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hey there I'm Mike Rugnetta this is
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crash course mythology and today we're
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gonna lay mythology down on this comfy
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little couch over here and we're gonna
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listen to all of its problems it's time
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to get all psychology on mythology we'll
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be examining the theories of both
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Sigmund Freud and Carl Jung and
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discussing the curious relationship the
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works of both men have to mythology so
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Thoth how do you feel about your mother
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oh that's right you created yourself or
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did you spring from sets forehead or was
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it wrong heart anyway we're talking
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about Freud and Jung for two main
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reasons
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the first is that they used myths in
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their practice they relied on ancient
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stories to describe the contemporary
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psychological conditions they observed
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and would often relate what their
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patients told them to mythological
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stories and second we can use some of
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their theories to explore and analyze
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myth itself just like we applied Joseph
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Campbell's theories in our exploration
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of hero myths and let's not forget the
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Campbell's theories Oh a lot too young
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Rod Stewart gag huh you've been hanging
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out with staying too much
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[Music]
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Freud and Jung were contemporaries and
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the two of them were hugely influential
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in establishing psychology and
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psychoanalysis in the 20th century Freud
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started writing in the 1890s and is
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generally considered the father of
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psychoanalysis which in turn has
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influenced almost all of our pop culture
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representations of what psychology or
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therapy or even the mind look like Freud
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and Jung both believed that our dreams
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the stories that our minds create
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without our active input were keys to
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understanding our waking selves and the
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problems we experience for a lot of his
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career Freud thought that most of our
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problems had a single root the Oedipus
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you've probably heard the phrase oedipal
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complex this is a classic and well-known
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example of how freud was influenced by
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mythology he used the Greek myth of
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Oedipus to help illustrate a particular
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theory he had about why so many rich
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nineteenth-century Viennese people were
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so neurotic we've covered the myth in
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crash course literature but basically
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Oedipus is a greek prince who's the
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subject of a prophecy which says one day
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he will kill his father and marry his
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mother he does everything he can to
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avoid this only years later to sort of
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accidentally kill his father the King
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Laius and sort of accidentally marry his
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mother the Queen Jocasta and then less
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accidentally sort of have a bunch of
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incest kids Freud borrowed Oedipus's
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name to help explain his theory that
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young boys have a natural desire to
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replace their fathers and bed their
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mothers Freud argued that so many other
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hang-ups and emotions derive from this
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complex now maybe you're thinking I
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don't want to sleep with my mother or
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I'm not a boy so how does this apply to
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me and you would be right to have these
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questions there are definitely some
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assumptions in a lot of Freud's theories
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but like it or not these theories have
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shaped and influenced huge swathes of
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20th century Western culture we haven't
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even talked about his theory of penis
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envy and oh look at the time better keep
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moving Carl Gustav Jung was at one time
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a Freud's friend and collaborator and
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like Freud Jung is a towering figure in
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the history of psychology one of his
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best-known techniques is a way of
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analyzing dream
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young believed that dreams could be
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understood through archetypes he defined
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archetypes as those figures or concepts
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that occur across cultures and history
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shared in essence amongst all people
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there are as many archetypes as there
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are typical situations in life he once
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wrote the only believed archetypes help
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us understand the world and explain not
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only our dreams but also the common
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aspects of dreams among many people
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according to young human beings
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everywhere are born with the ability to
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draw archetypes from a sort of super
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psychic ether and form them into an
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individually useful language of
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storytelling and meaning this ether is
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known as the collective unconscious and
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is one potential explanation for why
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there are so many commonalities in myths
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throughout the world
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the only thought archetypes in dreams
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and stories alike were one key to better
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understanding our own lives so if you'll
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used archetypes as a way to analyze
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dreams he drew on myths depicted in
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stories and art to figure out what those
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archetypes were stories of heroes and
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witches and tricksters and maidens help
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inform the archetypes that young
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established which he in turn used to
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explore the psychology of his patients
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he considered a person's psyche to be an
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individual manifestation of elements
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taken from the collective unconscious
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elements also often found in myth by
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taking ideas from different myths and
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using their widely accepted meaning to
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look analytically at our dreams we can
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better understand our own psyche and if
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we want to we can also plug some of
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Jung's ideas back into myths to better
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understand how they work Yona discussed
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a lot of archetypes but we're gonna
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focus on three big ones that he thought
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were part of every individual if an
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individual or a hero of a myth can
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integrate them all successfully it means
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a fusion between the conscious mind the
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personal unconscious and the collective
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unconscious and that means wait for it
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an integrated self you got that and hey
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fun bonus fact this individuation isn't
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Sara Lee an ende estate people can go
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through it numerous times the three
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archetypes we're looking at are the
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shadow the anima / animus and the self
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the shadow is a part of our unconscious
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mind and represents all the parts of a
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person that they don't like to
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acknowledge this includes less socially
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acceptable emotions like rage or sexual
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desire or survival instincts think of it
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as your hidden side sort of like a
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reverse image of your conscious self in
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dreams and myths though the shadow is
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always the same gender as the
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protagonist or dreamer
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yeah Jung has a tendency to break things
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down along gender lines and to make a
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lot of assumptions based on those today
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this can feel pretty anachronistic and
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pretty patriarchal something to keep in
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mind while we learn about it
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next the enema or enemas archetypes that
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likewise comprise an aspect of the
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protagonists self in their unconscious
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mind women have an animus which
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represents their male side while men
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have an enema representing their female
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side both are aspects of the collective
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unconscious avatars for gender
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essentialism kind of young didn't
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consider them artifacts of our specific
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relationships with family members of the
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opposite sex though which can have an
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impact on us but in a different way the
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anima and must rather represent a sort
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of negation even more deeply held than
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what's represented by our shadow for men
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their enema personifies their feminine
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characteristics like moodiness intuition
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and irrationality yeesh because
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obviously men are never irrational or
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moody for women the animus represents
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male qualities like aggression ferocity
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risk-taking and according to one scholar
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of young silent obstinate evil ideas
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though the animus they say can also help
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women take action speak out and find
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wisdom because ladies need a lot of help
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with that kind of thing I guess also
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yeesh the last archetype is the self not
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like your actual self but a character
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that represents a total and timeless
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unification of your conscious and
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unconscious parts so sort of a super
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go but also your link to the collective
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unconscious to the self does a lot of
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work the self will once again be the
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same gender as the self typically it's a
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wise old man sometimes called a sin X
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for men and for women a Crone although
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that term isn't as judgy as it sounds
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having integrated our primitive self
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represented by the shadow and our
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emotional opposite represented by the
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enema or animus we have gained a greater
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awareness of ourselves and our
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participation in the collective
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unconscious the integration and
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awareness that the self represents is
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the point of the journey whether it's a
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mythical journey or a psychological one
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once the hero having passed all of their
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psychic trials can accept and
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acknowledge the archetype of the self he
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or she has gained a kind of maturity and
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the same could be true for each of us in
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the journey of our own lives
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so Union archetypes can seem abstract to
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make them feel more concrete we're gonna
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use them to retell a contemporary myth
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but almost all of us knows Star Wars
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take it away thought-bubble a long time
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ago in a galaxy far far away
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the young dreamer named Luke Skywalker
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he begins his process of individuation
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in total boredom on a desolate planet
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devoid then into his life comes a chef
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awesome
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I will say and cruel Darth Vader parsha
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angrier more animalistic Luke not
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letting himself express not long after
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Luke meets another shadow wearing an
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awesome black vest in a dangerous bar
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this shadow named Han is cocky where
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Luke skilled at where he is a novice and
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above all world where Luke is naive Luke
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and Han don't get along at first in fact
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Luke finds many aspects of Han
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unpleasant especially his selfishness
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but eventually the two comment to
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respect each other mainly once Luke
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acknowledges his own learns to control
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soon Luke finds his enema in the form of
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a powerful princess with rad hair
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initially Princess Leia is an object of
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sexual desire for the
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but she's also a guide providing Luke
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with the motivation to leave his home
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she leads him to his senex obi-wan
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Kenobi obi-wan helps Luke reconcile with
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his anima establishing a loving
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relationship later and even more
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powerful sentiments Yoda the small green
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Jedi Master with odd sentence structure
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he meets both sentences teach week the
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ways of the force an elemental power
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that pervades all places in all things
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once Luke chemic knowledge at the shadow
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as a hidden part of himself except the
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anima as his opposite itself and except
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the wisdom of the Cenex informing his
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self so only then does he achieved
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maturation by becoming a Jedi
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thanks thought-bubble who knew that
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young was so applicable to outer space
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George Lucas did because as we mentioned
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in our first episode on the hero myth
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Guillemette was a big influence on
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joseph campbell who was a huge influence
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on George Lucas obviously the Star Wars
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movies are famous for lots of reasons
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but maybe we can attribute some of their
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success to the ability to tap into
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something that we all share something in
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the collective unconscious in Luke
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Skywalker's transformation from a whiny
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little boy to a confident Jedi maybe
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we're able to recognize our own
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experience of growing up though with
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more robots probably they're not always
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perfect but if we use Jung's tools as a
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starting place to analyze myths and
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other popular stories we can start to
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see some of the deep structures that run
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from one to the next
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maybe we can also start to understand
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why certain myths endure and why these
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are stories we want to keep telling
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about our world about ourselves and of
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course about our droids next time we
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wrap up crash course mythology by taking
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a look at how the language of myth has
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found its way into everyday speech
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thanks for watching we'll see you then
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check out our crash course mythology
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tote tote bag and poster available now
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at D F T
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[Music]
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[Music]
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for free or
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crash course is made with Adobe Creative
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Cloud check you the 54
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thanks for watching
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you
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