Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,120 --> 00:00:02,920
No time for that special effect I was talking about.
2
00:00:03,420 --> 00:00:06,780
Oh, I remember also also those who have a drug.
3
00:00:07,870 --> 00:00:09,280
Drop effects, what this guy.
4
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I think these two.
5
00:00:18,100 --> 00:00:19,600
So let's listen to it and see.
6
00:00:23,910 --> 00:00:27,010
I don't want to go into that.
7
00:00:28,950 --> 00:00:30,040
So this is how.
8
00:00:32,110 --> 00:00:33,940
So this we also have the same effects with the.
9
00:00:35,430 --> 00:00:37,860
We deliver a car, so we go to deliver a car.
10
00:00:38,840 --> 00:00:44,660
Remember, when you have cars with the SIM card or characteristics, instead of like going over it again,
11
00:00:44,660 --> 00:00:46,750
you just see yourself time by copying it.
12
00:00:47,330 --> 00:00:54,700
So I think this is it's, um, I think was the name of its giving name.
13
00:00:54,710 --> 00:00:58,430
So the U.S. recipe lead.
14
00:01:00,800 --> 00:01:03,860
Of course, he came before the sleepwalks leadership really works.
15
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I should be dealing with NASA.
16
00:01:07,990 --> 00:01:16,900
I don't want to get a shot of what you can do.
17
00:01:17,500 --> 00:01:22,010
No, but I'll keep on trying not to.
18
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I mean, if you notice, I didn't do much against aging in the mix.
19
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Does.
20
00:01:27,700 --> 00:01:32,980
Because while recording, I recorded with the compressor and I did also against aging while recording.
21
00:01:32,980 --> 00:01:37,780
So that was kind of like a little bit a little bit premixed while recording.
22
00:01:37,780 --> 00:01:45,760
So I recorded remix Debrett, the ESA to get all those noise on everything under control before mixing.
23
00:01:45,770 --> 00:01:48,240
So that's typically higher record vocals in the studio.
24
00:01:49,720 --> 00:01:51,670
So yeah, that's why it looks kind of perfect.
25
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But in decompressive, when I open the conference, we can salvage what we need to compress.
26
00:01:56,050 --> 00:02:01,460
Already like this we have against aging, but some others do have gained staging in them.
27
00:02:01,480 --> 00:02:05,230
Let's see this house, some gains, about six DB has done so.
28
00:02:05,530 --> 00:02:07,440
So boosting its shareholders up to 60.
29
00:02:07,470 --> 00:02:15,820
You know, you don't cross zero and I reduce or you use your compressor or a gain again, plug in to
30
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increase the overall loudness of it.
31
00:02:19,210 --> 00:02:19,860
So, yeah.
32
00:02:20,320 --> 00:02:26,410
So coming back to biffo at the drop down effects, there's special effects I want to add.
33
00:02:28,020 --> 00:02:34,930
To get that done, we select our group trucks, our main lead, so control shifts, harmonies, then
34
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our harmony group, our main.
35
00:02:38,690 --> 00:02:42,110
I think the Harmony's Nazi Germany is not linked.
36
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This is not links.
37
00:02:44,180 --> 00:02:46,880
This is not linked because are not linked.
38
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These are not linked.
39
00:02:53,870 --> 00:02:54,410
But these are.
40
00:02:55,160 --> 00:03:02,000
So from here to here, here, here, here, this guy, though, all the links to.
41
00:03:08,760 --> 00:03:12,940
I'll just name it Fox Group.
42
00:03:14,620 --> 00:03:20,400
Can see changed color, I don't know if the judge does that, so I'll change your color now.
43
00:03:21,970 --> 00:03:31,180
See, maybe cul psychological standards on what I will do is this a nice of many nice plugins by the
44
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special and I like adding.
45
00:03:35,120 --> 00:03:41,240
Excuse me, um, he's by Wavves.
46
00:03:51,000 --> 00:03:55,440
So consider shall we pick it out to see Vocale plugin?
47
00:03:56,860 --> 00:04:00,040
It's actually more organized in Cuba than the NFL.
48
00:04:00,580 --> 00:04:02,250
Let's see if we can find it here.
49
00:04:07,920 --> 00:04:08,910
If she's not here.
50
00:04:10,770 --> 00:04:12,020
Check the other.
51
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Um.
52
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Show plugins, I see.
53
00:04:36,520 --> 00:04:38,470
Kate, I don't think it's here.
54
00:04:45,370 --> 00:04:46,540
I don't think it's here.
55
00:04:47,490 --> 00:04:48,330
So let's check.
56
00:04:51,110 --> 00:04:54,380
We replaced seats which show to.
57
00:04:59,700 --> 00:05:08,420
Also not here were places we show three Muslims and must visit in Cubase, so I'm not familiar with
58
00:05:08,450 --> 00:05:10,710
its location in efforts to do here.
59
00:05:23,590 --> 00:05:25,300
And I think Shell for.
60
00:05:26,790 --> 00:05:27,960
Your show for.
61
00:05:32,150 --> 00:05:33,490
Our feelings would be here.
62
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Let's see.
63
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Vocale.
64
00:05:56,020 --> 00:06:02,470
We believe I totally forgot I forgot to plug in because, like, I don't always know where it is, you
65
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know?
66
00:06:04,310 --> 00:06:04,750
OK.
67
00:06:06,710 --> 00:06:07,610
I see.
68
00:06:09,320 --> 00:06:15,890
Six zero six six lucky number no show six is not a lucky number.
69
00:06:17,470 --> 00:06:20,200
Show seven, show seven, the lucky number.
70
00:06:24,940 --> 00:06:27,130
I think this one of the earlier.
71
00:06:29,200 --> 00:06:32,190
Plugins, let's check Barcott show.
72
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Three.
73
00:06:47,770 --> 00:06:49,410
I see show three.
74
00:06:57,570 --> 00:06:58,470
Um.
75
00:07:06,520 --> 00:07:10,960
See, I can't believe I'm forgetting the name of this plug in pardon me for the time.
76
00:07:12,140 --> 00:07:14,630
I'm trying to remember it myself as well.
77
00:07:18,510 --> 00:07:19,890
Such an amazing plugin.
78
00:07:25,040 --> 00:07:27,830
I think Neumi boccie vego so.
79
00:07:29,130 --> 00:07:33,200
I see Butch Vig, Butch Vig.
80
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A, b.
81
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Butch.
82
00:08:02,380 --> 00:08:03,340
I see.
83
00:08:08,210 --> 00:08:11,870
All right, if he's not here, I'm going to ask about an easy way for snow here.
84
00:08:13,890 --> 00:08:18,480
Yes, it's here, took us a while, we got it.
85
00:08:24,270 --> 00:08:27,510
It's a very heavy plug in, so take some time to load.
86
00:08:35,350 --> 00:08:37,030
Wow, I don't think.
87
00:08:37,540 --> 00:08:39,070
I don't think he works with a studio.
88
00:08:40,760 --> 00:08:43,370
OK, let me just reload this, I think this is.
89
00:08:46,790 --> 00:08:51,590
I mean, looking back, I think it was in show three or four, was it shot three or four?
90
00:08:55,750 --> 00:08:56,950
I think you should, Richelle, for.
91
00:09:10,770 --> 00:09:13,260
Oh, he's not it's not even.
92
00:09:14,950 --> 00:09:15,900
Coming up in.
93
00:09:16,850 --> 00:09:17,450
I feel.
94
00:09:31,050 --> 00:09:33,480
All right, it is not coming up, let me go for the alternative.
95
00:09:36,810 --> 00:09:40,140
Which is also a good plug in, by the way, I prefer Butch Vig.
96
00:09:42,940 --> 00:09:44,680
Be patient, this guy.
97
00:10:15,310 --> 00:10:17,250
This is taking surprisingly too long.
98
00:10:18,990 --> 00:10:20,010
All right, it's here.
99
00:10:20,790 --> 00:10:25,770
So this is basically digital, so I typically come to voxels.
100
00:10:26,890 --> 00:10:30,730
And I come to one vocables.
101
00:10:32,700 --> 00:10:34,820
Listen to the one vocalisations.
102
00:10:36,260 --> 00:10:44,500
I don't want to get into my shot, but you make it sound like a stunt, I go shooting.
103
00:10:44,550 --> 00:10:46,330
I can do enough.
104
00:10:46,330 --> 00:10:51,290
If he does whatever, I'll keep on trying to go
105
00:10:53,980 --> 00:10:56,690
on I your show.
106
00:10:56,730 --> 00:10:58,100
No, no, no.
107
00:10:58,710 --> 00:10:59,740
Oh, no.
108
00:11:00,580 --> 00:11:02,100
Oh, no, no.
109
00:11:02,990 --> 00:11:09,590
I put my head on your shoulders to make my
110
00:11:12,410 --> 00:11:13,180
face not.
111
00:11:16,070 --> 00:11:18,680
So what is the worst kind of medieval cause, Bryton.
112
00:11:19,130 --> 00:11:21,560
Create this character from shining Islamic.
113
00:11:21,560 --> 00:11:22,960
You sound more fresh in recent times.
114
00:11:22,990 --> 00:11:24,290
Sounds a little bit too sharp.
115
00:11:24,770 --> 00:11:32,600
So I'll use an excuse here to just dance it a little to make it sound maybe round around there and openly
116
00:11:32,600 --> 00:11:40,820
Vectron me, Shrock 300, which you guys this is an IQ, a compressor or Ossana, that IQ.
117
00:11:40,820 --> 00:11:44,900
And this is also a kind of like saturated plug in.
118
00:11:44,900 --> 00:11:47,440
You can increase the thickness, increase the shine.
119
00:11:47,930 --> 00:11:51,470
So I just want to make sure the low end is not being robbed of.
120
00:11:51,570 --> 00:11:54,370
I don't want them to I don't want this plug into robot is going great.
121
00:11:54,380 --> 00:11:55,430
Does that's quite a lot.
122
00:11:56,480 --> 00:11:59,930
So you respect what you do and I'm sure there's no cuts.
123
00:11:59,930 --> 00:12:00,800
You and.
124
00:12:03,960 --> 00:12:05,040
All right, Democrats in the.
125
00:12:05,910 --> 00:12:13,770
So let's listen again, I sounds I don't want to launch what I see on TV trashing my shot, but you
126
00:12:13,770 --> 00:12:17,250
make it sound like you're stuck with Senator McCain.
127
00:12:17,640 --> 00:12:23,350
You know, if you don't drive, I'll keep on trying until I read your
128
00:12:25,880 --> 00:12:28,660
on when I get your show.
129
00:12:28,670 --> 00:12:34,160
Oh, no, no, no, no, no, no.
130
00:12:35,070 --> 00:12:37,530
I put my head on your shoulders
131
00:12:40,200 --> 00:12:41,670
to make my
132
00:12:44,220 --> 00:12:50,790
mistakes that I don't want to lose what I see on TV trashing my shot of.
133
00:12:50,910 --> 00:12:55,850
But you make it sound like a stock market thing.
134
00:12:55,960 --> 00:13:00,770
You for carbuncles are lagging behind, so I'll boost it some more say sounds.
135
00:13:00,780 --> 00:13:03,050
No, I don't want to do that.
136
00:13:03,270 --> 00:13:05,850
I wasn't going to try to shoot my shot.
137
00:13:06,420 --> 00:13:09,060
But you make it so your
138
00:13:12,160 --> 00:13:14,940
when I get your show.
139
00:13:15,000 --> 00:13:20,280
No, no, no, no, no, no, no.
140
00:13:21,270 --> 00:13:27,900
I put my head on your shoulder to make my
141
00:13:30,660 --> 00:13:32,390
motto and.
142
00:13:35,570 --> 00:13:41,250
My motto, motto, good.
143
00:13:44,120 --> 00:13:52,680
I don't I don't want to do that that's going to get into my shot, but you make it sound like I stop
144
00:13:52,720 --> 00:13:56,900
when I go shoot, I'm doing all right.
145
00:13:57,740 --> 00:14:00,660
I'll keep on trying not to go
146
00:14:03,460 --> 00:14:04,670
on when I get.
147
00:14:04,960 --> 00:14:11,380
Oh, no, no, no, no, no, no.
148
00:14:12,380 --> 00:14:18,980
I put my head on your shoulder, you know, to make my
149
00:14:21,530 --> 00:14:23,050
mistakes that I've got.
150
00:14:25,330 --> 00:14:32,170
So I'm still concerned about the law and how on I think it is a piece of law and the harmony, so that's
151
00:14:32,290 --> 00:14:33,550
open to it again.
152
00:14:34,490 --> 00:14:35,240
And.
153
00:14:37,160 --> 00:14:39,230
Take the street somewhere around here, this thing.
154
00:14:40,560 --> 00:14:41,780
Drop this down here.
155
00:14:42,730 --> 00:14:47,940
Set to sound fuller, you know, like when you sound Chinese and I may sound as if it's two lights on,
156
00:14:47,950 --> 00:14:54,150
if it sounds a bit like make it sound more like let's see, more fuller.
157
00:14:54,490 --> 00:14:55,690
Let's use that term for now.
158
00:14:56,350 --> 00:14:57,910
So let's listen to the harmonies again.
159
00:14:57,910 --> 00:14:58,330
I see.
160
00:14:59,220 --> 00:15:04,060
No, no, no, no, no.
161
00:15:04,320 --> 00:15:08,620
I don't want to look to.
162
00:15:10,710 --> 00:15:15,900
I don't, but I'll keep on trying until I go
163
00:15:18,690 --> 00:15:21,050
on when I get your job.
164
00:15:21,140 --> 00:15:26,540
Oh, no, no, no, no, no, no.
165
00:15:27,540 --> 00:15:29,990
I put my head on your shoulder.
166
00:15:32,670 --> 00:15:38,020
To make it make sense not
167
00:15:42,210 --> 00:15:45,060
to shoot the monkey, do not feed.
168
00:15:46,820 --> 00:15:51,050
So let's appoint the lead vocal advocate sounding too harsh.
169
00:15:53,310 --> 00:15:55,460
So let's take it down some more.
170
00:15:56,720 --> 00:16:02,960
This is because why did the Vietnamese progressively you change the characteristics of the forecast,
171
00:16:02,960 --> 00:16:04,070
so I don't mean to sound harsh.
172
00:16:04,070 --> 00:16:05,440
I want to sound honest.
173
00:16:05,470 --> 00:16:08,930
I don't I don't want to sound Dobos, you know, you just not sound harsh.
174
00:16:09,600 --> 00:16:15,380
Let's listen again and see the stock market doing all right.
175
00:16:15,520 --> 00:16:18,780
But I'll keep on trying not to
176
00:16:21,710 --> 00:16:22,250
unwind.
177
00:16:23,530 --> 00:16:30,090
Oh, no, no, no, no, no, no, no.
178
00:16:30,980 --> 00:16:33,470
I put my head on your shoulders
179
00:16:36,140 --> 00:16:36,640
to make.
180
00:16:40,150 --> 00:16:44,970
Makes sense that I'm not sure I can do enough.
181
00:16:45,940 --> 00:16:54,720
I don't want to go into that shot, but you make it sound like a stock market.
182
00:16:55,690 --> 00:16:57,100
Now, that sounds just fine.
183
00:16:57,520 --> 00:16:59,600
I had the same effect on the interview.
184
00:16:59,710 --> 00:17:02,790
Also after that interview, I make sure it's right.
185
00:17:03,370 --> 00:17:04,360
So just copy.
186
00:17:04,360 --> 00:17:08,440
It is drop it down here some more or listen to the interview and make sure it's perfect.
187
00:17:09,160 --> 00:17:10,450
Your new motto.
188
00:17:11,110 --> 00:17:17,650
And no, I know my motto.
189
00:17:18,640 --> 00:17:19,300
Motto.
190
00:17:23,150 --> 00:17:32,140
I don't I don't want to lose what a second to get my shot, but you make it sound like I stop when I
191
00:17:32,140 --> 00:17:33,570
go shoot, I'm lucky.
192
00:17:33,910 --> 00:17:39,700
You know, if you don't drive, I'll keep on trying not to die when you go
193
00:17:42,550 --> 00:17:44,560
on with your life.
194
00:17:44,690 --> 00:17:50,350
Oh, no, no, no, no, no, no.
195
00:17:51,400 --> 00:17:53,850
I put my head on your shoulder.
196
00:17:55,150 --> 00:17:58,000
I don't want to make my
197
00:18:00,520 --> 00:18:02,040
mistakes not got.
198
00:18:04,060 --> 00:18:06,380
All right, so I think that sounds good.
199
00:18:06,400 --> 00:18:08,350
Overall, I think that sounds good.
200
00:18:08,920 --> 00:18:13,030
So let's get that effect that the artist wanted, which is the drop down effect.
201
00:18:14,100 --> 00:18:15,060
So that's.
202
00:18:16,990 --> 00:18:17,460
Motto.
203
00:18:19,300 --> 00:18:23,110
I don't want to lose, but I don't want to lose.
204
00:18:25,160 --> 00:18:32,460
So I think it would be ideal for the beach instead of the Vocale, that is have different thoughts later
205
00:18:32,480 --> 00:18:39,280
on when I send it to him, but I think for the beach, we better make things not
206
00:18:44,290 --> 00:18:46,030
too much.
207
00:18:46,150 --> 00:18:49,190
Don't I don't want to not
208
00:18:52,950 --> 00:18:54,330
make things not.
209
00:19:01,170 --> 00:19:02,820
So Oletta is grosbeaks.
210
00:19:04,260 --> 00:19:12,780
Grosbeaks is the easiest way to do to get it done in a studio, so get Grosbeaks right, click on preset
211
00:19:12,790 --> 00:19:15,620
timetable lists, deck of.
212
00:19:18,240 --> 00:19:18,990
Mrs..
213
00:19:23,020 --> 00:19:30,040
So to get Adonal figures, automation rights click, create automation, realize there's this year inside,
214
00:19:30,040 --> 00:19:36,100
automation doesn't spread automatically, just has this year and this year secon.
215
00:19:37,120 --> 00:19:39,430
Easily control the automation.
216
00:19:41,260 --> 00:19:41,830
So.
217
00:19:43,560 --> 00:19:44,630
Justs.
218
00:19:46,050 --> 00:19:53,220
Time each year, right, click here again to you have to get our breaking points I like it's easier
219
00:19:53,220 --> 00:19:53,640
to.
220
00:19:54,710 --> 00:19:55,580
Control.
221
00:19:57,040 --> 00:20:01,630
I think it's four I think four bars or eight bars.
222
00:20:02,890 --> 00:20:06,580
So I'm I think is for four beats or eight beats.
223
00:20:07,980 --> 00:20:08,400
So.
224
00:20:10,810 --> 00:20:16,060
They sounds MySpace, Facebook, MySpace.
225
00:20:42,600 --> 00:20:45,750
No, I don't want to lose weight.
226
00:20:46,590 --> 00:20:49,190
I don't I don't want to lose.
227
00:21:05,910 --> 00:21:09,060
Don't I don't want to lose weight.
228
00:21:09,100 --> 00:21:13,900
I don't want him, I don't know.
229
00:21:14,040 --> 00:21:15,570
I don't know.
230
00:21:16,650 --> 00:21:19,980
I don't I don't want to lose weight.
231
00:21:20,130 --> 00:21:23,650
I've got to get it right.
232
00:21:23,670 --> 00:21:24,420
So I think.
233
00:21:26,570 --> 00:21:28,850
The forecast, too, will need defects.
234
00:21:31,160 --> 00:21:35,060
So let's see if I can copy the Crosby's effects plugin.
235
00:21:38,270 --> 00:21:43,230
Oh, yes, you can copy the fake plugin, so I think that really works.
236
00:21:48,940 --> 00:21:49,870
Sorry about that.
237
00:21:53,340 --> 00:21:57,900
That is not going to matter a lot.
238
00:21:59,130 --> 00:22:00,990
I don't want to rush to.
239
00:22:03,490 --> 00:22:10,030
OK, OK, does this recall the weight vocal opponent of the Mixu?
240
00:22:11,500 --> 00:22:12,700
There, this vehicle here.
241
00:22:15,680 --> 00:22:17,080
Comes across beats.
242
00:22:23,000 --> 00:22:23,940
This guy here.
243
00:22:24,910 --> 00:22:25,840
And.
244
00:22:27,670 --> 00:22:29,780
Yeah, so let's see how they sound together.
245
00:22:32,010 --> 00:22:36,460
I don't I don't want to rush into.
246
00:22:42,390 --> 00:22:45,690
All right, so let's pitch it down and see you down.
247
00:22:47,860 --> 00:22:48,770
Animoto.
248
00:22:52,250 --> 00:22:55,440
I don't I don't want to know.
249
00:22:55,810 --> 00:22:57,840
I'm going to let it go.
250
00:22:58,790 --> 00:23:01,620
I don't want to go into.
251
00:23:04,490 --> 00:23:07,220
So I don't want to lose.
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So I don't want to lose that guarantee that I don't want to lose that.
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I don't want to lose much time, but I don't want to lose to.
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So I think to get out perfect, I mean, and I need to chop up this clip a little.
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To get you sounding right, it's almost there.
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I don't think he's there yet, so take this as.
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So I think for the sake of progression, so just a similar point, I don't I don't want to lose.
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I wasn't going to get in front my shot.
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I don't I don't want to lose what I see going to.
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Yeah, I think that's fine.
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I think that's fine.
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So but that's just me have an idea, but I wouldn't be too far from this.
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Should be far from this.
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Well, I think that's fine.
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Look to.
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I don't I don't want to lose that I'm going to try shoot my shot, but you make it sound like when I
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go shoot them, I can do no damage.
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But I'll keep on trying.
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I will go
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on.
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What can I get you like?
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Oh, no, no, no, no, no, no.
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I put my head on your shoulder
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to make my
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mistakes that I've got.
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And of course, time to put my signature tag.
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And we'll be done.
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You'd be surprised that I actually lost my own tags, also get my tags from beads that are made.
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So just take this out here, take this out here.
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So let's listen in on see, it makes sense that a lot of
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reading.
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It makes sense that I've got gonna
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be
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all right, that's fine, really loud.
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That's fine.
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That's good.
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So, yeah, that's pretty much how to get your vocals mixed.
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So, of course, when you maybe come back to check it out tomorrow.
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I thought it would be different with the changes you make wouldn't be far off.
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And it wouldn't be far off and this is a great start to any mix, really, so even if you make it change,
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even if you make a change to more or some other time, you're going to project against just maybe something
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slight, not insignificant, just a slight change, maybe to add or reduce a little bit of reverb by
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less than five to 10 percent or to add or remove a simple vocal, just an I'm.
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It won't be anything much longer to change anything here just to be released.
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So it really is almost unnoticeable by the average listener.
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So, yeah, so that's pretty much how to get it done.
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And I hope this helps you in making better mixing decisions somehow a process.
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I didn't hide anything.
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Everything I showed you, everything and everything else makes life was not like I didn't cut the video
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stop anyway.
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It was all done.
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So you got to see my mistakes, my bloopers, if there are any is there any bloopers?
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So this has been done live.
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Please subscribe to our YouTube channel, sir classi.
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Follow me.
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Follow me on Instagram.
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Sir Alesco classifies as I are on that score classi sir as I rcl a double as I circusy.
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I'm pleased to give you this crucial Nishina YouTube for a link to my courses.
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I will surely help you out.
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And also if only you been watching this check my instructors page on the nice courses that will surely
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help you.
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Shalon FLC your mixing, mastering, making beats those very clean, clear and precise.
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I don't beat around the bush.
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I go straight to the point.
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And also upload videos every day on YouTube to subscribe to our YouTube channel support by subscribing
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give me a thumbs up like comment share.
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Let your friends know about me and I'll keep doing videos like this.
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I remain so classy.
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Cheers.
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