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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,000 --> 00:00:14,000 перевод и субтитры Саши Виноградова СОФИЛ, ул.Ласаля, дом 2, 18 июня 2012 2 00:00:22,100 --> 00:00:26,600 18 июня, 45 лет после Монтерея, когда всё это началось 3 00:01:02,800 --> 00:01:03,400 Freddie Mae Gautier 4 00:01:03,400 --> 00:01:06,000 Mrs. Jeter had come to the house to do some light cleaning. 5 00:01:06,000 --> 00:01:09,200 At that time, she really wasn't able to do anything heavy. 6 00:01:09,200 --> 00:01:11,900 But my grandmother and her had been friends for years... 7 00:01:11,900 --> 00:01:14,100 so she just kind of came by. 8 00:01:14,100 --> 00:01:17,500 And she had this baby in her arms with his little feet out. 9 00:01:17,500 --> 00:01:19,800 lt must have been in December as l can recall. 10 00:01:19,800 --> 00:01:22,600 lt was in the wintertime. There was snow on the ground. 11 00:01:22,600 --> 00:01:23,900 My mother said, 12 00:01:23,900 --> 00:01:26,700 ''What are you doing, that little baby with just one blanket?'' 13 00:01:26,700 --> 00:01:29,100 So she said, ''Well, this is Lucille's baby. 14 00:01:30,100 --> 00:01:32,300 ''And Lucille hasn't been home for a couple of days... 15 00:01:32,300 --> 00:01:34,500 ''and so here's the baby.'' 16 00:01:34,500 --> 00:01:37,200 So my brother raised so much sand... 17 00:01:37,200 --> 00:01:39,400 we just took the baby. 18 00:01:39,400 --> 00:01:42,500 And so, about two or three days later, Lucille came over... 19 00:01:43,000 --> 00:01:46,000 and said, ''How come you're taking my baby away from me?' 20 00:01:46,000 --> 00:01:48,500 My mother said, ''Here's the baby, you can have it back. 21 00:01:48,500 --> 00:01:50,700 ''But you better take good care of it.'' 22 00:01:50,700 --> 00:01:53,400 So she said, ''Okay, l'll be back in an hour to get it.'' 23 00:01:53,700 --> 00:01:56,700 Well, that was.... Hours went into, you know, like, weeks and things. 24 00:01:57,200 --> 00:02:00,700 Sometimes she'd come and get Jimi, take him, and keep him a couple of days... 25 00:02:00,700 --> 00:02:03,100 [ aged three mounths ] * and bring him back over there to my mother. 26 00:02:03,200 --> 00:02:05,600 [ Johnny Allen ] * Even when Jimi was little... 27 00:02:05,600 --> 00:02:08,700 [ not untill he was 10 - Jimmy ] when you were talking about something very unusual... 28 00:02:08,700 --> 00:02:11,900 many times we'd look for him, and he'd be in the room by himself. 29 00:02:11,900 --> 00:02:14,400 My mother kept other foster children. 30 00:02:14,400 --> 00:02:16,600 Because Jimi was not a foster child. 31 00:02:16,600 --> 00:02:19,200 He was just there because my mother felt 32 00:02:19,200 --> 00:02:21,200 that he needed good care. 33 00:02:21,200 --> 00:02:23,500 He'd be away from the other little children... 34 00:02:23,500 --> 00:02:26,400 which is unusual for two and three years old... 35 00:02:26,400 --> 00:02:28,700 and go and sit by himself in a room, very quiet. 36 00:02:28,700 --> 00:02:31,500 My grandmother would look for him, or my mother or myself... 37 00:02:31,500 --> 00:02:33,700 and he'd just be sitting there. 38 00:02:33,700 --> 00:02:37,700 Nothing wrong, he hadn't fallen out with any of the kids. Just meditating. 39 00:02:37,700 --> 00:02:40,200 And l kind of noticed that throughout... 40 00:02:40,200 --> 00:02:42,900 he wasn't, as Al said, not rowdy. 41 00:02:43,400 --> 00:02:46,000 [ in the UK ] More or less, he'd just kind of steal away to be by himself. 42 00:02:46,000 --> 00:02:49,100 [ that became Jimi ] ln fact, there've been many times as we talked... 43 00:02:49,100 --> 00:02:52,400 tears came in his eyes and rolled down his cheeks. 44 00:02:52,400 --> 00:02:54,500 So you could see it was not.... 45 00:02:54,700 --> 00:02:56,000 And l ask him, 46 00:02:56,000 --> 00:02:59,200 ''Do you still go away like you did when you were a little boy?'' 47 00:02:59,200 --> 00:03:01,200 And he'd say, ''Many times. 48 00:03:01,200 --> 00:03:03,600 ''Sometimes my friends are looking for me... 49 00:03:03,600 --> 00:03:06,500 ''and l might have rented another room in the hotel 50 00:03:06,500 --> 00:03:08,900 just to be by myself... 51 00:03:08,900 --> 00:03:10,900 to sit and meditate. 52 00:03:11,700 --> 00:03:14,200 l was in the service when he was born. 53 00:03:14,300 --> 00:03:16,600 Got a letter from his aunt... 54 00:03:18,400 --> 00:03:20,600 that l had a son. 55 00:03:21,000 --> 00:03:23,300 l missed all his baby days. 56 00:03:24,300 --> 00:03:27,400 Took a long time for me 57 00:03:27,400 --> 00:03:29,600 to get adjusted to that. 58 00:03:30,700 --> 00:03:34,400 At that time, his mother and l, we weren't together. 59 00:03:35,000 --> 00:03:37,600 But later on, she came along... 60 00:03:37,600 --> 00:03:40,100 and we went back together again. 61 00:03:40,100 --> 00:03:42,700 l'd say, around '55... 62 00:03:42,700 --> 00:03:44,700 l don't know, l was out of work, 63 00:03:44,700 --> 00:03:46,800 l lost the home l was buying. 64 00:03:49,200 --> 00:03:52,100 My other, younger, son, Leon... 65 00:03:53,000 --> 00:03:55,500 l had to let him go into a foster home... 66 00:03:55,500 --> 00:03:58,600 and Jimi and l stayed together 'cause he was the oldest. 67 00:03:58,600 --> 00:04:03,300 So, Jimi and l, we just lived from one place to another... 68 00:04:03,500 --> 00:04:06,200 at various places around Seattle. 69 00:04:07,100 --> 00:04:09,600 Rooming houses, apartments... 70 00:04:10,900 --> 00:04:12,700 just stay with my niece 71 00:04:13,300 --> 00:04:14,900 and some friends. 72 00:04:15,100 --> 00:04:18,800 l used to do a lot of landscape gardening with my brother-in-law. 73 00:04:21,800 --> 00:04:25,200 l found an old ukulele... 74 00:04:26,300 --> 00:04:29,000 out at one of my jobs... 75 00:04:29,000 --> 00:04:31,500 it didn't have all the strings... 76 00:04:31,500 --> 00:04:33,500 so he got strings for it. 77 00:04:33,500 --> 00:04:35,600 He used to plunk away on that. 78 00:04:36,200 --> 00:04:38,200 He got good. 79 00:04:38,200 --> 00:04:41,300 Of course, there's only so far you go with a ukulele. 80 00:04:42,400 --> 00:04:44,700 Then there was a friend of mine... 81 00:04:45,200 --> 00:04:48,300 he had this acoustic guitar... 82 00:04:48,800 --> 00:04:51,200 he wanted to sell for $5. 83 00:04:52,000 --> 00:04:54,700 So Jimi told me about it... 84 00:04:54,700 --> 00:04:57,700 and l thought, ''Okay.'' l gave him the money. 85 00:04:59,300 --> 00:05:03,000 He strummed away on that. He used to be working away on that all the time. 86 00:05:03,300 --> 00:05:06,700 Any spare time he had, he used to be playing his guitar. 87 00:05:08,200 --> 00:05:10,900 So after he got good on that, 88 00:05:10,900 --> 00:05:13,100 l went and got him an electric guitar. 89 00:05:13,800 --> 00:05:16,200 Oh, he played with various groups. 77 90 00:05:18,800 --> 00:05:23,300 Local groups around, teenage dances, and parties. 91 00:05:23,300 --> 00:05:25,700 He loved to play the blues. 92 00:05:25,700 --> 00:05:28,300 Some of his favorite artists were B.B. King, 93 00:05:28,300 --> 00:05:30,400 Muddy Waters. 94 00:05:30,400 --> 00:05:32,800 He was a dropout. 95 00:05:33,300 --> 00:05:35,600 Well, kind of a put-out, too. 96 00:06:25,100 --> 00:06:27,800 I wanna put a tiger in your tank 97 00:06:29,000 --> 00:06:31,700 I wanna put a tiger in your tank 98 00:06:32,800 --> 00:06:35,500 I wanna put a tiger in your tank 99 00:06:36,700 --> 00:06:39,400 Never mind a tigere in your tank 100 00:06:40,600 --> 00:06:43,300 How about an alligator? 101 00:06:43,300 --> 00:06:46,300 the guys back then were thinking about gasoline 102 00:06:48,700 --> 00:06:51,400 the men don't know 103 00:06:52,600 --> 00:06:55,300 what the little white girls understand! 104 00:06:57,500 --> 00:06:59,300 за роялем Otis Spann 105 00:07:00,500 --> 00:07:03,200 Esso still have 106 00:07:04,400 --> 00:07:07,100 the tiger as their mascot. 107 00:07:08,300 --> 00:07:11,000 one tiger tale free 108 00:07:11,000 --> 00:07:13,700 with every fill up 109 00:07:16,900 --> 00:07:19,600 every car had a tiger tale hanging off their car antenna 110 00:07:22,500 --> 00:07:25,200 Children had them on their bike handles 111 00:07:28,300 --> 00:07:30,300 I don't care the people say 112 00:07:31,300 --> 00:07:33,300 Put a tiger in my tank 113 00:07:35,500 --> 00:07:39,500 McKinley Morganfield, 45 114 00:07:43,300 --> 00:07:45,700 He tried to get jobs around town at that time... 115 00:07:45,700 --> 00:07:49,700 as a busboy, at supermarkets, or anything... 116 00:07:49,700 --> 00:07:51,700 but there just was nothing shaking. 117 00:07:51,700 --> 00:07:54,700 He was classified 1A. 118 00:07:54,800 --> 00:07:58,200 He knew he was gonna go so he said that... 119 00:07:59,200 --> 00:08:01,400 instead of them getting him... 120 00:08:01,700 --> 00:08:04,700 and putting him in whatever category 121 00:08:04,700 --> 00:08:06,800 they wanted to... 122 00:08:06,800 --> 00:08:10,200 and putting him in whatever category they wanted to... 123 00:08:11,500 --> 00:08:14,500 So he said he wanted to be getting into the paratroopers. 124 00:08:14,500 --> 00:08:17,200 He wanted to get one of these Screaming Eagle patches, 125 00:08:17,200 --> 00:08:19,000 which he did. 126 00:08:19,000 --> 00:08:21,800 But he used to go to town, playing with... 127 00:08:22,200 --> 00:08:25,400 That's when he met Billy Cox. He was in the service with him. 128 00:08:25,800 --> 00:08:28,200 And they used to go to town... 129 00:08:28,200 --> 00:08:30,300 and play with 130 00:08:30,700 --> 00:08:32,700 some of the different bands... 131 00:08:32,700 --> 00:08:35,500 at these different places or clubs on the weekend... 132 00:08:35,500 --> 00:08:37,700 when they got their weekend passes. 133 00:08:37,700 --> 00:08:41,700 He had an injury of his back there, parachute-jumping... 134 00:08:42,300 --> 00:08:44,500 and he got a medical on that. 135 00:08:45,200 --> 00:08:47,900 Jimi got discharged a month before l did. 136 00:08:47,900 --> 00:08:50,200 So he waited in Clarksville for me. 137 00:08:50,200 --> 00:08:53,200 Meanwhile we got some gigs in Clarksville, in town. 138 00:08:53,700 --> 00:08:56,800 Me and he were together in Clarksville with some other guys. 139 00:08:56,800 --> 00:09:00,300 So we split from the other fellows and went to lndianapolis... 140 00:09:00,300 --> 00:09:05,200 and tried to do our thing, which we did very unsuccessfully. 141 00:09:05,200 --> 00:09:08,000 So we wound up back in Clarksville again. 142 00:09:08,500 --> 00:09:12,300 l was working here at Channel 5 in the studio band. 143 00:09:12,700 --> 00:09:15,500 l only came in.... He was working with Richard. 144 00:09:15,500 --> 00:09:16,900 What was that show like? * * 145 00:09:16,900 --> 00:09:18,000 What was that show like? * lt was good. 146 00:09:18,000 --> 00:09:18,800 lt was good. 147 00:09:18,800 --> 00:09:21,500 He was the star attraction of the show, really. 148 00:09:24,100 --> 00:09:26,200 But he was, he was good. 149 00:09:27,900 --> 00:09:29,900 And he came down this way, 150 00:09:29,900 --> 00:09:32,100 Fort Campbell, with the lsley Brothers. 151 00:09:32,800 --> 00:09:35,100 He split there shortly 152 00:09:35,100 --> 00:09:37,500 'cause he had some big hassles with that outfit. 153 00:09:49,800 --> 00:09:51,700 Now I've got my woman! 154 00:10:00,000 --> 00:10:02,000 every time I think about you 155 00:10:02,000 --> 00:10:04,000 You been so good to me 156 00:10:06,700 --> 00:10:08,700 You know you make me wanna 157 00:10:09,700 --> 00:10:11,700 ...закинуть ногу... lift my heels up and 158 00:10:11,700 --> 00:10:13,700 throw my hands up and 159 00:10:13,700 --> 00:10:15,700 come on now 160 00:10:15,700 --> 00:10:17,700 take it easy 161 00:10:21,000 --> 00:10:24,000 I was standing on the corner 162 00:10:24,000 --> 00:10:27,500 when I heard my bulldog bark 163 00:10:28,000 --> 00:10:30,800 He was barkin' at the two men 164 00:10:30,800 --> 00:10:33,800 who were gamblin' in the dark 165 00:10:36,300 --> 00:10:39,300 It was Stagger Lee and Billy, 166 00:10:39,300 --> 00:10:42,300 two men who gambled late 167 00:10:43,300 --> 00:10:45,300 Stagger Lee threw seven, 168 00:10:45,300 --> 00:10:47,300 Billy swore that 169 00:10:47,300 --> 00:10:49,300 he threw eight 170 00:10:50,900 --> 00:10:52,700 О чём вы подумали, 171 00:10:52,700 --> 00:10:55,800 когда впервые услышали его записи, например, Purple Haze? 172 00:10:55,800 --> 00:10:57,500 What did you think... 173 00:10:57,500 --> 00:11:00,400 when you first heard his record, like Purple Haze? 174 00:11:00,400 --> 00:11:02,200 was the one you'd been playing with? 175 00:11:02,200 --> 00:11:05,200 Well, l did flips, man. l was proud of him. 176 00:11:05,500 --> 00:11:09,000 So, that was the last l heard from him... 177 00:11:09,000 --> 00:11:11,900 for maybe about two and a half years. 178 00:11:14,200 --> 00:11:17,100 And then, the way he got in contact with me was this place where they... 179 00:11:17,100 --> 00:11:20,600 sell amps, repair amps, and whatever. 180 00:11:21,000 --> 00:11:23,500 l came in there one day and the fellow said... 181 00:11:23,500 --> 00:11:26,000 he was trying to get in touch with me. 182 00:11:26,000 --> 00:11:27,800 So l called the fellow. 183 00:11:27,800 --> 00:11:29,800 He told me where Jimi was gonna be. 184 00:11:29,800 --> 00:11:32,800 He'd be at a gig in Memphis, wanted me to come down. 185 00:11:32,800 --> 00:11:34,300 So l went down, rapped with him. 186 00:11:34,300 --> 00:11:37,200 He told me about some things he wanted to get into. 187 00:11:37,200 --> 00:11:39,000 -This was after he made it? -Right. 188 00:11:39,000 --> 00:11:41,800 So l was surprised. l said, ''Well, you know, why me, man?'' 189 00:11:42,800 --> 00:11:45,200 l was proud of his success. 190 00:11:45,800 --> 00:11:48,000 So we got together. 191 00:11:48,000 --> 00:11:51,500 They told me him and Buddy were gonna do some things. 192 00:11:53,500 --> 00:11:56,800 l did a lot of work in the studio before Band of Gypsies got together. 193 00:11:56,800 --> 00:11:59,900 Finally, we got together and did it. 194 00:11:59,900 --> 00:12:01,900 Happy New Year first of all 195 00:12:01,925 --> 00:12:03,925 I hope we'll have 196 00:12:03,950 --> 00:12:05,950 a million or two million more of them... 197 00:12:06,400 --> 00:12:08,200 if we can get over this summer, 198 00:12:08,900 --> 00:12:10,200 he he he 199 00:12:10,900 --> 00:12:12,600 right I'd like to dedicate this one 200 00:12:12,600 --> 00:12:14,100 to the draggin' scene that's goin' on 201 00:12:14,100 --> 00:12:16,100 all the soldiers that are fightin' in Chicago 202 00:12:16,100 --> 00:12:17,700 Milwaukee and New York... 203 00:12:17,700 --> 00:12:20,100 Oh yes, and all the soldiers fightin' in Vietnam 204 00:12:20,100 --> 00:12:22,200 like to do a thing called 'Machine Gun' 205 00:13:57,000 --> 00:13:59,000 Machine gun 206 00:14:00,900 --> 00:14:05,100 tearing my body all apart 207 00:14:13,800 --> 00:14:15,800 Machine gun 208 00:14:17,800 --> 00:14:22,100 tearing my body all apart 209 00:14:35,600 --> 00:14:37,600 evil man make me kill ya 210 00:14:38,600 --> 00:14:40,600 evil man make me kill me 211 00:14:41,600 --> 00:14:43,600 evil man make me kill you 212 00:14:45,400 --> 00:14:48,600 even though we're only families apart 213 00:15:01,200 --> 00:15:04,200 well I pick up my axe and fight like a father, (you know what I mean) 214 00:15:05,200 --> 00:15:09,300 Hey and your bullets keep knocking me down 215 00:15:20,100 --> 00:15:24,200 Hey I pick up my axe and fight like a father now 216 00:15:25,600 --> 00:15:29,700 Yeah but you still blast me down to the ground 217 00:15:45,500 --> 00:15:48,300 the samt way you shoot me down baby 218 00:15:50,800 --> 00:15:53,800 You'll be going just the same 219 00:15:53,800 --> 00:15:55,900 three times the pain 220 00:15:57,500 --> 00:15:59,500 and your own self to blame 221 00:16:00,700 --> 00:16:01,800 hey 222 00:16:02,000 --> 00:16:04,200 machine gun 223 00:17:58,500 --> 00:18:01,800 Buddy Miles 224 00:19:48,000 --> 00:19:50,800 I ain't afraid of your mess no more, babe 225 00:19:52,400 --> 00:19:54,800 I ain't afraid no more 226 00:19:59,500 --> 00:20:02,000 after a while your 227 00:20:02,500 --> 00:20:03,700 your cheap talk 228 00:20:03,700 --> 00:20:05,900 don't evern couse me pain 229 00:20:06,800 --> 00:20:09,500 so let your bullets fly like rain 230 00:20:12,000 --> 00:20:15,100 'cause I know all the time you're wrong baby 231 00:20:15,800 --> 00:20:18,800 and you'll be goin' just the same 232 00:20:24,000 --> 00:20:26,200 yeah machine gun 233 00:20:26,200 --> 00:20:29,200 tearing my family 234 00:20:29,700 --> 00:20:30,700 apart 235 00:20:31,500 --> 00:20:32,500 yeah yeah 236 00:20:33,000 --> 00:20:34,000 alright 237 00:20:34,500 --> 00:20:37,400 tearing my family apart 238 00:21:46,700 --> 00:21:48,900 don't you shoot him down 239 00:21:49,900 --> 00:21:51,900 he's about leave here 240 00:21:53,100 --> 00:21:55,100 don't shoot him down 241 00:21:56,200 --> 00:21:58,200 he's got to stay here 242 00:21:59,400 --> 00:22:01,600 he ain't going nowhere 243 00:22:02,700 --> 00:22:05,100 yt's been shot down to the ground 244 00:22:09,500 --> 00:22:12,200 oh where he can't survive 245 00:22:12,900 --> 00:22:14,200 no no 246 00:24:13,000 --> 00:24:14,000 So, Buddy... 247 00:24:14,000 --> 00:24:16,000 didn't stay long. He split, 248 00:24:16,000 --> 00:24:18,000 did his own thing. 249 00:24:18,000 --> 00:24:20,000 The rest is history. 250 00:24:24,300 --> 00:24:26,500 And my mom, she really felt sorry for him. 251 00:24:26,500 --> 00:24:28,300 She's Pisces. 252 00:24:28,300 --> 00:24:32,300 So, you know, they are kind of compassionate people. 253 00:24:32,300 --> 00:24:34,400 So she felt kind of sorry for him. 254 00:24:34,400 --> 00:24:37,000 She would buy him different little things... like maybe a shirt. 255 00:24:37,300 --> 00:24:39,300 Or he's playing with some jive group 256 00:24:39,300 --> 00:24:41,500 that wants you to wear a bow tie. 257 00:24:41,500 --> 00:24:43,500 We didn't have no money to buy no beer. 258 00:24:43,500 --> 00:24:45,400 We sneaked in, we were living with my mom... 259 00:24:45,400 --> 00:24:47,300 without her even knowing it. 260 00:24:47,300 --> 00:24:49,300 She'd go to work in the morning. 261 00:24:49,300 --> 00:24:51,500 We'd come in and go to sleep. 262 00:24:51,500 --> 00:24:53,600 And we'd get up before she gets back, and straighten up and be gone... 263 00:24:53,600 --> 00:24:55,700 or either be sitting around 264 00:24:55,700 --> 00:24:57,800 like we just walked in. 265 00:24:57,800 --> 00:24:59,800 My mom threw us out one time 266 00:24:59,800 --> 00:25:01,800 because of this little kitten we had. 267 00:25:01,800 --> 00:25:04,800 She didn't throw us out, but, you know, Jimi was so stubborn until.... 268 00:25:04,800 --> 00:25:06,800 Like, the kitten.... 269 00:25:07,000 --> 00:25:10,200 She was finicky one day, and wouldn't eat the cat food. 270 00:25:10,200 --> 00:25:13,400 Jimi got all upset. He thought the cat was gonna die... 271 00:25:13,400 --> 00:25:16,000 'cause she'd froze the food a couple of days. 272 00:25:16,100 --> 00:25:18,200 She's sick of the same old crap. 273 00:25:18,200 --> 00:25:21,600 She wouldn't eat it. So Jimi took a can of my mom's solid white tuna... 274 00:25:21,900 --> 00:25:24,100 49c a can at the time.... 275 00:25:24,100 --> 00:25:26,200 and poured it out for the kitty to eat. 276 00:25:26,200 --> 00:25:28,900 She ate part of it and left the other part there. 277 00:25:28,900 --> 00:25:31,100 My mom came home and hit the ceiling. 278 00:25:31,100 --> 00:25:33,800 She said, ''You and that crazy-ass nigger, or that cat, one of the two, 279 00:25:33,800 --> 00:25:36,000 " you gotta go.'' 280 00:25:36,200 --> 00:25:38,200 So Jimi said.... 281 00:25:38,200 --> 00:25:41,600 l told him a bunch of.... l wasn't gonna just go and say: 282 00:25:41,800 --> 00:25:45,100 ''My mom said: We gotta go, us or the cat.'' 283 00:25:45,500 --> 00:25:48,100 l went over and souped it up. l mean, l really did it up. 284 00:25:48,400 --> 00:25:50,700 l said, ''She called you crazy... 285 00:25:50,700 --> 00:25:53,100 ''and she said you were a hippie and a parasite and all kinds of....'' 286 00:25:53,100 --> 00:25:55,600 ''and she said you were a hippie and a parasite and all kinds of....'' 287 00:25:55,600 --> 00:25:58,400 And said something about his music. Oh, l exaggerated it to no end. 288 00:25:58,400 --> 00:26:01,500 So we got on the subway with the cat... 289 00:26:01,500 --> 00:26:05,600 in, you know, one of these big, brown, yellow-looking business envelopes. 290 00:26:06,200 --> 00:26:09,200 And the cat scratched a hole in the end the bag. 291 00:26:09,200 --> 00:26:12,000 You're not supposed to take animals on the subway. 292 00:26:12,000 --> 00:26:16,100 Scratched a hole in it, and the lady across busts out laughing... 293 00:26:16,100 --> 00:26:19,400 when she saw the little kitty poke his black head through the bag. 294 00:26:19,400 --> 00:26:21,200 She busts out and started laughing 295 00:26:21,200 --> 00:26:23,300 l grabbed its head, 296 00:26:23,300 --> 00:26:26,500 leaving the bag's other end unprotected. And the kitty got out. 297 00:26:26,500 --> 00:26:28,500 The conductor saw. We were scrambling for Kitty. 298 00:26:28,500 --> 00:26:31,200 Jimi was laughing so hard. He couldn't help do nothing. 299 00:26:31,200 --> 00:26:33,400 He just stood there acting like he was about to pee on himself. 300 00:26:33,400 --> 00:26:35,800 He was standing up and really screaming to no end. 301 00:26:36,800 --> 00:26:39,300 They threw us off the train at the next stop. 302 00:26:39,300 --> 00:26:41,400 We had to walk all the way home. 303 00:26:41,400 --> 00:26:44,300 He did Walking the Dog by Rufus Thomas all by himself... 304 00:26:44,300 --> 00:26:47,200 and he really killed them then. 305 00:26:47,200 --> 00:26:50,000 From then on, there was this crowd, you know how there's... 306 00:26:50,000 --> 00:26:52,500 this certain neighborhood crowd that always comes. 307 00:26:52,500 --> 00:26:56,000 There was this certain crowd that looked forward to him. 308 00:26:56,000 --> 00:26:58,600 So then they'd buy us beer, now. 309 00:26:58,600 --> 00:27:00,700 All of a sudden, they knew what Jimi was all about 310 00:27:00,700 --> 00:27:02,200 and they'd buy us beer. 311 00:27:11,300 --> 00:27:14,000 Baby's back, all dressed in black 312 00:27:15,000 --> 00:27:17,700 Silver buttons up and down her back 313 00:27:19,200 --> 00:27:21,400 High, low, tipsy toe 314 00:27:22,500 --> 00:27:25,600 She broke the needle now she can't sew 315 00:27:25,800 --> 00:27:27,100 Walking the dog 316 00:27:28,900 --> 00:27:30,900 Just a-walking the dog 317 00:27:34,000 --> 00:27:36,300 If you don't know how to do it 318 00:27:36,300 --> 00:27:38,600 I'll show you how to walk the dog 319 00:27:42,200 --> 00:27:45,200 I asked her mother for fifteen cents 320 00:27:46,600 --> 00:27:49,600 See the fellow, he jumped the fence 321 00:27:50,300 --> 00:27:53,300 Jumped so high, he touched the sky 322 00:27:53,900 --> 00:27:56,900 Never got back until the fourth of July 323 00:27:56,900 --> 00:27:58,200 Walking the dog 324 00:28:00,000 --> 00:28:02,000 Just a-walking the dog 325 00:28:05,100 --> 00:28:07,400 If you don't know how to do it 326 00:28:07,400 --> 00:28:09,700 I'll show you how to walk the dog 327 00:28:14,200 --> 00:28:17,200 Baby, baby, what's your twelve 328 00:28:18,000 --> 00:28:20,200 Tell me, how does your garden grow 329 00:28:21,000 --> 00:28:24,500 What with silver bells and cockle shells 330 00:28:25,000 --> 00:28:27,500 And pretty maids all in a row 331 00:28:28,100 --> 00:28:29,400 Walking the dog 332 00:28:31,200 --> 00:28:33,200 Just a-walking the dog 333 00:28:36,300 --> 00:28:38,600 If you don't know how to do it 334 00:28:38,600 --> 00:28:41,100 I'll show you how to walk the dog 335 00:28:47,800 --> 00:28:49,800 Just a-walking 336 00:28:51,500 --> 00:28:53,500 Yeah, yeah, just a-walking 337 00:28:55,000 --> 00:28:57,000 Yeah, yeah, just a-walking 338 00:29:00,100 --> 00:29:02,300 If you don't know how to do it 339 00:29:02,300 --> 00:29:05,000 I'll show you how to walk the dog 340 00:29:12,000 --> 00:29:13,200 Just a-walking 341 00:29:16,000 --> 00:29:17,200 Just a-walking 342 00:29:23,500 --> 00:29:25,700 If you don't know how to do it 343 00:29:25,700 --> 00:29:28,400 I'll show you how to walk the dog 344 00:29:34,000 --> 00:29:38,400 There was a time when he was heavy, heavy, heavy into blues. 345 00:29:38,700 --> 00:29:41,000 Blues was it, you know. 346 00:29:41,000 --> 00:29:44,000 He would play a little rock every now and then... 347 00:29:44,000 --> 00:29:46,400 a little rhythm and blues, they call it, 348 00:29:46,400 --> 00:29:49,600 but it was stomp-down funky blues. 349 00:29:49,600 --> 00:29:52,100 Elmore James was his favorite. 350 00:29:52,100 --> 00:29:55,900 He used to take a little glass, you know, those little hotel glasses... 351 00:29:55,900 --> 00:30:00,000 and put it on the strings, you know, like they'd do those steel bars... 352 00:30:00,000 --> 00:30:02,600 and get that sound that Elmore gets, you know... 353 00:30:02,600 --> 00:30:05,700 and he tried to wave his voice like Elmore did, right? 354 00:30:05,700 --> 00:30:09,600 He used to wake me up all through the night, ''Hey, listen to this. l got it.'' 355 00:30:09,600 --> 00:30:14,200 And The Sky ls Crying was his favorite. lt Hurts Me Too was a favorite of his... 356 00:30:14,200 --> 00:30:18,400 but The Sky ls Crying was his main thing, you know, and Bleeding Heart. 357 00:30:18,400 --> 00:30:22,200 l'll never forget, about 3:00 or 4:00 a.m. he wakes me up: 358 00:30:22,200 --> 00:30:24,300 ''Hey, l got it.'' 359 00:30:42,700 --> 00:30:45,200 The sky is cryin 360 00:30:47,300 --> 00:30:51,300 Look at the tears roll down the street 361 00:30:59,400 --> 00:31:01,400 The sky is cryin 362 00:31:03,800 --> 00:31:07,800 Look at the tears roll down the street 363 00:31:16,000 --> 00:31:19,600 I've been 'till looking for my baby 364 00:31:20,500 --> 00:31:24,500 And I wonder where can she be 365 00:31:30,500 --> 00:31:34,000 I saw my baby early one morning 366 00:31:37,000 --> 00:31:41,000 And she was walking on down the street 367 00:31:47,200 --> 00:31:51,200 I saw my baby early one morning 368 00:31:53,100 --> 00:31:57,100 Just she was walking on down the street 369 00:32:05,100 --> 00:32:07,100 Made me feel so good 370 00:32:09,100 --> 00:32:13,100 Untill my poor heart skip a beat 371 00:32:19,800 --> 00:32:23,800 I've got a bad feelin' 372 00:32:25,800 --> 00:32:29,800 My baby, my baby don't love me no more 373 00:32:37,300 --> 00:32:40,800 I've got a bad feelin' 374 00:32:41,800 --> 00:32:45,800 My baby don't love me no more 375 00:32:53,500 --> 00:32:56,500 now the sky's torn, 376 00:32:57,500 --> 00:33:01,500 the tears roll down my nose 377 00:33:11,500 --> 00:33:15,400 He was just going crazy about Bob Dylan, telling me all this stuff, and l knew.... 378 00:33:15,400 --> 00:33:18,100 l saw in the pictures that he was white, right? 379 00:33:18,100 --> 00:33:21,400 l just knew this was going to be some super, heavy, low-down... 380 00:33:21,400 --> 00:33:24,900 funky white boy, you know what l mean? 381 00:33:24,900 --> 00:33:26,500 l said, ''Let me go listen to this.'' 382 00:33:26,500 --> 00:33:30,400 He sat me in front of one speaker and he sat in front of the other. 383 00:33:30,400 --> 00:33:34,400 And he turned it up so loud, l almost busted my eardrums. 384 00:33:39,900 --> 00:33:45,400 How many roads most a man walk down 385 00:33:46,800 --> 00:33:51,800 Before you call him a man? 386 00:33:53,600 --> 00:33:59,400 How many seas must a white dove sail 387 00:34:00,500 --> 00:34:05,500 Before she sleeps in the sand? 388 00:34:06,600 --> 00:34:12,900 Yes, how many times must the cannon balls fly 389 00:34:14,300 --> 00:34:19,300 Before they're forever banned? 390 00:34:20,800 --> 00:34:26,500 The answer my friend is blowin' in the wind 391 00:34:27,600 --> 00:34:32,600 The answer is blowin' in the wind 392 00:34:34,600 --> 00:34:40,600 How many years can a mountain exist 393 00:34:42,000 --> 00:34:47,000 Before it's washed to the sea? 394 00:34:48,700 --> 00:34:54,400 How many years can some people exist 395 00:34:55,600 --> 00:35:00,800 Before they're allowed to be free? 396 00:35:01,900 --> 00:35:08,100 Yes how many times can a man turn his head 397 00:35:09,100 --> 00:35:14,400 Pretending he just doesn't see? 398 00:35:15,800 --> 00:35:22,400 The answer my friend is blowin' in the wind 399 00:35:22,900 --> 00:35:28,400 The answer is blowin' in the wind 400 00:35:30,200 --> 00:35:35,900 How many times must a man look up 401 00:35:37,400 --> 00:35:42,400 Before he can really see the sky? 402 00:35:43,300 --> 00:35:49,500 Yes, how many ears must one man have 403 00:35:50,900 --> 00:35:55,900 Before he can hear people cry? 404 00:35:56,800 --> 00:36:03,300 Yes, how many deaths will it take till he knows 405 00:36:03,900 --> 00:36:09,400 That too many people have died? 406 00:36:11,200 --> 00:36:17,200 The answer my friend is blowin' in the wind 407 00:36:17,800 --> 00:36:22,800 The answer is blowin' in the wind 408 00:36:22,800 --> 00:36:24,800 Joan Baez * * 409 00:36:24,800 --> 00:36:31,200 The answer my friend is blowin' in the wind 410 00:36:31,600 --> 00:36:38,500 The answer is blowin' in the wind 411 00:36:42,500 --> 00:36:47,000 Peter Yarrow, Paul Stookey и Mary Travis 412 00:36:50,300 --> 00:36:54,800 He came back from London and he's playing all this music for me. 413 00:36:54,800 --> 00:36:58,600 lt's really evident that he's made a hell of a change, and there's even no... 414 00:36:58,600 --> 00:37:02,900 hint of the old Jimi, you know. You just wouldn't even know it was the same cat. 415 00:37:02,900 --> 00:37:06,300 l went to one gig, and that was in Hunter College... 416 00:37:06,300 --> 00:37:09,700 the night the picture was made that was in the Electric Ladyland album. 417 00:37:09,700 --> 00:37:13,400 Впервые я увиделThat's the only gig l ever went to after he was famous, you know... 418 00:37:13,400 --> 00:37:17,100 because it was just too much. l couldn't get ready for it. 419 00:37:21,100 --> 00:37:24,200 Jimi was playing with... 420 00:37:25,600 --> 00:37:28,100 THE l.B. SPECIALS... 421 00:37:28,100 --> 00:37:32,100 which was the backup band for the lsley Brothers. 422 00:37:32,800 --> 00:37:36,300 And they were playing at a club called the Grand National. 423 00:37:36,300 --> 00:37:38,700 l saw this cat, you know, and they were doing their thing 424 00:37:38,700 --> 00:37:40,800 and doing it very well. 425 00:37:41,500 --> 00:37:43,400 After the show was over... 426 00:37:43,400 --> 00:37:47,100 l went up and just introduced myself. 427 00:37:47,300 --> 00:37:50,600 Right after that, l think he joined up with... 428 00:37:50,600 --> 00:37:53,500 с Jackie Wilson, l believe. 429 00:37:53,500 --> 00:37:55,800 He was with him for a while. 430 00:37:55,800 --> 00:37:59,100 And then, l believe, he did about... two or three months 431 00:37:59,100 --> 00:38:01,100 with Little Richard. 432 00:38:01,400 --> 00:38:04,700 We both just dug on each other, man. 433 00:38:05,000 --> 00:38:07,400 Right after the Monterey Pop Festival... 434 00:38:09,300 --> 00:38:10,700 Jimi... 435 00:38:13,400 --> 00:38:17,600 myself, Stephen Stills, David Crosby... 436 00:38:18,000 --> 00:38:22,300 Bruce Palmer, who used to be the bass player for Buffalo Springfield... 437 00:38:23,000 --> 00:38:25,800 and Neil Young, we all went out to... 438 00:38:26,900 --> 00:38:30,900 where the Buffalo Springfield were staying at in Malibu at that time. 439 00:38:32,500 --> 00:38:36,500 And we jammed for something like... 440 00:38:37,400 --> 00:38:40,500 36 hours straight, nonstop. 441 00:38:40,700 --> 00:38:44,500 l had met Billy Cox, you know... 442 00:38:44,600 --> 00:38:47,600 and l didn't really know him before. 443 00:38:49,700 --> 00:38:52,300 Jimi introduced him to me. 444 00:38:55,900 --> 00:38:58,200 l remember one night that... 445 00:38:58,700 --> 00:39:01,500 we had an all-night session at Record Plant. 446 00:39:01,500 --> 00:39:04,800 We went down and everybody was just having a good time. 447 00:39:05,100 --> 00:39:07,100 Jimi stops the session 448 00:39:07,100 --> 00:39:10,000 and so we went down to a place called Baggy's Studios. 449 00:39:11,800 --> 00:39:14,400 And they had some drums down there 450 00:39:14,400 --> 00:39:16,800 and he had all of his amplifiers... 451 00:39:16,800 --> 00:39:19,200 and then we was just jamming. 452 00:39:19,400 --> 00:39:22,600 And the next thing l know, l got a call... 453 00:39:24,300 --> 00:39:26,600 at about 12:00 that afternoon. 454 00:39:27,100 --> 00:39:31,000 l didn't go to bed till about 8:00 that morning. 455 00:39:31,800 --> 00:39:33,800 He said, ''Buddy, come on, man. 456 00:39:33,800 --> 00:39:35,800 Let's go down and play, man. 457 00:39:35,800 --> 00:39:37,800 ''Let's go back down to Baggy's.'' 458 00:39:38,600 --> 00:39:41,300 l was just looking at him 459 00:39:41,300 --> 00:39:43,400 and l said, ''Okay, man,'' you know. 460 00:39:44,200 --> 00:39:47,300 Like, at about 4:00 p.m... 461 00:39:47,700 --> 00:39:49,900 we did it again, nonstop. 462 00:39:56,400 --> 00:39:58,700 The way he was playing the guitar... 463 00:40:00,200 --> 00:40:02,200 just the way he was... 464 00:40:02,200 --> 00:40:06,000 and there must have been other indefinable qualities... 465 00:40:06,800 --> 00:40:08,400 that... 466 00:40:10,600 --> 00:40:13,300 made me feel so incredible. 467 00:40:14,000 --> 00:40:17,700 l had seen good guitar players before and l had done... 468 00:40:18,100 --> 00:40:22,100 a complete freak-out. l mean, it was amazing. 469 00:40:23,100 --> 00:40:24,900 l couldn't understand 470 00:40:24,900 --> 00:40:26,900 how everybody was just quite casually... 471 00:40:27,900 --> 00:40:30,600 dancing or whatever they were doing... 472 00:40:30,600 --> 00:40:33,900 because l felt it was just so important. 473 00:40:34,300 --> 00:40:36,100 Then, l'm seeing this 474 00:40:36,100 --> 00:40:39,400 very tall, lanky guitar player... 475 00:40:39,800 --> 00:40:41,400 who wasn't taking 476 00:40:41,900 --> 00:40:45,300 any notice of what the rest of the band were doing. 477 00:40:47,700 --> 00:40:52,300 l can't believe that he was doing the footsteps and the dance routine. 478 00:40:53,600 --> 00:40:56,200 Certainly not after knowing him. 479 00:40:56,200 --> 00:40:58,200 l can't imagine any of that. 480 00:41:02,600 --> 00:41:05,800 l really had to meet him. l just wanted so much to know who he was... 481 00:41:05,800 --> 00:41:08,100 and what he was all about 482 00:41:08,100 --> 00:41:10,300 and what was going on. 483 00:41:13,500 --> 00:41:15,900 So my friends... 484 00:41:19,000 --> 00:41:21,800 went and spoke to him... 485 00:41:24,600 --> 00:41:27,100 and asked him if he'd like to come back... 486 00:41:27,400 --> 00:41:29,400 with us to our apartment... 487 00:41:29,400 --> 00:41:31,500 and he was very shy... 488 00:41:32,000 --> 00:41:35,400 and l think that he thought we had some dark, ulterior motives. 489 00:41:35,800 --> 00:41:38,300 Then the evening was quite fantastic. 490 00:41:38,300 --> 00:41:41,600 We just sat around and we played loads of records. 491 00:41:42,000 --> 00:41:44,600 He thought he had to have a sort of... 492 00:41:45,700 --> 00:41:48,100 a real singing voice... 493 00:41:50,700 --> 00:41:52,900 and l played him record after record 494 00:41:53,600 --> 00:41:55,200 of Dylan songs... 495 00:41:55,500 --> 00:41:57,500 and eventually he said, 496 00:41:57,500 --> 00:42:00,000 ''Well, if Dylan can do it, so can l.'' 497 00:42:13,500 --> 00:42:15,500 Darkness at the break of noon 498 00:42:15,500 --> 00:42:17,500 Shadows even the silver spoon 499 00:42:17,500 --> 00:42:19,500 The handmade blade, the child's balloon 500 00:42:19,500 --> 00:42:21,500 Eclipses both the sun and moon 501 00:42:21,500 --> 00:42:23,500 To understand you know too soon 502 00:42:23,500 --> 00:42:25,800 There is no sense in trying 503 00:42:34,000 --> 00:42:36,000 Pointed threats, they bluff with scorn 504 00:42:36,000 --> 00:42:38,000 Suicide remarks are torn 505 00:42:38,000 --> 00:42:39,900 From the fools gold mouthpiece 506 00:42:39,900 --> 00:42:41,900 The hollow horn plays wasted words 507 00:42:41,900 --> 00:42:42,900 Proved to warn 508 00:42:42,900 --> 00:42:44,800 That he not busy being born 509 00:42:44,800 --> 00:42:46,500 Is busy dying 510 00:42:55,800 --> 00:42:57,800 Temptation's page flies out the door 511 00:42:57,800 --> 00:42:59,800 You follow, find yourself at war 512 00:42:59,800 --> 00:43:01,700 Watch waterfalls of pity roar 513 00:43:01,700 --> 00:43:03,700 You feel to moan but unlike before 514 00:43:03,700 --> 00:43:04,700 You discover that 515 00:43:04,700 --> 00:43:06,300 You'd just be one more 516 00:43:06,300 --> 00:43:08,300 Person crying 517 00:43:14,800 --> 00:43:16,600 So don't fear 518 00:43:17,000 --> 00:43:18,800 if you hear 519 00:43:19,200 --> 00:43:22,400 A foreign sound to you ear 520 00:43:25,900 --> 00:43:27,900 It's alright, Ma, 521 00:43:30,800 --> 00:43:32,800 I'm only sighing 522 00:43:45,100 --> 00:43:47,100 As some warn victory, some downfall 523 00:43:47,100 --> 00:43:49,100 Private reasons great or small 524 00:43:49,100 --> 00:43:51,100 Can be seen in the eyes of those that call 525 00:43:51,100 --> 00:43:53,100 To make all that should be killed to crawl 526 00:43:53,100 --> 00:43:55,100 While others say don't hate nothing at all 527 00:43:55,125 --> 00:43:57,125 Except hatred 528 00:44:05,600 --> 00:44:07,600 Disillusioned words like bullets bark 529 00:44:07,600 --> 00:44:09,600 As human gods aim for their marks 530 00:44:09,600 --> 00:44:11,600 Made everything from toy guns that sparks 531 00:44:11,600 --> 00:44:13,600 To flesh-colored Christs that glow in the dark 532 00:44:13,600 --> 00:44:15,600 It's easy to see without looking too far 533 00:44:15,600 --> 00:44:16,600 That not much 534 00:44:16,625 --> 00:44:18,625 Is really sacred 535 00:44:32,700 --> 00:44:34,700 While preachers preach of evil fates 536 00:44:34,700 --> 00:44:36,600 Teachers teach that knowledge waits 537 00:44:36,600 --> 00:44:38,500 Can lead to hundred-dollar plates 538 00:44:38,500 --> 00:44:40,300 Goodness hides behind its gates 539 00:44:40,300 --> 00:44:42,200 But even the President of the United States 540 00:44:42,600 --> 00:44:43,600 Sometimes must have 541 00:44:43,700 --> 00:44:45,700 To stand naked 542 00:44:52,400 --> 00:44:54,400 An' though the rules of the road 543 00:44:55,400 --> 00:44:56,900 have been lodged 544 00:44:58,400 --> 00:45:00,400 It's only people's games 545 00:45:01,200 --> 00:45:03,200 that you got to dodge 546 00:45:03,600 --> 00:45:06,000 And it's alright, Ma, 547 00:45:08,900 --> 00:45:11,100 I can make it 548 00:45:21,600 --> 00:45:23,500 Advertising signs that con you 549 00:45:23,500 --> 00:45:25,100 Into thinking you're the one 550 00:45:25,100 --> 00:45:26,800 That can do what's never been done 551 00:45:26,800 --> 00:45:28,600 That can win what's never been won 552 00:45:28,600 --> 00:45:30,400 Meantime life outside goes on 553 00:45:30,400 --> 00:45:32,400 All around you 554 00:45:39,000 --> 00:45:40,900 You loose yourself, you reappear 555 00:45:40,900 --> 00:45:42,700 You suddenly find you got nothing to fear 556 00:45:42,700 --> 00:45:44,500 Alone you stand without nobody near 557 00:45:44,500 --> 00:45:46,300 When a trembling distant voice, unclear 558 00:45:46,300 --> 00:45:48,100 Startles your sleeping ears to hear 559 00:45:48,100 --> 00:45:49,100 That somebody thinks 560 00:45:49,100 --> 00:45:51,100 They really found you 561 00:45:58,800 --> 00:46:00,800 A question in your nerves is lit 562 00:46:00,800 --> 00:46:02,800 Yet you know there is no answer fit to satisfy 563 00:46:02,800 --> 00:46:03,800 Insure you not to quit 564 00:46:03,800 --> 00:46:05,800 To keep it in your mind and not forget 565 00:46:05,800 --> 00:46:07,800 That it is not he or she or them or it 566 00:46:07,800 --> 00:46:09,800 That you belong to 567 00:46:15,300 --> 00:46:16,900 Although the masters 568 00:46:17,400 --> 00:46:19,200 make the rules 569 00:46:19,700 --> 00:46:23,500 For the wise men and the fools 570 00:46:24,700 --> 00:46:26,700 I got nothing, Ma 571 00:46:29,500 --> 00:46:31,500 to live up to 572 00:46:43,700 --> 00:46:45,700 For them that must obey authority 573 00:46:45,700 --> 00:46:47,700 That they do not respect in any degree 574 00:46:47,700 --> 00:46:49,700 Who despite their jobs, their destinies 575 00:46:49,700 --> 00:46:51,600 Speak jealously of them that are free 576 00:46:51,600 --> 00:46:53,300 Cultivate their flowers to be 577 00:46:53,300 --> 00:46:55,000 Nothing more than something 578 00:46:55,000 --> 00:46:57,000 They invest in 579 00:47:00,800 --> 00:47:02,800 While some on principles baptized 580 00:47:02,800 --> 00:47:04,800 To strict party platforms ties 581 00:47:04,800 --> 00:47:06,800 Social clubs in drag disguise 582 00:47:06,800 --> 00:47:08,800 Outsiders they can freely criticize 583 00:47:08,800 --> 00:47:10,800 Tell nothing except who to idolize 584 00:47:10,800 --> 00:47:12,800 And then say God Bless him 585 00:47:20,400 --> 00:47:22,400 While one who sings with his tongue on fire 586 00:47:22,400 --> 00:47:24,400 Gargles in the rat race choir 587 00:47:24,400 --> 00:47:26,400 Bent out of shape from society's pliers 588 00:47:26,400 --> 00:47:28,400 Cares not to come up any higher 589 00:47:28,400 --> 00:47:30,300 But rather get you down in the hole 590 00:47:30,300 --> 00:47:32,300 That he's in 591 00:47:38,900 --> 00:47:42,700 But I mean no harm nor put fault 592 00:47:43,600 --> 00:47:47,400 On anyone that lives in a vault 593 00:47:47,700 --> 00:47:49,900 But it's alright, Ma 594 00:47:50,900 --> 00:47:53,100 if I can't please him 595 00:48:05,600 --> 00:48:07,600 Old lady judges, watch people in pairs 596 00:48:07,600 --> 00:48:09,600 Limited in sex, they dare 597 00:48:09,600 --> 00:48:11,600 To push fake morals, insult and stare 598 00:48:11,600 --> 00:48:13,600 While money doesn't talk, it swears 599 00:48:13,600 --> 00:48:15,500 Obscenity, who really cares 600 00:48:15,500 --> 00:48:17,500 Propaganda, all is phony 601 00:48:25,400 --> 00:48:27,400 While them that defend what they cannot see 602 00:48:27,400 --> 00:48:29,400 With a killer's pride, security 603 00:48:29,400 --> 00:48:31,400 It blows the minds most bitterly 604 00:48:31,400 --> 00:48:33,400 For them that think death's honesty 605 00:48:33,400 --> 00:48:35,400 Won't fall upon them naturally 606 00:48:35,400 --> 00:48:36,400 Life sometimes 607 00:48:36,400 --> 00:48:38,400 Must get lonely 608 00:48:45,600 --> 00:48:47,600 My eyes collide head-on 609 00:48:47,600 --> 00:48:49,200 with stuffed graveyards 610 00:48:49,200 --> 00:48:50,700 False gods, I scuff 611 00:48:50,700 --> 00:48:52,700 At pettiness which plays so rough 612 00:48:52,700 --> 00:48:54,700 Walk upside-down inside handcuffs 613 00:48:54,700 --> 00:48:56,700 Kick my legs to crash it off 614 00:48:56,700 --> 00:48:58,700 Say okay, I have had enough 615 00:48:58,700 --> 00:49:00,900 What else can you show me 616 00:49:07,500 --> 00:49:11,000 And if my thought-dreams could been seen 617 00:49:11,500 --> 00:49:13,900 They'd probably put my head 618 00:49:13,900 --> 00:49:16,100 in a guillotine 619 00:49:16,800 --> 00:49:19,000 But it's alright, Ma 620 00:49:20,000 --> 00:49:22,500 it's life, and life only 621 00:49:22,500 --> 00:49:25,600 And he sort of made his decision there and then 622 00:49:25,600 --> 00:49:29,300 He was going to get a band together of his own... 623 00:49:29,300 --> 00:49:32,800 and sing and do the songs that he wanted to do. 624 00:49:32,800 --> 00:49:36,800 l don't think he'd thought about writing songs, 625 00:49:38,600 --> 00:49:40,100 though l know that he had... 626 00:49:40,100 --> 00:49:43,200 been writing lyrics, at least. 627 00:49:43,400 --> 00:49:46,100 He said he hadn't yet... 628 00:49:47,100 --> 00:49:50,000 because he was so unsure of himself. 629 00:49:50,200 --> 00:49:53,900 He had no confidence in his own sort of creativity. 630 00:49:54,300 --> 00:49:56,700 We got him a guitar, 631 00:49:57,300 --> 00:49:59,300 which was a good starting point. 632 00:49:59,300 --> 00:50:02,100 ln Cafe Au Go-Go, he really liked it there. 633 00:50:02,100 --> 00:50:04,300 He loved the Village. 634 00:50:06,200 --> 00:50:09,000 l don't know that he'd spent much time in the Village before 635 00:50:09,000 --> 00:50:11,000 he was playing there. 636 00:50:11,000 --> 00:50:13,200 And there were some great people 637 00:50:13,200 --> 00:50:15,800 and everybody was really into sounds... 638 00:50:15,800 --> 00:50:18,600 and he would just be quite happy... 639 00:50:18,600 --> 00:50:20,800 and everybody he talked to 640 00:50:20,800 --> 00:50:23,000 he'd get on very well with. 641 00:50:23,300 --> 00:50:26,400 They would talk about records and music. 642 00:50:26,400 --> 00:50:29,600 And he was absolutely fine. He loved it. 643 00:50:29,600 --> 00:50:31,800 He loved Bob Dylan. 644 00:50:31,800 --> 00:50:34,000 He dressed and looked like Dylan. 645 00:50:37,700 --> 00:50:39,700 We all dressed and looked like Dylan. 646 00:50:39,700 --> 00:50:42,600 We looked ridiculous walking down the street. 647 00:50:44,600 --> 00:50:46,300 l was just... 648 00:50:46,300 --> 00:50:49,400 awed at the fact that he'd be playing at the Cafe Wha? 649 00:50:51,100 --> 00:50:53,100 Flash of inspiration... 650 00:50:55,100 --> 00:50:58,700 l got a job at the Cafe Au Go-Go. 651 00:51:04,300 --> 00:51:08,300 Within a week we opened there... 652 00:51:08,700 --> 00:51:11,900 l didn't even play guitar. l was a stand-up harmonica... 653 00:51:12,100 --> 00:51:13,700 and l sang. 654 00:51:16,300 --> 00:51:20,200 He played the guitar. There was a backup guitar player... 655 00:51:20,200 --> 00:51:22,000 Randy Wolfe... 656 00:51:23,400 --> 00:51:26,600 who later became Randy California. 657 00:51:26,900 --> 00:51:28,800 l got to know Jimi pretty well. 658 00:51:28,800 --> 00:51:32,200 We worked not more than two or three weeks there. 659 00:51:33,700 --> 00:51:37,500 And it was really a sensation kind of thing, you know... 660 00:51:38,400 --> 00:51:43,000 because l had already... established a name for myself in that area... 661 00:51:43,700 --> 00:51:45,600 but Jimi Hendrix was 662 00:51:45,600 --> 00:51:47,900 unbelievable. 663 00:51:49,000 --> 00:51:51,800 At that time, he was Jimmy James... 664 00:51:51,800 --> 00:51:54,700 and he called his little group the Blue Flame. 665 00:51:55,100 --> 00:51:59,000 You couldn't help but notice that this guy was unbelievable. 666 00:52:00,500 --> 00:52:03,600 l wasn't there when he was offered... 667 00:52:04,100 --> 00:52:06,100 the plane ticket to England. 668 00:52:06,200 --> 00:52:10,700 l mean, l was there, but was not at the scene where it happened. 669 00:52:10,700 --> 00:52:13,200 l remember, it was at Max's Kansas City. 670 00:52:13,200 --> 00:52:15,200 l was there having a drink or something... 671 00:52:15,500 --> 00:52:18,500 and he walked in with his entourage. 672 00:52:18,500 --> 00:52:22,800 l hadn't seen him for about five months or six months. 673 00:52:29,000 --> 00:52:31,600 He saw me immediately and knew me... 674 00:52:32,100 --> 00:52:35,000 and came up, ''How are you doing?'' that kind of thing. 675 00:52:35,400 --> 00:52:38,500 But he was, you know, very preoccupied with... 676 00:52:38,500 --> 00:52:41,800 his whole scene, his entourage he was taking care of. 677 00:52:42,200 --> 00:52:44,100 l saw him one more time... 678 00:52:45,900 --> 00:52:47,900 at Steve Paul's Scene... 679 00:52:48,000 --> 00:52:51,000 in New York in '66 towards the end of the summer. 680 00:52:51,900 --> 00:52:54,600 And l'd been playing there for months. 681 00:52:55,400 --> 00:52:57,400 He used to come 682 00:52:58,100 --> 00:53:00,500 in there with... 683 00:53:01,700 --> 00:53:03,900 eight girls on either arm... 684 00:53:03,900 --> 00:53:07,300 and just take over the whole scene. 685 00:53:13,000 --> 00:53:15,000 l think that was about the best 686 00:53:15,000 --> 00:53:17,000 l knew him, was at the beginning. 687 00:53:17,000 --> 00:53:19,700 After that, he started to get more and more... 688 00:53:21,200 --> 00:53:23,900 outside of the small London circuit. 689 00:53:23,900 --> 00:53:27,500 He was playing around the country and then going back to America. 690 00:53:27,900 --> 00:53:30,100 And l didn't really see him, you know, 691 00:53:30,100 --> 00:53:32,200 except for six months at a time. 692 00:53:32,300 --> 00:53:35,100 And then l got to know him less and less. 693 00:53:35,400 --> 00:53:37,200 At the beginning, 694 00:53:37,200 --> 00:53:39,200 you know, when l was living in London... 695 00:53:39,200 --> 00:53:41,800 he used to come around to the flat a lot and stay there. 696 00:53:41,800 --> 00:53:45,400 We had a great time, really. 697 00:53:45,600 --> 00:53:49,100 l thought, at first, you know, his band, the Experience... 698 00:53:49,100 --> 00:53:51,800 l thought it was a bit of a mistake. 699 00:53:51,800 --> 00:53:54,200 l thought it was a hype, really. 700 00:53:54,200 --> 00:53:56,300 l felt from the first that 701 00:53:56,300 --> 00:53:58,700 he should have had at least an American band. 702 00:53:58,700 --> 00:54:01,000 Whether white or black, it didn't matter... 703 00:54:01,000 --> 00:54:03,700 as long as they kind of knew the music they were playing. 704 00:54:03,700 --> 00:54:07,800 l felt that Chas had really just picked up... 705 00:54:08,000 --> 00:54:11,400 two free musicians who were in the rock field loosely. 706 00:54:11,500 --> 00:54:14,100 l thought Mitch, before that, was playing with, sort of... 707 00:54:14,200 --> 00:54:16,800 Georgie Fame, and more into a jazz thing. 708 00:54:16,800 --> 00:54:19,100 l don't know what Noel was doing. 709 00:54:19,300 --> 00:54:21,400 l mean, it didn't take them long once 710 00:54:21,400 --> 00:54:23,700 Jimi sort of introduced them to his music. 711 00:54:23,700 --> 00:54:26,100 They really got into it very quickly. 712 00:54:26,100 --> 00:54:29,100 l thought at first that it could've been a better band 713 00:54:29,100 --> 00:54:32,100 or a bigger band, but... 714 00:54:32,200 --> 00:54:34,600 it worked in the end, obviously. 715 00:54:34,600 --> 00:54:36,800 He'd been in England about a week... 716 00:54:36,800 --> 00:54:39,300 and he'd just gotten the Experience together. 717 00:54:39,300 --> 00:54:42,200 And he had the club on its feet, you know... 718 00:54:42,200 --> 00:54:43,900 from the word go, 719 00:54:43,900 --> 00:54:45,900 they couldn't believe it. 720 00:54:45,900 --> 00:54:48,100 lt was solid musicians, the whole club. 721 00:54:48,100 --> 00:54:50,700 He was incredible, 722 00:54:51,200 --> 00:54:53,300 he really was. 723 00:54:53,300 --> 00:54:56,000 He'd rehearse two days and he had, like, an hour-and-a-half act... 724 00:54:56,000 --> 00:54:59,500 of great songs, and the band was together. 725 00:54:59,500 --> 00:55:01,700 He could have been up there on his own. 726 00:55:01,700 --> 00:55:03,700 He didn't really need anybody else. 727 00:55:03,700 --> 00:55:06,600 He could play on his own and do it perfectly. 728 00:55:08,300 --> 00:55:10,500 The first time l saw him, 729 00:55:10,500 --> 00:55:13,100 l think he was wearing a suit. 730 00:55:13,100 --> 00:55:16,600 He was combing his hair back like Tony Curtis, you know. 731 00:55:17,600 --> 00:55:19,800 At first when l saw that gig, 732 00:55:19,800 --> 00:55:22,600 he couldn't keep his eyes off the mirror... 733 00:55:22,600 --> 00:55:26,000 and he was touching his hair and getting it all right and everything. 734 00:55:26,900 --> 00:55:29,900 He was like that all the time, really, freaking out with his clothes, you know. 735 00:55:29,900 --> 00:55:31,800 l mean, 736 00:55:31,800 --> 00:55:34,100 if he hadn't come to London, 737 00:55:34,100 --> 00:55:36,800 l doubt if he would've... 738 00:55:36,800 --> 00:55:40,600 really looked as good as he did... 739 00:55:40,600 --> 00:55:43,100 because as soon as he got here, he had velvet suits made and sort of... 740 00:55:43,100 --> 00:55:45,700 lace shirts and things, you know. 741 00:55:45,700 --> 00:55:49,300 lt suited him so perfectly and that's what London wanted right then... 742 00:55:49,300 --> 00:55:51,700 and he filled the gap perfectly. 743 00:56:16,100 --> 00:56:19,100 As far as l was concerned, he was in the same category. 744 00:56:19,300 --> 00:56:22,300 He was of the same caliber as people like Howlin' Wolf. 745 00:56:22,300 --> 00:56:24,800 lt was almost like walking up to Howlin' Wolf 746 00:56:24,800 --> 00:56:26,900 and saying: 747 00:56:26,900 --> 00:56:29,400 ''Have you heard Muddy Waters' latest album?'' 748 00:56:29,400 --> 00:56:31,500 You know, who am l? 749 00:56:31,500 --> 00:56:34,400 You know, l mean, we didn't really talk about it like that at all... 750 00:56:34,400 --> 00:56:36,700 and l didn't feel, l didn't actually know 751 00:56:36,700 --> 00:56:39,000 that he had a collection of records. 752 00:56:39,000 --> 00:56:41,100 Like l said earlier on, l felt 753 00:56:41,100 --> 00:56:43,400 it was just part of him. 754 00:56:43,400 --> 00:56:46,400 Like most blues singers, if you speak to them... 755 00:56:46,400 --> 00:56:49,300 have never heard of the other blues singers around... 756 00:56:49,300 --> 00:56:51,600 unless they are in the same town. 757 00:56:51,600 --> 00:56:53,800 And l felt that was the same with him. 758 00:56:53,800 --> 00:56:55,800 l know he loved Robert Johnson. 759 00:56:55,800 --> 00:56:58,200 That was one very strong bond we had in common... 760 00:56:58,400 --> 00:57:01,200 because l've always loved Robert Johnson, you know. 761 00:57:08,100 --> 00:57:10,600 I woke up this mornin', 762 00:57:11,500 --> 00:57:14,000 feelin' round for my shoes 763 00:57:14,200 --> 00:57:16,200 Know by that I got 764 00:57:16,600 --> 00:57:19,000 these old walkin' blues, well 765 00:57:19,700 --> 00:57:21,700 Woke this mornin' 766 00:57:21,725 --> 00:57:25,225 feelin round for my shoes 767 00:57:28,100 --> 00:57:30,600 But you know by that, 768 00:57:32,300 --> 00:57:35,200 I got these old walkin' blues 769 00:57:37,800 --> 00:57:38,700 Lord 770 00:57:38,700 --> 00:57:40,900 I feel like blowin my 771 00:57:41,500 --> 00:57:43,500 old lonesome horn 772 00:57:43,800 --> 00:57:46,900 Got up this mornin, my little Bernice 773 00:57:46,900 --> 00:57:48,900 was gone, Lord 774 00:57:49,300 --> 00:57:51,000 I feel like 775 00:57:51,000 --> 00:57:52,000 blowin 776 00:57:52,000 --> 00:57:54,000 my lonesome horn 777 00:57:57,400 --> 00:58:00,300 Well I got up this mornin, 778 00:58:01,100 --> 00:58:04,000 whoa all I had was gone 779 00:58:06,700 --> 00:58:11,000 But we certainly didn't discuss the music at length at any time. 780 00:58:11,300 --> 00:58:13,800 You know, we talked trivia, really. 781 00:58:18,900 --> 00:58:21,600 lt was a bit like being thrown back into the days when... 782 00:58:22,200 --> 00:58:25,800 l had heroes like Chuck Berry and Jimmy Reed.. 783 00:58:26,400 --> 00:58:28,400 T-Bone Walker, and people like that. 784 00:58:28,400 --> 00:58:31,200 lt was like suddenly being thrust back into that. 785 00:58:31,400 --> 00:58:34,200 And funnily enough, the clubs... 786 00:58:34,200 --> 00:58:36,400 l dragged around to see Jimi 787 00:58:36,400 --> 00:58:38,500 in the two weeks he did in London... 788 00:58:38,500 --> 00:58:42,700 were all the same clubs that l had seen all those people at when l was 16 years old. 789 00:58:43,700 --> 00:58:45,500 The Marquee Club, 790 00:58:47,000 --> 00:58:48,800 Blaises... 791 00:58:49,300 --> 00:58:51,200 and Cromwellian, he played. 792 00:58:51,200 --> 00:58:54,200 He played everywhere, all the London clubs. 793 00:58:54,200 --> 00:58:55,700 We were like a couple of schoolboys. 794 00:58:55,700 --> 00:58:58,800 We used ring up and find out his date sheet 795 00:58:58,800 --> 00:59:00,700 Pick one another up, get all excited on the way there, 796 00:59:00,700 --> 00:59:02,900 then stand in the front. 797 00:59:03,100 --> 00:59:05,200 And often if the crowd was a bit down, we used to stand and, like... 798 00:59:05,200 --> 00:59:07,200 get all excited and try 799 00:59:07,400 --> 00:59:10,800 and whip the crowd up, you know. 800 00:59:11,300 --> 00:59:14,700 But Eric was much closer to Jimi than l was... 801 00:59:16,600 --> 00:59:19,200 and l felt, in a way, 802 00:59:19,600 --> 00:59:22,200 that perhaps this was because... Jimi felt he had the edge on Eric... 803 00:59:23,600 --> 00:59:25,800 but that he couldn't quite make me out. 804 00:59:26,100 --> 00:59:28,000 lt was strange, our position. 805 00:59:28,000 --> 00:59:30,200 l felt incredibly competitive with Jimi. 806 00:59:30,200 --> 00:59:33,300 l felt, ''Okay, he is great. He is a genius. 807 00:59:33,300 --> 00:59:36,400 ''There is a fantastic aura about the man. 808 00:59:37,100 --> 00:59:40,500 ''But if I really let him whip me too much... 809 00:59:41,000 --> 00:59:43,900 I'll never really be able to ever play again. 810 00:59:43,900 --> 00:59:46,900 ''So l must fight back,'' as it were. 811 00:59:47,900 --> 00:59:50,800 After that, l think it was probably good in a way that... 812 00:59:50,800 --> 00:59:53,800 l wasn't able to pinhole Jimi... 813 00:59:53,800 --> 00:59:57,000 and maybe that he wasn't able to pinhole The Who, 814 00:59:57,000 --> 00:59:59,800 either... 815 00:59:59,800 --> 01:00:02,400 because it meant we took slightly different paths. 816 01:00:02,800 --> 01:00:06,800 Jimi said some very, very precious things. 817 01:00:07,000 --> 01:00:10,200 They weren't meant necessarily for the world to hear... 818 01:00:10,200 --> 01:00:12,500 but to me they were very important. 819 01:00:12,500 --> 01:00:16,000 All right, they were said when he was drunk and so on... 820 01:00:16,200 --> 01:00:19,600 but they were said, and they've always been important. 821 01:00:21,400 --> 01:00:25,600 He always felt that Eric and he and l... 822 01:00:27,800 --> 01:00:30,800 had a sort of, you know... 823 01:00:31,600 --> 01:00:34,500 empathy, if you follow me... 824 01:00:34,500 --> 01:00:38,000 and complemented one another in a certain way 825 01:00:38,000 --> 01:00:40,600 Although l knew that to be true at heart.. 826 01:00:40,600 --> 01:00:44,800 l could never see myself in the triangle. l could never fit in. 827 01:00:45,100 --> 01:00:47,600 ln fact, the bit where l fitted in... 828 01:00:47,800 --> 01:00:52,700 was in the least glamorous bit, was in the plastic bit, the stage bit. 829 01:00:53,600 --> 01:00:56,900 l was the very plastic bit of Jimi's stage show. 830 01:00:57,100 --> 01:01:00,400 Eric, of course, was the very soulful bit, the musician bit... 831 01:01:04,400 --> 01:01:06,600 the far more romantic thing. 832 01:01:06,600 --> 01:01:08,800 Mine was the blatant, the showbiz, 833 01:01:08,800 --> 01:01:11,800 the years on the road with Little Richard... 834 01:01:11,800 --> 01:01:14,600 the act, you know, the facade... 835 01:01:15,600 --> 01:01:19,700 the rock and roll leotards, and God knows what. 836 01:01:19,900 --> 01:01:23,500 What happened there was really important to me.. 837 01:01:23,500 --> 01:01:26,100 and fantastically important to The Who. 838 01:01:27,500 --> 01:01:31,000 lt just changed the sound of the electric guitar... 839 01:01:31,000 --> 01:01:33,000 completely. 840 01:01:33,000 --> 01:01:35,600 lt turned the whole rock world upside down. 841 01:01:40,300 --> 01:01:42,700 We just did three weeks, within that... 842 01:01:42,700 --> 01:01:45,500 there were no records made, but people apparently... 843 01:01:45,900 --> 01:01:48,900 seemed to like the energy put out by the band. 844 01:01:50,000 --> 01:01:53,700 And it was, like, the one thing where it wasn't a structured agreement... 845 01:01:53,700 --> 01:01:56,400 like as much as Cream, you know. 846 01:01:56,400 --> 01:01:57,700 There was one thing that... 847 01:01:59,100 --> 01:02:00,300 it's like 848 01:02:00,800 --> 01:02:02,500 the second trio 849 01:02:02,500 --> 01:02:04,100 as such. 850 01:02:04,100 --> 01:02:07,900 You know, Noel had come from a straight English rock-and-roll band. 851 01:02:07,900 --> 01:02:10,800 Jimi was influenced by whatever he'd been working with. 852 01:02:10,800 --> 01:02:12,800 l come from..... 853 01:02:13,300 --> 01:02:15,300 l don't know... 854 01:02:16,400 --> 01:02:19,900 maybe, like as a fringe, sort of... 855 01:02:20,200 --> 01:02:25,000 pseudo Brooks Brothers suits, jazz sort of scene, you know. 856 01:02:25,500 --> 01:02:28,600 lt's just finding people that you're compatible with musically... 857 01:02:28,900 --> 01:02:31,300 which, you know, is very, very difficult to find. 858 01:02:31,300 --> 01:02:36,100 l found, possibly, like three or four people, and l've been playing for years. 859 01:02:37,000 --> 01:02:39,100 And l think he felt the same way. 860 01:02:39,100 --> 01:02:43,000 lt was a very close band in a very, very abstract way. 861 01:02:43,500 --> 01:02:46,800 Everyone had very firm ideas about what they wanted. 862 01:02:46,800 --> 01:02:48,600 Unfortunately, 863 01:02:48,600 --> 01:02:50,400 at certain times, 864 01:02:50,400 --> 01:02:52,800 there were only like, maybe..., 865 01:02:52,800 --> 01:02:54,800 two-thirds aiming for the same thing. 866 01:02:54,800 --> 01:02:58,100 What was your relationship to Jimi like in those early days? 867 01:02:59,700 --> 01:03:01,700 Pretty distant. 868 01:03:02,200 --> 01:03:06,300 l mean, as much as, like.... lt was selfish motive. 869 01:03:06,300 --> 01:03:08,500 We had to get off on stage 870 01:03:08,500 --> 01:03:10,500 l still feel this way 871 01:03:10,500 --> 01:03:12,500 about playing with musicians and friendship comes... 872 01:03:12,500 --> 01:03:15,600 from the people l'm playing with if l like their music, 873 01:03:15,600 --> 01:03:17,100 you know. 874 01:03:17,800 --> 01:03:20,000 lt's give and take. 875 01:03:20,000 --> 01:03:23,600 With three people it's easy to form a chain, you know, to link it up. 876 01:03:25,600 --> 01:03:29,200 Yeah, we didn't notice we didn't hang out so much together. 877 01:03:29,200 --> 01:03:31,600 l don't really know what kind of energy it was. 878 01:03:31,600 --> 01:03:33,800 lt caused a lot of problems at the time... 879 01:03:33,800 --> 01:03:37,200 because he had very specific ideas about what was required... 880 01:03:37,200 --> 01:03:39,500 and what sound he wanted to do. 881 01:03:40,100 --> 01:03:42,900 A lot of the early stuff was done, basically, 882 01:03:42,900 --> 01:03:45,000 in two or three takes... 883 01:03:45,200 --> 01:03:47,600 as much as Chas Chandler... 884 01:03:47,800 --> 01:03:51,700 never let us forget that House of the Rising Sun by The Animals... 885 01:03:51,700 --> 01:03:54,200 was made for L4 ($10). 886 01:03:54,900 --> 01:03:57,300 l mean, it sold ultra-million copies. 887 01:04:06,500 --> 01:04:11,200 There was a house in New Orleans 888 01:04:12,400 --> 01:04:16,800 They call the 'Rising Sun' 889 01:04:18,100 --> 01:04:23,100 And it's been the ruin of many a poor boy 890 01:04:24,100 --> 01:04:28,300 And, God, I know I'm one 891 01:04:39,000 --> 01:04:43,400 My mother was a tailor 892 01:04:44,700 --> 01:04:49,300 She sewed my new blue jeans 893 01:04:50,700 --> 01:04:55,800 My father was a gamblin' man 894 01:04:56,900 --> 01:05:01,300 Down in New Orleans 895 01:05:04,100 --> 01:05:05,700 Hilton Valentine 896 01:05:30,800 --> 01:05:33,800 Alan Price 897 01:05:38,000 --> 01:05:41,000 Chas Chandler 898 01:05:43,500 --> 01:05:47,900 Oh, Mother tell your children 899 01:05:49,300 --> 01:05:53,700 Not to do what I have done 900 01:05:55,600 --> 01:06:00,300 Spend your lives in sin and misery 901 01:06:01,400 --> 01:06:05,800 In the House of the Rising Sun 902 01:06:11,800 --> 01:06:13,800 John Steel 903 01:06:16,500 --> 01:06:20,900 There is a house in New Orleans 904 01:06:21,800 --> 01:06:26,200 They call the 'Rising Sun' 905 01:06:27,500 --> 01:06:32,800 And it's been the ruin of many a poor boy 906 01:06:33,500 --> 01:06:37,900 And, God, I know I'm one 907 01:06:37,900 --> 01:06:42,700 Eric Burdon, ему первому позвонила Моника, что не может разбудить Джими 908 01:06:44,300 --> 01:06:47,400 Эрик до сих пор уверен в самоубийстве Джими 909 01:06:52,200 --> 01:06:54,600 He was the first person ever that made me aware.... 910 01:06:54,600 --> 01:06:57,000 Actually, he made me listen... 911 01:06:57,000 --> 01:07:00,900 because it is very important to hear the lyrics before.... 912 01:07:02,500 --> 01:07:04,500 we actually did any tracks. 913 01:07:04,900 --> 01:07:09,800 A lot of the tracks were done by the two of us, with Jimi with the guitar and drums. 914 01:07:10,100 --> 01:07:12,200 Jimi would put the bass on afterwards. 915 01:07:12,200 --> 01:07:14,300 That was one reason... 916 01:07:14,300 --> 01:07:17,300 for any discrepancies in the Experience, as such. 917 01:07:17,300 --> 01:07:19,900 The reaction happened so fast. 918 01:07:19,900 --> 01:07:22,000 That was the one thing, you know, 919 01:07:22,000 --> 01:07:24,600 l mean, you're pressurized... 920 01:07:24,600 --> 01:07:27,000 into, like, road, studio, you know. 921 01:07:27,000 --> 01:07:29,000 lt's a vicious circle. 922 01:07:29,000 --> 01:07:32,400 You got to keep things going out. 923 01:07:32,400 --> 01:07:36,000 Obviously after working in.... 924 01:07:36,000 --> 01:07:38,700 After Jimi, being American, working in America... 925 01:07:38,700 --> 01:07:41,000 he had a lot more idea 926 01:07:41,300 --> 01:07:43,300 of what he actually saw... 927 01:07:43,600 --> 01:07:45,600 and wanted to produce. 928 01:07:45,600 --> 01:07:48,000 You know, he talked an awful lot for one person. 929 01:07:48,000 --> 01:07:51,400 l think the best thing that happened within those eight months... 930 01:07:51,400 --> 01:07:54,300 before America, was really.... 931 01:07:54,300 --> 01:07:56,300 Even right after Monterey.... 932 01:07:56,300 --> 01:08:00,200 Just to carry on, because it all links up. 933 01:08:00,200 --> 01:08:02,900 Bill Graham took us on as a risk... 934 01:08:03,900 --> 01:08:07,300 and we played the original Fillmore for a couple of weeks. 935 01:08:08,000 --> 01:08:12,000 There was the Airplane and Janis Joplin, right. 936 01:08:12,100 --> 01:08:14,300 There was all sorts there. 937 01:08:15,500 --> 01:08:18,400 At that time, Jimi introduced me... 938 01:08:18,400 --> 01:08:20,500 to a lot of Dylan 939 01:08:20,500 --> 01:08:22,500 and a few other people. 940 01:08:23,800 --> 01:08:28,400 He, in turn, Noel, was very much into, like, an English... 941 01:08:28,800 --> 01:08:31,100 lairy. 942 01:08:33,100 --> 01:08:36,800 So we each gave each other bits of music... 943 01:08:36,800 --> 01:08:40,000 and that sort of gave a force. 944 01:08:40,000 --> 01:08:42,800 You know, you became aware of people like Roland Kirk. 945 01:08:42,800 --> 01:08:45,500 We'd all go off and play with different people. 946 01:08:45,500 --> 01:08:48,100 So you can bring whatever you got from those people... 947 01:08:48,100 --> 01:08:49,600 back into the band. 948 01:08:49,600 --> 01:08:51,800 So we all had, like, pretty... 949 01:08:51,800 --> 01:08:54,000 l'm not saying set ideas. 950 01:08:56,200 --> 01:08:59,000 t's really unfortunate about 951 01:08:59,000 --> 01:09:01,300 some of the drug connotations... that have come with our image. 952 01:09:01,300 --> 01:09:03,400 They leave a lot to be desired, really. 953 01:09:04,200 --> 01:09:08,700 l only ever knew him to take one holiday ever. 954 01:09:08,700 --> 01:09:12,500 Like we'd take time off and l'd go off... 955 01:09:12,500 --> 01:09:16,400 and go in the sunshine and Jim would come back to New York... 956 01:09:16,400 --> 01:09:19,500 and live in a couple of rooms on 12th Street, whatever it was. 957 01:09:19,900 --> 01:09:21,500 And that was it for him. 958 01:09:21,800 --> 01:09:24,600 There are very few people who can go anywhere on this earth... 959 01:09:24,600 --> 01:09:27,400 and draw a lot of people... 960 01:09:27,400 --> 01:09:31,300 without making it political or anything else. 961 01:09:31,400 --> 01:09:33,900 And there were certain countries you would visit... 962 01:09:33,900 --> 01:09:36,700 where people want to go and get off, whatever they want to do... 963 01:09:36,900 --> 01:09:39,200 have a fight or a sit-down. 964 01:09:41,100 --> 01:09:44,700 He had whatever charisma was there. 965 01:09:50,800 --> 01:09:53,300 The band was formed... 966 01:09:53,300 --> 01:09:55,700 during October of '66. 967 01:09:55,700 --> 01:09:57,500 So then they went to.... 968 01:09:57,500 --> 01:10:00,500 They were only together 10 days before their first tour. 969 01:10:00,500 --> 01:10:02,700 [ с 18 октября ] That was in France, with Johnny Hallyday. 970 01:10:10,500 --> 01:10:14,500 THE LEAVES 971 01:10:27,100 --> 01:10:31,500 Hey Joe, where you goin' with that gun in your hand? 972 01:10:33,400 --> 01:10:37,800 I said, Hey Joe, where you goin' with that gun in your hand? 973 01:10:38,800 --> 01:10:40,800 I'm goin down to shoot my woman, 974 01:10:40,800 --> 01:10:43,800 I caught her messin' 'round with another man 975 01:10:45,000 --> 01:10:46,800 I said, I'm goin' down to shoot my woman, 976 01:10:46,800 --> 01:10:48,800 I caught her messin' 'round with another man 977 01:10:52,000 --> 01:10:56,000 Hey Joe, I think that ain't too cool 978 01:10:58,500 --> 01:11:02,300 Hey Joe, I think that ain't too cool 979 01:11:14,300 --> 01:11:18,500 'Hey Joe' Линда услышала впервые в исполнении Розы Ли Брукс 980 01:11:19,000 --> 01:11:23,200 эту песню здесь, в Штатах, пели тогда многие что говорится, была на слуху 981 01:11:23,700 --> 01:11:29,200 но пластинку именно в их исполнении, она дала послушать Час Чандлеру, сказав, 982 01:11:29,700 --> 01:11:32,800 что если её исполнит этот парень в своей манере 983 01:11:33,300 --> 01:11:36,000 можно в сделать большие деньги в Европе 984 01:11:36,500 --> 01:11:39,000 так как она слышала, что... 985 01:11:39,500 --> 01:11:42,500 здесь многие её пели, изменив первые строчки 986 01:11:43,000 --> 01:11:45,600 имея ввиду президента, они пели: 987 01:11:46,100 --> 01:11:49,900 "Эй Джо, куда идёшь с пистолетом?" "Убивать детей?" 988 01:11:50,400 --> 01:11:55,900 так как в этот год приходило наибольшее количество похоронок из Вьетнама 989 01:12:49,100 --> 01:12:52,000 Originally, we only came for two or three weeks for the Monterey thing... 990 01:12:52,000 --> 01:12:54,700 sort of a promotional thing... 991 01:12:54,700 --> 01:12:57,300 but ended up, it was three months before we got back. 992 01:12:57,300 --> 01:13:00,100 We joined the Monkees tour down in Florida 993 01:13:02,400 --> 01:13:06,100 It was a very strange situation, private plane and everything like that... 994 01:13:06,100 --> 01:13:08,100 so straight, you know. 995 01:13:08,100 --> 01:13:12,100 They had more security guards than people who wanted to get in. 996 01:13:12,100 --> 01:13:14,600 It was strange. It was hopeless for Jimi because he had 15 minutes. 997 01:13:18,000 --> 01:13:19,800 For him, 998 01:13:19,800 --> 01:13:22,700 to get him to finish one number in 15 minutes 999 01:13:22,700 --> 01:13:25,100 was ridiculous. 1000 01:13:25,100 --> 01:13:27,600 We had a kind of relationship.... 1001 01:13:28,200 --> 01:13:30,100 l know my job. 1002 01:13:30,100 --> 01:13:33,000 He knew l wasn't into, like... 1003 01:13:33,000 --> 01:13:35,100 the whole music thing... 1004 01:13:35,100 --> 01:13:38,500 as far as rock-and-roll music was concerned. 1005 01:13:38,500 --> 01:13:42,000 l wasn't a musician. l didn't know a lot about it, really. 1006 01:13:42,000 --> 01:13:45,500 So we had a kind of relationship separate, apart from the music. 1007 01:13:45,500 --> 01:13:47,500 l had my job to do. 1008 01:13:47,500 --> 01:13:50,700 Whether or not l knew about music didn't affect it. 1009 01:13:51,700 --> 01:13:56,200 That's probably why we stuck each other out for such a long time, you know. 1010 01:13:56,400 --> 01:14:00,900 We were in Sweden. A place called Karlstad, north of Sweden. 1011 01:14:01,400 --> 01:14:03,400 And we're playing, 1012 01:14:03,400 --> 01:14:06,100 like, the fairgrounds called.... Something like that. 1013 01:14:07,400 --> 01:14:09,500 We were sitting in the dressing room, 1014 01:14:10,200 --> 01:14:12,000 waiting to go on. 1015 01:14:12,200 --> 01:14:15,700 We said to the Swedish guide who spoke good English: 1016 01:14:16,000 --> 01:14:19,400 ''Who is playing with us? What's the support act?'' 1017 01:14:19,400 --> 01:14:21,600 The guy says, ''Performing seals.'' 1018 01:14:21,600 --> 01:14:23,600 We couldn't believe it. 1019 01:14:23,600 --> 01:14:25,900 We heard the noise and opened the door. 1020 01:14:25,900 --> 01:14:29,500 There it is, the seals are flapping to go up the stage on the long ramp. 1021 01:14:29,500 --> 01:14:32,600 НThe support act for Jimi Hendrix was performing seals. 1022 01:14:32,600 --> 01:14:32,600 24 маy 1967 1023 01:14:32,600 --> 01:14:37,000 After all the jacks are in their boxes 1024 01:14:38,600 --> 01:14:43,000 And the clowns have all gone to bed 1025 01:14:44,700 --> 01:14:46,800 You can hear happiness 1026 01:14:46,800 --> 01:14:49,300 staggering on down the street 1027 01:14:51,300 --> 01:14:55,300 Footprints dressed in red 1028 01:14:57,000 --> 01:15:01,500 And the wind whispers Mary 1029 01:15:03,400 --> 01:15:06,400 What was it like on the road, was it crazy? 1030 01:15:06,600 --> 01:15:09,300 lt was quite crazy, l suppose. 1031 01:15:09,300 --> 01:15:11,300 They used to start off pretty crazy. 1032 01:15:11,300 --> 01:15:13,500 By the end, 1033 01:15:13,900 --> 01:15:16,600 everyone was too tired to be crazy. 1034 01:15:17,400 --> 01:15:20,100 ln Denver, once, we nearly got killed. 1035 01:15:20,500 --> 01:15:23,600 Denver, it was the last gig the original Experience played... 1036 01:15:23,800 --> 01:15:25,800 in the Mile High Stadium 1037 01:15:26,000 --> 01:15:28,400 ln Denver, it was a pop festival. 1038 01:15:28,400 --> 01:15:30,300 The air was so thick with tear gas and stuff, it was tough to see. 1039 01:15:30,300 --> 01:15:32,500 it was tough to see. 1040 01:15:32,500 --> 01:15:34,400 Everybody was sort of reeling. 1041 01:15:34,400 --> 01:15:36,900 Just in the last number, the crowd broke through. 1042 01:15:36,900 --> 01:15:40,600 The stage.... No security, it was like standing in a football field. 1043 01:15:40,600 --> 01:15:43,700 So it's like 30,000 kids come rushing over the football field... 1044 01:15:43,700 --> 01:15:46,700 and they can get all the way around the stage. 1045 01:15:46,700 --> 01:15:48,500 so... 1046 01:15:49,900 --> 01:15:53,700 l actually get them in the back of the equipment truck, padlock them in... 1047 01:15:53,700 --> 01:15:56,900 in complete darkness in the back of equipment truck. 1048 01:15:56,900 --> 01:15:59,100 We have to try and get out through these kids. 1049 01:15:59,100 --> 01:16:01,700 They squashed the truck, a big truck, they squashed it so much. 1050 01:16:01,700 --> 01:16:04,100 lncluding the roof of the cab. 1051 01:16:04,100 --> 01:16:09,400 We couldn't get the back doors open when we got back to the hotel. 1052 01:16:09,400 --> 01:16:11,700 They'd been all over it, squashed it. 1053 01:16:11,700 --> 01:16:15,400 l had to get levers and things to get the back door up. 1054 01:16:17,000 --> 01:16:19,900 What led him to break up the Experience? 1055 01:16:21,100 --> 01:16:24,500 l don't know, really. They'd been working very hard. 1056 01:16:24,500 --> 01:16:28,000 They hadn't a break from one another. They'd vacation together. 1057 01:16:30,000 --> 01:16:32,100 They'd work together, live together... 1058 01:16:32,400 --> 01:16:34,400 and everything. 1059 01:16:36,100 --> 01:16:39,500 l think probably what brought it on, same thing as with most bands... 1060 01:16:39,500 --> 01:16:41,500 l think probably what brought it on, same thing as with most bands... 1061 01:16:41,500 --> 01:16:43,500 Especially, they'd been working hard. 1062 01:16:45,300 --> 01:16:47,400 The funniest thing that happened with the group.... 1063 01:16:47,400 --> 01:16:51,000 l'd get up in the morning to go catch a plane. 1064 01:16:51,000 --> 01:16:53,200 They'd all get up. 1065 01:16:53,200 --> 01:16:56,200 They'd sit in their room and say, 1066 01:16:56,200 --> 01:16:58,900 ''ls so and so downstairs?'' 1067 01:16:58,900 --> 01:17:01,600 l'd say, ''No.'' ''Well, l'm not coming down till he's down.'' 1068 01:17:01,600 --> 01:17:04,500 Then the others would say, 1069 01:17:04,500 --> 01:17:07,400 ''l'm not coming till he's down.'' 1070 01:17:07,400 --> 01:17:09,700 The three would sit in their rooms until 1071 01:17:09,700 --> 01:17:12,900 l'd lie and say ''The other went down.'' 1072 01:17:12,900 --> 01:17:15,100 They'd all stay in bed till the rest were ready 1073 01:17:15,100 --> 01:17:18,300 and then come running down. 1074 01:17:18,300 --> 01:17:21,900 After he'd done the Electric Lady album... 1075 01:17:23,200 --> 01:17:25,200 he became dissatisfied. 1076 01:17:25,200 --> 01:17:29,100 l think he thought to himself he'd run out of gas, kind of thing... 1077 01:17:29,300 --> 01:17:32,400 he didn't seem to be able to get into anything new. 1078 01:17:32,800 --> 01:17:36,300 Couldn't get into writing anything new. 1079 01:17:38,600 --> 01:17:43,300 That's why he seemed so happy with... the Cry of Love album. 1080 01:17:43,300 --> 01:17:44,400 He... 1081 01:17:44,600 --> 01:17:47,000 He got himself back into writing songs 1082 01:17:47,000 --> 01:17:49,400 that he was happy with. 1083 01:17:49,400 --> 01:17:51,400 The last time l saw him? 1084 01:17:52,400 --> 01:17:54,100 l'd say it was about... 1085 01:17:55,500 --> 01:17:57,500 two days before he died. 1086 01:17:58,300 --> 01:18:00,500 l spoke to him the night before he died. 1087 01:18:00,500 --> 01:18:04,700 He called me up to make reservations to come back... 1088 01:18:04,700 --> 01:18:06,800 to finish off the Cry of Love album. 1089 01:18:07,000 --> 01:18:09,900 He was gonna come back and then go back into.... 1090 01:18:14,200 --> 01:18:18,500 First time l ever saw Jimi Hendrix was in a club called Blaises in South Kensington. 1091 01:18:21,400 --> 01:18:24,400 His manager Chas Chandler had arranged a gig there... 1092 01:18:24,600 --> 01:18:28,000 [ открывать таланты ] * as a showcase for his, Chas', new act. 1093 01:18:30,300 --> 01:18:33,500 l'd seen Mitch in Denmark Street a few weeks before... 1094 01:18:33,500 --> 01:18:35,800 he told me he was rehearsing... 1095 01:18:36,300 --> 01:18:39,000 with a guitar player and a bass player. 1096 01:18:39,300 --> 01:18:42,700 Blaises, when we got down there, was packed full... 1097 01:18:43,600 --> 01:18:46,300 of the upper echelons of the rock-and-roll business. 1098 01:18:47,500 --> 01:18:49,900 l think George Harrison was there. 1099 01:18:49,900 --> 01:18:51,600 Some of the Stones were there. 1100 01:18:51,900 --> 01:18:55,700 He did a round of the London clubs, 1101 01:18:55,700 --> 01:18:57,700 places like The Bag O' Nails... the Speakeasy. 1102 01:18:57,700 --> 01:19:00,400 l think he did a week in a place called the Seven and a Half. 1103 01:19:00,400 --> 01:19:02,400 He did the Scotch of St. James. 1104 01:19:02,400 --> 01:19:04,600 l was with a band called The Pretty Things. 1105 01:19:05,600 --> 01:19:07,600 l remember, in fact... 1106 01:19:07,600 --> 01:19:10,200 doing a gig in Paris with The Pretty Things... 1107 01:19:10,200 --> 01:19:13,700 on the bill with Jimi Hendrix, and by this time, l had gotten into him... 1108 01:19:13,700 --> 01:19:15,700 and l turned the.... 1109 01:19:16,700 --> 01:19:20,400 l said to The Pretty Things, ''You've got to see this guy. He's fantastic." 1110 01:19:20,400 --> 01:19:24,300 Then l left The Pretty Things, 'cause they didn't pay me any wages. 1111 01:19:24,300 --> 01:19:28,400 Then l got this word that Mitch was looking for me, and would l contact him? 1112 01:19:28,600 --> 01:19:31,500 l did the last part of the Walker Brothers tour. 1113 01:19:32,500 --> 01:19:35,200 We then went out and did... 1114 01:19:35,900 --> 01:19:38,200 one-nighters around the country... 1115 01:19:38,200 --> 01:19:42,200 getting really good reactions. l can remember playing... 1116 01:19:42,200 --> 01:19:44,500 the lmperial Ballroom, Nelson... 1117 01:19:45,300 --> 01:19:47,900 a real cavern of a dance hall. 1118 01:19:51,500 --> 01:19:53,400 The kids in the audience there.... 1119 01:19:53,600 --> 01:19:56,400 He got down on his knees with his guitar on the stage... 1120 01:19:57,000 --> 01:20:01,600 sitting up...sort of rising up and down on the tremolo. 1121 01:20:01,600 --> 01:20:03,700 And the kids just surged forward 1122 01:20:03,700 --> 01:20:06,300 and dragged the guitar out of his hand. 1123 01:20:06,300 --> 01:20:09,600 He managed to hold onto the guitar, but they got all the strings. 1124 01:20:10,600 --> 01:20:13,400 The best concerts l think he ever gave in England... 1125 01:20:13,400 --> 01:20:15,600 were the Saville Theater concerts. 1126 01:20:15,600 --> 01:20:18,700 The Saville Theater was owned by Brian Epstein... 1127 01:20:20,300 --> 01:20:23,600 and it was more or less a hobby for Epstein. 1128 01:20:26,400 --> 01:20:30,400 lt was the best presentation of rock and roll in London. 1129 01:20:30,500 --> 01:20:34,100 He had this theater and he put on the bands that he liked. 1130 01:20:34,200 --> 01:20:37,900 One night, Marshall had given us some new amplifiers to try out... 1131 01:20:38,500 --> 01:20:40,900 some 8x10'' cabinets... 1132 01:20:41,500 --> 01:20:44,200 and they really weren't working at all. 1133 01:20:44,200 --> 01:20:48,000 l think l changed five amplifiers over for one amplifier... 1134 01:20:48,300 --> 01:20:51,300 and still none of it worked efficiently. 1135 01:20:51,500 --> 01:20:53,800 lt sort of worked out all right in one way... 1136 01:20:54,000 --> 01:20:58,100 because that night we got a stroboscope on him at the Saville. 1137 01:21:04,200 --> 01:21:06,700 We came to Wild Thing... 1138 01:21:06,700 --> 01:21:10,700 and l'd given instructions to the lighting engineer in the theater... 1139 01:21:11,200 --> 01:21:13,600 to turn all the lights out. 1140 01:21:13,900 --> 01:21:16,400 We turned all the lights out 1141 01:21:16,600 --> 01:21:20,200 and l had this stroboscope... 1142 01:21:22,900 --> 01:21:25,400 and l put this stroboscope onto its most hypnotic pattern. With all the lights out, 1143 01:21:25,400 --> 01:21:29,400 it was the only light. The only thing by which you could see anything was this stroboscope. 1144 01:21:29,400 --> 01:21:33,500 When it came to Wild Thing, he just tore into those amplifiers. 1145 01:21:33,500 --> 01:21:35,400 Just knocked them. 1146 01:21:35,400 --> 01:21:37,300 He took his guitar off, 1147 01:21:37,300 --> 01:21:41,000 swung it around his head, smashed them every which way. 1148 01:21:41,100 --> 01:21:44,400 Mitch was on a double drum riser, which meant that he was sitting.... 1149 01:21:45,400 --> 01:21:48,400 His feet would be four or five feet up in the air... 1150 01:21:48,400 --> 01:21:51,300 and Jimi was just smashing it. 1151 01:21:51,300 --> 01:21:54,300 So then the drums were starting to roll off the stage... 1152 01:21:54,300 --> 01:21:57,300 because he was knocking the legs off the drum riser. 1153 01:21:58,400 --> 01:22:00,500 All this was going on 1154 01:22:00,900 --> 01:22:03,200 on just an every-other-frame level. 1155 01:22:03,200 --> 01:22:05,900 lt was like he was a demon running around. 1156 01:22:05,900 --> 01:22:08,900 l think he was wearing a red velvet suit that night. 1157 01:22:09,400 --> 01:22:12,200 And he was running around the stage smashing everything... 1158 01:22:12,200 --> 01:22:14,900 just under the light of the stroboscope. 1159 01:22:15,400 --> 01:22:18,300 And the audience rose up out of their seats like some... 1160 01:22:18,600 --> 01:22:21,300 tidal wave and just surged to the front. 1161 01:22:21,900 --> 01:22:23,700 And l think they... 1162 01:22:23,900 --> 01:22:27,200 he just threw the bits of the guitar out at them that night. 1163 01:22:30,700 --> 01:22:33,700 l was overwhelmed, this was in England. 1164 01:22:33,700 --> 01:22:35,700 He came into Olympic. 1165 01:22:35,700 --> 01:22:38,600 l think they recorded Hey Joe in another studio. 1166 01:22:38,600 --> 01:22:41,100 They came because they were dissatisfied with the sound. 1167 01:22:41,100 --> 01:22:43,400 They heard about Olympic. 1168 01:22:43,400 --> 01:22:46,100 lt was brand new, 1169 01:22:46,100 --> 01:22:48,100 it just had opened. 1170 01:22:48,100 --> 01:22:51,400 As soon as they came in, they had these double stacks of Marshalls... 1171 01:22:51,400 --> 01:22:54,800 this huge double bass drum kit for Mitch, and everything. 1172 01:22:54,800 --> 01:22:57,200 We flipped out, we just.... 1173 01:22:57,200 --> 01:22:59,200 We'd never heard anything like it. 1174 01:22:59,200 --> 01:23:01,400 l'd never heard anything like it. 1175 01:23:01,500 --> 01:23:03,600 The most exciting, the first album... 1176 01:23:05,400 --> 01:23:07,400 'Are You Experienced?' 1177 01:23:08,100 --> 01:23:10,200 and... 1178 01:23:13,100 --> 01:23:15,400 Axis or part of Axis, l think... 1179 01:23:15,400 --> 01:23:17,300 Chas Chandler was producing, 1180 01:23:17,300 --> 01:23:19,300 or co-producing. 1181 01:23:19,300 --> 01:23:22,000 The first time you ever heard phasing effect... 1182 01:23:22,000 --> 01:23:23,200 where you get... 1183 01:23:24,200 --> 01:23:27,100 two sounds together and they start to... 1184 01:23:28,200 --> 01:23:29,900 do this, you know? 1185 01:23:29,900 --> 01:23:32,900 A sound like water going down a funnel. 1186 01:23:33,600 --> 01:23:36,700 He told us a story. He said, ''l hear a sound... 1187 01:23:37,500 --> 01:23:39,500 ''and l heard the sound in a dream.'' 1188 01:23:40,800 --> 01:23:43,100 This was on Axis.' Bold as Love. You know that... 1189 01:23:43,100 --> 01:23:47,500 incredible drum break, where they start in one corner and go to the other corner. 1190 01:23:47,800 --> 01:23:49,300 All this kind of thing. 1191 01:23:49,300 --> 01:23:51,400 He heard that sound in a dream, and he says, 1192 01:23:51,400 --> 01:23:53,900 ''l want you to recreate that for me.'' 1193 01:23:54,300 --> 01:23:56,900 And we said, ''We think we know what it is.'' 1194 01:23:56,900 --> 01:23:59,400 We did it for him and he freaked out. 1195 01:23:59,400 --> 01:24:01,700 He said he relived his dream. 1196 01:24:02,700 --> 01:24:05,300 ln one way, he had a kind of a casual... 1197 01:24:05,500 --> 01:24:07,600 attitude towards working in the studio. 1198 01:24:07,600 --> 01:24:09,800 ln another way, he was very, very precise... 1199 01:24:09,800 --> 01:24:11,900 and very demanding on everybody around. 1200 01:24:11,900 --> 01:24:13,900 He'd work for hours on end. 1201 01:24:13,900 --> 01:24:16,000 He'd jam for 10, 12, 14 hours. 1202 01:24:16,000 --> 01:24:17,800 Mixing. 1203 01:24:17,800 --> 01:24:19,700 'Electric Lady, that album... 1204 01:24:19,700 --> 01:24:22,000 the 1983 side, you know... the one side. 1205 01:24:23,200 --> 01:24:26,400 We mixed that straight through in about 14 and a half, 15 hours. 1206 01:24:27,500 --> 01:24:29,000 lt was nothing. 1207 01:24:31,700 --> 01:24:35,600 During '69, about February... 1208 01:24:38,100 --> 01:24:40,200 l had a call from Mike Jeffries. 1209 01:24:40,200 --> 01:24:42,300 Would l be interested in... 1210 01:24:42,500 --> 01:24:46,100 getting together with Jimi and Michael and designing and building a studio? 1211 01:24:46,100 --> 01:24:49,100 l said l'd come take a look at the place that they had selected. lt was the old.... 1212 01:24:49,100 --> 01:24:51,100 Prior to that it was the Village Barn 1213 01:24:52,000 --> 01:24:56,100 and then it became the Generation nightclub... 1214 01:24:56,800 --> 01:25:00,500 and they'd taken over after Generation had opened and closed within six months. 1215 01:25:00,500 --> 01:25:03,900 They wanted to turn it into a nightclub... where Jimi could play, 1216 01:25:03,900 --> 01:25:05,800 and a studio. 1217 01:25:05,800 --> 01:25:08,000 l came down, looked at the place and said: 1218 01:25:08,000 --> 01:25:11,100 ''This is too valuable to waste. Let's make it an incredible studio. 1219 01:25:11,100 --> 01:25:14,500 ''Let's make the best studio in New York City.'' 1220 01:25:14,500 --> 01:25:17,600 Jimi just wanted a place, basically, that was... 1221 01:25:19,600 --> 01:25:22,300 really comfortable to work in... 1222 01:25:23,300 --> 01:25:25,200 a nice environment... 1223 01:25:25,200 --> 01:25:27,200 you know, that had great sound. 1224 01:25:28,200 --> 01:25:31,200 And John Storyk, the architect, interpreted this in a way... 1225 01:25:31,400 --> 01:25:33,600 you can see with the shape forms... 1226 01:25:33,800 --> 01:25:36,500 the muted lighting, which you can... make rainbow colors on any of the four walls, 1227 01:25:36,500 --> 01:25:38,700 which are carpet. 1228 01:25:38,800 --> 01:25:42,000 l'd say, ''Give me red lights tonight.'' 1229 01:25:42,000 --> 01:25:44,500 Or blue lights, yellow lights or something like that. 1230 01:25:45,400 --> 01:25:48,700 Wash the walls in different colors. He dug that. 1231 01:25:49,500 --> 01:25:52,200 Apart from the sound, of course, which.... 1232 01:25:52,400 --> 01:25:56,100 Jimi got tired of playing the... 1233 01:25:58,400 --> 01:26:01,600 sexually upfront thing with the guitar, you know. 1234 01:26:01,600 --> 01:26:03,400 He just wanted to... 1235 01:26:03,400 --> 01:26:06,800 After all that thing had finished with Axis... 1236 01:26:07,300 --> 01:26:11,000 and the first album, his music was growing to another area, it became.... 1237 01:26:12,800 --> 01:26:16,200 He called it church music, electric church music. 1238 01:26:16,200 --> 01:26:18,900 He felt he wanted to get closer to the more... 1239 01:26:19,600 --> 01:26:21,400 religious kind of things... 1240 01:26:22,100 --> 01:26:24,100 more soul, gospel... 1241 01:26:24,100 --> 01:26:27,300 oriented things. He was very influenced by that. 1242 01:26:27,300 --> 01:26:28,800 lf he had the song... 1243 01:26:28,800 --> 01:26:33,500 incomplete, it was just a germ of an idea... it could take days 1244 01:26:33,500 --> 01:26:37,100 He would come in one night and jam on the idea... 1245 01:26:37,100 --> 01:26:40,100 get some rough things down, take a tape home and listen to it. 1246 01:26:41,600 --> 01:26:45,400 ln fact, he used to take tapes home and play them to himself, apparently... 1247 01:26:45,400 --> 01:26:48,400 and he'd fall asleep with them still playing... 1248 01:26:48,600 --> 01:26:51,600 and wake up the next day, listen to them, keep playing them... 1249 01:26:51,600 --> 01:26:54,500 till the ideas formulated. 1250 01:26:54,600 --> 01:26:56,600 He'd sit down, write lyrics after the track was cut... 1251 01:26:56,600 --> 01:27:00,200 and he was happy with the track. 1252 01:27:00,200 --> 01:27:03,200 He'd sit down there with pages and pages of lyric. 1253 01:27:06,600 --> 01:27:09,400 ou know, take lyrics from one song... 1254 01:27:09,400 --> 01:27:11,500 stick it into another song. 1255 01:27:11,700 --> 01:27:13,900 He would do that. 1256 01:27:19,500 --> 01:27:21,600 Noel came in, Noel Redding. 1257 01:27:21,600 --> 01:27:23,600 And he said, ''What are you doing?'' 1258 01:27:23,600 --> 01:27:26,600 l said, ''l'm with this band now called The Nice. 1259 01:27:26,600 --> 01:27:29,400 And he said, ''Our road manager flipped out. 1260 01:27:29,800 --> 01:27:32,000 ''He couldn't take it anymore. We need you.'' 1261 01:27:32,000 --> 01:27:34,000 And l said, ''When?'' 1262 01:27:34,000 --> 01:27:39,100 He said, ''10:00 a.m. tomorrow... ''the plane leaves, we're going to Milan.'' And l said, ''Wow.'' 1263 01:27:39,100 --> 01:27:41,400 So at about 10:00 a.m... 1264 01:27:41,400 --> 01:27:43,700 Gerry Stickles calls me up and he said: 1265 01:27:43,900 --> 01:27:47,000 ''l'm at the office, why aren't you here?'' You know? 1266 01:27:47,000 --> 01:27:49,000 So l just... 1267 01:27:49,800 --> 01:27:52,700 went over, packed a little bag and did... 1268 01:27:53,200 --> 01:27:54,700 five days. 1269 01:27:54,700 --> 01:27:57,700 Most of the time, it was just Jimi, Mitch, Noel, and Gerry. 1270 01:27:58,700 --> 01:28:01,200 They went by car and plane. 1271 01:28:01,600 --> 01:28:05,500 l used to have three guys with me and we trucked everywhere. 1272 01:28:07,300 --> 01:28:09,200 Then came the point where... 1273 01:28:09,200 --> 01:28:11,900 Jimi would sometimes bring a chick on the road. 1274 01:28:12,300 --> 01:28:15,000 She'd never last longer than about two days. 1275 01:28:15,000 --> 01:28:17,000 The chick couldn't take it. 1276 01:28:17,000 --> 01:28:19,900 She just couldn't take all the hassle and the rushing about. 1277 01:28:19,900 --> 01:28:22,000 So he'd send her home. 1278 01:28:22,000 --> 01:28:24,100 When we played in Spain, 1279 01:28:24,100 --> 01:28:26,300 everybody bought masks and snorkels 1280 01:28:26,300 --> 01:28:28,300 and fins 1281 01:28:28,300 --> 01:28:31,900 That was the time everybody had these super-8s... 1282 01:28:31,900 --> 01:28:34,800 and everybody was filming everybody. lt was the funniest thing... 1283 01:28:34,800 --> 01:28:38,700 to see Jimi with the big Afro hairstyle then... 1284 01:28:38,700 --> 01:28:42,500 this mask, and his little thing with the Ping-Pong ball... 1285 01:28:42,500 --> 01:28:44,500 and his flippers, going into the water... 1286 01:28:44,500 --> 01:28:46,600 and he walked and walked... 1287 01:28:46,600 --> 01:28:49,600 till you couldn't see him anymore and the waves just went over him. 1288 01:28:49,600 --> 01:28:51,000 lt was just hilarious. 1289 01:28:51,900 --> 01:28:54,300 They argued. Every band argued. 1290 01:28:54,300 --> 01:28:57,700 Noel would say Jimi was playing too loud. 1291 01:28:57,700 --> 01:29:01,700 Jimi would say Noel was playing too loud. 1292 01:29:01,700 --> 01:29:04,300 Mitch would say he wasn't playing loud enough. 1293 01:29:04,300 --> 01:29:07,300 But nobody ever messed with his guitars. l was the only one... 1294 01:29:07,300 --> 01:29:09,300 who used to, like... 1295 01:29:09,300 --> 01:29:11,800 re-string his guitars and... 1296 01:29:13,000 --> 01:29:15,100 you know, generally take care of them. 1297 01:29:15,100 --> 01:29:17,000 And he didn't like, you know... 1298 01:29:17,000 --> 01:29:20,300 if another musician, say we'd be playing at a festival... 1299 01:29:20,300 --> 01:29:22,700 and other musicians come into the dressing room... 1300 01:29:22,700 --> 01:29:24,700 and pick up one of his guitars... 1301 01:29:24,700 --> 01:29:28,700 instantly, he'd say, ''Please put it down.'' 1302 01:29:28,700 --> 01:29:31,700 They'll say, ''l know Jimi, l've known him for years,'' 1303 01:29:31,700 --> 01:29:34,700 and l'd say: ''Doesn't matter, you know, put it down.'' 1304 01:29:34,700 --> 01:29:37,200 They used to get upset about it, but... 1305 01:29:37,200 --> 01:29:40,000 if Jimi came in and saw somebody, he didn't like it. 1306 01:29:40,000 --> 01:29:42,600 He just didn't like you messing with that. 1307 01:30:01,300 --> 01:30:03,600 l'd say, ''What's happening?'' And he said: 1308 01:30:03,700 --> 01:30:05,900 ''l spoke to Mitch and he's coming back. 1309 01:30:06,300 --> 01:30:09,900 ''We're gonna get this new band together and we're gonna play Woodstock.'' 1310 01:30:09,900 --> 01:30:11,900 So we said, ''Yeah.'' 1311 01:30:11,900 --> 01:30:14,900 'Cause l was dying to get back with him, you know... 1312 01:30:14,900 --> 01:30:17,300 because about three, four months... 1313 01:30:17,300 --> 01:30:20,100 Mitch and l were just staying in England, not doing anything. 1314 01:30:20,100 --> 01:30:23,000 So we came over and we got all that one together. 1315 01:30:23,000 --> 01:30:26,100 But it was strange, it was really weird. 1316 01:30:26,100 --> 01:30:28,500 lt wasn't as happy as it used to be... 1317 01:30:28,500 --> 01:30:31,000 with the Experience. We did Woodstock. 1318 01:30:31,300 --> 01:30:35,600 We arrived, l don't know, at 1 :00 p.m., to go on at 8:00 p.m. 1319 01:30:35,900 --> 01:30:38,600 We didn't go on till 9:15 a.m. the next morning. 1320 01:30:38,600 --> 01:30:41,500 So you can imagine how everybody felt. 1321 01:30:41,500 --> 01:30:43,900 For a start, they felt really bad and tired... 1322 01:30:43,900 --> 01:30:46,400 and they went on, but they still did a great set. 1323 01:30:46,400 --> 01:30:50,000 But l was really glad that he didn't keep that band. 1324 01:30:50,000 --> 01:30:52,600 And then we went out again, with Jimi... 1325 01:30:52,800 --> 01:30:54,800 Mitch and Billy Cox. 1326 01:30:55,300 --> 01:30:58,100 And we did Europe with them. 1327 01:30:58,100 --> 01:31:00,600 We did some American dates as well. 1328 01:31:01,100 --> 01:31:03,800 When we made that movie, Rainbow Bridge.... 1329 01:31:06,700 --> 01:31:09,700 We went there and there was all these health-food freaks. 1330 01:31:09,700 --> 01:31:12,200 And l'm no health-food freak, you know? 1331 01:31:12,200 --> 01:31:15,100 And they were all up there meditating and stuff. 1332 01:31:17,600 --> 01:31:21,300 When Gerry and l arrived, there was no alcohol in the house... 1333 01:31:21,900 --> 01:31:24,200 there was no meat, just vegetables. 1334 01:31:24,200 --> 01:31:26,200 And we went berserk. 1335 01:31:26,200 --> 01:31:29,100 So we sent down.... The camera crew, and all that... 1336 01:31:29,100 --> 01:31:31,400 they couldn't wait till we got there. We went down... 1337 01:31:31,400 --> 01:31:34,100 got all this meat and all this booze. 1338 01:31:34,100 --> 01:31:37,200 Jimi had to sit down with them... 1339 01:31:37,200 --> 01:31:39,700 and eat all this seaweed and all this crap, you know? 1340 01:31:39,700 --> 01:31:42,000 Just didn't want to offend anybody. 1341 01:31:42,000 --> 01:31:45,200 And as soon as that was over, he'd come running up to us... 1342 01:31:45,200 --> 01:31:48,200 and we had the whole Kentucky Fried Chicken and stuff... 1343 01:31:48,200 --> 01:31:51,900 and he'd get drunk and go back to the house and try to be straight. 1344 01:31:52,300 --> 01:31:54,800 You know, it was just great. 1345 01:31:55,400 --> 01:31:58,100 We were going over to do the lsle of Wight... 1346 01:31:58,300 --> 01:32:00,300 and the group all went ahead... 1347 01:32:00,300 --> 01:32:03,200 and that was the opening of Electric Lady Studios. 1348 01:32:03,700 --> 01:32:06,300 So l stayed behind with Jimi.... 1349 01:32:09,300 --> 01:32:13,500 Because Mike Jeffries had promised he'd get us on the last flight no matter what. 1350 01:32:14,200 --> 01:32:16,600 But l'd still get hassled... 1351 01:32:16,600 --> 01:32:19,800 to get him out of that studio and into the limo... 1352 01:32:19,800 --> 01:32:21,700 and off to the airport. 1353 01:32:21,700 --> 01:32:25,200 We got to the airport and he was in an incredible mood. 1354 01:32:25,200 --> 01:32:28,200 The studio opened well, and he was just in a great mood. 1355 01:32:29,100 --> 01:32:32,300 And we got to the airport and as we went through... 1356 01:32:32,300 --> 01:32:34,700 the metal detector, l went through... 1357 01:32:34,700 --> 01:32:38,200 and Jimi came through and you know... 1358 01:32:38,200 --> 01:32:40,700 customs men and everybody, they used to always pick on him. 1359 01:32:40,700 --> 01:32:42,700 They knew who he was. 1360 01:32:42,700 --> 01:32:44,500 They used to say things like: 1361 01:32:44,500 --> 01:32:48,200 ''Wouldn't let my daughter get near him,'' and all that crap. 1362 01:32:49,100 --> 01:32:51,700 He went through and the man stopped him and said: 1363 01:32:52,100 --> 01:32:54,900 ''You got any metal on you?'' And Jimi said, ''No.'' 1364 01:32:54,900 --> 01:32:56,700 He says, ''Well, go back.'' 1365 01:32:56,700 --> 01:32:58,700 Jimi went back and came through again. 1366 01:32:58,700 --> 01:33:01,300 And he was wearing like skintight pants and... 1367 01:33:01,300 --> 01:33:03,300 a body shirt, it was obvious he wasn't wearing any. 1368 01:33:03,300 --> 01:33:06,600 The man says, ''l don't understand how come it goes.'' 1369 01:33:06,600 --> 01:33:09,900 Jimi says, ''lt's my metallic hair spray.'' 1370 01:33:09,900 --> 01:33:11,900 l just cracked up. 1371 01:33:11,900 --> 01:33:14,800 He cracked up but the old man didn't think it was too funny. 1372 01:33:14,800 --> 01:33:17,000 So we get on the plane and there was.... 1373 01:33:18,000 --> 01:33:20,700 lt was just about him and l. lt was a jumbo. 1374 01:33:21,200 --> 01:33:25,300 Him and l and about 13 other people in first class. 1375 01:33:27,100 --> 01:33:30,600 We had all those like, incredible, really nice-looking... 1376 01:33:30,600 --> 01:33:34,900 airline stewardesses, they took care of us all night. 1377 01:33:34,900 --> 01:33:37,800 He was just so happy. We watched a movie. 1378 01:33:37,800 --> 01:33:40,400 About two hours out of London, we fell asleep. 1379 01:33:40,900 --> 01:33:43,400 And we arrived in London... 1380 01:33:43,900 --> 01:33:47,800 lt was really great because he hadn't played London for two years. 1381 01:33:48,300 --> 01:33:50,800 And when we got off the plane... 1382 01:33:50,800 --> 01:33:52,800 all the press were there. 1383 01:33:52,800 --> 01:33:55,600 And l said, you know, ''They're here.'' 1384 01:33:55,600 --> 01:33:58,500 He'd get so scared, instantly he'd get so scared. 1385 01:33:58,500 --> 01:34:00,500 And l went to walk away... 1386 01:34:00,500 --> 01:34:02,500 and he pulled me back and says: 1387 01:34:02,500 --> 01:34:04,500 ''You stay here.'' You know, because... 1388 01:34:04,500 --> 01:34:07,700 he felt secure with some people. 1389 01:34:07,700 --> 01:34:11,100 There was a few people around him he could trust. 1390 01:34:12,100 --> 01:34:14,100 So l ended up with... 1391 01:34:15,800 --> 01:34:19,100 Looking at the papers and seeing my picture in some of them. 1392 01:34:19,400 --> 01:34:22,600 ln other ones, seeing Jimi, and they'd cut me out. 1393 01:34:23,300 --> 01:34:25,600 lt was really weird, some of the pictures. 1394 01:34:26,000 --> 01:34:28,300 He came out and he wasn't happy. 1395 01:34:28,300 --> 01:34:30,300 He said that the fuzz box was wrong. 1396 01:34:30,300 --> 01:34:32,400 We changed that after the first number. 1397 01:34:32,400 --> 01:34:35,300 For the second number he said the wawa pedal was wrong. 1398 01:34:35,300 --> 01:34:38,200 So we changed that and then we changed a couple of amps. 1399 01:34:38,200 --> 01:34:40,500 l remember him saying to the kids: 1400 01:34:40,900 --> 01:34:44,200 ''We'll stay all night here if we have to till we get it right.'' 1401 01:34:44,200 --> 01:34:46,200 And the kids were all just happy. 1402 01:34:46,200 --> 01:34:48,600 He played about two and a half hours that night. 1403 01:34:48,600 --> 01:34:50,700 lt was funny because... 1404 01:34:51,200 --> 01:34:53,500 he was playing down on his knees... 1405 01:34:53,500 --> 01:34:57,000 and he split his pants and he came round and he said: 1406 01:34:57,000 --> 01:34:58,900 ''Got a safety pin?'' 1407 01:34:58,900 --> 01:35:00,700 With all that volume. 1408 01:35:00,700 --> 01:35:03,200 l could normally hear ''fuzz box,'' ''wawa,'' ''amp''... 1409 01:35:03,200 --> 01:35:06,200 but ''safety pin'' was kind of hard. l went, ''What?'' 1410 01:35:06,200 --> 01:35:08,200 He said, ''Got a safety pin?'' 1411 01:35:08,200 --> 01:35:12,100 l said, ''Wait a minute,'' so he went back and he had like... 1412 01:35:12,100 --> 01:35:14,200 a big, long thing... 1413 01:35:14,200 --> 01:35:16,900 on one of his sleeves, so he was like hiding himself. 1414 01:35:17,100 --> 01:35:19,600 He came around and l said, ''l got a safety pin.'' 1415 01:35:19,600 --> 01:35:21,900 So he walked round the back of the amps... 1416 01:35:21,900 --> 01:35:24,300 and said, ''Put your hand here.'' 1417 01:35:24,300 --> 01:35:27,000 So l put my finger on it and he said, ''Just hit it.'' 1418 01:35:27,300 --> 01:35:29,900 So l was standing there just doing this while he's... 1419 01:35:30,300 --> 01:35:33,100 getting a safety pin and fixing his pants. 1420 01:35:33,100 --> 01:35:34,900 So he went out again... 1421 01:35:34,900 --> 01:35:37,200 and l remember a few of The Who were there... 1422 01:35:37,200 --> 01:35:39,700 John Wolff, their road manager... 1423 01:35:39,700 --> 01:35:41,800 Wiggy was just in hysterics... 1424 01:35:41,800 --> 01:35:44,400 me standing there and Jimi just grinning. 1425 01:35:44,400 --> 01:35:46,200 And he went back out and... 1426 01:35:46,200 --> 01:35:49,000 his face was beaming and he took off. He was just so happy. 1427 01:35:52,900 --> 01:35:56,000 At that time he had a house in Boiceville... 1428 01:35:57,000 --> 01:35:59,600 which is just outside of Woodstock... 1429 01:35:59,900 --> 01:36:02,200 and so l more or less moved in there. 1430 01:36:05,300 --> 01:36:08,200 We started playing every day. At that time it was just... 1431 01:36:10,500 --> 01:36:13,600 him playing guitar and myself playing percussion instruments 1432 01:36:15,400 --> 01:36:18,000 Later on, Billy Cox came... 1433 01:36:19,000 --> 01:36:21,400 it was, like, just three people. 1434 01:36:21,700 --> 01:36:24,700 At that time, the group was called, it wasn't... 1435 01:36:24,900 --> 01:36:28,400 Jimi wanted to change the name from the Jimi Hendrix Experience... 1436 01:36:28,400 --> 01:36:30,800 to the Gypsy Sons and Rainbows. 1437 01:36:30,800 --> 01:36:33,800 You know, a lot of people never caught that. 1438 01:36:33,800 --> 01:36:36,400 But it was introduced at the Woodstock festival... 1439 01:36:36,600 --> 01:36:39,200 like he said, ''Okay, folks, here we are. 1440 01:36:39,200 --> 01:36:41,800 ''Our new group is the Gypsy Sons and Rainbows.'' 1441 01:36:41,800 --> 01:36:45,400 He wasn't coming from the Jimi Hendrix Experience, which was... 1442 01:36:45,700 --> 01:36:48,300 closer to a cooperative group. After the festival... 1443 01:36:49,300 --> 01:36:51,300 that was dissolved. 1444 01:36:51,300 --> 01:36:53,300 The management... 1445 01:36:53,700 --> 01:36:57,200 felt that it was too many people, they didn't like the sound. 1446 01:36:58,200 --> 01:37:00,400 lt was too much of a change. 1447 01:37:26,000 --> 01:37:28,000 Okay, folks, here we are again. 1448 01:37:42,500 --> 01:37:45,500 Our new group is the Gypsy Sons and Rainbows 1449 01:37:48,100 --> 01:37:51,300 The last time l saw him was the morning before he went to England. 1450 01:37:51,600 --> 01:37:53,900 We had been in the studio all that evening. 1451 01:37:56,700 --> 01:37:59,300 He was just going to rest... 1452 01:37:59,300 --> 01:38:01,500 then he was leaving at 2:00 p.m. that afternoon. 1453 01:38:01,500 --> 01:38:04,200 That was about 7:00 a.m. 1454 01:38:04,700 --> 01:38:07,200 We were feeling pretty up because... 1455 01:38:07,400 --> 01:38:09,700 we had just done some.... 1456 01:38:09,700 --> 01:38:12,100 We had a nice night at the studio... 1457 01:38:12,300 --> 01:38:14,600 and felt fairly good about some of the things that had happened... 1458 01:38:14,600 --> 01:38:17,500 you know, that time, so... 1459 01:38:17,500 --> 01:38:19,900 it was a good feeling but a tired feeling. 1460 01:38:23,600 --> 01:38:25,900 At the time, most of the groups that were gaining acceptance 1461 01:38:26,400 --> 01:38:30,100 were white groups. 1462 01:38:30,600 --> 01:38:33,400 Very few of the groups had any black performers in them. 1463 01:38:36,100 --> 01:38:40,400 He was accepted in the white society, came back to a basically white society 1464 01:38:42,200 --> 01:38:45,100 played for a basically white audience 1465 01:38:47,000 --> 01:38:49,400 and l'm sure that it disturbed him a great deal. 1466 01:38:49,500 --> 01:38:52,800 l think it was very important for him to gain the acceptance 1467 01:38:53,300 --> 01:38:55,900 of the black audience... 1468 01:38:56,000 --> 01:38:59,100 of the black person in America because... 1469 01:38:59,800 --> 01:39:03,500 he came from that and he felt a great association with that. 1470 01:39:03,900 --> 01:39:06,100 He apologized for everything. 1471 01:39:06,100 --> 01:39:10,300 You kind of felt that his background was such that his mother made him 1472 01:39:10,300 --> 01:39:12,300 say thank you 1473 01:39:12,800 --> 01:39:14,800 and all the amenities. 1474 01:39:15,200 --> 01:39:17,200 l remember l used to make 1475 01:39:17,800 --> 01:39:19,700 a kind of paella, 1476 01:39:19,700 --> 01:39:24,300 which he loved, he used to come over and get it. lt was nothing. 1477 01:39:24,300 --> 01:39:26,700 But he'd come over here and he'd 1478 01:39:26,700 --> 01:39:29,100 have it and every time he went back for a plate of it 1479 01:39:29,100 --> 01:39:32,500 e would ask me whether it was all right for him to do it. 1480 01:39:32,500 --> 01:39:34,100 l once told him, 1481 01:39:34,300 --> 01:39:37,000 never to apologize to me, never to ask me, 1482 01:39:37,000 --> 01:39:39,100 whether it was all right to do anything. 1483 01:39:39,300 --> 01:39:41,300 But it never stopped. 1484 01:39:41,300 --> 01:39:42,900 And one day he... 1485 01:39:42,900 --> 01:39:45,100 l knew he was coming over, 1486 01:39:45,100 --> 01:39:46,900 and l decided to try something. 1487 01:39:46,900 --> 01:39:50,100 l looked out of the peephole of the door... 1488 01:39:51,600 --> 01:39:55,400 l opened it just as he got to the door and l said: 1489 01:39:55,400 --> 01:39:58,200 ''Excuse me, Jimi.'' And he said, ''Thank you.'' 1490 01:39:58,200 --> 01:40:00,800 lt was almost an immediate reaction. 1491 01:40:00,800 --> 01:40:03,400 lt was something that he didn't even think about. 1492 01:40:03,800 --> 01:40:07,600 l think that if you listen to the Star-Spangled Banner... 1493 01:40:09,100 --> 01:40:11,100 l think that's indicative. 1494 01:40:11,100 --> 01:40:13,100 There's a lot to be said about that. 1495 01:40:15,500 --> 01:40:18,600 That particular thing is a masterpiece to me... 1496 01:40:18,600 --> 01:40:20,600 because it... 1497 01:40:22,700 --> 01:40:27,300 kind of showed exactly how he felt about... 1498 01:40:27,500 --> 01:40:30,900 say, the country, the hypocrisy... 1499 01:40:32,600 --> 01:40:35,300 And, point of fact, l wish everybody... 1500 01:40:35,400 --> 01:40:38,000 could sing the Star-Spangled Banner without accompaniment. 1501 01:40:38,200 --> 01:40:41,200 And then they would understand a little bit more, l think... 1502 01:40:41,300 --> 01:40:43,400 about what that... 1503 01:40:44,400 --> 01:40:46,200 disastrous piece of music, 1504 01:40:46,200 --> 01:40:50,100 if you want to call it that, really means. 1505 01:44:33,600 --> 01:44:37,000 -When did you first... -ln '68. 1968. 1506 01:44:40,600 --> 01:44:43,400 lt's when we became very good friends. 1507 01:44:44,300 --> 01:44:46,300 Traveled together. 1508 01:44:49,200 --> 01:44:51,800 l went on an American tour with him. 1509 01:44:53,300 --> 01:44:56,100 And he came to Morocco for vacation. 1510 01:44:56,800 --> 01:45:00,200 When l first met him he was quite outrageous... 1511 01:45:00,200 --> 01:45:02,600 and then, obviously, started growing. 1512 01:45:02,600 --> 01:45:05,000 You know, he never stopped growing... 1513 01:45:05,000 --> 01:45:09,700 he just sort of started settling down and became more subtle about his clothes. 1514 01:45:12,700 --> 01:45:15,000 But he had very good taste. 1515 01:45:15,000 --> 01:45:18,500 He knew exactly what looked good on him and what didn't. 1516 01:45:19,700 --> 01:45:21,700 He had very good taste. 1517 01:45:23,700 --> 01:45:25,700 ln his own way. What he could wear, 1518 01:45:25,700 --> 01:45:27,900 nobody else could wear... 1519 01:45:28,400 --> 01:45:30,400 l don't think. 1520 01:45:32,200 --> 01:45:36,300 But we did the jacket that he was wearing in Woodstock. 1521 01:45:36,300 --> 01:45:38,300 We did that for him. 1522 01:45:40,000 --> 01:45:43,000 That suit that he was wearing New Year's Eve at the Fillmore... 1523 01:45:43,000 --> 01:45:46,400 we did that for him. A lot of other clothes. 1524 01:45:46,700 --> 01:45:48,800 The last time l saw him 1525 01:45:49,100 --> 01:45:52,700 was for the opening night of his studio on 8th Street. 1526 01:45:53,700 --> 01:45:57,100 He was going to London. 1527 01:45:58,100 --> 01:46:00,100 And he said: 1528 01:46:00,600 --> 01:46:03,900 ''l'm gonna die before l'm 30 years old.'' 1529 01:46:05,400 --> 01:46:09,100 And l said, ''l can't stand it when you talk like that, Jimi.'' 1530 01:46:09,100 --> 01:46:11,300 And he just laughed. 1531 01:46:14,500 --> 01:46:18,300 l just could not understand for myself why Jimi... 1532 01:46:19,000 --> 01:46:21,200 was so unrecognized. 1533 01:46:21,200 --> 01:46:24,600 And l wanted very much for him to make records... 1534 01:46:24,600 --> 01:46:29,000 so that l could play them on my record player at home. 1535 01:46:57,400 --> 01:47:01,000 l brought all the love letters and l sat and read them to him. 1536 01:47:01,000 --> 01:47:03,100 And every time... 1537 01:47:03,100 --> 01:47:06,200 we'd get to a particular part, he'd go over his little thing. 1538 01:47:06,200 --> 01:47:08,500 ''Did l say that?'' Or something like that. 1539 01:47:08,500 --> 01:47:10,900 But then at the end... 1540 01:47:10,900 --> 01:47:14,700 we would talk about what led up to that letter and stuff... 1541 01:47:14,700 --> 01:47:17,300 without him even going off. 1542 01:47:59,500 --> 01:48:03,500 К этому времени Джими уже должен был быть убит, 1543 01:48:04,000 --> 01:48:08,500 но планы мистической, предсказанной пять лет назад смерти 1544 01:48:08,500 --> 01:48:10,400 были сорваны 1545 01:48:10,400 --> 01:48:13,200 Джими уехал на съёмки 'Rainbow Bridge' 1546 01:48:13,700 --> 01:48:16,500 Убийство планировалось на конец июля, 1547 01:48:16,500 --> 01:48:20,500 запись 'Баллады о Джими' была завершена 31 июля 1965 1548 01:48:20,500 --> 01:48:24,500 в конце есть слова: "Он не ушёл, он просто умер" 1549 01:48:28,100 --> 01:48:32,300 а может убийцы понадеялись на жаркое лето, 38 Цельсия в тени? 1550 01:51:26,900 --> 01:51:30,000 We did lsle of Wight and then went to the Continent. 1551 01:51:30,000 --> 01:51:32,000 And he died two weeks later. 1552 01:51:32,200 --> 01:51:35,300 People say it was intentional or... 1553 01:51:35,300 --> 01:51:36,600 No way was it 1554 01:51:36,600 --> 01:51:37,900 intentional. 1555 01:51:37,900 --> 01:51:39,100 No way, 1556 01:51:39,100 --> 01:51:41,000 he was just so happy. 1557 01:51:41,000 --> 01:51:43,000 lt was just an accident. 1558 01:51:43,000 --> 01:51:45,000 l miss his presence, 1559 01:51:45,000 --> 01:51:46,200 but, you know... 1560 01:51:46,200 --> 01:51:49,000 he still left so much beauty that... 1561 01:51:49,000 --> 01:51:50,900 l can't cry... 1562 01:51:51,000 --> 01:51:53,200 or l can't be remorseful. 1563 01:51:53,600 --> 01:51:57,000 He was a great loss to the whole world. 1564 01:51:57,300 --> 01:51:59,000 lt was too bad... 1565 01:51:59,000 --> 01:52:01,800 that in his youth he was cut down, but.. 1566 01:52:01,800 --> 01:52:04,000 maybe the man... 1567 01:52:04,000 --> 01:52:06,000 upstairs knew best... 1568 01:52:06,300 --> 01:52:08,900 and as l told him... 1569 01:52:09,400 --> 01:52:11,900 l'm not fanatical about religion but that... 1570 01:52:11,900 --> 01:52:14,100 is what the Bible says. 1571 01:52:14,100 --> 01:52:17,800 You rejoice when they leave here and cry when they come... 1572 01:52:17,800 --> 01:52:19,400 because of the conditions in the world. 1573 01:52:19,400 --> 01:52:21,300 The man upstairs thought 1574 01:52:21,300 --> 01:52:24,000 that he fulfilled what he had to do on this Earth. 1575 01:52:24,500 --> 01:52:26,500 That's why l always... 1576 01:52:27,400 --> 01:52:29,300 just keep it to myself, 1577 01:52:29,300 --> 01:52:31,000 my own thoughts about... 1578 01:52:31,000 --> 01:52:32,300 his death. 1579 01:52:32,300 --> 01:52:34,900 l mean it just... 1580 01:52:34,900 --> 01:52:36,900 don't jive. 1581 01:52:37,000 --> 01:52:38,800 When he died... 1582 01:52:38,800 --> 01:52:42,300 apart from a big piece of our lives going away... 1583 01:52:42,300 --> 01:52:46,400 a big chunk of musical history sort of suddenly disappearing... 1584 01:52:46,400 --> 01:52:50,000 it was very hard to come back in again and try and mix... 1585 01:52:50,000 --> 01:52:52,000 tapes that he'd previously done. 1586 01:52:52,000 --> 01:52:54,000 lt took me about two, three months... 1587 01:52:54,000 --> 01:52:56,100 to get the courage up to take the tapes out 1588 01:52:56,100 --> 01:52:58,100 and play them again. 1589 01:52:58,100 --> 01:53:00,000 lt was hard. 1590 01:53:00,000 --> 01:53:03,400 We always feel that Jimi's presence is here. 1591 01:53:04,100 --> 01:53:06,900 Wherever we are, we know he's here. 1592 01:53:06,900 --> 01:53:08,400 When l mix his tapes... 1593 01:53:08,400 --> 01:53:09,600 l can feel it. 1594 01:53:09,600 --> 01:53:11,800 l can feel his presence very strongly. 1595 01:53:13,300 --> 01:53:15,600 'Dolly Dagger', probably took... 1596 01:53:19,200 --> 01:53:21,300 l think he cut it twice. 1597 01:53:21,800 --> 01:53:23,700 This was the second time he cut it. 1598 01:53:23,700 --> 01:53:27,000 He cut a rough version of it, l think, at the Record Plant. 1599 01:53:27,000 --> 01:53:29,000 And then when the studio was finished and built... 1600 01:53:29,500 --> 01:53:31,100 we came and cut it. 1601 01:53:31,100 --> 01:53:33,100 l think the track was cut in one evening. 1602 01:53:33,100 --> 01:53:36,300 This whole long section, 1603 01:53:36,800 --> 01:53:39,800 as you can see, it goes on and on. 1604 01:53:44,000 --> 01:53:46,000 Here comes Dolly * 1605 01:53:46,800 --> 01:53:48,100 Dagger * 1606 01:53:49,000 --> 01:53:52,000 Her love’s so heavy, gonna make you stagger * 1607 01:53:52,000 --> 01:53:53,600 Dolly What l'm going to do here is, 1608 01:53:53,600 --> 01:53:55,400 Dagger, l'm going to show you... 1609 01:53:55,400 --> 01:53:56,100 she drinks her blood from a jagged edge... * 1610 01:53:56,100 --> 01:53:58,200 she drinks her blood from a jagged edge... how Dolly Dagger was broken down. 1611 01:53:58,200 --> 01:53:59,000 she drinks her blood from a jagged edge... * 1612 01:53:59,000 --> 01:54:01,500 l'll show you how it's broken down 1613 01:54:01,500 --> 01:54:03,500 into bass, drums... 1614 01:54:03,500 --> 01:54:05,500 guitar, Jimi's basic rhythm guitar. 1615 01:54:06,900 --> 01:54:11,600 One of the lead vocal tracks was put on at the same time as the guitar was put on. 1616 01:54:13,500 --> 01:54:15,400 There's percussion... 1617 01:54:15,400 --> 01:54:17,300 at the same time as the basic track was cut. 1618 01:54:17,300 --> 01:54:19,300 Then there was a lot of overdubbing. 1619 01:54:19,300 --> 01:54:23,700 Fuzz bass, extra percussion tracks, another lead guitar track... 1620 01:54:24,400 --> 01:54:27,600 drum overdubs, foot stomping, background voices... 1621 01:54:28,900 --> 01:54:30,800 Here's the drums. 1622 01:54:38,500 --> 01:54:40,400 And now the bass which is taken direct. 1623 01:54:42,300 --> 01:54:44,400 Direct feed from the bass guitar 1624 01:54:44,700 --> 01:54:47,500 right into the console. 1625 01:54:47,500 --> 01:54:51,200 And there's an amplifier track, which is usually quite distorted... 1626 01:54:51,200 --> 01:54:54,200 but we use it for that effect. 1627 01:54:54,200 --> 01:54:56,200 And in Jimi's basic guitar... 1628 01:55:00,600 --> 01:55:04,200 which is taken in stereo as a direct feed on his guitar and an amp feed. 1629 01:55:04,200 --> 01:55:06,400 Here's the direct which is very clean. 1630 01:55:08,600 --> 01:55:11,200 And you can hear the difference between that... 1631 01:55:11,400 --> 01:55:13,200 and this. 1632 01:55:15,000 --> 01:55:17,500 And in stereo, it sounds pretty neat. 1633 01:55:17,500 --> 01:55:19,500 We have the bass back in. 1634 01:55:20,400 --> 01:55:24,100 See, the bass and the guitar... 1635 01:55:24,100 --> 01:55:27,000 are playing basically the same line together. 1636 01:55:27,000 --> 01:55:29,200 This, kind of, locks the rhythm in. 1637 01:55:29,800 --> 01:55:32,900 At the same time, we have this percussion track going on. 1638 01:55:35,700 --> 01:55:37,700 As well as a conga track. 1639 01:55:41,900 --> 01:55:43,800 This is cut live. 1640 01:55:44,000 --> 01:55:46,800 Pretty good separation. Thank you, Electric Lady. 1641 01:55:47,200 --> 01:55:49,400 There's a plug if ever l heard one. 1642 01:55:52,900 --> 01:55:56,700 Now we'll try and find the fuzz bass guitar overdub. 1643 01:55:57,700 --> 01:55:59,600 lf we can find it. 1644 01:56:03,000 --> 01:56:05,900 No, hasn't come up yet. lt'll be somewhere around. 1645 01:56:05,900 --> 01:56:07,900 Here's the lead guitar. 1646 01:56:09,400 --> 01:56:12,200 Jimi... 1647 01:56:12,400 --> 01:56:15,000 put on a lead vocal at the same time as 1648 01:56:15,200 --> 01:56:19,000 putting on this lead guitar so he'd get into the mood of the vocal 1649 01:56:19,100 --> 01:56:21,100 as well as putting on the guitar. l'll split it up for you. 1650 01:56:25,100 --> 01:56:27,100 That's the leakage you're hearing. 1651 01:56:27,200 --> 01:56:29,600 Jimi standing in the studio with a huge bank of Marshalls. 1652 01:56:29,800 --> 01:56:34,000 Plus there a vocal mike on him, too. So you're hearing that on this vocal mike. 1653 01:56:36,300 --> 01:56:38,300 Here's the fuzz bass. 1654 01:57:01,500 --> 01:57:04,400 l'm just going to wind back and find the point... 1655 01:57:05,000 --> 01:57:08,600 where the backup vocals come in. That was yet another overdub. 1656 01:57:18,500 --> 01:57:21,800 Jimi is singing in there with the Ghetto Fighters. 1657 01:57:23,300 --> 01:57:25,300 Here comes burnt-out Superman * 1658 01:57:25,300 --> 01:57:26,300 tryin' to shoot his dust off.... * 1659 01:57:26,300 --> 01:57:27,300 tryin' to shoot his dust off.... And another vocal track which we never used. 1660 01:57:27,300 --> 01:57:28,700 And another vocal track which we never used. 1661 01:57:31,100 --> 01:57:33,100 Back to the old conga track. 1662 01:57:37,000 --> 01:57:39,600 Here's the footstomping track we have that was interesting. 1663 01:57:39,600 --> 01:57:41,600 l'll add some echo to it. 1664 01:58:16,100 --> 01:58:19,300 There's a nice line in there, a tribute to Devon. 1665 01:58:20,200 --> 01:58:22,800 Jimi says.... You'll hear it. l'll play it you. 1666 01:58:22,800 --> 01:58:25,300 l'll pull the tracks down so you can hear what he's saying. 1667 01:58:25,300 --> 01:58:27,900 'Cause Devon was in the control room at the same time. 1668 01:58:27,900 --> 01:58:31,200 l think this song was obviously dedicated to her. 1669 01:58:31,700 --> 01:58:32,700 Here it is. 1670 01:58:32,700 --> 01:58:33,500 Watch out, Devon Here it is. 1671 01:58:33,500 --> 01:58:34,100 Watch out, Devon * 1672 01:58:35,400 --> 01:58:37,600 Give me a little bit of that heaven * 1673 01:58:39,200 --> 01:58:41,200 lt's kind of a nice touch. 1674 01:58:52,800 --> 01:58:54,100 Dolly 1675 01:58:54,900 --> 01:58:56,200 everybody 1676 01:58:56,900 --> 01:58:58,900 get it on, get it on, get it on 1677 01:59:00,500 --> 01:59:01,800 Dolly 1678 01:59:02,500 --> 01:59:03,800 everybody 1679 01:59:04,400 --> 01:59:06,400 get it on, get it on, get it on 1680 01:59:07,900 --> 01:59:09,200 Dolly 1681 01:59:09,800 --> 01:59:11,100 everybody 1682 01:59:11,700 --> 01:59:13,700 get it on, get it on, get it on 1683 01:59:16,000 --> 01:59:18,500 As you can see, it's a very complex track. 1684 01:59:19,600 --> 01:59:21,600 Many layers of sounds... 1685 01:59:22,200 --> 01:59:25,300 and Jimi's lead guitar somehow floats through the whole thing... 1686 01:59:25,300 --> 01:59:27,300 and locks it all together. 1687 01:59:28,300 --> 01:59:32,300 Когда открыли коробки с киноплёнками, на которых была надпись: 1688 01:59:32,300 --> 01:59:36,300 "Hendrix Performance from the july 4, 1970 Atlanta Pop Festival" 1689 01:59:39,300 --> 01:59:42,100 эмульсия буквально спрыгивала с целлулоида 1690 01:59:42,100 --> 01:59:44,800 Изображение реставрировали покадрово, 1691 01:59:44,800 --> 01:59:47,900 на это ушло почти 1500 часов невероятных усилий 1692 01:59:47,900 --> 01:59:53,100 Звуковую дорожку восстановил Eddie Kramer, создав из праха Dolby 5.1 1693 01:59:53,100 --> 01:59:56,100 к 2005 году работа была завершена 1694 02:00:15,100 --> 02:00:17,100 Everyday in the week 1695 02:00:17,100 --> 02:00:19,100 I'm in a different city 1696 02:00:21,500 --> 02:00:23,800 If I stay too long people try 1697 02:00:24,100 --> 02:00:25,300 to pull me down 1698 02:00:26,300 --> 02:00:28,400 They talk about me like a dog 1699 02:00:28,400 --> 02:00:30,400 talkin' about the clothes I wear 1700 02:00:31,900 --> 02:00:33,900 But they don't realise 1701 02:00:33,900 --> 02:00:35,900 they're the ones who's square 1702 02:00:37,000 --> 02:00:38,000 And that's why 1703 02:00:39,700 --> 02:00:41,600 you can't hold me down 1704 02:00:42,800 --> 02:00:44,600 I don't want to be tide down 1705 02:00:45,500 --> 02:00:47,100 I gotta move 1706 02:00:47,500 --> 02:00:48,500 Hey 1707 02:00:48,500 --> 02:00:50,300 I said stone free 1708 02:00:50,300 --> 02:00:51,700 do what I please 1709 02:00:51,700 --> 02:00:54,600 stone free to ride the breeze 1710 02:00:54,600 --> 02:00:57,500 stone free, baby I can't stay 1711 02:00:57,500 --> 02:00:59,400 I got to got to got to get away 1712 02:01:08,300 --> 02:01:09,300 Listen here baby 1713 02:01:10,500 --> 02:01:13,600 A woman here, a woman there try to keep me 1714 02:01:13,600 --> 02:01:15,000 in a plastic cage 1715 02:01:16,500 --> 02:01:18,500 But they don't realise 1716 02:01:18,500 --> 02:01:20,600 it's so easy to break 1717 02:01:20,600 --> 02:01:24,400 yeah buta sometimes I get a ha feel my heart 1718 02:01:25,000 --> 02:01:26,000 kind a gettin' hot 1719 02:01:26,000 --> 02:01:27,200 You know I mean? 1720 02:01:27,200 --> 02:01:29,200 That's when I got to move 1721 02:01:30,100 --> 02:01:31,800 before I get caught 1722 02:01:31,800 --> 02:01:33,400 I know this and the is why 1723 02:01:35,300 --> 02:01:37,200 you can't hold me down 1724 02:01:37,900 --> 02:01:39,900 I don't want to be tied down 1725 02:01:40,800 --> 02:01:42,100 I gotta move on 1726 02:01:43,600 --> 02:01:45,600 I said stone free 1727 02:01:45,600 --> 02:01:46,900 Do what I please 1728 02:01:47,200 --> 02:01:50,200 stone free to ride the breeze 1729 02:01:50,200 --> 02:01:52,700 stone free I can't stay 1730 02:01:53,400 --> 02:01:54,600 got to get away 1731 02:01:58,600 --> 02:02:00,800 tear me loose 1732 02:02:05,000 --> 02:02:08,000 Джими играл перед самой большой аудиторией 1733 02:02:08,500 --> 02:02:11,500 600 тысяч слушателей (!) 1734 02:02:12,000 --> 02:02:15,000 в это лето на нашей планете 1735 02:02:15,500 --> 02:02:18,500 стояла нестерпимая жара 1736 02:02:19,000 --> 02:02:22,500 4 июля было 38 Цельсия в тени (!) 1737 02:04:35,000 --> 02:04:37,500 Stone free to ride on the breeze 1738 02:04:37,500 --> 02:04:40,000 Stone free do what I please 1739 02:04:40,700 --> 02:04:43,200 Stone free I can/t stay 1740 02:04:43,700 --> 02:04:45,700 I got to I got to get away 1741 02:04:46,300 --> 02:04:49,300 Stone free go on down the highway 1742 02:04:52,000 --> 02:04:54,900 Stone free don/t try to hold me back baby 1743 02:04:58,000 --> 02:05:00,000 Stone free got to baby 140772