All language subtitles for W1A - 02x01 - Series 2, Episode 1.TASTETV (HDTV).English.C.updated.Addic7ed.com

Standby, two. Mix
through. Cue on two.

The BBC has announced the appointment

of ex-Head of Olympic Deliveries Ian
Fletcher as its new Head of Values.

Time now for the Shipping Forecast.

I mean, obviously, a royal visit at
any time would be a big thing for us,

but coming now...

It's Monday at the BBC's
Central London Headquarters,

New Broadcasting House
in Central London,

and Head of Values, Ian Fletcher,

is chairing an important meeting
of the Way Ahead Task Force.

Anyway, the point is the relationship
between the BBC and the royal family

is a very delicate and important
issue in all kinds of ways.

But in the context of
charter renewal in 2016,

and, let's face it,

this is a royal charter we're
talking about renewing here...

Yay(!).. suddenly an occasion
like this starts to look like

a really significant opportunity
for us to, you know, to...

Yeah, basically, it's a huge
opportunity to not fuck it up.

Well, I mean... Yes. Yes. Cool!

Yes, no, brilliant. Brilliant.

In his role as patron and future
heir to the environment,

Prince Charles is due to
visit New Broadcasting House

to present an award for the BBC as
the world's zero-energy broadcaster.

Can I just say, Ian, that we
have been in regular contact

with the comms people
at Clarence House?

Right, well, this is
good, cos it's important

to get the fine detail of this
thing right, right from the start.

Apparently, the key thing
is, whatever you do,

you absolutely must not
touch him. No, sure.

Yes. Unless he touches you first.
The fact is that's true.

No, sure, I'm totally good
with that. Right, good.

Also we have to lock
down a special toilet

for three days in advance
before he actually arrives.

Right... Christ. I
was thinking more...

I mean, that's very fine detail.
Yes, it is, exactly, Ian.

Also, something else that came up,
he doesn't do sweetcorn at all.

Right. No. Cool. Brilliant.

Meanwhile, downstairs, intern Will
Humphries is arriving as usual -

keen to get into the building
and begin some sort of day.

Yeah, hi. Hi, can I help? Yeah,
it's, like, my pass doesn't work?

OK. Yeah, I don't know, it's, like,
it's not working. OK, let me try.

OK... Yeah, cos I've got, like,
a coffee for Ian Fletcher?

OK, you will have to sign in. No,
but I work here? You work here.

I'm, kind of, like an intern.

OK, but, I mean, your pass doesn't
work, so you will have to sign in.

Hi, Will. Oh, yeah,
hi, Izzy. Yeah, hi.

How are you? Yeah, I'm good.
Yeah, I'm good. I'm good.

Good. Yeah, so, like,
I'm in reception,

but, like, my pass isn't working?

Oh, OK. Like, I'm
supposed to sign in,

but it's like I have to be
visiting someone? Right, yes.

Yeah, so, like, would it
be OK if I visited you?

Yeah, sure, OK. OK, cool.

Cos I've got, like, a
coffee for Ian Fletcher?

I think I have to come
down and get you, though.

What? Yeah, I know, yeah, crap. OK, stay
there and I'll come down in a minute.

OK, cool, yeah, I'll stay here. OK.

OK, cool.

I mean, I am quite busy at the
moment, David. Oh, I know...

I have got quite a lot on.
I know, tell me about it.

Meanwhile, after a more than usually
complicated start to the day

with her daughter at home, senior
producer Lucy Freeman has arrived,

with just enough time to snatch
a quick breakfast on her own,

but, nevertheless, entertainment
format executive David Wilkes

is keen to ask her advice about
an idea he's been asked to have.

I mean, what was the remit
she gave you? Remit? Yes.

No, sorry, you've lost
me already there, Lucy.

Following a mixed reception
for Britain's Top Village,

with Gary Lineker and Holly
Willoughby last year,

he's been invited to come up with
something even better than that

by Head of Output Anna Rampton.

I don't know what it is! Whether
she's like done to her hair, do
you know what I mean? Mmm...

I can't quite put my finger on it.
So, what ideas have you got so far?

OK, so the direction I'm going in,
like the way my mind is working,

I was thinking maybe something
like Uptown Downtown. What?

I'm still working on the
title, obviously. Yes.

So, basically, celebrities
have like a town, OK?

So, maybe Myleene
Klass was born in...

Well, I don't know, she must
come from somewhere. Yes.

And they compete against each
other. You have, like, judges,

like Kirstie Allsopp, to convince
you that theirs is the best town
in Britain. Right, OK.

So, almost exactly like
Britain's Top Village then.

OK, so, with Town it's, like, what
you've done is you've taken Village,
OK? And what you've done is

you've gone up a gear
straightaway. Right. Any others?

Oh, what? Any other ideas? Just
in case that one doesn't fly, yes.

Look at you, you're so healthy,
Lucy. Do you know what?

Excuse me. I'm putting this back.

I'm going for fruit salad instead.

Do you know what? I'm going to have
both. Sorry, you can have both.

Honestly, what am I like?

And then finally the other thing I
just wanted to touch on this morning

is this issue around Wimbledon
that's come up. Ah, OK.

Yeah, bollocks. Brilliant. Brilliant.

Meanwhile, back up in Frankie Howerd,

Ian is literally setting the
agenda in the Way Ahead Meeting.

Can I just say I was actually going to
raise this in Damage Limitation, Ian.

Right. It doesn't matter
what meeting it is,

it's the BBC, it's
damage limitation, OK?

Well, I mean... Just saves time.

In the past few weeks, there
have been rumours that the BBC

could be in danger of losing its
exclusive contract to broadcast

the Wimbledon Tennis Championships
to a rival broadcaster,

in this case, S... BLEEP

The fact is I've made
my views clear on this.

Cannot happen, OK? Well, exactly.
Absolutely cannot happen.

I mean, for Christ's sake. I'm sorry,
but here we go, we're panicking already.

This is just a bit of... I mean, I don't
know where this story came from for a start.

Well, I can't speak for anyone else,
Neil, but I got it from BBC News.

Yeah, OK. Yes, me, too, Neil,
yes. Yes. Right. Fuck.

The BBC has broadcast Wimbledon
in one form or another

unremittingly for over 90 years.

If it was to lose it now,

it would be a major blow
to its very BBCness.

Worse still, the ensuing debate
has thrown up suggestions

in some quarters that its coverage
of the Championships

is, in certain respects, too white.

Guys, I don't want to
be dramatic about this,

and, I mean, we all love Sue Barker,

but I got to say we are looking
at a situation here

~ and not in a good way.
~ Brilliant.

~ I mean...
~ Brilliant.
~ Too white?
~ Bummer.

I don't think it's about
Sue Barker specifically.

Apart from anything else, it's factually
inaccurate. Right, well...

The fact is Sue Barker
was originally blonde.

Right, yes... As I say, I don't...

Yes, Will, come in.

No, come in, come in. Come in!

Thanks, Will, that's
great. Yeah, hi, sorry.

No, that's great, thanks. We
missed each other earlier.

Yeah, I know, it's like
my pass isn't working?

Oh, bad luck. Yeah, crap.

Right, well... Yeah, so, like,
Izzy came down to get me.

Oh, right, did she? Yeah.

Oh, well, that's nice. Yeah.

OK. Well, thanks, anyway, Will.
Yeah, no worries, yeah, cool.

Right. Good.

Yes, no, I mean, I think we're in
danger of being drawn into detail

too early again here.

I mean, Wimbledon is obviously
a cornerstone of the...

OK, OK, OK, erm, here's the thing
with this - erm, it's a no-brainer.

What it is is... OK, so, now
we've got two things, OK?

Got like Wimbledon, which
is like tennis, OK?

And we've got BBC, which is
like, erm, I don't know...

Sue Parker, OK? Sue Barker.

Sure, and what you want is...
Erm, you want one thing...

One thing? Sure. So, what you're
looking at here is a brand mashup.

Right... Oh, right. Here
we go. A "brand mashup"?

Sure. You want to say more
about how that could work?

Well, erm... No, sure. Really?

Erm, so it's, like, I don't know...

It's like OK, OK, OK...

OK. So, it's like I say the word
"peanut", OK? What are you thinking?

Peanut? No, I said that.
That's the word I just said.

Yes, no, I... What are
you thinking? Erm..

OK, I'll say it again, OK? But
don't think - just say stuff.

Peanut.

Monkey. Yes, very good.

Butter. "Butter"?

Peanut butter, OK? Brilliant. Duh.

Well, I'm sorry, Siobhan,
but I think of monkey.

OK, there's no such thing
as peanut monkey, OK? What?

I mean, that's like... I don't
even know where to start.

So, like peanut and
butter - two things.

Peanut butter - one thing.
Yes... Yes, no, very strong.

BBC and Wimbledon - two things.

BB-sWimbledon - one thing.

Yes, no, I think we've got that. No,
sure, it's, like, what's not to get?

And this is an area where you could
have some ideas? Well, hang on...

Where we could have ideas? Yes.
Like there are areas we don't?

Right... OK, good. Shall
we just have a think

about exactly how we want to play
this? The fact is this is important.

Yes. I've already made that
clear. Yes, no, brilliant.

But, Siobhan, I don't want to spoil
this party we're all having now,

but you can actually have other
kinds of butter. Excuse me?

I don't believe this.

You can have, like, brandy butter
or just ordinary butter.

It doesn't have to be peanut.

There's no such thing as
monkey butter, OK? What?

Brilliant. Get over it.
Brilliant. Very strong.

Cos, sometimes... I mean,
it's her hair, obviously,

but sometimes, she has
it done really straight,

and, to be honest, I don't think
does her any favours. Mmm...

Do you know what I mean, though?

Meanwhile, down in the Syncopaticafe,

it's becoming increasingly
clear to Lucy

that she's having
breakfast with David.

So, why the sudden urgency from Anna,
all of a sudden, anyway? Mm, I know.

Do you know what, Lucy? I think
it's to do with this new job.

What new job? Oh, OK.

Well, apparently, no-one's
supposed to know anything yet,

but they're creating this new
like Director of Better or...

"Director of Better"?
Apparently, yeah. Better what?

I mean, basically, I
think what it is is...

Yeah, you know what?
I don't care. No? OK.

Anyway, all it is is she
needs something really good

to have up her sleeve if she applies.

Right. So, all you need to do now
is think of something really good?

Oh, I know, tell me about it. I mean,
this is so not my area, David...

No, I know... but if you want my honest
opinion... Yes, please, Lucy, I do.

.. I'd be tempted to go in a different
direction, I think. Oh, right. If I was you.

Maybe surprise her with
something original. OK...

That's interesting.

That's brilliant, Lucy. That's
really great. Thank you.

So, when you say "different direction",
Lucy... As I say, I'm really not...

No, just as an example of what you
mean, I mean. I mean, I don't know,
if all the celebrities in the world

swapped pets with other for a week or...
Oh, my God! I mean, not that, but...

Kylie has a Rhodesian ridgeback.
Yes, well, that's...

Then it's like, "Will
they miss the old pets?

"Or will they fall in love with
the new one?" No, David...

Do you think a week would be enough?

OK, so, how it works is
you guys go either end

and I'm like umpire
or judge or whatever.

Cool. Groovy.

Over at Perfect Curve,

it's a different day and Siobhan
is preparing her creative team

to play mashup tennis.

So, then you guys
have, like, ideas...

OK, so, like, you have an
idea, OK? Yeah, so, like...

No shut up, still me. Yeah. So,
you like hit the idea ball...

Cool... and if your idea
isn't better than your idea,

then you lose the point,
OK? OK. OK, cool. Yeah.

With other broadcasters,
such as S... BLEEP

.. making moves to poach the
iconic event from the BBC,

leaving it with no live sports
that people understand,

their mission to both mashup
and pimp the BBC Wimbledon brand

at the same time, which isn't easy.

So, it's, like, serious shit.

But that doesn't mean
they can't have fun.

It doesn't mean we can't have fun here,
right? OK, you serve. Sure, whatever. Go!

OK. No, hang on, what's going on?
OK, no, that's too slow, you're out.

No, but it's like it's singles,
otherwise it doesn't work. Yeah,
singles, yeah, whatever. Go. OK?

So, I could be down the other end? No.
Yeah. Well, how's that going to help?

He could be, like, ball boy.

Yeah, cool, yeah, ball
boy, yeah, cool. OK? Yeah.

OK. Right. Ready? Yeah. Go!

So, you have BBC newsreaders
or like David Thingy

actually umpiring the matches.

Cool. Shit. David who? This is good.

Erm, old guy, grey hair, does, like,
political stuff with politicians.

Attenborough. Yeah, David
Attenborough, yeah, cool, yeah.

OK, cool idea, Barney. 15-love.

Coco, your... Fault. Excuse me?

What? Yeah, because what
if David Attenborough

doesn't know the rules of
tennis or like how to score?

In this idea, he does know the rules.

Well, he might not - it's
not as easy as it looks.

You're a ball boy, OK? Yeah.

OK, cool. So, I could be
like net cord judge? What?

OK, 30-15. Coco. OK, so...

With, like, the finger,
it's pretty cool.

Yeah, so, like, with the umpires,

with David Attenborough or
maybe, like, Alan Sugar?

Yeah, yeah, cool, yeah,
Alan Sugar, yeah.

Like, so now all they do
is, like, say the score,

but they could be more like judges.

Cool. So, like, at
the end of the rally,

they'd be like "15-love.
Nice footwork."

Yeah, yeah, cool.
Or if it's just out,

they're like "Love-15.
Cool shot, but no cigar."

Yeah, cool, yeah. OK, I
love this, this is epic.

OK, so, erm, 30-30, whatever.

Barney? OK. So, we have Graham
Norton up in a players' box?

Excuse me? Cool. Yeah,
so he's, like, up there

with the players' girlfriends.
Yeah, yeah, yeah. No way!

Yeah. Cos when, like, the players
swap ends and sit down,

normally that's when
you go to adverts,

but, with the BBC, they don't
have adverts... Bummer.

Yeah, so instead you've just got two guys,
like, sitting there eating bananas.

Well, sometimes it's like they take their
shirts off. Yeah, but... Yeah, sometimes.

BUT with Graham up there with, like,
Andy Murray's girlfriend... Kim?

Yeah, Kim, yeah. We love
Kim - she's gorgeous.

Yeah, and... Yeah, big sunglasses.

Yeah, and Graham's like,
"How are you feeling?"

or "Oh, my God, we're so
loving that dress, Kim."

God, I love this, this just,
like, the best thing ever, OK?

Erm, 30-40. No, it's...

OK, OK. 40-30-30?
40-deuce, whatever. Go!

Hi, Izzy. Hi. Have you got a moment?

Back at New Broadcasting House,

Ian has had an issue on his
mind, and it hasn't gone away.

I don't want to disturb you, I know
you're busy enough... That's OK.

.. but would be possible...?

Will's pass isn't working, for
some reason. Yes, no, I know.

Oh, yes, thanks for letting him in again
today. I had a quick look on Syncopatico...

Yes... but as usual I couldn't
make... No. You know, it kept
telling me I wasn't discoverable,

or my network settings were in
conflict with God knows... Yes.

So, basically I fell at the first hurdle.
Yes, no, I had a look earlier, too.

Oh, right. And? His pass
has actually run out.

Well, I mean yes, that's the...
No, I mean, it's... What?

I think Will's internship
has expired.

Oh, God. I know. No.

Yeah.

I haven't said anything to him. No, no, of
course. I don't really know what to say.

I mean, are you sure?

So, the standard period is normally,
like, eight weeks. Eight weeks?

I know. But, I mean, that's...
How long...? 11 months.

11 months? Yeah. Well...
How can that happen?

I don't think anyone's noticed. No.

No, OK. Well, at least that's
something positive, I suppose.

Yes. Yeah.

OK, so, like, on court,

you have, like, BBC theme
tunes for both players.

OK... So, I don't get that.
Yeah, OK... I don't get it.

Yeah, so, like, say Andy Murray is
going to play Novak Djokovic, OK?

OK, so, I don't even
know what that is.

He's, like, world number one or
something. OK, sure, whatever.

Yeah, but, like, at tennis.
So, like, Novak,

he'd be like Doctor Who, because
he's, like, a bit... Sure, whatever.

Yeah, he's kind of like an alien.

Yeah, but... Yeah, like
his hair. Yeah, but, Andy,

he'd be, like, Strictly.
We LOVE Strictly.

Yeah, so, like, if Novak wins
a rally and then it's like...

OK, no, I get that.

Yeah, but then, like, the whole
crowd joins in, so it's like...

Yeah, I still get it. Do Strictly.

Then, if, like, Andy wins
a rally, then it's like...

Ho!

Holy shit. Yeah, cos then it's, like,

suddenly it's, like,
party time. Do it again.

Ho!

Somebody tie this girl
down. Yeah, it's like...

Ho!

Good job, guys, we did good here.
We totally nailed this coyote.

It's like ho! We just
BBCed Wimbledon.

Well played, good match. Cool.

Yeah. Ho...

Back over at New Broadcasting House,

it's a completely different day.

And as Ian arrives for work,

the first issue of the
morning presents itself

even before he's made
it inside the building.

Oh, hi, Will. Yeah, hey,
yeah, cool. There you go.

Right, thanks. I mean, that's really
good of you, Will... No worries.

No, I mean, really,
I'm perfectly capable,

I should get used to carrying my
own bike and getting my own coffee.

Yeah, no, no worries. That's cool.
No, but... It's like a system.

Right, yes. Yeah, so my pass
still isn't working? Right, no.

I asked Simon Harwood when he came
through if I could visit him,

but he said it's probably better if I
visit you? Oh, right yes, did he? Yeah.

I prefer visiting you anyway, it's
better. I mean, we really need
to sort this out at some point.

Yeah, I know, crap. Yes.
Yeah, with the pass,

I was thinking maybe it's like
the photo's, like, just too weird.

I mean, someone's going to have to
tell him, aren't they? Yes. Yes.

I'll tell him. This is awful. I know.
I'll tell him. Really, I don't mind.

I don't think there is, like, a
formal system. But he seems to
be closest to you. Well, that's...

Yeah, like you've adopted him.
Me? Well, or Will's adopted you.

I mean, maybe if his pass just
keeps not working, I suppose

there's a chance he might just work
it out for himself eventually.

Yes.

Right, OK, no. Great.

Meanwhile, producer Lucy Freeman

is with potentially new
writer Dan Shepherd.

After working towards developing
a new drama, Home Truth,

with him for over two years,

the project is finally nearing
another meeting. I have to say,

I don't know what Matt's going to say...
Right... but he asked for the meeting so...

Yeah... I'm always cautious,
but, after everything,

with everything you've been
through, you have to think,

what else can it be but something good? Yeah.
So, do you actually work here every day?

Yes, I do, yes. Right, OK. Every day.

Dan. Hi. You remember Matt?
How are we? Yeah, good, yeah.

Thanks so much for coming all the
way down. How's Whitby? Wetherby.

Wetherby, yes, Wetherby, of course.
Yeah, no, it's OK, thanks. Great.

It's still pretty much the same. Great,
have a seat or something. Yeah. Oh...

Generic Head of Comedy
and/or Drama Matt Taverner

has asked to meet Lucy and Dan

to talk about what happens
next with Home Truth,

a love story set and told
very much in the context

of the Yorkshire seaside
town of Scarborough.

I mean, first of all, I love what
you've done with these scripts.

Oh, right. They're great, aren't they? I just
think the characters are really solid now.

Yeah. Especially, I mean, the
main character, I just...

Sarah. I love that she's a woman.

I love that she's, you
know, she's strong.

I really feel I know
who Sarah is now.

Yeah, I haven't really done anything
to her. No. Well, maybe not,

but the way she reads now in
the architecture of the whole...

Oh, right. So, the work you've
done around her as a protagonist.

Yeah. I mean, look, what I'm basically
saying is congratulations.

Oh, right, OK. Terrific.
Yes. Thanks. See?

So, I guess part of my job is I
think a lot at the moment about

what is a BBC story today?
Oh, right. Do you?

And also about who do we want
to be telling stories about?

And who do we want to tell
them to? Right. Right.

I don't know. Who? I don't know.
I may be wrong about this...

but is there just something
about Scarborough as a place -

as a precinct, if you like -

is it a bit, I don't know, maybe
a bit one-dimensional in some ways?

Yeah. "One dimensional"?
Mmm. Yeah, it is.

What do you mean by...? What do you
mean...? What do you mean, Matt?

Well, I guess I just
mean culturally, really.

Is it all just a bit the same?
Yeah, no, definitely. Well...

Yeah. Cos I mean that's, sort of,
like the point. Yeah, no, sure,

that's great, Dan, that's brilliant. I mean,
OK, would it help us at all here if...?

I'm just throwing this out there,
would it help us if we thought

about reimagining it somewhere
a bit more like, I don't know,
Leicester or...? Leicester?

Oh, right. But... You
know, or Wolverhampton

or, I don't know, maybe even somewhere
like Walthamstow, perhaps or..? Yeah.
I'm just... Walthamstow?

Would that make it culturally richer?

And, if so, would that be a
good thing? No, but, Matt...

But that's... Walthamstow? I mean, that's
the polar opposite of Scarborough. No, sure.

You might as well just start again.
No, no, this has such potential, Dan.

We all feel the same about that.

I guess, my job is just to ask the
question, could it be even better?

OK. Right. And if it could,

I guess what I'm asking Dan
just to think about is,

is there something we might
all gain from that? Yeah.

That's all I'm thinking
about here. Yes. Great.

I'm sorry, I've got this wrong.
I thought he'd apologised already.

Yes. Oh, he has, Neil, yes.

Meanwhile, it's Thursday,

and time for the Thursday
Damage Limitation Meeting.

Since the making of this documentary,

certain events have happened.

As a result of which,
for technical reasons,

we are unable to mention
certain individuals by name.

The fact is he's issued a formal
apology on Twitter. Yeah, OK, so...

He says he's never had anything
at all against tossers - he's worked
with them all his life. Yes.

Yes, no, very good. Tracey, do we
know what the legal situation is?

I have spoken to them
quite extensively.

Traditionally, the first item on
the agenda is the Jeremy BLEEP item

and today is no exception.

And what they're saying is, over
the last four series of the show,

if his use of the word comes to less
than once an hour of broadcast time,

or to put it more clearly
0.5 times every half hour,

then, legally, it's classed...

This week, there have been complaints
about his use of the word

"tosser" in the BBC Two
hit sitcom, Top Gear.

Whereas if his use of the
word is above that figure,

it counts as detrimental... OK...
in which case, I don't know what.

I mean, listen, this is
so not my area of thingy,

I don't know how the whole
BLEEP.. son thing works.

The fact is we need to be better at this
sort of thing. Yes, very good. Right. Yes.

Well, I mean, leaving aside the
issue of whose responsibility

this actually is for a moment...
I've already said what I think.

.. surely the first thing is to establish
the answer to the frequency of use question.

Brilliant. Because that might just clarify
the whole thing. Right, OK, fine. Brilliant.

Good-o! So, hang on, wait a minute,

so someone's going to have to watch four
years' worth of Top Gear back-to-back?

Well, I mean... Yes. Jesus!

Exactly, Neil, yes. Going
to go bloody mad.

The fact is it's basically Dave.

Yeah, they're going to go bloody mad.

OK. All righty - Jeremy, tick.

Now onto frankly rather
more royal matters now.

With this week's BLEEP
strategy agreed,

Simon can move the meeting
onto the main item -

the increasingly forthcoming
visit of Prince Charles.

Erm, brilliant, so, Ian, I had
a quick decaf with Tony earlier.

Right, did you? Yes, I mean, he'll know how
you want to play this better than I do,

but for what it's worth we got really
rather excited about the idea of you
doing a sort head prefect number

for us on the day, Ian. Yes.
You know, ushering his HRHness
up to the headmaster's office,

chatting to some of the brighter
sixth formers on the way.

Yes, no, I talked to Tony about
this last week. Oh, OK, brilliant.

We both... Brilliant. We both agreed, though,
when it comes to the sequence of events

on the day itself, it's key that
we all know what's going to happen

and we all know what we're
doing. Yes. Yes, very good.

No, I agree with that, Ian.
Yeah, also it'd be a first.

One thing I can say, something
they've very clear about,

apparently he wants to meet people
from all levels in the BBC. Right.

Yes, no, very good. Why?

No, I don't know why, Anna,
they don't tell you that.

But he doesn't just want to meet
the high-ups. That's all good to
know. Another thing they want

to know in advance, Ian, is exactly
who is going to be in the greeting
party. Right, yes.

Yes. You know, who's actually going
to be meeting him, personally. Yes.

That is something they will need to know
in advance, Ian. No, I mean, I said to Tony

that this is obviously something
we'll need to think about very
carefully. Yes. Yes, exactly. Yeah.

Yes. Brilliant. Yeah,
good luck with that.

Cos do you know what, Anna? I just
think it would be great to go in

a different direction from Village,
if you want my honest opinion.

Heavy Petting? OK, so Kylie
swaps her Rhodesian ridgeback

for like one week with Alan
Carr's Maine Coon. What?

I know, I hadn't heard of them,
either, had to look them up.

It's later that day and Head
of Output Anna Rampton

has asked David Wilkes to come into
her office and talk about his ideas.

".. the largest domesticated breed of cat
with a distinctive physical appearance

"and valuable hunting skills." Yes.

"Also known for its
intelligence, gentle personality,

"and health problems such as
feline..." Yes, all right.

It's just something I've not
seen on television, that's all.

Yes, and the fact is that's
not going to change. No.

The fact is this is a critical
moment in the history of the...

Aware that this is a critical
moment in the BBC's history,

Anna knows she's in a situation
where she needs something

that's not only different, but,
crucially, better than different.

.. And, crucially, better
than different. Yes, right.

For David, this a moment to draw on his
experience as a development executive.

whilst at the same time
thinking with his feet.

Imagine Britain's Got Talent
meets Family Fortunes. Right.

With a bit of The One Show thrown in just
in case, obviously. Britain's Top Family?

But that's just a working title.

I was thinking maybe something
like Family Face-Off.

Or maybe just Family, because
one word's good. Yes.

And it's, like, do you know what?

This is about all of us. It's
just got everything, it's very...
Yes, so how would it work?

Well, each week, you've got,
like, two different families,

so, you know, like, one,
like, really posh one,

one, like, total car crash, and
they compete against each other.

They compete how? Sorry,
Anna? They compete how?

Yes. Because it's like we've
all got something we can do.

So, one week Grandad plays tunes
on his head with a spoon... OK.

And the kids are doing, like, handstands while
doing impressions of, like, different...

The fact is the future of the
BBC is not old people playing
spoons on their head with tunes.

No. The fact is that's what ITV is
for. Sorry, Anna, excuse me. Jack?

Afraid they didn't have any white
tea in the end, but I... OK, no.
.. did manage to get hold

of some oolong. No, that's not going
to work. Right, sure. Can I get you
anything else? I'll have water.

Sure. Not from the... No, sure.
Oh, yes... Nothing for me, thanks,
Jack, I'm fine. Another e-mail

from Carrie at BBC America. Yes? They
really need to know now if you can
do that week of the 27th in LA?

Right. I've been stalling, cos
I know that's the week of the
Prince Charles thing. The... Yes.

I wasn't sure if you were going
to be involved in that.

I can't do LA. OK. They can move
it. No, sure. OK, cool. Yes.

Wow. Yes? You're meeting Prince
Charles when he comes, Anna?

The fact is we've met before. Lucky
you. Talk about Britain's Top Family.

Hm, yes. Get him involved, then
you really have got a show.

I mean, when you first came
here, to the BBC, I mean,

what did they actually tell you? Yeah,
they just said, like, "Wait in reception."

Right. But did they say anything
about how long it was for?

Yeah, it was like most of the
morning. Then Izzy came down.

Right... Yeah, I know.

Meanwhile, Ian has invited
Will into Frankie Howerd

to talk about things generally.

I don't really know how to say this,

but internships are normally for
a limited amount of time. Yeah.

They don't normally last for ever.

Yeah. So, we need to talk about that.

Yeah, no worries. It's not my
pass that's expired, it's me.

Well, no, that's not quite... Yeah, no, that's
cool. It's like with school. Well, yes...

Sometimes you've just got to leave
right in the middle of the morning.
Yes, I mean... Really?

Yeah, my sister just turned
up in my mother's car. Right.

But, as well as things generally,
Ian also knows that at some point

someone is going to have to talk
to Will about things specifically

and that, for better, or,
more accurately, for worse,

he is that person and
this is that moment.

Anyway, as I say, I think things have
probably come to the point where we...

I mean, I don't know if
you've had any thoughts

about the sort of thing you might
want to do next? Yeah, I have, yeah.

Because I mean... You have? Yeah.
Oh, well, that's really... That's
great, Will. Yeah, I know, yeah.

It's pretty cool. So, what sort of
thing are you thinking of going for?
Cos I was going to ask you about it.

Well, of course. Obviously, I'd love
to help, if I can. Yeah, cool, yeah.

Cos, you know, like, Izzy is, like,
a PA to Simon Harwood? Yes, right.

Like, she feeds his fish for him
and stuff. Yes, I mean... She what?
Yeah, so I was thinking...

His fish? So, I was thinking, like, I do
your coffee and, like, your bike and stuff.

Right... So...

I mean, could I, like,
be PA to you? PA to me?

Yeah, I mean a real one. Like, a real
job. Like, I could do other stuff, too.

Cos that would be, like...
That would be SO cool.

Right, OK... Yeah, OK, no. Well,
no, Will... Yeah, no worries.

Yeah, you know, yeah, crap. No, it's just,
as I say, I'd like to help... Yeah, me, too.

But it's just... I mean,
for that to happen...

OK, for a start,

I'd have to work out a formal
job description of some kind.

Yeah, cool, yeah. No, but... No, but
you'd have to apply for it, formally.

OK. I'd probably have to give
you a reference... Cool.

.. which would be... Well, I'd have
to think about how to do that. Yeah.

This whole thing would have to go through
the BBC HR department... Whoa!

..and ultimately, you'd need
to be able to put together

a really top-quality, impressive CV.

OK. What? Let's go
for it. Well, no...

It's, like, sometimes you
have to believe in yourself,

because no-one else does, either. The...
What? Yeah, cool, yeah, let's do it.

Right, OK. Good.

I mean, if there's anything in
particular His Royal Highness

would like to see or do whilst he's
here, please let us know, obviously.

Sure, yes. We know he doesn't
do sweetcorn. No.

Meanwhile, Prince Charles's Private
Relations Secretary, Camilla Ford,

and Clarence House Head of Hidden
Security, Richard Cartwright,

have already arrived to
go through the fine theory

of the forthcoming royal visit.

So, this is Camilla.
Right. Hi. Ian Fletcher.

Hi. Camilla? What are the
chances...? Yeah, no, don't.

Right, OK. no. And this is
Richard Cartwright. Ian.

Richard, good to meet you.
Yeah, Dick, really. Sorry?

Oh, right. It's Dick,
really, not Richard.

Yeah. Right, OK, fine.

Dick actually looks after
the security side of things.

~ Right, OK. Well, pretty important guy, then.
~ Yes. Don't know about that -

I just tag along most of the time.
Yes, what is it pilots say?

It's actually really boring until something
goes wrong. Well, exactly, yeah. Yes.

Yes, Dick actually is a pilot. Right,
OK. Well, I was. A real one.

Well, yes. A squadron leader
in the RAF. Right, good.

~ Well, I mean, shall we
just go in and make a...?
~ OK, guys...

Ah, right... All right, OK. We good?
Hello, Dave. So, guys, this is...

Dave Green is the BBC's own Head of
Security at New Broadcasting House.

Camilla. Richard. Apologies...
Well, actually, technically,

I'm not late, you guys are early,
which is fine, by the way... Yeah.

.. but we've had an issue with
Huw Edwards this morning,

I can't go into detail, I'm afraid.
Right. Yeah, it's Dick, by the way.

Sorry, Richard? It's Dick,
not Richard. Yeah. Yes, Dick.

Fair enough, Richard, noted. Right.

Right. OK, so shall we...?

Like to start outside, guys,
if that's good for everyone.

Right.

Dave is not only responsible for
the fail-safe security system

that completely surrounds
New Broadcasting House,

but also personally devised much
of the Syncopaticurity software that

makes it theoretically effective

in almost any theoretical circumstance.

We do operate a fail safe
intelligent zonal lock-down system

in the building, whereby in the
event of a problem in one area,

which there won't be,

OK, adjacent areas will start
to go into automatic lock-down,

in sequence, until the
entire building is secure,

until, or I should say unless,

such time as that process
is manually deselected.

Yes, well, that's good to know.

I believe it's the same system as
used in the White House, Richard.

Is it? I believe so, yes. God.

It's Dick. Dick, yes.

Indeed, apologies,
my mistake, Richard.

Yeah. OK, good.

So, once we're happy the
royal vehicles have arrived

and are - I should say ARE
arrived - via Langham Street

and are secured in the holding
position, I will seek

clearance from you, Richard, to move
to the live phase of the operation.

OK.

Now, assuming you come back to
me with a go, I will at that point

assume control of the rising
bollards personally.

OK, go. Thank you, Richard.

Dick. Yeah, never mind.
Currently, as you can see,

they're in what we call their
secure or raised aspect,

in which aspect you could drive
a Bulldog armoured support vehicle

at them and I promise you,
you will come off worse.

Right, really? Oh, right.
Well, that's very...

Excuse me, come off WORST.
.. very reassuring.

Luckily, I think he'll probably
be in a Range Rover.

Range Rover, yes.

Handy thing about this, Richard
- single Wi-Fi handset that

changes functionality depending on
where it's detected in the building.

Yeah, I've just got a
Samsung, I'm afraid. OK.

But I have got the number of the
RAF in here if I need it. Right.

Right, OK, so that's all good.

'It's half past one in the afternoon

'and I frankly can't see
us getting this done.'

You sure you don't
want me to carry it?

No, really, it's fine, thanks,
Will, no, that's great. OK, cool.

Goodnight, Izzy. Yeah,
goodnight, Izzy.

Hi, yes, goodnight. Yeah, I
know. How's it going? Yes...

Whoa, Top Gear. Yes,
yes, it's riveting(!)

Yeah, no, cos my sister's got
like a VW Beetle? Really...?

Yeah, but like a new
one. It's pretty cool.

Anyway, at the moment, they're
driving tractors through Belgium.

Cool. Well, OK, good luck anyway.

Thanks. Yeah.

Bye. Bye.

Will? Yeah, I don't know...

What? Well, maybe I could do that.

Well... Do this?

Yeah, cool. Uh, well,
I mean... Yes, uh...

it's supposed to be done
by the end of tomorrow.

Yeah, no worries, yeah. Right.

I suppose if you actually really
want to, Will... Yeah, I do.

I mean, I have to say that
would be really... Cool. Yes.

Cos I'm not sure how
much of this I can take.

I mean, are you really sure
about this though, Izzy?

It is quite important to get
this right, isn't it? Yes.

Yeah, that's OK, I don't mind.

It's a matter of making a note
of exactly where Jeremy BLEEP

uses the word "tosser"
in all of these shows.

OK, cool, yeah, no worries,
yeah, "tosser".

You don't have to start right
now though. Yeah, no, it's cool.

Yeah, cos it's like, I could
put it on my CV. On your CV?

Yeah. Right. Cool. Yes, great.

No, Dan, you mustn't,
you can't just...

The thing is, if you give up now,
then, you know, what's the...

I think I might just end up
throwing myself off a bridge.

What, no, I'm not, I'm serious.

Well, I don't know, there
are lots of them,

I'll have to ask around
and just decide on one.

Yes, please, any time.
OK, speak soon. OK, bye.

Bye. Bye. Hi. Hi.

How are you? Yes, you know, yes.

Good. Yes, fine. Right.

'Doors opening.'

Walthamstow? I know, I know.

That's a bit of a stretch
from Scarborough, isn't it?

I finally get a meeting with Matt
Taviner to talk about it - I've been

trying to see him for, like, days -

so it's supposed to be seven o'clock,

so I hang around and I get this e-mail
just now - he can't make it.

~ Right.
~ He's got to go to some silent
opera with Alan Yentob,

which he must have known all along.

Yes. 'Doors opening.'

~ I just feel really guilty
about Dan, you know...
~ Yes.

He's up there in Wetherby,
he's had to move out,

he's living with his old
English teacher. Right.

And I'm the one that's been telling
him to have faith. Well, that's...

~ Sorry, I'm going on about it.
~ No, I asked.

It's been one of those
days. I mean, living with

~ your old English teacher...
~ Yes.
~ That's never good.

From the sound of it, though,
from everything you say,

none of this is your fault.

I know you shouldn't let this stuff
get to you, but sometimes it's...

~ Yes.
~ I know it's all to do with this
new Director of Thingy job really.

~ Right.
~ Matt's applying for it, I know
he is - that's what it's all about.

Hang on, what new job?

~ What?
~ Director of what?

~ No. I mean, I don't know.
~ What?

What?

♪ De de-de de duh duh
duh, de de-de duh duh! ♪

Right OK...

♪ Ho! De de-de de duh duh
duh, de de-de duh duh... ♪

It's another day at a different
time, and Siobhan has come over

from Perfect Curve to bring the
Way Ahead Task Force up to speed

with where exactly the
BBC Wimbledon brand

mashup is currently at.

♪ De de-de de duh duh duh,
Ho! De de-de duh... ♪

Right, OK, can we stop this now?

Sure. Yes.

Go, Andy! Yes.

Brilliant. Brilliant.

OK, this next one is so cool.

So, like, all the balls will
have the BBC logo on them.

Right. You can keep this
one, I don't want it.

Brilliant. Siobhan, I... Brilliant.

I'm not being picky or anything cos
I'm not like that, but I can't help

noticing what I can only describe
as a bit of a spelling mistake here.

Yeah. Na-ah. Yes, I'm afraid so.

Yeah, it's "Wimbledon".

De nada. Jesus...

No, I hate to say, Siobhan,
it is Wimbledon, I'm afraid,

not "WIN-bledon".

Not any more, it isn't.

Oh, right. Here we go.

BBC... WIN-bledon.

Right. Duh!

Right, OK, I see, you've...

It's a totally cool idea, it's a
win-win situation for like the BBC

and Wimbledon. Bollocks.
Right, well...

360-degree winsomeness.

What? We can come back to
the mashup idea in a moment,

I mean, if we actually have to. Sure.

But one thing we absolutely do
need to get right is the whole...

No matter how mashed up BBC
WIN-bledon now is as a concept,

Ian is keen to talk
about something else.

In this case, the sensitive
issue of possible

monohogeneity in the BBC's
coverage of lawn tennis.

I just think that in the context
of renewal, addressing this

issue properly is something
that's going to be critical.

The fact is, Wimbledon is
something... WIN-bledon.

Is something... BBC WIN-bledon.

Is something that we
do well, but the fact is

we should be looking at
ways of doing it better.

Yes, no, very good, Anna. That's
been my point all along.

No, honestly, fabulous.
Right. Well...

OK, so, three words, guys.
"Jo", "Wilfried" and "Tsonga".

Right.

Brilliant. Jo-Wilfried Tsonga?

Sure. OK.

But it turns out the team at
Perfect Curve have already been

thinking about the idea of
augmenting the BBC team with

new commentators or experts who
ethnically not so much white.

This is a person. Yes.

Yeah, French, yeah. Super good.

They've discovered there's someone
called Jo-Wilfried Tsonga who's

currently ranked number
12 in the world.

And, what's more, at tennis.

OK, yes, good.

So, his mum's like French
and his dad's like whatever.

Yes, no, I'm not being
funny or anything,

but I play a bit of tennis myself...

You do? Yes. Christ.

Not at that standard,
Neil, obviously. No.

And I've got to say,

Jo-Wilfried Tsonga is actually
good news for the game. Sure.

So, wait a minute, you're actually
in contact with him?

We love Jo-Wilfried.
He's one cool dude.

What I like about him, he's
an athletic player, obviously,

especially on grass,

but the great thing about
him is he actually smiles.

Yes. Cool girlfriend. Yes.

So, Siobhan... Sure. Just
to be... Yep, no, sure.

You've actually... No, sure, yep.

Sorry, I am to going to ask
you this question, I'm afraid.

I'm good with that.

Just to be clear, what you're saying
is, you're in contact with

Jo-Wilfried Tsonga about this.
So, what it is is, we just need

like an in with his people and we're
all set. "An in with his people"?

Sure, and we're totally good
to go. Right. OK. Oh, right.

Guys, this is what
we do, OK? Bollocks.

Either nut up here, or get
off the bus at Loser's Creek.

Yeah, brilliant. Brilliant. Fabulous.

Whoa.

Whoa, cool.

Hi, Will. What? Oh, hey,
yeah, hey, Izzy, hey, yeah.

How's it going? Yeah,
no, it's pretty cool.

Meanwhile, after many hours of
careful observation, Will has

almost completed his task of
watching four years' worth

of Top Gear shows and counting
the number of "tossers".

27? Yeah, 27, yeah, and that's
exactly where they are at.

Right, that's really great, Will,
so where are the time codes?

Yeah, no, what? Say again?

We need to know exactly
where he uses the words

so they can do the edit.

He says it once like in Bulgaria.

I know, but that's what
the time codes are for.

Yeah, another time they're
in a car park. Yeah, yeah.

God, Will...

Yeah, no worries, it's my own fault.

So near, yet so far.

Yeah, I'm not going
to put this on my CV.

At last, after all the planning,
it's two weeks later,

and it's the day of the royal visit.

Ohh, God. Oh, hi, Lucy.

David. I didn't see you there.
No, I know. What are you doing?

Oh, my God, you look
sensational, Lucy.

Well, no, thank you... I love what
that dress does for your hips.

My hips? Have you got a moment?
I was going to ask you

if you might be able
to do me a favour.

David, this isn't, I need to be...

No, no, no, it's only if
you can be bothered, Lucy,

and only if the situation
arises, obviously.

I was going to ask you if you'd
be able to give him this.

What? No, no, I know,

I'd do it myself, but I'm
not included in the party.

Is this a joke? What it is is I'm
developing this show, for Anna...

David, I am not giving
Prince Charles your card.

And basically, each
week, it's like...

I don't care, I am not giving
Prince Charles your card.

It would be such a great thing
for all of us if he agreed

to take part in it. Yes. And
that's all I'm thinking about.

I'm not doing it. That's ridiculous.
Do you want to think about it?

No. No, OK. No, I don't.

No, I'll just leave it with
you anyway. Lovely Lucy.

OK, copy that. And we
are amber here, guys.

I say again, amber amber amber.

With Prince Charles due
to arrive at midday,

by 11.40, there are only 20
minutes to go, and the royal

greeting party is gathering up

in the Director General's
outer office.

Just to say, guys, the royal
convoy has left Clarence House

and is now inbound in to
us here. Right. All righty.

Thanks, Dave. Right. Here we go. Yes.

I've asked Lucy Freeman to
be down in reception already

just to keep an eye on
things down there. Goodo.

So, guys, we are all set.

Everyone is aware that this
of all days is a day where

absolutely nothing can go wrong.

I'll just step in, shall I,
Alice? And give Tony a prod.

OK, fine.

I mean, I'm sure he's ready,
but sometimes he can

get into a frankly unnecessary
last-minute state about his hair.

Hi, yes, only me. Ready
when you are, Mr McGill.

Right. Good.

Yeah, hi, go ahead. OK. Right.

Where?

I'm not being funny or anything,
Ian, but I don't mind saying I am

going to need a loo at some point

before I meet His Royal
Highness. Yes. Right. OK.

OK, no, I've got eyes on it...

It's the same when I get on an
aeroplane, I don't know why it is.

Yes, no, well... OK, yep.

OK, shut it down.

What?

I say again, shut it down.

9.30, Thursday. I've got
you in. Perfect. Bye.

Hi, Will. Oh, yeah, hi. No, nothing.

So, I'm going now? Oh,
OK, right. Going where?

Yeah, I know, I don't mind. What?

But even though it's a royal
day for the BBC in general,

it's not such a good day for Will.

Yeah, like, no, they rejected my CV.

Yeah, like, they said aeroplanes
wasn't really a skill.

Will, no, but that's...
Aeroplanes? Yeah, I know, crap.

Yeah, bad luck.

Will, no.

The BBC HR Department has thrown
out Will's application

for the post of Assistant
to the Head of Values.

Thanks for... It's been great
to have you around. Yeah.

And, you know, good luck
with... Yeah, no. Good luck.

Yeah, thanks. Yeah, you, too.

Yeah, bye.

OK, cool. Uh...

What?

Would... Can I like
take a picture of you?

Uh, yeah, I mean...

OK, cool. I mean, where
do you want me?

What? Yeah, that's... Say again?
No worries, yeah, cool.

Here?

Yeah, no, crap, hang on.

No...

Shall I? Yeah, no.
Do you want a hand?

Yeah, no, it's my own fault.
I'll take it. Crap.

No, Jack. I'll take both of you.

Well... Yeah, no, that's...
Say again? Here.

You're in Photos, not Camera.

Yeah, I know, crap.

So, who's this?

No, Jack, don't. It's
OK, it's OK, I'm just...

Give it back. Yeah, no, that's
my sister. Wow. Nice sister.

Yeah. Jack! It's OK, I'm
going to take it. Jack, no!

Who's this? Come on, it's
Will's, give it back.

No, who's this, with your
sister? Jack! Give it to me.

See?

This is your sister?

She does like water-skiing
sometimes. She's really good.

I don't mean to pry... Oh, I do.
Yeah, that's OK. I really do.

So, who actually is this with her?

Oh, yeah, that's JW,
yeah. He's pretty cool.

JW? Yeah, Jo-Wilfried, yeah.

Jo-Wilfried? Yeah.

Right. See?

So, guys, this is going to get busy.

We've got a suspicious
object in the plaza.

What? OK, no.

But suddenly, as can
sometimes happen on days

when nothing can go wrong, it does.

Suspicious object. What? No
three. Outside, in the plaza.

Yeah, OK, copy that. Siobhan. What?

I'm sorry, guys, we
are in live lock-down.

Siobhan. OK, no. Oh, bloody great(!)

Who else would be carrying
a rucksack with Sue Barker's

head on it? I say again,
we are in live lock-down.

Going to have to ask you
to stay where you are.

No, but I know who that is.

Excuse me? I don't know what
the hell she's doing here,

but I know whose bag that is.

I'm sorry, Ian, the world
is full of rucksacks

with Sue Barker's face on
them. No, it isn't! Also...

That's a ridiculous thing to
say. It doesn't look right.

That's neither here nor... Apparently,
they've spelled Wimbledon wrong. God.

Now, in my world that's a big
red flag. No, that's deliberate.

What is? BBC WIN-bledon.

It's, uh... It's supposed
to look like that. Yes.

Look, sorry, guys... Her name is
Siobhan Sharpe. She's a PR, she's...

Brand BBC Consultant. Yes, exactly.
I've got her number in my phone.

You're telling me - she's with
us, today. Well, I mean...

No, she's bloody not. No,
she... I'm sorry, Ian.

This is nothing to do with her. Look,
Tracey... Yes, can she just shut up?

Your sister taught Jo-Wilfried Tsonga to
water-ski. Yeah, I know. Yeah. Brilliant.

Yeah, he didn't really want to.
Like, she was an instructor in,

I dunno, like, the Caribbean one
year. Like, it was really hot. But
he wasn't supposed to water-ski

because of, like, his tennis.
But she made him anyway.

Meanwhile, Izzy and Jack are coming
to terms with the possibility
that Will may have managed

to find a solution to the BBC's Wimbledon
problem by accidentally having a sister.

Yeah. Now when he plays at Wimbledon
they all come and stay.

What do you mean stay? Stay where?

Jo-Wilfred Tsonga stays at your house? In
Wimbledon? Is that where you live? Yeah.

I have to sleep above the garage for,
like, a fortnight. It's cool up there.
Brilliant. He's a cool guy.

Utterly fucking brilliant. One
time he tried to teach me, like,
a backhand but my mother left the

bedroom window closed and...

'Attention, this is a security alert.

'Attention, this is
a security alert.'

Code Seven. I say again
- Code Seven, Cafe Nero.

Basically, no-one leaves or...

No, Seven. Code Seven.

No, Cafe Nero is, like,
the name of the cafe.

With the Heir to the
Throne minutes away

and fast approaching fast, Dave
Green knows he can't afford

to take a risk of any kind,
whether it's a risk or not.

So, what we're going to do, Ian,
I need you to be clear on this,

we've got this individual under control
but we're going to have to...

'Attention, this is
a security alert.'

Right, OK. That's OK, guys.
That's normal. Normal?

So, the fact is, can
somebody open those?

So, what I'm going ask you to
do, Ian... I can't believe this.
Can we turn that thing off?

After following up Ian's potential
lead, someone has been discovered

in the cafe claiming to
fit Siobhan's description

and Dave has had an idea
for verifying her identity.

OK, let's do it. I'll put
her on speaker phone.

What do you want me to
say to her? Excuse me.

What do you want me to say to
her? So, you're going to ask her

to confirm her identity to you.
I know who she is - I can see her.

Yeah, no. That's definitely Siobhan.
'You guys are in serious shit.

'Let me go.' Siobhan. Hi, it's
Ian. 'Ian. What the fuck?'

I know this is completely
ridiculous but...

'Let go of my arm, fat face. OK?'

Siobhan, I'm going to ask you
to confirm who you are to me.

'What is this? Some weird shit?'

We have to do this. I have to ask
you to confirm your identity.

You have to tell me who you
are. 'You just said it.'

It's ME. What the fuck?

Who do you think it is? Like,
Hillary fucking Clinton?

'This is a security alert.' Enough?

'Attention, this is
a security alert.'

OK. And we are Code Two Clear,
all zones reset on this.

I say again - Clear, all
zones. Reset, reset, reset.

Right. Thank God. Let's
get on with this.

OK, guys, I do need the loo now. The
fact is, this door need to be open.

Yeah, just resetting now. OK, good.

So, the building knows exactly where
this handset is and depending on...

We haven't got much time, Dave.
Fair enough. Point taken, Ian.

OK - good. OK.

Locked. Ah - OK. All right.

For God's sake, Dave.
OK, no. I'm sorry.

Guys, I really do need to get out.
OK, I know what I did there.

Yes, no. They're here. I
think he's actually arrived.

Right. But where actually are you?

What do you mean, you can't
get out? It'll be fine, Lucy.

Don't panic, this will
all be OK. All right?

Because it will be. It has to be.

I am trying. Reset, reset, reset. And
in the meantime you just stay there...

They're not bloody open. No,
they're not. They're locked.

Richard. Hi, morning. How are you?

A few minutes early but
we're ready when you are.

Yeah. But in the meantime just
to check - the bollard situation?

Yeah, they're up. Yeah.

So, we didn't go down the Bulldog
Armoured Vehicle route in the end,

but presumably you're across that...

OK, will do. Yep, yep.

He's here, OK. He's outside
now. He's arrived.

Tony says there should be a fail-safe button
on his side. Ah, OK. Well, that's... Yes.

No, there isn't one. Ah. But he
says there should be. Right, yes.

Basically, they're not very happy
through there. I don't think. No.

So, now - Command - Control - Shift -
Escape. Yeah, no. Do this now... Escape?

So, get out of Security Options,
back to Zonal Preferences, and...

No, do this now. OK, so
try reopening controls

from system start up but
holding down Alt - Shift.

You did? And what happened?

Right.

Have you tried unplugging it at
the mains? Where does this go?

Oh, that leads through into Old
Broadcasting House, I think. Right.

Or, it used to at one
time. Doesn't open? No.

No. Course not. I've
never seen it open.

I'm not even sure if
it's even a real...

Oh, OK. Right.

That's interesting.

Right. OK.

OK, great. All right. OK.

And we are Status Active here,
guys. I say again - we are...

No, Dave. I'm sorry, would you mind?

Yeah, I... It's just I can't think.
Yeah, I just... No, please. Shut up.

The BBC Royal Greeting Party
may have finally broken free,

but they now have just seven minutes
until they are due to be greeting

and no time to worry about detail.

Right. OK. Let's go. Hang on, guys.

Not being funny or anything,
but what about Tony? Ah, right.

Yes. Tony who? Tony Hall.
Oh, yeah. Yeah, yeah.

And Simon? Yes. I mean, are
we just leaving them in there,

or waiting, or what? Right. The fact
is, Prince Charles is here to be met
and somebody's got to meet him.

Why don't we keep going for the moment
and see what happens with that one.
Yes, exactly. Right, OK. Yes.

Because there already
was a Broadcasting House

when New Broadcasting House was
literally built onto the side of it,

the decision was made to call one
of them Old Broadcasting House

to avoid any possible
chance of confusion.

But even though they may
be only feet away from where

they need to be - in another
sense they're decades away

and the one thing they
don't have is time.

Dave, hi. How's it looking?
'Yeah, no. Great, Richard.'

OK, no. Just so you know, we're still looking
at quite a lot of bollard here, so...

Yes, no. Understood, Richard.
We have eyes on that.

You OK? You sound like you're running?
As I say, we're coming at you and
we are standby for Go.

I say again - standby for Go.

Oh, God. Have we been here
before? I don't know. Yes.

Guys, can I just... No, shut up.

Just see what happens in here.

Ah, right. Good. Sorry, how do we
get back to New Broadcasting House?

NBH? Reception, yes. We're
in a bit of hurry. OK. Yes.

It's back that way.
Really? No, it isn't.

We've just come from there.
Try that way. That way? Yeah.

Right. Thank you. Yes, thank you.

Yeah, no.

Ah - right. OK, no. I'm
sorry. Bloody hell.

The fact is, we've gone further
backwards in time. Yes. Guys, what
we need here is to go forwards.

Yes, all right. Just to say, Ian -
four minutes Yes, thanks. Shut up.
Yeah, I say again - four minutes...

No, I'm sorry. Shut up. I'm going to
keep going down. Right. At least then
we'll end up on the ground floor.

Right. Yeah, understood. Yes, good.

"Reception"! What? Reception
- there's a sign.

This is good, guys. This is good.

OK. OK, no. Right, that's it.

OK. So, guys - this
is wrong... Shut up.

I don't care, it's fine. I say again
- this is the wrong... No, shut up.

We'll have a go out the
front and walk round.

With three minutes to spare,

they've managed to find their
way to the wrong Reception.

But, in theory, it's just two hundred
yards from Old Broadcasting House
to New Broadcasting House

where the royal convoy is
still waiting to arrive.

Hi, guys. Yes, hi. Can I help you,
sir. Yes. We're in a bit of a hurry,
we need to get round to the

other Reception. That's not possible,
sir. No. We have a VIP visitor
inbound. Yes, no. I know.

We're meeting him. I'm sorry,
sir, we are in live lock-down.

But we're meeting him.
Right. OK. Sorry, guys.

It's thanks partly to Dave
himself that the fool-proof

zonal lock-down system
is designed to favour

neither man nor fool equally.

This is a Code Seven -
Exceptional Circumstances.

We are Code Two - Live Lock-Down,
sir. Right, listen...

Right, OK. Forget it.

Ian, hi. Where are you?

So, there's a security guy - a royal
security guy - Richard Cartwright...

Yes? He's probably outside.

Yes, I think I can see him.

Hi. Hi. Yeah, hi, yes.
It's Lucy Freeman, hi.

Right. And you are.. I'm just... I work
with... I basically... Yeah, never mind.

What the hell's going on in there?
Yes, no. They're coming now. I'm
here already, so that's one -

and the others are just grouping up before
they arrive. Grouping up? Yes. What are they?

The bloody Red Arrows?
Ha - Yes, I know. Yes.

Hello? Hello? Ian!

Hello? Ah!

I'm sorry, Ian. I did
go to the loo. Right.

I think it's probably the excitement.
Yes. So... Through here.

Christ. I know. It was a fluke, OK.
But this leads right out into...

Right. Yes, no. I know. I'm
not being funny or anything -

but she can't half
shift in those heels.

But then I did actually
go in a helicopter once.

Right. I didn't like it. No. Yes.

Right, OK. OK. This is good, guys.
OK? I say again - this is good.

No. Can you shut up, please. No
running, OK. No running. OK. No
running here, guys. OK? No running.

What happened? No, I can't - it doesn't matter.
Are you OK? Yes, I'm... Yes, he's fine.

Guys, are we in a Go state?
Any news of Tony and Simon?

Alice just phoned. They're still
stuck in his office. Right. Right.
OK, good. OK, let's do it.

Outside, it's now 12 o'clock,

which is exactly the time
it's supposed to be.

But Dick Cartwright and the
rest of the royal party

are aware that time is still passing
- literally, by the minute.

Meanwhile, inside - what's left
of the official greeting party -

has at last made it to its
official greeting position.

This is it.

All that's necessary now is
for nothing else to go wrong.

Hey, guys. Siobhan.

I made it, they let me go.

All right. No. I'm sorry. So,
let's do this. Let's get royal.

The fact is, this is this is
not happening. It totally is.

No, it is not. No, but there's
a list, I'm afraid, Siobhan.

A list, yes. Yes. No, sure.
A list went to Clarence House.

No, sure. I'm on it. There really...
What do you mean, you're on it?

No, I'm sorry. You are
not, Siobhan. I mean, how?

It's a list, OK. I'm on it. QVC.

What?! Right, OK. Fine.

But back outside, Dave Green
has won his battle with the last

remaining rising bollard and
the visit is finally under way.

With the royal Range Rover now
in place, it's time for someone

to come outside and greet it.

The only unknown left now is
exactly who that's going to be.

I mean, it should be Ian,
surely? Well, no. I don't...

Just to say, that's a Go,
guys. Yes, thanks, Dave.

Let's just do this. The fact
is... No, we really need to...

No, I'm sorry. Duh! Right, OK.

Right, OK.

It isn't me, you're pushing it.

Ian Fletcher, Head of BBC Values.

Your Royal Highness. Welcome
to New Broadcasting House.

I try and laugh several
times a day just bec...

cos it makes you feel good.