All language subtitles for 02 - One for the Angels

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These are the user uploaded subtitles that are being translated: 1 00:00:02,002 --> 00:00:04,420 [eerie music] 2 00:00:06,756 --> 00:00:09,216 (male presenter, off) THERE IS A FIFTH DIMENSION 3 00:00:09,300 --> 00:00:11,510 BEYOND THAT WHICHIS KNOWN TO MAN. 4 00:00:11,594 --> 00:00:14,555 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:14,639 --> 00:00:17,349 AND AS TIMELESS AS INFINITY. 6S 00:00:17,434 --> 00:00:21,186 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW 7 00:00:21,271 --> 00:00:23,480 BETWEEN SCIENCE AND SUPERSTITION 8 00:00:23,565 --> 00:00:26,233 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:26,317 --> 00:00:29,486 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:29,571 --> 00:00:32,406 THIS IS THE DIMENSION OF IMAGINATION 11 00:00:32,490 --> 00:00:35,993 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:00:36,077 --> 00:00:38,328 [music intensifies dramatically] 13 00:00:42,584 --> 00:00:45,002 [cheerful music] 14 00:00:56,014 --> 00:00:57,848 RIGHT HERE, LADI ES AND GENTLEM EN, 15 00:00:57,932 --> 00:01:01,185 SPECIAL J U LY CLEAN UP SALE! 16 00:01:01,269 --> 00:01:03,353 LOVELY THINGS, CALAM IN E LOTION, 17 00:01:03,396 --> 00:01:06,607 GOOD FOR SU N BU RNS! 18 00:01:06,691 --> 00:01:09,109 HOW ABOUT B I NOCU LARS? 19 00:01:09,194 --> 00:01:11,862 (male presenter, off) STREET SCENE 20 00:01:11,946 --> 00:01:13,739 SUMMER, THE PRESENT. 21 00:01:13,823 --> 00:01:17,201 MAN ON THE SIDEWALK NAMED LOU BOOKMAN. 22 00:01:17,243 --> 00:01:20,370 AGE, SIXTYISH. OCCUPATION, PITCHMAN. 23 00:01:20,413 --> 00:01:24,083 LOU BOOKMAN, A FIXTURE OF THE SUMMER. 24 00:01:24,167 --> 00:01:27,086 A RATHER M INOR COMPONENT TO A HOT JULY. 25 00:01:27,170 --> 00:01:29,880 A NONDESCRIPT COMMONPLACE LITTLE MAN, 26 00:01:29,964 --> 00:01:31,673 WHOSE LIFE IS A TREADM ILL 27 00:01:31,758 --> 00:01:35,135 BU ILT OUT OF SIDEWALKS. 28 00:01:35,220 --> 00:01:37,012 IN JUST A MOMENT, LOU BOOKMAN 29 00:01:37,097 --> 00:01:39,681 WILL HAVE TO CONCERN HIMSELF WITH SURVIVAL. 30 00:01:39,766 --> 00:01:42,476 BECAUSE AS OF 3 O'CLOCK THIS HOT JULY AFTERNOON 31 00:01:42,560 --> 00:01:46,313 HE'LL BE STALKED BY MR. DEATH. 32 00:01:46,397 --> 00:01:48,148 [ominous music] 33 00:01:53,071 --> 00:01:56,073 [cheerful music] 34 00:02:05,291 --> 00:02:07,000 [Lou Iaughs] (chiIdren) HI, LOU! 35 00:02:07,085 --> 00:02:10,796 (Lou) HELLO, DARLING! OH, HERE, HERE. 36 00:02:10,880 --> 00:02:12,589 OH, MY GOODN ESS, IT IS HOT TODAY! 37 00:02:12,674 --> 00:02:13,757 YEAH. 38 00:02:13,842 --> 00:02:16,051 LET'S S IT DOWN. 39 00:02:18,179 --> 00:02:19,847 WHAT ARE YOU SELLING TODAY, LOU? 40 00:02:19,931 --> 00:02:21,890 TOYS, LOU? ARE YOU SELLING TOYS? 41 00:02:23,935 --> 00:02:26,478 I'LL SHOW YOU WHAT I WAS SELLING. [chuckIes] 42 00:02:26,563 --> 00:02:27,646 THERE'S ONE FOR YOU. 43 00:02:27,730 --> 00:02:29,189 THANKS, LOU! 44 00:02:29,274 --> 00:02:31,191 THAT'S ALRIGHT, MAGG I E. HERE, RICKY. 45 00:02:31,276 --> 00:02:32,901 THANKS, LOU! 46 00:02:32,986 --> 00:02:35,779 NOW THE LOU BOOKMAN SOCIAL AND ICE CREAM HOUR 47 00:02:35,822 --> 00:02:37,948 TAKES PLACE RIGHT AFTER SU PPER. 48 00:02:37,991 --> 00:02:40,117 THE REG U LAR TURN NOW! 49 00:02:40,160 --> 00:02:41,326 DON'T FORG ET! 50 00:02:41,411 --> 00:02:42,786 GOOD BYE. 51 00:02:42,829 --> 00:02:44,371 (chiIdren) BYE, LOU. 52 00:02:44,455 --> 00:02:46,707 (Lou) DON'T FORG ET THE ICE CREAM, HUH? 53 00:02:46,791 --> 00:02:50,878 [humming] 54 00:03:14,944 --> 00:03:16,820 [intense ominous music] 55 00:03:16,863 --> 00:03:20,032 YOU'RE, YOU'RE THE MAN I SAW ON THE SIDEWALK TODAY. 56 00:03:20,116 --> 00:03:21,742 YOU WERE WRITING IN A BOOK. 57 00:03:21,826 --> 00:03:23,702 YOU ARE LOU BOOKMAN, AREN'T YOU? 58 00:03:23,786 --> 00:03:25,537 THAT'S RIGHT. LOUIS J. BOOKMAN, 59 00:03:25,622 --> 00:03:27,372 IS THERE SOMETHING I CAN SHOW YOU? 60 00:03:27,457 --> 00:03:30,334 MAYBE SOMETHING IN COLLAR STAYS? I'LL GET THAT. 61 00:03:30,418 --> 00:03:33,003 NO, MR. BOOKMAN. I'M NOT HERE TO BUY ANYTHING. 62 00:03:33,046 --> 00:03:35,088 NOW LET'S GET TO BUS IN ESS, SHALL WE? 63 00:03:35,173 --> 00:03:38,217 LOU IS J. BOOKMAN, AG ED 69, RIGHT? 64 00:03:38,301 --> 00:03:40,510 I'LL BE 70 IN SEPTEM BER. 65 00:03:40,553 --> 00:03:43,847 H M. OCCU PATION, P ITCH MAN, RIGHT? 66 00:03:43,890 --> 00:03:46,058 YEAH, THAT'S RIGHT. [chuckIes] 67 00:03:46,142 --> 00:03:47,684 ARE YOU A CENSUS TAKER? 68 00:03:47,727 --> 00:03:51,021 BORN IN NEW YORK CITY IN 1 890. 69 00:03:51,105 --> 00:03:53,857 THAT'S RIGHT, 1 890. 70 00:03:53,900 --> 00:03:57,069 FATHER JACOB BOOKMAN, MOTHER FLORA BOOKMAN. 71 00:03:57,153 --> 00:03:59,446 FATH ER'S PLACE OF B I RTH, DETRO IT, M ICH IGAN, 72 00:03:59,530 --> 00:04:02,115 MOTH ER'S PLACE OF B I RTH SYRACUSE, NEW YORK, RIGHT? 73 00:04:02,200 --> 00:04:04,534 THAT'S RIGHT. MY GOODN ESS, [chuckIes] 74 00:04:04,577 --> 00:04:06,536 YOU GOT IT ALL DOWN IN THAT BOOK THERE. 75 00:04:06,621 --> 00:04:09,206 YES, WE HAVE TO KEEP THESE THINGS EFF ICI ENT. 76 00:04:09,249 --> 00:04:12,542 NOW TODAY IS THE 1 9TH OF J U LY. 77 00:04:12,627 --> 00:04:15,003 AND YOUR DEPARTU RE'S AT M I DNIGHT TONIGHT. 78 00:04:15,088 --> 00:04:17,297 MY DEPARTU RE? 79 00:04:17,382 --> 00:04:19,049 [knocking at door] 80 00:04:19,092 --> 00:04:21,176 OH, EXCUSE ME. 81 00:04:24,639 --> 00:04:26,056 HI, MAGG I E! 82 00:04:26,140 --> 00:04:27,891 THE KEY'S BAD, LOU. CAN YOU F IX IT? 83 00:04:27,976 --> 00:04:29,768 OH, SURE, COME ON RIGHT IN! 84 00:04:29,852 --> 00:04:31,103 COME ON IN. (chuckIes) 85 00:04:31,187 --> 00:04:34,273 LET ME SEE IT. 86 00:04:34,357 --> 00:04:36,566 WELL, THERE'S YOUR TROU BLE RIGHT THERE. 87 00:04:36,651 --> 00:04:38,902 SEE THAT LITTLE COGWH EEL? 88 00:04:38,987 --> 00:04:43,407 WELL, YOU'VE BEEN PUSHING IN THAT KEY WHEN YOU WERE WIN DING IT. YOU SEE? 89 00:04:43,491 --> 00:04:44,700 SEE? NOW IT'S ALL RIGHT. 90 00:04:44,784 --> 00:04:46,785 SEE? 91 00:04:46,869 --> 00:04:49,413 I'D I NTRODUCE YOU TWO, ONLY I DON'T KNOW YOUR NAME. 92 00:04:49,497 --> 00:04:50,747 NO NEED. 93 00:04:50,832 --> 00:04:52,708 I THINK I GOT IT NOW, LOU. 94 00:04:52,792 --> 00:04:55,752 THIS GENTLEMAN CAME HERE TO ASK ME A LOT OF QU ESTIONS. 95 00:04:55,837 --> 00:04:57,462 WHAT GENTLEMAN? 96 00:04:57,547 --> 00:04:59,006 [ominous music] 97 00:04:59,090 --> 00:05:00,382 THAT GENTLEMAN! 98 00:05:02,510 --> 00:05:04,678 WHAT GENTLEMAN? 99 00:05:04,762 --> 00:05:08,348 (Mr. Death) MR. BOOKMAN, SHE CAN'T SEE ME OR HEAR ME. 100 00:05:08,433 --> 00:05:09,850 WHY NOT? 101 00:05:09,934 --> 00:05:11,643 WHY NOT WHAT, LOU? 102 00:05:11,728 --> 00:05:13,520 WHY CAN'T YOU SEE HIM OR HEAR HIM? 103 00:05:13,604 --> 00:05:16,523 SEE WHO, LOU? 104 00:05:16,607 --> 00:05:18,775 IT WORKS GREAT NOW, LOU. 105 00:05:18,818 --> 00:05:21,361 THANKS AN AWFU L LOT. SEE YOU AFTER SU PPER, HUH? 106 00:05:21,446 --> 00:05:24,031 NOW WAIT A MINUTE. YOU HAVEN'T FORGOT YOUR MAN N ERS. 107 00:05:24,115 --> 00:05:25,782 AREN'T YOU GON NA SAY GOODBYE? 108 00:05:25,867 --> 00:05:27,951 OH, YEAH. GOOD BYE, LOU. THANKS A LOT! 109 00:05:28,036 --> 00:05:30,370 NO, NO, I MEAN TO THE GENTLEMAN THERE. 110 00:05:30,455 --> 00:05:32,456 OH, IT'S A GAM E. 111 00:05:32,540 --> 00:05:35,459 THE I NVIS I BLE MAN. GOODBYE, I NVIS I BLE MAN. 112 00:05:35,543 --> 00:05:36,877 SEE YOU AFTER SU PPER, LOU. 113 00:05:42,967 --> 00:05:44,968 [suspense music] 114 00:05:45,053 --> 00:05:49,556 I CAN SEE YOU, YET SHE CAN'T. 115 00:05:49,640 --> 00:05:52,976 (Mr. Death) ONLY THOSE WHO ARE TO ACCOMPANY ME CAN SEE ME. 116 00:05:53,019 --> 00:05:55,228 UNDERSTAND, MR. BOOKMAN? 117 00:05:55,313 --> 00:05:57,606 UH, MR. BOOKMAN, 118 00:06:00,777 --> 00:06:03,695 ONLY THOSE THAT ARE TO ACCOM PANY ME CAN SEE ME. 119 00:06:03,780 --> 00:06:07,074 NOW DON'T YOU THINK YOU OUGHT TO START MAKING YOUR ARRANG EM ENTS? 120 00:06:07,158 --> 00:06:08,742 ARRANG EM ENTS? FOR WHAT? 121 00:06:08,826 --> 00:06:11,244 FOR YOUR DEPARTU RE. 122 00:06:11,329 --> 00:06:13,580 MY DEPARTU RE WHERE? 123 00:06:13,664 --> 00:06:15,207 [sighs] YOU JUST DON'T GET IT. 124 00:06:15,291 --> 00:06:17,334 I JUST WILL NEVER U N DERSTAND YOU PEOPLE. 125 00:06:17,418 --> 00:06:20,087 YOU GET THE I DIOTIC NOTION THAT LIFE GOES ON FOREVER. 126 00:06:20,171 --> 00:06:21,463 OF COURSE, IT DOESN'T. 127 00:06:21,547 --> 00:06:23,048 EVERYONE HAS TO GO SOMETIME. 128 00:06:23,132 --> 00:06:25,008 GO? YOU MEAN-- 129 00:06:25,093 --> 00:06:27,761 THAT'S RIGHT. AND WHAT I FU RTH ER DON'T U N DERSTAND 130 00:06:27,845 --> 00:06:30,680 HOW LITTLE YOU APPRECIATE THE NATU RE OF YOUR DEPARTU RE. 131 00:06:30,765 --> 00:06:33,558 THINK OF ALL THE POOR SOU LS WHO GO IN VIOLENT ACCIDENTS. 132 00:06:33,643 --> 00:06:35,227 THE NON PRECOG N ITION VICTI MS. 133 00:06:35,311 --> 00:06:37,270 WE'RE NOT PERM ITTED TO FOREWARN THEM. 134 00:06:37,355 --> 00:06:40,732 YOU, MR. BOOKMAN, FALL INTO THE CATEGORY 135 00:06:40,817 --> 00:06:42,359 OF "NATU RAL CAUSES." 136 00:06:42,443 --> 00:06:44,069 "NATU RAL CAUSES?" 137 00:06:44,153 --> 00:06:46,863 NUMBER ON E, IF IN D YOU A VERY DEVIOUS SORT, 138 00:06:46,948 --> 00:06:48,448 NUMBER TWO, 139 00:06:48,533 --> 00:06:50,242 I THINK THAT YOU'RE DISHON EST. 140 00:06:50,326 --> 00:06:54,287 NUMBER THREE, WHY DON'T YOU SAY WHAT YOU MEAN! 141 00:06:54,372 --> 00:06:57,707 MR. BOOKMAN, I'VE DONE EVERYTHING BUT PHON E YOUR OWN U N DERTAKER. 142 00:06:57,750 --> 00:06:59,543 HOW MUCH CLEARER DO YOU WANT IT? 143 00:06:59,627 --> 00:07:01,336 IF YOU STILL DON'T KNOW WHO I AM 144 00:07:01,421 --> 00:07:03,922 THEN YOU'RE THE DU M BEST MAN I'VE COME UP AGAINST. 145 00:07:08,094 --> 00:07:09,678 [intense ominous music] 146 00:07:17,562 --> 00:07:19,729 YOU ARE-- YOU'RE DEATH? 147 00:07:19,814 --> 00:07:22,107 EXACTLY, MR. BOOKMAN. 148 00:07:22,191 --> 00:07:25,986 NOW, SHALL WE GET DOWN TO BUSINESS? 149 00:07:26,070 --> 00:07:28,905 TIME OF DEPARTU RE IS M I DNIGHT TONIGHT. 150 00:07:28,990 --> 00:07:30,824 I TRUST THAT WILL SU IT YOU. 151 00:07:30,908 --> 00:07:33,577 PREORDI NATION IS FOR DEATH DU RING SLEEP. 152 00:07:33,661 --> 00:07:36,580 I ASSU ME THIS TOO WILL MEET WITH YOUR APPROVAL. 153 00:07:36,664 --> 00:07:39,791 YOU'LL F IN D THIS A RELATIVELY S IMPLE AND PAIN LESS-- 154 00:07:39,876 --> 00:07:41,793 NO, JUST A MINUTE. I DON'T WANNA GO! 155 00:07:41,878 --> 00:07:43,837 NO, THEY NEVER DO. 156 00:07:43,921 --> 00:07:46,840 BUT THERE'S NO REASON TO GO. I'M A VERY H EALTHY MAN! 157 00:07:46,924 --> 00:07:50,260 OUTSIDE OF A SLIGHT COLD I HAD LAST WI NTER, 158 00:07:50,303 --> 00:07:53,472 AND A SLIVER THAT FESTERED IN THAT FING ER THERE, 159 00:07:53,556 --> 00:07:56,057 I DON'T THINK I'VE HAD A S ICK DAY IN 20 YEARS! 160 00:07:56,142 --> 00:07:57,684 THAT MAY BE, 161 00:07:57,768 --> 00:07:59,936 BUT DEPARTU RE TIME IS SET FOR M I DNIGHT. 162 00:07:59,979 --> 00:08:02,230 AND DEPARTU RE WILL BE M I DNIGHT. 163 00:08:02,315 --> 00:08:04,524 DON'T I HAVE ANYTHING TO SAY ABOUT THAT? 164 00:08:04,609 --> 00:08:06,693 WE DO LISTEN TO APPEALS 165 00:08:06,777 --> 00:08:09,446 BUT FRANKLY, MR. BOOKMAN, THERE'S VERY LITTLE HERE 166 00:08:09,530 --> 00:08:11,698 IN THE WAY OF AN EXTEN UATING CI RCU MSTANCE. 167 00:08:11,782 --> 00:08:14,117 THERE ARE THREE MAJOR CATEGORI ES OF APPEALS. 168 00:08:14,202 --> 00:08:15,619 ON E, IS HARDSH I P CASES. 169 00:08:15,703 --> 00:08:17,621 NOW DO YOU HAVE A WIFE OR FAM I LY 170 00:08:17,705 --> 00:08:20,957 WHO MIGHT SU FFER BEYON D A REASONABLE PO I NT YOUR DEM ISE? 171 00:08:21,000 --> 00:08:24,920 [softIy] NO, NO FAM I LY. NO. 172 00:08:25,004 --> 00:08:28,381 THE SECON D CATEGORY IS PRIORITY CASES 173 00:08:28,466 --> 00:08:31,551 STATESM EN, SCI ENTISTS, M EN ON THE VERG E OF DISCOVERI ES. 174 00:08:31,636 --> 00:08:37,891 I TAKE IT YOU'RE NOT WORKING ON ANY MAJOR SCI ENTIF IC PU RSU IT AT THE MOM ENT. 175 00:08:37,975 --> 00:08:40,143 [softIy] NO [chuckIes] NO. 176 00:08:40,186 --> 00:08:42,646 [firmIy] WHAT'S THE THIRD CATEGORY? 177 00:08:42,730 --> 00:08:45,982 I DON'T THINK YOU'RE QUALIF I ED HERE EITHER. 178 00:08:46,067 --> 00:08:49,402 U N F IN ISH ED BUS IN ESS OF A MAJOR NATU RE. 179 00:08:49,487 --> 00:08:52,906 YOU DON'T HAVE ANY U N F IN ISH ED BUS IN ESS, DO YOU? 180 00:08:52,990 --> 00:08:54,032 AH, BUT I DO! 181 00:08:54,116 --> 00:08:55,492 IN DEED I DO! 182 00:08:55,535 --> 00:08:58,161 THAT'S IT, YOU SEE. I-- YEAH. 183 00:08:58,246 --> 00:09:00,413 I HAVE SOME U N F IN ISH ED BUS IN ESS. 184 00:09:00,498 --> 00:09:03,208 U N F IN ISH ED BUS IN ESS, YES. 185 00:09:06,003 --> 00:09:09,589 I'VE NEVER FLOWN IN A H ELICOPTER. THAT'S IT. 186 00:09:09,674 --> 00:09:11,258 I'VE NEVER FLOWN-- 187 00:09:11,342 --> 00:09:13,760 (Death) INSUFFICIENT, MR. BOOKMAN. 188 00:09:16,347 --> 00:09:18,348 ANYTHING ELSE? 189 00:09:18,391 --> 00:09:22,102 NOW YOU LOOK HERE. I'VE LIVED IN THIS ROOM FOR 2 1 YEARS. 190 00:09:22,186 --> 00:09:25,897 AND YOU KEEP POPPING UP IN CORN ERS OF THE ROOM I'VE NEVER EVEN SEEN BEFORE. 191 00:09:25,982 --> 00:09:27,732 WILL YOU PLEASE STAY IN ONE PLACE? 192 00:09:27,817 --> 00:09:30,527 IS THERE ANYTHING ELSE, MR. BOOKMAN? 193 00:09:30,570 --> 00:09:32,070 YES, YES. 194 00:09:32,154 --> 00:09:34,948 I HAVE NEVER SEEN A ZU LU WAR DANCE. 195 00:09:35,032 --> 00:09:37,409 NOW THAT'S THE ANSWER RIGHT THERE. 196 00:09:37,493 --> 00:09:41,079 SO YOU'LL HAVE TO GIVE ME A COUPLE OF MONTHS TO GO OVER TO THAT ZU LU COU NTRY 197 00:09:41,163 --> 00:09:43,373 NO? 198 00:09:43,457 --> 00:09:45,917 NO. U N F IN ISH ED BUS IN ESS OF A MAJOR NATU RE 199 00:09:46,002 --> 00:09:48,128 IS SOMETHING A MAN HAD YEARNED FOR 200 00:09:48,212 --> 00:09:50,964 AND SOMETHING HE M IGHT ACCOMPLISH GIVEN AN EXTENSION. 201 00:09:51,048 --> 00:09:53,842 WELL, THERE IS ONE THING. 202 00:09:53,926 --> 00:09:56,219 WHAT IS IT, MR. BOOKMAN? 203 00:09:56,262 --> 00:09:59,055 WELL, BETWEEN YOU AND ME, 204 00:09:59,098 --> 00:10:01,766 I NEVER MADE A TRU LY BIG P ITCH. 205 00:10:01,851 --> 00:10:04,644 I MEAN, I MEAN A BIG P ITCH. 206 00:10:04,729 --> 00:10:08,898 A P ITCH BIG ENOUGH FOR THE SKI ES TO OPEN UP. 207 00:10:08,983 --> 00:10:12,402 YOU KNOW, A PITCH FOR THE ANGELS. 208 00:10:12,445 --> 00:10:15,071 OF COURSE, IT WOULDN'T MEAN VERY MUCH TO YOU, 209 00:10:15,114 --> 00:10:16,906 BUT IT WOULD MEAN A GREAT DEAL TO ME. 210 00:10:16,991 --> 00:10:19,242 IT WOULD MEAN THAT FOR ONE MOMENT 211 00:10:19,285 --> 00:10:23,163 IN MY WHOLE LIFE I WOULD HAVE DONE SOMETHING SUCCESSFUL. 212 00:10:23,247 --> 00:10:28,293 IT WOULD MEAN THAT MAYBE THE CH I LDREN WOULD BE VERY PROU D OF ME. 213 00:10:28,377 --> 00:10:30,503 THE CH I LDREN? 214 00:10:30,588 --> 00:10:34,424 YES, YES, I'VE ALWAYS HAD QU ITE A FON DN ESS FOR CH I LDREN, YOU KNOW. 215 00:10:34,508 --> 00:10:36,635 YES, THAT'S ALL HERE IN THE RECORD. 216 00:10:36,719 --> 00:10:40,972 THE PROBLEM HERE, MR. BOOKMAN, IS THAT YOU'D REQU I RE DELAY U NTI L-- 217 00:10:41,057 --> 00:10:42,932 U NTI L I MAKE A P ITCH! 218 00:10:43,017 --> 00:10:45,518 THE KIND OF P ITCH I WAS TALKING TO YOU ABOUT. 219 00:10:45,603 --> 00:10:46,978 THE ONE FOR THE ANGELS? 220 00:10:47,063 --> 00:10:49,564 THAT'S RIGHT. ONE FOR THE ANGELS. 221 00:10:51,942 --> 00:10:54,361 I'M TERRIBLY SORRY, MR. BOOKMAN, 222 00:10:54,445 --> 00:10:56,196 BUT, NO. 223 00:10:58,324 --> 00:11:00,992 YOU SEE, THESE CATEGORIES ARE VERY SPECIFIC 224 00:11:01,077 --> 00:11:04,496 AND WHEN REFERENCE IS MADE TO U N F IN ISH ED BUS IN ESS OF A MAJOR NATU RE, 225 00:11:04,580 --> 00:11:06,581 THE ONLY I NTERPRETATION TO BE MADE HERE 226 00:11:06,666 --> 00:11:08,166 IS S IMPLY THAT-- 227 00:11:10,461 --> 00:11:12,545 WHAT-- WHAT I MEAN IS THAT, UH, 228 00:11:12,630 --> 00:11:14,631 U N FORTU NATELY, MR. BOOKMAN, 229 00:11:14,674 --> 00:11:17,509 AN AB I LITY TO, TO SUCCEED 230 00:11:17,593 --> 00:11:19,386 IN A GIVEN PROFESS IONAL VENTU RE 231 00:11:19,470 --> 00:11:22,180 IS REALLY HARDLY OF A MAJOR-- 232 00:11:25,559 --> 00:11:28,395 M EAN A GREAT DEAL TO YOU, DOES IT? 233 00:11:28,479 --> 00:11:30,814 A GREAT DEAL. 234 00:11:38,489 --> 00:11:40,740 ALL RIGHT, MR. BOOKMAN. 235 00:11:40,825 --> 00:11:43,785 UNDER THE CIRCUMSTANCES I BELIEVE I CAN GRANT YOU A DELAY. 236 00:11:43,869 --> 00:11:45,704 U NTI L-- 237 00:11:45,788 --> 00:11:49,040 WHAT DO YOU MEAN 'U NTI L?' U NTI L YOU'VE MADE THIS P ITCH. 238 00:11:49,125 --> 00:11:50,750 I CAN LIVE TI L THEN? 239 00:11:50,835 --> 00:11:52,502 THAT'S THE AG REEM ENT. 240 00:11:52,545 --> 00:11:56,005 OH, WELL I THINK THAT'S A F IN E BARGAI N. 241 00:11:56,048 --> 00:11:58,049 I DIDN'T GET YOUR NAME. 242 00:11:58,134 --> 00:12:01,094 NOW, ABOUT THIS P ITCH, MR. BOOKMAN, 243 00:12:01,178 --> 00:12:03,388 WHEN MIGHT WE EXPECT IT? 244 00:12:03,472 --> 00:12:05,098 WH EN? 245 00:12:05,182 --> 00:12:08,059 OH, SOON. YOU KNOW. 246 00:12:08,144 --> 00:12:12,230 MAYBE NOT THIS YEAR, MAYBE NOT FOR A COUPLE OF YEARS, [chuckIes] BUT SOON. 247 00:12:12,314 --> 00:12:15,859 I HAVE THE VERY ODD FEELING THAT YOU'RE TAKING ADVANTAG E OF ME. 248 00:12:15,901 --> 00:12:17,777 OH, YOU HAVE? WELL, THAT'S A P ITY, 249 00:12:17,862 --> 00:12:21,698 BECAUSE I AM! 250 00:12:21,782 --> 00:12:24,117 YOU'LL NEVER CATCH ME MAKING A P ITCH ANYMORE. 251 00:12:24,201 --> 00:12:27,036 YOU THINK YOU CAN FOOL ME, EH? [chuckIes] 252 00:12:27,079 --> 00:12:29,372 I'LL HARDLY OPEN MY MOUTH FROM NOW ON. 253 00:12:29,415 --> 00:12:30,623 [mischievous music] 254 00:12:30,708 --> 00:12:32,959 REALLY, MR. BOOKMAN? 255 00:12:33,043 --> 00:12:35,795 THIS IS MUCH MORE SERIOUS THAN YOU I MAG IN E. 256 00:12:44,555 --> 00:12:48,057 IT'S MUCH MORE COM PLEX THAN YOUREALIZE, WHAT YOU'VE JUST DONE. 257 00:13:01,363 --> 00:13:03,573 HERE I'VE GON E OUT OF MY WAY TO H ELP YOU 258 00:13:03,657 --> 00:13:05,283 AND THIS IS THE WAY YOUREPAY ME? 259 00:13:18,005 --> 00:13:20,632 MR. BOOKMAN. 260 00:13:20,716 --> 00:13:23,301 IT WON'T JUST END HERE, YOU UNDERSTAND? 261 00:13:23,385 --> 00:13:26,179 THERE WILL BE CONSEQU ENCES, YOU SEE? 262 00:13:26,263 --> 00:13:30,600 FYI, THAT MEANS FOR YOU IN FORMATION 263 00:13:30,684 --> 00:13:33,937 YOU MADE YOUR BED AND YOU SHALL HAVE TO SLEEP IN IT. 264 00:13:33,979 --> 00:13:37,065 WE MADE A BARGAI N THAT I DON'T HAVE TO GO U NTI L I MAKE A P ITCH. 265 00:13:37,149 --> 00:13:39,526 AND YOU'LL HAVE TO WAIT U NTI L I MAKE THAT P ITCH. 266 00:13:39,610 --> 00:13:43,905 I CAN SAY THIS WITHOUT THE LEAST FEAR OF CONTRADICTION. 267 00:13:43,989 --> 00:13:46,699 HAVE YOU GOT A LONG WAIT! [chuckIes] 268 00:13:46,784 --> 00:13:48,868 THAT MAY WELL BE, MR. BOOKMAN, 269 00:13:48,953 --> 00:13:50,620 BUT S I NCE YOU WON'T COME WITH ME, 270 00:13:50,663 --> 00:13:53,498 I'VE BEEN FORCED TO SELECT AN ALTERNATIVE. 271 00:13:53,582 --> 00:13:55,583 [brakes screeching and woman yelling] 272 00:13:58,963 --> 00:14:00,630 [people shouting] 273 00:14:05,761 --> 00:14:08,721 MAGG I E! 274 00:14:08,806 --> 00:14:10,807 I SWEAR I DIDN'T SEE H ER. 275 00:14:10,891 --> 00:14:14,477 SHE J U M PED RIGHT OFF THE CURB AND I HAD NO CHANCE TO STOP. 276 00:14:14,562 --> 00:14:17,397 I SWEAR TO YOU I NEVER HAD NO CHANCE TO STOP AT ALL. 277 00:14:17,481 --> 00:14:19,482 WELL, THEN SOMEON E SEND FOR A DOCTOR! 278 00:14:19,525 --> 00:14:20,859 GET AN AM BU LANCE. 279 00:14:20,943 --> 00:14:22,318 I'LL CALL ON E. 280 00:14:33,622 --> 00:14:35,748 (Lou) YOU'RE GONNA BE ALL RIGHT, DARLING. 281 00:14:35,833 --> 00:14:37,667 YOU'RE GON NA BE JUST F IN E. 282 00:14:37,751 --> 00:14:39,586 HI, LOU. 283 00:14:39,670 --> 00:14:41,087 HELLO, SWEETHEART. 284 00:14:41,171 --> 00:14:44,340 [intense ominous music] 285 00:14:45,801 --> 00:14:46,885 LOU? 286 00:14:46,969 --> 00:14:48,094 YES? 287 00:14:48,178 --> 00:14:50,221 WHO'S THAT MAN? 288 00:14:50,306 --> 00:14:52,473 [ominous music] 289 00:14:54,935 --> 00:14:56,352 DO YOU SEE HIM? 290 00:14:56,437 --> 00:14:58,688 YES, LOU. 291 00:15:07,323 --> 00:15:08,656 HEY, WAIT A MINUTE. 292 00:15:08,741 --> 00:15:10,074 YOU CAN'T TAKE H ER. 293 00:15:10,159 --> 00:15:12,285 NO, S I REE, YOU CAN'T TAKE H ER. 294 00:15:12,369 --> 00:15:15,038 NOW LISTEN, I'LL GO. N EVER MIND THE P ITCH. 295 00:15:15,122 --> 00:15:17,290 I DON'T EVEN WANT TO WAIT, I'LL GO RIGHT NOW. 296 00:15:17,374 --> 00:15:19,208 YOU CAN'T TAKE H ER. 297 00:15:19,293 --> 00:15:21,294 I'LL GO WITH YOU, I'LL-- 298 00:15:37,478 --> 00:15:39,646 [ominous music] 299 00:15:46,904 --> 00:15:48,821 (man) HOW'S MAGG I E, DOCTOR? 300 00:15:48,906 --> 00:15:50,740 (Doctor) I CAN'T TELL. I CAN'T TELL. 301 00:15:55,871 --> 00:15:57,664 DOCTOR? 302 00:15:57,748 --> 00:16:00,166 IT'S HARD TO TELL. SHE'S A VERY S ICK LITTLE GIRL, 303 00:16:00,250 --> 00:16:03,127 BUT WE'LL KNOW SOON, SHE SHOU LD HAVE A CRIS IS BY M I DNIGHT. 304 00:16:03,212 --> 00:16:04,337 BY M I DNIGHT? 305 00:16:04,421 --> 00:16:05,755 I THINK BY THEN. 306 00:16:09,176 --> 00:16:12,762 HE WON'T COME HERE. I WON'T LET HIM COME HERE. 307 00:16:18,644 --> 00:16:21,688 [suspense music] 308 00:16:38,038 --> 00:16:39,747 [intense ominous music] 309 00:16:44,086 --> 00:16:45,503 GOOD EVENING, MR. BOOKMAN. 310 00:16:45,587 --> 00:16:47,130 YOU'VE GOT BUS IN ESS IN THERE? 311 00:16:47,214 --> 00:16:48,965 I MOST CERTAIN LY DO. 312 00:16:49,008 --> 00:16:53,594 IT'S QUARTER TO 1 2 :00. IN 1 5 MINUTES, M I DNIGHT. 313 00:16:53,679 --> 00:16:55,179 THAT'S MY APPO I NTM ENT. 314 00:16:58,851 --> 00:17:02,645 MR. DEATH, THAT LITTLE G I RL'S ONLY 8 YEARS OLD. 315 00:17:02,730 --> 00:17:05,189 I'M READY NOW. 316 00:17:05,274 --> 00:17:08,401 I'M SORRY, MR. BOOKMAN, BUT I HAD TO MAKE OTHER ARRANG EM ENTS. 317 00:17:08,485 --> 00:17:10,319 IT'S IMPOSS I BLE TO CHANG E THEM NOW. 318 00:17:10,404 --> 00:17:12,572 SHE'S TO COME WITH ME AT M I DNIGHT, 319 00:17:12,656 --> 00:17:15,324 SO IMUST BE IN THERE AT M I DNIGHT. 320 00:17:15,367 --> 00:17:17,994 AND IF YOU'RE NOT IN THERE? 321 00:17:18,078 --> 00:17:20,163 IT WOULD BE PRETTY MUCH U N HEARD OF. 322 00:17:20,247 --> 00:17:23,166 YOU SEE, IF I DIDN'T GET IN THERE AT PRECISELY M I DNIGHT, 323 00:17:23,250 --> 00:17:25,752 THEN THE WHOLE TIMETABLE WOULD BE UPSET. 324 00:17:25,836 --> 00:17:27,545 IT'S U N HEARD OF. 325 00:17:27,629 --> 00:17:29,839 IT'S U N HEARD OF? 326 00:17:34,261 --> 00:17:36,345 WHAT ARE YOU DOING, MR. BOOKMAN? 327 00:17:36,388 --> 00:17:38,639 I'M JUST SETTING UP A P ITCH, THAT'S ALL. 328 00:17:38,724 --> 00:17:40,433 AT THIS TIME OF NIGHT? 329 00:17:40,517 --> 00:17:44,687 OH, I VERY OFTEN HAVE A LATE SALE. VERY OFTEN! 330 00:17:44,730 --> 00:17:47,065 NOT MANY CUSTOM ERS. 331 00:17:47,149 --> 00:17:49,108 OH, THEY'LL BE HERE. 332 00:17:49,193 --> 00:17:51,360 THEY'LL COME ROU N D-- YOU'RE HERE, ANYWAY. 333 00:17:51,445 --> 00:17:53,362 OH, YES, I'M HERE. 334 00:17:53,447 --> 00:17:56,032 BUT I'M AFRAI D I'M NOT MUCH OF A CUSTOM ER. 335 00:17:56,075 --> 00:17:58,451 HOW DO YOU KNOW? HAVE YOU SEEN MY STOCK? 336 00:17:58,535 --> 00:18:02,288 TAKE THIS LOVELY TI E HERE, FOR I NSTANCE. 337 00:18:02,372 --> 00:18:05,374 OH, OH, EXCUSE ME. 338 00:18:09,171 --> 00:18:11,214 WHAT DOES THAT LOOK LIKE TO YOU? 339 00:18:11,256 --> 00:18:12,465 IT LOOKS LIKE A TI E. 340 00:18:12,549 --> 00:18:14,675 FEEL IT. 341 00:18:17,054 --> 00:18:18,888 SO-- 342 00:18:18,972 --> 00:18:21,307 LADI ES AND GENTLEM EN, 343 00:18:21,391 --> 00:18:23,392 IF YOU WI LL FEAST YOUR EYES 344 00:18:23,435 --> 00:18:26,395 ON PROBABLY THE MOST EXCITING INVENTION 345 00:18:26,438 --> 00:18:28,064 S I NCE ATOM IC EN ERGY. 346 00:18:28,107 --> 00:18:32,235 A S IMU LATED S I LK SO FABU LOUSLY CONCE IVED 347 00:18:32,319 --> 00:18:36,739 AS TO MYSTI FY EVEN THE ANCI ENT CH IN ESE S I LK MAN U FACTU RERS. 348 00:18:36,824 --> 00:18:40,368 AN ALMOST U N BELI EVABLE ATTENTION TO DETAI L! 349 00:18:40,452 --> 00:18:45,039 IT HAS A WON DERFU L WORK OF WEAVING. 350 00:18:45,124 --> 00:18:47,959 [suspense music] 351 00:18:56,385 --> 00:19:01,305 (Lou) WITNESS, IF YOU WILL, A DEMONSTRATION OF TENSILE STRENGTH. 352 00:19:01,390 --> 00:19:03,474 FEEL THAT IF YOU WI LL, S I R. 353 00:19:03,559 --> 00:19:06,519 UNBELIEVABLE, ISN'T IT? 354 00:19:06,603 --> 00:19:09,480 AS STRONG AS STEEL. 355 00:19:09,565 --> 00:19:13,359 YET AS FRAG I LE AND DELICATE AS SHANTU NG S I LK. 356 00:19:13,443 --> 00:19:16,696 (Lou) PICTURE IF YOU WILL 300 YEARS 357 00:19:16,780 --> 00:19:19,323 OF BACKBREAKING RESEARCH AND LABOR, 358 00:19:19,408 --> 00:19:20,992 TO DEVELOP THIS. 359 00:19:21,076 --> 00:19:23,452 THE ABSOLUTE ULTIMATE IN STRENGTH. 360 00:19:23,537 --> 00:19:25,204 AND WHAT WOULD YOU EXPECT TO PAY 361 00:19:25,289 --> 00:19:28,291 FOR THIS FABU LOUS, I SAY FABU LOUS, I NCREDI BLE, 362 00:19:28,333 --> 00:19:31,210 AMAZING DEVELOPM ENT OF THE TAI LOR'S ART? 363 00:19:31,295 --> 00:19:33,129 WOULD YOU PAY 30 DOLLARS A SPOOL? 364 00:19:33,172 --> 00:19:35,298 25? 20? 1 0? 365 00:19:35,382 --> 00:19:37,717 WELL, VERY WELL YOU MIGHT, S I R, 366 00:19:37,801 --> 00:19:40,386 IF YOU WERE TRYING TO PU RCHASE THIS AT STORES. 367 00:19:40,470 --> 00:19:44,348 BUT THIS FANTASTIC THREAD IS NOT AVAILABLE IN STORES. 368 00:19:44,433 --> 00:19:46,809 IT IS SM UGG LED IN BY ORI ENTAL B I RDS 369 00:19:46,894 --> 00:19:49,228 ESPECIALLY TRAIN ED FOR OCEAN TRAVEL. 370 00:19:49,313 --> 00:19:53,232 EACH CARRYING A B IT QUANTITY IN A SMALL SATCH EL 371 00:19:53,317 --> 00:19:54,984 U N DERN EATH THEIR RU BY TH ROATS. 372 00:19:55,027 --> 00:19:57,862 IT TAKES 832 CROSSINGS 373 00:19:57,946 --> 00:20:01,407 TO SUPPLY ENOUGH THREAD TO GO AROUND ONE SPOOL. 374 00:20:01,491 --> 00:20:03,576 AND TONIGHT, AT MY SPECIAL 375 00:20:03,660 --> 00:20:07,121 GET ACQUAI NTED, I NTRODUCTORY, M I D J U LY HOT SUMMER SALE 376 00:20:07,206 --> 00:20:09,415 I OFFER YOU THIS FABU LOUS TH READ 377 00:20:09,499 --> 00:20:11,209 NOT AT 20 DOLLARS A SPOOL, 378 00:20:11,293 --> 00:20:13,502 NOT AT 1 0, NOT AT 5, 379 00:20:13,587 --> 00:20:17,673 BUT AT THE RIDICULOUSLY LOW PRICE OF 25 CENTS A SPOOL. 380 00:20:17,758 --> 00:20:20,593 I'LL TAKE ALL YOU HAVE. 381 00:20:20,677 --> 00:20:23,846 (Lou) SEWING NEEDLES, YARN, 382 00:20:23,931 --> 00:20:27,516 MARVELOUS PLASTIC SHOELACES, GENU INE STATIC ERADICATOR 383 00:20:27,559 --> 00:20:29,268 WILL F IT ANY STAN DARD RADIO, 384 00:20:29,353 --> 00:20:31,479 SUNTAN OIL, ECZEMA POWDER, 385 00:20:31,563 --> 00:20:33,689 RAZORS, ATHLETE'S FEET DESTROYER, 386 00:20:33,774 --> 00:20:36,150 HOW ABOUT SOME N ICE S IMU LATED KASH M I R SOCKS-- 387 00:20:36,235 --> 00:20:38,194 ALL RIGHT, ALL RIGHT. I'LL TAKE IT ALL. 388 00:20:38,278 --> 00:20:40,238 ALL OF IT. RIGHT THERE. 389 00:20:40,322 --> 00:20:43,741 (Lou) AND NOW FOR THE P I ECE DE RES ISTANCE. 390 00:20:43,825 --> 00:20:47,912 AN ITEM NEVER BEFORE OFFERED IN THIS OR ANY OTHER COU NTRY. 391 00:20:47,996 --> 00:20:53,167 ONE GUARANTEED LIVE HUMAN MAN SAVER. 392 00:20:53,252 --> 00:20:54,335 HOW'S THAT? 393 00:20:54,419 --> 00:20:55,878 FOR WHAT I ASK 394 00:20:55,963 --> 00:20:58,881 YOU S I R, RECE IVE A WI LLING, CAPABLE, 395 00:20:58,966 --> 00:21:01,842 WORLDLY, HIGHLY SOPH ISTICATED, WON DERFU LLY LOYAL 396 00:21:01,927 --> 00:21:03,636 RIGHT HAND MAN 397 00:21:03,720 --> 00:21:06,806 TO USE IN ANY CAPACITY YOU SEE F IT. 398 00:21:06,890 --> 00:21:07,974 HOW'S THAT? 399 00:21:08,058 --> 00:21:09,141 ME! 400 00:21:09,226 --> 00:21:10,643 LOU IS J. BOOKMAN, 401 00:21:10,727 --> 00:21:12,395 THE FIRST MODEL OF HIS KIND, 402 00:21:12,479 --> 00:21:15,815 HE COMES TO YOU WITH AN ABSOLUTE GUARANTEE 403 00:21:15,899 --> 00:21:18,109 ALL PARTS I NTERCHANG EABLE. 404 00:21:18,193 --> 00:21:20,653 WITH A CERTIF ICATE OF 4 YEARS SERVICE AB I LITY 405 00:21:20,737 --> 00:21:22,613 HE EATS LITTLE, HE SLEEPS LITTLE, 406 00:21:22,698 --> 00:21:24,156 HE RESTS ONLY OCCAS IONALLY, 407 00:21:24,241 --> 00:21:26,492 AND THERE HE IS AT YOUR ELBOW 408 00:21:26,576 --> 00:21:29,245 AT YOU BECK AND CALL WHENEVER YOU NEED HIM. 409 00:21:29,329 --> 00:21:31,580 MR. BOOKMAN, YOU ARE A PERSUAS IVE MAN. 410 00:21:31,665 --> 00:21:34,166 I CHALLENG E ANY OTHER STORE 411 00:21:34,251 --> 00:21:36,127 WHOLESALE HOUSE OR IN DUSTRY 412 00:21:36,211 --> 00:21:39,338 TO EVEN COME CLOSE TO MATCHING WHAT I OFFER YOU HERE. 413 00:21:39,423 --> 00:21:41,590 BECAUSE MY DEAR MAN, 414 00:21:41,675 --> 00:21:44,635 I OFFER YOU, I OFFER YOU-- [beIIs toII] 415 00:21:54,604 --> 00:21:56,272 IT'S M I DNIGHT! 416 00:21:56,356 --> 00:21:58,733 IT'S M I DNIGHT AND I'VE MISSED MY APPO I NTM ENT! 417 00:22:06,950 --> 00:22:09,869 GIVE HER THE SEDATIVES EVERY THREE HOURS, M RS. POLANSKY. 418 00:22:09,953 --> 00:22:12,621 SHE'LL BE ALL RIGHT. SHE JUST NEEDS A LOT OF REST NOW. 419 00:22:12,706 --> 00:22:16,709 [bells continue to toll] 420 00:22:19,087 --> 00:22:20,838 SHE'S ALL RIGHT. 421 00:22:26,970 --> 00:22:29,513 ONE MINUTE PAST 1 2 :00, MR. BOOKMAN. 422 00:22:29,598 --> 00:22:31,849 AND YOU MADE ME MISS MY APPO I NTM ENT. 423 00:22:31,933 --> 00:22:33,476 THANK GOD. 424 00:22:33,518 --> 00:22:36,395 A MOST PERSUAS IVE P ITCH, MR. BOOKMAN. 425 00:22:36,480 --> 00:22:38,022 AN EXCELLENT P ITCH. 426 00:22:38,106 --> 00:22:40,900 YES, IT'S QU ITE A P ITCH, VERY EFFECTIVE. 427 00:22:40,984 --> 00:22:43,861 IT'S THE BEST I'VE EVER DONE. 428 00:22:43,945 --> 00:22:46,989 IT'S THE KIND OF A P ITCH I'VE ALWAYS WANTED TO MAKE. 429 00:22:47,074 --> 00:22:48,240 A BIG ON E. 430 00:22:48,325 --> 00:22:50,034 A P ITCH SO BIG, 431 00:22:50,118 --> 00:22:52,828 SO BIG THAT THE SKY WOULD OPEN UP. 432 00:22:52,871 --> 00:22:54,997 A P ITCH FOR THE ANGELS. 433 00:22:55,040 --> 00:22:57,416 THAT'S RIGHT, A P ITCH FOR THE ANGELS. 434 00:22:57,501 --> 00:23:00,002 [soft melancholy music] 435 00:23:00,087 --> 00:23:03,047 WELL, I GU ESS IT'S TIME FOR ME NOW. 436 00:23:03,131 --> 00:23:05,341 AS PER OUR AG REEM ENT. 437 00:23:05,425 --> 00:23:08,177 WELL, I'M READY. 438 00:23:08,261 --> 00:23:10,137 AFTER YOU, MR. BOOKMAN. 439 00:23:13,016 --> 00:23:15,518 OH, EXCUSE ME, I FORGOT SOMETHING 440 00:23:15,602 --> 00:23:16,894 I'LL BE BACK IN A MINUTE. 441 00:23:22,692 --> 00:23:26,320 YOU NEVER KNOW WHO MIGHT NEED SOMETHING UP THERE. 442 00:23:26,405 --> 00:23:27,780 U P THERE? 443 00:23:27,864 --> 00:23:29,365 U P THERE, MR. BOOKMAN. 444 00:23:29,449 --> 00:23:30,866 YOU MADE IT. 445 00:23:36,748 --> 00:23:39,291 (male presenter, off) LOUIS J. BOOKMAN, 446 00:23:39,376 --> 00:23:43,754 AGE, SIXTYISH, OCCUPATION, PITCHMAN. 447 00:23:43,839 --> 00:23:46,966 FORMALLY, A FIXTURE OF THE SUMMER, 448 00:23:47,050 --> 00:23:50,719 FORMALLY, A RATHER M INOR COMPONENT TO A HOT JULY. 449 00:23:50,762 --> 00:23:54,557 BUT THROUGHOUT HIS LIFE A MAN BELOVED BY THE CHILDREN 450 00:23:54,641 --> 00:23:58,227 AND THEREFORE, A MOST IMPORTANT MAN. 451 00:23:58,270 --> 00:24:00,062 IT COULDN'T HAPPEN, YOU SAY? 452 00:24:00,105 --> 00:24:02,565 PROBABLY NOT IN MOST PLACES, 453 00:24:02,649 --> 00:24:04,733 BUT IT DID HAPPEN 454 00:24:04,818 --> 00:24:08,237 IN THE TWILIGHT ZONE. 455 00:24:13,118 --> 00:24:16,579 (male presenter, off) ROD SERLING, THE CREATOR OF TWILIGHT ZONE, 456 00:24:16,621 --> 00:24:18,497 WILL TELL YOU ABOUT NEXT WEEK'S STORY 457 00:24:18,582 --> 00:24:22,084 AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 458 00:24:22,169 --> 00:24:23,752 AND NOW, MR. SERLING. 459 00:24:23,837 --> 00:24:26,380 NEXT WEEK, WE I NVITE YOU TO TAKE A WALK 460 00:24:26,465 --> 00:24:28,090 DOWN A WESTERN FRONTI ER STREET 461 00:24:28,175 --> 00:24:30,134 AT THE ELBOW OF A DOOM ED GU N MAN. 462 00:24:30,218 --> 00:24:33,345 WHOSE SALVATIONS LI ES IN NOTHING LESS THAN A MAGIC POTION, 463 00:24:33,430 --> 00:24:36,474 AND A COLT 45. 464 00:24:36,558 --> 00:24:39,268 MR. DAN DU RYEA STARS ON MR. DENTON ON DOOMSDAY. 465 00:24:39,311 --> 00:24:41,437 NEXT WEEK ON THE TWILIGHT ZONE. 466 00:24:41,480 --> 00:24:45,024 WE HOPE YOU'LL BE ABLE TO BE WITH US. THANK YOU AND GOOD NIGHT. 467 00:25:28,818 --> 00:25:32,530 (male presenter, off) KIMBERLY CLARK INVITES YOU TO WATCH STEVE MCQUEEN 468 00:25:32,614 --> 00:25:34,490 IN WANTED DEAD OR ALIVE, 469 00:25:34,574 --> 00:25:38,494 SATURDAY NIGHT OVER MOST OF THESE SAME STATIONS. 470 00:27:16,426 --> 00:27:19,595 (male presenter, off) THE TWILIGHT ZONE BROUGHT TO YOU BY 471 00:27:19,638 --> 00:27:22,097 OASIS FILTER CIGARETTES 472 00:27:22,182 --> 00:27:26,352 THE TOBACCO IS SOOTHED FOR THE SOFTEST TASTE OF ALL. 473 00:27:26,436 --> 00:27:30,606 AND MENTHOL M ISTING MAKES IT SO. 474 00:27:30,690 --> 00:27:33,442 [relaxing music] 475 00:27:33,485 --> 00:27:35,486 (male presenter, off) THIS IS AN OASIS. 476 00:27:35,570 --> 00:27:37,780 COOL. REFRESHING. 477 00:27:37,864 --> 00:27:41,825 THIS IS AN OASIS, TOO. 478 00:27:41,910 --> 00:27:45,788 JUST AS THE M IST OF MOUNTAIN DEW REFRESHES A FLOWER, 479 00:27:45,872 --> 00:27:48,540 KEEPS IT FRESH ALL DAY, 480 00:27:48,625 --> 00:27:51,001 SO THE TOBACCO IN OASIS IS M ISTED, 481 00:27:51,086 --> 00:27:56,382 GENTLY M ISTED ALL OVER WITH MENTHOL. 482 00:27:56,466 --> 00:28:01,303 THE TOBACCO IS SOOTHED FOR THE SOFTEST TASTE OF ALL. 483 00:28:01,346 --> 00:28:05,224 AND MENTHOL M ISTING MAKES IT SO. 484 00:28:05,308 --> 00:28:09,061 THAT'S OASIS, THE ONLY FILTER CIGARETTE 485 00:28:09,145 --> 00:28:14,233 THAT'S OASIS COOL, OASIS M ILD, OASIS FRESH. 486 00:28:14,317 --> 00:28:22,741 ? BUY OASIS, TRY OASIS, MOST REFRESHING CIGARETTE? 487 00:28:22,826 --> 00:28:26,412 OASIS, THE TOBACCO IS SOOTHED WITH THE SOFTEST TASTE OF ALL. 488 00:28:26,496 --> 00:28:29,707 MENTHOL M ISTING MAKES IT SO. 489 00:28:33,128 --> 00:28:36,255 (male presenter, off) TWILIGHT ZONE WAS BROUGHT TO YOU BY, 490 00:28:36,339 --> 00:28:38,799 KIMBERLY CLARK, WHOSE HELPFUL KLEENEX PRODUCTS 491 00:28:38,883 --> 00:28:40,259 INCLUDE KLEENEX TISSUES, 492 00:28:40,343 --> 00:28:41,760 KLEENEX TABLE NAPKINS, 493 00:28:41,845 --> 00:28:43,679 NEW KLEENEX TOWELS, 494 00:28:43,722 --> 00:28:45,431 AND DELSEY BATHROOM TISSUE. 36581

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