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1
00:00:03,790 --> 00:00:05,219
Vocals.
2
00:00:05,220 --> 00:00:07,682
Those pesky
vocals and lyrics.
3
00:00:26,620 --> 00:00:34,511
I'm obviously bringing out
some top end and mid range.
4
00:00:48,700 --> 00:00:51,900
I'm really cutting out
some top end over here.
5
00:00:57,820 --> 00:01:03,332
And I doubt you can hear
this high pass filter, but...
6
00:01:07,500 --> 00:01:09,462
Just on there,
just make it...
7
00:01:09,463 --> 00:01:11,263
That's important.
8
00:01:13,116 --> 00:01:16,077
Let's see, I got
another EQ here.
9
00:01:21,050 --> 00:01:23,319
And again,
look at that.
10
00:01:23,320 --> 00:01:25,120
That's funny.
11
00:01:26,678 --> 00:01:28,339
Where's all that
stuff coming from?
12
00:01:28,340 --> 00:01:30,140
This thing.
13
00:01:32,850 --> 00:01:34,279
There you go.
14
00:01:34,280 --> 00:01:44,070
This is a relatively new
plug-in for me, AudioThings.
15
00:01:44,072 --> 00:01:49,915
I think I found out, and I think Andrew
Scheps turned me on to this company,
16
00:01:49,917 --> 00:01:54,746
and I think it was Wire
was the first thing I got.
17
00:01:54,747 --> 00:01:59,683
And then, I ended up getting speakers,
and, was it megaphone?
18
00:01:59,684 --> 00:02:03,946
Maybe just speakers,
and I don't know.
19
00:02:03,947 --> 00:02:05,946
I think I've got
some other stuff.
20
00:02:06,491 --> 00:02:09,684
I remember doing this, we used
to have a card that would go in
21
00:02:09,685 --> 00:02:15,494
these Type-A Dolby racks,
and you could encode the signal
22
00:02:16,159 --> 00:02:19,513
without decoding it,
and it had a cool sound.
23
00:02:22,971 --> 00:02:27,539
I hadn't really thought about it
much, but it's just I'm glad
24
00:02:27,540 --> 00:02:31,020
somebody took it on and did it
because it's a cool thing.
25
00:02:36,280 --> 00:02:39,606
When you start getting into
the extremities of the thing,
26
00:02:41,800 --> 00:02:43,600
it's pretty rad.
27
00:02:58,120 --> 00:03:04,366
I just feel it does that boost of
3k to 4k without getting really harsh.
28
00:03:07,800 --> 00:03:10,179
It's got a silkiness
or smoothness to it.
29
00:03:10,180 --> 00:03:16,489
It can be overused, and I've hated it,
but just little touches here and there.
30
00:03:16,490 --> 00:03:21,484
The compression in it
is quite weird, so if you use it,
31
00:03:21,485 --> 00:03:25,039
check that,
because it can fool you.
32
00:03:25,040 --> 00:03:28,991
It did me when I first put it on,
and then I heard it on some headphones
33
00:03:28,992 --> 00:03:31,089
and heard all this stuff fluttering.
34
00:03:31,940 --> 00:03:36,536
I've really backed off the,
I don't use a quick release on it
35
00:03:36,537 --> 00:03:41,633
or a fast attack because I was
noticing it in certain situations.
36
00:03:42,480 --> 00:03:45,756
I've slowed that down
so it does it gradually.
37
00:03:49,388 --> 00:03:51,409
I think that's about
where it was.
38
00:03:54,355 --> 00:03:57,485
And then, MicroShift,
I use this a lot.
39
00:04:01,830 --> 00:04:04,379
Just makes the tone
a little richer.
40
00:04:04,380 --> 00:04:07,519
Sometimes, it sounds
too artificial to me.
41
00:04:07,520 --> 00:04:11,219
I'll use something else,
but in this case, it sounded all right.
42
00:04:11,220 --> 00:04:14,332
I have a de-esser on here,
let's see if it's doing anything.
43
00:04:27,240 --> 00:04:29,040
3dB
44
00:04:30,700 --> 00:04:32,500
This bandwidth.
45
00:04:37,860 --> 00:04:42,949
There's a little bit of, in this,
I had to be careful with these vocals
46
00:04:42,950 --> 00:04:47,419
because there is a little bit of a,
what sounds like a de-essing,
47
00:04:47,420 --> 00:04:50,931
I think it's just her
singing into the mic.
48
00:04:52,690 --> 00:04:58,449
Some of the S's disappeared,
and that's without any de-essing.
49
00:05:02,300 --> 00:05:03,300
I can't remember.
50
00:05:03,301 --> 00:05:06,186
Sometimes, that has happened
to me with other vocalists,
51
00:05:06,187 --> 00:05:08,610
and I actually have to go,
it's a different thing
52
00:05:08,611 --> 00:05:11,097
where I have to go in
and push the S's.
53
00:05:14,400 --> 00:05:16,200
Let's put
these vocals in.
54
00:05:18,200 --> 00:05:20,000
Doubled vocal
obviously.
55
00:05:21,220 --> 00:05:26,015
Often, I change the double,
I think that's a pretty common thing to do
56
00:05:26,016 --> 00:05:30,381
as far as the tone of it
against the lead.
57
00:05:30,790 --> 00:05:32,684
And here,
I'm using...
58
00:05:38,700 --> 00:05:40,532
Another AudioThings.
59
00:05:41,570 --> 00:05:43,370
This is really cool.
60
00:05:43,540 --> 00:05:47,209
You have all these parameters you can
adjust and all these different models
61
00:05:47,210 --> 00:05:49,143
that you can access.
62
00:05:50,050 --> 00:05:52,154
It's a really
comprehensive plug-in.
63
00:05:52,155 --> 00:05:53,955
I love it.
64
00:05:58,910 --> 00:06:02,118
This is another one of my favorite
things to use on vocals now.
65
00:06:05,967 --> 00:06:11,831
What I like about it is that I'm using it
to crunch it up a little bit here.
66
00:06:14,400 --> 00:06:17,549
But sometimes, if you're not
getting enough of that chesty,
67
00:06:17,550 --> 00:06:23,599
the lovely chest voice that people
can have, or it actually is hard to ride
68
00:06:23,600 --> 00:06:28,659
because it only resonates
on certain notes, I find that with this,
69
00:06:28,660 --> 00:06:34,859
I can actually bring it up and
even it out, only put a little bit of it
70
00:06:34,860 --> 00:06:39,552
in with the mix, and take off
the top end of the rest of the vocal
71
00:06:39,553 --> 00:06:41,469
so it is only that...
72
00:06:42,480 --> 00:06:47,429
chestiness that can be really nice
a lot of the time actually for me.
73
00:06:47,430 --> 00:06:49,384
Another great EQ.
74
00:06:50,340 --> 00:06:54,199
It's a thing where I'm not sure
I can tell the difference sonically,
75
00:06:54,200 --> 00:06:56,000
but I love
how to use it.
76
00:06:56,661 --> 00:07:00,819
It's just so easy for me to set it
and do quickly what I want to do
77
00:07:00,820 --> 00:07:02,349
and change
the parameters.
78
00:07:02,350 --> 00:07:06,368
A lot of my decisions
are about that
79
00:07:06,369 --> 00:07:10,096
because, I mean, let's face it,
you could use anything.
80
00:07:10,097 --> 00:07:12,189
We can use
any plug-in.
81
00:07:12,190 --> 00:07:17,589
Records have been made with so much less
than this, and good records have been made
82
00:07:17,590 --> 00:07:21,649
with so many different kinds of
out board gear that in the end,
83
00:07:21,650 --> 00:07:25,028
did it matter whether you used
this one or this one or this one?
84
00:07:26,500 --> 00:07:28,232
Ask me six years
from now,
85
00:07:28,233 --> 00:07:31,813
"Are you glad you used
the Neve on the drums," or...?
86
00:07:31,814 --> 00:07:34,287
I wouldn't
be able to tell.
87
00:07:34,700 --> 00:07:40,869
I find my decision-making often has to do
more with how convenient it is to use,
88
00:07:40,870 --> 00:07:46,149
how nice it is to look at when I bring it
up, and I understand that immediately.
89
00:07:46,150 --> 00:07:49,889
It's like my colors, I got to have colors,
and they all have to be like this,
90
00:07:49,890 --> 00:07:51,629
and I try to keep
them the same.
91
00:07:51,630 --> 00:07:54,627
On this screen they're not
the same colors that I have at home.
92
00:07:54,629 --> 00:07:58,279
It's harder to adjust because they have
more parameters on the new ProTools.
93
00:07:58,281 --> 00:08:04,249
It's important for me not to have to
look at everything and go follow it.
94
00:08:04,250 --> 00:08:08,340
I want to come up here and just go,
yeah, percussion, drums, guitar,
95
00:08:09,656 --> 00:08:12,550
and the colors
help me.
96
00:08:40,230 --> 00:08:43,229
I think here, you'll see me,
I'm bringing stuff out,
97
00:08:43,230 --> 00:08:49,949
but I probably did that after I put a lot
of this in to bring up some mid range,
98
00:08:49,950 --> 00:08:56,520
because I was losing S's
on this without there being...
99
00:09:00,616 --> 00:09:02,416
some of this
on there.
100
00:09:03,800 --> 00:09:05,943
Once I had done this,
but I had evened it out.
101
00:09:06,200 --> 00:09:12,800
Here, I think if I get this on,
it'll bring some of that up.
102
00:09:30,200 --> 00:09:32,963
So now they're...
And getting them back in.
103
00:09:32,964 --> 00:09:34,896
I love...
104
00:09:34,898 --> 00:09:43,279
This EQ was kindly sent to me
by Dave Pensado, and I really like it.
105
00:09:43,280 --> 00:09:48,929
And in fact, I really like
the PRE2, Dave.
106
00:09:48,930 --> 00:09:51,491
I often just
don't even use the EQ.
107
00:09:51,492 --> 00:09:55,417
I just put the vocal through that
on PRE2 and it sounds better.
108
00:09:55,440 --> 00:09:58,450
It's got a little bit
of a mid range boost.
109
00:10:00,000 --> 00:10:03,889
I don't know for sure,
but 2.5k or 3k to 4k,
110
00:10:03,890 --> 00:10:06,999
something in there,
but in a really nice way.
111
00:10:07,000 --> 00:10:09,850
Really clarifies
the vocal.
112
00:10:11,900 --> 00:10:14,091
Let's see what happens
with the Devil-Loc here.
113
00:10:22,440 --> 00:10:27,201
There's a little bit more...
That's bringing up 2k or 1k as well.
114
00:10:32,100 --> 00:10:34,333
That's not doing
really anything.
115
00:10:39,200 --> 00:10:42,369
It's a little more than a tickle,
and I've got two of them.
116
00:10:42,780 --> 00:10:45,569
Of course,
two is better, always.
117
00:10:45,570 --> 00:10:47,370
Two is always
better than one.
118
00:10:51,627 --> 00:10:56,163
Phoenix,
it's always on.
119
00:10:59,120 --> 00:11:04,630
I don't even check it anymore because it's
always sounded better when I put that on.
120
00:11:06,103 --> 00:11:07,882
I do change it
sometimes.
121
00:11:07,883 --> 00:11:10,970
I go between these
and just go, oh yeah, that one.
122
00:11:11,636 --> 00:11:15,189
I couldn't tell you the difference
except that in the moment, it just feels
123
00:11:15,190 --> 00:11:16,990
oh, that fits.
124
00:11:19,280 --> 00:11:21,767
I really don't scrutinize
these things very much.
125
00:11:23,747 --> 00:11:26,170
Let's see what this
is doing a little bit.
126
00:11:37,360 --> 00:11:41,989
Controlling some of those bits
that are too loud.
127
00:11:45,270 --> 00:11:48,364
I use this quite often,
but I'm not using it on this song.
128
00:11:50,950 --> 00:11:53,289
That's just got
a really sweet mid range.
129
00:11:53,290 --> 00:11:59,943
Another one of those 3,
1.5k to 3k places where it just has a,
130
00:11:59,944 --> 00:12:02,536
it actually has
a characterful sound.
131
00:12:02,760 --> 00:12:03,819
I do find it useful.
132
00:12:03,820 --> 00:12:06,099
I'm not using
the Big Freak on this.
133
00:12:06,100 --> 00:12:09,779
I've got Aphex.
134
00:12:09,780 --> 00:12:11,850
I end up using this
on every vocal.
135
00:12:13,500 --> 00:12:20,336
This has, it's a similar thing
to the Type A,
136
00:12:20,337 --> 00:12:24,619
only the type A has...
it's almost elegance.
137
00:12:24,620 --> 00:12:28,399
You can make it, I know, not so elegant,
but it's kind of elegant,
138
00:12:28,400 --> 00:12:30,869
and this is
not elegant.
139
00:12:30,870 --> 00:12:34,723
It is hashy-sounding,
and I like...
140
00:12:42,540 --> 00:12:43,540
Let me see.
141
00:12:43,541 --> 00:12:46,139
I've got quite a good
bit of compression on there.
142
00:12:46,140 --> 00:12:47,940
That's unusual.
143
00:12:53,200 --> 00:12:58,198
I can't remember the last time I saw
that much compression on my vocal chain,
144
00:12:58,199 --> 00:12:59,999
but there it is.
145
00:13:01,770 --> 00:13:04,400
I'm sure I had a good
reason for it at the time.
146
00:13:05,600 --> 00:13:07,400
Call my secretary.
147
00:13:19,080 --> 00:13:22,849
Plate is automated,
you heard that there.
148
00:13:22,850 --> 00:13:25,385
I don't think I had a
delay on here, did I?
149
00:13:25,386 --> 00:13:28,343
I don't remember
where I had the delays on.
150
00:13:29,007 --> 00:13:30,807
I don't
think I did.
151
00:13:34,900 --> 00:13:36,700
I don't
think so.
152
00:13:53,800 --> 00:13:57,600
I think what probably happened on this
is when I got some of these things
153
00:13:57,601 --> 00:14:03,489
like the Type A and the Aphex,
because without anything,
154
00:14:03,490 --> 00:14:05,669
I was losing
some S's.
155
00:14:05,670 --> 00:14:09,526
I think I remember pushing
S's and it wasn't working.
156
00:14:11,030 --> 00:14:16,419
This is conjecture, but I think I went
back and started putting this stuff on it
157
00:14:16,420 --> 00:14:20,317
which then brought the S's out
more than I wanted,
158
00:14:20,318 --> 00:14:25,139
and I wanted more of that 3k
hashiness and all that that does.
159
00:14:25,140 --> 00:14:29,689
And then, I went in and adjusted them
after getting all this on there.
160
00:14:29,690 --> 00:14:34,022
I painted myself into a corner,
and then worked out a way to just
161
00:14:34,023 --> 00:14:39,360
quickly smooth it out,
to my ear, and went with it.
162
00:14:39,930 --> 00:14:42,612
There's an intro
vocal here.
163
00:14:49,100 --> 00:14:52,313
Panning, got it
over to the side.
13949
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