Original subtitles

(dramatic orchestral music)

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(light orchestral melody)

* I am a lone and angry man

* Drifting like the shifting sand

* My fate's to die with gun in hand

* For revenge

* This evil world has done me wrong

* Now there's no place where I belong

* The only thing for which I long is revenge

* Each man must have a love

* And so had I

* A love so good it made me cry

* To think of all past deeds I'd done

* But it's a man who takes, but never gives

* And soon my lover's life was his

* Since then, I trust in nothing but my gun

* I was a fool not to have known

* But I was born to die alone

* So all that's left to call my own is revenge

* Alone for all eternity

* That's the life that's left for me

* Until I die and I'm set free

* I am free

* From revenge

(light guitar melody)

(horses galloping) (guns firing)

- Hyah!

(horses galloping)

(water splashing)

(man shouting)

(guns firing)

(guns firing)

(man yells)

(trumpet blares)

(horses galloping)

(guns firing) (man grunts)

(men laugh)

(gun fires)

- There's gold there for everyone.

Start unloading it.

(men laugh)

(trumpet blares)

(horses galloping) (guns firing)

- It was Lupe Rojo.

(dramatic music)

(bold orchestral music)

(horses galloping)

(light guitar melody)

(light harmonica melody)

(horse snorts)

(light harmonica melody)

- Bourbon.

(groans)

- I've just been askin' myself where I've seen you.

- You have, huh? You get any good answers?

- Come off it, cowboy.

I'm just tryin' to be polite to ya.

Anyway, you look to me as maybe if

you've been havin' a pretty hard time.

- Yep. If you don't mind, save your sympathy.

- Shenandoah!

Well, this sure is a surprise.

How ya doin' and where ya headin', huh?

- Listen, let's go some place private.

- What's the matter? Something wrong?

Come out to my ranch, if you want.

- Yeah, come on.

- This in's paid for, ain't it?

Funny sort of fella that one, wasn't he?

Listen, you don't think he might be

one of them there bandits, do ya?

- If you think he's one of the gang,

why didn't you shoot him?

- If I was 10 years younger, I would.

(woman chuckles) (man scoffs)

(suspenseful violin melody)

- Hey, Murdock, what time is it?

- It's nine o'clock.

- All right, boys.

We all know the set up of the bank down in Richmond.

At midnight, you four can begin.

The rest of us will be standing by,

but we won't interfere unless something goes wrong.

Is that clear? Then, get going.

(lively piano music) (women shouting)

(men cheering and talking indistinctly)

(lively piano music)

(women shouting)

(lively piano music)

(crowd cheers)

(men laughing in background)

(bangs on bar) - Whiskey.

(lively piano music in background)

Where's Lulu Belle?

Another one.

Mm.

I'll pay tomorrow.

- Hey, bartender.

- You mind givin' me a light, stranger?

Thank you.

- Hey, hey, that's my cigar.

(door creaks)

- Don't you know you're suppose to knock

before you walk into a lady's bedroom?

- I always knock before I walk into a lady's bedroom.

(man laughs)

I ain't got no money. (Lulu scoffs)

But all the same, I feel my luck would be with me tonight.

- What'll it cost me to get rid of ya this time?

- Can you let me have 50 dollars?

(perky piano music in background)

- Here, 20's more than you're worth.

- Thanks.

Tomorrow, I'll give it back to ya, huh?

(Lulu scoffs)

- Sure you will.

Get out.

(man chuckles)

(upbeat piano music) (people talking indistinctly)

- Bourbon.

- Oh, howdy, stranger.

I wanna thank you for that drink

you left on the counter this afternoon.

I drank it to your health, of course.

If you offer me another,

I'd be glad to drink your health again.

- Another bourbon.

- Say, stranger, you out here lookin' for gold?

- You know where to find any?

- Oh, (chuckles) I wish I did.

(laughs) That's a good one.

No, I'm just a poor old man.

My name's Slim. What's yours?

- Hey, give me a brandy.

Bourbon's for cheapskates.

- My name is Shenandoah.

- That ain't your real name, I figure.

- Figure what you please.

- How'd you get that name? You don't sound like a Virginian.

- You're a little too inquisitive, grandpa.

(Slim chuckles)

(glass clinks)

- Watch yourself, clumsy. You spilled my drink.

(upbeat piano music in background)

- This'll get you another.

- Mulligan talks a little loud when he's upset, stranger.

But uh, don't let him worry ya.

- I wasn't worried.

- I imagine you wouldn't wanna lose

any of this at poker, hmm?

- No, but I wouldn't mind winnin' some more,

if you can afford it.

- (chuckles) Spoken like a true Southerner.

- Well, if you wanna make some money,

there's a poker table right over there.

- Watch out for those two.

If you need any help, just shout.

- (laughs) Thanks, granddad.

- Shove off.

- Come on, you're finished.

Move it.

Sit down.

(upbeat piano music in background)

- 10 dollars is the ante.

- I think I know your face.

- You do?

I'm pretty sure we never met.

(people talking indistinctly in background)

- I pass.

- I pass.

- I pass.

- I open.

- Call.

- Raise ya.

- I'm out.

- I raise you.

- Fold.

- [Man] Card?

- Yeah, one card.

- Well?

- 100 dollars.

- 200.

- 300.

- I'm calling.

- Four kings.

- Four aces.

(people talking indistinctly in background)

(cheerful piano music)

- I pass.

- I open.

- Stay.

- I raise.

- Raise again.

- I fold.

- Call.

- Call.

- [Shenandoah] I'll play these.

- One card.

- [Man] What?

- You made a small mistake.

You have to deal off the top.

(table clatters) (gun fires)

(cheerful piano music)

(men grunt)

(dramatic piano music)

(men groaning)

(dramatic piano music)

(men grunting)

- Ah, these young fellas don't fight the way we use to.

Two cents, I'd join in, I would.

(men grunting)

(dramatic piano music in background)

(piano clatters)

(man groans)

(men grunting)

(dramatic piano music)

(men grunting)

(Lulu scoffs)

(people talking indistinctly)

- Let's get on with the game.

It's your deal.

- I'm through for the day.

(people talking indistinctly)

- Uh.

- Out.

- I think we should keep an eye on him.

- He's totin' a pretty big wad of dollars.

- That's why I'm interested.

They're counterfeit.

(people talking indistinctly in background)

(light harmonica melody) (Slim yawns)

(Slim snores)

- Well, it's time to go, boys.

Come on.

(suspenseful orchestral music)

(gun fires)

- What's that?

- It's them! They need help!

Come on!

- Hyah! (horses galloping)

(gun fires)

(men shouting in distance) (guns firing)

(dramatic orchestral music)

(guns firing)

- The other window.

(gun fires)

(guns fire)

(man groans)

- Murdock, Krueger, Mulligan, Damon!

(guns firing)

(horses galloping) (guns firing)

(guns fire)

(gun fires) (men shout indistinctly)

(guns firing)

- Look in the cash drawer.

- This one is empty.

- So it this one.

Where is the safe?

- In there.

- Open it, or I'll blow your brains out.

(man grunting) (guns firing in distance)

- I can't. I don't know the combination.

(man grunts)

Don't hit me again. I'll open it.

(man grunts)

- Hurry up!

(guns firing in distance)

(man groans)

(guns firing in distance)

(horses galloping) (guns firing)

- Let's hit the trail.

(man groaning)

(gun fires) (man laughs)

(guns firing)

(Slim shouts)

(guns firing)

- Now, where'd I put that gall darn bullet?

I know I had one here somewhere.

Yes sir, here we are. Kept it ever since the war.

Goes in like this.

Wait, wait, where ya goin'?

I'm not finished with ya, yet!

Wait, stop!

I'll get that little one before he can get to his horse.

(gun fires) (man grunts)

(Slim chuckles)

There! That'll learn ya.

(man grunting)

By the trumpets Jerico, that's Shenandoah.

I figured he was up to somethin'.

(suspenseful violin melody)

(Slim scoffs)

Yes, siree. In this life, you can't never trust nobody.

Take my advice, Lulu Belle, don't never trust nobody.

- That was Shenandoah.

- You saw him, too, huh?

Didn't I tell ya he was one of them bandits?

- Yep, but don't tell anyone else.

- Wild horses couldn't drag it outta me.

What do you think I am, a gossipy old woman?

(people talking indistinctly)

(crowd shouting)

- Quiet, everybody! Let me speak.

Quiet!

You have nothing to worry about.

The Central Bank intends to honor every claim.

All of your money will be paid.

Take my word for it, friends. Your money is safe.

Now go home and stop worrying.

Everything is all right.

Tomorrow, the bank will be open for business as usual.

Go on home. (crowd murmuring)

- Howdy, Wilson. - [Wilson] How are ya, Slim?

- God darn it, Jane, every time I see you,

it's like lookin' at a ghost.

You're a spittin' image of your mother.

She was the most beautiful woman in the whole West.

(both laugh)

- Here, Slim. Fill up your pipe.

- (laughs) Thank ya, thank ya. That's mighty kind of ya.

I bet you come like everybody else

to see what happened to you money.

- No, no. My money's nice and safe where I left it.

I don't keep it anywhere, except out in the ranch.

Ho! - [Slim] You're like me,

I don't have nothin' to do with banks.

By the way, Wilson,

Lulu Belle tells me you're a pretty good friend

of that fella that goes by the name of Shenandoah.

- (chuckles) And what if I am?

- Oh, nothin'.

I just thought you might like to know

that after the robbery,

he rode off with Lupe and the bandits.

- That's mighty interestin'.

- You have to get up pretty early in the mornin'

to put anything over on 'ol Slim.

I tell you, the minute I saw him, I said to myself,

"That man is a bandit. He's not to be trusted."

- Many thanks for your advice.

Uh, may I have my tobacco?

- Oh, excuse me. I plum forgot all about it.

- (chuckles) Get up there!

- Hey, I ain't got no matches! Hey!

(Wilson laughs)

- Who was Slim talkin' about?

- Oh, just someone I knew a long time ago.

- I'm sure you're tryin' to hide something from me, papa.

- Never mind, I'll explain everything to you some day.

Hyah!

(horses galloping)

- Thank goodness you're back, sheriff.

They got away with everything. Everything!

And they killed two of my men.

You better not leave town anymore, sheriff.

Now that Lupe Rojo has us in his sights,

we're in real danger.

- Me and my deputy were out tryin' to find their hideout.

I'm sure they know we're after them.

Now, don't you worry.

They'll make a mistake sooner or later

and we'll get 'em then.

- Well, what did Wilson say?

- You know, Lule Bell, in this desert air,

my throat's so doggone dry I can't get a word out.

- Hey, Sam, a shot of bourbon.

- Eh, he wouldn't say anything,

but I'm sure he knows who Shenandoah is

and why he came here.

If I was a young man, I'd make him talk.

Now, I'm gonna tell the sheriff.

- No. I don't want you to say a word about it to anyone.

- Oh, Lulu Belle, I can keep a secret.

(suspenseful orchestral music)

(light guitar melody)

- I wouldn't trust him.

For my money, he's come here to spy on us.

- Yeah, well then who do you think he's spying for?

He was carrying a wad of counterfeit money

from the press at Jacksonville.

And Krueger recognized him.

And he saved Chester

while the rest of you were running away.

What else do you want?

- I still say he's a spy.

Would he be that foolish

as to come here openly, all by himself?

I doubt it because he doesn't seem that stupid.

Does he, Murdock?

(Murdock laughs)

- What about the way the rest of ya joined?

You all had to start somewhere.

And what were you before?

Crooked gamblers, swindlers, jail birds,

murderers, horse thieves.

Only to hear ya talkin' now,

you sound more like a buncha Sunday School teachers

than a gang of bank robbers.

- We'll see.

Tell us some more.

- I'm beginnin' to get bored, Lupe.

- Yeah, well you don't have to worry

'til you begin to bore us.

- Oh?

I robbed the Central Bank at Dry Stone, alone.

(Shenandoah chuckles)

- You pulled that job at Dry Stone, is that right?

Then, I'll ask you a question.

If you are really the man that you pretend you are,

you'll know the right answer.

But you remember,

if you've been lying to us, you'll be sorry for it.

We'll make you wish you've never been born.

This is the question,

where did you hide the money after the robbery?

(light guitar melody)

- Does this mean that you found the hidin' place?

- Of course.

Now, where was it hidden?

- So, you found the money, did you?

Good for you, Lupe.

It was hidden in a cave on the Mesa Grande.

Near a rock shaped like a skull.

(gun fires)

(Lupe laughs)

- You sure know how to stay cool, Shenandoah.

I can use a man like you,

but first, we'll put on a little show for the boys.

- And what kind of show do they find entertainin'?

- I can handle this, Lupe.

- All right, lawyer.

You can explain everything to him, nice and legal like.

- Krueger the lawyer, of course.

Jerry Krueger, I thought so.

- What exactly did you think?

- You were a lawyer in Houston,

'til you were disbarred for unprofessional conduct.

- Forget about it.

Understand me, huh?

- But we're all in the same boat, aren't we?

What's the difference?

- (grunts) That's right, Shenandoah.

What's the difference?

Come on, boys. Come on out and have a little fun.

Come on, everybody.

(light guitar melody)

(cicadas chirping in background)

(light guitar melody)

- Your turn, Mulligan. Well?

- I'm ready for him.

- You want another lesson, eh, Mulligan?

(Murdock grunts and laughs)

- Well, you'd better not tease him, Shenandoah.

It only makes him bad tempered.

And you see, you and Mulligan

have to play a little game called Hunt the Indian.

- I don't mind what game we play,

longs it entertains the boys.

- But I prefer to pick my own pistol.

- He's right. Help yourself.

- If we're going to play for keep, I'll use my own gun.

- Hold on! Eh.

(light guitar melody)

- Now, the way you play is this,

you two head in opposite directions in the valley

'til I fire the starting signal.

Then, you hunt each other.

Naturally, Mulligan knows he may die.

He don't care

because one of the virtues

of our community is it's exclusive.

We don't accept everyone.

Of course, Mulligan's been with us a long time

and it's only fair to give him a little advantage.

He's gonna have 12 bullets. You only have two.

It you survive this test,

we make you a member of Lupe's gang with full rights.

And if Mulligan wins,

you just aren't the right type, are you?

(cicadas chirping in background)

- Come on.

- That sack of dollars that Shenandoah said he hid in a cave

on the Mesa Grande,

you said that you found 'em, didn't ya?

What's the big idea of not sharin'?

- (laughs) But I've never been in a cave

in the Mesa Grande in my life.

- Huh. You mean you believed Lupe?

(rocks clattering)

(cicadas chirping in background)

(spurs clatter)

(cicadas chirping in background)

(gun fires)

(dramatic guitar music)

(grunts)

(dramatic guitar music)

(holster clatters)

(dramatic guitar music)

(lizard hisses)

(gun fires)

(dramatic guitar music)

(cicadas chirping in background)

(gun fires)

(Shenandoah grunts)

(dramatic guitar music)

- I think he got him with that bullet.

- Don't count on it.

Now, he knows where Mulligan is exactly

and he's made him waste two bullets.

(dramatic guitar music)

(Mulligan grunts)

(dramatic guitar music)

(rocks clatter)

(dramatic guitar music)

(gun fires)

(dramatic guitar music)

(Mulligan grunts)

(dramatic guitar music)

(cicadas chirping in background)

(dramatic guitar music)

- Drop the guns, Mulligan!

Throw them down!

- You win.

- March!

(Mulligan grunts) (gun fires)

(Mulligan groans)

- This time he really got him.

- Let's go.

- I want some information, Mulligan,

so listen and pay attention.

When you attacked the stage coach two years ago in Omaha,

you know the one.

I wanna know which one of you killed the girl.

- Who are you?

Why should I give you any information?

- Who did it, Mulligan?

- Now I know...

Now I know who you are.

- Who did it?

- I'll tell the other who you are.

Lupe!

Lupe!

- I'll have my holster now, friend.

- Why not, huh? Now that you're one of us.

Give me your hand, Shenandoah.

(light guitar melody)

- This tune reminds me of Phoenix.

Now there's a city for ya.

Pretty girls, lots of bars,

and all the banks just bustin' with money.

- Yeah, and more lawmen than bankers.

- We'll be leaving these parts, soon.

(guitar melody intensifies)

(Lupe grunts) (woman gasps)

You know, Damon could be right.

Phoenix ain't such a bad place.

Be sure he's right about the money in the banks.

What do you think, counselor? Should we go there?

- No, it isn't easy to find a good, safe hideout

near Phoenix.

I think we outta head over toward Nevada.

- Yeah?

And you, Shenandoah, what do you say?

- Don't matter to me where we go.

Omaha's a town I'd like to see, though.

Why not go there?

- No. We were in Omaha two years ago.

It's too dangerous for us.

- Why?

- They're too smart up that way.

They know us too well.

And besides that, they don't run away when you shoot.

They chase you.

- Yeah, but I heard you got away

with some big jobs out there.

What made you decide to leave?

- We went a little too far.

It happened when we attacked a stage coach.

- Shut your mouth!

- I remember hearing some story.

Give me the details, Damon.

(horses galloping)

- Here, Lupe. It's about a thousand dollars.

- How'd it go?

- They put a bullet into Latimer.

- (chuckles) He was no good, anyway.

(Murdock laughs)

What's that?

- I took it off this guy in the bank.

He had no more use for it.

(light tinkling) (Murdock laughs)

- That's just what I need for a little present.

Damon, go down to Richmond and give this to our friend.

(horse galloping)

- Damon!

- What is it?

What are you doin' here?

- Have you already handed over that present?

- Yeah, what of it?

- Who to?

- None of your business.

- Could be,

but there's somethin' you can tell me.

What was it that happened in Omaha

when you attacked that stage coach?

- Who are you?

- That really is my business.

- I'm sorry. I don't know nothin'.

- It's funny you don't remember.

One of your gang killed a girl that was on that stage coach.

Tell me who did it, Damon.

- You'll be in real trouble with Lupe

as soon as he hears about this.

- Stop, Damon, or I'll shoot!

(guns fire)

(sorrowful trumpet melody)

(horse gallops)

(sorrowful trumpet music)

(horse galloping)

(horses whinnying) (horses galloping)

(horse galloping)

Give him some water.

(horse gallops)

Howdy, ma'am. They're nice horses.

- Yeah, they are.

Who are you and what do you want?

- I guess you're Jane Wilson. - [Jane] Yeah.

- I wanna speak to your father.

- Suppose you begin by introducing yourself, stranger.

- You can call me Shenandoah.

- Shenandoah? I thought so.

- Someone been talkin' about me?

- Don't let it bother you.

Just clear out.

I don't want you hangin' around my dad.

- Put the gun down, will ya, ma'am.

I'm sure you wouldn't wanna murder an innocent man.

(horses gallops in background)

- I'm not bluffing, so don't call my hand.

- [Wilson] Jane!

- Glad you made it in time, Wilson.

- What's goin' on here?

What do ya think you're doin' with the six gun, Jane?

You gone crazy?

- No, papa.

- Hi, Shenandoah. - [Shenandoah] Hi.

- I was just down in Richmond to pick up the money

for the last heard of steers I sold.

- Well, you left the ranch in good hands.

Your daughter knows how to look after herself, all right.

Someday, when you have time,

I'll teach ya how to draw a gun properly.

And how to keep it from shakin'

when your hand's tremblin'.

(Jane scoffs) (men laugh)

- Well, did you turn up anythin'?

- Nothin' so far.

- Why don't you forget it?

This game of yours is too risky.

I sympathize with your motives, all right.

I just don't believe it's worth it anymore.

- I'm determined to find out which one of 'em killed her.

I wanna go to Richmond and have a talk with the sheriff.

What's he like?

- Him? Don't know him.

He's fairly new around here.

Careful, Shenandoah.

- You and your cowhands may have to help me, Wilson.

- You can count on me.

- Thanks.

So long, Wilson.

- Good luck.

(horse gallops)

Janey, I'd like to explain,

but I promised to say nothing.

- Why should you have to explain, papa?

- Now, well listen to me, Janey.

(horse gallops)

- Lulu! Lulu Belle!

- What is it, Slim?

- Shenandoah's here. I saw him ride up the street.

I reckon there's gonna be some trouble.

(horse gallops and whinnies)

Lulu?

Why you starin'? You ain't in love with him, is ya?

- It's been so long since I've been in love,

I can't remember what it's like.

- Uh-oh.

- Are you Sheriff Gallagher?

- Reckon I am. Who are you?

- Call me Shenandoah, sheriff.

- (scoffs) That don't tell me much about you.

- It isn't meant to.

Any other questions?

- Yeah. Why don't we stop beatin' around the bush

and talk turkey?

What do you want?

- You see, Gallagher, in a small town,

you get to hear an awful lot of talk.

People just won't tend to their own affairs.

So, I thought I'd best come see ya

and have a little talk before anybody had a chance

to give you a wrong idea about me.

(watch tinkles)

- Conscience botherin' ya?

What's the matter?

You suddenly decided you don't wanna confess?

- No, I was just figurin' what was the best way to begin.

You see, sheriff, it was all so long ago and far away.

And anyway, what are a few counterfeit dollars?

I was only worried because word was goin' 'round

that I had printed 'em myself.

But you can see, I'm just a simple cowhand

and I wouldn't know how.

- Hold it, Shenandoah.

We can talk about your counterfeit money some other time.

But you came here to tell me somethin' different

and I wanna hear it.

Come on, will ya? Spit it out.

- No, honest, sheriff.

That's really all there was

and now I realize it wasn't important, anyway.

But thanks for givin' me your time, Gallagher.

(light guitar melody)

(dramatic melody)

(woman gasps)

- Don't you like me, Shenandoah?

- You try all the new recruits?

- No. Since we moved here, you're the first one.

- But all the same, Lupe wouldn't like it.

- Lupe. (scoffs)

- Have you been with him long?

- It seems like a century.

- Didn't you meet each other two years ago in Omaha?

- No. I've only been with him for about a year.

He took me outta a honky tonk in Mexico,

near Chihuahua.

What does he expect from me?

- Maybe the thinks you should be grateful.

- Be what?

He promised me a respectable life in a decent town.

And then he brought me here to this awful desert.

But I don't wanna be a slave

to a bunch of murdering cutthroats!

(woman gasps)

- Get back inside, you lazy.

What you doin' out here, anyway?

- Lupe, you've punished her enough. Calm down.

(woman cries) - What did she say to you?

- Nothin'. She was complainin', that's all.

She was sayin' how she wished

that life was different for her.

No harm in that, is there?

- You speak pretty smooth, stranger.

Come on inside.

(woman crying)

Shenandoah here is coming with us.

All right, lawyer. I want you to explain the situation.

- Well...

Tonight, we ride down to Richmond.

There's a big ranch there, cattle ranch.

We've been keepin' that spread under observation.

And today, the owner collected the money

for a herd of steers that he sold last month.

Apparently, he doesn't believe

in depositing his money in the bank.

He wants it where he can see it. (chuckles)

Which is very convenient. (Lupe chuckles)

- What's his name? - [Krueger] Wilson.

- I wouldn't attack his ranch if I was you, Krueger.

- Why not?

- If we start attackin' isolated ranches,

then all the ranchers around the area will get together

and form posses to track us down.

We'd find ourselves in plenty of trouble.

- Hmm, except for one thing.

Before long, we're movin' out.

- Wilson has too many men. We'd be outnumbered.

- I'm beginnin' to think

you got a yellow streak, Shenandoah.

Well? Then, it's all settled.

(dramatic violin melody)

(horse gallops)

(dramatic orchestral music)

(horse gallops)

- It's Shenandoah.

(suspenseful violin melody)

(horse gallops)

Hi there, Shenandoah. Come right in.

What brings you here this time of night, son?

Sit down.

- Listen, there's no time to waste.

Get all your men together. Lupe's on his way here.

- Clark! Peter!

You think anybody knows that you've warned us?

- I don't think anyone saw me, at least I hope not.

- What's up, boss?

- Lupe and his men are planning to attack us tonight.

Get the men together

and send to the nearest ranchers for reinforcements.

And hurry up! - [Peter] Okay, boss.

- You, Clark. You ride into town and find the sheriff.

Tell him to hurry out here as soon as he can--

- No! Better not tell Gallagher.

- Oh, and why not?

- He's workin' for Lupe.

- Gallagher? - [Shenandoah] That's right.

He's the one who told the bandits

that you had all that money here.

As soon as Lupe heard that, he wanted it.

- Go with Peter.

And you, what are you gonna do now?

- I have to get back up there before they notice I'm gone.

It's my only chance.

- [Wilson] It's too risky. You can't go back.

- It's the only way I can keep close to them.

If I give myself away now, the game's up.

- But whatever made you come here and warn me?

This probably means you've ruined the whole thing.

- I don't know.

I guess revenge isn't the only thing that matters in life.

- I have to go and organize the men.

Lupe's gonna get the reception he deserves.

- Wait a minute.

You'll have to forgive me for thinking so badly of you.

Who are really, Shenandoah?

- Just a bandit.

- You're no bandit.

If you were, you wouldn't have come here.

Why do you stay with Lupe and his gang?

- So long, Jane.

- Wait, Shenandoah! Oh please, stay here.

My father would give you work.

I know he could use ya. He needs men like you.

You could make a new life for yourself.

- I can't stay. You know that.

So long.

(horse gallops)

(horse whinnies)

(horse snorts)

- Where'd you get to?

- Not far, just to the river.

- Ah.

(cicadas chirping in the background)

- No sign of Damon?

- Probably havin' fun in town.

- When he gets back, I'll teach him to have fun.

Come on.

(dramatic orchestral music) (horses galloping)

(suspenseful melody)

(dramatic orchestral music) (horses galloping)

(suspenseful melody)

- Maybe you'd better take Jane into town

and leave her some place safer than the ranch.

- No, papa. I'm gonna stay with you.

Besides, it's too late.

They may turn up any minute now.

- All right, but don't stand around here.

Get in the house. Go on.

(dramatic orchestral music)

- All right, here we are.

Now, let's do this nice and neat,

so we don't wake up the whole countryside.

Murdock, you take your men around the back of the corral.

Krueger, Shenandoah, take Harry and Sam,

and attack the house from behind the rocks.

The rest of the men and me go straight for the main gate.

Don't anyone move until you hear my signal.

(horses galloping)

- Here they come. Get down!

(horses galloping)

(Krueger whistles)

- Let's go, amigos!

(men shouting) (horses gallop)

(guns firing)

(man yells)

(guns firing)

- Pull out, boys! Follow me!

(guns firing)

(horses galloping)

All right, spread out.

We'll hit them again and this time, don't stop!

(horses gallop)

(guns firing)

(man grunts)

(guns firing)

(man groans)

(guns firing)

(horses gallop)

(guns firing)

(men shouting)

(guns firing)

- Didn't know they could run so fast.

- We did all right, eh Mister Wilson?

- Yeah, Clark, we did pretty doggone well.

But I sure as heck wouldn't wanna be

in Shenandoah's boots at the moment.

(sorrowful guitar melody)

- Give me that coffee.

(spits) Rat poison!

(woman scoffs)

Shenandoah, the time has come for you and me

to get one or two things straightened out

to make sure we don't misunderstand each other.

- Lupe, you need that gun to talk with?

Or you afraid to listen to me?

- The only one who has anything to be afraid of

is you, Shenandoah.

And you know it.

All right, counselor. You can begin.

Let's hear the case for the prosecution.

- When the boys attacked the farm,

you didn't shoot, did you?

Were you afraid you might get hurt

or of hurting someone else?

- I don't believe in wastin' my bullets.

It was clear from the beginnin' that we were outnumbered.

There was too many of them.

Speakin' about gettin' hurt,

you kept well outta harm's way, didn't ya Krueger?

(Shenandoah chuckles)

- You're right, we were outnumbered.

Tell me, Shenandoah, do you recall where you went

before we left the ranch last night?

- I already told Murdock.

I took my horse out to give him a drink.

- Uh huh, but your horse had been sweatin' a lot,

which means ya must've gone a long way.

And that doesn't make sense

when there's a water hole near the stable.

Ah, another thing.

How do you explain the fact that Wilson was expecting us?

At midday, there were five men on the ranch.

And at midnight, there were 50.

Strange, huh?

- Very strange.

- Mhmm.

Well then, is it possible do you think,

that somebody might've warned our friend, Wilson?

- Of course it is. Some wise guy.

One of us, significantly.

- Like you, for instance, Shenandoah.

- Or you, Murdock.

- Huh uh. Murdock was playin' poker all evenin'

with me and the rest of the boys.

You're the only person who wasn't here. (chuckles)

(light guitar melody)

Have you any idea what could have happened to Damon?

- No, no idea. - [Krueger] Naturally.

But the last time he went into town, you went too.

Isn't that right?

- You made too many mistakes, Shenandoah.

(light guitar melody)

- You went down to Richmond to talk to the sheriff.

What was it you wanted to say?

- He was the only member of Lupe's gang

you forgot to introduce me to.

Not very polite, was it?

I though I ought to know him.

- That's enough.

We don't believe your stories anymore.

(dog barks)

This man arrived a few hours ago from Jacksonville.

He says they arrested

the man who robbed the bank last year.

It wasn't you.

- But what reason have you

to believe his word instead of mine?

- Reason enough.

It was his brother and he was hanged yesterday.

- Why you been lying to us, Shenandoah?

Who are you?

What do you want here?

Tell me!

- Someone has managed to turn you against me, Lupe.

I wouldn't have thought it was so easy to fool you.

(Lupe laughs)

- Pablo, go have a look in the old graveyard

and see if there is a coffin in good condition.

(Pablo laughs)

(Lupe laughs)

(men grunting)

(Shenandoah groaning)

(men grunting)

(men grunt)

- Now beat him, Lupe!

(Shenandoah grunts) That's it!

Go on!

(Shenandoah grunts)

(Shenandoah gasping)

(Shenandoah grunts)

You dirty rat!

(Shenandoah groans)

(Shenandoah gasping)

A gun's too good for ya.

- Wait!

(Shenandoah gasping)

- Of course you can kill him if you want,

but don't you think we better find out

what brought him to this territory?

- Yeah, Krueger's right.

Sam, go to town and bring back Sheriff Gallagher.

(Shenandoah groaning)

- I know this type. He has to be persuaded to talk.

(Shenandoah groaning)

(Shenandoah gasping) (men laughing)

(Shenandoah groans)

All right, Gallagher. We want to know who this man is,

and you're the man to tell us.

- I only agreed that I wouldn't interfere

in any of your jobs.

I don't wanna get mixed up in anything, myself.

- Don't forget how much we paid you, sheriff.

We don't care if you have trouble with your conscience.

You better think real clear like

and not give us any wrong answers.

(Shenandoah groans)

- Someone told me they saw him talkin' to Wilson.

He'd know his name.

- Wilson, yeah.

It's beginning to get a bit clearer now.

Means there's only on thing left for us to do,

and you can arrange that.

I want Wilson's daughter.

He'll talk or she will.

- But I never agreed to do anything like this.

Lupe, you can't!

- Murdock and the boys will go with you.

Careful, Gallagher.

If you make a false move, you're a dead man.

- Get out! - [Murdock] Let's go, sheriff!

(Shenandoah groans)

(light orchestral music)

- I'm still not sure why you wanna send me away, papa.

- The ranch is no place for you right now.

I feel happy to know you're safe in town.

This'll all blow over before very long.

(ominous orchestral music)

- There they are.

(ominous orchestral music)

- Now then, all you have to do is ride out there

and get him to stop for a while.

Go on, get a move on!

- Wilson! Wilson!

Run for you life! Wilson! (gun fires)

- Hiya! Hiya!

- After them!

(dramatic orchestral music)

(horses galloping)

(guns firing)

(man yells)

(dramatic orchestral music)

(guns firing)

(horse galloping) (Jane yells)

(dramatic orchestral music) (guns firing)

(man grunts)

- Hurry up, let's go!

(dramatic orchestral music)

Come on!

(dramatic orchestral music)

(light guitar melody)

(Shenandoah whimpers)

- All right. Are you going to talk or not?

Who is this man? Come on!

Answer me!

- I don't know! I don't know, I tell ya!

- Let go.

The two of you were seen together,

so you know who he is and what he wants.

- I don't, I tell ya. I really don't, honestly!

(Lupe chuckles)

- Murdock, remember Omaha

and how you killed that girl on the stage coach?

You hurt her a little bit first, though.

I can still hear her screaming. (chuckles)

If you ain't going to talk,

then there's just a chance that Murdock

may do to you what he did to her.

And he won't need asking twice to do it.

Ain't that right, Murdock?

(Shenandoah grunting)

(Murdock laughs)

(Jane gasps) (men laugh)

- No! (Murdock laughing)

No, no, no!

No, put me down! (Murdock laughing)

(men laughing)

Help! (cries) No!

(Jane cries) (men laughing)

(Jane yelling)

(Jane grunting)

- Let her go, Murdock!

I'll talk.

(Jane gasps)

- (grunts) Let her go!

Don't say anything!

You don't believe they'd keep their word, do you?

- Elsie, put that gun down!

- No, Lupe, no!

I've always done everything you've wanted.

You've made me help you with every dirty,

rotten, disgusting thing you've done for over a year now!

But this is too much for me.

I won't do it!

I'll kill you before I'll let you hurt that girl, Lupe!

- No, wait!

This is something I have to do alone.

(Shenandoah groaning)

I already told you to put it down.

Do what I tell you to do!

(whip cracks) (Elsie grunts)

Do what I tell you... (gun fires)

(gun fires) (Elsie groans)

(guns fire)

(Jane yells) (men grunting)

(guns firing)

(gun clicks)

(Shenandoah grunts)

(horses galloping)

(man grunts) (gun fires)

(gun fires) (Krueger groans)

(horses galloping in distance)

- You better wait for me here.

I'll come back for ya.

(horses galloping)

- Shenandoah, where's Jane?

- She's in there. Don't worry, she's all right.

Go and take her home.

- And you?

- I haven't finished, yet.

(dramatic violin melody)

(dramatic orchestral music)

(horse gallops)

(dramatic orchestral music)

(horse gallops)

(dramatic orchestral music)

(horse gallops)

(dramatic orchestral music)

(horse gallops)

(dramatic orchestral music)

(horse gallops)

(people yelling)

(dramatic orchestral music)

(Murdock panting)

(door slams)

- All the others have been killed.

I need money, Lulu Belle.

I gotta escape.

- What do you need?

- All you have.

- No, I'm fed up wastin' all my savins' on you, Murdock.

- Give me what I need or I'll shoot ya, Belle.

- No. - [Murdock] I want the money!

(drawer clatters)

- Shenandoah! (gun fires)

(gun fires) (Lulu gasps)

- [Shenandoah] Come out, Murdock!

- Come and get me, Shenandoah! (gun fires)

(gun clicks)

Come on out,

if you're not too yella to shoot it out with me!

(door creaks)

- [Shenandoah] Murdock!

You'll never get away!

(Murdock panting)

(gun fires) (glass shatters)

(Murdock panting)

(gun fires)

- Listen to me, will ya?

I got cash! Why don't we share it?

There's enough for us both!

I'll give ya all of it!

(Murdock gasps)

- Murdock!

Remember the girl you murdered of the Omaha stage coach?

That girl was my wife.

I'm United States Marshall, Joe Logan.

(Murdock laughs)

- I'm gonna get away, Shenandoah.

I'm too smart to be caught.

I'm gonna get away, you'll see.

(gun fires)

(dramatic orchestral music)

(glass shatters) (fire crackles)

(gun fires)

(fire crackles) (Murdock panting)

(dramatic orchestral music)

(fire crackles)

(glass shatters)

(dramatic orchestral music)

(boards creak)

(gun clicks)

(Murdock pants)

(boards creak)

(gun fires)

(sorrowful trumpet melody)

(gun clicks)

(sorrowful trumpet melody)

(gun fires)

(Murdock moans)

(sorrowful trumpet melody)

(gun fires)

(Murdock groans)

- Saloon! The saloon's on fire!

(woman yells indistinctly)

(water splashes) (Shenandoah grunts)

(light harmonica melody)

- By the trumpets of Jehoshaphat!

I ain't never seen anything like that before.

But where's Lulu Belle?

Lulu Belle! Lulu Belle!

(fire crackles)

Lulu Belle!

Lulu Belle!

Lulu!

(Lulu groans) Lord.

Lulu Belle, what's the matter with ya?

Say somethin' to me.

- It's all over and finished.

Shanendoah...

- He sure did, honey. It was a great fight.

Why, that Shenandoah's the best I ever did see.

- And now he's gonna go away.

- I guess he is.

- (groans) Bring--

- Yeah, that's what I'll do.

I'll go and get him and bring him back to ya. How's that?

- No, Slim. It doesn't matter.

I understand him.

If he's decided to go,

you can't stop him.

But I'm glad he went, anyway.

- Wait, Shenandoah!

Shenandoah!

Shenandoah!

(triumphant orchestral music)

(dramatic orchestral music)

* I am a lone and angry man

* Drifting like the shifting sand

* My fate's to die with gun in hand

* For revenge

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