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These are the user uploaded subtitles that are being translated: 1 00:00:01,640 --> 00:00:03,930 Your new motto and 2 00:00:06,720 --> 00:00:13,000 my motto, motto, no. 3 00:00:15,380 --> 00:00:19,010 I don't make sense that he got. 4 00:00:22,560 --> 00:00:30,510 All right, so this secondary was actually part of the harmonies suit he was inappropriately recording, 5 00:00:30,510 --> 00:00:36,180 so I just named maybe Harmony guitar and maybe zero. 6 00:00:38,270 --> 00:00:39,260 All right, Sue. 7 00:00:41,010 --> 00:00:43,110 I personally would not have a secondary Harmonie. 8 00:00:44,220 --> 00:00:46,740 So how do these harmonies with group, all of them? 9 00:00:48,210 --> 00:00:49,800 Into an empty. 10 00:00:50,730 --> 00:00:52,470 Mix truck, crowd scene. 11 00:00:55,150 --> 00:00:57,180 Crates of McSweeny meats, 12 00:01:00,230 --> 00:01:03,100 so over the years are things like. 13 00:01:07,630 --> 00:01:10,030 Sorry about that was this. 14 00:01:10,880 --> 00:01:13,130 No, we don't want this resets. 15 00:01:15,220 --> 00:01:21,370 This is we need is you see, everything has links to this guy here, so you can maybe change the color 16 00:01:21,400 --> 00:01:23,530 sides can stand out somewhere, maybe make your red. 17 00:01:24,520 --> 00:01:26,920 All right, so you can see everything here is linked to this guy. 18 00:01:29,850 --> 00:01:34,920 So you can always unlink it by simply clicking this on, maybe take it back to the master channel if 19 00:01:34,920 --> 00:01:35,420 you want. 20 00:01:35,460 --> 00:01:36,960 I know that China for that. 21 00:01:38,660 --> 00:01:39,110 So. 22 00:01:40,310 --> 00:01:41,420 I think this is fine. 23 00:01:43,760 --> 00:01:52,070 So what he does do is to add a compressor on this Charnier what a compressor on ECU, an auto tune to 24 00:01:52,070 --> 00:01:53,510 get everything done properly. 25 00:01:54,910 --> 00:02:02,170 Boldly planning individually upon everything individually, but first we need to add a compressor to 26 00:02:02,170 --> 00:02:04,840 come to a compressor. 27 00:02:06,960 --> 00:02:08,670 Dynamic's. 28 00:02:10,600 --> 00:02:14,770 I said since are more of the background, so the treasurer needs to work it be harder. 29 00:02:15,640 --> 00:02:17,050 Welcome to the attack. 30 00:02:17,230 --> 00:02:18,370 Yeah, that's fine. 31 00:02:19,740 --> 00:02:25,640 Boosted, let's see what we got to talk to since the Harmony wants to rehab that substance on the release 32 00:02:25,640 --> 00:02:34,230 to a slew that's around 700 and keep the rush hour around four point six or less than five. 33 00:02:35,360 --> 00:02:38,150 So let's not forget competition, let's say sounds. 34 00:02:39,360 --> 00:02:48,420 If I knew my daughter in law, my dog, my daughter. 35 00:02:49,930 --> 00:02:50,400 All right. 36 00:02:50,440 --> 00:02:52,120 I think Treasury is working too hard. 37 00:02:52,170 --> 00:03:02,530 Let's bring all this all the way here, maybe add again, confessionalism is a new motto and I know. 38 00:03:04,780 --> 00:03:05,080 All right. 39 00:03:05,080 --> 00:03:05,830 That's more like it. 40 00:03:06,580 --> 00:03:08,100 So what? 41 00:03:08,290 --> 00:03:09,100 You know. 42 00:03:10,070 --> 00:03:17,490 We just take some of the and embargoes, you take us on line to avoid coalition, take this out, boost 43 00:03:17,600 --> 00:03:19,760 the military and give you some shine. 44 00:03:19,910 --> 00:03:20,540 Let's listen. 45 00:03:21,630 --> 00:03:23,870 Your new motto in. 46 00:03:28,530 --> 00:03:30,630 And now we are the auto tune. 47 00:03:41,350 --> 00:03:46,840 Of course, you know, this artist hasn't even decided that a wider vocal range would have maybe had 48 00:03:46,840 --> 00:03:52,150 an auto tune settings for different parts of the vocabulary body artist mostly stuck within the low 49 00:03:52,570 --> 00:03:55,320 vocal register. 50 00:03:55,330 --> 00:04:01,840 So you can't so like you only go to maybe soprano Bessie and wasn't really in the auto region. 51 00:04:02,300 --> 00:04:06,580 So the know voice simply just covers it all for this particular artist. 52 00:04:06,580 --> 00:04:12,280 But we have an artist who has a wider vocal range out and he plays with the high notes and low notes 53 00:04:12,280 --> 00:04:12,940 consistently. 54 00:04:12,940 --> 00:04:19,270 You need a separate auto tune settings for each of these for each of the vocal parts that the artist 55 00:04:19,270 --> 00:04:19,690 took. 56 00:04:19,930 --> 00:04:25,480 Remember, I have a comprehensive course on mixin on using auto tune on my page. 57 00:04:25,880 --> 00:04:28,570 I also have some tutorials on my YouTube page. 58 00:04:28,570 --> 00:04:29,440 Follow me out sir. 59 00:04:29,450 --> 00:04:32,560 classI circulating on YouTube on Instagram. 60 00:04:32,560 --> 00:04:35,760 Sarina's or classI seems to have my Instagram TV. 61 00:04:36,360 --> 00:04:36,880 So yeah. 62 00:04:37,330 --> 00:04:38,980 So let's say out to you now. 63 00:04:41,660 --> 00:04:52,930 I know my daughter in law like I know I know my daughter, I don't know. 64 00:04:55,300 --> 00:04:58,930 I don't make sense it. 65 00:05:00,340 --> 00:05:07,100 All right, so the issue took away some of the life in the bus, in the bus back. 66 00:05:07,310 --> 00:05:12,390 So it is on those watching on the story, also on the equally, too. 67 00:05:12,420 --> 00:05:13,030 So let's listen. 68 00:05:13,030 --> 00:05:14,140 RCI sounds now. 69 00:05:14,310 --> 00:05:17,110 And I know my daughter in law. 70 00:05:20,990 --> 00:05:25,960 I know my dog, I don't know. 71 00:05:29,430 --> 00:05:36,300 All right, so let's open them up appropriately so not to the lowest or the deepest vocal register in 72 00:05:36,300 --> 00:05:38,640 the center where others are scattered around. 73 00:05:38,970 --> 00:05:42,960 So I think here we have about four one, two, three, four. 74 00:05:43,230 --> 00:05:46,960 So all that you do is are going to have like two on the left, two on your right. 75 00:05:47,610 --> 00:05:48,900 But since where you have. 76 00:05:51,440 --> 00:05:57,920 Where are the less vocal soldiers who punished lattitude left or right, and maybe in the next few years 77 00:05:57,930 --> 00:06:01,190 what's left or right and others would be Whydah path. 78 00:06:01,220 --> 00:06:02,780 So let's see how that goes. 79 00:06:03,260 --> 00:06:06,770 So we listen to it individually and see which is which. 80 00:06:09,460 --> 00:06:13,120 Let me bring these closer, closer to here. 81 00:06:14,010 --> 00:06:15,630 And see which is which. 82 00:06:16,380 --> 00:06:17,880 That's it for harmonizer. 83 00:06:19,230 --> 00:06:20,070 General. 84 00:06:23,380 --> 00:06:24,570 You're looking at. 85 00:06:27,660 --> 00:06:27,980 Yellow. 86 00:06:32,290 --> 00:06:33,530 You know, uh uh. 87 00:06:39,990 --> 00:06:41,270 You know, uh uh. 88 00:06:45,190 --> 00:06:46,350 Looking at. 89 00:06:49,040 --> 00:06:50,210 You're looking at. 90 00:06:51,740 --> 00:06:54,490 Julia Gillard, Julia Gillard. 91 00:06:59,100 --> 00:07:05,080 All right, so how many zero on how many to seem to have closed some. 92 00:07:06,140 --> 00:07:14,000 Vocal range, so we all use these Harpenden slightly in close to the middle, since they are both low 93 00:07:14,060 --> 00:07:21,410 locales, maybe less than 10 percent to less than 10 percent, then others can go wider, maybe less 94 00:07:21,410 --> 00:07:22,880 than 20 percent. 95 00:07:24,370 --> 00:07:26,500 For a start, you can't judge them. 96 00:07:27,630 --> 00:07:34,470 Separately, does he to have to match each other in terms of the Punin opposite direction, just silly. 97 00:07:34,500 --> 00:07:35,300 Sounds good enough. 98 00:07:36,030 --> 00:07:37,350 So let's listen and see. 99 00:07:39,560 --> 00:07:42,940 La la, la, la, la, la, la. 100 00:07:46,020 --> 00:07:46,530 And No. 101 00:07:52,580 --> 00:07:52,850 And. 102 00:07:58,070 --> 00:08:00,710 My to my. 103 00:08:05,020 --> 00:08:08,170 I don't know, I. 104 00:08:11,610 --> 00:08:12,240 All right. 105 00:08:13,800 --> 00:08:17,480 All right, that sounds OK, that sounds OK. 106 00:08:18,730 --> 00:08:22,810 So a special effect I would like to add is called a. 107 00:08:25,490 --> 00:08:27,650 Harmony Engine by Antares. 108 00:08:29,940 --> 00:08:34,230 So just let the chaos have an extensive tutorial on this bad boy. 109 00:08:35,340 --> 00:08:38,290 So we just said that these killings are. 110 00:08:39,290 --> 00:08:43,640 All right, Major Q So wants to be very natural. 111 00:08:44,820 --> 00:08:47,140 So listen to it and see how it sounds before. 112 00:08:47,160 --> 00:08:47,460 OK? 113 00:08:47,490 --> 00:08:50,070 Vocal range, baritone, bass. 114 00:08:50,070 --> 00:08:50,910 Yes. 115 00:08:52,860 --> 00:08:56,520 All right, so we are looking as high as henceforward, do anything else to keep plugging. 116 00:09:05,480 --> 00:09:05,720 The. 117 00:09:15,700 --> 00:09:18,880 All right, so now it's a modified let's modify this plugin. 118 00:09:22,370 --> 00:09:24,920 So we just take out some vocal parts. 119 00:09:41,490 --> 00:09:41,770 Get. 120 00:09:48,780 --> 00:10:05,490 De de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de de 121 00:10:06,570 --> 00:10:07,770 de de de de. 122 00:10:10,350 --> 00:10:10,810 All right. 123 00:10:10,860 --> 00:10:14,790 No, I took out some vocal parts you can always change. 124 00:10:15,770 --> 00:10:19,900 Levo copouts by the entire, but having different parts here. 125 00:10:20,270 --> 00:10:27,380 So for this Vocale wireless device took away the lowest note on the highest note, both the original 126 00:10:27,380 --> 00:10:31,740 inputs coming in so that we can be more accurate in reading the vocal parts of the song. 127 00:10:32,270 --> 00:10:34,000 So you don't need to overwork this plug. 128 00:10:34,070 --> 00:10:38,640 Most times you just just do a little here and there and it works out. 129 00:10:38,640 --> 00:10:40,340 If I have increased my voice, let's try it. 130 00:10:40,340 --> 00:10:44,300 And maybe it voice sounds and do the before and after for you. 131 00:10:44,330 --> 00:10:44,810 Let's see. 132 00:10:46,310 --> 00:10:49,160 Literally, literally. 133 00:10:51,760 --> 00:10:54,280 All right, so does after Aftar before. 134 00:10:57,910 --> 00:10:58,320 Today. 135 00:11:04,390 --> 00:11:05,410 Listen to the after. 136 00:11:07,100 --> 00:11:09,600 They get. 137 00:11:12,140 --> 00:11:18,140 Now, that sounds more alive, don't you think so for the harmonies, so I just reduced the volume A 138 00:11:18,340 --> 00:11:28,490 to here and last place in line with the rest of the vocal tracks and naughty, naughty, naughty. 139 00:11:31,540 --> 00:11:35,430 I know my too much. 140 00:11:36,380 --> 00:11:37,230 Good Lord. 141 00:11:39,780 --> 00:11:49,850 I don't I don't want to like I know my dog. 142 00:11:52,310 --> 00:11:56,810 So, well, the next time we add a delay, plug in. 143 00:12:02,430 --> 00:12:03,450 Oh, sorry. 144 00:12:03,490 --> 00:12:10,620 No, this is the oldest first to delay Friday's delay plugging, so I wanted to be ping pong music and 145 00:12:10,620 --> 00:12:12,150 really bounce off and spread. 146 00:12:14,370 --> 00:12:21,990 And yes, in ping pong mode at the time, let's it somewhat, let's say for milliseconds. 147 00:12:23,500 --> 00:12:25,670 Let's reduce the imports. 148 00:12:25,690 --> 00:12:28,750 Yeah, yeah, so let's not say so. 149 00:12:29,280 --> 00:12:43,690 No, no, no, no, no, no, no, no, no, no, no, no. 150 00:12:47,360 --> 00:12:52,660 I know my motto too much, good lord. 151 00:12:55,200 --> 00:12:59,500 I don't I don't know, I will go 152 00:13:02,350 --> 00:13:04,390 on with your life. 153 00:13:04,540 --> 00:13:10,310 Oh, no, no, no, no, no, no, no. 154 00:13:11,200 --> 00:13:13,650 I put my head on your shoulder. 155 00:13:17,360 --> 00:13:17,500 The. 156 00:13:20,340 --> 00:13:30,000 Makes sense that I've got it lot, you know my motto too much. 157 00:13:33,770 --> 00:13:36,820 I don't I don't want to lie. 158 00:13:37,630 --> 00:13:43,900 I wasn't going to get my shot, but you make it seem like I stop when I go shoot them. 159 00:13:43,980 --> 00:13:50,670 I can do nothing for you, but I'll keep on trying not to go 160 00:13:53,220 --> 00:13:54,690 on what I did. 161 00:13:55,200 --> 00:14:01,470 Oh, no, no, no, no, no, no, no. 162 00:14:03,250 --> 00:14:03,670 All right. 163 00:14:03,670 --> 00:14:05,080 That sounds amazing. 164 00:14:05,080 --> 00:14:05,420 Doesn't. 165 00:14:06,220 --> 00:14:11,140 So, of course, we need to tone it down a little odd reverb. 166 00:14:11,410 --> 00:14:12,070 It's. 167 00:14:13,160 --> 00:14:15,180 Will make you sound even more interesting. 168 00:14:16,190 --> 00:14:20,930 So increase the size the lessons, let's listen to it now with just this website without doing too much. 169 00:14:20,960 --> 00:14:26,930 Of course, the codebase and the decay should be extensive about two seconds. 170 00:14:28,770 --> 00:14:50,700 So we've now seen a no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, 171 00:14:52,110 --> 00:14:52,430 no. 172 00:14:52,940 --> 00:14:54,170 Don't. 173 00:14:54,730 --> 00:14:56,650 No, no. 174 00:14:59,320 --> 00:15:06,160 I don't I don't I don't I don't know 175 00:15:09,150 --> 00:15:09,830 what I did. 176 00:15:10,090 --> 00:15:16,690 Oh, no, no, no, no, no, no, no. 177 00:15:17,580 --> 00:15:28,310 I put my head on your shoulders to make any mistakes that I've gotten. 178 00:15:28,420 --> 00:15:36,170 No, no, no, no, no, no, no. 179 00:15:38,350 --> 00:15:45,900 No matter what you do. 180 00:15:49,080 --> 00:15:55,200 All right, so I play around with your reverb some more, I turn down the high court that took it down 181 00:15:55,200 --> 00:15:59,790 to about four kilohertz, the high court and the delay at is on pretty low. 182 00:15:59,850 --> 00:16:04,950 I felt like was the effect was too sudden on the vocal, on the harmony vocal chain. 183 00:16:05,250 --> 00:16:08,250 So I took it to about 88 milliseconds. 184 00:16:08,940 --> 00:16:14,010 And of course, the decay also turned it down to about one point seven milliseconds and wetness was 185 00:16:14,010 --> 00:16:14,800 also reduced. 186 00:16:15,300 --> 00:16:17,760 I think there's a 30 percent. 187 00:16:18,810 --> 00:16:24,470 Should be fair, sort of going to sound big on large white, centered on some washed up in the sand 188 00:16:24,570 --> 00:16:32,270 out to tell a McCormicks to Muslims and a mixed sounds washed up to all over the place with so many 189 00:16:32,400 --> 00:16:36,210 women don't want to sound controlled once they really sound controlling the mix. 190 00:16:36,870 --> 00:16:38,850 So they seem to be taking it sounds. 191 00:16:41,070 --> 00:16:42,360 Look, I love 192 00:16:46,140 --> 00:16:50,940 my dog too much, but. 193 00:16:53,670 --> 00:16:57,590 But I'll keep on trying until I go 194 00:17:00,410 --> 00:17:02,930 on what I get your job. 195 00:17:02,970 --> 00:17:08,330 No, no, no, no, no, no. 196 00:17:09,260 --> 00:17:13,780 I put my head on your shoulder make. 197 00:17:18,420 --> 00:17:27,060 Mistakes that are going on in your life and when I go. 198 00:17:27,290 --> 00:17:41,740 No, no, no, no, no, no, no, no, no, no, no, no. 199 00:17:42,780 --> 00:17:46,950 Oh, my head on your shoulder make. 200 00:17:50,480 --> 00:17:55,500 It makes sense that I got it, I got it, I will go 201 00:17:58,330 --> 00:17:59,220 on what and I. 202 00:18:00,180 --> 00:18:06,290 Oh, no, no, no, no, no, no. 203 00:18:07,200 --> 00:18:09,690 I put my head on your shoulder 204 00:18:12,360 --> 00:18:13,800 to make my 205 00:18:16,350 --> 00:18:16,950 mistakes. 206 00:18:16,950 --> 00:18:17,250 That. 207 00:18:18,710 --> 00:18:23,570 All right, so I did some against teaching, I toned down the harmonies some more. 208 00:18:24,020 --> 00:18:30,980 I think I'm going to take the beat increase a little bit more so you can see it's probably the guys 209 00:18:30,980 --> 00:18:35,270 who are doing some back and forth here and the not make it sound even better semantically. 210 00:18:35,320 --> 00:18:38,990 We hear so much about, let's see, minus one DB. 211 00:18:40,180 --> 00:18:49,060 It sounds like, you know, if you keep on trying to 212 00:18:52,320 --> 00:19:00,800 idea, oh, no, no, no, no, no, no. 213 00:19:01,750 --> 00:19:03,080 Oh, my God. 214 00:19:03,230 --> 00:19:14,880 You sure you don't want to make any mistakes that I've got money down and. 215 00:19:14,960 --> 00:19:24,770 No, no, no, no, no, no, no, no, no, no, not. 216 00:19:28,160 --> 00:19:37,000 I don't want to announce that I'm going to shoot my shot, but you make it sound like the stock market, 217 00:19:37,570 --> 00:19:42,290 you know, I'll keep on trying not to. 218 00:19:42,310 --> 00:19:43,300 I will go 219 00:19:46,120 --> 00:19:47,240 on what I did. 220 00:19:47,540 --> 00:19:54,010 Oh, no, no, no, no, no, no. 221 00:19:54,960 --> 00:20:01,530 Oh, my head on your shoulder, you know, to make my. 222 00:20:04,130 --> 00:20:05,030 Makes sense that. 223 00:20:11,870 --> 00:20:17,450 All right, so that was just me listening to the entire mix again to see I make sure sounds even across 224 00:20:17,450 --> 00:20:17,960 the board. 225 00:20:18,320 --> 00:20:24,290 So I think the main lead vocal cord coming to you, just a little bit of reverb, just a little bit 226 00:20:24,290 --> 00:20:24,680 more. 227 00:20:25,130 --> 00:20:27,170 That can increase the wetness. 228 00:20:27,170 --> 00:20:29,650 So let's see 40 cents. 229 00:20:30,230 --> 00:20:36,660 So at least they give us a sense of what you can to make sure I can. 230 00:20:37,180 --> 00:20:42,740 You know, I'll keep on trying until I know. 231 00:20:45,340 --> 00:20:48,630 I know what I don't know. 232 00:20:50,120 --> 00:20:53,460 I know you love your daughter. 233 00:20:54,440 --> 00:21:00,780 Oh, my head showed up to make 234 00:21:03,590 --> 00:21:05,120 mistakes that got. 235 00:21:12,300 --> 00:21:15,030 All right, that sounds good across the board. 19161

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