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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,468 --> 00:00:02,370 PREVIOUSLY ON... 2 00:00:02,403 --> 00:00:04,738 AFTER AN INCIDENT AT SCHOOL... (gasps) 3 00:00:04,772 --> 00:00:06,274 (tires screech, thud) AAH! 4 00:00:06,307 --> 00:00:08,709 GABY WAS FORCED TO REPLACE THE P.T.A. PRESIDENT. 5 00:00:08,742 --> 00:00:10,010 ME? 6 00:00:11,279 --> 00:00:13,747 CARLOS WAS STRUGGLING WITH HIS GUILT. 7 00:00:13,781 --> 00:00:17,751 THIS IS NOT ME. I CAN'T SLEEP. I'M SEEING GHOSTS. 8 00:00:17,785 --> 00:00:19,087 I KNOW. 9 00:00:19,120 --> 00:00:21,489 SUSAN FOUND A WAY TO COPE. 10 00:00:21,522 --> 00:00:25,826 I'M TAKING A PAINTING CLASS BEING TAUGHT BY ANDRE ZELLER. GREAT. 11 00:00:25,859 --> 00:00:29,063 BUT THE FAMOUS PAINTER DIDN'T MAKE IT EASY. 12 00:00:29,097 --> 00:00:30,731 YOU'RE A BORED HOUSEWIFE TRYING TO KILL TIME 13 00:00:30,764 --> 00:00:34,835 BETWEEN SPIN CLASS AND DRIVING YOUR KID TO SOCCER PRACTICE. 14 00:00:34,868 --> 00:00:37,805 AND LYNETTE DISCOVERED THAT SINCE THEIR SEPARATION, 15 00:00:37,838 --> 00:00:40,308 TOM HAD STARTED DATING. 16 00:00:40,341 --> 00:00:42,243 IT'S JUST A COUPLE OF DINNERS AND... COFFEE. 17 00:00:42,276 --> 00:00:44,778 GOD, TOM. WHEN WERE YOU GONNA TELL ME THIS? 18 00:00:49,783 --> 00:00:52,320 (Mary Alice) IN THEIR 20 YEARS TOGETHER, 19 00:00:52,353 --> 00:00:56,424 TOM AND LYNETTE SCAVO HAD FOLLOWED A FEW SIMPLE RULES... 20 00:00:57,891 --> 00:01:00,394 ALWAYS SHARE THE HOUSEWORK... 21 00:01:02,763 --> 00:01:06,234 NEVER WASTE THE HOT WATER, 22 00:01:06,267 --> 00:01:10,538 AND NEVER, EVER GO TO BED ANGRY. 23 00:01:10,571 --> 00:01:14,408 YES, THE RULES FOR BEING TOGETHER WERE SIMPLE. 24 00:01:14,442 --> 00:01:16,710 BUT THE RULES FOR BEING APART... 25 00:01:16,744 --> 00:01:19,747 WERE ANYTHING BUT. 26 00:01:19,780 --> 00:01:21,815 STOP CALLING IT "DATING." 27 00:01:21,849 --> 00:01:23,617 IT'S DINNER WITH A FRIEND. 28 00:01:23,651 --> 00:01:24,785 (snorts) 29 00:01:24,818 --> 00:01:27,421 DO NOT DO THAT. DO NOT DO THE SNORT. 30 00:01:27,455 --> 00:01:29,757 COULD YOU MAKE HER STOP SNORTING? 31 00:01:29,790 --> 00:01:31,459 LYNETTE, I FIND IT MORE EFFECTIVE 32 00:01:31,492 --> 00:01:35,496 WHEN WE USE WORDS RATHER THAN INFLAMMATORY NOISES. 33 00:01:35,529 --> 00:01:36,830 YOU WANT WORDS? HERE ARE SOME WORDS. 34 00:01:36,864 --> 00:01:38,599 LIAR, LIAR, PANTS ON FIRE. 35 00:01:38,632 --> 00:01:42,636 LOBSTER FOR TWO AT CHEZ NOUS IS NOT "DINNER WITH A FRIEND." 36 00:01:42,670 --> 00:01:44,805 A $300 NIGHT AT SAKURA 37 00:01:44,838 --> 00:01:47,475 IS NOT STRAPPING ON A FEEDBAG WITH A BUDDY. 38 00:01:47,508 --> 00:01:50,211 I STILL DO OUR CREDIT CARD BILLS, GENIUS. 39 00:01:50,244 --> 00:01:51,612 ALL RIGHT, ENOUGH WORDS. 40 00:01:51,645 --> 00:01:52,646 HEY, IT'S NOT LIKE I WENT LOOKING FOR THIS. 41 00:01:52,680 --> 00:01:54,748 JANE LIVES IN THE BUILDING. WE GOT TO TALKING. 42 00:01:54,782 --> 00:01:57,218 YOU KNOW WHAT? SHE WAS ACTUALLY NICE TO ME-- 43 00:01:57,251 --> 00:01:58,819 SOMETHING I'M NOT USED TO. 44 00:01:58,852 --> 00:02:01,389 OH, I CAN'T SNORT, BUT A DRIVE-BY LIKE THAT'S OKAY? 45 00:02:01,422 --> 00:02:03,691 ALL RIGHT, EMOTIONS ARE RUNNING A LITTLE HOT, 46 00:02:03,724 --> 00:02:06,260 BUT I THINK I KNOW WHY. 47 00:02:06,294 --> 00:02:08,462 YOU TWO EMBARKED ON THIS SEPARATION 48 00:02:08,496 --> 00:02:11,532 WITHOUT A CLEAR GOAL IN MIND. 49 00:02:11,565 --> 00:02:13,634 ARE YOU TRYING TO GET BACK TOGETHER, 50 00:02:13,667 --> 00:02:14,735 OR ARE YOU TRYING TO FIND 51 00:02:14,768 --> 00:02:16,770 A GRACEFUL WAY TO END THE MARRIAGE? 52 00:02:19,607 --> 00:02:23,411 WE DON'T HAVE TO DECIDE THIS RIGHT NOW, 53 00:02:23,444 --> 00:02:28,782 BUT WE DO NEED TO LAY DOWN SOME GROUND RULES. 54 00:02:28,816 --> 00:02:30,751 FOR EXAMPLE, ARE YOU DATING? 55 00:02:30,784 --> 00:02:32,520 HE IS. 56 00:02:32,553 --> 00:02:33,687 TWO DINNERS. 57 00:02:33,721 --> 00:02:35,489 ALL RIGHT, SO YOU ARE DATING. 58 00:02:35,523 --> 00:02:37,358 WHAT ABOUT SEX? 59 00:02:41,462 --> 00:02:43,664 NO. 60 00:02:43,697 --> 00:02:44,765 NOT YET. 61 00:02:44,798 --> 00:02:46,634 I-I... (cries) 62 00:02:46,667 --> 00:02:48,702 HE JUST ANSWERED YOUR FIRST QUESTION. 63 00:02:48,736 --> 00:02:50,238 HE WANTS TO END THE MARRIAGE. 64 00:02:50,238 --> 00:02:51,572 NO, LYNETTE, THAT'S NOT WHAT I'M SAYING. 65 00:02:51,605 --> 00:02:52,640 I'M NOT GIVING UP. 66 00:02:52,673 --> 00:02:54,408 "NOT YET"? 67 00:02:54,442 --> 00:02:56,610 LOOK, I STILL HOPE THAT WE CAN FIND A WAY TO WORK THINGS OUT, 68 00:02:56,644 --> 00:02:58,712 BUT... (sighs) 69 00:02:58,746 --> 00:03:01,415 WE DON'T MAKE EACH OTHER HAPPY. 70 00:03:01,449 --> 00:03:05,653 WE HAVEN'T FOR A LONG TIME. 71 00:03:05,686 --> 00:03:07,388 SO WHAT IF--I MEAN, 72 00:03:07,421 --> 00:03:10,391 WHAT IF THERE WAS SOMEONE OUT THERE WHO COULD? 73 00:03:12,693 --> 00:03:15,296 I JUST FEEL LIKE IF WE DON'T... 74 00:03:15,329 --> 00:03:18,266 EXPLORE... 75 00:03:18,266 --> 00:03:20,701 THEN WE ARE GONNA END UP RIGHT BACK IN HERE, ON THIS COUCH, 76 00:03:20,734 --> 00:03:22,770 HATING EACH OTHER. 77 00:03:24,338 --> 00:03:26,974 SOUNDS LIKE YOU HAVE A LOT TO CONSIDER. 78 00:03:27,007 --> 00:03:29,710 THERE'S NOTHING TO CONSIDER. 79 00:03:29,743 --> 00:03:32,346 WE'RE... CLEARED FOR SEX. 80 00:03:32,380 --> 00:03:34,648 LET THE DATING BEGIN. 81 00:03:34,682 --> 00:03:36,984 YES, TOM AND LYNETTE WERE LEARNING 82 00:03:37,017 --> 00:03:39,620 THE RULES OF SEPARATION. 83 00:03:39,653 --> 00:03:41,622 AND THE FIRST RULE? 84 00:03:41,655 --> 00:03:42,723 AND I CAN'T WAIT TO LET MY NEW BOYFRIEND 85 00:03:42,756 --> 00:03:45,659 DO THAT THING I NEVER LET YOU DO. 86 00:03:45,693 --> 00:03:48,629 THERE ARE NO RULES. 87 00:04:01,842 --> 00:04:03,377 IN ANY GROUP, 88 00:04:03,411 --> 00:04:06,714 THERE ARE ROLES THAT PEOPLE ARE DESTINED TO PLAY-- 89 00:04:06,747 --> 00:04:10,318 THE PERFECT HOMEMAKER TO BRING THE SNACKS, 90 00:04:10,318 --> 00:04:13,954 THE FINANCIAL WIZARD TO KEEP THE BOOKS... 91 00:04:13,987 --> 00:04:17,658 AND THE BUSYBODY TO SHARE THE GOSSIP. 92 00:04:17,691 --> 00:04:22,029 BUT SOMETIMES THE MOST IMPORTANT ROLE OF ALL 93 00:04:22,062 --> 00:04:23,631 GOES TO SOMEONE 94 00:04:23,664 --> 00:04:26,700 WHO'S NOT THE SLIGHTEST BIT PREPARED FOR IT. 95 00:04:26,734 --> 00:04:30,037 HI, GUYS. I KNOW, I'M A LITTLE BIT LATE. 96 00:04:30,070 --> 00:04:32,005 A LITTLE? TRY 45 MINUTES. 97 00:04:32,039 --> 00:04:34,007 WELL, ONCE YOU HEAR WHAT I'VE BEEN THROUGH, 98 00:04:34,041 --> 00:04:36,076 YOU WILL TOTALLY UNDERSTAND. 99 00:04:36,109 --> 00:04:39,913 SO...YOU KNOW HOW IT'S CALLED A HOT STONE MASSAGE? 100 00:04:39,947 --> 00:04:41,081 SO THERE I AM AT THE SPA, 101 00:04:41,114 --> 00:04:43,684 LAID OUT WITH MY MOJITO, MY "MARIE CLAIRE," 102 00:04:43,717 --> 00:04:47,588 AND ALL OF A SUDDEN, I FEEL A COLD ROCK ON MY ASS. 103 00:04:49,089 --> 00:04:50,358 (chuckles) I KNOW! 104 00:04:50,358 --> 00:04:53,527 SO ARMANDO WAS ALL APOLOGETIC. HE WANTED TO REHEAT THE ROCKS. 105 00:04:53,561 --> 00:04:54,928 BUT AT THIS POINT, I'M LIKE, 106 00:04:54,962 --> 00:04:56,964 "I'M SORRY. I'VE GOT A P.T.A. MEETING TO RUN." 107 00:04:56,997 --> 00:04:58,766 IF YOU LEFT, WHY ARE YOU LATE? 108 00:04:58,799 --> 00:05:00,634 OH, ARMANDO FELT SO BAD, 109 00:05:00,668 --> 00:05:03,070 HE GAVE ME A COMPLIMENTARY SEAWEED WRAP. (laughs) 110 00:05:03,103 --> 00:05:06,073 SO... WHAT'S ON THE AGENDA HERE? 111 00:05:06,106 --> 00:05:08,942 WE'RE SUPPOSED TO PLAN TEACHER APPRECIATION NIGHT. 112 00:05:08,976 --> 00:05:11,945 MM. RIGHT, RIGHT. SO WHO'S DOING WHAT FOR THAT? 113 00:05:11,979 --> 00:05:14,047 CINDY, YOU WANNA HANDLE THE FOOD? 114 00:05:14,081 --> 00:05:15,549 NO. 115 00:05:15,583 --> 00:05:17,651 OKAY. 116 00:05:17,685 --> 00:05:20,454 RACHEL, YOU NEVER STOP TALKING. YOU WANNA EMCEE? 117 00:05:20,488 --> 00:05:21,855 NO. 118 00:05:21,889 --> 00:05:24,792 OKAY, WHAT'S GOING ON HERE? 119 00:05:24,825 --> 00:05:27,895 WHAT'S GOING ON IS YOU'VE WASTED OUR TIME. 120 00:05:27,928 --> 00:05:30,498 I'M LEAVING. I HAVE TO PICK UP MY KIDS. 121 00:05:30,531 --> 00:05:32,633 I HAVE TO GET BACK TO MY JOB. 122 00:05:32,666 --> 00:05:34,935 I NEED TO TAKE MY MOTHER TO CHEMO. 123 00:05:34,968 --> 00:05:36,937 WH--OKAY, OKAY. LET'S NOT PLAY SAD-LIFE POKER HERE. 124 00:05:36,970 --> 00:05:38,672 I NEED YOUR HELP. 125 00:05:38,706 --> 00:05:41,575 YOU KNOW, WE WOULD LOVE TO FRITTER AWAY OUR DAYS 126 00:05:41,609 --> 00:05:44,612 WITH MANICURES AND HAIRDRESSERS AND SPA APPOINTMENTS, 127 00:05:44,645 --> 00:05:47,014 BUT WE'RE NOT LIKE YOU. WE HAVE LIVES. 128 00:05:47,047 --> 00:05:48,982 SO YOU CAN DO TEACHER APPRECIATION NIGHT 129 00:05:49,016 --> 00:05:51,652 ON YOUR OWN. 130 00:05:51,685 --> 00:05:53,020 WH-- 131 00:05:53,053 --> 00:05:54,922 WELL, COULD YOU AT LEAST FOLD UP YOUR CHAIRS 132 00:05:54,955 --> 00:05:56,990 AND STACK 'EM ON THE ROLLING CART? 133 00:05:57,024 --> 00:05:58,626 AND CAN SOMEONE EMPTY THE COFFEEPOT? 134 00:05:58,659 --> 00:05:59,760 YOU'D REALLY DO-- 135 00:05:59,793 --> 00:06:01,695 (doors slam) 136 00:06:02,996 --> 00:06:06,500 JEEZ! TALK ABOUT SELFISH. 137 00:06:08,736 --> 00:06:10,771 (doorbell rings) 138 00:06:10,804 --> 00:06:12,873 (door squeaks) 139 00:06:12,906 --> 00:06:15,709 OH, THANK GOODNESS. YOU'RE ALIVE. 140 00:06:17,511 --> 00:06:18,879 I'M SORRY, REVEREND. 141 00:06:18,912 --> 00:06:21,782 I KNOW THAT I HAVEN'T BEEN TO CHURCH FOR A FEW SUNDAYS. 142 00:06:21,815 --> 00:06:24,685 A FEW? TRY FIVE. 143 00:06:24,718 --> 00:06:28,989 YOU KNOW WHO'S BEEN BRINGING SNACKS TO FELLOWSHIP HOUR? 144 00:06:29,022 --> 00:06:30,624 HELEN JOHNSON. 145 00:06:30,658 --> 00:06:31,792 UGH. LET ME GUESS. 146 00:06:31,825 --> 00:06:33,727 BRAN MUFFINS FROM THE MINI-MART? 147 00:06:33,761 --> 00:06:37,465 WHY HAST THOU FORSAKEN ME? 148 00:06:37,498 --> 00:06:41,001 I SHOULD'VE CALLED YOU. 149 00:06:41,034 --> 00:06:43,003 IT'S JUST, I HAVEN'T BEEN FEELING... 150 00:06:43,036 --> 00:06:45,939 (sighs) VERY SPIRITUAL LATELY. 151 00:06:45,973 --> 00:06:47,641 IT'S NOT UNCOMMON FOR US 152 00:06:47,675 --> 00:06:50,911 TO LOSE OUR WAY SPIRITUALLY FROM TIME TO TIME, 153 00:06:50,944 --> 00:06:52,880 TO FEEL... 154 00:06:52,913 --> 00:06:54,515 IN THE WOODS. 155 00:06:54,548 --> 00:06:57,651 INTERESTING CHOICE OF WORDS. (chuckles) 156 00:06:59,720 --> 00:07:02,189 IT'S JUST THAT I... 157 00:07:02,222 --> 00:07:04,925 FEEL LIKE MAYBE I'M NOT WORTHY OF... 158 00:07:04,958 --> 00:07:06,694 GOD'S LOVE RIGHT NOW, 159 00:07:06,727 --> 00:07:07,928 THAT... 160 00:07:07,961 --> 00:07:10,864 I'VE LOST MY CONNECTION TO HIM. 161 00:07:10,898 --> 00:07:12,866 BUT HERE'S THE GOOD THING ABOUT GOD, BREE-- 162 00:07:12,900 --> 00:07:15,002 HE'S EASY TO FIND. 163 00:07:15,035 --> 00:07:18,739 JUST SEEK OUT THE PEOPLE WHO ARE IN NEED, AND THERE HE IS. 164 00:07:18,772 --> 00:07:21,675 IT ALWAYS COMES BACK TO THE NEEDY WITH YOU, DOESN'T IT? 165 00:07:21,709 --> 00:07:23,944 IT'S KIND OF IN THE JOB DESCRIPTION. (chuckles) 166 00:07:23,977 --> 00:07:25,913 I HEAR YOUR NEW NEIGHBOR BEN FAULKNER 167 00:07:25,946 --> 00:07:27,915 DOES WONDERFUL WORK WITH THE HOMELESS. 168 00:07:27,948 --> 00:07:29,783 WHY DON'T YOU SPEAK TO HIM? 169 00:07:29,817 --> 00:07:31,852 PERHAPS I WILL. (chuckles) 170 00:07:31,885 --> 00:07:32,953 (chuckles) 171 00:07:32,986 --> 00:07:35,989 THANK YOU, REVEREND. 172 00:07:36,023 --> 00:07:39,560 I DID MENTION THAT HELEN'S DOING THE SNACKS, RIGHT? 173 00:07:39,593 --> 00:07:40,828 AH. 174 00:07:40,861 --> 00:07:44,665 I JUST FINISHED A BATCH OF MACADAMIA NUT SCONES. 175 00:07:44,698 --> 00:07:45,799 WOULD YOU LIKE ONE? 176 00:07:45,833 --> 00:07:48,569 BLESS YOU, MY CHILD. (chuckles) 177 00:07:48,602 --> 00:07:50,638 AND MAYBE ONE FOR THE CAR? 178 00:07:53,974 --> 00:07:57,177 I GET SO NERVOUS EVERY TIME I WALK INTO THIS CLASS. 179 00:07:57,210 --> 00:07:59,947 I MEAN, ANDRE ZELLER, RIGHT? 180 00:07:59,980 --> 00:08:01,882 BETWEEN YOU AND ME, 181 00:08:01,915 --> 00:08:03,551 HE DOESN'T THINK I'M A SERIOUS ARTIST. 182 00:08:03,551 --> 00:08:06,219 BUT I'LL SHOW HIM. I HAVE PAIN. 183 00:08:06,253 --> 00:08:07,821 I MEAN, LIKE THIS MORNING, 184 00:08:07,855 --> 00:08:09,890 MY 9-YEAR-OLD WALKED RIGHT INTO SCHOOL 185 00:08:09,923 --> 00:08:11,892 WITHOUT EVEN SAYING GOOD-BYE. 186 00:08:11,925 --> 00:08:13,827 NO HUG, NO KISS. 187 00:08:13,861 --> 00:08:16,764 NOTHING. (sighs) 188 00:08:16,797 --> 00:08:20,934 WELL, I'M GONNA TAKE THAT MISERY AND USE IT IN MY ART. 189 00:08:20,968 --> 00:08:24,572 I'M USING MY FATHER'S SUICIDE. 190 00:08:25,673 --> 00:08:27,741 (door opens) 191 00:08:27,775 --> 00:08:30,578 TODAY WE'LL BE WORKING WITH LIGHT AND SHADOW. 192 00:08:31,979 --> 00:08:34,214 OOH! EGGS. COOL. 193 00:08:34,247 --> 00:08:36,216 MS. DELFINO, THIS IS MY BREAKFAST. 194 00:08:36,249 --> 00:08:38,251 (rips paper) 195 00:08:40,353 --> 00:08:42,189 YOU WILL NOT BE SKETCHING EGGS 196 00:08:42,222 --> 00:08:45,793 OR ANY OTHER HACKNEYED STILL LIFES TODAY. 197 00:08:45,826 --> 00:08:48,796 YOU'LL BE DRAWING THE MALE FORM. 198 00:08:48,829 --> 00:08:50,598 EMILE. 199 00:08:54,902 --> 00:08:56,804 WHOA! 200 00:09:00,808 --> 00:09:03,243 SORRY. 201 00:09:03,276 --> 00:09:05,846 TAKES SOME... GETTING USED TO. 202 00:09:08,916 --> 00:09:10,884 (Andre) AS YOU BEGIN TO SKETCH, 203 00:09:10,918 --> 00:09:13,687 THINK OF THE HUMAN FORM AS AN OBJECT. 204 00:09:13,721 --> 00:09:15,623 WHAT IS IT THAT CATCHES YOUR EYE? 205 00:09:15,656 --> 00:09:17,891 (stifles laugh) 206 00:09:17,925 --> 00:09:21,729 (inhales sharply) MM. DIDN'T MEAN IT. JUST POPPED OUT. 207 00:09:21,762 --> 00:09:23,096 I WANT YOU TO PAY CLOSE ATTENTION 208 00:09:23,130 --> 00:09:25,833 TO WHICH PARTS OF THE HUMAN BODY REFLECT LIGHT 209 00:09:25,866 --> 00:09:27,868 AND WHICH PARTS CAST A SHADOW. 210 00:09:27,901 --> 00:09:30,137 (stifles laugh) 211 00:09:30,170 --> 00:09:31,872 I'M SORRY, MS. DELFINO. 212 00:09:31,905 --> 00:09:34,642 I DIDN'T REALIZE WE WERE IN JUNIOR HIGH. 213 00:09:34,675 --> 00:09:36,710 HAVE YOU NEVER SEEN A PENIS BEFORE? 214 00:09:36,744 --> 00:09:38,779 NO. NO. YES, I HAVE. 215 00:09:38,812 --> 00:09:41,081 UH, LOTS. WELL, NOT LOTS. 216 00:09:41,114 --> 00:09:44,652 THE APPROPRIATE... AMOUNT. 217 00:09:44,652 --> 00:09:46,386 PLEASE TRY TO BE PROFESSIONAL. 218 00:09:46,419 --> 00:09:48,756 I AM. I AM PROFESSIONAL. 219 00:09:48,789 --> 00:09:51,825 PENIS, PENIS, PENIS. (exhales deeply) 220 00:09:51,859 --> 00:09:54,194 JUST TRYING TO TAKE THE POWER OUT OF IT. 221 00:09:59,667 --> 00:10:02,803 (stifling laugh) 222 00:10:02,836 --> 00:10:04,772 QUICK. (pats arm) 223 00:10:04,805 --> 00:10:07,240 TELL ME ABOUT YOUR FATHER'S SUICIDE. 224 00:10:12,445 --> 00:10:14,314 (door opens) 225 00:10:14,347 --> 00:10:16,349 (sighs) HEY. WHAT ARE YOU DOING? 226 00:10:16,383 --> 00:10:18,251 UH... (sighs) 227 00:10:18,285 --> 00:10:20,721 I WAS, UH, LOOKING FOR MY PHONE, 228 00:10:20,754 --> 00:10:22,389 AND, UH... 229 00:10:22,422 --> 00:10:25,158 I KNOW THIS IS GONNA SOUND STUPID, BUT... 230 00:10:25,192 --> 00:10:28,128 I COULDN'T GO IN THERE. 231 00:10:28,161 --> 00:10:30,430 OH, GOD. I DON'T MEAN TO SOUND INSENSITIVE, 232 00:10:30,463 --> 00:10:31,765 BUT IS THIS DEAD GUY ANGST? 233 00:10:31,799 --> 00:10:33,801 'CAUSE I AM REALLY POOPED RIGHT NOW. 234 00:10:33,834 --> 00:10:36,770 IT'S JUST, EVERY TIME I GO INTO THAT ROOM, 235 00:10:36,804 --> 00:10:38,706 I THINK ABOUT THAT NIGHT. 236 00:10:38,739 --> 00:10:40,373 WELL, HERE'S AN IDEA. DON'T GO IN THAT ROOM. 237 00:10:40,407 --> 00:10:44,044 LOOK, THERE'S THE KITCHEN. NO ONE DIED IN THERE. 238 00:10:44,077 --> 00:10:46,079 YOU KNOW WHAT? WE'RE BOTH STRESSED. 239 00:10:46,113 --> 00:10:48,081 I'LL POUR US A COUPLE OF DRINKS. 240 00:10:48,115 --> 00:10:50,684 NO, THANKS. I'VE BEEN HITTING THAT STUFF PRETTY HARD LATELY. 241 00:10:50,718 --> 00:10:52,319 I DON'T WANT IT TO BECOME A THING. (bottle clinks) 242 00:10:52,352 --> 00:10:54,722 WELL, AFTER THE DAY I HAD, I'LL FINISH THE BOTTLE MYSELF. 243 00:10:54,755 --> 00:10:55,923 (cork pops) 244 00:10:55,956 --> 00:10:58,125 THIS P.T.A. GIG IS TURNING INTO A SERIOUS PAIN IN THE ASS. 245 00:10:58,158 --> 00:10:59,760 (pours liquor) YEAH. 246 00:10:59,793 --> 00:11:01,862 I SHOW UP THE TEENSIEST BIT LATE, 247 00:11:01,895 --> 00:11:03,864 AND THE GIRLS ARE ALL OVER ME. 248 00:11:03,897 --> 00:11:05,098 THEY'RE LIKE, "GABY, WHY ARE YOU LATE? 249 00:11:05,132 --> 00:11:08,435 YOU SHOULD BE SAD AND MISERABLE AND ON TIME, JUST LIKE US." 250 00:11:08,468 --> 00:11:10,838 IT'S LIKE THEY'RE JEALOUS OR SOMETHING. 251 00:11:12,272 --> 00:11:14,307 OH, MY GOD. 252 00:11:14,341 --> 00:11:16,209 THEY'RE JEALOUS. 253 00:11:16,243 --> 00:11:19,112 I KNOW WHAT TO DO. (chuckles) THANKS FOR LISTENING. 254 00:11:19,146 --> 00:11:20,413 (kisses) 255 00:11:23,150 --> 00:11:24,852 (sighs) 256 00:11:37,530 --> 00:11:40,100 IT'S NOTHING FANCY, BUT, UH, I'M PROUD TO SAY 257 00:11:40,133 --> 00:11:42,770 WE FEED HUNDREDS OF HOMELESS PEOPLE EVERY DAY. 258 00:11:42,770 --> 00:11:44,938 OH. WONDERFUL. 259 00:11:44,972 --> 00:11:46,840 THIS IS EXACTLY WHAT I'M LOOKING FOR. 260 00:11:46,874 --> 00:11:47,975 WELL, GREAT. 261 00:11:48,008 --> 00:11:50,377 BUT, UH, JUST OUT OF CURIOSITY... 262 00:11:50,410 --> 00:11:52,780 UH, WHAT DID YOU DO? 263 00:11:52,813 --> 00:11:54,114 EXCUSE ME? 264 00:11:54,147 --> 00:11:55,949 WELL, WHEN MOST PEOPLE WANNA GIVE BACK, 265 00:11:55,983 --> 00:11:57,785 IT USUALLY MEANS THEY'VE DONE SOMETHING 266 00:11:57,785 --> 00:11:59,186 THEY'RE, UH, ASHAMED OF. 267 00:11:59,219 --> 00:12:02,255 YOU KNOW, EMBEZZLEMENT, ADULTERY. 268 00:12:02,289 --> 00:12:04,524 WHAT'S YOUR STORY? 269 00:12:04,557 --> 00:12:05,959 (chuckles) 270 00:12:05,993 --> 00:12:08,195 I SUPPOSE I COULD ASK YOU THE SAME THING. 271 00:12:08,228 --> 00:12:10,063 AND I'D HAVE THE GOOD SENSE NOT TO ANSWER. 272 00:12:10,097 --> 00:12:12,132 MM-HMM. 273 00:12:12,165 --> 00:12:13,266 I'VE JUST BEEN FEELING DISCONNECTED LATELY, 274 00:12:13,300 --> 00:12:17,037 AND I THOUGHT BY DOING SOMETHING MEANINGFUL WITH MY DAYS 275 00:12:17,070 --> 00:12:19,072 THAT I COULD CHANGE THAT. 276 00:12:19,106 --> 00:12:21,909 ACTUAL SELFLESSNESS. THAT'S REFRESHING. 277 00:12:21,942 --> 00:12:24,077 I WISH THE CITY COUNCIL WAS AS ENLIGHTENED AS YOU. 278 00:12:24,111 --> 00:12:25,345 OH? 279 00:12:25,378 --> 00:12:27,114 AH, THEY'RE HOLDING UP ONE OF MY DEVELOPMENTS 280 00:12:27,147 --> 00:12:29,316 'CAUSE IT INCLUDES LOW-INCOME HOUSING. 281 00:12:29,349 --> 00:12:32,052 AH. TYPICAL "NOT IN MY BACKYARD" ATTITUDE. 282 00:12:32,085 --> 00:12:33,053 BY THE WAY... 283 00:12:33,086 --> 00:12:34,554 IT'S NOT IN YOUR BACKYARD. 284 00:12:34,587 --> 00:12:36,023 (cell phone rings) 285 00:12:36,056 --> 00:12:37,858 (exhales deeply) 286 00:12:37,891 --> 00:12:39,259 UH, I'M GONNA HAVE TO TAKE THIS. 287 00:12:39,292 --> 00:12:41,028 BUT, UH, I WILL LEAVE YOU IN THE CAPABLE HANDS 288 00:12:41,061 --> 00:12:43,130 OF, UH, DONNIE HERE. 289 00:12:43,163 --> 00:12:45,098 EXCUSE ME. HELLO? 290 00:12:45,132 --> 00:12:46,199 WHO ARE YOU? 291 00:12:46,233 --> 00:12:49,069 OH, I AM BREE, YOUR HUMBLE SOUS CHEF. 292 00:12:49,102 --> 00:12:52,940 WHAT DO YOU NEED ME TO DO? PREP? SAUTE? CHOP? 293 00:12:52,973 --> 00:12:56,043 YOU WANNA PREP? 294 00:12:57,177 --> 00:13:00,013 START PREPPING. 295 00:13:00,047 --> 00:13:01,581 THAT'S... IT? 296 00:13:01,614 --> 00:13:04,084 OH, I FORGOT TO SHOW YOU THE SPICE RACK. 297 00:13:04,117 --> 00:13:07,187 HERE YOU GO. SALT. PEPPER. 298 00:13:07,220 --> 00:13:08,889 AND WE'RE OUT OF PEPPER. 299 00:13:08,922 --> 00:13:10,323 IF I MAY, 300 00:13:10,357 --> 00:13:13,560 HAVE YOU EVER CONSIDERED MAKING THE SOUP FROM SCRATCH? 301 00:13:13,593 --> 00:13:15,028 (scoffs) WE DON'T HAVE TIME FOR THAT. 302 00:13:15,062 --> 00:13:16,864 JUST GET 'EM IN AND GET 'EM OUT. 303 00:13:16,897 --> 00:13:18,098 YES, BECAUSE WE ALL KNOW 304 00:13:18,131 --> 00:13:19,266 HOW PRESSED FOR TIME THE HOMELESS ARE. 305 00:13:19,299 --> 00:13:21,869 LOOK, THESE PEOPLE MAY NOT HAVE HOMES, 306 00:13:21,869 --> 00:13:23,236 BUT THEY DO HAVE TASTE BUDS. 307 00:13:23,270 --> 00:13:24,872 WOULD YOU BE OFFENDED 308 00:13:24,872 --> 00:13:27,875 IF I TRIED WHIPPING UP A BATCH OF HOMEMADE SOUP? 309 00:13:27,908 --> 00:13:31,111 CAN YOU GET IT DONE BY NOON? 310 00:13:31,144 --> 00:13:34,047 OH, DEAR. I GUESS I'LL HAVE TO KEEP IT SIMPLE. 311 00:13:34,081 --> 00:13:37,150 IT'S JUST A RUSTIC ACORN SQUASH BISQUE 312 00:13:37,184 --> 00:13:39,086 FINISHED WITH A DOT OF MAPLE-INFUSED CREME FRAICHE 313 00:13:39,119 --> 00:13:42,890 AND A LITTLE CRUMBLE OF FRIED SAGE. 314 00:13:45,258 --> 00:13:46,960 HOLY CRAP! 315 00:13:46,994 --> 00:13:51,999 FINALLY, A BLURB FOR MY NEXT COOKBOOK. 316 00:13:52,032 --> 00:13:54,001 I UNDERSTAND THAT SOME OF YOU ARE UNCOMFORTABLE 317 00:13:54,034 --> 00:13:56,469 WITH THE NAKED BODY, MAYBE EVEN FIND IT LAUGHABLE. 318 00:13:56,503 --> 00:13:57,938 MR. ZELLER, I'M SO SORRY. 319 00:13:57,971 --> 00:13:59,639 ONE CANNOT CREATE REAL ART 320 00:13:59,672 --> 00:14:02,209 IF ONE IS CRIPPLED BY ONE'S OWN INHIBITIONS. 321 00:14:02,242 --> 00:14:04,077 I'M GONNA STRIP THEM AWAY. 322 00:14:04,111 --> 00:14:08,015 SO... FOR OUR NEXT CLASS, WE'RE NOT GONNA HAVE NUDE MODELS. 323 00:14:08,048 --> 00:14:09,549 PHEW. 324 00:14:09,582 --> 00:14:10,918 WE'RE GONNA HAVE NUDE PAINTERS. 325 00:14:10,918 --> 00:14:12,452 WHAT? 326 00:14:12,485 --> 00:14:14,254 PAINTING IN THE NUDE WILL FORCE YOU 327 00:14:14,287 --> 00:14:16,523 TO CREATE FROM A PLACE OF TOTAL HONESTY. 328 00:14:16,556 --> 00:14:20,660 AND IF YOU'RE SERIOUS ABOUT BEING AN ARTIST, 329 00:14:20,693 --> 00:14:22,529 YOU SHOULDN'T HAVE A PROBLEM WITH IT. 330 00:14:23,964 --> 00:14:26,633 NOPE. NO PROBLEM AT ALL. 331 00:14:30,303 --> 00:14:32,105 (whimpers) 332 00:14:34,641 --> 00:14:36,443 WHAT'S GOING ON, GABY? 333 00:14:36,476 --> 00:14:38,645 YEAH. WHY'D YOU CALL US HERE? 334 00:14:38,678 --> 00:14:40,613 I JUST WANT TO APOLOGIZE 335 00:14:40,647 --> 00:14:42,983 FOR WHAT HAPPENED AT THE LAST MEETING. 336 00:14:43,016 --> 00:14:44,617 KEEP TALKIN'. 337 00:14:44,651 --> 00:14:47,054 IT WAS WRONG OF ME TO BLOW YOU OFF FOR A SPA APPOINTMENT 338 00:14:47,087 --> 00:14:49,022 WHEN YOU HAVE SUCH BUSY LIVES. 339 00:14:49,056 --> 00:14:51,091 MESSAGE RECEIVED, LOUD AND CLEAR. 340 00:14:51,124 --> 00:14:52,525 THANK YOU. 341 00:14:52,559 --> 00:14:56,029 SO TO SHOW YOU I'VE TAKEN YOUR COMPLAINT TO HEART, 342 00:14:56,063 --> 00:15:00,167 MAY I PRESENT MY BEAUTY TEAM! 343 00:15:00,200 --> 00:15:02,702 ARMANDO, THE BEST MASSEUSE IN TOWN, 344 00:15:02,735 --> 00:15:04,171 KAY, MY HAIRDRESSER, 345 00:15:04,204 --> 00:15:05,638 AND PING ON NAILS. 346 00:15:05,672 --> 00:15:09,542 YOU NO LONGER HAVE TO BE JEALOUS OF MY FABULOUS LIFE. 347 00:15:09,576 --> 00:15:13,713 FOR ONE DAY, YOU CAN BE ME. MY TREAT. GO CRAZY. 348 00:15:13,746 --> 00:15:16,683 WOW. GOOD TO KNOW YOU GOT OUR MESSAGE. 349 00:15:16,716 --> 00:15:18,986 YOU'RE WELCOME. (chuckles) 350 00:15:19,019 --> 00:15:21,721 SO YOU THINK YOU MIGHT WANT TO RECONSIDER DOING THE FOOD? 351 00:15:21,754 --> 00:15:22,622 I'D LOVE TO. 352 00:15:22,655 --> 00:15:25,558 (chuckles) UH, I'LL HANDLE DECORATIONS. 353 00:15:25,592 --> 00:15:26,693 YEAH, WHATEVER YOU NEED FROM US. 354 00:15:26,726 --> 00:15:28,161 THAT'S MORE LIKE IT. 355 00:15:28,195 --> 00:15:29,696 NOW TODAY, RELAX. 356 00:15:29,729 --> 00:15:33,400 TAKE A BREAK FROM GROCERY SHOPPING AND SPANKING. 357 00:15:33,433 --> 00:15:35,668 I HAVE TO GO MEET MY TRAVEL AGENT. 358 00:15:37,770 --> 00:15:40,207 ARE YOU GUYS SERIOUS? ARE WE REALLY HELPING HER? 359 00:15:40,240 --> 00:15:44,011 NO. WE'RE HELPING OURSELVES TO A FREE SPA DAY, 360 00:15:44,044 --> 00:15:47,747 THEN WE'RE GOING TO LEAVE HER TWISTING IN THE WIND. 361 00:15:47,780 --> 00:15:48,848 OH! HEY, LADIES, 362 00:15:48,881 --> 00:15:52,052 ANYONE KNOW OF A GOOD HOTEL IN THE SOUTH OF FRANCE? 363 00:15:53,420 --> 00:15:55,755 (chuckles) I'M SORRY. I DID IT AGAIN! 364 00:15:55,788 --> 00:15:59,026 I'M SORRY. I'M SORRY. (laughing) 365 00:15:59,026 --> 00:16:00,060 (door closes) 366 00:16:00,093 --> 00:16:02,462 HEY, LYNETTE, 367 00:16:02,495 --> 00:16:05,032 DID I LEAVE THOSE FABRIC SAMPLES? 368 00:16:05,032 --> 00:16:07,100 (gasps) BUSTED! 369 00:16:07,134 --> 00:16:10,037 THAT IS A PORN SLAM IF I'VE EVER SEEN ONE. 370 00:16:10,070 --> 00:16:11,371 (mouth full) PORN? MM. 371 00:16:11,404 --> 00:16:12,739 NO. I WAS CHECKING MY E-MAIL. 372 00:16:12,772 --> 00:16:16,609 (scoffs) COME ON. IT'S OKAY. WE ALL LOOK AT PORN. 373 00:16:16,643 --> 00:16:18,045 WHAT ARE YOU INTO? 374 00:16:18,078 --> 00:16:21,648 STRAIGHT, BI, SOLO, BALD GUYS, 375 00:16:21,681 --> 00:16:24,451 FUZZY WHISPERS, CINNAMON CAKES, 376 00:16:24,484 --> 00:16:25,718 POODLING? 377 00:16:25,752 --> 00:16:27,620 DO I HAVE TO LEARN WHAT THOSE ARE? 378 00:16:27,654 --> 00:16:29,622 'CAUSE I REALLY DON'T WANT TO KNOW. 379 00:16:29,656 --> 00:16:33,126 OH, COME ON. LET ME SEE. I PROMISE I WILL NOT JUDGE. 380 00:16:33,160 --> 00:16:35,595 NO. I SIGNED UP FOR AN ONLINE DATING SERVICE, 381 00:16:35,628 --> 00:16:38,665 AND I TOOK A STAB AT MY INTRODUCTION VIDEO. 382 00:16:38,698 --> 00:16:39,699 (taps key) 383 00:16:39,732 --> 00:16:41,501 HI, I'M LYNETTE. 384 00:16:41,534 --> 00:16:43,603 I'M 35 TO 45-ISH. 385 00:16:43,636 --> 00:16:45,772 I'M A CANCER, AND I BEAT CANCER. 386 00:16:45,805 --> 00:16:48,675 COINCIDENCE OR NOT? YOU DECIDE. (chuckles nervously) 387 00:16:48,708 --> 00:16:51,478 THAT IS MORE DISTURBING 388 00:16:51,511 --> 00:16:53,480 THAN ANY PORN I'VE EVER SEEN. 389 00:16:53,513 --> 00:16:55,082 YOU SAID YOU WOULDN'T JUDGE. 390 00:16:55,082 --> 00:16:57,684 OH! ONLINE DATING SUCKS. 391 00:16:57,717 --> 00:17:00,453 IT'S FULL OF GUYS WHO PHOTOSHOP HAIR ON THEIR HEADS 392 00:17:00,487 --> 00:17:03,156 AND CROP OUT THEIR MAN BOOBS. 393 00:17:03,190 --> 00:17:06,159 YOU WANT TO MEET MEN? I'M TAKING YOU TO A BAR. 394 00:17:06,193 --> 00:17:08,361 A BAR? OH, I DON'T KNOW. 395 00:17:08,395 --> 00:17:11,731 IT'S BEEN 25 YEARS SINCE I TRIED TO PICK UP A GUY. 396 00:17:11,764 --> 00:17:15,502 WELL, WITH ME AS YOUR WINGWOMAN, YOU CAN HAVE ANY MAN YOU WANT. 397 00:17:15,535 --> 00:17:16,769 FRIDAY OKAY? 398 00:17:16,803 --> 00:17:18,705 I THOUGHT YOU HAD A DATE WITH BEN. 399 00:17:18,738 --> 00:17:21,541 MM. HE CANCELED. AGAIN. 400 00:17:21,574 --> 00:17:24,511 SOME STUPID REAL ESTATE DEVELOPMENT FOR THE POOR. 401 00:17:24,544 --> 00:17:25,545 BASTARD. 402 00:17:25,578 --> 00:17:27,114 (sighs) WELL, HIS LOSS. 403 00:17:27,147 --> 00:17:28,748 IF HE DOESN'T APPRECIATE WHAT HE'S GOT, 404 00:17:28,781 --> 00:17:30,750 I WILL FIND SOMEONE WHO DOES. 405 00:17:30,783 --> 00:17:33,486 OH, AND LAY OFF THE ICE CREAM. 406 00:17:33,520 --> 00:17:35,522 THERE'S NO PHOTOSHOP IN REAL LIFE. 407 00:17:44,564 --> 00:17:48,335 MORNING. WHAT'S FOR BREAKFAST? 408 00:17:48,368 --> 00:17:52,205 EGGS. I WAS GONNA MAKE BACON, BUT IT SEEMED A LITTLE RISKY. 409 00:17:53,406 --> 00:17:57,510 SUSAN, YOU GET UPSET IF I TAKE MY SOCKS OFF IN THE KITCHEN. 410 00:17:57,544 --> 00:18:00,280 WHAT'S GOING ON? 411 00:18:00,313 --> 00:18:04,284 ANDRE FEELS "UNTIL WE SHED OUR INHIBITIONS, 412 00:18:04,317 --> 00:18:07,254 OUR ART WILL BE ONLY SUPERFICIAL." 413 00:18:07,287 --> 00:18:09,289 ANYWAY, 414 00:18:09,322 --> 00:18:13,793 FOR OUR NEXT CLASS, WE HAVE TO PAINT IN THE NUDE. 415 00:18:13,826 --> 00:18:17,297 SO I'M TRYING TO GET USED TO IT. 416 00:18:17,330 --> 00:18:20,333 AND I WANT TO PROVE TO HIM THAT I CAN BE A REAL ARTIST. 417 00:18:20,367 --> 00:18:24,404 (chuckles) WOW, THAT GUY IS GOOD. 418 00:18:24,437 --> 00:18:27,740 HE GETS TO SEE A BUNCH OF COEDS NAKED AND CALL IT WORK. 419 00:18:27,774 --> 00:18:30,477 (laughs) 420 00:18:30,510 --> 00:18:33,280 OH, HONEY, I'M KIDDING. 421 00:18:33,313 --> 00:18:35,715 NO, I CAN'T DO IT. 422 00:18:35,748 --> 00:18:37,784 I'M NOT A NAKED PERSON. 423 00:18:39,186 --> 00:18:41,388 MAYBE I'M NOT A REAL ARTIST EITHER. 424 00:18:41,421 --> 00:18:43,423 SUSAN. (mouth full) NO, I MEAN IT. 425 00:18:43,456 --> 00:18:45,892 ANDRE DOESN'T LIKE ANY OF MY WORK. 426 00:18:45,925 --> 00:18:50,363 I'M NOT SERIOUS LIKE THE OTHER STUDENTS. 427 00:18:50,397 --> 00:18:52,365 I THINK I'M JUST GONNA QUIT THE CLASS. 428 00:18:52,399 --> 00:18:56,203 QUIT? BUT THIS CLASS HAS BEEN REALLY GOOD FOR YOU. 429 00:18:56,203 --> 00:18:58,205 IT SEEMS LIKE IT WAS PULLING YOU 430 00:18:58,205 --> 00:18:59,939 OUT OF THAT DARK PLACE YOU'VE BEEN IN. 431 00:18:59,972 --> 00:19:01,208 YOU THINK SO? 432 00:19:01,208 --> 00:19:05,245 YEAH, AND I FEEL LIKE I'M GETTING MY OLD SUSIE BACK. 433 00:19:05,278 --> 00:19:07,947 BESIDES, THIS GUY SOUNDS LIKE A JACKASS. 434 00:19:07,980 --> 00:19:09,216 DON'T LET HIM WIN. 435 00:19:09,249 --> 00:19:12,352 YOU'RE RIGHT. 436 00:19:12,385 --> 00:19:14,887 I AM A SERIOUS ARTIST. 437 00:19:14,921 --> 00:19:17,524 I JUST NEED TO GET USED TO PEOPLE SEEING ME NAKED. 438 00:19:17,557 --> 00:19:20,393 (knock on door) (Lee) SUSAN! IT'S LEE. YOU HOME? 439 00:19:20,427 --> 00:19:23,930 PERFECT. MY BEST GAY. 440 00:19:23,963 --> 00:19:26,766 WHO BETTER TO PRACTICE ON? 441 00:19:26,799 --> 00:19:28,935 GOOD MORNING, LEE. 442 00:19:28,968 --> 00:19:30,837 THIS IS BOB'S--MOTHER OF GOD! 443 00:19:30,870 --> 00:19:32,339 OHH! 444 00:19:32,372 --> 00:19:34,441 (laughs) 445 00:19:36,276 --> 00:19:39,312 GAY MARRIAGE DOESN'T SEEM SO FREAKY NOW, DOES IT? 446 00:19:40,913 --> 00:19:43,283 (indistinct conversations) 447 00:19:43,316 --> 00:19:46,353 LOOKS LIKE MY TUSCAN BEAN WITH PARMESAN CROSTINI IS A HIT. 448 00:19:46,386 --> 00:19:49,356 YEAH, IT IS, BUT I THINK YOU'RE STARTING 449 00:19:49,389 --> 00:19:52,459 TO ATTRACT THE WRONG SORT OF CROWD. 450 00:19:54,827 --> 00:19:59,366 EXCUSE ME, BUT, UH, YOU DON'T EXACTLY LOOK HOMELESS TO ME. 451 00:19:59,399 --> 00:20:01,734 YEAH, I-I'M HOMELESS. 452 00:20:01,768 --> 00:20:04,804 AND YET YOU HAVE A $2,000 LAPTOP? 453 00:20:04,837 --> 00:20:07,307 BUT I LIVE IN THE BOX IT CAME IN? 454 00:20:07,340 --> 00:20:09,309 OKAY, I-I'M A COLLEGE STUDENT. 455 00:20:09,342 --> 00:20:11,444 BUT MY PARENTS DID STOP TALKING TO ME 456 00:20:11,478 --> 00:20:14,481 WHEN I SWITCHED FROM PRE-MED TO CREATIVE WRITING. 457 00:20:14,514 --> 00:20:16,416 WELL, I'M AFRAID YOU'RE GONNA HAVE TO LEAVE. 458 00:20:16,449 --> 00:20:20,687 TOO BAD. I JUST GAVE YOU MAD PROPS ON MY BLOG. 459 00:20:20,720 --> 00:20:21,788 IS THAT A GOOD THING? 460 00:20:21,821 --> 00:20:24,724 YEAH. 461 00:20:24,757 --> 00:20:25,992 "HOMEY BUT REFINED, 462 00:20:26,025 --> 00:20:27,794 "BREE VAN DE CAMP'S TUSCAN BEAN SOUP 463 00:20:27,827 --> 00:20:31,264 IS A REVELATION IN A BOWL." 464 00:20:31,298 --> 00:20:32,765 REVELATION, YOU SAY? 465 00:20:32,799 --> 00:20:35,268 UH-HUH. AND IT'S ALREADY BEEN "LIKED" ON FACEBOOK 466 00:20:35,302 --> 00:20:38,305 AND RETWEETED 200 TIMES... 467 00:20:38,338 --> 00:20:40,273 WHICH IS ALSO A GOOD THING. 468 00:20:40,307 --> 00:20:41,040 OH. 469 00:20:41,073 --> 00:20:42,975 BUT HEY, IF I GOTTA GO... 470 00:20:43,009 --> 00:20:44,110 HOLD ON. 471 00:20:44,143 --> 00:20:47,980 I CAN'T LET A TALENTED NEAR-ORPHAN LIKE YOU GO HUNGRY. 472 00:20:48,014 --> 00:20:49,982 LET ME GET YOU A REFILL. 473 00:20:50,016 --> 00:20:54,287 OH, AND IT'S "VAN DE KAMP"... (whispers) WITH A "K." 474 00:20:58,358 --> 00:21:01,328 HEY, MIKE. NEED A HAND? 475 00:21:02,795 --> 00:21:03,996 NO, I'M OKAY. 476 00:21:04,030 --> 00:21:05,965 (thud) 477 00:21:05,998 --> 00:21:07,634 UH, SUSAN AROUND? 478 00:21:07,667 --> 00:21:10,803 UH, SHE'S AT HER PAINTING CLASS. 479 00:21:10,837 --> 00:21:11,971 OKAY. 480 00:21:12,004 --> 00:21:14,641 I'LL... STOP BY LATER. 481 00:21:14,674 --> 00:21:17,344 I DON'T THINK THAT'S A GOOD IDEA. 482 00:21:20,347 --> 00:21:22,415 YOU NEED TO SAY SOMETHING TO ME, MIKE? 483 00:21:22,449 --> 00:21:24,050 YEAH, I DO. 484 00:21:24,083 --> 00:21:25,752 IF THINGS WERE DIFFERENT, 485 00:21:25,785 --> 00:21:27,754 IF IT HAD BEEN ME THAT KILLED SOMEBODY, 486 00:21:27,787 --> 00:21:29,356 AND YOUR WIFE WALKED IN, 487 00:21:29,356 --> 00:21:31,090 I'D HAVE GONE TO THE COPS AND TURNED MYSELF IN. 488 00:21:31,123 --> 00:21:33,793 I WOULDN'T HAVE DRAGGED GABY INTO IT. 489 00:21:33,826 --> 00:21:36,763 THERE'S A LOT I WOULD'VE DONE DIFFERENTLY ABOUT THAT NIGHT 490 00:21:36,796 --> 00:21:38,064 IF I COULD. 491 00:21:38,097 --> 00:21:39,932 YEAH, WELL, YOU CAN'T. 492 00:21:39,966 --> 00:21:43,870 BUT HERE'S WHAT YOU CAN DO-- YOU CAN LEAVE SUSAN ALONE. 493 00:21:43,903 --> 00:21:47,874 JUST LET HER FIND A WAY TO DEAL WITH WHAT YOU PUT HER THROUGH. 494 00:21:47,907 --> 00:21:50,710 IT JUST REALLY HELPS 495 00:21:50,743 --> 00:21:52,078 TO TALK TO HER. 496 00:21:54,914 --> 00:21:58,017 BUT IT DOESN'T HELP HER. 497 00:21:59,986 --> 00:22:01,721 THEN... 498 00:22:01,754 --> 00:22:03,890 I WON'T DO IT ANYMORE. 499 00:22:05,958 --> 00:22:07,794 YEAH. 500 00:22:22,108 --> 00:22:24,010 (sighs) 501 00:22:27,046 --> 00:22:29,482 (Andre) REMEMBER, TECHNIQUE IS A CRUTCH. 502 00:22:29,516 --> 00:22:30,717 LEARN IT AND THROW IT AWAY. 503 00:22:30,750 --> 00:22:33,486 THAT WAY YOU CAN BEGIN TO FIND YOUR OWN VOICE 504 00:22:33,520 --> 00:22:35,422 AND THAT'S WHAT THAT... 505 00:22:39,692 --> 00:22:43,630 (students murmur) 506 00:22:43,663 --> 00:22:45,565 OH, MY GOD. 507 00:22:45,598 --> 00:22:47,434 OH! 508 00:22:48,768 --> 00:22:51,504 TAKING CASUAL FRIDAY A BIT TO THE EXTREME, 509 00:22:51,538 --> 00:22:53,706 AREN'T WE, MS. DELFINO? 510 00:22:53,740 --> 00:22:56,042 ISN'T THIS THE DAY WE WERE... 511 00:22:56,075 --> 00:22:57,276 AREN'T WE ALL SUPPOSED TO BE... 512 00:22:57,309 --> 00:23:00,747 THE SCHOOL PUT THE KIBOSH ON MY LITTLE ARTISTIC EXPERIMENT. 513 00:23:00,780 --> 00:23:02,615 IT WAS ALL THERE IN THE E-MAIL. 514 00:23:02,649 --> 00:23:03,983 WHAT E-MAIL? 515 00:23:04,016 --> 00:23:05,985 THE ONE YOU OBVIOUSLY DIDN'T OPEN. 516 00:23:06,018 --> 00:23:09,456 MAYBE YOU DIDN'T SEND ME ONE. 517 00:23:09,456 --> 00:23:11,458 WHY WOULD I DO THAT? 518 00:23:11,458 --> 00:23:12,692 TO HUMILIATE ME. 519 00:23:12,725 --> 00:23:15,595 TO PUNISH ME FOR LAUGHING. 520 00:23:15,628 --> 00:23:20,467 YOU HAVE SINGLED ME OUT SINCE DAY ONE. 521 00:23:20,467 --> 00:23:22,769 WHY NOT TRY TO MAKE A FOOL OF ME? 522 00:23:25,505 --> 00:23:28,140 BECAUSE IN THE VAST LANDSCAPE OF MY INTERIOR LIFE, 523 00:23:28,174 --> 00:23:31,478 YOU'RE MERELY A DUST SPECK. 524 00:23:31,511 --> 00:23:33,546 NOW GET DRESSED AND SIT DOWN. 525 00:23:33,580 --> 00:23:36,082 NO. 526 00:23:36,115 --> 00:23:39,619 I SIGNED UP FOR THIS CLASS TO LEARN SOMETHING, 527 00:23:39,652 --> 00:23:42,188 NOT TO BE A PUNCHING BAG 528 00:23:42,221 --> 00:23:44,223 FOR AN EGOMANIAC 529 00:23:44,256 --> 00:23:46,526 WITH A PAINTBRUSH! 530 00:23:46,559 --> 00:23:48,495 I QUIT! 531 00:24:03,643 --> 00:24:05,612 (thud) 532 00:24:05,645 --> 00:24:08,615 HELLO AND WELCOME TO OUR SOUP KITCHEN. 533 00:24:08,648 --> 00:24:10,550 I HOPE YOU'RE HUNGRY, BECAUSE I HAVE PREPARED 534 00:24:10,583 --> 00:24:12,985 A HEARTY ITALIAN WEDDING SOUP TODAY. 535 00:24:13,019 --> 00:24:15,722 DONNIE, TWO. 536 00:24:17,289 --> 00:24:20,560 (indistinct conversations) 537 00:24:22,061 --> 00:24:24,964 REVEREND SYKES. WHAT A NICE SURPRISE! 538 00:24:24,997 --> 00:24:26,599 THAT'S QUITE A CROWD OUT FRONT. 539 00:24:26,633 --> 00:24:28,535 I PRACTICALLY HAD TO FIGHT MY WAY IN. 540 00:24:28,568 --> 00:24:30,236 WELL, EVER SINCE I TOOK OVER THE KITCHEN, 541 00:24:30,269 --> 00:24:31,303 WE'VE BEEN JAM-PACKED. 542 00:24:31,337 --> 00:24:34,173 THANK YOU SO MUCH FOR SUGGESTING I GET INVOLVED. 543 00:24:34,206 --> 00:24:39,011 I HAVE NEVER FELT MORE NEEDED OR IMPORTANT IN MY WHOLE LIFE. 544 00:24:39,045 --> 00:24:42,715 THE INTENTION OF CHARITY IS NOT TO MAKE US FEEL IMPORTANT. 545 00:24:42,749 --> 00:24:44,617 OF COURSE NOT. IT'S TO HELP PEOPLE. 546 00:24:44,651 --> 00:24:46,553 FEELING IMPORTANT'S JUST A BONUS. 547 00:24:46,586 --> 00:24:47,554 (chuckles) 548 00:24:47,587 --> 00:24:49,121 SO WHAT BRINGS YOU BY? 549 00:24:49,155 --> 00:24:51,290 I WAS HOPING YOU COULD TELL ME 550 00:24:51,323 --> 00:24:54,594 WHERE A HOMELESS PERSON COULD GET A HOT MEAL. 551 00:24:54,627 --> 00:24:57,564 WELL, RIGHT HERE, OF COURSE. 552 00:24:57,564 --> 00:24:59,599 NO, BREE. 553 00:24:59,632 --> 00:25:01,300 EVER SINCE YOU'VE TURNED THIS SOUP KITCHEN 554 00:25:01,333 --> 00:25:02,735 INTO A BISQUE KITCHEN, 555 00:25:02,769 --> 00:25:04,937 THE HOMELESS DON'T FEEL COMFORTABLE HERE. 556 00:25:04,971 --> 00:25:08,240 WHY? I WAS JUST TRYING TO MAKE THIS PLACE SPECIAL. 557 00:25:08,274 --> 00:25:11,711 IT WAS ALREADY SPECIAL. IT WAS HOME FOR THEM, 558 00:25:11,744 --> 00:25:14,581 UNTIL YOU TOOK THAT AWAY. 559 00:25:17,984 --> 00:25:20,186 (sighs) 560 00:25:20,219 --> 00:25:23,590 (indistinct conversations) 561 00:25:26,225 --> 00:25:27,960 EXCUSE ME. 562 00:25:31,731 --> 00:25:34,300 I'M SORRY, BUT YOU'RE GONNA NEED TO LEAVE. 563 00:25:34,333 --> 00:25:35,668 HEY, WE'RE STILL EATING. 564 00:25:35,702 --> 00:25:37,970 WELL, THEN GO EAT SOMEWHERE ELSE. 565 00:25:38,004 --> 00:25:40,039 YOU CERTAINLY LOOK LIKE YOU CAN AFFORD TO. 566 00:25:40,072 --> 00:25:42,174 WHOA. WHERE'S THE ATTITUDE COMING FROM? 567 00:25:42,208 --> 00:25:44,043 WE MADE THIS PLACE A SUCCESS. 568 00:25:44,076 --> 00:25:47,246 NO. THIS PLACE IS SUPPOSED TO FEED HOMELESS PEOPLE. 569 00:25:47,279 --> 00:25:49,215 IT'S A DISMAL FAILURE. 570 00:25:50,983 --> 00:25:53,252 THIS FOOD ISN'T FOR YOU. IT'S FOR THE HUNGRY AND THE POOR-- 571 00:25:53,285 --> 00:25:56,288 THE PEOPLE WE WALK PAST EVERY DAY. 572 00:25:56,322 --> 00:25:58,290 EVERYONE DESERVES TO HAVE A PLACE, 573 00:25:58,324 --> 00:26:01,293 AND THIS PLACE WAS THEIRS UNTIL I MADE IT MINE. 574 00:26:01,327 --> 00:26:06,298 SO PLEASE, PACK UP YOUR LAPTOPS AND YOUR SMARTPHONES AND GO. 575 00:26:06,332 --> 00:26:08,635 PLEASE GO. 576 00:26:13,673 --> 00:26:16,876 BEN, I'M SORRY. I HAVE MADE A TERRIBLE MESS OF THINGS. 577 00:26:16,909 --> 00:26:18,077 DON'T WORRY ABOUT IT. 578 00:26:18,110 --> 00:26:21,648 YOU THINK YOU CAN MAKE A SPEECH THAT GOOD AGAIN TOMORROW? 579 00:26:21,648 --> 00:26:23,315 SPEECH? 580 00:26:23,349 --> 00:26:26,185 YOU'RE GONNA HELP ME PUSH THAT LOW-INCOME HOUSING PROJECT 581 00:26:26,218 --> 00:26:28,187 THROUGH CITY COUNCIL. 582 00:26:30,156 --> 00:26:31,257 (knock on door) 583 00:26:35,327 --> 00:26:38,064 THIS IS WHERE YOU LIVE, HUH? 584 00:26:38,097 --> 00:26:40,099 NORMAN ROCKWELL WOULD WALK DOWN THIS STREET 585 00:26:40,132 --> 00:26:42,234 AND SAY, "A LITTLE MUCH." 586 00:26:42,268 --> 00:26:43,402 (chuckles) 587 00:26:43,435 --> 00:26:45,171 CAN I COME IN? 588 00:26:45,204 --> 00:26:46,372 OF COURSE. HOW ELSE ARE YOU GONNA MAKE FUN 589 00:26:46,405 --> 00:26:48,307 OF THE INSIDE OF MY HOUSE? 590 00:26:48,340 --> 00:26:51,210 BY THE WAY, I, UH, CHECKED MY E-MAIL, 591 00:26:51,243 --> 00:26:54,080 AND, UH, YOU NEVER SENT ME ONE. 592 00:26:54,113 --> 00:26:56,082 DID YOU CHECK YOUR CAMPUS E-MAIL? 593 00:26:56,115 --> 00:26:58,985 I HAVE A CAMPUS E-MAIL? 594 00:26:59,018 --> 00:27:00,920 OKAY, I'M GONNA MAKE THIS BRIEF, 595 00:27:00,953 --> 00:27:03,089 MAINLY BECAUSE I'VE GOT A DINNER ENGAGEMENT 596 00:27:03,122 --> 00:27:06,025 WITH SOMEONE INFINITELY MORE INTERESTING THAN YOU. 597 00:27:06,058 --> 00:27:07,159 (sighs) WOW. 598 00:27:07,193 --> 00:27:09,996 CLIMB DOWN FROM YOUR CROSS AND COME BACK TO MY CLASS. 599 00:27:10,029 --> 00:27:13,132 WHY? SO YOU CAN ABUSE ME MORE? 600 00:27:13,165 --> 00:27:16,035 YES, I WILL ABUSE YOU AND SCREAM AT YOU, 601 00:27:16,068 --> 00:27:18,137 MAKE YOU PAINT IN THE NUDE AND DO ANYTHING ELSE 602 00:27:18,170 --> 00:27:21,040 I HAVE TO DO TO GET YOU TO STOP BEING SO SCARED. 603 00:27:21,073 --> 00:27:22,308 I'M NOT SCARED. 604 00:27:22,341 --> 00:27:26,045 I SHOWED UP AT YOUR CLASS NAKED. (chuckles) 605 00:27:26,078 --> 00:27:28,147 THEN YOU RAN AWAY. 606 00:27:28,180 --> 00:27:30,883 IT SEEMS TO ME YOU DO A LOT OF RUNNING AWAY 607 00:27:30,917 --> 00:27:32,985 AND NERVOUS GIGGLING. 608 00:27:33,019 --> 00:27:34,086 MM. 609 00:27:34,120 --> 00:27:37,123 YOU ACT LIKE SOMEONE WHO'S... 610 00:27:38,224 --> 00:27:39,258 WHAT? 611 00:27:39,291 --> 00:27:42,128 YOU'RE HIDING SOMETHING, 612 00:27:42,161 --> 00:27:44,096 AND I'M GONNA PULL IT OUT OF YOU, 613 00:27:44,130 --> 00:27:47,033 AND WHEN THAT HAPPENS, THERE IS A CHANCE-- 614 00:27:47,066 --> 00:27:50,369 THE REMOTEST, SLIMMEST WISP OF A CHANCE-- 615 00:27:50,402 --> 00:27:53,105 THAT YOU MIGHT ACTUALLY BECOME AN ARTIST. 616 00:27:53,139 --> 00:27:56,108 OH, GOD. IS THIS THE PART WHERE YOU TELL ME 617 00:27:56,142 --> 00:27:58,911 THAT THE REASON YOU'RE BEING SO HARD ON ME 618 00:27:58,945 --> 00:28:03,049 IS BECAUSE I'M THE ONLY ONE IN THE CLASS WITH POTENTIAL? 619 00:28:03,082 --> 00:28:04,851 NO. 620 00:28:04,884 --> 00:28:08,254 AMY YAMATA'S THE ONLY ONE IN THE CLASS WITH POTENTIAL. 621 00:28:08,287 --> 00:28:12,291 YOU'RE A BIZARRE CAR CRASH THAT SOMEHOW FASCINATES ME. 622 00:28:12,324 --> 00:28:14,827 THANK YOU? 623 00:28:14,861 --> 00:28:16,195 NOW IF YOU'LL EXCUSE ME, 624 00:28:16,228 --> 00:28:18,030 THIS IS ABOUT AS LONG AS I CAN SPEND 625 00:28:18,064 --> 00:28:20,366 IN A ROOM DECORATED WITH CERAMIC ELEPHANTS. 626 00:28:24,236 --> 00:28:28,040 (door opens and closes) 627 00:28:34,013 --> 00:28:38,417 HI, LADIES. SOMEONE WANNA HELP ME WITH THESE FLOWERS? 628 00:28:38,450 --> 00:28:41,954 OKAY, NO WORRIES. I GOT IT. 629 00:28:44,323 --> 00:28:45,792 (sighs) 630 00:28:50,362 --> 00:28:52,331 WHAT HAVE YOU GUYS BEEN DOING? 631 00:28:52,364 --> 00:28:54,366 PEOPLE ARE GONNA BE HERE IN TWO HOURS. NOTHING'S BEEN SET UP. 632 00:28:54,400 --> 00:28:58,004 WELL, I'M JUST SO RELAXED FROM THAT MASSAGE. 633 00:28:58,037 --> 00:29:00,506 I'D HATE TO LIFT SOMETHING AND TENSE UP AGAIN. 634 00:29:00,539 --> 00:29:02,842 YEAH, AND--AND PING WORKED SO HARD ON THESE NAILS. 635 00:29:02,875 --> 00:29:05,511 I WOULD HATE TO CHIP THEM. 636 00:29:05,544 --> 00:29:08,280 AND I... CAN'T THINK OF ANYTHING WITTY TO SAY 637 00:29:08,314 --> 00:29:12,418 ABOUT MY FABULOUS NEW 'DO, BUT I'M NOT DOING SQUAT EITHER. 638 00:29:12,451 --> 00:29:14,854 WHY ARE YOU DOING THIS TO ME? 639 00:29:14,887 --> 00:29:17,323 I WENT OUT OF MY WAY TO HELP YOU PEOPLE. 640 00:29:17,356 --> 00:29:19,325 OH, MY GOD, YOU ARE SO OUT OF TOUCH. 641 00:29:19,358 --> 00:29:21,393 DO YOU REALLY THINK A HOT STONE MASSAGE 642 00:29:21,427 --> 00:29:22,661 IS GONNA SOLVE MY PROBLEMS? 643 00:29:22,694 --> 00:29:26,565 YOU DON'T UNDERSTAND THE KINDS OF THINGS REAL PEOPLE DEAL WITH. 644 00:29:26,598 --> 00:29:28,567 YOU LIVE IN THIS PERFECT LITTLE FAIRY TALE. 645 00:29:28,600 --> 00:29:30,870 FINE. I DON'T NEED YOUR HELP. 646 00:29:30,903 --> 00:29:33,906 I HAVE TWO HOURS AND A VERY CAPABLE HUSBAND. 647 00:29:33,940 --> 00:29:37,009 THIS EVENT IS GOING OFF WITHOUT A HITCH. (beep) 648 00:29:37,043 --> 00:29:39,545 OH, AND ONE MORE THING. 649 00:29:39,578 --> 00:29:41,881 (gasps) 650 00:29:43,082 --> 00:29:44,383 (Carlos) Hello? 651 00:29:44,416 --> 00:29:46,052 HONEY, SORRY TO BOTHER YOU AT WORK, 652 00:29:46,085 --> 00:29:47,453 BUT THIS IS AN EMERGENCY. 653 00:29:47,486 --> 00:29:49,021 Whoa. What's going on? 654 00:29:49,055 --> 00:29:50,456 I NEED YOU TO MEET ME AT THE SCHOOL. 655 00:29:50,489 --> 00:29:52,258 (loudly) THESE P.T.A. BEEYOTCHES-- 656 00:29:52,291 --> 00:29:53,559 YEAH, I'M TALKING TO YOU, CINDY... 657 00:29:53,592 --> 00:29:55,594 (normal voice) ARE REFUSING TO HELP ME. 658 00:29:55,627 --> 00:29:57,329 I NEED AN EXTRA PAIR OF HANDS. 659 00:29:57,363 --> 00:29:59,899 SURE. I'LL BE--BE RIGHT THERE. 660 00:29:59,932 --> 00:30:02,301 HA! HE'S ON HIS WAY. 661 00:30:02,334 --> 00:30:05,271 THANKS. YOU'RE A LIFESAVER. (beep) 662 00:30:12,244 --> 00:30:13,345 (exhales deeply) 663 00:30:19,485 --> 00:30:21,253 (exhales deeply) 664 00:30:21,287 --> 00:30:24,256 (dance music playing) 665 00:30:24,290 --> 00:30:25,157 (indistinct conversations) 666 00:30:25,191 --> 00:30:27,994 WOW. WHEN I PICTURED THIS IN MY HEAD, 667 00:30:28,027 --> 00:30:30,329 I WASN'T AS OLD AS ALL THE OTHER PEOPLE... 668 00:30:30,362 --> 00:30:31,597 COMBINED. 669 00:30:31,630 --> 00:30:34,433 UH, TWO MARTINIS, DIRTY. 670 00:30:34,466 --> 00:30:37,269 OH, WAIT. THAT'S ME. 671 00:30:37,303 --> 00:30:38,537 (chuckles) 672 00:30:38,570 --> 00:30:40,606 FEEL FREE TO USE THAT IF YOU WANT. 673 00:30:40,639 --> 00:30:43,275 MAYBE I WILL... AT HOME, 'CAUSE THAT'S WHERE I'M GOING. 674 00:30:43,309 --> 00:30:44,977 OH, RELAX. 675 00:30:45,011 --> 00:30:46,612 LOOK AT THIS PLACE LIKE A CANDY STORE. 676 00:30:46,645 --> 00:30:49,248 YOU JUST HAVE TO FIGURE OUT WHAT YOU'RE IN THE MOOD FOR. 677 00:30:49,281 --> 00:30:52,018 OBVIOUSLY, SOMETHING WITH NUTS. 678 00:30:52,051 --> 00:30:54,220 I THOUGHT I WAS DONE WITH THIS. 679 00:30:54,253 --> 00:30:57,589 I DATED, I COMBED THROUGH ALL THE LOSERS, 680 00:30:57,623 --> 00:31:00,192 AND I FINALLY FOUND A GUY, 681 00:31:00,226 --> 00:31:02,428 SOMEONE WHO WAS SMART AND MADE ME LAUGH. 682 00:31:02,461 --> 00:31:05,364 AND NOW TO BE BACK HERE, AT MY AGE, 683 00:31:05,397 --> 00:31:09,368 DOING IT ALL OVER AGAIN, IT'S DEPRESSING. 684 00:31:11,703 --> 00:31:13,572 OH, MY GOD. YOU'RE RIGHT. 685 00:31:13,605 --> 00:31:15,407 WHAT? 686 00:31:15,441 --> 00:31:17,609 IT IS DEPRESSING. RENEE. 687 00:31:17,643 --> 00:31:19,345 WHAT AM I DOING IN HELL'S CANDY STORE? 688 00:31:19,378 --> 00:31:22,514 I HAVE A GUY. HE'S SMART AND HE MAKES ME LAUGH. 689 00:31:22,548 --> 00:31:24,650 I THOUGHT YOU SAID BEN WORKS TOO MUCH. 690 00:31:24,683 --> 00:31:28,220 OH, HE'S PASSIONATE ABOUT HIS JOB, BUT HE'S A 10. 691 00:31:28,254 --> 00:31:31,590 YOU ADD UP EVERY GUY IN THIS PLACE AND YOU GET A 6. 692 00:31:35,194 --> 00:31:39,265 BUT YOU STAY. THERE'S DEFINITELY SOMEBODY HERE FOR YOU. 693 00:31:43,369 --> 00:31:45,237 ORANGE CABLE... 694 00:31:45,271 --> 00:31:49,175 GOES AROUND HERE... 695 00:31:49,208 --> 00:31:50,977 THIS ONE GOES HERE. 696 00:31:50,977 --> 00:31:53,279 HA! AND... (singsongy) PRESTO! 697 00:31:53,312 --> 00:31:55,214 (microphone feedback whining) OH! 698 00:31:55,247 --> 00:31:56,248 (gasps) 699 00:31:56,282 --> 00:31:57,249 OW. 700 00:31:57,283 --> 00:32:00,586 SO IS "PRESTO" SPANISH FOR "COVER YOUR EARS"? 701 00:32:00,619 --> 00:32:02,488 (women laugh) 702 00:32:02,521 --> 00:32:04,190 THAT'S HILARIOUS, CINDY. 703 00:32:04,223 --> 00:32:05,057 YOU KNOW, YOU SHOULD'VE BEEN A COMIC 704 00:32:05,091 --> 00:32:07,226 INSTEAD OF A PINT-SIZED PAIN IN MY ASS! 705 00:32:07,259 --> 00:32:09,428 OH, IT'S GETTING LATE. 706 00:32:09,461 --> 00:32:11,297 LOOKS LIKE YOUR PERFECT HUSBAND 707 00:32:11,330 --> 00:32:14,266 ISN'T GONNA BE HERE TO BAIL YOU OUT. 708 00:32:14,300 --> 00:32:17,236 (clatter) 709 00:32:17,269 --> 00:32:20,572 AHA! LOOK WHO'S HERE. 710 00:32:20,606 --> 00:32:22,474 THERE'S MY HERO! 711 00:32:22,508 --> 00:32:24,310 NOW HURRY UP. WE NEED TO GET CRACKING HERE. 712 00:32:24,343 --> 00:32:27,746 HEY, WHAT ARE YOU DOING? 713 00:32:27,779 --> 00:32:29,281 (chairs clatter) 714 00:32:29,315 --> 00:32:30,382 (grunts) 715 00:32:30,416 --> 00:32:33,185 CARLOS. 716 00:32:33,219 --> 00:32:34,486 (grunts) 717 00:32:34,520 --> 00:32:35,587 HEY, GABY. 718 00:32:35,621 --> 00:32:38,324 (pants) 719 00:32:38,357 --> 00:32:41,227 (whispers) CARLOS, YOU CAN'T BE HERE LIKE THIS. YOU'VE GOTTA GO. 720 00:32:41,260 --> 00:32:42,728 NO, NO, NO. GONNA HELP, OKAY? 721 00:32:42,761 --> 00:32:45,331 NO. PLEASE. YOU NEED TO LEAVE. 722 00:32:45,364 --> 00:32:47,233 NO, I'M GONNA HELP, OKAY? GONNA HELP. 723 00:32:47,266 --> 00:32:49,268 NO, HONEY. YOU HAVE TO LEAVE, PLEASE. 724 00:32:49,301 --> 00:32:51,403 HANG ON. HANG ON. (sniffs) 725 00:32:51,437 --> 00:32:53,039 WHEW! 726 00:33:03,249 --> 00:33:05,717 RACHEL, GET THE SOUNDBOARD SET UP. 727 00:33:05,751 --> 00:33:09,621 MELISSA, MEGAN, START PUTTING OUT THE FOOD. 728 00:33:09,655 --> 00:33:11,623 MELISSA, NOW. 729 00:33:15,394 --> 00:33:17,163 IT'S OKAY, GABY. 730 00:33:17,196 --> 00:33:19,531 WE GOT IT. 731 00:33:19,565 --> 00:33:23,135 I DON'T KNOW WHAT TO SAY. 732 00:33:23,169 --> 00:33:26,305 JUST TAKE CARE OF YOUR HUSBAND. 733 00:33:30,309 --> 00:33:32,611 HELLO. 734 00:33:32,644 --> 00:33:35,247 I'M PHIL, AND YOU'RE BEAUTIFUL. 735 00:33:35,281 --> 00:33:37,383 YOU'RE JUST SAYING THAT. 736 00:33:37,416 --> 00:33:39,151 BUT I'LL TAKE IT. 737 00:33:39,185 --> 00:33:41,620 GOD KNOWS IT TOOK ME LONG ENOUGH TO GET READY TONIGHT. 738 00:33:41,653 --> 00:33:43,722 I EVEN HAD TO PAY THE SITTER TO COME EARLY. 739 00:33:43,755 --> 00:33:46,258 SITTER? SO YOU HAVE KIDS? 740 00:33:46,292 --> 00:33:47,393 YEAH. 741 00:33:47,426 --> 00:33:49,661 FIVE. FIVE KIDS. 742 00:33:49,695 --> 00:33:52,198 WOW. THAT SOUNDS LIKE A LOT. 743 00:33:52,231 --> 00:33:54,333 I ACTUALLY HAVE A HUSBAND, TOO, BUT WE'RE SEPARATED, 744 00:33:54,366 --> 00:33:57,103 AND WE'RE SEEING OTHER PEOPLE. OR HE IS, AND I'M TRYING TO. 745 00:33:57,103 --> 00:33:59,138 NOT THAT I'M DOING IT TO RETALIATE, IT'S JUST THAT-- 746 00:33:59,171 --> 00:34:01,307 WOW. I CAN'T SEEM TO STOP TALKING. 747 00:34:01,340 --> 00:34:04,176 MAYBE YOU COULD SAY SOMETHING NOW. 748 00:34:04,210 --> 00:34:05,544 BYE. 749 00:34:07,179 --> 00:34:09,215 BYE-BYE. 750 00:34:13,519 --> 00:34:16,655 CROWD'S A LITTLE LIGHT TONIGHT, DON'T YOU THINK? 751 00:34:18,390 --> 00:34:21,593 CAN I BUY YOU A DRINK OR ARE YOU ALREADY LIT? 752 00:34:23,195 --> 00:34:25,664 OH, COME ON. I'LL LET YOU PLAY WITH MY TIE. 753 00:34:25,697 --> 00:34:28,167 HERE'S THE REMOTE. 754 00:34:28,200 --> 00:34:30,369 (chuckles) 755 00:34:30,402 --> 00:34:32,138 (crackling sound) 756 00:34:34,206 --> 00:34:36,575 (indistinct conversations) 757 00:34:36,608 --> 00:34:39,545 DON'T I KNOW YOU FROM SOMEWHERE? 758 00:34:39,578 --> 00:34:41,680 OKAY. NOT THE MOST ORIGINAL LINE, 759 00:34:41,713 --> 00:34:46,152 BUT YOU'RE CUTE, SO... (chuckles) LYNETTE. 760 00:34:46,152 --> 00:34:48,620 RIGHT. RIGHT. YOU'RE PORTER AND PRESTON'S MOM. 761 00:34:48,654 --> 00:34:50,156 OH, GOD. 762 00:34:50,156 --> 00:34:52,191 MRS. SCAVO WAS THE COOLEST MOM. 763 00:34:52,224 --> 00:34:53,859 SHE USED TO MAKE US GRILLED CHEESE 764 00:34:53,892 --> 00:34:57,396 IN THE SHAPE OF DINOSAURS. SO WHAT ARE YOU DOING HERE? 765 00:34:57,429 --> 00:35:00,866 I HAVE NO IDEA. 766 00:35:04,336 --> 00:35:08,174 (dance music playing in distance) 767 00:35:08,174 --> 00:35:09,341 HERE YOU GO. 768 00:35:09,375 --> 00:35:11,510 IT'S PROBABLY THE ONLY SET OF KEYS WITH A PURPLE LANYARD. 769 00:35:11,543 --> 00:35:13,845 MY KID MADE IT AT CAMP. 770 00:35:13,879 --> 00:35:17,216 LOOK, I'M WEARING SOMETHING CALLED SKINNY JEANS, 771 00:35:17,249 --> 00:35:18,617 WHICH ARE VERY PAINFUL 772 00:35:18,650 --> 00:35:20,819 BECAUSE I DON'T HAVE SOMETHING CALLED SKINNY LEGS, 773 00:35:20,852 --> 00:35:22,921 SO I JUST WANNA GO HOME AND PEEL THEM OFF. DO YOU MIND? 774 00:35:22,954 --> 00:35:26,258 NO, NOT AT ALL. I JUST-- I DON'T--I DON'T WORK HERE. 775 00:35:26,292 --> 00:35:27,493 OH. 776 00:35:27,526 --> 00:35:30,196 OH, GOD. I'M SORRY. YOU'RE NOT THE VALET. 777 00:35:30,196 --> 00:35:32,831 (sighs) I KNEW THIS VEST WAS A BAD IDEA, 778 00:35:32,864 --> 00:35:35,267 BUT THE GAY GUY IN MY OFFICE TOLD ME THEY'RE BACK. 779 00:35:35,301 --> 00:35:38,270 NO, THE VEST IS GREAT. 780 00:35:38,304 --> 00:35:39,471 I HAVE IT IN NAVY. 781 00:35:41,207 --> 00:35:42,874 IT'S JUST--I HAVEN'T BEEN OUT IN SO LONG, 782 00:35:42,908 --> 00:35:44,543 I FIGURED I'D TRY TO MIX THINGS UP. 783 00:35:44,576 --> 00:35:46,545 YOU HAVEN'T BEEN OUT IN SO LONG? 784 00:35:46,578 --> 00:35:48,314 LAST TIME I WAS AT A BAR LIKE THIS, 785 00:35:48,347 --> 00:35:50,216 BEEPER NUMBERS WERE EXCHANGED. 786 00:35:50,216 --> 00:35:52,818 (laughs) I DIDN'T EVEN KNOW THEY BANNED SMOKING IN BARS. 787 00:35:52,851 --> 00:35:55,821 AND HOW DID THE GOOD, OLD, RELIABLE MARTINI LOSE ITS JOB? 788 00:35:55,854 --> 00:35:58,857 APPLE? CHERRY? WATERMELON? THOSE ARE SLUSHIE FLAVORS. 789 00:35:58,890 --> 00:36:00,892 (laughs) 790 00:36:00,926 --> 00:36:02,394 I'M LYNETTE. 791 00:36:02,428 --> 00:36:03,862 SCOTT. 792 00:36:03,895 --> 00:36:05,897 BY THE WAY, NOT THAT IT'S A COMPETITION, 793 00:36:05,931 --> 00:36:08,334 BUT I HAVE TWO LANYARDS ON MY KEYCHAIN. 794 00:36:08,367 --> 00:36:09,868 THEY'RE PINK. 795 00:36:09,901 --> 00:36:11,503 DAUGHTERS? YES. 796 00:36:11,537 --> 00:36:12,571 DIVORCE? 797 00:36:12,604 --> 00:36:14,240 NO, THANKS. I ALREADY HAD ONE. 798 00:36:14,273 --> 00:36:15,907 (chuckles) YOU? 799 00:36:15,941 --> 00:36:18,410 UH, SEPARATED. 800 00:36:18,444 --> 00:36:21,247 (vehicle approaches) 801 00:36:23,282 --> 00:36:25,284 HEY. UM... 802 00:36:25,317 --> 00:36:28,920 LISTEN, THIS IS THE FIRST DECENT CONVERSATION I'VE HAD ALL NIGHT. 803 00:36:30,322 --> 00:36:32,524 WHAT DO YOU SAY WE GO BACK INSIDE AND CONTINUE IT? 804 00:36:33,892 --> 00:36:36,362 I SAY... 805 00:36:36,395 --> 00:36:38,497 POMEGRANATINIS ARE ON ME. 806 00:36:38,530 --> 00:36:40,266 ALL RIGHT. THAT WAS EASY. 807 00:36:40,266 --> 00:36:41,900 YOU CALLING ME EASY? 808 00:36:41,933 --> 00:36:43,635 NOT YET. 809 00:36:48,907 --> 00:36:50,276 UM, PLEASE. 810 00:36:50,276 --> 00:36:51,743 AH. 811 00:36:51,777 --> 00:36:55,281 UH, CAN I GET YOU SOMETHING TO DRINK? 812 00:36:55,281 --> 00:36:57,549 I HAVE, UH, VODKA. 813 00:36:57,583 --> 00:36:59,918 I HAVE MILK. I HAVE CHOCOLATE MILK. 814 00:36:59,951 --> 00:37:01,887 I HAVE JUICE BOXES. (chuckles) 815 00:37:01,920 --> 00:37:04,823 HAVING KIDS HAS REALLY RUINED MY GAME, HUH? 816 00:37:04,856 --> 00:37:06,725 VODKA AND CHOCOLATE MILK-- 817 00:37:06,758 --> 00:37:08,860 THAT'S EXACTLY WHAT I GIVE MY BABY TO CALM HER DOWN. 818 00:37:08,894 --> 00:37:09,895 (chuckles) 819 00:37:11,963 --> 00:37:13,532 CHEERS. 820 00:37:13,565 --> 00:37:14,966 CHEERS. (chuckles) 821 00:37:20,772 --> 00:37:23,909 (chuckles nervously) 822 00:37:28,314 --> 00:37:29,815 NOW WHAT DO WE DO? 823 00:37:31,483 --> 00:37:33,885 I'D PUT ON SOME MUSIC, BUT MY EX GOT ALL MY CDs. 824 00:37:33,919 --> 00:37:35,787 MM. 825 00:37:35,821 --> 00:37:38,857 I COULD TURN ON A BLACK LIGHT, BUT I'M NOT 16. 826 00:37:38,890 --> 00:37:41,660 MAYBE I COULD LIGHT SOME CANDLES, 827 00:37:41,693 --> 00:37:45,331 BUT THAT SEEMS LIKE KIND OF AN OBVIOUS MOVE, RIGHT? 828 00:37:46,532 --> 00:37:48,734 NOT AS OBVIOUS AS THIS. 829 00:37:54,473 --> 00:37:55,807 MAYBE OBVIOUS ISN'T SO BAD. 830 00:37:55,841 --> 00:37:57,543 (gasps) 831 00:37:59,645 --> 00:38:00,779 OHH. 832 00:38:00,812 --> 00:38:02,548 OH, WOW! (gasps) 833 00:38:02,581 --> 00:38:04,883 NO? NO. OH, NO, IT'S GOOD. IT'S GOOD. KEEP GOING. 834 00:38:04,916 --> 00:38:06,618 MMM. MMM. (moans) 835 00:38:07,986 --> 00:38:10,822 I HAVE ANOTHER ROOM THAT I WOULD LOVE TO SHOW YOU. 836 00:38:10,856 --> 00:38:12,758 REALLY? 837 00:38:12,791 --> 00:38:13,925 UH-HUH. 838 00:38:13,959 --> 00:38:16,628 YOU'RE GETTING... BETTER AT THIS. 839 00:38:16,662 --> 00:38:17,896 MMM. 840 00:38:17,929 --> 00:38:21,833 (moans) 841 00:38:21,867 --> 00:38:23,602 (pants) 842 00:38:29,074 --> 00:38:31,410 (whispers) OW. 843 00:38:31,443 --> 00:38:32,811 (grunts) 844 00:38:32,844 --> 00:38:34,913 OH! HANG ON. HANG ON. 845 00:38:34,946 --> 00:38:37,683 SHOOT! 846 00:38:37,716 --> 00:38:40,486 OH. RIGHT HERE? 847 00:38:40,519 --> 00:38:41,587 OKAY. 848 00:38:41,620 --> 00:38:43,955 NO, I... DROPPED SOMETHING. 849 00:38:43,989 --> 00:38:45,824 OH. CAN I HELP? 850 00:38:45,857 --> 00:38:48,794 MY RING FELL OFF. YOU HAD TO HAVE SHAG CARPETING, HUH? 851 00:38:48,827 --> 00:38:51,630 UGH. THAT GAY GUY AT MY OFFICE SAID SHAG WAS BACK. 852 00:38:51,663 --> 00:38:55,434 REALLY NEED TO START GETTING MY STYLE TIPS FROM SOMEONE ELSE. 853 00:38:55,467 --> 00:38:57,035 DAMN IT. WHERE IS IT? 854 00:38:57,068 --> 00:38:58,870 THIS RUG-- IT SWALLOWS EVERYTHING. 855 00:38:58,904 --> 00:39:00,606 THERE USED TO BE AN END TABLE HERE AND... 856 00:39:00,639 --> 00:39:02,608 OH, MY GOD! PLEASE DON'T BE FUNNY RIGHT NOW. 857 00:39:04,009 --> 00:39:06,011 WAIT. WAIT. WAIT. 858 00:39:06,044 --> 00:39:07,946 HERE IT IS. 859 00:39:07,979 --> 00:39:10,616 (sighs) OH. 860 00:39:10,649 --> 00:39:11,917 THANK YOU. 861 00:39:15,053 --> 00:39:17,989 SO, UH, WHERE WERE WE? 862 00:39:25,831 --> 00:39:28,434 I'M SORRY. I CAN'T. 863 00:39:29,901 --> 00:39:33,639 YOU'RE A REALLY GREAT GUY. 864 00:39:33,672 --> 00:39:36,808 YOU'RE NICE AND YOU'RE FUNNY AND... 865 00:39:36,842 --> 00:39:38,810 WHATEVER YOU WERE DOING... 866 00:39:38,844 --> 00:39:41,613 (voice breaking) TO--TO MY NECK WAS REALLY WORKING FOR ME, 867 00:39:41,647 --> 00:39:43,849 BUT THE IDEA OF WALKING 10 FEET INTO YOUR BEDROOM 868 00:39:43,882 --> 00:39:47,719 IS ABOUT THE SCARIEST THING I CAN THINK OF RIGHT NOW. 869 00:39:50,756 --> 00:39:52,791 OKAY. 870 00:39:54,693 --> 00:39:55,961 I'M... 871 00:39:55,994 --> 00:39:59,598 HOPING TO WORK THINGS OUT WITH MY HUSBAND, 872 00:39:59,631 --> 00:40:00,899 AND I GUESS I JUST-- 873 00:40:00,932 --> 00:40:02,634 I GET IT. 874 00:40:02,668 --> 00:40:04,836 YOU'RE NOT THERE YET. 875 00:40:06,204 --> 00:40:07,806 I'M NOT. 876 00:40:09,741 --> 00:40:11,710 (chuckles) 877 00:40:12,978 --> 00:40:14,980 (sniffles) 878 00:40:15,013 --> 00:40:17,583 WELL, I THINK I SHOULD GO. (chuckles) 879 00:40:17,616 --> 00:40:18,984 COME ON. 880 00:40:24,255 --> 00:40:25,724 (sighs) 881 00:40:28,894 --> 00:40:30,662 BYE. 882 00:40:31,763 --> 00:40:33,965 I UNDERSTAND YOUR HESITATION. 883 00:40:33,999 --> 00:40:37,469 I AM ONE OF THOSE PEOPLE WITH A MANICURED LAWN 884 00:40:37,503 --> 00:40:39,538 WHO WOULD OBJECT 885 00:40:39,571 --> 00:40:42,641 WHEN A PROPOSAL LIKE THIS THREATENS HER COMMUNITY. 886 00:40:42,674 --> 00:40:43,775 BUT MY EYES HAVE BEEN OPENED, 887 00:40:43,809 --> 00:40:46,612 AND I WILL PERSONALLY GO DOOR-TO-DOOR 888 00:40:46,645 --> 00:40:50,749 TO HELP OTHER PEOPLE SEE HOW ESSENTIAL THIS PROJECT IS, 889 00:40:50,782 --> 00:40:55,621 SO THAT WHERE WE LIVE CAN TRULY BE CALLED A COMMUNITY. 890 00:40:55,654 --> 00:40:58,824 (murmuring) 891 00:41:04,696 --> 00:41:07,533 YOU WERE AMAZING. 892 00:41:07,533 --> 00:41:09,134 WELL, I MEANT EVERY WORD. 893 00:41:09,167 --> 00:41:11,269 I WANT TO HELP YOU ANY WAY I CAN. 894 00:41:11,302 --> 00:41:13,138 GREAT. WELL, UH, FIRST THING TOMORROW, 895 00:41:13,171 --> 00:41:15,140 I'LL TAKE YOU OUT TO SEE THE CONSTRUCTION SITE. 896 00:41:16,742 --> 00:41:19,845 YES, WE MAY THINK WE'RE ALL DESTINED 897 00:41:19,878 --> 00:41:23,582 TO PLAY CERTAIN ROLES. 898 00:41:23,615 --> 00:41:28,787 BUT SOMETIMES THOSE ROLES CAN UNEXPECTEDLY CHANGE. 899 00:41:28,820 --> 00:41:34,560 A NERVOUS STUDENT MAY DISCOVER A HIDDEN CONFIDENCE. 900 00:41:34,593 --> 00:41:40,799 A LONGTIME WIFE MAY CONFRONT A HARSH NEW REALITY. 901 00:41:40,832 --> 00:41:42,868 A BUSY MOTHER 902 00:41:42,901 --> 00:41:47,172 MAY FIND HER ATTENTION IS NEEDED ELSEWHERE. 903 00:41:47,205 --> 00:41:51,843 AND A WOMAN WHO WANTED TO DO A LITTLE BIT OF GOOD 904 00:41:51,877 --> 00:41:55,246 MAY FIND HERSELF PLAYING A MUCH BIGGER ROLE 905 00:41:55,280 --> 00:41:58,316 THAN SHE INTENDED. 906 00:41:58,349 --> 00:42:01,720 I WAS SEARCHING AND SEARCHING FOR THE PERFECT SPOT, 907 00:42:01,753 --> 00:42:03,622 AND THEN I FOUND IT-- 908 00:42:03,655 --> 00:42:05,657 CHAPMAN WOODS. 909 00:42:05,691 --> 00:42:07,693 HAVE YOU EVER BEEN HERE BEFORE? 910 00:42:15,734 --> 00:42:17,135 ONCE. 911 00:42:17,168 --> 00:42:20,606 WELL, THEY'RE FINALLY GONNA BREAK GROUND ON TUESDAY, 912 00:42:20,639 --> 00:42:22,608 AND IT'S ALL THANKS TO YOU. 913 00:42:22,641 --> 00:42:25,844 (chuckles) GLAD I COULD HELP. 64587

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