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These are the user uploaded subtitles that are being translated: 1 00:00:02,100 --> 00:00:04,633 so now we're going to have a look at detecting audio 2 00:00:04,833 --> 00:00:05,733 using Skeletor 3 00:00:05,733 --> 00:00:07,499 now there's different ways that we can do this 4 00:00:07,500 --> 00:00:10,000 and it is going to change according to how your Daw 5 00:00:10,100 --> 00:00:11,600 deals with MIDI and audio 6 00:00:11,866 --> 00:00:12,466 so first of all 7 00:00:12,466 --> 00:00:13,899 you can load onto an audio track 8 00:00:13,900 --> 00:00:16,233 now this is not the best way to do it within logic 9 00:00:16,700 --> 00:00:19,166 the reason being that we can't actually control audio 10 00:00:19,366 --> 00:00:20,899 using MIDI within logic 11 00:00:20,900 --> 00:00:22,266 so we couldn't play back 12 00:00:22,266 --> 00:00:23,599 the chords using the MIDI keyboard 13 00:00:23,600 --> 00:00:25,700 but in some Daws you can do that 14 00:00:25,700 --> 00:00:27,300 so that's why I'm demonstrating it to you 15 00:00:27,300 --> 00:00:31,133 so what we can do here is load up scalar audio 16 00:00:32,566 --> 00:00:34,766 and let's just play back the progression 17 00:00:43,266 --> 00:00:45,266 now you can see we've got a level coming in here 18 00:00:45,266 --> 00:00:48,099 there's 1m and we've got a little threshold dial here 19 00:00:48,100 --> 00:00:49,533 so what we need to make sure 20 00:00:49,733 --> 00:00:51,966 of is that the chords are exceeding the threshold 21 00:00:51,966 --> 00:00:54,533 so anything we want to be transmitted into MIDI 22 00:00:54,633 --> 00:00:56,666 needs to exceed the threshold here 23 00:00:56,666 --> 00:00:57,999 so if we had a loop 24 00:00:58,000 --> 00:00:59,600 which had kind of different parts playing 25 00:00:59,600 --> 00:01:00,733 in somewhere louder and quiet 26 00:01:00,733 --> 00:01:02,066 so we could set that threshold so 27 00:01:02,066 --> 00:01:04,699 only captured the sounds that went over the threshold 28 00:01:04,866 --> 00:01:05,833 so let's just play it back again 29 00:01:05,833 --> 00:01:07,366 and make sure we're exceeding that 30 00:01:15,533 --> 00:01:17,799 now we are but because it's only the chords playing 31 00:01:17,800 --> 00:01:19,033 we can actually put this a lot lower 32 00:01:19,033 --> 00:01:20,299 because it's not gonna make any difference 33 00:01:20,300 --> 00:01:21,600 and it's gonna kind of ensure that 34 00:01:21,600 --> 00:01:22,866 everything is going to be captured 35 00:01:23,233 --> 00:01:26,433 so from here what we can do is press record and play 36 00:01:35,266 --> 00:01:37,466 and now we have those chords added in here 37 00:01:37,533 --> 00:01:38,099 now as I said 38 00:01:38,100 --> 00:01:40,566 this isn't the best way of doing it in terms of logic 39 00:01:40,566 --> 00:01:41,599 but I'm just demonstrating that 40 00:01:41,600 --> 00:01:45,366 so you can see that you can use scalar audio to do this 41 00:01:45,766 --> 00:01:47,966 but let's actually just make a new track 42 00:01:49,200 --> 00:01:55,866 and let's load on now scaler 2 as an instrument track 43 00:01:55,866 --> 00:01:57,233 so this is another way we can do it 44 00:01:57,233 --> 00:01:58,466 using an instrument track 45 00:01:59,000 --> 00:02:00,666 now this is the best way to do it within logic 46 00:02:00,666 --> 00:02:04,033 if we're looking to playback using the MIDI keyboard 47 00:02:04,033 --> 00:02:07,299 the chords that we're going to extract from the audio 48 00:02:07,466 --> 00:02:09,766 and the way we do that is use the sidechain input 49 00:02:09,866 --> 00:02:12,299 select the chords from within there 50 00:02:12,566 --> 00:02:15,399 now what we can do is press record and then play 51 00:02:24,466 --> 00:02:26,833 and now we have those chords added in there 52 00:02:27,733 --> 00:02:28,699 but with the added bonus 53 00:02:28,700 --> 00:02:30,433 now that we can play these chords back 54 00:02:32,900 --> 00:02:34,066 using the MIDI keyboard 55 00:02:37,466 --> 00:02:39,399 now where the real power comes in now 56 00:02:39,400 --> 00:02:42,633 is that scaler 2 is actually going to now recommend US 57 00:02:42,800 --> 00:02:44,533 scales which match 58 00:02:44,733 --> 00:02:46,766 the scale that's been detected from the audio 59 00:02:47,166 --> 00:02:50,233 so you can see here that we're kind of working around G 60 00:02:50,233 --> 00:02:52,033 it says so it's saying okay 61 00:02:52,033 --> 00:02:53,299 G minus scale 62 00:02:53,633 --> 00:02:54,799 6 out of 6 notes 63 00:02:54,800 --> 00:02:56,000 6 out of 6 chords 64 00:02:56,000 --> 00:02:58,200 gives you an idea of how that's going to sound 65 00:02:58,466 --> 00:03:00,033 and then it's going to give us basically 66 00:03:00,233 --> 00:03:02,533 the modes that share the same chords 67 00:03:03,233 --> 00:03:05,333 with this G minus scale 68 00:03:05,700 --> 00:03:08,466 see there then it's going to start giving us 69 00:03:08,466 --> 00:03:12,033 some kind of less matched scales as we go through 70 00:03:17,666 --> 00:03:19,666 super lock room diminished scale 71 00:03:20,333 --> 00:03:23,066 see there so now it's going to give us extra 72 00:03:24,466 --> 00:03:26,433 our choices that we can try out 73 00:03:26,433 --> 00:03:28,399 and you can see updating down here 74 00:03:28,533 --> 00:03:32,133 so if we wanted to build a progression like so 75 00:03:32,800 --> 00:03:34,066 using some of these 76 00:03:35,466 --> 00:03:38,933 different chords here you can drag them in 77 00:03:39,533 --> 00:03:41,033 and of course at all times 78 00:03:41,233 --> 00:03:43,233 we combine these different sections 79 00:03:47,433 --> 00:03:49,666 to basically audition different chords 80 00:03:49,666 --> 00:03:52,333 and then ultimately we can audition our progression 81 00:03:55,400 --> 00:03:56,333 not the best one 82 00:03:56,800 --> 00:03:57,566 there we go 83 00:03:57,566 --> 00:04:00,733 so you can see how the workflow would work with 84 00:04:01,366 --> 00:04:03,099 taking audio from the sidechain input 85 00:04:03,100 --> 00:04:04,166 this is within logic 86 00:04:04,600 --> 00:04:05,466 analyzing it 87 00:04:05,466 --> 00:04:07,466 and then building a new progression with it 88 00:04:08,333 --> 00:04:09,699 now another way we can do this 89 00:04:09,700 --> 00:04:12,400 which is actually a simpler way 90 00:04:13,033 --> 00:04:14,766 is to just drag and drop audio 91 00:04:16,233 --> 00:04:19,499 so what we can do is select audio as our detection 92 00:04:20,600 --> 00:04:23,066 use that same loop drag it onto the interface 93 00:04:23,300 --> 00:04:24,933 do you want to replace your current detection 94 00:04:24,933 --> 00:04:27,233 if you already had something in there replace it 95 00:04:27,733 --> 00:04:30,233 and now we have those same chords added in there 96 00:04:31,100 --> 00:04:32,766 let's just bind this area here 97 00:04:34,366 --> 00:04:36,033 so that's another way we can do it 98 00:04:36,033 --> 00:04:38,366 is just drag and drop onto the plugin itself 99 00:04:39,366 --> 00:04:40,966 okay let's have a look at MIDI now 100 00:04:40,966 --> 00:04:44,366 so let's load up scaler 2 once again 101 00:04:45,300 --> 00:04:47,800 now the first way we can do this is dead simple 102 00:04:48,400 --> 00:04:49,633 we can just drag and drop 103 00:04:49,633 --> 00:04:52,599 so let's use a different MIDI file 104 00:04:54,266 --> 00:04:55,033 we drag it on there 105 00:04:55,033 --> 00:04:57,233 you got to make sure your detection is set to MIDI 106 00:04:58,033 --> 00:04:58,999 in this menu here 107 00:04:59,000 --> 00:05:00,300 and now you can see that 108 00:05:01,133 --> 00:05:02,699 those chords have been added in there 109 00:05:11,666 --> 00:05:13,466 okay now another way we could do this 110 00:05:14,666 --> 00:05:17,733 is add the MIDI onto the channel itself 111 00:05:19,533 --> 00:05:21,899 and let's actually choose a different one 112 00:05:23,266 --> 00:05:26,633 so let's choose this one here 113 00:05:29,900 --> 00:05:31,400 okay so what we could do is 114 00:05:31,466 --> 00:05:33,099 again make sure we're on MIDI 115 00:05:33,166 --> 00:05:34,033 press record 116 00:05:40,466 --> 00:05:41,933 now you can see here in this instance 117 00:05:41,933 --> 00:05:44,399 it's actually adding it on to the other chords 118 00:05:44,400 --> 00:05:46,166 that we had already detected 119 00:05:46,600 --> 00:05:48,366 but let's say we didn't want to do that 120 00:05:48,700 --> 00:05:50,933 we could click on the little trash icon here 121 00:05:50,933 --> 00:05:52,099 and that would actually just 122 00:05:52,100 --> 00:05:54,066 take away anything we've added in there 123 00:05:54,800 --> 00:05:55,800 to try that again 124 00:06:10,166 --> 00:06:12,399 and you can see now we've added those chords in there 125 00:06:12,600 --> 00:06:14,900 so that's the way we can detect MIDI 126 00:06:14,900 --> 00:06:16,200 and add it into scaler 2 127 00:06:16,200 --> 00:06:17,933 in order to use that information 128 00:06:17,933 --> 00:06:20,599 to build new chord progressions from a MIDI file 129 00:06:21,266 --> 00:06:21,899 now obviously 130 00:06:21,900 --> 00:06:23,233 as the video series progresses 131 00:06:23,266 --> 00:06:25,566 we're going to look at ways that we can develop this 132 00:06:25,566 --> 00:06:27,766 and actually change up the chords even further 133 00:06:27,800 --> 00:06:29,033 but that's a good start point 134 00:06:29,066 --> 00:06:31,566 just so we can understand how we can get information 135 00:06:31,566 --> 00:06:33,033 from audio files and MIDI files 136 00:06:33,066 --> 00:06:36,233 Interskator 2 to use them in our chord progressions 137 00:06:36,300 --> 00:06:36,933 so to recap 138 00:06:36,933 --> 00:06:37,733 in this video 139 00:06:37,966 --> 00:06:40,433 we've looked at different ways that we can extract 140 00:06:40,566 --> 00:06:43,766 keys and scales and chords from audio and from MIDI 141 00:06:44,100 --> 00:06:44,566 to start off 142 00:06:44,566 --> 00:06:46,366 we looked at the audio version remember 143 00:06:46,366 --> 00:06:49,533 you can use scaler 2 audio to be able to do that 144 00:06:49,533 --> 00:06:51,399 which may be the best way in some Daws 145 00:06:51,500 --> 00:06:52,400 but not in logic 146 00:06:52,600 --> 00:06:53,200 now in logic 147 00:06:53,200 --> 00:06:55,233 what we can do is use a side chain remember 148 00:06:55,366 --> 00:06:58,399 so you choose the input has been the audio file 149 00:06:58,666 --> 00:07:00,799 then you can actually record it in from there 150 00:07:01,433 --> 00:07:02,699 I remember when we were recording it in 151 00:07:02,700 --> 00:07:03,933 we had that threshold 152 00:07:05,366 --> 00:07:06,366 when we set it to audio 153 00:07:06,366 --> 00:07:08,999 make sure you set the threshold so that the chords 154 00:07:09,033 --> 00:07:11,166 exceed that threshold when you're recording them in 155 00:07:11,466 --> 00:07:13,333 we also had the ability to drag and drop 156 00:07:13,333 --> 00:07:14,499 chords in there remember 157 00:07:14,866 --> 00:07:15,733 and then with MIDI 158 00:07:15,733 --> 00:07:19,299 we can drag MIDI files on and it will detect the chords 159 00:07:19,433 --> 00:07:20,133 alternatively 160 00:07:20,133 --> 00:07:21,533 we can arm the channel 161 00:07:21,533 --> 00:07:23,566 make sure we click MIDI as the source 162 00:07:23,566 --> 00:07:24,266 arm the channel 163 00:07:24,266 --> 00:07:26,799 and we can record MIDI and to extract it as well 164 00:07:27,033 --> 00:07:29,566 okay so now we've had a look at extracting audio 165 00:07:29,566 --> 00:07:31,133 MIDI using scaler 2 166 00:07:31,133 --> 00:07:31,733 in the next video 167 00:07:31,733 --> 00:07:33,233 we're going to have a look at our header 11845

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