HUSBAND. 554 00:32:18,980 --> 00:32:22,288 SHE'S NOT A SLUT, JUST KINKY. 555 00:32:22,331 --> 00:32:24,072 OH, AND JACK, 556 00:32:24,116 --> 00:32:27,597 I STUMBLED ONTO SOMETHING BIG, REALLY BIG. 557 00:32:27,641 --> 00:32:29,643 LOOK, I THINK I HEARD SOMEONE BEING MURDERED. 558 00:32:29,686 --> 00:32:31,166 Man: KID, YOUR PIZZA'S READY! 559 00:32:31,210 --> 00:32:32,994 LOOK, GOTTA GO, JACK. 560 00:32:33,038 --> 00:32:35,518 I WONDER WHAT THAT LITTLE PECKER IS UP TO. 561 00:33:05,984 --> 00:33:08,464 [SCREAMING] 562 00:33:09,770 --> 00:33:11,685 JACK! 563 00:33:14,601 --> 00:33:16,429 JACK, ARE YOU OKAY? 564 00:33:16,472 --> 00:33:19,040 [GROANING] 565 00:33:19,084 --> 00:33:20,694 JESUS, YOU SCARED THE CRAP OUT OF ME! 566 00:33:26,961 --> 00:33:29,833 JACK, CAN YOU TALK YET? 567 00:33:32,358 --> 00:33:34,838 JACK. 568 00:33:36,753 --> 00:33:38,581 WHAT ARE YOU DOING HERE ANYWAY? 569 00:33:38,625 --> 00:33:41,236 I DROVE UP TO SEE YOU. 570 00:33:41,280 --> 00:33:43,543 I SAW YOU IN MY CAR, FOLLOWED IT 571 00:33:43,586 --> 00:33:46,589 AND GOT MACED BY A SHITHEAD. 572 00:33:46,633 --> 00:33:48,896 YEAH, THE STUFF REALLY WORKS. 573 00:33:48,939 --> 00:33:50,550 NO KIDDING. 574 00:33:50,593 --> 00:33:52,073 [KETTLE WHISTLING] 575 00:33:59,341 --> 00:34:01,343 WELL, HERE. 576 00:34:01,387 --> 00:34:03,476 I MADE YOU THIS. 577 00:34:03,519 --> 00:34:05,739 I THINK IT WILL MAKE YOU FEEL BETTER. 578 00:34:10,091 --> 00:34:14,182 JACK, YOU'RE NOT GOING TO BELIEVE IT. 579 00:34:14,226 --> 00:34:17,011 THE WEIRDEST THING HAPPENED. 580 00:34:17,055 --> 00:34:19,405 WHILE I WAS UP THERE RECORDING THEM 581 00:34:19,448 --> 00:34:22,321 GOING AT IT LIKE JACKRABBITS, 582 00:34:22,364 --> 00:34:24,801 JACK, I THINK I HEARD SOMEONE BEING MURDERED. 583 00:34:24,845 --> 00:34:27,456 YOU GET THAT ON TAPE, THE MURDER? 584 00:34:27,500 --> 00:34:30,198 DAMN IT, I KNEW YOU WERE GOING TO ASK ME THAT. 585 00:34:30,242 --> 00:34:33,027 NO, NO. THE TAPE RAN OUT, BUT LISTEN, JACK, I'M TELLING YOU-- 586 00:34:33,071 --> 00:34:34,681 I'LL TELL YOU WHAT I THINK HAPPENED. 587 00:34:34,724 --> 00:34:37,292 YOU FELL ASLEEP OUT THERE AND THEN HAD A BAD DREAM, 588 00:34:37,336 --> 00:34:40,121 AND YOU WOKE UP, AND YOU DIDN'T HAVE YOUR TEDDY BEAR, 589 00:34:40,165 --> 00:34:42,776 AND IT WAS COLD AND SCARY AND DARK, 590 00:34:42,819 --> 00:34:45,387 AND YOU WERE GOING TO PIDDLE IN YOUR PANTS. 591 00:34:45,431 --> 00:34:47,172 JACK, I KNOW WHAT I HEARD. 592 00:34:47,215 --> 00:34:49,826 LOOK, I HAD MY EARPHONES ON, OKAY, 593 00:34:49,870 --> 00:34:51,219 AND I'M POINTING THE SHOTGUN MIKE LIKE THIS, 594 00:34:51,263 --> 00:34:53,526 AND I HEARD SOMEONE SAY, "OH, MY GOD--" 595 00:34:53,569 --> 00:34:54,875 Man: I'LL TAKE HIM OUT FIRST, THEN THE GUY IN THE BACK. 596 00:34:54,918 --> 00:34:56,485 SHIT![GUNSHOTS] 597 00:34:56,529 --> 00:34:58,835 AH! 598 00:35:02,622 --> 00:35:05,190 JACK! YOU SEE WHAT I MEAN NOW? 599 00:35:05,233 --> 00:35:06,887 SHUT UP! 600 00:35:12,501 --> 00:35:13,894 Man: LET'S GET OUT OF HERE. 601 00:35:22,294 --> 00:35:24,383 WELL, WE'LL LOOK INTO IT... 602 00:35:24,426 --> 00:35:27,168 BUT I'VE GOT TO TELL YOU. 603 00:35:27,212 --> 00:35:29,127 I MEAN, IT COULD'VE BEEN JUST ABOUT ANYBODY. 604 00:35:29,170 --> 00:35:30,606 AIN'T THAT RIGHT, TOMMY? 605 00:35:30,650 --> 00:35:32,608 JUST ABOUT ANYBODY. 606 00:35:32,652 --> 00:35:34,654 YOU SEE, FOLKS AROUND HERE 607 00:35:34,697 --> 00:35:36,569 LIKE TO MIND THEIR OWN BUSINESS. 608 00:35:36,612 --> 00:35:38,179 THEY DON'T LIKE STRANGERS COMING AROUND 609 00:35:38,223 --> 00:35:40,050 MINDING THEIR BUSINESS FOR THEM. 610 00:35:40,094 --> 00:35:42,705 DOES MAKE THEM ALL EXCITABLE 611 00:35:42,749 --> 00:35:45,055 TO TAKE THE LAW IN THEIR OWN HANDS. 612 00:35:45,099 --> 00:35:46,492 SPEAKING OF THAT, 613 00:35:46,535 --> 00:35:48,363 AIN'T YOU SUPPOSED TO BE OUT OF HERE BY NOW, TENDERFOOT? 614 00:35:48,407 --> 00:35:50,322 YEAH, WE'RE GOING TO BE LEAVING THE FIRST THING IN THE MORNING, 615 00:35:50,365 --> 00:35:52,150 SHERIFF OWENS. YOU CAN COUNT ON THAT. 616 00:35:52,193 --> 00:35:53,716 FIRST THING IN THE MORNING. 617 00:35:53,760 --> 00:35:55,109 YEAH. 618 00:35:55,153 --> 00:35:57,764 THAT'S GOOD TO KNOW. COME ON, TOMMY. 619 00:36:08,644 --> 00:36:11,604 THAT'S IT? WE'RE JUST GOING TO GET UP AND LEAVE? 620 00:36:11,647 --> 00:36:14,084 YEAH. CRAZY, ISN'T IT? 621 00:36:14,128 --> 00:36:16,565 ONE HOUR IN TOWN, AND I'VE BEEN MACED, 622 00:36:16,609 --> 00:36:18,741 SHOT AT AND HARASSED BY THE LOCAL POLICE, 623 00:36:18,785 --> 00:36:22,354 AND HERE I AM, ALREADY WANTING TO LEAVE. 624 00:36:22,397 --> 00:36:24,747 HEY, YOU GO FIGURE IT. 625 00:36:24,791 --> 00:36:26,401 JACK, COME ON. 626 00:36:26,445 --> 00:36:29,143 AREN'T YOU THE LEAST BIT CURIOUS ABOUT WHAT'S GOING ON? 627 00:36:29,187 --> 00:36:33,582 MARTY, YOU ACCIDENTALLY STEPPED INTO A BIG PILE OF SHIT. 628 00:36:33,626 --> 00:36:36,237 NOW, WHAT YOU DO IS, YOU LIFT UP YOUR LEG, 629 00:36:36,281 --> 00:36:38,935 AND YOU SCRAPE THE BOTTOM OF YOUR SHOE, AND YOU WALK ON. 630 00:36:38,979 --> 00:36:40,807 YOU DON'T HANG AROUND HERE JUST HOPPING UP AND DOWN 631 00:36:40,850 --> 00:36:43,592 ON THAT SHIT BECAUSE YOU FIND IT FUCKING CURIOUS. 632 00:36:43,636 --> 00:36:45,290 THE ONLY THING YOU NEED TO KNOW THAT'S CURIOUS 633 00:36:45,333 --> 00:36:47,901 IS WHERE'S YOUR NEXT PAY CHECK COMING FROM, CAPISCE? 634 00:36:47,944 --> 00:36:50,904 YEAH, JACK. I CAPISCE. 635 00:36:50,947 --> 00:36:53,385 YOU GOT SHOT AT, AND NOW YOU'RE SCARED. 636 00:36:56,736 --> 00:36:59,042 LOOK, KID. 637 00:36:59,086 --> 00:37:02,916 YOU KNOW WHAT A BULLET CAN DO TO A HUMAN BODY? 638 00:37:02,959 --> 00:37:05,310 YEAH, JACK. I SAW TERMINATOR. 639 00:37:05,353 --> 00:37:08,617 YOU'RE SO FUCKING IGNORANT, IT'S PATHETIC. 640 00:37:08,661 --> 00:37:10,793 THOSE WERE ANDROIDS. 641 00:37:10,837 --> 00:37:13,492 YOU KNOW WHAT'S PATHETIC, JACK? YOU'RE PATHETIC. 642 00:37:13,535 --> 00:37:15,233 OH, YEAH? 643 00:37:15,276 --> 00:37:17,235 I THOUGHT YOU WERE SO COOL WHEN I FIRST MET YOU. 644 00:37:17,278 --> 00:37:18,671 YOU KNOW THAT? 645 00:37:18,714 --> 00:37:19,933 I GUESS IT WAS ALL JUST AN ACT, HUH? 646 00:37:19,976 --> 00:37:21,369 [CHUCKLING] 647 00:37:21,413 --> 00:37:24,720 DICK TRACY HERE, TALKING TO ME ABOUT PUTTING ON AN ACT. 648 00:37:24,764 --> 00:37:26,418 JACK, WHERE'S THE FIRE IN YOUR BELLY 649 00:37:26,461 --> 00:37:28,376 I GOT FIRE IN MY BELLY. 650 00:37:29,421 --> 00:37:31,336 THAT'S WHY I TAKE THESE. 651 00:37:34,513 --> 00:37:36,341 YOU KNOW WHAT? 652 00:37:36,384 --> 00:37:38,604 WHATEVER. 653 00:37:38,647 --> 00:37:40,388 I'M GOING TO TAKE A SHOWER. 654 00:37:43,130 --> 00:37:45,306 PECKER. 655 00:37:47,003 --> 00:37:48,657 HAVE NO FIRE IN MY BELLY. 656 00:37:51,007 --> 00:37:54,315 [PHONE RINGING] 657 00:37:54,359 --> 00:37:56,274 SOON YOU FORGET WHAT THE REAL STUFF TASTES LIKE. 658 00:38:00,060 --> 00:38:02,584 HELLO. 659 00:38:02,628 --> 00:38:05,326 MARTY'S UNAVAILABLE. 660 00:38:05,370 --> 00:38:09,069 JACK POTTER. I'M HIS BOSS. 661 00:38:09,112 --> 00:38:12,638 MR. POND, UH-HUH? UH-HUH. 662 00:38:12,681 --> 00:38:14,553 [TRAIN WHISTLE BLOWING] 663 00:38:14,596 --> 00:38:16,424 THE POND GRAVEL COMPANY-- 664 00:38:16,468 --> 00:38:18,513 YOU GIVE US A BIG ROCK, 665 00:38:18,557 --> 00:38:21,081 WE'LL GIVE YOU LOTS OF LITTLE ROCKS. 666 00:38:21,124 --> 00:38:23,475 YOU SHOULD'VE SEEN THIS PLACE BEFORE I GOT A HOLD OF IT. 667 00:38:23,518 --> 00:38:25,955 IT WAS A WILDERNESS, NOTHING BUT TREES 668 00:38:25,999 --> 00:38:28,393 AND DEERS AND RABBITS. [CHUCKLING] 669 00:38:28,436 --> 00:38:30,395 NOW, LOOK AT IT. 670 00:38:30,438 --> 00:38:32,266 QUITE A TRANSFORMATION, MR. POND. 671 00:38:32,310 --> 00:38:34,921 YEAH. ONE DAY, IT WILL ALL BE CINDERS. 672 00:38:34,964 --> 00:38:36,531 COME ON, SWEETHEART. LET'S MOVE THIS BUGGY. 673 00:38:36,575 --> 00:38:38,141 OH, I GOT IT. 674 00:38:38,185 --> 00:38:41,231 YEAH, TRANSFORMATION. THAT'S THE WORD FOR IT. 675 00:38:41,275 --> 00:38:43,321 NOW SOMEBODY'S TRYING TO TAKE IT ALL AWAY FROM ME. 676 00:38:43,364 --> 00:38:45,584 ANY IDEA WHO THAT MIGHT BE? 677 00:38:45,627 --> 00:38:47,542 WELL, HOW THE HELL SHOULD I KNOW? 678 00:38:47,586 --> 00:38:49,849 THAT'S WHAT I'M HIRING YOU BOYS FOR. 679 00:38:49,892 --> 00:38:52,460 WHEN THE SHERIFF FIRST TOLD ME ABOUT YOU, I THOUGHT, YEAH. 680 00:38:52,504 --> 00:38:55,245 SO, WHY DID YOU HIRE US? 681 00:38:55,289 --> 00:38:57,726 WHEN SHERIFF OWENS TOLD ME YOU WERE NO GOOD, 682 00:38:57,770 --> 00:39:00,729 I KNEW YOU WERE RIGHT FOR THE JOB. 683 00:39:00,773 --> 00:39:04,080 [CHUCKLING] ANYTHING TO PISS OFF OWENS. 684 00:39:04,124 --> 00:39:06,518 WELL, WE'LL TAKE CARE OF EVERYTHING, MR. POND. 685 00:39:06,561 --> 00:39:07,954 COULD YOU TELL ME ABOUT THE MAN WHO WAS KILLED, 686 00:39:07,997 --> 00:39:10,739 WHAT'S HIS NAME, DANNY HARKNESS? 687 00:39:10,783 --> 00:39:14,787 YEAH, DANNY HARKNESS, UNGRATEFUL LITTLE NO ACCOUNT TURD. 688 00:39:14,830 --> 00:39:18,181 GIVE HIM A JOB, AND HE'LL STILL SUCK A TIT. 689 00:39:18,225 --> 00:39:21,533 OH, NOW, HE WASN'T ONE OF THE BEAVER RIDGE HARKNESSES. 690 00:39:21,576 --> 00:39:23,665 NO, HE'D COME FROM THAT DEGENERATE BUNCH OF HARKNESSES, 691 00:39:23,709 --> 00:39:25,885 LIVED UP IN TRUSSBERG. 692 00:39:25,928 --> 00:39:28,322 THEY'RE INTO IN-BREEDING, WIFE-SWAPPING AND DEVIL WORSHIP. 693 00:39:28,366 --> 00:39:30,324 EVERYBODY IN BEAVER RIDGE THINKS THEY'RE REALLY WEIRD. 694 00:39:32,239 --> 00:39:33,893 WELL, IF THE PEOPLE AROUND HERE THINK THEY'RE WEIRD, 695 00:39:33,936 --> 00:39:35,634 THAT PLACE MUST BE UP THE CHARTS. 696 00:39:37,549 --> 00:39:40,203 Marty: SORRY. 697 00:39:40,247 --> 00:39:42,336 IF DANNY HARKNESS WAS TRYING TO DRIVE YOU OUT OF BUSINESS, 698 00:39:42,380 --> 00:39:46,035 OBVIOUSLY ONE OF HIS ACCOMPLICES DOUBLE-CROSSED HIM. 699 00:39:46,079 --> 00:39:48,168 YEAH, THE SHERIFF. 700 00:39:48,211 --> 00:39:49,952 YEAH, WELL, I WOULDN'T PUT ANYTHING PAST ALTON OWENS; 701 00:39:49,996 --> 00:39:52,041 BUT THEN, I WOULDN'T PUT ANYTHING PAST ANYBODY 702 00:39:52,085 --> 00:39:55,044 IN THIS GODFORSAKEN SHIT HOLE OF A TOWN. 703 00:39:55,088 --> 00:39:57,830 I MADE THIS TOWN. 704 00:39:57,873 --> 00:40:00,615 NOW, THEY TURN ON ME LIKE A PACK OF BLOODTHIRSTY WOLVES. 705 00:40:02,835 --> 00:40:05,141 I TOOK CARE OF THEIR PROBLEMS, 706 00:40:05,185 --> 00:40:07,883 TREATED THEM LIKE THEY WERE MY OWN CHILDREN. 707 00:40:07,927 --> 00:40:11,321 HEY, TANNER! GOD DAMN IT! 708 00:40:11,365 --> 00:40:13,933 EVERY TIME I TURN AROUND, I SEE YOU DRINKING SOMETHING! 709 00:40:13,976 --> 00:40:15,891 NOW, YOU DRINK ON YOUR OWN GODDAMN TIME! 710 00:40:15,935 --> 00:40:17,458 YOU HEAR ME? YOU HUMP BACK ON THAT RIG, 711 00:40:17,502 --> 00:40:19,852 AND YOU START MOVING SOME DIRT! YOU HEAR ME? 712 00:40:19,895 --> 00:40:22,202 GOD DAMN IT, TANNER! YOU HEAR ME? 713 00:40:22,245 --> 00:40:23,595 BASTARD. 714 00:40:23,638 --> 00:40:26,424 UH, MR. POND--WHAT? 715 00:40:26,467 --> 00:40:29,252 WHAT IS THE FINANCIAL CONDITION OF YOUR COMPANY? 716 00:40:29,296 --> 00:40:32,168 YOU SHOULD PROBABLY TALK TO HORACE JUNIOR ABOUT THAT. 717 00:40:37,652 --> 00:40:39,219 OW! 718 00:40:39,262 --> 00:40:42,788 NOW, JACK, MARTY, DON'T YOU BE CALLING ME MR. TUTT. 719 00:40:42,831 --> 00:40:45,486 I MIGHT BE PRESIDENT OF THE BANK, 720 00:40:45,530 --> 00:40:48,097 BUT EVERYBODY STILL JUST CALLS ME HORACE JUNIOR. 721 00:40:48,141 --> 00:40:52,972 IT'S TO DISTINGUISH ME FROM DADDY. 722 00:40:53,015 --> 00:40:55,931 CINDY CALLED, TOLD ME TO HELP YOU BOYS OUT ANY WAY I CAN, 723 00:40:55,975 --> 00:40:58,281 SO SHOOT. 724 00:40:58,325 --> 00:41:02,155 WELL, FIRST, I DON'T UNDERSTAND WHY WE'RE 725 00:41:02,198 --> 00:41:03,852 TALKING TO YOU ABOUT MR. POND'S FINANCES. 726 00:41:10,555 --> 00:41:13,427 WELL, I'LL CLEAR THAT UP FOR YOU, JACK. 727 00:41:13,471 --> 00:41:17,300 MANY YEARS AGO, THREE FRIENDS FROM BEAVER RIDGE 728 00:41:17,344 --> 00:41:21,304 WENT AWAY TO FIGHT IN KOREA. 729 00:41:21,348 --> 00:41:23,959 THAT'S DADDY, 730 00:41:24,003 --> 00:41:26,745 CHUCK DAVIES IN THE MIDDLE, THAT'S CINDY'S DADDY, 731 00:41:26,788 --> 00:41:29,791 LIONEL POND. 732 00:41:29,835 --> 00:41:32,098 CAME BACK HEROES AND IN ONE PIECE, 733 00:41:32,141 --> 00:41:34,970 AND DADDY, HE STARTED OUT HERE AT THE BANK AS A TELLER. 734 00:41:35,014 --> 00:41:37,146 HE WORKED HIS WAY UP TO BE PRESIDENT. 735 00:41:37,190 --> 00:41:40,149 NOW, POOR CINDY'S DADDY CHUCK, 736 00:41:40,193 --> 00:41:42,717 WELL, CHUCK HAD A FONDNESS FOR THE BOTTLE. 737 00:41:42,761 --> 00:41:44,937 HE NEVER DID AMOUNT TO VERY MUCH, AND SO 738 00:41:44,980 --> 00:41:48,767 DADDY AND LIONEL JUST KIND OF HAD TO TAKE CARE OF HIM TILL 739 00:41:48,810 --> 00:41:52,205 HE FINALLY GOT DRUNK ONE NIGHT AND DROVE HIMSELF OVER A CLIFF. 740 00:41:52,248 --> 00:41:54,468 ANYWAY. 741 00:41:54,512 --> 00:41:57,253 LET'S CUT TO THE CHASE, HORACE. 742 00:41:57,297 --> 00:42:00,169 HOW IS LIONEL'S COMPANY DOING? HE IN HOCK? 743 00:42:00,213 --> 00:42:02,432 AS A MATTER OF FACT, HE IS TO US. 744 00:42:02,476 --> 00:42:05,087 PUTTING ASIDE THE FACT THAT LIONEL'S BEEN 745 00:42:05,131 --> 00:42:07,742 LIKE A SECOND DADDY TO ME, THE LAST THING 746 00:42:07,786 --> 00:42:10,310 THE FIRST NATIONAL BANK OF BEAVER RIDGE WANTS TO DO 747 00:42:10,353 --> 00:42:11,964 IS FORECLOSE ON THAT MORTGAGE. 748 00:42:12,007 --> 00:42:13,661 NOBODY WOULD BE FOOL ENOUGH TO BUY IT. 749 00:42:13,705 --> 00:42:15,576 CAN'T TURN IT INTO CONDOS 750 00:42:15,620 --> 00:42:17,578 'CAUSE WHO WANTS TO LIVE IN A GIANT SANDBOX? 751 00:42:19,580 --> 00:42:21,974 OH, IF IT ISN'T MY DARLING WIFE DARLENE. 752 00:42:22,017 --> 00:42:23,584 DARLENE, COME HERE. 753 00:42:23,628 --> 00:42:27,370 I'D LIKE FOR YOU TO MEET JACK, MARTY. 754 00:42:27,414 --> 00:42:28,850 HI. NICE TO MEET YOU. 755 00:42:39,513 --> 00:42:41,123 HONEY, ARE YOU UPSET ABOUT SOMETHING? 756 00:42:41,167 --> 00:42:42,647 HAH! 757 00:42:55,355 --> 00:42:58,010 DARLENE'S BEEN A LITTLE BIT EDGY LATELY, 758 00:42:58,053 --> 00:43:01,404 AND SHE SAW ON THAT OPRAH PROGRAM, WHERE THEY SAID 759 00:43:01,448 --> 00:43:03,624 YOU OUGHT TO VENT OUT ALL YOUR ANGER. 760 00:43:03,668 --> 00:43:05,234 HORSE SHIT. 761 00:43:05,278 --> 00:43:07,323 [PHONE RINGING] 762 00:43:07,367 --> 00:43:09,412 EXCUSE ME. 763 00:43:09,456 --> 00:43:11,240 YEAH, SHEILA. I TOLD YOU TO HOLD ALL MY CALL-- 764 00:43:12,938 --> 00:43:14,722 SURE. 765 00:43:14,766 --> 00:43:16,376 MARTY. 766 00:43:16,419 --> 00:43:18,334 IT'S FOR YOU. 767 00:43:23,383 --> 00:43:25,037 HELLO? 768 00:43:27,300 --> 00:43:29,607 CINDY. 769 00:43:31,217 --> 00:43:33,045 YEAH. 770 00:43:33,088 --> 00:43:36,091 SO, AFTER THAT, I MOVED TO HOLLYWOOD. 771 00:43:36,135 --> 00:43:39,442 OH, MARTY. YOU'VE LED SUCH AN INTERESTING LIFE. 772 00:43:39,486 --> 00:43:41,662 DO YOU REALLY THINK YOU'RE THROUGH WITH ACTING? 773 00:43:41,706 --> 00:43:43,882 YOU KNOW, I DON'T KNOW. 774 00:43:43,925 --> 00:43:46,449 I MEAN, THIS PRIVATE EYE THING WAS JUST AN INTERN DEAL, 775 00:43:46,493 --> 00:43:50,323 BUT, YOU KNOW, I THINK I'M STARTING TO GET INTO IT. 776 00:43:51,803 --> 00:43:53,587 I WISH I COULD FIND SOMETHING TO GET INTO. 777 00:43:53,631 --> 00:43:55,937 WORKING AS A SECRETARY AT A GRAVEL PIT 778 00:43:55,981 --> 00:43:58,766 ISN'T EXACTLY MY IDEA OF CAREER FULFILLMENT. 779 00:44:00,115 --> 00:44:03,989 SO, QUIT. I MEAN, LEAVE, MOVE. 780 00:44:04,032 --> 00:44:06,339 OH, THAT'S SO EASY TO SAY, BUT YOU DON'T KNOW 781 00:44:06,382 --> 00:44:08,776 WHAT IT'S LIKE BEING RAISED IN A SMALL TOWN 782 00:44:08,820 --> 00:44:12,040 AND NOT KNOWING ANYTHING ELSE. 783 00:44:12,084 --> 00:44:16,044 BESIDES, MR. POND DID SO MUCH FOR MY DAD, 784 00:44:16,088 --> 00:44:18,830 AND HE REALLY NEEDS ME. 785 00:44:18,873 --> 00:44:23,138 CINDY, THE WORLD IS FULL OF PEOPLE WHO POTENTIALLY NEED YOU. 786 00:44:25,358 --> 00:44:27,882 YOU THINK SO? 787 00:44:27,926 --> 00:44:30,406 OH, YEAH. 788 00:44:31,756 --> 00:44:33,192 MORE WINE? 789 00:44:33,235 --> 00:44:35,760 YEAH. SURE. 790 00:44:41,330 --> 00:44:43,245 I GUESS I MUST REALLY SEEM BORING TO YOU, 791 00:44:43,289 --> 00:44:45,291 AFTER ALL THE GLAMOROUS WOMEN YOU'VE MET IN HOLLYWOOD. 792 00:44:50,165 --> 00:44:53,995 CINDY, I FIND YOU SO MUCH THE OPPOSITE OF BORING, 793 00:44:54,039 --> 00:44:57,259 THAT I CAN'T EVEN PUT IT INTO WORDS. 794 00:44:57,303 --> 00:45:01,524 I'M SERIOUS. YOU ARE THE FIRST WOMAN I'VE MET 795 00:45:01,568 --> 00:45:05,703 SINCE I BROKE UP WITH MY GIRLFRIEND THAT I REALLY LIKE. 796 00:45:09,010 --> 00:45:11,839 MORE WINE? 797 00:45:11,883 --> 00:45:13,798 OH. 798 00:45:18,933 --> 00:45:22,502 THAT WAS THE BEST MEATLOAF I HAVE EVER HAD. 799 00:45:22,545 --> 00:45:25,418 IT WAS GREAT. 800 00:45:25,461 --> 00:45:27,115 I DON'T KNOW HOW TO THANK YOU. 801 00:45:38,431 --> 00:45:41,086 NO. MARTY, I HARDLY KNOW YOU. 802 00:45:42,914 --> 00:45:45,090 WHAT BETTER WAY TO GET TO KNOW ME? 803 00:45:45,133 --> 00:45:49,094 I'M JUST AN OLD-FASHIONED GIRL. 804 00:45:49,137 --> 00:45:52,750 WELL, OLD-FASHIONED GIRLS DRIVE ME CRAZY. 805 00:45:58,146 --> 00:45:59,844 OH, MARTY, PLEASE. 806 00:46:02,020 --> 00:46:03,717 PLEASE. 807 00:46:16,861 --> 00:46:20,821 MARTY, YOU'RE SO AROUSED. 808 00:46:20,865 --> 00:46:22,692 [SPRAY HISSING] 809 00:46:22,736 --> 00:46:25,043 [COUGHING] 810 00:46:36,271 --> 00:46:38,883 I'M NOT EVEN GOING TO ASK. 811 00:46:38,926 --> 00:46:40,841 THANKS. 812 00:46:44,192 --> 00:46:47,108 SO, HOW'D IT GO WITH THE SHERIFF? 813 00:46:47,152 --> 00:46:51,417 HE STAYED IN THE HOUSE ALL THE TIME, SNORING AND BELCHING. 814 00:46:51,460 --> 00:46:54,637 NOT A SHITLOAD OF BUSINESS. 815 00:46:54,681 --> 00:46:57,292 YOU KNOW, I'M PROUD OF YOU, JACK. 816 00:46:57,336 --> 00:46:59,773 FOR WHAT? 817 00:46:59,817 --> 00:47:01,906 FOR TAKING THIS CASE, YOU KNOW? 818 00:47:01,949 --> 00:47:04,647 YOU SAID YOU WERE DONE WITH THE DETECTIVE BUSINESS. 819 00:47:04,691 --> 00:47:07,215 I TOOK THE CASE STRICTLY FOR THE PAY CHECK. 820 00:47:07,259 --> 00:47:08,782 YEAH? 821 00:47:08,826 --> 00:47:10,349 WELL, YOU KNOW WHAT I THINK? 822 00:47:10,392 --> 00:47:13,265 I THINK YOU TOOK IT BECAUSE YOU'RE INTRIGUED BY IT. 823 00:47:13,308 --> 00:47:15,310 AND ALSO, YOU LIKE HAVING ME AS YOUR PARTNER. 824 00:47:16,703 --> 00:47:20,533 I THINK THE MACE IS AFFECTING YOUR BRAIN. 825 00:47:27,453 --> 00:47:31,065 "IF IT AIN'T BIG, IT AIN'T BUD'S." 826 00:47:31,109 --> 00:47:34,242 SO, JACK, WHAT'S THE PLAN? 827 00:47:34,286 --> 00:47:36,201 WELL... 828 00:47:39,682 --> 00:47:41,771 I KNOW WHO KILLED DANNY HARKNESS. 829 00:47:41,815 --> 00:47:43,382 WHO? 830 00:47:43,425 --> 00:47:46,167 CAN'T TELL YOU THAT NOW. I'M BEING WATCHED. 831 00:47:46,211 --> 00:47:48,691 WHO'S WATCHING YOU? 832 00:47:48,735 --> 00:47:51,085 I CAN'T TELL YOU THAT EITHER. 833 00:47:51,129 --> 00:47:52,913 WHY NOT? 834 00:47:52,957 --> 00:47:55,176 IT'S TOP, TOP SECRET. 835 00:47:55,220 --> 00:47:57,309 WHEN CAN YOU TELL US? 836 00:47:57,352 --> 00:47:59,746 GIVE ME A RIDE HOME TO TRUSSBERG, 837 00:47:59,789 --> 00:48:01,835 AND I'LL TELL YOU IN THE CAR. 838 00:48:06,100 --> 00:48:08,798 I SEEN THE TWO-HEADED MULE AGAIN TODAY. 839 00:48:13,716 --> 00:48:16,676 WE'RE HEADED OUT TO A TOWN FULL OF DEVIL WORSHIPERS 840 00:48:16,719 --> 00:48:20,027 ON A TIP FROM A DAME WHO SEES TWO-HEADED MULES. 841 00:48:20,071 --> 00:48:22,029 JACK, IN THE DETECTIVE BUSINESS, 842 00:48:22,073 --> 00:48:24,249 YOU CANNOT LEAVE ANY STONE UNTURNED. 843 00:48:24,292 --> 00:48:25,946 WE'RE BEING FOLLOWED. 844 00:48:25,990 --> 00:48:27,295 NO! 845 00:48:27,339 --> 00:48:28,906 ARE YOU SURE? 846 00:48:28,949 --> 00:48:30,820 WE'RE SURE. BELIEVE ME. 847 00:48:30,864 --> 00:48:33,301 THEY'D HAVE TAKEN A SHOT AT US BY NOW, 848 00:48:33,345 --> 00:48:35,869 SO, WHAT DO YOU KNOW ABOUT DANNY HARKNESS? 849 00:48:35,913 --> 00:48:38,872 I KNOW EVERYTHING THERE IS TO KNOW ABOUT DANNY HARKNESS. 850 00:48:38,916 --> 00:48:41,396 HE WAS MY RELATIVE IN THREE DIFFERENT WAYS. 851 00:48:41,440 --> 00:48:43,964 HE WAS MY FIRST COUSIN, MY EX-BROTHER-IN-LAW 852 00:48:44,008 --> 00:48:45,966 AND MY NEPHEW ONCE REMOVED. 853 00:48:46,010 --> 00:48:48,055 SO, TELL US, WHO KILLED HIM? 854 00:48:48,099 --> 00:48:50,057 BE CAREFUL WITH THIS INFORMATION. 855 00:48:50,101 --> 00:48:52,668 THIS IS MUCH BIGGER THAN YOU KNOW. 856 00:48:52,712 --> 00:48:54,801 WHO WAS IT? 857 00:48:54,844 --> 00:48:57,891 WE'RE TALKING ABOUT WASHINGTON. 858 00:48:57,935 --> 00:49:00,981 MY GOD! WHAT, THE GOVERNMENT IS INVOLVED? 859 00:49:01,025 --> 00:49:03,897 NO. GEORGE WASHINGTON. 860 00:49:03,941 --> 00:49:07,553 THAT'S RIGHT, THE KID WHO COULDN'T TELL A LIE. 861 00:49:07,596 --> 00:49:10,077 SHOCKED? SO WAS I. 862 00:49:10,121 --> 00:49:12,123 HE'S LIVING RIGHT UP ON THAT OLD MINE ON THE HILL, 863 00:49:12,166 --> 00:49:16,083 HIM AND ELVIS AND M.L. KING AND JFK, 864 00:49:16,127 --> 00:49:18,651 AND JOHN LENNON AND HARRY TRUMAN. 865 00:49:18,694 --> 00:49:22,220 THEY'VE GOT A CULT GOING ON UP THERE, THE BLUE OYSTER CULT. 866 00:49:22,263 --> 00:49:24,004 I SEEN ELVIS SNEAKING INTO A STORE YESTERDAY. 867 00:49:24,048 --> 00:49:26,006 HE DIDN'T THINK I SEEN HIM, BUT I DID. 868 00:49:26,050 --> 00:49:28,052 HE WAS BUYING TWO POUNDS OF JAWBREAKERS, 869 00:49:28,095 --> 00:49:30,663 SOME FAT BACK AND A GALLON OF ROCKY ROAD. 870 00:49:30,706 --> 00:49:34,884 LISTEN, YOU KNOW WHAT THE DEAL IS AROUND HERE. 871 00:49:34,928 --> 00:49:37,409 NOTHING'S LIKE IT SEEMS. 872 00:49:37,452 --> 00:49:39,933 EVERYTHING'S CAMOUFLAGE. 873 00:49:48,724 --> 00:49:51,205 WE DROVE ON TO TRUSSBERG, 874 00:49:51,249 --> 00:49:54,687 WHERE THE ONLY GENE THE LOCALS DON'T SHARE IS HYGIENE. 875 00:49:58,865 --> 00:50:01,607 OKAY. THERE WE ARE. 876 00:50:01,650 --> 00:50:03,217 IF I GET ANY MORE LEADS-- 877 00:50:03,261 --> 00:50:04,697 DON'T CALL US. 878 00:50:04,740 --> 00:50:06,438 YOU BOYS HUNGRY? 879 00:50:06,481 --> 00:50:08,918 I HAVEN'T EATEN ALL DAY. 880 00:50:08,962 --> 00:50:12,183 ARE YOU KIDDING? YOU HAD THREE OF THOSE MUTANT DOUGHNUTS. 881 00:50:12,226 --> 00:50:14,707 JACK, THAT WAS A LONG TIME AGO. I NEED SOME PROTEIN. 882 00:50:17,014 --> 00:50:20,017 BESIDES, THEY MAKE SOME GREAT BARBECUE IN THESE SMALL TOWNS. 883 00:50:23,585 --> 00:50:25,631 COME ON, JACK. FREE FOOD. 884 00:50:36,598 --> 00:50:40,037 MARTY, JACK-- 885 00:50:40,080 --> 00:50:45,825 THESE ARE MY COUSINS NED, CHRISTIE AND TINY. 886 00:50:45,868 --> 00:50:48,871 HEY. SO, WHAT DO YOU GUYS DO FOR A LIVING? 887 00:50:53,006 --> 00:50:55,574 I'M A STRIPPER. YOU WANT SOME MEAT? 888 00:50:57,358 --> 00:50:59,186 JACK, YOU WANT SOME MEAT? 889 00:50:59,230 --> 00:51:01,275 NO. 890 00:51:01,319 --> 00:51:03,016 WHAT KIND OF MEAT IS IT? 891 00:51:03,060 --> 00:51:05,758 IT'S GOOD MEAT. 892 00:51:05,801 --> 00:51:07,890 COME ON. I'LL FIX YOU A PLATE. 893 00:51:17,291 --> 00:51:18,901 HEY. 894 00:51:18,945 --> 00:51:21,208 WHAT DO YOU DO FOR A LIVING? 895 00:51:21,252 --> 00:51:23,732 ME? 896 00:51:23,776 --> 00:51:25,430 I'M A SINGER. 897 00:51:25,473 --> 00:51:28,781 NO SHIT! 898 00:51:28,824 --> 00:51:30,652 [CHUCKLING] 899 00:51:33,002 --> 00:51:34,656 WHAT KIND? 900 00:51:36,223 --> 00:51:38,443 LOUNGE. 901 00:51:38,486 --> 00:51:40,619 LOUNGE! 902 00:51:40,662 --> 00:51:42,099 I'VE GOT SOMETHING TO SHOW YOU. WHY, LOUNGE! 903 00:51:42,142 --> 00:51:43,404 [LAUGHING] 904 00:51:43,448 --> 00:51:45,189 STUMPY, HE'S A SINGER! 905 00:51:45,232 --> 00:51:46,581 DON'T CALL ME STUMPY. 906 00:51:46,625 --> 00:51:48,714 I LOVE LOUNGE! 907 00:51:48,757 --> 00:51:51,195 NOW, THIS DOESN'T LOOK LIKE CHICKEN OR BEEF OR PORK, 908 00:51:51,238 --> 00:51:54,023 OR THINGS PEOPLE USUALLY BARBECUE. 909 00:51:54,067 --> 00:51:57,114 IT'S THE TOWN'S SPECIALTY. 910 00:52:03,772 --> 00:52:05,818 [CAT SCREECHING] 911 00:52:10,562 --> 00:52:13,434 I'M A SONGWRITER! I WROTE THIS, 912 00:52:13,478 --> 00:52:15,958 AND I RECORDED IT WITH A BUDDY DOWN IN BAKERSFIELD. 913 00:52:16,002 --> 00:52:19,701 HE USED TO HAVE A STUDIO, BUT HE'S DEAD NOW. 914 00:52:19,745 --> 00:52:22,965 YEAH, SOMEBODY KILLED HIM FOR BEING SELFISH. 915 00:52:25,229 --> 00:52:27,187 LOOK, THE SONG'S CALLED "LAST TRAIN TO TRUSSBERG." 916 00:52:27,231 --> 00:52:28,928 YOU THINK YOU COULD HELP ME GET IT PUBLISHED? 917 00:52:28,971 --> 00:52:31,104 I MEAN, HEY, LOOK, YOU CAN SING IT. 918 00:52:31,148 --> 00:52:32,845 HELL, YOU CAN EVEN RECORD IT! 919 00:52:32,888 --> 00:52:36,065 HEY, HEY, HEY, I'VE GOT WORDS. LISTEN. 920 00:52:36,109 --> 00:52:38,546 ♪ TWO-LANE REDWOOD HIGHWAY 921 00:52:38,590 --> 00:52:40,940 ♪ BUMPING ALONG 922 00:52:40,983 --> 00:52:43,551 ♪ TWO-LANE REDWOOD HIGHWAY 923 00:52:43,595 --> 00:52:45,640 ♪ IT'S A SONG 924 00:52:45,684 --> 00:52:47,599 ♪ TWO-LANE REDWOOD HIGHWAY 925 00:52:47,642 --> 00:52:49,209 ♪ TWO-LANE REDWOOD HIGHWAY 926 00:52:49,253 --> 00:52:51,907 OH, I THINK I MIGHT ADD A COUPLE YIPPIE-YIE-YAYS, 927 00:52:51,951 --> 00:52:54,432 YOU KNOW, GIVE IT A COWBOY FEEL. WHAT DO YOU SAY? 928 00:52:54,475 --> 00:52:57,957 WELL, I DON'T SING OTHER PEOPLE'S SONGS. I'M A LONER. 929 00:52:58,000 --> 00:53:00,525 YOU KNOW WHAT I MEAN? 930 00:53:00,568 --> 00:53:02,744 IS THERE A PLACE AROUND HERE A GUY CAN TAKE A PEE IN? 931 00:53:05,530 --> 00:53:08,228 YOU THINK YOU'RE ONE BIG SHOT SINGER, DON'T YOU? 932 00:53:08,272 --> 00:53:10,317 YOU THINK YOU'RE BETTER THAN I AM. 933 00:53:10,361 --> 00:53:12,580 WELL, LOOK OUT THAT WINDOW. WHAT DO YOU SEE? 934 00:53:12,624 --> 00:53:15,627 THAT'S TWO-LANE REDWOOD HIGHWAY. I WROTE THAT, HUH? 935 00:53:15,670 --> 00:53:19,935 TWO-LANE REDWOOD HIGHWAY! 936 00:53:19,979 --> 00:53:22,938 YOU'RE SELFISH, THAT'S WHAT YOU ARE. 937 00:53:22,982 --> 00:53:26,203 LOOK, I'M GOING TO SING THE DAMN SONG, 938 00:53:26,246 --> 00:53:31,338 BUT ONLY ON ONE CONDITION THAT YOU SIGN OVER THE RIGHTS. 939 00:53:31,382 --> 00:53:35,299 I'M GOING TO WRITE MY ADDRESS DOWN ON A PIECE OF-- 940 00:53:35,342 --> 00:53:37,257 WELL, I'LL WRITE IT DOWN ON YOUR HAND. 941 00:53:37,301 --> 00:53:39,085 DO IT. 942 00:53:39,128 --> 00:53:41,305 AND THEN YOU SEND ME THE PAPERS. 943 00:53:41,348 --> 00:53:43,220 [SCREAMING] 944 00:53:45,134 --> 00:53:46,875 [SCREAMING] 945 00:53:52,098 --> 00:53:55,014 UH, MARTY, TIME TO GO. 946 00:53:55,057 --> 00:53:56,320 COME ON. THANK YOU. 947 00:53:56,363 --> 00:53:58,235 SEE YOU LATER. 948 00:53:58,278 --> 00:53:59,453 JACK, I THINK THESE PEOPLE-- 949 00:53:59,497 --> 00:54:00,715 SHUT UP AND KEEP MOVING. 950 00:54:00,759 --> 00:54:01,716 I THINK THEY'RE CANNIBALS. 951 00:54:01,760 --> 00:54:04,328 SHUT UP AND KEEP MOVING. 952 00:54:04,371 --> 00:54:06,417 COME ON. STICK A LEG, WHILE YOU STILL HAVE ONE. 953 00:54:06,460 --> 00:54:07,983 JACK-- 954 00:54:08,027 --> 00:54:10,377 HURRY IT UP! 955 00:54:10,421 --> 00:54:12,814 START THE CAR AND GET OUT OF HERE. 956 00:54:12,858 --> 00:54:14,294 JACK, THAT MEAT HAD A SHOE ON IT. 957 00:54:14,338 --> 00:54:16,035 I SAID START THE CAR! 958 00:54:16,078 --> 00:54:18,690 HEY, BIG SHOT SINGER! 959 00:54:18,733 --> 00:54:20,300 OH, MY GOD. GET DOWN! 960 00:54:20,344 --> 00:54:21,432 WATCH OUT! 961 00:54:21,475 --> 00:54:23,608 WHAT THE HELL? 962 00:54:23,651 --> 00:54:25,436 DO YOU THINK WE CAN GET THE HELL OUT OF HERE NOW? 963 00:54:25,479 --> 00:54:27,786 I'M GOING! 964 00:54:27,829 --> 00:54:30,049 GO! 965 00:54:30,092 --> 00:54:32,225 Tiny: STOP THE CAR! 966 00:54:32,269 --> 00:54:35,750 [SHOUTING] 967 00:54:35,794 --> 00:54:37,491 COME ON! 968 00:54:47,719 --> 00:54:50,504 [GUNSHOTS] 969 00:54:54,987 --> 00:54:56,945 COME ON, HURRY UP! 970 00:54:59,992 --> 00:55:03,125 DAMN IT, WE'RE GOING THE WRONG WAY. THE HIGHWAY IS BACK THERE! 971 00:55:03,169 --> 00:55:05,302 I'M JUST TRYING TO GET AWAY FROM THESE NUT CASES. 972 00:55:06,303 --> 00:55:07,695 COME ON! 973 00:55:10,785 --> 00:55:12,352 DO YOU KNOW HOW MUCH I LOVE THIS CAR? 974 00:55:12,396 --> 00:55:14,049 DO YOU KNOW HOW MUCH I LOVE IT? 975 00:55:14,093 --> 00:55:15,486 BASTARDS! 976 00:55:22,754 --> 00:55:24,016 OH... 977 00:55:24,059 --> 00:55:26,932 HOLD ON, JACK! 978 00:55:26,975 --> 00:55:28,977 WATCH OUT! 979 00:55:29,021 --> 00:55:31,066 THAT TIME, DID YOU SEE WHAT IT DID? 980 00:55:31,110 --> 00:55:32,372 [GUNSHOT] 981 00:55:38,987 --> 00:55:41,250 SELFISH. 982 00:55:41,294 --> 00:55:43,949 OUCH! SHIT! 983 00:55:43,992 --> 00:55:45,559 WOO! 984 00:55:45,603 --> 00:55:47,518 ALL RIGHT, JACK! 985 00:55:47,561 --> 00:55:49,084 I THINK WE LOST THEM. 986 00:55:49,128 --> 00:55:50,129 YEAH. 987 00:55:50,172 --> 00:55:52,740 WOO! 988 00:55:54,176 --> 00:55:56,048 [EXPLOSION] 989 00:55:56,091 --> 00:55:58,398 HOLY SHIT! 990 00:55:58,442 --> 00:56:00,400 THEY'VE GOT ARTILLERY! 991 00:56:01,793 --> 00:56:03,098 HILLBILLIES WITH HOWITZERS! 992 00:56:03,142 --> 00:56:04,796 AND HELICOPTERS! 993 00:56:09,583 --> 00:56:12,412 Man: YOU ARE ON A UNITED STATES NAVAL INSTALLATION. 994 00:56:12,456 --> 00:56:13,892 NAVAL INSTALLATION? 995 00:56:13,935 --> 00:56:15,763 YOU ARE IN A RESTRICTED AREA. 996 00:56:15,807 --> 00:56:17,461 OH, FUCK! 997 00:56:17,504 --> 00:56:19,985 SHIT! 998 00:56:23,597 --> 00:56:27,993 15 YEARS OF WAX JOBS, OIL CHANGES, 999 00:56:28,036 --> 00:56:30,648 LITTLE SCENTED PINE TREES. 1000 00:56:30,691 --> 00:56:32,998 [EXPLOSION] 1001 00:56:38,090 --> 00:56:40,614 JACK! ARE YOU OKAY? 1002 00:56:40,658 --> 00:56:42,094 STOP! HOLD IT RIGHT THERE! 1003 00:56:42,137 --> 00:56:43,878 FREEZE! DON'T MOVE! 1004 00:56:46,620 --> 00:56:47,969 ARE WE IN TROUBLE? 1005 00:56:48,013 --> 00:56:49,362 WHAT? 1006 00:56:49,406 --> 00:56:52,147 ARE WE IN TROUBLE? 1007 00:56:52,191 --> 00:56:54,628 Man: DO NOT MOVE, AND YOU WILL NOT BE HURT. 1008 00:56:58,197 --> 00:57:01,896 FROM THE HALLS OF MONTEZUMA TO THE SHORES OF TRIPOLI, 1009 00:57:01,940 --> 00:57:07,032 I WANTED TO PUT MY TRIPLE-E SHOE UP MARTY'S ASS. 1010 00:57:07,075 --> 00:57:10,949 MY CHEVELLE WAS FLATTER THAN AN EIGHT-YEAR-OLD CHEERLEADER. 1011 00:57:10,992 --> 00:57:14,431 WELL, AT LEAST I STILL HAVE MY VAN, THE GOOD OLD BOY. 1012 00:57:17,477 --> 00:57:19,392 THANKS A LOT. 1013 00:57:25,616 --> 00:57:27,792 BOY, THAT'S SOMETHING, ISN'T IT? 1014 00:57:27,835 --> 00:57:30,795 A WEAPONS TESTING PLACE, RIGHT HERE IN THE MIDDLE OF NOWHERE. 1015 00:57:30,838 --> 00:57:33,493 I ACTUALLY THOUGHT THOSE GUYS WERE PRETTY COOL, DIDN'T YOU? 1016 00:57:33,537 --> 00:57:36,365 OH, YEAH, SURE DID. 1017 00:57:36,409 --> 00:57:39,107 TOWARD THE MIDDLE OF THAT 6½-HOUR INTERROGATION, 1018 00:57:39,151 --> 00:57:41,936 I STARTED TO THINK OF THEM AS OLD FRIENDS. 1019 00:57:46,158 --> 00:57:47,986 BOY, THAT SERGEANT SURE HAD COLD HANDS 1020 00:57:48,029 --> 00:57:49,988 DURING THAT CAVITY SEARCH, DIDN'T SHE? 1021 00:57:50,031 --> 00:57:52,469 WELL, AT LEAST YOU GOT A SHE. 1022 00:57:54,558 --> 00:57:56,124 SO, WHO ARE OUR SUSPECTS? 1023 00:57:56,168 --> 00:57:57,691 THE WAY I SEE IT, THERE'S THREE: THE SHERIFF-- 1024 00:57:57,735 --> 00:57:58,910 DEFINITELY. 1025 00:57:58,953 --> 00:58:00,215 THE PRESIDENT OF THE BANK-- 1026 00:58:00,259 --> 00:58:01,782 WHAT, HORACE JUNIOR? 1027 00:58:01,826 --> 00:58:03,784 WELL, IF THE GRAVEL PIT GOES UNDER, WHO GETS IT? THE BANK. 1028 00:58:03,828 --> 00:58:06,657 BUT HORACE JUNIOR SAID THAT THING WAS WORTHLESS TO THEM. 1029 00:58:06,700 --> 00:58:09,660 WELL, MAYBE HE'S THE BAD GUY, AND HE'S NOT TELLING US THE TRUTH. 1030 00:58:09,703 --> 00:58:11,836 MURDERERS DO THAT KIND OF THING, YOU KNOW? 1031 00:58:11,879 --> 00:58:14,795 [DOG BARKING] 1032 00:58:14,839 --> 00:58:16,536 OKAY, WELL, WHO'S THE THIRD? 1033 00:58:16,580 --> 00:58:18,320 YOUR LITTLE GIRLFRIEND. 1034 00:58:18,364 --> 00:58:20,888 CINDY? YOU'VE GOT TO BE KIDDING ME. 1035 00:58:20,932 --> 00:58:22,368 WELL, COME ON. YOU'RE NOT TELLING ME 1036 00:58:22,411 --> 00:58:23,978 THAT YOU BUY HER SUSIE CREAM CHEESE ACT? 1037 00:58:24,022 --> 00:58:25,719 NOBODY COULD BE THAT WHOLESOME. 1038 00:58:25,763 --> 00:58:27,329 JACK, SHE'S THE ONE WHO TOLD POND ABOUT US. 1039 00:58:27,373 --> 00:58:29,201 NO, IT WAS OWENS. 1040 00:58:29,244 --> 00:58:32,160 LOOK, I HAVEN'T FIGURED OUT ANY OF THE WHYS OF THIS THING, 1041 00:58:32,204 --> 00:58:34,815 BUT WHEN I DO, MAYBE I'LL FIGURE OUT THE WHOS. 1042 00:58:34,859 --> 00:58:36,948 AND ABOUT YOUR CAR, JACK, I'M SORRY. 1043 00:58:36,991 --> 00:58:39,820 IT WAS MY CHEVELLE THAT WENT OVER THAT CLIFF. 1044 00:58:39,864 --> 00:58:42,867 TONIGHT, DAMN THE ULCERS AND FULL SPEED AHEAD. 1045 00:58:44,259 --> 00:58:46,392 DO YOU WANT ANOTHER SNORT? 1046 00:58:46,435 --> 00:58:48,829 AH, SURE. 1047 00:58:48,873 --> 00:58:50,788 I MEAN, SURE. 1048 00:58:52,093 --> 00:58:53,486 YOU KNOW, I LOVED THAT CAR. 1049 00:58:53,530 --> 00:58:56,881 YEAH, IT HAD GREAT LINES, JACK. 1050 00:58:56,924 --> 00:58:58,796 YEAH, I WAS THE SMOOTHEST. PECKER. 1051 00:59:04,497 --> 00:59:07,979 YOU KNOW, JACK-- 1052 00:59:08,022 --> 00:59:10,808 SOMETHING STILL KIND OF CONFUSES ME. 1053 00:59:10,851 --> 00:59:14,638 NOW, WHY AM I NOT SURPRISED BY THAT? 1054 00:59:14,681 --> 00:59:16,596 DIANE-- 1055 00:59:16,640 --> 00:59:20,644 YOU KNOW, THE WOMAN THAT YOU HAD ME COME UP HERE TO SPY ON. 1056 00:59:20,687 --> 00:59:24,343 I MEAN, WHAT GIVES WITH HER? 1057 00:59:26,214 --> 00:59:29,000 MARTY, I SET YOU UP, AND I'M SORRY. 1058 00:59:29,043 --> 00:59:31,176 JACK, WHAT-- YOU SET ME UP FOR-- 1059 00:59:31,219 --> 00:59:33,221 WHAT ARE YOU TALKING ABOUT? 1060 00:59:33,265 --> 00:59:35,702 I'M TALKING ABOUT DIANE. 1061 00:59:35,746 --> 00:59:38,183 YOU DON'T THINK I'D GIVE YOU A REAL CASE TO TRAIN YOU? 1062 00:59:38,226 --> 00:59:40,838 I'M NOT THAT FUCKING CRAZY. 1063 00:59:40,881 --> 00:59:42,796 SHE'S MY PARTNER'S WIFE. 1064 00:59:46,365 --> 00:59:48,497 SHE CAME TO MY OFFICE ONE NIGHT. 1065 00:59:48,541 --> 00:59:50,412 WE SORT OF-- 1066 00:59:50,456 --> 00:59:53,285 WE FELL INTO EACH OTHER'S ARMS. 1067 00:59:53,328 --> 00:59:55,287 WE STARTED TO GET IT ON, AND WE KNEW RIGHT AWAY, 1068 00:59:55,330 --> 00:59:56,984 BOTH OF US, THAT IT WAS NOT GOING TO END THERE. 1069 00:59:59,813 --> 01:00:02,990 BUT MORRIS FOUND OUT. 1070 01:00:03,034 --> 01:00:06,428 AND HE JUST DIED OF A BROKEN HEART. 1071 01:00:06,472 --> 01:00:08,648 HE COULDN'T HANDLE IT. 1072 01:00:08,692 --> 01:00:11,869 I HAVEN'T SEEN HER SINCE THEN, 1073 01:00:11,912 --> 01:00:15,307 BUT I-- 1074 01:00:15,350 --> 01:00:17,918 I THINK ABOUT HER ALL THE TIME. 1075 01:00:20,051 --> 01:00:21,922 WOW. 1076 01:00:21,966 --> 01:00:24,446 HUH. 1077 01:00:27,580 --> 01:00:30,191 CINDY, I HAVEN'T BEEN OUT IN THE WOODS SINCE I WAS A KID. 1078 01:00:30,235 --> 01:00:32,237 NOW, WHERE ARE YOU TAKING ME? 1079 01:00:32,280 --> 01:00:34,718 I HAVE A SPECIAL SPOT. 1080 01:00:34,761 --> 01:00:36,676 [CHUCKLING] 1081 01:00:36,720 --> 01:00:38,939 YEAH, I'LL BET YOU DO. 1082 01:00:38,983 --> 01:00:40,898 [LAUGHING] 1083 01:00:54,825 --> 01:00:56,478 I DON'T GET IT. 1084 01:00:56,522 --> 01:00:58,655 WHAT DO YOU MEAN? GET WHAT? 1085 01:00:58,698 --> 01:01:02,397 I DON'T KNOW WHY ANYONE WOULD KILL FOR A DUMP LIKE THIS. 1086 01:01:02,441 --> 01:01:03,921 I DO. 1087 01:01:03,964 --> 01:01:06,445 I KNOW. 1088 01:01:06,488 --> 01:01:10,231 THIS HAS GOT NOTHING TO DO WITH YOUR COUSINS, DOES IT? 1089 01:01:10,275 --> 01:01:12,059 BECAUSE OF THIS. 1090 01:01:19,066 --> 01:01:21,068 [THUNDER RUMBLING] 1091 01:01:24,768 --> 01:01:27,596 SO, HOW DO YOU LIKE IT HERE? 1092 01:01:27,640 --> 01:01:29,598 ARE YOU KIDDING ME? 1093 01:01:29,642 --> 01:01:31,165 THIS PLACE IS AMAZING. 1094 01:01:31,209 --> 01:01:32,819 IT'S RIGHT OFF THE HIGHWAY, 1095 01:01:32,863 --> 01:01:34,560 BUT IT'S LIKE WE'RE IN THE MIDDLE OF NOWHERE. 1096 01:01:36,170 --> 01:01:37,606 YEAH, I KNOW WHAT YOU MEAN. 1097 01:01:38,999 --> 01:01:41,567 I LOVE THIS PLACE. 1098 01:01:41,610 --> 01:01:43,308 IT'S SO ROMANTIC. 1099 01:01:50,402 --> 01:01:52,230 SHIT! 1100 01:01:53,405 --> 01:01:54,754 GOD! 1101 01:01:54,798 --> 01:01:56,800 IT'S JUST A LITTLE INSECT. 1102 01:01:58,845 --> 01:02:01,021 PROBABLY MORE AFRAID OF YOU THAN YOU ARE OF IT. 1103 01:02:05,678 --> 01:02:07,898 I DON'T THINK SO. 1104 01:02:07,941 --> 01:02:11,031 YOU KNOW, MARTY, I CAN'T BELIEVE THAT 1105 01:02:11,075 --> 01:02:14,165 YOU AND JACK ARE SUSPICIOUS OF HORACE JUNIOR. 1106 01:02:14,208 --> 01:02:17,037 HE'S ONE OF THE SWEETEST MEN I KNOW. 1107 01:02:17,081 --> 01:02:19,561 WELL, MAYBE THAT'S ALL JUST AN ACT. 1108 01:02:21,346 --> 01:02:24,001 NOT EVERYBODY'S FROM HOLLYWOOD, MARTY. 1109 01:02:24,044 --> 01:02:25,916 SOME PEOPLE ARE EXACTLY WHAT THEY SEEM. 1110 01:02:52,072 --> 01:02:53,334 [GLASS SHATTERING] 1111 01:02:53,378 --> 01:02:54,292 [GASPING] 1112 01:02:54,335 --> 01:02:56,250 JESUS! 1113 01:02:57,599 --> 01:02:59,253 CINDY! STAY BACK! 1114 01:03:00,602 --> 01:03:02,561 [EXPLOSION] 1115 01:03:04,476 --> 01:03:06,434 OH, MY GOD. 1116 01:03:06,478 --> 01:03:08,088 MARTY, ARE YOU OKAY? 1117 01:03:08,132 --> 01:03:10,047 YEAH. 1118 01:03:13,224 --> 01:03:14,965 SO, THAT'S IT? 1119 01:03:15,008 --> 01:03:17,141 YOU'RE GOING TO LEAVE RIGHT IN THE MIDDLE OF A JOB? 1120 01:03:17,184 --> 01:03:20,971 YEAH, THAT'S RIGHT, RIGHT IN THE MIDDLE. 1121 01:03:21,014 --> 01:03:23,408 THIS ISN'T OUR CASE. THIS IS SHERIFF OWENS'. 1122 01:03:23,451 --> 01:03:25,627 I MEAN, LET HIM GET HIS BALLS BLOWN OFF. 1123 01:03:25,671 --> 01:03:28,195 WELL, AREN'T YOU INTERESTED IN WHAT'S GOING ON UP HERE? 1124 01:03:28,239 --> 01:03:31,895 I MEAN, WHERE'S THE OLD FIRE IN THE BELLY, 1125 01:03:31,938 --> 01:03:35,899 OR DOESN'T ANYTHING HAVE ANY VALUE TO YOU ANYMORE? 1126 01:03:35,942 --> 01:03:37,726 YOU KNOW, THE HELL WITH YOU, JACK. I MEAN, 1127 01:03:37,770 --> 01:03:40,947 YEAH, I MAY BE A SCREW UP, BUT YOU'RE NO PRIZE YOURSELF. 1128 01:03:40,991 --> 01:03:43,515 I MEAN, BROKEN DOWN DETECTIVE, 1129 01:03:43,558 --> 01:03:45,604 AND YOU'RE SPYING ON A WOMAN YOU'RE NOT EVEN MARRIED TO. 1130 01:03:51,392 --> 01:03:53,046 GET OUT OF HERE. 1131 01:03:58,182 --> 01:03:59,836 JACK... 1132 01:04:07,582 --> 01:04:10,063 SORRY, JACK. 1133 01:04:10,107 --> 01:04:12,718 MARTY STRUCK A NERVE, 1134 01:04:12,761 --> 01:04:15,373 AND I HATED HIM FOR IT. 1135 01:04:15,416 --> 01:04:20,552 HE WAS RIGHT. I HAD NO BUSINESS SPYING ON DIANE, 1136 01:04:20,595 --> 01:04:22,902 BUT MAYBE I COULD CATCH A KILLER. 1137 01:04:25,470 --> 01:04:28,560 THAT WOULD BE A NICE CAPPER TO MY CRAPPY CAREER. 1138 01:04:30,344 --> 01:04:33,739 BALL AND WRECKERS, PLEASE. 1139 01:04:33,782 --> 01:04:36,089 UH, MIKE MINER IN THE SAYERS OFFICE. 1140 01:04:37,786 --> 01:04:41,268 MIKE? JACK POTTER HERE. 1141 01:04:41,312 --> 01:04:44,924 I'M FINE. UH, I'M UP IN YOUR NECK OF THE WOODS, BUDDY. 1142 01:04:44,968 --> 01:04:46,926 I'D LIKE YOU TO DO A FAVOR FOR ME. 1143 01:04:49,624 --> 01:04:51,931 [DOORBELL RINGING] 1144 01:05:02,681 --> 01:05:05,075 MARTY! 1145 01:05:05,118 --> 01:05:07,207 JACK TOLD ME YOU'D LEFT. 1146 01:05:07,251 --> 01:05:09,383 I THOUGHT I'D NEVER SEE YOU AGAIN. 1147 01:05:09,427 --> 01:05:10,645 I HAD TO SEE YOU. 1148 01:05:10,689 --> 01:05:12,604 COME IN. 1149 01:05:48,031 --> 01:05:49,728 YOU'LL BE SURPRISED HOW LONG IT'S BEEN 1150 01:05:49,771 --> 01:05:51,860 SINCE I'VE BEEN WITH A GUY. 1151 01:05:51,904 --> 01:05:55,255 I THINK YOU'RE PRETTY SPECIAL, MARTY. 1152 01:05:55,299 --> 01:05:58,432 CINDY, I LEFT. I DESERTED YOU. 1153 01:05:58,476 --> 01:06:00,130 BUT YOU CAME BACK. 1154 01:06:03,046 --> 01:06:05,962 YEAH. YOU KNOW, I GUESS I KIND OF SURPRISED MYSELF. 1155 01:06:10,444 --> 01:06:14,013 CINDY, I SAID SOME REAL TERRIBLE THINGS TO JACK. 1156 01:06:14,057 --> 01:06:17,974 I THINK HE MUST REALLY CARE ABOUT YOU. 1157 01:06:18,017 --> 01:06:21,064 DID HE MENTION WHY HE WAS GOING TO PORTLAND? 1158 01:06:21,107 --> 01:06:23,022 NO. HE JUST SAID IT HAD SOMETHING TO DO WITH THE CASE 1159 01:06:23,066 --> 01:06:24,893 AND THAT HE'D BE BACK LATE TONIGHT. 1160 01:06:33,119 --> 01:06:36,209 CINDY, CAN I BORROW YOUR JEEP? 1161 01:06:54,140 --> 01:06:56,360 WHOEVER THE HELL YOU ARE, 1162 01:06:56,403 --> 01:06:59,015 GET YOUR GODDAMN HANDS UP AND COME ON OUT HERE. 1163 01:07:02,714 --> 01:07:04,672 GODDAMN IT. YOU AGAIN? 1164 01:07:04,716 --> 01:07:08,067 THAT'S RIGHT, SHERIFF, ME... 1165 01:07:08,111 --> 01:07:09,590 AND AS WE SPEAK, 1166 01:07:09,634 --> 01:07:12,289 MY PARTNER JACK POTTER'S ON HIS WAY TO GET THE FBI 1167 01:07:12,332 --> 01:07:14,552 TO ARREST YOU FOR THE MURDER OF DANNY HARKNESS. 1168 01:07:14,595 --> 01:07:16,380 WHAT THE HELL ARE YOU TALKING ABOUT, MURDERED DANNY HARKNESS? 1169 01:07:18,730 --> 01:07:20,906 WHAT ARE YOU DIGGING THERE, SHERIFF, A GRAVE? 1170 01:07:20,949 --> 01:07:23,604 THAT AIN'T EXACTLY A BAD IDEA. 1171 01:07:35,790 --> 01:07:38,532 I WAS DIGGING SOMETHING UP, NOT BURYING IT. 1172 01:07:38,576 --> 01:07:40,969 COME HERE. 1173 01:07:51,937 --> 01:07:54,374 NOW, THIS HERE'S A PETER RING. 1174 01:07:54,418 --> 01:07:57,769 YOU PUT THAT SUCKER ON, YOU CAN GO ALL NIGHT LONG. 1175 01:08:00,163 --> 01:08:03,514 WHAT I GOT OVER HERE IS ONE OF THEM VIBRATING DILDOS. 1176 01:08:03,557 --> 01:08:07,039 YOU CAN JUST PLUG IT RIGHT INTO A CIGARETTE LIGHTER. 1177 01:08:07,083 --> 01:08:08,780 IT MAKES IT EASY FOR LOVING ON THE RUN, 1178 01:08:08,823 --> 01:08:10,956 IF YOU KNOW WHAT I MEAN. 1179 01:08:10,999 --> 01:08:13,741 YOU GOT YOUR DOUBLE-HEADED DILDO. MAKES FOR SOME VARIETY. 1180 01:08:15,482 --> 01:08:18,398 NOW THIS LITTLE BUDDY OVER HERE, THIS IS THE BUTT PLUG. 1181 01:08:18,442 --> 01:08:20,792 YOU GOT NO IDEA WHAT YOU CAN ACCOMPLISH WITH THIS LITTLE SUCKER. 1182 01:08:20,835 --> 01:08:22,968 WHOA, WAIT A MINUTE, SHERIFF. 1183 01:08:23,011 --> 01:08:24,926 SEX PARAPHERNALIA? 1184 01:08:26,450 --> 01:08:31,063 WHAT, ARE YOU SAYING YOU'RE MEETING A WOMAN OUT HERE? 1185 01:08:31,107 --> 01:08:33,718 WHAT I'M SAYING IS, 1186 01:08:33,761 --> 01:08:37,113 IS I'M A DIRTY, LYING, CHEATING, ADULTEROUS SON OF A BITCH 1187 01:08:37,156 --> 01:08:41,029 WITH A BEAUTIFUL WIFE AND TWO KIDS, 1188 01:08:41,073 --> 01:08:44,250 AND A BOX OF SEX TOYS BURIED OUT HERE IN THE GROUND. 1189 01:08:46,252 --> 01:08:47,862 I'M A DIRTY BIRDIE BOY. 1190 01:08:50,213 --> 01:08:51,866 WAS THAT WHAT YOU WERE DOING HERE THE OTHER NIGHT, 1191 01:08:51,910 --> 01:08:53,390 WHEN EVERYTHING BLEW UP? 1192 01:08:53,433 --> 01:08:56,480 YEAH, AND SHE DIDN'T EVEN SHOW UP THAT NIGHT. 1193 01:08:56,523 --> 01:08:58,960 ALMOST GOT KILLED. 1194 01:08:59,004 --> 01:09:00,658 HELL, SHE'S EVEN LATE TONIGHT. 1195 01:09:00,701 --> 01:09:02,355 NOW, I'VE GOT TWO WOMEN DRIVING ME CRAZY, INSTEAD OF ONE. 1196 01:09:07,491 --> 01:09:09,188 IT'S JUST BETWEEN YOU AND ME, RIGHT? 1197 01:09:09,232 --> 01:09:12,452 OH, YEAH. NO, DEFINITELY. YEAH. 1198 01:09:13,671 --> 01:09:15,629 GO FOR IT. 1199 01:09:18,545 --> 01:09:21,505 A COUPLE OF PECKERS WITH A BOX OF DILDOS. 1200 01:09:21,548 --> 01:09:24,072 MARTY'S HUNCH HAD CRAPPED OUT 1201 01:09:24,116 --> 01:09:26,597 WORSE THAN A TOURIST IN TIJUANA, 1202 01:09:26,640 --> 01:09:30,470 BUT THERE WAS ONE MORE SEX TOY WAITING FOR MARTY... 1203 01:09:30,514 --> 01:09:32,342 A COLD COCK. 1204 01:09:47,748 --> 01:09:49,794 HORACE JUNIOR? 1205 01:09:49,837 --> 01:09:51,883 WELL, HI THERE, MARTY. 1206 01:09:55,495 --> 01:09:57,758 WHERE AM I? 1207 01:09:57,802 --> 01:10:00,718 YOU'RE ON A CONVEYOR BELT 1208 01:10:00,761 --> 01:10:03,199 AT THE POND GRAVEL AND ASPHALT COMPANY'S ROCK CRUSHING MACHINE. 1209 01:10:03,242 --> 01:10:05,331 YOU'RE ABOUT TO BE SNOOPING AROUND WHERE YOU SHOULDN'T BE 1210 01:10:05,375 --> 01:10:08,813 AND ACCIDENTALLY GET CRUSHED TO DEATH. 1211 01:10:08,856 --> 01:10:12,773 CURIOSITY KILLED THE HOTSHOT BIG CITY PRIVATE EYE. 1212 01:10:12,817 --> 01:10:15,515 YOU KILLED DANNY HARKNESS? WHY? 1213 01:10:15,559 --> 01:10:17,909 GREED. 1214 01:10:17,952 --> 01:10:20,390 PURE GREED MADE ME DO IT. 1215 01:10:20,433 --> 01:10:23,088 THE LOVE OF MONEY IS THE ROOT OF ALL EVIL. 1216 01:10:23,131 --> 01:10:25,308 A LOT OF FUN, TOO. 1217 01:10:25,351 --> 01:10:29,181 MONEY? HORACE, THIS IS A WORTHLESS HOLE IN THE GROUND. 1218 01:10:29,225 --> 01:10:31,139 [CRASHING] 1219 01:10:34,186 --> 01:10:36,493 SHIT. 1220 01:10:36,536 --> 01:10:38,582 YEAH. 1221 01:10:38,625 --> 01:10:40,279 ALL RIGHT. 1222 01:10:40,323 --> 01:10:42,368 NOW, THIS MUST BE THE THROTTLE. 1223 01:10:42,412 --> 01:10:43,978 LET'S SEE. I CAN SPEED IT UP. 1224 01:10:44,022 --> 01:10:45,328 HORACE! 1225 01:10:45,371 --> 01:10:46,894 OR I CAN SLOW IT DOWN. 1226 01:10:46,938 --> 01:10:48,505 HORACE! 1227 01:10:48,548 --> 01:10:50,115 OH, YEAH! 1228 01:10:50,158 --> 01:10:51,421 GET ME OUT OF HERE, HORACE. 1229 01:10:51,464 --> 01:10:52,813 FASTER... 1230 01:10:52,857 --> 01:10:54,511 SLOWER. 1231 01:10:54,554 --> 01:10:56,295 FASTER, SLOWER. 1232 01:10:56,339 --> 01:10:58,950 [SCREAMING] 1233 01:10:58,993 --> 01:11:00,995 GOD DAMN IT! 1234 01:11:01,039 --> 01:11:03,084 I LOVE THIS. 1235 01:11:03,128 --> 01:11:05,217 REVERSE... 1236 01:11:05,261 --> 01:11:06,566 [LAUGHING] 1237 01:11:06,610 --> 01:11:08,046 YOU DON'T WANT TO DO THIS. 1238 01:11:08,089 --> 01:11:10,701 OH, MAN, THIS IS JUST LIKE WHEN I'M AT A SALAD PLACE. 1239 01:11:10,744 --> 01:11:12,964 WELL, WHERE'S THE HERO SUPPOSED TO SAVE ME? 1240 01:11:13,007 --> 01:11:14,879 UH-UH. 1241 01:11:14,922 --> 01:11:16,228 HUH? 1242 01:11:16,272 --> 01:11:18,491 NOT IN MY MOVIE. 1243 01:11:18,535 --> 01:11:20,232 HORACE, DON'T DO IT. HELP ME! 1244 01:11:20,276 --> 01:11:21,668 HORACE JUNIOR, STOP THAT BELT 1245 01:11:21,712 --> 01:11:23,366 AND GET YOUR HANDS IN THE AIR! 1246 01:11:23,409 --> 01:11:24,932 HELP! 1247 01:11:24,976 --> 01:11:26,151 JACK, HURRY UP! 1248 01:11:26,194 --> 01:11:27,544 I SAID STOP THAT BELT! 1249 01:11:27,587 --> 01:11:28,849 HORACE! 1250 01:11:28,893 --> 01:11:31,374 [GUNSHOTS] 1251 01:11:31,417 --> 01:11:32,636 JACK! 1252 01:11:32,679 --> 01:11:34,028 JACK! 1253 01:11:38,337 --> 01:11:40,687 JACK! COME ON! 1254 01:11:43,037 --> 01:11:44,822 JACK! 1255 01:11:44,865 --> 01:11:47,303 HORACE, DROP THE GUN! 1256 01:11:50,436 --> 01:11:52,351 JACK! HELP! 1257 01:11:52,395 --> 01:11:53,831 JACK! 1258 01:11:53,874 --> 01:11:54,919 JACK, HURRY UP! 1259 01:11:56,529 --> 01:11:58,357 HELP ME! 1260 01:11:58,401 --> 01:11:59,358 DAMN. 1261 01:11:59,402 --> 01:12:01,099 HURRY UP! 1262 01:12:02,579 --> 01:12:04,755 SHIT. FASTER! 1263 01:12:08,498 --> 01:12:10,282 JACK, HELP! 1264 01:12:12,110 --> 01:12:14,025 JACK! 1265 01:12:27,865 --> 01:12:29,257 MARTY. 1266 01:12:29,301 --> 01:12:30,955 JACK? 1267 01:12:35,438 --> 01:12:37,309 WANT A MINT? 1268 01:12:37,353 --> 01:12:41,531 NO. I WANT YOU TO GET ME OUT OF HERE. 1269 01:12:41,574 --> 01:12:42,880 [SOBBING] 1270 01:12:42,923 --> 01:12:46,405 WHAT AM I GOING TO DO WITHOUT HORACE JUNIOR? 1271 01:12:46,449 --> 01:12:49,321 NOW, DARLENE, THE TRUTH OF THE MATTER IS OLD HORACE JUNIOR 1272 01:12:49,365 --> 01:12:51,802 WASN'T A VERY NICE FELLA. 1273 01:12:51,845 --> 01:12:56,372 I KNOW THAT, ALTON, BUT HE HAD SO MUCH MONEY. 1274 01:12:56,415 --> 01:12:58,765 WELL, HE MUST HAVE LEFT YOU SOMETHING. 1275 01:12:58,809 --> 01:13:02,203 NO, NOT A SINGLE DIME. 1276 01:13:02,247 --> 01:13:05,468 ALTON, I JUST TALKED TO MY LAWYER. 1277 01:13:05,511 --> 01:13:10,560 HORACE JUNIOR SPENT IT ALL ON WOMEN IN LAS VEGAS. 1278 01:13:10,603 --> 01:13:13,606 OH, NOW, COME ON. WELL, AT LEAST YOU'VE STILL GOT 1279 01:13:13,650 --> 01:13:16,870 YOUR JOB BACK AT THE NAVAL BASE, AND I THINK YOU'LL BE ALL RIGHT. 1280 01:13:16,914 --> 01:13:18,524 YEAH. 1281 01:13:18,568 --> 01:13:20,308 COULD YOU DO ME A LITTLE FAVOR NOW? 1282 01:13:20,352 --> 01:13:22,310 I NEED YOU TO WAIT IN THE OTHER ROOM. 1283 01:13:22,354 --> 01:13:23,442 WE'VE STILL GOT SOME MORE QUESTIONS TO ASK YOU. 1284 01:13:23,486 --> 01:13:25,618 OKAY. 1285 01:13:25,662 --> 01:13:27,359 AS SOON AS WE'RE DONE, OLD TOMMY WILL TAKE YOU HOME DIRECTLY, ALL RIGHT? 1286 01:13:27,403 --> 01:13:31,407 ALL RIGHT. THANKS, ALTON. I'LL BE OKAY. 1287 01:13:31,450 --> 01:13:33,974 SHE WON'T BE LONELY LONG. 1288 01:13:34,018 --> 01:13:37,717 OLD DARLENE LIKE SAILORS. 1289 01:13:37,761 --> 01:13:41,373 JESUS, ISN'T ANYBODY IN THIS TOWN FAITHFUL? 1290 01:13:41,417 --> 01:13:42,940 [COUGHING] 1291 01:13:42,983 --> 01:13:47,858 YEAH, SOME OF US STILL ARE. 1292 01:13:47,901 --> 01:13:50,643 SO, WHAT IS THIS RUTILE STUFF ANYWAY? 1293 01:13:50,687 --> 01:13:53,733 IT'S WHAT THEY MAKE TITANIUM OUT OF. 1294 01:13:53,777 --> 01:13:57,302 IT'S A LIGHTWEIGHT, HIGHLY HEAT-RESISTANT METAL. 1295 01:13:57,345 --> 01:13:59,652 THEY USE IT IN THE SPACE SHUTTLE, FOR ONE THING. 1296 01:13:59,696 --> 01:14:01,654 AND IT'S WORTH SOMETHING? 1297 01:14:01,698 --> 01:14:03,439 LET'S PUT IT THIS WAY. THAT OLD BUZZARD OUT THERE 1298 01:14:03,482 --> 01:14:05,963 AT THE GRAVEL PIT IS A VERY RICH MAN. 1299 01:14:08,182 --> 01:14:10,141 HEY, JACK. YOU WANT ME TO DRIVE? 1300 01:14:10,184 --> 01:14:12,099 NO WAY. 1301 01:14:15,538 --> 01:14:18,018 MARTY! 1302 01:14:19,890 --> 01:14:21,761 ARE YOU ALL RIGHT? 1303 01:14:21,805 --> 01:14:23,633 I CAN'T BELIEVE WHAT HORACE TRIED TO DO TO YOU. 1304 01:14:23,676 --> 01:14:25,504 WHERE'S LIONEL? 1305 01:14:25,548 --> 01:14:27,158 I THINK ALL THE EXCITEMENT'S BEEN A LITTLE TOO MUCH FOR HIM, 1306 01:14:27,201 --> 01:14:29,247 SO HE ASKED NOT TO SEE YOU TODAY, 1307 01:14:29,290 --> 01:14:31,336 BUT HE WANTED ME TO GIVE YOU THIS MONEY. 1308 01:14:31,379 --> 01:14:33,686 I'LL TAKE THAT. 1309 01:14:33,730 --> 01:14:35,819 MR. POND WAS SO HAPPY WITH THE JOB YOU DID, 1310 01:14:35,862 --> 01:14:38,517 HE'S GIVING YOU A BONUS, AND I CAN'T BELIEVE 1311 01:14:38,561 --> 01:14:42,347 THAT MR. POND IS RICH. IT'S HIS LIFELONG DREAM... 1312 01:14:42,390 --> 01:14:44,349 AND IT'S ALL BECAUSE OF YOU. 1313 01:14:55,882 --> 01:14:59,712 I'LL GO BACK TO THE VAN, SLIP INTO MY BAGGY TROUSERS. 1314 01:15:07,111 --> 01:15:09,026 WITH AN ENVELOPE FULL OF CASH, 1315 01:15:09,069 --> 01:15:12,246 IT WAS TIME TO DASH BACK TO L.A. AND CALL THOSE BROKERS. 1316 01:15:12,290 --> 01:15:14,771 I HAD BAIT AND TACKLE ON MY MIND, 1317 01:15:14,814 --> 01:15:18,339 BUT MY GUT SAID MARTY'S THE ONE WHO WAS HOOKED. 1318 01:15:20,516 --> 01:15:22,996 SO, YOU'RE IN LOVE? 1319 01:15:23,040 --> 01:15:25,521 I DON'T KNOW. MAYBE. 1320 01:15:28,698 --> 01:15:30,830 THANKS A LOT FOR SAVING MY BUTT LAST NIGHT. 1321 01:15:30,874 --> 01:15:33,790 YOU'RE LUCKY CINDY CALLED ME. 1322 01:15:36,053 --> 01:15:37,533 HOLD IT, JACK. 1323 01:15:37,576 --> 01:15:39,056 I DIDN'T TELL CINDY I WAS GOING TO THE GRAVEL PIT. 1324 01:15:41,798 --> 01:15:44,540 ALL I TOLD HER WAS THAT I WAS GOING TO TAIL SHERIFF OWENS. 1325 01:15:44,583 --> 01:15:48,108 SHE COULDN'T HAVE KNOWN YOU WERE GOING TO THE GRAVEL PIT. 1326 01:15:48,152 --> 01:15:50,763 UNLESS... 1327 01:15:50,807 --> 01:15:52,809 UNLESS WHAT? 1328 01:15:52,852 --> 01:15:54,898 SHUT UP. 1329 01:15:54,941 --> 01:15:56,726 JACK, WHAT? 1330 01:15:56,769 --> 01:15:59,555 SHUT UP. I'M THINKING. 1331 01:16:07,780 --> 01:16:09,129 [TIRES SCREECHING] 1332 01:16:09,173 --> 01:16:11,958 JACK, WHAT ARE YOU DOING? 1333 01:16:14,308 --> 01:16:16,615 YOU GOT THAT REPORT ON MR. DENNIS IN PISS AND CHOW? 1334 01:16:16,659 --> 01:16:18,269 IT'S BY THE PHONE. 1335 01:16:18,312 --> 01:16:19,966 GODDAMN MORNING'S DRIVING ME CRAZY. 1336 01:16:21,489 --> 01:16:23,056 SHIT. 1337 01:16:25,885 --> 01:16:27,626 YOU TWO. 1338 01:16:27,670 --> 01:16:29,541 DIDN'T EXPECT TO SEE YOU SO SOON. 1339 01:16:29,585 --> 01:16:31,630 UH, SHERIFF, I GOT ONE MORE QUESTION TO ASK YOU. 1340 01:16:31,674 --> 01:16:35,199 THAT WOMAN YOU'VE BEEN MEETING OUT AT THE GRAVEL PIT? 1341 01:16:35,242 --> 01:16:36,853 WHAT ABOUT HER? 1342 01:16:36,896 --> 01:16:40,465 IS HER NAME CINDY DAVIES? 1343 01:16:40,508 --> 01:16:41,858 JACK, WHAT THE HELL ARE YOU TALKING-- 1344 01:16:41,901 --> 01:16:43,816 SHUT UP, MARTY. 1345 01:16:47,080 --> 01:16:48,821 YOU DON'T TELL ME, SHERIFF, 1346 01:16:48,865 --> 01:16:50,693 I MIGHT HAVE TO ASK YOUR WIFE A FEW QUESTIONS. 1347 01:16:52,433 --> 01:16:54,784 YOU SONS OF BITCHES. 1348 01:16:54,827 --> 01:16:57,656 YES. 1349 01:16:57,700 --> 01:16:59,527 NOW GET OUT. 1350 01:17:03,053 --> 01:17:05,882 COME ON, MARTY. 1351 01:17:05,925 --> 01:17:09,233 SORRY, KID. 1352 01:17:09,276 --> 01:17:11,496 COME ON, JACK. IF CINDY'S IN CAHOOTS WITH HORACE JUNIOR, 1353 01:17:11,539 --> 01:17:14,020 SHE TELLS HIM WE'RE I'LL BE AND LEAVES A MESSAGE FOR YOU 1354 01:17:14,064 --> 01:17:15,631 TO DO WHAT, COME OUT AND SAVE ME? 1355 01:17:15,674 --> 01:17:16,936 I MEAN, THAT SOUNDS A LITTLE STUPID. 1356 01:17:16,980 --> 01:17:19,199 I WAS BEING SET UP, TOO. 1357 01:17:19,243 --> 01:17:21,898 HORACE JUNIOR WAS SUPPOSED TO KILL THE BOTH OF US. 1358 01:17:21,941 --> 01:17:24,944 BUT JACK, THERE'S ONE THING YOU'RE FORGETTING ABOUT. 1359 01:17:24,988 --> 01:17:26,380 WHAT? 1360 01:17:26,424 --> 01:17:29,079 WHY WOULD CINDY TRY TO ASSASSINATE HERSELF 1361 01:17:29,122 --> 01:17:30,950 WITH A HAND GRENADE? 1362 01:17:33,518 --> 01:17:35,825 NOW, WHO DRANK MY DAMN PEPSI? 1363 01:17:35,868 --> 01:17:38,697 DIDN'T YOUR MOM EVER TEACH YOU TO KNOCK? 1364 01:17:38,741 --> 01:17:41,569 LOVE OF PETE. WHEN ARE THE TWO OF YOU GONNA LEAVE MY TOWN? 1365 01:17:41,613 --> 01:17:43,223 SHERIFF, GRAB A SEAT. 1366 01:17:43,267 --> 01:17:44,921 WE'VE GOT A COUPLE OF QUESTIONS TO ASK YOU. 1367 01:17:46,618 --> 01:17:47,924 JACK? 1368 01:17:47,967 --> 01:17:50,535 UH, YES, SHERIFF. 1369 01:17:50,578 --> 01:17:53,930 TWO DAYS AGO, MARTY AND CINDY DAVIES WERE HAVING A PICNIC, 1370 01:17:53,973 --> 01:17:56,976 AND SOMEBODY TRIED TO KILL THE TWO OF THEM. 1371 01:17:57,020 --> 01:18:00,676 NOW, WHAT WE KNOW ABOUT CINDY DAVIES IS THAT SHE WAS BONING YOU. 1372 01:18:00,719 --> 01:18:02,503 WAIT A SECOND. YOU WEREN'T SUPPOSED TO SAY ANYTHING. 1373 01:18:02,547 --> 01:18:04,505 SHERIFF. 1374 01:18:04,549 --> 01:18:06,551 SHE WAS ALSO HUMPING MARTY. 1375 01:18:06,594 --> 01:18:10,033 HOLD ON, JACK. IT WAS A LITTLE MORE THAN JUST HUMPING. 1376 01:18:10,076 --> 01:18:14,037 AND PRESUMABLY SHE WAS DOING THE NASTY WITH HORACE JUNIOR. 1377 01:18:18,476 --> 01:18:21,740 MISS DARLENE, YOU UNDERSTAND YOU COULD ALSO 1378 01:18:21,784 --> 01:18:23,960 HAVE KILLED MY PARTNER WITH THAT GRENADE? 1379 01:18:24,003 --> 01:18:26,179 YEAH, NO KIDDING. 1380 01:18:26,223 --> 01:18:27,920 SIR, YOU'D BETTER APOLOGIZE RIGHT AWAY. 1381 01:18:31,184 --> 01:18:35,275 LOOK AT HER. NOW, WHY WHERE WOULD THIS ANGEL FIND A GRENADE? 1382 01:18:35,319 --> 01:18:37,277 OH, WELL, HOW ABOUT FROM ONE OF THE SAILORS SHE WAS SCREWING 1383 01:18:37,321 --> 01:18:38,975 AT THE NAVAL WEAPONS TESTING CENTER? 1384 01:18:39,018 --> 01:18:42,065 RIGHT, MARTY. YOU TELL 'EM. 1385 01:18:42,108 --> 01:18:44,284 DARLENE. 1386 01:18:44,328 --> 01:18:46,330 YOU SAID I WAS YOUR ONE AND ONLY. 1387 01:18:46,373 --> 01:18:47,984 I-- 1388 01:18:48,027 --> 01:18:51,291 I DIDN'T MEAN FOR IT TO GO OFF. 1389 01:18:51,335 --> 01:18:54,120 SHERIFF, GRAB YOUR GUN. YOU'RE COMING WITH US. 1390 01:18:54,164 --> 01:18:56,775 WHERE ARE WE GOING? 1391 01:19:02,215 --> 01:19:04,174 JACK, GIVE ME A GUN. 1392 01:19:04,217 --> 01:19:06,263 WHAT? 1393 01:19:06,306 --> 01:19:08,874 YOU HEARD WHAT I SAID. 1394 01:19:08,918 --> 01:19:10,441 I'M SURE THE SHERIFF WON'T MIND, RIGHT? 1395 01:19:10,484 --> 01:19:11,964 HELL, THAT BITCH IS CRAZY. YOU'VE GOT AN EXTRA GUN, 1396 01:19:12,008 --> 01:19:13,705 GIVE IT TO HIM. HE'S GOING TO NEED IT. 1397 01:19:17,840 --> 01:19:19,755 BE CAREFUL. 1398 01:19:24,629 --> 01:19:26,849 IT ALL MADE SENSE. 1399 01:19:26,892 --> 01:19:29,503 SUSIE CREAM CHEESE WAS THE BIG CHEESE. 1400 01:19:29,547 --> 01:19:34,421 CINDY DAVIES, THE KILLER BEAVER OF BEAVER RIDGE. 1401 01:19:34,465 --> 01:19:36,859 TAKE ME BACK, DAMN IT. I'M GETTING COLD. 1402 01:19:36,902 --> 01:19:39,339 NOW CALM DOWN, LIONEL. YOU NEED THE FRESH AIR. 1403 01:19:43,082 --> 01:19:44,388 WHAT'S GOING ON? WHAT'S HAPPENING? 1404 01:19:44,431 --> 01:19:45,998 WHAT ARE YOU DOING? 1405 01:19:48,435 --> 01:19:50,611 I HOPE YOU ROT IN HELL. 1406 01:19:50,655 --> 01:19:51,961 HOLY SHIT! 1407 01:19:52,004 --> 01:19:54,528 CINDY'S GETTING AWAY! GET HER! 1408 01:19:54,572 --> 01:19:55,791 [LIONEL SCREAMING] 1409 01:19:57,531 --> 01:19:59,316 GET BACK! 1410 01:19:59,359 --> 01:20:02,014 AH! AAH! 1411 01:20:03,842 --> 01:20:05,496 HEY, WHERE HAVE YOU BASTARDS BEEN? 1412 01:20:05,539 --> 01:20:08,586 THAT GIRL'S TRYING TO KILL ME, NOW SHE'S GETTING AWAY! 1413 01:20:08,629 --> 01:20:10,196 I DON'T PAY YOU GUYS TO STAND AROUND WITH YOUR BUMS-- 1414 01:20:10,240 --> 01:20:12,111 ALL RIGHT. ALL RIGHT. 1415 01:20:13,286 --> 01:20:15,114 OH, FUCK! 1416 01:20:17,421 --> 01:20:18,814 YOU EVER HEAR OF AN EMERGENCY BREAK-IT DILDO? 1417 01:20:18,857 --> 01:20:20,076 JACK-- 1418 01:20:20,119 --> 01:20:21,381 SHUT UP AND THINK ABOUT-- 1419 01:20:21,425 --> 01:20:23,166 NO! 1420 01:20:39,704 --> 01:20:41,488 I GUESS I DIDN'T PUT IT IN PARK. 1421 01:20:41,532 --> 01:20:43,142 NO KIDDING. 1422 01:20:44,448 --> 01:20:47,973 [SIRENS WAILING] 1423 01:20:52,108 --> 01:20:53,849 CINDY'S HEADED UP TO THE HILLS. 1424 01:20:53,892 --> 01:20:55,415 TOMMY, GRAB ONE OF THOSE PICKUP TRUCKS. 1425 01:20:55,459 --> 01:20:56,677 TAKE MR. POND BACK TO TOWN. 1426 01:20:56,721 --> 01:20:58,592 GET HER! GO AND GET HER! 1427 01:20:58,636 --> 01:21:01,421 ALL RIGHT. LET'S GO. COME ON, MR. POND. 1428 01:21:08,820 --> 01:21:10,648 WITH LIGHTS FLASHING, SIRENS WAILING 1429 01:21:10,691 --> 01:21:13,825 AND MY KIDNEYS THROBBING, THE CHASE GOES ON. 1430 01:21:25,968 --> 01:21:28,274 I'LL TELL IT RIGHT NOW. WE'VE GOT TO STOP HER. 1431 01:21:28,318 --> 01:21:31,799 IF SHE GETS TO THE OLD TRUSSBERG MINE, WE'LL NEVER FIND HER. 1432 01:21:31,843 --> 01:21:34,150 THERE'S OVER 150 MILES OF TUNNELS THERE. 1433 01:21:34,193 --> 01:21:35,760 HOLD ON! 1434 01:21:35,803 --> 01:21:38,371 CINDY DROVE LIKE MARTY, 1435 01:21:38,415 --> 01:21:40,678 WHICH WAS ONE MORE REASON SHE HAD TO BE STOPPED. 1436 01:21:48,729 --> 01:21:50,079 [CRASHING] 1437 01:22:01,003 --> 01:22:02,918 [CRASHING] 1438 01:22:14,494 --> 01:22:15,931 COME ON, SHERIFF. LET'S GO! 1439 01:22:15,974 --> 01:22:17,454 WE SHOULDN'T GO IN THERE. 1440 01:22:17,497 --> 01:22:20,283 YOU SNEEZE OR EVEN CUT A FART, THIS PLACE WILL COME DOWN. 1441 01:22:20,326 --> 01:22:22,415 I'M TOO OLD TO WORRY ABOUT THAT SHIT. 1442 01:22:22,459 --> 01:22:24,156 DAMN CITY PECKERS. 1443 01:22:26,680 --> 01:22:28,073 LOOK OUT! 1444 01:22:28,117 --> 01:22:29,466 CINDY, WHAT THE HELL ARE YOU DOING? 1445 01:22:32,599 --> 01:22:34,253 HOLD ON THERE, GIRL! 1446 01:22:37,430 --> 01:22:38,736 LET'S GO, LET'S GO. 1447 01:22:57,885 --> 01:22:59,931 BET SHE ENTERS THE SILVER MINE. 1448 01:22:59,975 --> 01:23:01,628 YOU SURE YOU WANT TO GO IN THERE? 1449 01:23:03,456 --> 01:23:05,154 SHIT. 1450 01:23:19,255 --> 01:23:21,300 ALL RIGHT. THAT'S IT. 1451 01:23:21,344 --> 01:23:23,085 WE'RE NEVER GOING TO FIND HER. 1452 01:23:23,128 --> 01:23:25,348 THIS IS AS FAR AS I'M GOING TO GO. 1453 01:23:25,391 --> 01:23:28,655 I DON'T GIVE A RAT'S ASS WHAT YOU SAY TO MY WIFE, YOU HEAR? 1454 01:23:28,699 --> 01:23:32,485 I'M GOING BACK. IF SHE COMES OUT, I'LL GET HER. 1455 01:23:32,529 --> 01:23:34,313 NOW, IF THE TWO OF YOU HAD ANY SENSE AT ALL, 1456 01:23:34,357 --> 01:23:36,794 YOU'D FOLLOW ME THE HELL OUT OF HERE. 1457 01:23:36,837 --> 01:23:40,189 SHERIFF, GIVE ME THE BIGGER FLASHLIGHT. 1458 01:23:40,232 --> 01:23:42,495 WHATEVER. 1459 01:23:46,282 --> 01:23:49,372 WELL, WHICH TUNNEL DO YOU WANT, MARTY? 1460 01:23:49,415 --> 01:23:50,895 WELL, CAN'T WE GO TOGETHER? 1461 01:23:50,938 --> 01:23:54,246 NO, NO. SHE COULD GET BEHIND US. I DON'T WANT THAT. 1462 01:23:54,290 --> 01:23:59,077 WELL, SHE COULD BE IN EITHER OF THESE TUNNELS, JACK. 1463 01:23:59,121 --> 01:24:01,732 THAT'S WHY WE'RE SEARCHING THEM, MARTY. 1464 01:24:01,775 --> 01:24:03,342 I'LL TAKE THIS ONE. 1465 01:24:32,893 --> 01:24:34,808 Cindy: JACK! 1466 01:24:37,246 --> 01:24:39,944 I DIDN'T APPRECIATE WHAT YOU DID ON HORACE JUNIOR. 1467 01:24:39,987 --> 01:24:42,555 I'M SORRY ABOUT THAT. 1468 01:24:42,599 --> 01:24:44,253 I'M SURE YOU MISS HIM. 1469 01:24:47,169 --> 01:24:49,519 YOU HAVE TO PAY THE PRICE, JACK. 1470 01:24:50,911 --> 01:24:52,304 I DON'T LIKE THE SOUND OF THAT. 1471 01:24:52,348 --> 01:24:53,653 [GUNSHOT] 1472 01:24:53,697 --> 01:24:55,612 [SHOUTING] 1473 01:24:58,919 --> 01:25:00,095 [HISSING] 1474 01:25:01,139 --> 01:25:02,314 [EXPLOSION] 1475 01:25:03,489 --> 01:25:05,404 AH! 1476 01:25:12,933 --> 01:25:14,544 CINDY! 1477 01:25:14,587 --> 01:25:16,241 CINDY, STOP! 1478 01:25:16,285 --> 01:25:17,199 [GUNSHOT] 1479 01:25:19,636 --> 01:25:21,420 CINDY! 1480 01:25:28,384 --> 01:25:29,863 HEY! 1481 01:25:35,042 --> 01:25:38,089 DON'T MAKE ME SHOOT! 1482 01:25:51,668 --> 01:25:53,670 CINDY! 1483 01:25:53,713 --> 01:25:56,107 [GUN CLICKING] 1484 01:26:09,468 --> 01:26:11,514 SORRY, MARTY. 1485 01:26:11,557 --> 01:26:14,256 IT AMAZES ME HOW YOU CAN BE SO SMART YET SO STUPID, 1486 01:26:14,299 --> 01:26:16,258 ALL AT THE SAME TIME. 1487 01:26:16,301 --> 01:26:18,216 YEAH, YOU'RE RIGHT. 1488 01:26:18,260 --> 01:26:19,696 I THOUGHT YOU WERE THE ONE. 1489 01:26:19,739 --> 01:26:22,481 GET OVER IT. 1490 01:26:22,525 --> 01:26:23,743 [CLICKING] 1491 01:26:33,623 --> 01:26:36,191 YOU KNOW, THERE'S THREE THINGS I'VE LEARNED AS A P.I. 1492 01:26:36,234 --> 01:26:38,932 NEVER TRUST A WOMAN, GET IT ALL ON TAPE 1493 01:26:38,976 --> 01:26:41,065 AND ALWAYS BRING BACKUP. 1494 01:26:41,108 --> 01:26:43,763 YOU DON'T HAVE ANY BACKUP. 1495 01:26:43,807 --> 01:26:47,245 RIGHT. LET'S GO. 1496 01:26:47,289 --> 01:26:48,899 GOOD WORK, KID. 1497 01:26:48,942 --> 01:26:50,553 WHERE'S JACK? 1498 01:26:50,596 --> 01:26:52,598 NOW, YOU JUST SETTLE DOWN THERE, CINDY. SETTLE DOWN. 1499 01:26:52,642 --> 01:26:54,426 SHERIFF, WHERE'S JACK? 1500 01:26:54,470 --> 01:26:57,255 WHAT, YOU DIDN'T HEAR THE RUMBLE? 1501 01:26:57,299 --> 01:26:59,910 THERE WAS A CAVE-IN. 1502 01:26:59,953 --> 01:27:02,608 LOOK, I'M SORRY ABOUT YOUR PARTNER, BUT HE'S A GONER. 1503 01:27:02,652 --> 01:27:04,654 SHIT. 1504 01:27:04,697 --> 01:27:06,351 WHERE THE HELL ARE YOU GOING? 1505 01:27:08,223 --> 01:27:11,095 HE'S MY PARTNER. 1506 01:27:11,138 --> 01:27:12,183 IT'S SUICIDE TO GO BACK IN THERE! 1507 01:27:13,793 --> 01:27:17,101 JACK! JACK! 1508 01:27:17,144 --> 01:27:18,972 YOU JUST BEHAVE YOURSELF, SILKY BUTT. 1509 01:27:25,152 --> 01:27:27,067 JACK! 1510 01:27:28,591 --> 01:27:29,940 JACK? 1511 01:27:29,983 --> 01:27:31,289 MARTY. 1512 01:27:31,333 --> 01:27:33,683 JACK! 1513 01:27:33,726 --> 01:27:34,945 MARTY... 1514 01:27:34,988 --> 01:27:36,338 HOLD ON, JACK. 1515 01:27:36,381 --> 01:27:38,644 MARTY... 1516 01:27:38,688 --> 01:27:40,603 HOLD ON. 1517 01:27:42,213 --> 01:27:43,475 JACK, HOLD ON. 1518 01:27:43,519 --> 01:27:44,998 MARTY. 1519 01:27:45,042 --> 01:27:46,435 [GROANING] 1520 01:27:48,698 --> 01:27:50,830 JACK. 1521 01:27:50,874 --> 01:27:53,529 JACK... 1522 01:27:53,572 --> 01:27:55,095 JACK, ARE YOU OKAY? 1523 01:27:55,139 --> 01:27:57,359 DO I LOOK OKAY? DON'T I LOOK JUST GREAT? 1524 01:27:57,402 --> 01:27:59,099 OKAY. 1525 01:28:05,497 --> 01:28:06,498 UH... 1526 01:28:06,542 --> 01:28:10,502 UH, JACK... 1527 01:28:10,546 --> 01:28:15,986 UH, JACK, YOU SEEM TO BE TRAPPED NEAR A BIG SNAKE NEST. 1528 01:28:16,029 --> 01:28:18,031 YEAH, I KNOW. 1529 01:28:19,555 --> 01:28:22,601 JACK, I'M AFRAID OF SNAKES. 1530 01:28:22,645 --> 01:28:25,778 LISTEN TO ME, YOU LITTLE SON OF A BITCH. 1531 01:28:25,822 --> 01:28:29,216 YOU GO AWAY AND LEAVE ME HERE, AND I'LL TELL YOU, 1532 01:28:29,260 --> 01:28:33,395 MY GHOST WILL HAUNT YOU TILL THE END OF ETERNITY! 1533 01:28:33,438 --> 01:28:35,701 UH... OKAY. 1534 01:28:35,745 --> 01:28:37,355 GET ME OUT! 1535 01:28:37,399 --> 01:28:39,401 OKAY. 1536 01:28:45,624 --> 01:28:48,366 OH, MY GOD. OH, MY GOD. OH, MY GOD. OH, MY GOD! 1537 01:28:48,410 --> 01:28:50,325 UGH! 1538 01:28:52,588 --> 01:28:54,677 OKAY. 1539 01:28:54,720 --> 01:28:56,200 GET ME OUT OF HERE! 1540 01:28:56,243 --> 01:28:57,767 I AM! 1541 01:29:10,649 --> 01:29:12,564 [CRASHING] 1542 01:29:15,828 --> 01:29:17,482 HURRY UP. HURRY UP! 1543 01:29:19,441 --> 01:29:21,094 THAT WAY, JACK! HURRY UP! 1544 01:29:25,360 --> 01:29:27,449 THIS WAY! QUICK! 1545 01:29:27,492 --> 01:29:29,625 DO IT! QUICK! HURRY UP! 1546 01:29:29,668 --> 01:29:32,149 [CRASHING] 1547 01:29:37,502 --> 01:29:39,199 [COUGHING] 1548 01:29:47,382 --> 01:29:49,035 AH. 1549 01:29:53,953 --> 01:29:55,520 YOU WANT A MINT? 1550 01:29:55,564 --> 01:29:57,479 YEAH. 1551 01:29:59,481 --> 01:30:02,266 [RUMBLING] 1552 01:30:02,309 --> 01:30:04,703 [EXPLOSION] 1553 01:30:08,620 --> 01:30:13,495 I WAS PROUD OF MARTY, PROUD TO CALL HIM A DICK. 1554 01:30:13,538 --> 01:30:16,323 CINDY WAS ON HER WAY TO THE SLAMMER, 1555 01:30:16,367 --> 01:30:18,848 WHERE SHE'LL BE VERY POPULAR. 1556 01:30:18,891 --> 01:30:21,938 OUR WORK HERE WAS DONE. MY WORK WAS DONE FOR GOOD. 1557 01:30:21,981 --> 01:30:23,592 HELLO, SHERIFF. 1558 01:30:23,635 --> 01:30:25,463 COME ON, LET'S GO. 1559 01:30:25,507 --> 01:30:27,160 YOU LOVE ME IN HANDCUFFS, DON'T YOU, ALTON? 1560 01:30:27,204 --> 01:30:30,250 YOU SHUT YOUR MOUTH. COME ON. 1561 01:30:30,294 --> 01:30:32,905 NOW, HERE'S THE ONE THING I DON'T UNDERSTAND. 1562 01:30:32,949 --> 01:30:35,647 WHY WOULD SO MANY PEOPLE GO TO SO MUCH TROUBLE 1563 01:30:35,691 --> 01:30:37,475 TO GET HOLD OF A WORTHLESS HOLE IN THE GROUND? 1564 01:30:37,519 --> 01:30:39,434 YEAH. 1565 01:30:39,477 --> 01:30:40,870 NO ONE'S TOLD YOU? 1566 01:30:40,913 --> 01:30:42,872 TOLD ME WHAT? 1567 01:30:42,915 --> 01:30:45,135 HEY, YOU'RE RICH, LIONEL. 1568 01:30:45,178 --> 01:30:47,616 RICH? 1569 01:30:47,659 --> 01:30:50,532 YOU'VE GOT A VALUABLE MINERAL ON YOUR PROPERTY CALLED RUTILE. 1570 01:30:50,575 --> 01:30:53,491 WHY-- 1571 01:30:53,535 --> 01:30:55,362 YOU HEAR THAT? I'M RICH. 1572 01:30:55,406 --> 01:30:56,668 OH. 1573 01:30:56,712 --> 01:30:58,670 Marty: ACTUALLY, YOU'RE FILTHY RICH. 1574 01:30:58,714 --> 01:31:00,933 YOU HEAR THAT? 1575 01:31:00,977 --> 01:31:02,674 I'M RICH! 1576 01:31:02,718 --> 01:31:04,415 [CHUCKLING] 1577 01:31:04,459 --> 01:31:09,289 OH, I'VE BEEN A ROTTEN S.O.B. IN MY ENTIRE LIFE. 1578 01:31:09,333 --> 01:31:12,379 I WANT TO SAY ONE THING TO YOU ALL. 1579 01:31:12,423 --> 01:31:16,601 YOU ARE WITHOUT DOUBT THE ROTTENEST BUNCH 1580 01:31:16,645 --> 01:31:21,519 OF MISCREANT FREAKS I'VE EVER SEEN IN MY LIFE! 1581 01:31:21,563 --> 01:31:25,218 I'M FINALLY GOING TO GET OUT OF THIS CRUMMY SHIT HOLE OF A TOWN 1582 01:31:25,262 --> 01:31:27,873 AND HAVE ME SOME FUN! 1583 01:31:27,917 --> 01:31:31,181 'CAUSE I'M RICH! YOU HEAR? 1584 01:31:31,224 --> 01:31:32,704 YOU HEAR THAT? 1585 01:31:32,748 --> 01:31:35,533 [GASPING] 1586 01:31:35,577 --> 01:31:37,579 SHIT. 1587 01:31:39,972 --> 01:31:42,409 HE'S DOWN! 1588 01:31:44,586 --> 01:31:46,718 IS HE BREATHING? 1589 01:31:46,762 --> 01:31:50,896 HEY. HEY. 1590 01:31:52,550 --> 01:31:57,033 MR. POND MAY BE RICH, BUT HE'S ALSO DEAD. 1591 01:31:57,076 --> 01:32:01,037 DAMN, HE SURE IS. 1592 01:32:01,080 --> 01:32:02,778 COME ON, FOLKS. 1593 01:32:02,821 --> 01:32:05,607 LET'S GET HIM OUT OF THE SUN BEFORE HE STARTS TO DRAW FLIES. 1594 01:32:05,650 --> 01:32:06,782 WHO'S GOING TO GET HIS MONEY? 1595 01:32:06,825 --> 01:32:08,435 NEXT OF KIN! 1596 01:32:08,479 --> 01:32:09,567 WELL, I'M HIS COUSIN. 1597 01:32:09,611 --> 01:32:11,047 SO AM I! 1598 01:32:11,090 --> 01:32:12,439 HELL, WE'RE ALL HIS COUSINS! 1599 01:32:12,483 --> 01:32:14,746 WHILE POND'S CARCASS WAS HAULED AWAY, 1600 01:32:14,790 --> 01:32:18,271 MARTY AND I HAULED ASS OUT BACK TO L.A. AND A NEW BEGINNING. 1601 01:32:18,315 --> 01:32:21,448 FOR ME, THAT MEANT A ONE-WAY TICKET TO THE FLORIDA KEYS. 1602 01:32:21,492 --> 01:32:25,191 FOR MARTY, THE KEYS TO MY OFFICE. 1603 01:32:25,235 --> 01:32:28,586 I CAST HIM AS MY REPLACEMENT. 1604 01:32:28,630 --> 01:32:30,066 I WANT YOU TO KNOW, MARTY, 1605 01:32:30,109 --> 01:32:32,764 I FORGIVE YOU FOR TRASHING MY CHERRY CHEVELLE 1606 01:32:32,808 --> 01:32:35,375 AND MY TRIPPED UP VAN. 1607 01:32:35,419 --> 01:32:37,595 AH, WELL, THAT'S REALLY BIG OF YOU, JACK 1608 01:32:37,639 --> 01:32:39,292 IS THAT YOUR UPTIGHT, REPRESSED WAY OF THANKING ME 1609 01:32:39,336 --> 01:32:40,946 FOR SAVING YOUR LIFE? 1610 01:32:40,990 --> 01:32:44,254 HEY, COME ON. KID, I SAVED YOUR LIFE, TOO, REMEMBER? 1611 01:32:44,297 --> 01:32:46,473 WELL, YEAH, BUT I WAS IN A HELL OF A LOT MORE DANGER 1612 01:32:46,517 --> 01:32:48,388 WHEN I SAVED YOUR LIFE THAN WHEN YOU SAVED MINE. 1613 01:32:48,432 --> 01:32:51,522 OH, SHIT. I WAS IN MORE DANGER. 1614 01:32:51,566 --> 01:32:54,307 JACK, YOU GAVE ME A GUN WITH NO BULLETS. THAT'S BULLSHIT. 1615 01:32:54,351 --> 01:32:56,396 I DIDN'T WANT YOU TO HURT YOURSELF. 1616 01:32:56,440 --> 01:32:59,051 HURT MYSELF? 1617 01:33:01,401 --> 01:33:03,578 [DONKEYS BRAYING] 1618 01:33:06,581 --> 01:33:08,060 WHAT'S THE MATTER? 1619 01:33:08,104 --> 01:33:09,801 NOTHING. 1620 01:33:18,070 --> 01:33:20,464 SO THAT'S MY STORY, AND I'D LIKE TO REMIND YOU 1621 01:33:20,507 --> 01:33:23,336 THAT I'VE BEEN AN ALL-STATE CUSTOMER FOR 37 YEARS. 1622 01:33:23,380 --> 01:33:26,122 PLEASE REMIT A CHECK TO REPLACE MY CHEVELLE AND VAN 1623 01:33:26,165 --> 01:33:29,168 TO JACK POTTER, CARE OF POTTER'S RODS AND WORMS, 1624 01:33:29,212 --> 01:33:32,607 KEY LARGO, FLA, AND DON'T BOTHER CALLING. 1625 01:33:32,650 --> 01:33:34,434 THERE IS NO PHONE. 113397

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