All language subtitles for 563068-03 - Making a Multi-Piece Cape - Begin - Cape & Cloak in Marvelous Designer.en-US

Before we do the
key, first of all,

I'm going to do her color.

So we saw that Kate
onto the color.

I'm going to grab my
rectangular pattern tool.

Route up all of that white.

Let's see, That's what
synchronize that looked like.

Dex works fine. And I'm
going to show it together.

I'm going to show it to
another piece just because

I will be splitting this line
to show it onto the cape.

And then I don't want
it interfering with it.

I also another piece and
that's the same height.

Simulate. That
looks about right,

maybe a bit too long,

but what we should do it
with that and see that

is too long when he
saw the cape onto it.

I'm going to call this color.

And I am going to load in

Steve preset that
I made for color.

This will keep it from
stretching too much when we

saw a big amount
of fabric onto it.

Nina, I'll add another
fabric for the cape.

Now let's make the Kp.

For this particular case,

I am going to be making

each out of the eight
pattern pieces.

And then we can better
control how to wrap it and

how it's hanging and also how
many links are on the top.

By the stretching defend
parts in the pattern,

which I'll show you in a moment.

I'm going to grab my
rectangular pattern tool.

I want to skip to
reach the floor.

I'm going to make
it up to the floor.

Now I want there to be more
material on the bottom.

And then on the top. I am

going to take it in
on the top a bit,

stretch it out a
bit in the bottom.

They are not exactly even.

Just split it and then
mirror it. Unfolded.

I mean, now

it's going to be even.

Now.

Now, copy and paste
it seven times.

1234.

Seven. Now I'll take
my Split Line Tool.

I'll click here and type
in uniform split eight.

Then I'll start swinging
it to the color.

So I'm going to show segments,

this segment to this segment.

And this segment
to this segment,

make sure that you will swing.

Elaine is straight and not
crossed over like this.

Now, let's show
the cape together.

So I'm going to show these
lines together and this one,

then this one's an open

because there's a
part in the friend.

Now we have the task of
ending limb around her.

I'm going to hide
her weekly and then

start moving these
things into place

and see where these
swing lines are

going and didn't bring
that one next to him.

You can see the
swim lane go here.

So this one has to be mixed.

There we go. And
let's just add in

the source is not going
through her hands.

Now for simulating
this lots of material.

And it's very long.

Two, I'm going to sit

all the particular
distance to tag

me because that
goes a bit faster.

My computer, I'm going

to freeze the color while
I'm simulating a dip.

And other things. I
find that when I'm

at skin opposite three,

it tends to go through
her hands a lot and a lot

and it tries me not because

our fingers keep
sticking out of it.

Look. So I set it to

ten and deny doesn't
go through her hands.

Now we have to apply the Cape
to it because right now it

does Steve color there,

sorry, it's booting
up like that.

Now we can see it's DP nicely.

Now if we activate the color,

make it a bit smaller.

I think it's better to be

a bit

shorter to probably better.

Now add-ins that blue the
way that we want it to be.

There, you can see
when to her hands.

So let's test it out again.

And you can use the
pins to keep it in

place to make it look
like she's holding it.

Now I'm just going to
reduce the opacity a

bit and give it a black color.

Now if you want to have
many more wrinkles up here,

I just hide the floor
grid because it's sort

of the way if you want

the minimum wrinkles up
here and all you have

to do is make that top
of the things wider.

So for instance, I want
more wrinkles here.

I'm going to make
this one wider.

The wider you make it more
wrinkles you start to

get because there will be more
material gathering there.

If you make them more
square, looking, more even.

But if we want the bottom
to have more material,

then we have to
stretch the bottom.

So I'm going to select
these points here.

They don't have to or be even

either can experiment
what works.

If we want some more
wrinkles in their back or

less in the front, are
more in the front.

By stretching the bottom,

then we add more
material to the bottom.

I am also going to
stitch the top a bit.

Now we get a much
thicker looking look.

In a friend I want there
to be a lot of material.

I'm just going to stitch

that hold down shift

to constrain it to
the horizontal line.

Then we got a lot more
material in the front.

Now just remove these pins.

Now.

I liked the way

that it looks right now.

I'm just going to
make this black.

Now let's do hood for her.