All language subtitles for Different Strokes 1998

(soft music)

(soft music)

- Jill.
- Yeah.

- Jill Martin.
- Yeah

- Hi,
- Hi, you must be Jack?

- No, no, I'm Rick.

I'm Jack's assistant.

- Hi, it's nice to meet you.

- Great outfit people in LA
just don't know how to dress.

- Why, thank you, thank you very much.

You look fine, you look great yourself.

I really thought it would
be a lot warmer here though.

- Well, it's gonna get a lot
hotter I can guarantee you.

Let me get your stuff in the car.

- Alright great thanks.

- There.
- Thank you all right.

(car door closing softly)

(soft music)

- [Rick] So, how was your flight?

- It was all right.

A little bumpy over Kansas,

but other than that nothing

a few scotches couldn't take care of.

- I used to live in New York.

- Oh, did you where?

- The village.

- The village is great.

I love the village.

I stay on the upper west side.

- [Rick] Oh, that's even nicer.

- [Jill Martin] Yeah, it's all right.

(pulsating drum beat)

(soft music)

- [Rick] Do you live alone?

- [Jill Martin] No, I
live with my girlfriend.

- Is that girlfriend, girlfriend?

- Yes.

Do you have a problem with that, Rick?

- No, I live with my boyfriend.

- Great.

Is Jack Sanders gay?

- No, Jack is about as
straight as they come.

- You know, in the past month I've

I've only spent two or three
nights in my own apartment.

- It's been great having you here.

I don't have to worry
about someone breaking in

and stealing my camera stuff.

- It seems kind of a waste
paying rent on a place

I hardly even use.

- I don't know I think it's a good idea

for you to have your own place

if nothing else just for the security

of knowing it's there.

- It would just make more sense though

if I just moved in here.

I mean don't you think?

- Maybe, maybe at some point.

Now is just not the time, baby.

- Do you ever think
there's going to be a time?

- Yeah.

Yeah, I definitely see a high probability

of something like that happening in the

very near future.

- Thank you, Jack.

I just needed to hear that.

I was beginning to think that, you know

maybe you were getting tired of me.

- No, could never picture
myself with anyone but you.

(soft music)

- That's all I needed to know.

I just start feeling a
little insecure sometimes.

- We'll have to work on that won't we?

We can't have you
feeling insecure with me.

- I love you.

(soft sensual music)

(soft sensual music)

- [Jill Martin] Wow,
Jack must be doing well

to have a house like this up in the hills.

- [Rick] Well, he's been being
booked quite a bit lately.

You're lucky to get him
for the Loralie shoot.

- I guess I am.

Come on I can't wait to meet him.

(Jack moaning)

(dramatic music)

(tense drum beat)

- [Jill] I thought you said they weren't

gonna be here till 12

- That's what fucking Rick said.

Shirt, shirt, shit.

(dramatic music)

Good morning, Rick

and you must be Jill Martin.

- Hello, Jack, it's nice
to finally meet you.

- See I told you, Jill

people in LA don't know how to dress,

and Jack's a classic example of that.

- Sorry, I was in the a little
bit of a rush this morning.

- Oh, you know Jack is an artist

I guess he's gotta dress the part.

- Right.

You moving in, Jill?

- Wasn't planning on it.

- She's got all the
color samples in there,

so instead of hanging around in the lobby

at the hotel waiting for check in,

I thought I'd bring
her straight over here.

We can go over the photo locations

that we shot the other day.

- [Jack] Great.

I'm all up for killing
two birds with one stone.

Why don't you come on in
I'll make some coffee.

- Sounds great.

Jack, you have a fabulous place.

- [Jack] Thank you.

- [Jill Martin] Have you been here long?

- [Jack] Oh, about a year.

- [Rick] Has it been that long?

- I imagine you've had
some great parties here.

- [Jack] Oh, yeah, make yourself at home.

- [Rick] Go head.

- These flowers are gorgeous.

- Aren't those pretty?

We got those at the location scout.

(soft music)

- Yeah, they're beautiful.

- Jill, this is Jill.

- Hi, Jill.
- Hi.

- [Jack] Well, you two
should have no trouble

remembering each other's names.

- [Jill Martin] No, I'm sure
there won't be any trouble.

Jill, are you a model?

- No.
- No,

she's a secretary for a
law firm in Beverly Hills.

- Jack, I'm surprised
you haven't hooked her up

with one of the better agencies in town.

- Well, Jill's a little
shy in front of the camera.

- [Jill Martin] Well, if
you ever change your mind

and you decide to get into it,

I'm sure you'd be great.

- Please, Jill, she
won't even model for me.

- Jack.

- Rick, can you dig up those photos.

- Oh, they're right here.

- [Jill Martin] Hey, I've got
your color samples right here.

- Looks like you have quite a variety.

- Well, you never know what goes with what

until you put them together.

Yeah, the white and the maroon I think

- That will be fabulous
- with those two flowers.

- as they say.

- Let's see what we can do with this one

'cause this one just looks great.

Jack, I think your girlfriend's adorable.

- What can I say

I have a weak spot for beautiful girls.

- They're women, Jack.

Girls wear little dresses

and play hopscotch after school.

- You have to excuse, Jack.

He has a tendency to be a little

politically incorrect at times.

- Well, then we'll just have to

bring him up to date won't we, Rick.

- Touche.

Just imagine the flowers then.
- Great stuff.

Oh, and the white

the white and the maroon

yeah, I think this right here.

- Look how rich that color is.

- Isn't that beautiful that's great.

- With the light bouncing off it.

- It is, it's just wonderful.

So, Jack, what do you think?

- About what?

- About this the color scheme

do you think it's a good match?

- I think it's a perfect match.

It's like you said you don't
know what goes with what

until you see it all together,

and I think you're absolutely
right about that, Jill.

Not to change the subject completely

about the photo shoot tomorrow

a little logistics thing

an idea popped in my head
when I saw the lingerie.

Since we're leaving for
location at 5:00 a.m.,

why don't you just spend the night here

instead of the hotel?

It'll save, Rick, the extra trip

in the wee hours of the
morning to pick you up,

and that way you'll already be here.

- Now, you're thinking, Jack.

He's unusually not this practical.

- Well, sure if it's not any trouble.

- No trouble at all.

I'll even throw some salmon on the grill.

Rick, you wanna stay for dinner?

- No, thanks I've already made plans,

but thank you anyway.

- All right.

Oh, it's one o'clock.

Doesn't the set shop
close at three on Sundays?

- You're right we better
get our buts in gear.

- (laughing) Bye, bye, Rick.

(soft music)

This is great thanks.

- Where'd everybody go?

- Oh, they left to get
some stuff for tomorrow.

So do you live here too?

- No, I wish.

- It's hard getting a man to
commit sometimes isn't it?

- Well, with Jack it is.

- I hope I'm not intruding
on personal territory.

I don't mean to stick my nose in

where it doesn't belong,

but why do you stay with someone

if their needs are different than yours?

I mean I hope you don't mind me asking.

I was just born with this
curiosity about human nature.

I mean some people think of it as prying.

I don't look at it that way.

What do you think?

- What was the question I'm sorry?

- Why do you stay with, Jack,

if he doesn't wanna live with you?

- Because I love him.

- Says it all doesn't it?

- Yeah.

- Cheers.
- Cheers.

- [Jack] I think she likes me.

- Who?
- Jill.

- Well, I hope so for Christ's sakes.

I hope she likes you
she's your girlfriend.

- Not my Jill the other Jill, Jill Martin.

- I swear, Jack, you think
every women on this planet

wants to get into your pants.

You think that's a bit delusional?

- Okay, I admit it

not every women wants to get in my pants.

Did you hear that I said women?

I'm getting better.

- Very good, very good.

- I'm telling you, Rick,

I got this Jill Martin chick pegged.

I've seen her type before.

They flash that feminine
bullshit in your face

like it's some kind of badge

that puts them above and
beyond the call of the wild.

You get them in bed (purring)

sexual animals.

Hey, I'm not talking out of my ass here.

I'm speaking strictly from experience.

- I don't think it's gonna
work with this one, Jack.

- [Jack] Oh, yeah, why is that?

Why not?

- Well, I can just tell.

- Are you blind, Rick?

Didn't you see the way she winked at me

when my Jill left the room?

If that's not an engraved invitation

I don't know what the hell is.

- So where do you live, Jill?

- Santa Monica.

- By the beach?

- Yeah, I'm pretty close
about four or five blocks.

- Wow, I haven't been swimming all year.

- Well, you know Jack has a pool.

How is it?

- [Jill Martin] It's a little chili.

- [Jill] Yeah, Jack was supposed
to get the heater fixed.

He hasn't gotten around to doing it yet.

You're not wearing a suit.

- [Jill Martin] No, I didn't put up one.

- [Jill] Well, you know I
have one inside you can borrow

if you want.

- Hey, I thought you Californians

went skinny dipping all the time

or is that just a vicious rumor I hear

howling around the alleys in New York?

- Well, you know some people do.

- I take it you're not one of them.

- Well, I go skinny dipping with Jack,

but I mean otherwise
I usually wear a suit.

You know just in case the
pool man or something come by.

- I think it's sad the
way we let fear of men

rule our lives isn't it?

I know how it feels.

We were conditioned that way.

I've worked hard for many
years to get over that fear

that fear that keeps me from doing

all the things that I love to do so much.

- Oh, my god, it is kind of chili in here.

- You get used to it after a while.

Does that feel better?

- [Jill] God, I just wish it was warmer,

just a little bit.

- I think you need to
talk to Jack about that.

Really if you wanna have it done

you should do it yourself.

Come on.

(soft music)

- So are you married, Jill?

- No, I'm living with someone though.

- You know I used to live with somebody

back when I was in college.

- Did you like it?

- You know I think I
would've liked it better

if we'd actually gotten along.

- You know I think the hardest thing

about relationships with men is that

they always wanna be the ones in control.

The minute a woman asserts herself

and starts doing things
that she wants to do

all that sweetheart business
goes right out the window.

- You know I think I'm gonna go in now.

Jack's probably gonna be home soon

so you might want to

you know, get out in a little bit

but, you know, it's up to you.

There's a shower in the guest room.

- Okay, thanks.

Oh, here

forgot your top.

- Thanks.

- I'll be in, in a bit.

- I'll see you then.

(soft music)

- [Jack] So how are
things going with you and

- Jonathan.

- Jonathan.

- Well, we have our ups and downs.

Relationships are kind
of like automobiles.

You find one you wanna keep

and you need to tune
it up once in a while.

Unlike you, Jack, who just drives one

until you wanna trade
it in on a newer model.

- Of course.

Of course don't you ever get
tired of driving the same car

over and over all the time?

- Well, not lately.

You know someday, Jack, you'll find a girl

and she's gonna make you
fall in love with her,

and she's gonna dump you

and then you're gonna
feel what it felt like

all those other girls that you left

going to greener and better pastures.

- You said girls, Rick.

- I know I say that when
there aren't feminists around.

(telephone ringing)

(soft sensual music)

(telephone ringing)

- Do you need to get that?

- No.

(telephone ringing)

Hi, this is Alicia.

I'm not in right now, so
please leave a message

and the time you called after
you hear the tone, thank you.

Wait for the tone.

Here it comes

any second now.

- Hey, girl it's me.

Where could you be, honey?

It's about 7:30 here
about 10:30 your time.

It's late I wanna talk to you.

Miss you, miss you so much.

I'm working tomorrow I'll be on location,

and I'll be home Wednesday.

- Who's Jill?

- Just a friend.

- It's hard to be here.

You know I don't like sleeping alone.

I can't stop thinking about you.

Alright call me when you get in, okay.

Alright I love you.

Bye.

(soft sensual music)

Hey,

there's no soap in the other shower.

Do you have some in here I can use?

- You know you might wanna
check under the sink.

- Oh, thanks.

Wow, this is a great shower.

It's huge.

I have a little bitty
one back in New York.

It's nothing like this.

- Well, if you want there's
plenty of room in here.

Could join me.

- Yeah, I would love to.
You don't mind?

- [Jill] No, not at all.

- Great thanks.

This is a great shower.

- You know when I was in college,

we had these big dorm shower rooms

with a bunch of these nozzles

and we'd all take showers together.

It was fun.

- Was that before or after

you moved here in your boyfriend?

- Before.

Once I moved in with him

my parents stopped supporting me.

I had to dropout of college.

- You need to get back to
school as soon as you can.

The older you get the harder it gets.

- I know it's just it's so expensive.

- Here have you washed your back yet?

- Thanks.
- Cool.

(soft sensual music)

You have beautiful skin.

- Thanks, Jill

- You and your doormates used
to do this for each other?

- No, no people would think
I'm probably gay or something.

- Well, we couldn't have people
thinking that now could we?

(soft sensual music)

- I think it's time for me to rinse.

- Okay.
- Okay.

- Do you ever worry about Jack

spending so much time with gay men?

- No, like I mean you
should hear the jokes

he tells about gay people
when Rick's not around.

- Oh, really.

- I mean he likes Rick.

I mean not like a boyfriend or anything,

but I mean as a friend.

- Well, I don't know
good friends shouldn't

talk about each other behind their backs.

- Well, I mean Jack doesn't
single out Rick specifically.

He talks about the gay
community in general.

I think I'm gonna go dry off.

- Okay.
- Okay.

- [Jill Martin] I'll be out in a bit.

(soft sensual music)

(water splashing)

- Hi.
- Hey, hon.

(water splashing)

What's she doing in our bathroom?

- She liked it better than
the one in the guest room.

- Well, makes sense it's a nicer bathroom.

- Yeah, it is.

- [Jack] Our guest from
New York has good taste.

- Jack.
- Come here.

We have time for a quickie.
- Jack, no look.

What if she walks out on us?

- Then she'll just have
to join in with us.

- Look I would never
do anything like that.

Neither would she

- Well, how do you know?

- Because she has a boyfriend.

- How do you know what she
does with her boyfriend

or without him for that matter?

Come on haven't you ever thought about

being with another girl?

(soft sensual music)

- I might have wondered
about it a couple times,

but there's a lot of
things that I think about

that I never wanna do.

- Like what for instance?

- Jack, why do you always have to ask me

these kinds of things?

- Because I wanna get to know you better

especially if you're gonna
move in with me someday.

- Yeah, well, once I move in with you

then maybe I'll tell ya, okay.

But for now I'm gonna
keep it my little secret.

- Okay.

Just here's this great opportunity

if you'd ever thought about it.

We have this attractive woman

staying with us tonight
maybe tomorrow night

and then she's gone back to New York.

If you ever thought about
being with another girl,

here's this golden opportunity

just staring you right in the face.

It might even

bring us closer together.

- Jack, just forget it, okay.

- Okay.

All I'm saying is

we should be open to new experiences.

That's all I'm saying, okay.

- Okay.

- I'm gonna go light the charcoal.

- Okay.

- Why don't you whip up one of those

Waldorf salads that you do?

Yeah.
- Yeah.

(dramatic music)

(water splashing)

Jack, you're the best.

Didn't I tell you he was a good cook.

- Yeah, dinner was great,

and that Waldorf salad was delicious.

- Yeah.

- Thanks.

- Jill, are you gonna be
comfortable in the guest room?

- Yeah, the room's fine thanks.

- In that case I think
we should all get to bed

a little extra early tonight.

- But, Jack, it's only nine o'clock.

- I know but Jill and I have to be up

and out of here by 5:00 a.m. so,

- I haven't gone to bed at nine o'clock

since I can't even remember.

Can we play cards or something?

- No, I really think we
should all hit the sack.

- Yeah, well, I think I'm just gonna

hang out here for a
while and enjoy the fire.

- Okay.
- Okay.

- Well, good night then.

- Good night.
- Come on.

- Sleep well you two.

- You too.

- Bye, see you in the morning.

(soft sensual music)

- So this is why you
wanted to go to bed early.

(Jack moaning)

- Can you think of a better reason?

- No, I can't.

(heavy breathing)

(Jack moaning)

(Jill moaning)

- [Jill] Oh, Jack.

(Jack moaning)

(Jill moaning)

(Jack grunting)

- Yeah.
- Oh, Jack.

(Jack grunting loudly)

(Jill moaning loudly)

(heavy breathing)

- [Jack] Fuck.

(Jack grunting loudly)

I got a big day tomorrow.

I gotta get some sleep.

(telephone ringing)

- [Alicia] Hi, this is Alicia.

I'm not in right now,

so please leave a message
and the time you called

after you hear the tone, thank you.

Wait for the tone.

Here it comes

any second now.

(Jack snoring loudly)

(soft music)

(funky rock music)

(funky rock music)

- [Jill Martin] Alright thank
you, ladies and gentlemen.

That's a wrap.

(models cheering)

Yeah, you all did a fabulous job.

Thank you very much.

You guys were great thank you.

Hey, thank you very much.

Thank you it was great.

(funky rock music)

You did a great job.

- [Model] Thank you.

- Hey, guys, how long
before we hit the road?

- What do you think, Rick, 10, 15 minutes?

- 15 tops.

- Okay, I'm gonna go take a short walk

clear my head before we leave.

Just yell when you need me.

- Will do.

- Hey, Jill

Jill.

I'm not usually one to
hand out compliments,

but I'm really impressed with the way you

handled the shoot today.

You have a very special
talent for making the girls

do what you want them to.

It's not easy believe me I know.

- Thanks.

- You're welcome.

- Okay, if we take one load tonight

another one tomorrow
morning that should do it.

(telephone ringing)

Hello.

- Hey, Alicia, hi honey.

Where were you last night?

I tried to call you a couple times.

- I was busy.

- [Jill Martin] Well,
didn't you get my message?

- Yeah, I got it this morning.

- Lesh, is this yours?

- No, that's Jill's.

- Who is that?

- Listen I'm not gonna
beat around the bush.

I'm in love with someone else.

- I leave town for a day,

and you're already in
love with someone else.

- [Alicia] We've been seeing each other

for a couple weeks now.

- I had no idea this was going on.

- That's because you're either in

London, Paris, Milan, LA wherever,

and I'm the one stuck here
alone twiddling my thumbs.

Well, those days are over.

I'll have all my stuff out by morning.

(dramatic music)

(telephone ringing)

- Hello.

- Hey, hon, you just get home?

- Hi, hon.

How was the shoot?

- Well, you never know till
it comes back from the Lab.

Listen couple of us were
talking about getting

a late bite at that new club on Sunset.

Hey what's it called?

- [Rick] Mirabelles.

- Mirabelles.

You wanna meet us there at 8:00, 8:15?

(soft jazz music)

- [Rick] Everything was
wonderful, Jose, thank you.

- [Jill] Thank you, Jose.

- The night clerk at the Lab

says the prints shall be
ready tomorrow afternoon.

- Great I look forward to seeing them.

You know I feel like
getting smashed tonight.

- I'd like to get drunk tonight,

but I have to work tomorrow.

- No, please.

(soft tango music)

Hey, listen to that
they're playing a tango.

Rick, will you tango with me?

- No, thanks I'm really not up for it.

- Come on.
- No.

- I bet you if you were a guy asking.

- Hey, hey, hey, hey.

- You know I'd like to learn how to tango.

- Well, hey, there's no
time like the present.

- All right.- Go girls.

- [Jill] Sure you don't mind?

- No, not at all.

- All right.

- Go Jills, go Jills, go Jills.

(soft tango music)

(customers applauding)
Bravo, bravo, bravo.

Bravo.

- You two looked really good out there.

Wish I brought my camera with me.

- [Jill] Well, you never really know

that you're good at
something until you try it.

I have to use the little girl's room.

I'll be right back.

- And I have use the little boy's room.

- [Jill Martin] By all means, Jack.

- Jack.

Jack, we're in public.

- You looked so hot out there, so hot.

- We were just dancing.

- You call that dancing.

You two were practically fucking.

- Jack, it's a tango.

- Let's do it tonight, a
threesome, you, me, and Jill.

- You know I think you've had
a little too much to drink.

- Come on I know you wanna do it.

- No, I don't.

- Yes, you do.

- No, I don't.

- [Jill] Jack, what are you doing in here?

- [Jack] You drive me wild.

- [Jill] Jack, stop.

- [Jack] Come on I know you want to.

- [Jill] No, I don't.

- Well, if you'll excuse me

I think I'm gonna go use
the ladies' room too.

- The way I've been drinking tonight

probably I'll do the same thing,

but in the men's room of course.

- [Jill] I'm going home.

- Jill, Jill, are you alright?

(soft music)

Jill.

Hey, Jill, wait.

What did he do to you?

- Nothing.

- He did something.

- He was trying to do something to me.

- What have sex with you in the bathroom?

I don't believe it.

That's it, that is it.

There is no way I'm staying
at his house tonight.

Would you mind dropping
me off at my motel?

- No.

- He's not good enough for you.

Jill, he's a pig.

You deserve much better than someone

who treats you like a piece of meat.

- Thanks.

You know thanks for caring about me.

- It's okay.

I understand.

I'm in a fragile state myself tonight.

- What happened?

- My lover broke up with me.

- Just now?

- No, just now, today whatever

it's all a blur to me now.

- I'm sorry.

I know how it feels.

- It's all right.

- I wonder where Jill Martin ran off to.

- (sighing) I don't know she's a big girl.

She can take care of herself.

I said girl.

I mean woman.

- You alright, Rick, you need a ride home?

- No, I'm okay I called Jonathan.

He can come pick me up.

- Okay, you sure?

- [Rick] Just wake me in an hour.

- You're not gonna stay
in a hotel tonight, okay?

You're gonna come home with me alright?

- Thanks.

(soft music)

- I noticed a change in Jill.

- My Jill?

- Yeah.

She's a lot more outgoing
than she normally is

kind of like a flower blossoming.

- Well, it is spring,

and that's when all the wild
flowers come out, isn't it?

- I haven't drank that much in so long.

- Yeah, I got pretty
wasted a couple months ago.

- What were you celebrating?

- I wasn't celebrating.

I thought Jack was having an affair

with one of his models.

- I bet good money your
suspicions were right.

- What makes you say that?

- I know men better than you think I do.

I wasn't gonna tell you this, but

No.
- No, no, no tell me.

- No, no.
- Please.

- I don't wanna sound conceded.

- No, no it's okay.

- Well, ever since yesterday
Jack's been coming on to me.

I'm sorry I knew you wouldn't believe me.

- No, no, you know I do actually.

I mean after what he said
the other night I just

- What?

What did he say?

- No, no, I can't.

- Jill, Jill come on.

I told you.

Come on now it's not like

we're guys trying to
get in each other pants.

There's no need to keep secrets.

- Well, he wanted...

He wanted me to have a menage
a trois with you and him.

- Who does this guy think he is?

God's gift?

- I told him there was no way.

No way.

- You damn straight there's no way.

The only Jack's gonna get off me

is a piece of my mind.

The nerve of some guys I
can't believe him, please.

- [Jill] You like honey?

- [Jill Martin] Very much.

- [Jill] Let me get you a spoon.

- This is great honey.

Is it Clover, Fireweed?

- Clover.
- It's great.

Such divine this is beautiful honey.

- Can I have a taste.

- [Jill Martin] Sure you
can have all your want.

Here's your honey.

(women moaning)

- That's good.

Can I have a little more?

- Well, sure you can have
as much as you would like.

- That good.

Oh, god, it's one o'clock.

My, god, I gotta be up at work at 7:30.

I can't believe I got so drunk.

So I think I better call it a night.

- [Jill Martin] All right.

- [Jill] You know this.

You know this couch it's kind of small

for one person to sleep on.

- Well, maybe if I was a munchkin.

- Well, you know if you don't mind

you can sleep in my bed with me.

I don't snore or anything I don't think.

- Oh, that would be great thank you.

Thank you.

(soft sensual music)

- You feel really warm.

- Feels good to cuddle
like this doesn't it?

- I know I used to have a girlfriend, and

we used to cuddle like
this until we fell asleep.

- How long ago was that?

- It was like the fourth
or fifth grade I think.

You know I really like you, Jill.

I mean the older you get the harder it is

to make really you know good friends.

I mean not just like
somebody you work with

or an acquaintance.

But I mean someone that
you can really talk to

and be close to and do things with.

- I know exactly what you mean.

- You know what I mean?

- Your skin is so soft.

- Thank you.

I've never done anything like
this with a woman before.

- How does it make you feel?

- I don't know kind of
like a virgin again.

- Savor that feeling.

As you get older

those virgin experiences
are few and farther between.

(soft sensuous music)

(soft sensuous music)

Wow, that is so beautiful.

- Thank you.

- It's okay.

- [Jill] Have you ever
been with another woman?

- [Jill Martin] Uh-huh.

- Well, you're gonna have to

show me what to do.

- Don't do anything just relax.

Don't think about anything

except what's going on right now.

That's all.

Put everything else out of your mind.

Nothing else exists right now but us.

There's nobody else in the world.

(Jill moaning)

(Jill moaning loudly)

(soft sensuous music)

- [Jill Martin] Good night.

- Good night.

(alarm beeping)

Oh, god my aching head.

- I've got a hangover too.

- A big one.

- Good morning.

- Oh, god, so last night wasn't a dream.

- Nope.

- My god I'm a lesbian.

- It's not that bad is it?

- No.

I'm just kind of worried about

you know what might parents might think.

- What does it matter what people think?

Hey, what you do with your private life

is your own business.

- What am I gonna do about Jack?

- Whatever your heart tells you too.

- Well, I know I don't
wanna go into work today.

- Do they give you sick days?

- Yeah.

- Well, why don't you take one?

(soft music)

♫ I wanna know

♫ What you think of me

♫ I wanna know

♫ What you feel

♫ By now you know

♫ What you've come to mean to me

♫ But everything is changing

♫ And now I wanna know if this is real

♫ As a moment shifts like sand

♫ Blowing through the promise land

♫ Take this flower from my hand

♫ And touch me like a lover

♫ Like a lover

- Have you decided what
you're gonna do about Jack?

- No, I've been enjoying
myself too much lately

to even think about it.

- He doesn't love you.

If he did he wouldn't
treat you the way he does.

- I know.

I've been really confused lately.

- About what your sexuality?

- Yeah that too.

- Look you just take your time

and you figure out what you wanna do.

I'd like for you to be with me,

but that's up to you of course.

I just wanted you to know how I feel.

- I have feelings for you too, Jill.

It's just

there's a lot of things that
I'm not sure of right now.

- Just take your time.

Je t'aime.

- What does that mean?

- [Jill Martin] It's
French for I love you.

♫ As the moment shifts like sand

♫ Blowing through the promise land

♫ Take this flower from my hand

♫ And touch me like a lover

♫ Like a lover

♫ Oh, like a lover

♫ Like a lover

- Jack, the Loralie people
are gonna love these.

Some of your best work.

- Think so?

- I know so.

Jack,

Jack, what are these?

- Shit, how did these get in there?

- I thought you said Jill was camera shy?

- She is.

- You mean you

Jack you naughty boy.

- It's a good thing
Jill's not here right now,

or she'd go ballistic on me.

- [Rick] What are you gonna do with them?

- Probably save them for a lonely night.

- Please.

- Hey, not a word of this to Jill alright?

- My lips are sealed.

- That'd be a first.

(soft music)
- Hey, hey.

- You know I think I'm
gonna wait for you out here.

I don't really wanna
talk to Jack right now.

- I don't blame you.

Go on.
- Okay.

- Alright listen I'll be right back.

I won't be long, okay?

- [Jill] Okay, you okay with driving?

- Yeah.

Well honestly, Jill, I
haven't driven too much,

but I've seen enough people do it

that I think I got the hang of it.

- [Jill] Well, be careful.

- Okay.
- Okay.

- Yeah.

(soft music)

(loud thud)

- What was that?

- Sounds like Jill's car.

Jill, it's you I thought it
was my Jill having car trouble.

- [Jill Martin] No, she was
nice enough to loan me her car

so I can come pick up my bag.

Hey, Rick.

- Hey.

- [Jack] She's probably
still pretty pissed at me

after last night, huh?

- [Jill Martin] She's got
every right to be, Jack

after what you did to her.

- [Jack] Yeah, well, I had
a little too much to drink.

- We all did.

- I should probably call
her and apologize, huh?

- I'd wait a few days if I were you.

Give her a chance to cool off.

- Well, I waited for you at Mirabelles.

Did you get a cab and go to a hotel?

- No, your girlfriend was kind enough

to let me spend the night
with her last night.

- Yeah, well, I should
probably apologize to her.

I guess I owe you one too.

I'm sorry.

- Hey, it's water under the bridge.

Come on let's go take
a look at those photos.

I can't stay long.

Beautiful.

Jack, you sure know your stuff.

Rick, you're a pleasure to work with.

- Well, thank you.

I just hope we can all
work together again.

- Maybe next year's catalog?

- Yeah, we'll see.

Well, I hate to rush off,

but I've gotta get Jill's car back to her.

It was very gracious of
her to let me use it.

(dramatic music)

I can't believe he would do this to her.

- I'll be right back.

Jill.

- Jack, you frightened me.

- Sorry.

So when are you flying out?

- [Jill Martin] In the morning.

- So why don't you just stay here?

I'll bring you to the
airport in the morning.

- [Jill Martin] What about Jill's car?

- [Jack] I'll have her take it back.

- Well, then how is Rick gonna get back?

- [Jack] He'll take a cab.

That's what I pay him the big bucks for.

- I don't think so, Jack.

I've already got other plans.

- You sure you know how
to drive that thing?

What is it they say about woman drivers?

- Jack, you are so gross sometimes.

- Man, I would've loved to get her in bed.

I betcha I could've
gotten them both in bed

at the same time if I hadn't
blown it at Mirabelles.

- That would've never happened

not in a million years.

- What makes you the expert on women.

- You still don't know do you?

- What?

- Jill Martin is a lesbian.

(suspenseful music)

- [Jill] I can't believe Jack

would do something slimy as that.

I mean he knows I don't
like to get my picture taken

especially something like that.

- [Jill Martin] Yeah, well
the proof's right here.

(suspenseful music)

- [Jill] Oh, my god I don't believe it.

- What?

- [Jill] It's Jack.

- What the hell's going on?

You going AC/DC on me, Jill?

- Go to hell, Jack, okay?

It's over between you and me.

- So you like girls better now.

- Yeah, yeah, you know what
you don't ever call me again.

- You muff diver.

- Yeah, well, it takes
one to know one, Jack.

- Fuck off.
- Fuck you.

- [Jack] Fucking muff diver.

- Asshole.
- You fucking bitch.

(dramatic music)

(telephone ringing)

- Hello.

- [Jack] Teresa, hey, it's Jack.

- Jack,

what's up.

- It was really good seeing you

at the photo shoot yesterday.

You were looking really hot, babe.

- Thank you.

It was really good seeing you too, Jack.

- Listen I was wondering
what are you doing tonight?

You doing anything?

- No, not really I'm just

sitting around bored out of my mind.

Why what's going on?

- Well, why don't you come on over.

You do remember how to get here don't you.

- [Teresa] I thought you had
a girlfriend these days, Jack?

- No, she's...

She's history.

- What's the matter she
caught you cheating on her?

- No, just it wasn't happening that's all.

It just wasn't happening, okay.

- Alright, well, just
let me put my face on

I'll be right over.

(soft sensual music)

(soft sensual music)

(soft sensual music)

(dramatic music)

- This stuff.

(dramatic music)

(Jack grunting)

That bitch.

Hell, hell

I'll give you a fucking color scheme.

How about orange,

flaming fucking orange?

Let's see how this looks in
your little portfolio there,

Ms. Fucking Martin.

There we go, yes.

(telephone ringing)

- Hello.

- Jill,

it's Jack.

- [Jill] Jack, I thought I told
you not to call me anymore.

- Let me talk to the other Jill.

- Jill, it's Jack he says
he wants to talk to you.

- There's nothing to talk about.

The shoot's over.

The photos look great.

Tell him thank you very
much for a job well done.

- Did you hear that?

- Yes, I heard that.

Now put your goddamn lesbian girlfriend

on the fucking phone now.

- Look, Jack, she
doesn't wanna talk to you

and neither do I, okay

especially if you're gonna
be talking like that.

- Tell her there's

a little problem with the photos.

- He says there's some kind
of problem with the photos.

- He's lying, Jill.

He just can let go.

- I really think you should talk to him.

I've never heard Jack
sound like this before.

- What's the problem Jack.

- Well, see I burned all
your fucking photos, bitch.

- What?

- Yeah, burned them all of them

the fucking negatives, the photos,

the whole fucking shebang.

What do you think about that, huh?

- This better be a sick joke?

- Well, it's sick,

but it's no joke Ms. Fucking Martin.

There all going up in flames
right now as we speak.

You hear that, you hear
that snap, crackle, pop?

You hear that?

That's all that's fucking left
of your photo shot, bitch.

- You sick fuck.

You're through.

You're over.

You can kiss your ass

and everything else you own goodbye.

You will never click another shutter

in this town again or any
other town for that matter.

Son of a bitch.

Oh, I'm fucked.

I am so fucked.

- Well, what?

- Your boyfriend just
fucked me up the ass.

Oh, shit I've gotta call
the people over at Loralie.

They are gonna freak.

- What did he do?

- He burned the fucking
negatives to the shoot.

- He wouldn't do that.

Not unless he was really, really upset.

- Well, sometimes it
takes something like this

to bring out the true colors in a person.

Fuck.

- Maybe he really needs me.

- What?

Oh, Jill, you're not thinking about

going back to him are you?

Honey, someone who's capable
of doing something like this

is capable of doing anything.

It really scares me for
you to be here alone.

I really wish you would consider

coming to New York to live with me.

You can finish school at NYU or Columbia,

or, hell, do what whatever you wanna do.

I make enough to support us both.

I'll take care of you.

- Look it's just this is
happening all so fast.

- Hey, girl, where's
your since of adventure?

- I'm worried what my
parents are gonna think.

- About what moving to New York?

- About me being a lesbian.

They'll get over it, mine did.

- My life was so simple
before you came along

and now I mean it's just

It's gotten so complicated.

- Look my plane leaves in the morning.

Do you want me to stay in a hotel tonight

so you can have your space?

- No, no look I want you to stay with me.

(soft music)

(soft sensual music)

- You taxi's here.

- Sure you don't wanna come with me?

- I wish I could, but

but I can.

- Well, if you change your mind,

I left my number by the phone.

Call me sometime.

- Thanks.

- Je t'aime.

(soft music)

(telephone ringing)

(soft music)

(telephone ringing)

- [Jill] Hello.

♫ I wanna know what you think of me

♫ I wanna know what you feel

♫ By now you know

♫ What you've come to mean to me

♫ But everything is changing

♫ And now I wanna know if this is real

♫ As the moment shifts like sand

♫ Blowing through the promise land

♫ Take this flower from my hand

♫ And touch me like a lover

♫ Like a lover

♫ Make assure

♫ In the worst of times

♫ I wanna know

♫ Who you are

♫ Where can we go

♫ Where we cannot fall behind

♫ As time goes by so quickly

♫ It beats me up and leaves me in the dark

♫ As the moment shifts like sand

♫ Blowing through the promise land

♫ Take this flower from my hand

♫ And touch me like a lover

♫ Like a lover

♫ Like a lover

♫ Looking down the streets at night

♫ Like a lover

♫ Like a moth who needs the light

♫ Like a lover

♫ I've been burning up tonight for you

♫ Now

♫ As the moment shifts like sand

♫ Blowing through the promise land

♫ Take this flower from my hand

♫ And touch me like a lover

♫ Like a lover

♫ Oh, like a lover

♫ Like a lover

♫ Like a lover