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I felt the cry in his voice.
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I felt the cry.
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I felt the joy and I felt the pain.
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"My name is Georgios
Kyriacos Panayiotou"...
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that's how it's said. - Wonderful.
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"Georgios Kyriacos Panayiotou.
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"To the outside world, I am and
always will be known as
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"something else, but it's not
my name. As a boy..."
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- I haven't read this for ages.
- I know.
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"As a boy, my biggest fear was what
my huge ambitions would stay just
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"out of reach of the child that
I saw in the mirror
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"so I created a man in
the image of a great friend
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"that the world could love
if they chose to.
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"Someone who could realise my dreams
and make me a star."
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Basically we've been friends
since we were 12 years old,
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and, er, when we eventually got
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a recording contract, we didn't
see any reason to, er,
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to bring anyone else in.
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We thought the image would be very
good. Two friends, you know.
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Is it true that you were unemployed
before you were successful?
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- Yeah, we were both on the dole.
- Both on the dole.
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00:02:07,040 --> 00:02:08,560
A friend of mine, Mark Dean,
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had just launched a label
called Innervision
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and he decided to sign his mum's
next-door neighbour.
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He was already struck by
George's star quality
26
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because when he'd signed
to Innervision, George went
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for holiday immediately in
Greece for two weeks
28
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but flew back in the middle of it
to get his hair cut!
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And Mark thought that was
so over the top and so superstarry.
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It was not a good deal.
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With young artists, one of the things
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I say to them in that jubilant
moment when they sign their first
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contract is, "All you've done is
get into the casino.
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"You haven't even started
playing the tables."
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The actual demo tape that got us
36
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the contract was about four minutes
long, and, er,
37
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it was just... We did it
for £20 in Andrew's front room.
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00:02:51,400 --> 00:02:54,160
I first met George when he was
an unknown teenager.
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Erm, I met him at a small
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gay disco above a pub by Manor House
Tube Station in North London.
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He was a great dancer.
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He'd just sing along to all the songs
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with a very good voice.
I remember him telling me,
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"One day I'm gonna be a pop star."
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I thought to myself, "Well, maybe."
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# Wham! Bam!
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# I am a man!
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# Job or no job
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# You can't tell me that I'm not #
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Two cute, gorgeous bubbly boys
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and those voices together,
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the harmonies.
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They were box-fresh,
minty clean, wholesome but sexy.
54
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They just had everything from the go.
55
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They were happy and poppy,
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but had a little bit more sustenance.
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I think I liked Wham in the very beginning
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because of the stuff I read
about them having
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a social conscience
and venting about being on the dole,
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and that appealed to me so much more
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than them just being pop artists.
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They were just the sort
of perfect pop package,
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and really smart as well.
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That kind of intelligence
kind of billowed off them,
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but they didn't make an issue of it.
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That was the kind of clever thing
about George -
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the intelligence was sort of there,
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but he didn't really care if you
noticed it or not.
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00:04:00,640 --> 00:04:04,120
He was just looking
to wow you as a pop star.
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Pop became a very dirty word in England
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00:04:06,240 --> 00:04:08,440
for a good four or five years. Erm,
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00:04:08,480 --> 00:04:10,400
but it's definitely, er,
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it's definitely
the music of '83 in England.
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You know, when George looked at Andrew,
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that was Wham as far as he was concerned.
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I actually thought Andrew was
the key figure
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because he was more confident,
he looked good,
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and he wasn't wearing a string vest.
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People would say to George,
"You're the songwriter,
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"you're the singer,
well, what does Andrew do?"
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Andrew was the kind of look,
the essence of it.
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I just remember being, you know,
immediately struck
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by their bonhomie, you know. They
were incredibly easy to be around.
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You know, they were funny
and they were bright.
85
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I mean, they were 18 years of age.
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00:04:51,200 --> 00:04:53,560
George's father was Greek, Greek Cypriot.
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When you grow up in England
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but your parents aren't English, or
at least in this case one
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of your parents isn't English,
the predominant pop cultural form
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00:05:01,800 --> 00:05:04,520
of your time is what you will turn to,
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to find out who you are.
And pop is more often than not
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the engine of that realisation.
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It tells you what you are.
And Top Of The Pops,
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00:05:13,000 --> 00:05:17,200
I mean, Top Of The Pops,
for someone like George, was
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a news programme. It wasn't just an
entertainment programme.
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It was where you got your news from.
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00:05:23,280 --> 00:05:25,160
It wasn't cool, it wasn't hip,
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00:05:25,200 --> 00:05:27,240
but as far as young people were
concerned, it was
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the centre of the universe.
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00:05:28,880 --> 00:05:32,240
And it hit 15, 16, 17 million every week.
101
00:05:32,280 --> 00:05:34,800
Who's in, who's out, who's top,
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who's bottom, and who we
need to care about.
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00:05:36,720 --> 00:05:39,480
And that was how we talked about it
in the playground.
104
00:05:41,320 --> 00:05:43,160
Good evening, welcome to Top Of The Pops.
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A load of firsts tonight -
it's the first chart of November,
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it's my first Top Of The Pops,
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and it's THEIR first
Top Of The Pops. Wham!
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The debut was very important cos
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a debut was how you sort
of announced yourself to
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the world. And some artists came
across as quite naive,
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00:05:57,200 --> 00:05:59,520
quite overwhelmed,
like they hadn't thought it through.
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And then there were other artists
that had clearly... Knew all about
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cameras and about red lights
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00:06:05,520 --> 00:06:07,760
and where to look when there was
a red light on,
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00:06:07,800 --> 00:06:09,560
and George had that down to a T.
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00:06:09,600 --> 00:06:14,160
George was like a scholar of how to
carry yourself on television.
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# Well, I hadn't
seen your face around town a while
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# So I greeted you with a knowing smile
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# When I saw that girl upon your arm
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00:06:20,360 --> 00:06:22,360
# I knew she'd won your heart
with a fatal charm
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00:06:22,400 --> 00:06:24,920
I said, "Soul Boy, let's hit the town"...
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They had their routines,
they had the girls,
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00:06:28,120 --> 00:06:29,720
they had each other, of course,
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and they were clearly going to be stars.
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Right, now, I'm here in
the middle of the nearest
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to mass hysteria I've ever been in any way.
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00:06:38,200 --> 00:06:40,840
Last week I was an unknown, and
suddenly I've got all these girls
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around me. Anyway, I hear apparently
you're in the process of trying
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00:06:43,680 --> 00:06:45,960
to change your record company or something?
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00:06:46,000 --> 00:06:49,040
Well, there's a lot of legal
difficulties we're having
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00:06:49,080 --> 00:06:51,560
at the moment, erm, which is why we
haven't got a single out at
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00:06:51,600 --> 00:06:52,880
the moment, which is a shame.
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00:06:52,920 --> 00:06:56,800
They had big hit records early on as Wham!
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but these were dance records
sold on 12-inch vinyl.
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00:07:00,320 --> 00:07:02,120
They didn't get a royalty for this.
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00:07:02,160 --> 00:07:04,600
It's very easy to say that we were
all naive
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and didn't know what we were doing,
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00:07:06,320 --> 00:07:09,200
but, you know, they had lawyers,
I had lawyers,
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00:07:09,240 --> 00:07:12,120
erm, so I don't know really.
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Basically, he knew what he was doing
when he went to
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the business just that much
more than we did at first,
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a considerable amount more,
because he'd been in
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the business for four or five years.
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All the records they were selling,
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they were absolutely making zero money for.
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They needed money to get out of
the Innervision contract.
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The plan was then going on tour
and creating Wham-mania.
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I went to see them at Hammersmith
Odeon where both Andrew
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and George were putting shuttlecocks
down their shorts
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and then batting them out
into the audience, which
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seemed pretty gross to me at the time!
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I must have been one of
the only 12-year-old boys there.
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I was there with my sister.
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I must have seen thousands of gigs,
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but that one I remember where I was
standing, looking up at the stage,
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and just watching this ridiculous
kind of, erm,
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cabaret happening onstage!
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Fila sponsored the tour and
George and Andrew took,
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00:08:01,480 --> 00:08:05,240
you know, great perverse fun at
Whitley Bay Ice Rink, which was
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the coldest venue this side of, you know,
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the Arctic Circle. And
I remember having jeans on
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and a chunky jumper, and George going,
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"You're not going on like that."
I said,
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"What are you talking about?
It's freezing out there."
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"No, Gary, we've got a deal with Fila.
166
00:08:20,440 --> 00:08:23,160
"You've got to put the shorts on
and the T-shirt." "What?!"
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Actually the joke was on George
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because halfway through the tour, he was
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the one who ended up in bed
with bronchitis.
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How are you actually feeling now?
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Er, on the mend, definitely on the mend.
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Er, the voice is still not quite back yet,
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but I feel fine otherwise really.
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He's better now, though, isn't he?
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During the tour, you started
to hear this word Wham-mania.
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On the front pages of
the newspapers this was splashed,
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and you saw the tension build
178
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and the excitement as they
conquered the country.
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This was excellent
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because it would provide money
to fight the court case.
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Innervision, they were a subsidiary of CBS
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00:09:01,520 --> 00:09:06,120
and so the plan was to force CBS
to keep Wham!
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00:09:06,160 --> 00:09:08,440
and say cheerio to Innervision.
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00:09:08,480 --> 00:09:12,320
I think Mark Dean had
an amazing eye and ear for talent,
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00:09:12,360 --> 00:09:14,840
and he correctly spotted
George's potential.
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I think one can feel
a little bit sorry for Mark Dean
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because he did provide great
initial impetus.
188
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A very self-determined young man,
189
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totally in control of what he wanted to do.
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George was pretty ruthless
and knew what he wanted, and
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Mark provided the stepping stone for him.
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# Wake me up before you go-go
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# Don't leave me hanging on...
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They moved from something overtly political
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to something far more hedonistic.
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00:09:41,320 --> 00:09:44,200
# I don't wanna miss it when
you hit that high
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00:09:44,240 --> 00:09:48,000
It was as though they had received
Thatcher's memo that your money is
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to be made and enjoyed.
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I thought, "This has got to be
number one, and it was."
200
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# ..before you go-go, ah
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00:09:53,520 --> 00:09:56,480
# Take me dancing tonight #
202
00:10:04,840 --> 00:10:09,000
I remember talking to Ray Parker
Junior in his studio in Los Angeles
203
00:10:09,040 --> 00:10:13,280
and he was saying,
"Guilty feet have got no rhythm.
204
00:10:13,320 --> 00:10:15,280
"Damn, that's a good line!"
205
00:10:22,720 --> 00:10:24,000
If you're obsessed with pop,
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00:10:24,040 --> 00:10:25,480
if you're buying those records,
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00:10:25,520 --> 00:10:28,600
your whole life is an apprenticeship
for those moments when
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00:10:28,640 --> 00:10:30,800
a Careless Whisper lands into your head.
209
00:10:33,120 --> 00:10:34,480
I can just remember being
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00:10:34,520 --> 00:10:37,440
a songwriter in Germany hearing
Careless Whisper for
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00:10:37,480 --> 00:10:39,600
the first time on Armed Forces radio.
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00:10:40,920 --> 00:10:44,120
And I remember thinking, "How can a guy,
213
00:10:44,160 --> 00:10:47,640
"you know, so young, write something
so beautiful and mature?"
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00:10:47,680 --> 00:10:50,640
It was so, like, it was so
elegant and mature
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00:10:50,680 --> 00:10:54,080
and so full of... of some kind of
216
00:10:54,120 --> 00:10:56,760
French boulevardier,
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00:10:56,800 --> 00:11:00,360
his vision of life like Aznavour
and these guys who've seen life
218
00:11:00,400 --> 00:11:02,920
and they're kind of even a bit,
you know, the schadenfreude
219
00:11:02,960 --> 00:11:06,160
is, like, just overwhelming.
Like, who the fuck are you,
220
00:11:06,200 --> 00:11:07,800
that you're a teenager
221
00:11:07,840 --> 00:11:10,400
and you're writing things like
Careless Whisper?
222
00:11:10,440 --> 00:11:13,440
The answer was that George,
despite having written
223
00:11:13,480 --> 00:11:17,640
a pop masterpiece, was just
a teenager having teenage fun.
224
00:11:17,680 --> 00:11:20,440
Sarah Jane Barker's on the line.
Hello, Sarah Jane Barker.
225
00:11:20,480 --> 00:11:22,520
- Hello. - Hello. - Hello.
- They're all yours.
226
00:11:22,560 --> 00:11:23,680
George Michael, please.
227
00:11:23,720 --> 00:11:27,680
What things make you angry
and how do you show it?
228
00:11:27,720 --> 00:11:29,560
What things make me angry? - Angry.
229
00:11:29,600 --> 00:11:32,480
And how... I could slam
the phone down! - I may say...
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00:11:32,520 --> 00:11:34,040
Oh, I make George angry.
231
00:11:34,080 --> 00:11:36,840
Andrew makes me angry, yeah.
And how do I show it?
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00:11:36,880 --> 00:11:39,960
Well, I make the occasional
solo record and say, like,
233
00:11:40,000 --> 00:11:42,480
"You're gonna act that way, geezer,
I'm off!"
234
00:11:42,520 --> 00:11:45,000
I just like the fact that on
Wake Me Up Before You Go-Go,
235
00:11:45,040 --> 00:11:47,720
he actually sings "I'm not planning
on going solo"
236
00:11:47,760 --> 00:11:49,880
and then the next record's a solo record.
237
00:11:49,920 --> 00:11:52,840
We've got a new single coming out
off the album, it's a brand-new one.
238
00:11:52,880 --> 00:11:53,920
Great.
239
00:11:53,960 --> 00:11:55,440
Called Last Christmas.
240
00:11:55,480 --> 00:11:57,080
# Last Christmas I gave you...
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00:11:57,120 --> 00:11:59,200
Sleigh bells and everything
actually. - Oh, really?
242
00:11:59,240 --> 00:12:01,080
# Duh-duh-duh-duh And the cover is amazing.
243
00:12:01,120 --> 00:12:03,480
You've never seen us look
so stupid in your life!
244
00:12:03,520 --> 00:12:07,560
# This year, to save me from tears...
245
00:12:07,600 --> 00:12:10,680
The lyrics were so clever and, you
know, it might have been about
246
00:12:10,720 --> 00:12:12,920
teenage angst and it didn't matter
what age you were at,
247
00:12:12,960 --> 00:12:15,560
whether you were going through it
yourself or whether you'd been
248
00:12:15,600 --> 00:12:17,840
through it, you could relate
to what they were saying.
249
00:12:17,880 --> 00:12:19,800
So, you'd see the video for Last Christmas,
250
00:12:19,840 --> 00:12:23,080
and it would just be so plaintive
and so painful and so brilliant.
251
00:12:23,120 --> 00:12:25,200
Of course, Last Christmas is
252
00:12:25,240 --> 00:12:28,360
the best-selling number two of all time
253
00:12:28,400 --> 00:12:30,640
because it kept out of number
one by Band Aid.
254
00:12:34,000 --> 00:12:36,840
Last Christmas is a song that is
obviously gonna snare
255
00:12:36,880 --> 00:12:39,600
the mums and dads and the grans
and the kids and stuff,
256
00:12:39,640 --> 00:12:41,040
but of course, on the flip side,
257
00:12:41,080 --> 00:12:43,320
you've got this
song like Everything She Wants.
258
00:12:43,360 --> 00:12:46,160
# Somebody told me
259
00:12:46,200 --> 00:12:50,680
# "Boy, everything she wants is
everything she sees"
260
00:12:50,720 --> 00:12:53,280
Those lyrics are painful, painful,
261
00:12:53,320 --> 00:12:56,280
you... It just gives you
a physical reaction to it.
262
00:12:56,320 --> 00:12:58,240
It was kind of ostensibly about a girl
263
00:12:58,280 --> 00:13:00,560
but actually it was also
a metaphor for capitalism
264
00:13:00,600 --> 00:13:02,920
and the way capitalism works
in the modern world.
265
00:13:06,160 --> 00:13:10,160
So, why not become the capitalist
world's representative of youth
266
00:13:10,200 --> 00:13:12,840
culture and go to communist China?
267
00:13:12,880 --> 00:13:15,680
And take along a world-famous film
director with you,
268
00:13:15,720 --> 00:13:18,040
Lindsay Anderson, and make a film of it.
269
00:13:18,080 --> 00:13:20,720
I thought it was quite an inspired
choice, I've got to be honest.
270
00:13:20,760 --> 00:13:23,840
You know, Lindsay very left-wing
film-maker,
271
00:13:23,880 --> 00:13:26,480
you know, a pop band
going to China, first time,
272
00:13:26,520 --> 00:13:28,000
you know, closed borders,
273
00:13:28,040 --> 00:13:30,160
terrified of the Western world
kind of thing.
274
00:13:30,200 --> 00:13:33,480
But we were dealing with a country
that had never seen this before.
275
00:13:33,520 --> 00:13:37,040
They just brought everything in from
the airport on flat-bed trucks.
276
00:13:37,080 --> 00:13:40,160
If it had rained that day,
we'd never have played China.
277
00:13:40,200 --> 00:13:44,200
# Everything you want,
and everything you see
278
00:13:44,240 --> 00:13:47,960
# Is out of reach, not good enough
279
00:13:48,000 --> 00:13:51,160
The audiences was extraordinary
cos they weren't allowed to clap.
280
00:13:51,200 --> 00:13:53,640
They weren't allowed really to respond.
281
00:13:53,680 --> 00:13:57,040
They're not allowed to shake,
scream or make any kind...
282
00:13:57,080 --> 00:13:59,600
and there are guards at all the tiers,
283
00:13:59,640 --> 00:14:01,280
all the way round the auditorium.
284
00:14:01,320 --> 00:14:03,360
The police were trying to contain
285
00:14:03,400 --> 00:14:05,200
the crowds, telling them not to stand up.
286
00:14:05,240 --> 00:14:07,440
The Chinese audience were pretty
well behaved,
287
00:14:07,480 --> 00:14:09,880
but the foreigners in
the audience were going crazy.
288
00:14:09,920 --> 00:14:13,720
They were all up dancing.
The speakers were so loud -
289
00:14:13,760 --> 00:14:15,680
boom, boom, boom.
290
00:14:15,720 --> 00:14:17,760
Our Chinese concerts were never that loud.
291
00:14:17,800 --> 00:14:19,400
My heart was jumping out of my chest.
292
00:14:19,440 --> 00:14:22,000
It was very obvious that they
actually wanted very much,
293
00:14:22,040 --> 00:14:24,440
erm, to be able to appreciate what
we were doing
294
00:14:24,480 --> 00:14:26,720
even though there was
no precedence for them,
295
00:14:26,760 --> 00:14:29,680
and even though they obviously
had no idea of how
296
00:14:29,720 --> 00:14:32,400
to react to a concert,
erm, a Western concert.
297
00:14:32,440 --> 00:14:35,440
That was a kind of seminal moment.
298
00:14:35,480 --> 00:14:39,280
I think what Wham! in China did
was mark them out
299
00:14:39,320 --> 00:14:41,240
as different from the crowd.
300
00:14:46,120 --> 00:14:49,560
Motown returns to the Apollo!
301
00:14:49,600 --> 00:14:50,960
And starring Debbie Allen,
302
00:14:51,000 --> 00:14:53,040
Tempestt Bledsoe, Lisa Bonet,
303
00:14:53,080 --> 00:14:54,520
Keshia Knight Pulliam,
304
00:14:54,560 --> 00:14:57,880
Patty LaBelle, Little Richard,
the Manhattans,
305
00:14:57,920 --> 00:15:00,640
Marilyn McCoo, George Michael of Wham!
306
00:15:05,960 --> 00:15:11,320
It was the idea of doing something
spontaneously as we did then.
307
00:15:11,360 --> 00:15:14,920
Maybe he felt a little... maybe
nervous, er,
308
00:15:14,960 --> 00:15:18,280
and I just told him, "Don't tense
up, it's all good."
309
00:15:18,320 --> 00:15:19,360
You know, and we could.
310
00:15:19,400 --> 00:15:21,160
# Hate's goin' round
311
00:15:21,200 --> 00:15:23,360
You know he had a great voice.
312
00:15:23,400 --> 00:15:24,800
It was fun, we just, you know,
313
00:15:24,840 --> 00:15:27,280
we said,
"Let's just have a good time."
314
00:15:30,760 --> 00:15:32,240
So don't go away!
315
00:15:58,840 --> 00:16:01,640
He was having hair extensions put in
for this Different Corner shoot.
316
00:16:01,680 --> 00:16:03,920
I just remember looking at him
and thinking, you know,
317
00:16:03,960 --> 00:16:05,160
"Why are you so sad
318
00:16:05,200 --> 00:16:08,400
"when everything's going so well?"
You know.
319
00:16:08,440 --> 00:16:10,960
I mean, you've just had
an album which is getting on
320
00:16:11,000 --> 00:16:14,480
to sell 20 odd million records in a year,
321
00:16:14,520 --> 00:16:17,560
and none of that success at
this point seemed
322
00:16:17,600 --> 00:16:20,720
to be making him to any degree happy.
323
00:16:22,000 --> 00:16:26,000
# Take me back in time, maybe I can forget
324
00:16:26,040 --> 00:16:32,320
# Turn a different corner and we
never would have met
325
00:16:35,440 --> 00:16:39,080
# Would you care?
326
00:16:39,120 --> 00:16:43,000
A Different Corner is
the first time where you can feel
327
00:16:43,040 --> 00:16:44,720
the sexuality of the man,
328
00:16:44,760 --> 00:16:49,640
not just as a subtext but as the
context of everything he's doing.
329
00:16:49,680 --> 00:16:52,680
It certainly felt as though we were
being given access
330
00:16:52,720 --> 00:16:55,720
to another side of him completely.
331
00:16:55,760 --> 00:16:57,520
It's clearly the work of a confused person.
332
00:16:57,560 --> 00:17:00,120
It's heartfelt
and you want to help this guy.
333
00:17:00,160 --> 00:17:03,960
It's a beautiful song which
you can read about
334
00:17:04,000 --> 00:17:08,360
a man absolutely fighting
the tenets of his...
335
00:17:08,400 --> 00:17:10,400
the central tenets of his sexuality.
336
00:17:10,440 --> 00:17:11,680
Forget the composition,
337
00:17:11,720 --> 00:17:16,000
just the way he presented that
super-confident, brave song.
338
00:17:16,040 --> 00:17:18,160
He used the image
339
00:17:18,200 --> 00:17:22,720
to focus people's attention more
by reducing it,
340
00:17:22,760 --> 00:17:23,760
by making it simpler,
341
00:17:23,800 --> 00:17:27,240
by making it more austere, if you like.
342
00:17:27,280 --> 00:17:29,040
More like a Rembrandt late self-portrait,
343
00:17:29,080 --> 00:17:32,920
so that you only focus on
the sound of his voice
344
00:17:32,960 --> 00:17:34,680
and the words that he's singing.
345
00:17:42,000 --> 00:17:46,480
Shortly after A Different Corner was
released, George announces the end
346
00:17:46,520 --> 00:17:50,120
of Wham! and a huge concert at
Wembley Stadium, the final.
347
00:17:56,680 --> 00:18:00,320
These three amazing dancers -
very sassy, all dressed in black,
348
00:18:00,360 --> 00:18:03,320
and George is the middle one.
No sign of Andrew.
349
00:18:03,360 --> 00:18:07,000
He's gonna do that thing
and he's gonna do it on his own.
350
00:18:09,560 --> 00:18:13,120
It struck me that this wasn't
Wham's last gig,
351
00:18:13,160 --> 00:18:16,040
this was George's first as a solo artist.
352
00:18:41,200 --> 00:18:45,640
# Yeah, yeah #
353
00:18:51,440 --> 00:18:54,720
She's the best, quite simply
she's the best.
354
00:18:59,000 --> 00:19:02,120
And when Aretha turned up in the limousine,
355
00:19:02,160 --> 00:19:06,120
she had just come from her
fear of flying course.
356
00:19:06,160 --> 00:19:08,880
She had an abject fear of planes.
357
00:19:08,920 --> 00:19:12,280
She was trying to get round it,
and that day they'd reached
358
00:19:12,320 --> 00:19:14,800
the stage where you go hurtling
down the runway
359
00:19:14,840 --> 00:19:17,120
but you don't actually lift off.
360
00:19:17,160 --> 00:19:20,640
So she was kind of nervous
having come through that.
361
00:19:22,760 --> 00:19:25,200
The pair of them just hit it off instantly.
362
00:19:25,240 --> 00:19:27,360
You can hear it on the song,
the ad-libbing.
363
00:19:27,400 --> 00:19:29,680
It just worked out very well.
364
00:19:29,720 --> 00:19:31,720
The Aretha video, shot in Detroit,
365
00:19:31,760 --> 00:19:33,160
George and I flew to Detroit
366
00:19:33,200 --> 00:19:36,520
and we went to a studio which
had been booked.
367
00:19:36,560 --> 00:19:39,520
Aretha arrived with 30 people
368
00:19:39,560 --> 00:19:41,960
and six limos, basically.
369
00:19:42,000 --> 00:19:45,800
And the interesting thing is people
think it was shot in different
370
00:19:45,840 --> 00:19:48,760
places because the shots of him
371
00:19:48,800 --> 00:19:52,200
and Aretha don't quite look like
they're together, and they were.
372
00:19:52,240 --> 00:19:55,160
And what we found was that
Aretha wouldn't look at
373
00:19:55,200 --> 00:19:59,160
George when they were singing.
She'd only look at her entourage.
374
00:19:59,200 --> 00:20:02,040
# A bridge that's on fire
375
00:20:02,080 --> 00:20:05,120
So, for her to get kind of eye-lined
to George, we used
376
00:20:05,160 --> 00:20:06,600
to have to move her entourage
377
00:20:06,640 --> 00:20:10,600
all the way along
the street behind his shoulder
378
00:20:10,640 --> 00:20:13,560
so it looked like she was singing to him.
379
00:20:13,600 --> 00:20:15,720
Any artist who wants to have
a career in music
380
00:20:15,760 --> 00:20:18,280
has to have a public image, and it has
381
00:20:18,320 --> 00:20:21,080
to be separate from your
private self, otherwise
382
00:20:21,120 --> 00:20:24,040
destruction is lurking on the way.
383
00:20:24,080 --> 00:20:26,960
It started with the styling. So
the jacket, and then I found
384
00:20:27,000 --> 00:20:28,440
the guitar at this pawn shop.
385
00:20:28,480 --> 00:20:31,320
He had a stylist in
LA that he didn't like and Mel -
386
00:20:31,360 --> 00:20:33,560
his sister - and I went down Melrose
387
00:20:33,600 --> 00:20:36,240
and found most of that stuff in
Leathers and Treasures,
388
00:20:36,280 --> 00:20:38,960
and there was a jacket
with "revenge" on the back,
389
00:20:39,000 --> 00:20:41,720
and then he put his pearls on,
you know, which was his kind of
390
00:20:41,760 --> 00:20:44,800
secret sign of his sexuality.
391
00:20:44,840 --> 00:20:48,280
The public image has
to have its roots in truth.
392
00:20:48,320 --> 00:20:50,920
So it has to be some aspect
of yourself that is true
393
00:20:50,960 --> 00:20:54,520
but then you are performing that person.
394
00:20:54,560 --> 00:20:57,160
# Sex is natural, sex is good
395
00:20:57,200 --> 00:20:59,600
# Not everybody does it,
but everybody should
396
00:20:59,640 --> 00:21:02,240
# Sex is natural, sex is fun
397
00:21:02,280 --> 00:21:04,520
# Sex is best when it's one on one
398
00:21:04,560 --> 00:21:07,600
I honestly can't think of really
399
00:21:07,640 --> 00:21:10,800
a more tasteless verse than,
400
00:21:10,840 --> 00:21:12,640
"Sex is natural, sex is good,
401
00:21:12,680 --> 00:21:14,920
"not everybody does it,
but everybody should."
402
00:21:14,960 --> 00:21:20,000
I mean that would rank really as one
of the most banal and trite
403
00:21:20,040 --> 00:21:22,680
three lines in rock and roll.
- How...? I don't think it's trite.
404
00:21:22,720 --> 00:21:25,350
How many people have you met in your
life that you think are better
405
00:21:25,360 --> 00:21:27,120
for not having sex?
If you think about it,
406
00:21:27,160 --> 00:21:28,920
sex is natural, sex is good,
nobody does it,
407
00:21:28,960 --> 00:21:31,710
but everything should. I genuinely
believe it, I think sex is a natural
408
00:21:31,720 --> 00:21:34,150
part of life. I didn't say, "Have it
now," or, "Have it when you're 12,"
409
00:21:34,160 --> 00:21:36,640
or, "Have it when you're 14." I
said everybody should have sex.
410
00:21:36,680 --> 00:21:38,760
I'm not gonna sit and think,
"Well, they wouldn't
411
00:21:38,800 --> 00:21:41,320
"fancy me if I wasn't a pop star or
if I wasn't a singer,
412
00:21:41,360 --> 00:21:44,560
"if I wasn't rich." Because I am
all those things, you know.
413
00:21:44,600 --> 00:21:47,720
Once you create a persona
for yourself in public
414
00:21:47,760 --> 00:21:51,400
for your career that's separate from
your private persona,
415
00:21:51,440 --> 00:21:54,640
then you blow it up to
cartoon-like proportions.
416
00:21:54,680 --> 00:21:56,720
# Cos I gotta have faith
417
00:21:56,760 --> 00:21:59,480
# Mm, I gotta have faith
418
00:21:59,520 --> 00:22:01,960
# Because I gotta have faith, faith, faith
419
00:22:02,000 --> 00:22:05,200
# I got to have faith, faith, faith
420
00:22:05,240 --> 00:22:07,240
Faith, I like that.
421
00:22:07,280 --> 00:22:11,520
# I got to have faith, faith, faith
422
00:22:11,560 --> 00:22:14,360
You take some music
and put an image with it, OK.
423
00:22:14,400 --> 00:22:19,720
Take some music and put what George
Michael did with Faith to it,
424
00:22:19,760 --> 00:22:22,320
wow, you know, then it becomes
a work of art.
425
00:22:22,360 --> 00:22:24,760
And it is its own commercial masterpiece.
426
00:22:24,800 --> 00:22:29,080
He was the only British artist who
was competing at that level.
427
00:22:29,120 --> 00:22:30,880
When the Faith tour came along, that was on
428
00:22:30,920 --> 00:22:34,160
George's shoulders completely,
there was no Andrew any more.
429
00:22:34,200 --> 00:22:37,080
So, George definitely ramped his game up.
430
00:22:37,120 --> 00:22:39,160
He decided he wanted Americans in the band.
431
00:22:39,200 --> 00:22:42,200
So we trundled off
to New York to get musicians
432
00:22:42,240 --> 00:22:44,840
and then LA, and then we got a bass player
433
00:22:44,880 --> 00:22:47,440
and a guitar player
and a background vocalist from there
434
00:22:47,480 --> 00:22:49,720
and that then became the band.
And I remember
435
00:22:49,760 --> 00:22:51,160
the sound check when he suddenly
436
00:22:51,200 --> 00:22:53,240
realised that he had musicians behind him,
437
00:22:53,280 --> 00:22:57,280
and we weren't machines.
I could see it turn in his head,
438
00:22:57,320 --> 00:23:00,640
"I've got real musicians here,"
and then that's how we got
439
00:23:00,680 --> 00:23:04,000
to do Stevie Wonder covers cos he
suddenly realised that he had people
440
00:23:04,040 --> 00:23:05,960
that could actually play that stuff,
you know.
441
00:23:06,000 --> 00:23:07,680
He knew that this was all on him,
442
00:23:07,720 --> 00:23:10,400
and he was far more involved in
the planning stages.
443
00:23:10,440 --> 00:23:12,840
George always wanted the record live,
444
00:23:12,880 --> 00:23:16,600
cos I made that mistake on
Faith - rehearsing with
445
00:23:16,640 --> 00:23:19,960
the American band and putting a
little extra guitar here
446
00:23:20,000 --> 00:23:21,920
and a little bit...
447
00:23:21,960 --> 00:23:24,040
He was not pleased when he heard it.
448
00:23:24,080 --> 00:23:26,960
He wanted everything absolutely
449
00:23:27,000 --> 00:23:29,160
the same, and every night.
450
00:23:29,200 --> 00:23:31,240
He was far more aware of what was going on
451
00:23:31,280 --> 00:23:34,440
and how this thing was building
towards what ended up being
452
00:23:34,480 --> 00:23:36,640
the biggest world tour in 1988.
453
00:23:50,640 --> 00:23:53,000
Faith had this incredibly long run
at number one in
454
00:23:53,040 --> 00:23:56,480
the States, won the Grammy and so forth,
455
00:23:56,520 --> 00:24:00,760
and produced five number ones,
I believe. Er, incredible.
456
00:24:00,800 --> 00:24:05,200
- George Michael! - George Michael!
- George... Michael!
457
00:24:09,800 --> 00:24:12,960
He came down into the lobby
of the Bel Age Hotel,
458
00:24:13,000 --> 00:24:15,440
and George had the ripped jeans thing down,
459
00:24:15,480 --> 00:24:18,080
you know? Long before it
became fashionable.
460
00:24:18,120 --> 00:24:19,320
He had this sense.
461
00:24:19,360 --> 00:24:22,240
George had this sense
of what was gonna be cool.
462
00:24:22,280 --> 00:24:26,320
And he walked down into
the Lobby of the Bel Age
463
00:24:26,360 --> 00:24:29,480
with these ripped jeans on
and I went, "Listen, mate,
464
00:24:29,520 --> 00:24:32,280
"you know, we're just sort
of breaking here in America.
465
00:24:32,320 --> 00:24:34,080
"This is a pretty cool restaurant,
466
00:24:34,120 --> 00:24:36,080
"and there's a dress code
down there."
467
00:24:36,120 --> 00:24:38,520
And he said,
"Listen, come with me," he said.
468
00:24:38,560 --> 00:24:40,680
"I'll show you why a dress code
doesn't matter
469
00:24:40,720 --> 00:24:42,080
"when you're George Michael."
470
00:24:42,120 --> 00:24:43,600
And hey, we got out the limousine.
471
00:24:43,640 --> 00:24:46,160
When George put his leg out
the limousine, I could see
472
00:24:46,200 --> 00:24:48,400
the security guy at
the door looking at his jeans,
473
00:24:48,440 --> 00:24:50,720
going, "Oh, he's going nowhere!"
474
00:24:50,760 --> 00:24:53,120
But then George followed his legs
out the limousine
475
00:24:53,160 --> 00:24:57,400
and the doors just flew open.
You know? Best table in the house.
476
00:25:01,960 --> 00:25:03,600
He was suddenly a world superstar,
477
00:25:03,640 --> 00:25:05,960
and I think that scared the life out of him
478
00:25:06,000 --> 00:25:09,280
because Faith had made him such
a... You know, he was such
479
00:25:09,320 --> 00:25:11,920
a strong image and the record
company wanted to
480
00:25:11,960 --> 00:25:13,640
turn him into this celebrity.
481
00:25:13,680 --> 00:25:16,600
That was the kind of period when he
just didn't wanna be seen by anyone,
482
00:25:16,640 --> 00:25:21,000
you know. He was upset that he was
mobbed when he came off
483
00:25:21,040 --> 00:25:22,880
a plane from LA or somewhere.
484
00:25:22,920 --> 00:25:24,560
And he had a cowboy hat on,
485
00:25:24,600 --> 00:25:27,720
a pointed cowboy,
he had all the Faith gear on.
486
00:25:27,760 --> 00:25:31,080
And I said, "Well, why don't you
dress down a bit?" You know.
487
00:25:31,120 --> 00:25:35,320
The problem is once you are
seen in that light,
488
00:25:35,360 --> 00:25:39,280
once you have... once they realise
the money in you
489
00:25:39,320 --> 00:25:41,720
and they see that you are a golden goose,
490
00:25:41,760 --> 00:25:44,480
the complete focus becomes about that.
491
00:25:44,520 --> 00:25:45,960
They were trying to control him
492
00:25:46,000 --> 00:25:48,560
and, you know, keep him doing promo
all around America
493
00:25:48,600 --> 00:25:50,320
for months and months and months.
494
00:25:50,360 --> 00:25:53,480
And, you know, being on every TV
show and chat show and...
495
00:25:53,520 --> 00:25:55,080
Are you gay? - Am I gay?
496
00:25:55,120 --> 00:25:58,000
That's a pretty direct first question!
497
00:25:58,040 --> 00:25:59,840
Although pop is all about theatre
498
00:25:59,880 --> 00:26:02,480
and performance, it has to have
an authentic core.
499
00:26:02,520 --> 00:26:03,600
No, I'm not.
500
00:26:03,640 --> 00:26:05,840
There was mismatch between what
501
00:26:05,880 --> 00:26:09,720
George was presenting and who he was.
502
00:26:09,760 --> 00:26:14,360
But the main, the main, er,
thing I like to express is that
503
00:26:14,400 --> 00:26:16,520
I don't think it's anybody's business.
504
00:26:16,560 --> 00:26:19,880
Most people seriously underestimate
505
00:26:19,920 --> 00:26:22,480
what that kind of pressure is like,
506
00:26:22,520 --> 00:26:24,720
that goldfish bowl existence.
507
00:26:24,760 --> 00:26:27,720
Cos what I'm saying is I don't think
it benefits anybody listening to my
508
00:26:27,760 --> 00:26:29,960
music to know whether or not I was
in bed with a dog
509
00:26:30,000 --> 00:26:31,440
or a man or a woman last night.
510
00:26:31,480 --> 00:26:34,080
You know, it doesn't make any difference.
511
00:26:34,120 --> 00:26:36,400
Life seemed to be getting very
difficult for him.
512
00:27:07,480 --> 00:27:10,000
The way he marketed himself,
513
00:27:10,040 --> 00:27:12,560
he made a rod for his own back.
514
00:27:12,600 --> 00:27:16,600
So, the question about George is
that having created this passion
515
00:27:16,640 --> 00:27:19,440
play, having created this conundrum,
516
00:27:19,480 --> 00:27:21,240
how the fuck do I get out of it now?
517
00:27:21,280 --> 00:27:24,760
He was the most successful
recording star in the world,
518
00:27:24,800 --> 00:27:27,560
but he was basically unhappy.
519
00:27:27,600 --> 00:27:29,840
If I use the analogy of American baseball,
520
00:27:29,880 --> 00:27:32,040
you're no longer able
to hit really cool singles and
521
00:27:32,080 --> 00:27:34,720
doubles any more. Everything had
to be a home run or grass them out
522
00:27:34,760 --> 00:27:37,600
the park, and there was no...
there was no visceral
523
00:27:37,640 --> 00:27:41,360
width to the situation any more.
524
00:27:41,400 --> 00:27:45,120
This is the moment that he turns
from being a...
525
00:27:45,160 --> 00:27:47,040
a Janet, or, you know,
526
00:27:47,080 --> 00:27:49,720
a megastar on the global stage
527
00:27:49,760 --> 00:27:51,720
to being one of the most serious
528
00:27:51,760 --> 00:27:54,760
and interesting songwriters
of his generation.
529
00:27:54,800 --> 00:27:58,240
He does this meditative,
530
00:27:58,280 --> 00:28:01,800
sad, hopeful,
531
00:28:01,840 --> 00:28:04,920
beautiful suite of songs.
532
00:28:04,960 --> 00:28:07,320
The music usually came first. Erm,
533
00:28:07,360 --> 00:28:11,480
so we would construct some parts of
534
00:28:11,520 --> 00:28:15,000
the song, and that may be
constructed with just George
535
00:28:15,040 --> 00:28:17,800
and a drum machine
and some basic keyboards.
536
00:28:17,840 --> 00:28:21,440
George needed the focus of
the songs to be on his voice.
537
00:28:21,480 --> 00:28:24,320
George wasn't a fantastic
musician. However,
538
00:28:24,360 --> 00:28:26,440
what he was able to do,
539
00:28:26,480 --> 00:28:28,680
he could hear that music
540
00:28:28,720 --> 00:28:31,480
and he would take quite
a bit of time to work out how
541
00:28:31,520 --> 00:28:33,160
to actually play that music.
542
00:28:33,200 --> 00:28:36,720
And he was using incredibly
expensive studios as almost like
543
00:28:36,760 --> 00:28:39,040
demo writing sketchbooks.
544
00:28:39,080 --> 00:28:41,720
The drum track is this -
hopefully it should come up now.
545
00:28:41,760 --> 00:28:44,960
He particularly hated cymbals and tom-toms.
546
00:28:45,000 --> 00:28:47,400
So, the music became very simple.
Everything had
547
00:28:47,440 --> 00:28:50,720
to be in his earphones
as he was singing it.
548
00:28:50,760 --> 00:28:54,560
So, he'd say, "Now, the reverb
is still not bright enough yet.
549
00:28:54,600 --> 00:28:56,760
"Make it brighter, make it longer.
550
00:28:56,800 --> 00:28:59,960
"Make those S's and T's last longer.
551
00:29:00,000 --> 00:29:03,760
"I need every one
to disappear into the distance."
552
00:29:03,800 --> 00:29:07,480
And he needed that part of the process
553
00:29:07,520 --> 00:29:10,040
to be right before he could move on.
554
00:29:10,080 --> 00:29:12,360
And he would then start to write words in
555
00:29:12,400 --> 00:29:14,600
the studio, sitting in front of
the microphone.
556
00:29:14,640 --> 00:29:16,600
And just build it up line by line.
557
00:29:16,640 --> 00:29:19,720
Singing them, see how they sound,
recording them.
558
00:29:19,760 --> 00:29:21,560
"No, it doesn't sound right," change it.
559
00:29:21,600 --> 00:29:24,480
It's like an artist with a brush and a...
560
00:29:24,520 --> 00:29:27,760
"No, that line's not right."
Get rid of that line
561
00:29:27,800 --> 00:29:29,960
and try this new line cos it's
got more impact,
562
00:29:30,000 --> 00:29:32,400
it's rhythmically better, it sounds better,
563
00:29:32,440 --> 00:29:34,520
the consonants are better.
Well, let's say, erm,
564
00:29:34,560 --> 00:29:35,920
Praying For Time, for instance.
565
00:29:35,960 --> 00:29:38,240
If you go to a song like Praying for Time,
566
00:29:38,280 --> 00:29:40,400
we had a band to record the rhythm track.
567
00:29:40,440 --> 00:29:43,840
He sang the lyrics as they came
into his head.
568
00:29:54,640 --> 00:29:59,080
It was a way of working that
I'd never, ever seen before.
569
00:29:59,120 --> 00:30:03,200
There was never any lyrics
written down, ever at all.
570
00:30:03,240 --> 00:30:06,160
And he changed the lyrics as we
were recording.
571
00:30:06,200 --> 00:30:07,720
Praying for Time is his masterpiece.
572
00:30:07,760 --> 00:30:10,360
A real anthem against poverty
and injustice.
573
00:30:10,400 --> 00:30:11,880
There comes a point where you have
574
00:30:11,920 --> 00:30:14,440
to write something which you have
not written before
575
00:30:14,480 --> 00:30:19,760
and which you're interest, erm, your
interest in any particular topic
576
00:30:19,800 --> 00:30:22,880
or subject will inspire you, and that's why
577
00:30:22,920 --> 00:30:27,280
I suppose eventually most lyricists do
578
00:30:27,320 --> 00:30:30,360
approach wider topics than sex and love.
579
00:30:30,400 --> 00:30:32,360
You can listen to Praying For Time,
580
00:30:32,400 --> 00:30:34,560
and it's completely consistent
581
00:30:34,600 --> 00:30:36,520
with this kind of character
582
00:30:36,560 --> 00:30:41,120
who is trying to be worthy of his
fame and what's happened to him.
583
00:30:41,160 --> 00:30:44,120
What is my fame good for?
How's it made things better for me?
584
00:30:44,160 --> 00:30:48,120
He understands that really art
gets reinvented
585
00:30:48,160 --> 00:30:51,440
in the heart and the soul of
the person experiencing it.
586
00:30:51,480 --> 00:30:54,000
Every personal experience is
slightly different,
587
00:30:54,040 --> 00:30:55,680
and that's quite important to preserve.
588
00:30:55,720 --> 00:30:58,200
The best pop songs are like
Rorschach tests,
589
00:30:58,240 --> 00:31:00,600
like the ink blot tests
that psychologists give
590
00:31:00,640 --> 00:31:04,200
to patients, where they see in those
shapes whatever it is that's going
591
00:31:04,240 --> 00:31:08,440
on for them. And in a way, pop
stars are like Rorschach tests too.
592
00:31:08,480 --> 00:31:12,160
People project onto them
the person they want to see,
593
00:31:12,200 --> 00:31:17,240
and when they become devoted to
a particular artist, it's
594
00:31:17,280 --> 00:31:19,880
because they perceive in that artist
something that they're
595
00:31:19,920 --> 00:31:21,240
missing in their own lives.
596
00:31:21,280 --> 00:31:24,120
I don't believe that
I am important as a pop star.
597
00:31:24,160 --> 00:31:26,600
I don't think that there are many
people that are important as
598
00:31:26,640 --> 00:31:28,520
pop stars in
the sense that they used to be.
599
00:31:28,560 --> 00:31:32,520
I don't believe that I will leave
a great mark as a, er,
600
00:31:32,560 --> 00:31:36,920
as an entity. You know? I want to
leave something as a writer.
601
00:31:47,480 --> 00:31:52,000
At the centre of this beautiful
suite of songs is a song,
602
00:31:52,040 --> 00:31:55,720
Freedom 90, which is about him
shedding his Faith image
603
00:31:55,760 --> 00:31:57,800
and shedding his fame skin.
604
00:31:57,840 --> 00:32:02,320
# All we have to do now
605
00:32:02,360 --> 00:32:04,960
# Is take these lies
606
00:32:05,000 --> 00:32:08,160
# And make them true somehow
607
00:32:08,200 --> 00:32:11,720
# All we have to see
608
00:32:11,760 --> 00:32:14,920
# Is that I don't belong to you
609
00:32:14,960 --> 00:32:18,200
# And you don't belong to me, yeah, yeah
610
00:32:18,240 --> 00:32:22,320
Then suddenly it's about artistic
reach being everything.
611
00:32:22,360 --> 00:32:25,480
They burn the Faith leather jacket
in a closet.
612
00:32:25,520 --> 00:32:28,160
You could not get anything any more
symbolic than that.
613
00:32:28,200 --> 00:32:30,800
You know he was saying,
you know, "I wasn't that.
614
00:32:30,840 --> 00:32:33,280
"I'm not that George Michael that
was in Faith any more."
615
00:32:33,320 --> 00:32:36,080
But I never wanted to be someone else.
616
00:32:36,120 --> 00:32:38,880
I wanted to be a star,
and I wanted people to love me
617
00:32:38,920 --> 00:32:41,760
and recognise me in the street.
As a child that was what I wanted,
618
00:32:41,800 --> 00:32:44,120
but I never really wanted
to be someone else.
619
00:32:44,160 --> 00:32:46,560
But you don't have that many
supermodels in your videos
620
00:32:46,600 --> 00:32:48,320
unless you want attention.
621
00:32:48,360 --> 00:32:50,520
Fame is the worst drug of all.
622
00:32:50,560 --> 00:32:52,760
I've seen it destroy people.
623
00:32:52,800 --> 00:32:56,560
There is no drug human beings
will ever come in contact with
624
00:32:56,600 --> 00:32:59,160
as powerfully narcotic as fame.
625
00:32:59,200 --> 00:33:02,440
To be there and then down to be here
626
00:33:02,480 --> 00:33:05,600
is, for some of them, more painful
than any drug addiction.
627
00:33:05,640 --> 00:33:09,400
They dynamic is, "Yeah,
I wanna be famous, I love fame,
628
00:33:09,440 --> 00:33:11,000
"I like the attention."
629
00:33:11,040 --> 00:33:14,400
On the other hand, "Don't disturb
me, I'm a private person,
630
00:33:14,440 --> 00:33:16,920
"I wanna close the doors, I don't
want paps outside my house.
631
00:33:16,960 --> 00:33:19,120
"I don't want people
investigating this."
632
00:33:19,160 --> 00:33:21,760
It seems to me there's always a paradox,
633
00:33:21,800 --> 00:33:23,920
what Jung called the tension of opposites.
634
00:33:23,960 --> 00:33:26,080
He loved fame and hated it.
635
00:33:26,120 --> 00:33:28,040
He loved the media and hated it.
636
00:33:28,080 --> 00:33:31,040
He loved music but also hated the system.
637
00:33:31,080 --> 00:33:32,200
So, there's the paradox.
638
00:33:32,240 --> 00:33:36,400
On the one hand, what you long
for is anonymity
639
00:33:36,440 --> 00:33:39,800
and your individualism and your privacy
640
00:33:39,840 --> 00:33:42,000
in a public space.
And on the other hand,
641
00:33:42,040 --> 00:33:44,280
you're required to play the game.
642
00:33:47,080 --> 00:33:50,680
And to keep up appearances,
and to put on a show from
643
00:33:50,720 --> 00:33:53,960
the moment you get out of your front door.
644
00:33:54,000 --> 00:33:56,400
It is true, yes, when you put
yourself out there as
645
00:33:56,440 --> 00:34:02,400
a performer, then you know your
life belongs to the public.
646
00:34:03,400 --> 00:34:06,000
But your soul belongs to God.
647
00:34:17,800 --> 00:34:23,080
When he was at his most happiest
was, I would say, after Rock in Rio.
648
00:34:23,120 --> 00:34:27,240
# All we have to do now
649
00:34:27,280 --> 00:34:29,320
He was fantastic!
650
00:34:29,360 --> 00:34:33,320
# Is take these lies and
make them true somehow
651
00:34:33,360 --> 00:34:37,920
# All we have to see... #
652
00:34:45,960 --> 00:34:48,480
He met the man who was
going to be the love of his life,
653
00:34:48,520 --> 00:34:50,240
Anselmo Feleppa.
654
00:34:50,280 --> 00:34:54,000
He was so happy, he was a joy to work with.
655
00:34:54,040 --> 00:34:55,560
The sense of humour.
656
00:34:55,600 --> 00:34:59,760
Anselmo was a great bloke
who'd come to the gigs,
657
00:34:59,800 --> 00:35:03,200
sitting with the band and have a
couple of beers with everybody.
658
00:35:03,240 --> 00:35:05,040
We assumed that was George's partner
659
00:35:05,080 --> 00:35:08,000
but he never introduced Anselmo
at all in that way.
660
00:35:08,040 --> 00:35:10,640
Anselmo was great to have around.
661
00:35:10,680 --> 00:35:13,000
We all knew.
662
00:35:13,040 --> 00:35:16,000
You're amongst friends,
it's fine. Not a problem.
663
00:35:16,040 --> 00:35:19,160
But for him, psychologically,
there was a problem.
664
00:35:21,480 --> 00:35:23,240
He then had the conflict
665
00:35:23,280 --> 00:35:26,640
of not being able
to tell anyone about this.
666
00:35:26,680 --> 00:35:31,560
Cypriot culture around sexuality is
very... it's, you know,
667
00:35:31,600 --> 00:35:34,440
it was, "Oh, you'll bring shame
upon the family."
668
00:35:34,480 --> 00:35:36,320
Since he came from an immigrant family,
669
00:35:36,360 --> 00:35:40,040
and I had come from an immigrant
family in America, I then felt
670
00:35:40,080 --> 00:35:45,400
quite a bit of empathy for him of
the torture for coming out for him.
671
00:35:45,440 --> 00:35:46,920
It's a very difficult childhood.
672
00:35:46,960 --> 00:35:49,360
Father, a Greek immigrant, which
wouldn't have been easy,
673
00:35:49,400 --> 00:35:51,720
worked incredibly hard.
674
00:35:51,760 --> 00:35:55,520
Disappointed having two daughters
to start with.
675
00:35:55,560 --> 00:35:58,840
Er, George came along - thrilled, but, erm,
676
00:35:58,880 --> 00:36:00,720
George wasn't the son he wanted.
677
00:36:00,760 --> 00:36:03,720
As soon as a boy realises he's
a disappointment
678
00:36:03,760 --> 00:36:06,800
to his father,
there's such a crushing feeling.
679
00:36:06,840 --> 00:36:09,520
It's like a cold hand gripping the heart.
680
00:36:09,560 --> 00:36:11,000
Jack wasn't a bad man.
681
00:36:11,040 --> 00:36:16,880
He grew up himself with his Greek
patriarchal ideas that, you know,
682
00:36:16,920 --> 00:36:18,600
the son follows the father.
683
00:36:18,640 --> 00:36:22,160
And his business by this time
was successful,
684
00:36:22,200 --> 00:36:26,400
and of course, in that high
expectation and traditional way,
685
00:36:26,440 --> 00:36:28,960
he'd expected George to go into
the business.
686
00:36:29,000 --> 00:36:32,120
I spent my whole childhood
between seven and about, well,
687
00:36:32,160 --> 00:36:35,160
really until the day that I got my
record contract having rows
688
00:36:35,200 --> 00:36:37,320
with my parents and specifically my father.
689
00:36:37,360 --> 00:36:41,800
And during family rows he would
escape to his bedroom.
690
00:36:41,840 --> 00:36:44,800
Erm, he lived a fantasy life.
691
00:36:44,840 --> 00:36:47,240
The experience of not being loved,
692
00:36:47,280 --> 00:36:52,200
not being properly seen
had tended to validate it,
693
00:36:52,240 --> 00:36:54,280
is traumatic as well.
694
00:36:54,320 --> 00:36:56,720
When you're troubled or you've had trauma,
695
00:36:56,760 --> 00:36:59,360
a way of dealing with it is
to sort of reinvent yourself,
696
00:36:59,400 --> 00:37:02,920
is to create a number
of personas over the years,
697
00:37:02,960 --> 00:37:04,640
try them out for size.
698
00:37:04,680 --> 00:37:07,520
It helps you push back the bad stuff.
699
00:37:07,560 --> 00:37:11,400
I knew Master George struggled
within his life as I did.
700
00:37:11,440 --> 00:37:14,960
I was just looking for my father to say,
701
00:37:15,000 --> 00:37:17,160
"I respect you, I respect your way."
702
00:37:17,200 --> 00:37:19,600
A lot of creative artists are
703
00:37:19,640 --> 00:37:22,000
initially driven in their childhood
704
00:37:22,040 --> 00:37:24,280
by a bad relationship with their father.
705
00:37:24,320 --> 00:37:28,440
It's later in life that they come
to realise that that bad
706
00:37:28,480 --> 00:37:31,880
relationship has led to their creativity.
707
00:37:31,920 --> 00:37:35,680
Trying to become famous is
a way of getting validation
708
00:37:35,720 --> 00:37:36,880
for yourself as a person
709
00:37:36,920 --> 00:37:39,880
that you don't feel in a personal way
710
00:37:39,920 --> 00:37:41,880
because you feel you're kind of, you are
711
00:37:41,920 --> 00:37:43,960
the person your parents warned you against.
712
00:37:44,000 --> 00:37:47,360
But if you can get lots of people
to love you on a stage,
713
00:37:47,400 --> 00:37:49,960
that will kind of make up for it
and validate you
714
00:37:50,000 --> 00:37:52,560
and make you a worthwhile person.
715
00:37:52,600 --> 00:37:54,520
If they find the love that they
were seeking from
716
00:37:54,560 --> 00:37:57,920
the crowd in an individual
who'll nourish them
717
00:37:57,960 --> 00:38:01,920
and give them that support
and love and validation,
718
00:38:01,960 --> 00:38:05,440
then something interesting can
happen in their career.
719
00:38:05,480 --> 00:38:09,320
For the first time,
George was really, really happy.
720
00:38:09,360 --> 00:38:13,320
They'd spent time at George's
fabulous home in California.
721
00:38:13,360 --> 00:38:15,760
Anselmo travelled with him for concerts
722
00:38:15,800 --> 00:38:17,560
and that sort of thing.
723
00:38:17,600 --> 00:38:18,920
But tragedy struck.
724
00:38:20,520 --> 00:38:23,920
There is now a danger that has
become a threat to us all.
725
00:38:23,960 --> 00:38:27,520
It is a deadly disease
and there is no known cure.
726
00:38:29,560 --> 00:38:32,600
The virus can be passed during
sexual intercourse with
727
00:38:32,640 --> 00:38:37,400
an infected person.
Anyone can get it, man or woman.
728
00:38:37,440 --> 00:38:41,040
Anselmo was diagnosed HIV positive.
729
00:38:41,080 --> 00:38:42,400
For the man who once sang,
730
00:38:42,440 --> 00:38:45,440
you know, "Wise guys realise
there's danger in emotional ties,"
731
00:38:45,480 --> 00:38:46,840
I mean, my God,
732
00:38:46,880 --> 00:38:51,600
because of a disease that there's
no cure for at that point,
733
00:38:51,640 --> 00:38:55,040
you probably are.
I think I knew, I was canny,
734
00:38:55,080 --> 00:38:58,600
that was my insurance policy
against this heartache.
735
00:39:18,920 --> 00:39:21,480
The rock group Queen said tonight
they were planning
736
00:39:21,520 --> 00:39:24,280
a big musical event dedicated
to their lead singer,
737
00:39:24,320 --> 00:39:26,760
Freddie Mercury, who died last
night of Aids.
738
00:39:26,800 --> 00:39:32,400
George, knowing that his great love
was seriously ill
739
00:39:32,440 --> 00:39:34,600
and might not survive,
740
00:39:34,640 --> 00:39:38,640
had to go onstage and be George Michael.
741
00:39:38,680 --> 00:39:42,000
That's a performance you've been
rehearsing your whole life for.
742
00:39:42,040 --> 00:39:44,520
But knowing Anselmo was there,
743
00:39:44,560 --> 00:39:47,120
he wasn't just performing it,
he was living it.
744
00:39:47,160 --> 00:39:51,400
How he had the nerve to just pull
off such a moment of perfection.
745
00:39:51,440 --> 00:39:57,120
# Can anybody find me
746
00:40:00,720 --> 00:40:06,200
# Somebody to...
747
00:40:06,240 --> 00:40:07,480
Come on!
748
00:40:07,520 --> 00:40:09,720
# Love.
749
00:40:24,280 --> 00:40:27,720
Anselmo died, and George wrote
his mum and dad
750
00:40:27,760 --> 00:40:30,880
a letter explaining what had
happened to him.
751
00:40:30,920 --> 00:40:33,640
And of course,
his mum was absolutely horrified
752
00:40:33,680 --> 00:40:37,640
that he'd gone through all this
without her knowing.
753
00:40:37,680 --> 00:40:44,480
And his dad responded also in a
very sympathetic way.
754
00:40:54,200 --> 00:40:58,160
It's a ridiculous situation to sign
a contract when you're 18 years old
755
00:40:58,200 --> 00:41:01,280
and be held to it for your entire
professional career.
756
00:41:01,320 --> 00:41:06,200
I am bound to a very old contract.
757
00:41:06,240 --> 00:41:08,670
The end result is that I'm still
a very wealthy man, so really
758
00:41:08,680 --> 00:41:12,200
I can understand people thinking,
"He should shut his mouth."
759
00:41:12,240 --> 00:41:13,840
But the principal is wrong.
760
00:41:16,400 --> 00:41:21,040
George reacted to Anselmo's death
with anger.
761
00:41:21,080 --> 00:41:23,440
There was an allegation at this time
that one of
762
00:41:23,480 --> 00:41:27,280
the executives at Sony had described
George Michael as a faggot.
763
00:41:27,320 --> 00:41:30,600
When this got back to George,
764
00:41:30,640 --> 00:41:33,000
he told his lawyers that come what may,
765
00:41:33,040 --> 00:41:36,200
the arrangement had to come to an end.
766
00:41:36,240 --> 00:41:39,280
The copyright belongs to
the record company.
767
00:41:39,320 --> 00:41:42,160
They have loaned the artist
the money to make
768
00:41:42,200 --> 00:41:45,960
the recording.
If an artist repays all those loans
769
00:41:46,000 --> 00:41:48,960
and the cost of production has
been paid off,
770
00:41:49,000 --> 00:41:51,880
the copyright doesn't return to the artist.
771
00:41:51,920 --> 00:41:54,120
I think that's what upsets artists
the most,
772
00:41:54,160 --> 00:41:55,840
is the fact that they've made the records,
773
00:41:55,880 --> 00:41:57,120
and especially true artists,
774
00:41:57,160 --> 00:41:59,480
they've kind of put their heart
and soul into it.
775
00:41:59,520 --> 00:42:01,760
They've actually made a person investment
776
00:42:01,800 --> 00:42:05,360
into the record, and to find that
then somebody can lock it away.
777
00:42:05,400 --> 00:42:08,480
Imagine you go to the bank
and borrow money to buy a house,
778
00:42:08,520 --> 00:42:11,920
and you place the deeds of
the house in the bank's vault.
779
00:42:11,960 --> 00:42:15,360
You pay the mortgage
and the bank keeps the deeds
780
00:42:15,400 --> 00:42:17,240
and continues to own the house.
781
00:42:17,280 --> 00:42:19,880
There isn't one other industry
782
00:42:19,920 --> 00:42:22,320
that operates on this basis.
783
00:42:22,360 --> 00:42:26,960
The music business uses you,
so you're allowed to use it back.
784
00:42:27,000 --> 00:42:30,440
The lawyers often were on both sides
of the fence.
785
00:42:30,480 --> 00:42:32,840
The lawyers were often representing
786
00:42:32,880 --> 00:42:34,760
a lot of the senior executives in
787
00:42:34,800 --> 00:42:37,440
the record company as well as
representing the artist.
788
00:42:37,480 --> 00:42:40,760
Label bosses and label heads of A&R
789
00:42:40,800 --> 00:42:44,080
have got just as big egos as artists
790
00:42:44,120 --> 00:42:47,760
but they haven't got
the release of all the glory.
791
00:42:47,800 --> 00:42:51,480
So they very often are
quite hard on artists.
792
00:42:51,520 --> 00:42:54,080
This is one industry which has
been getting away with
793
00:42:54,120 --> 00:42:56,600
the kind of stuff that the film industry
794
00:42:56,640 --> 00:42:59,320
and the sports industry
and the publishing industry
795
00:42:59,360 --> 00:43:03,320
and just about every other industry
has had to address.
796
00:43:03,360 --> 00:43:06,440
You know, the right of
the individual, the freedom of
797
00:43:06,480 --> 00:43:10,880
the individual has been obtained in
just about every other industry.
798
00:43:10,920 --> 00:43:14,000
After three days, I knew it was a no-go.
799
00:43:14,040 --> 00:43:15,320
Just look at the judge.
800
00:43:17,200 --> 00:43:19,480
The judge was a property lawyer.
801
00:43:19,520 --> 00:43:23,760
As far as he's concerned, Sony had
a piece of property.
802
00:43:23,800 --> 00:43:25,080
The judge who's trying him,
803
00:43:25,120 --> 00:43:29,920
he's seen a guy complaining about
the nuances of a life
804
00:43:29,960 --> 00:43:31,680
of a very beautiful young superstar,
805
00:43:31,720 --> 00:43:35,200
a very wealthy superstar. And I
remember thinking at some point
806
00:43:35,240 --> 00:43:37,120
that that wasn't gonna play well.
807
00:43:37,160 --> 00:43:39,240
A terrible time
of life that was, getting through
808
00:43:39,280 --> 00:43:41,440
a three-month lawsuit when
you know you haven't got
809
00:43:41,480 --> 00:43:42,920
a hope in hell of winning.
810
00:43:45,800 --> 00:43:48,040
I am shocked and extremely disappointed
811
00:43:48,080 --> 00:43:50,240
at the judgment of Mr Justice Parker.
812
00:43:50,280 --> 00:43:53,280
When Mr Justice Parker
sent down his judgment,
813
00:43:53,320 --> 00:43:56,040
the clue is in the first paragraph,
814
00:43:56,080 --> 00:43:59,680
because he refers
to George being a wealthy man.
815
00:43:59,720 --> 00:44:01,600
I think we all realised, erm,
816
00:44:01,640 --> 00:44:04,400
that he had made
so much money that it seemed
817
00:44:04,440 --> 00:44:07,160
a bit churlish to be splitting
the difference over
818
00:44:07,200 --> 00:44:08,560
a contract. On the one hand,
819
00:44:08,600 --> 00:44:10,680
we'd heard how grown up he was
and how independent
820
00:44:10,720 --> 00:44:12,480
and how self-assured,
821
00:44:12,520 --> 00:44:15,280
and yet we were being told
that he was some kind of
822
00:44:15,320 --> 00:44:19,040
little patsy being played around
with by the record company.
823
00:44:19,080 --> 00:44:21,880
The perception was that
the men in the suits
824
00:44:21,920 --> 00:44:24,320
and the record executives
that came over from
825
00:44:24,360 --> 00:44:27,520
New York were serious businessmen,
826
00:44:27,560 --> 00:44:30,400
and this was a whiney recording artist
827
00:44:30,440 --> 00:44:33,600
who had made lots of money and wanted more.
828
00:44:33,640 --> 00:44:37,080
Even though I both created
and paid for my work,
829
00:44:37,120 --> 00:44:39,960
I will never own it
or have any rights over it.
830
00:44:40,000 --> 00:44:43,920
There is no such thing as
resignation for an artist
831
00:44:43,960 --> 00:44:45,440
in the music industry.
832
00:44:45,480 --> 00:44:49,680
And peppered throughout
the judgment, he refers to
833
00:44:49,720 --> 00:44:51,960
the amount of money George has made.
834
00:44:52,000 --> 00:44:55,240
At one point echoing
a statement made by Sony.
835
00:44:55,280 --> 00:44:59,280
George Michael was going from being
excessively overpaid
836
00:44:59,320 --> 00:45:02,080
to being grossly excessively overpaid.
837
00:45:02,120 --> 00:45:03,920
When you get into court,
838
00:45:03,960 --> 00:45:08,440
you know, it's a pretty
vicious, dirty place.
839
00:45:08,480 --> 00:45:10,280
Litigation is hideous.
840
00:45:10,320 --> 00:45:13,480
It's exhausting,
its unbelievably stressful.
841
00:45:13,520 --> 00:45:17,840
For an artist to voluntarily do
that, it's a real tribute
842
00:45:17,880 --> 00:45:19,800
to the strength of their feeling.
843
00:45:19,840 --> 00:45:22,560
They do understand how important
it is for us to create,
844
00:45:22,600 --> 00:45:24,720
and they will always have that
particular leverage.
845
00:45:24,760 --> 00:45:27,480
You have to face yourself and say,
"What's more important to me?"
846
00:45:27,520 --> 00:45:30,560
Is it going further in this fight,
or is it getting back
847
00:45:30,600 --> 00:45:32,400
and just writing songs and making music?
848
00:45:32,440 --> 00:45:34,200
You're not just fighting for yourself,
849
00:45:34,240 --> 00:45:36,760
you're fighting for
a greater sense of what could make
850
00:45:36,800 --> 00:45:39,440
the industry also greater.
Because it was not necessarily
851
00:45:39,480 --> 00:45:41,200
an industry that's ever embraced
852
00:45:41,240 --> 00:45:44,520
change, even when that change
has been clearly to its benefit.
853
00:45:44,560 --> 00:45:47,440
All I know is, in this situation,
854
00:45:47,480 --> 00:45:50,880
I can only move up from that position.
855
00:45:50,920 --> 00:45:54,680
I mean, I've lost everything
in terms of, erm,
856
00:45:54,720 --> 00:45:57,520
what I tried to achieve with this action.
857
00:45:57,560 --> 00:45:59,080
Well, what happens now, then?
858
00:46:00,840 --> 00:46:01,920
Well...
859
00:46:01,960 --> 00:46:05,520
What about if they said, "George,
we'll release you absolutely,
860
00:46:05,560 --> 00:46:09,520
"we're not even gonna ask for any
transfer fee as long as just as
861
00:46:09,560 --> 00:46:12,640
"a parting gift you give us one
final album"?
862
00:46:12,680 --> 00:46:14,040
I couldn't do that.
863
00:46:14,080 --> 00:46:16,400
He knew he was gonna lose.
864
00:46:16,440 --> 00:46:20,920
He knew it, he was a realist
in things like that.
865
00:46:20,960 --> 00:46:25,400
But, as he said, you know,
"OK, so we'll lose,
866
00:46:25,440 --> 00:46:28,480
"they win the lawsuit."
867
00:46:28,520 --> 00:46:30,880
I'll never make a record for them again
868
00:46:30,920 --> 00:46:34,360
and when I do, somebody else
will pay the legal fees.
869
00:46:34,400 --> 00:46:38,680
The legendary music mogul
David Geffen went to Sony
870
00:46:38,720 --> 00:46:41,800
and said, "Look, George is never
gonna record for you again.
871
00:46:41,840 --> 00:46:45,520
"Why don't you sell his contract to
me, then at least you're covered,
872
00:46:45,560 --> 00:46:48,000
"and we can all move forward?"
873
00:46:49,920 --> 00:46:51,880
# Kindness
874
00:46:51,920 --> 00:46:56,800
# In your eyes, I guess
875
00:46:56,840 --> 00:46:59,880
# You heard me cry
876
00:46:59,920 --> 00:47:02,360
# You smiled at me
877
00:47:02,400 --> 00:47:06,600
# Like Jesus to a child... #
878
00:47:06,640 --> 00:47:09,560
We were in the studio and George
is beginning to write the lyrics
879
00:47:09,600 --> 00:47:11,520
to Jesus To A Child.
880
00:47:11,560 --> 00:47:13,720
They're coming at me,
881
00:47:13,760 --> 00:47:17,000
with this gorgeous Latin music,
882
00:47:17,040 --> 00:47:18,880
and it is heart breaking.
883
00:47:18,920 --> 00:47:22,080
What I liked about George's voice
884
00:47:22,120 --> 00:47:24,880
were songs that were talking about
885
00:47:24,920 --> 00:47:27,920
you know, painful situations,
886
00:47:27,960 --> 00:47:29,840
and I felt the pain.
887
00:47:29,880 --> 00:47:35,080
When he suffered the loss of Anselmo dying
888
00:47:35,120 --> 00:47:38,440
is when the very personal songs
started to surface
889
00:47:38,480 --> 00:47:40,480
because he'd had his validation,
890
00:47:40,520 --> 00:47:42,240
he'd lost his validation
891
00:47:42,280 --> 00:47:45,840
and there was nothing else to do
but tell the truth.
892
00:47:59,880 --> 00:48:02,200
With all that George again had gone
through,
893
00:48:02,240 --> 00:48:05,920
a grieving process with Anselmo,
and what Pray To Me,
894
00:48:05,960 --> 00:48:08,240
like, turning up on this record,
895
00:48:08,280 --> 00:48:12,560
I just turned up as a 25-year-old kid
896
00:48:12,600 --> 00:48:16,840
just full of positivity
and anything was possible.
897
00:48:16,880 --> 00:48:19,680
George just had a unique tongue.
898
00:48:19,720 --> 00:48:22,120
I can't understand the magic of it,
899
00:48:22,160 --> 00:48:26,280
but some people have just got
a tongue that just works,
900
00:48:26,320 --> 00:48:29,000
it just goes into your ears,
and it works in your brain,
901
00:48:29,040 --> 00:48:32,040
it goes down to your heart or
wherever else in your body,
902
00:48:32,080 --> 00:48:35,720
it just is a lovely thing to listen to.
903
00:48:35,760 --> 00:48:40,320
# Five o'clock in the morning
You ain't home
904
00:48:40,360 --> 00:48:43,280
# Can't help thinking that's strange
905
00:48:43,320 --> 00:48:45,520
# Yeah, yeah
906
00:48:48,240 --> 00:48:51,960
# Baby, I just want you to know
907
00:48:52,000 --> 00:48:55,000
# I won't go through it again... #
908
00:48:55,040 --> 00:49:00,240
Spinning the Wheel is an absolute
masterwork about safe sex.
909
00:49:00,280 --> 00:49:02,680
These are incredible songs.
910
00:49:02,720 --> 00:49:07,720
These are songs that nobody
else was writing, music like that,
911
00:49:07,760 --> 00:49:10,360
with that subject matter, at that time,
912
00:49:10,400 --> 00:49:13,760
and this is where he's starting
to present himself
913
00:49:13,800 --> 00:49:18,560
as a documenter
of gay men's interior lives.
914
00:49:18,600 --> 00:49:21,080
When I first met him,
George hadn't even come out,
915
00:49:21,120 --> 00:49:23,920
so even that was very much
of a kind of secret.
916
00:49:23,960 --> 00:49:27,560
There'd be stuff about lyrics
and I think I was such a fan,
917
00:49:27,600 --> 00:49:30,880
I didn't ever wanna ask him
to kind of spoil all that illusion
918
00:49:30,920 --> 00:49:35,000
which is bizarre, even songs that
I've kind of written with him.
919
00:49:35,040 --> 00:49:37,150
When Fast Love came along
I just thought it was one of
920
00:49:37,160 --> 00:49:39,200
the best records I'd ever heard.
921
00:49:39,240 --> 00:49:43,440
Fast Love on his original demo
was like a Latin kind of ballad,
922
00:49:43,480 --> 00:49:47,160
it was like a salsa,
very chilled out kind of thing,
923
00:49:47,200 --> 00:49:49,360
and I just put on my disco pants.
924
00:49:52,360 --> 00:49:55,840
George had this way
of giving you something that created
925
00:49:55,880 --> 00:49:58,960
a particular dialogue
between your hips and your heart,
926
00:49:59,000 --> 00:50:01,960
but also your head.
927
00:50:02,000 --> 00:50:04,600
We spent about three months on it
and I thought,
928
00:50:04,640 --> 00:50:07,480
"That's it, it done,
it sounds great."
929
00:50:07,520 --> 00:50:11,920
He comes in, he's like, "I want the
track to turn into Forget Me Nots"
930
00:50:11,960 --> 00:50:14,280
I was like,
"What? What you talking about?"
931
00:50:14,320 --> 00:50:16,520
# I miss my baby
932
00:50:16,560 --> 00:50:18,600
# Forget me nots... #
933
00:50:18,640 --> 00:50:21,480
Like all things, George would say
stuff and you'd kind of be like,
934
00:50:21,520 --> 00:50:24,160
"It's just a terrible idea,"
and you'd do it,
935
00:50:24,200 --> 00:50:26,760
and it was an absolutely brilliant idea.
936
00:50:28,560 --> 00:50:31,840
# Searching for some peace of mind
937
00:50:31,880 --> 00:50:33,680
# Hey, I'll help you find it... #
938
00:50:33,720 --> 00:50:39,160
On one level you could put it with
his up tempo disco club hits.
939
00:50:39,200 --> 00:50:42,200
There's an underlying bitter
sweetness to that
940
00:50:42,240 --> 00:50:45,200
with the Forget Me Nots sample
where it's kind of,
941
00:50:45,240 --> 00:50:47,640
there's a pain in there as well.
942
00:50:47,680 --> 00:50:50,680
It's like, "Yes, let's go out,"
and it's about anonymous sex,
943
00:50:50,720 --> 00:50:53,880
it's about one night stands
but then also it's about the pain
944
00:50:53,920 --> 00:50:56,240
and the loneliness that comes
with that at the same time.
945
00:50:56,280 --> 00:50:59,920
Fast Love was when
the layers fell from even
946
00:50:59,960 --> 00:51:02,360
the most naive eyes
and we thought hang on a minute,
947
00:51:02,400 --> 00:51:04,960
"What is George Michael
actually singing about?"
948
00:51:05,000 --> 00:51:06,360
When we were filming George,
949
00:51:06,400 --> 00:51:08,800
it was almost like working
with a Hollywood Icon.
950
00:51:08,840 --> 00:51:12,000
He knew the exact angle that he'd
obviously worked out in the mirror.
951
00:51:12,040 --> 00:51:15,480
He had to see himself reflected
in the map box of the camera.
952
00:51:15,520 --> 00:51:19,440
So, if you were to pan off him and
he'd go, "Whoa, whoa, stop!"
953
00:51:19,480 --> 00:51:22,120
and the minute he couldn't see
himself you'd have to start again.
954
00:51:22,160 --> 00:51:25,440
In the end we invented a kind of
little, erm, playback system
955
00:51:25,480 --> 00:51:28,640
where he could see himself through
the lens of the camera
956
00:51:28,680 --> 00:51:30,960
and so it was almost like performing
to himself.
957
00:51:31,000 --> 00:51:32,520
And then he'd let you edit it,
958
00:51:32,560 --> 00:51:34,840
but he knew exactly how he wanted
to edit it
959
00:51:34,880 --> 00:51:36,080
and it was always in his head.
960
00:51:36,120 --> 00:51:38,280
We'd show him a cut
and he'd go, "Yeah, great."
961
00:51:38,320 --> 00:51:40,560
And then it would be, "OK,
start again."
962
00:51:56,720 --> 00:51:58,280
We met, end of May,
963
00:51:58,320 --> 00:52:00,840
and by the middle of June I came home,
964
00:52:00,880 --> 00:52:04,560
and he said, "Darling, I wanna show
you this jumper"
965
00:52:04,600 --> 00:52:06,760
and he took me back to the house.
I'm like, "Jumper?"
966
00:52:06,800 --> 00:52:09,240
That's something a cheerleader
wears, that's all stretchy,
967
00:52:09,280 --> 00:52:10,680
one piece, that girls wear.
968
00:52:10,720 --> 00:52:12,040
So I went back there
969
00:52:12,080 --> 00:52:14,360
and he pulled out these two rings
he'd got in Maxfield.
970
00:52:14,400 --> 00:52:17,600
"I want you to have this.
Let's be together."
971
00:52:20,080 --> 00:52:22,160
They were best friends in many ways.
972
00:52:22,200 --> 00:52:25,320
Kenny had quite a calming effect.
973
00:52:25,360 --> 00:52:29,240
They both shared a great love of dogs.
974
00:52:29,280 --> 00:52:30,720
For the first time in his life,
975
00:52:30,760 --> 00:52:35,120
he can phone up his mum
because she now knows, erm,
976
00:52:35,160 --> 00:52:37,040
that he's a gay man.
977
00:52:37,080 --> 00:52:39,600
So, he phones up to let her know
that he's met somebody
978
00:52:39,640 --> 00:52:42,800
and of course,
she's wonderfully happy about this.
979
00:52:42,840 --> 00:52:45,920
But during the same phone call
980
00:52:45,960 --> 00:52:50,000
she also tells him that
she's had a cancer scare
981
00:52:50,040 --> 00:52:54,240
and that scare, unfortunately,
became a reality
982
00:52:54,280 --> 00:52:56,680
and she sadly died.
983
00:53:06,920 --> 00:53:10,600
I suppose a lot of people would ask
the question about why you,
984
00:53:10,640 --> 00:53:12,080
as a public figure,
985
00:53:12,120 --> 00:53:14,680
as somebody who is recognised,
both here and America,
986
00:53:14,720 --> 00:53:17,040
why do you take such an outrageous risk?
987
00:53:17,080 --> 00:53:19,080
Well, I suppose that's
the whole point, isn't it?
988
00:53:19,120 --> 00:53:20,920
It gets addictive, reckless behaviour.
989
00:53:20,960 --> 00:53:22,920
So, it becomes a point sometimes
990
00:53:22,960 --> 00:53:27,120
where you're taking more of a risk,
the chance of you being caught,
991
00:53:27,160 --> 00:53:28,880
you're doing things more openly.
992
00:53:28,920 --> 00:53:31,480
Beverly Hills Police Officers
arrested the singer
993
00:53:31,520 --> 00:53:34,120
known as George Michael.
994
00:53:34,160 --> 00:53:35,920
It was a throwback to the '50s.
995
00:53:35,960 --> 00:53:37,560
It was an Agent Provocateur.
996
00:53:37,600 --> 00:53:40,240
The policeman was actively
997
00:53:40,280 --> 00:53:44,040
manipulating himself which is really wrong,
998
00:53:44,080 --> 00:53:45,800
that's entrapment.
999
00:53:45,840 --> 00:53:49,200
There's someone standing there
waving their genitals at you.
1000
00:53:49,240 --> 00:53:51,480
You don't think that they're
an officer of the law!
1001
00:53:51,520 --> 00:53:53,720
It's not your first presumption.
1002
00:53:53,760 --> 00:53:58,080
I quite often see celebrities of
what I call the bubbles of shame.
1003
00:53:58,120 --> 00:54:00,440
So, their lives are kind of all right,
1004
00:54:00,480 --> 00:54:03,560
but then they have a moment where
they do something really reckless
1005
00:54:03,600 --> 00:54:08,080
and really foolish, almost as if
they want to be exposed.
1006
00:54:08,120 --> 00:54:10,800
My reaction to this was,
"I'm not gonna be like another one
1007
00:54:10,840 --> 00:54:13,520
"of these people that's peeking out
from behind their net curtains
1008
00:54:13,560 --> 00:54:14,800
"a month later."
1009
00:54:14,840 --> 00:54:16,640
I thought, I'm just gonna
go out for a meal.
1010
00:54:16,680 --> 00:54:19,560
I know they'll all chase me,
and it did cause havoc,
1011
00:54:19,600 --> 00:54:22,880
you had all these cars
going across red lights,
1012
00:54:22,920 --> 00:54:25,760
and I was just ambling down
to my local restaurant, you know.
1013
00:54:25,800 --> 00:54:28,600
I think it's pretty brave of him to
come and do something like this.
1014
00:54:28,640 --> 00:54:32,640
When you're caught, it's taking
the responsibility away from you,
1015
00:54:32,680 --> 00:54:34,120
because it stops you in your tracks.
1016
00:54:34,160 --> 00:54:35,720
It's the moment where you have to go,
1017
00:54:35,760 --> 00:54:37,800
"Sharp intake of breathe,
what shall I do now?"
1018
00:54:37,840 --> 00:54:40,160
And I literally got a call
the next day going,
1019
00:54:40,200 --> 00:54:42,040
"I'm gonna make a song about it"
1020
00:54:42,080 --> 00:54:43,560
and it's kind of, "Great."
1021
00:54:43,600 --> 00:54:45,360
It was just the perfect answer.
1022
00:54:45,400 --> 00:54:47,240
It was the perfect clap back
1023
00:54:47,280 --> 00:54:49,720
and I think he just wanted
to just go, "Fuck it,"
1024
00:54:49,760 --> 00:54:51,720
and just reply with a load of humour.
1025
00:54:51,760 --> 00:54:53,760
When you get on with somebody
and you gel with them
1026
00:54:53,800 --> 00:54:55,440
and you've got the same sense of humour,
1027
00:54:55,480 --> 00:54:57,480
and when you tell somebody an idea,
1028
00:54:57,520 --> 00:54:59,550
sometimes you tell somebody
and there's a blank look.
1029
00:54:59,560 --> 00:55:01,950
But when you tell George an idea
and you see a little sparkle
1030
00:55:01,960 --> 00:55:03,360
and there's a little smirk...
1031
00:55:03,400 --> 00:55:05,840
So, he was really not George Michael
the superstar,
1032
00:55:05,880 --> 00:55:07,960
George was in the crew van
with all the crew
1033
00:55:08,000 --> 00:55:09,320
and everyone's chatting to him,
1034
00:55:09,360 --> 00:55:11,640
and he was telling everybody
the stories of life.
1035
00:55:11,680 --> 00:55:13,910
He'd be telling about he was in
a restaurant with Lady Di
1036
00:55:13,920 --> 00:55:16,320
and then he'd see someone putting
a parking ticket on his car
1037
00:55:16,360 --> 00:55:18,680
and he'd go running out to
the parking warden
1038
00:55:18,720 --> 00:55:20,080
and just offer his autograph.
1039
00:55:20,120 --> 00:55:22,960
Just really nice things
like that kind of thing.
1040
00:55:23,000 --> 00:55:24,440
He'd say, "What are you thinking?"
1041
00:55:24,480 --> 00:55:26,800
and it would always be, you know,
I'd kind of trigger it.
1042
00:55:26,840 --> 00:55:29,080
I think he had loads of ideas in his head.
1043
00:55:29,120 --> 00:55:31,720
For me, I wasn't quite sure how
to portray the whole thing
1044
00:55:31,760 --> 00:55:35,520
but all I could see was just this
toilet turning into a disco.
1045
00:55:35,560 --> 00:55:38,840
# Take me to the places that I love best
1046
00:55:38,880 --> 00:55:42,480
# And, yes I've been bad
1047
00:55:42,520 --> 00:55:46,240
#Doctor won't you do with me
what you can... #
1048
00:55:46,280 --> 00:55:49,160
He wanted to kind of develop it more
to make a secondary video
1049
00:55:49,200 --> 00:55:51,040
which was slightly more hardcore
1050
00:55:51,080 --> 00:55:54,760
and a more hardcore porn version of
it running at the same time.
1051
00:55:54,800 --> 00:55:58,840
He was around maybe 50% of
the time on the shots
1052
00:55:58,880 --> 00:56:00,120
and things like that.
1053
00:56:00,160 --> 00:56:02,200
Obviously, for his scene he
was there all the time.
1054
00:56:02,240 --> 00:56:03,830
He would just let us go off and do things
1055
00:56:03,840 --> 00:56:05,310
cos a lot of it was shot from the air.
1056
00:56:05,320 --> 00:56:07,520
We wanted people making out in in public,
1057
00:56:07,560 --> 00:56:10,640
as if it was a nude scene or something
1058
00:56:10,680 --> 00:56:14,000
so it had to be done somewhere where
people couldn't see you doing it.
1059
00:56:14,040 --> 00:56:16,920
Some of it was full penetration
as well that we were doing.
1060
00:56:16,960 --> 00:56:19,720
So, yeah, that was full-on
in the control tower.
1061
00:56:19,760 --> 00:56:22,920
People like myself trapped
in that prism almost,
1062
00:56:22,960 --> 00:56:25,600
it was a kind of ray of light.
1063
00:56:25,640 --> 00:56:27,960
It was mocking his tormentors,
it was ridiculing them,
1064
00:56:28,000 --> 00:56:30,960
it was making them look ridiculous
and absurd.
1065
00:56:31,000 --> 00:56:34,360
Like the couple in
the van on top of the cliff,
1066
00:56:34,400 --> 00:56:36,840
then we had the other couple
who are kissing
1067
00:56:36,880 --> 00:56:38,560
on top of the mast on the ship.
1068
00:56:38,600 --> 00:56:41,040
The executive producer on it,
who played the part,
1069
00:56:41,080 --> 00:56:43,840
he was one of the cops snogging
on the roof with his partner.
1070
00:56:43,880 --> 00:56:46,440
He wanted to use it to let his family know.
1071
00:56:46,480 --> 00:56:48,720
The idea was to actually expand the video
1072
00:56:48,760 --> 00:56:51,840
and make a porn movie of it as well.
1073
00:56:51,880 --> 00:56:54,440
That was the idea, but it never got
made. I think it got canned.
1074
00:56:54,480 --> 00:56:56,880
George, why do you feel compelled
to open up
1075
00:56:56,920 --> 00:57:00,040
a very private part of your life
and make it so public?
1076
00:57:00,080 --> 00:57:02,800
Well, I feel because I've kind
of done that, haven't I?
1077
00:57:02,840 --> 00:57:05,400
I've done that in a way that I
didn't really intend to.
1078
00:57:05,440 --> 00:57:07,040
Oh, thank fuck for that.
1079
00:57:07,080 --> 00:57:10,960
Thank fuck that he can actually be
himself cos if he's pretending
1080
00:57:11,000 --> 00:57:13,760
we're having to pretend as well,
you know what I mean?
1081
00:57:13,800 --> 00:57:16,440
Don't wanna be sitting there going,
"Did you see the game, George?
1082
00:57:16,480 --> 00:57:18,320
"Look at the tits on her."
That's pointless.
1083
00:57:18,360 --> 00:57:21,440
There were periods, more than a couple,
1084
00:57:21,480 --> 00:57:26,640
where the country wanted to put
their collective arms around George
1085
00:57:26,680 --> 00:57:28,720
and say, "We like you, it's OK."
1086
00:57:28,760 --> 00:57:32,640
In a way he was in a situation where
the closet door was kicked open
1087
00:57:32,680 --> 00:57:35,600
but then he walked through tall and proud.
1088
00:57:35,640 --> 00:57:39,360
That's the moment that he will be
loved for forever
1089
00:57:39,400 --> 00:57:41,880
by a generation of gay men.
1090
00:57:41,920 --> 00:57:45,280
George had to do community service.
1091
00:57:45,320 --> 00:57:48,960
So, he came here,
and he was put on dessert duty
1092
00:57:49,000 --> 00:57:52,720
and on that day we were making
white cakes as dessert
1093
00:57:52,760 --> 00:57:54,000
for all of our clients.
1094
00:57:54,040 --> 00:57:57,440
He really cared about these clients.
1095
00:57:57,480 --> 00:58:00,840
It wasn't as if he picked a random place
1096
00:58:00,880 --> 00:58:03,040
to do his community service.
1097
00:58:03,080 --> 00:58:07,640
It was a place that he had been
donating to for five years
1098
00:58:07,680 --> 00:58:10,800
and had served people
who were dying of Aids.
1099
00:58:10,840 --> 00:58:15,200
He was very dedicated to doing this
and very serious about it.
1100
00:58:15,240 --> 00:58:17,920
You know, he celebrated it.
1101
00:58:17,960 --> 00:58:20,120
People like George's life are accidents,
1102
00:58:20,160 --> 00:58:24,040
they're purposely designed into the matrix
1103
00:58:24,080 --> 00:58:28,560
to do what it is that they need to
do to move the rest of us forward.
1104
00:58:30,360 --> 00:58:32,120
I used to be in charge of the fundraising
1105
00:58:32,160 --> 00:58:33,520
for the Terrence Higgins Trust,
1106
00:58:33,560 --> 00:58:35,480
the biggest Aids charity around
1107
00:58:35,520 --> 00:58:37,560
and I used to have these little dinners.
1108
00:58:37,600 --> 00:58:38,920
I'd have these big gala ones
1109
00:58:38,960 --> 00:58:41,280
but I'd have little ones for the big names.
1110
00:58:41,320 --> 00:58:45,880
I remember one where
Mick Hucknall and David Gilmore
1111
00:58:45,920 --> 00:58:49,560
and George in a little downstairs
room at Carluccio's.
1112
00:58:49,600 --> 00:58:54,680
I told them about what Terrence
Higgins Trust needed to keep going,
1113
00:58:54,720 --> 00:58:57,800
what the work it was doing,
and everyone around the table
1114
00:58:57,840 --> 00:59:00,640
was being extremely
generous and George said,
1115
00:59:00,680 --> 00:59:05,200
"Erm, I was thinking maybe not
just write you a cheque,"
1116
00:59:05,240 --> 00:59:06,600
and my heart slightly sank.
1117
00:59:06,640 --> 00:59:09,000
But, no, he said, "I've got this new album,
1118
00:59:09,040 --> 00:59:12,600
"this best of called Ladies
& Gentlemen,
1119
00:59:12,640 --> 00:59:16,960
"and I thought maybe you could use
the UK residuals from that."
1120
00:59:17,000 --> 00:59:20,640
I said, "What do you mean?
The money you earn from it?"
1121
00:59:20,680 --> 00:59:23,040
He said, "Yeah."
I said, "All of it?"
1122
00:59:23,080 --> 00:59:26,200
He said, "Yeah,
but don't tell anybody."
1123
00:59:26,240 --> 00:59:28,720
So, I wasn't allowed to tell anyone,
I can tell you now,
1124
00:59:28,760 --> 00:59:31,640
and people know what
an extraordinary man he was.
1125
00:59:31,680 --> 00:59:35,200
But, wow, that generosity.
I mean I... I cried,
1126
00:59:35,240 --> 00:59:38,000
I was just simply amazed by it.
1127
00:59:38,040 --> 00:59:40,480
Cos he was a sweet,
1128
00:59:40,520 --> 00:59:43,480
vulnerable, hurting man,
for most of his life
1129
00:59:43,520 --> 00:59:48,920
and yet he had this giant
sort of strength and courage
1130
00:59:48,960 --> 00:59:53,520
and this ability to say things that
would do him harm as if he wanted,
1131
00:59:53,560 --> 00:59:55,680
like a child will break his own toys.
1132
00:59:55,720 --> 00:59:58,840
As if he wanted to break out
of the space of stardom
1133
00:59:58,880 --> 01:00:00,520
and admiration and riches.
1134
01:00:00,560 --> 01:00:02,760
As if he wanted to be free of that
1135
01:00:02,800 --> 01:00:05,840
so that he could express something
much more primarily about himself.
1136
01:00:05,880 --> 01:00:08,280
And that's almost
the definition of an artist.
1137
01:00:18,240 --> 01:00:21,840
There were times in the last five,
six years that I was very tempted
1138
01:00:21,880 --> 01:00:24,200
to just say you know what,
"Forget it."
1139
01:00:24,240 --> 01:00:27,560
It was a four-year period
of just making track after track.
1140
01:00:27,600 --> 01:00:28,960
"This is too difficult,
1141
01:00:29,000 --> 01:00:31,240
"you're not gonna come up with
the album that you need."
1142
01:00:31,280 --> 01:00:33,000
I think it was just under 1,000 tracks.
1143
01:00:33,040 --> 01:00:35,440
"You're driving yourself
crazy with it."
1144
01:00:35,480 --> 01:00:38,320
I think we whittled it down
to about 300 tracks
1145
01:00:38,360 --> 01:00:40,240
that we had on data cassettes.
1146
01:00:40,280 --> 01:00:42,040
I was almost ready to give up.
1147
01:00:42,080 --> 01:00:43,480
Out of this 300
1148
01:00:43,520 --> 01:00:47,720
I think two ended up
forming on to Patience.
1149
01:00:47,760 --> 01:00:50,720
The fact that it feels more gay
to people is probably due
1150
01:00:50,760 --> 01:00:54,320
to the fact that my life is more of
an open book these days.
1151
01:00:54,360 --> 01:00:57,720
By Patience he was like a blueprint
1152
01:00:57,760 --> 01:00:59,480
for an elder statesman of pop.
1153
01:00:59,520 --> 01:01:02,280
It would be a horrible way
to leave my career,
1154
01:01:02,320 --> 01:01:07,120
to leave people thinking that my
sexuality took away my market
1155
01:01:07,160 --> 01:01:08,560
cos I just knew that wasn't true.
1156
01:01:08,600 --> 01:01:11,040
And he really found his look.
1157
01:01:11,080 --> 01:01:12,480
It's really important to say,
1158
01:01:12,520 --> 01:01:16,560
"Look, it is not damaging,
if you have ability,
1159
01:01:16,600 --> 01:01:21,560
"it is not damaging, erm,
to have the confidence to come out."
1160
01:01:21,600 --> 01:01:25,160
Every album there were enough good
songs on it to justify the wait
1161
01:01:25,200 --> 01:01:28,160
and I think as long as he kept doing
that, his fans were going nowhere.
1162
01:01:28,200 --> 01:01:31,280
For my sins I do check out my fan websites
1163
01:01:31,320 --> 01:01:34,280
and they'll say, "He sounds a bit gay now,"
1164
01:01:34,320 --> 01:01:36,720
or, "That bit at the beginning
there sounds really gay."
1165
01:01:36,760 --> 01:01:38,000
And you're just thinking,
1166
01:01:38,040 --> 01:01:40,200
"It sounds exactly like
I've always sounded.
1167
01:01:40,240 --> 01:01:41,960
"It's just you know I am gay."
1168
01:01:42,000 --> 01:01:44,760
But he just seemed to be cruising
at that point
1169
01:01:44,800 --> 01:01:47,600
into middle age pop serenity.
1170
01:01:47,640 --> 01:01:51,080
I think I have quite
a good take on both sexes,
1171
01:01:51,120 --> 01:01:53,400
maybe cos I grew up with two sisters
1172
01:01:53,440 --> 01:01:55,720
and also because of the relationships I had
1173
01:01:55,760 --> 01:01:57,360
in my earlier life with women,
1174
01:01:57,400 --> 01:02:00,560
and now having totally, err,
1175
01:02:00,600 --> 01:02:02,320
I suppose,
1176
01:02:02,360 --> 01:02:05,400
I feel totally part of gay culture now.
1177
01:02:05,440 --> 01:02:07,800
# I'll be your sexual freeek
1178
01:02:07,840 --> 01:02:09,640
# Of the week
1179
01:02:09,680 --> 01:02:11,640
# You're such a sexy mama
1180
01:02:11,680 --> 01:02:14,280
# I'll be your inspirational brother
1181
01:02:14,320 --> 01:02:16,920
# I think I need a re-booty
1182
01:02:16,960 --> 01:02:18,840
# I'll be your sexual freeek... #
1183
01:02:20,800 --> 01:02:22,160
It was that level of defiance.
1184
01:02:22,200 --> 01:02:26,160
He wasn't going to be a sanitised
air-brushed gay man
1185
01:02:26,200 --> 01:02:28,560
who you could have along at dinner parties
1186
01:02:28,600 --> 01:02:30,400
and "Isn't he so civilised?"
1187
01:02:30,440 --> 01:02:34,800
Freak, when you think of the public,
it was maybe a step too far,
1188
01:02:34,840 --> 01:02:38,600
commercial public, cos it putting
his sexuality out there in such
1189
01:02:38,640 --> 01:02:41,000
an aggressive way that
I think people didn't know how
1190
01:02:41,040 --> 01:02:42,280
to take it at the time.
1191
01:02:42,320 --> 01:02:45,680
It was a rare commercial misstep for him.
1192
01:02:45,720 --> 01:02:48,440
We wanted to do
a ballet which was just like
1193
01:02:48,480 --> 01:02:50,680
where George was the Devil,
1194
01:02:50,720 --> 01:02:53,200
and he also had this big,
long cock which was like his tail.
1195
01:02:53,240 --> 01:02:54,880
He wanted to do it with the Royal Ballet
1196
01:02:54,920 --> 01:02:56,840
with them covered in tattoos glue sniffing.
1197
01:02:56,880 --> 01:02:58,840
George was telling me
the idea and he was saying,
1198
01:02:58,880 --> 01:03:01,960
"I wanna be Captain FF"
which was Captain Fist Fucker
1199
01:03:02,000 --> 01:03:04,280
and all these things
and I was saying, "I'm not sure,
1200
01:03:04,320 --> 01:03:06,880
"I can't see how it's gonna work"
and I didn't get it.
1201
01:03:06,920 --> 01:03:08,680
I just felt it was the wrong way to go,
1202
01:03:08,720 --> 01:03:12,480
to go too far to try
and get a youth audience in.
1203
01:03:12,520 --> 01:03:16,000
Gay people are some of the most
interesting people on the planet
1204
01:03:16,040 --> 01:03:18,640
because they are born into an environment
1205
01:03:18,680 --> 01:03:21,080
which is gonna be difficult for them,
1206
01:03:21,120 --> 01:03:25,840
The world is full of human beings
trying to procreate
1207
01:03:25,880 --> 01:03:27,840
and that's not what we're here for.
1208
01:03:27,880 --> 01:03:32,680
If you are strong enough to realise
that what you are is not wrong,
1209
01:03:32,720 --> 01:03:35,720
and yet a large percentage of
the world is telling you it is,
1210
01:03:35,760 --> 01:03:38,200
then you begin to question everything.
1211
01:03:38,240 --> 01:03:40,560
# I'm gonna shoot the dog
1212
01:03:40,600 --> 01:03:42,720
# I'm gonna shoot the dog
1213
01:03:42,760 --> 01:03:43,760
# Come on, ladies
1214
01:03:43,800 --> 01:03:46,880
# Nine, nine, nine gettin' jiggy
1215
01:03:46,920 --> 01:03:48,960
# People, did you see... #
1216
01:03:49,000 --> 01:03:54,440
"Shoot The Dog" now is almost
a prophetic song,
1217
01:03:54,480 --> 01:03:58,720
because almost everyone now agrees
with him on the rights and wrongs
1218
01:03:58,760 --> 01:04:00,040
of the Iraq War.
1219
01:04:00,080 --> 01:04:02,280
But he took the stance that was,
at that time,
1220
01:04:02,320 --> 01:04:04,160
considered very threatening.
1221
01:04:04,200 --> 01:04:07,360
Tony Blair has no authority to do this.
1222
01:04:07,400 --> 01:04:10,880
He's the Prime Minister,
he is not someone we are supposed
1223
01:04:10,920 --> 01:04:15,520
to follow into lethal situations
without asking questions.
1224
01:04:15,560 --> 01:04:17,920
I interviewed him in
so many different situations.
1225
01:04:17,960 --> 01:04:20,600
One when he produced this record
called "Shoot The Dog,"
1226
01:04:20,640 --> 01:04:23,800
which was about the Iraq War
in the early 2000s,
1227
01:04:23,840 --> 01:04:27,120
and he was ranting against
George Bush and against Tony Blair.
1228
01:04:27,160 --> 01:04:29,120
He came into the studio, and he sat down,
1229
01:04:29,160 --> 01:04:30,720
and we opened up the microphone,
1230
01:04:30,760 --> 01:04:33,160
and he just laid into to me,
1231
01:04:33,200 --> 01:04:35,440
into Radio 1, into everything.
1232
01:04:35,480 --> 01:04:37,120
You know, I mean, he had the forum,
1233
01:04:37,160 --> 01:04:39,760
you know it was live radio,
he could say what he liked,
1234
01:04:39,800 --> 01:04:41,280
he had me over a barrel
1235
01:04:41,320 --> 01:04:44,080
and, you know, when George was
on a mission, he was on a mission.
1236
01:04:44,120 --> 01:04:46,120
It was a very provocative record,
1237
01:04:46,160 --> 01:04:48,520
and it was a huge risk
1238
01:04:48,560 --> 01:04:52,240
with his American career which
wasn't that big by then anyway,
1239
01:04:52,280 --> 01:04:54,760
so I'm not sure really how big
a risk it was.
1240
01:04:54,800 --> 01:04:57,040
But it was typical George Michael.
1241
01:04:57,080 --> 01:05:00,840
It was provocative, it was designed
to get everybody talking,
1242
01:05:00,880 --> 01:05:02,680
had a very provocative video with it.
1243
01:05:02,720 --> 01:05:06,040
And he knew that the media would be
very important to him to drive
1244
01:05:06,080 --> 01:05:07,880
the narrative of that record.
1245
01:05:07,920 --> 01:05:11,640
This is about Rupert Murdoch
and my making, er,
1246
01:05:11,680 --> 01:05:13,840
what he considered to be statements
1247
01:05:13,880 --> 01:05:16,640
that were anti-American at this time, er,
1248
01:05:16,680 --> 01:05:18,560
is something that is obviously...
1249
01:05:18,600 --> 01:05:20,880
I'm the kind of guy that has
to be slapped down,
1250
01:05:20,920 --> 01:05:23,760
and I'm just saying,
"I won't be slapped down."
1251
01:05:23,800 --> 01:05:26,280
You might even take away my career,
you might manage it,
1252
01:05:26,320 --> 01:05:30,080
but I know that I'm not going to
let it happen without a fight.
1253
01:05:30,120 --> 01:05:35,880
And basically, I am going to be
in the centre of a war of PR
1254
01:05:35,920 --> 01:05:39,760
with Mr Rupert Murdoch
if he doesn't leave me alone.
1255
01:05:39,800 --> 01:05:42,960
It's a fine line, really,
between self-destruction
1256
01:05:43,000 --> 01:05:45,320
and contrariness, and bravery.
1257
01:05:45,360 --> 01:05:47,600
And he exhibits all three to me.
1258
01:05:47,640 --> 01:05:49,200
You take on the Murdoch empire,
1259
01:05:49,240 --> 01:05:51,160
you take on the tabloids at your peril.
1260
01:05:51,200 --> 01:05:54,080
I mean, they are very patient
and very powerful.
1261
01:05:54,120 --> 01:05:57,240
And once you cross them, they don't forget.
1262
01:05:57,280 --> 01:06:01,800
The point that really destroyed him,
I think, was when he came out
1263
01:06:01,840 --> 01:06:03,520
against the Murdoch newspapers,
1264
01:06:03,560 --> 01:06:05,080
and these papers went for him.
1265
01:06:05,120 --> 01:06:07,280
He knew he would get eaten alive,
and he did.
1266
01:06:21,640 --> 01:06:24,880
With George being so upfront about
his sex life and defending
1267
01:06:24,920 --> 01:06:26,560
cruising on Hampstead Heath,
1268
01:06:26,600 --> 01:06:29,040
er, with his political songs,
1269
01:06:29,080 --> 01:06:32,720
with a clear controversial social message,
1270
01:06:32,760 --> 01:06:37,120
he knew that the tabloids would
probably gun for him.
1271
01:06:37,160 --> 01:06:38,440
And, indeed they did.
1272
01:06:38,480 --> 01:06:41,240
..Possession of cannabis after
being found slumped in his car
1273
01:06:41,280 --> 01:06:42,280
on both occasions.
1274
01:06:42,320 --> 01:06:44,160
Sky's Sarah Hughes reports.
1275
01:06:44,200 --> 01:06:46,680
This stuff keeps me sane and happy.
1276
01:06:48,040 --> 01:06:51,960
I could write without it
if I was sane and happy.
1277
01:06:55,040 --> 01:06:57,840
Well, this is the worst possible
timing for George Michael.
1278
01:06:57,880 --> 01:07:00,640
He's just started a 28-city European tour,
1279
01:07:00,680 --> 01:07:03,000
he's only had one date so far -
and now, once again,
1280
01:07:03,040 --> 01:07:05,800
he's in the headlines
for something other than his music.
1281
01:07:05,840 --> 01:07:07,600
The timing is atrocious.
1282
01:07:07,640 --> 01:07:09,840
Is it an accident,
or is there a possibility
1283
01:07:09,880 --> 01:07:11,360
that he does it deliberately?
1284
01:07:11,400 --> 01:07:13,400
Oh, a lot of people speculate
that this is someone
1285
01:07:13,440 --> 01:07:15,000
who just likes the attention.
1286
01:07:15,040 --> 01:07:17,800
So, with that amount of power
that he had in his command,
1287
01:07:17,840 --> 01:07:19,960
and I think he liked to challenge himself.
1288
01:07:20,000 --> 01:07:22,040
And I think what when you're a control...
1289
01:07:22,080 --> 01:07:23,240
..wanting to be in control,
1290
01:07:23,280 --> 01:07:25,840
one of the ways to challenge
yourself or thrill yourself,
1291
01:07:25,880 --> 01:07:28,840
or entertain himself by putting
himself into situations where
1292
01:07:28,880 --> 01:07:30,360
there was a huge challenge,
1293
01:07:30,400 --> 01:07:32,360
and he could potentially lose control,
1294
01:07:32,400 --> 01:07:34,120
he would dance on that knife edge.
1295
01:07:34,160 --> 01:07:35,880
It's the second time of the year...
1296
01:07:35,920 --> 01:07:37,160
George, George, George!
1297
01:07:37,200 --> 01:07:39,200
..an unused spliff in the car...
1298
01:07:39,240 --> 01:07:42,680
and no drink or drugs in my body.
1299
01:07:42,720 --> 01:07:47,800
He did manage to do the thing
that he professed to want to do.
1300
01:07:47,840 --> 01:07:50,360
He destroyed his own star quality.
1301
01:07:50,400 --> 01:07:52,000
And in doing that,
1302
01:07:52,040 --> 01:07:53,920
he didn't become any less special.
1303
01:07:53,960 --> 01:07:56,000
In fact, he became more magical,
1304
01:07:56,040 --> 01:08:00,240
because he became more quantifiable,
and more knowable to you.
1305
01:08:00,280 --> 01:08:02,360
There's no drink or drugs in my body.
1306
01:08:02,400 --> 01:08:05,720
As a journalist,
you're aware it's all good fodder.
1307
01:08:05,760 --> 01:08:09,040
And as a big lifetime fan,
1308
01:08:09,080 --> 01:08:13,760
it's just desperately upsetting
to see that the person that you
1309
01:08:13,800 --> 01:08:18,800
have always celebrated so much
is reduced to becoming that fodder.
1310
01:08:18,840 --> 01:08:22,720
I have not cheated or lied
about my sex life.
1311
01:08:22,760 --> 01:08:24,640
Why are those cameras there?
1312
01:08:24,680 --> 01:08:28,240
To trap an individual in something
which is a completely normal,
1313
01:08:28,280 --> 01:08:32,640
commonplace, er,
part of his cultural activity.
1314
01:08:32,680 --> 01:08:35,840
He revelled in his own sexuality
1315
01:08:35,880 --> 01:08:40,080
and felt it was really important
to be honest, upfront,
1316
01:08:40,120 --> 01:08:43,560
and open about the fact
that he really enjoyed sex.
1317
01:08:43,600 --> 01:08:47,000
If you get some sanity back
into the idea of privacy,
1318
01:08:47,040 --> 01:08:49,200
any kind of privacy, right?
1319
01:08:49,240 --> 01:08:51,760
Then the fact that these people
are doing this to me
1320
01:08:51,800 --> 01:08:53,240
is completely immoral.
1321
01:08:53,280 --> 01:08:55,920
George!
1322
01:08:55,960 --> 01:08:58,120
Guys, watch your legs!
1323
01:08:59,840 --> 01:09:02,280
And the Murdoch newspapers were
camped outside his house
1324
01:09:02,320 --> 01:09:03,680
24 hours a day following him.
1325
01:09:03,720 --> 01:09:06,520
They all knew that he was going
to Hampstead Heath cruising.
1326
01:09:06,560 --> 01:09:08,600
They'd known that for years
and years, and years.
1327
01:09:08,640 --> 01:09:10,080
But now, they went into overdrive.
1328
01:09:10,120 --> 01:09:11,880
Here is the reality of my life.
1329
01:09:11,920 --> 01:09:15,000
And if you're a straight person,
you might not understand
1330
01:09:15,040 --> 01:09:16,920
why it makes me so happy.
1331
01:09:16,960 --> 01:09:20,400
I have a career that I love.
1332
01:09:20,440 --> 01:09:23,560
I live in the most beautiful
house I've ever seen.
1333
01:09:23,600 --> 01:09:26,160
I have a wonderful partner of ten years.
1334
01:09:26,200 --> 01:09:28,960
I'm a very, very happy gay man.
1335
01:09:29,000 --> 01:09:33,320
The fact that I'm portrayed as some
kind of loser by straight society
1336
01:09:33,360 --> 01:09:35,080
is their problem.
1337
01:09:35,120 --> 01:09:40,520
My problem is that I'm expected to
live with people lying constantly,
1338
01:09:40,560 --> 01:09:42,880
one lie laid on top of another lie,
1339
01:09:42,920 --> 01:09:45,000
laid on top of another lie,
and say nothing.
1340
01:10:01,400 --> 01:10:05,280
We was in San Francisco,
and Kenny, George's partner,
1341
01:10:05,320 --> 01:10:09,280
was trying to help me get George to
contribute to this documentary.
1342
01:10:09,320 --> 01:10:11,000
And every time I called, he'd say,
1343
01:10:11,040 --> 01:10:13,240
"George isn't sure he wants to do it now.
1344
01:10:13,280 --> 01:10:15,240
Anyway, I was going back to
England the next day,
1345
01:10:15,280 --> 01:10:17,561
and Kenny calls and says,
"George says he wants to do it!"
1346
01:10:17,600 --> 01:10:20,360
And he was living in Dallas,
Fort Worth, where he had a place,
1347
01:10:20,400 --> 01:10:22,440
an art gallery with Kenny.
1348
01:10:22,480 --> 01:10:26,880
And so, I had to divert the flight
and with the crew, and we...
1349
01:10:26,920 --> 01:10:28,560
We stopped off at Dallas,
1350
01:10:28,600 --> 01:10:32,560
and on the way to his house,
he called up and said,
1351
01:10:32,600 --> 01:10:34,920
"Oh, I can't get my make-up artist.
1352
01:10:34,960 --> 01:10:37,160
"Do you mind if I use yours?"
1353
01:10:37,200 --> 01:10:41,280
I said, "George, I'm making
a documentary series for the BBC!
1354
01:10:41,320 --> 01:10:43,880
"I haven't got a make-up artist!
1355
01:10:43,920 --> 01:10:46,680
"I mean, occasionally there's
a fleck of something on my mouth,
1356
01:10:46,720 --> 01:10:48,920
"someone will tell me to wipe
it away, but..."
1357
01:10:48,960 --> 01:10:51,720
He said, "Oh, oh, really?"
And so, it was so sweet.
1358
01:10:51,760 --> 01:10:55,040
And so, he got someone in, then
he came started talking about Aids.
1359
01:10:55,080 --> 01:10:58,200
And, of course, he immediately
started saying things that were
1360
01:10:58,240 --> 01:11:00,160
dark and dangerous, and aggressive,
1361
01:11:00,200 --> 01:11:03,440
and angry, and political, and real..
1362
01:11:03,480 --> 01:11:06,280
And that's why he'd not wanted to do it.
1363
01:11:06,320 --> 01:11:07,720
And when he finished, he said,
1364
01:11:07,760 --> 01:11:09,680
"I knew I shouldn't have talked to you.
1365
01:11:09,720 --> 01:11:11,520
"I'll only get into trouble for this.
1366
01:11:11,560 --> 01:11:13,960
"'There goes George,
shooting his mouth off.'"
1367
01:11:14,000 --> 01:11:16,880
And he was, you know, saying
how people would respond -
1368
01:11:16,920 --> 01:11:22,200
and yet, he was tugged by this need
to be absolutely raw and honest.
1369
01:11:22,240 --> 01:11:26,560
And by this knowledge that it would
make his life more difficult,
1370
01:11:26,600 --> 01:11:28,720
but, you know, there'd be headlines,
1371
01:11:28,760 --> 01:11:31,680
people would say he was arrogant,
or he was, you know,
1372
01:11:31,720 --> 01:11:33,280
self-regarding or something.
1373
01:11:33,320 --> 01:11:35,880
You just wanted to fold him in your arms.
1374
01:11:35,920 --> 01:11:39,400
# So now I walk in the midday sun
1375
01:11:39,440 --> 01:11:41,200
# I never thought that
1376
01:11:41,240 --> 01:11:43,480
# My saviour would come
1377
01:11:43,520 --> 01:11:46,400
# I think it's amazing
1378
01:11:47,920 --> 01:11:51,160
# I think it's amazing.. #
1379
01:11:51,200 --> 01:11:53,680
"Amazing" - it's a good song.
- Thank you, thank you very much.
1380
01:11:53,720 --> 01:11:55,720
Yeah, it really is.
You must be very happy with it.
1381
01:11:55,760 --> 01:11:58,880
Well, it's kind of usual to hear me
singing about love, really,
1382
01:11:58,920 --> 01:12:01,360
in the context of "Ooh, I'm in love" -
1383
01:12:01,400 --> 01:12:05,680
normally it's, "I'm so miserable!
Love me, love me."
1384
01:12:05,720 --> 01:12:10,280
That's a song that I actually enjoy
watching people, er, like, yeah.
1385
01:12:10,320 --> 01:12:13,320
Talking about the joys of meeting
someone and being in love,
1386
01:12:13,360 --> 01:12:15,070
and how it makes a difference in your life.
1387
01:12:15,080 --> 01:12:16,400
This song is really, like,
1388
01:12:16,440 --> 01:12:20,840
"I just can't believe it,
how fantastic and life-changing
1389
01:12:20,880 --> 01:12:22,280
"this relationship is."
1390
01:12:24,680 --> 01:12:28,400
I didn't want it to look like just
some pop star let his boyfriend
1391
01:12:28,440 --> 01:12:31,000
have something that he wanted
to do and just played with it.
1392
01:12:31,040 --> 01:12:32,640
So, he took it very seriously.
1393
01:12:32,680 --> 01:12:35,840
I just didn't want it to be a place
where, er, very wealthy people
1394
01:12:35,880 --> 01:12:37,760
came to look at paintings or art.
1395
01:12:37,800 --> 01:12:41,440
And so, we were very, very
philanthropic from the start.
1396
01:12:41,480 --> 01:12:44,200
So, we helped raised a lot
of money in general,
1397
01:12:44,240 --> 01:12:46,040
it's a big part of it.
1398
01:12:46,080 --> 01:12:49,800
Yeah, we had one of the most amazing
British contemporary art collections
1399
01:12:49,840 --> 01:12:52,640
in the world, and so, to make
that full, it can't just be
1400
01:12:52,680 --> 01:12:55,160
what you like, and you know,
art doesn't have to...
1401
01:12:55,200 --> 01:12:57,960
You don't have to love it, it can
move you, it can make you think,
1402
01:12:58,000 --> 01:13:00,800
it doesn't naturally always have
to evoke happy emotions.
1403
01:13:00,840 --> 01:13:05,280
If we're talking about
rock music or pop music,
1404
01:13:05,320 --> 01:13:07,920
making music also is a form of visual art.
1405
01:13:07,960 --> 01:13:10,480
Its pretty much almost a portrait.
1406
01:13:10,520 --> 01:13:11,840
A self-portrait.
1407
01:13:12,920 --> 01:13:16,120
And what you're playing with,
by definition,
1408
01:13:16,160 --> 01:13:19,600
if you're a rock star, is you're
playing with the idea of identity.
1409
01:13:19,640 --> 01:13:21,800
You're playing with the idea
of who you are.
1410
01:13:21,840 --> 01:13:25,120
He has seen a documentary
that Tracey had done,
1411
01:13:25,160 --> 01:13:28,240
and we were eating at the Ivy,
and he wanted to meet her.
1412
01:13:28,280 --> 01:13:29,480
So, I went over and said,
1413
01:13:29,520 --> 01:13:31,480
"Hey, can we come over
and chat with you?"
1414
01:13:31,520 --> 01:13:33,640
So, we went over and chatted
with her, and, er,
1415
01:13:33,680 --> 01:13:34,920
a lifelong friendship.
1416
01:13:36,440 --> 01:13:38,760
So, with the Tracey Emin works,
1417
01:13:38,800 --> 01:13:42,080
you know, they had this blur
to its confessional quality,
1418
01:13:42,120 --> 01:13:47,280
this spidery writing expressing
the feeling, floating it out there
1419
01:13:47,320 --> 01:13:49,880
and seeing what that feeling looks like.
1420
01:13:49,920 --> 01:13:55,160
Well, to me that's almost
like how George would
1421
01:13:55,200 --> 01:13:57,680
throw a line out in the studio.
1422
01:13:57,720 --> 01:14:00,800
"Does it sound right?
Is that what I really feel?"
1423
01:14:00,840 --> 01:14:03,920
George Michael is now on
a 22-date North American tour,
1424
01:14:03,960 --> 01:14:05,840
his first in 17 years.
1425
01:14:05,880 --> 01:14:08,920
Now that California's handing out
same sex-marriage licenses,
1426
01:14:08,960 --> 01:14:11,560
Michael says he and his partner
of 12 years, Kenny Goss,
1427
01:14:11,600 --> 01:14:14,680
might make a trip to
the courthouse and say "I do,"
1428
01:14:14,720 --> 01:14:16,600
though not any time soon.
1429
01:14:16,640 --> 01:14:20,360
When he toured Europe,
every city we went to,
1430
01:14:20,400 --> 01:14:24,640
I had £25,000 that I could
help an organisation.
1431
01:14:24,680 --> 01:14:27,160
For the most part, it was
organisations that related to
1432
01:14:27,200 --> 01:14:28,960
nurses or children.
1433
01:14:29,000 --> 01:14:31,520
And so, I would research,
find an organisation,
1434
01:14:31,560 --> 01:14:33,160
go and visit them while I'm there,
1435
01:14:33,200 --> 01:14:36,480
and then take as many people as
possible to the concert that night,
1436
01:14:36,520 --> 01:14:38,440
and they would get £25,000, as well.
1437
01:14:38,480 --> 01:14:41,160
# If you're gonna do it, do it right
1438
01:14:41,200 --> 01:14:43,880
# Come on, baby, yeah
# If you're gonna do it, do it right
1439
01:14:43,920 --> 01:14:47,440
# Whoo, take me on
# If you're gonna do it, do it right
1440
01:14:47,480 --> 01:14:51,680
# Please don't leave me here
# If you're gonna do it, do it right
1441
01:14:51,720 --> 01:14:53,400
# To do it on my own
1442
01:14:53,440 --> 01:14:56,000
# First class information
# Oh!
1443
01:14:56,040 --> 01:14:58,800
# Sense your inspiration... #
1444
01:14:58,840 --> 01:15:01,080
The screens on the side
he wanted curved, and then,
1445
01:15:01,120 --> 01:15:02,880
this big one that comes over in,
1446
01:15:02,920 --> 01:15:04,400
like, a wave, which was expensive.
1447
01:15:04,440 --> 01:15:07,000
And the production costs was huge,
but he never really worried
1448
01:15:07,040 --> 01:15:08,960
about how much money was
in his bank account.
1449
01:15:09,000 --> 01:15:10,640
He thought you only needed so much money.
1450
01:15:10,680 --> 01:15:13,520
George's mother was in a National
Health Hospital when she had cancer,
1451
01:15:13,560 --> 01:15:15,040
and the nurses were incredible.
1452
01:15:15,080 --> 01:15:16,960
He was so impressed,
and he wanted to give back.
1453
01:15:17,000 --> 01:15:19,400
So, he had this wonderful concert for them.
1454
01:15:19,440 --> 01:15:22,080
It's nice that someone's done
something for nurses,
1455
01:15:22,120 --> 01:15:25,160
cos all the time we get abused
verbally, physically -
1456
01:15:25,200 --> 01:15:28,080
and somebody's actually appreciated nurses.
1457
01:15:28,120 --> 01:15:30,320
Concerts to put on are very
expensive, so I think people
1458
01:15:30,360 --> 01:15:32,200
don't realise, you just don't show up.
1459
01:15:32,240 --> 01:15:34,440
I don't think he ever worried
about being, what was it,
1460
01:15:34,480 --> 01:15:36,200
Behind the Music, or whatever that is,
1461
01:15:36,240 --> 01:15:38,800
where they tell the story
of a washed-up quarterback now,
1462
01:15:38,840 --> 01:15:40,280
and he's working at Wendy's.
1463
01:15:43,120 --> 01:15:44,920
Then we came off air.
1464
01:15:44,960 --> 01:15:47,520
And the editor was waiting
for us outside the studio,
1465
01:15:47,560 --> 01:15:49,000
and she's jumping up and down
1466
01:15:49,040 --> 01:15:52,120
with excitement because
one person's donated 50 grand.
1467
01:15:52,160 --> 01:15:55,320
And we said, "Who?" She said,
"It's anonymous, I can't tell you."
1468
01:15:55,360 --> 01:15:57,760
And of course,
all the philanthropy was secret.
1469
01:15:57,800 --> 01:16:00,560
It wasn't that we wasn't a
great philanthropist,
1470
01:16:00,600 --> 01:16:02,840
he was a fantastic philanthropist.
1471
01:16:02,880 --> 01:16:05,240
But he would give with the condition
1472
01:16:05,280 --> 01:16:07,760
that you don't let people know it's me.
1473
01:16:07,800 --> 01:16:10,720
He would see things on television,
or hear about something,
1474
01:16:10,760 --> 01:16:12,080
or read about something.
1475
01:16:12,120 --> 01:16:14,640
He would see somebody who needed
a new set of glasses,
1476
01:16:14,680 --> 01:16:16,640
or a new set of teeth or something,
1477
01:16:16,680 --> 01:16:18,400
and he'd call in and he'd do it.
1478
01:16:18,440 --> 01:16:20,160
Also about helping friends.
1479
01:16:20,200 --> 01:16:22,320
I had a terminally ill child.
1480
01:16:22,360 --> 01:16:24,840
He had, you know, his house
in the South of France -
1481
01:16:24,880 --> 01:16:26,920
Chez Nobby, that's what it was called.
1482
01:16:26,960 --> 01:16:28,960
You know, there was a helicopter
to pick us up
1483
01:16:29,000 --> 01:16:30,680
and drop us off in the garden.
1484
01:16:30,720 --> 01:16:35,640
He was a guy who was looking
for ways, like Bill Gates,
1485
01:16:35,680 --> 01:16:37,280
to give away the money he'd made.
1486
01:16:37,320 --> 01:16:39,640
We don't know, so let's go with
instinct and just go...
1487
01:16:39,680 --> 01:16:41,240
Shall we go with C? - C.
1488
01:16:41,280 --> 01:16:44,160
I'll tell you what, we'll go with C.
1489
01:16:44,200 --> 01:16:47,240
And if it's wrong, I'll match it,
so we make it to 64.
1490
01:16:49,400 --> 01:16:51,480
That way, we can't lose, we're going to 64,
1491
01:16:51,520 --> 01:16:53,480
but we might still be going home.
1492
01:16:53,520 --> 01:16:54,760
That's fantastic of you.
1493
01:16:54,800 --> 01:16:57,160
We were having a problem making pay roll.
1494
01:17:00,120 --> 01:17:05,280
All of a sudden, a letter appeared
at our doorstep that said,
1495
01:17:05,320 --> 01:17:08,960
"Dear Project Angel Food,
keep doing what you're doing.
1496
01:17:09,000 --> 01:17:10,640
"Love, George."
1497
01:17:10,680 --> 01:17:15,200
He's our single largest donor in
the history of Project Angel Food,
1498
01:17:15,240 --> 01:17:18,880
donating more than half a
million dollars to us.
1499
01:17:18,920 --> 01:17:22,880
When you know that you're making
the world a better place,
1500
01:17:22,920 --> 01:17:28,400
that is a positive feeling that
helps lift you through downers.
1501
01:17:28,440 --> 01:17:31,320
District Judge John Perkins
told George Michael that
1502
01:17:31,360 --> 01:17:34,760
he'd taken a "dangerous and
unpredictable mix of drugs."
1503
01:17:34,800 --> 01:17:39,120
He banned him from driving for
five years before sentencing him
1504
01:17:39,160 --> 01:17:41,040
to eight weeks in prison.
1505
01:17:41,080 --> 01:17:45,200
There were gasps and tears from fans
within the court's public gallery.
1506
01:17:45,240 --> 01:17:48,760
There were tears, too, from
George Michael's long-term partner,
1507
01:17:48,800 --> 01:17:51,360
Kenny Goss, as he left court alone.
1508
01:17:53,800 --> 01:17:55,480
The good life got not so good.
1509
01:18:08,440 --> 01:18:09,520
Hello, George.
1510
01:18:10,960 --> 01:18:12,560
I'm sorry to do this.
1511
01:18:12,600 --> 01:18:15,520
Thank you to everybody that
supported me in there.
1512
01:18:15,560 --> 01:18:18,000
It was quite inspirational and, er,
1513
01:18:18,040 --> 01:18:20,040
I'm coming out here on my own
1514
01:18:20,080 --> 01:18:22,520
so that you'll realise
I just want to start again.
1515
01:18:25,680 --> 01:18:28,920
Ooh! By the way, I've just thought
of a really good idea for a song.
1516
01:18:30,400 --> 01:18:33,640
And it won't be published,
it'll be nothing to do with prison!
1517
01:18:44,000 --> 01:18:46,600
The thing about George is
he hated interviews.
1518
01:18:46,640 --> 01:18:48,160
He didn't really like journalists.
1519
01:18:48,200 --> 01:18:50,160
But when he did decide to do interviews,
1520
01:18:50,200 --> 01:18:52,120
he was going to give you everything.
1521
01:18:52,160 --> 01:18:56,360
He was almost evangelical about his
need to talk about his sexuality.
1522
01:18:56,400 --> 01:18:58,280
He was a compulsive truth-teller.
1523
01:18:58,320 --> 01:19:01,600
And initially, George was there
in his sunglasses,
1524
01:19:01,640 --> 01:19:03,640
quite, sort of, reserved.
1525
01:19:03,680 --> 01:19:05,760
Spliffing his way through the interview -
1526
01:19:05,800 --> 01:19:07,840
spliffing one, spliffing two,
spliffing three.
1527
01:19:07,880 --> 01:19:10,840
And then, he got more relaxed,
the sunglasses came off,
1528
01:19:10,880 --> 01:19:12,360
the stories started flowing.
1529
01:19:12,400 --> 01:19:16,760
And what he still felt guilty
about was having taken
1530
01:19:16,800 --> 01:19:18,240
so long to come out.
1531
01:19:18,280 --> 01:19:20,400
It was almost an act of penance.
1532
01:19:21,520 --> 01:19:24,240
And he'd have to tell you everything.
1533
01:19:24,280 --> 01:19:26,440
When he talked about the family history
1534
01:19:26,480 --> 01:19:28,680
and the suicides in the family,
1535
01:19:28,720 --> 01:19:31,080
and the impact of Anselmo's death,
1536
01:19:31,120 --> 01:19:32,520
and then, his mother's death,
1537
01:19:32,560 --> 01:19:34,680
and you started to see it all as one,
1538
01:19:34,720 --> 01:19:36,880
there was this real, erm,
1539
01:19:36,920 --> 01:19:39,960
suffering that he'd been
through in his life.
1540
01:19:40,000 --> 01:19:43,800
Before that interview,
there'd been a tiny, tiny story
1541
01:19:43,840 --> 01:19:47,120
saying he'd been cautioned
for possession of crack.
1542
01:19:47,160 --> 01:19:51,000
And I found, at one point,
I was becoming like some headmaster
1543
01:19:51,040 --> 01:19:53,760
to him, and I said to him,
1544
01:19:53,800 --> 01:19:57,000
"George, there was a story
about you being caught
1545
01:19:57,040 --> 01:19:59,920
"in possession of crack?"
1546
01:19:59,960 --> 01:20:02,240
And he nodded.
1547
01:20:02,280 --> 01:20:05,040
And again, went into denial.
1548
01:20:05,080 --> 01:20:09,920
And in the end, I said to him,
"George, look me in the eye.
1549
01:20:09,960 --> 01:20:12,000
"Were you smoking crack that day?"
1550
01:20:13,360 --> 01:20:18,840
And he kind of went...
"Yeah, on that occasion, I was."
1551
01:20:18,880 --> 01:20:21,680
With all the fame and all the money,
and all the great things, as well,
1552
01:20:21,720 --> 01:20:25,240
there was also this, sort of,
spectre over him, I think,
1553
01:20:25,280 --> 01:20:28,280
from a lot of his life, of death.
1554
01:20:38,560 --> 01:20:42,240
Well, I didn't do that tour,
1555
01:20:42,280 --> 01:20:43,760
because...
1556
01:20:45,480 --> 01:20:50,280
Well, I wasn't sure that he should
be out on the road, frankly.
1557
01:20:50,320 --> 01:20:52,680
But he obviously wasn't well.
1558
01:20:52,720 --> 01:20:55,680
You've been going for almost
30 years now, three decades.
1559
01:20:55,720 --> 01:20:58,080
How have you changed as a person
from when you started?
1560
01:20:58,120 --> 01:21:00,880
Well, I suppose I've got
a little bit more fashion sense
1561
01:21:00,920 --> 01:21:02,560
than when I started.
1562
01:21:02,600 --> 01:21:04,920
Other than that, I'm pretty much
the same, I suppose.
1563
01:21:04,960 --> 01:21:07,600
It felt to me like it was something
he was doing more for himself.
1564
01:21:07,640 --> 01:21:11,800
He's positioning himself as someone
who had produced a canon,
1565
01:21:11,840 --> 01:21:16,280
and was singing these classics that,
sort of, were from the canonical
1566
01:21:16,320 --> 01:21:18,080
classics of the previous century.
1567
01:21:18,120 --> 01:21:22,400
I think one of his things was
to work with Phil Ramone
1568
01:21:22,440 --> 01:21:24,280
on an album.
1569
01:21:24,320 --> 01:21:28,000
He was very, very in awe of Phil Ramone.
1570
01:21:35,160 --> 01:21:38,080
If you go through his career,
it's almost as if the camera's
1571
01:21:38,120 --> 01:21:39,440
just slowly zooming in -
1572
01:21:39,480 --> 01:21:42,720
and at the end, all you've got is him.
1573
01:21:42,760 --> 01:21:46,680
And I think you should probably
know the truth behind this one
1574
01:21:46,720 --> 01:21:48,080
before I sing it.
1575
01:21:48,120 --> 01:21:50,200
His songs just got more and more intense.
1576
01:21:50,240 --> 01:21:54,320
And therefore, I think they become
less pleasant for him to write.
1577
01:21:54,360 --> 01:22:01,080
My battles with various substances
are very well-documented.
1578
01:22:01,120 --> 01:22:05,280
We had the tendency towards
the slower more reflective material,
1579
01:22:05,320 --> 01:22:08,560
a, kind of, musical psychiatry.
1580
01:22:08,600 --> 01:22:11,280
The truth - Kenny and I have
not been together for about
1581
01:22:11,320 --> 01:22:13,800
two-and-a-half years, and...
1582
01:22:15,440 --> 01:22:17,840
And all I'm going to say is
I love him very much,
1583
01:22:17,880 --> 01:22:21,160
but my love life's been a lot more
turbulent than I've let on.
1584
01:22:22,880 --> 01:22:25,400
Yeah, he wrote a song called
"Where I Hope You Are".
1585
01:22:25,440 --> 01:22:29,400
Probably the very first break-up
that song I've ever written.
1586
01:22:29,440 --> 01:22:34,600
I actually have listened to that
song quite a bit, and I actually...
1587
01:22:34,640 --> 01:22:36,720
I didn't know that he was going to...
1588
01:22:36,760 --> 01:22:39,280
I didn't even know he was going
to perform it, so...
1589
01:22:40,960 --> 01:22:43,320
# For so long
1590
01:22:43,360 --> 01:22:49,960
# There's been no-one else
I care about... #
1591
01:22:52,440 --> 01:22:55,120
Living the life you've lived,
1592
01:22:55,160 --> 01:22:57,440
you know, with all the focus
on you as a person,
1593
01:22:57,480 --> 01:22:58,920
how does that effect your life?
1594
01:22:58,960 --> 01:23:01,640
It's had catastrophic effects
on my personal life.
1595
01:23:01,680 --> 01:23:05,240
What is so fantastic in your life
that you can actually, you know,
1596
01:23:05,280 --> 01:23:07,280
live the way you do with all of this?
1597
01:23:07,320 --> 01:23:09,480
Music! Music.
It's the only if it wasn't music,
1598
01:23:09,520 --> 01:23:11,720
if I wasn't absolutely driven,
1599
01:23:11,760 --> 01:23:15,640
and if I didn't find it impossible
to live without music,
1600
01:23:15,680 --> 01:23:17,760
then I wouldn't be doing this any more.
1601
01:23:17,800 --> 01:23:19,160
So, you're actually happy?
1602
01:23:19,200 --> 01:23:21,280
Erm, I'd say I've never...
1603
01:23:21,320 --> 01:23:24,680
I'd say I haven't been happy
with fame since I was 22.
1604
01:23:24,720 --> 01:23:29,040
Right? So, I've wished I was
someone else since I was 22.
1605
01:23:29,080 --> 01:23:32,320
Because I do, I hate the effect
it has on friendships,
1606
01:23:32,360 --> 01:23:33,960
on relationships,
1607
01:23:34,000 --> 01:23:37,360
on your privacy, I hate it, all of it.
1608
01:23:39,640 --> 01:23:43,360
George, I'd heard really
loved Going To A Town,
1609
01:23:43,400 --> 01:23:46,520
and I got a call from George,
1610
01:23:46,560 --> 01:23:48,640
at 3.00 in the morning when
I got to my hotel.
1611
01:23:48,680 --> 01:23:51,040
And he was talking about
how much he loved the song,
1612
01:23:51,080 --> 01:23:52,160
how important it was -
1613
01:23:52,200 --> 01:23:54,240
and it was all, you know, wonderful stuff.
1614
01:23:54,280 --> 01:23:58,320
But needless to say, he was also very high.
1615
01:23:58,360 --> 01:24:02,320
And half an hour passed,
1616
01:24:02,360 --> 01:24:04,280
an hour passed,
1617
01:24:04,320 --> 01:24:06,360
an hour-and-a-half passed,
1618
01:24:06,400 --> 01:24:11,400
and then, eventually,
he actually... fell asleep.
1619
01:24:11,440 --> 01:24:14,560
I enjoyed the experience
cos it was so unusual.
1620
01:24:14,600 --> 01:24:18,120
I mean, in retrospect, it is quite tragic,
1621
01:24:18,160 --> 01:24:21,400
you know, cos he lost that battle.
1622
01:24:21,440 --> 01:24:26,680
# I'm goin' to a town that has
already been burnt down
1623
01:24:29,400 --> 01:24:34,600
# I'm goin' to a place that has
already been disgraced
1624
01:24:37,480 --> 01:24:40,160
# I'm gonna see some folks... #
1625
01:24:40,200 --> 01:24:43,840
He's turned it so completely into
a George Michael song,
1626
01:24:43,880 --> 01:24:46,960
that you can almost see him more clearly.
1627
01:24:47,000 --> 01:24:50,960
Having George Michael sing that song
1628
01:24:51,000 --> 01:24:53,680
was one of the high points of my career,
1629
01:24:53,720 --> 01:24:56,080
and an epic moment that I could...
1630
01:24:56,120 --> 01:24:58,840
That, to the end of my days,
I will refer to -
1631
01:24:58,880 --> 01:25:02,440
especially being, you know,
a gay boy who, you know,
1632
01:25:02,480 --> 01:25:06,480
at puberty, drooled over his behind.
1633
01:25:18,200 --> 01:25:20,480
Er, I've got Streptococca-something.
1634
01:25:21,880 --> 01:25:23,480
It's a form on pneumonia.
1635
01:25:23,520 --> 01:25:26,680
And they spent three weeks
keeping me alive, basically.
1636
01:25:26,720 --> 01:25:32,040
The last ten days since I woke up,
literally, thank you people
1637
01:25:32,080 --> 01:25:33,520
for saving my life...
1638
01:25:33,560 --> 01:25:36,160
...which is something
I've never had to do before,
1639
01:25:36,200 --> 01:25:37,680
and I never want to do it again.
1640
01:26:09,400 --> 01:26:13,840
He was very ill, post that time
when I saw him...
1641
01:26:13,880 --> 01:26:16,080
..in the immediate aftermath,
1642
01:26:16,120 --> 01:26:19,160
and he was not a well man.
1643
01:26:19,200 --> 01:26:23,840
And it took him a long time
to recover from that.
1644
01:26:23,880 --> 01:26:27,880
Whether he ever recovered fully
or not is open to question.
1645
01:26:27,920 --> 01:26:34,040
There was dark demons involved
that led him down a dark spiral.
1646
01:26:34,080 --> 01:26:37,960
George's family had an uncle
who was a depressive,
1647
01:26:38,000 --> 01:26:39,600
who killed himself.
1648
01:26:39,640 --> 01:26:42,120
And that's a genetic thing.
1649
01:26:42,160 --> 01:26:46,200
I doubt you could override that,
to that extent.
1650
01:26:49,880 --> 01:26:55,520
It was a self-destruct
for reasons that George knows.
1651
01:26:55,560 --> 01:27:00,160
One could hypothesise that
perhaps it was the death of
1652
01:27:00,200 --> 01:27:03,000
George's therapist, friend,
1653
01:27:03,040 --> 01:27:06,320
father figure in the form
of Barry Nacouper,
1654
01:27:06,360 --> 01:27:08,640
that was a grief too many.
1655
01:27:08,680 --> 01:27:11,480
That's a very strong ally,
1656
01:27:11,520 --> 01:27:14,120
somebody who you really trust
who's on your side.
1657
01:27:16,360 --> 01:27:19,360
On his piano, there was
a photograph of Barry Nacouper -
1658
01:27:19,400 --> 01:27:22,680
given that a tradition of
a grand piano is that you have
1659
01:27:22,720 --> 01:27:26,000
the photograph of the person you
love most in the world,
1660
01:27:26,040 --> 01:27:27,920
or for your most loved one.
1661
01:27:27,960 --> 01:27:30,960
Barry was an incredibly important
figure in George's life,
1662
01:27:31,000 --> 01:27:33,880
and his death must've brought him
1663
01:27:33,920 --> 01:27:36,720
an overwhelming amount of grief.
1664
01:27:36,760 --> 01:27:42,280
When he dies, there's
a very slow progression down,
1665
01:27:42,320 --> 01:27:44,640
and then, it seems to go
further and further down.
1666
01:27:44,680 --> 01:27:47,080
And there's nobody else to whom he trusts.
1667
01:27:47,120 --> 01:27:50,080
He was putting on weight,
he was getting very morose,
1668
01:27:50,120 --> 01:27:51,880
taking more and more drugs.
1669
01:27:51,920 --> 01:27:55,760
Inevitably, the voice did deteriorate.
1670
01:27:55,800 --> 01:28:01,040
His voice - which is, I think,
after he got pneumonia, was why he,
1671
01:28:01,080 --> 01:28:03,840
you know, became more depressed.
1672
01:28:03,880 --> 01:28:07,920
He was just desperately miserable
within his life and who he was.
1673
01:28:07,960 --> 01:28:08,960
It's just awful.
1674
01:28:09,000 --> 01:28:11,280
It was his descent into drug use,
that was the thing,
1675
01:28:11,320 --> 01:28:13,200
cos that was what was destroying him.
1676
01:28:13,240 --> 01:28:15,440
The circle of people
around him had changed,
1677
01:28:15,480 --> 01:28:17,760
and they were all part of
that same lifestyle.
1678
01:28:17,800 --> 01:28:20,560
You know I know people who
worked very closely with him
1679
01:28:20,600 --> 01:28:23,360
who would despair of how he was being.
1680
01:28:23,400 --> 01:28:24,840
He was on a downward spiral.
1681
01:28:29,120 --> 01:28:31,920
I went and had a meeting
with him up in the house,
1682
01:28:31,960 --> 01:28:33,920
but he didn't want to be in at all.
1683
01:28:33,960 --> 01:28:36,240
So, we just went to Barcelona,
1684
01:28:36,280 --> 01:28:40,880
shot it in a really old vintage,
fairground in Barcelona.
1685
01:28:40,920 --> 01:28:43,520
He didn't come with us. And then,
it was really weird, though.
1686
01:28:43,560 --> 01:28:46,400
So, we'd be shooting, and then,
1687
01:28:46,440 --> 01:28:48,440
I'd hear George's voice behind me.
1688
01:28:48,480 --> 01:28:49,920
I'd go, "What the fuck?"
1689
01:28:49,960 --> 01:28:51,760
And then, somebody would
hold a laptop open,
1690
01:28:51,800 --> 01:28:54,680
and George was on Skype looking at
what we were doing, and it was like,
1691
01:28:54,720 --> 01:28:55,880
"Hello there, mate."
1692
01:28:55,920 --> 01:28:59,200
That's a wonderful example
of how one musician
1693
01:28:59,240 --> 01:29:02,240
can bring their history,
their story, their persona,
1694
01:29:02,280 --> 01:29:05,200
their image to someone else's song.
1695
01:29:05,240 --> 01:29:07,160
And that song becomes something else,
1696
01:29:07,200 --> 01:29:08,920
and it becomes about George Michael,
1697
01:29:08,960 --> 01:29:11,760
or it becomes about who we think
George Michael might be,
1698
01:29:11,800 --> 01:29:13,040
or might have been.
1699
01:29:13,080 --> 01:29:14,760
# Let her down easy
1700
01:29:14,800 --> 01:29:18,040
# Her heart is on the line
1701
01:29:20,040 --> 01:29:23,000
# Let her down easy
1702
01:29:23,040 --> 01:29:27,200
# And you'll grow up in time... - #
1703
01:29:29,320 --> 01:29:33,000
If you're thinking about art and music...
1704
01:29:35,200 --> 01:29:37,640
..George's music,
1705
01:29:37,680 --> 01:29:41,640
I think you can think of it all
as an astonishing sequence
1706
01:29:41,680 --> 01:29:43,440
of self-portraits...
1707
01:29:44,880 --> 01:29:50,840
..in which the artist, George,
is looking at himself in the mirror
1708
01:29:50,880 --> 01:29:53,400
each time he comes up with
a new song, and he'll say,
1709
01:29:53,440 --> 01:29:56,320
"Right, who am I? Who are you?"
1710
01:29:56,360 --> 01:29:58,760
And each time, there's a different answer.
1711
01:29:58,800 --> 01:30:00,640
And if you listen to all the songs,
1712
01:30:00,680 --> 01:30:04,040
and you watch all the videos
one after the other,
1713
01:30:04,080 --> 01:30:08,560
you emerge with this wonderful sense
of the indeterminacy of a self,
1714
01:30:08,600 --> 01:30:11,760
the fact that all the richness,
if you like, that how many selves
1715
01:30:11,800 --> 01:30:14,040
you can be - and I think
that's one of the things
1716
01:30:14,080 --> 01:30:15,520
that people love about him.
1717
01:30:15,560 --> 01:30:18,480
I think that you can see that
there's a darkness there a lot.
1718
01:30:18,520 --> 01:30:20,320
There's a lot of darkness there.
1719
01:30:20,360 --> 01:30:25,560
And you can conclude,
from the end of his story,
1720
01:30:25,600 --> 01:30:27,080
that the darkness won.
1721
01:30:29,880 --> 01:30:33,360
But I always like to think that
there are all these other sides,
1722
01:30:33,400 --> 01:30:36,480
and one of those could have won,
it just didn't.
1723
01:30:36,520 --> 01:30:39,800
You know, such and such happened
in a certain period of time,
1724
01:30:39,840 --> 01:30:42,480
and his demons got the better of him.
1725
01:30:42,520 --> 01:30:45,040
But they didn't have to -
and he left us with
1726
01:30:45,080 --> 01:30:48,120
so many angels, that maybe
that's enough anyway.
1727
01:31:06,680 --> 01:31:08,800
"My name is Georgios Kyriacos Panayiotou" -
1728
01:31:08,840 --> 01:31:10,320
that's how it's said. Wonderful.
1729
01:31:10,360 --> 01:31:11,960
"Georgios Kyriacos Panayiotou.
1730
01:31:12,000 --> 01:31:14,840
"To the outside world,
I am and always will be known
1731
01:31:14,880 --> 01:31:17,640
"as something else, but it's not my name.
1732
01:31:17,680 --> 01:31:18,680
"As a boy..."
1733
01:31:18,720 --> 01:31:20,520
I haven't read this for ages.
I know.
1734
01:31:20,560 --> 01:31:24,160
"As a boy, my biggest fear was that
my huge ambitions would stay
1735
01:31:24,200 --> 01:31:27,280
"just out of reach of the child
that I saw in the mirror.
1736
01:31:27,320 --> 01:31:31,680
"So, I created a man in the image
of a great friend that the world
1737
01:31:31,720 --> 01:31:33,520
"could love if they chose to.
1738
01:31:33,560 --> 01:31:36,760
"Someone who could realise my dreams
and make me a star.
1739
01:31:36,800 --> 01:31:38,640
"I called him George Michael,"
1740
01:31:38,680 --> 01:31:41,840
"and for almost a decade,
he worked his arse off for me
1741
01:31:41,880 --> 01:31:43,720
"and did as he was told.
1742
01:31:43,760 --> 01:31:47,000
"He was very good at his job -
perhaps a little too good.
1743
01:31:47,040 --> 01:31:49,800
"Anyway, shortly before I was
approached with the idea
1744
01:31:49,840 --> 01:31:53,360
"of this book, I decided that his
services were no longer required.
1745
01:31:53,400 --> 01:31:55,880
"He went quietly, he didn't make a fuss.
1746
01:31:55,920 --> 01:31:58,800
"I know many of you will think
that that was a strange thing
1747
01:31:58,840 --> 01:32:01,320
"for me to do, but believe me,
he really had to go."
1748
01:33:54,160 --> 01:33:58,520
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