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1
00:00:02,310 --> 00:00:05,252
["WON'T SEE ME CRY"
PLAYING]
2
00:00:05,352 --> 00:00:08,695
[BREATHING HEAVILY]
3
00:00:08,795 --> 00:00:11,478
SPENCER, VOICE-OVER:
I BEEN KINDA GOING
THROUGH SOME THINGS.
4
00:00:12,959 --> 00:00:15,921
TRYING TO OUTRUN
MY DEMONS...
5
00:00:17,483 --> 00:00:19,424
HIDE FROM THE TRUTH
OF EVERYTHING
6
00:00:19,524 --> 00:00:20,906
I BEEN FEELING...
7
00:00:21,006 --> 00:00:22,027
STEALTH: ♪ ...BROKEN,
CLOSED OFF
8
00:00:22,127 --> 00:00:27,671
♪ NOT OPEN TO TALK ♪
9
00:00:27,771 --> 00:00:29,993
♪ I'M TIRED AND I'M WASTED ♪
10
00:00:30,093 --> 00:00:33,556
♪ I KNOW YOU HATE THIS
RIGHT NOW ♪
11
00:00:33,656 --> 00:00:36,159
SPENCER, VOICE-OVER:
BUT THE DAY ALWAYS COMES
WHEN YOU HAVE TO FACE IT.
12
00:00:36,259 --> 00:00:39,161
STEALTH: ♪ BUT I'M EMPTY INSIDE,
LOTS OF ROOM ♪
13
00:00:39,261 --> 00:00:41,763
♪ FOR MY PROBLEMS TO HIDE ♪
14
00:00:41,863 --> 00:00:44,005
SPENCER, VOICE-OVER:
NO MATTER HOW UGLY IT GETS...
15
00:00:44,105 --> 00:00:45,567
STEALTH:
♪ YOU WON'T SEE ME CRY ♪
16
00:00:45,667 --> 00:00:48,009
YOU SAID YOU NEED
MORE TIME, AND THAT'S OK,
17
00:00:48,109 --> 00:00:51,712
'CAUSE YOU AND ME, WE GOT
ALL THE TIME IN THE WORLD.
18
00:00:52,993 --> 00:00:55,455
STEALTH: ♪ YOU WON'T
SEE ME CRY ♪
19
00:00:55,555 --> 00:00:58,097
SPENCER, VOICE-OVER:
TODAY IS THAT DAY.
20
00:00:58,197 --> 00:01:00,980
STEALTH: ♪ CRY ♪
21
00:01:01,080 --> 00:01:02,781
GRACE: HA HA HA HA!
DILLON: MM-HMM. MM.
22
00:01:02,881 --> 00:01:04,623
UH, WILL YOU
SLOW DOWN?
23
00:01:04,723 --> 00:01:06,424
STOP ACTING LIKE
YOU STARVING.
24
00:01:06,524 --> 00:01:08,466
HA HA HA HA!
DILLON: OH, SNAP.
IT'S NOT MY FAULT.
25
00:01:08,566 --> 00:01:10,468
THEY DIDN'T FEED ME
ON THE PLANE THIS MORNING.
26
00:01:10,568 --> 00:01:13,430
IT'S ONLY
A HOUR FLIGHT FROM
OAKLAND TO L.A.
27
00:01:13,530 --> 00:01:16,213
GRACE: HA HA HA HA!
CARTER: WHAT YOU TALKING ABOUT?
28
00:01:18,174 --> 00:01:20,516
[SILVERWARE CLINKS]
GOOD MORNING.
29
00:01:20,616 --> 00:01:22,658
SPENCER: GOOD MORNING.
CARTER: GOOD MORNING.
30
00:01:24,980 --> 00:01:28,323
SO, DILLON, WHO'S THIS ARTIST
YOU'RE EXCITED TO SEE?
31
00:01:28,423 --> 00:01:31,245
JAMAL CAMPBELL.
HE DREW THIS COMIC
CALLED "NAOMI."
32
00:01:31,345 --> 00:01:32,847
CARTER: Y'ALL DRIVING OVER
TO MELROSE TO SEE HIM?
33
00:01:32,947 --> 00:01:35,849
YEP. SPENCE IS TAKING ME.
IT'S A ART GALLERY
34
00:01:35,949 --> 00:01:38,211
INSIDE A SNEAKER STORE.
IT'S GONNA BE SICK!
35
00:01:38,311 --> 00:01:40,693
GRACE: WHOA! HEY.
SPENCER: YO! YO! YO!
WHAT YOU DOING, MAN!
36
00:01:40,793 --> 00:01:43,816
HEY, SETTLE DOWN.
IT WAS AN ACCIDENT.
I'M SURE IT'S FINE.
37
00:01:43,916 --> 00:01:45,698
IT WOULDN'T HAVE
HAPPENED IF HE WASN'T
OVER THERE TWEAKING.
38
00:01:45,798 --> 00:01:47,659
YO, YOU THE ONE TWEAKING
ABOUT THIS STUPID PHONE.
39
00:01:47,759 --> 00:01:49,701
I'M SURE COACH BAKER'S
VOICEMAIL IS FINE.
40
00:01:49,801 --> 00:01:52,343
GRACE: HEY.
SPENCER: I NEED YOU TO
MIND YOUR BUSINESS, MAN.
41
00:01:52,443 --> 00:01:54,305
YOU NEED TO GET
OVER YOURSELF.
42
00:01:54,405 --> 00:01:55,866
WHATCHU SAY TO ME?
43
00:01:55,966 --> 00:01:58,629
WHOA, WHOA, WHOA, WHOA.
44
00:01:58,729 --> 00:02:00,590
RELAX, YOU GUYS.
45
00:02:00,690 --> 00:02:03,193
SPENCER, SIT DOWN.
46
00:02:03,293 --> 00:02:05,154
SPENCER, ENOUGH.
YOUR MUM ASKED YOU
TO SIT DOWN.
47
00:02:05,254 --> 00:02:08,157
HEY, IT'S FAMILY
BUSINESS, HOMIE.
MIND YOURS!
48
00:02:08,257 --> 00:02:10,359
CARTER: EXCUSE ME?
GRACE: AW, HELL NO.
THIS HAS GONE TOO FAR.
49
00:02:10,459 --> 00:02:13,081
SPENCER. SPENCER!
LOOK AT ME!
50
00:02:13,181 --> 00:02:15,603
I HAVE BEEN PATIENT WITH YOU
WHILE I LET YOU DEAL
WITH YOUR GRIEF
51
00:02:15,703 --> 00:02:18,806
ON YOUR OWN, BUT YOU IN HERE
ACTING LIKE YOU DONE LOST
YOUR DAMN MIND!
52
00:02:18,906 --> 00:02:21,368
SPENCER: THIS AIN'T GOT NOTHING
TO DO WITH MY GRIEF, MA.
GRACE: BE QUIET!
53
00:02:21,468 --> 00:02:24,611
I HAVE REACHED OUT TO DR. SPEARS
ABOUT YOU SEEING HIM
WHEN YOU'RE READY,
54
00:02:24,711 --> 00:02:27,213
BUT YOU KNOW WHAT? FORGET THAT.
YOU'RE GONNA SEE HIM TODAY.
55
00:02:27,313 --> 00:02:29,895
I DON'T NEED TO SEE
NOBODY, ESPECIALLY NOT
NO DAMN THERAPIST.
56
00:02:29,995 --> 00:02:32,297
THIS IS NOT UP
FOR DISCUSSION, SPENCER.
57
00:02:32,397 --> 00:02:35,460
AS LONG AS YOU'RE UNDER MY ROOF,
YOU ARE GOING TO THERAPY.
58
00:02:35,560 --> 00:02:38,602
THEN MAYBE I DON'T
NEED TO BE UNDER
YOUR ROOF NO MORE.
59
00:02:49,532 --> 00:02:51,433
MAN: NICE. COME
ON. GET THROUGH,
60
00:02:51,533 --> 00:02:53,836
GET THROUGH,
GET THROUGH.
PICK UP YOUR FEET.
61
00:02:53,936 --> 00:02:56,838
JORDAN: HERE WE GO. SET, GO.
SINGERS: ♪ YEAH, YEAH, YEAH ♪
62
00:02:56,938 --> 00:02:59,360
MAN: WRONG ROUTE, EVAN.
JORDAN: GOTTA FOCUS!
LET'S GO. RUN IT BACK.
63
00:02:59,460 --> 00:03:01,802
MALE SINGER: ♪ YEAH,
BLOODSTAIN ON THE CONCRETE ♪
JORDAN: SET, GO.
64
00:03:01,902 --> 00:03:03,884
SINGER: ♪ NEVER LEARNED
HOW TO TURN THE CHEEK ♪
65
00:03:03,984 --> 00:03:06,887
♪ ENEMIES WANT THE END OF ME ♪
JORDAN: HOO! EVAN, COME ON, MAN.
66
00:03:06,987 --> 00:03:09,088
IT'S A SIMPLE
WHEEL ROUTE!
67
00:03:09,188 --> 00:03:10,490
SET, GO!
SINGER: ♪ NOTHIN GIVEN
SO I'LL TAKE THAT ♪
68
00:03:10,590 --> 00:03:12,692
♪ I'M IN LINE FOR THE PAYBACK ♪
69
00:03:12,792 --> 00:03:14,973
♪ YEAH, YEAH, YEAH, YEAH,
WHERE'S THE THRONE AT? ♪
CORNERBACK: WHOO!
70
00:03:15,073 --> 00:03:16,735
JORDAN: OH, MY GOD.
WIDE RECEIVER: WHOO!
71
00:03:16,835 --> 00:03:18,817
GOT YOU, BABY!
HERE I GO!
72
00:03:18,917 --> 00:03:20,898
AH!
JORDAN: HEY! HEY!
73
00:03:20,998 --> 00:03:23,100
HEY! EVAN!
EVAN: YEAH. HA HA HA!
74
00:03:23,200 --> 00:03:25,262
JORDAN: EVAN!
HOW ABOUT YOU PUT
AS MUCH EFFORT
75
00:03:25,362 --> 00:03:27,744
IN CATCHING THE BALL
AS YOU DO YOUR LITTLE
CELEBRATION DANCES?
76
00:03:27,844 --> 00:03:29,466
WHAT YOU SAY,
FRESHMAN?
77
00:03:29,566 --> 00:03:31,227
DON'T LET THAT QB1 POSITION
GO TO YOUR HEAD.
78
00:03:31,327 --> 00:03:32,668
THIS IS NOT ABOUT ME,
ALL RIGHT?
79
00:03:32,768 --> 00:03:34,150
THE OFFENCE
DOESN'T THRIVE
80
00:03:34,250 --> 00:03:35,711
IF YOU DON'T CATCH
THE BALL, AND THAT
81
00:03:35,811 --> 00:03:37,312
PUTS PRESSURE
ON THE DEFENCE.
82
00:03:37,412 --> 00:03:39,314
HEH! YOU TALKING A LOT
OF JUNK FOR SOMEBODY
83
00:03:39,414 --> 00:03:41,876
WHO LOST US THE BOWL GAME.
[PLAYERS MURMUR]
84
00:03:41,976 --> 00:03:44,519
ALL RIGHT. WELL,
AT LEAST I MADE IT
ON THE FIELD.
85
00:03:44,619 --> 00:03:47,241
I MEAN, WHAT IS THIS,
LIKE, YOUR FIFTH YEAR
ON THE ROSTER?
86
00:03:47,341 --> 00:03:48,962
EVAN: YOU SAY TO ME?
JORDAN: MAN, GET OUTTA MY FACE.
87
00:03:49,062 --> 00:03:50,684
- YOU SAY TO ME, BRO?
- GET OUTTA MY FACE!
88
00:03:50,784 --> 00:03:53,226
[PLAYERS SHOUTING,
WHISTLE BLOWING]
89
00:03:54,667 --> 00:03:56,529
JJ: AH.
90
00:03:56,629 --> 00:03:59,211
YO, WHO'S READY
FOR SOME SPRING BALL?
91
00:03:59,311 --> 00:04:01,213
DUDE,
WHERE'VE YOU BEEN?
92
00:04:01,313 --> 00:04:03,375
YOU'VE BEEN A GHOST
SINCE COACH BAKER'S
MEMORIAL.
93
00:04:03,475 --> 00:04:05,216
WELL, I, UH, FELT
I NEEDED TO GIVE EVERYBODY
94
00:04:05,316 --> 00:04:07,538
A LITTLE SPACE
WHILE I WORK ON MYSELF.
95
00:04:07,638 --> 00:04:10,180
OR YOU WERE JUST TRYING
TO HIDE BECAUSE OF WHAT
YOU DID AT THE REPAST.
96
00:04:10,280 --> 00:04:12,983
[SIGHS]
97
00:04:13,083 --> 00:04:15,145
EVERYBODY THINKS
I WAS DRUNK
98
00:04:15,245 --> 00:04:18,107
'CAUSE I WAS OUT PARTYING,
BUT THAT'S NOT THE CASE.
99
00:04:18,207 --> 00:04:22,371
I WAS ALONE, AND I NEEDED
SOMETHING TO NUMB THE PAIN
OF COACH BAKER BEING GONE.
100
00:04:23,612 --> 00:04:25,954
I REALISE THAT WAS
A TERRIBLE EXCUSE,
101
00:04:26,054 --> 00:04:28,556
BUT...I'M GOOD NOW.
102
00:04:28,656 --> 00:04:31,558
I'M BACK ON TRACK, READY
TO FOCUS ON FOOTBALL.
103
00:04:31,658 --> 00:04:34,341
ALL THE PARTYING STUFF'S
IN THE REAR VIEW.
104
00:04:35,822 --> 00:04:37,363
IT'S GOOD TO HEAR THAT.
105
00:04:37,463 --> 00:04:39,005
IT'S GOOD SAYING IT.
106
00:04:39,105 --> 00:04:40,926
NOW LET'S GO.
107
00:04:41,026 --> 00:04:42,648
ASHER: GO WHERE?
JJ: PRACTICE.
108
00:04:42,748 --> 00:04:45,010
DUDE, PRACTICE ISN'T
FOR ANOTHER HOUR.
IT'S EARLY.
109
00:04:45,110 --> 00:04:46,651
TO BE EARLY
110
00:04:46,751 --> 00:04:48,453
IS TO BE LATE.
111
00:04:48,553 --> 00:04:50,014
[SIGHS]
FINE.
112
00:04:50,114 --> 00:04:51,615
LET ME GET MY THINGS.
113
00:04:51,715 --> 00:04:53,217
[DOOR CLOSES]
114
00:04:53,317 --> 00:04:55,299
JJ: SPENCE.
BRO, WHAT'S UP?
115
00:04:55,399 --> 00:04:57,941
SPENCER: WHAT'S UP?
[JJ CHUCKLES, SIGHS]
116
00:04:58,041 --> 00:05:00,743
YO, UH, SPENCE,
IS IT TRUE?
117
00:05:00,843 --> 00:05:03,145
I SAW JORDAN
ON THE WAY TO
PRACTICE THIS MORNING.
118
00:05:03,245 --> 00:05:05,788
YOU'RE ENTERING
THE TRANSFER PORTAL?
SPENCER: YEAH.
119
00:05:05,888 --> 00:05:07,709
I'M ACTUALLY ON MY WAY
TO GAU RIGHT NOW TO GET
120
00:05:07,809 --> 00:05:09,631
A LETTER OF RECOMMENDATION
FROM COACH KENNY.
121
00:05:09,731 --> 00:05:12,233
JJ: DUDE, I HOPE
COASTAL'S ON YOUR LIST.
122
00:05:12,333 --> 00:05:14,515
I ALREADY KNOW
COACH MR. MONTES
IS A HUGE FAN.
123
00:05:14,615 --> 00:05:17,277
YO, YOU GOTTA PUT IN
A WORD, ASH, AND THEN ALL
124
00:05:17,377 --> 00:05:19,279
WE'D HAVE TO DO IS GET
JORDAN TO TRANSFER
125
00:05:19,379 --> 00:05:22,282
AND ALL OF COACH BAKER'S
BOYS WOULD BE ON
THE SAME ROSTER.
126
00:05:22,382 --> 00:05:24,684
HEH! WE'RE WINNING
THE NATTY.
127
00:05:24,784 --> 00:05:27,286
JJ: YO,
UNSTOPPABLE, BABY.
128
00:05:27,386 --> 00:05:29,287
YEAH, MAN,
THAT SOUNDS AWESOME.
129
00:05:29,387 --> 00:05:32,290
UH, SPEAKING
OF COASTAL, WE SHOULD
PROBABLY GET GOING.
130
00:05:32,390 --> 00:05:33,931
SPENCE, WE'LL CATCH YOU
LATER, THOUGH.
131
00:05:34,031 --> 00:05:36,914
SPENCER: ALL RIGHT.
JJ, CHUCKLING: WOW.
132
00:05:38,395 --> 00:05:40,477
MAN: MR. JAMES.
133
00:05:42,358 --> 00:05:44,340
SPENCER: DR. SPEARS?
[REFRIGERATOR DOOR CLOSES]
134
00:05:44,440 --> 00:05:46,302
YEAH, I HOPE
YOU DON'T MIND ME
DROPPING BY.
135
00:05:46,402 --> 00:05:48,344
YOUR, UH, ROOMMATES LET ME IN.
SPENCER: WHAT YOU DOING HERE?
136
00:05:48,444 --> 00:05:50,185
GOT AN URGENT CALL
FROM YOUR MUM.
137
00:05:50,285 --> 00:05:52,347
SHE'S PRETTY CONCERNED
ABOUT YOU.
138
00:05:52,447 --> 00:05:54,469
WELL, I'M SORRY
SHE WASTED YOUR TIME.
I'M ALL GOOD OVER HERE.
139
00:05:54,569 --> 00:05:56,070
WELL, BE THAT AS IT MAY,
140
00:05:56,170 --> 00:05:57,872
WE HAVEN'T TALKED IN A WHILE.
BE NICE TO CATCH UP.
141
00:05:57,972 --> 00:05:59,873
- I GOTTA GET TO CAMPUS.
- OH, THEN MAYBE WE CAN SET UP
142
00:05:59,973 --> 00:06:02,476
AN APPOINTMENT FOR LATER.
SPENCER: LOOK...
143
00:06:02,576 --> 00:06:05,598
YOU AND ME, WE AIN'T
GOT NOTHING TO TALK
ABOUT OR CATCH UP ON.
144
00:06:05,698 --> 00:06:07,600
AS A MATTER OF FACT,
YOU TRESPASSING.
145
00:06:07,700 --> 00:06:10,142
I'MMA HAVE TO ASK YOU
TO LEAVE.
146
00:06:12,024 --> 00:06:14,646
ARE YOU GON' MAKE ME
REPEAT MYSELF?
147
00:06:14,746 --> 00:06:16,648
SAY LESS.
148
00:06:16,748 --> 00:06:18,749
I'LL GO.
149
00:06:26,476 --> 00:06:28,458
WHY DIDN'T YOU TELL ME
MIKO SENT FLOWERS TO
THE HOUSE LAST NIGHT?
150
00:06:28,558 --> 00:06:30,980
HAVE YOU FREAK OUT
AT YOUR VIDEO
RELEASE PARTY?
151
00:06:31,080 --> 00:06:32,421
HOW DID SHE GET
OUR ADDRESS?
152
00:06:32,521 --> 00:06:34,263
UGH!
LIKE, I FEEL VIOLATED.
153
00:06:34,363 --> 00:06:36,104
YEAH, YOU SHOULD.
I MEAN, FIRST IT WAS
154
00:06:36,204 --> 00:06:38,066
THE CONSTANT
DM STALKING,
THEN THE "ACCIDENTAL"
155
00:06:38,166 --> 00:06:40,068
RUN-IN AT SLAUSON'S,
AND NOW THIS.
156
00:06:40,168 --> 00:06:42,149
PATIENCE, THERE IS
SOMETHING SERIOUSLY
WRONG WITH MIKO.
157
00:06:42,249 --> 00:06:43,831
YOU HAVE TO STAY AWAY FROM HER.
PATIENCE: YEAH, I KNOW.
158
00:06:43,931 --> 00:06:45,792
I KNOW.
YOU'RE RIGHT. I JUST--
159
00:06:45,892 --> 00:06:47,274
- OK. OK, OK.
- I FEEL, LIKE, WEIRD.
160
00:06:47,374 --> 00:06:48,915
LET'S FOCUS
ON SOMETHING I KNOW
161
00:06:49,015 --> 00:06:51,517
WILL MAKE YOU HAPPY.
LET'S LOOK AT THE VIEWS
162
00:06:51,617 --> 00:06:55,120
ON THE "FIRE AND ICE" VIDEO.
PATIENCE: OK.
163
00:06:55,220 --> 00:06:57,522
WAIT. THERE'S ONLY
500,000 VIEWS?
164
00:06:57,622 --> 00:07:00,965
NO, THAT CAN'T BE RIGHT.
THE TEASER GOT, LIKE,
5 MILLION IN TWO DAYS.
165
00:07:01,065 --> 00:07:02,647
AND LOOK
AT THESE COMMENTS.
166
00:07:02,747 --> 00:07:04,648
GREAT.
I HAVE A STALKER FAN,
167
00:07:04,748 --> 00:07:06,650
AND NO ONE LIKED
THE VIDEO.
168
00:07:06,750 --> 00:07:08,652
- PATIENCE.
- NO, NO, NO. THIS IS--
169
00:07:08,752 --> 00:07:11,434
THIS IS GREAT.
REALLY COOL.
170
00:07:12,915 --> 00:07:14,917
[SIGHS]
171
00:07:17,399 --> 00:07:20,702
ASHER: GENTLEMEN, WHAT IS
THE COMMON DENOMINATOR IN
ALL THOSE HIGHLIGHTS?
172
00:07:20,802 --> 00:07:22,664
THEY'RE ALL RUNNING
A 3-4 DEFENSE.
173
00:07:22,764 --> 00:07:25,066
CORRECT.
WHICH ALLOWS THEM TO--
174
00:07:25,166 --> 00:07:27,908
USE THEIR OUTSIDE
BACKERS AS ADDITIONAL
PASS-RUSHERS.
175
00:07:28,008 --> 00:07:29,910
RIGHT AGAIN.
176
00:07:30,010 --> 00:07:31,952
THIS IS A MAINSTAY
IN THE NFL,
177
00:07:32,052 --> 00:07:34,073
BUT MORE COLLEGE PROGRAMS
ARE RUNNING IT, LIKE, UH--
178
00:07:34,173 --> 00:07:36,235
ALABAMA, GEORGIA, OREGON.
179
00:07:36,335 --> 00:07:39,318
JABARI: OK, RAIN MAN.
COACH MR. MONTES:
AND AS OF THIS SPRING,
180
00:07:39,418 --> 00:07:41,320
YOU CAN ADD COASTAL
TO THAT LIST.
181
00:07:41,420 --> 00:07:43,321
TAKE A MINUTE TO LOOK
THROUGH YOUR TABLETS.
182
00:07:43,421 --> 00:07:46,164
WE'LL BE IMPLEMENTING
THESE DRILLS ON
THE FIELD LATER.
183
00:07:46,264 --> 00:07:48,165
[QUIETLY]
WHAT'D YOU DO,
184
00:07:48,265 --> 00:07:50,127
SPIKE JJ's
PROTEIN SHAKE
THIS MORNING?
185
00:07:50,227 --> 00:07:53,009
HEH! HE'S LOCKED IN.
SHOWED UP EARLY
AND PREPARED.
186
00:07:53,109 --> 00:07:56,352
OK. WE'LL SEE
IF IT LASTS.
187
00:07:58,034 --> 00:07:59,895
[KNOCK ON DOOR]
188
00:07:59,995 --> 00:08:01,897
SPENCER: I SEE YOU GOT
THAT PROMOTION.
189
00:08:01,997 --> 00:08:05,900
AND YOU CAME
ALL THIS WAY
TO CONGRATULATE ME.
190
00:08:06,000 --> 00:08:08,543
I CAME HERE
'CAUSE I NEED A LETTER
OF RECOMMENDATION
191
00:08:08,643 --> 00:08:11,305
FROM MY CURRENT COACH
FOR WHEN I ENTER
THE PORTAL.
192
00:08:11,405 --> 00:08:12,946
[CHUCKLES]
193
00:08:13,046 --> 00:08:14,908
LET--LET ME GET
THIS STRAIGHT.
194
00:08:15,008 --> 00:08:17,750
SO FIRST YOU QUIT,
AND THEN YOU LOSE
YOUR MIND,
195
00:08:17,850 --> 00:08:20,393
GETTING ALL UP IN
MY FACE, AND NOW YOU'RE
ASKING ME FOR A FAVOUR?
196
00:08:20,493 --> 00:08:22,875
IT'S NOT A FAVOUR.
IT'S YOUR JOB AS MY
CURRENT HEAD COACH.
197
00:08:22,975 --> 00:08:25,877
MY JOB. WELL,
COACHES WITH INTEREST
198
00:08:25,977 --> 00:08:27,959
WILL REACH OUT TO ME
ONCE YOU HIT THE PORTAL.
199
00:08:28,059 --> 00:08:30,601
YEAH, WELL, I LIKE
TO BE PROACTIVE
ABOUT MY FUTURE.
200
00:08:30,701 --> 00:08:33,384
SO YOU GONNA WRITE
THE LETTER OR WHAT, MAN?
201
00:08:34,945 --> 00:08:36,927
LET ME TELL YOU SOMETHING,
LITTLE HOMIE.
202
00:08:37,027 --> 00:08:39,849
I GAVE YOU A PASS
THE LAST TIME YOU CAME
AT ME SIDEWAYS,
203
00:08:39,949 --> 00:08:41,851
BUT YOU BETTER WATCH
YOUR DAMN TONE.
204
00:08:41,951 --> 00:08:44,733
I'LL GET YOU
THAT LETTER WHEN
I'M GOOD AND READY.
205
00:08:44,833 --> 00:08:48,937
NOW, THIS LOCKER ROOM
IS FOR CURRENT
GAU PLAYERS ONLY.
206
00:08:49,037 --> 00:08:51,439
YOU REMEMBER WHERE
THE EXIT IS, RIGHT?
207
00:09:00,166 --> 00:09:02,789
YO, I TOLD YOU
I AIN'T GOT NOTHING
TO SAY TO YOU, MAN.
208
00:09:02,889 --> 00:09:05,791
YOU TOLD ME I WAS
TRESPASSING, SO HERE
I AM ON PUBLIC PROPERTY
209
00:09:05,891 --> 00:09:08,113
ASKING IF YOU WANT
TO MAKE AN APPOINTMENT
NEXT WEEK.
210
00:09:08,213 --> 00:09:09,474
WHY CAN'T YOU JUST
BACK OFF, BRUH?
211
00:09:09,574 --> 00:09:11,316
BECAUSE I'M CONCERNED
ABOUT YOU.
212
00:09:11,416 --> 00:09:12,797
IT'S OBVIOUS YOU'RE
IN IMMENSE PAIN
213
00:09:12,897 --> 00:09:14,679
AND HOLDING IT IN
HAS TURNED TOXIC.
214
00:09:14,779 --> 00:09:16,200
SPENCER: DO YOU
RUN UP UNINVITED
215
00:09:16,300 --> 00:09:18,202
TO ALL YOUR CLIENTS'
HOUSES AND SCHOOLS?
216
00:09:18,302 --> 00:09:21,445
I DO, FOR THE SPECIAL ONES
WHEN I KNOW THEY NEED ME.
217
00:09:21,545 --> 00:09:24,727
AIN'T NOTHIN' SPECIAL
ABOUT ME, SO YOU AND
EVERYBODY ELSE CAN STOP
218
00:09:24,827 --> 00:09:28,050
TRYIN' TO JUMP
THROUGH HOOPS FOR ME, OK?
219
00:09:28,150 --> 00:09:30,652
TELL ME, WHAT IS IT
ABOUT THE PEOPLE
IN YOUR LIFE,
220
00:09:30,752 --> 00:09:32,814
OR MAYBE IT'S JUST
THE MEN IN YOUR LIFE,
221
00:09:32,914 --> 00:09:34,656
GOING ABOVE
AND BEYOND FOR YOU
THAT'S TRIGGERING?
222
00:09:34,756 --> 00:09:36,757
[SHOUTING]
I'M NOT TRIGGERED!
223
00:09:38,479 --> 00:09:40,381
[QUIETLY]
I'M NOT TRIGGERED.
224
00:09:40,481 --> 00:09:42,382
YOU'RE TRYING
YOUR HARDEST
225
00:09:42,482 --> 00:09:44,985
TO HIDE
FROM YOUR EMOTIONS,
226
00:09:45,085 --> 00:09:48,027
AND EVENTUALLY,
YOU WILL RUN OUTTA
HIDING PLACES.
227
00:09:48,127 --> 00:09:50,029
WHEN YOU DO,
228
00:09:50,129 --> 00:09:52,131
I'M JUST A CALL AWAY.
229
00:10:00,938 --> 00:10:03,040
HEY, COACH.
YOU WANTED TO SEE ME?
230
00:10:03,140 --> 00:10:05,042
YEAH. WHAT THE HELL
WAS THAT TODAY?
231
00:10:05,142 --> 00:10:07,243
OH, I KNOW. I MEAN,
GUYS NOT RUNNING
THEIR ROUTES,
232
00:10:07,343 --> 00:10:09,886
TOTALLY UNFOCUSED.
LOOK, WE LOST A LOT
OF GOOD TALENT
233
00:10:09,986 --> 00:10:12,168
TO THE PORTAL,
NONE MORE IMPORTANT
THAN SPENCER JAMES--
234
00:10:12,268 --> 00:10:14,530
BUT IT'S NOT YOUR JOB
TO COACH THIS TEAM,
IT'S MINE.
235
00:10:14,630 --> 00:10:17,532
OK, WELL, THEY WERE PUTTING
CELEBRATING OVER PRACTICING,
AND EVAN WAS BEING--
236
00:10:17,632 --> 00:10:20,294
WHAT PART OF
"THIS IS NOT YOUR JOB"
DON'T YOU UNDERSTAND?
237
00:10:20,394 --> 00:10:23,858
WELL, I JUST THOUGHT THAT
AS THE LEADER OF THIS TEAM,
MAYBE I SHOULD ST--
238
00:10:23,958 --> 00:10:27,100
OBVIOUSLY THEY'RE NOT
RESPONDING TO YOUR LEADERSHIP,
SO YOU NEED TO FALL BACK.
239
00:10:27,200 --> 00:10:29,843
YES, COACH.
240
00:10:34,006 --> 00:10:37,549
I'M SORRY, BUT DID I DO
SOMETHING TO OFFEND YOU?
241
00:10:37,649 --> 00:10:40,432
BECAUSE I WAS--I WAS
JUST TRYING TO STEP UP.
242
00:10:40,532 --> 00:10:42,433
[CAPS, SETS DOWN MARKER]
NAH.
243
00:10:42,533 --> 00:10:45,036
LOOK, MY BAD, MAN.
244
00:10:45,136 --> 00:10:47,478
SPENCER STOPPED BY
A LITTLE EARLIER,
245
00:10:47,578 --> 00:10:50,080
AND IT JUST HAS ME
ALL WORKED UP.
246
00:10:50,180 --> 00:10:53,162
YEAH, HE'S BEEN
HAVING AN EFFECT
ON ALL OF US LATELY.
247
00:10:53,262 --> 00:10:55,725
LOOK, COACH, SPENCER...
[SIGHS]
248
00:10:55,825 --> 00:10:59,368
HE'S THE TYPE OF PERSON
THAT PUSHES EVERYONE AWAY
WHENEVER HE'S HURTING.
249
00:10:59,468 --> 00:11:01,369
AND CONSIDERING THAT HE
ISN'T REALLY DEALING
250
00:11:01,469 --> 00:11:04,012
WITH THE REALITY
OF MY DAD BEING GONE,
251
00:11:04,112 --> 00:11:08,075
WELL, MY GUESS IS THAT
HE'S HURTING MORE THAN
ANY OF US REALLY KNOW.
252
00:11:09,436 --> 00:11:11,938
THANKS FOR
THE INSIGHT, J.
253
00:11:12,038 --> 00:11:16,022
AND I'M SORRY I
TOOK MY FRUSTRATIONS
OUT ON YOU.
254
00:11:16,122 --> 00:11:17,983
- NO PROBLEM.
- ALL RIGHT.
255
00:11:18,083 --> 00:11:21,266
- OK. [CLAPS PALMS TOGETHER]
- OH, ONE LAST THING.
256
00:11:21,366 --> 00:11:23,908
YOU ARE A LEADER,
J., BUT THEY'RE
NOT RESPONDING
257
00:11:24,008 --> 00:11:26,351
TO YOUR LEADERSHIP
BECAUSE THAT
HARD-ASS STYLE,
258
00:11:26,451 --> 00:11:28,452
THAT AIN'T YOU.
259
00:11:35,218 --> 00:11:38,481
[DOOR OPENS]
COOP: HEY, YO.
GOT A SPECIAL DELIVERY.
260
00:11:38,581 --> 00:11:41,083
[DOOR CLOSES]
SPENCER: WHAT Y'ALL DOING HERE?
261
00:11:41,183 --> 00:11:43,085
COOP: UH, DILLON ASKED ME
TO BRING HIM BY.
262
00:11:43,185 --> 00:11:45,527
APPARENTLY YOU WERE SUPPOSED
TO TAKE HIM TO MELROSE TODAY.
263
00:11:45,627 --> 00:11:47,529
DILLON: YOU WERE SO BUSY
STORMING OUT THE HOUSE
YOU FORGOT.
264
00:11:47,629 --> 00:11:49,971
IT WASN'T EVEN
LIKE THAT, MAN.
MUMS WAS TRIPPIN'--
265
00:11:50,071 --> 00:11:51,972
DILLON: NAH, MAN,
YOU WAS TRIPPIN'--
COOP: HEY, DILLON,
266
00:11:52,072 --> 00:11:54,174
WHY DON'T YOU, UH, GO AHEAD
AND TAKE YOUR STUFF UP
267
00:11:54,274 --> 00:11:57,357
TO YOUR BROTHER'S ROOM
SO ME AND HIM CAN TALK
FOR A SECOND?
268
00:12:03,922 --> 00:12:06,465
[EXHALES SHARPLY]
WHAT'S GOING ON
WITH YOU, MAN?
269
00:12:06,565 --> 00:12:08,106
I JUST GOT A LOT
GOING ON, COOP.
270
00:12:08,206 --> 00:12:09,908
MELROSE SLIPPED
MY MIND, OK?
271
00:12:10,008 --> 00:12:11,869
THIS AIN'T ABOUT YOU
FORGETTING TO TAKE DILLON
272
00:12:11,969 --> 00:12:14,191
SOMEWHERE, ALL RIGHT?
THIS IS ABOUT
273
00:12:14,291 --> 00:12:17,834
THIS SCORCHED-EARTH THING
YOU DOING TO THE PEOPLE
THAT LOVE YOU. I'M WORRIED.
274
00:12:17,934 --> 00:12:20,837
YOU DON'T GOT TO WORRY
ABOUT ME, OK?
275
00:12:20,937 --> 00:12:23,839
NEITHER DOES
MY MUM, DILLON,
276
00:12:23,939 --> 00:12:27,202
THE BAKERS, OR WHOEVER
ELSE CAN'T MIND
THEY DAMN BUSINESS.
277
00:12:27,302 --> 00:12:29,204
YO, DO YOU HEAR
YOURSELF RIGHT NOW?
278
00:12:29,304 --> 00:12:31,366
YOU ARE
OUR BUSINESS, OK?
279
00:12:31,466 --> 00:12:33,808
SO IF YOU HURTING, WE HURTING.
SPENCER: YOU HEAR ME?
280
00:12:33,908 --> 00:12:36,530
I SAID I'M GOOD!
END OF DISCUSSION!
281
00:12:36,630 --> 00:12:39,132
NAH, MAN, I'VE KNOWN YOU
WAY TOO LONG.
282
00:12:39,232 --> 00:12:41,134
AND YOU NOT GOOD,
SO ENOUGH WITH THE B.S.
283
00:12:41,234 --> 00:12:42,976
YOU NEED TO LET IT GO,
COOP, A'IGHT?
284
00:12:43,076 --> 00:12:44,617
I'M NOT LETTIN' NOTHING GO
UNTIL WE FIGURE THIS OUT.
285
00:12:44,717 --> 00:12:46,258
LOOK, I REALLY DON'T
NEED YOU ON MY BUMPER
286
00:12:46,358 --> 00:12:47,900
RIGHT NOW, MAN.
COOP: LOOK, YOU ANGRY, I GET IT.
287
00:12:48,000 --> 00:12:49,621
- COOP--
- WE ALL FEELING BILLY'S--
288
00:12:49,721 --> 00:12:51,223
LEAVE ME ALONE!
289
00:12:51,323 --> 00:12:53,104
[WOOD CRUNCHES]
290
00:12:53,204 --> 00:12:55,146
[BREATH TREMBLING]
291
00:12:55,246 --> 00:12:58,248
DILLON, QUIETLY: SPENCE,
MAN, WHAT'RE YOU DOING?
292
00:12:59,730 --> 00:13:01,271
I THINK YOUR--
YOUR BROTHER JUST--
293
00:13:01,371 --> 00:13:03,193
HE NEEDS A LITTLE SPACE
RIGHT NOW.
294
00:13:03,293 --> 00:13:05,755
LISTEN, MAN, I'VE BEEN
ROCKING WITH YOU
FOR WAY TOO LONG.
295
00:13:05,855 --> 00:13:07,757
I'VE SEEN EVERY SIDE
OF YOU--THE GOOD,
296
00:13:07,857 --> 00:13:10,399
THE BAD, THE UGLY--
BUT THIS,
297
00:13:10,499 --> 00:13:12,641
THIS SPENCER JAMES?
298
00:13:12,741 --> 00:13:16,444
I DON'T KNOW HIM,
AND THAT SCARES ME.
299
00:13:16,544 --> 00:13:18,446
DILLON, GO GET YOUR STUFF
'CAUSE I DON'T--
300
00:13:18,546 --> 00:13:20,608
I DON'T EVEN FEEL SAFE
LEAVING YOU HERE.
301
00:13:20,708 --> 00:13:23,250
HEY, DILLON--DILLON
IS MY BROTHER, OK?
302
00:13:23,350 --> 00:13:25,131
HE KNOW HE'S SAFE
WITH ME.
303
00:13:25,231 --> 00:13:27,133
I'M GOING WITH COOP.
304
00:13:27,233 --> 00:13:29,235
["DEMONS" PLAYING]
305
00:13:34,599 --> 00:13:36,641
[FOOTSTEPS ASCEND STAIRS]
306
00:13:40,204 --> 00:13:42,066
[DOOR SLAMS]
307
00:13:42,166 --> 00:13:46,510
PA THE WRITER: ♪ LA LA LA LA LA
LA LA LA LA LA ♪
308
00:13:46,610 --> 00:13:48,611
♪ FIGHT 'EM OFF FOR LIFE ♪
309
00:14:05,305 --> 00:14:07,527
HEY...
310
00:14:07,627 --> 00:14:09,629
LET'S TAKE A DRIVE.
311
00:14:15,554 --> 00:14:17,456
[INDISTINCT CHATTER]
312
00:14:17,556 --> 00:14:20,018
HEY, WHAT UP, JJ?
LONG TIME NO SEE.
313
00:14:20,118 --> 00:14:22,020
OH, WELL, WHAT'S UP?
KEITH.
314
00:14:22,120 --> 00:14:24,382
GAGE. HEY, MAN.
GAGE: HOW'S IT GOING?
315
00:14:24,482 --> 00:14:26,423
WHERE YOU BEEN?
YOU'RE M.I.A.
316
00:14:26,523 --> 00:14:29,066
AT OUR FRAT PARTIES
LATELY, M.I.A.
AT THE HOUSE.
317
00:14:29,166 --> 00:14:31,828
ME AND THE BROTHERS ARE
PRETTY DISAPPOINTED.
GAGE: YEAH.
318
00:14:31,928 --> 00:14:35,151
COME ON, GUYS.
I NEED TO LOCK
BACK IN ON FOOTBALL.
319
00:14:35,251 --> 00:14:37,113
YO, TRUST ME,
WE GET IT.
320
00:14:37,213 --> 00:14:38,994
GAGE: YEAH.
KEVIN: IT'S A GNARLY LOAD.
321
00:14:39,094 --> 00:14:41,116
THAT DOESN'T CHANGE
THE FACT THAT WE MISS YOU.
322
00:14:41,216 --> 00:14:43,318
GAGE: YEAH.
KEVIN: YOU'RE THE LIFE
OF THE PARTY.
323
00:14:43,418 --> 00:14:46,641
A PARTY AIN'T A PARTY
IF JJ PARKER ISN'T THERE.
324
00:14:46,741 --> 00:14:50,244
I--I MISS Y'ALL, TOO,
BUT PARTY JJ HAS TO RIDE
325
00:14:50,344 --> 00:14:52,766
THE BENCH FOR A WHILE,
HUH? HEH HEH!
326
00:14:52,866 --> 00:14:55,548
KEVIN: SORRY TO HEAR THAT.
JJ, QUIETLY: ALL RIGHT.
327
00:14:58,871 --> 00:15:00,773
JABARI: YOU?
MISSING PARTIES?
328
00:15:00,873 --> 00:15:02,774
HEH! MAN, YOUR TURN-UP
IS LEGENDARY.
329
00:15:02,874 --> 00:15:05,176
AH. HEH HEH!
I--I APPRECIATE THAT,
330
00:15:05,276 --> 00:15:08,379
BUT HONESTLY, IT GOT
A LITTLE OUTTA HAND.
331
00:15:08,479 --> 00:15:10,821
YEAH, I KNOW
WHAT IT'S LIKE TO BE
RUNNING FROM A LIFE
332
00:15:10,921 --> 00:15:13,463
TRYING TO SUCK YOU
BACK IN.
333
00:15:13,563 --> 00:15:15,665
BUT LUCKILY, YOU GOT
COACH ASHER BELIEVING
334
00:15:15,765 --> 00:15:18,388
IN YOU, LIKE I HAD
COACH BAKER.
335
00:15:18,488 --> 00:15:19,829
JUST KEEP DOING WHAT
YOU'RE DOING, MAN.
336
00:15:19,929 --> 00:15:22,191
YOU'RE MAKING EVERYBODY
PROUD, YOU KNOW,
337
00:15:22,291 --> 00:15:25,193
AND IT'S INSPIRING
FOR GUYS LIKE ME.
338
00:15:25,293 --> 00:15:27,355
THANKS, MAN.
339
00:15:27,455 --> 00:15:29,957
GIA'S SET UP
SOME RADIO INTERVIEWS
340
00:15:30,057 --> 00:15:31,959
TO CREATE SOME BUZZ
AND GET THOSE VIEWS UP.
341
00:15:32,059 --> 00:15:33,961
[SIGHS]
PATIENCE: IT DOESN'T MATTER.
342
00:15:34,061 --> 00:15:36,683
PEOPLE HATE THE VIDEO
AND THEY HATE ME.
343
00:15:36,783 --> 00:15:38,725
WELL, THIS "NEW" VERSION OF ME.
[CELL PHONE VIBRATES]
344
00:15:38,825 --> 00:15:40,366
OOH!
IT'S GIA.
345
00:15:40,466 --> 00:15:41,968
[SIGHS]
WAIT.
346
00:15:42,068 --> 00:15:44,129
THE VIEWS ON YOUR VIDEO
JUST REACHED TWO MILLION.
347
00:15:44,229 --> 00:15:45,731
- WHAT? HOW?
- YEAH.
348
00:15:45,831 --> 00:15:47,372
OK. UH,
349
00:15:47,472 --> 00:15:49,774
VERIFIED NUMBERS... OH.
350
00:15:49,874 --> 00:15:52,737
SHE TRACED IT BACK TO ONE
OF MIKO'S FAN PAGES.
351
00:15:52,837 --> 00:15:55,619
MIKO POSTED THE VIDEO
AND THE NUMBERS WENT
THROUGH THE ROOF.
352
00:15:55,719 --> 00:15:58,422
[CHUCKLING]
OH, MY GOD! WAIT,
THAT'S INCREDIBLE.
353
00:15:58,522 --> 00:16:00,103
- OK. NO. HOLD ON.
- LET ME SEE.
354
00:16:00,203 --> 00:16:02,145
I KNOW THAT LOOK. PATIENCE.
PATIENCE: WHAT?
355
00:16:02,245 --> 00:16:04,106
LOOK, BEFORE YOU--
356
00:16:04,206 --> 00:16:06,308
BEFORE YOU GET
ANY IDEAS ABOUT
REACHING OUT AND WANTING
357
00:16:06,408 --> 00:16:08,590
TO THANK HER, I WOULD LIKE
TO REMIND YOU THAT WE ARE
DISTANCING OURSELVES,
358
00:16:08,690 --> 00:16:10,792
RIGHT, 'CAUSE SHE'S
GIVING FULL DANGER VIBES.
359
00:16:10,892 --> 00:16:12,433
YEAH, BUT CAN'T WE JUST
CUT HER SOME SLACK?
360
00:16:12,533 --> 00:16:14,355
I MEAN, SHE WAS BULLIED
IN HIGH SCHOOL AND,
361
00:16:14,455 --> 00:16:16,517
YOU KNOW, SHE FOUND
SOMETHING IN MY MUSIC.
362
00:16:16,617 --> 00:16:18,719
MM-HMM,
AND THEN SHE FOUND
YOUR HOME ADDRESS.
363
00:16:18,819 --> 00:16:20,320
THAT IS
A HUGE VIOLATION.
364
00:16:20,420 --> 00:16:22,642
I HAVE BEEN
DOWN THIS ROAD
WITH CARRIE, OK?
365
00:16:22,742 --> 00:16:24,844
I AM TELLING YOU, MIKO IS
NOT THE KIND OF PERSON
366
00:16:24,944 --> 00:16:27,246
YOU TRY TO REASON WITH
OR SET BOUNDARIES.
367
00:16:27,346 --> 00:16:30,168
SHE'S THE KIND
YOU CUT OFF FOR GOOD.
368
00:16:30,268 --> 00:16:31,970
[SIGHS]
369
00:16:32,070 --> 00:16:33,812
SPENCER:
WHAT ARE WE DOING HERE?
370
00:16:33,912 --> 00:16:35,533
DR. SPEARS: OH, THOUGHT
IT'D BE NICE TO COME BACK
371
00:16:35,633 --> 00:16:37,575
TO A PLACE THAT FEELS
FAMILIAR AND SAFE TO YOU.
372
00:16:37,675 --> 00:16:39,616
PLUS, I COULD USE
THE FRESH AIR.
373
00:16:39,716 --> 00:16:41,618
MAN, THIS L.A.
THE AIR IS ANYTHING
BUT FRESH.
374
00:16:41,718 --> 00:16:44,220
HEH HEH!
I'LL TAKE MY CHANCES.
375
00:16:44,320 --> 00:16:46,222
BUT NOW THAT I
GOT YOU TALKING,
376
00:16:46,322 --> 00:16:48,364
WHAT MADE YOU
FINALLY CALL?
377
00:16:51,967 --> 00:16:54,009
I SCARED MY BROTHER.
378
00:16:56,170 --> 00:16:59,313
DILLON DOESN'T TRUST ME
ENOUGH TO BE LEFT ALONE
WITH ME NO MORE.
379
00:16:59,413 --> 00:17:01,955
CAN'T SAY I BLAME HIM.
380
00:17:02,055 --> 00:17:05,198
I BEEN HAVING
THIS FEELING LIKE...
381
00:17:05,298 --> 00:17:07,680
YOU KNOW
HOW PEOPLE TALK ABOUT
OUT-OF-BODY EXPERIENCES?
382
00:17:07,780 --> 00:17:09,522
THAT'S HOW MY LIFE'S
BEEN FEELING LATELY.
383
00:17:09,622 --> 00:17:11,444
DR. SPEARS: IN WHAT WAY?
384
00:17:11,544 --> 00:17:14,926
LIKE I FEEL MYSELF
DETACHING FROM EVERYTHING
INSIDE OF ME, MAN.
385
00:17:15,026 --> 00:17:17,769
IT'S LIKE I'M WATCHING
SOMEBODY ELSE SAY
AND DO THINGS
386
00:17:17,869 --> 00:17:21,792
THAT I NEVER WOULD,
ONLY THE PERSON
I'M WATCHING IS ME.
387
00:17:23,514 --> 00:17:25,175
I DON'T KNOW
WHAT'S GOING ON.
388
00:17:25,275 --> 00:17:27,817
YOU'RE IN CRISIS, SPENCER.
THAT'S WHAT'S GOING ON.
389
00:17:27,917 --> 00:17:31,060
WHEN IT'S NOT
PROPERLY ADDRESSED,
GRIEF CAN UNLOCK THINGS
390
00:17:31,160 --> 00:17:33,903
AND SEND US SPIRALLING
IN WAYS YOU WOULD
NEVER IMAGINE.
391
00:17:34,003 --> 00:17:36,345
NAH, I'VE FELT GRIEF BEFORE.
THIS IS DIFFERENT.
392
00:17:36,445 --> 00:17:39,307
YEAH, BECAUSE YOU ALLOWED
IT TO FESTER AND MUTATE.
393
00:17:39,407 --> 00:17:42,190
ONE OF THE HARDEST THINGS
FOR A BLACK MAN TO SAY IS
394
00:17:42,290 --> 00:17:44,632
"I'M NOT OK."
395
00:17:44,732 --> 00:17:48,295
YOU CALLING ME
WAS A STEP IN
THE RIGHT DIRECTION.
396
00:17:52,979 --> 00:17:54,680
MAN: PLACE IT
RIGHT HERE, OK?
397
00:17:54,780 --> 00:17:57,362
THAT'S WHERE
MY POPS TAUGHT ME HOW
TO THROW A SPIRAL.
398
00:17:57,462 --> 00:17:59,404
HE ALWAYS TOLD ME,
399
00:17:59,504 --> 00:18:01,566
"FINGERS BETWEEN
THE LACES, SON.
400
00:18:01,666 --> 00:18:05,209
"COCK THE BALL BACK,
KEEP YOUR ARM
AT 90 DEGREES,
401
00:18:05,309 --> 00:18:06,811
"STEP INTO IT,
402
00:18:06,911 --> 00:18:08,412
AND RELEASE."
403
00:18:08,512 --> 00:18:10,334
SEEMS LIKE
THOSE LESSONS PAID OFF.
404
00:18:10,434 --> 00:18:11,935
NAH, NOT REALLY.
405
00:18:12,035 --> 00:18:14,057
THAT'S WHY I PLAY
WIDE RECEIVER, NOT QB.
406
00:18:14,157 --> 00:18:16,539
- AH.
- WHO KNOWS?
407
00:18:16,639 --> 00:18:20,722
MAYBE IF HE DIDN'T WALK
OUT ON ME BACK THEN, THINGS
WOULD'VE TURNED OUT DIFFERENT.
408
00:18:27,648 --> 00:18:30,711
COOP: I'M TALKIN'
WHOLE FIST THROUGH
THE CABINET, ALL RIGHT?
409
00:18:30,811 --> 00:18:33,873
THERE'S GOTTA BE A UNDERLYING
SOMETHING THERE NOW,
LIKE A MEANNESS
410
00:18:33,973 --> 00:18:38,077
I'VE NEVER SEEN BEFORE.
HE DON'T CARE ABOUT NOTHING
OR NOBODY, INCLUDING HIMSELF.
411
00:18:38,177 --> 00:18:39,718
WELL, SO WHAT ARE WE
SUPPOSED TO DO, THEN?
412
00:18:39,818 --> 00:18:41,920
GIVE UP ON SPENCER?
ABANDON HIM?
413
00:18:42,020 --> 00:18:44,563
WELL, IT AIN'T ABANDONMENT
IF HE'S THE ONE
OPENING THE DOOR
414
00:18:44,663 --> 00:18:46,764
AND TELLING YOU
TO GET THE HELL OUT.
JORDAN: YEAH, I MEAN, I TRIED
415
00:18:46,864 --> 00:18:49,327
TO MAKE EXCUSES FOR HIM
WITH COACH KENNY EARLIER,
BUT, I MEAN,
416
00:18:49,427 --> 00:18:51,328
THE TRUTH IS, I SAW IT
IN HIS EYES LAST NIGHT
417
00:18:51,428 --> 00:18:53,730
AT HIS KICKBACK.
I MEAN, HE'S DONE WITH US.
418
00:18:53,830 --> 00:18:56,933
WELL, WHAT ABOUT ALICIA?
I MEAN, SHE'S HIS GIRLFRIEND.
MAYBE SHE KNOWS--
419
00:18:57,033 --> 00:18:59,976
GIRL, ALICIA CAN'T HELP
HIM OR US, ALL RIGHT?
SHE'S BEEN GONE.
420
00:19:00,076 --> 00:19:02,978
SHE GAVE HIM
A "DEAR SPENCER"
LETTER AND DIPPED.
421
00:19:03,078 --> 00:19:05,220
JORDAN: WAIT. SERIOUSLY? WHEN?
OLIVIA: WAIT, WAIT. I'M SORRY.
422
00:19:05,320 --> 00:19:07,622
SPENCER LOSES
THE CLOSEST THING
HE'S HAD TO A FATHER
423
00:19:07,722 --> 00:19:09,864
AND HIS GIRLFRIEND
DUMPS HIM BECAUSE WHAT,
424
00:19:09,964 --> 00:19:12,146
HE'S NOT FUN ANYMORE?
COOP: OK, EASY THERE.
425
00:19:12,246 --> 00:19:15,068
SHE TOOK A STEP BACK
BECAUSE SHE FELT LIKE
SHE WAS SMOTHERING HIM.
426
00:19:15,168 --> 00:19:17,150
AND KNOWING HIM,
HE PROBABLY FELT ABANDONED,
427
00:19:17,250 --> 00:19:19,632
AND THAT WAS
HIS FINAL STRAW IN HIS
WHOLE DOWNWARD SPIRAL.
428
00:19:19,732 --> 00:19:21,314
HE PUSHED HER AWAY, LIV!
429
00:19:21,414 --> 00:19:23,436
HOW DOES NO ONE GET
THAT SPENCER IS HURTING?
430
00:19:23,536 --> 00:19:26,238
SPACE IS THE LAST THING
THAT HE NEEDS, NO MATTER
431
00:19:26,338 --> 00:19:28,280
HOW MUCH HE TRIES TO
CONVINCE US OTHERWISE.
432
00:19:28,380 --> 00:19:30,762
I MEAN, LIV, I'M NOT
REALLY SURE WHAT ELSE
WE CAN DO FOR SPENCER.
433
00:19:30,862 --> 00:19:32,363
NOT GIVE UP ON HIM.
434
00:19:32,463 --> 00:19:35,986
NONE OF US.
THAT IS WHAT WE CAN DO.
435
00:19:44,874 --> 00:19:46,915
[ALL GIGGLING]
436
00:19:52,200 --> 00:19:53,701
YOU KNOW
HOW MANY HOURS
437
00:19:53,801 --> 00:19:55,223
ME, COOP, AND SHAWN
SPENT ON THESE THINGS?
438
00:19:55,323 --> 00:19:56,664
DR. SPEARS: SHAWN.
YOU MENTIONED HIM BEFORE.
439
00:19:56,764 --> 00:19:57,985
THAT'S YOUR CHILDHOOD FRIEND?
440
00:19:58,085 --> 00:19:59,987
THIS IS
WHERE WE FIRST MET.
441
00:20:00,087 --> 00:20:03,349
WE WERE, LIKE, 6.
[CHUCKLES]
442
00:20:03,449 --> 00:20:05,031
WE'D SWING UP
AS HIGH AS WE COULD,
443
00:20:05,131 --> 00:20:06,952
THEN JUMP OUT THE SEAT
AT THE HIGHEST POINT.
444
00:20:07,052 --> 00:20:08,914
OH, THAT SOUNDS EXHILARATING.
445
00:20:09,014 --> 00:20:13,038
IT WAS, WAS. SHAWN
HAD TO CONVINCE ME
TO DO IT, THOUGH.
446
00:20:13,138 --> 00:20:15,980
SAID, "YOU NEVER
TOUCH THE SKY IF YOU'RE
TOO AFRAID TO FALL."
447
00:20:17,702 --> 00:20:19,643
IT'S CRAZY WE LOST
ALL THAT TIME BEEFIN'
448
00:20:19,743 --> 00:20:22,245
JUST 'CAUSE WE CHOSE
DIFFERENT PATHS.
449
00:20:22,345 --> 00:20:25,208
TURNS OUT
HE WAS LOOKING OUT
FOR ME THE WHOLE TIME.
450
00:20:25,308 --> 00:20:27,450
PROTECTING ME
FROM THE STREETS
WITHOUT ME KNOWING.
451
00:20:27,550 --> 00:20:29,372
NOW THAT'S
A REAL FRIEND.
452
00:20:29,472 --> 00:20:31,473
HE WAS.
453
00:20:34,156 --> 00:20:36,137
AND THEN HE LEFT.
454
00:20:36,237 --> 00:20:39,500
BUT HE DIDN'T LEAVE, SPENCER.
455
00:20:39,600 --> 00:20:41,602
HE PASSED AWAY.
456
00:20:42,483 --> 00:20:44,344
RIGHT, RIGHT.
457
00:20:44,444 --> 00:20:46,446
THAT'S WHAT I MEANT.
458
00:20:52,131 --> 00:20:53,992
JORDAN: COACH, HEY.
459
00:20:54,092 --> 00:20:56,595
I, UH, WAS THINKING
ABOUT THIS MORNING'S
PRACTICE.
460
00:20:56,695 --> 00:20:58,997
OK, YOU TOLD ME TO STAY
IN MY LANE, RIGHT,
461
00:20:59,097 --> 00:21:03,040
AND I AM, BUT AS
A LEADER, I FORGOT
SOMETHING THIS MORNING.
462
00:21:03,140 --> 00:21:05,042
THAT THIS TEAM
IS STILL HURTING.
463
00:21:05,142 --> 00:21:07,644
OK, LOOK, WE DON'T
HAVE FINAL WORD
464
00:21:07,744 --> 00:21:10,246
ON OUR SANCTIONS YET
AND NO MATTER HOW
WE ALL ACT,
465
00:21:10,346 --> 00:21:12,928
THAT STILL WEIGHS ON ALL OF US.
COACH KENNY: WHAT ARE YOU
SAYING, BAKER?
466
00:21:13,028 --> 00:21:15,531
THIS TEAM NEEDS
SOME BONDING, RIGHT,
467
00:21:15,631 --> 00:21:18,813
BUT I THINK WE CAN
DO THAT BY RESTORING
THE FUN INTO FOOTBALL.
468
00:21:18,913 --> 00:21:21,456
[SCOFFS]
BAKER, WE DON'T
HAVE TIME FOR GAMES.
469
00:21:21,556 --> 00:21:23,618
YOU SEE WHAT WE'RE
DEALING WITH OUT HERE.
JORDAN: EXACTLY.
470
00:21:23,718 --> 00:21:25,980
WE JUST NEED
TO GET THEIR HEARTS OUT
ONTO THE FIELD, RIGHT?
471
00:21:26,080 --> 00:21:28,382
MOST OF THESE GUYS
ARE EITHER BRAND-NEW
TO THE TEAM
472
00:21:28,482 --> 00:21:30,704
OR HAVEN'T SEEN
THE FIELD AT ALL,
473
00:21:30,804 --> 00:21:33,206
AND I NEED TO BUILD
CHEMISTRY WITH
MY TEAMMATES.
474
00:21:35,087 --> 00:21:36,829
COACH KENNY: ALL RIGHT,
LISTEN UP, GENTLEMEN, LISTEN UP.
475
00:21:36,929 --> 00:21:38,871
WE'RE DOING SOMETHING
A LITTLE BIT DIFFERENT
476
00:21:38,971 --> 00:21:40,912
THIS PRACTICE,
THANKS TO YOUR QB.
477
00:21:41,012 --> 00:21:43,314
[PLAYERS GRUMBLE]
478
00:21:43,414 --> 00:21:45,316
ALL RIGHT, LISTEN. LOOK,
479
00:21:45,416 --> 00:21:48,118
WE'RE GONNA HAVE
A TOUCHDOWN CELEBRATION CONTEST.
480
00:21:48,218 --> 00:21:50,120
[PLAYERS MURMUR]
481
00:21:50,220 --> 00:21:52,002
COME HERE. EXPLAIN.
482
00:21:52,102 --> 00:21:53,363
JORDAN: HEY, OK.
483
00:21:53,463 --> 00:21:55,525
FELLAS, IT'S SIMPLE,
ALL RIGHT?
484
00:21:55,625 --> 00:21:57,686
WE JUST WANNA SEE WHO HITS
THE BEST GRIDDY.
485
00:21:57,786 --> 00:21:59,888
PLAYERS: HEY.
JORDAN: ALL RIGHT,
SO SHOW ME WHAT YOU GOT!
486
00:21:59,988 --> 00:22:02,691
LET'S GO! COME ON!
LINE IT UP.
LET'S LINE IT UP.
487
00:22:02,791 --> 00:22:04,732
COACH KENNY:
LET'S LINE UP, LINE UP.
PLAYER: YO!
488
00:22:04,832 --> 00:22:06,574
HERE WE GO. CORNER
COMING IN HOT.
489
00:22:06,674 --> 00:22:08,416
OK, GO.
490
00:22:08,516 --> 00:22:09,857
RICKY CAGE: ♪ WHOO! ♪
491
00:22:09,957 --> 00:22:11,498
[PLAYERS CHEERING]
492
00:22:11,598 --> 00:22:13,260
COACH KENNY: ALL RIGHT,
ALL RIGHT. WHAT YOU GOT?
493
00:22:13,360 --> 00:22:15,341
["GOTTA KEEP MOVIN" PLAYING]
494
00:22:15,441 --> 00:22:17,503
♪ I SAID THE WORLD
KEEPS SPINNING ♪
JORDAN: EH.
495
00:22:17,603 --> 00:22:19,385
♪ DON'T STOP FOR NOBODY ♪
COACH KENNY: NEXT, NEXT, NEXT.
496
00:22:19,485 --> 00:22:22,147
COME ON, LET'S GO, 83.
JORDAN: OK, GO.
497
00:22:22,247 --> 00:22:24,870
COACH KENNY: OH.
ALL RIGHT, ALL RIGHT.
498
00:22:24,970 --> 00:22:27,071
COME ON, J.
[PLAYERS CHEER]
499
00:22:27,171 --> 00:22:29,033
COACH KENNY:
WHAT YOU GOT, 83?
500
00:22:29,133 --> 00:22:30,795
[PLAYERS JEERING AND LAUGHING]
COACH KENNY: THERE YOU GO.
501
00:22:30,895 --> 00:22:32,636
WAKE UP!
JORDAN: AH, HA HA HA!
502
00:22:32,736 --> 00:22:34,398
EH...
COACH KENNY: OH. AH.
503
00:22:34,498 --> 00:22:37,320
CAGE: ♪ BABY, DON'T STOP NOW
NOW, NOW, NOW ♪
504
00:22:37,420 --> 00:22:39,802
JORDAN: ALL RIGHT, EVAN,
LET'S SEE WHAT YOU GOT.
505
00:22:39,902 --> 00:22:41,764
OK, GO.
CAGE: ♪ DON'T SLOW DOWN, BABY ♪
506
00:22:41,864 --> 00:22:44,766
♪ DON'T SLOW DOWN,
YOU GOTTA KEEP MOVIN ♪
507
00:22:44,866 --> 00:22:49,210
- [CHEERING]
- ♪ YOU GOTTA KEEP GOING ♪
508
00:22:49,310 --> 00:22:53,374
♪ HEY, HEY,
YOU GOTTA KEEP MOVIN ♪
509
00:22:53,474 --> 00:22:54,975
WHOO!
510
00:22:55,075 --> 00:22:57,297
[SHOUTING INDISTINCTLY]
511
00:22:57,397 --> 00:23:00,119
GO ON, COACH.
512
00:23:08,006 --> 00:23:10,188
YOU KNOW, I'M NOT ABOVE
BUYING ICE CREAM
513
00:23:10,288 --> 00:23:12,470
FOR MY CLIENTS
TO KEEP THEM TALKING.
514
00:23:12,570 --> 00:23:15,593
SPENCER: HEH HEH! WELL,
I AIN'T ABOVE BEING BRIBED.
DR. SPEARS: OK.
515
00:23:15,693 --> 00:23:18,195
YOU KNOW, SHORTLY
AFTER HE CAME BACK,
516
00:23:18,295 --> 00:23:20,197
POPS BROUGHT ME
AND DILLON HERE.
517
00:23:20,297 --> 00:23:22,438
GUESS HE WANTED TO
GET IN SOME BONDING
TIME, YOU KNOW?
518
00:23:22,538 --> 00:23:24,680
- AND HOW WAS THAT DAY?
- IT WAS GREAT.
519
00:23:24,780 --> 00:23:26,642
IT WAS HOT.
520
00:23:26,742 --> 00:23:28,644
HE BOUGHT US
ICE CREAM
TO COOL OFF,
521
00:23:28,744 --> 00:23:30,846
BUT IT STARTED
MELTING SO FAST,
HE HAD TO TURN IT
522
00:23:30,946 --> 00:23:32,887
INTO A ICE CREAM EATING CONTEST.
DR. SPEARS: HA HA!
523
00:23:32,987 --> 00:23:34,729
HE DID? WHO WON?
524
00:23:34,829 --> 00:23:37,411
NOBODY, MAN.
WE ALL GOT
BRAIN FREEZE.
525
00:23:37,511 --> 00:23:39,013
WOW.
526
00:23:39,113 --> 00:23:40,974
YOU KNOW, IT SEEMS THAT,
UH, DESPITE THE ANGER
527
00:23:41,074 --> 00:23:44,297
YOU FELT OVER COREY
LEAVING YOU WHEN YOU
WERE YOUNG,
528
00:23:44,397 --> 00:23:46,619
YOU SEEM TO HAVE BUILT UP
SOME REALLY GOOD MEMORIES
529
00:23:46,719 --> 00:23:49,662
WHEN HE CAME BACK
INTO YOUR LIFE.
530
00:23:49,762 --> 00:23:51,263
UH, YEAH.
531
00:23:51,363 --> 00:23:53,665
WASN'T ENOUGH TIME, THOUGH.
532
00:23:53,765 --> 00:23:56,207
I BLINKED AND HE
WAS GONE AGAIN.
533
00:23:58,809 --> 00:24:00,811
HOW'D YOU FEEL
ABOUT HIS PASSING?
534
00:24:04,534 --> 00:24:07,216
LEAST I GOT
TO SAY GOODBYE.
535
00:24:09,899 --> 00:24:11,800
PATIENCE:
I WANTED TO THANK YOU
536
00:24:11,900 --> 00:24:13,762
IN PERSON FOR REPOSTING
MY VIDEO.
537
00:24:13,862 --> 00:24:16,164
OH, MAN. HEH!
YOU DON'T HAVE
TO THANK ME.
538
00:24:16,264 --> 00:24:18,126
YOU KNOW I'M
YOUR NUMBER-ONE FAN.
539
00:24:18,226 --> 00:24:21,208
LATELY I'VE BEEN
WORKING ON SETTING
BOUNDARIES IN MY LIFE.
540
00:24:21,308 --> 00:24:23,210
ONE OF THOSE BOUNDARIES
IS MY HOME.
541
00:24:23,310 --> 00:24:25,932
SO YOU SENDING FLOWERS
OVER THERE WAS--
542
00:24:26,032 --> 00:24:27,894
IT WAS TOTALLY INAPPROPRIATE.
543
00:24:27,994 --> 00:24:31,817
OH, MY GOD, I...
I WASN'T EVEN THINKING.
544
00:24:31,917 --> 00:24:34,460
WELL, YOU KNOW I'D
NEVER DO ANYTHING TO
MAKE YOU UNCOMFORTABLE
545
00:24:34,560 --> 00:24:36,221
ON--ON PURPOSE.
546
00:24:36,321 --> 00:24:38,423
PATIENCE: YEAH, WELL, YOU DID.
MIKO: I'M SO SORRY.
547
00:24:38,523 --> 00:24:40,545
I--I WAS TRYING TO BE
SUPPORTIVE, BUT I--
548
00:24:40,645 --> 00:24:42,466
I TOTALLY SEE
HOW I OVERSTEPPED.
549
00:24:42,566 --> 00:24:45,629
YOU MUST HATE ME.
I'M SO, SO STUPID!
550
00:24:45,729 --> 00:24:48,071
LOOK, NO, YOU'RE NOT.
YOU'RE JUST...
551
00:24:48,171 --> 00:24:49,713
LOOK, YOU MADE
A MISTAKE.
552
00:24:49,813 --> 00:24:52,315
WE ALL DO IT
SOMETIMES. IT'S...
553
00:24:52,415 --> 00:24:54,957
IT'S FINE. IT'S FINE.
554
00:24:55,057 --> 00:24:57,079
THANK YOU
FOR SAYING THAT.
555
00:24:57,179 --> 00:24:59,281
YOU'RE A REAL ONE.
556
00:24:59,381 --> 00:25:02,123
THAT'S WHY I'LL--
I'LL ALWAYS BE A FAN.
557
00:25:02,223 --> 00:25:04,125
EXCUSE ME.
PATIENCE?
558
00:25:04,225 --> 00:25:06,327
PATIENCE: OH. YEAH?
WOMAN: CAN WE GET A PIC?
559
00:25:06,427 --> 00:25:08,248
OH, MY GOD.
YEAH, YEAH. UM,
560
00:25:08,348 --> 00:25:10,370
LET'S FIND SOMEWHERE
WITH MORE LIGHT.
561
00:25:10,470 --> 00:25:12,011
WOMAN: OK.
PATIENCE: OK? YEAH. UM,
562
00:25:12,111 --> 00:25:14,213
I'LL BE RIGHT BACK, OK?
UM, YEAH.
563
00:25:14,313 --> 00:25:16,375
MIKO: TAKE YOUR TIME.
PATIENCE: OK.
564
00:25:16,475 --> 00:25:18,657
YEAH, YEAH.
565
00:25:18,757 --> 00:25:20,659
WOMAN: DO YOU WANT TO TAKE IT?
PATIENCE: I'LL TAKE IT, YEAH.
566
00:25:20,759 --> 00:25:22,801
WOMAN, CHUCKLING: OK.
PATIENCE: OK.
567
00:25:30,567 --> 00:25:32,749
[FOOTSTEPS APPROACHING]
568
00:25:32,849 --> 00:25:34,711
HEY.
569
00:25:34,811 --> 00:25:37,153
I DIDN'T THINK
YOU WERE GONNA SHOW.
570
00:25:37,253 --> 00:25:39,795
ALICIA: WHY AM I HERE?
OLIVIA: BECAUSE SPENCER
IS DROWNING,
571
00:25:39,895 --> 00:25:43,138
AND I THINK THAT
YOU'RE THE ONLY PERSON
THAT CAN SAVE HIM.
572
00:25:49,223 --> 00:25:52,766
LOOK, I'VE SEEN HIM
DEAL WITH A LOT IN
HIS LIFE, BUT NOTHING
573
00:25:52,866 --> 00:25:55,769
HAS AFFECTED HIM
THE WAY THAT MY DAD'S
PASSING HAS, AND HE IS
574
00:25:55,869 --> 00:25:59,732
HEADED TOWARD A VERY,
VERY DARK PLACE.
575
00:25:59,832 --> 00:26:03,335
I TRIED TO HELP HIM.
I DID, BUT HE DIDN'T
WANT MY HELP.
576
00:26:03,435 --> 00:26:05,297
WHAT HAPPENED EXACTLY?
577
00:26:05,397 --> 00:26:08,219
YOU HAPPENED...
AND YOU KEEP HAPPENING.
578
00:26:08,319 --> 00:26:10,941
FORGIVE ME IF I DON'T
WANT TO SET MYSELF UP
FOR FAILURE,
579
00:26:11,041 --> 00:26:14,424
BUT IF SPENCER NEEDS
SAVING, CLEARLY, YOU ARE
THE PERSON TO DO IT.
580
00:26:14,524 --> 00:26:17,147
NO, I--I DON'T
THINK I AM.
581
00:26:17,247 --> 00:26:20,750
NOT ANYMORE.
BUT RIGHT NOW,
SPENCER NEEDS
582
00:26:20,850 --> 00:26:24,433
EVERYONE
THAT HE LOVES TO
SHOW UP FOR HIM.
583
00:26:24,533 --> 00:26:28,076
AND AS THE WOMAN
IN HIS LIFE,
I MEAN,
584
00:26:28,176 --> 00:26:30,818
THAT ESPECIALLY
MEANS YOU.
585
00:26:38,185 --> 00:26:40,627
DO WITH THAT
WHAT YOU WILL.
586
00:26:42,108 --> 00:26:44,110
[SIGHS]
587
00:26:46,672 --> 00:26:48,974
DR. SPEARS: SO--
SPENCER: I'M LIKE,
"HELL NO. I GOT PRACTICE."
588
00:26:49,074 --> 00:26:51,496
SPENCER: COOP WAS LIKE,
"I DARE YOU."
DR. SPEARS: COOP DID?
589
00:26:51,596 --> 00:26:53,538
[CELLPHONE VIBRATING]
SPENCER: YEAH, AND BACK IN
THEM DAYS, YOU DON'T TURN DOWN
590
00:26:53,638 --> 00:26:56,100
A DARE FROM COOP, OK?
DR. SPEARS: OH, WOW. HEH!
591
00:26:56,200 --> 00:26:58,242
[VIBRATING CONTINUES]
592
00:27:00,844 --> 00:27:02,845
[CLEARS THROAT]
593
00:27:06,168 --> 00:27:08,711
WHY DIDN'T YOU
SEND THAT CALL
TO VOICEMAIL?
594
00:27:08,811 --> 00:27:10,912
- WHY DOES IT MATTER?
- IT MATTERS
595
00:27:11,012 --> 00:27:14,315
BECAUSE YOU HESITATED
TO DECLINE IT AND THEN
YOU WENT SOMEWHERE ELSE.
596
00:27:14,415 --> 00:27:17,758
- LOOK, MAYBE THAT'S ENOUGH
FOR TODAY'S SESSION, OK?
- NO. NO, NO.
597
00:27:17,858 --> 00:27:19,360
NO.
598
00:27:19,460 --> 00:27:21,361
NO MORE HIDING, SPENCER.
599
00:27:21,461 --> 00:27:23,563
IT'S A DAMN CALL, DOC.
IT'S A DAMN VOICEMAIL,
A'IGHT?
600
00:27:23,663 --> 00:27:26,205
NO, NO, IT'S NOT.
THERE'S SOMETHING
MORE THERE--
601
00:27:26,305 --> 00:27:28,207
LEAVE ME ALONE, A'IGHT?
WHY CAN'T Y'ALL JUST
602
00:27:28,307 --> 00:27:31,210
LEAVE ME ALONE, A'IGHT?
603
00:27:31,310 --> 00:27:33,812
SPENCER, YOU CAN'T
RUN FROM THIS.
604
00:27:33,912 --> 00:27:36,654
DON'T RUN FROM IT.
LOOK, THIS IS WHY
WE'RE DOING THE WORK.
605
00:27:36,754 --> 00:27:39,296
MAYBE I DON'T WANNA DO
THE WORK, DOC, OK?!
606
00:27:39,396 --> 00:27:41,939
STOP, MAN! YO, YO! CHILL!
DR. SPEARS: LOOK, WAIT.
607
00:27:42,039 --> 00:27:43,740
NO.
608
00:27:43,840 --> 00:27:47,383
NOW TALK TO ME.
YOU GOTTA
LET IT OUT.
609
00:27:47,483 --> 00:27:49,585
GIVE IT A VOICE.
610
00:27:49,685 --> 00:27:52,628
WHY ARE YOU ANGRY?
SPENCER: BECAUSE I SENT
HIS CALL TO VOICEMAIL!
611
00:27:52,728 --> 00:27:56,271
[VOICE TREMBLING]
I DECLINED
COACH BAKER'S CALL!
612
00:27:56,371 --> 00:27:59,914
COACH! MY HERO!
THE MAN WHO SAVED MY LIFE!
613
00:28:00,014 --> 00:28:03,457
I DECLINED
HIS CALL, MAN.
614
00:28:07,020 --> 00:28:11,164
[VOICE CRACKING]
IT WAS MY LAST CHANCE TO
TALK TO HIM, AND I...
615
00:28:11,264 --> 00:28:13,726
MAYBE IF I HAD PICKED UP
THE DAMN PHONE,
616
00:28:13,826 --> 00:28:16,728
I COULD HAVE CHANGED THINGS,
I COULD HAVE KEPT
HIM OFF THAT BUS,
617
00:28:16,828 --> 00:28:19,731
I COULD HAVE
KEPT HIM ALIVE!
BUT INSTEAD,
618
00:28:19,831 --> 00:28:23,454
ALL I'VE GOT IS
A REMINDER
619
00:28:23,554 --> 00:28:25,536
OF HOW I
FAILED HIM, MAN.
620
00:28:25,636 --> 00:28:26,817
- YOU DID NOT FAIL HIM.
- YES, I DID!
621
00:28:26,917 --> 00:28:28,458
NO, YOU DID NOT
FAIL HIM.
622
00:28:28,558 --> 00:28:30,700
YOU CANNOT BLAME
YOURSELF FOR THIS.
623
00:28:30,800 --> 00:28:32,702
SON...
624
00:28:32,802 --> 00:28:34,663
THERE'S NOTHING YOU
625
00:28:34,763 --> 00:28:37,446
OR ANYONE ELSE
COULD'VE DONE.
626
00:28:42,170 --> 00:28:45,112
BUT I AIN'T GET A CHANCE
TO SAY GOODBYE...
627
00:28:45,212 --> 00:28:47,314
[CRYING]
628
00:28:47,414 --> 00:28:50,457
I DIDN'T GET
TO SAY GOODBYE.
629
00:28:55,061 --> 00:28:57,062
NOW HE'S GONE.
630
00:28:59,424 --> 00:29:01,526
HE LEFT ME.
[CRYING]
631
00:29:01,626 --> 00:29:05,089
WHY THEY ALWAYS
LEAVE ME, MAN?
632
00:29:05,189 --> 00:29:06,851
[SNIFFS]
633
00:29:06,951 --> 00:29:08,852
MALE SINGERS: ♪ IT'S ALL RIGHT,
IT'S ALL RIGHT ♪
634
00:29:08,952 --> 00:29:11,174
SINGERS: ♪ IT'S ALL RIGHT ♪
DR. SPEARS: IT'S OK.
635
00:29:11,274 --> 00:29:15,878
SINGERS: ♪ GOODBYE, GOODBYE
GOODBYE ♪
636
00:29:22,364 --> 00:29:23,505
JORDAN: ALL RIGHT, FELLAS.
HERE WE GO.
637
00:29:23,605 --> 00:29:26,427
BE ALIVE.
DOWN, SET. 180.
638
00:29:26,527 --> 00:29:27,909
WIDE AND SET!
639
00:29:28,009 --> 00:29:30,010
[PLAYERS SHOUTING]
640
00:29:34,294 --> 00:29:36,956
[CHEERING]
641
00:29:37,056 --> 00:29:39,919
COME ON, BABY!
HEY, HEY.
642
00:29:40,019 --> 00:29:42,841
ALL: HEY, HEY, HEY...
643
00:29:42,941 --> 00:29:44,843
[PLAYERS CLAMOURING]
644
00:29:44,943 --> 00:29:46,845
[CHUCKLES]
645
00:29:46,945 --> 00:29:49,007
I'MMA BE HONEST, MAN.
646
00:29:49,107 --> 00:29:52,329
I DIDN'T THINK YOUR WHOLE
DANCE COMPETITION THING
WAS GONNA WORK.
647
00:29:52,429 --> 00:29:54,051
WELL, WHY'D YOU
AGREE TO DO IT?
648
00:29:54,151 --> 00:29:56,613
BECAUSE YOU
BELIEVED IN IT.
649
00:29:56,713 --> 00:29:58,815
YOU KNOW,
MY SISTER REMINDED ME
OF SOMETHING TODAY,
650
00:29:58,915 --> 00:30:01,017
THAT NO MATTER
WHAT'S HAPPENING,
651
00:30:01,117 --> 00:30:03,699
QUITTING ON YOUR
PEOPLE, IT'S NEVER
AN OPTION.
652
00:30:03,799 --> 00:30:05,841
[SLAPS
COACH KENNY'S BACK]
653
00:30:07,562 --> 00:30:09,384
[OVERLAPPING CHATTER]
654
00:30:09,484 --> 00:30:11,486
SMART WOMAN.
655
00:30:18,732 --> 00:30:20,233
STILL AT IT?
656
00:30:20,333 --> 00:30:22,635
UH, YES, SIR.
JUST GOING THROUGH
657
00:30:22,735 --> 00:30:24,637
SOME GAME TAPE,
LOOKING FOR WHERE
I CAN IMPROVE.
658
00:30:24,737 --> 00:30:26,639
- IT'S GREAT. IT'S IMPRESSIVE.
- YEAH.
659
00:30:26,739 --> 00:30:28,840
YOU WERE GOOD ON
THE FIELD TODAY, TOO.
JJ: THANKS, COACH.
660
00:30:28,940 --> 00:30:30,842
IT MEANS A LOT.
COACH MR. MONTES:
I'D BE LYING IF I SAID
661
00:30:30,942 --> 00:30:33,044
I WASN'T WORRIED
AT THE TOP OF
THE OFF SEASON.
662
00:30:33,144 --> 00:30:37,007
YOU CAN THANK ASHER
FOR THE FACT THAT YOU STILL
HAVE A SPOT ON THIS TEAM.
663
00:30:37,107 --> 00:30:40,010
I'M SORRY, SIR.
THOSE DISTRACTIONS
ARE ALL GONE.
664
00:30:40,110 --> 00:30:42,812
I WON'T GIVE YOU
ANY REASON TO WORRY AGAIN.
COACH MR. MONTES: THAT'S GOOD.
665
00:30:42,912 --> 00:30:45,975
'CAUSE I DON'T USUALLY DO
SECOND CHANCES.
666
00:30:46,075 --> 00:30:48,757
YOU BLOW OFF
THIS PROGRAM AGAIN
AND YOU'RE DONE.
667
00:30:56,484 --> 00:30:58,485
[SIGHS]
668
00:31:11,096 --> 00:31:13,238
NOPE, NOPE.
[SETS DOWN CAN]
669
00:31:13,338 --> 00:31:15,240
YOU DON'T NEED IT.
[SIGHING]
670
00:31:15,340 --> 00:31:17,482
JUST FOCUS.
671
00:31:17,582 --> 00:31:19,684
[EXHALES SHARPLY]
672
00:31:19,784 --> 00:31:21,325
DR. SPEARS: CAN I
ASK YOU SOMETHING?
673
00:31:21,425 --> 00:31:23,086
WHY DO YOU THINK
YOU'RE UNWORTHY
674
00:31:23,186 --> 00:31:26,569
OF PEOPLE STAYING
IN YOUR LIFE?
675
00:31:26,669 --> 00:31:28,931
YEAH, I DON'T THINK
IT WAS A SLIP-UP
WHEN YOU REFERRED
676
00:31:29,031 --> 00:31:31,213
TO YOUR LOVED ONES'
DEATHS AS THEM
"LEAVING."
677
00:31:31,313 --> 00:31:33,535
WHEN YOU BROKE DOWN
EARLIER, YOU SAID
678
00:31:33,635 --> 00:31:35,497
THEY ALL ALWAYS
LEAVE YOU,
679
00:31:35,597 --> 00:31:37,459
AS IF IT WAS
THEIR CHOICE.
680
00:31:37,559 --> 00:31:40,061
BECAUSE PEOPLE DO
ALWAYS LEAVE.
681
00:31:40,161 --> 00:31:44,204
AND I DON'T JUST MEAN
COREY OR SHAWN, BILLY.
682
00:31:46,046 --> 00:31:48,548
DARNELL AND I WERE
LIKE BROTHERS.
683
00:31:48,648 --> 00:31:52,031
WE GOT MAD CLOSE AND THEN
HE HAD TO LEAVE TO GO
TAKE CARE OF HIS MUMS.
684
00:31:52,131 --> 00:31:54,273
MY MUM LIVES
IN OAKLAND NOW.
685
00:31:54,373 --> 00:31:56,595
EVEN MY GIRL BOUNCED
THE MINUTE THINGS
GOT TOUGH.
686
00:31:56,695 --> 00:31:59,237
AND I KNOW, I KNOW,
687
00:31:59,337 --> 00:32:01,839
UP HERE...
688
00:32:01,939 --> 00:32:05,843
THAT ALL THEIR REASONS
FOR LEAVING MAKE SENSE, BUT...
689
00:32:05,943 --> 00:32:08,885
I CAN'T STOP WHATEVER
IT IS INSIDE OF ME
690
00:32:08,985 --> 00:32:11,888
THAT KEEPS TELLING ME,
691
00:32:11,988 --> 00:32:13,850
"SEE?
692
00:32:13,950 --> 00:32:18,614
"DON'T NOBODY WANNA
STICK AROUND.
693
00:32:18,714 --> 00:32:20,375
YOU ALWAYS THE ONE
LEFT BEHIND."
694
00:32:20,475 --> 00:32:23,097
THAT VOICE IS
LITTLE SPENCER,
695
00:32:23,197 --> 00:32:25,419
WHOSE FATHER LEFT HIM
AT 8 YEARS OLD.
696
00:32:25,519 --> 00:32:28,062
YOU HAVE GOTTA STOP
LETTING THAT ONE
INCIDENT TOUCH
697
00:32:28,162 --> 00:32:30,063
EVERY RELATIONSHIP
YOU HAVE.
698
00:32:30,163 --> 00:32:32,065
THAT HAD EVERYTHING
TO DO WITH COREY
AND HIS WORTH
699
00:32:32,165 --> 00:32:34,267
AND NOTHING TO DO
WITH YOU AND YOURS.
700
00:32:34,367 --> 00:32:37,269
YOU HAVE TO LET THAT
GO, AND UNTIL YOU DO,
701
00:32:37,369 --> 00:32:39,872
WHEN THINGS GET
ROCKY, YOU'LL JUST
KEEP DEFAULTING
702
00:32:39,972 --> 00:32:42,474
TO PUSHING AWAY
THE PEOPLE THAT LOVE
YOU BECAUSE LITTLE YOU
703
00:32:42,574 --> 00:32:44,756
IS TRYING
TO PROTECT BIG YOU
704
00:32:44,856 --> 00:32:46,998
FROM ALL THE PAIN OF
ABANDONMENT HE FELT.
705
00:32:47,098 --> 00:32:48,599
HOW?
706
00:32:48,699 --> 00:32:51,241
HOW DO I
LET THAT GO?
707
00:32:51,341 --> 00:32:52,923
WE'LL GET THERE,
708
00:32:53,023 --> 00:32:55,985
TOGETHER,
NO MATTER
HOW LONG IT TAKES.
709
00:32:59,989 --> 00:33:02,491
YOU KNOW, MAN, I WISH--
710
00:33:02,591 --> 00:33:06,194
I WISH YOU COULD SEE YOU
THE WAY EVERYONE ELSE
SEES YOU.
711
00:33:07,555 --> 00:33:10,498
NO, NO, I MEAN,
THE PEOPLE WHO GET
TO BE IN YOUR LIFE,
712
00:33:10,598 --> 00:33:13,500
THEY'RE THE LUCKY ONES.
713
00:33:13,600 --> 00:33:17,223
EVEN COREY KNEW THAT.
THAT'S WHY HE CAME BACK.
714
00:33:17,323 --> 00:33:19,826
AND EVEN IN HIS DEATH,
715
00:33:19,926 --> 00:33:22,188
HE STILL HASN'T LEFT YOU.
716
00:33:22,288 --> 00:33:24,149
NONE OF THEM HAVE.
717
00:33:24,249 --> 00:33:26,351
THEY'RE STILL HERE
BECAUSE OF THE GIFTS
718
00:33:26,451 --> 00:33:28,513
THAT THEY LEFT FOR YOU.
719
00:33:28,613 --> 00:33:31,355
FOR COREY,
IT'S THE GIFT
OF DARNELL
720
00:33:31,455 --> 00:33:33,557
AND COACH KENNY,
BROTHER FIGURES
721
00:33:33,657 --> 00:33:35,839
HE BROUGHT
INTO YOUR LIFE.
722
00:33:35,939 --> 00:33:38,121
I NEVER THOUGHT
OF IT THAT WAY.
723
00:33:38,221 --> 00:33:39,722
FOR SHAWN,
724
00:33:39,822 --> 00:33:42,084
IT'S THE GIFT
OF YOUR FUTURE.
725
00:33:42,184 --> 00:33:44,927
THE ONE HE
PROTECTED RIGHT UP
UNTIL THE END.
726
00:33:45,027 --> 00:33:47,529
AND FOR BILLY--
SPENCER: IT WAS THE VOICEMAIL.
727
00:33:47,629 --> 00:33:50,091
THE CHANCE TO HEAR
HIS VOICE TELL YOU
HE LOVES YOU
728
00:33:50,191 --> 00:33:53,094
WHENEVER YOU NEED
TO HEAR IT.
729
00:33:53,194 --> 00:33:57,037
AND WHAT DO WE DO
WHEN PEOPLE
GIVE US A GIFT?
730
00:33:58,518 --> 00:34:00,760
WE SAY, "THANK YOU."
731
00:34:02,842 --> 00:34:04,944
I KNOW WHAT I
GOTTA DO.
732
00:34:05,044 --> 00:34:07,606
[TAPS COUNTER TWICE]
YEP.
733
00:34:10,208 --> 00:34:12,210
[SIGHS]
734
00:34:15,653 --> 00:34:17,555
THANK YOU.
735
00:34:17,655 --> 00:34:19,696
ANYTIME, BROTHER.
736
00:34:24,100 --> 00:34:26,982
[SIGHS]
UM...
737
00:34:28,464 --> 00:34:30,365
SAME TIME NEXT WEEK?
738
00:34:30,465 --> 00:34:32,367
NEXT WEEK IT IS.
739
00:34:32,467 --> 00:34:34,369
NOW, KEEP YOUR HEAD UP.
740
00:34:34,469 --> 00:34:36,971
YOU WILL GET
THROUGH THIS.
741
00:34:37,071 --> 00:34:39,974
["DAY BY DAY" PLAYING]
742
00:34:40,074 --> 00:34:43,897
TRVSTFALL:
♪ I'M TAKE IT DAY BY DAY ♪
743
00:34:43,997 --> 00:34:47,180
♪ BY DAY BY DAY ♪
744
00:34:47,280 --> 00:34:51,143
♪ TAKE IT DAY BY DAY ♪
745
00:34:51,243 --> 00:34:53,245
[CHUCKLES]
[DOOR CLOSES]
746
00:34:56,087 --> 00:34:58,990
[GUITAR MUSIC PLAYING SOFTLY]
747
00:34:59,090 --> 00:35:01,192
BILLY, VOICE-OVER:
HEY, THIS IS BILLY BAKER.
748
00:35:01,292 --> 00:35:04,875
LEAVE ONE.
SPENCER: HEY, COACH,
749
00:35:04,975 --> 00:35:07,197
IT'S ME.
750
00:35:07,297 --> 00:35:09,979
I'M SORRY I TOOK SO LONG
TO HIT YOU BACK.
751
00:35:11,981 --> 00:35:15,023
HEH! MAN, WHERE DO I
EVEN START? UM...
752
00:35:16,585 --> 00:35:19,487
I BEEN KINDA GOING
THROUGH SOME THINGS,
753
00:35:19,587 --> 00:35:22,450
TRYING TO OUTRUN MY DEMONS,
754
00:35:22,550 --> 00:35:25,632
HIDE FROM THE TRUTH
OF EVERYTHING I BEEN FEELING.
755
00:35:27,554 --> 00:35:31,097
BUT THE DAY ALWAYS COMES
WHEN YOU HAVE TO FACE IT,
756
00:35:31,197 --> 00:35:33,639
NO MATTER HOW UGLY
IT GETS.
757
00:35:35,240 --> 00:35:37,242
TODAY WAS THAT DAY.
758
00:35:41,246 --> 00:35:43,788
MAN, I MISS YOU.
759
00:35:43,888 --> 00:35:47,351
SO MUCH.
760
00:35:47,451 --> 00:35:51,795
THAT'S THE FEELING I'VE
BEEN RUNNING FROM THE MOST
BECAUSE I HAVE NO IDEA
761
00:35:51,895 --> 00:35:54,937
HOW TO FILL THE VOID
LEFT BY YOU.
762
00:35:57,900 --> 00:36:00,442
BUT I'M GETTING HELP.
763
00:36:00,542 --> 00:36:03,444
I'M FINALLY WORKING
THROUGH IT.
764
00:36:03,544 --> 00:36:06,047
AND I'M GONNA
MAKE SURE
765
00:36:06,147 --> 00:36:10,210
THAT I GET BACK
TO BEING OK.
766
00:36:10,310 --> 00:36:13,053
MALE SINGER: ♪ HURRY UP... ♪
'CAUSE THAT'S WHAT YOU,
767
00:36:13,153 --> 00:36:15,254
SHAWN, AND COREY WOULD
HAVE WANTED ME TO DO.
768
00:36:15,354 --> 00:36:17,216
SINGER:
♪ WE GOT PLACES TO GO ♪
769
00:36:17,316 --> 00:36:18,617
SPENCER: I'M SURE I'LL HAVE DAYS
WHERE IT FEELS LIKE
770
00:36:18,717 --> 00:36:20,299
IT'S ALL COMING TOGETHER...
771
00:36:20,399 --> 00:36:22,260
YOUR NUMBERS KEEP CLIMBING
AND THE IMPRESSIONS
772
00:36:22,360 --> 00:36:24,222
ARE OFF THE CHARTS
ACROSS ALL PLATFORMS.
773
00:36:24,322 --> 00:36:26,864
PATIENCE: MM.
LAYLA: SEE? YOUR VIDEO'S
A BONAFIDE HIT.
774
00:36:26,964 --> 00:36:28,866
PATIENCE: YEAH.
SPENCER, VOICE-OVER:
BUT I KNOW GRIEF
775
00:36:28,966 --> 00:36:31,348
IS WAITING THERE
IN THE DARKNESS,
776
00:36:31,448 --> 00:36:34,231
READY TO POUNCE.
[CLICK]
777
00:36:34,331 --> 00:36:37,233
LAYLA: AND THANK GOD
THAT MIKO MESS IS
FIRMLY BEHIND US, TOO.
778
00:36:37,333 --> 00:36:39,235
SO IT'S A DOUBLE WIN.
PATIENCE: UGH.
779
00:36:39,335 --> 00:36:41,076
YEAH, THANK GOD.
NO MORE MESS.
780
00:36:41,176 --> 00:36:43,478
[LAYLA AND PATIENCE CHUCKLE]
781
00:36:43,578 --> 00:36:45,440
SPENCER, VOICE-OVER:
LUCKILY,
782
00:36:45,540 --> 00:36:48,843
ONE OF THE MANY GIFTS YOU
AND COREY BLESSED ME WITH
783
00:36:48,943 --> 00:36:50,805
IS A FAMILY
784
00:36:50,905 --> 00:36:52,846
AND A VILLAGE
THAT KEEPS GROWING.
785
00:36:52,946 --> 00:36:54,808
COACH.
786
00:36:54,908 --> 00:36:57,050
WHAT ARE YOU
DOING HERE?
787
00:36:57,150 --> 00:37:00,052
GIVING YOU WHAT
YOU ASKED FOR,
788
00:37:00,152 --> 00:37:02,895
BUT I WANTED
TO DELIVER IT IN PERSON.
789
00:37:02,995 --> 00:37:05,937
SINGER: ♪ ...YOU SEE,
IT'S THE MEMORIES ♪
790
00:37:06,037 --> 00:37:08,420
♪ OF LIFE IN ME ♪
791
00:37:08,520 --> 00:37:10,181
I OWE YOU AN APOLOGY.
792
00:37:10,281 --> 00:37:13,104
NO. YOU NEEDED
A PUNCHING BAG,
I WAS HERE, SO--
793
00:37:13,204 --> 00:37:15,305
NO, I NEEDED SOMEONE
I COULD COUNT ON,
794
00:37:15,405 --> 00:37:18,748
AND YOU WAS THERE,
AND THAT SCARED ME.
795
00:37:18,848 --> 00:37:21,391
THERE'S SO MUCH OF YOU
THAT REMINDS ME
OF MY POPS
796
00:37:21,491 --> 00:37:23,492
AND COACH BAKER.
797
00:37:25,454 --> 00:37:28,156
YOU TURNED
INTO THE BROTHER
I NEVER KNEW I NEEDED.
798
00:37:28,256 --> 00:37:33,020
A CLOSENESS I THOUGHT I
COULDN'T AFFORD ANYMORE,
BUT I WAS WRONG.
799
00:37:36,303 --> 00:37:38,305
COME HERE, MAN.
800
00:37:44,430 --> 00:37:46,932
GLAD TO HEAR YOU
SAY THAT
801
00:37:47,032 --> 00:37:49,935
'CAUSE NO MATTER HOW HARD
YOU TRY TO PUSH ME AWAY,
802
00:37:50,035 --> 00:37:52,497
I'M NEVER
LEAVING YOU, BRUH.
803
00:37:52,597 --> 00:37:54,619
[BOTH CHUCKLE]
804
00:37:54,719 --> 00:37:56,420
AND I'M NOT
THE ONLY ONE.
805
00:37:56,520 --> 00:37:58,702
SINGER: ♪ AND JUST
A LITTLE LONGER ♪
WHAT?
806
00:37:58,802 --> 00:38:01,404
COME ON. YOU'LL SEE.
807
00:38:02,605 --> 00:38:07,089
SINGER:
♪ I'M NOT READY TO GO ♪
808
00:38:08,490 --> 00:38:10,833
♪ JUST A LITTLE LONGER... ♪
809
00:38:10,933 --> 00:38:13,675
SPENCER, VOICE-OVER:
Y'ALL MADE SURE I'D
NEVER BE ALONE.
810
00:38:13,775 --> 00:38:17,478
FOR THAT, AND FOR EVERY DAY
I HAD WITH YOU,
811
00:38:17,578 --> 00:38:19,640
EVERY DAY I GOT
TO LOVE YOU,
812
00:38:19,740 --> 00:38:21,642
I SAY THANK YOU.
813
00:38:21,742 --> 00:38:25,145
SINGER:
♪ JUST A LITTLE LONGER ♪
814
00:38:26,666 --> 00:38:28,247
SPENCER, VOICE-OVER:
THANK YOU.
815
00:38:28,347 --> 00:38:32,211
SINGER:
♪ I'M NOT READY TO GO ♪
816
00:38:32,311 --> 00:38:34,453
SPENCER, VOICE-OVER:
YOU CAN REST EASY NOW, COACH.
817
00:38:34,553 --> 00:38:37,255
SINGER:
♪ JUST A LITTLE LONGER ♪
818
00:38:37,355 --> 00:38:39,257
SPENCER, VOICE-OVER:
THEY GOT ME FROM HERE.
819
00:38:39,357 --> 00:38:43,400
SINGER: ♪ NEVER BE ALONE ♪
820
00:38:47,444 --> 00:38:49,345
[DISTANT TRAFFIC NOISE]
821
00:38:49,445 --> 00:38:51,447
[HIPHOP MUSIC PLAYING]
822
00:38:54,890 --> 00:38:56,511
[OVERLAPPING CHATTER]
823
00:38:56,611 --> 00:38:58,713
SINGER: ♪ STOP,
WHAT WERE YOU THINKIN'?♪
824
00:38:58,813 --> 00:39:00,194
♪ WHAT ARE YOU WAITIN' FOR? ♪
825
00:39:00,294 --> 00:39:01,956
I LOVE YOU.
THANK YOU.
[KISS]
826
00:39:02,056 --> 00:39:04,478
SINGER: ♪ ...ALL YOUR PROBLEMS ♪
[PHONE BUZZES]
827
00:39:04,578 --> 00:39:06,720
♪ OH, IT'S A... ♪
828
00:39:06,820 --> 00:39:08,682
SPENCER: YO.
JORDAN: HEY.
829
00:39:08,782 --> 00:39:11,724
LOOK, I KNOW SORRY
DOESN'T EVEN BEGIN
TO COVER IT.
830
00:39:11,824 --> 00:39:14,927
BUT I'MMA MAKE IT UP
TO YOU. I PROMISE.
831
00:39:15,027 --> 00:39:17,809
ASSUMING COACH KENNY
LETS ME STAY AT GAU.
832
00:39:17,909 --> 00:39:21,252
I'M FAIRLY CONFIDENT
I CAN GO AHEAD AND SAY
WELCOME BACK, BROTHER.
833
00:39:21,352 --> 00:39:23,354
COME ON.
834
00:39:24,835 --> 00:39:26,737
[SIGHS]
835
00:39:26,837 --> 00:39:28,378
SINGER: ♪ IT'S SO BAD ♪
836
00:39:28,478 --> 00:39:30,180
CARTER: HEY.
837
00:39:30,280 --> 00:39:32,422
I CANCELLED
OUR FLIGHT HOME
LATER THIS WEEK.
838
00:39:32,522 --> 00:39:34,984
OH. THANK YOU. I--
839
00:39:35,084 --> 00:39:37,586
I ALSO CALLED
THE STORAGE FACILITY
840
00:39:37,686 --> 00:39:40,309
AND YOUR BOXES
SHOULD BE DELIVERED
BACK HERE BY MONDAY.
841
00:39:40,409 --> 00:39:42,711
WAIT. BOXES?
842
00:39:42,811 --> 00:39:45,753
DILLON AND I HAVE BEEN
TALKING, AND SPENCER
NEEDS US CLOSE.
843
00:39:45,853 --> 00:39:47,515
AND WHAT ABOUT
YOUR NEEDS?
844
00:39:47,615 --> 00:39:49,516
WELL, I WILL HAPPILY
TAKE ON THE BURDEN
845
00:39:49,616 --> 00:39:51,518
OF FLYING BACK
AND FORTH TO KEEP
846
00:39:51,618 --> 00:39:54,681
OUR FAMILY TOGETHER
AND MAKE SPENCER WHOLE.
847
00:39:54,781 --> 00:39:57,583
NOTHING IS
MORE IMPORTANT.
848
00:40:01,867 --> 00:40:03,849
[HIPHOP MUSIC PLAYING]
849
00:40:03,949 --> 00:40:05,690
[SIGHS]
850
00:40:05,790 --> 00:40:07,652
MAN, THIS ONE
OF THE LAST FACES
851
00:40:07,752 --> 00:40:09,693
I EXPECTED TO SEE TODAY.
DARNELL: HEH HEH!
852
00:40:09,793 --> 00:40:11,655
MAN, THAT WAS ALL LIV.
SHE PUT OUT A CALL
853
00:40:11,755 --> 00:40:15,298
THAT MY BROTHER
WAS IN TROUBLE.
I HAD TO MAKE IT.
854
00:40:15,398 --> 00:40:17,820
OH, I JUST ASSUMED
MY MOTHER GATHERED EVERYBODY.
855
00:40:17,920 --> 00:40:19,782
[CHUCKLING]
OH, NO, YOU SHOULD
KNOW THAT LIV
856
00:40:19,882 --> 00:40:23,005
WOULDN'T LET ANYONE
GIVE UP ON YOU.
NOT FOR A SECOND.
857
00:40:26,848 --> 00:40:29,190
WELL, THANKS
FOR SHOWING UP, MAN.
858
00:40:29,290 --> 00:40:31,152
YEAH. YO...
859
00:40:31,252 --> 00:40:33,354
[SIGHS]
TALK TO ME,
LIKE, YOU GOOD?
860
00:40:33,454 --> 00:40:35,355
FOR REAL?
861
00:40:35,455 --> 00:40:36,837
NO...
862
00:40:36,937 --> 00:40:38,938
NO, I'M NOT OK.
863
00:40:40,099 --> 00:40:43,642
BUT I'M WORKING ON IT.
864
00:40:43,742 --> 00:40:46,425
DARNELL: OH. DON'T LET ME
GET IN THE WAY, MAN.
SPENCER: YEAH.
865
00:40:48,186 --> 00:40:50,208
WHAT WAS THAT ABOUT?
866
00:40:50,308 --> 00:40:52,049
HE WAS JUST TELLING
ME THAT YOU MADE
867
00:40:52,149 --> 00:40:53,691
ALL THIS HAPPEN.
868
00:40:53,791 --> 00:40:55,793
THANK YOU.
869
00:40:56,953 --> 00:40:59,055
I MEAN, IT MAY HAVE
BEEN MY IDEA, BUT
870
00:40:59,155 --> 00:41:01,998
EVERYONE HERE
WAS MORE THAN HAPPY
TO SHOW UP FOR YOU.
871
00:41:03,359 --> 00:41:05,361
WE LOVE YOU.
872
00:41:10,325 --> 00:41:13,227
YOU WANNA GO TAKE
A WALK?
873
00:41:13,327 --> 00:41:15,910
IF MEMORY SERVES,
I OWE YOU A CONVERSATION.
874
00:41:16,010 --> 00:41:18,252
ALICIA: HEY.
875
00:41:19,733 --> 00:41:21,635
I'M SORRY I'M LATE.
876
00:41:21,735 --> 00:41:23,596
UH, NO, NO. IT'S OK.
877
00:41:23,696 --> 00:41:25,598
ACTUALLY, I'M SORRY
FOR A LOT OF THINGS,
878
00:41:25,698 --> 00:41:28,240
ESPECIALLY THE NOTE
AND THE WAY I
HANDLED THINGS.
879
00:41:28,340 --> 00:41:29,922
I WAS TRYING TO GIVE
YOU SPACE, BUT
880
00:41:30,022 --> 00:41:32,324
I REALISE I
SHOULD'VE BEEN
HOLDING YOU TIGHTER.
881
00:41:32,424 --> 00:41:35,967
UH, WELL, I DIDN'T
EXACTLY MAKE IT EASY
FOR YOU, YOU KNOW?
882
00:41:36,067 --> 00:41:38,329
YOU JUST--YOU JUST DID
WHAT YOU THOUGHT WAS BEST.
883
00:41:38,429 --> 00:41:40,330
WELL, I KNOW
BETTER NOW,
884
00:41:40,430 --> 00:41:43,433
AND I WON'T MAKE
THAT MISTAKE AGAIN.
885
00:41:46,115 --> 00:41:48,157
[DOOR CLOSES]
886
00:42:15,300 --> 00:42:17,302
GREG, MOVE YOUR HEAD!
65792
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