All language subtitles for 1A_01

Hey hey! Gleb Alexandrov here! and in this tutorial
we're gonna come up with a formula for beautiful

cinematic lighting for the object shots of
any kind. we're gonna start from scratch and

then gradually explore all the steps of this
formula so it can be applied to variety of

different locations and shots. this formula is
extremely versatile, after setting it all up

its components can be mixed to your taste and
adapted to the needs of the project no matter

if it's a dramatic moody composition or an upbeat
and evocative still life. to not reinvent the wheel

and keep it simple you can reuse the components
of this scheme or this formula in your own work.

so our subject or rather object for demoing
this lighting scheme is going to be this bunch

of minerals. it is a nice little object that has
variety of textural details and has a little bit

of everything in terms of materials. it is fairly
reflective but not super reflective at the same

time it shows a fair bit of variable roughness
so it's neither super glossy nor super diffuse

it even allows a bit of light to pass through it
with the help of the subsurface scattering which

we will discuss a bit later on. so as I've said
it's a little bit of everything, it's a perfect

demo object for this kind of lighting setup. now
an important note, even though the subsurface

scattering looks beautiful, for the purpose of
the tutorial to keep things simple I guess we

will turn it off. so once you open that demo scene
in Blender, you will find out that the subsurface

is turned off, is switched off, it will make our
minerals look like they are made of clay which is

perfect for our training purposes. so let's keep
moving! :) okay before actually getting our hands

dirty we should probably set our Bblender up, our
Cycles up and have a look at the scene. why do we use

Cycles Render engine for this lighting tutorial?
first of all it is a pure path tracing render

engine which means it's the closest we can get in
Blender to the way light actually behaves in the

real world. with Cycles the light just behaves
realistically right out of the bat so we don't

have to even think for the most part about global
illumination and other realistic lighting effects,

so we can focus on what truly matters, which is
creating cinematic and yet believable lighting.

thanks to the recent advancements in
Blender such as general speed up and

denoising, raytraced rendering became much
faster than it used to be. in the old days

one frame of path traced animation could easily
take a few days to render, but fortunately these

days are over and with the rise of gpus and
the advancements in technology the viewport

rendering in Blender as well became a thing. in
other words, we'll leave the burden of technical

lighting calculations to Cycles and focus on
the creative side of it.