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(HONKING)
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Whoo-hoo!
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00:00:05,040 --> 00:00:06,799
Hey!
4
00:00:06,800 --> 00:00:08,519
ALL: Countdown.
5
00:00:08,520 --> 00:00:09,719
Countdown.
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00:00:09,720 --> 00:00:11,039
Countdown!
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00:00:11,040 --> 00:00:13,280
(IMITATES GUITAR)
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♪ Countdown, Countdown
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00:00:18,400 --> 00:00:21,319
♪ Countdown, Countdown
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00:00:21,320 --> 00:00:24,519
ANNOUNCER: Welcome
to Classic Countdown, 1982.
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00:00:24,520 --> 00:00:27,479
♪ Countdown! ♪
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00:00:27,480 --> 00:00:30,999
SHANE: Some developments made life a
little brighter in 1982.
13
00:00:31,000 --> 00:00:35,399
Firstly,
we all started working out.
14
00:00:35,400 --> 00:00:38,360
Then we learned we could just
as easily work out at home.
15
00:00:40,000 --> 00:00:43,160
Invading aliens from outer space
turned out to be friendly.
16
00:00:46,440 --> 00:00:47,919
And life was simply better
17
00:00:47,920 --> 00:00:51,040
because the saxophone was back in a
big way.
18
00:00:59,760 --> 00:01:03,999
We got our first look at an
indestructible new technology.
19
00:01:04,000 --> 00:01:05,959
And here it is,
the compact disc.
20
00:01:05,960 --> 00:01:07,679
It's a marvellous little thing.
It's a laser disc.
21
00:01:07,680 --> 00:01:09,879
You can see the sort
of laser colours in it.
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00:01:09,880 --> 00:01:13,599
Because it's laser cut,
you can sort of finger it.
23
00:01:13,600 --> 00:01:15,399
You can sort of scratch it,
and everything like that,
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00:01:15,400 --> 00:01:17,039
and it will not
impair the sound.
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00:01:17,040 --> 00:01:19,879
A federal election
wasn't far off,
26
00:01:19,880 --> 00:01:23,119
so we also started
to face some facts.
27
00:01:23,120 --> 00:01:24,959
ABC reporters in
their conversations
28
00:01:24,960 --> 00:01:26,479
with caucus members
at the conference
29
00:01:26,480 --> 00:01:28,519
have concluded Mr Hawke has
a better chance
30
00:01:28,520 --> 00:01:29,759
than he has so far been given.
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But Mr Keating's undecided.
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REPORTER: It was
the biggest demonstration
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00:01:34,760 --> 00:01:37,599
since the days of the Vietnam
moratorium marches.
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But it looked like
two big issues would be
35
00:01:40,360 --> 00:01:43,719
the environment and rights
for indigenous people.
36
00:01:43,720 --> 00:01:45,799
What do we want?
Land rights!
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00:01:45,800 --> 00:01:47,320
When do we want it?
Now!
38
00:01:48,720 --> 00:01:50,999
Of course,
sporting events would provide
39
00:01:51,000 --> 00:01:53,960
the usual distraction
from too much thinking.
40
00:01:59,200 --> 00:02:03,039
In 1982, the Americans sent
the big guns to Countdown
41
00:02:03,040 --> 00:02:05,959
to remind us
who invented rock'n'roll.
42
00:02:05,960 --> 00:02:08,799
♪ Is all you get in jail
43
00:02:08,800 --> 00:02:11,919
♪ They call it Nutbush
44
00:02:11,920 --> 00:02:15,039
♪ Oh, Nutbush
45
00:02:15,040 --> 00:02:17,040
♪ They call it Nutbush too
46
00:02:18,680 --> 00:02:20,399
♪ Nutbush City Limits. ♪
47
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(CHEERING)
48
00:02:34,680 --> 00:02:37,360
♪ I saw him dancing there
by the record machine
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00:02:39,600 --> 00:02:42,280
♪ I knew he must
have been about 17
50
00:02:44,640 --> 00:02:47,039
♪ The beat was going strong
51
00:02:47,040 --> 00:02:50,439
♪ Playing my favourite song
52
00:02:50,440 --> 00:02:52,999
♪ And I could tell it
wouldn't be long
53
00:02:53,000 --> 00:02:55,759
♪ That he was with me, yeah, me
54
00:02:55,760 --> 00:02:57,759
♪ And I could tell it
wouldn't be long
55
00:02:57,760 --> 00:03:01,079
♪ That he was with me,
yeah, me, singing
56
00:03:01,080 --> 00:03:03,479
♪ I love rock'n'roll
57
00:03:03,480 --> 00:03:05,999
♪ So put another dime
in the jukebox, baby
58
00:03:06,000 --> 00:03:08,399
♪ I love rock'n'roll
59
00:03:08,400 --> 00:03:10,960
♪ So come and take your time
and dance with me
60
00:03:15,680 --> 00:03:18,560
♪ He smiled so I got up
and asked for his name
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00:03:20,600 --> 00:03:24,000
♪ "That don't matter," he said,
"because it's all the same"
62
00:03:25,680 --> 00:03:30,080
♪ Said, "Can I take you home where
we can be alone?"
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00:03:31,960 --> 00:03:34,279
♪ And next we were moving on
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00:03:34,280 --> 00:03:37,119
♪ He was with me, yeah, me
65
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♪ Next we were moving on
66
00:03:39,320 --> 00:03:42,559
♪ He was with me,
yeah, me, singing
67
00:03:42,560 --> 00:03:45,039
♪ I love rock'n'roll
68
00:03:45,040 --> 00:03:47,319
♪ So put another dime
in the jukebox, baby
69
00:03:47,320 --> 00:03:49,719
♪ I love rock'n'roll
70
00:03:49,720 --> 00:03:52,440
♪ So come and take your time
and dance with me
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00:04:07,120 --> 00:04:10,960
♪ Said, "can I take you home where
we can be alone?"
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00:04:13,600 --> 00:04:15,519
♪ Next we're moving on
73
00:04:15,520 --> 00:04:18,479
♪ He was with me, yeah, me
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00:04:18,480 --> 00:04:21,839
♪ And we'll be moving on
and singing that same old song
75
00:04:21,840 --> 00:04:26,199
♪ Yeah, with me, singing
I love rock'n'roll
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00:04:26,200 --> 00:04:28,719
♪ So put another dime
in the jukebox, baby
77
00:04:28,720 --> 00:04:31,159
♪ I love rock'n'roll
78
00:04:31,160 --> 00:04:34,079
♪ So come and take your time
and dance with me
79
00:04:34,080 --> 00:04:36,559
♪ I love rock'n'roll
80
00:04:36,560 --> 00:04:39,079
♪ So put another dime
in the jukebox, baby
81
00:04:39,080 --> 00:04:41,319
♪ I love rock'n'roll
82
00:04:41,320 --> 00:04:43,519
♪ So come and take your time
and dance with
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00:04:43,520 --> 00:04:45,719
♪ I love rock'n'roll
84
00:04:45,720 --> 00:04:48,239
♪ So put another dime
in the jukebox, baby
85
00:04:48,240 --> 00:04:50,599
♪ I love rock'n'roll
86
00:04:50,600 --> 00:04:52,639
♪ So come and take your time
and dance with
87
00:04:52,640 --> 00:04:54,919
♪ I love rock'n'roll
88
00:04:54,920 --> 00:04:57,759
♪ So put another dime
in the jukebox, baby
89
00:04:57,760 --> 00:04:59,919
♪ I love rock'n'roll
90
00:04:59,920 --> 00:05:02,079
♪ So come and take your time
and dance with
91
00:05:02,080 --> 00:05:04,399
♪ I love rock'n'roll
92
00:05:04,400 --> 00:05:06,719
♪ So put another dime
in the jukebox, baby
93
00:05:06,720 --> 00:05:09,079
♪ I love rock'n'roll
94
00:05:09,080 --> 00:05:12,079
♪ So come and take your time
and dance with me. ♪
95
00:05:12,080 --> 00:05:14,320
(CHEERING)
96
00:05:17,440 --> 00:05:20,359
SHANE: A parade
of American bands followed
97
00:05:20,360 --> 00:05:23,199
Joan Jett to Countdown in '82,
98
00:05:23,200 --> 00:05:26,279
each seeming more
impressive than the last.
99
00:05:26,280 --> 00:05:28,199
♪ Baby makes her blue jeans
100
00:05:28,200 --> 00:05:30,600
♪ Yes, she makes
her blue jeans talk
101
00:05:34,200 --> 00:05:36,479
♪ Baby makes her blue jeans
102
00:05:36,480 --> 00:05:38,680
♪ Yes, she makes
her blue jeans talk. ♪
103
00:05:41,320 --> 00:05:44,719
They could take blue-eyed soul and
give it a backbeat.
104
00:05:44,720 --> 00:05:47,519
♪ Oh, here she comes
105
00:05:47,520 --> 00:05:50,279
♪ Watch out, boy,
she'll chew you up
106
00:05:50,280 --> 00:05:52,319
♪ Oh, here she comes
107
00:05:52,320 --> 00:05:55,519
♪ She's a man eater
108
00:05:55,520 --> 00:05:58,159
♪ Oh, here she comes
109
00:05:58,160 --> 00:06:00,639
♪ Watch out, boy,
she'll chew you up
110
00:06:00,640 --> 00:06:03,039
♪ Oh, here she comes
111
00:06:03,040 --> 00:06:05,479
♪ She's a man eater. ♪
112
00:06:05,480 --> 00:06:09,159
No one created teen idols
better than the Americans.
113
00:06:09,160 --> 00:06:12,999
♪ How can I live without her
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00:06:13,000 --> 00:06:14,719
♪ When she's all
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00:06:14,720 --> 00:06:17,199
♪ I'm living for
116
00:06:17,200 --> 00:06:21,439
♪ How could I live without her?
117
00:06:21,440 --> 00:06:22,719
♪ Live like I did before. ♪
118
00:06:22,720 --> 00:06:24,479
And they had music
from California
119
00:06:24,480 --> 00:06:27,400
with a confidence and energy that was
infectious.
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00:06:38,000 --> 00:06:40,239
♪ Can you hear them?
121
00:06:40,240 --> 00:06:42,279
♪ They talk about us
122
00:06:42,280 --> 00:06:43,559
♪ Telling lies
123
00:06:43,560 --> 00:06:45,199
♪ Well, that's no surprise
124
00:06:45,200 --> 00:06:47,159
♪ Can you see them?
125
00:06:47,160 --> 00:06:50,319
♪ See right through them
126
00:06:50,320 --> 00:06:53,639
♪ They have no shield,
no secrets to reveal
127
00:06:53,640 --> 00:06:57,039
♪ It doesn't matter
what they say
128
00:06:57,040 --> 00:07:00,240
♪ In the jealous games
people play
129
00:07:03,240 --> 00:07:05,440
♪ Our lips are sealed
130
00:07:07,400 --> 00:07:11,479
♪ There's a weapon
that we must use
131
00:07:11,480 --> 00:07:13,159
♪ In our defence
132
00:07:13,160 --> 00:07:14,559
♪ Silence
133
00:07:14,560 --> 00:07:16,479
♪ When you look at them
134
00:07:16,480 --> 00:07:18,759
♪ Look right through them
135
00:07:18,760 --> 00:07:20,839
♪ That's when they'll disappear
136
00:07:20,840 --> 00:07:23,359
♪ That's when we'll be feared
137
00:07:23,360 --> 00:07:26,439
♪ It doesn't matter
what they say
138
00:07:26,440 --> 00:07:29,800
♪ In the jealous games
people play
139
00:07:32,520 --> 00:07:35,759
♪ Our lips are sealed
140
00:07:35,760 --> 00:07:38,520
♪ Give no mind to what they say
141
00:07:39,760 --> 00:07:42,640
♪ It doesn't matter anyway
142
00:07:45,320 --> 00:07:47,400
♪ Our lips are sealed
143
00:07:58,280 --> 00:08:01,959
♪ Hush, my darling
144
00:08:01,960 --> 00:08:05,799
♪ Don't you cry
145
00:08:05,800 --> 00:08:09,719
♪ Quiet angel
146
00:08:09,720 --> 00:08:12,199
♪ Forget their lies
147
00:08:12,200 --> 00:08:14,479
♪ Can you hear them?
148
00:08:14,480 --> 00:08:16,599
♪ They talk about us
149
00:08:16,600 --> 00:08:19,559
♪ Telling lies
well, that's no surprise
150
00:08:19,560 --> 00:08:21,399
♪ Can you see them?
151
00:08:21,400 --> 00:08:24,359
♪ See right through them
152
00:08:24,360 --> 00:08:27,919
♪ They have no shield,
no secrets to reveal
153
00:08:27,920 --> 00:08:31,679
♪ It doesn't matter
what they say
154
00:08:31,680 --> 00:08:34,480
♪ In the jealous games
people play
155
00:08:37,640 --> 00:08:40,759
♪ Our lips are sealed
156
00:08:40,760 --> 00:08:44,159
♪ Pay no mind to what they say
157
00:08:44,160 --> 00:08:47,720
♪ It doesn't matter anyway
158
00:08:50,320 --> 00:08:52,600
♪ Our lips are sealed. ♪
159
00:09:05,720 --> 00:09:09,359
♪ There's an old piano
and they play it hard
160
00:09:09,360 --> 00:09:10,919
SHANE: But the British
weren't fazed,
161
00:09:10,920 --> 00:09:12,599
unleashing Shakin' Stevens,
162
00:09:12,600 --> 00:09:15,719
one of their biggest selling singles
artists of the '80s.
163
00:09:15,720 --> 00:09:18,719
♪ But they laugh a lot behind the
green door
164
00:09:18,720 --> 00:09:20,279
♪ Green door
165
00:09:20,280 --> 00:09:23,359
♪ Wish they'd let me in
so I could find out
166
00:09:23,360 --> 00:09:25,999
♪ What's behind
the green door. ♪
167
00:09:26,000 --> 00:09:27,919
Prolific '70s hit makers,
168
00:09:27,920 --> 00:09:30,359
Hot Chocolate
were still going strong.
169
00:09:30,360 --> 00:09:33,999
♪ It started with a kiss
170
00:09:34,000 --> 00:09:38,679
♪ Never thought
it would come to this
171
00:09:38,680 --> 00:09:42,319
♪ Started with a kiss
172
00:09:42,320 --> 00:09:44,840
♪ Never thought
it would come to this
173
00:09:47,040 --> 00:09:49,320
♪ You don't remember me, do you?
174
00:09:51,240 --> 00:09:53,240
♪ You don't remember me,
do you? ♪
175
00:09:55,080 --> 00:09:58,479
They also had
the King of Countdown, Elton.
176
00:09:58,480 --> 00:10:02,599
♪ Blue eyes holding
back the tears
177
00:10:02,600 --> 00:10:05,680
♪ Holding back the pain
178
00:10:08,720 --> 00:10:11,520
♪ Baby's got blue eyes
179
00:10:13,800 --> 00:10:16,400
♪ And she's alone
180
00:10:20,320 --> 00:10:22,320
♪ Again. ♪
181
00:10:23,520 --> 00:10:25,639
Like they'd done
with Fleetwood Mac,
182
00:10:25,640 --> 00:10:28,520
the English could always
borrow a US singer.
183
00:10:31,480 --> 00:10:34,919
♪ Each day drags by
until finally
184
00:10:34,920 --> 00:10:39,439
♪ My time descends on me
185
00:10:39,440 --> 00:10:43,079
♪ I go to sleep
186
00:10:43,080 --> 00:10:44,999
♪ Sleep
187
00:10:45,000 --> 00:10:48,919
♪ And imagine that
you're there with me
188
00:10:48,920 --> 00:10:52,439
♪ I go to sleep
189
00:10:52,440 --> 00:10:54,239
♪ Sleep
190
00:10:54,240 --> 00:10:57,719
♪ And imagine that
you're there with me. ♪
191
00:10:57,720 --> 00:11:00,639
And if the Brits needed
to scare away the opposition,
192
00:11:00,640 --> 00:11:03,839
they just knew they could call in the
heavy artillery.
193
00:11:03,840 --> 00:11:06,559
♪ I left alone
194
00:11:06,560 --> 00:11:09,559
♪ My mind was blank
195
00:11:09,560 --> 00:11:11,999
♪ I needed time to think
196
00:11:12,000 --> 00:11:15,759
♪ To get the memories
from my mind
197
00:11:15,760 --> 00:11:18,239
♪ What did I see
198
00:11:18,240 --> 00:11:21,279
♪ Can I believe
199
00:11:21,280 --> 00:11:25,039
♪ That what I saw
that night was real
200
00:11:25,040 --> 00:11:27,719
♪ And not just fantasy?
201
00:11:27,720 --> 00:11:30,679
♪ Just what I saw
202
00:11:30,680 --> 00:11:34,039
♪ In my old dreams
203
00:11:34,040 --> 00:11:37,319
♪ Were they reflections
of my warped mind
204
00:11:37,320 --> 00:11:40,239
♪ Staring back at me?
205
00:11:40,240 --> 00:11:43,079
♪ Because in my dreams
206
00:11:43,080 --> 00:11:46,319
♪ It's always there
207
00:11:46,320 --> 00:11:49,239
♪ The evil face
that twists my mind
208
00:11:49,240 --> 00:11:51,560
♪ And brings me to despair
209
00:11:52,920 --> 00:11:55,320
(SCREAMS)
210
00:12:05,840 --> 00:12:09,919
♪ Night was black,
was no use holding back
211
00:12:09,920 --> 00:12:12,239
♪ Because I just had to see
212
00:12:12,240 --> 00:12:15,519
♪ Was someone watching me?
213
00:12:15,520 --> 00:12:19,559
♪ In the mist,
dark figures move and twist
214
00:12:19,560 --> 00:12:21,959
♪ Was all this for real?
215
00:12:21,960 --> 00:12:25,199
♪ Or just some kind of hell?
216
00:12:25,200 --> 00:12:27,639
♪ 666
217
00:12:27,640 --> 00:12:29,919
♪ The number of the beast
218
00:12:29,920 --> 00:12:33,840
♪ Hell and fire
was spawned to be released
219
00:12:36,280 --> 00:12:40,239
♪ Torches blazed,
and sacred chants were praised
220
00:12:40,240 --> 00:12:42,759
♪ As they start to cry
221
00:12:42,760 --> 00:12:45,839
♪ Hands held to the sky
222
00:12:45,840 --> 00:12:49,719
♪ In the night,
the fires are burning bright
223
00:12:49,720 --> 00:12:52,159
♪ The ritual has begun
224
00:12:52,160 --> 00:12:55,159
♪ Satan's work is done
225
00:12:55,160 --> 00:12:57,239
♪ 666
226
00:12:57,240 --> 00:12:59,839
♪ The number of the beast
227
00:12:59,840 --> 00:13:01,999
♪ Sacrifice
228
00:13:02,000 --> 00:13:04,600
♪ Is going on tonight
229
00:14:17,560 --> 00:14:19,279
♪ This can't go on
230
00:14:19,280 --> 00:14:21,759
♪ I must inform the law
231
00:14:21,760 --> 00:14:23,959
♪ Can this still be real?
232
00:14:23,960 --> 00:14:27,159
♪ Or just some crazy dream?
233
00:14:27,160 --> 00:14:31,279
♪ But I feel drawn
towards the chanting hordes
234
00:14:31,280 --> 00:14:33,919
♪ They seem to mesmerise
235
00:14:33,920 --> 00:14:36,639
♪ Can't avoid their eyes
236
00:14:36,640 --> 00:14:38,879
♪ 666
237
00:14:38,880 --> 00:14:41,239
♪ The number of the beast
238
00:14:41,240 --> 00:14:43,439
♪ 666
239
00:14:43,440 --> 00:14:45,520
♪ The one for you and me
240
00:14:47,760 --> 00:14:50,559
♪ I'm coming back
241
00:14:50,560 --> 00:14:53,559
♪ I will return
242
00:14:53,560 --> 00:14:56,439
♪ And I'll possess your body
243
00:14:56,440 --> 00:14:59,559
♪ And I'll make you burn
244
00:14:59,560 --> 00:15:02,599
♪ I have the fire
245
00:15:02,600 --> 00:15:05,479
♪ I have the force
246
00:15:05,480 --> 00:15:08,719
♪ I have the power
to make my evil
247
00:15:08,720 --> 00:15:10,840
♪ Take its course. ♪
248
00:15:13,400 --> 00:15:15,760
(CHEERING)
249
00:15:28,360 --> 00:15:30,919
SHANE: The real strength
in the British musical armoury
250
00:15:30,920 --> 00:15:33,000
was synth pop.
251
00:15:40,320 --> 00:15:42,239
There's a big movement in England
252
00:15:42,240 --> 00:15:44,759
that they're trying to force
a lot of American music on us,
253
00:15:44,760 --> 00:15:46,439
and they're doing it quite well at
the moment.
254
00:15:46,440 --> 00:15:48,279
They managed it well
with Foreigner, didn't they?
255
00:15:48,280 --> 00:15:50,119
That got into
the top ten in Britain
256
00:15:50,120 --> 00:15:53,359
and that was only because
in the main pop program
257
00:15:53,360 --> 00:15:55,199
on British television,
258
00:15:55,200 --> 00:15:58,999
they've got five minutes that's
devoted just to American music.
259
00:15:59,000 --> 00:16:02,559
Which I think's
really offensive.
260
00:16:02,560 --> 00:16:04,519
Well, we've always sort of expected
to be quite successful
261
00:16:04,520 --> 00:16:07,119
right from the start, but then when
we were successful,
262
00:16:07,120 --> 00:16:10,039
it was very, very big
and very, very quick.
263
00:16:10,040 --> 00:16:11,479
Shocking, really.
264
00:16:11,480 --> 00:16:12,999
I always knew
that I would be successful,
265
00:16:13,000 --> 00:16:14,639
but I never thought
I'd have to start playing
266
00:16:14,640 --> 00:16:17,959
the synthesiser to do it.
267
00:16:17,960 --> 00:16:19,599
You notice, when he plays
synthesiser like that,
268
00:16:19,600 --> 00:16:22,479
his hands suddenly
get going like this.
269
00:16:22,480 --> 00:16:24,079
And then he goes back.
270
00:16:24,080 --> 00:16:25,959
It's like Dr Strangelove
with his arm.
271
00:16:25,960 --> 00:16:28,359
And then Adrian rushes up and gives
me another injection.
272
00:16:28,360 --> 00:16:30,879
Hello, I'm John
from the Human League.
273
00:16:30,880 --> 00:16:33,599
(ALL LAUGH)
274
00:16:33,600 --> 00:16:35,239
Oh, stop laughing at me.
275
00:16:35,240 --> 00:16:37,320
Stop putting this accent on.
276
00:16:42,240 --> 00:16:45,919
SHANE: Already one of Princess
Diana's favourite bands,
277
00:16:45,920 --> 00:16:49,199
Duran Duran were about
to become global favourites,
278
00:16:49,200 --> 00:16:51,799
doing synth pop their own way.
279
00:16:51,800 --> 00:16:55,599
♪ I saw you
at the air race yesterday
280
00:16:55,600 --> 00:16:58,639
♪ April showers
get out of my way
281
00:16:58,640 --> 00:17:01,520
♪ Fear of flying, no, not me
282
00:17:05,760 --> 00:17:08,839
♪ I'm never bothered
what you say
283
00:17:08,840 --> 00:17:12,039
♪ Someone's kid
just lives for today
284
00:17:12,040 --> 00:17:15,120
♪ It ain't your problem anyway
285
00:17:18,280 --> 00:17:21,599
♪ Because I've got my own way
286
00:17:21,600 --> 00:17:24,879
♪ I can find my own way
287
00:17:24,880 --> 00:17:28,079
♪ Because I've got my own way
288
00:17:28,080 --> 00:17:31,359
♪ Hey, yay-yay-yay-yay-yay
289
00:17:31,360 --> 00:17:34,999
♪ Because I've got my own way
290
00:17:35,000 --> 00:17:38,239
♪ I can find my own way
291
00:17:38,240 --> 00:17:41,040
♪ Because I've got my own way
292
00:17:44,280 --> 00:17:46,640
(CHEERING)
293
00:17:59,000 --> 00:18:02,079
♪ A public figure, what a pain
294
00:18:02,080 --> 00:18:05,399
♪ Just puts another rattle
in your brain
295
00:18:05,400 --> 00:18:08,440
♪ Take another green,
but it's not the same
296
00:18:12,080 --> 00:18:15,679
♪ But now you're on
the sand lane everyday
297
00:18:15,680 --> 00:18:18,799
♪ Dancing with the bulls
in any old way
298
00:18:18,800 --> 00:18:21,720
♪ Running like a fox
to keep up with me
299
00:18:25,120 --> 00:18:28,559
♪ Because I've got my own way
300
00:18:28,560 --> 00:18:31,799
♪ I can find my own way
301
00:18:31,800 --> 00:18:34,799
♪ Because I've got my own way
302
00:18:34,800 --> 00:18:38,239
♪ Hey, yay-yay-yay-yay-yay
303
00:18:38,240 --> 00:18:41,719
♪ Because I've got my own way
304
00:18:41,720 --> 00:18:45,199
♪ I can find my own way
305
00:18:45,200 --> 00:18:48,199
♪ Because I've got my own way
306
00:18:48,200 --> 00:18:51,560
♪ Hey, yay-yay-yay-yay-yay
307
00:19:25,360 --> 00:19:28,559
♪ Because I've got my own way
308
00:19:28,560 --> 00:19:31,879
♪ I can find my own way
309
00:19:31,880 --> 00:19:35,359
♪ Because I've got my own way
310
00:19:35,360 --> 00:19:38,759
♪ Hey, yay-yay-yay-yay-yay
311
00:19:38,760 --> 00:19:41,879
♪ Because I've got my own way
312
00:19:41,880 --> 00:19:45,239
♪ I can find my own way
313
00:19:45,240 --> 00:19:48,719
♪ Because I've got my own way
314
00:19:48,720 --> 00:19:52,080
♪ Hey, yay-yay-yay-yay-yay. ♪
315
00:20:08,880 --> 00:20:11,400
(CHEERS)
316
00:20:17,760 --> 00:20:19,800
♪ Button up your lips
317
00:20:21,920 --> 00:20:24,919
SHANE: Jamaican born artist
Grace Jones
318
00:20:24,920 --> 00:20:29,000
took synth pop and gave it
some New York sophistication.
319
00:20:31,720 --> 00:20:33,319
♪ Walking
320
00:20:33,320 --> 00:20:35,520
♪ Walking in the rain. ♪
321
00:20:37,520 --> 00:20:40,999
American band Devo plugged
in their synthesisers
322
00:20:41,000 --> 00:20:42,559
and did this with them.
323
00:20:42,560 --> 00:20:44,279
♪ I been working in a coal mine
324
00:20:44,280 --> 00:20:45,639
♪ Going down, down
325
00:20:45,640 --> 00:20:47,319
♪ Working in a coal mine
326
00:20:47,320 --> 00:20:50,039
♪ Whew, about to slip down. ♪
327
00:20:50,040 --> 00:20:52,320
And this...
328
00:21:02,280 --> 00:21:05,079
♪ Crack that whip
329
00:21:05,080 --> 00:21:08,359
♪ Give the past the slip
330
00:21:08,360 --> 00:21:11,319
♪ Step on a crack
331
00:21:11,320 --> 00:21:13,360
♪ Break your momma's back
332
00:21:15,760 --> 00:21:17,039
♪ When a problem comes along
333
00:21:17,040 --> 00:21:18,639
♪ You must whip it
334
00:21:18,640 --> 00:21:20,319
♪ Before the cream
sits out too long
335
00:21:20,320 --> 00:21:22,039
♪ You must whip it
336
00:21:22,040 --> 00:21:23,519
♪ When something's going wrong
337
00:21:23,520 --> 00:21:25,799
♪ You must whip it
338
00:21:25,800 --> 00:21:28,759
♪ Now whip it into shape
339
00:21:28,760 --> 00:21:30,519
♪ Shape it up
340
00:21:30,520 --> 00:21:31,719
♪ Get straight
341
00:21:31,720 --> 00:21:33,319
♪ Go forward
342
00:21:33,320 --> 00:21:34,839
♪ Move ahead
343
00:21:34,840 --> 00:21:36,319
♪ Try to detect it
344
00:21:36,320 --> 00:21:37,759
♪ It's not too late
345
00:21:37,760 --> 00:21:40,400
♪ To whip it, whip it good!
346
00:21:43,120 --> 00:21:44,759
♪ When a good time turns around
347
00:21:44,760 --> 00:21:45,959
♪ You must whip it
348
00:21:45,960 --> 00:21:47,719
♪ You will never live it down
349
00:21:47,720 --> 00:21:49,319
♪ Unless you whip it
350
00:21:49,320 --> 00:21:50,559
♪ No one gets away
351
00:21:50,560 --> 00:21:52,640
♪ Until they whip it
352
00:21:54,400 --> 00:21:57,439
♪ I say whip it
353
00:21:57,440 --> 00:22:00,399
♪ Whip it good
354
00:22:00,400 --> 00:22:03,479
♪ I say whip it
355
00:22:03,480 --> 00:22:05,480
♪ Whip it good
356
00:22:24,160 --> 00:22:27,359
♪ Crack that whip
357
00:22:27,360 --> 00:22:30,039
♪ Give the past the slip
358
00:22:30,040 --> 00:22:33,119
♪ Step on a crack
359
00:22:33,120 --> 00:22:35,200
♪ Break your momma's back
360
00:22:37,600 --> 00:22:39,319
♪ When a problem comes along
361
00:22:39,320 --> 00:22:40,839
♪ You must whip it
362
00:22:40,840 --> 00:22:42,199
♪ Before the cream
sits out too long
363
00:22:42,200 --> 00:22:43,919
♪ You must whip it
364
00:22:43,920 --> 00:22:45,279
♪ When something's going wrong
365
00:22:45,280 --> 00:22:47,559
♪ You must whip it
366
00:22:47,560 --> 00:22:49,119
♪ Now whip it
367
00:22:49,120 --> 00:22:50,799
♪ Into shape
368
00:22:50,800 --> 00:22:52,399
♪ Shape it up
369
00:22:52,400 --> 00:22:53,799
♪ Get straight
370
00:22:53,800 --> 00:22:55,359
♪ Go forward
371
00:22:55,360 --> 00:22:56,559
♪ Move ahead
372
00:22:56,560 --> 00:22:58,199
♪ Try to detect it
373
00:22:58,200 --> 00:22:59,599
♪ It's not too late
374
00:22:59,600 --> 00:23:01,399
♪ To whip it
375
00:23:01,400 --> 00:23:02,919
♪ Into shape
376
00:23:02,920 --> 00:23:04,479
♪ Shape it up
377
00:23:04,480 --> 00:23:06,039
♪ Get straight
378
00:23:06,040 --> 00:23:07,239
♪ Go forward
379
00:23:07,240 --> 00:23:08,799
♪ Move ahead
380
00:23:08,800 --> 00:23:10,519
♪ Try to detect it
381
00:23:10,520 --> 00:23:11,719
♪ It's not too late
382
00:23:11,720 --> 00:23:13,519
♪ To whip it
383
00:23:13,520 --> 00:23:15,360
♪ Whip it good. ♪
384
00:23:27,360 --> 00:23:28,759
Hi, I'm Clare from Altered Images
385
00:23:28,760 --> 00:23:30,639
and you're watching Countdown '82.
386
00:23:30,640 --> 00:23:33,239
(LAUGHS)
387
00:23:33,240 --> 00:23:35,479
Wow, we'll start again.
388
00:23:35,480 --> 00:23:36,999
Serious face.
389
00:23:37,000 --> 00:23:38,679
No giggling.
390
00:23:38,680 --> 00:23:43,519
SHANE: English pop stars seemed so
confident and polished.
391
00:23:43,520 --> 00:23:48,519
IAN: When you look back on the three
hits that you've had,
392
00:23:48,520 --> 00:23:51,199
do you and your brothers sort of
purposely go out to find...
393
00:23:51,200 --> 00:23:53,839
You know? In other words,
do you not back tracks
394
00:23:53,840 --> 00:23:58,119
that you may write, or what?
395
00:23:58,120 --> 00:24:00,039
Is it calculated thing?
396
00:24:00,040 --> 00:24:02,359
It's a strange
question, you know.
397
00:24:02,360 --> 00:24:04,239
I mean, is it like...
398
00:24:04,240 --> 00:24:05,959
Let me start again.
399
00:24:05,960 --> 00:24:07,919
I didn't understand
the question at all. (LAUGHS)
400
00:24:07,920 --> 00:24:10,639
I'm perfectly mixed up myself.
It went on for so long.
401
00:24:10,640 --> 00:24:12,439
It was like an epic.
402
00:24:12,440 --> 00:24:14,439
I'm flavour of the month
every month, or whatever it is.
403
00:24:14,440 --> 00:24:17,079
You couldn't imagine some
of the new British musicians
404
00:24:17,080 --> 00:24:20,199
being anything other
than a pop star.
405
00:24:20,200 --> 00:24:23,799
For me, the warrior
make-up is me
406
00:24:23,800 --> 00:24:28,439
as much as Alice Cooper's make-up
is, you know, the thing
407
00:24:28,440 --> 00:24:31,359
with the, you know,
the ghoulish thing.
408
00:24:31,360 --> 00:24:33,799
That's sort of what people identify
with him
409
00:24:33,800 --> 00:24:35,479
and he'll never
get away from that.
410
00:24:35,480 --> 00:24:37,319
I don't think I'll ever get
away from the warrior,
411
00:24:37,320 --> 00:24:38,839
not that I want to.
412
00:24:38,840 --> 00:24:40,479
There'll never be
another Beatles.
413
00:24:40,480 --> 00:24:42,359
But I hope in ten year's time,
414
00:24:42,360 --> 00:24:44,399
people will say there'll never be
another Adam and the Ants.
415
00:24:44,400 --> 00:24:46,679
SHANE: While Adam was looking
to the future,
416
00:24:46,680 --> 00:24:50,119
I was inspired
by stories as old as time,
417
00:24:50,120 --> 00:24:52,360
and Goanna joined
the struggle for justice.
418
00:24:56,320 --> 00:24:58,440
(APPLAUSE)
419
00:25:09,320 --> 00:25:11,239
♪ Out here nothing changes
420
00:25:11,240 --> 00:25:13,560
♪ Not in a hurry anyway
421
00:25:15,720 --> 00:25:18,639
♪ You feel the endlessness
422
00:25:18,640 --> 00:25:21,120
♪ With the coming
of the light of day
423
00:25:22,480 --> 00:25:25,279
♪ Talking about a chosen place
424
00:25:25,280 --> 00:25:27,960
♪ You want to sell it
in a marketplace, well
425
00:25:33,080 --> 00:25:35,280
♪ Well, just a minute now
426
00:25:39,600 --> 00:25:41,359
♪ You're standing on
427
00:25:41,360 --> 00:25:42,879
♪ Solid rock
428
00:25:42,880 --> 00:25:46,119
♪ Standing on sacred ground
429
00:25:46,120 --> 00:25:50,039
♪ Living on borrowed time
430
00:25:50,040 --> 00:25:51,679
♪ And the winds of change
431
00:25:51,680 --> 00:25:53,800
♪ Are blowing down the line
432
00:25:58,440 --> 00:26:00,480
♪ Right down the line
433
00:26:07,240 --> 00:26:09,999
♪ Round about the dawn of time
434
00:26:10,000 --> 00:26:13,319
♪ When dreaming all began
435
00:26:13,320 --> 00:26:16,239
♪ A crowd of people came
436
00:26:16,240 --> 00:26:19,999
♪ Well, they were looking
for their promised land
437
00:26:20,000 --> 00:26:22,400
♪ They're running
from the heart of darkness
438
00:26:24,200 --> 00:26:26,240
♪ Searching
for the heart of light
439
00:26:30,440 --> 00:26:32,640
♪ Well, I think
we found paradise
440
00:26:37,000 --> 00:26:39,279
♪ But they were standing on
441
00:26:39,280 --> 00:26:40,879
♪ Solid rock
442
00:26:40,880 --> 00:26:43,759
♪ Standing on sacred ground
443
00:26:43,760 --> 00:26:46,600
♪ Living on borrowed time
444
00:26:47,760 --> 00:26:49,519
♪ And the winds of change
445
00:26:49,520 --> 00:26:51,560
♪ Were blowing cold that night
446
00:26:53,520 --> 00:26:55,520
♪ No
447
00:27:37,080 --> 00:27:40,439
♪ They were standing
on the shore one day
448
00:27:40,440 --> 00:27:43,839
♪ Saw the white sails in the sun
449
00:27:43,840 --> 00:27:46,479
♪ It wasn't long
before they felt the sting
450
00:27:46,480 --> 00:27:50,479
♪ White man,
white law, white gun
451
00:27:50,480 --> 00:27:53,719
♪ Don't tell me
that it's justified
452
00:27:53,720 --> 00:27:55,719
♪ Because somewhere
453
00:27:55,720 --> 00:27:57,760
♪ Well, someone lied
454
00:28:01,320 --> 00:28:03,360
♪ Yeah, well, someone lied
455
00:28:08,240 --> 00:28:11,239
♪ Someone lied
456
00:28:11,240 --> 00:28:13,320
♪ Genocide
457
00:28:14,760 --> 00:28:16,839
♪ Well, someone lied
458
00:28:16,840 --> 00:28:18,960
♪ Oh!
459
00:28:20,560 --> 00:28:22,679
♪ And now you're standing on
460
00:28:22,680 --> 00:28:24,399
♪ Solid rock
461
00:28:24,400 --> 00:28:27,519
♪ Standing on a sacred ground
462
00:28:27,520 --> 00:28:30,999
♪ Living on borrowed time
463
00:28:31,000 --> 00:28:32,879
♪ And the winds of change
464
00:28:32,880 --> 00:28:35,079
♪ Are blowing down the line
465
00:28:35,080 --> 00:28:36,679
♪ Solid rock
466
00:28:36,680 --> 00:28:40,239
♪ Standing on sacred ground
467
00:28:40,240 --> 00:28:44,079
♪ Living on borrowed time
468
00:28:44,080 --> 00:28:45,639
♪ And the winds of change
469
00:28:45,640 --> 00:28:47,999
♪ Are blowing down the line
470
00:28:48,000 --> 00:28:50,279
♪ Solid rock
471
00:28:50,280 --> 00:28:52,719
♪ Oh-ho, sacred ground
472
00:28:52,720 --> 00:28:56,559
♪ Living on borrowed time
473
00:28:56,560 --> 00:28:58,199
♪ And the winds of change
474
00:28:58,200 --> 00:29:00,360
♪ Are blowing down the line
475
00:29:05,320 --> 00:29:07,360
(CHEERING)
476
00:29:13,000 --> 00:29:15,319
♪ And tell me
477
00:29:15,320 --> 00:29:18,959
if it's still raining
there in England
478
00:29:18,960 --> 00:29:21,959
SHANE: We were just
starting out, but in 1982,
479
00:29:21,960 --> 00:29:25,000
it felt like some of our peers had
gone up a gear.
480
00:29:27,120 --> 00:29:29,759
♪ And tell me
481
00:29:29,760 --> 00:29:32,920
♪ If it's still raining
there in England
482
00:29:34,120 --> 00:29:37,479
♪ Adventures so hard to come by
483
00:29:37,480 --> 00:29:41,519
♪ If you ever come back,
just drop by
484
00:29:41,520 --> 00:29:45,159
♪ One perfect day
485
00:29:45,160 --> 00:29:47,679
♪ One perfect day
486
00:29:47,680 --> 00:29:49,760
♪ One perfect day. ♪
487
00:29:54,200 --> 00:29:57,879
♪ Lady, what's your name?
488
00:29:57,880 --> 00:29:59,559
Barnesy's brother, John Swan,
489
00:29:59,560 --> 00:30:02,519
finally had
some well-deserved success.
490
00:30:02,520 --> 00:30:05,199
♪ In the rain
491
00:30:05,200 --> 00:30:08,560
♪ Just a little smile
will make my day
492
00:30:10,960 --> 00:30:13,639
♪ Loving you has made me live
493
00:30:13,640 --> 00:30:16,519
♪ Again
494
00:30:16,520 --> 00:30:19,559
♪ What's your name?
495
00:30:19,560 --> 00:30:22,520
♪ And can I walk
beside you in the rain?
496
00:30:25,080 --> 00:30:28,000
♪ Just a little smile
will make my day. ♪
497
00:30:31,080 --> 00:30:33,639
Split Enz kept taking
their writing up a notch.
498
00:30:33,640 --> 00:30:38,199
♪ I don't want to sail for the
middle of nowhere tonight
499
00:30:38,200 --> 00:30:42,760
♪ Dirty Creature's got me at
a disadvantage from the inside
500
00:30:51,320 --> 00:30:56,080
♪ I don't want to sail upon the
waters of invention tonight. ♪
501
00:31:11,760 --> 00:31:13,959
And there was no doubt INXS
502
00:31:13,960 --> 00:31:16,520
were about to pass everyone
in the street.
503
00:31:41,960 --> 00:31:45,240
♪ I'm standing here
on the ground
504
00:31:47,720 --> 00:31:52,040
♪ The sky above won't fall down
505
00:31:53,560 --> 00:31:55,799
♪ See no evil
506
00:31:55,800 --> 00:31:59,359
♪ In all directions
507
00:31:59,360 --> 00:32:01,879
♪ Resolution
508
00:32:01,880 --> 00:32:03,920
♪ Of happiness
509
00:32:05,560 --> 00:32:07,279
♪ Things have been dark
510
00:32:07,280 --> 00:32:09,400
♪ For too long
511
00:32:11,120 --> 00:32:13,879
♪ Don't change for you
512
00:32:13,880 --> 00:32:16,960
♪ Don't change a thing for me
513
00:32:19,800 --> 00:32:22,719
♪ Don't change for you
514
00:32:22,720 --> 00:32:25,640
♪ Don't change a thing for me
515
00:32:37,240 --> 00:32:40,920
♪ I found a love I had lost
516
00:32:43,200 --> 00:32:47,480
♪ It was gone for too long
517
00:32:49,160 --> 00:32:51,159
♪ Hear no evil
518
00:32:51,160 --> 00:32:53,520
♪ In all directions
519
00:32:55,040 --> 00:32:57,559
♪ Execution
520
00:32:57,560 --> 00:32:59,720
♪ Of bitterness
521
00:33:01,000 --> 00:33:05,840
♪ Message received
loud and clear
522
00:33:06,920 --> 00:33:09,679
♪ Don't change for you
523
00:33:09,680 --> 00:33:12,720
♪ Don't change a thing for me
524
00:33:15,880 --> 00:33:18,359
♪ Don't change for you
525
00:33:18,360 --> 00:33:21,400
♪ Don't change a thing for me
526
00:33:45,240 --> 00:33:48,640
♪ I'm standing here
on the ground
527
00:33:50,960 --> 00:33:53,079
♪ The sky above
528
00:33:53,080 --> 00:33:55,320
♪ Won't fall down
529
00:33:56,720 --> 00:34:00,240
♪ See no evil in all directions
530
00:34:02,520 --> 00:34:06,240
♪ Resolution of happiness
531
00:34:08,520 --> 00:34:12,120
♪ Things have been dark
for too long
532
00:34:14,240 --> 00:34:17,159
♪ Don't change for you
533
00:34:17,160 --> 00:34:20,040
♪ Don't change a thing for me
534
00:34:22,960 --> 00:34:25,839
♪ Don't change for you
535
00:34:25,840 --> 00:34:28,760
♪ Don't change a thing for me
536
00:34:31,520 --> 00:34:34,439
♪ Don't change for you
537
00:34:34,440 --> 00:34:37,440
♪ Don't change a thing for me
538
00:34:48,920 --> 00:34:52,039
♪ Don't
539
00:34:52,040 --> 00:34:54,320
♪ Change
540
00:34:57,760 --> 00:35:00,439
♪ Don't
541
00:35:00,440 --> 00:35:02,480
♪ Change. ♪
542
00:35:23,880 --> 00:35:27,759
♪ You can take a mule
up the mountains
543
00:35:27,760 --> 00:35:30,080
♪ To the picnic spots
544
00:35:33,560 --> 00:35:35,879
SHANE: The fashions displayed
in the Countdown studio
545
00:35:35,880 --> 00:35:39,799
in 1982 were wide ranging,
from Heather Favell's
546
00:35:39,800 --> 00:35:42,719
comfortably snug jeans
and sunny polo...
547
00:35:42,720 --> 00:35:44,799
♪ Holiday
548
00:35:44,800 --> 00:35:48,240
♪ From city madness
549
00:35:50,000 --> 00:35:51,199
♪ Cock
550
00:35:51,200 --> 00:35:52,559
♪ Tails
551
00:35:52,560 --> 00:35:54,319
♪ On the patio. ♪
552
00:35:54,320 --> 00:35:58,959
♪ And the music starts to play,
and I'm so excited
553
00:35:58,960 --> 00:36:01,639
to the quintessentially
'80s crimped hair
554
00:36:01,640 --> 00:36:03,999
and pastels of the Moir Sisters.
555
00:36:04,000 --> 00:36:06,199
♪ It feels alright
556
00:36:06,200 --> 00:36:07,599
♪ I'm alright
557
00:36:07,600 --> 00:36:10,519
♪ We're alright
558
00:36:10,520 --> 00:36:13,199
♪ It feels alright
559
00:36:13,200 --> 00:36:14,959
♪ I'm alright
560
00:36:14,960 --> 00:36:16,839
♪ We're alright. ♪
561
00:36:16,840 --> 00:36:19,679
Julian Cope of Teardrop Explodes
562
00:36:19,680 --> 00:36:21,999
almost started a craze
563
00:36:22,000 --> 00:36:24,639
where everyone dressed
Old Testament style.
564
00:36:24,640 --> 00:36:27,199
Almost.
565
00:36:27,200 --> 00:36:29,679
♪ Darkness that is shattered
566
00:36:29,680 --> 00:36:31,760
♪ By the dawn. ♪
567
00:36:37,360 --> 00:36:41,719
(CHEERS)
568
00:36:41,720 --> 00:36:44,639
And the Fruit Pastilles'
punk powered dressing
569
00:36:44,640 --> 00:36:47,200
just screams 1982.
570
00:36:50,480 --> 00:36:53,559
♪ I don't ever want
to see you again
571
00:36:53,560 --> 00:36:56,719
♪ I don't ever want
to hear your name again
572
00:36:56,720 --> 00:37:00,519
♪ I don't ever want
to know of you again
573
00:37:00,520 --> 00:37:03,639
♪ I no longer
consider you a friend
574
00:37:03,640 --> 00:37:06,999
♪ Round sticks of bamboo slammed
under nails
575
00:37:07,000 --> 00:37:10,479
♪ I'd rather be lacerated
by a cat of nine tails
576
00:37:10,480 --> 00:37:11,839
♪ I'd rather be
whipped and beaten
577
00:37:11,840 --> 00:37:13,999
♪ Bashed and mutilated
578
00:37:14,000 --> 00:37:17,479
♪ I much prefer to be
publicly humiliated
579
00:37:17,480 --> 00:37:20,559
♪ But I don't ever want
to see you again
580
00:37:20,560 --> 00:37:24,079
♪ I don't ever want
to hear your name again
581
00:37:24,080 --> 00:37:27,239
♪ I don't ever want
to know of you again
582
00:37:27,240 --> 00:37:30,399
♪ I no longer
consider you a friend
583
00:37:30,400 --> 00:37:32,199
Hope, I just don't know what
to do about that boy.
584
00:37:32,200 --> 00:37:34,239
He's made me
so irritable I could die.
585
00:37:34,240 --> 00:37:35,919
Chas, Just get rid of him!
Get him out of your life!
586
00:37:35,920 --> 00:37:37,399
He's not for you!
Just get rid of him!
587
00:37:37,400 --> 00:37:39,319
Chop his head off!
Murder him! Murder him!
588
00:37:39,320 --> 00:37:41,239
BOTH: Murder him! Murder him!
Murder him! Murder him!
589
00:37:41,240 --> 00:37:43,759
Murder him! Murder him!
Murder him!
590
00:37:43,760 --> 00:37:46,919
(SINGS INDISTINCTLY)
591
00:37:46,920 --> 00:37:50,039
♪ And they left me
bleeding, starving, of course!
592
00:37:50,040 --> 00:37:53,359
♪ I'd rather they set fire
to my hair and stamped it out
593
00:37:53,360 --> 00:37:57,279
♪ I'd rather they acupuncture me
inside and out, out, out!
594
00:37:57,280 --> 00:38:00,279
♪ I don't ever want
to see you again
595
00:38:00,280 --> 00:38:03,639
♪ I don't ever want
to hear your name again
596
00:38:03,640 --> 00:38:07,159
♪ I don't ever want
to know you again
597
00:38:07,160 --> 00:38:10,599
♪ I no longer
consider you a friend
598
00:38:10,600 --> 00:38:13,879
♪ I'd rather be golden
in a vat of molten lead
599
00:38:13,880 --> 00:38:17,319
♪ I'd rather be bashed repeatedly
about the head
600
00:38:17,320 --> 00:38:20,759
♪ I'd rather knitting needles going
through my brain
601
00:38:20,760 --> 00:38:23,799
♪ And go through some
of the most excruciating pain
602
00:38:23,800 --> 00:38:26,039
Here he comes, walking down
the street toward us.
603
00:38:26,040 --> 00:38:27,679
What are you going to do?
604
00:38:27,680 --> 00:38:29,279
I'm going to get him
and get him good.
605
00:38:29,280 --> 00:38:30,719
Oh, hell, he's seen us!
606
00:38:30,720 --> 00:38:32,679
I hate him!
Get him!
607
00:38:32,680 --> 00:38:34,039
I hate him!
Get him!
608
00:38:34,040 --> 00:38:35,639
I hate him!
Get him!
609
00:38:35,640 --> 00:38:37,839
(BOTH SCREAM)
610
00:38:37,840 --> 00:38:39,920
♪ I never want
to see you again. ♪
611
00:38:59,320 --> 00:39:02,159
Ah, thank you very much,
you salty young dogs.
612
00:39:02,160 --> 00:39:04,039
You're over there?
You're better this week?
613
00:39:04,040 --> 00:39:05,359
Much better, Molly, thank you.
614
00:39:05,360 --> 00:39:06,799
The sea air, eh?
It is.
615
00:39:06,800 --> 00:39:08,759
Thank goodness for that.
What's your name?
616
00:39:08,760 --> 00:39:10,079
IAN: My name is Ian.
617
00:39:10,080 --> 00:39:11,279
Your name's what?
Molly.
618
00:39:11,280 --> 00:39:13,039
Molly.
619
00:39:13,040 --> 00:39:14,919
I've got a daughter called Molly,
and I just hope
620
00:39:14,920 --> 00:39:16,559
she doesn't look like you
when she grows up.
621
00:39:16,560 --> 00:39:18,440
(LAUGHS) Fair enough.
622
00:39:20,200 --> 00:39:23,719
Alright, would you believe that this
little monster here...
623
00:39:23,720 --> 00:39:25,759
We'll see if we can
get a close-up of it.
624
00:39:25,760 --> 00:39:27,999
(BEEPS)
625
00:39:28,000 --> 00:39:29,759
That little monster
there that's been eating
626
00:39:29,760 --> 00:39:32,839
and gobbling away things is a guy
called the Pac-Man, right?
627
00:39:32,840 --> 00:39:34,879
And it's been causing a storm right
around the country,
628
00:39:34,880 --> 00:39:36,279
including America, as well.
629
00:39:36,280 --> 00:39:37,919
In fact, it's the most
popular game in America.
630
00:39:37,920 --> 00:39:39,559
And of course, the good
old recording industry
631
00:39:39,560 --> 00:39:41,079
had to get in on the act,
632
00:39:41,080 --> 00:39:43,279
and here's the single
called Pac-Man Fever.
633
00:39:43,280 --> 00:39:44,959
It's a disco sort of number,
634
00:39:44,960 --> 00:39:47,279
and it's sort of, like,
well, it's OK.
635
00:39:47,280 --> 00:39:50,479
And I think that we're all
quite heartily sick and tired.
636
00:39:50,480 --> 00:39:52,359
And it just makes
my stomach churn to see
637
00:39:52,360 --> 00:39:55,559
in the papers every day
and on the news at night
638
00:39:55,560 --> 00:39:58,559
the awful carnage that's going on
throughout the world today.
639
00:39:58,560 --> 00:40:00,839
I don't pick any sides,
but it just breaks my heart
640
00:40:00,840 --> 00:40:04,319
to see children in the news,
as we've been seeing in Beirut.
641
00:40:04,320 --> 00:40:06,439
Just lying in hospitals,
the poor little things,
642
00:40:06,440 --> 00:40:09,119
with their arms missing
and everything else like that.
643
00:40:09,120 --> 00:40:10,839
And I think the people
of Australia are very lucky,
644
00:40:10,840 --> 00:40:12,439
but we can do more than that,
645
00:40:12,440 --> 00:40:13,639
and I think
the people of Australia
646
00:40:13,640 --> 00:40:14,999
could strive for some peace.
647
00:40:15,000 --> 00:40:16,399
And after all,
it was only two years ago
648
00:40:16,400 --> 00:40:17,999
when we had
the Year of the Child,
649
00:40:18,000 --> 00:40:19,799
so let's start looking
after all the children
650
00:40:19,800 --> 00:40:21,880
throughout the world
and say something about it.
651
00:40:23,800 --> 00:40:26,879
Alright, amidst the chaos, here's
another album.
652
00:40:26,880 --> 00:40:29,239
How do you hold them, Neil,
so they don't flare?
653
00:40:29,240 --> 00:40:31,039
You look at the monitor, Tim,
654
00:40:31,040 --> 00:40:32,439
so that you make sure
it's not flaring.
655
00:40:32,440 --> 00:40:34,359
See, there's
the old flare there.
656
00:40:34,360 --> 00:40:36,039
Well, that's enough
said about that.
657
00:40:36,040 --> 00:40:37,639
I believe it's quite well.
You don't like it?
658
00:40:37,640 --> 00:40:39,759
Alright,
just very quickly explain.
659
00:40:39,760 --> 00:40:42,039
It's one of these
super group thingy's.
660
00:40:42,040 --> 00:40:43,879
John Wetton, Steve Howe.
661
00:40:43,880 --> 00:40:45,759
I don't go for it myself.
I don't mind it.
662
00:40:45,760 --> 00:40:47,719
Watch out for it because it
is going to be a big one.
663
00:40:47,720 --> 00:40:49,319
You saw them before.
664
00:40:49,320 --> 00:40:50,959
OK, moving along.
Moving right along.
665
00:40:50,960 --> 00:40:53,759
Now, listen, I've got to say...
666
00:40:53,760 --> 00:40:56,119
What a spunk? She's great.
667
00:40:56,120 --> 00:40:58,839
What a spank? What does
that mean? What a spank?
668
00:40:58,840 --> 00:41:00,719
No, spunk.
669
00:41:00,720 --> 00:41:03,519
It means you're pretty good, alright,
in Australian terms.
670
00:41:03,520 --> 00:41:05,519
Oh. Pretty good? That's all?
671
00:41:05,520 --> 00:41:07,639
No, no, no.
672
00:41:07,640 --> 00:41:08,959
I must congratulate you, seriously.
673
00:41:08,960 --> 00:41:10,559
Thank you, Molly.
On that single.
674
00:41:10,560 --> 00:41:11,919
What are your names?
Where's Hope?
675
00:41:11,920 --> 00:41:13,759
This is Hope and I'm Chastity.
676
00:41:13,760 --> 00:41:15,519
Oh, you're too courteous.
Michael and Marc, right?
677
00:41:15,520 --> 00:41:16,759
You're too wonderful.
678
00:41:16,760 --> 00:41:18,919
It's an absolute
wonderful single,
679
00:41:18,920 --> 00:41:20,279
and it's time to say goodnight.
680
00:41:20,280 --> 00:41:21,599
Goodnight!
681
00:41:21,600 --> 00:41:22,799
Do you like the single?
Love it.
682
00:41:22,800 --> 00:41:24,639
Yeah, it is. It's great.
683
00:41:24,640 --> 00:41:26,599
So the advice we give you two
is be clean as well.
684
00:41:26,600 --> 00:41:29,359
It's time to say goodnight.
OK. Clean and wonderful.
685
00:41:29,360 --> 00:41:31,479
Alright, listen,
it's time to say goodnight,
686
00:41:31,480 --> 00:41:33,039
and the number one record...
687
00:41:33,040 --> 00:41:34,239
Hold on. Ssh, ssh.
688
00:41:34,240 --> 00:41:35,519
The number...
689
00:41:35,520 --> 00:41:36,879
(CHEERS)
690
00:41:36,880 --> 00:41:38,719
The number one record...
691
00:41:38,720 --> 00:41:40,399
The number one record...
692
00:41:40,400 --> 00:41:42,320
(CHEERS)
693
00:41:49,440 --> 00:41:51,279
The number one record...
694
00:41:51,280 --> 00:41:53,080
(CHEERS)
695
00:41:54,040 --> 00:41:56,119
Before I was rudely interrupted,
696
00:41:56,120 --> 00:41:58,599
the number one record is
your supporting group,
697
00:41:58,600 --> 00:42:01,039
who've done a great job
on this side.
698
00:42:01,040 --> 00:42:03,520
Perfect pitches. What about me?
699
00:42:09,480 --> 00:42:12,919
♪ Nothing grows in Texas
700
00:42:12,920 --> 00:42:16,519
SHANE: Australian trailblazers kept
pointing the way forward.
701
00:42:16,520 --> 00:42:20,239
♪ Nothing grows in Texas
702
00:42:20,240 --> 00:42:23,719
♪ Nothing grows
703
00:42:23,720 --> 00:42:25,760
♪ In Texas. ♪
704
00:42:27,560 --> 00:42:31,959
The local metal scene continued to
find its own voice.
705
00:42:31,960 --> 00:42:34,719
♪ Hanging around in my fantasy
706
00:42:34,720 --> 00:42:36,959
♪ Fantasy
707
00:42:36,960 --> 00:42:38,559
♪ You're in my fantasy
708
00:42:38,560 --> 00:42:41,159
♪ Fantasy. ♪
709
00:42:41,160 --> 00:42:46,159
In 1982, Sardine released
arguably the nation's first
710
00:42:46,160 --> 00:42:49,239
enviro-electric,
punk protest song.
711
00:42:49,240 --> 00:42:51,159
♪ They took away
your beauty strong
712
00:42:51,160 --> 00:42:55,559
♪ And played business
over your grave
713
00:42:55,560 --> 00:42:59,319
♪ And sold to you
with plastic bags
714
00:42:59,320 --> 00:43:02,320
♪ What the river
God gave for free. ♪
715
00:43:04,000 --> 00:43:07,559
♪ And if it doesn't feel right when
I hold you tight
716
00:43:07,560 --> 00:43:09,479
♪ Oh baby, it's alright
717
00:43:09,480 --> 00:43:12,759
♪ I am awfully lonely
718
00:43:12,760 --> 00:43:15,959
♪ I am
awfully lonely. ♪
719
00:43:15,960 --> 00:43:18,919
Chrissy Amphlett
inspired generations
720
00:43:18,920 --> 00:43:21,399
of future female rock stars.
721
00:43:21,400 --> 00:43:25,119
♪ If we do get involved
722
00:43:25,120 --> 00:43:27,639
♪ Ooh, baby
723
00:43:27,640 --> 00:43:30,920
♪ Wonder if we could
get involved. ♪
724
00:43:36,640 --> 00:43:39,199
But when you become
the first international voice
725
00:43:39,200 --> 00:43:43,319
of an entire ancient culture,
as No Fixed Address did,
726
00:43:43,320 --> 00:43:45,399
then you're more
than a trailblazer.
727
00:43:45,400 --> 00:43:46,839
You're a revolutionary.
728
00:43:46,840 --> 00:43:49,839
♪ Sitting in the sunlight
729
00:43:49,840 --> 00:43:53,519
♪ With my head towards the sun
730
00:43:53,520 --> 00:43:56,279
♪ Suddenly, there's
a cloud above me
731
00:43:56,280 --> 00:44:00,599
♪ Blocking out that sunlight
from my eyes
732
00:44:00,600 --> 00:44:02,800
♪ Ooh, ooh
733
00:44:03,840 --> 00:44:06,959
♪ From my eyes, from my eyes
734
00:44:06,960 --> 00:44:10,359
♪ Ooh, ooh
735
00:44:10,360 --> 00:44:12,439
♪ From my eyes
736
00:44:12,440 --> 00:44:15,279
♪ In this world,
you've got to have eyes
737
00:44:15,280 --> 00:44:18,639
♪ Because the people try
to blow your mind
738
00:44:18,640 --> 00:44:21,679
♪ Like the cloud that
was floating in the sky
739
00:44:21,680 --> 00:44:24,159
♪ Blocking out the sunlight
740
00:44:24,160 --> 00:44:25,759
♪ From my eyes
741
00:44:25,760 --> 00:44:29,079
♪ Ooh
742
00:44:29,080 --> 00:44:32,839
♪ From my eyes, from my eyes
743
00:44:32,840 --> 00:44:35,479
♪ Ooh
744
00:44:35,480 --> 00:44:37,639
♪ From my eyes
745
00:44:37,640 --> 00:44:41,679
♪ I need some light
so that I can see
746
00:44:41,680 --> 00:44:43,879
♪ Oh, yeah
747
00:44:43,880 --> 00:44:46,439
♪ Don't go taking the sunlight
748
00:44:46,440 --> 00:44:50,239
♪ Because that's
all that I can see
749
00:44:50,240 --> 00:44:53,999
♪ I need sunlight so that I can
750
00:44:54,000 --> 00:44:55,839
♪ Fight for my rights
751
00:44:55,840 --> 00:44:58,999
♪ So, so
752
00:44:59,000 --> 00:45:00,559
♪ I can be free
753
00:45:00,560 --> 00:45:02,600
♪ Oh, yeah
754
00:45:15,680 --> 00:45:18,119
♪ If you sit with me
755
00:45:18,120 --> 00:45:21,879
♪ And try to be my friend
756
00:45:21,880 --> 00:45:25,079
♪ Don't ever try
to take the sunlight
757
00:45:25,080 --> 00:45:27,279
♪ It's all that I can see
758
00:45:27,280 --> 00:45:29,199
♪ I don't want to be blind
759
00:45:29,200 --> 00:45:31,360
♪ Ooh, ooh
760
00:45:32,800 --> 00:45:35,359
♪ Oh, yeah,
I don't want to be blind
761
00:45:35,360 --> 00:45:38,879
♪ Ooh, ooh
762
00:45:38,880 --> 00:45:41,079
♪ Whoa, man
763
00:45:41,080 --> 00:45:43,519
♪ Whoa, whoa, whoa
764
00:45:43,520 --> 00:45:45,159
♪ Don't take that sunlight
765
00:45:45,160 --> 00:45:47,759
♪ I need the sunlight,
yeah, yeah
766
00:45:47,760 --> 00:45:49,839
♪ Whoa, whoa, whoa
767
00:45:49,840 --> 00:45:54,119
♪ Don't take that sunlight,
I need the sunlight, yeah, yeah
768
00:45:54,120 --> 00:45:56,120
♪ Whoa, whoa, whoa. ♪
769
00:46:17,560 --> 00:46:20,119
♪ Daddy's home
770
00:46:20,120 --> 00:46:22,599
SHANE: Many of the old campaigners
would continue
771
00:46:22,600 --> 00:46:24,919
to be relevant
in the new decade.
772
00:46:24,920 --> 00:46:26,799
Cliff was still hanging on.
773
00:46:26,800 --> 00:46:30,599
♪ To stay
774
00:46:30,600 --> 00:46:33,559
♪ Daddy's home
775
00:46:33,560 --> 00:46:36,559
♪ To
776
00:46:36,560 --> 00:46:37,959
♪ Stay
777
00:46:37,960 --> 00:46:41,119
♪ I'm not a thousand miles away. ♪
778
00:46:41,120 --> 00:46:43,280
(CHEERS)
779
00:46:44,360 --> 00:46:47,719
♪ Give me a happy ending
780
00:46:47,720 --> 00:46:50,399
Peter Cupples from Stylus
would record a song
781
00:46:50,400 --> 00:46:52,879
for the soundtrack
of The Pirate Movie,
782
00:46:52,880 --> 00:46:55,719
giving Molly the chance
to barge in.
783
00:46:55,720 --> 00:46:57,279
♪ Everything will work out
784
00:46:57,280 --> 00:46:59,119
♪ It'll all work out
785
00:46:59,120 --> 00:47:02,399
♪ For a happy ending. ♪
786
00:47:02,400 --> 00:47:04,719
♪ There's no way...
787
00:47:04,720 --> 00:47:08,159
And modern Aus rock had really begun
with Daddy Cool,
788
00:47:08,160 --> 00:47:11,199
so it was great to see
Ross Wilson powering on.
789
00:47:11,200 --> 00:47:13,599
♪ There's no time
790
00:47:13,600 --> 00:47:15,559
♪ Oh, no time
791
00:47:15,560 --> 00:47:18,519
♪ No time to be let down
792
00:47:18,520 --> 00:47:21,519
♪ To be let down
793
00:47:21,520 --> 00:47:23,639
♪ Oh, no, girl!
794
00:47:23,640 --> 00:47:27,039
♪ I'm trying
because there's no time
795
00:47:27,040 --> 00:47:29,559
♪ Well, baby, there's no time
796
00:47:29,560 --> 00:47:31,799
♪ No, no time
797
00:47:31,800 --> 00:47:35,159
♪ No time to be let down
798
00:47:35,160 --> 00:47:37,719
♪ To be let down
799
00:47:37,720 --> 00:47:40,159
♪ Let down
800
00:47:40,160 --> 00:47:42,600
♪ I'll tell you,
there's just no time. ♪
801
00:47:43,480 --> 00:47:46,039
♪ I never dreamed...
802
00:47:46,040 --> 00:47:48,079
That's not to say
that the younger brigade
803
00:47:48,080 --> 00:47:49,759
weren't holding their own.
804
00:47:49,760 --> 00:47:52,479
♪ This life preserved
805
00:47:52,480 --> 00:47:55,079
♪ For a friend
806
00:47:55,080 --> 00:47:58,239
♪ Who you trying
to get in touch with?
807
00:47:58,240 --> 00:48:01,759
♪ Who you trying to get
in touch with?
808
00:48:01,760 --> 00:48:03,760
♪ Who you trying
to get in touch with?
809
00:48:05,160 --> 00:48:08,119
♪ I'm almost with you
810
00:48:08,120 --> 00:48:10,999
♪ I can sense it, wait for me
811
00:48:11,000 --> 00:48:14,119
♪ I'm almost with you
812
00:48:14,120 --> 00:48:17,080
♪ Is this the taste
of victory? ♪
813
00:48:24,320 --> 00:48:26,479
And Aussie newcomers
Moving Pictures
814
00:48:26,480 --> 00:48:29,919
had one of the songs
of the year.
815
00:48:29,920 --> 00:48:31,799
♪ Well there's
a little boy waiting
816
00:48:31,800 --> 00:48:35,399
♪ At the counter
of a corner shop
817
00:48:35,400 --> 00:48:37,239
♪ He's been waiting down there
818
00:48:37,240 --> 00:48:39,639
♪ Waiting half the day
819
00:48:39,640 --> 00:48:42,799
♪ They never ever see
him from the time
820
00:48:42,800 --> 00:48:44,679
♪ He gets pushed around
821
00:48:44,680 --> 00:48:47,039
♪ Knocked to the ground
822
00:48:47,040 --> 00:48:51,399
♪ He gets to his feet
and he says
823
00:48:51,400 --> 00:48:54,199
♪ What about me?
824
00:48:54,200 --> 00:48:55,759
♪ It isn't fair
825
00:48:55,760 --> 00:48:59,439
♪ I've had enough,
now I want my share
826
00:48:59,440 --> 00:49:01,719
♪ Can't you see?
827
00:49:01,720 --> 00:49:03,559
♪ I want to live
828
00:49:03,560 --> 00:49:07,680
♪ But you just take more
than you give
829
00:49:09,080 --> 00:49:10,639
♪ Well, there's
a pretty girl serving
830
00:49:10,640 --> 00:49:14,119
♪ At the counter
of a corner shop
831
00:49:14,120 --> 00:49:16,359
♪ She's been waiting back there
832
00:49:16,360 --> 00:49:18,159
♪ Waiting for her dream
833
00:49:18,160 --> 00:49:21,559
♪ Her dreams walk in and out,
they never stop
834
00:49:21,560 --> 00:49:25,559
♪ Well, she's not too proud
to cry out loud
835
00:49:25,560 --> 00:49:28,680
♪ She runs to the street
and she screams
836
00:49:30,240 --> 00:49:33,359
♪ What about me?
837
00:49:33,360 --> 00:49:34,879
♪ It isn't fair
838
00:49:34,880 --> 00:49:38,159
♪ I've had enough,
now I want my share
839
00:49:38,160 --> 00:49:40,519
♪ Can't you see?
840
00:49:40,520 --> 00:49:42,599
♪ I want to live
841
00:49:42,600 --> 00:49:46,640
♪ But you just take more
than you give
842
00:49:49,280 --> 00:49:51,400
♪ More than you give
843
00:50:04,720 --> 00:50:08,599
♪ Take a step back
and see the little people
844
00:50:08,600 --> 00:50:11,399
♪ They're not the young,
but they're the words
845
00:50:11,400 --> 00:50:14,279
♪ That make the big
846
00:50:14,280 --> 00:50:17,199
♪ People big
847
00:50:17,200 --> 00:50:20,280
♪ So listen as they whisper
848
00:50:22,640 --> 00:50:24,399
♪ What about me?
849
00:50:24,400 --> 00:50:25,799
♪ Now we're standing
on the corner
850
00:50:25,800 --> 00:50:28,720
♪ All the world's gone home
851
00:50:30,240 --> 00:50:32,239
♪ Nobody's changed
852
00:50:32,240 --> 00:50:33,919
♪ Nobody's been saved
853
00:50:33,920 --> 00:50:37,519
♪ And I'm feeling cold and alone
854
00:50:37,520 --> 00:50:41,439
♪ I guess I'm lucky,
I smile a lot
855
00:50:41,440 --> 00:50:43,960
♪ But sometimes I wish for more
856
00:50:46,560 --> 00:50:48,920
♪ Than I've got
857
00:50:50,280 --> 00:50:52,999
♪ What about me?
858
00:50:53,000 --> 00:50:54,559
♪ It isn't fair
859
00:50:54,560 --> 00:50:57,679
♪ I've had enough,
now I want my share
860
00:50:57,680 --> 00:51:00,079
♪ Can't you see?
861
00:51:00,080 --> 00:51:01,679
♪ I want to live
862
00:51:01,680 --> 00:51:04,839
♪ But you just take more
863
00:51:04,840 --> 00:51:07,439
♪ What about me?
864
00:51:07,440 --> 00:51:09,279
♪ It isn't fair
865
00:51:09,280 --> 00:51:12,599
♪ I've had enough,
now I want my share
866
00:51:12,600 --> 00:51:14,759
♪ Can't you see?
867
00:51:14,760 --> 00:51:16,719
♪ I want to live
868
00:51:16,720 --> 00:51:19,839
♪ But you just take more
869
00:51:19,840 --> 00:51:22,719
♪ You just take more
870
00:51:22,720 --> 00:51:25,399
♪ You just take more
871
00:51:25,400 --> 00:51:27,520
♪ Than you give
872
00:51:28,600 --> 00:51:30,920
♪ What about me?
873
00:51:33,000 --> 00:51:35,040
♪ What about me?
874
00:51:37,000 --> 00:51:39,760
♪ What about me? ♪
875
00:51:50,160 --> 00:51:52,839
♪ Do you really want
to hurt me? ♪
876
00:51:52,840 --> 00:51:54,399
SHANE: Moving Pictures remained at
number one
877
00:51:54,400 --> 00:51:56,759
for six weeks in '82,
878
00:51:56,760 --> 00:51:59,639
but Culture Club weren't
to be outdone,
879
00:51:59,640 --> 00:52:02,519
also staying
at the top for six weeks
880
00:52:02,520 --> 00:52:04,239
with Do You Really Want
to Hurt Me?
881
00:52:04,240 --> 00:52:06,199
I'm so sorry that we can't come and
play in Adelaide.
882
00:52:06,200 --> 00:52:09,279
The next time we come,
we should put on a show.
883
00:52:09,280 --> 00:52:11,319
Although he had the looks
of Prince Charming,
884
00:52:11,320 --> 00:52:13,519
Adam Ant had his last hurrah
885
00:52:13,520 --> 00:52:16,759
on the Australian charts
with Goody Two Shoes.
886
00:52:16,760 --> 00:52:18,799
IAN: Is there any pressure
that you feel yourself
887
00:52:18,800 --> 00:52:20,319
that you've got
to come up with something
888
00:52:20,320 --> 00:52:21,759
because you are there
at the top?
889
00:52:21,760 --> 00:52:23,999
Yeah. I mean,
it's very competitive.
890
00:52:24,000 --> 00:52:27,959
I'm only competing with myself
because I know to a point...
891
00:52:27,960 --> 00:52:29,239
Or your old records, aren't you?
892
00:52:29,240 --> 00:52:30,879
Yeah. Pfft!
893
00:52:30,880 --> 00:52:34,119
♪ And she said do you come
from a land down under?
894
00:52:34,120 --> 00:52:36,199
Men At Work's single,
Down Under,
895
00:52:36,200 --> 00:52:38,320
showed no signs of sinking.
896
00:52:40,520 --> 00:52:44,519
♪ Can't you hear,
can't you hear the thunder?
897
00:52:44,520 --> 00:52:47,159
♪ You better run,
you better take cover. ♪
898
00:52:47,160 --> 00:52:49,039
ALL: Goodnight, Australia.
899
00:52:49,040 --> 00:52:51,479
Hey!
900
00:52:51,480 --> 00:52:55,199
But the infectious cheerleader chant,
Mickey, by Toni Basil,
901
00:52:55,200 --> 00:52:58,039
continues to get them up
on the dance floor,
902
00:52:58,040 --> 00:53:00,559
shaking their floggers
decades later.
903
00:53:00,560 --> 00:53:01,919
♪ You're so fine,
you blow my mind
904
00:53:01,920 --> 00:53:05,079
♪ Hey, Mickey, hey, Mickey
905
00:53:05,080 --> 00:53:06,519
♪ Oh, Mickey, you're so fine
906
00:53:06,520 --> 00:53:08,199
♪ You're so fine,
you blow my mind
907
00:53:08,200 --> 00:53:10,280
♪ Hey, Mickey
908
00:53:28,440 --> 00:53:30,439
♪ Hey, Mickey!
909
00:53:30,440 --> 00:53:33,759
♪ You've been around all night and
that's a little long
910
00:53:33,760 --> 00:53:35,159
♪ You think you've
got the right,
911
00:53:35,160 --> 00:53:37,079
♪ But I think
you've got it wrong
912
00:53:37,080 --> 00:53:38,519
♪ Why can't you say goodnight
913
00:53:38,520 --> 00:53:40,600
♪ So you can take me home, Mickey?
914
00:53:43,480 --> 00:53:46,439
♪ Because when you say you will, it
always means you won't
915
00:53:46,440 --> 00:53:50,039
♪ You're giving me the chills, baby,
please, baby don't
916
00:53:50,040 --> 00:53:53,200
♪ Every night you still
leave me all alone, Mickey
917
00:53:56,400 --> 00:53:59,399
♪ Oh, Mickey, what a pity,
you don't understand
918
00:53:59,400 --> 00:54:02,799
♪ You take me by the heart
when you take me by the hand
919
00:54:02,800 --> 00:54:05,999
♪ Oh, Mickey, you're so pretty,
can't you understand?
920
00:54:06,000 --> 00:54:08,879
♪ It's guys like you, Mickey
921
00:54:08,880 --> 00:54:11,239
♪ Oh, what you do Mickey,
do, Mickey
922
00:54:11,240 --> 00:54:13,479
♪ Don't break my heart, Mickey
923
00:54:13,480 --> 00:54:15,519
♪ Hey, Mickey
924
00:54:15,520 --> 00:54:17,359
♪ Now when you take me
by the hooves,
925
00:54:17,360 --> 00:54:19,119
♪ Who's ever gonna know
926
00:54:19,120 --> 00:54:22,359
♪ And every time you move,
I let a little more show
927
00:54:22,360 --> 00:54:25,600
♪ There's something you can use, so
don't say no, Mickey
928
00:54:29,000 --> 00:54:31,919
♪ So come on and give it
to me anyway you can
929
00:54:31,920 --> 00:54:35,279
♪ Anyway you want to do it,
I'll take it like a man
930
00:54:35,280 --> 00:54:36,959
♪ But please, baby, please
931
00:54:36,960 --> 00:54:39,080
♪ Don't leave me in a jam, Mickey
932
00:54:41,920 --> 00:54:44,959
♪ Oh, Mickey, what a pity,
you don't understand
933
00:54:44,960 --> 00:54:48,359
♪ You take me by the heart
when you take me by the hand
934
00:54:48,360 --> 00:54:51,559
♪ Oh, Mickey, you're so pretty,
can't you understand?
935
00:54:51,560 --> 00:54:54,399
♪ It's guys like you, Mickey
936
00:54:54,400 --> 00:54:56,679
♪ Oh what you do, Mickey,
do, Mickey
937
00:54:56,680 --> 00:54:58,720
♪ Don't break my heart, Mickey
938
00:55:01,360 --> 00:55:03,079
♪ Oh, Mickey, you're so fine
939
00:55:03,080 --> 00:55:04,519
♪ You're so fine,
you blow my mind,
940
00:55:04,520 --> 00:55:07,879
♪ Hey, Mickey, hey, Mickey
941
00:55:07,880 --> 00:55:09,999
♪ Oh, Mickey, you're so fine,
you're so fine
942
00:55:10,000 --> 00:55:13,919
♪ You blow my mind,
hey, Mickey, hey, Mickey
943
00:55:13,920 --> 00:55:15,799
♪ Oh Mickey, you're so fine
944
00:55:15,800 --> 00:55:17,199
♪ You're so fine,
you blow my mind,
945
00:55:17,200 --> 00:55:18,520
♪ Hey, Mickey
946
00:55:20,480 --> 00:55:23,559
♪ Oh, Mickey, what a pity,
you don't understand
947
00:55:23,560 --> 00:55:26,799
♪ You take me by the heart
when you take me by the hand
948
00:55:26,800 --> 00:55:29,919
♪ Oh, Mickey, you're so pretty,
can't you understand?
949
00:55:29,920 --> 00:55:32,839
♪ It's guys like you, Mickey
950
00:55:32,840 --> 00:55:35,159
♪ Oh what you do, Mickey,
do, Mickey
951
00:55:35,160 --> 00:55:36,839
♪ Don't break my heart, Mickey
952
00:55:36,840 --> 00:55:39,519
♪ Oh, Mickey, what a pity,
you don't understand
953
00:55:39,520 --> 00:55:42,839
♪ You take me by the heart
when you take me by the hand
954
00:55:42,840 --> 00:55:46,039
♪ Oh, Mickey, you're so pretty,
can't you understand?
955
00:55:46,040 --> 00:55:48,919
♪ It's guys like you, Mickey
956
00:55:48,920 --> 00:55:51,239
♪ Oh, what you do, Mickey,
do, Mickey
957
00:55:51,240 --> 00:55:52,919
♪ Don't break my heart, Mickey
958
00:55:52,920 --> 00:55:55,839
♪ Oh, Mickey, what a pity,
you don't understand
959
00:55:55,840 --> 00:55:59,279
♪ You take me by the heart
when you take me by the hand
960
00:55:59,280 --> 00:56:01,440
♪ Oh, Mickey, you're so pretty,
can't you understand? ♪
961
00:56:17,720 --> 00:56:20,599
Camera's rolling, and cue.
962
00:56:20,600 --> 00:56:23,039
Hi, I'm Toni Basil
963
00:56:23,040 --> 00:56:26,079
and we're on Sunset Boulevard
in Los Angeles,
964
00:56:26,080 --> 00:56:28,839
and you're watching Countdown.
965
00:56:28,840 --> 00:56:31,719
ANNOUNCER: Visit the Classic
Countdown website
966
00:56:31,720 --> 00:56:33,919
for more pictures, interviews,
967
00:56:33,920 --> 00:56:35,679
and behind the scenes information.
65029
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