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All language subtitles for Sicario.2015.1080p.AMZN.WEB-DL.DDP.5.1.H.264-PiRaTeS.[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:17,453 --> 00:01:19,413 (Man speaking Spanish on TV) 2 00:01:23,334 --> 00:01:25,211 (Woman speaking Spanish on TV) 3 00:02:06,836 --> 00:02:08,754 (Gunshots) 4 00:02:08,838 --> 00:02:12,383 -(Swat 1) Get down! Get down! -(Swat 2) Don't move! 5 00:02:12,466 --> 00:02:13,926 FBI! Don't move! 6 00:02:15,469 --> 00:02:16,804 Get down! Get down! 7 00:02:16,887 --> 00:02:19,890 (Swat 3) Where are the hostages? Where are the hostages? 8 00:02:20,182 --> 00:02:21,600 (Swat 4) FBI! Police! Don't move! 9 00:02:21,684 --> 00:02:23,477 (Swat 3) Down! Stay down! 10 00:02:23,561 --> 00:02:25,312 (Swat 2) Cross your legs! Hands in the air! 11 00:02:25,396 --> 00:02:28,816 (Swat 4) Police! Don't move! Police! Don't move! Get down! 12 00:02:28,899 --> 00:02:30,693 -(Swat 4) Get down! -Clear! 13 00:02:30,818 --> 00:02:33,028 Police! Search warrant. Don't move! 14 00:02:33,445 --> 00:02:36,407 -Steppin' out! -(Swat 5) Police, don't move! 15 00:02:36,490 --> 00:02:38,951 Police, don't move! Search warrant! 16 00:02:40,494 --> 00:02:41,912 FBI! 17 00:02:48,544 --> 00:02:50,713 -(Man) Are you hit? -I'm good. 18 00:02:50,796 --> 00:02:52,131 Fuck! 19 00:02:52,214 --> 00:02:53,799 (Swat 2) Front room, clear! 20 00:02:54,508 --> 00:02:56,510 Team leader! Status? 21 00:02:56,594 --> 00:02:59,847 (Team leader) We're clear, ma'am! Two suspects in custody! 22 00:03:01,515 --> 00:03:04,518 (Indistinct chatter in distance) 23 00:03:05,269 --> 00:03:07,521 -You OK, Macer? -Yeah. 24 00:03:07,897 --> 00:03:10,441 (Macer) Why'd he shoot? There's no-one here. 25 00:03:11,984 --> 00:03:13,277 Whoa. 26 00:03:16,947 --> 00:03:18,866 What the fuck? 27 00:03:41,847 --> 00:03:43,933 (All coughing) 28 00:03:52,691 --> 00:03:54,818 (Retching) 29 00:03:57,821 --> 00:03:59,448 (Coughing) 30 00:04:00,616 --> 00:04:02,284 -(Macer) Jesus! -(Retching) 31 00:04:10,793 --> 00:04:12,461 Those weren't our hostages. 32 00:04:13,420 --> 00:04:15,464 No. That was something else. 33 00:04:16,715 --> 00:04:18,050 -(Team leader) Macer? -Yeah? 34 00:04:18,133 --> 00:04:20,177 US Attorney wants a statement. What do I say? 35 00:04:20,260 --> 00:04:21,845 The truth. 36 00:04:34,024 --> 00:04:36,110 (Indistinct talking) 37 00:04:40,990 --> 00:04:43,117 (Camera shutter clicks) 38 00:05:13,897 --> 00:05:15,691 Looks like Sonora. 39 00:05:16,483 --> 00:05:17,860 Yeah. 40 00:05:20,112 --> 00:05:21,739 How many, total? 41 00:05:21,822 --> 00:05:25,117 We've got 15 in this hall here, about 20 in the back bedroom. 42 00:05:25,617 --> 00:05:28,120 We haven't even checked the attic or under the crawl space. 43 00:05:28,620 --> 00:05:30,289 Call DOJ, let 'em know what we have. 44 00:05:33,208 --> 00:05:35,461 This one of the houses owned by Manuel Diaz? 45 00:05:36,754 --> 00:05:38,547 No way to connect him, but he owns it. 46 00:05:42,217 --> 00:05:43,635 Jesus Christ. 47 00:05:44,303 --> 00:05:46,472 Reg, step out. It's OK. 48 00:05:53,854 --> 00:05:55,314 (Gags) 49 00:06:05,240 --> 00:06:06,992 (Exhales) 50 00:06:11,121 --> 00:06:13,707 (Officer) Vickers! I need bolt cutters! 51 00:06:23,801 --> 00:06:25,177 Vickers! 52 00:06:25,260 --> 00:06:26,845 PD found something. 53 00:06:42,194 --> 00:06:44,321 (Macer coughs) 54 00:06:57,042 --> 00:06:58,627 (Dog yelps) 55 00:07:12,975 --> 00:07:14,393 (Groans) 56 00:07:34,413 --> 00:07:35,998 (Softly) Relax. 57 00:07:42,838 --> 00:07:44,464 Relax. 58 00:07:46,550 --> 00:07:49,511 (Male newsreader) Such a heavy body count this close to Phoenix 59 00:07:49,595 --> 00:07:52,973 is without a doubt a major escalation for the cartels. 60 00:07:53,056 --> 00:07:54,808 There will be pressure in Washington 61 00:07:54,892 --> 00:07:57,060 to explain how such a dramatic outrage 62 00:07:57,144 --> 00:07:59,897 could happen so deep inside the American heartland. 63 00:08:00,814 --> 00:08:03,066 We may be talking about the victims of a turf war 64 00:08:03,150 --> 00:08:04,902 or maybe some illegal immigrants 65 00:08:04,985 --> 00:08:06,320 who are tied to a ransom. 66 00:08:06,403 --> 00:08:10,449 It will be weeks before we have a clearer picture on who... 67 00:08:10,532 --> 00:08:12,659 (Inaudible) 68 00:08:18,081 --> 00:08:19,249 (Reg) What's goin' on? 69 00:08:19,708 --> 00:08:21,335 I have no idea. 70 00:08:22,002 --> 00:08:24,755 She's been leading our kidnap response team for three years. 71 00:08:24,838 --> 00:08:28,008 Put her through the grinder since she got here, and she hasn't blinked. 72 00:08:28,091 --> 00:08:29,635 She's in the front line. 73 00:08:29,718 --> 00:08:32,638 Nobody's gonna be happier than Kate to see these guys go down. 74 00:08:33,472 --> 00:08:34,806 So she's a thumper. 75 00:08:34,890 --> 00:08:36,516 Today was her fifth OIS. 76 00:08:37,309 --> 00:08:39,144 Five-and-oh, not bad for a rookie. 77 00:08:39,228 --> 00:08:40,646 She never worked cases? 78 00:08:40,729 --> 00:08:42,397 Been kicking doors since day one. 79 00:08:42,856 --> 00:08:45,817 I like her already. What about the partner? He seen any action? 80 00:08:45,901 --> 00:08:47,527 He's only been with us 18 months. 81 00:08:47,778 --> 00:08:50,364 -What's his background? -He's a sharp kid. 82 00:08:51,240 --> 00:08:53,492 ROTC scholarship to Maryland, 83 00:08:53,575 --> 00:08:56,662 did a tour in Iraq, got his law degree from UNC. 84 00:08:57,829 --> 00:09:00,040 -He's green, but he's good. -(Sighs) 85 00:09:00,123 --> 00:09:03,043 No lawyers on this train. Just give me the girl. 86 00:09:04,461 --> 00:09:05,671 We did this by the book, right? 87 00:09:05,754 --> 00:09:07,422 Come on, of course. 88 00:09:16,098 --> 00:09:17,724 -Jesus. -What? 89 00:09:18,558 --> 00:09:21,895 -(Softly) Oh, shit. -Would you step in here, Kate? 90 00:09:34,408 --> 00:09:38,328 Quite a find today, the loss of two officers notwithstanding. 91 00:09:38,912 --> 00:09:40,372 Yes, sir. 92 00:09:41,081 --> 00:09:43,667 How familiar are you with Manuel Diaz's operation? 93 00:09:44,376 --> 00:09:48,380 His company, Sun Oasis, has 80 or so foreclosure properties. 94 00:09:48,463 --> 00:09:50,799 He has other legitimate businesses. Um... 95 00:09:50,882 --> 00:09:53,927 But he's rumoured to be linked with one of the Mexican cartels. 96 00:09:54,845 --> 00:09:57,306 Manuel Diaz works for the Sonora Cartel. 97 00:09:57,681 --> 00:10:00,058 Most likely their senior member in the United States. 98 00:10:00,142 --> 00:10:02,227 What do you know about his brother? 99 00:10:03,353 --> 00:10:05,314 I wasn't aware he had one. 100 00:10:05,397 --> 00:10:08,233 Guillermo. His brother's name's Guillermo. 101 00:10:08,317 --> 00:10:09,776 You know anything about his cousin? 102 00:10:09,860 --> 00:10:13,989 -None of that is in his file. -His cousin is Fausto Alarcon. 103 00:10:15,324 --> 00:10:18,410 -I don't know who that is. -No-one does. He's off the grid. 104 00:10:18,493 --> 00:10:20,370 He's number three in the Sonora Cartel. 105 00:10:21,330 --> 00:10:23,457 -This is not my department, sir. -Like I said, 106 00:10:23,540 --> 00:10:25,834 Agent Macer doesn't work narcotics. 107 00:10:25,917 --> 00:10:27,753 She runs a kidnap response team. 108 00:10:28,378 --> 00:10:30,088 Are you married? 109 00:10:30,547 --> 00:10:32,049 Am I married? 110 00:10:32,132 --> 00:10:33,592 Do you have a husband? 111 00:10:36,261 --> 00:10:37,387 Divorced. 112 00:10:39,723 --> 00:10:40,932 Kids? 113 00:10:41,808 --> 00:10:43,018 No. 114 00:10:44,311 --> 00:10:45,645 Anything else? 115 00:10:47,856 --> 00:10:51,068 No. Thanks, Kate. If you could wait outside, please. 116 00:10:54,946 --> 00:10:56,365 (Sighs) 117 00:10:57,282 --> 00:10:58,658 -Well? -I have no clue. 118 00:11:03,622 --> 00:11:05,707 (Reg) Who are those people? You know? 119 00:11:07,667 --> 00:11:09,461 (Kate) No idea. 120 00:11:11,421 --> 00:11:13,298 (Inaudible) 121 00:11:16,635 --> 00:11:18,053 (Door opens) 122 00:11:18,720 --> 00:11:20,931 Thanks for coming in, guys. 123 00:11:22,057 --> 00:11:24,309 (Clears throat) Will you come back in, Kate? 124 00:11:28,230 --> 00:11:33,568 DOJ wants advisors that focus on cartels involved in pursuing Mr Diaz. 125 00:11:33,652 --> 00:11:36,488 This is Matt Graver. He'll be leading the team. 126 00:11:36,947 --> 00:11:39,366 Isn't this Phoenix homicide now? 127 00:11:39,449 --> 00:11:42,953 No, we're expanding the scope of the investigation a bit. 128 00:11:43,370 --> 00:11:45,956 -You'll act as a liaison. -What does that mean? 129 00:11:46,039 --> 00:11:49,167 They need an agent with tactical experience, like you. 130 00:11:49,918 --> 00:11:52,045 State Department is pulling an agent from the field 131 00:11:52,129 --> 00:11:55,173 that specialises in responding to escalated cartel activity. 132 00:11:55,799 --> 00:11:57,592 You'll be part of the team. 133 00:11:57,676 --> 00:12:00,595 You'll meet up with them at Luke, uh, tomorrow? 134 00:12:00,679 --> 00:12:03,014 -(Matt) Day after. Early. -Air Force Base? 135 00:12:03,098 --> 00:12:04,433 Yeah, we're gonna go see Guillermo. 136 00:12:04,516 --> 00:12:07,018 -Diaz's brother? -That's the one. 137 00:12:08,687 --> 00:12:10,105 Where is he? 138 00:12:10,188 --> 00:12:13,316 Uh, he's in the El Paso area. 139 00:12:16,194 --> 00:12:18,321 What's our objective? 140 00:12:21,491 --> 00:12:23,577 To dramatically over-react. 141 00:12:25,245 --> 00:12:29,958 Kate, you must volunteer for an inter-agency task force. 142 00:12:31,168 --> 00:12:33,670 Think very hard before you respond. 143 00:12:34,588 --> 00:12:36,131 You wanna be a part of this? 144 00:12:38,508 --> 00:12:41,803 Do we get an opportunity at the men responsible for today? 145 00:12:45,348 --> 00:12:48,226 The men who were really responsible for today, yeah. 146 00:12:51,271 --> 00:12:52,772 I'll volunteer. 147 00:13:04,576 --> 00:13:06,161 (Footsteps approaching) 148 00:13:07,996 --> 00:13:09,331 (Boy) Papa! 149 00:13:11,541 --> 00:13:12,626 -Hmm. -Papa! 150 00:13:12,709 --> 00:13:14,753 (Both speaking Spanish) 151 00:13:20,675 --> 00:13:23,762 Si. 152 00:13:23,845 --> 00:13:25,222 No. 153 00:13:25,305 --> 00:13:27,015 (Speaking Spanish) 154 00:13:28,725 --> 00:13:30,185 (Sighs) 155 00:13:35,065 --> 00:13:39,236 (Speaking Spanish) 156 00:13:39,319 --> 00:13:40,946 (Sizzling) 157 00:14:32,414 --> 00:14:34,457 (Dishes clattering) 158 00:14:50,307 --> 00:14:51,891 (Reg) You keep an eye on that doughy prick 159 00:14:51,975 --> 00:14:54,227 with the Flip-flops. I don't trust him. 160 00:14:57,397 --> 00:14:59,232 -How you doin', sir? -ID's? 161 00:15:07,866 --> 00:15:10,577 -She's on the list, you're not. -What's she supposed to do? 162 00:15:10,660 --> 00:15:13,330 -Turn this around for me. -It's fine. It's good. 163 00:15:14,456 --> 00:15:15,665 I'll call you when we're headed back. 164 00:15:15,749 --> 00:15:17,250 -All right. -(Car door closes) 165 00:15:38,521 --> 00:15:40,148 -Morning. -Morning. Am I late? 166 00:15:40,231 --> 00:15:42,651 No, no, no. We just landed. Come on, this way. 167 00:15:44,110 --> 00:15:46,613 My bird dog over there, Alejandro. 168 00:15:51,117 --> 00:15:54,579 -Are we taking this? -Yeah. Only the best for you. 169 00:16:02,504 --> 00:16:04,589 (Engine starts) 170 00:16:06,091 --> 00:16:07,425 (Sighs) 171 00:16:08,301 --> 00:16:10,512 DOD flies you around in private jets now? 172 00:16:10,595 --> 00:16:12,222 Yeah. You guys don't have one of these? 173 00:16:12,305 --> 00:16:13,390 Right. 174 00:16:16,476 --> 00:16:18,353 Is there any food on this flight? 175 00:16:18,436 --> 00:16:20,689 Uh, there's some bitchin' peanuts in the back. 176 00:16:20,772 --> 00:16:23,066 But it's kind of a self-serve deal. 177 00:16:23,149 --> 00:16:25,193 (Footsteps) 178 00:16:33,660 --> 00:16:35,495 -(Door closes) -Kate Macer. 179 00:16:36,663 --> 00:16:39,708 -Have you been to Juárez before? -Uh... 180 00:16:39,791 --> 00:16:43,503 No, I... We're goin' to El Paso, right? 181 00:16:43,586 --> 00:16:46,589 (Groggily) Yeah, amazing. OK. 182 00:17:49,235 --> 00:17:51,279 (Pilot talking indistinctly) 183 00:18:06,711 --> 00:18:08,129 -(Exclaims) -Oh! 184 00:18:12,133 --> 00:18:13,510 Are you OK? 185 00:18:15,887 --> 00:18:18,848 Yeah. I'm fine. 186 00:18:26,272 --> 00:18:27,649 So, um... 187 00:18:28,566 --> 00:18:30,068 So this is your speciality? 188 00:18:30,151 --> 00:18:31,486 Hmm? 189 00:18:31,820 --> 00:18:34,364 The cartels in Mexico are your speciality? 190 00:18:34,447 --> 00:18:37,033 Yeah. Yeah. 191 00:18:40,370 --> 00:18:41,913 Is there anything I should know? 192 00:18:43,456 --> 00:18:46,251 Uh, you're asking me how a watch works. 193 00:18:48,795 --> 00:18:51,381 For now, let's just keep an eye on the time. 194 00:18:54,759 --> 00:18:56,261 OK. 195 00:18:57,554 --> 00:18:59,597 (Whirring) 196 00:19:08,690 --> 00:19:11,568 -How you doin'? -Howdy! How you been? 197 00:19:11,651 --> 00:19:13,778 (Matt) Good, buddy. How you feelin'? 198 00:19:13,862 --> 00:19:15,947 Well, when I pee, it burns. 199 00:19:16,865 --> 00:19:20,535 (Matt) Maybe it's gonorrhoea. What colour is it? 200 00:19:20,618 --> 00:19:24,205 -Yellow with red specks. -(Matt) Red specks or blood? 201 00:19:26,958 --> 00:19:30,253 (Matt) I'm tryin' to get DOD to let me look into this conspiracy to sink Fiji. 202 00:19:30,336 --> 00:19:33,089 Fiji? Leave Fiji alone, terrorists! 203 00:19:33,172 --> 00:19:35,425 (Matt) Exactly. I figure a month or two over there, 204 00:19:35,508 --> 00:19:37,051 we'll get it all worked out. 205 00:19:37,135 --> 00:19:38,511 So who's goin' over there today? 206 00:19:38,595 --> 00:19:40,972 Marshals, DEA... I pulled a team for you, Matt. 207 00:19:41,055 --> 00:19:43,725 I love it when you say "a team". It makes me warm and fuzzy. 208 00:19:43,808 --> 00:19:47,478 They're a crack bunch, too. Just rotated back from Afghanistan. 209 00:19:47,562 --> 00:19:49,814 (Matt) Where's everybody linking up? 210 00:19:49,898 --> 00:19:52,901 -AIC. -(Matt) Good, good, good. 211 00:20:04,287 --> 00:20:06,789 (Man) Mexican Federal Police will meet you at the border 212 00:20:07,248 --> 00:20:10,919 and proceed with you to the courthouse, located here. 213 00:20:12,086 --> 00:20:14,005 This is a high-level target. 214 00:20:17,008 --> 00:20:21,054 The most likely spots for an attempt will be at the exchange 215 00:20:21,137 --> 00:20:23,389 and at the border crossing on the return. 216 00:20:24,682 --> 00:20:26,601 The Marshals will enter... 217 00:20:26,684 --> 00:20:28,686 Kevin, Keith, you wanna stand up? 218 00:20:30,521 --> 00:20:32,982 The Marshals' response team is in Laredo... 219 00:20:33,066 --> 00:20:34,150 Love Texans. 220 00:20:34,984 --> 00:20:37,236 So our friends from Delta have volunteered to come along 221 00:20:37,320 --> 00:20:39,656 and will escort the Marshals on the exchange. 222 00:20:40,490 --> 00:20:44,285 Here's the man of the hour. You comin' with or waitin' here? 223 00:20:44,369 --> 00:20:47,205 We'll take the tour with you. Loan us a couple of pop guns. 224 00:20:47,288 --> 00:20:49,165 This is turning into an all-star affair! 225 00:20:49,248 --> 00:20:51,084 Keith, you want another hand on the exchange? 226 00:20:51,167 --> 00:20:54,671 -(Keith) You sober? -Will be by the time we get there. 227 00:20:54,754 --> 00:20:57,215 Got a bottle in the truck in case your hands get shaky. 228 00:20:57,298 --> 00:20:58,883 I could always count on you, Keith. 229 00:20:58,967 --> 00:21:00,885 (Man) We'll gear you up as soon as we're done. 230 00:21:00,969 --> 00:21:02,637 Matt can be the tip of the spear 231 00:21:02,720 --> 00:21:04,847 and we don't have to rob a guy from Delta. 232 00:21:05,348 --> 00:21:06,975 Now, be careful on the turnaround. 233 00:21:07,392 --> 00:21:09,811 If the Federale is a shooter, it's gonna happen on the turnaround. 234 00:21:10,603 --> 00:21:12,438 Delta's Team One will be the lead vehicle. 235 00:21:12,522 --> 00:21:15,274 Divide Team Two between the carry car and the trail vehicle. 236 00:21:15,358 --> 00:21:18,736 That OK? Good. Now, Delta, if you can identify yourselves 237 00:21:18,820 --> 00:21:21,447 so everyone knows who to hide behind if shit hits the fan. 238 00:21:22,448 --> 00:21:24,492 The most likely spot for a hit 239 00:21:24,575 --> 00:21:26,953 will be at the border crossing on the return. 240 00:21:27,662 --> 00:21:29,038 Anywhere along the way, 241 00:21:29,122 --> 00:21:32,000 anyone not in this room is a potential shooter. 242 00:21:33,292 --> 00:21:35,420 The op isn't over until we get back here. 243 00:21:36,504 --> 00:21:37,880 OK? 244 00:21:38,715 --> 00:21:41,968 Be alert. Be vigilant. And be aware. Let's go. 245 00:21:42,927 --> 00:21:44,554 What? 246 00:21:51,561 --> 00:21:54,355 (Keith) Hey! I thought you were in prison. 247 00:21:54,439 --> 00:21:55,898 -They took me out. -(Laughs) 248 00:21:55,982 --> 00:21:57,942 They needed somebody for this job. 249 00:21:58,026 --> 00:22:00,111 (Keith) For good behaviour or bad behaviour? 250 00:22:07,076 --> 00:22:08,828 Have you ever been over there? 251 00:22:10,413 --> 00:22:11,998 I worked in Juárez. 252 00:22:15,334 --> 00:22:16,794 For the DEA? 253 00:22:17,712 --> 00:22:19,088 No. 254 00:22:20,131 --> 00:22:21,215 For who? 255 00:22:21,299 --> 00:22:22,550 For Mexico. 256 00:22:24,135 --> 00:22:25,511 I was a prosecutor. 257 00:22:29,891 --> 00:22:32,477 -You're not American? -No. 258 00:22:32,560 --> 00:22:34,103 Who do you work for now? 259 00:22:35,897 --> 00:22:37,607 Oh, I go where I'm sent. 260 00:22:38,941 --> 00:22:41,194 Where were you sent from? 261 00:22:42,153 --> 00:22:43,571 Cartagena. 262 00:22:45,531 --> 00:22:46,824 Colombia. 263 00:22:48,743 --> 00:22:50,036 Listen... 264 00:22:50,870 --> 00:22:53,623 Nothing will make sense to your American ears. 265 00:22:55,708 --> 00:22:57,919 And you will doubt everything that we do. 266 00:22:59,378 --> 00:23:03,216 But, in the end, you will understand. 267 00:23:09,430 --> 00:23:11,974 Here, try this on. See if it fits. 268 00:23:12,058 --> 00:23:14,310 Is he CIA? Are you? 269 00:23:15,478 --> 00:23:18,147 -He's a DOD advisor, like me. -No, he's not. 270 00:23:18,648 --> 00:23:21,400 Pay attention to Alejandro. If he says do somethin', do it. 271 00:23:21,484 --> 00:23:24,237 I'm not authorised to follow orders from Alejandro, 272 00:23:24,320 --> 00:23:26,906 -especially in Mexico! -Fine. Then stay here. 273 00:23:28,825 --> 00:23:29,951 But you don't want to, do you? 274 00:23:30,034 --> 00:23:31,911 I just wanna know what I'm getting into. 275 00:23:33,329 --> 00:23:35,456 Kate, you volunteered to get on this train 276 00:23:35,540 --> 00:23:38,376 because you know you're doing nothing in Phoenix. 277 00:23:38,459 --> 00:23:40,837 Yeah, you're just sweeping up a fucking mess. 278 00:23:41,379 --> 00:23:44,006 In six months, every single house you raid 279 00:23:44,090 --> 00:23:47,885 will be rigged with explosives. Do you want to find the guys responsible? 280 00:23:47,969 --> 00:23:49,137 -Yes. -Yes? 281 00:23:49,220 --> 00:23:50,429 Yes! 282 00:23:51,848 --> 00:23:53,015 This is where we start. 283 00:23:54,475 --> 00:23:55,518 Try it on. 284 00:24:17,206 --> 00:24:19,500 (Helicopter blades whirring) 285 00:25:41,832 --> 00:25:43,334 There she is. 286 00:25:44,085 --> 00:25:45,294 The beast. 287 00:25:45,378 --> 00:25:47,213 Juárez. 288 00:25:50,216 --> 00:25:56,472 You know, 1900s, President Taft went to visit President Diaz. 289 00:25:56,555 --> 00:25:59,100 Took 4,000 men with him. 290 00:25:59,183 --> 00:26:01,185 And it almost was called off. 291 00:26:01,269 --> 00:26:03,229 Some guy had a pistol. 292 00:26:03,312 --> 00:26:05,731 Was gonna walk right up to Taft and just blow his brains out. 293 00:26:06,607 --> 00:26:08,359 But it was avoided. 294 00:26:08,484 --> 00:26:10,236 4,000 troops! 295 00:26:10,945 --> 00:26:12,863 Think he felt safe? (Scoffs) 296 00:27:09,670 --> 00:27:11,630 (Siren wailing) 297 00:27:49,668 --> 00:27:51,712 (Siren continues) 298 00:28:02,765 --> 00:28:04,809 (Tyres screeching) 299 00:28:28,124 --> 00:28:29,750 Welcome to Juárez. 300 00:28:29,834 --> 00:28:31,919 (Indistinct shouting) 301 00:28:36,674 --> 00:28:38,926 (Siren wailing) 302 00:29:09,331 --> 00:29:11,041 It's brilliant what they do. 303 00:29:12,376 --> 00:29:13,836 When they mutilate a body like that, 304 00:29:15,087 --> 00:29:16,797 they make people think they must have been involved. 305 00:29:16,881 --> 00:29:20,301 They must have deserved such a death cos they did something. 306 00:29:21,760 --> 00:29:24,305 -Oh, it's brilliant what they do. -(Tyres screeching) 307 00:29:26,056 --> 00:29:28,142 (Distant gunfire) 308 00:29:33,105 --> 00:29:35,316 (Distant yelling in Spanish) 309 00:29:35,399 --> 00:29:37,485 (Gunfire continues) 310 00:29:45,534 --> 00:29:48,120 -You hear that? -(Gunfire continues) 311 00:29:48,537 --> 00:29:49,955 Those aren't firecrackers. 312 00:29:52,291 --> 00:29:54,001 (Matt on radio) Mexicans are adjusting our route. 313 00:29:54,084 --> 00:29:56,170 There's activity ahead, we need to go around. 314 00:29:56,253 --> 00:29:57,630 Everyone hold on. 315 00:30:40,548 --> 00:30:41,549 (Cars honking) 316 00:30:41,632 --> 00:30:43,342 (Siren wailing) 317 00:31:27,636 --> 00:31:29,179 Nothing will happen here. 318 00:31:30,639 --> 00:31:33,100 If they try anything, it will be at the border. 319 00:31:39,148 --> 00:31:41,609 Keep an eye out for the State Police. 320 00:31:43,402 --> 00:31:45,696 They're not always the good guys. 321 00:32:03,047 --> 00:32:04,965 (Car doors close) 322 00:32:18,187 --> 00:32:20,189 (Sirens wailing) 323 00:32:30,157 --> 00:32:31,992 Spotter vehicle, left lane. Left lane! 324 00:32:32,076 --> 00:32:33,619 (Man 1 on radio) Spotter vehicle, nine o'clock. 325 00:32:34,370 --> 00:32:35,537 I'm gettin' a boner. 326 00:32:36,538 --> 00:32:38,123 (Man 1) Is that one of ours? 327 00:32:38,207 --> 00:32:40,292 Watch the right. Watch the right. 328 00:32:40,376 --> 00:32:41,919 (Matt) No, that's a lone wolf. 329 00:32:46,006 --> 00:32:48,092 (Indistinct shouting) 330 00:32:48,967 --> 00:32:50,636 (Man 1) Eyes on rooftops. 331 00:32:58,352 --> 00:33:00,396 (Man 2) Nothing. Rooftops clear. 332 00:33:02,314 --> 00:33:04,483 (Pilot on radio) Bridge is one klick out. 333 00:33:04,566 --> 00:33:06,694 Road is clear. Hotfoot it, gentlemen. 334 00:33:08,445 --> 00:33:10,823 (Car honking) 335 00:33:14,535 --> 00:33:16,704 (Matt) Everyone stay in this lane. Our agents at the border 336 00:33:16,787 --> 00:33:19,331 are waving traffic through to get us over quickly. 337 00:33:32,219 --> 00:33:34,179 (Man 1) Everyone stay frosty. 338 00:33:39,727 --> 00:33:42,312 (Man 2) OK, it's a fuck-up. What are we gonna do now? 339 00:33:44,606 --> 00:33:46,650 (Helicopter hovering) 340 00:33:46,734 --> 00:33:49,778 (Pilot) Here's the deal. A car broke down up ahead. 341 00:33:50,904 --> 00:33:54,283 It's being sorted out, but it's gonna take a while. Standby. 342 00:34:16,263 --> 00:34:18,390 (Man shouting indistinctly) 343 00:34:27,149 --> 00:34:29,109 Get your service weapon out. 344 00:34:31,320 --> 00:34:33,822 Red Impala, two lanes over, on my ten. 345 00:34:33,906 --> 00:34:37,868 Copy that. Red Impala, two lanes left. 346 00:34:38,660 --> 00:34:39,828 (Man 1) Roger that. 347 00:34:50,672 --> 00:34:53,801 Three lanes left. Seven o'clock. Green Civic. 348 00:35:03,727 --> 00:35:05,145 Bring your window down. 349 00:35:12,152 --> 00:35:14,905 -(Alejandro) Gun. -Gun. Gun left! 350 00:35:15,614 --> 00:35:17,241 (Matt) What are the rules here? 351 00:35:17,324 --> 00:35:19,409 (Man 1) We must be engaged to engage. 352 00:35:20,994 --> 00:35:23,705 (Man 2) Permission to get out of the vehicle and set a perimeter? 353 00:35:23,789 --> 00:35:26,333 (Man 1) Stay in your vehicle. You can do what they do. 354 00:35:26,416 --> 00:35:28,001 If they get out, you get out. 355 00:35:28,085 --> 00:35:29,294 (Unlocks doors) 356 00:35:30,462 --> 00:35:32,589 (Dog barking) 357 00:35:49,731 --> 00:35:51,692 (Man 2) Get ready. They can see our lane clearing. 358 00:35:51,775 --> 00:35:53,652 If it's coming, it's coming now. 359 00:36:10,752 --> 00:36:12,796 -(Man 1) Move! -(Kate) Wait, wait, wait. 360 00:36:12,880 --> 00:36:14,715 -Get outta the car. -(Car door closes) 361 00:36:14,798 --> 00:36:16,592 Jesus Christ! 362 00:36:16,675 --> 00:36:18,969 (Helicopter hovering) 363 00:36:24,850 --> 00:36:27,311 (Speaking Spanish) 364 00:36:30,314 --> 00:36:33,859 -(Delta leader) Don't move! -No, no, no, no! 365 00:36:34,318 --> 00:36:37,112 (Alejandro speaking Spanish) 366 00:36:52,920 --> 00:36:55,297 What the fuck are we doing? (Breathes heavily) 367 00:37:16,068 --> 00:37:17,277 Fuck! 368 00:37:17,361 --> 00:37:19,071 (Delta 1) Lane's clear. The lane's clear! 369 00:37:19,154 --> 00:37:20,739 (Delta leader) Don't look at me! 370 00:37:20,822 --> 00:37:23,241 Go! Put your hands behind your head! 371 00:37:23,325 --> 00:37:25,827 -(Delta 2) All clear! -(Delta 3) I got this! 372 00:37:25,911 --> 00:37:27,412 Go, go, go, go, go! 373 00:37:30,123 --> 00:37:31,875 (Delta leader) Let's move, move! 374 00:37:32,417 --> 00:37:36,088 (Man 2 on radio) This is gonna be on the front page of every newspaper in America. 375 00:37:36,171 --> 00:37:39,091 (Chuckles) It won't even make the papers in El Paso. 376 00:37:42,511 --> 00:37:43,887 Clear! 377 00:37:50,185 --> 00:37:52,604 (Police officer speaking Spanish) 378 00:38:03,949 --> 00:38:05,534 Let's go. 379 00:38:05,617 --> 00:38:07,077 Come here. 380 00:38:21,425 --> 00:38:23,093 Let's go. 381 00:38:26,888 --> 00:38:28,432 (Matt chuckles) 382 00:38:31,393 --> 00:38:32,978 (Matt) Got a little nutty, huh? 383 00:38:33,061 --> 00:38:35,939 (Kate) Nutty? Yeah. Yeah, that was fucking illegal. 384 00:38:36,023 --> 00:38:38,817 You wanna start a war? You're a fucking spook! 385 00:38:39,109 --> 00:38:41,319 And him! I mean, who the fuck is that? 386 00:38:41,403 --> 00:38:42,988 Told you, you could stay here. 387 00:38:43,071 --> 00:38:46,241 Jesus Christ. Jesus Christ. You just spray bullets at... 388 00:38:46,324 --> 00:38:48,160 Sure there's just fucking civilians everywhere. 389 00:38:48,243 --> 00:38:50,162 I'm not a soldier! This is not what I do! 390 00:38:50,245 --> 00:38:52,289 Whoa! Don't sell yourself short, all right? 391 00:38:52,914 --> 00:38:55,917 The reason Reggie's home is I know he wasn't ready for this. 392 00:38:56,001 --> 00:38:59,421 But he better get ready real quick because this is the future, Kate! 393 00:38:59,504 --> 00:39:02,049 Juárez is what happens when they dig in. This is it! 394 00:39:02,132 --> 00:39:04,676 -What am I doing here? -What you're doing here is giving us 395 00:39:04,760 --> 00:39:07,012 the opportunity to shake the tree and create chaos. 396 00:39:07,095 --> 00:39:08,805 That's what this is! 397 00:39:10,682 --> 00:39:13,685 In the meantime, just sponge everything up you see. 398 00:39:13,769 --> 00:39:15,937 Learn! That's why you're here. 399 00:39:32,746 --> 00:39:34,122 (Gulping) 400 00:39:38,835 --> 00:39:40,587 Guillermo... 401 00:39:44,007 --> 00:39:46,676 You're giving him a belly full of water, you devil. 402 00:39:51,765 --> 00:39:53,475 You didn't think we'd get you here, did you? 403 00:39:54,726 --> 00:39:56,144 No hablo Inglés. 404 00:39:56,228 --> 00:39:57,938 (Matt) No hablo Inglés? 405 00:39:59,856 --> 00:40:01,608 (Matt speaking Spanish) 406 00:40:02,818 --> 00:40:04,945 I love it when they "No hablo Inglés." 407 00:40:07,197 --> 00:40:09,783 You know, I brought an old buddy of yours. 408 00:40:10,951 --> 00:40:14,162 I bet you hablo to him. Yeah. 409 00:40:22,838 --> 00:40:25,048 (Rafael) I didn't know ghosts got thirsty. 410 00:40:30,512 --> 00:40:32,931 I know someone kept him alive for us. 411 00:40:36,017 --> 00:40:37,477 I doubt it was easy. 412 00:40:38,562 --> 00:40:40,147 What's easy these days? 413 00:40:41,273 --> 00:40:43,441 I'm sorry about what happened on the return. 414 00:40:43,525 --> 00:40:45,068 I control only what I can. 415 00:40:45,152 --> 00:40:46,862 (Speaking Spanish) 416 00:40:46,945 --> 00:40:48,530 It's not your fault. 417 00:40:48,613 --> 00:40:51,616 (Both converse in Spanish) 418 00:41:03,170 --> 00:41:04,546 Sí. 419 00:41:05,213 --> 00:41:06,923 There's rumours of a tunnel. 420 00:41:07,465 --> 00:41:09,968 Fausto's main road into Arizona. 421 00:41:10,594 --> 00:41:12,596 If you're doing what I think you're doing, 422 00:41:12,679 --> 00:41:14,264 that's the best place to cross. 423 00:41:14,347 --> 00:41:17,601 If you can find it. But time is against you. 424 00:41:18,018 --> 00:41:20,770 In three days, nobody will be where they are today. 425 00:41:22,564 --> 00:41:25,108 -Shall we? -No, it's better if you don't. 426 00:41:25,692 --> 00:41:27,736 Something happens in that room... 427 00:41:29,362 --> 00:41:31,781 ..it's easier to say you didn't see anything. 428 00:41:33,283 --> 00:41:35,327 (Both converse in Spanish) 429 00:41:53,261 --> 00:41:55,222 (Whistles a patriotic tune) 430 00:42:04,940 --> 00:42:06,983 (Whistling continues) 431 00:42:07,067 --> 00:42:08,902 (Door opens) 432 00:42:10,528 --> 00:42:11,988 (Door closes) 433 00:42:40,600 --> 00:42:43,228 Aw, Alejandro, I think he remembers you. 434 00:42:44,813 --> 00:42:46,106 I'm gonna step out. 435 00:42:46,606 --> 00:42:47,899 Timmy... 436 00:42:50,652 --> 00:42:51,861 (Beeps) 437 00:42:55,282 --> 00:42:56,658 (Door closes) 438 00:42:57,200 --> 00:42:59,286 (Speaking Spanish) 439 00:43:01,913 --> 00:43:03,957 (Guillermo speaking Spanish) 440 00:43:06,418 --> 00:43:07,961 (Grunts) 441 00:43:10,797 --> 00:43:12,590 What do you keep lookin' at me for? 442 00:43:13,717 --> 00:43:15,427 "No hablo Inglés," remember? 443 00:43:18,221 --> 00:43:20,056 (Guillermo) No, no. 444 00:43:20,140 --> 00:43:21,850 (Grunts) 445 00:43:21,933 --> 00:43:23,184 (Thudding) 446 00:43:23,268 --> 00:43:24,686 (Guillermo groans) 447 00:43:24,769 --> 00:43:26,896 (Banging continues) 448 00:43:26,980 --> 00:43:28,815 (Grunting) 449 00:43:30,358 --> 00:43:32,360 (Exhales deeply) 450 00:43:42,912 --> 00:43:44,372 Can I have one of those? 451 00:43:45,332 --> 00:43:46,708 Thank you. 452 00:43:56,926 --> 00:43:58,470 (Exhales) 453 00:43:59,888 --> 00:44:01,097 (Door opens) 454 00:44:06,728 --> 00:44:08,396 -You like fireworks? -Huh? 455 00:44:09,064 --> 00:44:10,398 Wanna see something cool? 456 00:44:11,107 --> 00:44:12,317 Come on. 457 00:44:44,349 --> 00:44:46,434 (Distant popping) 458 00:44:47,268 --> 00:44:48,603 Here we go. 459 00:44:52,816 --> 00:44:54,359 Look right there. 460 00:45:05,036 --> 00:45:06,871 (Gunshots) 461 00:45:06,955 --> 00:45:08,540 (Explosion) 462 00:45:10,125 --> 00:45:11,709 (Kate) Unbelievable. 463 00:45:11,793 --> 00:45:14,587 (Man) That's what happens when you chop the head off a chicken. 464 00:45:14,671 --> 00:45:17,799 -(Kate) Yeah. I can see. -(Sirens wailing) 465 00:45:19,551 --> 00:45:22,178 -(Gate clanking) -(Matt) Can you get 'em all in one place? 466 00:45:22,929 --> 00:45:25,765 We just landed back in Phoenix. I'm on a clock, I can't wait. 467 00:45:26,057 --> 00:45:28,309 All right, look, contact Bob Fisks. 468 00:45:29,018 --> 00:45:30,770 Have him hold 'em in the staging area. 469 00:45:30,854 --> 00:45:32,814 Yeah. How long does it take to get to Tucson? 470 00:45:32,897 --> 00:45:34,816 (Kate) From here it's a little over two hours. 471 00:45:34,899 --> 00:45:37,610 All right. We'll be there around 2:00. Yeah. 472 00:45:39,946 --> 00:45:41,489 (Kate) Are we going to Tucson? 473 00:45:41,573 --> 00:45:43,783 Yeah, you gotta learn how to sleep on a plane. 474 00:45:43,867 --> 00:45:45,994 They let me on the base when you need a ride, don't they? 475 00:45:46,578 --> 00:45:48,329 -You OK? -She's fine. 476 00:45:48,413 --> 00:45:50,665 -I didn't ask you. -And yet I answered. 477 00:45:54,169 --> 00:45:56,713 (Whispers) Kate, who's that? 478 00:45:57,964 --> 00:45:59,299 We're goin' to Tucson. 479 00:46:34,501 --> 00:46:37,295 (Bob) What's the deal, Matt? Why you holdin' up my transport? 480 00:46:37,378 --> 00:46:39,005 Don't worry, Bob. We'll be quick. 481 00:46:39,088 --> 00:46:42,967 How's the auditor gonna react to an $8,000 cheque to fuckin' Domino's Pizza? 482 00:46:43,051 --> 00:46:44,677 Don't be so dramatic, OK? 483 00:46:44,761 --> 00:46:48,097 Kate Macer with the FBI. This is her partner. It was her call. 484 00:46:48,181 --> 00:46:50,433 Yeah, it wasn't my call. Have you got another one of those? 485 00:46:58,149 --> 00:46:59,651 Finish it before you get up there. 486 00:46:59,734 --> 00:47:01,069 No problem. 487 00:47:03,071 --> 00:47:06,741 Hey, Kate, tell me what happened in El Paso. 488 00:47:07,492 --> 00:47:10,870 We weren't in El Paso. We were in Mexico. 489 00:47:47,448 --> 00:47:49,200 (Man coughing) 490 00:48:02,171 --> 00:48:04,048 (Bob) I guess we're not following any procedures. 491 00:48:04,132 --> 00:48:05,592 What do you wanna do? 492 00:48:05,675 --> 00:48:08,636 We want to talk to the people caught around the Nogales area. 493 00:48:10,888 --> 00:48:14,392 OK. That group. 494 00:48:16,561 --> 00:48:19,564 This group here. And that group. 495 00:48:20,898 --> 00:48:23,151 OK. They stay and the rest can go. 496 00:48:23,943 --> 00:48:25,194 (Bob) Josef! 497 00:48:25,528 --> 00:48:26,821 (Speaking Spanish) 498 00:48:45,840 --> 00:48:47,467 (Bob) On the bus. Ándale. 499 00:48:47,550 --> 00:48:49,719 (Josef speaking Spanish) 500 00:48:49,802 --> 00:48:51,512 (Indistinct chatter) 501 00:49:06,069 --> 00:49:07,445 What are we looking for? 502 00:49:10,198 --> 00:49:11,908 Just keep watching. 503 00:49:14,035 --> 00:49:17,413 (Alejandro speaking Spanish) 504 00:49:33,304 --> 00:49:35,348 -(Man 1) In Arizona. -Arizona. 505 00:49:36,224 --> 00:49:38,518 (Both converse in Spanish) 506 00:49:41,062 --> 00:49:42,188 Sí. 507 00:49:52,699 --> 00:49:54,117 No? 508 00:49:55,159 --> 00:49:56,828 (Speaking Spanish) 509 00:49:56,911 --> 00:49:58,121 (Man 2 speaking Spanish) 510 00:49:58,204 --> 00:50:00,873 (Both converse in Spanish) 511 00:50:09,966 --> 00:50:12,093 -(Man 1) Arizona. -Arizona... 512 00:50:16,472 --> 00:50:17,724 Talk to me. What are we doing? 513 00:50:17,807 --> 00:50:20,518 -I don't have any answers. -Let's get some, then. 514 00:50:20,601 --> 00:50:22,729 Do you think I haven't asked? 515 00:50:22,812 --> 00:50:24,021 -You think you can do better? -Yeah. 516 00:50:24,105 --> 00:50:26,274 -Go ahead. -Matt, can we talk for a minute? 517 00:50:37,702 --> 00:50:41,122 What's up? Everything OK? 518 00:50:43,082 --> 00:50:44,500 You look very serious. 519 00:50:45,168 --> 00:50:47,378 There's "in the dark" and there's the way you're treating us. 520 00:50:48,129 --> 00:50:50,423 I want to know the objective or I walk, period. 521 00:50:51,257 --> 00:50:54,385 Then go. I didn't ask you to be here. She did. 522 00:50:54,469 --> 00:50:55,928 I walk, too. 523 00:51:05,188 --> 00:51:07,482 -(Matt) What do you wanna know? -Everything. 524 00:51:07,565 --> 00:51:09,108 Fuckin' lawyers. 525 00:51:09,734 --> 00:51:11,110 All right. 526 00:51:12,904 --> 00:51:14,447 Guillermo... 527 00:51:15,698 --> 00:51:18,785 ..told us about a tunnel east of Nogales, near Sasabe. 528 00:51:19,619 --> 00:51:21,746 Now we're tryin' to find out what areas near there 529 00:51:21,829 --> 00:51:24,665 migrants avoid so we can find the tunnel. 530 00:51:27,418 --> 00:51:29,587 -That better? -And Guillermo is... 531 00:51:29,670 --> 00:51:31,672 He just told you where the drug tunnel is? 532 00:51:31,756 --> 00:51:34,258 -He just told you? -Guillermo didn't have any other options. 533 00:51:34,342 --> 00:51:35,968 We send him back, he's a dead man. 534 00:51:36,052 --> 00:51:39,806 Now he gets to spend the next 30 years in an American prison, 535 00:51:40,556 --> 00:51:41,849 in relative safety. 536 00:51:41,933 --> 00:51:44,060 (Reggie) Just tell us the truth, man. 537 00:51:50,107 --> 00:51:52,443 We are gonna make enough noise... 538 00:51:53,736 --> 00:51:57,198 ..that Manuel Diaz is called back to Mexico to see his boss. 539 00:51:57,698 --> 00:51:59,075 That's the truth. 540 00:51:59,158 --> 00:52:00,368 (Reggie) And then? 541 00:52:01,035 --> 00:52:03,120 And then we know where his boss is. 542 00:52:05,331 --> 00:52:07,333 His name is Fausto Alarcon. 543 00:52:07,416 --> 00:52:08,876 El Verdugo. 544 00:52:13,965 --> 00:52:17,176 Every day across that border, people are kidnapped... 545 00:52:18,261 --> 00:52:20,847 ..or killed by his hand or with his blessing. 546 00:52:22,765 --> 00:52:27,436 To find him would be like... discovering a vaccine. 547 00:52:30,398 --> 00:52:31,983 You understand the value of that. 548 00:52:37,113 --> 00:52:40,533 All right, we're good. Just don't keep us in the dark. 549 00:52:40,992 --> 00:52:42,159 Great. 550 00:52:42,952 --> 00:52:44,287 You afraid of the dark? 551 00:52:47,748 --> 00:52:48,916 (Matt) Hey! 552 00:52:49,709 --> 00:52:53,212 It's been a humdinger of a day. Go home. Get some rest. 553 00:52:53,296 --> 00:52:55,798 We'll find our own ride. We'll see you tomorrow! 554 00:52:56,465 --> 00:52:58,217 I just drove a hundred fucking miles. 555 00:52:58,301 --> 00:53:00,303 (Kate) It's a fucking blessing, trust me. 556 00:53:00,386 --> 00:53:02,138 -Got you smokin' again? -Yeah. 557 00:53:04,056 --> 00:53:05,683 (Reggie) Who the fuck's Guillermo? 558 00:53:37,173 --> 00:53:38,799 (Mouse clicks) 559 00:54:21,008 --> 00:54:23,552 (Speaking Spanish) 560 00:54:35,439 --> 00:54:36,565 (Sighs) 561 00:55:01,298 --> 00:55:02,842 Gotta get you a new bra, woman. 562 00:55:02,925 --> 00:55:05,845 (Kate chuckles) The list of things I need... 563 00:55:05,928 --> 00:55:08,097 I'm just saying. Some nice lacy somethin'. 564 00:55:08,597 --> 00:55:12,018 Yeah, it's been a while since someone's seen me in a bra, except you. 565 00:55:13,352 --> 00:55:16,147 Oh, God, don't look at me like that. I don't want your pity. 566 00:55:16,230 --> 00:55:17,898 How was seeing Evan the other day? 567 00:55:19,567 --> 00:55:20,735 I don't know. 568 00:55:20,860 --> 00:55:22,653 -Miss him? -Ask me something else. 569 00:55:28,409 --> 00:55:29,952 You know, I used to see guys like Matt in Iraq. 570 00:55:30,036 --> 00:55:31,912 Gotta be careful around these people. 571 00:55:32,538 --> 00:55:34,623 CIA's not supposed to work this side of the fence. 572 00:55:34,707 --> 00:55:37,460 -He's a DOD advisor. -You really believe that? 573 00:55:40,504 --> 00:55:43,215 You need somebody watching your six, cos I promise you, they aren't. 574 00:55:43,299 --> 00:55:47,053 You know, we're not even scratching the surface, 575 00:55:48,054 --> 00:55:49,263 doing what we're doing. 576 00:55:49,680 --> 00:55:50,931 And they are. 577 00:55:51,015 --> 00:55:53,976 Mm. Well, you sure picked the motherfuckers to show us. 578 00:56:07,531 --> 00:56:09,200 (Door unlocks) 579 00:56:11,827 --> 00:56:12,953 What's the password? 580 00:56:14,330 --> 00:56:15,456 Moron. 581 00:56:18,334 --> 00:56:20,586 (Alejandro speaking Spanish) 582 00:56:20,669 --> 00:56:22,755 (Speaking Spanish) 583 00:56:27,343 --> 00:56:29,428 (Speaking Spanish) 584 00:56:35,101 --> 00:56:36,685 This is our spot. 585 00:56:36,769 --> 00:56:40,439 -(All) No way! No, no. -(Man laughing) 586 00:56:41,357 --> 00:56:42,316 No, no, no. 587 00:56:42,399 --> 00:56:44,026 (Man 1 speaking) 588 00:57:05,548 --> 00:57:06,966 (Whispers) Are you getting this? 589 00:57:07,049 --> 00:57:08,259 Mmm-hmm. 590 00:57:08,342 --> 00:57:11,303 (Speaking Spanish) 591 00:57:21,438 --> 00:57:22,606 Sí. 592 00:57:24,066 --> 00:57:25,734 (Indistinct talking) 593 00:57:25,818 --> 00:57:27,486 That's our way across. 594 00:57:28,821 --> 00:57:30,656 So Guillermo was tellin' the truth. 595 00:57:32,283 --> 00:57:34,076 (Softly) It's gonna be a good day. 596 00:57:35,870 --> 00:57:38,873 Hey, Kate. Got any friends at Phoenix SWAT? 597 00:57:38,956 --> 00:57:40,624 Yeah, we use them in breaches all the time. 598 00:57:40,708 --> 00:57:43,210 Good, cos we're gonna need their help. -What for? 599 00:57:43,294 --> 00:57:46,422 -We are gonna fuck with Manuel Diaz's wallet. 600 00:58:15,993 --> 00:58:17,536 (Matt clears throat) 601 00:58:18,078 --> 00:58:20,164 (Whistles) 602 00:58:38,140 --> 00:58:41,852 (Matt) This is our Smurf, guys. Blonde hair, white purse. 603 00:58:49,068 --> 00:58:51,153 -You know the Heimlich? -Oh, yeah. 604 00:58:51,237 --> 00:58:54,031 She tries to eat that receipt, Heimlich it right out of her. 605 00:58:54,114 --> 00:58:56,158 -Copy that. -(Matt exhales) 606 00:58:59,411 --> 00:59:02,623 There she goes. All right, go get 'em, tiger. 607 00:59:02,706 --> 00:59:03,999 Take 'em. 608 00:59:05,501 --> 00:59:06,794 (Exhales) 609 00:59:10,798 --> 00:59:14,927 (Man) Hands to the wheel! Hands to the wheel! Get down! 610 00:59:15,010 --> 00:59:17,263 Hold still! Hold still! 611 00:59:17,346 --> 00:59:20,307 -(Grunts) -Whoa! 612 00:59:21,183 --> 00:59:22,393 You want bank computers for evidence? 613 00:59:22,476 --> 00:59:24,186 No, no. Just the money. 614 00:59:24,270 --> 00:59:26,021 But freeze all his accounts, everything. 615 00:59:26,105 --> 00:59:28,315 Even if his dog opened an account, freeze it. 616 00:59:29,775 --> 00:59:31,485 (Police radio chatter) 617 00:59:34,363 --> 00:59:35,614 What you got? 618 00:59:37,533 --> 00:59:39,576 Got a mobile money launderer. 619 00:59:44,164 --> 00:59:46,208 Pack it up. 620 00:59:46,292 --> 00:59:48,085 Come on. Come on! 621 00:59:55,676 --> 00:59:57,845 -You coming? -No, don't go in the bank. 622 00:59:57,928 --> 01:00:00,180 This is something we can actually build a case on. 623 01:00:00,264 --> 01:00:01,890 Don't go in the bank, Kate! 624 01:00:01,974 --> 01:00:03,809 There you go and she's goin' in the bank. 625 01:00:03,892 --> 01:00:05,978 (Inaudible) 626 01:00:20,617 --> 01:00:22,995 (Kate) These are all Manuel Diaz's accounts? 627 01:00:23,078 --> 01:00:26,749 (Man) Yeah. Cash deposits made daily in $9,000 increments. 628 01:00:26,832 --> 01:00:28,042 So it doesn't have to be reported. 629 01:00:28,125 --> 01:00:30,002 -That's right. -And you can seize those? 630 01:00:30,085 --> 01:00:32,880 I already have. I'll go through these wire transfer numbers 631 01:00:32,963 --> 01:00:35,090 and freeze all these accounts as well. 632 01:00:36,342 --> 01:00:37,551 Here you go. 633 01:00:41,597 --> 01:00:43,766 -(Man) Oh, damn, that's smart. -(Kate) What? 634 01:00:44,350 --> 01:00:46,143 This is a bank line of credit. 635 01:00:46,852 --> 01:00:49,188 See, you make payments over what you owe. 636 01:00:49,271 --> 01:00:52,274 It doesn't show up as cash, it shows up as a negative loan balance. 637 01:00:52,358 --> 01:00:55,527 It's never reported to anyone. IRS, DEA... 638 01:00:55,861 --> 01:00:57,112 This money is invisible. 639 01:00:57,654 --> 01:00:59,156 How much does he have? 640 01:00:59,615 --> 01:01:01,450 Take a look. 641 01:01:03,994 --> 01:01:05,662 Oh, my God. 642 01:01:07,373 --> 01:01:09,583 They just seized $17 million. 643 01:01:10,292 --> 01:01:12,086 -It's a bogus bust, Kate. -What? 644 01:01:12,169 --> 01:01:14,755 No-one controls who deposits money in an account. 645 01:01:14,838 --> 01:01:18,342 An attorney will have that back, but a lot of heads will roll... 646 01:01:18,425 --> 01:01:20,969 We can arrest Manuel now. We can get him off the street. 647 01:01:21,053 --> 01:01:23,555 We gotta get Manuel called back to Mexico. 648 01:01:23,639 --> 01:01:25,974 We have no jurisdiction in Mexico. 649 01:01:26,058 --> 01:01:28,644 We have nothing. We need to do something now. 650 01:01:28,727 --> 01:01:29,978 Can't arrest him. 651 01:01:32,731 --> 01:01:33,899 (Laughs) 652 01:01:38,612 --> 01:01:40,656 (Excited shrieking) 653 01:01:41,865 --> 01:01:43,992 (Children giggling) 654 01:01:48,330 --> 01:01:49,623 What? 655 01:01:50,624 --> 01:01:52,251 (Man) When? 656 01:01:54,461 --> 01:01:55,921 Wait a minute. 657 01:01:56,004 --> 01:01:57,840 (Children exclaiming) 658 01:01:58,424 --> 01:02:00,509 (Inaudible TV report) 659 01:02:09,768 --> 01:02:10,894 Mmm-hmm. 660 01:02:17,025 --> 01:02:20,446 $9,000 is deposited into this account every day, 661 01:02:20,529 --> 01:02:22,322 in cash, for five years. 662 01:02:23,115 --> 01:02:25,742 It's not illegal. It's suspect, but it isn't illegal. 663 01:02:25,826 --> 01:02:27,870 I think the IRS might think it's illegal. 664 01:02:27,953 --> 01:02:29,746 What do you want? What'd you like done? 665 01:02:29,830 --> 01:02:32,291 I want to follow some semblance of procedure. 666 01:02:32,374 --> 01:02:34,626 That's what I want. To build a prosecutable case. 667 01:02:34,710 --> 01:02:38,005 We prosecuted more felony drug cases in this region last year 668 01:02:38,088 --> 01:02:40,299 than in the two previous years combined. 669 01:02:40,757 --> 01:02:42,926 Are you feeling that on the street? 670 01:02:43,886 --> 01:02:46,305 You getting the vibe that we're winning? 671 01:02:48,974 --> 01:02:50,058 No. 672 01:02:50,726 --> 01:02:51,935 Do you? 673 01:02:52,978 --> 01:02:54,188 No, sir, I don't. 674 01:02:56,940 --> 01:02:59,651 Advisors like Matt come in, they stir the pot, 675 01:02:59,735 --> 01:03:02,446 they cause the criminals to react and make mistakes. 676 01:03:02,529 --> 01:03:04,907 That's how we build cases against the individuals 677 01:03:04,990 --> 01:03:06,950 that actually make a difference in this fight. 678 01:03:07,451 --> 01:03:10,329 It's when they're nervous, when they stop trusting their crews, 679 01:03:10,412 --> 01:03:11,997 when they move their money. 680 01:03:12,539 --> 01:03:14,249 These are all opportunities to strike. 681 01:03:15,167 --> 01:03:17,294 And that's the purpose of people like Matt. 682 01:03:17,377 --> 01:03:20,756 Kate, this isn't something that I dreamed up myself. 683 01:03:21,256 --> 01:03:24,176 I don't have the authority to hire advisors 684 01:03:24,259 --> 01:03:27,304 or authorise joint-agency missions, 685 01:03:27,387 --> 01:03:29,640 or fly agents from Air Force bases. 686 01:03:30,724 --> 01:03:32,351 Are you understanding me? 687 01:03:33,018 --> 01:03:36,396 These decisions are made far from here 688 01:03:36,480 --> 01:03:39,858 by officials elected to office, not appointed to them. 689 01:03:41,652 --> 01:03:44,404 So, if your fear is operating out of bounds, 690 01:03:44,488 --> 01:03:47,616 I am telling you, you are not. 691 01:03:49,076 --> 01:03:50,619 The boundary's been moved. 692 01:03:52,913 --> 01:03:54,289 Are we clear? 693 01:03:55,415 --> 01:03:56,833 Yes, sir. 694 01:04:00,087 --> 01:04:01,922 I need a fucking drink. 695 01:04:02,005 --> 01:04:04,132 -Where do you wanna go? -Anywhere. 696 01:04:23,360 --> 01:04:24,736 (Sighs) 697 01:04:36,123 --> 01:04:38,292 (Country music playing) 698 01:04:40,460 --> 01:04:42,170 I'm gonna go get a table. 699 01:04:42,254 --> 01:04:43,672 -I guess it's on me. -Thanks. 700 01:04:46,133 --> 01:04:48,343 -What'll it be? -Two beers. 701 01:04:48,427 --> 01:04:49,761 Coming up. 702 01:05:09,156 --> 01:05:10,782 Thank you. 703 01:05:26,882 --> 01:05:28,842 I want a cigarette so bad. 704 01:05:35,474 --> 01:05:36,600 Macer? 705 01:05:36,683 --> 01:05:37,768 Yeah? 706 01:05:38,852 --> 01:05:40,979 See, I hate to go on about this, but... 707 01:05:41,647 --> 01:05:44,274 I think the bra situation's the least of your problems. 708 01:05:44,358 --> 01:05:46,401 -OK. -Cos you look like shit. 709 01:05:46,485 --> 01:05:48,445 -(Laughs) -You do. You look like shit. 710 01:05:48,528 --> 01:05:50,364 Everybody on the team's talkin' about it. 711 01:05:50,447 --> 01:05:52,407 "Kate used to be a number one draft pick. 712 01:05:52,949 --> 01:05:55,035 "Now look at her. She looks like fuckin' shit." 713 01:05:55,118 --> 01:05:56,870 Look at you. Your eyebrows are a mess. 714 01:05:57,204 --> 01:06:00,040 -No, they're not! -They're like wild beasts. 715 01:06:00,123 --> 01:06:02,042 -You're losing weight. -I'm eating. 716 01:06:02,125 --> 01:06:03,794 Look at you. What is it, one T-shirt a week? 717 01:06:03,877 --> 01:06:06,088 At least work on your personal hygiene, huh? 718 01:06:06,672 --> 01:06:09,758 -You sound like my mother. -Maybe I am your mother. 719 01:06:09,841 --> 01:06:11,510 First we work on personal hygiene, 720 01:06:11,593 --> 01:06:13,261 then we move on to the shopping. 721 01:06:13,345 --> 01:06:16,139 Get you some potatoes, yeah? Eat some food... 722 01:06:16,223 --> 01:06:18,558 Where have you taken me? What is this place? 723 01:06:19,142 --> 01:06:20,268 It's a bar. 724 01:06:20,352 --> 01:06:22,145 It's full of cowboys. 725 01:06:22,229 --> 01:06:23,605 I'm a cowboy. 726 01:06:23,689 --> 01:06:26,775 -You're a redneck? -I'm a redneck. Got a trailer. 727 01:06:26,858 --> 01:06:29,653 -Got a wife. (Chuckles) -What are you talking about? 728 01:06:29,736 --> 01:06:31,279 I got a trailer, I got a wife. She's my sister. 729 01:06:31,363 --> 01:06:33,990 -(Both laugh) -(Man) Big Reg. 730 01:06:34,950 --> 01:06:37,244 -Ted, man! -What's goin' on, man? 731 01:06:37,327 --> 01:06:39,079 -How you been? -It's good to see you. 732 01:06:39,162 --> 01:06:41,123 -Good to see you. -Gettin' your groove on, huh? 733 01:06:41,206 --> 01:06:42,874 No, man. We just started. We just got here. 734 01:06:42,958 --> 01:06:44,626 All right. You, uh... 735 01:06:44,710 --> 01:06:46,086 -Gonna introduce me, man? -Oh. 736 01:06:46,169 --> 01:06:48,588 -Ted, Phoenix PD, Kate, my partner. -How you doin'? 737 01:06:48,672 --> 01:06:51,299 -Just Ted's fine. -I saw you play softball once. 738 01:06:51,717 --> 01:06:53,176 -Softball? -(Chuckles) 739 01:06:53,677 --> 01:06:55,262 She was at the game, Ted. 740 01:06:55,345 --> 01:06:57,389 "The game"? Aw! 741 01:06:57,472 --> 01:07:00,016 Where you struck out in slow-pitch softball. 742 01:07:00,100 --> 01:07:02,310 -You played really well. -Yeah, I appreciate that. 743 01:07:02,394 --> 01:07:04,062 I'm gonna head back to that bar now. 744 01:07:04,146 --> 01:07:06,273 -(Both laugh) -Can I get y'all another round? 745 01:07:06,356 --> 01:07:08,442 -Yeah, sure. -All right. 746 01:07:10,944 --> 01:07:12,279 Ted, he's a good guy. 747 01:07:12,362 --> 01:07:13,655 Mmm-hmm. 748 01:07:15,282 --> 01:07:16,324 Divorced. 749 01:07:17,784 --> 01:07:19,745 (Country and western music) 750 01:07:19,828 --> 01:07:21,413 (Indistinct chatter) 751 01:07:21,496 --> 01:07:23,290 (All laugh) 752 01:07:23,373 --> 01:07:25,500 (Indistinct chatter resumes) 753 01:07:25,584 --> 01:07:27,669 (Laughing) 754 01:07:35,969 --> 01:07:38,054 (Crowd whooping) 755 01:07:53,487 --> 01:07:55,614 (Both laugh) 756 01:08:22,390 --> 01:08:24,518 (Breathing heavily) 757 01:08:32,359 --> 01:08:34,277 Just give me one second. I'll be right with you. 758 01:08:34,361 --> 01:08:35,987 (Both laugh) 759 01:08:37,697 --> 01:08:38,907 All right. 760 01:08:59,052 --> 01:09:00,637 Just wait, wait, wait a second... 761 01:09:00,720 --> 01:09:02,722 What, what, what? Is that too much? 762 01:09:02,806 --> 01:09:04,558 Wait one minute. I just need a second. 763 01:09:04,641 --> 01:09:06,476 I'm sorry, I'm sorry, I'm sorry. 764 01:09:08,728 --> 01:09:09,980 (Sighs) 765 01:09:14,568 --> 01:09:15,694 Hey, Kate? 766 01:09:15,777 --> 01:09:19,781 Hey! Hey, come here. Stop, stop, stop. Talk to me. 767 01:09:19,865 --> 01:09:23,618 Just talk to me. OK? Relax. OK? Just take it... 768 01:09:23,702 --> 01:09:24,953 Whoa, shit! 769 01:09:25,036 --> 01:09:28,206 Kate... What is it? 770 01:09:28,290 --> 01:09:29,749 What? What? Stop. 771 01:09:29,833 --> 01:09:32,335 Stop. Stop. Shit. 772 01:09:32,419 --> 01:09:34,588 -Don't... -What the fuck are you...? 773 01:09:34,963 --> 01:09:36,965 -(Groans) Goddamn! -What the fuck...? 774 01:09:38,300 --> 01:09:40,302 Goddamn! 775 01:09:41,970 --> 01:09:44,431 You fuckin' try to shoot me? You fuckin' crazy? 776 01:09:44,514 --> 01:09:46,141 (Grunts) 777 01:09:46,683 --> 01:09:48,685 -Stop that! -Get off me! 778 01:09:49,686 --> 01:09:51,438 -(Grunts) -Fuck that... 779 01:09:52,564 --> 01:09:54,858 Damn it, Kate! Just fucking stop! 780 01:09:57,319 --> 01:09:58,612 Stop! 781 01:10:01,448 --> 01:10:02,908 Stop, bitch! 782 01:10:03,867 --> 01:10:05,869 Stop! Fuck! 783 01:10:07,412 --> 01:10:09,581 Fuckin' stop! 784 01:10:09,664 --> 01:10:11,625 (Gasps) 785 01:10:11,708 --> 01:10:14,252 -Stop. Sh! -(Gasps) 786 01:10:14,336 --> 01:10:15,962 Sh! Fuck! 787 01:10:17,005 --> 01:10:18,381 Fuck! 788 01:10:19,466 --> 01:10:21,259 (Gasps) 789 01:10:21,343 --> 01:10:25,263 This is you, you hear me? You did this. You did this. 790 01:10:39,986 --> 01:10:41,529 Psst! 791 01:10:44,240 --> 01:10:46,368 (Kate coughs) 792 01:11:01,216 --> 01:11:02,801 You used me as bait. 793 01:11:04,135 --> 01:11:05,929 Nah, you used yourself as bait. 794 01:11:06,930 --> 01:11:08,807 I told you not to go in the bank. 795 01:11:11,977 --> 01:11:15,063 You brought him back here, though. That was smart. 796 01:11:15,146 --> 01:11:18,108 Yeah. Love how we're gonna pretend like I planned this. 797 01:11:18,191 --> 01:11:20,318 Why don't you just write that in your report? 798 01:11:20,986 --> 01:11:23,321 Come on! This is good news! 799 01:11:24,364 --> 01:11:26,491 They're gonna call Manuel back soon. 800 01:11:27,826 --> 01:11:29,411 Isn't that the point? 801 01:11:31,579 --> 01:11:33,665 (Police radio chatter) 802 01:11:43,299 --> 01:11:45,343 (Kate) It's OK, Reg. 803 01:11:48,638 --> 01:11:50,598 -I thought he was a friend. -I know. 804 01:11:54,936 --> 01:11:57,605 -Want me to stay tonight? -No. I'm good. 805 01:11:57,689 --> 01:11:59,399 -You sure? -I'm good. 806 01:12:02,861 --> 01:12:06,281 (Ted) How y'all want me to talk to you when you keep fuckin' hittin' me? 807 01:12:07,407 --> 01:12:09,659 How many other corrupt motherfuckers 808 01:12:09,743 --> 01:12:11,911 are you workin' with on this side of the border? 809 01:12:11,995 --> 01:12:14,330 All right. Look... 810 01:12:15,373 --> 01:12:18,251 It's exactly what I told you, all right? They just... 811 01:12:19,961 --> 01:12:21,379 They came to me. 812 01:12:21,463 --> 01:12:23,339 They wanted details about our case. 813 01:12:23,423 --> 01:12:26,801 I gave it to them, but I never wanted anybody to get hurt. 814 01:12:26,885 --> 01:12:29,304 I would never have gotten involved with them pieces of shit... 815 01:12:29,387 --> 01:12:31,848 Aah! Fuck! OK! 816 01:12:31,931 --> 01:12:35,060 (Groans) OK! Fuck! OK! Fuck! 817 01:12:35,435 --> 01:12:38,480 (Matt) "OK, OK, OK," is not what we're lookin' for, Ted. 818 01:12:41,066 --> 01:12:44,152 You know what the beauty is of you being so beat to a pulp? 819 01:12:44,986 --> 01:12:48,323 Cos no-one's gonna notice a few more scratches. 820 01:12:49,157 --> 01:12:50,825 This is a new deal, Ted. 821 01:12:50,909 --> 01:12:53,286 (Pants) 822 01:12:53,411 --> 01:12:56,623 I decide whether your daughter'll get Federal protection... 823 01:12:57,165 --> 01:12:58,249 Aw, fuck... 824 01:12:58,333 --> 01:13:01,169 Or whether we post your ex-wife's address on the internet. 825 01:13:02,796 --> 01:13:05,632 I decide whether you go to prison 826 01:13:05,715 --> 01:13:07,467 in a work camp in Missouri... 827 01:13:08,760 --> 01:13:10,929 ..or a kill house like Corcoran. 828 01:13:11,679 --> 01:13:13,223 All right. 829 01:13:13,306 --> 01:13:16,309 This is where you negotiate how to survive, my friend. 830 01:13:16,392 --> 01:13:17,977 (Sighs) 831 01:13:18,561 --> 01:13:21,564 OK. Look... 832 01:13:22,107 --> 01:13:23,691 I...I... 833 01:13:23,775 --> 01:13:26,319 I feel like this whole thing's just gotten away from me. 834 01:13:26,402 --> 01:13:28,655 You know, I just... I fucked up. 835 01:13:28,738 --> 01:13:31,950 OK, I fucked up and I'm in over my fuckin' head right now. 836 01:13:32,534 --> 01:13:33,952 I'm sorry... Aah! 837 01:13:34,035 --> 01:13:36,412 Fuck! Get it out! Get it the fuck out! 838 01:13:36,496 --> 01:13:39,249 (Groaning) 839 01:13:39,332 --> 01:13:41,251 Fuck! Get it the fuck out! 840 01:13:41,334 --> 01:13:44,921 Get it out! Motherfucker! And fuck you! 841 01:13:45,004 --> 01:13:46,339 Fuck! 842 01:13:47,715 --> 01:13:50,093 How many officers do they have working on the force? 843 01:13:52,637 --> 01:13:54,639 I'll tell you everything you wanna know. 844 01:13:54,722 --> 01:13:58,059 You just gotta promise me that my daughter's gonna be safe, OK? 845 01:13:58,143 --> 01:13:59,769 You make me that promise. 846 01:13:59,853 --> 01:14:01,563 You want the truth? 847 01:14:01,646 --> 01:14:03,314 Please. 848 01:14:07,694 --> 01:14:10,196 Give me all the names... 849 01:14:11,406 --> 01:14:14,242 ..of all the motherfuckers they got working on the force. 850 01:14:14,325 --> 01:14:15,910 OK, OK. 851 01:14:15,994 --> 01:14:17,495 -All right? -OK. 852 01:14:18,580 --> 01:14:19,664 OK. 853 01:14:19,747 --> 01:14:21,124 So which phone do we start with? 854 01:14:21,207 --> 01:14:22,917 It's in that one. It's that shitty one. 855 01:14:23,001 --> 01:14:25,003 -That's the shitty one? -Yes, sir! 856 01:14:30,258 --> 01:14:31,426 (Keypad beeping) 857 01:14:41,144 --> 01:14:42,645 (Alejandro) How you feelin'? 858 01:14:45,690 --> 01:14:47,609 -Better. -Uh-huh. 859 01:14:48,776 --> 01:14:51,905 Well, you should've shot him. 860 01:15:00,330 --> 01:15:02,582 I just tried to have sex with my hit man. 861 01:15:04,250 --> 01:15:06,502 Nah. He's no assassin. 862 01:15:07,629 --> 01:15:09,714 He just wanted to know what you know. 863 01:15:10,256 --> 01:15:12,967 They're after us, not you. 864 01:15:17,764 --> 01:15:19,140 Thank you. 865 01:15:32,946 --> 01:15:35,448 You remind me of someone very special to me. 866 01:15:37,492 --> 01:15:38,701 Hmm. 867 01:15:43,665 --> 01:15:46,251 Hmm. Get some rest. 868 01:15:48,253 --> 01:15:51,005 Tomorrow they'll call Manuel Diaz back to Mexico 869 01:15:51,965 --> 01:15:54,050 and we'll cut a leg from them. 870 01:15:58,012 --> 01:15:59,847 (Door opens) 871 01:16:01,057 --> 01:16:02,850 (Door closes) 872 01:16:15,738 --> 01:16:17,865 (Police radio chatter) 873 01:16:24,372 --> 01:16:26,457 (Radio static) 874 01:16:28,876 --> 01:16:31,129 (Man 1 on radio) Hello, 60. 875 01:16:31,212 --> 01:16:33,464 (Indistinct radio chatter) 876 01:16:40,013 --> 01:16:41,848 (Man 2 on radio) We have eyes on the objective. 877 01:16:42,765 --> 01:16:44,559 Can we get a closer visual? 878 01:16:48,980 --> 01:16:51,274 Ten metres going down east of the ridge. 879 01:16:56,404 --> 01:16:57,864 (Boy) Papa? 880 01:17:01,534 --> 01:17:03,119 (Speaking Spanish) 881 01:17:29,562 --> 01:17:31,981 -Football? -Sí, Papa. 882 01:17:33,399 --> 01:17:35,109 (Speaking Spanish) 883 01:17:49,874 --> 01:17:51,334 No! 884 01:18:16,275 --> 01:18:17,944 (TV on) 885 01:18:18,569 --> 01:18:21,239 -Come on in. Tasty beverage? -(Gunshots on TV) 886 01:18:22,073 --> 01:18:24,617 -(Turns TV off) -OK, boys. 887 01:18:26,577 --> 01:18:27,912 (Kate) What's going on? What's the plan? 888 01:18:27,995 --> 01:18:29,247 We're going hunting. 889 01:18:30,331 --> 01:18:32,917 Looks like Manuel Diaz is being called back to Mexico. 890 01:18:33,000 --> 01:18:34,877 Just waiting for confirmation. 891 01:18:36,379 --> 01:18:37,463 There's the tunnel right there. 892 01:18:38,506 --> 01:18:40,508 (Delta leader) All right, listen up. 893 01:18:40,591 --> 01:18:42,176 Let's clarify the op. 894 01:18:42,260 --> 01:18:44,011 We're gonna drive to location... 895 01:18:44,095 --> 01:18:46,055 -How are you? -Good. How are you? 896 01:18:46,139 --> 01:18:48,057 -I'm fine. -How's the neck? 897 01:18:48,141 --> 01:18:49,809 -It's better, thank you. -Good, good. 898 01:18:51,519 --> 01:18:53,646 The diagrams are based on other tunnels that have been mapped. 899 01:18:53,729 --> 01:18:56,107 They're for reference only, they're not accurate. 900 01:18:56,816 --> 01:18:58,359 Once on the Mexican side of the border, 901 01:18:58,443 --> 01:19:00,361 there'll be a small staging area. 902 01:19:00,445 --> 01:19:02,572 Another shaft will lead to the main warehouse 903 01:19:02,697 --> 01:19:04,365 and the road that returns to Mexico. 904 01:19:05,283 --> 01:19:06,367 Once we clear the mules, 905 01:19:06,451 --> 01:19:08,786 we don't expect more than a dozen bandits. 906 01:19:09,203 --> 01:19:11,706 No. They use Mexican police for vehicle transport. 907 01:19:11,789 --> 01:19:15,042 If you see a uniform in the tunnel, consider him a bandit. 908 01:19:15,126 --> 01:19:18,713 OK. This is... Uh, you want to discuss ROE? 909 01:19:18,796 --> 01:19:20,673 Nah, we'll save that for later. 910 01:19:20,756 --> 01:19:25,470 OK. This is an in and out. We're clearing, placing an agent. 911 01:19:25,553 --> 01:19:27,805 It's all about creating a diversion. 912 01:19:27,889 --> 01:19:30,016 Want the mother of all diversions, boys. 913 01:19:30,099 --> 01:19:31,476 Need a lot of noise. 914 01:19:31,559 --> 01:19:34,103 -Fourth of July on steroids. -(Laughing) 915 01:19:34,187 --> 01:19:37,523 (Delta leader) All right. Weapons check. Let's go, boys. 916 01:19:37,607 --> 01:19:39,650 (Indistinct radio chatter) 917 01:19:41,861 --> 01:19:43,362 This looks like confirmation. 918 01:19:46,365 --> 01:19:48,409 (Indistinct radio chatter) 919 01:19:52,914 --> 01:19:55,208 -I need to fit your guy with a locator. -Yeah, do it. 920 01:19:55,291 --> 01:19:59,295 -Are we going in on this? -You aren't dressed for it. 921 01:19:59,378 --> 01:20:00,546 You didn't fuckin' tell us. 922 01:20:00,630 --> 01:20:02,757 Well, you two went cryin' to Daddy yesterday. 923 01:20:02,840 --> 01:20:04,300 Oh, give me a fucking break! 924 01:20:04,383 --> 01:20:05,760 All right, we'll get you some extra gear. 925 01:20:05,843 --> 01:20:08,137 -We have tac gear in the car. -All right. Good. 926 01:20:08,221 --> 01:20:11,140 -Hang back when we get there. -Then why are we going? 927 01:20:11,224 --> 01:20:13,893 Cos CIA can't operate within US borders... 928 01:20:13,976 --> 01:20:16,187 (Both) Without a domestic agency attached. 929 01:20:19,690 --> 01:20:21,192 I told you you'd be useful. 930 01:20:22,026 --> 01:20:24,237 So that's it. That's why I'm here. 931 01:20:25,863 --> 01:20:29,492 Yeah, that's it. That's why you're here. 932 01:20:30,910 --> 01:20:33,829 Hey, we find any drugs, you guys get to confiscate 'em. 933 01:20:33,913 --> 01:20:35,540 It's gonna be a big day. 934 01:20:38,376 --> 01:20:40,169 Un-fucking real! 935 01:20:47,802 --> 01:20:49,387 -Front and back. -Kate. 936 01:20:50,012 --> 01:20:51,806 Kate, come on. Fuck these people, man. 937 01:20:51,889 --> 01:20:54,392 They've been using us. We don't have to do this. 938 01:20:54,475 --> 01:20:55,768 I need to know what they used us for. 939 01:20:55,851 --> 01:20:57,562 -Doesn't matter what! -Yes, it does! 940 01:20:58,437 --> 01:20:59,647 I say we walk. 941 01:21:00,147 --> 01:21:02,275 We walk and make them eat this whole fucked-up operation. 942 01:21:02,358 --> 01:21:03,985 No. I have to know. 943 01:21:12,868 --> 01:21:16,831 (Man on radio) Black Mercedes. Plate number: Romeo-India-November 944 01:21:16,914 --> 01:21:20,543 three-one-Bravo-seven. Heading south by southeast. 945 01:22:15,806 --> 01:22:17,933 (Thunder rumbling) 946 01:22:29,654 --> 01:22:31,781 (Beeping) 947 01:22:33,282 --> 01:22:34,408 (Matt) Where? 948 01:22:35,993 --> 01:22:38,329 -OK. -(Mobile phone beeps) 949 01:22:38,412 --> 01:22:40,623 We gotta hit the tunnel the minute we get on the ground. 950 01:22:42,541 --> 01:22:43,793 Pretty exciting, huh? 951 01:22:48,756 --> 01:22:50,716 (Thunder rumbling) 952 01:22:56,389 --> 01:22:58,057 (Matt) What is target's location? 953 01:22:58,140 --> 01:23:01,686 (Man on radio) 14 miles south of Nogales heading west, rapidly. 954 01:23:04,397 --> 01:23:06,190 (Indistinct chatter) 955 01:23:12,238 --> 01:23:15,366 Keep your fuckin' safeties on, barrels pointed down. 956 01:23:16,117 --> 01:23:17,618 Stay in the back. 957 01:23:17,993 --> 01:23:21,247 Don't shoot anyone on my fuckin' team. Right? 958 01:23:26,085 --> 01:23:28,212 (Thunder rumbling) 959 01:23:30,089 --> 01:23:32,174 (Indistinct conversation) 960 01:23:42,977 --> 01:23:44,937 (Whirring) 961 01:23:54,113 --> 01:23:55,614 (Delta leader) Gear check. 962 01:23:58,117 --> 01:24:01,537 Thermal camera, check. Night vision goggles, check. 963 01:24:01,620 --> 01:24:04,206 -(Delta 1) Get those guys. -Wanna take Alpha squad? 964 01:24:04,290 --> 01:24:06,709 -Yeah. Let's do it. -(Delta leader) Let's go, boys. 965 01:24:16,177 --> 01:24:17,887 (Delta leader) Control, you copy? 966 01:24:18,763 --> 01:24:21,432 (Man on radio) Roger, Alpha. We read. 967 01:24:21,515 --> 01:24:23,392 (Indistinct chatter) 968 01:26:03,409 --> 01:26:07,037 (Man on radio) 50 metres. Your three o'clock, Alpha. 969 01:26:22,720 --> 01:26:25,389 (Delta leader on radio) Standby. Getting close to objective. 970 01:26:33,522 --> 01:26:35,190 (Man on radio) Alpha, Bravo, be advised. 971 01:26:35,274 --> 01:26:37,318 12 metres straight ahead. 972 01:26:59,715 --> 01:27:01,008 (Matt) All right, we need to boogie 973 01:27:01,091 --> 01:27:03,177 and we need to do it quiet till we find the centre. 974 01:27:03,719 --> 01:27:06,013 (Alejandro) Draw the fighters to you and make some noise. 975 01:27:06,430 --> 01:27:08,682 Don't follow me. I'll be fine. 976 01:27:09,224 --> 01:27:11,435 (Delta leader) What are the rules of engagement? 977 01:27:12,019 --> 01:27:15,314 (Matt) Weapons-free, my friend. Weapons-free. 978 01:27:16,148 --> 01:27:17,399 (Delta leader) Weapons-free, boys. 979 01:27:17,983 --> 01:27:19,360 (Matt) Good luck. 980 01:28:07,074 --> 01:28:08,867 (Man) Oh, God! 981 01:28:08,951 --> 01:28:10,327 (Thudding) 982 01:28:11,870 --> 01:28:13,497 (Indistinct shouting) 983 01:28:13,580 --> 01:28:15,541 -(Knife slashing) -(Man groaning) 984 01:29:33,243 --> 01:29:34,661 (Thudding) 985 01:29:49,009 --> 01:29:50,677 (Guns firing) 986 01:29:52,221 --> 01:29:54,014 (Indistinct shouting) 987 01:29:54,139 --> 01:29:56,433 (Indistinct shouting continues) 988 01:30:08,695 --> 01:30:10,656 (Man shouting) 989 01:30:34,179 --> 01:30:35,806 -You OK? -My gun! 990 01:30:35,931 --> 01:30:37,641 Leave it. Stay on my six. 991 01:30:37,724 --> 01:30:39,810 (Gunfire continues) 992 01:30:59,496 --> 01:31:00,747 (Speaking Spanish) 993 01:31:01,874 --> 01:31:03,000 (Speaking Spanish) 994 01:31:03,333 --> 01:31:05,210 (Echoing gunfire) 995 01:31:11,800 --> 01:31:13,886 (Gunshots) 996 01:31:15,596 --> 01:31:17,723 (Speaking Spanish) 997 01:31:20,642 --> 01:31:21,643 (Gunshot) 998 01:31:22,477 --> 01:31:23,478 (Speaking Spanish) 999 01:31:28,901 --> 01:31:30,360 (Gun clatters) 1000 01:31:30,444 --> 01:31:32,112 (Speaking Spanish) 1001 01:31:33,030 --> 01:31:34,239 Freeze! 1002 01:31:36,533 --> 01:31:39,119 -Step away from him. -(Alejandro) Put that down. 1003 01:31:39,203 --> 01:31:41,663 I mean it! Move away from him right now! 1004 01:31:46,293 --> 01:31:47,920 (Gasps) 1005 01:31:48,545 --> 01:31:50,422 Don't ever point a weapon at me again. 1006 01:31:50,505 --> 01:31:52,299 -(Gasps) -Catch your breath. 1007 01:31:52,382 --> 01:31:54,509 Then get back up there. 1008 01:31:56,220 --> 01:31:57,804 (Car door closes) 1009 01:31:57,930 --> 01:32:00,015 (Engine starts) 1010 01:32:00,098 --> 01:32:01,850 (Tyres screeching) 1011 01:32:19,618 --> 01:32:21,703 (Speaking Spanish) 1012 01:32:26,458 --> 01:32:29,628 I am through. Do you have my location? 1013 01:32:29,711 --> 01:32:31,296 (Man on radio) Roger, we have you. 1014 01:32:31,380 --> 01:32:35,592 Target is east and north of you. Looks like Highway 56 to 17. 1015 01:32:35,676 --> 01:32:38,095 Will intercept him if he stays on 17. 1016 01:32:38,595 --> 01:32:40,847 Go east on 56 off Highway 2. 1017 01:32:40,931 --> 01:32:41,974 Wilco. 1018 01:32:44,351 --> 01:32:46,436 (Both converse in Spanish) 1019 01:33:01,576 --> 01:33:02,869 (Matt) Is he through yet? 1020 01:33:03,453 --> 01:33:06,331 (Man on radio) We have joy. GPS is transmitting. 1021 01:33:06,415 --> 01:33:09,251 Audio is transmitting. Should intercept in 20. 1022 01:33:10,627 --> 01:33:13,547 (Matt) That was a clean, clean fucking op, my friend. 1023 01:33:13,630 --> 01:33:15,674 (Delta leader) Except for these two assholes. 1024 01:33:15,757 --> 01:33:18,552 You're better overseas. You don't have to baby-sit. 1025 01:33:18,635 --> 01:33:21,221 -Where's Kate? -I thought she was with you. 1026 01:33:22,222 --> 01:33:23,724 We gotta go back. 1027 01:33:23,807 --> 01:33:26,935 Oh, shit. Boys, we're missin' one. Let's go. 1028 01:33:28,937 --> 01:33:30,147 (Wheezes) 1029 01:33:34,109 --> 01:33:36,320 -(Grunts) -(Matt) Hey! 1030 01:33:36,403 --> 01:33:37,821 -(Delta 1) Whoa, whoa! -(Grunts) 1031 01:33:40,032 --> 01:33:42,159 (Groans) 1032 01:33:42,701 --> 01:33:45,162 Just lay back, baby. Let it happen. 1033 01:33:50,417 --> 01:33:53,128 -Stop. Stop moving. -(Grunts) Get off me! 1034 01:33:54,254 --> 01:33:55,964 Stop moving! Stop! 1035 01:33:56,381 --> 01:33:58,050 (Pants) 1036 01:34:00,385 --> 01:34:01,553 Stop it. 1037 01:34:02,262 --> 01:34:04,890 Just relax. Just relax. 1038 01:34:07,100 --> 01:34:08,894 All right? Are you gonna stay there? 1039 01:34:08,977 --> 01:34:10,812 -(Grunts) -Are you gonna stay there? 1040 01:34:10,896 --> 01:34:12,064 (Groans) 1041 01:34:25,327 --> 01:34:26,370 All right. 1042 01:34:28,538 --> 01:34:30,040 Now, you listen. 1043 01:34:34,628 --> 01:34:36,213 You went up the wrong tunnel. 1044 01:34:40,384 --> 01:34:42,552 You saw things you shouldn't have seen. 1045 01:34:47,015 --> 01:34:48,809 What is Medellín? 1046 01:34:49,476 --> 01:34:50,977 Medellín? 1047 01:34:55,816 --> 01:34:58,402 Medellín refers to a time... 1048 01:34:59,611 --> 01:35:02,531 .. when one group controlled every aspect of the drug trade. 1049 01:35:04,408 --> 01:35:07,327 Providing a measure of order that we could control. 1050 01:35:09,204 --> 01:35:14,042 Until somebody finds a way to convince 20% of the population 1051 01:35:14,126 --> 01:35:16,753 to stop snorting and smoking that shit... 1052 01:35:19,131 --> 01:35:21,091 .. order's the best we can hope for. 1053 01:35:24,136 --> 01:35:26,096 And what you saw up there 1054 01:35:26,179 --> 01:35:29,766 was Alejandro working toward returning that order. 1055 01:35:32,644 --> 01:35:36,273 Alejandro works for the fucking Colombian Cartel. 1056 01:35:40,152 --> 01:35:42,112 He works for the competition. 1057 01:35:42,195 --> 01:35:45,157 Alejandro works for anyone 1058 01:35:45,240 --> 01:35:47,868 who will point him toward the people who made him. 1059 01:35:50,078 --> 01:35:51,413 Us. 1060 01:35:52,080 --> 01:35:53,331 Them. 1061 01:35:54,583 --> 01:35:56,626 Anyone who will turn him loose. 1062 01:35:58,295 --> 01:36:03,133 So he can get the person that cut off his wife's head... 1063 01:36:04,885 --> 01:36:07,304 ..and threw his daughter into a vat of acid. 1064 01:36:11,725 --> 01:36:12,726 Yeah. 1065 01:36:15,312 --> 01:36:17,272 That's what we're dealing with. 1066 01:36:21,651 --> 01:36:23,361 You can't do this. 1067 01:36:25,864 --> 01:36:27,282 You can't. 1068 01:36:29,367 --> 01:36:32,787 I'm sure as shit not the person you're gonna hide it all behind. 1069 01:36:33,246 --> 01:36:36,541 -You need to take a breath. -I'm gonna fuckin' talk. 1070 01:36:36,625 --> 01:36:38,543 -No, you're not. -Yeah. 1071 01:36:41,254 --> 01:36:42,506 (Groans) 1072 01:36:43,507 --> 01:36:46,051 I'm gonna tell everyone what you did. 1073 01:36:51,056 --> 01:36:52,807 That would be a major mistake. 1074 01:37:18,333 --> 01:37:20,919 Is that the target up ahead? Confirm. 1075 01:37:23,421 --> 01:37:27,551 (Man on radio) Roger that. Black Mercedes, 60 metres ahead. 1076 01:37:29,719 --> 01:37:31,930 (Speaking Spanish) 1077 01:37:43,817 --> 01:37:45,902 (Siren wailing) 1078 01:37:50,532 --> 01:37:51,908 This motherfucker... 1079 01:38:01,001 --> 01:38:02,627 (Speaking Spanish) 1080 01:38:24,733 --> 01:38:27,652 (Speaking Spanish) 1081 01:38:31,740 --> 01:38:33,116 (Speaking Spanish, amplified) 1082 01:38:44,586 --> 01:38:46,087 (Speaking Spanish) 1083 01:38:47,255 --> 01:38:48,673 (Speaking Spanish) 1084 01:38:56,306 --> 01:38:59,559 (Alejandro speaking) 1085 01:38:59,643 --> 01:39:01,895 (Silvio speaking) 1086 01:39:03,813 --> 01:39:05,774 (Manuel speaking Spanish) 1087 01:39:25,710 --> 01:39:27,128 (Gun clatters) 1088 01:40:14,008 --> 01:40:15,051 (Gunfire) 1089 01:40:15,135 --> 01:40:16,469 (Groaning) 1090 01:40:29,983 --> 01:40:31,359 (Groans) 1091 01:40:49,836 --> 01:40:51,337 (Grunts) 1092 01:41:45,683 --> 01:41:47,310 (Manuel speaking Spanish) 1093 01:41:47,435 --> 01:41:49,103 (Guard speaking Spanish) 1094 01:41:51,356 --> 01:41:52,565 (Silenced gunshot) 1095 01:41:58,530 --> 01:42:00,615 What happens when we get to the house? 1096 01:42:01,074 --> 01:42:03,368 You'll stop the car, I'll get out. 1097 01:42:05,411 --> 01:42:06,996 What will happen to me? 1098 01:42:08,665 --> 01:42:10,291 Slow down. 1099 01:42:42,031 --> 01:42:43,700 Señor Diaz? 1100 01:42:47,537 --> 01:42:48,913 (Silenced gunshots) 1101 01:43:02,218 --> 01:43:03,720 (Man on radio) Six remain. 1102 01:43:05,054 --> 01:43:06,848 We're going blind. 1103 01:43:28,828 --> 01:43:29,829 (Silenced gunshots) 1104 01:43:29,913 --> 01:43:31,873 (Bullet shells clattering) 1105 01:43:34,500 --> 01:43:36,586 (Crockery clinking) 1106 01:44:05,156 --> 01:44:06,950 (Fausto speaking Spanish) 1107 01:44:08,326 --> 01:44:09,619 Hmm? 1108 01:44:28,596 --> 01:44:29,889 No. 1109 01:44:54,747 --> 01:44:57,625 Every night you have families killed. 1110 01:44:59,127 --> 01:45:02,422 And yet, here you dine. 1111 01:45:04,590 --> 01:45:06,259 Tonight should be no different. 1112 01:45:17,603 --> 01:45:19,522 (Speaking Spanish) 1113 01:45:35,038 --> 01:45:38,916 Do you think the people that sent you here are any different? 1114 01:45:42,754 --> 01:45:44,881 Who do you think we learned it from? 1115 01:45:51,345 --> 01:45:52,889 The grieving lawyer. 1116 01:45:55,433 --> 01:46:00,438 Your wife, you think she'd be proud of what you've become? 1117 01:46:06,903 --> 01:46:08,696 Don't forget about my daughter. 1118 01:46:12,950 --> 01:46:14,368 Ah, sí. 1119 01:46:15,870 --> 01:46:17,955 (Speaking Spanish) 1120 01:46:30,927 --> 01:46:32,804 (Speaking Spanish) 1121 01:46:41,813 --> 01:46:42,855 Not in front of my boys. 1122 01:46:43,564 --> 01:46:45,650 (Weeps) 1123 01:46:55,827 --> 01:46:57,954 (Speaking Spanish) 1124 01:46:58,621 --> 01:47:00,248 (Clattering) 1125 01:47:00,331 --> 01:47:01,624 (Thudding) 1126 01:47:15,763 --> 01:47:17,431 (Exhales deeply) 1127 01:47:20,810 --> 01:47:22,895 Go ahead and finish your meal. 1128 01:47:34,782 --> 01:47:36,242 (Fausto groans) 1129 01:47:36,325 --> 01:47:38,411 (Gurgling) 1130 01:47:38,995 --> 01:47:40,037 (Gunshot) 1131 01:48:14,322 --> 01:48:16,866 (Footsteps approaching) 1132 01:48:22,788 --> 01:48:26,584 (Alejandro) I would recommend not standing on balconies for a while, Kate. 1133 01:48:35,343 --> 01:48:37,136 (Stubs out cigarette) 1134 01:48:57,365 --> 01:48:58,950 Sit down. 1135 01:49:26,352 --> 01:49:28,854 You look like a little girl when you're scared. 1136 01:49:50,209 --> 01:49:53,129 You remind me of the daughter they took away from me. 1137 01:50:03,639 --> 01:50:05,725 (Sighs) 1138 01:50:14,066 --> 01:50:16,193 I need you to sign this piece of paper. 1139 01:50:19,322 --> 01:50:20,990 It basically says 1140 01:50:21,073 --> 01:50:24,827 that everything we did was done by the book. 1141 01:50:36,255 --> 01:50:37,506 (Clicks pen) 1142 01:50:46,307 --> 01:50:47,850 I can't sign that. 1143 01:50:50,144 --> 01:50:51,562 Sign it. 1144 01:51:18,464 --> 01:51:21,717 (Softly) It's OK. It's OK. 1145 01:51:22,593 --> 01:51:24,428 I can't sign that. 1146 01:51:34,438 --> 01:51:35,523 God! 1147 01:51:38,192 --> 01:51:40,778 You would be committing suicide, Kate. 1148 01:52:02,049 --> 01:52:04,051 Come on. Sign it. 1149 01:52:12,935 --> 01:52:14,979 (Writing) 1150 01:52:28,284 --> 01:52:30,369 You should move to a small town... 1151 01:52:31,328 --> 01:52:32,413 (Pen clicks) 1152 01:52:32,496 --> 01:52:34,582 ..where the rule of law still exists. 1153 01:52:36,709 --> 01:52:38,711 You will not survive here. 1154 01:52:40,671 --> 01:52:41,964 You are not a wolf. 1155 01:52:42,756 --> 01:52:45,259 And this is the land of wolves now. 1156 01:52:46,635 --> 01:52:48,554 (Gun clatters) 1157 01:52:51,682 --> 01:52:53,350 (Door opens) 1158 01:52:55,811 --> 01:52:57,354 (Door closes) 1159 01:53:07,615 --> 01:53:09,200 (Gun cocking) 1160 01:54:11,470 --> 01:54:13,931 (Dog barking) 1161 01:54:23,691 --> 01:54:25,776 (Man speaking Spanish) 1162 01:54:31,865 --> 01:54:33,075 (Children yelling) 1163 01:54:34,285 --> 01:54:35,369 (Whistle blows) 1164 01:54:35,452 --> 01:54:36,912 Oh! 1165 01:54:39,164 --> 01:54:41,250 (Cheering) 1166 01:54:53,429 --> 01:54:55,014 (Distant gunshots) 1167 01:54:59,852 --> 01:55:01,895 (Gunshots continue) 1168 01:55:03,939 --> 01:55:05,608 (Whistle blows) 1169 02:01:20,983 --> 02:01:22,901 (Denis Villeneuve) I was born as a film-maker, 1170 02:01:22,985 --> 02:01:24,778 driving around the world. 1171 02:01:25,612 --> 02:01:27,155 I've seen a lot. 1172 02:01:27,239 --> 02:01:30,242 The more I've been in contact with people from other cultures, 1173 02:01:30,325 --> 02:01:33,495 the more I felt that the world was complex 1174 02:01:33,578 --> 02:01:35,956 and know there was no black and white. 1175 02:01:36,039 --> 02:01:39,209 Cinema is a fantastic tool to explore that complexity. 1176 02:01:39,292 --> 02:01:41,420 To try to understand what is happening. 1177 02:01:41,503 --> 02:01:44,756 Sicario was an exploration of that complexity. 1178 02:01:51,179 --> 02:01:53,807 When I read Sicario for the first time, 1179 02:01:53,890 --> 02:01:55,559 I thought that it was one of 1180 02:01:55,642 --> 02:01:57,561 the strongest and most powerful 1181 02:01:57,644 --> 02:01:59,104 screenplays I ever read. 1182 02:01:59,604 --> 02:02:01,148 (Taylor Sheridan) It's a visual art 1183 02:02:01,231 --> 02:02:03,525 and it begins and ends with the photography 1184 02:02:03,608 --> 02:02:07,154 and him making his own interpretation of the scenes. 1185 02:02:07,237 --> 02:02:08,739 (Denis) Action! 1186 02:02:12,868 --> 02:02:16,663 And then you just have layers upon layers upon layers 1187 02:02:16,747 --> 02:02:20,250 of interpretation that magnify the effect. 1188 02:02:21,334 --> 02:02:24,171 (Denis) Sicario is a journey through darkness 1189 02:02:24,254 --> 02:02:28,091 and through the darkest side of human beings. 1190 02:02:29,342 --> 02:02:33,263 About how far should we go as a society to protect ourself? 1191 02:02:33,764 --> 02:02:36,767 You know what the beauty is of you being so beat to a pulp? 1192 02:02:37,809 --> 02:02:39,936 Cos no-one's gonna notice a few more scratches. 1193 02:02:41,605 --> 02:02:43,523 I would love the audience to feel 1194 02:02:43,607 --> 02:02:46,818 that what they are seeing on the screens 1195 02:02:46,902 --> 02:02:48,528 feels as real as possible. 1196 02:02:48,987 --> 02:02:50,447 FBI! 1197 02:02:52,991 --> 02:02:55,160 That's the way I will approach location. 1198 02:02:57,204 --> 02:02:58,830 That's the way I'll approach violence. 1199 02:03:02,542 --> 02:03:04,711 That's the way I will approach action as well. 1200 02:03:09,424 --> 02:03:12,469 I want to create cinematic moments 1201 02:03:12,552 --> 02:03:16,223 -that will have a freshness to it. -(Grunts) 1202 02:03:16,306 --> 02:03:19,559 There's, of course, sequences in the movie 1203 02:03:19,643 --> 02:03:22,813 that will be beautiful, and strong challenges. 1204 02:03:26,608 --> 02:03:28,735 As a film-maker, it's gonna be exciting 1205 02:03:28,819 --> 02:03:33,698 and in the same time, I think deep...deeply stressful. 1206 02:03:33,782 --> 02:03:35,575 (Inaudible) 1207 02:03:37,285 --> 02:03:39,788 (Roger Deakins) The visuals, they're not designed overnight. 1208 02:03:39,871 --> 02:03:42,082 I like to start off with a general conversation 1209 02:03:42,207 --> 02:03:44,751 about a script, you know, with a director. 1210 02:03:44,835 --> 02:03:48,922 Then Denis will get a lot of images from all sorts of different places. 1211 02:03:49,589 --> 02:03:51,424 (Patrice Vermette) So I start doing a collage of 1212 02:03:51,508 --> 02:03:55,554 every set or every mood or idea for some of the scenes. 1213 02:03:55,637 --> 02:03:57,681 The drug war, it's well documented. 1214 02:03:57,806 --> 02:03:59,808 There's some really gritty, 1215 02:03:59,891 --> 02:04:03,145 disgusting stuff that happens over there. 1216 02:04:03,228 --> 02:04:06,773 Patrice Vermette and Renée April, my costume and production designers, 1217 02:04:06,857 --> 02:04:09,568 they are making massive research for Sicario, 1218 02:04:09,651 --> 02:04:11,820 like if we were doing a documentary. 1219 02:04:11,903 --> 02:04:15,532 (Sam Hudecki) When we would draw reference from photos, or Patrice's work, 1220 02:04:15,615 --> 02:04:18,743 certain things that really hit the mood of the film 1221 02:04:18,827 --> 02:04:20,871 were very influential. 1222 02:04:20,954 --> 02:04:22,956 (Sirens) 1223 02:04:23,999 --> 02:04:26,751 In this case, I brought a lot of work by Alex Webb. 1224 02:04:27,377 --> 02:04:30,338 Alex Webb had actually shot a whole series of pictures 1225 02:04:30,422 --> 02:04:34,676 about this subject in Mexico and on the border in the '80s. 1226 02:04:34,759 --> 02:04:36,761 I thought his sense of composition 1227 02:04:36,845 --> 02:04:39,306 and use of colour is pretty amazing. 1228 02:04:40,515 --> 02:04:43,143 (Patrice) Roger brought in the idea of Alex Webb. 1229 02:04:44,019 --> 02:04:48,023 The way that the light works on the character and the colours, 1230 02:04:48,106 --> 02:04:51,234 there's like light and then there's darkness. 1231 02:04:52,277 --> 02:04:55,864 (Sam) It's kind of like watching a photograph develop 1232 02:04:55,947 --> 02:04:58,200 in the chemical bath as you start to see 1233 02:04:58,283 --> 02:05:01,745 the mood of the film emerge through that process. 1234 02:05:04,039 --> 02:05:08,210 Denis' films are a constantly evolving animal 1235 02:05:08,293 --> 02:05:11,379 and the storyboards are only a piece of the puzzle. 1236 02:05:11,463 --> 02:05:13,632 (Roger) We wanted to introduce Kate, 1237 02:05:13,715 --> 02:05:17,093 in some kind of graphic way, introduce what's happening. 1238 02:05:17,177 --> 02:05:20,347 We had storyboarded that and there were very specific shots 1239 02:05:20,430 --> 02:05:23,391 for that whole sequence inside the SWAT vehicle. 1240 02:05:23,892 --> 02:05:25,936 (Sam) So with Kate's character, you begin with 1241 02:05:26,019 --> 02:05:28,438 that very first scene with just her eye. 1242 02:05:28,521 --> 02:05:32,108 And there's immediately a contrast between light and dark. 1243 02:05:32,192 --> 02:05:35,779 That was the moment that I could see a twinkle in Denis' eyes, 1244 02:05:35,862 --> 02:05:38,698 as the film was really...started to come into focus for him. 1245 02:05:38,782 --> 02:05:40,742 Denis wanted this sense of the light 1246 02:05:40,825 --> 02:05:44,162 and there's no way you could do it in the real SWAT vehicle. 1247 02:05:44,246 --> 02:05:47,540 So Patrice built a kind of very rudimentary box set. 1248 02:05:47,624 --> 02:05:50,168 Basically, you don't see anything of the inside anyway, 1249 02:05:50,252 --> 02:05:52,337 so it's just a wooden shape. 1250 02:05:52,420 --> 02:05:55,674 We put it on a turntable and we had a lamp on a crane 1251 02:05:55,757 --> 02:06:00,845 so you could manipulate it to get those shafts of light coming through the window. 1252 02:06:00,971 --> 02:06:05,058 Completely unreal, but it's just part of that introduction of the character 1253 02:06:05,141 --> 02:06:08,979 and, you know, expressive way of getting that light and the dark. 1254 02:06:09,646 --> 02:06:13,984 It's metaphorical for what's our perception of what's good and not. 1255 02:06:19,572 --> 02:06:22,701 (Denis) For Sicario, the idea was to be as authentic as possible. 1256 02:06:22,784 --> 02:06:26,454 To feel that we are very, very close to reality. 1257 02:06:26,538 --> 02:06:28,623 With Roger Deakins and Patrice Vermette, 1258 02:06:28,707 --> 02:06:31,209 my production designer and cinematographer, 1259 02:06:31,293 --> 02:06:33,044 we aim for that kind of authenticity. 1260 02:06:33,128 --> 02:06:38,049 (Patrice) We looked at where the actual action takes place with Roger and Denis 1261 02:06:38,133 --> 02:06:42,637 and the producers, and then we looked around New Mexico, 1262 02:06:42,721 --> 02:06:45,974 Albuquerque area to see if it was a possible match. 1263 02:06:46,099 --> 02:06:49,728 (Denis) For Sicario, we choose to shoot in New Mexico. 1264 02:06:49,811 --> 02:06:52,981 I need landscapes that will have a relationship with the horizon. 1265 02:06:53,106 --> 02:06:57,652 I want the characters to be lost in the emptiness. 1266 02:06:57,736 --> 02:07:00,864 Landscapes that will be almost a character in the film. 1267 02:07:02,991 --> 02:07:05,744 The border of Mexico and the United States for me, 1268 02:07:05,827 --> 02:07:07,454 it says a long of things about our world. 1269 02:07:07,537 --> 02:07:13,376 This idea that just beside the biggest democracy of the world, 1270 02:07:13,460 --> 02:07:17,630 a Frisbee away, you know, you have this chaos. 1271 02:07:17,714 --> 02:07:21,259 A place where the laws are not followed any more. 1272 02:07:21,343 --> 02:07:22,844 (Kate) Unbelievable. 1273 02:07:22,927 --> 02:07:25,388 (Man) That's what happens when you chop the head off a chicken. 1274 02:07:25,472 --> 02:07:27,140 (Distant sirens and gunfire) 1275 02:07:28,224 --> 02:07:30,185 (Denis) I needed those helicopter shots 1276 02:07:30,268 --> 02:07:34,522 because I wanted the audience to understand the geography. 1277 02:07:34,939 --> 02:07:37,776 Understand the power of that landscape. 1278 02:07:37,859 --> 02:07:40,320 Understand the geography of the action 1279 02:07:40,403 --> 02:07:45,867 and also the absurdity of seeing a landscape that is the same, 1280 02:07:45,950 --> 02:07:48,203 but is divided just by a line. 1281 02:07:49,037 --> 02:07:51,122 It's a very powerful image. 1282 02:07:55,460 --> 02:07:59,005 Alejandro's journey after the tunnel with Silvio, 1283 02:07:59,089 --> 02:08:03,551 we storyboarded not knowing exactly where things would take place. 1284 02:08:04,135 --> 02:08:05,678 (Roger) We were based in Albuquerque 1285 02:08:05,762 --> 02:08:08,473 and it was quite a strong monsoonal season that year. 1286 02:08:08,556 --> 02:08:11,184 So we ended up with all these kind of amazing skies 1287 02:08:11,309 --> 02:08:13,353 that we hadn't expected. 1288 02:08:13,436 --> 02:08:16,022 Silvio's police car going into the background, 1289 02:08:16,106 --> 02:08:18,316 the production manager or somebody said 1290 02:08:18,400 --> 02:08:22,070 there was a weather alert and that we had to wrap. 1291 02:08:22,737 --> 02:08:24,155 (Sam) Denis had this idea 1292 02:08:24,239 --> 02:08:27,283 that there is an emotional beat in the film he wanted to hit. 1293 02:08:27,367 --> 02:08:30,328 And they found a real thunderstorm to drive into, 1294 02:08:30,412 --> 02:08:34,374 which is spectacular and completely unpredictable. 1295 02:08:34,457 --> 02:08:37,293 (Roger) That was just a shot we did before everybody wrapped, 1296 02:08:37,377 --> 02:08:40,088 with a bolt of lightning going straight down 1297 02:08:40,171 --> 02:08:41,965 that gives the landscape character. 1298 02:08:42,048 --> 02:08:44,134 (Thunderclap) 1299 02:08:46,553 --> 02:08:48,346 -Roll sound! -Rolling! 1300 02:08:49,931 --> 02:08:51,975 (Edward L McDonnell) We're outdoors in a lot of sunshine. 1301 02:08:52,058 --> 02:08:53,768 Roger and Denis created a world 1302 02:08:53,852 --> 02:08:56,271 where even in the sunshine, bad things happen. 1303 02:08:56,354 --> 02:08:57,814 (Explosion) 1304 02:09:03,445 --> 02:09:06,072 (Denis) This desert is inspiring, fantastic 1305 02:09:06,156 --> 02:09:07,490 and tough, rough on the body. 1306 02:09:07,574 --> 02:09:10,160 -And cut! -Everybody's tired right now. 1307 02:09:10,243 --> 02:09:12,912 I'm very tired right now because we spent days 1308 02:09:12,996 --> 02:09:14,873 in the harsh conditions. 1309 02:09:14,956 --> 02:09:16,624 The light is very raw. 1310 02:09:16,708 --> 02:09:18,376 I said to Roger, 1311 02:09:18,460 --> 02:09:21,379 "How can we embrace it, instead of fighting it? 1312 02:09:21,463 --> 02:09:24,257 The brutality of that sun and bring our characters, 1313 02:09:24,340 --> 02:09:26,092 like silhouettes in this harsh sun?" 1314 02:09:26,176 --> 02:09:28,428 Roger totally agreed and loved the idea. 1315 02:09:28,511 --> 02:09:31,723 You're actually dealing with the real world. A real subject. 1316 02:09:31,806 --> 02:09:34,100 I try and create a kind of naturalism, 1317 02:09:34,184 --> 02:09:36,561 so you feel you're in the real world in some way, 1318 02:09:36,644 --> 02:09:38,730 even when it's stylised. 1319 02:09:42,358 --> 02:09:45,278 I think you really want the audience to connect with it, 1320 02:09:45,361 --> 02:09:46,905 in the sense that... 1321 02:09:46,988 --> 02:09:49,199 Yeah, it feels like that is something 1322 02:09:49,282 --> 02:09:50,992 that could...and is happening. 1323 02:09:52,535 --> 02:09:55,121 (Denis) I like the idea that we will do a movie with a lot of contrast. 1324 02:09:55,205 --> 02:09:58,124 And this idea of going in the total opposite direction 1325 02:09:58,208 --> 02:10:01,044 in that the night will be a deep dark. 1326 02:10:01,127 --> 02:10:04,088 We'll need more the knife to see in the night. 1327 02:10:04,172 --> 02:10:05,965 We embrace that contrast. 1328 02:10:09,928 --> 02:10:12,764 (Sam) The tunnel sequence had a distinct set of challenges to it 1329 02:10:12,847 --> 02:10:15,892 because it was from dusk to night. 1330 02:10:15,975 --> 02:10:18,228 As you got into the tunnel more deeply, 1331 02:10:18,311 --> 02:10:21,689 I think it really became a transition of light to dark. 1332 02:10:21,773 --> 02:10:24,484 (Daniel Kaluuya) It was pitch-black, even when we was 1333 02:10:24,567 --> 02:10:29,072 in the outside of the tunnels, we were shooting in darkness. 1334 02:10:29,155 --> 02:10:31,699 There was one little bit of light, 1335 02:10:31,783 --> 02:10:33,368 just to kind of see stuff. 1336 02:10:33,451 --> 02:10:36,204 All the cars weren't allowed headlights on. Darkness. 1337 02:10:36,287 --> 02:10:39,249 (Roger) All this is taking place at night 1338 02:10:39,332 --> 02:10:42,126 and all the characters have to work, 1339 02:10:42,210 --> 02:10:45,922 wear these image enhancers of one shape or another so they can see. 1340 02:10:46,005 --> 02:10:48,174 So you can't really shoot it in an objective way 1341 02:10:48,299 --> 02:10:50,301 with a kind of Hollywood moonlight effect, 1342 02:10:50,385 --> 02:10:52,345 because that doesn't make any sense at all. 1343 02:10:52,470 --> 02:10:55,473 If you the audience can see it, then the characters can see it, 1344 02:10:55,557 --> 02:10:57,934 so why are they wearing all these silly things? 1345 02:10:58,017 --> 02:11:00,478 There's a whole sequence that is shot in total darkness. 1346 02:11:00,562 --> 02:11:02,188 But when I say in total darkness, 1347 02:11:02,272 --> 02:11:04,899 I mean we were shooting in deep dark. 1348 02:11:04,983 --> 02:11:09,404 We were using a thermal camera and an infra-red camera 1349 02:11:09,487 --> 02:11:12,949 and those cameras were obviously able to see in deep night. 1350 02:11:13,032 --> 02:11:14,993 We couldn't just do it with standard night-vision. 1351 02:11:15,076 --> 02:11:16,869 That would all look too samey. 1352 02:11:16,953 --> 02:11:19,872 Then we started experimenting with infra-red 1353 02:11:19,956 --> 02:11:23,835 and found this company who had this really fantastic infra-red camera 1354 02:11:23,918 --> 02:11:27,880 that we could actually follow the footprints down the stairs. 1355 02:11:28,506 --> 02:11:31,175 The prop man actually heated up his boots 1356 02:11:31,259 --> 02:11:34,095 and walked down in front of us as we did that shot. 1357 02:11:34,512 --> 02:11:36,681 (Sam) Night-vision represented different characters. 1358 02:11:36,764 --> 02:11:40,518 Kate would look at Reggie in her green night-vision 1359 02:11:40,602 --> 02:11:45,106 and Alejandro had the dark infra-red vision. 1360 02:11:46,107 --> 02:11:49,652 Basically, it's like going scuba diving in the desert, you know 1361 02:11:49,736 --> 02:11:51,779 in the total darkness. 1362 02:11:51,863 --> 02:11:53,990 That brought a tension that I was looking for 1363 02:11:54,073 --> 02:11:56,159 in this specific sequence. 1364 02:11:58,119 --> 02:12:01,914 There was this idea of my main character going into Mexico 1365 02:12:01,998 --> 02:12:05,752 and having a first glimpse at Juárez, the chaos of Juárez. 1366 02:12:05,877 --> 02:12:08,296 That, I felt, had a strong cinematic potential. 1367 02:12:08,379 --> 02:12:11,799 (Edward) We visited Juárez, which is a very scary place right now. 1368 02:12:11,883 --> 02:12:14,427 You could tell that it was a city that had suffered 1369 02:12:14,510 --> 02:12:17,639 an enormous amount of damage due to the cartels. 1370 02:12:17,722 --> 02:12:20,433 I remember asking the Federales when we went there, 1371 02:12:20,516 --> 02:12:22,685 "What's the good part of town? What's the bad part?" 1372 02:12:22,769 --> 02:12:25,188 "The good part is where they're not killing anyone." 1373 02:12:25,271 --> 02:12:29,067 (Denis) It was not possible to shoot in Juárez, it was too much violence. 1374 02:12:29,150 --> 02:12:31,444 It was very, very, very important 1375 02:12:31,527 --> 02:12:34,072 for Patrice, Roger and I to shoot in Mexico. 1376 02:12:34,155 --> 02:12:36,157 Because I wanted to embrace that culture. 1377 02:12:36,240 --> 02:12:38,409 I wanted to feel the reality of this culture. 1378 02:12:38,493 --> 02:12:42,789 Mexico City is such a huge city that, on its outskirts, 1379 02:12:42,872 --> 02:12:46,042 it's very similar to what we can find in Juárez. 1380 02:12:46,626 --> 02:12:50,171 (Denis) There's a fair amount of use of different kind of colours in the film 1381 02:12:50,254 --> 02:12:53,174 that were inspired by what we can see 1382 02:12:53,257 --> 02:12:54,467 when we arrive in Mexico. 1383 02:12:54,550 --> 02:12:57,804 The use of those bright colours and this contrast 1384 02:12:57,887 --> 02:13:00,473 of this joy coming from the colour 1385 02:13:00,556 --> 02:13:02,934 and the violence in the country was so striking. 1386 02:13:03,017 --> 02:13:07,689 The US side is very beige. It's a very corporate look. 1387 02:13:07,772 --> 02:13:10,191 When you go to Mexico, it's a bit more of a free-for-all. 1388 02:13:10,274 --> 02:13:12,318 Anarchy. Chaos. 1389 02:13:12,402 --> 02:13:17,115 And that is something that we tried to exploit in the movie, 1390 02:13:17,198 --> 02:13:19,117 -in the design. -You hear that? 1391 02:13:19,200 --> 02:13:20,785 (Distant popping) 1392 02:13:21,452 --> 02:13:22,578 Those aren't firecrackers. 1393 02:13:23,121 --> 02:13:26,207 -(Tyres screech) -There's a vicious drive into Juárez. 1394 02:13:26,791 --> 02:13:29,794 One of the first questions that we had beginning the storyboards 1395 02:13:29,877 --> 02:13:33,673 was what the pacing and what the feeling was going to be. 1396 02:13:33,756 --> 02:13:36,551 Spotter vehicle, left lane. Left lane. 1397 02:13:36,634 --> 02:13:38,678 (Sam) Roger is so strong as a visual storyteller. 1398 02:13:38,761 --> 02:13:41,472 So that when we're working on the framing of shots, 1399 02:13:41,556 --> 02:13:43,933 the ways that the camera will move, 1400 02:13:44,016 --> 02:13:48,688 we would discuss the pace from frenetic action through Juárez. 1401 02:13:48,771 --> 02:13:52,400 Through driving trucks. Through seeing buildings whip past. 1402 02:13:52,483 --> 02:13:53,776 So catching pieces of it, 1403 02:13:53,901 --> 02:13:56,612 an awareness of how the camera is also a character. 1404 02:13:56,696 --> 02:13:58,114 Staying with Kate, 1405 02:13:58,197 --> 02:14:01,075 that brings you into the action, through her character's perspective. 1406 02:14:01,534 --> 02:14:05,037 And then we would get to this...to being stuck. 1407 02:14:05,121 --> 02:14:07,331 When you're stuck, you can't really move around. 1408 02:14:07,415 --> 02:14:08,791 (Helicopter whirs) 1409 02:14:10,126 --> 02:14:11,419 Get your service weapon out. 1410 02:14:11,794 --> 02:14:13,880 (Molly Smith) There's an incredible sequence, 1411 02:14:13,963 --> 02:14:15,631 as they're coming across the border. 1412 02:14:15,715 --> 02:14:18,009 It all happens in about 90 seconds onscreen. 1413 02:14:18,092 --> 02:14:21,095 Months and months of planning and building and design. 1414 02:14:22,054 --> 02:14:23,598 (Denis) It was impossible to shoot 1415 02:14:23,681 --> 02:14:27,351 on the Bridge of the Americas, where the action will take place. 1416 02:14:27,435 --> 02:14:30,438 For obvious security reasons, since 9/11, 1417 02:14:30,521 --> 02:14:32,940 it's not possible any more to shoot on those bridges. 1418 02:14:34,650 --> 02:14:37,862 Roger Deakins and Patrice and Denis and everyone 1419 02:14:37,945 --> 02:14:39,906 putting our heads together, figuring out how to shoot this 1420 02:14:39,989 --> 02:14:41,616 in an epic, intense way. 1421 02:14:41,699 --> 02:14:45,203 (Patrice) It's a pivot in a story, in Kate's journey, 1422 02:14:45,286 --> 02:14:48,581 how she is being transformed by what's happening. 1423 02:14:48,664 --> 02:14:51,876 That's the main set that needed to be... 1424 02:14:51,959 --> 02:14:53,252 You know, it was specific. 1425 02:14:53,336 --> 02:14:55,379 It needed to be that and nothing else. 1426 02:14:56,464 --> 02:14:59,342 The real place is on the US side. 1427 02:14:59,425 --> 02:15:03,221 There's 14 booths and there's a lotta, lotta, lotta traffic. 1428 02:15:03,304 --> 02:15:04,680 The traffic doesn't move. 1429 02:15:04,764 --> 02:15:06,933 We realised that, you know, economically, 1430 02:15:07,016 --> 02:15:08,851 we could never build that. 1431 02:15:09,352 --> 02:15:11,229 (Jan Pascale) Patrice sent me a drawing of 1432 02:15:11,312 --> 02:15:14,148 how he envisioned the border crossing. 1433 02:15:14,232 --> 02:15:18,444 I think he really distilled what was necessary... 1434 02:15:19,570 --> 02:15:23,282 ..for the shot, but created that claustrophobic, trapped feeling. 1435 02:15:23,366 --> 02:15:26,369 (Patrice) That is the first beat before going back to United States, 1436 02:15:26,452 --> 02:15:27,537 that toll booth. 1437 02:15:27,620 --> 02:15:31,165 The fact that there's border agents rushing into the scene, 1438 02:15:31,249 --> 02:15:36,045 so those booths are the excuse for those agents to rush to the scene. 1439 02:15:36,128 --> 02:15:40,424 It's also the excuse for the traffic to slow down. 1440 02:15:40,508 --> 02:15:44,428 (Trent Luckinbill) We built a replica of the border crossing in El Paso, 1441 02:15:44,512 --> 02:15:46,764 complete with the Bridge of the Americas. 1442 02:15:46,848 --> 02:15:49,225 Going over, that looks as if you're there. 1443 02:15:49,308 --> 02:15:51,435 (Jan) We laid tarmac and then discerning 1444 02:15:51,519 --> 02:15:54,564 what would be visual effects and what would be real. 1445 02:15:54,647 --> 02:15:58,150 And creating the toll booths and then our amazing painters, 1446 02:15:58,234 --> 02:16:01,696 with striping and ageing and oil stains. 1447 02:16:01,779 --> 02:16:05,366 I mean, it just takes so many levels to make it look real. 1448 02:16:05,449 --> 02:16:08,536 But then achieving it was a whole other issue. 1449 02:16:10,079 --> 02:16:11,581 The hardest scene in the film 1450 02:16:11,664 --> 02:16:13,749 was the shootout at the border post, 1451 02:16:13,833 --> 02:16:15,543 when they're coming back from Mexico. 1452 02:16:15,626 --> 02:16:18,504 (Denis) I'm deeply inspired and excited to work with Roger. 1453 02:16:18,588 --> 02:16:20,673 The only way to work with such a master 1454 02:16:20,756 --> 02:16:23,050 is to try to flirt with disaster. 1455 02:16:23,134 --> 02:16:25,303 I want Roger to be deeply inspired. 1456 02:16:25,386 --> 02:16:28,389 (Roger) He's shooting that way, this way, all this action. 1457 02:16:28,472 --> 02:16:33,561 So that was something we storyboarded in quite considerable detail. 1458 02:16:33,644 --> 02:16:35,771 So much of it was played from Emily's point of view 1459 02:16:35,855 --> 02:16:37,565 and she's sitting in the back of a car. 1460 02:16:37,648 --> 02:16:40,651 It's important you build up at the beginning who's the bad guy 1461 02:16:40,776 --> 02:16:45,865 and who's not and there's all the civilians in between, 1462 02:16:45,948 --> 02:16:47,283 you know, the two parties. 1463 02:16:47,366 --> 02:16:49,744 The camera was static for quite a bit of that. 1464 02:16:49,827 --> 02:16:53,414 It comes down to being locked in a place where you are unable to move 1465 02:16:53,497 --> 02:16:57,126 and staying with Kate, you're only able to see what you can. 1466 02:16:57,209 --> 02:16:59,921 -Get outta the car! -(Roger) It's that confusion, 1467 02:17:00,004 --> 02:17:02,757 I think, when, you know, the confrontation, 1468 02:17:02,840 --> 02:17:05,801 and the guys, and they get shot. 1469 02:17:05,885 --> 02:17:09,096 You're in... The camera can justifiably come in 1470 02:17:09,180 --> 02:17:12,600 to see it more clearly and see the horror of what's happening. 1471 02:17:12,683 --> 02:17:14,769 (Molly) The action that is in here is so intense 1472 02:17:14,852 --> 02:17:19,273 and so real for the characters in the moment that I think 1473 02:17:19,357 --> 02:17:22,485 it's gonna knock the audience back because it's frightening. 1474 02:18:03,526 --> 02:18:04,860 What the fuck? 1475 02:18:06,862 --> 02:18:09,532 (Emily Blunt) I think that this film is trying to explore 1476 02:18:09,615 --> 02:18:12,702 the space between good and bad, between right and wrong. 1477 02:18:12,785 --> 02:18:15,413 (Trent Luckinbill) Morality gets challenged 1478 02:18:15,496 --> 02:18:16,956 in a way with each of the characters. 1479 02:18:17,039 --> 02:18:19,583 (Daniel Kaluuya) The way the characters are painted, 1480 02:18:19,667 --> 02:18:22,545 are so intriguing that you want to continue to watch. 1481 02:18:22,628 --> 02:18:25,172 When you cast the right actor for the right part, 1482 02:18:25,256 --> 02:18:28,217 then there will be an explosion of life in front of the camera. 1483 02:18:28,300 --> 02:18:31,470 (Thad Luckinbill) You find yourself inside these characters, 1484 02:18:31,554 --> 02:18:33,097 in understanding their dilemmas. 1485 02:18:33,180 --> 02:18:36,559 I think that's the beautiful thing Sicario dives into. 1486 02:18:36,642 --> 02:18:37,643 Freeze! 1487 02:18:46,736 --> 02:18:48,779 -(Indistinct shouting) -(Kate) FBI! 1488 02:18:48,863 --> 02:18:50,197 (Grunting) 1489 02:18:51,073 --> 02:18:53,784 (Emily) Kate Macer, she's an FBI agent. 1490 02:18:53,868 --> 02:18:56,412 She also runs a hostage rescue team. 1491 02:18:56,495 --> 02:18:58,581 She's really the moral compass of the film. 1492 02:18:58,664 --> 02:19:00,541 She likes to do things in the right way. 1493 02:19:00,624 --> 02:19:02,168 She does things by the book. 1494 02:19:02,251 --> 02:19:05,129 (Denis Villeneuve) Kate Macer witnessed that the violence 1495 02:19:05,212 --> 02:19:09,550 coming from the south is growing and coming closer, closer to her own town. 1496 02:19:09,633 --> 02:19:12,553 She feels she has less and less power against that violence. 1497 02:19:12,636 --> 02:19:17,767 This character that's starting to doubt about their own ways of doing things. 1498 02:19:17,850 --> 02:19:22,938 Kate, you must volunteer for an inter-agency task force. 1499 02:19:23,022 --> 02:19:25,900 Do we get an opportunity at the men responsible for today? 1500 02:19:25,983 --> 02:19:28,569 The men who were really responsible for today, yeah. 1501 02:19:29,737 --> 02:19:31,113 I'll volunteer. 1502 02:19:31,197 --> 02:19:34,158 Where Kate is fighting with American morality 1503 02:19:34,241 --> 02:19:38,079 and American rules of justice, her enemies, 1504 02:19:38,162 --> 02:19:40,081 the cartels, have none of that. 1505 02:19:40,164 --> 02:19:43,084 They have no rules, no laws, no morals. 1506 02:19:43,167 --> 02:19:46,003 (Trent) She gets thrust into this team 1507 02:19:46,087 --> 02:19:49,298 that's looking more holistically and globally at 1508 02:19:49,381 --> 02:19:52,343 a particular cartel that they're trying to eliminate. 1509 02:19:52,426 --> 02:19:54,678 Aaah! Fuck! OK! 1510 02:19:54,762 --> 02:19:57,681 (Emily) They do things completely illegally. 1511 02:19:57,765 --> 02:20:02,353 There is the constant pull and the magnet towards that world 1512 02:20:02,436 --> 02:20:05,147 where she sees the benefit of what they do in some ways. 1513 02:20:05,606 --> 02:20:09,068 The great conflict about the character, which is fun to play, 1514 02:20:09,193 --> 02:20:13,614 is that there's a sort of temptation with this world, 1515 02:20:13,697 --> 02:20:15,574 with the CIA and how they do things. 1516 02:20:15,658 --> 02:20:18,953 I think the audience are looking at this through Kate's eyes 1517 02:20:19,036 --> 02:20:21,664 and asked to question their moral compass, 1518 02:20:21,747 --> 02:20:24,416 as to what they would do in this situation. 1519 02:20:25,501 --> 02:20:27,294 (Alejandro) Are you married? 1520 02:20:27,837 --> 02:20:28,963 Divorced. 1521 02:20:31,173 --> 02:20:32,466 Kids? 1522 02:20:33,342 --> 02:20:34,760 No. 1523 02:20:35,678 --> 02:20:37,012 Anything else? 1524 02:20:37,263 --> 02:20:40,808 (Taylor Sheridan) I've had a lot of people ask why did I make Kate a woman? 1525 02:20:40,891 --> 02:20:42,977 And as I was coming up with these characters, 1526 02:20:43,060 --> 02:20:46,647 I thought that a man would be less likely 1527 02:20:46,730 --> 02:20:50,067 to stand by their principles in that circumstance. 1528 02:20:50,151 --> 02:20:53,320 I believe that a woman would not be as willing 1529 02:20:53,404 --> 02:20:55,614 to allow the end to justify the means. 1530 02:20:55,698 --> 02:20:57,366 When I'm creating this character, 1531 02:20:57,449 --> 02:20:59,952 who looks weak at times... 1532 02:21:00,035 --> 02:21:02,663 She's not weak, she just is in a world she doesn't understand 1533 02:21:02,788 --> 02:21:06,167 and she's unwilling to bend the rules as she's been taught them 1534 02:21:06,250 --> 02:21:08,127 and we perceive that as weakness. 1535 02:21:10,337 --> 02:21:11,505 When Denis signed on 1536 02:21:11,589 --> 02:21:14,383 and we started looking for an actress to play it, 1537 02:21:14,884 --> 02:21:17,553 there was a fear that the character would come across as weak. 1538 02:21:17,636 --> 02:21:21,557 My argument was, "An actress is gonna read this role 1539 02:21:21,640 --> 02:21:24,768 and see everything that other people were seeing 1540 02:21:24,852 --> 02:21:27,980 as a weakness as a strength." She came on very quickly. 1541 02:21:28,063 --> 02:21:29,857 What do you want, Kate? What'd you like done? 1542 02:21:29,940 --> 02:21:32,109 I want to follow some semblance of procedure. 1543 02:21:32,193 --> 02:21:34,445 That's what I want. To build a prosecutable case. 1544 02:21:34,528 --> 02:21:37,948 We prosecuted more felony drug cases in this region last year 1545 02:21:38,032 --> 02:21:40,451 than in the two previous years combined. 1546 02:21:40,534 --> 02:21:42,703 Are you feeling that on the street? 1547 02:21:43,954 --> 02:21:45,080 No. 1548 02:21:45,164 --> 02:21:47,249 I just admired the character. 1549 02:21:47,333 --> 02:21:51,003 I thought she represented that morality in an amoral world. 1550 02:21:51,086 --> 02:21:54,924 I think to see that line and that person disintegrate 1551 02:21:55,007 --> 02:21:57,927 over the next three days was going to be challenging. 1552 02:21:58,010 --> 02:22:01,472 -I was excited. -(Denis) Ready? And action! 1553 02:22:01,555 --> 02:22:05,601 I was looking for a young actress that will have the strength and the ability 1554 02:22:05,684 --> 02:22:08,270 to portray that FBI agent that will be believable. 1555 02:22:08,354 --> 02:22:10,940 Someone that... without losing her femininity. 1556 02:22:11,023 --> 02:22:12,107 Cut! 1557 02:22:12,191 --> 02:22:15,819 (Denis) I knew Emily had that inner strength that I was looking for. 1558 02:22:15,903 --> 02:22:17,738 It's also a very tough part 1559 02:22:17,821 --> 02:22:21,408 because, as the witness of this operation, 1560 02:22:21,492 --> 02:22:24,870 she has to do a lot of things in her eyes, without saying things. 1561 02:22:24,954 --> 02:22:28,916 She has to make the audience understand the path of her character. 1562 02:22:28,999 --> 02:22:31,418 Emily is a very precise and subtle actress. 1563 02:22:31,961 --> 02:22:34,964 (Emily) She's a character who you don't have much to go on. 1564 02:22:35,047 --> 02:22:38,801 So Kate became my invention and my take on her, 1565 02:22:38,884 --> 02:22:40,803 so the most informative thing for me 1566 02:22:40,886 --> 02:22:43,806 was speaking to four female FBI agents. 1567 02:22:43,889 --> 02:22:47,935 They were very honest, very open about what that lifestyle is. 1568 02:22:48,018 --> 02:22:50,396 The certain kind of personality you need to have 1569 02:22:50,479 --> 02:22:52,815 in order to be a woman in law enforcement. 1570 02:22:52,898 --> 02:22:56,151 The kind of courage you need and I saw Kate as somebody... 1571 02:22:56,235 --> 02:22:58,070 There's a steeliness and a strength, 1572 02:22:58,153 --> 02:23:00,155 but she's actually quite shy. 1573 02:23:00,239 --> 02:23:03,492 The woman that I based her on was one of these FBI agents, 1574 02:23:03,575 --> 02:23:07,162 who was quite shy, actually, quite socially a bit awkward. 1575 02:23:07,246 --> 02:23:10,082 I thought that was a good take for this character. 1576 02:23:10,541 --> 02:23:13,085 She's someone who's thrust into a vulnerable position. 1577 02:23:13,168 --> 02:23:16,005 Yet she's highly skilled at what she normally does. 1578 02:23:16,088 --> 02:23:18,299 So it was just trying to find that fine line 1579 02:23:18,382 --> 02:23:20,342 between vulnerability and strength. 1580 02:23:25,222 --> 02:23:27,891 The border crossing scene's where you see the first time 1581 02:23:27,975 --> 02:23:30,519 the character starts to truly disintegrate, 1582 02:23:30,602 --> 02:23:32,980 because she comes from a world 1583 02:23:33,063 --> 02:23:35,899 where she's held accountable for every bullet she fires. 1584 02:23:35,983 --> 02:23:38,902 She's in this land where people just spray bullets. 1585 02:23:38,986 --> 02:23:42,031 She has to shoot somebody during the border battle to survive. 1586 02:23:45,659 --> 02:23:47,411 (Thad) The convoy trip was so traumatic. 1587 02:23:47,494 --> 02:23:49,788 I mean, I think the rules she lives by, 1588 02:23:49,872 --> 02:23:52,333 the rules she was trained with as a law enforcement, 1589 02:23:52,416 --> 02:23:56,795 have gone away and she realises that she's in a new world and she's lost. 1590 02:24:01,342 --> 02:24:02,343 (Silenced gunfire) 1591 02:24:03,469 --> 02:24:06,180 (Benicio Del Toro) "Sicario" would be the equivalent of 1592 02:24:06,263 --> 02:24:09,725 a hit man for a drug cartel. 1593 02:24:09,808 --> 02:24:13,187 (Denis) "Sicario" has a very powerful and scary meaning in Spanish 1594 02:24:13,270 --> 02:24:16,899 and it's the job of one of my main characters. 1595 02:24:17,316 --> 02:24:20,235 For me, Alejandro is the soul of the movie. 1596 02:24:20,736 --> 02:24:23,614 Through Kate's eyes, we will slowly discover him 1597 02:24:23,697 --> 02:24:27,493 and learn about this past, about what he was before. 1598 02:24:27,576 --> 02:24:29,870 And, more important, what he is now. 1599 02:24:29,953 --> 02:24:30,954 Listen... 1600 02:24:32,164 --> 02:24:34,958 Nothing will make sense to your American ears. 1601 02:24:36,960 --> 02:24:39,171 And you will doubt everything that we do. 1602 02:24:40,631 --> 02:24:44,176 But, in the end, you will understand. 1603 02:24:44,676 --> 02:24:47,262 (Benicio) My character Alejandro used to be a prosecutor 1604 02:24:47,346 --> 02:24:51,266 and his family was killed in the drug wars. 1605 02:24:51,350 --> 02:24:56,021 He's become sort of an assassin against the drug lords. 1606 02:24:56,105 --> 02:25:00,275 Especially the ones that had something to do with the killing of his family. 1607 02:25:00,359 --> 02:25:01,902 (Emily) There's a sadness about him 1608 02:25:01,985 --> 02:25:04,321 and you realise what a great loss he's suffered 1609 02:25:04,405 --> 02:25:07,491 and, therefore, what's driving his need for revenge. 1610 02:25:07,574 --> 02:25:09,493 (Denis) I think he's someone who lost his soul. 1611 02:25:09,576 --> 02:25:13,163 Someone that is the result of a tremendous amount of violence. 1612 02:25:13,747 --> 02:25:15,874 He's someone that is a ghost. 1613 02:25:15,958 --> 02:25:19,753 (Alejandro) I would recommend not standing on balconies for a while, Kate. 1614 02:25:21,088 --> 02:25:24,508 (Taylor) He's the consequence of the innocence Kate possesses. 1615 02:25:24,591 --> 02:25:26,969 People think that his connection to Kate 1616 02:25:27,052 --> 02:25:30,389 is because she reminds him of his daughter or his wife. 1617 02:25:30,472 --> 02:25:34,101 But what she really reminds him of is himself, 1618 02:25:34,184 --> 02:25:36,603 when he was young and idealistic. 1619 02:25:36,687 --> 02:25:38,147 And his attempt to educate her 1620 02:25:38,230 --> 02:25:41,400 is to prevent her from becoming what he's become. 1621 02:25:42,067 --> 02:25:44,069 You should move to a small town... 1622 02:25:45,028 --> 02:25:47,072 You will not survive here. 1623 02:25:48,824 --> 02:25:50,451 You're not a wolf. 1624 02:25:51,034 --> 02:25:53,078 And this is the land of wolves now. 1625 02:25:53,579 --> 02:25:56,290 (Benicio) It's tough to say if he's a good guy or a bad guy. 1626 02:25:56,373 --> 02:26:00,377 Denis and myself, we like playing with that as much as we can. 1627 02:26:05,132 --> 02:26:07,134 (Denis) I knew that I would need an actor 1628 02:26:07,217 --> 02:26:10,095 that would bring the necessary soul to this part. 1629 02:26:10,179 --> 02:26:13,056 Alejandro is not a very talkative character. 1630 02:26:13,140 --> 02:26:15,309 And Benicio, without saying nothing, 1631 02:26:15,392 --> 02:26:18,687 just by his presence, by just the way he moves on the screen 1632 02:26:18,770 --> 02:26:20,439 brings a lot of tension. 1633 02:26:20,522 --> 02:26:21,857 I'm gonna step out. 1634 02:26:21,940 --> 02:26:26,278 (Emily) Benicio, we've seen him play these very unleashed sort of roles. 1635 02:26:26,361 --> 02:26:31,366 This is incredibly quiet and still and suppressed 1636 02:26:31,450 --> 02:26:34,411 and it's been exciting in that way to work with him. 1637 02:26:34,495 --> 02:26:36,663 He brings ambiguity to what he does. 1638 02:26:36,747 --> 02:26:39,416 You sort of have to kind of look closer, you know. 1639 02:26:39,500 --> 02:26:41,835 I feel myself doing that in scenes with him as well. 1640 02:26:41,919 --> 02:26:43,795 The threat of Alejandro is 1641 02:26:43,879 --> 02:26:46,215 that you just don't know what's gonna happen next. 1642 02:26:46,298 --> 02:26:49,760 He carries a weight of... He's seen some stuff. 1643 02:26:49,843 --> 02:26:51,762 (Roger Deakins) He's a real film actor 1644 02:26:51,845 --> 02:26:54,389 in that way I would've said about Robert Mitchum. 1645 02:26:54,473 --> 02:26:56,433 They don't do a lot, but it's there. 1646 02:26:56,517 --> 02:26:58,810 There's a sort of depth within that face, 1647 02:26:58,894 --> 02:27:01,438 without having to make big gestures. 1648 02:27:01,522 --> 02:27:04,691 It's so much stronger when it's minimal, really. 1649 02:27:08,111 --> 02:27:10,197 (Basil Iwanyk) I think when Kate first meets Alejandro, 1650 02:27:10,280 --> 02:27:12,074 she doesn't know what to think. 1651 02:27:12,157 --> 02:27:14,868 (Emily) They have this strange connection to each other, 1652 02:27:14,952 --> 02:27:18,205 that is not romantic, but they're drawn to each other in some way. 1653 02:27:18,288 --> 02:27:21,166 (Denis) There's a strange relationship that is created 1654 02:27:21,250 --> 02:27:25,879 in front of the camera as the movie evolves. That is important for the movie. 1655 02:27:25,963 --> 02:27:29,341 It's her trying to understand the world of this man. 1656 02:27:29,424 --> 02:27:30,592 Oh! 1657 02:27:30,676 --> 02:27:33,804 (Basil) Then when she discovers just how broken this man is, 1658 02:27:33,887 --> 02:27:36,473 and how that's manifested with the violence 1659 02:27:36,557 --> 02:27:40,644 he is able to instil in others, our heart is broken for him. 1660 02:27:42,479 --> 02:27:44,606 I just wanna know what I'm getting into. 1661 02:27:44,690 --> 02:27:46,692 Kate, you volunteered to get on this train 1662 02:27:46,775 --> 02:27:49,778 because you know you're doing nothing in Phoenix. 1663 02:27:49,861 --> 02:27:52,489 Yeah, you're just sweeping up a fucking mess. 1664 02:27:52,573 --> 02:27:55,701 -Do you wanna find the guys responsible? -Yes. 1665 02:27:56,034 --> 02:27:57,578 -Yes? -Yes! 1666 02:27:59,371 --> 02:28:00,789 This is where we start. 1667 02:28:00,872 --> 02:28:06,545 Matt is the classic American soldier, law enforcement CIA 1668 02:28:06,628 --> 02:28:10,299 who is convinced, and I'm not sure he's wrong, 1669 02:28:10,382 --> 02:28:14,761 that we are at war with people that are much more depraved. 1670 02:28:14,845 --> 02:28:16,888 Much more immoral than we are. 1671 02:28:16,972 --> 02:28:21,977 The only way to keep America safe is to fight that war on their terms. 1672 02:28:22,060 --> 02:28:25,105 (Taylor) He's not a zealot. He's not a fanatic. 1673 02:28:25,188 --> 02:28:28,317 He is an extremely well-trained 1674 02:28:28,400 --> 02:28:31,028 life-long soldier 1675 02:28:31,111 --> 02:28:34,364 that's elevated to an art form and he's having a blast. 1676 02:28:35,574 --> 02:28:36,783 Guillermo... 1677 02:28:37,284 --> 02:28:40,203 (Molly Smith) We all started talking about who could pull this off 1678 02:28:40,287 --> 02:28:42,623 and really, you know, elevate this role... 1679 02:28:42,706 --> 02:28:44,416 And bring something 1680 02:28:44,499 --> 02:28:46,460 to the ensemble with Alejandro and Kate. 1681 02:28:46,585 --> 02:28:48,712 Josh Brolin was a name that we all flipped for. 1682 02:28:48,795 --> 02:28:50,464 (Josh Brolin) I had problems with the character. 1683 02:28:50,547 --> 02:28:54,926 You wonder why he's in charge, because he comes off goofy. 1684 02:28:55,010 --> 02:28:57,512 That's part of what I didn't understand. 1685 02:28:57,596 --> 02:28:59,473 Because of the seriousness of the story, 1686 02:28:59,556 --> 02:29:02,434 I wanted there to still be a real connection. 1687 02:29:02,517 --> 02:29:04,728 To me it was like, look, he cares deeply. 1688 02:29:04,811 --> 02:29:08,982 How do we balance the fact that cosmetically, he's acting goofy 1689 02:29:09,066 --> 02:29:10,442 and silly and that he doesn't care 1690 02:29:10,525 --> 02:29:14,363 and I don't wanna write him off as an audience member, or as an actor? 1691 02:29:14,446 --> 02:29:17,074 (Denis) Josh, at the beginning, refused the part. 1692 02:29:17,157 --> 02:29:19,993 He said, "I don't see the character on the page. 1693 02:29:20,077 --> 02:29:21,495 We don't know nothing about him." 1694 02:29:21,620 --> 02:29:23,622 "Exactly! I need a strong artist 1695 02:29:23,705 --> 02:29:26,667 that will be able to bring life to this mysterious character. 1696 02:29:26,792 --> 02:29:28,502 I need someone that will bring colour, 1697 02:29:28,627 --> 02:29:31,171 bring humanity, bring layers to this character." 1698 02:29:31,254 --> 02:29:34,132 (Josh) So then, once we got here and started getting into it, 1699 02:29:34,216 --> 02:29:37,803 once we were around the real Delta guys, it made it easier 1700 02:29:37,886 --> 02:29:40,972 to kind of find a hook, for lack of a better word. 1701 02:29:41,056 --> 02:29:44,685 (Josh) Getting together with military people, you start asking questions. 1702 02:29:44,768 --> 02:29:47,270 You go out and you feed them Jack Daniels 1703 02:29:47,396 --> 02:29:50,524 and you do things that kind of loosen people up. 1704 02:29:50,607 --> 02:29:53,694 Then they start revealing things they wouldn't normally reveal. 1705 02:29:53,777 --> 02:29:55,946 Then you see... Ah! There's something. 1706 02:29:56,029 --> 02:29:59,241 How you hold your hands, or something about what you just said. 1707 02:29:59,324 --> 02:30:00,909 Experimenting all the time. 1708 02:30:00,992 --> 02:30:03,578 You feel like a scientist in a lab. 1709 02:30:03,662 --> 02:30:06,039 You're like, "What if I add that? What if I add that?" 1710 02:30:06,123 --> 02:30:08,583 (Josh) Talking to these real Delta guys, the truth is 1711 02:30:08,667 --> 02:30:14,715 they have to use this agency to viably commit the acts that they're committing. 1712 02:30:14,798 --> 02:30:17,551 So he's using these people but, at the same time, 1713 02:30:17,634 --> 02:30:21,805 he knows that it could save 150,000 or a million, or two million people later 1714 02:30:21,888 --> 02:30:23,724 in dealing with this drug problem. 1715 02:30:27,394 --> 02:30:28,687 What's the password? 1716 02:30:28,770 --> 02:30:30,605 (Denis) It was part of the screenplay in a way 1717 02:30:30,689 --> 02:30:33,233 that Matt would create sometime moments of laughs 1718 02:30:33,316 --> 02:30:35,485 that I think are suitable in the story. 1719 02:30:35,569 --> 02:30:38,029 When you are going in such a dark places, 1720 02:30:38,113 --> 02:30:40,031 you need sometime a bit of humour. 1721 02:30:40,115 --> 02:30:42,617 -Josh is fantastic for that. -(Josh) There's humour in it, 1722 02:30:42,701 --> 02:30:45,912 but I'm discovering things as I do it. 1723 02:30:45,996 --> 02:30:51,001 I think really what's fun is the familiarity between Alejandro and Matt. 1724 02:30:51,334 --> 02:30:52,961 They're total opposites. 1725 02:30:53,044 --> 02:30:55,797 They're in the same business, they're helping each other out. 1726 02:30:55,881 --> 02:30:58,008 Alejandro's totally laconic. 1727 02:30:58,091 --> 02:31:00,802 I can't stop talking, which makes perfect sense. 1728 02:31:01,970 --> 02:31:04,431 And, you know, it's that kind of opposition 1729 02:31:04,514 --> 02:31:06,391 -that makes it fun. -(Reggie) Are you OK? 1730 02:31:06,475 --> 02:31:08,185 -She's fine. -I didn't ask you. 1731 02:31:08,268 --> 02:31:09,686 And yet I answered. 1732 02:31:09,770 --> 02:31:11,772 (Emily) Josh just has a great delivery 1733 02:31:11,855 --> 02:31:14,441 and he's naturally just a very, very funny person. 1734 02:31:14,524 --> 02:31:16,109 You fall in love with Matt 1735 02:31:16,193 --> 02:31:19,112 and I think he is one of the main reasons why the audience, 1736 02:31:19,196 --> 02:31:20,739 I hope, are going to feel 1737 02:31:20,822 --> 02:31:22,991 more drawn to his way of doing things. 1738 02:31:24,993 --> 02:31:27,788 (Josh) It was, you know, a lot of us getting together 1739 02:31:27,871 --> 02:31:29,998 and pulling it apart and questioning it 1740 02:31:30,081 --> 02:31:31,333 and putting it back together. 1741 02:31:31,416 --> 02:31:33,710 (Emily) We are all actors who have an opinion. 1742 02:31:33,794 --> 02:31:37,547 We have suggestions of how to change something, or elevate a scene, 1743 02:31:38,632 --> 02:31:41,092 so it's been an incredibly collaborative experience. 1744 02:31:41,176 --> 02:31:43,512 Denis has the courage to allow you to go there 1745 02:31:43,595 --> 02:31:45,180 and make those kind of changes. 1746 02:31:45,263 --> 02:31:48,183 (Denis) At the end of the day, my job is to bring them together. 1747 02:31:48,266 --> 02:31:50,310 As a film-maker, it was a treat for me 1748 02:31:50,393 --> 02:31:54,689 to work with Emily Blunt, Benicio Del Toro and Josh Brolin. 1749 02:31:55,482 --> 02:31:58,109 They were my muses. I'm very proud of what they did. 1750 02:31:58,193 --> 02:31:59,486 (Indistinct) 1751 02:32:40,443 --> 02:32:42,529 (Drumming) 1752 02:32:48,285 --> 02:32:50,871 (Denis Villeneuve) For Sicario, I was saying to myself, 1753 02:32:50,954 --> 02:32:53,164 I don't hear music. People said, "What kind of music?" 1754 02:32:53,248 --> 02:32:55,375 I said, "I don't hear music. I hear a threat. 1755 02:32:55,834 --> 02:32:57,961 I hear a sound 1756 02:32:58,044 --> 02:33:00,171 that I'm feeling coming under the ground." 1757 02:33:00,255 --> 02:33:03,508 I said, "The closest thing I could talk about is Jaws. The music of Jaws." 1758 02:33:04,175 --> 02:33:06,303 (Threatening music) 1759 02:33:06,386 --> 02:33:08,763 I was saying, "I need a composer who will find the inspiration 1760 02:33:08,847 --> 02:33:10,473 to bring such a score." 1761 02:33:14,102 --> 02:33:16,062 (Indistinct shouting) 1762 02:33:16,146 --> 02:33:18,690 I discovered Jóhann Jóhannsson the composer 1763 02:33:18,773 --> 02:33:21,151 as I was doing my previous movie Prisoners. 1764 02:33:21,234 --> 02:33:24,362 At that time, I needed some specific qualities for the movie. 1765 02:33:24,446 --> 02:33:25,947 Jóhann blew me away. 1766 02:33:26,031 --> 02:33:28,909 It's really through my albums as a solo artist 1767 02:33:28,992 --> 02:33:32,370 that, you know, film-makers started to notice me. 1768 02:33:33,705 --> 02:33:35,415 I worked in theatre a lot in Iceland, 1769 02:33:35,498 --> 02:33:39,085 where I got the chance to write a lot of music over a period of time, 1770 02:33:39,169 --> 02:33:43,131 which was a great opportunity to develop my style, develop my sound. 1771 02:33:43,214 --> 02:33:46,051 My first album as a solo artist, called Englabörn, 1772 02:33:46,134 --> 02:33:48,511 is actually based on my work in theatre. 1773 02:33:48,595 --> 02:33:51,514 (Solo vocal over string notes) 1774 02:33:52,891 --> 02:33:56,019 It's a combination of classical instruments and electronics. 1775 02:33:56,102 --> 02:33:59,898 It has a certain melancholy, it has a certain austere quality. 1776 02:34:00,941 --> 02:34:03,151 One of the first things I said to him was, 1777 02:34:03,234 --> 02:34:06,321 "I need some music that will be a pulse coming from the desert 1778 02:34:06,404 --> 02:34:08,615 and that will bring the necessary tension." 1779 02:34:08,698 --> 02:34:11,242 There she is. The beast. 1780 02:34:11,868 --> 02:34:13,620 Juárez. 1781 02:34:13,703 --> 02:34:16,915 The drums are kind of like this relentless throbbing heartbeat 1782 02:34:16,998 --> 02:34:20,210 of some wild beast that's charging at you, you know. 1783 02:34:20,293 --> 02:34:23,171 It's the menace of these militarised vehicles 1784 02:34:23,254 --> 02:34:26,299 and the whole force, this militarised police. 1785 02:34:26,383 --> 02:34:28,635 Also the menace of the traffickers, you know, 1786 02:34:28,718 --> 02:34:30,345 the menace of the gangs. 1787 02:34:30,428 --> 02:34:33,014 So it's like two beasts in mortal combat in some way. 1788 02:34:34,224 --> 02:34:36,601 (Alejandro speaking Spanish) 1789 02:34:41,773 --> 02:34:46,027 And then the other element is the sadness and the melancholy of the border region. 1790 02:34:47,612 --> 02:34:51,032 And the intense melancholy of the desert as well. 1791 02:34:51,116 --> 02:34:54,119 So it was those things, really, that we talked about. 1792 02:34:55,328 --> 02:34:57,497 A lot of the music comes from the landscape. 1793 02:34:58,248 --> 02:35:01,167 There are so many amazing landscape shots in the film, 1794 02:35:01,251 --> 02:35:03,545 slow and deliberate helicopter shots. 1795 02:35:03,628 --> 02:35:06,089 Those images were a huge inspiration. 1796 02:35:08,091 --> 02:35:11,302 Denis invited me to visit the set while they were shooting, 1797 02:35:11,386 --> 02:35:13,513 so I spent some time there where they shot. 1798 02:35:13,638 --> 02:35:16,349 I was able to kind of absorb a little bit the environment 1799 02:35:16,433 --> 02:35:18,560 and the locations and get a feel for the mood. 1800 02:35:18,852 --> 02:35:21,730 It's a part of the world that I have not visited before. 1801 02:35:21,813 --> 02:35:23,398 It was good to get a feel for it. 1802 02:35:23,481 --> 02:35:25,734 The first cut that I received has no music on it, 1803 02:35:25,817 --> 02:35:28,111 no temp music, nothing like that. 1804 02:35:28,194 --> 02:35:30,947 So, in a way, I start with a blank slate 1805 02:35:31,364 --> 02:35:33,283 which can be a little bit terrifying. 1806 02:35:33,366 --> 02:35:35,660 Also exhilarating and inspiring. 1807 02:35:36,244 --> 02:35:37,662 I think it gives you the opportunity 1808 02:35:37,746 --> 02:35:39,873 to really explore new territory. 1809 02:35:39,956 --> 02:35:41,916 and try things you wouldn't try otherwise. 1810 02:35:42,000 --> 02:35:43,793 The very first scene that I worked on, 1811 02:35:43,877 --> 02:35:46,171 where they go for the first time into Juárez. 1812 02:35:46,629 --> 02:35:50,216 It's a long helicopter shot that rises above Juárez 1813 02:35:50,300 --> 02:35:52,135 and you see the border, you see the fence 1814 02:35:52,218 --> 02:35:54,554 and you see this vast sprawl in front of you. 1815 02:35:54,679 --> 02:35:57,682 It starts with a very faint sound of helicopter blades 1816 02:35:57,766 --> 02:36:00,310 which slowly rises and increases in volume. 1817 02:36:00,393 --> 02:36:02,437 I really wrote it around that. 1818 02:36:02,520 --> 02:36:06,483 And, in many ways, the helicopter blades become a part of the music in a sense. 1819 02:36:06,566 --> 02:36:08,151 (Whirring) 1820 02:36:08,234 --> 02:36:10,695 (Droning string note decreasing in pitch) 1821 02:36:13,114 --> 02:36:16,743 I wrote this very simple but very intense and brutal 1822 02:36:16,826 --> 02:36:19,662 and almost violent cue that starts out very soft, 1823 02:36:19,746 --> 02:36:25,668 but sort of rises and crescendos into this really brutal, distorted crescendo. 1824 02:36:25,752 --> 02:36:28,046 (Droning note decreasing in pitch) 1825 02:36:29,214 --> 02:36:31,883 I made several different ideas for that scene 1826 02:36:31,966 --> 02:36:35,053 and sent them to Denis and he picked the most extreme one... 1827 02:36:35,136 --> 02:36:37,889 (Chuckles) ..which I was very happy with. 1828 02:36:38,431 --> 02:36:41,976 I remember being in the editing room with Joe Walker, my editor, 1829 02:36:42,060 --> 02:36:46,940 and we'd received a few attempts from Jóhann. 1830 02:36:47,023 --> 02:36:51,236 Jóhann likes to explore in this, so he brings me different ideas. 1831 02:36:51,319 --> 02:36:53,321 I remember hearing those sounds 1832 02:36:53,404 --> 02:36:57,826 for the first time when we are above the desert and discovering Juárez. 1833 02:36:57,909 --> 02:37:02,163 I thought to myself, "I never heard something like that before in my life." 1834 02:37:02,664 --> 02:37:06,042 It's the most powerful music I ever had. I was so proud of him. 1835 02:37:10,046 --> 02:37:12,590 (Jóhann) I used a lot of cello. A lot of multi-track cello. 1836 02:37:12,674 --> 02:37:16,678 Both melodic and textual writing and this minimal kind of drone 1837 02:37:16,761 --> 02:37:18,888 that I create from many different sources. 1838 02:37:18,972 --> 02:37:21,808 Both an orchestra and pipe organ. 1839 02:37:21,891 --> 02:37:24,144 Various instruments are, you know, combined 1840 02:37:24,227 --> 02:37:27,272 to form this deep, very visceral done. 1841 02:37:27,355 --> 02:37:30,859 That is sort of a motif throughout some of the scenes. 1842 02:37:30,942 --> 02:37:33,111 (Droning string note decreasing in pitch) 1843 02:37:33,236 --> 02:37:36,573 (Thudding over note) 1844 02:37:36,656 --> 02:37:39,951 For me, the drone can be a very complex thing, 1845 02:37:40,034 --> 02:37:41,494 even though it's only one tone. 1846 02:37:41,911 --> 02:37:45,540 When it's really well done, it becomes something that's simple, 1847 02:37:45,623 --> 02:37:47,917 but very, very complex at the same time. 1848 02:37:49,961 --> 02:37:53,298 It's very much to do with the fundamental frequencies of the body 1849 02:37:53,381 --> 02:37:57,010 and of the world around you. It's a very important part of what I do. 1850 02:37:58,678 --> 02:38:00,054 I wanted a visceral effect 1851 02:38:00,138 --> 02:38:03,141 that affected the body and affected the audience 1852 02:38:03,224 --> 02:38:05,143 in a very direct way. 1853 02:38:05,226 --> 02:38:08,146 In Sicario, you feel it in your body. 1854 02:38:09,814 --> 02:38:12,442 (Denis) He's by far right now my favourite composer 1855 02:38:13,109 --> 02:38:16,196 because he's someone that can reinvent himself 1856 02:38:16,279 --> 02:38:18,239 and that has the humility 1857 02:38:18,323 --> 02:38:22,577 to embrace the movie for what it is and to just elevate it. 1858 02:38:22,660 --> 02:38:24,245 (Whirring) 1859 02:38:36,424 --> 02:38:38,676 (High-pitched soaring vocals) 1860 02:39:02,116 --> 02:39:05,954 (Taylor Sheridan) Sicario is about the machine of selling drugs 1861 02:39:06,037 --> 02:39:08,164 and the machine of stopping them. 1862 02:39:08,248 --> 02:39:09,916 Right or wrong, either way. 1863 02:39:09,999 --> 02:39:11,042 The Mexican drug cartels 1864 02:39:11,125 --> 02:39:13,544 became more powerful than local police forces in Mexico. 1865 02:39:13,628 --> 02:39:16,256 (Taylor) There is a vast appetite for drugs. 1866 02:39:16,339 --> 02:39:19,467 I began investigating the cause and the consequence. 1867 02:39:22,136 --> 02:39:24,055 That was really the genesis of the screenplay. 1868 02:39:24,138 --> 02:39:29,727 You'll be surprised how deeply the tentacles of drug trafficking 1869 02:39:29,811 --> 02:39:32,355 extend on both sides of the border. 1870 02:39:32,438 --> 02:39:36,609 You had murders every day. Brutality levels you've never seen. 1871 02:39:36,693 --> 02:39:38,194 (Denis Villeneuve) Very authentic. 1872 02:39:38,278 --> 02:39:41,281 The screenwriter, he knew exactly that world. 1873 02:39:41,364 --> 02:39:46,369 (Taylor) My goal was to write a film that had people watching a movie going, 1874 02:39:46,452 --> 02:39:48,079 "Holy shit! What's gonna happen next?" 1875 02:39:48,162 --> 02:39:51,916 Then, for the next week, thinking about the themes and the messages. 1876 02:39:58,840 --> 02:40:00,675 The idea for the screenplay 1877 02:40:00,758 --> 02:40:04,887 was a culmination of a number of different stories 1878 02:40:04,971 --> 02:40:06,806 that intrigued me, human stories. 1879 02:40:07,724 --> 02:40:09,559 What really sparked my interest was 1880 02:40:09,642 --> 02:40:13,980 in 2006, when the Mexican government did their offensive against the cartels. 1881 02:40:14,063 --> 02:40:16,482 Just the incredible failure of that endeavour. 1882 02:40:16,566 --> 02:40:20,862 President Felipe Calderón was really the first president 1883 02:40:20,945 --> 02:40:26,784 who boldly decide to combat the drug trafficking organisations. 1884 02:40:26,868 --> 02:40:31,080 And the way he decided to go about that is sending the Federal Police 1885 02:40:31,164 --> 02:40:34,125 and the military to border cities like Juárez. 1886 02:40:34,208 --> 02:40:36,252 Never had we seen something like what we saw 1887 02:40:36,336 --> 02:40:40,256 between 2007 and 2012, 1888 02:40:40,340 --> 02:40:42,800 when it was just all-out warfare. 1889 02:40:43,593 --> 02:40:47,096 Juárez became a combat zone for all intents and purposes. 1890 02:40:47,180 --> 02:40:48,723 There were mutilations. 1891 02:40:49,432 --> 02:40:52,518 Times where severed heads were left in public places 1892 02:40:52,602 --> 02:40:55,188 as warnings for their rivals. 1893 02:40:55,271 --> 02:40:58,691 There were literally death threats against police 1894 02:40:58,775 --> 02:41:01,736 that were posted on banners, 1895 02:41:01,819 --> 02:41:04,155 naming the police officers who would be killed. 1896 02:41:04,238 --> 02:41:06,657 Many people left Juárez, those who could afford it. 1897 02:41:06,741 --> 02:41:08,076 The wealthier people. 1898 02:41:08,409 --> 02:41:11,412 At one point, the Mayor of Juárez was living in El Paso. 1899 02:41:11,496 --> 02:41:13,581 (Mónica Ortiz Uribe) The misfortune of Juárez is that 1900 02:41:13,664 --> 02:41:16,250 it happens to be situated at the doorstep of 1901 02:41:16,334 --> 02:41:18,669 the world's most lucrative drug market. 1902 02:41:18,753 --> 02:41:21,589 If you're a drug trafficker looking to deliver your goods 1903 02:41:21,672 --> 02:41:25,301 to your customers in the United States, you've gotta get through Juárez. 1904 02:41:25,385 --> 02:41:27,804 And so, there are times when 1905 02:41:27,887 --> 02:41:32,392 one cartel will dispute the territory from another 1906 02:41:32,475 --> 02:41:35,895 and thus you have a big explosion of violence. 1907 02:41:35,978 --> 02:41:38,231 More than 10,000 murders that happened 1908 02:41:38,314 --> 02:41:40,900 at the height of the drug war in Ciudad Juárez... 1909 02:41:40,983 --> 02:41:43,277 ..went unresolved. 1910 02:41:47,031 --> 02:41:50,493 One thing that went unnoticed is these disappearances 1911 02:41:50,576 --> 02:41:54,038 of young women from downtown Juárez. 1912 02:41:54,247 --> 02:41:57,875 These were women from the poor parts of the city 1913 02:41:57,959 --> 02:42:00,044 and often times, they would end up downtown 1914 02:42:00,128 --> 02:42:02,463 looking for work to help their families. 1915 02:42:02,547 --> 02:42:05,049 One night, they just wouldn't return home. 1916 02:42:05,133 --> 02:42:07,677 There wasn't any real investigations. 1917 02:42:07,760 --> 02:42:12,974 The families, the mothers were the ones who did their own investigations 1918 02:42:13,057 --> 02:42:16,644 to try and find out where their daughters went. 1919 02:42:17,270 --> 02:42:21,441 They're trying very hard not to let their loved ones become invisible 1920 02:42:21,524 --> 02:42:23,985 and that's how Mexico has treated them. 1921 02:42:24,068 --> 02:42:25,903 You know, they've erased them. 1922 02:42:28,281 --> 02:42:31,284 (Mónica) Some of these women were later found killed. 1923 02:42:31,367 --> 02:42:33,286 Their skeletal remains were found 1924 02:42:33,369 --> 02:42:35,246 in the outskirts of the city. 1925 02:42:35,788 --> 02:42:39,417 As border security has become tighter on on the US side 1926 02:42:39,500 --> 02:42:41,919 and it's been harder to get their product across, 1927 02:42:42,003 --> 02:42:45,882 Mexican drug cartels have also gone into side businesses, 1928 02:42:45,965 --> 02:42:51,053 like sex trafficking to try to keep their profit margin high. 1929 02:42:51,137 --> 02:42:55,433 One of the theories is that these women were being picked up 1930 02:42:55,516 --> 02:42:58,269 for sex trafficking. 1931 02:42:58,352 --> 02:43:00,271 Juárez is erm... 1932 02:43:01,772 --> 02:43:05,109 ..is a lively city, is a vibrant city, is a colourful city. 1933 02:43:05,193 --> 02:43:09,363 It's a city that has a large industry. 1934 02:43:09,447 --> 02:43:11,949 A city that has artists and musicians. 1935 02:43:13,284 --> 02:43:18,623 When the violence hit Juárez, it hurt all those things. 1936 02:43:18,706 --> 02:43:21,209 We started pushing the authorities to do much better, 1937 02:43:21,292 --> 02:43:23,711 to do a better job because, you know, 1938 02:43:23,794 --> 02:43:25,755 we were hurting...with people. 1939 02:43:25,838 --> 02:43:29,300 It did accomplish quite a bit. People are starting to go back to Juárez. 1940 02:43:29,383 --> 02:43:31,802 People are starting to go shopping, seeing the doctor, 1941 02:43:31,886 --> 02:43:33,554 the dentist, the pharmacist. 1942 02:43:33,638 --> 02:43:35,097 I feel very confident 1943 02:43:35,181 --> 02:43:39,185 we're gonna change this beautiful, beautiful area 1944 02:43:39,268 --> 02:43:41,020 of so many beautiful, beautiful people. 1945 02:43:42,230 --> 02:43:45,358 (Taylor) It was important to me that we saw the story 1946 02:43:45,441 --> 02:43:48,736 through the eyes of someone, this is Benicio's character Alejandro, 1947 02:43:48,819 --> 02:43:53,741 that had suffered as completely as he possibly could at the hands of this war. 1948 02:43:53,824 --> 02:43:55,034 (Silenced gunshot) 1949 02:43:55,952 --> 02:44:00,540 I thought a fascinating method of commenting on the collapse 1950 02:44:00,623 --> 02:44:03,417 of law and order in a certain place, complete collapse. 1951 02:44:03,501 --> 02:44:06,879 (Trent Luckinbill) Alejandro started off in law enforcement in Mexico 1952 02:44:06,963 --> 02:44:09,757 and as his family is wiped out by the cartel, 1953 02:44:09,840 --> 02:44:12,343 becomes hell-bent on a revenge. 1954 02:44:12,426 --> 02:44:16,222 Becoming through that process something that he never would've imagined. 1955 02:44:16,305 --> 02:44:18,349 Does he have some humanity in there left? 1956 02:44:18,432 --> 02:44:21,143 Is there something in there that people can connect to, 1957 02:44:21,227 --> 02:44:23,187 you know, of what he once was? 1958 02:44:23,271 --> 02:44:24,605 I worked in Juárez. 1959 02:44:25,314 --> 02:44:27,900 -For the DEA? -No. 1960 02:44:27,984 --> 02:44:31,487 (Edward L McDonnell) Alejandro's intriguing and you wanna know who he is. 1961 02:44:31,571 --> 02:44:34,532 This drug problem impacted him on such a personal level 1962 02:44:34,615 --> 02:44:37,868 that he's gone to the dark side 1963 02:44:37,952 --> 02:44:39,996 to resolve his struggle. 1964 02:44:40,079 --> 02:44:43,249 And through him, we learn about the cartels and the drug trade. 1965 02:44:43,332 --> 02:44:46,127 Nothing will make sense to your American ears. 1966 02:44:47,878 --> 02:44:50,131 And you will doubt everything that we do. 1967 02:44:51,799 --> 02:44:54,010 But, in the end, 1968 02:44:54,093 --> 02:44:55,678 you will understand. 1969 02:44:56,929 --> 02:44:58,723 Sicario does a good job of 1970 02:44:58,806 --> 02:45:02,393 capturing the sense of dread, of fear 1971 02:45:02,476 --> 02:45:05,021 and of not knowing who you can trust. 1972 02:45:06,147 --> 02:45:10,401 When you go to Juárez, you right away tense up. 1973 02:45:10,484 --> 02:45:11,944 It's a survival technique. 1974 02:45:13,446 --> 02:45:16,282 There are lookouts everywhere. Cartels placed them there. 1975 02:45:16,949 --> 02:45:18,618 Spotter vehicle, left lane. Left lane. 1976 02:45:18,701 --> 02:45:20,453 (On radio) Spotter vehicle, nine o'clock. 1977 02:45:21,495 --> 02:45:23,706 We also are afraid of the police, 1978 02:45:23,789 --> 02:45:29,128 because a lot of the police have been co-opted by the cartels. 1979 02:45:31,339 --> 02:45:34,342 (Taylor) Silvio is a State Police Officer, his son Eliseo 1980 02:45:34,467 --> 02:45:39,263 who, like most young boys, idolises his father and his father loves his son... 1981 02:45:39,347 --> 02:45:41,849 His father's a corrupt police officer. 1982 02:45:41,932 --> 02:45:43,976 You have to be careful not to judge him fully, 1983 02:45:44,060 --> 02:45:45,645 cos we don't know him fully. 1984 02:45:45,728 --> 02:45:47,396 Maybe that's the only way to pay for his family. 1985 02:45:48,439 --> 02:45:50,024 Maybe he was forced into doing it. 1986 02:45:50,107 --> 02:45:53,486 Therefore, his only option is to do it, or they'll kill him and his family. 1987 02:45:53,569 --> 02:45:56,322 He's drinking alcohol at eight in the morning. 1988 02:45:56,405 --> 02:45:58,032 Is that because he's a mean drunk 1989 02:45:58,115 --> 02:45:59,992 or he's trying to self-medicate? 1990 02:46:02,870 --> 02:46:04,372 (Gunshots) 1991 02:46:05,247 --> 02:46:07,541 (Taylor) What are the consequences of his death for his family? 1992 02:46:07,625 --> 02:46:11,003 Now that source of income has gone for Eliseo and his mother. 1993 02:46:11,295 --> 02:46:14,757 So how is this soon-to-be-adolescent going to survive? 1994 02:46:14,840 --> 02:46:18,386 What's the best-paying job in northern Mexico for a 13-year-old boy? 1995 02:46:20,596 --> 02:46:26,018 One of my missions as a reporter covering Ciudad Juárez was 1996 02:46:26,102 --> 02:46:30,189 to tell the story of the people who died in this drug war. 1997 02:46:30,272 --> 02:46:33,859 One was a teenager, the son of a single mother, 1998 02:46:33,943 --> 02:46:39,073 who worked at a factory in Juárez, assembling our cell phones, 1999 02:46:39,156 --> 02:46:43,077 our laptop computers, making $10 a day. 2000 02:46:43,160 --> 02:46:47,915 She had to work two shifts, so she was not at home very often 2001 02:46:47,998 --> 02:46:52,670 and her son could barely afford a decent pair of sneakers. 2002 02:46:52,753 --> 02:46:55,131 Meanwhile, he's got some neighbours 2003 02:46:55,214 --> 02:46:58,384 that are driving a great car, have a beautiful home, 2004 02:46:58,467 --> 02:47:00,511 who are involved in the drug trade. 2005 02:47:00,594 --> 02:47:03,931 So he starts dealing drugs with them. 2006 02:47:04,014 --> 02:47:07,518 Eventually, he's witness to a murder between two rival gangs 2007 02:47:07,601 --> 02:47:11,981 in his neighbourhood, so he is murdered for being a witness. 2008 02:47:13,399 --> 02:47:15,401 That's the real evil of drugs. 2009 02:47:15,484 --> 02:47:18,279 Not only what they do to the body of the person who uses them, 2010 02:47:18,362 --> 02:47:21,699 but what they do to the body of everyone who touches it. 2011 02:47:23,743 --> 02:47:25,870 (Edward) We as Americans feel comfortable 2012 02:47:25,953 --> 02:47:29,039 because Juárez is over there and we're safe over here. 2013 02:47:29,123 --> 02:47:30,583 I think this movie is about 2014 02:47:30,666 --> 02:47:35,004 what happens when that war comes to our town, our city 2015 02:47:35,087 --> 02:47:36,630 and how do we deal with it? 2016 02:47:36,714 --> 02:47:39,884 It's affecting our neighbour Mexico so tremendously 2017 02:47:39,967 --> 02:47:41,469 and everyone in it. 2018 02:47:41,552 --> 02:47:43,679 And our answer is to build a wall. 2019 02:47:44,930 --> 02:47:49,685 (Mónica) The border fence was a relatively new phenomenon 2020 02:47:49,769 --> 02:47:51,353 between El Paso and Juárez 2021 02:47:51,437 --> 02:47:55,107 that came after the 9/11 terrorist attacks. 2022 02:47:55,191 --> 02:47:58,027 (Daniel Borunda) There's border patrol agents, sensors, 2023 02:47:58,110 --> 02:48:01,614 use of drones and helicopters, infra-red device, night-vision. 2024 02:48:01,697 --> 02:48:04,950 Decades ago, I remember you could cross the border 2025 02:48:05,034 --> 02:48:09,789 and you would literally see people crossing on little boats. 2026 02:48:09,872 --> 02:48:14,168 Since 9/11, you now need a passport to cross over. 2027 02:48:14,293 --> 02:48:17,963 There are really long lines to get from one city to the other, 2028 02:48:18,047 --> 02:48:21,091 to cross the bridge, as long as two hours. 2029 02:48:21,175 --> 02:48:25,221 There are thousands of vehicles that cross the border on a daily basis 2030 02:48:25,304 --> 02:48:27,765 and among this legal, commercial traffic, 2031 02:48:27,848 --> 02:48:31,227 there's also underground traffic, smuggling of drugs. 2032 02:48:31,310 --> 02:48:33,395 It's incredible. They use it in cars. 2033 02:48:33,479 --> 02:48:36,440 They put a fake transmission, they use it inside tyres. 2034 02:48:36,524 --> 02:48:37,858 In border cities like El Paso, 2035 02:48:37,942 --> 02:48:40,319 drug tunnels are one of the smuggling methods 2036 02:48:40,402 --> 02:48:42,238 that Mexican drug cartels use. 2037 02:48:42,321 --> 02:48:44,031 (Indistinct shouting) 2038 02:48:44,114 --> 02:48:47,034 The tunnel shown in the movie kind of flashed me back 2039 02:48:47,117 --> 02:48:49,203 to a tunnel that they found 2040 02:48:49,286 --> 02:48:51,956 right close to the Bridge of the Americas. 2041 02:48:52,039 --> 02:48:55,918 There was actually a tunnel that was dug underneath the Rio Grande 2042 02:48:56,001 --> 02:48:59,255 where they were bringing in drugs, illegals. 2043 02:48:59,338 --> 02:49:03,008 They have electricity, they'll have ventilation systems, 2044 02:49:03,092 --> 02:49:04,510 they'll have ladders. 2045 02:49:05,678 --> 02:49:09,682 The recent escape of Mexican drug lord Joaquín "Chapo" Guzmán, 2046 02:49:09,765 --> 02:49:13,143 there was a small motorcycle inside that tunnel. 2047 02:49:13,227 --> 02:49:15,104 The drug trafficking organisations 2048 02:49:15,187 --> 02:49:16,981 are constantly exploring 2049 02:49:17,064 --> 02:49:20,693 new and different ways to smuggle the drugs across a border. 2050 02:49:20,776 --> 02:49:24,572 They were sending drugs on a catapult till they got caught, 2051 02:49:24,655 --> 02:49:26,448 but it's incredible. They're very smart. 2052 02:49:26,532 --> 02:49:28,868 When you're talking about so much money, you get smart. 2053 02:49:28,951 --> 02:49:31,287 Once those drugs are smuggled across the border, 2054 02:49:31,370 --> 02:49:34,999 they're stored in what's known as stash houses in El Paso. 2055 02:49:36,250 --> 02:49:39,461 Could be your neighbour's home. It could be a warehouse. 2056 02:49:39,920 --> 02:49:42,006 It could be a home where there's nobody around. 2057 02:49:42,089 --> 02:49:43,799 It could be a home with kids around. 2058 02:49:44,341 --> 02:49:47,052 Then they're repackaged, then they're smuggled further 2059 02:49:47,136 --> 02:49:49,889 into other cities across the United States. 2060 02:49:49,972 --> 02:49:51,599 (Threatening music) 2061 02:49:53,017 --> 02:49:56,145 (Taylor) How do you stop a $50 billion a year business? 2062 02:49:57,563 --> 02:50:00,858 The sophistication of criminals has magnified 2063 02:50:00,941 --> 02:50:03,986 to a point that they're essentially their own armies. 2064 02:50:04,069 --> 02:50:07,281 The amount of money that can be made from these drugs 2065 02:50:07,364 --> 02:50:11,118 is so staggering that you understand why they would. 2066 02:50:11,201 --> 02:50:13,120 So you can't apply law and order 2067 02:50:13,203 --> 02:50:16,624 as a means of dealing with people who don't respect it. 2068 02:50:17,416 --> 02:50:21,045 We've seen that time and again, in Afghanistan and Iraq. 2069 02:50:21,128 --> 02:50:25,049 And at some point, the war becomes a war 2070 02:50:25,132 --> 02:50:30,429 and we're seeing an increased militarised approach toward policing. 2071 02:50:30,512 --> 02:50:33,432 We've been at war for 12 years essentially. 2072 02:50:33,849 --> 02:50:36,101 And, as those individuals come back, 2073 02:50:36,185 --> 02:50:38,896 and all the lessons learned in our various wars, 2074 02:50:38,979 --> 02:50:42,024 they're now being applied to our police tactics. 2075 02:50:42,107 --> 02:50:44,693 This is an extreme version of that. 2076 02:50:45,444 --> 02:50:47,404 When I read the Taylor Sheridan screenplay, 2077 02:50:47,488 --> 02:50:51,784 I felt that the screenwriter knew the culture of the FBI, 2078 02:50:51,867 --> 02:50:54,870 the culture of CIA, the culture of the Delta forces. 2079 02:50:54,954 --> 02:50:58,999 There was something very authentic in the way he was writing the scenes. 2080 02:50:59,083 --> 02:51:01,961 I have a lot of family that is in law enforcement. 2081 02:51:02,044 --> 02:51:04,004 I have a lot of friends that are in the military. 2082 02:51:04,088 --> 02:51:06,465 I was able to lean on them to make sure that, 2083 02:51:06,548 --> 02:51:09,802 even though this is an imagined world and circumstance, 2084 02:51:09,885 --> 02:51:11,220 that it's accurate. 2085 02:51:13,222 --> 02:51:16,392 It lets us really ask the question: does the end justify the means? 2086 02:51:16,475 --> 02:51:18,352 Which is really the point of the film. 2087 02:51:18,435 --> 02:51:21,397 It was really interesting to write a character who believes 2088 02:51:21,480 --> 02:51:24,358 that whatever he does that protects his country 2089 02:51:24,441 --> 02:51:26,860 is the right thing to do, regardless of what that is. 2090 02:51:27,111 --> 02:51:31,031 He is the personification of the end justifies the means. 2091 02:51:31,115 --> 02:51:32,741 Matt believes he's doing the right thing. 2092 02:51:32,825 --> 02:51:34,201 That's extremely important. 2093 02:51:34,284 --> 02:51:37,246 How far you're willing to let your own ethics stray 2094 02:51:37,329 --> 02:51:40,499 is a very individual question. 2095 02:51:40,582 --> 02:51:44,003 Whether you're a journalist, whether you're a prosecutor, 2096 02:51:44,086 --> 02:51:48,132 whether you're a police officer, it's a choice between life and death. 2097 02:51:48,215 --> 02:51:51,301 Doing the right thing and doing the wrong thing. 2098 02:51:51,385 --> 02:51:54,805 To choose life sometimes is to choose the wrong thing. 2099 02:51:55,848 --> 02:51:57,349 (Taylor) So where do we go from here? 2100 02:51:57,433 --> 02:51:59,643 I don't know the answer. My job is to ask the questions. 164395