All language subtitles for Eli.Roths.History.of.Horror.S03E02.WEBRip.x264-ION10

The Covid-19 pandemic
came as a surprise to some,

but horror films have sounded
the alarm for decades.

What "Contagion" did perfect

was to show us that the
deadliest infection is fear.

It was an upsetting movie
when there was no pandemic.

And it was even more upsetting
during the pandemic.

I remember when we shot
"12 Monkeys,"

and you'd use a "What if?"

You won't think I'm crazy when
people start dying next month.

You think it can't possibly
happen.

No...!

When it comes to
an infected people movie,

probably my very favorite is
David Cronenberg's "Rabid."

The idea of sexually
transmitted diseases

and sex being the thing
that destroys you.

"," I think,
was genuinely terrifying.

It was just raw
and real and felt like,

oh, that could be happening
down the street, tomorrow.

That's the pernicious
element of a disease.

All the weapons of mankind

are helpless before it, you
know, you can't bomb a disease.

Oh, God!

You can't see it, you don't
know where it is or when

it's present or how dangerous
it is or when it might strike.

But you have to be on guard
all of the time.

Horror stories are built
around our fear of threats

we know exist, but can't stop...

and the threats
we don't know about

until it's too late.

Pathogens inspire
both kinds of fear.

At first we don't know
what's killing us,

then we realize an invisible
monster is on the loose,

and it's coming for everyone.

In horror, these diseases
often come wrapped

in a supernatural clothing.

But when COVID-19 brought
the world to a standstill,

many people sought out the films
that seemed closest to reality.

At the top of the pandemic,

I was seeing
so many people online,

purposely watching pandemic
and zombie movies.

And that says something
about our psyche...

That when we are at
our lowest point,

we want to poke that.

"Outbreak," from 1995,

follows the trail
of an Ebola-like virus

brought to America
by a black market monkey.

Sirs... Mr. Motaba.

Help!

Oh, God!

"Outbreak" is one of
the first of what you may call

semi-realistic plague films.

I wouldn't say entirely,
because it goes nuts

in the last half hour, but it's
essentially kind of

a look at how plague might
actually operate

in the modern world.

And I think it was a really
underrated film because

that was the first time
a lot of moviegoers thought,

"Oh, yeah, this
actually could happen."

You had the monkey, you had
the sneezing in the theater.

And you had these,
these visual expressions that

taught people, like, oh,

, it's actually dangerous

to be a human being
and have lungs

that can absorb bacteria

in a way that can destroy
our entire system.

Don't tell me
when I need sleep, Casey,

I don't tell you
when you need sleep.

For every person who gets sick,

how many other people
are they likely to infect?

I feel like "Contagion" really
brought that to the next level

and included a scientific aspect

of the storytelling that an
outbreak was really rudimentary.

"Contagion" is the first movie
that made me aware

of how an epidemic spread.

And Scott Z. Burns' script

and the way it's executed
by Steven Soderbergh,

it's just right on the money.

"Contagion" begins as a woman,
played by Gwyneth Paltrow,

returns home to Minnesota
after a business trip to China.

She's been infected with

a highly contagious
respiratory virus

that she unknowingly
spreads everywhere she goes.

As the number of deaths
exponentially rise,

it becomes a race against time
to figure out how to stop

the virus before
the human race is decimated.

When I started the project,

my hope was that I could write
a movie that was,

in some ways,
a '70s-era disaster movie

where we had this big,
star-studded cast.

But what I wanted to do was
sort of Trojan Horse that idea

and fill it with science.

Somewhere in the world

the wrong pig
met up with the wrong bat.

Have you ever seen anything
like this before?

No.

One of the great things about
the all-star cast

is that it made it really

easy for an audience to track
the overlapping stories.

You knew when you were with
Marion Cotillard,

you were in the World
Health Organization story.

You knew that when you were with
Kate Winslet,

you were in the CDC epidemiology
domestic policy story.

You knew that Laurence Fishburne

represented both
the CDC and government

and the intersection
of that, you know,

Matt Damon was all of us.

Borrowing a page from
Alfred Hitchcock's "Psycho"...

Honey?

"Contagion" throws its
audience off-balance by killing

one of its biggest stars in the
first 10 minutes of the film.

Let's get a line in her.

I think one of
the best scenes in the movie,

and it's a brilliant piece
of acting,

but it's, like, incredibly sad
but very plausible,

is when Matt Damon
is in hospital

and is informed of
his wife's death.

- She failed to respond.
- Okay, and?

Her heart stopped and,
unfortunately, she did die.

Right.

And he doesn't hear it,
he can't process it.

Okay, so can I go talk to her?

Mr. Emhoff, I'm sorry,
your wife is dead.

There's no doubt that
"Contagion" is a horror film,

but it's so artfully done,

it's so intelligent,
so well-written,

it has such an enormous
star cast that I think people

who dislike horror try to steal
it and say, oh, it's actually

a drama... it's a horror film.

And the proof is when
they peel off

Gwyneth Paltrow's face,

open up the top her skull
and look inside

and there's nothing
but goop in there.

My wife makes me take off
my clothes in the garage

and she leaves out a bucket
of warm water and some soap,

and then she douses everything
in hand sanitizer after I leave.

I mean,
she's overreacting, right?

Not really.

What I was hoping for was to
get to a place where reality

was scarier than, than fiction,

and so I was very interested

in what human beings
perceive as dangerous.

What's that, fomites?

It refers to
transmission from surfaces.

As opposed to what really is.

The average person
touches their face

two or three
thousand times a day.

Two or three thousand times
a day?

Three to five times
every waking minute.

It turns out it tends
to be our, our, our habits

and our lack of willpower
that is probably

a greater existential threat.

What's your temperature?

101.8.

Steven Soderbergh
peoples the film with, like,

very famous actors and says,

dead, alive, dead, alive,
dead, alive, dead, alive.

I'm sorry I couldn't finish.

Just because
Kate Winslet's a big name

doesn't mean
she's gonna make it.

It's a brilliant way to look
at it because you kind of think,

I'm gonna be okay,
my family's gonna be okay...

Oh, wait, my brother's dead?

How is that possible?
How can I be immune and him not?

If the film seems prophetic,

it's because writer Scott Burns
consulted with virologists

and public policy makers
to work out how a novel pathogen

could come into the world,

and what would happen if it did.

It was so prophetic,
it was so dead-on,

it didn't miss a single trick.

Everything that it imagined
happening happened,

with only a few tiny exceptions.

Right now, our best defense
has been social distancing...

No hand shaking,
staying home when you're sick,

washing your hands frequently.

It anticipated a lot of
the crazy conspiracy theories...

You've got Jude Law
selling Forsythia to suckers.

What does Forsythia do?

It's the cure.

It think it's a really
brilliant film,

I'm not surprised that a lot of
people watched it, like,

either for the first time or,
like me, a second time around,

slack-jawed with horror, like,
oh, , here we go.

When did we run out of
body bags?

Two days ago.

"Contagion" showed us humanity

at the brink of
a viral apocalypse.

What if we went over the edge,
and into the void?

You've gotta think I'm
addicted, haven't you, Cole?

To that dying world?

I just wanna do my part,

to get us back on top,
in charge of the planet.

In 1995, a romance
about a weaponized virus

wiping out humanity
came to the screen...

Five billion people died
in 1996 and 1997.

Terry Gilliam's
"12 Monkeys."

Are you going to save us,
Mr. Cole?

I can't save you... nobody can.

"12 Monkeys" is based on
"La Jetée," by Chris Marker,

who was a French filmmaker, and
he took a really unique concept

of using stills...
Still images... to convey the arc

of a love story and a man's
witnessing his own death.

And "12 Monkeys" took that story

and made a feature film from it.

Bruce Willis plays James Cole,

a convict
in the virus-wrecked future.

James Cole,
cleared from quarantine.

Cole is sent back in time

to find the source of
the contagion.

But he winds up
in a mental institution,

where he meets psychiatrist
Kathryn Railly,

played by Madeleine Stowe.

What year is this?

What year do you think it is?

1996.

That's the future, James.

Do you think you're living
in the future?

I was very familiar with Terry
and his sense of displacement

and disorientation
that permeated his movies,

and I was dying to work
with him.

There were some
challenging days,

and part of the challenge,
quite frankly,

was he was dealing with
a movie star in Bruce...

This is it, James,
what you've been working for.

Women will want to
get to know you.

I don't want your women!
I want to get well!

In the end, he became
very surprised with what Bruce

was doing, which was this
wonderful sort of pure,

childlike thing.

People can't travel back
in time, "Whoop! Whoop!"

Uh-uh. Not here.

He was just very pure, and
that's perfect for the movie

because it's actually told from
a child's point of view.

The scenes set in the past
were shot on location

in Philadelphia, which helps to
give the film its unique look.

It was not a great time
for cities period,

but Philadelphia,
it was really rough.

He went to corners of the city

that filmmakers
were not going to.

You know, for him it was just,
you know, as an artist,

a great palette for him.

Maybe the human race
deserves to be wiped out.

Wiping out the human race?

That's a great idea.

In his first Academy
Award-nominated performance,

Brad Pitt plays a mental patient

with mysterious ties
to the pandemic.

- Jeffrey?
- Mm-hmm.

You're completely insane.

He seems to be the engineer
of the apocalypse...

No, I'm not.

But that's
deliberate misdirection.

The real threat
is a rogue scientist

played by David Morse.

He plans to release a highly
infectious airborne pathogen

across the world.

He was talking to me about

that scene, you know,
in the airport in "12 Monkeys."

Do you mind
letting me have a look

at the contents
of your bag, please?

Please.

Probably my favorite part
of it was the moment

going through security and
didn't want to open the vial,

I guess, or the bottle.

It doesn't... even...
have an odor.

That's not necessary, sir.

And just the realization
of what's going to happen

if they do that.

Cole tries to stop him
and change history.

No...!

But the past can't be changed.

The story of the film
is that time is a circle,

and that things fold in
on themself and then

Bruce Willis' character is
haunted by a traumatic event

that he witnessed as a child,

and then at the end
of the movie we realize

that the traumatic event was
caused by him as an adult.

It's a very smartly told
narrative because at the center

of it, you think, oh, that's
just the romance and you need

a romance in this type of story,
but really, that's what

the movie is about, is these
two human beings being human

and that is coming to an end
and that's worth saving.

Without that love story,

how much does Coles'
journey really matter?

How much does the end of the
world really matter?

Right, you know, I mean, we're
here for a reason, you know?

I like to think it's to
love each other, so...

Infections based in reality
are frightening.

When you add a touch of
the supernatural,

they can be absolutely
terrifying.

- Who's chasing you?
- My mom.

My dad.

They're trying to kill me.
Amen.

Zombie infection films
take our fears of contagion

and give them teeth.

Two of the most original
and unforgettable twists

on the genre are
"Pontypool," from Canada.

And "" from Spain.

"" Is a masterpiece.

It really was the first
docu-style film

since "Blair Witch"
that I thought was, like,

legitimately terrifying.

"" Is all found footage

through the lens
of this journalist

following just a regular,
good, old night at the job

with these firefighters.

Until they get this call
at this building.

But there's a woman that's in
a little bit of trouble...

Maybe she's sick...
And the moment

that the firefighter team gets
there, to this building,

everybody's already in panic.

And then suddenly,
once the firefighters

and this journalist
go all the way in, man,

that's when all hell breaks
loose, that there's an infection

spreading really fast
in the building.

"" Scared the out of me.

I was just completely shocked,
captivated, appalled,

the moment when they walk
into that apartment and that

old woman in a nightgown comes
running at the camera.

It was just so shocking,
and we'd seen

a lot of found footage films
up to this point,

but this did
something different with it.

It had looked like we were
following real people.

No known actors or added score
or anything like that,

it was all use of diegetic
sounds, all of it.

It's an incredible use of what's
actually on the frame

and enhancing those sounds...
The echo in the building,

when you hear at the top story,
"Whaaaap."

And a firefighter
had just got thrown

off the top floor,
all the way down.

That echo and that use of
sound design

really makes an audience
feel like we're there.

Found footage
became part of the horror,

it became part of really
using the camera

to show the isolation.

It uses it so well in the final
scene where we're hurting

for light, and so then we get
this limited view where she goes

into night vision and we are
experiencing the exact same

limited periphery
that the character is.

That last scene,

when she's in that room
and there's something

in there with her and you
realize this is patient zero.

This is the thing
that started it,

whatever experiment led to
this person being infected,

that they've had it longer
than anyone

and that's what's
spreading it to everybody.

And it's just the scariest,
most awful looking thing,

it's just everyone's
worst nightmare.

"" May be the most
terrifying zombie infection film

of recent times...

but "Pontypool"
is the most unusual.

Grant, Grant, Grant...

Stephen McHattie
plays a talk radio personality

in a small Canadian town...

Pontypool, good morning.

You know, I want to talk to you
about something

that has been buggin' me.

Who slowly begins to
realize he's broadcasting

from the epicenter
of a rage zombie outbreak.

Pontypool's under quarantine.

Everybody has to stay inside
at all times.

"Pontypool" is a really
fascinating and different

kind of infection
because it's not airborne,

there's no real way of
understanding the transmission

because it's just through
the spoken language.

I'm going to go see
if Mr. Mazzy's missing...

missing, missing.

Where you say a word and then
they keep saying that word

over and over and over again
and then it starts spreading

from person to person.

Prah, prah, prah, prah, prah...

You say something, you're
unknowingly infecting them

with this virus
that's making them insane.

It is the ultimate
low-budget movie

in that you never leave
this radio studio.

And there's a massive infection

taking place outside the studio,
in the real world,

and other than
a handful of the infected,

you never really see them.

It's a movie as a radio play.

People need to know,
we have to get this out.

Well, it's your call,
Mr. Mazzy.

Let's just hope
what you're getting out there

isn't going to destroy
your world.

When it came out
it seemed something very alien,

like how can a word
or a phrase be something

that could actually hurt you?

And now social media, of course,
has come such a long way since

that movie came out,
it's all about words,

it's so violent right now
that if you just say

the wrong thing to someone,
like, boom,

you know, all you do
is say one sentence and suddenly

you've got people rioting
in the capitol building.

So that's, I think "Pontypool,"
in that way,

is very ahead of its time.

I am trying
to piss a few people off

because that's how it's done,
simple as that.

Infections take many forms...

None more unnerving
than the sexual parasites

infesting the early films
of David Cronenberg.

Of all the infections
human beings can endure...

sexually transmitted diseases

induce the most squirms.

One trailblazing filmmaker,
David Cronenberg,

brought venereal horror
to the screen.

At the beginning
of his long career

he made two influential films
that traumatized a generation.

The first was "Shivers."

Ew!

"Shivers"...
Initially released in America

as "They Came From Within"...
Chronicles the spread

of genetically engineered
parasites

inside a high-rise
apartment building.

- Ooh!
- Oh!

Ooh, good heavens.

The parasites turn
mild-mannered Canadians

into crazed sex fiends.

I'm hungry for love!

A combination of aphrodisiac

and venereal disease, it will
hopefully turn the world

into one beautiful,
mindless orgy.

Well, I think it sounds
a little crazy to me.

Roger, I had a very disturbing
dream last night.

In this dream, I found myself
making love to a strange man.

"Shivers"
or "They Came From Within"

is one of the absolute perfect
films from David Cronenberg,

and it's one of his first.

It's psychosexual, it's twisted,

it brings in all of these
elements of body horror,

and it is beautifully
post-1960s.

That was a plague film
of its time

because that was
the sexual revolution,

that was when Baby Boomers were
suddenly waking up to the idea

that you can boink someone
that you weren't married to.

And that was a very big deal
to that generation,

so you had to have a plague that
could make you do something

as crazy as have sex
out of wedlock.

It culminates
in this completely abhorrent

orgy pool scene.

Somehow even though
you don't really see much,

it feels like you are
seeing everything.

I think the end of "Shivers"
is really terrifying,

when they had that slow motion
shot of them in the pool

and her kissing him...

The music and everything...
Really disturbing.

Are these people victims?

Or have they been liberated
from the straightjacket

of their lonely
middle-class lives?

Cronenberg's subversive mission
is to make us question

our assumptions
about our true natures.

His next film, "Rabid,"

was a kind of sequel
to "Shivers."

Instead of confining the action
to one building,

he follows the spread
of a nasty new form

of rabies across Quebec.

The source of the contagion
is Rose,

played by Marilyn Chambers.

After an accident, Rose receives
experimental skin grafts

from a pioneering
plastic surgeon.

All right,
you hold it right there.

The procedure restores her body,

but gives her
a little something extra...

A blood-sucking stinger
under her armpit.

Anyone she feeds on will
become a bloodthirsty cannibal.

I remember watching it
and like, oh,

this is pretty good,
going along with it.

Like, wow, this is getting
a little rougher

than I was expecting.

But when
the operation scene happens

and the doctor takes
the nurse's finger

and cuts it off
with the scissors.

Oh, my God!
What am I watching?

In "Rabid,"
what was scary about it

was to see how quickly
infections spread.

Even if you set off
a nuke on a city,

if you live outside the city,
you're gonna be okay.

But imagine setting off a nuke
that then makes more nukes.

I'm in terrible trouble,
you gotta help me.

Marilyn Chambers didn't even
know that she was Typhoid Mary

until it was too late...

That's what's so scary about
being a spreader... you don't

even know you're a spreader
until you've already spread.

I'm afraid!

As the pandemic rages,

Rose falls victim
to one of the infected.

She becomes just another corpse
to be disposed of.

Plagues have ravaged mankind
for centuries.

Pull!

But there have always been
those who think

it could never happen to them.

In the early 1960s,
director/producer Roger Corman

made the jump from low-budget
black-and-white films

to the slightly-bigger-budgeted
color films

based on the gothic horror
of Edgar Allan Poe.

To help sell the pictures,

Corman brought in
veteran actor Vincent Price.

The Poe films made Price
a horror icon.

Vincent Price
was wonderful to work with...

He was a highly intelligent,
educated man,

he'd graduated from Yale.

The razor edge of death.

Thus the condition of man.

Bound on an island from which
he can never hope to escape.

So he came with
great intelligence

and a classical training
as an actor.

What is the meaning of this?

Probably the very first
of the films,

"The Fall of
the House of Usher."

How dare you admit anyone
into this house?

I think it was one of
his best performances.

Be done!

That and the first film
we shot in England,

which was
"Masque of the Red Death."

The village is full of
the Red Death.

The Red Death?

Prince Prospero,
I beg you, allow us haven!

I beg sanctuary!

This is no church.

"The Masque of the Red Death"
is, you know,

a terrific movie, I think,
it seems to be the pinnacle

of the Edgar Allan Poe series
that Roger Corman did

because he was in England
and he had access to more time

and a bit more money.

He'd been very influenced,
shall we say,

by "The Seventh Seal," which was
a huge art house hit at the time

which, you know,
Ingmar Bergman film,

where you had Death
in a black cloak.

Very symbolic, all about
the Plague, you know,

during the medieval era.

And so he kind of found a way
to filter that

into the Edgar Allan Poe story.

Prince Prospero, who's this
very cruel nobleman who invites

his friends up to his castle
because there's the Red Death,

this plague that's ravaging the
countryside and so they figure,

oh, we'll just cloister
ourselves away and party down

and, you know, when it's all
done and the smoke clears

we'll go out and live our lives.

But because of me, through
my mediation with my master,

the Lord of Flies,

you... all of you...
Unworthy though you may be,

will be safe from the Red Death.

He shot in beautiful
Technicolor, and that's one of

the most amazing aspects
of the movie, actually,

the cinematography by Nicolas
Roeg... it's just stunning.

The camera's constantly moving
one way or another.

There's a lot of very wide shots

because those sets
allow a lot of scope.

It's just... it's stunning,

it's a really,
really beautiful movie.

And then, of course,
there's Vincent Price, who was,

you know, giving 100 percent
as Prince Prospero

and delightfully cruel
and delightfully hate-able.

You're a madman!

And yet I will live
and you will die.

He played a man of evil,
but there were shadings

of tenderness within him towards
a young girl that he had

taken from the plague-stricken
countryside.

I do not want to hurt you,
my dear.

Can't you understand?

I want to help save your soul
so you can join me

in the glories of Hell.

No! Never!

While the outside world is
ravaged by a plague of the body,

Prospero's castle is infected
by a plague of the spirit.

Demon lover, of all those

who wish to live
in your eternal light,

transcribe the final mark.

This infection isn't
inflicted on its victims...

It's chosen by them.

The orgy of corruption,
cruelty, and depravity

reaches its zenith at
Prospero's masquerade ball,

where everything is permitted,
except wearing the color red.

The one percent
locks themselves up

in the castle and parties,
thinking that, you know,

they're never gonna let
anybody infected in.

And then, of course,
the Grim Reaper gets in.

There's no escape,
is what I got out of that.

I would like to see your face.

There is no face of death

until the moment
of your own death.

Death is the great leveler.

You can be famous, you can
be rich, you could be powerful...

But one thing you're not
going to escape,

and it's an experience
that's common to everybody

who has ever lived
and who ever will live.

Let me see your face.

Your hell, Prince Prospero,

and the moment of your death.

It's the one common
nod of humanity.

The human race is barely able
to cope with disease on Earth.

Would we stand a chance against
something not of this Earth?

When you think of
alien invaders,

you might think of this.

But what if the invader
was a virus from space,

something we have
no immunity against?

That's the premise
of "The Andromeda Strain."

Based on the novel
by Michael Crichton,

it's the story of a space probe
that crash lands

in a small town, bringing back
a pathogen that rapidly kills

99.9 percent
of the population,

turning their blood to dust.

Powder.

I'll be damned.

Now an elite team of
scientists must find a cure

before the alien virus
spreads across the Earth.

Never believed this could
really happen.

Well, it has happened.

The classic of that genre,
I think, the Big Mamou,

the one that everyone...
They're all judged by

is probably
"The Andromeda Strain."

Uh, yeah, yes.

If you're not talking about
just some weird zombie breakout

happening... you're talking
about, like, oh, a genuine

disease that it could happen and
you're trying to clamp it down,

that's the one that they all get
judged by, I think.

I mean, I love "The Androm..."

What do you think...
What is it about?

It's such a simple movie and
it's so well done, and it just,

it's just the pace of that movie
just moves and moves.

I fell in love with, with just
the notion of, you know,

the scene where they're,
like, examining the ship.

What about the bits of green?

And then you just see
the one little green speck

and you're like, wait, that one
little tiny speck of dust

caused all of this.

It's growing.

Perhaps the strangest
infection ever put on film

is the 2020 adaptation
of the H.P. Lovecraft story,

"The Color Out of Space".

Nicolas Cage plays the patriarch
of an eccentric family

living in an
isolated country house.

One night a meteorite
crashes into their yard,

bringing with it
an unearthly infection.

Teenaged daughter Lavinia is
the only member of the family

who quickly realizes the
meteorite is not what it seems.

It's behind the lightning.

At first it's fascinating
because it's this

beautiful thing... there's that
dichotomy of it being this

gorgeous meteorite that lands
in their front yard and it's

kind of this amazing thing
that's otherworldly.

And then gradually
you see that this is

a very malevolent entity.

Whatever was in the meteorite
infects the land

and transforms the family...

First, their minds...
then, their bodies.

It's like a virus... you can't
see it, you don't know

where it is or when it's present
or how dangerous it is

or when it might strike.

But you have to be on guard
all of the time.

Look out!

The worse things get,

the deeper the father
sinks into denial.

Come on, dad, don't pretend
that you haven't noticed.

Nothing has been this place up.

Why are you so in denial?

Okay, you know,
I've had it with your drama!

The picture features
a classically

unhinged performance
by Nic Cage.

His performance is a stunner,

but in and around that
performance is a story

about a family's
shared sense of reality

being smashed into tinier
and tinier fragments

by an environmental poison

that has leaked into
their well water.

Much of the film is seen from
the point of view of Ward,

a young scientist
who befriends the family.

Jack, what are you up to?

Playing with my friends.

This de facto stand-in for
the infamously racist Lovecraft

is played by a person of color.

I remember Nic
saying a few times

that he'd always wanted to do
a family drama and, for him,

that's what "Color" was.

What do you mean you tried?

Do you have any idea how much
those animals cost us?

They are alpacas... alpacas.

And so that's how
we entered it and I think

it's exactly that, it was
a dysfunctional family

in very bizarre circumstances,

and that's what really
gave it its kick.

I can't get a dial tone.

It becomes body horror,
which is basically

taking something as simple
and intrinsic to our experience

as humans as a mother's embrace
of their own child

and turning that into
something grotesque.

Late in the picture
the llamas out in the garage

all become this one slimy

10-headed grotesque
llama creature.

The teen girl is slicing

pentagrams into her flesh.

The father loses his mind.

We've been having a hard time,
you know?

And Lavinia realizes she is
humanity's last line of defense

against the color out of space.

It's so beautiful.

It's a progressive spin
on Lovecraft's

relentlessly misanthropic tale.

Lavinia isn't ruined
by the color, rather,

she's elevated by the color

and she kind of
reaches her true purpose

by willingly
and voluntarily merging

with the color
and sacrificing herself

so that the color returns
to its original source.

Only Ward survives, slowly
emerging from the wreckage

into a colorless world.

It came out right before,
you know, Covid...

hit and started impacting
the entire world.

It's absolutely relevant
to today

and I don't know what
the moral of the story is,

because we haven't, you know,

we haven't reached the
conclusion of this one yet.

What touched this place cannot
be quantified or understood

by human science.

And I don't really know
what the moral of the story

of "Color Out of Space"
is, either...

yeah, other than maybe be the
Black guy, for once.

I'll take it.

It was just a color
out of space.

In the movies,
lethal contagions can come

from outer space,
escape from a lab,

or emerge from the rain forest,

leaving a trail of the dead
in their wake.

But as films
and real life have shown us,

the human race is resilient.

Boy, I better get vaccinated.

New threats will come,
but we can survive them...

or can we?