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1
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Your new motto and
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my motto, motto, no.
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I don't make sense that he got.
4
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All right, so this secondary was actually part of the harmonies suit he was inappropriately recording,
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so I just named maybe Harmony guitar and maybe zero.
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All right, Sue.
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I personally would not have a secondary Harmonie.
8
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So how do these harmonies with group, all of them?
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Into an empty.
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Mix truck, crowd scene.
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Crates of McSweeny meats,
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so over the years are things like.
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Sorry about that was this.
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No, we don't want this resets.
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This is we need is you see, everything has links to this guy here, so you can maybe change the color
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sides can stand out somewhere, maybe make your red.
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All right, so you can see everything here is linked to this guy.
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So you can always unlink it by simply clicking this on, maybe take it back to the master channel if
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you want.
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I know that China for that.
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So.
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I think this is fine.
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So what he does do is to add a compressor on this Charnier what a compressor on ECU, an auto tune to
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get everything done properly.
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Boldly planning individually upon everything individually, but first we need to add a compressor to
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come to a compressor.
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Dynamic's.
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I said since are more of the background, so the treasurer needs to work it be harder.
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Welcome to the attack.
30
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Yeah, that's fine.
31
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Boosted, let's see what we got to talk to since the Harmony wants to rehab that substance on the release
32
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to a slew that's around 700 and keep the rush hour around four point six or less than five.
33
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So let's not forget competition, let's say sounds.
34
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If I knew my daughter in law, my dog, my daughter.
35
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All right.
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I think Treasury is working too hard.
37
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Let's bring all this all the way here, maybe add again, confessionalism is a new motto and I know.
38
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All right.
39
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That's more like it.
40
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So what?
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You know.
42
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We just take some of the and embargoes, you take us on line to avoid coalition, take this out, boost
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the military and give you some shine.
44
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Let's listen.
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Your new motto in.
46
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And now we are the auto tune.
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Of course, you know, this artist hasn't even decided that a wider vocal range would have maybe had
48
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an auto tune settings for different parts of the vocabulary body artist mostly stuck within the low
49
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vocal register.
50
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So you can't so like you only go to maybe soprano Bessie and wasn't really in the auto region.
51
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So the know voice simply just covers it all for this particular artist.
52
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But we have an artist who has a wider vocal range out and he plays with the high notes and low notes
53
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consistently.
54
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You need a separate auto tune settings for each of these for each of the vocal parts that the artist
55
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took.
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Remember, I have a comprehensive course on mixin on using auto tune on my page.
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I also have some tutorials on my YouTube page.
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Follow me out sir.
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classI circulating on YouTube on Instagram.
60
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Sarina's or classI seems to have my Instagram TV.
61
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So yeah.
62
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So let's say out to you now.
63
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I know my daughter in law like I know I know my daughter, I don't know.
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I don't make sense it.
65
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All right, so the issue took away some of the life in the bus, in the bus back.
66
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So it is on those watching on the story, also on the equally, too.
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So let's listen.
68
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RCI sounds now.
69
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And I know my daughter in law.
70
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I know my dog, I don't know.
71
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All right, so let's open them up appropriately so not to the lowest or the deepest vocal register in
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the center where others are scattered around.
73
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So I think here we have about four one, two, three, four.
74
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So all that you do is are going to have like two on the left, two on your right.
75
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But since where you have.
76
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Where are the less vocal soldiers who punished lattitude left or right, and maybe in the next few years
77
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what's left or right and others would be Whydah path.
78
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So let's see how that goes.
79
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So we listen to it individually and see which is which.
80
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Let me bring these closer, closer to here.
81
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And see which is which.
82
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That's it for harmonizer.
83
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General.
84
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You're looking at.
85
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Yellow.
86
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You know, uh uh.
87
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You know, uh uh.
88
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Looking at.
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You're looking at.
90
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Julia Gillard, Julia Gillard.
91
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All right, so how many zero on how many to seem to have closed some.
92
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Vocal range, so we all use these Harpenden slightly in close to the middle, since they are both low
93
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locales, maybe less than 10 percent to less than 10 percent, then others can go wider, maybe less
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than 20 percent.
95
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For a start, you can't judge them.
96
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Separately, does he to have to match each other in terms of the Punin opposite direction, just silly.
97
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Sounds good enough.
98
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So let's listen and see.
99
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La la, la, la, la, la, la.
100
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And No.
101
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And.
102
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My to my.
103
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I don't know, I.
104
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All right.
105
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All right, that sounds OK, that sounds OK.
106
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So a special effect I would like to add is called a.
107
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Harmony Engine by Antares.
108
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So just let the chaos have an extensive tutorial on this bad boy.
109
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So we just said that these killings are.
110
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All right, Major Q So wants to be very natural.
111
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So listen to it and see how it sounds before.
112
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OK?
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Vocal range, baritone, bass.
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Yes.
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All right, so we are looking as high as henceforward, do anything else to keep plugging.
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The.
117
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All right, so now it's a modified let's modify this plugin.
118
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So we just take out some vocal parts.
119
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Get.
120
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De de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de
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de de de de.
122
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All right.
123
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No, I took out some vocal parts you can always change.
124
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Levo copouts by the entire, but having different parts here.
125
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So for this Vocale wireless device took away the lowest note on the highest note, both the original
126
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inputs coming in so that we can be more accurate in reading the vocal parts of the song.
127
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So you don't need to overwork this plug.
128
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Most times you just just do a little here and there and it works out.
129
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If I have increased my voice, let's try it.
130
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And maybe it voice sounds and do the before and after for you.
131
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Let's see.
132
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Literally, literally.
133
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All right, so does after Aftar before.
134
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Today.
135
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Listen to the after.
136
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They get.
137
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Now, that sounds more alive, don't you think so for the harmonies, so I just reduced the volume A
138
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to here and last place in line with the rest of the vocal tracks and naughty, naughty, naughty.
139
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I know my too much.
140
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Good Lord.
141
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I don't I don't want to like I know my dog.
142
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So, well, the next time we add a delay, plug in.
143
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Oh, sorry.
144
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No, this is the oldest first to delay Friday's delay plugging, so I wanted to be ping pong music and
145
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really bounce off and spread.
146
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And yes, in ping pong mode at the time, let's it somewhat, let's say for milliseconds.
147
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Let's reduce the imports.
148
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Yeah, yeah, so let's not say so.
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No, no, no, no, no, no, no, no, no, no, no, no.
150
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I know my motto too much, good lord.
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I don't I don't know, I will go
152
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on with your life.
153
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Oh, no, no, no, no, no, no, no.
154
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I put my head on your shoulder.
155
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The.
156
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Makes sense that I've got it lot, you know my motto too much.
157
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I don't I don't want to lie.
158
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I wasn't going to get my shot, but you make it seem like I stop when I go shoot them.
159
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I can do nothing for you, but I'll keep on trying not to go
160
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on what I did.
161
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Oh, no, no, no, no, no, no, no.
162
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All right.
163
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That sounds amazing.
164
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Doesn't.
165
00:14:06,220 --> 00:14:11,140
So, of course, we need to tone it down a little odd reverb.
166
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It's.
167
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Will make you sound even more interesting.
168
00:14:16,190 --> 00:14:20,930
So increase the size the lessons, let's listen to it now with just this website without doing too much.
169
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Of course, the codebase and the decay should be extensive about two seconds.
170
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So we've now seen a no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
171
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no.
172
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Don't.
173
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No, no.
174
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I don't I don't I don't I don't know
175
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what I did.
176
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Oh, no, no, no, no, no, no, no.
177
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I put my head on your shoulders to make any mistakes that I've gotten.
178
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No, no, no, no, no, no, no.
179
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No matter what you do.
180
00:15:49,080 --> 00:15:55,200
All right, so I play around with your reverb some more, I turn down the high court that took it down
181
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to about four kilohertz, the high court and the delay at is on pretty low.
182
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I felt like was the effect was too sudden on the vocal, on the harmony vocal chain.
183
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So I took it to about 88 milliseconds.
184
00:16:08,940 --> 00:16:14,010
And of course, the decay also turned it down to about one point seven milliseconds and wetness was
185
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also reduced.
186
00:16:15,300 --> 00:16:17,760
I think there's a 30 percent.
187
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Should be fair, sort of going to sound big on large white, centered on some washed up in the sand
188
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out to tell a McCormicks to Muslims and a mixed sounds washed up to all over the place with so many
189
00:16:32,400 --> 00:16:36,210
women don't want to sound controlled once they really sound controlling the mix.
190
00:16:36,870 --> 00:16:38,850
So they seem to be taking it sounds.
191
00:16:41,070 --> 00:16:42,360
Look, I love
192
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my dog too much, but.
193
00:16:53,670 --> 00:16:57,590
But I'll keep on trying until I go
194
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on what I get your job.
195
00:17:02,970 --> 00:17:08,330
No, no, no, no, no, no.
196
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I put my head on your shoulder make.
197
00:17:18,420 --> 00:17:27,060
Mistakes that are going on in your life and when I go.
198
00:17:27,290 --> 00:17:41,740
No, no, no, no, no, no, no, no, no, no, no, no.
199
00:17:42,780 --> 00:17:46,950
Oh, my head on your shoulder make.
200
00:17:50,480 --> 00:17:55,500
It makes sense that I got it, I got it, I will go
201
00:17:58,330 --> 00:17:59,220
on what and I.
202
00:18:00,180 --> 00:18:06,290
Oh, no, no, no, no, no, no.
203
00:18:07,200 --> 00:18:09,690
I put my head on your shoulder
204
00:18:12,360 --> 00:18:13,800
to make my
205
00:18:16,350 --> 00:18:16,950
mistakes.
206
00:18:16,950 --> 00:18:17,250
That.
207
00:18:18,710 --> 00:18:23,570
All right, so I did some against teaching, I toned down the harmonies some more.
208
00:18:24,020 --> 00:18:30,980
I think I'm going to take the beat increase a little bit more so you can see it's probably the guys
209
00:18:30,980 --> 00:18:35,270
who are doing some back and forth here and the not make it sound even better semantically.
210
00:18:35,320 --> 00:18:38,990
We hear so much about, let's see, minus one DB.
211
00:18:40,180 --> 00:18:49,060
It sounds like, you know, if you keep on trying to
212
00:18:52,320 --> 00:19:00,800
idea, oh, no, no, no, no, no, no.
213
00:19:01,750 --> 00:19:03,080
Oh, my God.
214
00:19:03,230 --> 00:19:14,880
You sure you don't want to make any mistakes that I've got money down and.
215
00:19:14,960 --> 00:19:24,770
No, no, no, no, no, no, no, no, no, no, not.
216
00:19:28,160 --> 00:19:37,000
I don't want to announce that I'm going to shoot my shot, but you make it sound like the stock market,
217
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you know, I'll keep on trying not to.
218
00:19:42,310 --> 00:19:43,300
I will go
219
00:19:46,120 --> 00:19:47,240
on what I did.
220
00:19:47,540 --> 00:19:54,010
Oh, no, no, no, no, no, no.
221
00:19:54,960 --> 00:20:01,530
Oh, my head on your shoulder, you know, to make my.
222
00:20:04,130 --> 00:20:05,030
Makes sense that.
223
00:20:11,870 --> 00:20:17,450
All right, so that was just me listening to the entire mix again to see I make sure sounds even across
224
00:20:17,450 --> 00:20:17,960
the board.
225
00:20:18,320 --> 00:20:24,290
So I think the main lead vocal cord coming to you, just a little bit of reverb, just a little bit
226
00:20:24,290 --> 00:20:24,680
more.
227
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That can increase the wetness.
228
00:20:27,170 --> 00:20:29,650
So let's see 40 cents.
229
00:20:30,230 --> 00:20:36,660
So at least they give us a sense of what you can to make sure I can.
230
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You know, I'll keep on trying until I know.
231
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I know what I don't know.
232
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I know you love your daughter.
233
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Oh, my head showed up to make
234
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mistakes that got.
235
00:21:12,300 --> 00:21:15,030
All right, that sounds good across the board.
19161
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