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1
00:00:01,732 --> 00:00:02,732
WHAT DO YOU IMAGINE THAT
THERE IS LEFT TO SAY?
2
00:00:02,733 --> 00:00:03,733
EVERYTHING.
OR NOTHING.
3
00:00:03,734 --> 00:00:05,084
PREVIOUSLY ON "SCANDAL"...
4
00:00:05,076 --> 00:00:06,236
SOMETHING HAPPENED
BETWEEN YOU AND OLIVIA,
5
00:00:06,237 --> 00:00:08,677
AND SOMETHING HAPPENED BETWEEN
YOU AND AMANDA TANNER.
6
00:00:08,679 --> 00:00:10,309
I NEED TO KNOW
HOW MUCH TROUBLE WE'RE IN.
7
00:00:10,311 --> 00:00:12,511
HER NAME'S AMANDA, RIGHT?
SHE TRIED TO KILL HERSELF?
8
00:00:12,513 --> 00:00:14,343
GIDEON, WHICH NEWS OUTLET
DO YOU WORK FOR?
9
00:00:14,345 --> 00:00:17,085
IT'S TWO SENTENCES
ABOUT A DISTURBED GIRL.
10
00:00:17,088 --> 00:00:19,288
WATERGATE WAS TWO SENTENCES
ABOUT A BURGLARY.
11
00:00:19,290 --> 00:00:22,050
YOU KNOW I WAS TELLING
THE TRUTH ABOUT THE PRESIDENT.
12
00:00:22,053 --> 00:00:24,323
I CAN HELP YOU
IF YOU LET ME.
13
00:00:24,325 --> 00:00:25,325
(knocks on door)
HELLO.
14
00:00:25,326 --> 00:00:26,326
QUINN, WHO'S THIS?
15
00:00:26,327 --> 00:00:27,497
THE REPORTER
FROM THE HOSPITAL.
16
00:00:27,498 --> 00:00:29,158
YOU DON'T HAVE A STORY,
SO GO HOME.
17
00:00:29,160 --> 00:00:30,230
SHE TRIED TO KILL HERSELF
18
00:00:30,231 --> 00:00:32,301
THE DAY AFTER SHE QUIT WORKING
FOR THE PRESIDENT,
19
00:00:32,303 --> 00:00:34,203
AND YOU'RE OLIVIA POPE,
SO, NO, I DIDN'T HAVE A STORY.
20
00:00:34,205 --> 00:00:36,165
BUT NOW? NOW I DO.
21
00:00:37,168 --> 00:00:40,168
(footsteps approaching)
22
00:00:42,113 --> 00:00:44,313
(exhales) I DON'T KNOW
HOW YOU TAKE IT...
23
00:00:44,315 --> 00:00:46,215
CREAM OR SUGAR...
SO I BROUGHT BOTH.
24
00:00:46,217 --> 00:00:48,147
I DON'T TAKE IT.
DO THEY ALWAYS DO THIS?
25
00:00:48,149 --> 00:00:50,149
YEAH.
26
00:00:50,151 --> 00:00:51,321
(speaks inaudibly)
THEY DO THAT.
27
00:00:51,322 --> 00:00:52,752
GOOD. GOD.
28
00:00:52,753 --> 00:00:54,183
I WAS STARTING TO THINK
IT WAS ME OR SOMETHING.
29
00:00:54,185 --> 00:00:57,585
IT IS YOU. THEY'RE TALKING
ABOUT YOU, AMANDA.
30
00:00:57,588 --> 00:01:00,228
EVERYONE'S GONNA BE
TALKING ABOUT YOU.
31
00:01:00,231 --> 00:01:01,661
(Stephen) NO. NO WAY.
(Abby) ARE YOU KIDDING?
32
00:01:01,662 --> 00:01:03,162
WHAT IF SHE'S LYING?
33
00:01:03,164 --> 00:01:04,434
WHAT IF SHE'S NOT?
I VOTE YES.
WE'RE NOT VOTING.
34
00:01:04,435 --> 00:01:05,765
IT'S MONICA ALL OVER AGAIN,
35
00:01:05,766 --> 00:01:07,096
EXCEPT WITHOUT THE BLUE DRESS,
WITHOUT ANY KIND OF PROOF.
36
00:01:07,098 --> 00:01:08,568
WHO NEEDS PROOF? THE GIRL SAID
SHE SLEPT WITH THE PRESIDENT.
37
00:01:08,569 --> 00:01:09,839
LIV WORKED
AT THE WHITE HOUSE.
38
00:01:09,840 --> 00:01:11,070
THAT ALONE MAKES IT
A GIANT CONFLICT OF INTEREST.
39
00:01:11,071 --> 00:01:12,241
(chuckles) OH, PLEASE CALL ME
WHEN YOU GROW A PAIR.
40
00:01:12,243 --> 00:01:13,673
WE'RE NOT VOTING.
41
00:01:13,674 --> 00:01:14,804
SHE SEEMS SCARED.
42
00:01:14,805 --> 00:01:16,845
I'D VOTE YES
IF WE WERE VOTING.
43
00:01:16,847 --> 00:01:18,147
IT'S SANDRA HARDING.
44
00:01:18,149 --> 00:01:19,149
HER SON DIDN'T MAKE IT
TO COURT.
45
00:01:19,150 --> 00:01:21,150
DAY ONE... CAN YOU BELIEVE IT?
46
00:01:21,152 --> 00:01:23,152
WHO ARE WE VOTING ON?
47
00:01:23,154 --> 00:01:24,854
WE'RE NOT VOTING.
SHE'S OURS. WE'RE KEEPING HER.
48
00:01:24,855 --> 00:01:25,855
(beeps)
IT'S DONE.
49
00:01:25,856 --> 00:01:27,416
SANDRA, WE'LL FIND HIM.
50
00:01:27,418 --> 00:01:28,488
I'LL GO TO COURT
AND HELP THE DEFENSE STALL.
51
00:01:28,489 --> 00:01:29,719
YOU'RE GONNA
HAVE TO GET CREATIVE.
52
00:01:29,720 --> 00:01:31,260
HARRISON, YOU'RE WITH ME.
53
00:01:31,262 --> 00:01:32,662
HUCK, FIND GIDEON WALLACE
AT THE "D.C. SUN"
54
00:01:32,663 --> 00:01:34,263
I WANT TO TALK TO HIM TODAY.
55
00:01:34,265 --> 00:01:36,225
ABBY, TAKE AMANDA HOME,
PACK UP HER THINGS,
56
00:01:36,227 --> 00:01:37,427
MAKE SURE NO ONE...
57
00:01:37,428 --> 00:01:39,228
NO ONE IS FOLLOWING HER AND SET
HER UP AT YOUR APARTMENT.
58
00:01:39,230 --> 00:01:40,370
GOT IT.
59
00:01:40,371 --> 00:01:43,201
(Curtis Mayfield's "Superfly"
playing)
60
00:01:43,204 --> 00:01:45,384
(projector
and camera shutter clicking)
61
00:01:45,376 --> 00:01:47,436
I'M LOSING MY PATIENCE,
MR. COLE.
62
00:01:47,438 --> 00:01:49,838
UH, I'M TOLD HE'LL BE HERE
VERY SOON, YOUR HONOR.
63
00:01:49,840 --> 00:01:52,880
A PRESIDENTIAL MOTORCADE IS
BLOCKING MASSACHUSETTS AVENUE.
64
00:01:52,883 --> 00:01:55,193
AH. YET, HERE WE ARE.
65
00:01:55,186 --> 00:01:57,186
PERHAPS THE DEFENDANT SHOULD
TAKE ONE OF HIS HELICOPTERS,
66
00:01:57,188 --> 00:01:58,788
YOUR HONOR.
67
00:01:58,789 --> 00:02:02,219
♪ THE DUDES
HAVE ENVIED HIM FOR SO LONG ♪
68
00:02:02,223 --> 00:02:04,253
(lowered voice)
WE'RE RUNNING OUT OF TIME, LIV.
69
00:02:04,255 --> 00:02:06,895
WELL, KEEP STALLING.
70
00:02:06,897 --> 00:02:10,257
♪ YOU'RE GONNA MAKE YOUR FORTUNE
BY AND BY ♪
71
00:02:10,261 --> 00:02:12,631
ROOM SERVICE.
WE'VE GOT YOUR BREAKFAST.
72
00:02:12,633 --> 00:02:15,473
I DON'T THINK
WE ORDERED ANY.
73
00:02:15,466 --> 00:02:16,866
I LOVE MY JOB.
74
00:02:16,867 --> 00:02:18,867
YOU MIGHT WANT TO PUT ON
SOME CLOTHES FOR THIS.
75
00:02:18,869 --> 00:02:20,569
(chuckles)
EXCUSE ME.
76
00:02:20,571 --> 00:02:22,311
(laughs)
77
00:02:22,313 --> 00:02:24,513
UP AND AT 'EM, TRAV!
(slaps leg)
78
00:02:24,515 --> 00:02:25,915
♪♪♪
79
00:02:25,916 --> 00:02:27,646
OH-HO-HO! LIVVIE!
80
00:02:27,648 --> 00:02:29,648
HOW THE HELL ARE YA?
81
00:02:29,650 --> 00:02:31,320
I'M FINE.
YOU'RE LATE.
82
00:02:31,322 --> 00:02:32,482
HEY, DO YOU KNOW
WHO THIS IS?!
83
00:02:32,483 --> 00:02:34,183
THIS IS THE OLIVIA POPE.
84
00:02:34,185 --> 00:02:35,855
SHE'S AMAZING.
85
00:02:35,856 --> 00:02:37,256
SHE WORKS FOR THE...
86
00:02:37,258 --> 00:02:40,828
WHO DO YOU WORK FOR NOW,
THE WHITE HOUSE, CIA, FBI?
87
00:02:40,831 --> 00:02:42,261
TODAY? YOUR MOTHER.
88
00:02:42,263 --> 00:02:43,293
OH, CRAP.
89
00:02:43,294 --> 00:02:44,734
SHE'S NOT TOO THRILLED
90
00:02:44,735 --> 00:02:46,165
ABOUT THE FACT
THAT YOU WERE LATE FOR COURT
91
00:02:46,166 --> 00:02:48,196
ON YOUR FIRST DAY OF TRIAL.
92
00:02:48,199 --> 00:02:49,669
IS THIS
WHAT YOU'RE LOOKING FOR?
93
00:02:49,670 --> 00:02:51,270
JUST GIVE ME, LIKE,
TWO MINUTES.
94
00:02:51,272 --> 00:02:52,702
ALL RIGHT? WHERE ARE MY PANTS?
95
00:02:52,703 --> 00:02:54,173
WHOA. WHY DON'T WE... WHY DON'T
WE RINSE THE BOOZE OFF FIRST?
96
00:02:54,174 --> 00:02:55,714
JUDGE WILL APPRECIATE THAT.
HMM?
97
00:02:55,706 --> 00:02:58,576
I KNOW I'VE BEEN HITTING IT
PRETTY HARD LATELY, GOING OUT.
98
00:02:58,579 --> 00:02:59,779
I'VE JUST BEEN SO STRESSED OUT.
99
00:02:59,780 --> 00:03:01,680
A RAPE CHARGE DOES IT
TO THE BEST OF US.
100
00:03:01,682 --> 00:03:03,182
♪ GAMBLIN' WITH... ♪
101
00:03:03,183 --> 00:03:04,213
I DIDN'T DO IT.
102
00:03:04,215 --> 00:03:05,215
I...
103
00:03:05,216 --> 00:03:06,416
NO, I KNOW.
I BELIEVE YOU.
104
00:03:06,417 --> 00:03:09,357
NOW LET'S GO WORK ON
THAT JUDGE AND JURY.
105
00:03:09,360 --> 00:03:12,190
♪ TRYIN' TO GET OVER ♪
106
00:03:12,192 --> 00:03:13,662
♪ TRYIN' TO GET OVER ♪
107
00:03:13,664 --> 00:03:16,604
YOU.
108
00:03:16,597 --> 00:03:18,827
♪ TRYIN' TO GET OVER ♪
109
00:03:18,829 --> 00:03:20,499
MAY I ASK A FAVOR?
110
00:03:20,501 --> 00:03:21,501
♪ OOH ♪
111
00:03:21,502 --> 00:03:22,632
COURT'S ADJOURNED.
112
00:03:22,633 --> 00:03:25,543
BACK HERE AT 2:00
WITH YOUR DEFENDANT,
113
00:03:25,536 --> 00:03:28,306
OR I'LL LOCK HIM UP
FOR THE REST OF THE TRIAL.
114
00:03:28,309 --> 00:03:29,439
THANK YOU, YOUR HONOR.
115
00:03:29,440 --> 00:03:32,880
♪ TRYIN' TO GET OVER ♪
116
00:03:32,883 --> 00:03:35,253
HOW ARE YOU HOLDING UP,
SANDRA?
117
00:03:35,246 --> 00:03:37,286
I CAN'T LOSE HIM,
STEPHEN.
118
00:03:37,288 --> 00:03:39,388
I WON'T LOSE HIM.
119
00:03:39,390 --> 00:03:40,390
I KNOW.
120
00:03:40,391 --> 00:03:41,891
I KNOW.
121
00:03:41,892 --> 00:03:43,292
(reporters all shouting at once)
122
00:03:43,294 --> 00:03:44,524
(camera shutters clicking)
123
00:03:44,525 --> 00:03:46,355
(reporters continue shouting)
124
00:03:46,357 --> 00:03:47,797
GET MY GOOD SIDE,
GENTLEMEN.
125
00:03:47,798 --> 00:03:50,398
(reporters grumbling)
126
00:03:50,401 --> 00:03:53,301
♪ TRYIN' TO GET OVER ♪
127
00:03:53,304 --> 00:03:54,534
(Harrison chuckles)
128
00:03:54,535 --> 00:03:56,535
♪ OOH, SUPERFLY ♪
129
00:03:56,537 --> 00:03:58,267
IS THERE ANYTHING
YOU DIDN'T TAKE CARE OF, LIV?
130
00:03:58,269 --> 00:04:00,809
YOUR HOTEL BELL.
IT'S A DOOZY.
131
00:04:00,811 --> 00:04:01,941
WHOO-HOO-HOO-HOO!
132
00:04:01,942 --> 00:04:02,972
(laughs)
133
00:04:02,973 --> 00:04:05,353
♪♪♪
134
00:04:05,346 --> 00:04:06,446
(tires squeal)
135
00:04:08,379 --> 00:04:14,479
(projector
and camera shutter clicking)
136
00:04:14,485 --> 00:04:15,785
(projector
and camera shutter clicking)
137
00:04:15,786 --> 00:04:17,356
HE REALLY DID FORGET
WHAT TIME THE TRIAL STARTED.
138
00:04:17,358 --> 00:04:18,628
SANDRA.
139
00:04:18,629 --> 00:04:20,289
YOU'RE RIGHT.
HE SCREWED UP.
140
00:04:20,291 --> 00:04:22,331
HE'S LUCKY THE JUDGE
DIDN'T THROW HIM BACK IN JAIL.
141
00:04:22,333 --> 00:04:24,633
THIS ISN'T A PARKING TICKET.
HE'S ON TRIAL FOR RAPE.
142
00:04:24,635 --> 00:04:26,365
HE DIDN'T DO IT.
HE DIDN'T RAPE THAT GIRL.
143
00:04:26,367 --> 00:04:28,497
I BELIEVE YOU,
BUT IF I'M THE JURY,
144
00:04:28,499 --> 00:04:30,499
I'M ALREADY RESENTING HIM
FOR WASTING MY TIME.
145
00:04:30,501 --> 00:04:32,401
WHICH IS WHY I WOULD
LIKE YOU ON THIS THING.
146
00:04:32,403 --> 00:04:35,483
YOU CAN GUIDE OUR DEFENSE TEAM,
KEEP TRAVIS IN LINE.
147
00:04:35,476 --> 00:04:38,006
UNH-UNH. NO WAY.
TODAY WAS JUST A FAVOR.
148
00:04:38,008 --> 00:04:39,008
LIV.
149
00:04:39,009 --> 00:04:41,379
SANDRA, I LOVE YOU.
I LOVE YOUR SON.
150
00:04:41,382 --> 00:04:44,352
BUT I AM ON RETAINER FOR
YOUR COMPANY, NOT YOUR FAMILY.
151
00:04:44,355 --> 00:04:45,615
I HELP WITH MERGERS AND P.R.
152
00:04:45,616 --> 00:04:47,516
I DON'T BABYSIT 27 YEAR OLDS.
153
00:04:47,518 --> 00:04:49,018
I KNOW THAT TRAVIS
IS IRRESPONSIBLE.
154
00:04:49,019 --> 00:04:50,719
I KNOW THAT.
155
00:04:50,721 --> 00:04:53,891
I TRY TO TELL HIM THAT
HE HAS TO STEP UP,
156
00:04:53,894 --> 00:04:55,334
FIX HIS OWN MISTAKES.
157
00:04:55,326 --> 00:04:57,326
PART OF IT IS ON ME.
158
00:04:57,328 --> 00:04:59,328
AFTER HAL DIED, HE WENT
THROUGH A VERY ROUGH TIME,
159
00:04:59,330 --> 00:05:01,600
AND I DIDN'T ALWAYS
HAVE THE TIME
160
00:05:01,602 --> 00:05:03,602
TO HELP HIM SORT THROUGH
ALL OF THAT STUFF.
161
00:05:03,604 --> 00:05:06,314
AND THESE GIRLS SEE THE SON
OF A RICH C.E.O.,
162
00:05:06,306 --> 00:05:08,376
AND THEY GET DOLLAR SIGNS
IN THEIR EYES.
163
00:05:08,379 --> 00:05:11,439
THAT GIRL IS NOT
THE VICTIM HERE. TRAVIS IS.
164
00:05:11,442 --> 00:05:13,442
PLEASE.
165
00:05:13,444 --> 00:05:15,394
YOU'VE HANDLED
DIFFICULT CLIENTS BEFORE.
166
00:05:15,386 --> 00:05:16,686
NOT ONES WHO DIDN'T
SHOW UP IN COURT.
167
00:05:16,687 --> 00:05:17,847
AND I ALREADY GOT TRAVIS
168
00:05:17,848 --> 00:05:19,448
ONE OF THE BEST DEFENSE LAWYERS
IN WASHINGTON.
169
00:05:19,450 --> 00:05:20,920
HE DOESN'T NEED ME.
170
00:05:20,921 --> 00:05:22,051
I NEED YOU.
171
00:05:22,052 --> 00:05:23,452
I SPEND ALL DAY
LISTENING TO PEOPLE
172
00:05:23,454 --> 00:05:25,664
WHO TELL ME WHAT THEY THINK
I WANT TO HEAR.
173
00:05:25,656 --> 00:05:29,396
YOU ARE THE ONLY ONE WHO WILL
GIVE IT TO ME STRAIGHT.
174
00:05:29,400 --> 00:05:32,330
HE COULD BE IN
A LOT OF TROUBLE HERE, LIV.
175
00:05:32,332 --> 00:05:35,412
I NEED SOMEONE ON OUR SIDE
WHO I CAN TRUST.
176
00:05:35,406 --> 00:05:39,466
PEOPLE DON'T SAY NO TO YOU
VERY OFTEN, DO THEY?
177
00:05:39,470 --> 00:05:41,010
PROBABLY ABOUT AS OFTEN
178
00:05:41,011 --> 00:05:42,971
AS THEY SAY NO TO YOU.
179
00:05:45,476 --> 00:05:47,646
(projector
and camera shutter clicking)
180
00:05:47,648 --> 00:05:49,048
(camera shutter clicks)
181
00:05:49,049 --> 00:05:51,079
(clicks keyboard keys)
182
00:05:51,081 --> 00:05:53,351
WHAT'S HAPPENING?
183
00:05:53,353 --> 00:05:54,823
MORNING, HONEY.
184
00:05:54,825 --> 00:05:56,355
WHAT'S HAPPENING?
185
00:05:56,356 --> 00:05:57,756
I CALLED MRS. HANLEY
186
00:05:57,758 --> 00:05:59,358
AND I CANCELED
YOUR MORNING SCHEDULE.
187
00:05:59,359 --> 00:06:00,429
OH.
188
00:06:00,431 --> 00:06:01,531
OH, FOR THE LOVE OF...
189
00:06:01,532 --> 00:06:03,462
YOU HAVEN'T BEEN SLEEPING.
190
00:06:03,464 --> 00:06:05,474
YOU PACED UNTIL 4:00 A.M.
I WANTED YOU TO GET SOME SLEEP.
191
00:06:05,466 --> 00:06:07,436
I HAD A VIDEO CONFERENCE ON
HUNGER IN THE DEVELOPING WORLD.
192
00:06:07,438 --> 00:06:08,938
MANDELA GOT OUTTA BED.
193
00:06:08,939 --> 00:06:10,869
MANDELA WAS WAITING
FOR ME.
194
00:06:10,871 --> 00:06:12,871
PEOPLE DIE IF THEY DON'T
GET ENOUGH SLEEP.
195
00:06:12,873 --> 00:06:14,143
THE CHAIRMAN
OF THE JOINT CHIEFS
196
00:06:14,144 --> 00:06:15,374
AND I HAD A MEETING,
197
00:06:15,375 --> 00:06:16,705
I WAS SITTING
WITH THE ECONOMIC ADVISORS.
198
00:06:16,707 --> 00:06:18,107
YOU NEEDED ONE CHANCE
TO SLEEP IN.
199
00:06:18,108 --> 00:06:19,578
I AM THE LEADER
OF THE FREE WORLD!
200
00:06:19,580 --> 00:06:22,080
I DO NOT SLEEP IN!
201
00:06:22,082 --> 00:06:24,462
WHY AREN'T YOU SLEEPING?
202
00:06:26,116 --> 00:06:28,156
MEL...
203
00:06:34,425 --> 00:06:36,525
I JUST WANT YOU TO HAVE
WHAT YOU NEED.
204
00:06:36,527 --> 00:06:38,167
YOU KNOW THAT.
205
00:06:44,905 --> 00:06:46,905
I'M DOING A TOUR OF
D.C. HOMELESS SHELTERS
206
00:06:46,907 --> 00:06:48,407
THIS AFTERNOON.
207
00:06:48,408 --> 00:06:50,738
I HAVE TO GIVE A SPEECH.
208
00:06:50,741 --> 00:06:52,581
WISH ME LUCK.
209
00:06:52,583 --> 00:06:54,413
(door opens)
210
00:06:54,414 --> 00:06:57,194
(door closes)
211
00:06:57,187 --> 00:06:58,817
HEY.
212
00:06:58,819 --> 00:07:00,749
(lowered voice) OH,
WHAT ARE YOU DOING HERE?
213
00:07:00,751 --> 00:07:02,451
YOU'RE NOT SUPPOSED
TO BE HERE.
214
00:07:02,453 --> 00:07:04,153
YOU HAVE TO STOP
SHOWING UP HERE.
215
00:07:04,154 --> 00:07:06,004
ARE YOU ALWAYS
THIS HIGH-STRUNG?
216
00:07:05,996 --> 00:07:07,726
NO. I'M JUST... I'M NEW.
217
00:07:07,728 --> 00:07:09,058
IT'S KIND OF CHARMING.
RELAX.
218
00:07:09,059 --> 00:07:10,599
I HAVE A MEETING
WITH YOUR BOSS.
219
00:07:10,601 --> 00:07:11,561
(normal voice)
UM, OLIVIA, I...
220
00:07:11,563 --> 00:07:12,863
HEY, WHERE ARE YOU GOING?
WE HAVE A MEETING.
221
00:07:12,863 --> 00:07:14,203
NO, WE DON'T.
222
00:07:14,204 --> 00:07:15,544
YOU CALLED ME.
223
00:07:15,536 --> 00:07:17,206
YOUR GUY SAID THAT YOU
WANTED TO TALK TO ME ABOUT...
224
00:07:17,207 --> 00:07:18,537
WHY WOULD I WANT TO DO THAT?
225
00:07:18,539 --> 00:07:20,039
I DON'T KNOW. I IMAGINE
SO YOU CAN TRY
226
00:07:20,040 --> 00:07:21,570
TO KILL MY STORY
ABOUT AMANDA TANNER,
227
00:07:21,572 --> 00:07:23,772
WHICH THERE IS NO WAY IN HELL
I AM GONNA LET YOU DO.
228
00:07:23,774 --> 00:07:25,784
I DON'T HAVE TO KILL
YOUR STORY, GIDEON.
229
00:07:25,776 --> 00:07:27,216
YOU'RE GOING TO KILL IT
YOURSELF.
230
00:07:27,217 --> 00:07:28,517
AS SOON AS YOU PUBLISH EVEN
231
00:07:28,519 --> 00:07:30,549
ANYTHING REMOTELY INTERESTING
ABOUT MY CLIENT,
232
00:07:30,551 --> 00:07:32,521
ALL OF THE REAL REPORTERS
AT YOUR PAPER
233
00:07:32,523 --> 00:07:34,053
ARE GOING TO SNATCH IT
RIGHT OUT OF
234
00:07:34,054 --> 00:07:35,694
YOUR CUB-REPORTER HANDS.
235
00:07:35,686 --> 00:07:37,556
BY THE WAY,
236
00:07:37,558 --> 00:07:39,858
GREAT PIECE YESTERDAY
ABOUT HOW
237
00:07:39,860 --> 00:07:43,590
THE CHERRY BLOSSOMS
ARE SO LATE TO BLOOM THIS YEAR.
238
00:07:43,594 --> 00:07:45,974
I DO HOPE THEY COME SOON.
239
00:07:45,966 --> 00:07:47,936
THIS IS HOW THIS WORKS.
240
00:07:47,938 --> 00:07:49,938
YOU'RE GONNA
LEAVE AMANDA ALONE
241
00:07:49,940 --> 00:07:51,570
AND KEEP HER NAME
OUT OF YOUR PAPER
242
00:07:51,572 --> 00:07:53,142
FOR THE NEXT 72 HOURS.
243
00:07:53,143 --> 00:07:56,883
YOU DO THAT, AND I WILL GIVE YOU
SOME BACKGROUND ON HER.
244
00:07:56,877 --> 00:07:59,507
AND IF YOU'RE LUCKY,
A QUOTE.
245
00:07:59,510 --> 00:08:00,510
THAT SOUNDS FAIR.
246
00:08:00,511 --> 00:08:02,581
OKAY. GOOD MEETING.
247
00:08:02,583 --> 00:08:04,513
THERE WAS NO MEETING.
(elevator motor whirs)
248
00:08:04,515 --> 00:08:06,615
(projector
and camera shutter clicking)
249
00:08:06,617 --> 00:08:07,887
(camera shutter clicks)
250
00:08:07,888 --> 00:08:09,488
YOU BRING A LOT OF CLIENTS
TO YOUR HOME?
251
00:08:09,489 --> 00:08:12,589
JUST THE ONES THAT NEED TO BE
KEPT OUT OF THE PUBLIC EYE.
252
00:08:12,593 --> 00:08:14,923
SO...
253
00:08:14,925 --> 00:08:16,665
WHAT HAPPENS NEXT?
254
00:08:16,667 --> 00:08:19,527
NEXT WE TALK ABOUT THINGS.
255
00:08:19,530 --> 00:08:20,830
OKAY.
256
00:08:20,831 --> 00:08:23,031
NOT BAD THINGS.
JUST THINGS THAT WILL HELP ME.
257
00:08:23,033 --> 00:08:25,983
FOR INSTANCE, I NEED TO KNOW
IF YOU HAVE ANY PROOF
258
00:08:25,976 --> 00:08:28,036
OF WHAT WENT ON
WITH YOU AND THE PRESIDENT.
259
00:08:28,038 --> 00:08:29,538
WHY DO YOU NEED THAT?
260
00:08:29,540 --> 00:08:31,680
BECAUSE IF IT EVER CAME DOWN
TO HIS WORD AGAINST YOURS,
261
00:08:31,682 --> 00:08:33,012
WE'LL NEED PROOF
OF WHAT HAPPENED,
262
00:08:33,013 --> 00:08:36,153
BECAUSE EVEN THOUGH
I BELIEVE YOU, OTHERS WON'T.
263
00:08:37,948 --> 00:08:39,518
I HAVE SOMETHING, YEAH.
264
00:08:39,519 --> 00:08:42,019
I'M NOT READY TO TELL YOU
WHAT IT IS.
265
00:08:42,022 --> 00:08:43,022
AMANDA...
266
00:08:43,023 --> 00:08:44,153
MY TERMS.
267
00:08:44,154 --> 00:08:45,764
YOU SAID WE COULD DO THIS
ON MY TERMS.
268
00:08:45,756 --> 00:08:47,956
I'M NOT TELLING YOU
UNTIL I'M READY.
269
00:08:47,958 --> 00:08:50,058
OKAY.
270
00:08:50,060 --> 00:08:52,300
HOPEFULLY, IT WON'T
COME TO THAT.
271
00:08:52,302 --> 00:08:54,762
HOPEFULLY,
WE'LL FIGURE THIS OUT,
272
00:08:54,765 --> 00:08:57,765
WHICH BRINGS ME TO
THE SECOND THING I NEED.
273
00:08:57,768 --> 00:08:59,608
WHAT'S THE END GAME?
274
00:08:59,610 --> 00:09:00,640
THE END GAME?
275
00:09:00,641 --> 00:09:02,241
A QUESTION I ASK
EVERY CLIENT...
276
00:09:02,242 --> 00:09:03,942
WHAT THEY WANT.
WHAT'S YOUR BEST OUTCOME?
277
00:09:03,944 --> 00:09:05,654
DO YOU WANT MONEY? DO YOU
WANT TO STAY IN WASHINGTON?
278
00:09:05,646 --> 00:09:06,816
DO YOU WANT YOUR JOB BACK?
279
00:09:06,817 --> 00:09:08,677
YOU HAVE OPTIONS.
280
00:09:09,880 --> 00:09:11,650
I WANT TO SEE
THE PRESIDENT.
281
00:09:11,652 --> 00:09:12,652
EXCUSE ME?
282
00:09:12,653 --> 00:09:13,983
I WANT TO SEE
THE PRESIDENT.
283
00:09:13,984 --> 00:09:16,134
I WANT ONE MEETING
WITH HIM...
284
00:09:16,126 --> 00:09:17,926
ALONE...
285
00:09:17,928 --> 00:09:20,558
FACE-TO-FACE.
286
00:09:25,896 --> 00:09:26,896
(laughs) NO.
NO, IT WAS THE CAUCUS.
287
00:09:26,897 --> 00:09:27,937
WE WERE IN DES MOINES
DEBATING,
288
00:09:27,938 --> 00:09:28,938
AND THE MODERATOR RAISES
THE QUESTION.
289
00:09:28,939 --> 00:09:29,939
(laughs) MM-HMM.
290
00:09:29,940 --> 00:09:31,670
(laughing) AND FITZ
JUST LOOKED...
291
00:09:31,672 --> 00:09:32,702
(indistinct conversations)
292
00:09:32,703 --> 00:09:33,743
OLIVIA.
293
00:09:33,744 --> 00:09:34,844
OH, PLEASE.
294
00:09:34,845 --> 00:09:37,175
BILLY, CAN YOU GIVE US
A MINUTE?
295
00:09:37,177 --> 00:09:39,207
UM...
296
00:09:39,209 --> 00:09:42,009
I'M, UH, EATING SHRIMP SCAMPI,
SO, NO.
297
00:09:42,012 --> 00:09:42,952
BILLY.
298
00:09:42,954 --> 00:09:44,154
LIV, I'M EATING,
AND HE'S PAYING.
299
00:09:44,154 --> 00:09:45,664
DO YOU KNOW HOW RARE THAT IS?
300
00:09:45,656 --> 00:09:47,156
LOOK, YOU USED TO BE
THE WORK WIFE,
301
00:09:47,157 --> 00:09:48,987
BUT WORD ON THE STREET IS,
YOUR SPOT'S OPEN,
302
00:09:48,989 --> 00:09:50,589
SO YOU REALLY THINK
I'M LEAVING THIS TABLE?
303
00:09:50,590 --> 00:09:51,760
BILLY, LEAVE THE TABLE.
304
00:09:51,762 --> 00:09:53,092
BILLY,
LEAVE THE TABLE.
305
00:09:53,093 --> 00:09:54,893
(indistinct conversations
continue)
306
00:09:54,895 --> 00:09:56,925
(fork clatters)
307
00:09:56,927 --> 00:09:58,997
(indistinct conversations
continue)
308
00:09:58,999 --> 00:10:00,169
WORK WIFE.
309
00:10:00,170 --> 00:10:01,870
I SUPPOSE THAT'S TRUE.
310
00:10:01,872 --> 00:10:04,072
(mouth full)
IT IS TRUE. WAS TRUE.
311
00:10:04,074 --> 00:10:06,044
HE'S NOT SLEEPING.
312
00:10:06,036 --> 00:10:07,636
NOT MY PROBLEM.
313
00:10:07,638 --> 00:10:10,778
SO WHAT DOES
MY EX-WORK WIFE WANT?
314
00:10:10,781 --> 00:10:12,881
(normal voice) AMANDA TANNER
WANTS A SIT-DOWN.
315
00:10:12,883 --> 00:10:14,743
15 MINUTES WITH HIM.
316
00:10:14,745 --> 00:10:15,945
YOU AND I BOTH KNOW...
317
00:10:15,946 --> 00:10:17,986
AND THEN SHE GOES AWAY,
FOR GOOD.
318
00:10:17,988 --> 00:10:20,818
THIS IS LEGIT, CYRUS.
319
00:10:20,821 --> 00:10:22,721
AND THEN THIS GOES AWAY?
320
00:10:22,723 --> 00:10:25,123
THEN YOU'LL BUY SCAMPI
ONLY FOR ME.
321
00:10:25,125 --> 00:10:27,355
WE MADE A PRESIDENT
TOGETHER.
(laughs)
322
00:10:27,357 --> 00:10:28,797
WE DID.
323
00:10:28,799 --> 00:10:31,099
I MISS YOU.
324
00:10:31,101 --> 00:10:33,031
YEAH. ME, TOO.
325
00:10:35,165 --> 00:10:37,635
HE'S NOT SLEEPING.
326
00:10:37,637 --> 00:10:39,967
CYRUS, NEITHER AM I.
327
00:10:39,970 --> 00:10:42,970
(indistinct conversations
continue)
328
00:10:45,045 --> 00:10:47,215
(sighs)
329
00:10:47,217 --> 00:10:49,647
(Cole) THE WOMAN'S NAME
IS HELEN FISHER.
330
00:10:49,649 --> 00:10:50,819
(camera shutter clicking)
331
00:10:50,821 --> 00:10:52,681
SHE WENT HOME
WITH TRAVIS WILLINGLY.
332
00:10:52,683 --> 00:10:54,653
CLAIMS THAT THINGS
GOT OUT OF HAND,
333
00:10:54,654 --> 00:10:55,764
HE WOULDN'T TAKE NO
FOR AN ANSWER.
334
00:10:55,756 --> 00:10:57,426
HOW ARE YOU EXPLAINING
THE BRUISES?
335
00:10:57,427 --> 00:10:59,757
SELF-INFLICTED
AFTER THE FACT.
336
00:10:59,760 --> 00:11:01,160
TRAVIS IS INNOCENT.
337
00:11:01,161 --> 00:11:02,161
AREN'T THEY ALL?
338
00:11:02,162 --> 00:11:03,792
(chuckles) NO. HELL, NO.
339
00:11:03,794 --> 00:11:05,034
BUT TRAVIS IS.
340
00:11:05,035 --> 00:11:07,095
I HAVE TRIED
MILLIONS OF THESE CASES.
341
00:11:07,097 --> 00:11:09,837
IT'S A CLASSIC
HE SAID, SHE SAID.
342
00:11:09,840 --> 00:11:11,040
IT'LL ALL COME DOWN TO...
343
00:11:11,041 --> 00:11:13,171
PERCEPTION.
THESE CASES ALWAYS DO.
344
00:11:13,173 --> 00:11:14,943
AND YOU'RE...
HOW DO I SAY THIS?
345
00:11:14,945 --> 00:11:16,245
YOU'RE BEING PERCEIVED
BY THE PUBLIC,
346
00:11:16,246 --> 00:11:17,676
AND MORE IMPORTANTLY,
BY THE JURY,
347
00:11:17,677 --> 00:11:19,177
AS AN ENTITLED RICH BOY
348
00:11:19,179 --> 00:11:21,179
WHO THINKS HE CAN
GET AWAY WITH ANYTHING.
349
00:11:21,181 --> 00:11:23,381
TO CHANGE THAT,
YOU PLAY BY MY RULES.
350
00:11:23,383 --> 00:11:24,753
HARRISON'S YOUR BABYSITTER.
351
00:11:24,755 --> 00:11:26,385
YOU DO NOT DRINK.
YOU DON'T GO OUT.
352
00:11:26,386 --> 00:11:29,686
NO MORE BLONDES...
AS CHARMING AS SHE WAS.
353
00:11:29,689 --> 00:11:31,259
WHATEVER YOU SAY, LIV.
354
00:11:31,261 --> 00:11:34,161
(projector
and camera shutter clicking)
355
00:11:34,164 --> 00:11:36,074
(camera shutter clicks)
356
00:11:36,066 --> 00:11:38,366
(pants)
357
00:11:42,032 --> 00:11:43,232
YOU'RE OBSESSED.
358
00:11:43,233 --> 00:11:44,873
DO I NEED
A RESTRAINING ORDER?
359
00:11:44,875 --> 00:11:46,035
A RESTRAINING ORDER?
360
00:11:46,036 --> 00:11:47,236
FOR A FRIEND
WHO BRINGS YOU FREE COFFEE?
361
00:11:47,237 --> 00:11:49,077
WE'RE NOT FRIENDS,
AND THAT COFFEE IS NOT FREE.
362
00:11:49,079 --> 00:11:50,179
WHAT DO YOU WANT?
363
00:11:50,180 --> 00:11:52,210
JANE POWELL... SHE'S PROSECUTING
THE HARDING RAPE CASE.
364
00:11:52,212 --> 00:11:53,212
YOU GOT ANY...
365
00:11:53,213 --> 00:11:54,183
DIRT?
366
00:11:54,185 --> 00:11:55,885
DIRT ON JANE POWELL,
MY FRIEND AND COLLEAGUE?
367
00:11:55,886 --> 00:11:57,886
SO YOU CAN THREATEN
OR INTIMIDATE HER?
368
00:11:57,888 --> 00:11:58,948
OH, PLEASE,
YOU HATE JANE POWELL.
369
00:11:58,949 --> 00:12:00,289
JANE POWELL
IS GUNNING FOR YOUR JOB.
370
00:12:00,290 --> 00:12:02,050
YOU'RE SO TOUCHY
PRE-COFFEE.
371
00:12:02,052 --> 00:12:03,322
BEAT IT, STALKER.
(dog whining)
372
00:12:03,323 --> 00:12:05,723
THAT'S NO WAY
TO TREAT A FRIEND.
373
00:12:05,725 --> 00:12:07,125
WE'RE NOT FRIENDS.
374
00:12:07,127 --> 00:12:08,497
(Olivia) NO LUCK
WITH THE U.S. ATTORNEY.
375
00:12:08,498 --> 00:12:11,158
I GOT NOTHING
ON THE PROSECUTION.
376
00:12:11,161 --> 00:12:12,161
WHERE'S THE JURY?
377
00:12:12,162 --> 00:12:14,062
UH, THESE TEN
ARE VOTING GUILTY.
378
00:12:14,064 --> 00:12:16,044
BUT THE TRIAL'S NOT EVEN OVER.
HOW CAN YOU SAY THAT FOR SURE?
379
00:12:16,036 --> 00:12:17,366
DEMOGRAPHICS, BODY LANGUAGE,
380
00:12:17,367 --> 00:12:19,267
SOCIOLOGICAL,
AND PSYCHOLOGICAL FACTORS.
381
00:12:19,269 --> 00:12:21,469
WE'VE RULED OUT ALL BUT TWO
AS POTENTIAL NON-GUILTY VOTES...
382
00:12:21,471 --> 00:12:23,971
UH, JUROR 4...
383
00:12:23,974 --> 00:12:25,144
(camera shutter clicks)
FREELANCE GRAPHIC DESIGNER,
384
00:12:25,145 --> 00:12:27,015
BARTENDER, VOTED FOR NADER.
385
00:12:27,017 --> 00:12:28,177
(click)
386
00:12:28,178 --> 00:12:29,318
HE'S INDEPENDENT, CONTRARIAN.
GOOD.
387
00:12:29,319 --> 00:12:30,979
AND JUROR 6...
388
00:12:30,981 --> 00:12:31,981
(click)
389
00:12:31,982 --> 00:12:33,122
UH, N.R.A. MEMBER,
RETIRED MARINE,
390
00:12:33,123 --> 00:12:35,053
WINCES EVERY TIME
THE PROSECUTION SPEAKS.
391
00:12:35,055 --> 00:12:36,185
(click)
392
00:12:36,186 --> 00:12:37,286
SO HE'S AN ALPHA MALE
WITH A GRUDGE AGAINST
393
00:12:37,287 --> 00:12:38,887
THE FEMALE PROSECUTOR.
GREAT. LOVE IT.
394
00:12:38,889 --> 00:12:40,189
HAWK, WHAT'D YOU GET?
395
00:12:40,190 --> 00:12:41,390
(click)
396
00:12:41,391 --> 00:12:42,391
I CAN'T DISCUSS IT.
THAT'S FINAL.
397
00:12:42,392 --> 00:12:43,462
WHEN THE GUY IS IN JAIL,
398
00:12:43,463 --> 00:12:45,133
YOU CAN ASK ME
ANYTHING YOU WANT.
399
00:12:45,135 --> 00:12:46,495
(Sam & Dave)
♪ WRAP IT UP ♪
400
00:12:46,496 --> 00:12:48,366
♪ I'LL TAKE IT ♪
401
00:12:48,368 --> 00:12:50,138
NO, MAN.
402
00:12:50,140 --> 00:12:52,300
HE IS A TOTAL DATE RAPER.
403
00:12:52,302 --> 00:12:53,942
♪ BABY ♪
404
00:12:53,944 --> 00:12:54,944
(click)
405
00:12:54,945 --> 00:12:56,245
JURY'S SET TO HANG HIM HIGH.
406
00:12:56,246 --> 00:12:57,546
♪ BABY ♪
407
00:12:57,547 --> 00:13:00,077
(chuckles) DAY THREE
OF TRIAL, AND...
408
00:13:00,080 --> 00:13:01,380
WE'VE LOST THEM ALREADY.
409
00:13:01,381 --> 00:13:03,451
♪ BABY, WRAP IT UP ♪
410
00:13:03,453 --> 00:13:04,853
ABBY, WHAT DO WE HAVE
ON HELEN?
411
00:13:04,855 --> 00:13:06,015
(clicking)
I WENT TO HER WORK.
412
00:13:06,016 --> 00:13:07,486
THURSDAYS AT TONY'S.
(click)
413
00:13:07,487 --> 00:13:09,187
2-FOR-1 HIGHBALLS.
414
00:13:09,189 --> 00:13:11,289
HELEN AND I HAD A LONGSTANDING
WEEKLY DRINKS DATE.
415
00:13:11,291 --> 00:13:13,021
OH, I KNOW THE DRILL.
416
00:13:13,023 --> 00:13:15,393
I USED TO BE SO HUNGOVER
ON FRIDAYS DURING LAW SCHOOL.
417
00:13:15,395 --> 00:13:17,095
IT WASN'T LIKE THAT.
418
00:13:17,097 --> 00:13:18,997
HELEN WOULD HAVE ONE,
MAYBE TWO DRINKS.
419
00:13:18,999 --> 00:13:20,469
SHE NEVER WANTED
TO BE HUNGOVER...
420
00:13:20,470 --> 00:13:22,030
(lowers voice)
AROUND THE KIDS.
421
00:13:22,032 --> 00:13:24,032
(normal voice) PLUS,
WORKING HERE FOR A NONPROFIT?
422
00:13:24,034 --> 00:13:26,144
IT'S ALL SHE COULD AFFORD.
423
00:13:26,136 --> 00:13:28,176
EXCUSE ME.
(Abby) THE BAD?
424
00:13:28,178 --> 00:13:29,338
(clicking)
425
00:13:29,339 --> 00:13:30,179
HELEN'S A SAINT.
426
00:13:30,181 --> 00:13:31,811
SPECIAL ED ADVOCATE...
(clicking)
427
00:13:31,811 --> 00:13:33,341
HEAD OF THE AMERICAN UNIVERSITY
ALUMNI CLUB FOR D.C....
428
00:13:33,343 --> 00:13:34,883
A-A SAINT.
429
00:13:34,885 --> 00:13:36,515
WHICH I MIGHT ADD,
YOU HAVE TO BE
430
00:13:36,516 --> 00:13:38,186
TO WIN A HE SAID, SHE SAID CASE
WITHOUT COMING OUT
431
00:13:38,188 --> 00:13:40,448
LOOKING LIKE A REGRETFUL SLUT
WHO WAS ASKING FOR IT.
432
00:13:40,450 --> 00:13:42,350
YOU'RE KILLING ME.
WHAT'S THE GOOD?
433
00:13:42,352 --> 00:13:45,052
THE GOOD IS SHE'S BROKE.
I CHECKED HER CREDIT REPORTS.
434
00:13:45,055 --> 00:13:47,325
SHE'S OVER 250 GRAND
435
00:13:47,327 --> 00:13:48,857
BETWEEN STUDENT LOANS
AND CREDIT CARDS,
436
00:13:48,859 --> 00:13:51,199
AND FINANCIALLY,
THE GIRL'S DROWNING.
437
00:13:51,201 --> 00:13:53,361
(Sandra)
YOU WANT ME TO SETTLE?
438
00:13:53,363 --> 00:13:55,363
OLIVIA,
THAT'S OUT OF THE QUESTION.
439
00:13:55,365 --> 00:13:56,435
HELEN IS AN AIRTIGHT WITNESS.
440
00:13:56,436 --> 00:13:58,206
WE NEED TO STOP HER
441
00:13:58,208 --> 00:14:00,238
FROM COOPERATING WITH
THE PROSECUTION ANY FURTHER,
442
00:14:00,240 --> 00:14:01,910
AND WE'VE ALREADY LOST
THE JURY.
443
00:14:01,912 --> 00:14:03,572
HE IS INNOCENT.
THE EVIDENCE IS PAPER-THIN.
444
00:14:03,573 --> 00:14:05,573
PHOTOGRAPHS OF BRUISES
ON A PRETTY GIRL
445
00:14:05,575 --> 00:14:08,075
PROVE TO BE VERY EFFECTIVE.
446
00:14:08,078 --> 00:14:10,318
IN A CASE LIKE THIS,
PERCEPTION IS MORE IMPORTANT
447
00:14:10,320 --> 00:14:11,950
THAN EVIDENCE.
448
00:14:11,952 --> 00:14:13,882
THE TRUTH DOESN'T MATTER.
449
00:14:13,884 --> 00:14:15,994
HE LOOKS GUILTY.
HE IS GUILTY.
450
00:14:15,986 --> 00:14:17,086
WE'LL WIN ON APPEAL.
451
00:14:17,087 --> 00:14:18,887
THAT'LL TAKE TWO YEARS,
MINIMUM.
452
00:14:18,889 --> 00:14:21,389
IN THE MEANTIME,
TRAVIS WILL BE IN PRISON.
453
00:14:21,391 --> 00:14:22,391
(exhales deeply)
454
00:14:22,392 --> 00:14:23,432
WE'VE GOT AN OPPORTUNITY HERE.
455
00:14:23,433 --> 00:14:24,493
THE GIRL NEEDS MONEY.
456
00:14:24,494 --> 00:14:26,344
YOU HAVE A LOT OF MONEY.
457
00:14:26,336 --> 00:14:28,896
YOU ONLY HAVE ONE SON.
458
00:14:28,899 --> 00:14:30,069
SETTLE.
459
00:14:33,603 --> 00:14:36,253
DO WHATEVER YOU HAVE TO DO.
460
00:14:37,277 --> 00:14:38,277
(door opens)
461
00:14:38,278 --> 00:14:39,578
(Olivia) THAT'S $8 MILLION
462
00:14:39,579 --> 00:14:42,109
IN THREE INSTALLMENTS.
463
00:14:42,112 --> 00:14:43,612
(Cole) IN A WAY
WHICH MAKES IT CLEAR
464
00:14:43,613 --> 00:14:46,393
THE ATTORNEY REPRESENTING
MR. HARDING WAS TOTALLY UNAWARE.
465
00:14:46,386 --> 00:14:48,656
THE GAG ORDER
AND CONFIDENTIALITY CLAUSE
466
00:14:48,658 --> 00:14:49,988
ARE STANDARD.
467
00:14:49,990 --> 00:14:51,590
AS CHARLES HERE'S
HOPEFULLY EXPLAINED,
468
00:14:51,591 --> 00:14:54,361
IT MEANS YOU STOP
COOPERATING AS A WITNESS.
469
00:14:54,364 --> 00:14:55,364
I AM NOT HERE.
470
00:14:55,365 --> 00:14:57,325
I WAS IN THE BUILDING
ON ANOTHER CASE.
471
00:14:57,327 --> 00:14:58,397
I JUST...
472
00:14:58,398 --> 00:15:00,028
WHICH WILL FORCE
THE PROSECUTION
473
00:15:00,030 --> 00:15:01,330
TO DROP THE CASE.
474
00:15:01,331 --> 00:15:03,331
THEY'VE OFFERED TO THROW IN
AN EXTRA $500,000
475
00:15:03,333 --> 00:15:05,403
TO THE SPECIAL EDUCATION CHARITY
OF YOUR CHOICE
476
00:15:05,405 --> 00:15:07,305
IF WE LEAVE HERE
WITH AN AGREEMENT.
477
00:15:07,307 --> 00:15:08,307
10.
478
00:15:08,308 --> 00:15:10,338
10? THAT IS PREPOSTEROUS.
479
00:15:10,340 --> 00:15:12,010
YOU MUST... I'M SORRY.
480
00:15:12,012 --> 00:15:13,212
IGNORE ME. I'M NOT HERE.
481
00:15:13,213 --> 00:15:15,013
10, UPFRONT, ONE PAYMENT.
482
00:15:15,015 --> 00:15:17,415
I CAN SELL 9. NO MORE.
483
00:15:17,417 --> 00:15:19,317
DONE.
484
00:15:19,319 --> 00:15:21,319
NO.
485
00:15:21,321 --> 00:15:23,321
HELEN, WE'RE NOT GOING
TO GET A BETTER OFFER.
486
00:15:23,323 --> 00:15:24,423
I SAID NO.
487
00:15:24,424 --> 00:15:26,434
YOU'RE ANGRY, HELEN.
I UNDERSTAND THAT.
488
00:15:26,426 --> 00:15:28,426
BUT THE QUICKEST WAY
TO PUT THIS BEHIND YOU
489
00:15:28,428 --> 00:15:30,228
IS TO SETTLE THIS NOW
490
00:15:30,230 --> 00:15:32,500
OR YOU'RE LOOKING
AT YEARS OF APPEALS,
491
00:15:32,502 --> 00:15:33,962
YEARS OF UNFINISHED ANGER...
492
00:15:33,964 --> 00:15:35,404
HOW MUCH WOULD YOU TAKE,
MS. POPE?
493
00:15:35,405 --> 00:15:36,535
I'M SORRY?
494
00:15:36,536 --> 00:15:37,936
IF YOU WERE ME,
HOW MUCH WOULD IT TAKE YOU
495
00:15:37,937 --> 00:15:39,607
TO BE ABLE TO FORGET...
496
00:15:39,609 --> 00:15:43,209
TO FORGET YOU'D BEEN STRANGLED,
HAD YOUR CLOTHES RIPPED OFF,
497
00:15:43,213 --> 00:15:44,513
HAD SOME GUY PIN YOU DOWN
498
00:15:44,514 --> 00:15:46,354
WHILE HE FORCED HIS FIST
INSIDE YOUR MOUTH SO HARD,
499
00:15:46,346 --> 00:15:48,346
YOU COULD TASTE
YOUR OWN BLOOD?
500
00:15:48,348 --> 00:15:51,348
HOW MUCH WOULD IT TAKE YOU
TO BE ABLE TO FORGET ALL THAT,
501
00:15:51,351 --> 00:15:53,151
TO BE ABLE TO EVEN THINK
502
00:15:53,153 --> 00:15:55,553
OF HAVING SEX
WITH SOMEBODY AGAIN...
503
00:15:55,555 --> 00:15:56,985
(voice breaking)
TO WAKE UP EVERY MORNING
504
00:15:56,987 --> 00:15:58,327
AND NOT WANT TO KILL YOURSELF
505
00:15:58,328 --> 00:15:59,988
WHEN YOU REALIZE IT WASN'T
JUST A DREAM,
506
00:15:59,990 --> 00:16:02,030
IT ACTUALLY HAPPENED?
507
00:16:02,032 --> 00:16:04,162
HOW MUCH WOULD IT TAKE YOU
TO FORGET ALL THAT,
508
00:16:04,164 --> 00:16:08,344
$10 MILLION, 20?
509
00:16:08,338 --> 00:16:11,238
HOW MUCH WOULD YOU BE WORTH?
510
00:16:11,241 --> 00:16:12,601
HMM?
511
00:16:14,204 --> 00:16:16,284
HOW MUCH?
512
00:16:23,653 --> 00:16:26,063
LET'S GO.
513
00:16:40,600 --> 00:16:41,600
(camera shutter clicking)
514
00:16:41,601 --> 00:16:42,601
THANK YOU
FOR YOUR SERVICE.
515
00:16:42,602 --> 00:16:43,602
THANK YOU, MR. PRESIDENT.
516
00:16:43,603 --> 00:16:45,303
THANK YOU.
517
00:16:45,305 --> 00:16:46,405
THANK YOU FOR YOUR SERVICE.
518
00:16:46,406 --> 00:16:47,406
IT'S AN HONOR,
MR. PRESIDENT.
519
00:16:47,407 --> 00:16:48,507
(clicking continues)
520
00:16:48,508 --> 00:16:49,508
GENTLEMEN,
521
00:16:49,509 --> 00:16:51,709
THANK YOU ALL.
THANK YOU.
522
00:16:51,711 --> 00:16:53,681
THANK YOU, SIR.
THANK YOU.
523
00:16:53,683 --> 00:16:54,783
(Cyrus speaks indistinctly)
524
00:16:54,784 --> 00:16:56,294
THANK YOU.
525
00:16:56,286 --> 00:16:58,146
(indistinct conversations)
526
00:16:58,148 --> 00:17:00,248
(door closes)
DID YOU SEE THAT?
527
00:17:00,250 --> 00:17:01,220
HMM?
528
00:17:01,222 --> 00:17:03,252
THEY HAD PROSTHETIC HANDS.
529
00:17:03,253 --> 00:17:05,123
THAT MAN SALUTED ME
WITH HIS LEFT HAND
530
00:17:05,125 --> 00:17:07,755
BECAUSE HIS RIGHT HAND
WAS BLOWN OFF BY AN I.E.D.
531
00:17:07,757 --> 00:17:09,757
WHILE HE WAS BUSY
KEEPING US SAFE.
532
00:17:09,759 --> 00:17:12,699
THIS COUNTRY...
ITS HEART...
533
00:17:12,702 --> 00:17:14,232
I WISH YOU WERE A CYNIC.
534
00:17:14,234 --> 00:17:17,244
BEING PRESIDENT IS EASIER
FOR A CYNIC.
535
00:17:17,237 --> 00:17:19,337
OLIVIA WANTS A MEETING.
536
00:17:19,339 --> 00:17:21,369
ONE SIT-DOWN
WITH AMANDA TANNER,
537
00:17:21,371 --> 00:17:24,171
AND IT ALL GOES AWAY.
538
00:17:24,174 --> 00:17:25,614
I THINK...
539
00:17:25,615 --> 00:17:27,475
I THINK IT'S WORTH IT.
540
00:17:27,477 --> 00:17:29,317
WE DO IT CASUALLY, DISCREET,
SOMEWHERE OFF THE GROUNDS.
541
00:17:29,319 --> 00:17:31,319
YOU HEAR HER OUT,
AND THEN IT'S DONE.
542
00:17:31,321 --> 00:17:32,751
WE'RE FREE.
543
00:17:32,752 --> 00:17:35,322
THIS IS A CHANCE TO PUT
AMANDA TANNER BEHIND YOU.
544
00:17:35,325 --> 00:17:36,525
OLIVIA WILL BE THERE?
545
00:17:39,359 --> 00:17:40,829
LIKE I SAID,
546
00:17:40,830 --> 00:17:43,090
YOUR LIFE WOULD BE
SO MUCH EASIER
547
00:17:43,093 --> 00:17:45,373
IF YOU WERE A CYNIC.
548
00:17:48,438 --> 00:17:49,438
(door opens)
549
00:17:49,439 --> 00:17:51,299
(papers thud)
550
00:17:51,301 --> 00:17:53,471
(door closes)
551
00:17:53,473 --> 00:17:55,073
THREE DAYS OUT,
552
00:17:55,074 --> 00:17:57,354
WE LET THIS GO TO JURY
AND WE'RE SCREWED.
553
00:17:57,347 --> 00:17:59,847
WELL, IT'S GOING TO
BECAUSE SHE WON'T SETTLE.
554
00:17:59,849 --> 00:18:01,749
SO... WE LOST?
555
00:18:01,751 --> 00:18:04,251
I MEAN... WHAT HAPPENS
WHEN WE LOSE?
556
00:18:04,254 --> 00:18:06,424
WE'RE JUST DONE?
557
00:18:06,416 --> 00:18:08,756
(chuckles)
558
00:18:08,758 --> 00:18:11,258
WE'RE NEVER DONE.
559
00:18:11,261 --> 00:18:15,121
IF WE LOSE THIS ROUND,
WE PREP HIM FOR APPEAL.
560
00:18:15,125 --> 00:18:17,425
IF WE LOSE THAT, WE PREP HIM
FOR A SECOND APPEAL,
561
00:18:17,427 --> 00:18:19,497
BECAUSE WHATEVER HAPPENS,
THERE'S ALWAYS ANOTHER MOVE.
562
00:18:19,499 --> 00:18:22,569
WHATEVER HAPPENS,
WE DO NOT GIVE UP.
563
00:18:22,572 --> 00:18:24,432
IT IS MY NAME ON THAT DOOR,
564
00:18:24,434 --> 00:18:28,484
AND I DO NOT GIVE UP.
565
00:18:30,109 --> 00:18:32,279
(door closes)
566
00:18:32,282 --> 00:18:34,342
IT'S NOT PERSONAL.
567
00:18:34,344 --> 00:18:37,194
SHE REALLY DOESN'T LIKE
THE WORD "LOSE."
568
00:18:39,118 --> 00:18:41,218
(projector
and camera shutter click)
569
00:18:41,221 --> 00:18:42,321
(camera shutter clicks)
570
00:18:42,322 --> 00:18:43,322
IT FEELS KINDA CHEAP.
571
00:18:43,323 --> 00:18:44,523
IT IS.
572
00:18:44,524 --> 00:18:46,334
JURIES HAVE A NATURAL BIAS
AGAINST THE EXCEEDINGLY RICH.
573
00:18:46,326 --> 00:18:48,596
WELL, I HAVE A NATURAL BIAS
AGAINST RAYON.
574
00:18:48,598 --> 00:18:50,228
(chuckles)
575
00:18:50,230 --> 00:18:52,260
BUT HEY, IF IT'LL HELP ME
LOOK AS INNOCENT AS I AM,
576
00:18:52,262 --> 00:18:53,332
I LOVE IT.
577
00:18:56,166 --> 00:18:58,366
HEY, MAN,
BE STRAIGHT WITH ME.
578
00:18:58,368 --> 00:19:00,508
WHAT'S THE POINT
OF ALL THIS?
579
00:19:00,510 --> 00:19:03,440
I MEAN,
IF SHE WON'T SETTLE...
580
00:19:03,443 --> 00:19:05,453
I'M GOING TO PRISON,
AREN'T I?
581
00:19:08,818 --> 00:19:11,378
NO MORE YELLOW TIES.
582
00:19:11,381 --> 00:19:13,651
BLUE.
583
00:19:13,653 --> 00:19:15,763
YOU CAN TRUST A MAN
IN BLUE.
584
00:19:18,488 --> 00:19:20,488
BUT MAYBE WE DIDN'T
GO HIGH ENOUGH.
585
00:19:20,490 --> 00:19:22,890
MAYBE WE SHOULD TRY AGAIN.
586
00:19:22,892 --> 00:19:26,442
I MEAN, THEY ALWAYS TAKE
THE MONEY IN THE END.
587
00:19:30,570 --> 00:19:32,640
OKAY, I CAN'T TALK.
588
00:19:32,642 --> 00:19:34,642
NOT NOW. YOU HAVE TO
STOP CALLING ME.
589
00:19:34,644 --> 00:19:35,644
(cell phone beeps)
590
00:19:35,645 --> 00:19:37,345
WHO ARE YOU TALKING TO?
591
00:19:37,347 --> 00:19:38,947
THAT REPORTER
FROM THE "SUN."
592
00:19:38,948 --> 00:19:41,408
HE KEEPS CALLING ME.
593
00:19:41,411 --> 00:19:43,651
LOOK, I'M NOT GONNA
TAKE YOUR PHONE AWAY,
594
00:19:43,653 --> 00:19:45,383
BUT I CANNOT STRESS
THE IMPORTANCE
595
00:19:45,385 --> 00:19:46,855
THAT YOU ONLY TAKE CALLS
596
00:19:46,856 --> 00:19:48,356
FROM YOUR PARENTS
AND MY STAFF.
597
00:19:48,358 --> 00:19:50,418
YOU CANNOT ANSWER YOUR PHONE,
598
00:19:50,420 --> 00:19:52,590
NOT EVEN TO TELL SOMEONE
TO GO AWAY.
599
00:19:52,592 --> 00:19:54,492
DAMN IT. HE KNOWS SOMETHING.
HE'S CHOMPING AT THE BIT.
600
00:19:54,494 --> 00:19:56,434
HE MUST HAVE SOMETHING.
HE LIKES ME.
601
00:19:56,426 --> 00:19:58,366
WHAT?
THE REPORTER.
602
00:19:58,368 --> 00:19:59,768
GIDEON.
I THINK HE LIKES ME.
603
00:19:59,769 --> 00:20:01,569
MAYBE I COULD TALK TO HIM,
FIND OUT WHAT HE KNOWS?
604
00:20:01,571 --> 00:20:03,271
(cell phone rings)
605
00:20:03,273 --> 00:20:04,703
(ring)
606
00:20:04,704 --> 00:20:06,314
(beeps)
HARRISON?
607
00:20:06,306 --> 00:20:08,376
I WANT PERMISSION TO LOOK
INTO TRAVIS' FINANCES.
608
00:20:08,378 --> 00:20:09,878
WHAT ARE YOU THINKING?
He said something
about settlements,
609
00:20:09,879 --> 00:20:11,439
HOW THEY ALWAYS TAKE THE MONEY.
610
00:20:11,441 --> 00:20:12,941
I THINK WE SHOULD KNOW
611
00:20:12,942 --> 00:20:14,782
if he's speaking
from experience.
612
00:20:14,784 --> 00:20:16,554
BE CAREFUL.
613
00:20:16,546 --> 00:20:18,486
(beep)
614
00:20:19,619 --> 00:20:21,389
(projector
and camera shutter click)
615
00:20:21,391 --> 00:20:22,591
(camera shutter clicks)
616
00:20:22,592 --> 00:20:24,592
IN '08, HE MADE 3 PAYMENTS
OF $200,000
617
00:20:24,594 --> 00:20:25,654
TO A WOMAN IN ARLINGTON.
618
00:20:25,655 --> 00:20:26,995
(Abby) HER NAME'S RACHEL KLINE.
619
00:20:26,996 --> 00:20:28,796
23-YEAR-OLD WAITRESS
AT DARCY'S IN GEORGETOWN.
620
00:20:28,798 --> 00:20:30,458
LET'S TRACK HER DOWN,
621
00:20:30,460 --> 00:20:31,700
FIND OUT WHAT THE MONEY
WAS FOR.
622
00:20:31,701 --> 00:20:32,961
CAN'T. SHE'S DEAD.
623
00:20:32,962 --> 00:20:34,432
COMMITTED SUICIDE
THREE YEARS AGO. PILLS.
624
00:20:34,434 --> 00:20:36,744
600 GRAND'S A HELL OF A TIP FOR
YOUR FAVORITE WAITRESS, HMM?
625
00:20:36,736 --> 00:20:39,306
ALL THE MARKS
OF A COVER-UP HERE.
626
00:20:39,309 --> 00:20:40,469
COVERING UP WHAT?
627
00:20:40,470 --> 00:20:42,570
LIV, I KNOW SANDRA'S
YOUR FRIEND, BUT...
628
00:20:42,572 --> 00:20:43,942
IF HE RAPED THAT GIRL
AND PAID HER OFF,
629
00:20:43,943 --> 00:20:46,583
IT MAKES IT A LOT MORE LIKELY
HE RAPED HELEN, TOO.
630
00:20:48,518 --> 00:20:49,978
(projector
and camera shutter clicking)
631
00:20:49,979 --> 00:20:51,579
(camera shutter clicks)
632
00:20:53,823 --> 00:20:55,553
(door opens)
633
00:20:55,555 --> 00:20:57,355
LOOKS LIKE WE'RE GONNA GET
458 PASSED IN THE SENATE.
634
00:20:57,357 --> 00:20:59,527
A NICE VICTORY
FOR BIPARTISANSHIP.
635
00:20:59,529 --> 00:21:01,429
WHAT?
636
00:21:02,592 --> 00:21:04,492
I THOUGHT WE WERE GOOD,
PROBLEM SOLVED.
637
00:21:04,494 --> 00:21:07,604
BUT THIS JUST CAME IN
MY MAIL... MY PERSONAL MAIL.
638
00:21:07,597 --> 00:21:08,597
WHAT IS IT?
639
00:21:08,598 --> 00:21:09,568
IT'S AN AUDIOTAPE.
640
00:21:09,570 --> 00:21:11,540
DO THEY CALL THEM
AUDIOTAPES NOW,
641
00:21:11,541 --> 00:21:13,501
WHAT, WITH CDs AND ALL?
I'M OLD.
642
00:21:13,503 --> 00:21:14,573
CYRUS, YOU'RE RAMBLING.
643
00:21:14,574 --> 00:21:15,644
YOU DON'T RAMBLE,
SO NOW I'M NERVOUS.
644
00:21:15,645 --> 00:21:17,575
SIR,
YOU'LL WANT TO HEAR THIS.
645
00:21:46,536 --> 00:21:47,976
CY...
646
00:21:47,977 --> 00:21:50,307
FROM THAT FIRST DAY WHEN YOU
ASKED ME TO RUN YOUR CAMPAIGN,
647
00:21:50,309 --> 00:21:52,579
I DREAMED A LOT OF DREAMS,
BIG DREAMS.
648
00:21:52,582 --> 00:21:54,612
I KNEW YOU WERE GOING
TO BE PRESIDENT, BUT...
649
00:21:54,614 --> 00:21:56,694
(clicks tongue)
650
00:21:56,686 --> 00:21:59,486
I NEVER DREAMED I'D BE
LISTENING TO A TAPE OF YOU...
651
00:21:59,489 --> 00:22:02,349
MOANING WITH
A WHITE HOUSE AIDE.
652
00:22:02,352 --> 00:22:04,492
THAT'S WHAT THAT IS, RIGHT,
653
00:22:04,494 --> 00:22:06,434
YOU WITH YOUR PANTS DOWN,
654
00:22:06,426 --> 00:22:08,656
HAVING SEX
WITH AMANDA TANNER?
655
00:22:08,658 --> 00:22:09,658
CYRUS, I...
656
00:22:09,659 --> 00:22:13,029
YOU DON'T TALK.
YOU DON'T TALK ANYMORE.
657
00:22:13,032 --> 00:22:15,562
SOMEONE SENT THIS TO ME.
YOU GET THAT?
658
00:22:15,565 --> 00:22:17,935
AMANDA TANNER
IS BLACKMAILING YOU...
659
00:22:17,937 --> 00:22:22,467
WHICH MEANS THAT OLIVIA POPE
IS BLACKMAILING YOU.
660
00:22:29,679 --> 00:22:30,949
THIS ISN'T LIV.
661
00:22:30,950 --> 00:22:33,520
LIV DIDN'T DO THIS.
SHE WOULDN'T DO THIS.
662
00:22:33,523 --> 00:22:34,683
MR. PRESIDENT...
663
00:22:34,684 --> 00:22:35,854
LIV WOULDN'T DO THIS.
664
00:22:35,855 --> 00:22:37,125
I DON'T WANT
TO BELIEVE IT EITHER, BUT...
665
00:22:37,126 --> 00:22:39,126
LIV IS NOT BEHIND THIS.
666
00:22:39,128 --> 00:22:41,688
SHE WANTED A MEETING.
SHE WANTED TO PUT THIS TO BED.
667
00:22:41,691 --> 00:22:43,691
YOU KNOW WHAT HAPPENS
AT THAT MEETING?
668
00:22:43,693 --> 00:22:45,433
THEY AMBUSH YOU.
669
00:22:45,435 --> 00:22:47,565
THERE WERE NO DEMANDS
THAT CAME WITH THIS.
670
00:22:47,567 --> 00:22:49,067
JUST THE TAPE.
671
00:22:49,068 --> 00:22:50,938
THE DEMANDS COME IN THE MEETING
WHEN YOU'RE FACE-TO-FACE,
672
00:22:50,940 --> 00:22:52,400
WHEN THEY HAVE YOU
BY THE BALLS,
673
00:22:52,402 --> 00:22:53,872
WHEN THEY'RE IN CONTROL.
674
00:22:53,873 --> 00:22:56,983
WE BOTH KNOW THAT'S HOW
OLIVIA POPE WORKS.
675
00:22:56,976 --> 00:22:58,076
(sighs)
676
00:22:59,949 --> 00:23:01,909
THERE ISN'T GONNA BE
A HAPPY ENDING.
677
00:23:01,911 --> 00:23:03,751
LIV ISN'T COMING HOME.
OKAY.
678
00:23:03,753 --> 00:23:04,913
SHE'S NOT GONNA FORGIVE YOU.
OKAY.
679
00:23:04,914 --> 00:23:06,464
SHE'S GOING TO TAKE A KNIFE
680
00:23:06,456 --> 00:23:08,156
AND SHE'S GOING TO GUT YOU,
AND SHE'S GOING TO WALK AWAY...
681
00:23:08,157 --> 00:23:11,157
I SAID OKAY!
682
00:23:15,695 --> 00:23:18,065
OH, MY GOD.
683
00:23:21,170 --> 00:23:23,130
(projector
and camera shutter click)
684
00:23:23,132 --> 00:23:25,472
I JUST LEFT
RACHEL'S PARENTS' HOUSE.
685
00:23:25,475 --> 00:23:27,605
THE MOTHER TELL YOU ANYTHING?
She wouldn't talk,
but she didn't have to.
686
00:23:27,607 --> 00:23:29,437
SHE'S A FOURTH GRADE TEACHER,
AND THERE'S AN S-CLASS...
687
00:23:29,439 --> 00:23:30,509
(camera shutter clicking)
IN THE DRIVEWAY.
688
00:23:30,510 --> 00:23:32,140
LOOKS LIKE A 2007,
MAYBE A 2008.
689
00:23:32,141 --> 00:23:33,641
THAT'S AN $80,000 CAR
THAT CAME OUT THE YEAR
690
00:23:33,643 --> 00:23:34,683
HER DAUGHTER WAS PAID OFF.
691
00:23:34,684 --> 00:23:35,944
IT MUST HAVE BEEN RACHEL'S.
692
00:23:35,945 --> 00:23:37,085
EXACTLY. YOU WANT TO KNOW
THE BEST PART?
693
00:23:37,086 --> 00:23:39,046
THERE'S AN AMERICAN UNIVERSITY
STICKER ON IT.
694
00:23:39,048 --> 00:23:40,718
(clicking)
Helen went to American.
695
00:23:40,720 --> 00:23:42,490
(click)
HARRISON, I'M GONNA NEED YOU
TO GET...
696
00:23:42,492 --> 00:23:44,422
ALREADY ON IT.
697
00:23:47,126 --> 00:23:48,526
YOU'RE NOT A COP.
698
00:23:48,528 --> 00:23:49,798
NOT EVEN CLOSE.
699
00:23:49,799 --> 00:23:51,599
USUALLY, ALL WE GET
DOWN HERE ARE COPS.
700
00:23:51,601 --> 00:23:53,431
SOMETIMES LAWYERS, BUT YOU'RE
NOT A LAWYER, EITHER.
701
00:23:53,432 --> 00:23:54,962
I'M DEFINITELY NOT A COP.
SOME DAYS I'M A LAWYER.
702
00:23:54,964 --> 00:23:56,104
BUT TODAY...
703
00:23:56,105 --> 00:23:58,735
I'M JUST A SINGLE MAN
LOOKING FOR EVIDENCE...
704
00:23:58,738 --> 00:24:00,708
AN OLD RAPE KIT FROM A FEW
YEARS AGO IF YOU EVEN HAVE IT...
705
00:24:00,710 --> 00:24:02,470
A WOMAN NAMED RACHEL KLINE.
706
00:24:02,472 --> 00:24:04,072
YOU FLIRTING WITH ME?
707
00:24:04,073 --> 00:24:05,073
(laughs)
708
00:24:05,074 --> 00:24:06,444
'CAUSE I TEST RAPE KITS
ALL DAY,
709
00:24:06,445 --> 00:24:08,215
HUNDREDS OF 'EM,
BACKLOGGED SO BAD,
710
00:24:08,217 --> 00:24:11,447
IT'LL BE TEN YEARS BEFORE
SOME OF THEM EVEN GET OPENED.
711
00:24:11,450 --> 00:24:12,750
YOU KNOW WHAT'S IN A RAPE KIT,
712
00:24:12,752 --> 00:24:14,822
GUY WHO'S SOMETIMES A LAWYER,
BUT NOT A COP?
713
00:24:14,824 --> 00:24:16,454
SWABS FROM HER LIPS,
714
00:24:16,455 --> 00:24:19,155
HER CHEEKS, HER THIGHS,
HER HAIR, HER CERVIX,
715
00:24:19,158 --> 00:24:22,158
THE PANTIES SHE WAS WEARING
WHEN HE PULLED 'EM DOWN,
716
00:24:22,161 --> 00:24:24,061
THE LITTLE BITS OF HIM
THEY COMBED OFF HER BODY,
717
00:24:24,063 --> 00:24:25,933
AND THE COMB THEY USED
TO DO IT.
718
00:24:25,935 --> 00:24:27,735
SO IF CAN GIVE YOU SOMETHING
THAT'S GONNA GET SOME JUSTICE
719
00:24:27,737 --> 00:24:30,067
FOR ONE THESE WOMEN WHOSE
PAIN AND SHAME IS IN THESE BAGS,
720
00:24:30,069 --> 00:24:31,799
JUST ASK ME.
721
00:24:31,801 --> 00:24:33,201
I'LL DO IT.
722
00:24:33,202 --> 00:24:34,772
BUT IF YOU WANT ANYTHING ELSE,
YOU'VE COME TO THE WRONG PLACE.
723
00:24:34,774 --> 00:24:37,514
THE RAPE KIT WILL BE FINE.
THANK YOU, MA'AM.
724
00:24:37,507 --> 00:24:38,677
MM-HMM.
725
00:24:47,086 --> 00:24:49,956
(inhales deeply)
726
00:24:49,959 --> 00:24:53,189
(keypad beeps)
727
00:24:53,192 --> 00:24:55,222
(phone rings)
728
00:24:55,224 --> 00:24:56,574
HEY, GIDEON. HI.
729
00:24:56,566 --> 00:24:58,766
IT'S, UH, QUINN... PERKINS
730
00:24:58,768 --> 00:25:01,498
FROM OLIVIA POPE...
AND ASSOCIATES.
731
00:25:01,500 --> 00:25:03,500
I WAS WONDERING IF YOU WANTED
TO GRAB A DRINK WITH ME TONIGHT
732
00:25:03,502 --> 00:25:04,832
IF YOU'RE NOT BUSY.
733
00:25:04,834 --> 00:25:06,134
IF YOU ARE, IT'S COMPLETELY
AND TOTALLY FINE.
734
00:25:06,135 --> 00:25:07,275
WE COULD DO IT ANOTHER TIME...
TOMORROW, OR NEXT WEEK,
735
00:25:07,276 --> 00:25:08,706
OR NEVER AT ALL, EVER.
736
00:25:10,880 --> 00:25:12,240
OKAY.
737
00:25:12,241 --> 00:25:13,941
SURE.
738
00:25:13,943 --> 00:25:15,283
BYE.
739
00:25:15,284 --> 00:25:16,894
(beep)
740
00:25:18,918 --> 00:25:20,718
(cell phone clatters)
741
00:25:22,221 --> 00:25:23,621
WHAT?
742
00:25:23,623 --> 00:25:24,923
YOU'RE WEIRD.
743
00:25:24,924 --> 00:25:26,254
I'M NOT WEIRD.
744
00:25:26,255 --> 00:25:27,895
WEIRD IS GOOD.
745
00:25:30,199 --> 00:25:32,659
THANK YOU?
746
00:25:37,637 --> 00:25:40,307
AMANDA SETTLING IN OKAY?
747
00:25:40,309 --> 00:25:42,539
I'M SORRY WE DIDN'T VOTE.
748
00:25:42,541 --> 00:25:43,911
WE NEVER VOTE.
749
00:25:43,913 --> 00:25:45,913
NOT REALLY.
750
00:25:45,915 --> 00:25:48,245
TRUST ME. WE'RE ON
THE RIGHT SIDE OF THIS.
751
00:25:48,247 --> 00:25:49,777
WHOSE SIDE, LIV,
752
00:25:49,779 --> 00:25:51,819
THE WHITE HOUSE'S,
AMANDA'S?
753
00:25:51,821 --> 00:25:54,651
YOU HAVE A CONFLICT OF INTEREST
SO BIG IN THIS THING,
754
00:25:54,654 --> 00:25:56,554
I DON'T EVEN THINK
THERE'S A WORD FOR IT.
755
00:25:56,555 --> 00:25:57,555
(cell phone rings and beeps)
756
00:25:57,556 --> 00:25:58,826
MELLIE.
757
00:25:58,828 --> 00:26:00,288
I HOPE I'M NOT CATCHING YOU
AT A BAD TIME.
758
00:26:00,289 --> 00:26:01,889
No, not at all.
What can I do for you?
759
00:26:01,891 --> 00:26:03,261
WELL, YOU KNOW WE HAVE
THAT STATE DINNER TONIGHT,
760
00:26:03,262 --> 00:26:04,762
AND I CHECKED,
AND I COULDN'T BELIEVE IT,
761
00:26:04,764 --> 00:26:06,604
BUT IT LOOKS YOU DIDN'T
RECEIVE AN INVITATION,
762
00:26:06,596 --> 00:26:07,836
WHICH WAS AN OVERSIGHT,
763
00:26:07,837 --> 00:26:09,067
I swear.
764
00:26:09,068 --> 00:26:11,138
I'M FLATTERED,
TRULY, BUT...
765
00:26:11,140 --> 00:26:12,270
8:00. SEE YOU THEN.
766
00:26:12,271 --> 00:26:13,271
(beep)
767
00:26:13,272 --> 00:26:14,602
(whispers) THANK YOU.
768
00:26:16,205 --> 00:26:17,575
(beep)
769
00:26:18,848 --> 00:26:20,008
(door opens)
770
00:26:20,009 --> 00:26:21,879
YOU'RE GONNA WANT
TO SEE THIS.
771
00:26:21,881 --> 00:26:23,311
(projector
and camera shutter clicking)
772
00:26:23,312 --> 00:26:24,582
SHE MET TRAVIS IN A BAR
IN ADAMS MORGAN.
773
00:26:24,583 --> 00:26:25,783
(Stephen) SHE WAS
JUST OUT OF AMERICAN,
774
00:26:25,785 --> 00:26:27,215
WORKING AT A LOBBYING FIRM.
775
00:26:27,216 --> 00:26:28,886
AFTER A NIGHT
OF HEAVY DRINKING,
776
00:26:28,888 --> 00:26:30,988
RACHEL WENT HOME WITH TRAVIS,
AND HE RAPED HER.
777
00:26:30,990 --> 00:26:32,690
(Harrison) SHE FILED A POLICE
REPORT, RAPE KIT AND ALL.
778
00:26:32,692 --> 00:26:34,162
TWO DAYS LATER,
HE MADE PAYMENTS...
779
00:26:34,163 --> 00:26:35,363
THREE PAYMENTS...
TO HER ACCOUNT.
780
00:26:35,364 --> 00:26:37,674
BOUGHT HER AN S-CLASS
TO SWEETEN THE DEAL.
781
00:26:37,667 --> 00:26:39,627
SHE RECANTED
HER STORY TO THE POLICE,
782
00:26:39,629 --> 00:26:41,969
THOUGHT SHE COULD JUST MOVE ON,
BUT SHE COULDN'T FUNCTION.
783
00:26:41,971 --> 00:26:43,831
HAD TO MOVE BACK IN
WITH HER PARENTS.
784
00:26:43,833 --> 00:26:45,173
AND THEN ONE NIGHT
ABOUT A YEAR LATER,
785
00:26:45,174 --> 00:26:47,614
SHE SWALLOWED ENOUGH SECONAL
TO END HER LIFE.
786
00:26:47,606 --> 00:26:50,036
SHE WAS FOUND BY A FRIEND...
HER BEST FRIEND.
787
00:26:50,039 --> 00:26:52,779
SHE CHANGED HER HAIR
FROM BRUNETTE TO BLONDE,
788
00:26:52,782 --> 00:26:53,942
BUT IT'S STILL...
789
00:26:53,943 --> 00:26:55,183
HELEN FISHER.
790
00:26:55,184 --> 00:26:58,954
(projector
and camera shutter clicking)
791
00:26:58,948 --> 00:27:00,018
(Olivia)
YOU WERE RIGHT ABOUT HELEN.
792
00:27:00,019 --> 00:27:01,649
SHE WAS AFTER TRAVIS,
793
00:27:01,651 --> 00:27:03,621
BUT FOR THE MONEY.
794
00:27:03,622 --> 00:27:05,852
SHE WAS AFTER TRAVIS
BECAUSE FOUR YEARS AGO,
795
00:27:05,855 --> 00:27:07,825
HE RAPED HER BEST FRIEND.
796
00:27:07,827 --> 00:27:09,827
HER NAME WAS RACHEL KLINE,
797
00:27:09,829 --> 00:27:12,629
AND YOU DESTROYED HER LIFE,
TRAVIS.
798
00:27:12,631 --> 00:27:14,231
BUT YOU'RE NOT GUILTY
OF RAPING HELEN,
799
00:27:14,233 --> 00:27:16,233
AND RACHEL CAN NEVER
TESTIFY AGAINST YOU,
800
00:27:16,235 --> 00:27:17,635
SO YOU'LL GO FREE.
801
00:27:17,636 --> 00:27:19,636
IS THIS TRUE?
802
00:27:19,638 --> 00:27:21,668
M-MOM...
803
00:27:21,671 --> 00:27:23,311
ANSWER ME, HONEY.
804
00:27:23,312 --> 00:27:26,412
I DIDN'T WANT
TO TELL YOU.
805
00:27:26,415 --> 00:27:30,115
I DIDN'T WANT TO DISAPPOINT YOU
ANY MORE THAN I...
806
00:27:30,119 --> 00:27:32,119
I'M SORRY.
807
00:27:32,121 --> 00:27:34,351
I SCREWED UP,
AND I TRIED TO FIX IT.
808
00:27:34,353 --> 00:27:35,783
I TRIED.
809
00:27:35,785 --> 00:27:36,985
YOU TOLD ME...
810
00:27:36,986 --> 00:27:39,286
YOU... YOU ALWAYS SAID,
I SHOULD FIX MY MISTAKES,
811
00:27:39,288 --> 00:27:42,028
SO...
I TOOK CARE OF IT.
812
00:27:42,031 --> 00:27:43,961
I HANDLED IT.
813
00:27:53,072 --> 00:27:54,272
YOU WENT TO TONY'S
ON THURSDAYS
814
00:27:54,273 --> 00:27:56,003
BECAUSE THE DEFENDANT
WENT THERE ON THURSDAYS.
815
00:27:56,005 --> 00:27:57,845
ISN'T THAT RIGHT?
NO! IT...
816
00:27:57,847 --> 00:27:59,677
YOU WENT EVERY THURSDAY
FOR SIX MONTHS.
817
00:27:59,678 --> 00:28:01,678
ISN'T THAT CORRECT?
YES, BUT YOU'RE MAKING...
818
00:28:01,680 --> 00:28:03,050
YOU STALKED HIM,
DIDN'T YOU?
819
00:28:03,052 --> 00:28:04,212
(Jane)
OBJECTION. ARGUMENTATIVE.
820
00:28:04,213 --> 00:28:05,353
(judge) SUSTAINED.
821
00:28:05,354 --> 00:28:07,194
YOU APPROACHED HIM
AS A BRUNETTE, AND THEN,
822
00:28:07,186 --> 00:28:08,986
WHEN HE DIDN'T RESPOND,
823
00:28:08,988 --> 00:28:11,088
YOU CHANGED YOUR HAIR COLOR
SO HE WOULD NOTICE YOU.
824
00:28:11,090 --> 00:28:12,760
NO, HE HURT ME!
825
00:28:12,762 --> 00:28:14,222
(crying) HE PINNED ME DOWN.
HE...
826
00:28:14,223 --> 00:28:17,033
(judge) MS. FISHER,
STICK TO THE QUESTIONS.
827
00:28:17,026 --> 00:28:18,426
YOU WERE OBSESSED.
(whimpers)
828
00:28:18,427 --> 00:28:20,427
YOU CHANGE YOUR HAIR COLOR,
829
00:28:20,429 --> 00:28:22,729
YOU FOLLOW TRAVIS AROUND...
830
00:28:22,732 --> 00:28:24,272
SO YOU COULD SEDUCE HIM.
831
00:28:24,273 --> 00:28:25,703
YOU WENT HOME WITH HIM,
832
00:28:25,704 --> 00:28:27,714
YOU HAD CONSENSUAL SEX
WITH HIM,
833
00:28:27,706 --> 00:28:31,336
AND THEN YOU SET HIM UP,
834
00:28:31,340 --> 00:28:33,380
SET ALL OF US UP.
835
00:28:45,254 --> 00:28:47,364
(exhales)
836
00:28:47,356 --> 00:28:50,356
HE'S GONNA GET OFF
ISN'T HE?
837
00:28:52,361 --> 00:28:54,361
THEY'RE DESTROYING
THAT GIRL IN THERE.
838
00:28:54,363 --> 00:28:58,273
TRAVIS IS GONNA BE
JUST FINE.
839
00:29:00,109 --> 00:29:02,809
I SIGNED HIM UP FOR EVERYTHING
WHEN HE WAS A KID...
840
00:29:02,812 --> 00:29:06,012
HOCKEY, SOCCER, LACROSSE.
841
00:29:06,015 --> 00:29:07,475
I FIGURED,
IF I COULDN'T BE AROUND,
842
00:29:07,476 --> 00:29:09,976
AT LEAST HE'D STAY BUSY,
MAYBE HE WOULDN'T NOTICE.
843
00:29:09,979 --> 00:29:12,349
HE WAS GREAT AT EVERYTHING,
844
00:29:12,351 --> 00:29:14,481
MADE EVERY ALL-STAR TEAM.
845
00:29:14,483 --> 00:29:18,763
IN TEN YEARS, I NEVER MADE IT
TO A SINGLE GAME.
846
00:29:18,757 --> 00:29:20,527
IT'S NOT YOUR FAULT.
847
00:29:20,529 --> 00:29:23,189
HE HURT SOMEONE, LIV.
848
00:29:23,192 --> 00:29:26,172
HE HELD HER DOWN
AND HE...
849
00:29:27,236 --> 00:29:30,536
MY SON DID THAT.
850
00:29:30,539 --> 00:29:32,369
HE'S A...
851
00:29:35,504 --> 00:29:38,554
WHAT SHOULD I DO?
852
00:29:40,449 --> 00:29:42,179
TELL ME.
853
00:29:42,181 --> 00:29:45,211
THERE'S NOTHING
YOU CAN DO.
854
00:29:45,214 --> 00:29:46,214
WHO HE IS,
855
00:29:46,215 --> 00:29:47,515
WHAT HE IS,
856
00:29:47,516 --> 00:29:49,986
IT'S NOT YOUR FAULT.
857
00:29:56,525 --> 00:29:59,825
(indistinct conversations)
858
00:29:59,829 --> 00:30:01,329
♪♪♪
859
00:30:01,330 --> 00:30:02,530
HERE YOU GO.
860
00:30:02,531 --> 00:30:04,071
HEY.
861
00:30:04,073 --> 00:30:05,073
WHAT...
WHAT ARE YOU DOING HERE?
862
00:30:05,074 --> 00:30:06,074
SETTING YOU UP.
863
00:30:06,075 --> 00:30:07,235
SETTING ME UP?
864
00:30:07,236 --> 00:30:08,936
VIRGIN MARGARITAS
FOR THE LADY ALL NIGHT,
865
00:30:08,938 --> 00:30:10,338
AND WHATEVER HER DATE ORDERS
866
00:30:10,339 --> 00:30:12,039
GETS A 3-FINGER POUR
OF BOOZE IN IT.
YOU GOT IT.
867
00:30:12,041 --> 00:30:13,111
PUT YOUR HAIR DOWN...
868
00:30:13,112 --> 00:30:14,442
WH...
AND TAKE THAT JACKET OFF.
869
00:30:14,443 --> 00:30:17,023
FLIRT JUST ENOUGH,
BUT NOT TOO MUCH,
870
00:30:17,016 --> 00:30:18,216
AND DO NOT
LET HIM SEE YOU HOME.
871
00:30:18,217 --> 00:30:20,017
I CAN HANDLE MYSELF,
YOU KNOW?
872
00:30:20,019 --> 00:30:21,519
OH, I HEARD YOU ON THE PHONE.
873
00:30:21,520 --> 00:30:22,890
YOU NEED TO BE SET UP.
874
00:30:22,892 --> 00:30:25,892
(indistinct conversations
continue)
875
00:30:25,895 --> 00:30:29,595
♪♪♪
876
00:30:32,601 --> 00:30:34,261
(indistinct conversations
continue)
877
00:30:34,263 --> 00:30:35,603
(exhales)
878
00:30:35,604 --> 00:30:38,574
(projector
and camera shutter clicking)
879
00:30:38,567 --> 00:30:40,267
(orchestra music playing)
880
00:30:40,269 --> 00:30:41,869
(camera shutters clicking)
881
00:30:41,871 --> 00:30:44,871
(indistinct conversations)
882
00:30:44,874 --> 00:30:46,924
(clicking continues)
883
00:30:46,916 --> 00:30:50,146
(all speaking indistinctly)
884
00:30:50,149 --> 00:30:52,579
LOVELY TO SEE YOU.
HERE'S THE PRIME MINISTER.
885
00:30:52,581 --> 00:30:53,981
(Fitz speaks indistinctly)
886
00:30:53,983 --> 00:30:56,453
HELLO. IT'S WONDERFUL
TO SEE YOU AGAIN.
887
00:30:56,455 --> 00:30:57,625
HI.
888
00:30:57,626 --> 00:30:58,456
WHAT'S OLIVIA DOING HERE?
889
00:30:58,458 --> 00:30:59,458
I INVITED HER.
890
00:30:59,459 --> 00:31:00,989
HOW ARE YOU, BILL?
891
00:31:00,990 --> 00:31:02,630
GOOD TO SEE YOU.
YOU TWO KNOW EACH OTHER.
892
00:31:02,631 --> 00:31:04,331
LIV.
(chuckles)
893
00:31:04,333 --> 00:31:05,493
YOU LOOK LOVELY.
894
00:31:05,494 --> 00:31:06,534
OH.
895
00:31:06,535 --> 00:31:07,535
OH. MM.
896
00:31:07,536 --> 00:31:08,996
DOESN'T SHE LOOK LOVELY?
897
00:31:08,998 --> 00:31:11,138
OF COURSE, YEAH.
I'M SO HAPPY YOU COULD COME.
898
00:31:11,140 --> 00:31:13,640
I WOULDN'T MISS IT,
MR. PRESIDENT.
899
00:31:13,642 --> 00:31:14,972
(Mellie laughs)
900
00:31:14,974 --> 00:31:16,874
PRIME MINISTER,
DELIGHTFUL TO SEE YOU.
901
00:31:16,875 --> 00:31:18,205
HOW IS THE NEW BABY?
902
00:31:18,207 --> 00:31:19,207
GOOD TO SEE YOU.
903
00:31:19,208 --> 00:31:20,408
THANK YOU SO MUCH
FOR COMING.
904
00:31:20,409 --> 00:31:22,909
OH, HI. OH.
905
00:31:22,912 --> 00:31:24,952
GREAT TO SEE YOU.
906
00:31:24,954 --> 00:31:26,614
(indistinct conversations
continue)
907
00:31:26,615 --> 00:31:27,615
(sighs)
908
00:31:27,616 --> 00:31:29,056
(camera shutters click)
909
00:31:29,058 --> 00:31:32,518
(playing up-tempo jazz)
910
00:31:32,521 --> 00:31:35,021
(indistinct conversations)
911
00:31:35,024 --> 00:31:37,004
YOU'RE BETTER
THAN I EXPECTED.
912
00:31:36,996 --> 00:31:39,066
OH, THEY HAD BALLROOM DANCING
AT ANDOVER.
913
00:31:39,068 --> 00:31:41,198
IT WAS THE ONLY WAY I COULD
GET NEAR A GIRL BACK THEN,
914
00:31:41,200 --> 00:31:42,500
SO...
915
00:31:42,501 --> 00:31:44,101
I TOOK IT TWICE.
916
00:31:44,103 --> 00:31:46,303
GLAD TO SEE
IT'S WORKING OUT FOR YOU.
917
00:31:46,305 --> 00:31:48,635
(laughs)
918
00:31:48,637 --> 00:31:51,177
(music continues)
919
00:31:51,180 --> 00:31:52,580
WHAT?
920
00:31:52,581 --> 00:31:55,181
I'M TRYING TO FIGURE OUT HOW
I CAN SEXUALLY HARASS YOU
921
00:31:55,184 --> 00:31:56,584
AND GET AWAY WITH IT.
922
00:31:56,585 --> 00:31:57,545
BILLY.
923
00:31:57,547 --> 00:31:59,187
WHAT? YOU DON'T
WORK HERE ANYMORE.
924
00:31:59,188 --> 00:32:00,548
YOU COULD DATE ME.
I'M A CATCH.
925
00:32:00,549 --> 00:32:01,589
OR...
926
00:32:01,590 --> 00:32:03,550
(Mellie gasps)
IS THERE ANOTHER GUY?
927
00:32:03,552 --> 00:32:04,552
(clears throat)
928
00:32:04,553 --> 00:32:06,293
I'D LIKE A TURN
929
00:32:06,295 --> 00:32:07,525
WITH THE BEST DANCER
IN THE WEST WING.
930
00:32:07,526 --> 00:32:08,696
OH.
(laughs)
931
00:32:08,697 --> 00:32:09,657
NO OFFENSE, FITZ.
932
00:32:09,659 --> 00:32:11,129
NONE TAKEN.
(laughs)
933
00:32:11,130 --> 00:32:12,660
(laughs)
934
00:32:12,661 --> 00:32:13,661
YOU MIND?
935
00:32:13,662 --> 00:32:14,562
NO.
936
00:32:14,564 --> 00:32:15,564
(song ends)
937
00:32:15,565 --> 00:32:17,165
(Mellie and Billy) OH.
938
00:32:17,166 --> 00:32:20,406
(indistinct conversations)
939
00:32:21,710 --> 00:32:24,710
(playing romantic jazz music)
940
00:32:26,475 --> 00:32:29,475
(indistinct conversations)
941
00:32:37,226 --> 00:32:38,656
KEEP 'EM COMING.
942
00:32:38,657 --> 00:32:39,587
YES, SIR.
943
00:32:39,589 --> 00:32:41,589
(indistinct conversations
continue)
944
00:32:41,590 --> 00:32:42,960
(music continues)
945
00:32:42,961 --> 00:32:44,131
DON'T LOOK AT ME.
946
00:32:44,133 --> 00:32:45,293
HOW COME?
947
00:32:45,294 --> 00:32:47,744
BECAUSE EVERYONE WILL KNOW.
948
00:32:47,736 --> 00:32:50,196
I CAN'T NOT LOOK AT YOU.
949
00:32:50,199 --> 00:32:51,599
THE SONG WILL BE OVER
IN A MINUTE.
950
00:32:51,600 --> 00:32:53,700
THIS IS RIDICULOUS.
951
00:32:53,702 --> 00:32:57,182
EVERYTHING IS RIDICULOUS.
952
00:32:57,176 --> 00:32:58,706
HOW DID IT ALL GET SO...
953
00:32:58,707 --> 00:33:00,147
(sighs)
954
00:33:00,149 --> 00:33:01,979
DAMN IT.
JUST LOOK AT ME.
955
00:33:01,980 --> 00:33:03,280
(music continues)
956
00:33:03,282 --> 00:33:05,012
(whispers) LOOK AT ME.
957
00:33:05,014 --> 00:33:06,384
(music continues)
958
00:33:06,385 --> 00:33:08,415
(normal voice) MEET ME
IN OUR SPOT IN TEN MINUTES.
959
00:33:08,417 --> 00:33:09,417
NO.
960
00:33:09,418 --> 00:33:10,718
I AM NOT SPENDING
961
00:33:10,719 --> 00:33:13,759
ANY MORE TIME
AWAY FROM YOU.
962
00:33:13,762 --> 00:33:15,762
(music continues)
963
00:33:15,764 --> 00:33:17,604
STOP IT.
WE'RE IN PUBLIC.
964
00:33:17,596 --> 00:33:20,166
LOOK AWAY.
965
00:33:20,169 --> 00:33:21,669
LOOK...
966
00:33:21,670 --> 00:33:23,430
I KNOW...
967
00:33:23,432 --> 00:33:24,732
I DON'T HAVE THE RIGHT.
968
00:33:24,733 --> 00:33:27,743
I KNOW.
I KNOW YOU DON'T TRUST ME.
969
00:33:27,736 --> 00:33:29,006
I...
970
00:33:29,007 --> 00:33:31,777
(music continues)
971
00:33:31,780 --> 00:33:33,380
I LOVE YOU.
972
00:33:33,382 --> 00:33:35,142
YOUR WIFE IS 10 FEET AWAY.
973
00:33:35,144 --> 00:33:36,484
I LOVE YOU.
974
00:33:36,485 --> 00:33:37,615
WHAT ABOUT AMANDA?
975
00:33:37,616 --> 00:33:39,186
I LOVE...
976
00:33:39,188 --> 00:33:40,618
YOU.
977
00:33:40,619 --> 00:33:43,349
(music continues)
978
00:33:43,352 --> 00:33:44,692
(song ends)
979
00:33:44,693 --> 00:33:46,693
(applause)
980
00:33:46,695 --> 00:33:49,595
(indistinct conversations)
981
00:33:49,598 --> 00:33:50,698
OUR SPOT, TEN MINUTES.
982
00:33:50,699 --> 00:33:53,529
YOU CAN'T LEAVE
YOUR OWN STATE DINNER.
983
00:33:53,532 --> 00:33:55,062
WATCH ME.
984
00:33:55,064 --> 00:33:57,074
(indistinct conversations
continue)
985
00:33:57,066 --> 00:34:00,066
(band playing
up-tempo jazz music)
986
00:34:03,372 --> 00:34:05,612
GENEROUS BARTENDER.
987
00:34:05,614 --> 00:34:06,614
I KNOW. I'M SO BUZZED.
988
00:34:06,615 --> 00:34:07,615
SO SHOULD WE GET TO IT?
989
00:34:07,616 --> 00:34:08,616
I'M SORRY?
990
00:34:08,617 --> 00:34:09,617
I KNOW WHY YOU CALLED.
991
00:34:09,618 --> 00:34:10,648
YOU DO.
992
00:34:10,649 --> 00:34:11,649
TO FIND OUT WHAT I KNOW,
DIG AROUND,
993
00:34:11,650 --> 00:34:12,720
FIND MY WEAK SPOTS.
994
00:34:12,721 --> 00:34:14,181
LET ME SAVE YOU SOME TIME.
995
00:34:14,183 --> 00:34:16,223
I HAVE TRIED EVERY DRUG
BUT THE NEEDLE DRUGS,
996
00:34:16,225 --> 00:34:17,725
BUT I'M ONLY ADDICTED
TO "SPORTSCENTER"
997
00:34:17,726 --> 00:34:18,826
AND MY BlackBerry,
998
00:34:18,827 --> 00:34:20,687
I TALKED MY WAY OUT OF
A D.U.I. IN LUBBOCK,
999
00:34:20,689 --> 00:34:23,389
BUT THE ARREST RECORD
IS STILL ON FILE... TEXAS...
1000
00:34:23,392 --> 00:34:25,332
AND IN EIGHTH GRADE,
I STUFFED THE BALLOT BOX
1001
00:34:25,334 --> 00:34:27,344
IN AN ATTEMPT TO RIG
THE STUDENT COUNCIL ELECTION,
1002
00:34:27,336 --> 00:34:29,236
BUT I DID IT TO GET CLOSER
TO JENNY MARCONI,
1003
00:34:29,238 --> 00:34:30,738
NOT FOR THE POWER.
1004
00:34:30,739 --> 00:34:32,139
STILL LOST.
1005
00:34:32,141 --> 00:34:33,441
OKAY.
1006
00:34:33,442 --> 00:34:34,772
I'M NOT GIVING UP
THIS STORY.
1007
00:34:34,773 --> 00:34:36,843
IT'S MY TICKET OFF OF METRO
AND ON TO NATIONAL,
1008
00:34:36,845 --> 00:34:38,545
AND DON'T TELL ME
IT'S NOT A STORY,
1009
00:34:38,547 --> 00:34:40,247
'CAUSE THAT WOULD INSULT
WHAT LITTLE INTELLIGENCE I HAVE,
1010
00:34:40,249 --> 00:34:41,749
AND I WOULDN'T
BELIEVE YOU ANYWAY,
1011
00:34:41,750 --> 00:34:43,310
'CAUSE YOUR BOSS IS INVOLVED,
1012
00:34:43,312 --> 00:34:45,252
AND YOU'RE A TERRIBLE LIAR
WHO'S NOT THE LEAST BIT BUZZED,
1013
00:34:45,254 --> 00:34:47,724
AND I KNOW THAT BECAUSE YOU'VE
HAD AS MUCH AS I'VE HAD,
1014
00:34:47,716 --> 00:34:49,486
AND WHILE
I AM GENUINELY BUZZED,
1015
00:34:49,488 --> 00:34:51,458
YOU ARE COILED LIKE A COBRA
1016
00:34:51,460 --> 00:34:54,160
'CAUSE YOU'RE
SO FREAKIN' TENSE.
1017
00:34:54,163 --> 00:34:56,493
NOW THAT YOU KNOW EVERYTHING,
1018
00:34:56,495 --> 00:34:58,395
LET'S FORGET ABOUT WORK
FOR A COUPLE OF HOURS,
1019
00:34:58,397 --> 00:35:01,197
GET YOU A REAL DRINK...
1020
00:35:01,200 --> 00:35:03,570
(indistinct conversations)
1021
00:35:03,572 --> 00:35:05,472
WHY DID YOU BREAK THE DEAL
WITH OLIVIA?
1022
00:35:05,474 --> 00:35:07,344
WHAT ARE YOU TALKING ABOUT?
1023
00:35:07,336 --> 00:35:09,476
YOU CALLED AMANDA. I WAS THERE
WHEN SHE GOT THE CALL.
1024
00:35:09,478 --> 00:35:11,108
DON'T GET ME WRONG,
I'M DIGGING.
1025
00:35:11,109 --> 00:35:12,879
I CALLED AMANDA'S
COLLEGE ROOMMATE,
1026
00:35:12,881 --> 00:35:14,541
I CALLED HER FRIENDS
AT THE WHITE HOUSE,
1027
00:35:14,543 --> 00:35:18,153
BUT I ABSOLUTELY, POSITIVELY
DID NOT CALL AMANDA.
1028
00:35:18,147 --> 00:35:21,417
I'M KEEPING MY PROMISE.
I WANT THAT QUOTE.
1029
00:35:21,420 --> 00:35:25,320
(indistinct conversations
continue)
1030
00:35:25,324 --> 00:35:28,434
(band playing
romantic jazz music)
1031
00:35:28,427 --> 00:35:31,197
OH, CYRUS. HELLO.
1032
00:35:31,200 --> 00:35:33,260
I DON'T KNOW WHAT YOU THINK
YOU'RE PLAYING AT, LIV,
1033
00:35:33,262 --> 00:35:35,732
BUT I DON'T TAKE KINDLY
TO BLACKMAIL.
1034
00:35:35,734 --> 00:35:37,244
UH, I'M SORRY. WHAT?
1035
00:35:37,236 --> 00:35:39,566
I NEVER TOOK YOU FOR
THE "HELL HATH NO FURY" TYPE.
1036
00:35:39,568 --> 00:35:40,738
IT'S A LITTLE TRASHY,
1037
00:35:40,739 --> 00:35:42,409
BUT SO IS HAVING AN AFFAIR
WITH A MARRIED MAN.
1038
00:35:42,411 --> 00:35:44,571
YOU WANT TO BE CAREFUL, CYRUS,
WITH HOW YOU SPEAK TO ME,
1039
00:35:44,573 --> 00:35:46,173
BECAUSE I MIGHT FORGET
THAT WE ARE FRIENDS.
1040
00:35:46,175 --> 00:35:47,915
NOW IF YOU'LL EXCUSE ME.
WHAT HAPPENED,
1041
00:35:47,916 --> 00:35:49,646
YOU DANCED,
HE SAID HE LOVED YOU?
1042
00:35:49,648 --> 00:35:50,818
WHAT, ARE YOU GONNA GO
MEET HIM RIGHT NOW?
1043
00:35:50,819 --> 00:35:53,719
(chuckles) HE'S GOOD. HE HAS
YOU IN THE PALM OF HIS HAND.
1044
00:35:53,722 --> 00:35:55,152
YOU'RE BEING PLAYED.
1045
00:35:55,153 --> 00:35:56,783
YOU'RE BEING PLAYED BY THE BEST
POLITICIAN IN THE WORLD.
1046
00:35:56,785 --> 00:35:58,555
THE UPSIDE?
1047
00:35:58,557 --> 00:36:00,787
THE TELL-ALL BOOK THAT YOU
CAN WRITE WHEN YOU'RE OLD...
1048
00:36:00,789 --> 00:36:01,859
"THE PRESIDENT'S WHORE"...
1049
00:36:01,860 --> 00:36:04,830
IT'S ALL VERY DIRTY
AND BEST SELLER.
1050
00:36:04,833 --> 00:36:05,933
THESE VERY NICE AGENTS
1051
00:36:05,934 --> 00:36:08,844
ARE GONNA ESCORT YOU
OFF THE WHITE HOUSE GROUNDS.
1052
00:36:08,837 --> 00:36:10,197
AND YOU CAN TELL AMANDA TANNER
1053
00:36:10,199 --> 00:36:11,769
THAT THE MEETING
WITH THE PRESIDENT
1054
00:36:11,770 --> 00:36:13,940
IS OFF.
1055
00:36:22,851 --> 00:36:25,911
(knocking on door)
1056
00:36:25,914 --> 00:36:27,964
I WAS WRONG BEFORE.
1057
00:36:27,956 --> 00:36:29,216
LIVVIE, IT'S LATE.
1058
00:36:29,218 --> 00:36:30,588
I WAS WRONG BEFORE
ABOUT IT NOT BEING YOUR FAULT.
1059
00:36:30,589 --> 00:36:31,819
IT IS YOUR FAULT.
1060
00:36:31,820 --> 00:36:32,820
WHAT?
1061
00:36:32,821 --> 00:36:34,491
YOU LOVE HIM. YOU DO.
1062
00:36:34,493 --> 00:36:35,923
BUT YOU CAN'T FIX EVERYTHING
FOR HIM.
1063
00:36:35,924 --> 00:36:37,974
YOU CAN'T. HE'S PLAYING YOU
BECAUSE YOU LET HIM.
1064
00:36:37,966 --> 00:36:39,296
YOU GIVE HIM EVERYTHING
HE ASKS FOR
1065
00:36:39,298 --> 00:36:40,568
AND YOU CLEAN UP HIS MESSES
1066
00:36:40,569 --> 00:36:42,329
AND YOU BELIEVE HIM
EVEN WHEN HE LIES TO YOU,
1067
00:36:42,331 --> 00:36:44,771
AND THAT IS...
THAT IS NOT LOVE.
1068
00:36:44,773 --> 00:36:47,413
LOVE IS MAKING HIM FACE
WHO HE IS.
1069
00:36:47,406 --> 00:36:48,976
THE BEST THING
YOU CAN DO FOR HIM
1070
00:36:48,977 --> 00:36:51,307
IS TO DO THE BEST THING
FOR HIM.
1071
00:36:51,310 --> 00:36:52,840
IT'S NOT YOUR FAULT,
WHAT HE DID,
1072
00:36:52,841 --> 00:36:56,991
BUT LETTING HIM GET AWAY
WITH IT, THAT IS YOUR FAULT.
1073
00:37:04,453 --> 00:37:05,593
MR. PRESIDENT.
1074
00:37:05,594 --> 00:37:07,404
CYRUS.
1075
00:37:07,396 --> 00:37:09,656
THIS IS NOT A GOOD TIME.
1076
00:37:09,658 --> 00:37:10,828
OLIVIA'S NOT COMING.
1077
00:37:10,829 --> 00:37:12,229
WHAT?
1078
00:37:12,230 --> 00:37:14,560
SHE CANCELED THE MEETING
WITH AMANDA TANNER.
1079
00:37:14,563 --> 00:37:17,413
SHE WAS PLAYING YOU,
TWISTING THE KNIFE.
1080
00:37:17,406 --> 00:37:18,966
I'M SORRY, SIR.
1081
00:37:18,967 --> 00:37:21,307
OH...
1082
00:37:25,914 --> 00:37:28,524
I NEED TO GET BACK
TO THE PRIME MINISTER.
1083
00:37:42,431 --> 00:37:44,261
YOU WANT ME
TO TURN MYSELF IN?
1084
00:37:44,262 --> 00:37:48,002
THAT'S A LITTLE DRASTIC.
1085
00:37:47,996 --> 00:37:50,536
RIGHT... MOM?
1086
00:37:50,539 --> 00:37:53,039
YOU RAPED THAT GIRL, TRAVIS.
SHE KILLED HERSELF.
1087
00:37:53,041 --> 00:37:55,441
BUT THAT WASN'T MY FAULT.
1088
00:37:55,444 --> 00:37:56,474
IT WASN'T.
1089
00:37:56,475 --> 00:37:59,405
TRAVIS, PLEASE.
THIS IS HARD ENOUGH.
1090
00:37:59,408 --> 00:38:01,678
SO I MADE A COUPLE
OF PAYMENTS?
1091
00:38:01,680 --> 00:38:03,650
THEY CAN'T PUT ME
AWAY FOR THAT.
1092
00:38:03,652 --> 00:38:05,712
THERE'S A RAPE KIT.
1093
00:38:05,714 --> 00:38:08,494
IT'S GOT YOUR D.N.A.
ALL OVER IT.
1094
00:38:08,487 --> 00:38:10,417
SHE NEVER PRESSED CHARGES.
1095
00:38:10,419 --> 00:38:12,419
THEY DON'T EVEN HAVE
MY NAME.
1096
00:38:12,421 --> 00:38:14,421
IT HAPPENED ONCE.
1097
00:38:14,423 --> 00:38:15,923
IT'LL NEVER HAPPEN AGAIN.
1098
00:38:15,924 --> 00:38:17,704
I PROMISE.
TRAVIS...
1099
00:38:17,696 --> 00:38:18,996
I'M NOT TALKING TO YOU.
1100
00:38:18,997 --> 00:38:21,397
I'M TALKING TO MY MOTHER.
1101
00:38:21,400 --> 00:38:23,430
I'LL GO AWAY.
1102
00:38:23,432 --> 00:38:24,702
HOW'S THAT SOUND?
1103
00:38:24,703 --> 00:38:26,873
I'LL GO TO EUROPE
FOR A COUPLE OF YEARS.
1104
00:38:26,875 --> 00:38:28,535
AND THEN I'LL COME BACK
AND RUN THE COMPANY.
1105
00:38:28,537 --> 00:38:30,537
THAT WAS ALWAYS
THE PLAN ANYWAY.
1106
00:38:30,539 --> 00:38:33,609
THAT'S A GOOD COMPROMISE,
RIGHT?
1107
00:38:33,612 --> 00:38:35,482
THAT'S WHAT
I THOUGHT YOU'D SAY.
1108
00:38:35,484 --> 00:38:37,354
WELL, GOOD.
1109
00:38:37,346 --> 00:38:40,416
THAT TAKES CARE
OF THE PROBLEM.
1110
00:38:42,951 --> 00:38:46,021
I'VE ALREADY TAKEN CARE
OF IT, HONEY.
1111
00:38:46,024 --> 00:38:48,604
(door opens)
1112
00:38:49,458 --> 00:38:52,498
YOU DIDN'T.
1113
00:38:52,501 --> 00:38:54,531
MOM?
(handcuffs jangle)
1114
00:38:54,533 --> 00:38:57,573
MO... DON'T DO THIS, MOM!
1115
00:38:57,566 --> 00:38:59,606
(handcuffs click)
MOM!
1116
00:38:59,608 --> 00:39:01,368
DON'T DO THIS.
1117
00:39:01,370 --> 00:39:02,670
MOM, LISTEN TO ME.
1118
00:39:02,671 --> 00:39:04,511
PLEASE! THIS IS CRAZY.
1119
00:39:04,513 --> 00:39:06,813
JANE POWELL,
MY FRIEND?
1120
00:39:06,815 --> 00:39:08,675
GOT TRANSFERRED
TO MISDEMEANORS.
1121
00:39:08,677 --> 00:39:10,517
OH?
1122
00:39:10,519 --> 00:39:11,679
SOMETHING ABOUT INCOMPETENCE,
1123
00:39:11,680 --> 00:39:13,880
DIDN'T RESEARCH
THE DEFENDANT WELL.
1124
00:39:13,882 --> 00:39:16,482
HOW SAD FOR YOU.
1125
00:39:16,485 --> 00:39:18,785
OKAY, MAYBE.
1126
00:39:18,787 --> 00:39:21,457
MAYBE WHAT?
1127
00:39:21,460 --> 00:39:23,660
MAYBE WE CAN BE FRIENDS.
1128
00:39:23,662 --> 00:39:25,562
MAYBE.
1129
00:39:32,401 --> 00:39:34,541
(knocks on door)
1130
00:39:34,543 --> 00:39:36,373
YOU OKAY?
1131
00:39:36,374 --> 00:39:40,114
WHY DID YOU INVITE HER
TO THE STATE DINNER?
1132
00:39:40,108 --> 00:39:42,878
OLIVIA?
1133
00:39:45,654 --> 00:39:47,824
WHY WOULD YOU DO THAT?
1134
00:39:53,391 --> 00:39:56,601
BECAUSE YOU NEEDED
TO SEE HER.
1135
00:40:00,629 --> 00:40:03,699
I TRUST THAT TONIGHT,
YOU'LL SLEEP LIKE A BABY.
1136
00:40:09,778 --> 00:40:11,478
(door opens)
1137
00:40:11,480 --> 00:40:13,440
WAIT. WHERE'S AMANDA?
(door closes)
1138
00:40:13,442 --> 00:40:16,182
CHANGE OF PLAN. YOU'RE NOT
GETTING A QUOTE FROM AMANDA.
1139
00:40:16,184 --> 00:40:18,454
SCREWED BY OLIVIA POPE.
1140
00:40:18,447 --> 00:40:19,587
WHY AM I NOT SURPRISED?
1141
00:40:19,588 --> 00:40:20,748
YOU'RE GETTING
SOMETHING BETTER.
1142
00:40:20,749 --> 00:40:22,089
SOMETHING THAT WILL ACTUALLY
HELP YOUR CAREER...
1143
00:40:22,090 --> 00:40:23,790
AN INTERVIEW
WITH SANDRA HARDING.
1144
00:40:23,792 --> 00:40:25,452
HAVE YOU HEARD OF HER?
1145
00:40:25,454 --> 00:40:27,154
H.D.X., RIGHT? HER COMPANY'S
WORTH $300 MILLION.
1146
00:40:27,155 --> 00:40:28,555
ABOUT AN HOUR AGO,
1147
00:40:28,557 --> 00:40:30,957
SHE TURNED HER SON IN TO
THE U.S. ATTORNEY FOR RAPE.
1148
00:40:30,959 --> 00:40:32,429
TOMORROW
SHE'S GOING TO RESIGN.
1149
00:40:32,430 --> 00:40:33,860
SHE'S AGREED TO TELL YOU
AND ONLY YOU
1150
00:40:33,862 --> 00:40:35,602
HER SIDE OF THE STORY.
1151
00:40:35,604 --> 00:40:36,834
NOT ONLY WILL YOUR BYLINE
1152
00:40:36,835 --> 00:40:38,935
BE ON THE FRONT PAGE
OF YOUR PAPER,
1153
00:40:38,937 --> 00:40:41,537
BUT THIS STORY,
YOUR EXCLUSIVE STORY,
1154
00:40:41,540 --> 00:40:44,510
WILL BE CHASED BY EVERY
MAJOR NEWSPAPER IN THE COUNTRY.
1155
00:40:44,513 --> 00:40:46,813
AND THEY'LL GET NOTHING.
1156
00:40:46,815 --> 00:40:49,215
I KNOW
IT'S NOT CHERRY BLOSSOMS,
1157
00:40:49,217 --> 00:40:51,547
BUT...
1158
00:40:51,550 --> 00:40:53,680
THANK YOU. I...
1159
00:40:53,682 --> 00:40:54,652
THANK YOU.
1160
00:40:54,654 --> 00:40:55,984
GIDEON,
THAT WAS A MEETING.
1161
00:40:55,984 --> 00:40:57,694
YOU KNOW, I'VE BEEN
MEANING TO TELL YOU,
1162
00:40:57,686 --> 00:40:58,656
IT'S PROBABLY NOTHING,
1163
00:40:58,658 --> 00:40:59,828
BUT GIDEON SAID
THIS THING AT DRINKS
1164
00:40:59,828 --> 00:41:00,988
ABOUT HOW HE NEVER
CALLED AMANDA, NOT ONCE,
1165
00:41:00,989 --> 00:41:02,159
AND MY GUT
SAYS TO BELIEVE HIM.
1166
00:41:02,160 --> 00:41:03,690
MY GUT SAYS HE'S NOT LYING.
1167
00:41:03,692 --> 00:41:04,662
REPORTERS LIE, QUINN.
1168
00:41:04,664 --> 00:41:06,834
MY GUT SAYS SHE'S LYING.
1169
00:41:06,835 --> 00:41:09,095
I DON'T THINK AMANDA'S
TELLING YOU EVERYTHING.
1170
00:41:12,741 --> 00:41:16,201
(projector
and camera shutter clicking)
1171
00:41:17,475 --> 00:41:18,945
HE'S MAD AT ME.
1172
00:41:18,947 --> 00:41:21,007
I GET THAT.
1173
00:41:21,009 --> 00:41:22,479
(sniffles)
1174
00:41:22,480 --> 00:41:24,610
BUT IF I COULD JUST HAVE
FIVE MINUTES...
1175
00:41:24,613 --> 00:41:26,483
ALONE WITH HIM,
1176
00:41:26,484 --> 00:41:27,764
I KNOW THAT I COULD EXPLAIN.
1177
00:41:27,756 --> 00:41:29,616
I KNOW HOW HARD THIS IS.
1178
00:41:29,618 --> 00:41:31,258
I'M SURE YOU DO.
1179
00:41:31,259 --> 00:41:34,089
YOU'RE AFRAID
THAT IT WAS NOTHING,
1180
00:41:34,092 --> 00:41:35,792
THAT HE'S
FORGOTTEN IT ALREADY,
1181
00:41:35,794 --> 00:41:37,094
TOSSED YOU
LIKE YESTERDAY'S PAPER,
1182
00:41:37,095 --> 00:41:38,825
AND MOVED ON
WITHOUT ANOTHER THOUGHT,
1183
00:41:38,827 --> 00:41:40,597
AND IF HE'S FORGOTTEN,
1184
00:41:40,599 --> 00:41:42,029
THEN IT'S ALMOST AS IF
IT NEVER HAPPENED,
1185
00:41:42,030 --> 00:41:43,700
THAT WHAT YOU HAD WITH HIM
WASN'T REAL,
1186
00:41:43,702 --> 00:41:47,842
AND THAT MAKES YOU FEEL
COMPLETELY AND UTTERLY ALONE.
1187
00:41:47,836 --> 00:41:50,236
BUT I HAVEN'T FORGOTTEN.
1188
00:41:50,238 --> 00:41:51,938
I KNOW WHAT HAPPENED.
1189
00:41:51,940 --> 00:41:53,840
I KNOW IT WAS REAL.
1190
00:41:53,842 --> 00:41:55,642
AND WHATEVER
YOU DECIDE TO DO HERE,
1191
00:41:55,644 --> 00:41:57,654
HOWEVER YOU WANT
TO PLAY THIS THING OUT,
1192
00:41:57,646 --> 00:42:00,686
I WILL STAND BESIDE YOU
EVERY STEP OF THE WAY
1193
00:42:00,689 --> 00:42:04,019
IF YOU ASK ME TO,
I WILL MAKE HIM REMEMBER
1194
00:42:04,022 --> 00:42:06,292
AND YOU WILL NEVER,
1195
00:42:06,294 --> 00:42:08,664
EVER BE ALONE
IN THIS AGAIN,
1196
00:42:08,657 --> 00:42:10,657
BUT I'M GONNA NEED
EVERYTHING...
1197
00:42:10,659 --> 00:42:12,829
EVERY TRUTH,
EVERY DETAIL.
1198
00:42:12,831 --> 00:42:14,831
IF I'M GONNA STAND
WITH YOU, AMANDA,
1199
00:42:14,833 --> 00:42:17,743
I NEED TO HEAR ALL OF IT.
1200
00:42:22,811 --> 00:42:24,641
I'M PREGNANT.
78384
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