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ah haha
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music
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oh that's crazy
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dang man oh that was okay
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i'm sorry i need all that again that was just too good
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we're gonna count to three
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and we're gonna get right on into this reaction
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of a leap doing his rendition of hotel california
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all right so we gotta count to three
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one two come on
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a leap guitar master
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we know this
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i've seen a couple of his tunes
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totally a fan already
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now someone had requested hotel california
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that's an obvious yes for me because growing up
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that was the song that introduced me to the eagles
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you know in high school
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that was the one we just put on repeat
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and just sit around and listen to
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so i'm excited to see his arrangement of this let's go
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music
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music
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okay before we go on
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the first part was very recognizable
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from the beginning of the song
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original song
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but then he started the percussion on his guitar
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which is very similar to the original as well
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then after that
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he did a little bit of his own variation of that part
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i think after that
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a lot of fast paced movements
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with his fingers already showing
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so so much fluent movements
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and it is so fast that part
37
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but it's pretty familiar
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because i actually know
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the acoustic version of hotel california
40
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almost better than the commercial version
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on electrical guitar
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music
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is it just me
44
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like he's really into it
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like i love
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i have not seen him as animated as in this one
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i just love his style so much
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the way he puts his own spin and energy into it
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without really changing the song
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and that is just so brilliant
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and not easy to do because it's still totally
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authentically the same song
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but there's something about it where you could just
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like immediately if you'd hear it you'd be like
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this alibata
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you know it's just such a signature sound
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and signature finger style
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it's just absolutely fantastic
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i want to go back to here
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i really love that
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what he's doing with it
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oh
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whoa
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come on andy
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oh
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oh my gosh
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oh
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okay that was wild
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i was not really expecting that
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because we got this whole like tonality of like
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e e minor like e phrygian whatever is going on here
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but then all of a sudden like
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i was getting voodoo but that but deep about
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but do but how about
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we started swinging a little bit
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and it got kind of bluesy for a second
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i was like oh we're
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we're stepping over you know kind of genres here
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this is cool
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i love what he's doing
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let's go back five seconds to keep this going
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music
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music
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man it's like he goes through that note so quickly
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welcome to the hotel california
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he goes very quickly and very swiftly
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through that higher note and back
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like it's just nothing
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i'd notice that
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he's not using a capo
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but i do think that it's in the original key
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it sounds like that but i'm not sure
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i would have to hear the original for that but
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seems so familiar
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i think it is in the original tone i'm not
96
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there's so much soul in that
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do you feel that
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do you hear that
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it's just like oh my god
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he adds a whole
101
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another level to that
102
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and i mean it's the eagles right
103
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like how could you top that
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but for some reason he just adds another layer to this
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with his finger styling and the little
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playing those higher notes
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the way he just rings those notes out
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it's just so beautiful
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so tastefully done
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ali we love you
111
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and again like i said like i really
112
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i have not seen him like throw down like that
113
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so i feel like he's really like
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just digging the song and like
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getting into it where he's like totally in the zone
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which i so love seeing that
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oh my god
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he's good he's good he's really really really good
119
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this was did you see
120
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i got goosebumps when i was playing
121
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no he did an absolutely brilliant job with this and and
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did you hear how nice the song is without vocals
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he was playing the vocals
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he did so so you got the melody as well
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all right so just before we keep going here
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i think one of the things
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that's really important about him is
128
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it's hard to do a cover like this because literally
129
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the whole world knows the song right
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like everybody
131
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for the most part
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maybe you know
133
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maybe not like
134
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today's high school kids
135
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but you know
136
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you know i'm saying like
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everybody knows the song
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so when you cover something that
139
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that's popular
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that is that popular
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you have to
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you have to bring enough of your own style
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to still make it
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you know like
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respectable
146
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and he does that amazingly
147
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because as i'm listening i'm like
148
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i'm shifting between
149
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like oh yes
150
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i can hear some original
151
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like guitar stylings
152
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but then i just hear a whole flow of his style of this
153
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how different it is from the original
154
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so it's like
155
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it's a really good combination of both worlds here
156
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so well done on that back five
157
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that was good
158
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that was good he said
159
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elite yes that was so good
160
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look look you could sing right along with it
161
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you can sing right along with his rendition
162
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that is how fabulous fabulous a leap is guys
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i absolutely enjoyed that
164
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you could definitely move to it
165
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the melody is just on point
166
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the intro was spot
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the intro was fire
168
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the outro was extra fire
169
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that was good
170
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i liked it i absolutely enjoyed that
171
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the man is just so
172
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he's very very good
173
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he's technically but not only that
174
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you see how he bends the tones and everything
175
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he puts a lot of emotion into this
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that's just
177
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oh no this was
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this is probably the best stop on a morning i've had in
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in a few days so
180
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yeah that's such a nice accent to just keep it staccato
181
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almost where you just have a short note
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but you don't let the sound move on
183
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you just stop the sound right away
184
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pom pom pom instead of pom pom pom
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on guitar then all right
186
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oh man and he was great
187
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okay so i just
188
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again i'm just gonna repeat the same thing i said
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a minute ago
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about how important it is when you play a cover of this
191
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like you know when it's this famous
192
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how important is you make it sound your own to
193
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and it just
194
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that happens so much
195
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i think a lipa toss hey
196
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i'm not saying anything that anybody hasn't said before
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everyone knows this
198
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you hear him play your captivated
199
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you know the talent levels there
200
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and you can see that
201
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he's just so on cruise control and like low
202
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just like so chilled out
203
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like there's no stress in him
204
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like it's one take
205
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there's no mistakes
206
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it's just there
207
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it is just there
208
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so those are the kind of musicians that i probably
209
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respect the most in the world
210
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because it's honestly the most difficult
211
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so that's pretty awesome
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thank you for that recommendation
13534
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