Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:19,080 --> 00:00:21,540
Seven thirty seven
Comin' out of the sky
2
00:00:21,620 --> 00:00:24,250
Won't you take me down
To Memphis on a midnight ride
3
00:00:24,330 --> 00:00:26,040
I want to move
4
00:00:26,120 --> 00:00:28,790
Playin' in a travelin' band
5
00:00:28,870 --> 00:00:29,950
Yeah
6
00:00:30,040 --> 00:00:31,700
Well I'm flyin'
'Cross the land
7
00:00:31,790 --> 00:00:33,290
Tryin' to get a hand
8
00:00:33,370 --> 00:00:35,750
Playin' in
A travelin' band…
9
00:00:35,830 --> 00:00:39,290
1969 had been
a magical year for Creedence.
10
00:00:39,370 --> 00:00:43,500
In only 12 months, the band
had achieved five top ten singles
11
00:00:43,580 --> 00:00:47,160
and three top ten albums
on the American charts,
12
00:00:47,250 --> 00:00:49,250
outselling The Beatles.
13
00:00:49,330 --> 00:00:52,410
They had appeared
on the legendary Ed Sullivan Show
14
00:00:52,500 --> 00:00:55,910
and played over a million people
across America,
15
00:00:56,000 --> 00:00:57,870
including the hundreds
of thousands
16
00:00:57,950 --> 00:00:59,500
gathered at Woodstock.
17
00:01:00,040 --> 00:01:02,080
John, Tom, Stu, and Doug
18
00:01:02,160 --> 00:01:04,120
may not have had
the familiar ring to it
19
00:01:04,200 --> 00:01:06,500
of John, Paul,
George, and Ringo,
20
00:01:06,580 --> 00:01:09,200
but Creedence
were challenging The Beatles
21
00:01:09,290 --> 00:01:12,410
for the title
of the biggest group in the world.
22
00:01:12,500 --> 00:01:13,540
This is Doug Clifford,
23
00:01:13,660 --> 00:01:15,540
who plays drums
for Creedence Clear water
24
00:01:15,620 --> 00:01:17,120
who's been there
since the start,
25
00:01:17,200 --> 00:01:18,450
which was how long ago?
26
00:01:18,540 --> 00:01:19,580
Eleven years.
27
00:01:19,660 --> 00:01:21,870
Stu,
have you ever run into a situation
28
00:01:21,950 --> 00:01:23,830
where you didn't like
one another
29
00:01:23,910 --> 00:01:26,080
or you had a very,
very bad argument?
30
00:01:26,160 --> 00:01:28,160
Yeah. We checked our equipment
quite frequently.
31
00:01:29,910 --> 00:01:30,950
John Fogerty,
32
00:01:31,040 --> 00:01:32,800
you write
most of the material for the group.
33
00:01:32,870 --> 00:01:34,790
What was the first
gold record you had?
34
00:01:34,870 --> 00:01:35,910
"Proud Mary."
35
00:01:37,080 --> 00:01:40,290
Tom, uh, how would
you characterize this music?
36
00:01:40,370 --> 00:01:41,910
Rock and roll music.
37
00:01:50,750 --> 00:01:52,830
In April 1970,
38
00:01:53,250 --> 00:01:55,370
Creedence arrived
at Heathrow Airport
39
00:01:55,450 --> 00:01:58,200
to begin their first ever
European tour.
40
00:01:58,290 --> 00:02:01,040
The tour would include
concerts in Berlin,
41
00:02:01,120 --> 00:02:06,000
Stockholm, Rotterdam,
Paris, and London.
42
00:02:06,080 --> 00:02:08,410
The band's British debut
was to take place
43
00:02:08,500 --> 00:02:11,580
at the most prestigious
music venue in the UK,
44
00:02:11,660 --> 00:02:14,500
London's Royal Albert Hall,
45
00:02:14,580 --> 00:02:16,450
which had previously
hosted concerts
46
00:02:16,540 --> 00:02:18,080
by The Beatles,
47
00:02:18,160 --> 00:02:20,870
The Rolling Stones,
Led Zeppelin,
48
00:02:20,950 --> 00:02:24,040
Cream, and Jimi Hendrix.
49
00:02:24,120 --> 00:02:26,330
For Creedence
Clear water Revival,
50
00:02:26,410 --> 00:02:28,250
the Royal Albert Hall concert
51
00:02:28,330 --> 00:02:31,700
would be a high point
of their tour of Europe.
52
00:02:31,790 --> 00:02:33,000
The concert was filmed,
53
00:02:33,080 --> 00:02:36,620
but never fully released
until now.
54
00:02:36,700 --> 00:02:39,540
This is also the story
of how they got there.
55
00:03:02,700 --> 00:03:04,790
My impressions of Europe?
56
00:03:06,200 --> 00:03:09,000
Well, I like it.
It's, uh... it's my first time.
57
00:03:09,080 --> 00:03:12,120
And, uh, we're going through
so damn fast.
58
00:03:12,200 --> 00:03:14,120
Each country is definitely
each country, man.
59
00:03:14,200 --> 00:03:17,870
Like there's no, like,
you know, Sweden and Denmark
60
00:03:17,950 --> 00:03:20,410
as close as they are
in all their respects,
61
00:03:20,540 --> 00:03:22,040
there's really two
different worlds.
62
00:03:22,120 --> 00:03:23,750
And I can see that
just having been here
63
00:03:23,830 --> 00:03:25,290
just a day and a half.
64
00:03:25,370 --> 00:03:27,700
The excitement,
it's just... it's like a dream.
65
00:03:27,790 --> 00:03:29,120
I don't wanna sleep.
66
00:03:29,200 --> 00:03:31,830
Uh, because number one,
I can't, I'm so excited
67
00:03:31,910 --> 00:03:33,450
and it's just like
living a dream
68
00:03:33,540 --> 00:03:35,950
because I've lived in America
all my life,
69
00:03:36,040 --> 00:03:37,540
and now coming over here,
70
00:03:37,620 --> 00:03:39,096
things are, you know,
physically different
71
00:03:39,120 --> 00:03:41,040
and the people are, you know,
mentally different.
72
00:03:41,080 --> 00:03:43,290
It's a whole
fantastic experience.
73
00:03:48,330 --> 00:03:49,766
It's total excitement
when you walk out on the stage,
74
00:03:49,790 --> 00:03:52,580
you're thinking that
these people don't understand English.
75
00:03:52,660 --> 00:03:53,940
They don't understand the words,
76
00:03:54,000 --> 00:03:56,120
but they are communicating
with you
77
00:03:56,200 --> 00:03:57,750
because they feel the music,
you know?
78
00:03:57,830 --> 00:03:59,306
You're gonna give
some people something
79
00:03:59,330 --> 00:04:02,700
that, uh, they've never
heard before, you know?
80
00:04:02,790 --> 00:04:06,200
Hurryin' to get there
So you save some time
81
00:04:06,290 --> 00:04:09,580
Run, run, run, run, run
82
00:04:09,660 --> 00:04:11,500
Rushin' to the treadmill
83
00:04:11,580 --> 00:04:13,290
Rushin' to get home
84
00:04:13,370 --> 00:04:16,040
Worry 'bout the time
You save, save
85
00:04:16,120 --> 00:04:17,790
Com, commotion
86
00:04:17,870 --> 00:04:19,330
Git, git, git, gone
87
00:04:19,410 --> 00:04:21,000
Com, commotion
88
00:04:21,080 --> 00:04:22,870
Git, git, git, gone
89
00:04:22,950 --> 00:04:24,540
Com, commotion
90
00:04:24,620 --> 00:04:26,450
Git, git, git, gone
91
00:04:34,080 --> 00:04:35,540
We take great pride
in the fact that
92
00:04:35,620 --> 00:04:37,580
we brought our own sound system.
93
00:04:37,660 --> 00:04:41,540
It's like, uh, starting
all over again, you know?
94
00:04:41,620 --> 00:04:44,250
Well, don't go around tonight
95
00:04:44,330 --> 00:04:47,250
Well it's bound
To take your life
96
00:04:47,330 --> 00:04:52,450
There's a bad moon
On the rise
97
00:04:52,540 --> 00:04:54,370
Don't come around tonight
98
00:04:54,450 --> 00:04:57,580
Well it's bound
To take your life
99
00:04:57,660 --> 00:05:00,790
There's a bad moon
On the rise
100
00:05:08,580 --> 00:05:09,740
What I did learn on this trip
101
00:05:09,790 --> 00:05:13,080
more than any other
was to go out into the city
102
00:05:13,160 --> 00:05:16,790
and give it a chance
to just be itself, you know?
103
00:05:16,870 --> 00:05:18,540
Not put on a show for me,
you know,
104
00:05:18,620 --> 00:05:20,000
the people we always see.
105
00:05:20,080 --> 00:05:22,620
Europe is like shades of gray
compared to America
106
00:05:22,700 --> 00:05:24,950
where things are really
getting polar, you know,
107
00:05:25,080 --> 00:05:28,040
uh, black and white,
uh, to use an example.
108
00:05:28,120 --> 00:05:30,660
Uh, people don't...
People don't get all pissed off
109
00:05:30,750 --> 00:05:31,790
about what you look like.
110
00:05:31,910 --> 00:05:34,120
You can get a job
and you can like advance,
111
00:05:34,200 --> 00:05:35,750
you know, with long hair.
112
00:05:35,830 --> 00:05:39,540
In the States, man,
you could... to get a job,
113
00:05:39,620 --> 00:05:40,660
you have to cut your hair.
114
00:05:40,750 --> 00:05:42,176
You can't even have sideburns,
you know?
115
00:05:42,200 --> 00:05:44,520
Like it doesn't make a difference
how many degrees you have
116
00:05:44,580 --> 00:05:46,160
or what your trip
is or any of that.
117
00:05:47,910 --> 00:05:51,540
Let the Midnight Special
118
00:05:51,620 --> 00:05:53,540
Shine a light on me
119
00:05:55,540 --> 00:05:58,790
Let the Midnight Special
120
00:05:58,870 --> 00:06:02,500
Shine a light on me
121
00:06:02,580 --> 00:06:06,080
Let the Midnight Special
122
00:06:06,160 --> 00:06:08,160
Shine a light on me
123
00:06:10,160 --> 00:06:13,750
Let the Midnight Special
124
00:06:13,830 --> 00:06:17,700
shine an ever-lovin'
Light on me
125
00:06:17,790 --> 00:06:21,330
Yonder come Miss Rosie
126
00:06:21,410 --> 00:06:25,000
How in the world
Did you know?
127
00:06:25,080 --> 00:06:29,000
By the way
She wears her apron
128
00:06:29,080 --> 00:06:31,660
And the clothes she wore…
129
00:06:32,660 --> 00:06:35,290
Have you ever been to the
Berlin Wall, Tom?
130
00:06:35,370 --> 00:06:38,250
To the Berlin Wall?
No, I would like to, though.
131
00:06:39,040 --> 00:06:42,580
It'd be great to...
Is the wall... is it, uh,
132
00:06:42,660 --> 00:06:45,290
is it barbed wire
or is it thick?
133
00:06:45,370 --> 00:06:46,370
Not a wall.
134
00:06:46,450 --> 00:06:47,556
I was thinking
about setting up there.
135
00:06:47,580 --> 00:06:48,830
You know, we could set up
136
00:06:48,910 --> 00:06:50,700
the equipment up
on top of the wall...
137
00:06:50,790 --> 00:06:52,410
Well, at certain
places they have a wall.
138
00:06:52,500 --> 00:06:54,000
And aim it that direction,
you know?
139
00:06:54,080 --> 00:06:55,346
We could aim it both directions.
140
00:06:55,370 --> 00:06:56,926
How about that?
We'll bring everybody up on it
141
00:06:56,950 --> 00:06:59,160
and dance and maybe
the wall will come down.
142
00:06:59,250 --> 00:07:01,330
Maybe they'll object,
they might object.
143
00:07:01,410 --> 00:07:05,250
Let the Midnight Special
144
00:07:05,330 --> 00:07:08,870
Shine a light on me
145
00:07:08,950 --> 00:07:12,410
Let the Midnight Special
146
00:07:12,500 --> 00:07:13,500
Shine an ever-lovin'…
147
00:07:13,580 --> 00:07:15,200
Wow. Air France. Okay.
148
00:07:15,290 --> 00:07:16,790
We're off to Paris, then.
149
00:07:18,700 --> 00:07:19,790
Three days.
150
00:07:19,870 --> 00:07:21,410
And Germany was pretty nice.
151
00:07:22,750 --> 00:07:24,700
Lead me on. Lead me on.
152
00:07:25,750 --> 00:07:27,450
- Have a good trip.
- Thank you.
153
00:07:28,950 --> 00:07:31,330
Everybody seems to have their
own impression of Paris…
154
00:07:31,410 --> 00:07:33,290
- Yeah.
- What's yours in advance?
155
00:07:33,370 --> 00:07:35,016
Well, number one,
I'm spending my birthday there,
156
00:07:35,040 --> 00:07:36,330
so it better be good.
157
00:07:36,410 --> 00:07:37,676
Better be good.
Here's to your birthday.
158
00:07:37,700 --> 00:07:39,200
Uh, thank you. Right, right.
159
00:07:39,290 --> 00:07:42,370
I just expect, um, uh…
160
00:07:42,450 --> 00:07:44,120
The American dream, I suppose.
161
00:08:01,910 --> 00:08:03,290
Have you ever eaten one?
162
00:08:03,370 --> 00:08:05,120
- Dandelion?
- No.
163
00:08:05,200 --> 00:08:07,500
Pick one up, eat it.
I'm serious. I'm not kidding.
164
00:08:07,580 --> 00:08:09,080
Really?
165
00:08:09,160 --> 00:08:10,870
Today is the most impressed
166
00:08:10,950 --> 00:08:13,620
I've ever been
in my life with, you know,
167
00:08:13,700 --> 00:08:16,370
just what I've seen, you know?
168
00:08:16,950 --> 00:08:18,660
It's pretty much
of a mindblower.
169
00:08:18,750 --> 00:08:20,830
My 25th birthday has been
170
00:08:20,910 --> 00:08:22,950
the most insignificant thing
of the whole day.
171
00:08:23,040 --> 00:08:25,250
I've been to the Louvre.
172
00:08:25,330 --> 00:08:28,660
I've been to, uh,
Louis XIV's, uh,
173
00:08:28,750 --> 00:08:30,330
playground as it were.
174
00:08:30,410 --> 00:08:33,790
Probably most fantastic
collection of art
175
00:08:33,870 --> 00:08:37,000
I've ever seen,
between that and the Louvre.
176
00:08:37,290 --> 00:08:38,910
How do you find
the girls in Paris?
177
00:08:40,080 --> 00:08:41,750
Huh?
178
00:08:41,830 --> 00:08:44,660
Uh, I've only been
in my room so far.
179
00:08:44,750 --> 00:08:46,500
It's just like
the room in Berlin
180
00:08:46,580 --> 00:08:48,250
and the room in Stockholm
181
00:08:48,330 --> 00:08:49,700
and the room in…
182
00:08:52,040 --> 00:08:53,410
The water is good though.
183
00:08:53,500 --> 00:08:56,910
Love to kick my feet
Way down the shallow water
184
00:08:57,000 --> 00:09:00,200
Shoo fly, dragon fly,
Get back to your mother
185
00:09:00,290 --> 00:09:04,410
Pick up a flat rock,
Skip it across Green River
186
00:09:07,370 --> 00:09:09,620
Well…
187
00:09:13,620 --> 00:09:14,846
Now the whole time
we're in Rotterdam,
188
00:09:14,870 --> 00:09:17,700
it was like a blizzard,
only it was just raining.
189
00:09:24,040 --> 00:09:26,620
What do you mean
about the friendly Europeans?
190
00:09:26,700 --> 00:09:27,700
Well, like in New York,
191
00:09:27,790 --> 00:09:29,540
they would've run us down,
you know?
192
00:09:32,290 --> 00:09:34,000
Which city do you dig the most?
Go on.
193
00:09:34,080 --> 00:09:36,620
Copenhagen? Copenhagen for
me was a total groove.
194
00:09:36,700 --> 00:09:37,910
Me too.
195
00:09:39,830 --> 00:09:43,370
You know, I woke up
around 2:00 one afternoon
196
00:09:44,000 --> 00:09:46,870
and just that's the...
When I saw you on the balcony.
197
00:09:46,950 --> 00:09:48,040
Oh, that was fantastic.
198
00:09:48,120 --> 00:09:52,080
And just, uh, you know,
I was happy. Wow.
199
00:09:54,040 --> 00:09:57,370
Cleaned a lot of plates
In Memphis
200
00:09:57,450 --> 00:10:01,200
Pumped a lot of 'pane
Down in New Orleans
201
00:10:01,290 --> 00:10:04,950
But I never saw
The good side of the city
202
00:10:05,040 --> 00:10:08,790
'Til I hitched a ride
On a river boat queen…
203
00:10:08,870 --> 00:10:12,080
I think that to me,
this tour proves that, uh,
204
00:10:12,160 --> 00:10:14,750
that rock and roll music, uh,
after 15 years
205
00:10:14,830 --> 00:10:17,580
should be somebody...
Somebody's taking it serious somewhere.
206
00:10:17,660 --> 00:10:21,450
I mean, it's the same...
You get the same reaction in Rotterdam
207
00:10:21,540 --> 00:10:23,500
that you get in Oakland,
that you get in LA,
208
00:10:23,580 --> 00:10:25,500
that you get in Omaha,
209
00:10:25,580 --> 00:10:27,540
like there's something happening.
210
00:10:31,370 --> 00:10:33,580
The real test as to the success
211
00:10:33,660 --> 00:10:34,870
of their European tour
212
00:10:35,330 --> 00:10:37,160
would be measured
by the reception
213
00:10:37,250 --> 00:10:40,160
they would receive
at London's Royal Albert Hall.
214
00:10:41,830 --> 00:10:44,700
The journey that led
to this landmark concert
215
00:10:44,790 --> 00:10:48,580
began 13 years earlier
in El Cerrito, California
216
00:10:48,660 --> 00:10:50,790
near San Francisco.
217
00:10:50,870 --> 00:10:52,450
It all happened one day.
218
00:10:52,540 --> 00:10:54,500
The first day
in junior high school,
219
00:10:54,580 --> 00:10:56,700
there was this guy sitting
in the back of the class,
220
00:10:56,790 --> 00:10:58,910
just screwing around.
221
00:10:59,000 --> 00:11:00,410
And, uh, all the seats
were taken
222
00:11:00,500 --> 00:11:02,250
except the ones next to him.
223
00:11:02,330 --> 00:11:03,886
So I just fell down
and sat next to him,
224
00:11:03,910 --> 00:11:05,330
it turned out to be Doug.
225
00:11:05,410 --> 00:11:06,910
Hello there.
226
00:11:07,000 --> 00:11:08,556
Like we were good friends
for a couple years
227
00:11:08,580 --> 00:11:11,250
before we even, you know,
got into a music thing at all.
228
00:11:11,330 --> 00:11:14,330
Then John…
229
00:11:14,410 --> 00:11:17,500
John was tinkling on the piano,
then in the music room
230
00:11:17,580 --> 00:11:20,330
to like audition people
who are interested.
231
00:11:20,410 --> 00:11:22,620
Yeah. We started out
as a... like a...
232
00:11:22,700 --> 00:11:25,870
As a trio with piano,
drums, and guitar.
233
00:11:25,950 --> 00:11:26,950
You have to understand,
234
00:11:27,040 --> 00:11:28,950
like we were the only band
in the school.
235
00:11:29,040 --> 00:11:31,410
It wasn't like
how it was after The Beatles
236
00:11:31,500 --> 00:11:33,830
when it seemed like
every school had 50 bands,
237
00:11:33,910 --> 00:11:36,040
we were the band of the school.
238
00:11:38,410 --> 00:11:39,750
The instrumental trio,
239
00:11:39,830 --> 00:11:43,080
John Fogerty, Stu Cook,
and Doug Clifford
240
00:11:43,160 --> 00:11:46,620
initially went under the name,
The Blue Velvets.
241
00:11:46,700 --> 00:11:49,450
They became a four piece
when John's older brother,
242
00:11:49,540 --> 00:11:53,040
Tom joined on vocals
under the name,
243
00:11:53,120 --> 00:11:55,410
Tommy Fogerty
and The Blue Velvets,
244
00:11:55,500 --> 00:11:57,410
they released a handful of singles
245
00:11:57,500 --> 00:11:59,000
that helped build their reputation
246
00:11:59,080 --> 00:12:00,830
around the Bay Area.
247
00:12:02,330 --> 00:12:06,160
Then during February of 1964,
248
00:12:06,250 --> 00:12:08,160
their world was shaken
by a hurricane
249
00:12:08,250 --> 00:12:11,330
that had blown in
from across the Atlantic.
250
00:12:11,410 --> 00:12:13,080
Well, shake it up, baby
251
00:12:13,160 --> 00:12:15,160
Now, shake it up, baby
252
00:12:15,250 --> 00:12:17,040
Twist and shout
253
00:12:17,120 --> 00:12:19,700
Twist and shout…
254
00:12:19,790 --> 00:12:22,910
So in '64, we'd already
been together five years.
255
00:12:23,000 --> 00:12:25,016
And our listening experience,
the kind of stuff we were into
256
00:12:25,040 --> 00:12:27,700
was pretty much similar
to The Beatles.
257
00:12:27,790 --> 00:12:29,476
And when The Beatles hit,
we said, wow, you know,
258
00:12:29,500 --> 00:12:30,556
the door is wide open again,
259
00:12:30,580 --> 00:12:32,100
'cause The Beatles really just changed
260
00:12:32,160 --> 00:12:34,160
the whole thing for all musicians.
261
00:12:35,870 --> 00:12:37,950
The month
after The Beatles heralded
262
00:12:38,040 --> 00:12:40,500
the start of the so-called
British invasion,
263
00:12:40,580 --> 00:12:45,660
San Francisco's Channel 9
broadcast Anatomy of a Hit,
264
00:12:45,750 --> 00:12:47,830
a television program
that told the story
265
00:12:47,910 --> 00:12:50,000
of "Cast Your Fate to the Wind"
266
00:12:50,080 --> 00:12:52,750
by jazz artist, Vince Guaraldi.
267
00:12:52,830 --> 00:12:55,500
This single had been a hit
for Fantasy,
268
00:12:55,580 --> 00:12:58,450
the San Francisco
based record label.
269
00:12:58,540 --> 00:13:00,370
Having watched the documentary,
270
00:13:00,450 --> 00:13:03,120
John and Tom Fogerty
crossed the Bay Bridge
271
00:13:03,200 --> 00:13:06,000
and played their songs
to Max Weiss,
272
00:13:06,080 --> 00:13:09,750
Fantasy's co-founder
and resident hipster.
273
00:13:09,830 --> 00:13:13,750
I have perfect pitch
and natural rhythm.
274
00:13:13,830 --> 00:13:15,910
And just by one listening
275
00:13:16,000 --> 00:13:18,580
of just a, maybe four or five bars,
276
00:13:18,660 --> 00:13:21,120
usually five bars, uh,
277
00:13:21,200 --> 00:13:24,120
I can spot whether a record's
gonna make it or not.
278
00:13:25,450 --> 00:13:27,000
Impressed by what he heard
279
00:13:27,080 --> 00:13:30,290
and no doubt aware
of the tremendous success of The Beatles
280
00:13:30,370 --> 00:13:32,750
in the growing
beat group phenomenon,
281
00:13:32,830 --> 00:13:35,080
Weiss signed the group
to Fantasy.
282
00:13:36,500 --> 00:13:39,330
Wanting the band's name
to sound more British,
283
00:13:39,410 --> 00:13:41,540
the label opted for a new one
284
00:13:41,620 --> 00:13:46,330
unaware of its offensive
racial connotations.
285
00:13:46,410 --> 00:13:48,040
Thought it sounded British,
286
00:13:48,120 --> 00:13:50,040
Beatle-ly and all the rest,
287
00:13:50,120 --> 00:13:51,330
and that was the reason
288
00:13:51,410 --> 00:13:54,750
trying to emulate
the English thing.
289
00:13:54,830 --> 00:13:56,200
As their sound evolved,
290
00:13:56,290 --> 00:13:59,450
Stu Cook switched
from piano to bass,
291
00:13:59,540 --> 00:14:01,950
Tommy Fogerty to rhythm guitar,
292
00:14:02,040 --> 00:14:05,660
and John Fogerty assumed
the role of lead vocalist.
293
00:14:05,750 --> 00:14:08,080
And by late 1966,
294
00:14:08,160 --> 00:14:10,080
it was beginning
to look like the group
295
00:14:10,160 --> 00:14:12,000
was on the verge
of a breakthrough.
296
00:14:12,080 --> 00:14:15,040
I got me
A brown eyed girl
297
00:14:15,120 --> 00:14:16,160
Yeah
298
00:14:16,250 --> 00:14:19,250
- Brown eyed girl
- Yeah
299
00:14:19,330 --> 00:14:21,870
But with the escalation
of the Vietnam War
300
00:14:21,950 --> 00:14:23,620
and the shadow of the draft
301
00:14:23,700 --> 00:14:26,160
hanging over young men
across the States,
302
00:14:26,250 --> 00:14:29,160
the group's progress
was brought to a halt.
303
00:14:29,250 --> 00:14:32,370
John Fogerty enlisted
in the army reserve
304
00:14:32,450 --> 00:14:35,410
and Doug Clifford
served in the coast guard.
305
00:14:35,500 --> 00:14:36,950
During this period,
306
00:14:37,040 --> 00:14:40,330
the musical spotlight
had shifted to San Francisco,
307
00:14:40,410 --> 00:14:44,160
in what would soon explode
into the Summer of Love.
308
00:14:44,250 --> 00:14:45,830
It exploded while I was gone,
309
00:14:45,910 --> 00:14:47,700
San Francisco
just broke wide open
310
00:14:47,790 --> 00:14:50,450
and everybody was talking
about it and I was away.
311
00:14:50,870 --> 00:14:53,080
I like Country Joe and the Fish.
312
00:14:53,160 --> 00:14:57,200
And the Jefferson Airplane,
Quicksilver Messenger Service.
313
00:14:57,290 --> 00:14:58,570
Well, like, uh, the local groups
314
00:14:58,620 --> 00:14:59,726
that have been playing
around here,
315
00:14:59,750 --> 00:15:00,806
I've been seeing 'em
for a long time
316
00:15:00,830 --> 00:15:02,200
and, uh, they're really making it,
317
00:15:02,290 --> 00:15:03,750
they're doing
a real good thing, man.
318
00:15:04,580 --> 00:15:07,910
I got out of the army
in, uh, '67
319
00:15:08,000 --> 00:15:10,830
and we sort of resolved
to really go for it.
320
00:15:10,910 --> 00:15:13,250
To either we were... we were
really gonna commit ourselves
321
00:15:13,330 --> 00:15:16,000
and everything we had
or else we weren't gonna make it.
322
00:15:16,700 --> 00:15:18,450
A major turning point
323
00:15:18,540 --> 00:15:21,120
was the release
of their single Porterville.
324
00:15:21,200 --> 00:15:24,000
It didn't just sound like
the work of a different group,
325
00:15:24,080 --> 00:15:25,910
it pointed the way forward.
326
00:15:26,000 --> 00:15:28,000
It's been an awful long time
327
00:15:28,080 --> 00:15:30,410
Since I been home
328
00:15:30,500 --> 00:15:34,910
But you won't catch me
goin' back down there alone
329
00:15:35,000 --> 00:15:37,200
Things they said
When I was young
330
00:15:37,290 --> 00:15:41,160
Are quite enough
To get me hung
331
00:15:41,250 --> 00:15:44,080
"Porterville" showed
John Fogerty's determination
332
00:15:44,160 --> 00:15:46,830
and growing confidence
as a songwriter.
333
00:15:46,910 --> 00:15:48,750
And it was around this time
334
00:15:48,830 --> 00:15:51,120
that they were able
to rid themselves of the name
335
00:15:51,200 --> 00:15:54,700
that had been originally suggested
by the record label.
336
00:15:55,910 --> 00:15:59,750
They became Creedence
Clear water Revival.
337
00:15:59,830 --> 00:16:01,096
We've been together
all this time
338
00:16:01,120 --> 00:16:03,250
and nothing was happening
with the group.
339
00:16:03,330 --> 00:16:04,830
So we decided we wanted
340
00:16:04,910 --> 00:16:08,080
to have a little revival
among ourselves.
341
00:16:08,160 --> 00:16:09,830
That's what that part meant.
342
00:16:09,910 --> 00:16:13,000
It's just let's get back
to the basics, you know.
343
00:16:13,080 --> 00:16:16,830
Let's get back
to where we were 10 years ago.
344
00:16:16,910 --> 00:16:20,290
When "Porterville"
failed to make an impact on the charts,
345
00:16:20,370 --> 00:16:22,200
Creedence resorted to a formula
346
00:16:22,290 --> 00:16:25,450
that had provided many groups
with breakthrough hits.
347
00:16:25,540 --> 00:16:27,830
They've recorded
a cover version.
348
00:16:27,910 --> 00:16:30,580
The band decided on "Susie Q,"
349
00:16:30,660 --> 00:16:34,660
a song that had been a hit
for Dale Hawkins back in 1958.
350
00:16:34,750 --> 00:16:37,080
Oh, Susie Q
351
00:16:38,580 --> 00:16:39,806
At first,
it was just a demo tape
352
00:16:39,830 --> 00:16:42,200
that we took
to a local FM station,
353
00:16:42,290 --> 00:16:44,290
and they started
playing it a lot
354
00:16:44,620 --> 00:16:46,870
like four, five times a day,
355
00:16:46,950 --> 00:16:50,410
in exactly the same form
that it appears on the record.
356
00:16:51,870 --> 00:16:53,450
The excitement of actually
357
00:16:53,540 --> 00:16:56,870
really hearing
your song on KYA, uh,
358
00:16:56,950 --> 00:16:59,910
after years and years,
some nine and a half years, of trying,
359
00:17:00,330 --> 00:17:02,810
it took... it took us pretty much
by surprise when it happened,
360
00:17:02,870 --> 00:17:04,450
because it just took off.
361
00:17:04,540 --> 00:17:06,700
And wisely,
the man at the record company
362
00:17:06,790 --> 00:17:09,540
finally saw, "Oh, well,
these guys are getting popular.
363
00:17:09,620 --> 00:17:11,450
Maybe they should
make an album."
364
00:17:12,790 --> 00:17:16,500
So, um, we got to go in
and with, um,
365
00:17:16,580 --> 00:17:19,750
something like seven
or eight hours of studio time,
366
00:17:19,830 --> 00:17:21,450
uh, we made the first album.
367
00:17:21,540 --> 00:17:24,500
The budget was like
less than $2,000.
368
00:17:27,700 --> 00:17:30,870
First album was released
and we came to San Francisco
369
00:17:30,950 --> 00:17:32,290
and we started playing there
370
00:17:32,370 --> 00:17:34,250
and it's like it just fell
together real fast,
371
00:17:34,330 --> 00:17:36,290
but we've been working on it
for about nine years,
372
00:17:36,370 --> 00:17:38,000
you know,
getting ourselves together
373
00:17:38,080 --> 00:17:39,950
so that when we...
When we had it together,
374
00:17:40,040 --> 00:17:42,410
like, all we needed
was an audience.
375
00:17:42,500 --> 00:17:46,040
Having broken on
to the San Francisco ballroom circuit
376
00:17:46,120 --> 00:17:49,700
and with their album hovering
just outside the top 50,
377
00:17:49,790 --> 00:17:52,200
they were hoping to take things
to the next level
378
00:17:52,290 --> 00:17:55,450
with another cover
of an R&B classic.
379
00:17:56,080 --> 00:17:58,910
I put a spell on you
380
00:18:02,290 --> 00:18:05,950
Because you're mine
381
00:18:10,500 --> 00:18:14,080
You better stop the thing
That you're doin'
382
00:18:16,040 --> 00:18:20,040
I said watch out, I ain't lyin'
383
00:18:20,120 --> 00:18:24,040
Screamin' Jay Hawkins did
"I Put a Spell on You."
384
00:18:24,120 --> 00:18:27,620
And that's another great old
R&B song that I loved.
385
00:18:27,700 --> 00:18:29,330
It happened to fit
my vocal style.
386
00:18:29,410 --> 00:18:32,540
I could... I could sing that well
and that was the reason, uh,
387
00:18:32,620 --> 00:18:35,160
we decided to do that
particular song.
388
00:18:38,330 --> 00:18:39,806
It's kind of hard for me
to talk about John
389
00:18:39,830 --> 00:18:42,290
and be unbiased, you know,
390
00:18:42,370 --> 00:18:46,450
because, uh,
we're in the same band together,
391
00:18:46,540 --> 00:18:49,910
but I think that he had
one of the most unique voices.
392
00:18:50,000 --> 00:18:52,346
I think it's right up there
with Ray Charles and Van Morrison,
393
00:18:52,370 --> 00:18:54,700
you know, it's a voice that's distinct.
394
00:18:56,000 --> 00:18:58,000
Despite showcasing
his development
395
00:18:58,080 --> 00:19:01,500
into one of the era's
most recognizable voices
396
00:19:01,580 --> 00:19:04,870
with a style rooted deep
in the blues and R&B,
397
00:19:04,950 --> 00:19:08,370
the record failed
to reach the top 50.
398
00:19:08,450 --> 00:19:10,910
John Fogerty had said that
he wanted Creedence
399
00:19:11,000 --> 00:19:15,330
to make something for the ages,
to be great like The Beatles.
400
00:19:15,410 --> 00:19:18,330
On the day that he received
his honorable discharge papers
401
00:19:18,410 --> 00:19:19,910
from the army,
402
00:19:20,000 --> 00:19:23,290
he wrote his first
genuine classic.
403
00:19:23,500 --> 00:19:27,200
Left a good job In the city
404
00:19:27,290 --> 00:19:31,370
Workin' for the man
Ev'ry night and day
405
00:19:31,450 --> 00:19:35,370
And I never lost
One minute of sleepin'
406
00:19:35,450 --> 00:19:39,500
Worryin' 'bout the way
Things might have been
407
00:19:39,580 --> 00:19:43,120
Big wheel keep on turnin'
408
00:19:43,200 --> 00:19:47,080
Proud Mary keep on burnin'
409
00:19:47,160 --> 00:19:50,370
"Proud Mary" reached
number two on the US charts,
410
00:19:50,450 --> 00:19:52,620
and five years
after watching The Beatles
411
00:19:52,700 --> 00:19:55,370
make their debut on American TV,
412
00:19:55,450 --> 00:19:57,160
they too appeared
on The Ed Sullivan Show.
413
00:19:57,250 --> 00:20:00,080
Rollin' on the river
414
00:20:01,450 --> 00:20:05,370
Cleaned a lot of plates
In Memphis
415
00:20:05,450 --> 00:20:09,540
Pumped a lot of 'pane
Down in New Orleans
416
00:20:09,620 --> 00:20:13,580
But I never saw
The good side of the city
417
00:20:13,660 --> 00:20:17,450
'Til I hitched a ride
On a river boat queen
418
00:20:17,540 --> 00:20:21,250
Big wheel keep on turnin'
419
00:20:21,330 --> 00:20:25,080
Proud Mary keep on burnin'
420
00:20:25,160 --> 00:20:29,040
Rollin', rollin'
421
00:20:29,120 --> 00:20:31,540
Rollin' on the river
422
00:20:34,290 --> 00:20:36,620
You know, like "Proud Mary"
I'm really happy about that,
423
00:20:36,700 --> 00:20:39,290
that it came off
as well as it did.
424
00:20:39,370 --> 00:20:41,580
The way I write
is a very loose thing.
425
00:20:41,660 --> 00:20:44,200
All I'm trying to do really
is put down what I see,
426
00:20:44,290 --> 00:20:45,950
you know, the way I see it.
427
00:20:46,040 --> 00:20:48,540
Get something out of just
hearing the notes and the rhythm.
428
00:20:49,160 --> 00:20:52,580
But if the words
can convey the same meaning,
429
00:20:52,660 --> 00:20:54,830
it's like icing on the cake
then, you know,
430
00:20:54,910 --> 00:20:57,040
because I try and match
the music with the words.
431
00:20:57,120 --> 00:21:00,540
It was during that time
that I completed, uh,
432
00:21:00,620 --> 00:21:03,700
all the stuff on Bayou Country
433
00:21:03,790 --> 00:21:06,500
and, uh, some
of other songs, too.
434
00:21:06,580 --> 00:21:09,750
In other words,
that didn't really reflect...
435
00:21:09,830 --> 00:21:12,290
The songs didn't reflect
my mood at the time, you know,
436
00:21:12,700 --> 00:21:15,330
I just switched off
and went into something else.
437
00:21:15,410 --> 00:21:17,660
If "Proud Mary"
was about a riverboat
438
00:21:17,750 --> 00:21:19,540
rolling up the Mississippi,
439
00:21:19,620 --> 00:21:22,080
"Born on the Bayou"
took you on a journey
440
00:21:22,160 --> 00:21:24,080
through the swamplands
that stretched
441
00:21:24,160 --> 00:21:27,540
from New Orleans
into rural Louisiana.
442
00:21:27,620 --> 00:21:30,910
When I was just a little boy
443
00:21:32,080 --> 00:21:34,910
Standin' to
My daddy's knee…
444
00:21:35,000 --> 00:21:36,500
At the time of the release
445
00:21:36,580 --> 00:21:38,870
of their second album,
Bayou Country,
446
00:21:38,950 --> 00:21:40,830
none of the band members
had yet set foot
447
00:21:40,910 --> 00:21:42,700
in the part of
the American South
448
00:21:42,790 --> 00:21:45,830
that was so vividly captured
in their songs,
449
00:21:45,910 --> 00:21:47,910
a great achievement
for a songwriter
450
00:21:48,000 --> 00:21:52,620
whose roots lay 2000 miles away
in Northern California.
451
00:21:52,700 --> 00:21:56,870
And I can remember
The Fourth of July
452
00:21:56,950 --> 00:22:00,950
Runnin' through
The back wood bay
453
00:22:01,040 --> 00:22:05,160
I can still hear
My old hound dog barkin'
454
00:22:05,250 --> 00:22:09,040
Chasin' down a hoodoo there
455
00:22:09,120 --> 00:22:12,160
Chasin' down a hoodoo there
456
00:22:13,200 --> 00:22:15,580
I, like,
haven't lived there, uh,
457
00:22:15,660 --> 00:22:17,750
you know, in the south,
458
00:22:17,830 --> 00:22:21,000
it was purely that was all
in my head really,
459
00:22:21,080 --> 00:22:23,870
like, that was where
I wanted to go.
460
00:22:23,950 --> 00:22:25,910
And all the things
I had heard before
461
00:22:26,000 --> 00:22:27,410
that I dug were from there.
462
00:22:27,500 --> 00:22:29,700
And it was like, I wanted
to be like that, you know?
463
00:22:40,950 --> 00:22:42,830
Creedence
never bought into the idea
464
00:22:42,910 --> 00:22:45,700
of turning on, tuning in,
and dropping out.
465
00:22:45,790 --> 00:22:48,790
For them, it was always
about the work.
466
00:22:48,870 --> 00:22:50,540
And to reflect
their identification
467
00:22:50,620 --> 00:22:52,160
with the working man,
468
00:22:52,250 --> 00:22:53,950
they called
their rehearsal place
469
00:22:54,040 --> 00:22:55,370
The Factory.
470
00:22:56,950 --> 00:22:59,200
Now, we come down here
every day,
471
00:22:59,290 --> 00:23:02,290
we rehearse, talk about music
or what's happening,
472
00:23:02,370 --> 00:23:05,450
you know, with other groups
or other records.
473
00:23:07,290 --> 00:23:09,120
As well as writing the songs,
474
00:23:09,200 --> 00:23:12,330
John Fogerty was also producing
the records.
475
00:23:12,410 --> 00:23:15,450
The Factory was where
the songs took shape.
476
00:23:15,540 --> 00:23:18,410
As they saw it,
simplicity was best
477
00:23:18,500 --> 00:23:20,910
and less was usually more.
478
00:23:21,000 --> 00:23:22,426
Like, when we make a record,
I don't...
479
00:23:22,450 --> 00:23:23,750
I don't maybe listen to the...
480
00:23:23,830 --> 00:23:25,540
Really listen
and get into the words,
481
00:23:25,620 --> 00:23:28,410
until maybe a month
after we're finished, you know.
482
00:23:28,500 --> 00:23:31,000
Like, I don't sit down
and take it all apart,
483
00:23:31,080 --> 00:23:33,200
you know, I just, uh,
484
00:23:33,290 --> 00:23:35,580
you know, one line
or one word does it for me.
485
00:23:35,660 --> 00:23:40,040
I see the bad moon a-risin'
486
00:23:41,160 --> 00:23:44,620
I see trouble on the way
487
00:23:46,450 --> 00:23:50,040
I see earthquakes
And lightnin'
488
00:23:51,370 --> 00:23:54,000
Three months
after releasing "Proud Mary,"
489
00:23:54,080 --> 00:23:55,910
Creedence were back
on the charts
490
00:23:56,000 --> 00:23:57,830
with "Bad Moon Rising."
491
00:23:57,910 --> 00:23:59,790
This song would also give them
492
00:23:59,870 --> 00:24:02,330
their first UK number one.
493
00:24:02,410 --> 00:24:05,950
There's a bad moon
On the rise
494
00:24:06,660 --> 00:24:09,290
Do you feel that
the group is going in
495
00:24:09,370 --> 00:24:11,660
the direction that you want it to go?
496
00:24:11,750 --> 00:24:14,410
Yes, but just not fast enough.
497
00:24:15,950 --> 00:24:17,250
Um…
498
00:24:20,290 --> 00:24:22,306
Yeah. There's really no other way
to say it, you know.
499
00:24:22,330 --> 00:24:25,660
I would dig it if we all woke up
tomorrow morning
500
00:24:25,750 --> 00:24:29,000
and we're just superb musicians,
you know, who could play anything,
501
00:24:29,080 --> 00:24:31,080
but it never works out that way.
502
00:24:35,120 --> 00:24:37,290
By mid-1969,
503
00:24:37,370 --> 00:24:40,160
Creedence was arguably
the second biggest band
504
00:24:40,250 --> 00:24:42,750
in the world behind The Beatles.
505
00:24:42,830 --> 00:24:45,620
And that summer featured
among the headlining acts
506
00:24:45,700 --> 00:24:47,700
at the Denver, Newport,
507
00:24:47,790 --> 00:24:49,870
and Atlanta music festivals.
508
00:24:49,950 --> 00:24:52,000
I went down to the station
509
00:24:52,080 --> 00:24:55,370
Just to take a ride
510
00:24:55,450 --> 00:24:57,500
They were also approached
to perform
511
00:24:57,580 --> 00:25:00,120
at the upcoming
Woodstock Festival.
512
00:25:00,200 --> 00:25:01,750
Creedence was one of the first,
513
00:25:01,830 --> 00:25:04,790
if not the first major act
to sign.
514
00:25:04,870 --> 00:25:07,830
You know, they used us
to entice other artists
515
00:25:07,910 --> 00:25:09,910
of our generation
to get on board.
516
00:25:10,000 --> 00:25:12,790
We were signed
to headline Saturday night.
517
00:25:12,870 --> 00:25:15,950
The day before
their scheduled appearance at Woodstock,
518
00:25:16,250 --> 00:25:18,870
they were in a Los Angeles
television studio
519
00:25:18,950 --> 00:25:21,200
recording a performance
of "Green River"
520
00:25:21,290 --> 00:25:23,120
on The Andy Williams Show,
521
00:25:23,200 --> 00:25:25,160
a showbiz institution,
522
00:25:25,250 --> 00:25:27,660
a world away
from outdoor festivals
523
00:25:27,750 --> 00:25:29,580
and the counterculture.
524
00:25:29,660 --> 00:25:32,620
Well, take me back down
525
00:25:32,700 --> 00:25:35,290
Where cool water flows, y'all
526
00:25:37,950 --> 00:25:41,540
Oh, let me remember
Things I love
527
00:25:44,950 --> 00:25:48,290
Stoppin' at the log
Where catfish bite
528
00:25:48,370 --> 00:25:51,750
Walkin' along
The river road at night
529
00:25:51,830 --> 00:25:55,290
Barefoot girls
Dancin' in the moonlight
530
00:25:55,370 --> 00:25:57,870
The song is, uh, like, uh,
531
00:25:57,950 --> 00:25:59,950
just a little segment
of John's child...
532
00:26:00,040 --> 00:26:02,290
John and Tom's childhood,
533
00:26:02,370 --> 00:26:04,750
uh, when their father
used to take 'em up
534
00:26:04,830 --> 00:26:07,200
to the, uh, Cody's camp.
535
00:26:07,290 --> 00:26:09,500
I mean, it's, uh, part of the lyric.
536
00:26:09,580 --> 00:26:11,290
The place isn't there anymore.
537
00:26:11,370 --> 00:26:13,790
Like progress, they built a dam,
538
00:26:13,870 --> 00:26:16,200
flooded the... you know,
backed the river up
539
00:26:16,290 --> 00:26:17,556
and flooded out the whole place.
540
00:26:17,580 --> 00:26:18,870
I think that, you know,
the camp,
541
00:26:18,950 --> 00:26:21,750
everything's gone
except the song.
542
00:26:23,660 --> 00:26:25,830
I like the place that that song
543
00:26:25,910 --> 00:26:27,500
is supposed to be coming from.
544
00:26:27,580 --> 00:26:29,250
"Green River,"
I always thought, was like
545
00:26:29,330 --> 00:26:32,120
the heart and soul
of what Creedence is.
546
00:26:32,200 --> 00:26:35,410
Uh, musically and also just kind of what
it's talking about.
547
00:26:36,950 --> 00:26:39,410
Having honored
their television commitments,
548
00:26:39,500 --> 00:26:41,790
they then traveled
to Upstate New York
549
00:26:41,870 --> 00:26:44,290
to take part
in what would turn out to be
550
00:26:44,370 --> 00:26:47,830
the most historic
music festival of all time,
551
00:26:50,120 --> 00:26:51,450
Woodstock.
552
00:27:03,250 --> 00:27:05,120
We're just overwhelmed by, uh,
553
00:27:05,200 --> 00:27:07,750
the enormity of...
But we had no idea
554
00:27:07,830 --> 00:27:09,830
of what to expect.
555
00:27:09,910 --> 00:27:12,250
And the weather
and technical problems
556
00:27:12,330 --> 00:27:14,290
pushed the show later and later.
557
00:27:14,370 --> 00:27:16,200
We finally got on
about 3:00 in the morning.
558
00:27:32,870 --> 00:27:35,160
I put a spell on you
559
00:27:38,540 --> 00:27:41,540
Because you're mine
560
00:27:45,580 --> 00:27:48,950
You better stop the thing
That you're doin'
561
00:27:50,500 --> 00:27:54,450
I said, watch out, I ain't lyin'
562
00:27:55,660 --> 00:27:57,250
We didn't consciously
go out of our way
563
00:27:57,330 --> 00:27:59,500
to try to sound
like a Black band.
564
00:27:59,580 --> 00:28:01,160
You know, there was parts
of country
565
00:28:01,250 --> 00:28:02,700
and it's just that…
566
00:28:02,790 --> 00:28:05,120
That was really
that we liked Black music
567
00:28:05,200 --> 00:28:06,870
better than the kind
of white music
568
00:28:06,950 --> 00:28:08,630
that was being presented
to us at the time,
569
00:28:08,700 --> 00:28:11,160
but, um, our early heroes
were definitely Black,
570
00:28:11,250 --> 00:28:14,370
so I think it kind of maybe just
unconsciously came together.
571
00:28:16,080 --> 00:28:18,950
- You know, the night-time
- Night and day
572
00:28:19,040 --> 00:28:23,250
- Oh, is the right time
- Night and day
573
00:28:23,330 --> 00:28:25,750
- To be
- Night and day
574
00:28:25,830 --> 00:28:27,750
With the one you love,
Oh, oh
575
00:28:27,830 --> 00:28:29,040
Night and day
576
00:28:29,120 --> 00:28:31,120
- I said the night-time
- Night and day
577
00:28:31,200 --> 00:28:32,750
"Night Time Is the Right Time"
578
00:28:32,830 --> 00:28:35,330
was originally recorded
by Ray Charles
579
00:28:35,410 --> 00:28:37,250
and would feature on Creedence's
580
00:28:37,330 --> 00:28:41,120
first number one album in America,
Green River.
581
00:28:41,500 --> 00:28:42,980
I've heard it
and I've experienced it,
582
00:28:43,040 --> 00:28:44,410
and it's real.
583
00:28:44,500 --> 00:28:46,410
And in fact, it's played
on the Black station.
584
00:28:46,500 --> 00:28:48,290
It's being played
on the Black station,
585
00:28:48,370 --> 00:28:51,830
and like the deejay there
was really pushing the record
586
00:28:51,910 --> 00:28:54,040
and the people were digging.
My old lady and myself,
587
00:28:54,120 --> 00:28:55,676
we were thinking of coming
to work the other morning
588
00:28:55,700 --> 00:28:57,226
and I said,
"Hey, wait a minute, you know,
589
00:28:57,250 --> 00:28:58,830
like those cats are for real."
590
00:28:58,910 --> 00:29:00,500
So, like, it doesn't matter,
you know,
591
00:29:00,580 --> 00:29:02,260
whether they're a white group
or not, like,
592
00:29:02,330 --> 00:29:04,160
they're really coming
from within.
593
00:29:04,250 --> 00:29:05,890
You dig it.
And when you come from within,
594
00:29:05,950 --> 00:29:07,950
you got to be for real
no matter what you are.
595
00:29:08,040 --> 00:29:09,410
- Yeah.
- Yeah.
596
00:29:10,370 --> 00:29:12,540
Green River occupied
the top spot
597
00:29:12,620 --> 00:29:14,830
for three weeks
before being replaced
598
00:29:14,910 --> 00:29:16,910
by The Beatles' Abbey Road.
599
00:29:17,000 --> 00:29:19,500
While the record
was still on the charts,
600
00:29:19,580 --> 00:29:21,330
Creedence were back
in the studio
601
00:29:21,410 --> 00:29:23,250
recording
what would be their third album
602
00:29:23,330 --> 00:29:26,250
in less than a year,
Willy and the Poor Boys.
603
00:29:27,410 --> 00:29:30,500
Down on the corner, out in the street
604
00:29:30,580 --> 00:29:32,950
Willy and the Poor Boys
Are playin'
605
00:29:33,040 --> 00:29:35,700
Bring a nickel, tap your feet
606
00:29:35,790 --> 00:29:37,790
Rooster hits the washboard
607
00:29:37,870 --> 00:29:39,910
And people just got to smile
608
00:29:40,000 --> 00:29:41,450
What set Creedence apart
609
00:29:41,540 --> 00:29:43,370
from many
of their contemporaries,
610
00:29:43,500 --> 00:29:46,410
was their ability to produce
the sound of their records,
611
00:29:46,500 --> 00:29:48,950
on stage
and the primal excitement
612
00:29:49,040 --> 00:29:50,830
and joy of their concerts,
613
00:29:50,910 --> 00:29:53,500
which came from their love
of live performance.
614
00:29:53,580 --> 00:29:57,160
Down on the corner, out in the street
615
00:29:57,250 --> 00:29:59,120
Willy and the Poor Boys
Are playin'
616
00:29:59,200 --> 00:30:01,410
Bring a nickel, tap your feet
617
00:30:07,540 --> 00:30:10,040
It has an elating effect on you.
It makes you feel good.
618
00:30:10,120 --> 00:30:12,540
Therefore, you...
Like, "I love music.
619
00:30:12,620 --> 00:30:14,410
I consider it a good thing.
620
00:30:14,500 --> 00:30:15,926
I don't love it
because I think it's good.
621
00:30:15,950 --> 00:30:17,410
I just... I just love it."
622
00:30:17,500 --> 00:30:21,000
Like it's the fear
of, like, blowing it
623
00:30:21,080 --> 00:30:23,830
and the excitement of being able
to do it at the same time.
624
00:30:23,910 --> 00:30:26,040
If we're all working together, boom.
625
00:30:26,120 --> 00:30:29,750
You know, it's just fabulous
and everybody's turned on.
626
00:30:29,830 --> 00:30:32,410
If you do turn them on,
you really feel rewarded.
627
00:30:32,500 --> 00:30:34,250
And that's really the reward.
628
00:30:34,330 --> 00:30:36,750
That's the only reward
that counts, I think.
629
00:30:36,830 --> 00:30:38,700
Just to hang around
630
00:30:38,790 --> 00:30:40,790
But if you've got a nickel…
631
00:30:40,870 --> 00:30:43,040
Besides people
looking for your music,
632
00:30:43,120 --> 00:30:44,700
they also... well,
633
00:30:44,790 --> 00:30:48,450
they wanna know what you think,
they wanna know what you wear,
634
00:30:48,540 --> 00:30:50,160
and, you know,
what movies you like,
635
00:30:50,250 --> 00:30:51,790
and do you eat spaghetti
for breakfast
636
00:30:51,870 --> 00:30:53,410
and junk like that.
637
00:30:53,500 --> 00:30:56,040
And they also wanna know
how you accept
638
00:30:56,120 --> 00:30:58,700
the world you live in.
Do you accept it, really?
639
00:30:58,790 --> 00:31:01,290
John, he's got an expression
640
00:31:01,370 --> 00:31:03,830
that you can... you can...
641
00:31:03,910 --> 00:31:06,200
You can tell how a person is
642
00:31:06,290 --> 00:31:08,120
by, you know,
looking in his eyes
643
00:31:08,200 --> 00:31:11,120
and just how far behind
his eyes his brain is,
644
00:31:11,200 --> 00:31:12,750
is where he's at.
645
00:31:12,830 --> 00:31:14,870
You know,
if his brain is right up there,
646
00:31:14,950 --> 00:31:17,410
you know, if his head's right up there
behind his eyes
647
00:31:17,500 --> 00:31:20,250
and he's... you know,
John will talk to him.
648
00:31:20,330 --> 00:31:22,700
We go around talking about
how we're communicating
649
00:31:22,790 --> 00:31:24,370
but no one ever does.
650
00:31:24,450 --> 00:31:28,830
It's like you look right into a guy's
eyeballs and you're staring.
651
00:31:28,910 --> 00:31:33,080
You say, you know, "Are you in there,
you know? Hello? Hello?"
652
00:31:33,160 --> 00:31:36,750
And most of the time,
you don't get anything back.
653
00:31:36,830 --> 00:31:39,000
He really cuts through
the bullshit.
654
00:31:39,080 --> 00:31:42,790
Good men through the ages
655
00:31:42,870 --> 00:31:45,160
Tryin' to find the sun
656
00:31:46,750 --> 00:31:50,660
And I wonder, still I wonder
657
00:31:50,750 --> 00:31:54,120
Who'll stop the rain?
658
00:31:55,750 --> 00:31:57,750
I want people to know
when I'm really saying
659
00:31:57,830 --> 00:31:59,620
something seriously
and when I'm…
660
00:31:59,700 --> 00:32:01,750
Just being an entertainer,
you know?
661
00:32:02,870 --> 00:32:05,250
But it's also important
that I don't appeal
662
00:32:05,330 --> 00:32:07,830
the basic motivations
and I don't start,
663
00:32:07,910 --> 00:32:10,500
you know, "Hey, all you hippies,
664
00:32:10,580 --> 00:32:12,750
join together
and let's smoke dope," you know?
665
00:32:12,830 --> 00:32:14,700
I mean, people are gonna dig that.
666
00:32:14,790 --> 00:32:16,410
A certain element of society.
667
00:32:16,500 --> 00:32:17,926
But I don't want them
digging it for that.
668
00:32:17,950 --> 00:32:19,806
I want them to look a little
further than just, "Hey.
669
00:32:19,830 --> 00:32:21,330
Okay. We're all together,
brother,"
670
00:32:21,410 --> 00:32:22,500
you know, and that crap.
671
00:32:22,580 --> 00:32:24,910
"Who'll Stop the Rain,"
672
00:32:25,000 --> 00:32:27,120
and some of the others too,
especially that one,
673
00:32:27,200 --> 00:32:28,870
I tried to stay away from,
674
00:32:28,950 --> 00:32:31,200
"Hey, he's a left-wing
radical crazy
675
00:32:31,290 --> 00:32:34,330
or he's a super Bircher,"
you know,
676
00:32:34,410 --> 00:32:36,290
because both sides can take it,
you know,
677
00:32:36,370 --> 00:32:38,200
and use it
as their own rallying cry.
678
00:32:38,290 --> 00:32:39,910
Same as "Fortunate Son," really.
679
00:32:40,000 --> 00:32:43,370
It ain't me, it ain't me
680
00:32:43,450 --> 00:32:46,870
I ain't no senator's son, son
681
00:32:46,950 --> 00:32:50,500
It ain't me, it ain't me
682
00:32:50,580 --> 00:32:54,040
I ain't no fortunate one, no
683
00:32:54,120 --> 00:32:57,000
As 1969 was drawing to a close,
684
00:32:57,080 --> 00:32:59,910
John Fogerty was considered
one of America's
685
00:33:00,000 --> 00:33:03,160
most politically significant songwriters.
686
00:33:03,250 --> 00:33:05,830
And in this year alone,
Creedence had accomplished
687
00:33:05,910 --> 00:33:08,750
more than most groups managed
during a whole career,
688
00:33:08,830 --> 00:33:11,410
including four top ten singles
689
00:33:11,500 --> 00:33:13,910
and three top ten albums.
690
00:33:14,000 --> 00:33:16,160
To emphasize this success,
691
00:33:16,250 --> 00:33:21,000
Rolling Stone magazine declared
them best American band.
692
00:33:21,330 --> 00:33:24,660
The outsiders from El Cerrito,
had come a long way.
693
00:33:24,750 --> 00:33:28,200
And 1970 began
with a celebratory concert
694
00:33:28,290 --> 00:33:32,200
on home turf,
in front of 15,000 ecstatic fans
695
00:33:32,290 --> 00:33:34,580
at California's
Oakland Coliseum.
696
00:33:34,660 --> 00:33:37,370
Keep on chooglin'
697
00:33:37,450 --> 00:33:40,250
Keep on chooglin'
698
00:33:40,330 --> 00:33:42,290
Keep on chooglin'
699
00:33:42,370 --> 00:33:44,410
Chooglin', chooglin'
700
00:33:44,500 --> 00:33:46,080
Chooglin', chooglin'
701
00:33:49,500 --> 00:33:51,450
Maybe you don't understand
702
00:33:51,540 --> 00:33:54,660
In America,
Creedence were flying high,
703
00:33:54,750 --> 00:33:58,080
and three months
after their victorious Oakland concert,
704
00:33:58,160 --> 00:34:00,410
they took their show to Europe.
705
00:34:07,910 --> 00:34:10,910
Their European campaign
began on April 7th
706
00:34:11,000 --> 00:34:14,120
when they touched down
at London's Heathrow Airport.
707
00:34:15,450 --> 00:34:19,450
There's a place
Up ahead and I'm going
708
00:34:19,540 --> 00:34:22,120
Just as fast
As my feet can fly
709
00:34:22,200 --> 00:34:24,410
When we got to London,
we were just destroyed.
710
00:34:24,500 --> 00:34:27,580
Eleven-hour flight
and a nine-hour time difference.
711
00:34:27,660 --> 00:34:30,330
It was like when it was night,
it was morning.
712
00:34:30,410 --> 00:34:33,660
You know, you get so tired
that you just can't sleep.
713
00:34:33,750 --> 00:34:35,120
And then,
just immediately went out
714
00:34:35,200 --> 00:34:37,330
and got on a double-Decker bus
715
00:34:37,410 --> 00:34:39,500
and just started cruising
through London.
716
00:34:46,000 --> 00:34:48,000
Creedence's highly anticipated
717
00:34:48,080 --> 00:34:51,080
sold-out concerts
at London's Royal Albert Hall
718
00:34:51,160 --> 00:34:53,450
would take on
even greater significance
719
00:34:53,540 --> 00:34:57,910
when just days before news broke
that shook the world.
720
00:34:58,000 --> 00:35:00,620
The event is so momentous
that historians
721
00:35:00,700 --> 00:35:03,330
may one day view it
as a landmark
722
00:35:03,410 --> 00:35:05,830
in the decline
of the British Empire.
723
00:35:05,910 --> 00:35:07,870
The Beatles are breaking up.
724
00:35:10,200 --> 00:35:11,660
With the London audience
725
00:35:11,750 --> 00:35:13,830
reeling from the news
of The Beatles' breakup,
726
00:35:14,450 --> 00:35:17,040
Creedence was now poised
to take on the mantle
727
00:35:17,120 --> 00:35:19,290
of the biggest group
in the world.
728
00:35:19,370 --> 00:35:21,250
My biggest fear, man,
if these people
729
00:35:21,330 --> 00:35:23,290
are gonna boo us off.
You know, you're not sacred.
730
00:35:23,370 --> 00:35:26,330
If you ain't making it, you...
The first cat's gonna... you know,
731
00:35:26,410 --> 00:35:29,160
everyone else think it's like
The Emperor Wears No Clothes.
732
00:35:29,250 --> 00:35:31,830
Finally some cat'll go, "Boo,"
733
00:35:31,910 --> 00:35:33,330
and pretty soon the whole place
734
00:35:33,410 --> 00:35:34,926
will just tear you to pieces,
you know?
735
00:35:34,950 --> 00:35:36,830
There's a lot of pressure on John
736
00:35:36,910 --> 00:35:38,556
and there's a lot of pressure,
I guess, on all of us,
737
00:35:38,580 --> 00:35:42,120
because I wanna live up
to what John expects of me.
738
00:35:43,370 --> 00:35:45,160
And hopefully
because we've practiced a lot
739
00:35:45,250 --> 00:35:47,040
and we have improved anyway,
you know, just…
740
00:35:47,120 --> 00:35:49,290
Evolving as musicians,
we want that to happen.
741
00:35:49,370 --> 00:35:51,750
You know, it's four parts
that make up a whole.
742
00:35:51,830 --> 00:35:53,500
Every once in a while,
you really...
743
00:35:53,580 --> 00:35:55,580
You really know together,
you know?
744
00:35:55,660 --> 00:35:57,750
It's like four people are one.
745
00:35:57,830 --> 00:36:01,200
In other words, if something...
If something goes wrong,
746
00:36:01,290 --> 00:36:02,790
hopefully,
instead of getting uptight,
747
00:36:02,870 --> 00:36:05,080
we'll just remember
that time in Omaha
748
00:36:05,160 --> 00:36:06,750
or that time in Lodi.
749
00:36:06,830 --> 00:36:08,870
You just remember
all the little funny things
750
00:36:08,950 --> 00:36:10,500
that have happened in 11 years.
751
00:36:24,950 --> 00:36:27,080
Seven thirty seven
Comin' out of the sky
752
00:36:27,160 --> 00:36:29,910
Oh, won't you take me down
To Memphis on a midnight ride
753
00:36:30,000 --> 00:36:31,660
I want to move
754
00:36:31,750 --> 00:36:34,290
Playin' in a travelin' band
755
00:36:34,370 --> 00:36:37,160
Yeah, and I'm flyin'
'Cross the land
756
00:36:37,250 --> 00:36:38,660
Tryin' to get a hand
757
00:36:38,750 --> 00:36:41,580
Playin' in a travelin' band
758
00:36:41,660 --> 00:36:44,410
Get me to the hotel
Baggage gone, oh well
759
00:36:44,500 --> 00:36:46,870
Come on, come on
Won't you get me to my room
760
00:36:46,950 --> 00:36:48,620
I want to move
761
00:36:48,700 --> 00:36:51,120
Playin' in a travelin' band
762
00:36:51,200 --> 00:36:52,500
Yeah
763
00:36:52,580 --> 00:36:54,160
Well, I'm flyin'
'Cross the land
764
00:36:54,250 --> 00:36:55,660
Tryin' to get a hand
765
00:36:55,750 --> 00:36:58,700
Playin' in a travelin' band
766
00:36:58,790 --> 00:37:01,660
Listen to the radio
Talkin' 'bout the last show
767
00:37:01,750 --> 00:37:04,080
Someone got excited
Had to call the state militia
768
00:37:04,160 --> 00:37:05,580
Want to move
769
00:37:05,660 --> 00:37:07,500
Playin' in a travelin' band
770
00:37:07,580 --> 00:37:09,250
Yeah
771
00:37:09,330 --> 00:37:11,000
And I'm flyin'
'Cross the land
772
00:37:11,080 --> 00:37:12,250
Tryin' to get a hand
773
00:37:12,330 --> 00:37:15,370
Playin' in a travelin' band
774
00:37:26,870 --> 00:37:29,290
Here we come again
On a Saturday night
775
00:37:29,370 --> 00:37:30,910
With your fussin'
And your fightin'
776
00:37:31,000 --> 00:37:33,450
Won't you get me to the rhyme
I want to move
777
00:37:33,540 --> 00:37:36,200
Playin' in a travelin' band
778
00:37:36,290 --> 00:37:37,620
Yeah
779
00:37:37,700 --> 00:37:39,290
Well, I'm flyin'
'Cross the land
780
00:37:39,370 --> 00:37:40,790
Tryin' to get a hand
781
00:37:40,870 --> 00:37:42,500
Playin' in a travelin' band
782
00:37:42,580 --> 00:37:44,580
Woo!
783
00:37:54,790 --> 00:37:57,410
Playin' in a travelin' band
784
00:37:57,500 --> 00:38:00,580
Playin' in a travelin' band
785
00:38:00,660 --> 00:38:02,790
Won't you give myself
A hand?
786
00:38:02,870 --> 00:38:05,200
I'm playin'
In a travelin' band
787
00:38:05,290 --> 00:38:07,620
Well, I'm flyin'
'Cross the land
788
00:38:07,700 --> 00:38:08,870
Tryin' to get a hand
789
00:38:08,950 --> 00:38:10,450
Playin' in a travelin' band
790
00:38:10,540 --> 00:38:11,950
Oh, now
791
00:38:44,330 --> 00:38:48,290
When I was just a little boy
792
00:38:48,370 --> 00:38:51,290
Standin' to my daddy's knee
793
00:38:52,790 --> 00:38:56,410
My papa said, son,
Don't let the man get you
794
00:38:56,500 --> 00:38:58,700
And do what he done to me
795
00:39:00,040 --> 00:39:01,580
'Cause he'll get you, Lord
796
00:39:04,040 --> 00:39:08,620
Get right now, now
797
00:39:08,700 --> 00:39:12,700
Well, I can remember
The Fourth of July
798
00:39:12,790 --> 00:39:15,500
Runnin' through
The back wood bay
799
00:39:16,830 --> 00:39:19,950
And I can still hear
My old hound dog
800
00:39:20,040 --> 00:39:23,540
Barkin' chasin' down
A hoodoo there
801
00:39:25,160 --> 00:39:28,040
Chasin' down a hoodoo there
802
00:39:30,080 --> 00:39:32,910
Born on the bayou
803
00:39:34,250 --> 00:39:36,500
Born on the bayou
804
00:39:36,580 --> 00:39:38,040
All right, yeah
805
00:39:38,120 --> 00:39:41,540
Born on the bayou, do it, do it
806
00:40:52,290 --> 00:40:56,290
I wish I were back
On the bayou
807
00:40:56,370 --> 00:41:00,750
Rollin' with some
Cajun Queen
808
00:41:00,830 --> 00:41:03,950
Wish I were
A fast freight train
809
00:41:04,040 --> 00:41:07,660
A-just a-choogling on
Down to New Orleans
810
00:41:09,410 --> 00:41:11,870
Born on the bayou
811
00:41:13,330 --> 00:41:15,790
Born on the bayou
812
00:41:15,870 --> 00:41:17,330
All right, yeah
813
00:41:17,410 --> 00:41:19,200
Born on the bayou
814
00:41:19,290 --> 00:41:20,660
Do it, do it
815
00:42:20,540 --> 00:42:24,370
I can remember
The Fourth of July
816
00:42:24,450 --> 00:42:28,330
Runnin' through
The back wood bay
817
00:42:28,410 --> 00:42:32,250
And I can still hear
My old hound dog barkin'
818
00:42:32,330 --> 00:42:36,200
Chasin' down a hoodoo there
819
00:42:36,290 --> 00:42:39,540
Chasin' down a hoodoo there
820
00:42:41,250 --> 00:42:43,750
Born on the bayou
821
00:42:45,200 --> 00:42:47,660
Born on the bayou
822
00:42:47,750 --> 00:42:49,120
All right, yeah
823
00:42:49,200 --> 00:42:51,000
Born on the bayou
824
00:42:51,080 --> 00:42:53,410
Do it, do it, do it, do it
825
00:43:21,120 --> 00:43:22,370
Thank you.
826
00:43:24,660 --> 00:43:26,540
Yeah. All right.
827
00:43:44,500 --> 00:43:46,410
Well
828
00:43:46,500 --> 00:43:49,870
Take me back down
Where cool water flows, y'all
829
00:43:53,080 --> 00:43:56,410
Oh, let me remember
The things I love
830
00:43:59,580 --> 00:44:03,120
Stoppin' at the log
Where catfish bite
831
00:44:03,200 --> 00:44:06,750
Walkin' along
The river road at night
832
00:44:06,830 --> 00:44:10,700
Barefoot girls dancin'
In the moonlight
833
00:44:13,160 --> 00:44:16,540
I can hear
The bullfrog callin' me
834
00:44:19,950 --> 00:44:23,620
Wonder if my rope's
Still hangin' to the tree
835
00:44:26,750 --> 00:44:30,290
Love to kick my feet
Way down the shallow water
836
00:44:30,370 --> 00:44:33,620
Shoo fly, dragon fly
Get back to your mother
837
00:44:33,700 --> 00:44:38,290
Pick up a flat rock,
Skip it across Green River
838
00:44:40,540 --> 00:44:42,160
Well…
839
00:45:03,950 --> 00:45:07,580
Up at Cody's camp
I spent my days, Lord
840
00:45:10,500 --> 00:45:13,700
With flat car riders
And cross-tie walkers
841
00:45:17,200 --> 00:45:20,580
Old Cody Junior took me over
842
00:45:20,660 --> 00:45:23,910
Said you're gonna find
The world is smoldering
843
00:45:24,000 --> 00:45:28,370
And if you get lost,
Come on home to Green River
844
00:45:30,790 --> 00:45:33,370
Well…
845
00:46:23,870 --> 00:46:25,410
Thank you.
846
00:46:44,080 --> 00:46:47,620
Tombstone shadow
847
00:46:47,700 --> 00:46:50,750
Stretchin' across my path
848
00:46:52,580 --> 00:46:55,750
Tombstone shadow
849
00:46:58,450 --> 00:47:01,330
Stretchin' across my path
850
00:47:01,410 --> 00:47:04,410
Ev'ry time I get
Some good news
851
00:47:04,500 --> 00:47:06,790
Ooh, there's a shadow
On my back
852
00:47:10,160 --> 00:47:13,120
Saw the gypsy man
853
00:47:13,200 --> 00:47:15,790
'Way down in San Berdoo
854
00:47:18,370 --> 00:47:21,040
Said, I saw the gypsy man
855
00:47:23,660 --> 00:47:26,620
'Way down in San Berdoo
856
00:47:26,700 --> 00:47:29,450
Five dollars on the table
857
00:47:29,540 --> 00:47:32,410
Ooh, keep me 'way
From my tomb
858
00:48:00,040 --> 00:48:02,660
Said I got thirteen months of bad luck
859
00:48:02,750 --> 00:48:04,620
Bound to be some pain
860
00:48:04,700 --> 00:48:06,580
Don't you do no trav'lin'
861
00:48:06,660 --> 00:48:08,080
Fly in no machines
862
00:48:08,160 --> 00:48:11,540
Tombstone shadow
863
00:48:11,620 --> 00:48:14,580
Stretchin' across my path
864
00:48:16,830 --> 00:48:19,500
Ev'ry time I get
Some good news
865
00:48:19,580 --> 00:48:22,660
Ooh, here come shadow
On my back
866
00:48:50,000 --> 00:48:52,950
The man gave me a luck charm
867
00:48:53,040 --> 00:48:55,660
Cost five dollars more, Lord
868
00:48:58,160 --> 00:49:01,410
Said, put some
On your pillow
869
00:49:01,500 --> 00:49:04,080
And put some on your door
870
00:49:06,500 --> 00:49:09,200
He said, take a long vacation
871
00:49:09,290 --> 00:49:12,080
Ooh, for 13 months or more
872
00:49:14,540 --> 00:49:17,830
Tombstone shadow
873
00:49:17,910 --> 00:49:20,830
Stretchin' across my path
874
00:49:22,580 --> 00:49:25,540
Tombstone shadow
875
00:49:28,040 --> 00:49:30,910
Stretchin' across my path
876
00:49:31,000 --> 00:49:33,830
Ev'ry time I get
Some good news
877
00:49:33,910 --> 00:49:36,790
Ooh, here come a shadow
On my back
878
00:50:08,160 --> 00:50:09,790
Thank you.
879
00:50:19,410 --> 00:50:21,000
Thank you.
880
00:51:28,580 --> 00:51:31,870
Some folks are born
Made to wave the flag
881
00:51:31,950 --> 00:51:35,080
Hoo, they're red, white and blue
882
00:51:35,160 --> 00:51:38,410
And when the band plays
Hail to the chief
883
00:51:38,500 --> 00:51:41,660
Ooh they point
The cannon at you, Lord
884
00:51:41,750 --> 00:51:44,790
It ain't me, it ain't me
885
00:51:44,870 --> 00:51:48,330
I ain't no senator's son
886
00:51:48,410 --> 00:51:51,330
It ain't me, it ain't me
887
00:51:51,410 --> 00:51:54,370
I ain't no fortunate one
888
00:51:54,450 --> 00:51:57,750
Some folks are born
Silver spoon in hand
889
00:51:57,830 --> 00:52:00,950
Lord, don't
They help themselves?
890
00:52:01,330 --> 00:52:04,330
But when the taxman
Come to the door
891
00:52:04,410 --> 00:52:07,660
Lord the house lookin'
Like a rummage sale
892
00:52:07,750 --> 00:52:10,750
It ain't me, it ain't me
893
00:52:10,830 --> 00:52:14,080
I ain't no millionaire's son
894
00:52:14,160 --> 00:52:17,200
It ain't me, it ain't me
895
00:52:17,290 --> 00:52:20,000
I ain't no fortunate one
896
00:52:32,870 --> 00:52:36,620
Yeah, some folks
Inherit star-spangled eyes
897
00:52:36,700 --> 00:52:39,950
Hoo, they send you down
To war
898
00:52:40,040 --> 00:52:43,120
And when you ask 'em,
How much should we give?
899
00:52:43,200 --> 00:52:46,450
Hoo, they only answer,
More, more, more
900
00:52:46,540 --> 00:52:49,580
It ain't me, it ain't me
901
00:52:49,660 --> 00:52:52,830
I ain't no military son
902
00:52:52,910 --> 00:52:55,830
It ain't me, it ain't me
903
00:52:55,910 --> 00:52:58,950
I ain't no
Fortunate one, one
904
00:52:59,040 --> 00:53:02,200
It ain't me, it ain't me
905
00:53:02,290 --> 00:53:05,500
I ain't no senator's son, no
906
00:53:05,580 --> 00:53:08,370
It ain't me, it ain't me
907
00:53:08,450 --> 00:53:11,370
I ain't no fortunate one, one, one, no
908
00:53:11,450 --> 00:53:14,700
It ain't me, it ain't me
909
00:53:14,790 --> 00:53:18,120
I ain't no
Fortunate son, son, no
910
00:53:18,200 --> 00:53:21,040
It ain't me, it ain't me
911
00:53:21,120 --> 00:53:24,370
I ain't no fortunate one
912
00:53:44,000 --> 00:53:47,410
Traffic in the city
Turns my head around
913
00:53:47,500 --> 00:53:51,200
No, no, no, no, no
914
00:53:51,290 --> 00:53:54,700
Backed up on the freeway,
Backed up in the church
915
00:53:54,790 --> 00:53:57,750
Ev'rywhere you look
There's a frown, frown
916
00:53:57,830 --> 00:53:59,620
Com, commotion
917
00:53:59,700 --> 00:54:01,250
Git, git, git, gone
918
00:54:01,330 --> 00:54:03,120
Com, commotion
919
00:54:03,200 --> 00:54:05,370
Git, git, git, gone
920
00:54:13,000 --> 00:54:16,250
People keep a-talkin'
They don't say a word
921
00:54:16,330 --> 00:54:19,950
Jaw, jaw, jaw, jaw, jaw
922
00:54:20,040 --> 00:54:23,450
Talk up in the White House
Talk up to your door
923
00:54:23,540 --> 00:54:26,290
So much goin' on
I just can't hear
924
00:54:26,370 --> 00:54:28,040
Com, commotion
925
00:54:28,120 --> 00:54:29,830
Git, git, git, gone
926
00:54:29,910 --> 00:54:31,620
Com, commotion
927
00:54:31,700 --> 00:54:33,580
Git, git, git, gone
928
00:54:53,620 --> 00:54:56,830
Hurryin' to get there
So you save some time
929
00:54:56,910 --> 00:55:00,450
Run, run, run, run, run
930
00:55:00,540 --> 00:55:03,830
Rushin' to the treadmill
Rushin' to get home
931
00:55:03,910 --> 00:55:06,790
Worry 'bout the time
You save, save
932
00:55:06,870 --> 00:55:08,450
Com, commotion
933
00:55:08,540 --> 00:55:10,290
Git, git, git, gone
934
00:55:10,370 --> 00:55:12,120
Com, commotion
935
00:55:12,200 --> 00:55:13,870
Git, git, git, gone
936
00:55:13,950 --> 00:55:15,620
Com, commotion
937
00:55:15,700 --> 00:55:18,000
Git, git, git, gone
938
00:55:59,750 --> 00:56:01,290
Thank you.
939
00:56:03,330 --> 00:56:05,080
Thank you very much.
940
00:56:32,620 --> 00:56:36,580
Well, you wake up
In the mornin'
941
00:56:39,500 --> 00:56:42,790
You hear the work bell ring
942
00:56:44,540 --> 00:56:47,330
And they march you
To the table
943
00:56:49,000 --> 00:56:52,450
You see the same old thing
944
00:56:53,830 --> 00:56:57,910
Ain't no food upon the table
945
00:56:58,000 --> 00:57:00,790
And no pork up in the pan
946
00:57:02,790 --> 00:57:07,790
But you better
Not complain, boy
947
00:57:07,870 --> 00:57:10,750
You get in trouble
With the man
948
00:57:15,200 --> 00:57:18,830
Let the Midnight Special
949
00:57:18,910 --> 00:57:21,120
Shine a light on me
950
00:57:22,830 --> 00:57:26,450
Let the Midnight Special
951
00:57:26,540 --> 00:57:29,000
Shine a light on me
952
00:57:29,080 --> 00:57:30,410
All right.
953
00:57:30,500 --> 00:57:34,120
Let the Midnight Special
954
00:57:34,200 --> 00:57:36,330
Shine a light on me
955
00:57:38,080 --> 00:57:41,450
Let the Midnight Special
956
00:57:41,540 --> 00:57:45,660
Shine an ever-lovin'
Light on me
957
00:57:45,750 --> 00:57:49,250
Yonder come Miss Rosie
958
00:57:49,330 --> 00:57:51,910
How in the world
Did you know?
959
00:57:53,450 --> 00:57:56,830
By the way she wears
Her apron
960
00:57:56,910 --> 00:58:00,870
And the clothes she wore, no
961
00:58:00,950 --> 00:58:04,830
Umbrella on her shoulder
962
00:58:04,910 --> 00:58:07,580
Piece of paper in her hand
963
00:58:08,910 --> 00:58:12,000
She come to see the gov'nor
964
00:58:12,080 --> 00:58:15,120
She want to free her man, oh
965
00:58:16,290 --> 00:58:19,870
Let the Midnight Special
966
00:58:19,950 --> 00:58:23,660
Shine a light on me
967
00:58:23,750 --> 00:58:27,330
Let the Midnight Special
968
00:58:27,410 --> 00:58:31,160
Shine a light on me
969
00:58:31,250 --> 00:58:34,910
Let the Midnight Special
970
00:58:35,000 --> 00:58:38,700
Shine a light on me
971
00:58:38,790 --> 00:58:42,750
Let the Midnight Special
972
00:58:42,830 --> 00:58:46,080
Shine an ever-lovin'
Light on me
973
00:58:46,160 --> 00:58:49,950
If you're ever in Houston
974
00:58:50,040 --> 00:58:52,410
Well, you better do it right
975
00:58:54,370 --> 00:58:57,500
You better not gamble
976
00:58:57,580 --> 00:59:01,330
And you better
Not fight, Lord
977
00:59:01,410 --> 00:59:05,080
Or the sheriff will grab ya
978
00:59:05,160 --> 00:59:07,870
And the boys
Will bring you down
979
00:59:09,330 --> 00:59:12,620
The next thing you know, boy
980
00:59:12,700 --> 00:59:16,620
Whoa, you're prison bound
981
00:59:16,700 --> 00:59:20,290
Let the Midnight Special
982
00:59:20,370 --> 00:59:22,700
Shine a light on me
983
00:59:24,250 --> 00:59:27,950
Let the Midnight Special
984
00:59:28,040 --> 00:59:31,620
Shine a light on me
985
00:59:31,700 --> 00:59:35,370
Let the Midnight Special
986
00:59:35,450 --> 00:59:37,700
Shine a light on me
987
00:59:37,790 --> 00:59:39,290
All right, Lord!
988
00:59:39,370 --> 00:59:43,040
Let the Midnight Special
989
00:59:43,120 --> 00:59:47,160
Shine an ever-lovin' light
990
00:59:47,250 --> 00:59:51,040
On me
991
01:00:12,040 --> 01:00:17,120
I see the bad moon a-risin'
992
01:00:17,200 --> 01:00:20,700
I see trouble on the way
993
01:00:22,330 --> 01:00:25,830
I see earthquakes
And lightnin'
994
01:00:27,290 --> 01:00:30,540
I see bad times today
995
01:00:32,200 --> 01:00:34,330
Don't go around tonight
996
01:00:34,410 --> 01:00:37,120
Well it's bound
To take your life
997
01:00:37,200 --> 01:00:41,080
There's a bad moon
On the rise
998
01:00:42,450 --> 01:00:46,040
I hear hurricanes a-blowin'
999
01:00:47,410 --> 01:00:50,830
I know the end
Is comin' soon
1000
01:00:52,620 --> 01:00:57,580
I fear rivers over flowin'
1001
01:00:57,660 --> 01:01:01,000
I hear the voice
Of rage and ruin
1002
01:01:02,410 --> 01:01:04,410
Don't go around tonight
1003
01:01:04,500 --> 01:01:07,370
Well it's bound
To take your life
1004
01:01:07,450 --> 01:01:10,790
There's a bad moon
On the rise
1005
01:01:32,450 --> 01:01:35,830
Hope you got
Your things together
1006
01:01:37,620 --> 01:01:40,660
Hope you are
Quite prepared to die
1007
01:01:42,290 --> 01:01:45,790
Looks like we're in for nasty weather
1008
01:01:47,700 --> 01:01:50,500
One eye is taken for an eye
1009
01:01:51,870 --> 01:01:54,500
Well don't go around tonight
1010
01:01:54,580 --> 01:01:57,330
Well it's bound
To take your life
1011
01:01:57,410 --> 01:02:00,660
There's a bad moon
On the rise
1012
01:02:02,500 --> 01:02:04,620
Don't come around tonight
1013
01:02:04,700 --> 01:02:07,540
Well it's bound
To take your life
1014
01:02:07,620 --> 01:02:11,000
There's a bad moon
On the rise
1015
01:02:18,000 --> 01:02:20,660
- Thank you very much.
- Thank you.
1016
01:02:37,580 --> 01:02:41,250
Left a good job in the city
1017
01:02:41,330 --> 01:02:45,200
Workin' for the man
Ev'ry night and day
1018
01:02:45,290 --> 01:02:49,000
And I never lost
One minute of sleepin'
1019
01:02:49,080 --> 01:02:52,910
Worryin' 'bout the way
Things might have been
1020
01:02:53,000 --> 01:02:56,500
Big wheel keep on turnin'
1021
01:02:56,580 --> 01:03:00,250
Proud Mary keep on burnin'
1022
01:03:00,330 --> 01:03:03,910
Rollin', rollin'
1023
01:03:04,040 --> 01:03:06,500
Rollin' on the river
1024
01:03:08,160 --> 01:03:11,620
Cleaned a lot of plates
In Memphis
1025
01:03:11,700 --> 01:03:15,660
Pumped a lot of 'pane
Down in New Orleans
1026
01:03:15,750 --> 01:03:19,750
But I never saw
The good side of the city
1027
01:03:19,830 --> 01:03:23,160
'Til I hitched a ride
On a river boat queen
1028
01:03:23,250 --> 01:03:26,660
Big wheel keep on turnin'
1029
01:03:26,750 --> 01:03:29,500
Proud Mary keep on burnin'
1030
01:03:30,660 --> 01:03:32,290
Rollin', yeah
1031
01:03:32,370 --> 01:03:34,200
Rollin', all right
1032
01:03:34,290 --> 01:03:36,620
Rollin' on the river
1033
01:04:11,750 --> 01:04:13,620
Rollin'
1034
01:04:13,700 --> 01:04:15,370
Rollin', yeah
1035
01:04:15,450 --> 01:04:17,620
Rollin' on the river
1036
01:04:30,830 --> 01:04:33,660
If you come down
To the river
1037
01:04:33,750 --> 01:04:38,160
Bet you gonna find
Some people who live
1038
01:04:38,250 --> 01:04:42,000
You don't have to worry
'Cause you have no money
1039
01:04:42,080 --> 01:04:45,580
People on the river
Are happy to give
1040
01:04:45,660 --> 01:04:49,120
Big wheel keep on turnin'
1041
01:04:49,200 --> 01:04:52,870
Proud Mary keep on burnin'
1042
01:04:52,950 --> 01:04:54,870
Rollin', yeah
1043
01:04:54,950 --> 01:04:56,700
Rollin', oh
1044
01:04:56,790 --> 01:04:59,160
Rollin' on the river
1045
01:05:00,620 --> 01:05:02,250
Rollin'
1046
01:05:02,330 --> 01:05:04,250
Rollin', yeah
1047
01:05:04,330 --> 01:05:06,660
Rollin' on the river
1048
01:05:08,000 --> 01:05:09,700
Rollin', oh
1049
01:05:09,790 --> 01:05:11,750
Rollin', yeah
1050
01:05:11,830 --> 01:05:14,250
Rollin' on the river
1051
01:06:41,660 --> 01:06:44,330
You know the night time
1052
01:06:44,410 --> 01:06:47,000
Oh, is the right time
1053
01:06:48,660 --> 01:06:50,910
To be
1054
01:06:51,000 --> 01:06:53,000
With the one you love
1055
01:06:54,580 --> 01:06:57,620
I said the night time
1056
01:06:57,700 --> 01:07:01,830
Ooh, is the right time
1057
01:07:01,910 --> 01:07:03,700
To be
1058
01:07:03,790 --> 01:07:06,000
With the one you love
1059
01:07:08,080 --> 01:07:10,700
I said the night time, baby
1060
01:07:10,790 --> 01:07:13,450
Yeah, is the right time
1061
01:07:13,540 --> 01:07:15,910
To be with the one you love
1062
01:07:20,950 --> 01:07:23,500
Baby
1063
01:07:23,580 --> 01:07:25,870
I said a baby
1064
01:07:27,700 --> 01:07:30,250
Baby
1065
01:07:30,330 --> 01:07:32,830
Come on
And drive me crazy, Lord
1066
01:07:34,120 --> 01:07:36,790
You know I love you
1067
01:07:36,870 --> 01:07:39,950
Always thinkin' of you
1068
01:07:40,040 --> 01:07:42,450
Hey, baby
1069
01:07:43,450 --> 01:07:45,700
Oh, I said a baby, oh
1070
01:07:47,500 --> 01:07:49,910
I said the night time
1071
01:07:50,000 --> 01:07:53,160
Is the right time
1072
01:07:53,250 --> 01:07:56,450
To be with the one you love
1073
01:07:56,540 --> 01:07:58,080
All I can say
1074
01:08:39,870 --> 01:08:42,580
I said the night time
1075
01:08:42,660 --> 01:08:44,830
Oh, is the right time
1076
01:08:47,080 --> 01:08:49,290
To be
1077
01:08:49,370 --> 01:08:51,370
With the one you love
1078
01:08:53,040 --> 01:08:54,830
I said the night time
1079
01:08:56,080 --> 01:08:58,370
Ooh, is the right time
1080
01:09:00,330 --> 01:09:02,500
To be
1081
01:09:02,580 --> 01:09:04,580
With the one you love
1082
01:09:06,580 --> 01:09:08,370
I said the night time, baby
1083
01:09:09,830 --> 01:09:12,370
Oh, is the right time
1084
01:09:12,450 --> 01:09:14,620
To be with the one you love
1085
01:10:26,750 --> 01:10:28,910
Good golly, Miss Molly
1086
01:10:30,200 --> 01:10:31,750
Sure like a ball
1087
01:10:32,950 --> 01:10:35,000
Good golly, Miss Molly
1088
01:10:36,330 --> 01:10:37,700
Sure like a ball
1089
01:10:39,040 --> 01:10:41,080
When you're
Rockin' 'n' rollin'
1090
01:10:42,250 --> 01:10:44,200
Can't hear your momma call
1091
01:10:45,950 --> 01:10:47,500
From the early Early mornin'
1092
01:10:47,580 --> 01:10:48,870
'Til the early, early night
1093
01:10:48,950 --> 01:10:50,370
You can see
Miss Molly rockin'
1094
01:10:50,450 --> 01:10:51,830
At the house of blue lights
1095
01:10:51,910 --> 01:10:53,830
Ah, good golly, Miss Molly
1096
01:10:55,080 --> 01:10:56,500
Sure like a ball
1097
01:10:57,790 --> 01:10:59,660
When you're
Rockin' 'n' rollin'
1098
01:11:00,950 --> 01:11:02,830
Can't hear your momma call
1099
01:11:04,290 --> 01:11:06,040
Say, momma, poppa told me
1100
01:11:06,120 --> 01:11:07,580
Son, you better
Watch your step
1101
01:11:07,660 --> 01:11:09,080
If I knew my momma, poppa
1102
01:11:09,160 --> 01:11:10,540
Have to watch my pop myself
1103
01:11:10,620 --> 01:11:12,410
Ah, good golly, Miss Molly
1104
01:11:13,700 --> 01:11:15,160
Sure like a ball
1105
01:11:16,370 --> 01:11:18,500
When you're
Rockin' 'n' rollin'
1106
01:11:19,540 --> 01:11:21,120
Can't hear your momma call
1107
01:11:41,830 --> 01:11:44,160
I am goin' to the corner
Gonna buy a diamond ring
1108
01:11:44,250 --> 01:11:45,620
Would you pardon me
A kissin'
1109
01:11:45,700 --> 01:11:47,080
'N' a ting-a-ling-a-ling?
1110
01:11:47,160 --> 01:11:49,040
Oh, good golly, Miss Molly
1111
01:11:50,370 --> 01:11:51,830
Sure like a ball
1112
01:11:53,160 --> 01:11:56,160
When you're
Rockin' 'n' rollin'
1113
01:11:56,250 --> 01:11:58,290
Can't hear your momma call
1114
01:11:58,370 --> 01:11:59,830
A a a ah
1115
01:12:17,410 --> 01:12:19,450
Good golly, Miss Molly
1116
01:12:20,540 --> 01:12:21,830
Sure like a ball
1117
01:12:23,200 --> 01:12:25,410
Good golly, Miss Molly
1118
01:12:26,620 --> 01:12:28,370
Sure like a ball
1119
01:12:29,330 --> 01:12:32,200
When you're
Rockin' 'n' rollin'
1120
01:12:32,290 --> 01:12:34,120
Can't hear your momma call
1121
01:12:41,950 --> 01:12:43,120
Thank you.
1122
01:13:15,620 --> 01:13:18,200
This will be our last song,
1123
01:13:18,290 --> 01:13:20,790
but we hope you all join in
and listen.
1124
01:13:22,120 --> 01:13:23,870
Help us keep something going.
1125
01:13:23,950 --> 01:13:25,870
In advance, we wanna say
1126
01:13:25,950 --> 01:13:28,040
thank you very much
for having us here in London.
1127
01:13:28,120 --> 01:13:29,540
Here's a song called…
1128
01:13:31,120 --> 01:13:34,290
…"Keep On... "just "Keep On..."
"Keep On Chooglin'."
1129
01:13:58,330 --> 01:14:00,910
Keep on chooglin'
1130
01:14:01,000 --> 01:14:03,500
Keep on chooglin'
1131
01:14:03,580 --> 01:14:05,450
Keep on chooglin'
1132
01:14:05,540 --> 01:14:07,250
Chooglin'
1133
01:14:07,330 --> 01:14:09,450
Chooglin', chooglin'
Chooglin'
1134
01:14:12,750 --> 01:14:15,370
Maybe you don't
Understand it
1135
01:14:15,450 --> 01:14:17,950
But if you're a natural man
1136
01:14:18,040 --> 01:14:20,910
You got to ball
And have a good time
1137
01:14:21,000 --> 01:14:24,120
And that's
What I call chooglin'
1138
01:14:26,580 --> 01:14:29,160
Here comes Mary
Lookin' for Harry
1139
01:14:29,250 --> 01:14:31,120
She gonna choogle tonight
1140
01:14:32,250 --> 01:14:34,870
Here comes Louie
Works in the sewer, Lord
1141
01:14:34,950 --> 01:14:36,540
He gonna choogle tonight
1142
01:14:38,160 --> 01:14:39,870
Keep on chooglin'
1143
01:14:41,000 --> 01:14:42,620
Keep on chooglin'
1144
01:14:43,790 --> 01:14:45,370
Keep on chooglin'
1145
01:14:45,450 --> 01:14:47,160
Chooglin'
1146
01:14:47,250 --> 01:14:49,250
Chooglin', chooglin'
Chooglin'
1147
01:19:37,700 --> 01:19:40,160
Keep on chooglin'
1148
01:19:40,250 --> 01:19:42,910
Keep on chooglin'
1149
01:19:43,000 --> 01:19:46,160
Keep on chooglin'
Chooglin'
1150
01:19:46,250 --> 01:19:48,290
Chooglin'
Chooglin', chooglin'
1151
01:19:51,290 --> 01:19:54,040
If you can choose it
Who can refuse it
1152
01:19:54,120 --> 01:19:56,410
Y'all be chooglin' tonight
1153
01:19:56,500 --> 01:19:59,200
Go on, take your pick
Right from the git go
1154
01:19:59,290 --> 01:20:01,080
You gotta choogle tonight
1155
01:20:02,500 --> 01:20:04,910
Keep on chooglin'
1156
01:20:05,000 --> 01:20:07,660
Keep on chooglin'
1157
01:20:07,750 --> 01:20:10,620
Keep on chooglin'
Chooglin'
1158
01:20:10,700 --> 01:20:13,450
Chooglin'
Chooglin', chooglin'
1159
01:20:13,540 --> 01:20:15,950
Chooglin', chooglin'
1160
01:20:16,040 --> 01:20:19,160
Chooglin', chooglin'
Chooglin', chooglin'
1161
01:21:36,160 --> 01:21:38,700
Good night, y'all. We love you.
1162
01:21:57,790 --> 01:22:00,950
Creedence received
a 15-minute standing ovation,
1163
01:22:01,040 --> 01:22:03,200
clearly winning over
the London audience
1164
01:22:03,290 --> 01:22:05,200
and solidifying this performance
1165
01:22:05,290 --> 01:22:07,830
is a major highlight
of their career.
1166
01:22:11,160 --> 01:22:14,750
Later that year, their fifth album,
Cosmo's Factory,
1167
01:22:14,830 --> 01:22:17,160
topped the charts
around the world,
1168
01:22:17,250 --> 01:22:19,700
including the US and UK.
1169
01:22:21,000 --> 01:22:23,790
Creedence could then
rightfully lay claim to being
1170
01:22:23,870 --> 01:22:26,160
the biggest band in the world.
1171
01:22:46,660 --> 01:22:48,870
Just got home from Illinois
1172
01:22:48,950 --> 01:22:51,040
Lock the front door, oh boy!
1173
01:22:51,120 --> 01:22:55,660
Got to sit down
Take a rest on the porch
1174
01:22:55,750 --> 01:22:57,910
Imagination sets in
1175
01:22:58,000 --> 01:23:00,250
Pretty soon I'm singin'
1176
01:23:00,330 --> 01:23:04,330
Doo, doo, doo
Lookin' out my back door
1177
01:23:04,410 --> 01:23:07,080
There's a giant
Doin' cartwheels
1178
01:23:07,160 --> 01:23:09,410
A statue wearin' high heels
1179
01:23:09,500 --> 01:23:14,080
Look at all the happy
Creatures dancin' on the lawn
1180
01:23:14,160 --> 01:23:16,370
Dinosaur Victrola
1181
01:23:16,450 --> 01:23:18,660
Listenin' to Buck Owens
1182
01:23:18,750 --> 01:23:23,160
Doo, doo, doo
Lookin' out my back door
1183
01:23:23,250 --> 01:23:27,370
Tambourines and elephants
Are playin' in the band
1184
01:23:27,450 --> 01:23:31,200
Won't you take a ride
On the flyin' spoon?
1185
01:23:31,290 --> 01:23:32,540
Dood-n-doo-doo
1186
01:23:32,620 --> 01:23:34,250
Wondrous apparition
1187
01:23:34,330 --> 01:23:36,830
Provided by magician
1188
01:23:36,910 --> 01:23:40,950
Doo, doo, doo
Lookin' out my back door
1189
01:23:59,700 --> 01:24:01,790
Tambourines and elephants
1190
01:24:01,870 --> 01:24:03,950
Are playin' in the band
1191
01:24:04,040 --> 01:24:07,660
Won't you take a ride
On the flyin' spoon?
1192
01:24:07,750 --> 01:24:08,950
Dood-n-doo-doo
1193
01:24:09,040 --> 01:24:10,830
Bother me tomorrow
1194
01:24:10,910 --> 01:24:13,450
Today I'll buy no sorrows
1195
01:24:13,540 --> 01:24:17,950
Doo, doo, doo
Lookin' out my back door
1196
01:24:31,620 --> 01:24:33,830
Forward troubles Illinois
1197
01:24:33,910 --> 01:24:36,120
Lock the front door, oh boy!
1198
01:24:36,200 --> 01:24:40,870
Look at all the happy
Creatures dancin' on the lawn
1199
01:24:40,950 --> 01:24:43,450
Bother me tomorrow
1200
01:24:43,540 --> 01:24:46,830
Today I'll buy no sorrows
1201
01:24:46,910 --> 01:24:52,450
Doo, doo, doo
Lookin' out my back door
1202
01:25:13,450 --> 01:25:17,370
Long as I remember
1203
01:25:17,450 --> 01:25:21,200
The rain been comin' down
1204
01:25:21,290 --> 01:25:25,120
Clouds of mystery pourin'
1205
01:25:25,200 --> 01:25:29,040
Confusion on the ground
1206
01:25:29,120 --> 01:25:32,830
Good men through the ages
1207
01:25:32,910 --> 01:25:36,580
Tryin' to find the sun
1208
01:25:36,660 --> 01:25:38,580
And I wonder
1209
01:25:38,660 --> 01:25:43,540
Still I wonder
Who'll stop the rain?
1210
01:25:46,370 --> 01:25:49,700
I went down Virginia
1211
01:25:49,790 --> 01:25:54,120
Seekin' shelter
From the storm
1212
01:25:54,200 --> 01:25:58,000
Caught up in the fable
1213
01:25:58,080 --> 01:26:00,580
I watched the tower grow… 93613
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.