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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:25,925 --> 00:00:27,193 [WAVES BREAKING] 4 00:00:28,661 --> 00:00:32,365 [SOOTHING INTRO SONG] 5 00:00:39,105 --> 00:00:41,307 -[OLIVER] NEVER MIND. -[GILLIAN] WHAT? 6 00:00:41,374 --> 00:00:43,076 [OLIVER] NEVER MIND, WE CAN'T GO IN NOW. 7 00:00:43,143 --> 00:00:44,210 [LILLIAN] HOW DO YOU KNOW? 8 00:00:44,277 --> 00:00:45,245 [OLIVER] YOU WHAT? 9 00:00:45,311 --> 00:00:46,913 [LILLIAN] HOW DO YOU KNOW? 10 00:00:46,980 --> 00:00:48,882 [OLIVER] WO, WO, WO. NO, COME ON. 11 00:00:48,948 --> 00:00:51,351 {\an5}[LILLIAN] NO, THAT IS SUCH BULLSHIT THAT YOU CAN DIE FROM THIS, 12 00:00:51,418 --> 00:00:53,019 IT'S ACTUALLY VERY GOOD FOR YOUR SKIN. 13 00:00:53,086 --> 00:00:55,221 UP MY NOSE. SHIT FOAM UP MY NOSE. 14 00:00:55,288 --> 00:00:58,358 [LILLIAN LAUGHS] IT REALLY BOTHERS YOU, DOES IT? 15 00:00:58,425 --> 00:01:00,860 -WHAT? -JUST A BIT OF FOAM, 16 00:01:00,927 --> 00:01:03,163 ON YOUR FACE RIGHT NOW. 17 00:01:03,229 --> 00:01:07,700 [OLIVER] WOULD YOU LIKE THAT. [LAUGHTER] 18 00:01:07,767 --> 00:01:09,569 [MUSIC] 19 00:01:10,737 --> 00:01:13,773 {\an5}[OLIVER] ALRIGHT, GO ON THEN. -[GILLIAN] IF YOU CAN'T JUMP IN THE SEA 20 00:01:13,840 --> 00:01:15,875 {\an5}-[OLIVER] RIGHT. -[LILLIAN] THEN WE'RE GONNA GO FOR A QUICK RUN. 21 00:01:15,942 --> 00:01:18,978 [OLIVER] WAIT A MINUTE. I'M COMING THERE NOW, RIGHT. 22 00:01:19,045 --> 00:01:21,047 -COME ON, SWEETHEART. -I'M COMING. 23 00:01:21,114 --> 00:01:23,450 [LILLIAN] YOU CAN DO IT. YOU CAN DO IT! 24 00:01:23,516 --> 00:01:24,417 [MUSIC] 25 00:01:25,285 --> 00:01:27,153 {\an5}-[OLIVER] ALRIGHT, I'VE GOT IT. -TAKE IT EASY. 26 00:01:27,220 --> 00:01:28,788 [OLIVER] I'VE GOT IT, IT'S ALRIGHT. 27 00:01:28,855 --> 00:01:31,324 [OLIVER] YOU WON'T FALL, LOOK AT ME, I'VE GOT THIS. 28 00:01:31,391 --> 00:01:33,259 -[LILLIAN] COME ON, OLIVER. -ALRIGHT, IT'S JUST LIKE THAT. 29 00:01:33,326 --> 00:01:36,296 -WHAT ARE YOU DOING? -I JUST SLIPPED. 30 00:01:37,397 --> 00:01:38,998 [OLIVER] CHEATER. LOOK. 31 00:01:39,065 --> 00:01:41,601 -IT'S SO BEAUTIFUL UP HERE. -YEAH. 32 00:01:41,668 --> 00:01:42,569 AHH. 33 00:01:55,248 --> 00:01:57,350 -[GILLIAN] I LOVE LIVING HERE. -[OLIVER CHUCKLES] 34 00:01:59,352 --> 00:02:03,056 IT'S JUST-- IT'S PERFECT FOR ME. 35 00:02:03,857 --> 00:02:05,959 I LOVE GETTING UP IN THE MORNING AND BEING ABLE 36 00:02:06,025 --> 00:02:09,929 TO JUST COME OUT HERE, SEE THIS, 37 00:02:09,996 --> 00:02:12,298 GO BACK HOME, KEEP WRITING. 38 00:02:12,365 --> 00:02:15,835 -IT'S LIKE, IT'S THE DREAM. -YEAH. 39 00:02:15,902 --> 00:02:19,005 I MEAN I KNOW THAT LIVING HERE IS NOT FULL OF OPPORTUNITY, 40 00:02:19,072 --> 00:02:23,309 BUT IN TERMS OF BEING AN ARTIST, AND IN TERMS OF ATMOSPHERE 41 00:02:23,376 --> 00:02:25,912 AND IN TERMS OF INSPIRATION, THIS-- 42 00:02:25,979 --> 00:02:28,748 THERE'S NOWHERE ELSE. THERE'S NOWHERE ELSE FOR ME. 43 00:02:28,815 --> 00:02:31,484 NEW YORK, L.A., WHATEVER, THESE BIG CITIES, 44 00:02:31,551 --> 00:02:35,221 {\an5}THAT'S, THAT'S OF COURSE, LONDON. THESE ARE THE PLACES WHERE, 45 00:02:35,288 --> 00:02:37,123 YOU KNOW, IF YOU REALLY WANT TO GET 46 00:02:37,190 --> 00:02:38,291 YOUR CAREER OFF THE GROUND 47 00:02:38,358 --> 00:02:40,894 BUT I'M NOT QUITE THERE YET. 48 00:02:40,960 --> 00:02:43,596 [OLIVER] LOTS OF PEOPLE WORK OUT OF CARDIFF AS WELL. 49 00:02:43,663 --> 00:02:47,000 FIGURED YOU COULD COMMUTE TO CARDIFF FROM HERE, 50 00:02:47,066 --> 00:02:48,735 YOU COULD STILL, HAVE ALL OF THIS. 51 00:02:48,801 --> 00:02:49,702 YEAH. 52 00:02:54,407 --> 00:02:56,476 IT'S BRILLIANT FOR KIDS HERE. 53 00:02:56,543 --> 00:02:58,611 THAT'S MY ONLY GRIPE WITH IT. 54 00:02:58,678 --> 00:03:00,980 IF I COULD CHANGE IT, IT WOULD JUST BE, 55 00:03:01,047 --> 00:03:04,450 A FEW LESS FAMILIES HERE, LESS KIDS. 56 00:03:05,485 --> 00:03:07,687 YOU KNOW, IT IS GETTING A BIT CROWDED. 57 00:03:07,754 --> 00:03:10,557 [MUSIC] 58 00:03:39,319 --> 00:03:42,288 [GROANING] 59 00:04:02,308 --> 00:04:05,612 [MOAN] 60 00:04:07,914 --> 00:04:10,350 [HUMMING] 61 00:04:11,351 --> 00:04:13,353 [HAWKING] 62 00:04:18,358 --> 00:04:20,693 WHY? WHY? WHAT IS THE-- 63 00:04:22,228 --> 00:04:24,430 -OH, GOD! -WHAT THE HELL ARE YOU DOING? 64 00:04:24,497 --> 00:04:26,199 WHAT ARE YOU DOING? I'M JUST CLEANING MY TEETH, BABE. 65 00:04:26,265 --> 00:04:28,534 WHY DO YOU HAVE TO [MIMIC HUMMING]. 66 00:04:28,601 --> 00:04:31,237 GOD, JUST DO IT NORMALLY. 67 00:04:31,304 --> 00:04:32,405 [MUMBLES] 68 00:04:32,472 --> 00:04:34,073 NO, IT'S JUST-- [SCREAMS] 69 00:04:34,140 --> 00:04:37,310 NO, NO, NO, NO, DO NOT! NO! 70 00:04:37,377 --> 00:04:39,545 NO, NO, NO, NO, NO, NO. 71 00:04:41,914 --> 00:04:44,317 NO, I DON'T LIKE IT. 72 00:04:44,384 --> 00:04:47,587 -CAN YOU JUST CUDDLE ME? PLEASE. -OKAY. 73 00:04:49,956 --> 00:04:52,525 -THAT'S NICE. -YEAH? 74 00:04:52,592 --> 00:04:53,760 MMM. 75 00:04:58,464 --> 00:05:00,833 YOU TOLD MY MOTHER TO FUCK OFF LAST NIGHT. 76 00:05:05,471 --> 00:05:10,276 {\an5}ALL I TOLD HER WAS THAT WE NEEDED TO ESTABLISH SOME BOUNDARIES, THAT'S ALL I SAID. 77 00:05:10,343 --> 00:05:14,313 [JANET] YEAH, BUT YOU'RE LATE THOUGH, WHAT'S THE HOLD UP FOR? 78 00:05:14,380 --> 00:05:16,616 -JANET, HI, SORRY. IT'S-- -[OLIVER] HERE WE GO. 79 00:05:16,683 --> 00:05:19,218 -HI, IT'S GILLIAN. -[JANET] DID YOU BREAK DOWN? 80 00:05:19,285 --> 00:05:20,486 ARE YOU ON THE WAY OR WHAT'S THE-- 81 00:05:20,553 --> 00:05:21,554 NO, WE'RE NOT LATE. 82 00:05:21,621 --> 00:05:22,789 I'M SORRY, WE'RE NOT COMING, 83 00:05:22,855 --> 00:05:24,223 DID HE NOT TELL YOU? 84 00:05:24,290 --> 00:05:25,491 [OLIVER] WHEN COULD I? I WAS-- 85 00:05:25,558 --> 00:05:27,427 CAN YOU STOP CALLING MY HUSBAND 86 00:05:27,493 --> 00:05:29,362 AT THIS TIME OF NIGHT? 87 00:05:29,429 --> 00:05:31,197 NO, I KNOW WE'RE NOT AT DINNER. 88 00:05:31,264 --> 00:05:33,566 I KNOW WE'RE NOT AT DINNER. I KNOW IT'S NOT THAT LATE, 89 00:05:33,633 --> 00:05:36,102 BUT IT'S MY HUSBAND, AND AT SOME POINT 90 00:05:36,169 --> 00:05:40,073 YOU NEED TO UNDERSTAND THAT I'M THE WOMAN IN HIS LIFE 91 00:05:40,139 --> 00:05:44,610 {\an5}AND THAT SOMETIMES I WANT, TO STAY HOME WITH MY GROWN HUSBAND. 92 00:05:44,677 --> 00:05:46,345 WHY DON'T YOU JUST GIVE ME THE PHONE BACK NOW. 93 00:05:46,412 --> 00:05:48,514 NO, NO, YOU'RE NOT GOING TO SPEAK TO YOUR SON. 94 00:05:48,581 --> 00:05:51,818 THIS IS A SICK, SICK RELATIONSHIP. 95 00:05:52,418 --> 00:05:54,253 YOU'RE GOING TO HAVE TO SORT THAT OUT. 96 00:05:54,320 --> 00:05:56,589 THERE'S A SHIT STORM COMING OF YOUR MAKING. 97 00:05:56,656 --> 00:05:58,491 OF ALL DAY YESTERDAY, YOU WERE A BIT-- 98 00:05:58,558 --> 00:06:00,393 LET'S BE HONEST, YOU STARTED OFF. 99 00:06:00,460 --> 00:06:02,562 AND IT MIGHT HAVE BEEN A BIT OF ME, 100 00:06:02,628 --> 00:06:07,166 BUT YOU WERE A BIT TOUCHY WITH ALL THE BIN STUFF. 101 00:06:07,233 --> 00:06:08,634 DO YOU KNOW THAT, HOW EASY 102 00:06:08,701 --> 00:06:11,003 IT WOULD HAVE BEEN FOR YOU TO JUST SAY 103 00:06:11,070 --> 00:06:15,675 {\an5}"THANKS, THANKS, GILLIAN, THAT WAS SO NICE OF YOU TO LET ME SLEEP IN 104 00:06:15,742 --> 00:06:18,377 AND TO TAKE OUT THE TRASH FOR ME." I MEAN, 105 00:06:18,444 --> 00:06:22,548 "WOW, NEXT TIME, YOU SLEEP IN, GILLIAN, 106 00:06:22,615 --> 00:06:26,385 YOU SLEEP IN AND I'LL DO EVERYTHING ELSE." 107 00:06:26,452 --> 00:06:30,256 {\an5}-NO DON'T PULL THAT CARD ON ME NOW. I HAVE TO WORK AT NIGHT. -YEAH. 108 00:06:30,323 --> 00:06:32,258 {\an5}I'M REALLY SORRY, THAT'S WHAT I HAVE TO DO, BUT SOMETIMES 109 00:06:32,325 --> 00:06:34,393 {\an5}-I SLEEP IN. -YEAH, AND THEN I SAY YOU DO HAVE WORK 110 00:06:34,460 --> 00:06:35,928 BUT YOU DIDN'T HAVE WORK LAST NIGHT. 111 00:06:35,995 --> 00:06:38,498 IF YOU'RE UP ALL NIGHT. 112 00:06:39,499 --> 00:06:41,801 DON'T EVEN, I DIDN'T EVEN-- IT WAS A-- 113 00:06:41,868 --> 00:06:43,903 IT WAS GOING TO BE A FUCKING SLAP IN THE HEAD. 114 00:06:43,970 --> 00:06:45,505 IT WAS A-- 115 00:06:45,571 --> 00:06:47,840 WE BOTH SHOULD BE DOING A BIGGER JOB RIGHT NOW. 116 00:06:47,907 --> 00:06:51,410 JOB? I THINK I'M THE ONE WITH A JOB THOUGH, AIN'T I? 117 00:06:51,477 --> 00:06:53,713 I'M THE ONE WHO GOES OUT AND EARNS MONEY. 118 00:06:53,780 --> 00:06:57,650 YES, YOU GET PAID YOUR WHATEVER IT IS 119 00:06:57,717 --> 00:07:00,153 -100 QUID, I DON'T KNOW. -150. 120 00:07:00,219 --> 00:07:01,821 {\an5}-150. -150 MINIMUM. WHAT AM I PAYING FOR? 121 00:07:01,888 --> 00:07:03,856 THE FOOD, THE ROOF OVER OUR HEAD. 122 00:07:03,923 --> 00:07:05,758 NOT THE ROOF OVER OUR HEAD, ARE YOU? 123 00:07:05,825 --> 00:07:09,028 WELL, NO, WELL, BILLS. I'M PAYING FOR THE BILLS, 124 00:07:09,095 --> 00:07:11,798 {\an5}BUT ACTUALLY, YOU KNOW WHAT, I KIND OF I'M PAYING FOR THE ROOF OVER OUR HEAD, 125 00:07:11,864 --> 00:07:14,233 BECAUSE WHO DOES IT? IT'S MY MOM. 126 00:07:14,300 --> 00:07:17,470 IT'S NOT YOUR MOM, IT'S MY MOM. 127 00:07:17,537 --> 00:07:23,209 {\an5}IT IS A BIT WEIRD THAT WE LIVE IN A ROOF THAT YOUR MOM HAS PAID FOR. 128 00:07:23,276 --> 00:07:27,480 {\an5}YOU KNOW WHAT, WHY DON'T WE JUST GO AND DO OUR WORK THAT YOUR MOM GAVE US. 129 00:07:27,547 --> 00:07:32,518 {\an5}OKAY, SO I WOULD LIKE, FIRST OF ALL, EVERYONE OFF STAGE. OFF STAGE, 130 00:07:32,585 --> 00:07:35,254 BECAUSE I WANT TO START FROM THE TOP. THAT WAY. 131 00:07:35,321 --> 00:07:37,523 -[TONYA] WHICH WAY? -THAT WAY? YEAH. 132 00:07:37,590 --> 00:07:39,058 WHO PUT THE FUCKING FLOWERS THERE? 133 00:07:39,125 --> 00:07:40,293 LOOK, IN THIS PLACE, 134 00:07:40,359 --> 00:07:41,694 RAN CASSIUS' DAGGER THROUGH. 135 00:07:41,761 --> 00:07:43,696 SEE WHAT A RANT THE ENVIOUS CASCA MADE. 136 00:07:43,763 --> 00:07:47,266 -AND TONYA GO. -LOVE IS MERELY A MADNESS. 137 00:07:47,333 --> 00:07:50,636 {\an5}-CRAIG, DON'T STOP. DON'T STOP. -[TONYA] DO YOU WANT ME TO STOP? 138 00:07:50,703 --> 00:07:54,140 {\an5}JUST LISTEN-- NO, I WANT YOU GUYS TO KEEP GOING, JUST LISTEN TO ME, JUST DO IT. JUST DO IT. 139 00:07:54,207 --> 00:07:55,842 {\an5}-TRUST ME, I KNOW WHAT I'M DOING. -[TONYA] AND, I TELL YOU, 140 00:07:55,908 --> 00:07:57,610 DESERVES AS WELL AS A DARK HOUSE AND A WHIP 141 00:07:57,677 --> 00:07:59,912 THROUGH THIS THE WELL-BELOVED 142 00:07:59,979 --> 00:08:02,348 {\an5}[CROSS TALKING] AND AS HE PLUCKED HIS CURSED STEEL AWAY. 143 00:08:02,415 --> 00:08:04,283 MARK HOW THE BLOOD OF CAESAR FOLLOWED IT, 144 00:08:04,350 --> 00:08:05,785 AS RUSHING OUT OF DOORS-- 145 00:08:05,852 --> 00:08:08,454 WHAT ARE YOU DOING THERE? WHAT ARE YOU READING? 146 00:08:08,521 --> 00:08:10,790 [CRAIG] IT'S JUST JULIUS CAESAR, BUT THIS IS UTTERLY POINTLESS 147 00:08:10,857 --> 00:08:12,925 'COS YOU CAN'T HEAR US ALL AT THE SAME TIME, CAN YOU? 148 00:08:12,992 --> 00:08:15,494 {\an5}NO, BUT THAT'S THE POINT. I DON'T WANT TO HEAR YOU ALL AT THE SAME TIME. 149 00:08:15,561 --> 00:08:18,631 {\an5}I WANT TO HEAR THE AMBIANCE OF THE SOUND. IT'S A WARM-UP FOR ME, 150 00:08:18,698 --> 00:08:20,499 IT'S A WARM-UP FOR ME, OKAY? I JUST GOT IN HERE. 151 00:08:20,566 --> 00:08:22,702 {\an5}[TONYA] YOU SHOULD HAVE WARMED UP BEFORE YOU CAME TO REHEARSAL JUST LIKE I DID. 152 00:08:22,768 --> 00:08:24,437 ARE YOU SAYING TO ME WHAT I SHOULD HAVE DONE? 153 00:08:24,503 --> 00:08:25,872 WHAT'S WITH EVERYONE BEING SO FUCKING 154 00:08:25,938 --> 00:08:28,908 AGGRESSIVE THIS MORNING? I DON'T UNDERSTAND. 155 00:08:28,975 --> 00:08:31,878 {\an5}WHAT HAPPENED TO EVERYONE THIS MORNING. I WAS FINE! 156 00:08:32,478 --> 00:08:35,214 YOU KNOW WHAT, IF YOU DON'T WANT TO LISTEN TO ME, THEN DON'T. 157 00:08:35,281 --> 00:08:37,116 DO WHAT YOU THINK IT SHOULD BE AND I'LL WATCH. 158 00:08:39,886 --> 00:08:43,322 FROM WOMEN'S EYES THIS DOCTRINE I DERIVE 159 00:08:43,389 --> 00:08:49,161 THEY SPARKLE STILL THE RIGHT PROMETHEAN FIRE; [LAUGHS]. 160 00:08:49,228 --> 00:08:50,429 HI. 161 00:08:50,496 --> 00:08:53,566 HI, I'M RACHEL, OH, MY GOD. 162 00:08:53,633 --> 00:08:56,235 SORRY, WE DON'T HAVE THE SPACE FOR ANOTHER ACTOR. 163 00:08:56,302 --> 00:08:59,572 {\an5}[OLIVER] NO, THAT'S RACHEL. IT'S NOT ANOTHER ACTOR, IT'S RACHEL, ISN'T IT? 164 00:08:59,639 --> 00:09:01,807 IT'S NOT ONE OF THOSE-- COME YOU, CARRY ON. 165 00:09:01,874 --> 00:09:02,909 HI. 166 00:09:02,975 --> 00:09:04,911 COME HERE. GO ON, DO IT. 167 00:09:04,977 --> 00:09:06,112 [LAUGHTER] 168 00:09:07,914 --> 00:09:10,349 -[RACHEL] HOW ARE YOU? -[OLIVER] I'M GOOD, HOW ARE YOU? 169 00:09:10,416 --> 00:09:11,584 -REALLY GOOD. -I CAN'T BELIEVE THIS. 170 00:09:11,651 --> 00:09:13,586 [GILLIAN] SORRY, I THOUGHT THAT YOU 171 00:09:13,653 --> 00:09:17,723 {\an5}WERE AN ACTOR BECAUSE YOU WERE ON THE STAGE AND I WAS LIKE "OH". 172 00:09:17,790 --> 00:09:19,859 SORRY, WE GO BACK. 173 00:09:19,926 --> 00:09:22,862 {\an5}-WE DO. -AND WE USED TO DO THIS SHAKESPEARE THING AT SCHOOL. 174 00:09:22,929 --> 00:09:24,864 {\an5}-DO YOU REMEMBER WHEN WE HAD TO PAIR UP... -OF COURSE I DO 175 00:09:24,931 --> 00:09:26,699 -AND DO THE SPEECH AND I JUST... -OF COURSE! 176 00:09:26,766 --> 00:09:28,701 THOUGHT IT WOULD BE A FUNNY THING. 177 00:09:28,768 --> 00:09:30,870 SO I JUST GOT UP THERE AND IT'S QUITE SCARY 178 00:09:30,937 --> 00:09:32,872 WHEN YOU HAVE ALL THE LIGHTS ON YOU AND STUFF. 179 00:09:32,939 --> 00:09:36,142 YEAH, WELL, THAT'S WHY YOU HAVE TO BE TRAINED AS AN ACTOR. 180 00:09:37,576 --> 00:09:39,879 GUYS, I'M REALLY SORRY, I KNOW, THIS ONE-- 181 00:09:39,946 --> 00:09:42,548 I DID NOT FORESEE THIS. 182 00:09:42,615 --> 00:09:44,583 AND, YEAH I'M SURE YOU'RE REALLY GOOD 183 00:09:44,650 --> 00:09:49,488 {\an5}-AND I'D LOVE TO HEAR-- -FROM WOMEN'S EYES THIS DOCTRINE I DERIVE, 184 00:09:49,555 --> 00:09:53,626 TO SPARKLE STILL THE GREAT PROMETHEAN FIRE. 185 00:09:53,693 --> 00:09:56,429 -[OLIVER] WOW! -WE'RE NOT DOING THAT ONE NOW. 186 00:09:56,495 --> 00:09:57,730 WE'RE NOT DOING THAT ONE. 187 00:09:57,797 --> 00:09:58,898 RIGHT, I'M SORRY, GUYS. 188 00:09:58,965 --> 00:10:00,399 I'M SO SORRY, THIS IS THE DAY. 189 00:10:00,466 --> 00:10:02,201 THE PAID ONES, THEY'RE LIKE, 190 00:10:02,268 --> 00:10:04,870 STOOD THERE, LIKE READING IT. SHE DIDN'T EVEN HAVE A BOOK 191 00:10:04,937 --> 00:10:07,306 {\an5}-AND SHE KNEW IT ALL, WHEN SHE CAME ON... -STOP THAT NOW! 192 00:10:07,373 --> 00:10:09,942 {\an5}-WHAT? -WHY DON'T WE JUST GO AND CALL THAT RACHEL NOW. 193 00:10:10,009 --> 00:10:12,411 WE GO AND TAKE A PICTURE OF HER AND BLOW IT OUT REALLY BIG 194 00:10:12,478 --> 00:10:14,914 AND I'LL PRINT LIKE, FIVE FUCKING THOUSANDS OF THEM. 195 00:10:14,981 --> 00:10:18,017 AND WE JUST HAVE RACHEL BE THE POSTER! 196 00:10:18,084 --> 00:10:19,952 AND THEN WE JUST PUT SHAKESPEARE OVER AND 197 00:10:20,019 --> 00:10:21,721 IT'S JUST RACHEL IT'LL BE LIKE-- 198 00:10:21,787 --> 00:10:22,855 YOU KNOW, AND THEN UNDERNEATH 199 00:10:22,922 --> 00:10:24,023 I PUT-- WE JUST PUTTING 200 00:10:24,090 --> 00:10:26,325 A TINY, TINY, TINY, BIT LITTLE 201 00:10:26,392 --> 00:10:29,328 GIVE ME A LITTLE CORNER THAT SAYS "BY GILLIAN". 202 00:10:29,395 --> 00:10:32,898 {\an5}BY GILLIAN BLAH BLAH, I'M JUST LIKE "FUCK MY LAST NAME. FUCK IT." 203 00:10:32,965 --> 00:10:34,900 SHALL I LET IT FALL OFF THE END. I THINK SHE'LL LOOK GREAT. 204 00:10:34,967 --> 00:10:35,968 NOW YOU'RE JUST TAKING THE PISS 205 00:10:36,035 --> 00:10:37,636 I WAS TRYING TO HELP THEN, 206 00:10:37,703 --> 00:10:39,105 JUST SELLING TICKETS FOR YOUR THING. 207 00:10:40,039 --> 00:10:41,974 YOU WERE PROBABLY DROPPING BOMBS YESTERDAY, WEREN'T YOU? 208 00:10:42,041 --> 00:10:43,943 "EVERYTHING'S GOING ALRIGHT LET'S HAVE A CHAT WITH MY DAD." 209 00:10:44,010 --> 00:10:45,811 "HE'S COOL BECAUSE HE IS." 210 00:10:45,878 --> 00:10:49,682 YOU HAVE A GO AT MY MOM WITH THAT STAB ME. 211 00:10:49,749 --> 00:10:51,717 JIMMY, DID YOU MEET RACHEL? 212 00:10:51,784 --> 00:10:53,052 [GROANING] 213 00:10:53,119 --> 00:10:55,154 [CHATTERING] 214 00:10:55,221 --> 00:10:56,989 DARLING DAVID. 215 00:10:57,056 --> 00:11:02,294 WE'RE SO FULL TONIGHT. I HATE TO BE THE BEARER OF BAD NEWS. 216 00:11:02,361 --> 00:11:03,896 -I'M SO PROUD. -[GILLIAN] OLLIE, I'M DYING! 217 00:11:03,963 --> 00:11:05,498 YOU'VE DONE SOMETHING REALLY IMPORTANT 218 00:11:05,564 --> 00:11:07,299 AND SPECIAL, AND MEANINGFUL. 219 00:11:07,366 --> 00:11:09,535 [JANET] ANY MOTHER-IN-LAW WOULD BE PROUD OF YOU. 220 00:11:09,602 --> 00:11:10,603 [JANET] YEAH. 221 00:11:10,669 --> 00:11:14,607 [CRIES IN AGONY] 222 00:11:14,673 --> 00:11:16,609 HOLD YOUR WIFE. 223 00:11:16,675 --> 00:11:19,678 -IS SHE OKAY? -I DON'T KNOW IF SHE'S OKAY. 224 00:11:19,745 --> 00:11:21,981 [GILLIAN] IF YOU WON'T HELP ME... 225 00:11:22,681 --> 00:11:24,583 [GROANS] 226 00:11:24,650 --> 00:11:26,218 [RACHEL] I'LL SAVE YOU, GILLIAN. 227 00:11:26,285 --> 00:11:27,686 SHE'S KILLING HERSELF. 228 00:11:27,753 --> 00:11:28,821 [GILLIAN LAUGHS] 229 00:11:28,888 --> 00:11:30,823 OH NO, SHE'S DYING. 230 00:11:31,824 --> 00:11:36,295 I LOVED YOU. ALL I DID WAS LOVE YOU. 231 00:11:36,362 --> 00:11:40,399 HER GUTS ARE ON THE FLOOR, LET'S PUT THEM BACK IN. SORRY. 232 00:11:40,466 --> 00:11:46,972 {\an5}I'M SORRY. I WAS NOT DOING THAT. I WAS JUST BEING STUPID. 233 00:11:47,039 --> 00:11:49,008 {\an5}-A BIT OF A DRAMA QUEEN, ISN'T SHE? -IT'S WHAT SHE DOES. 234 00:11:49,075 --> 00:11:51,377 -BUT SHE LOVES IT. -YEAH, SHE DOES, SHE LOVES IT, 235 00:11:51,444 --> 00:11:53,846 {\an5}-BUT SHE'S DONE ALL OF THIS, MIND. -DID SHE? 236 00:11:53,913 --> 00:11:56,315 -YEAH, SHE DID ALL OF THAT. -HELLO, HOW ARE YOU? 237 00:11:56,382 --> 00:11:57,716 [OLIVER] COME IN HERE AND DOING HER THING. 238 00:11:57,783 --> 00:11:58,751 OLLIE'S FATHER. 239 00:11:58,818 --> 00:11:59,785 ARE YOU AROUND TONIGHT 240 00:11:59,852 --> 00:12:01,620 TO COME AROUND FOR DINNER? 241 00:12:01,687 --> 00:12:03,622 DAVID, ARE WE AROUND TONIGHT? 242 00:12:03,689 --> 00:12:05,524 CAN WE GO TO CLARA AND DICKS 243 00:12:05,591 --> 00:12:06,892 WITH HER AND THE REST OF THE FAMILY? 244 00:12:06,959 --> 00:12:08,761 -OH. -WE'RE DOING RIBS. 245 00:12:08,828 --> 00:12:10,162 -[DAVID] WHO? -RIBS. 246 00:12:10,229 --> 00:12:12,298 OH RIBS, SORRY, THANK YOU VERY MUCH. 247 00:12:12,364 --> 00:12:13,766 ARE YOU COMING, OLLIE POP? 248 00:12:13,833 --> 00:12:15,801 OH! OH YEAH, I'M GOING. 249 00:12:15,868 --> 00:12:17,870 -AH, GOOD, GOOD. -YEAH. 250 00:12:17,937 --> 00:12:18,771 THANK GOD FOR THAT. 251 00:12:18,838 --> 00:12:19,772 AND THEN MAKE ME 252 00:12:19,839 --> 00:12:21,107 NOT GO TO THAT MEAL? 253 00:12:21,874 --> 00:12:23,409 YOU WERE, YOU STOPPED ME. 254 00:12:23,476 --> 00:12:26,378 ARE YOU-- "MAKING YOU NOT GO TO THAT MEAL"? 255 00:12:26,445 --> 00:12:29,181 -WE'VE GOT TO SELL SOME TICKETS. -YOU SAID SORRY TO ME. 256 00:12:29,248 --> 00:12:31,684 {\an5}-I DID. -YOU SAID SORRY AND THEN IT WAS SO NICE THAT 257 00:12:31,750 --> 00:12:33,085 WE DECIDED TO STAY IN. AND WE STAYED-- 258 00:12:33,152 --> 00:12:36,388 YOU OFFERED TO STAY, I'M MAKING YOU GO. 259 00:12:36,455 --> 00:12:38,791 SUDDENLY, WE'RE RIGHT BACK HERE, AREN'T WE? 260 00:12:38,858 --> 00:12:39,892 WE'RE RIGHT BACK. 261 00:12:39,959 --> 00:12:41,594 LOTS OF PEOPLE KNOW HER. 262 00:12:41,660 --> 00:12:45,831 CAN YOU STOP? PLEASE STOP THIS, OKAY? 263 00:12:45,898 --> 00:12:48,400 IT IS NOT COOL THAT YOU MAKE THIS WHOLE THING 264 00:12:48,467 --> 00:12:49,768 ABOUT MOTHERFUCKING RACHEL. 265 00:12:49,835 --> 00:12:51,370 [PHONE RINGING] 266 00:12:55,307 --> 00:12:56,942 MIKE. 267 00:12:58,544 --> 00:13:00,946 [MIKE] THE SHAKESPEARE EXTRAVAGANZA IS OFF. 268 00:13:01,013 --> 00:13:03,883 -WHAT DO YOU MEAN OFF? -WE'VE HAD SOME SERIOUS HEALTH 269 00:13:03,949 --> 00:13:07,486 {\an5}AND SAFETY ISSUES AT THE THEATER TODAY. THE THEATER IS CLOSED, 270 00:13:07,553 --> 00:13:09,755 I'M UP TO MY FUCKING EYEBALLS HERE, MATE. 271 00:13:09,822 --> 00:13:13,626 OKAY, BEFORE YOU SAY THE THEATER IS-- BEFORE YOU ALL GET ALL-- 272 00:13:13,692 --> 00:13:17,930 {\an5}"THE THEATER IS CLOSED," HOW LONG IS IT GOING TO TAKE TO FIX IT? 273 00:13:17,997 --> 00:13:23,135 {\an5}[MIKE] GOD, WE'RE TALKING ABOUT AT LEAST TWO, THREE WEEKS MINIMUM. 274 00:13:23,202 --> 00:13:26,005 {\an5}THREE WEEKS. SEE, HE'S PROBABLY GOING TO SHOW IN FOUR DAYS, MATE. 275 00:13:26,071 --> 00:13:29,608 -BUT YOU CAN'T-- - HOLD UP, WHAT? 276 00:13:29,675 --> 00:13:34,046 {\an5}I'M NOT PUTTING THE LIVES OF THE PUBLIC AT RISK. I'M SORRY, BUT THIS IS IT. 277 00:13:34,113 --> 00:13:36,749 {\an5}-I'M GOING TO JUMP IN THE VAN NOW. -SHIT, YEAH. 278 00:13:36,815 --> 00:13:38,150 I'M UP TO MY ANKLES IN SHIT. 279 00:13:38,217 --> 00:13:40,553 -OH, MY GOD! -I CAN'T COME THERE. 280 00:13:40,619 --> 00:13:43,055 {\an5}OF COURSE YOU CAN, I CAN'T GET THERE YOU GOT TO DRIVE ME DOWN THERE. 281 00:13:43,122 --> 00:13:44,990 I DIDN'T REALIZE WHAT TIME IT IS, I HAVE A MEETING. 282 00:13:45,057 --> 00:13:46,492 GILLIAN'S GOING TO DRIVE ME 283 00:13:46,559 --> 00:13:48,093 -DOWN THERE NOW IN THE VAN -BUT I HAVE... HAVE... 284 00:13:48,160 --> 00:13:49,762 I'LL SPEAK TO YOU IN A MINUTE, OKAY? 285 00:13:49,828 --> 00:13:51,063 OKAY, ON THE WAY, ON THE WAY. 286 00:13:51,130 --> 00:13:53,866 OKAY, I'M GOING. BYE. COME ON. 287 00:13:53,933 --> 00:13:55,634 I'M NOT DRIVING YOU DOWN THERE NOW. 288 00:13:55,701 --> 00:13:56,869 I ACTUALLY DO HAVE A MEETING. 289 00:13:56,936 --> 00:13:58,003 SCHEDULE IT AGAIN. CHANGE IT. 290 00:13:58,070 --> 00:13:59,138 I'VE BEEN PREPARING FOR THIS. 291 00:13:59,205 --> 00:14:00,773 I'VE ALREADY REDRAFTED THE PLAY, 292 00:14:00,839 --> 00:14:02,908 FOR THIS VERY MEETING. I HAVE TO GO. 293 00:14:02,975 --> 00:14:04,643 THERE'S SEWAGE SEEPING 294 00:14:04,710 --> 00:14:05,811 ALL THROUGH THE PLACE. 295 00:14:05,878 --> 00:14:07,146 SEEPAGE WERE THE WORDS HE SAID. 296 00:14:07,213 --> 00:14:08,881 -YES. -IT'S GOING TO BE EVERYWHERE, 297 00:14:08,948 --> 00:14:10,816 -SO WE CAN'T REALLY JUST-- -I'M GOING. 298 00:14:10,883 --> 00:14:13,052 NO, YOU CAN'T JUST GO LIKE THAT. WHERE DO YOU THINK YOU'RE GOING? 299 00:14:13,118 --> 00:14:16,188 COME ON! WHAT ARE THEY GONNA-- 300 00:14:16,255 --> 00:14:18,057 HOW I'M I GOING TO GET DOWN THERE NOW? 301 00:14:19,825 --> 00:14:21,594 YOU'RE GOING TO LEAVE ME HERE LIKE THIS? 302 00:14:21,660 --> 00:14:24,129 {\an5}[ENGINE STARTS] HOW I'M I GOING TO GET TO MIKE'S? 303 00:14:24,196 --> 00:14:26,165 {\an5}-SORRY? -ARE YOU SERIOUSLY JUST GOING TO LEAVE ME 304 00:14:26,232 --> 00:14:28,033 {\an5}-HERE NOW, KNOWING YOU'RE JUST GOING TO LEAVE NOW? -YEAH. 305 00:14:28,100 --> 00:14:29,902 {\an5}-YOU'RE JUST GOING TO DRIVE AWAY NOW? -YEAH. 306 00:14:29,969 --> 00:14:32,071 -BUT I LOVE YOU. -WHAT? YOU'VE GOT TO BE-- 307 00:14:33,772 --> 00:14:34,873 SHE'S BUT-- 308 00:14:34,940 --> 00:14:36,408 [MUSIC] 309 00:14:38,777 --> 00:14:39,878 YOU-- 310 00:14:39,945 --> 00:14:41,380 [SOFT MUSIC] 311 00:14:55,995 --> 00:14:57,896 OLL? WHAT? 312 00:14:57,963 --> 00:15:00,032 [CHUCKLES] I DON'T KNOW. 313 00:15:01,300 --> 00:15:05,804 I'VE BEEN WALKING LIKE-- AND YOU JUST BEEN-- 314 00:15:05,871 --> 00:15:07,039 SITTING. 315 00:15:07,106 --> 00:15:08,874 -HI. [LAUGHS] -HIYA. 316 00:15:08,941 --> 00:15:11,210 -HI, HI YOU. -HI. 317 00:15:11,277 --> 00:15:13,746 -LOOK I'M-- -YOU'RE SO FUNNY. 318 00:15:13,812 --> 00:15:15,281 I JUST WANT TO SAY TO YOU STRAIGHT AWAY 319 00:15:15,347 --> 00:15:17,149 I'M SO SORRY 320 00:15:17,216 --> 00:15:19,218 THAT WE COULDN'T MAKE IT LAST NIGHT. I'M SO SORRY. 321 00:15:19,285 --> 00:15:24,223 {\an5}-NOT COOL. -I KNEW IT WAS GOING TO BE NOT COOL, BUT AS WELL. 322 00:15:24,290 --> 00:15:28,427 ONE COOKS AND SHOPS AND CHOPS AND MARINADES, AND... 323 00:15:29,995 --> 00:15:31,030 SIX HOURS. 324 00:15:31,096 --> 00:15:33,432 DELICIOUS STICKY BARBECUE SAUCE. 325 00:15:34,166 --> 00:15:35,868 I'M JOKING. [LAUGHS] 326 00:15:35,934 --> 00:15:37,903 I DON'T GIVE A FUCK. I'M JOKING. 327 00:15:37,970 --> 00:15:39,104 -OH, REALLY? -YOU BELIEVED ME. 328 00:15:39,171 --> 00:15:40,973 I DID, I TOTALLY DID 329 00:15:41,040 --> 00:15:43,108 BELIEVE YOU AS WELL, YEAH, WOW. 330 00:15:43,175 --> 00:15:45,744 WHOA, OKAY, SO WE'RE OKAY, YEAH? 331 00:15:45,811 --> 00:15:46,812 -WE'RE FINE. -WE'RE GOOD TO FORGET. 332 00:15:46,879 --> 00:15:49,081 WE MISSED YOU AND GILLIAN. 333 00:15:49,148 --> 00:15:52,184 I DID A LITTLE THING FOR HER. 334 00:15:52,251 --> 00:15:53,319 DID YOU? 335 00:15:54,320 --> 00:15:57,756 {\an5}-IT'S TOO KEEN, ISN'T IT? -NO, IT'S JUST KIND OF, YOU KNOW. 336 00:15:57,823 --> 00:15:59,124 IT'S FINE. 337 00:15:59,191 --> 00:16:01,593 SHE'S HARD NUT TO CRACK, ISN'T SHE? 338 00:16:01,660 --> 00:16:06,031 NO, NOT THAT, YOU CAME INTO A SLIGHTLY TENSE ENVIRONMENT. 339 00:16:06,098 --> 00:16:08,233 I KNOW YOU'RE A BIT WORRIED ABOUT IT, BUT GILLIAN 340 00:16:08,300 --> 00:16:11,403 WE WERE TALKING ABOUT YOU, YOU FANTASTICALLY RUN THE STAGE. 341 00:16:11,470 --> 00:16:14,239 YEAH, YOU WERE IN A BUNCH OF PROFESSIONAL ACTORS 342 00:16:14,306 --> 00:16:16,342 AND YOU JUST KIND OF, 343 00:16:16,408 --> 00:16:20,145 {\an5}-ENTERED AND NATURALLY HAVE A FEEL FOR THE LANGUAGE. -STOP IT. 344 00:16:20,212 --> 00:16:21,847 YEAH, IT'S JUST THAT GILLIAN HAS EVEN MENTIONED 345 00:16:21,914 --> 00:16:23,816 ABOUT YOU MAYBE KIND OF 346 00:16:23,882 --> 00:16:25,951 ON A POSTER OR SOMETHING IF WE COULD-- 347 00:16:26,018 --> 00:16:27,386 OKAY, YOU'RE TAKING THE MICK NOW. 348 00:16:27,453 --> 00:16:29,688 I WISH I WAS, BUT I'M NOT. THAT WAS ALL HER. 349 00:16:29,755 --> 00:16:31,290 {\an5}-BECAUSE I'VE ALWAYS THOUGHT ABOUT IT. -IT WAS ALL HER. 350 00:16:31,357 --> 00:16:32,591 WE WERE TALKING ABOUT IT. 351 00:16:32,658 --> 00:16:33,892 FROM WOMEN'S EYES 352 00:16:33,959 --> 00:16:36,628 THIS DOCTRINE I DERIVE 353 00:16:36,695 --> 00:16:41,934 {\an3}TO SPARKLE STILL THE RIGHT PROMETHEAN FIRE. 354 00:16:42,000 --> 00:16:44,603 HARK, WHAT IS THAT I HEAR? 355 00:16:44,670 --> 00:16:46,839 GILLIAN'S MEN ARE SLAYING? 356 00:16:46,905 --> 00:16:49,274 I MUST GO IN THE MIDDLE OF THE NIGHT 357 00:16:49,341 --> 00:16:51,944 AND SEEK FOR ALL OF US COMFORT. 358 00:16:52,010 --> 00:16:55,614 LOOK, I'M REALLY SORRY, BUT I'VE GOT TO GO. 359 00:16:55,681 --> 00:16:57,883 {\an5}-OH, YEAH. -I'M SORRY, I'M NOT GOING TO ALWAYS DO THIS TO YOU, 360 00:16:57,950 --> 00:16:59,852 BUT I'VE GOT TO GET TO THE PAVILION. 361 00:16:59,918 --> 00:17:02,254 {\an5}-I'LL WALK WITH YOU. -ARE YOU SURE? I DON'T WANT TO FORCE YOU TO GO. 362 00:17:02,321 --> 00:17:04,256 -NO, NO. I WAS GOING THAT WAY. -YEAH? 363 00:17:04,323 --> 00:17:06,625 {\an5}YEAH, YEAH. IT IS SO NICE TO SEE YOU. [PHONE RINGING] 364 00:17:06,692 --> 00:17:08,927 [VOICE MAIL] HELLO, YOU'VE GOT THROUGH TO OLIVER'S PHONE, 365 00:17:08,994 --> 00:17:12,097 PLEASE LEAVE A MESSAGE AFTER THE TONE. 366 00:17:13,165 --> 00:17:15,834 HI, OLLIE, IT'S GILLIAN. 367 00:17:15,901 --> 00:17:20,906 I GOT HERE IN ONE PIECE, AND... 368 00:17:21,573 --> 00:17:26,378 LISTEN, I'M SORRY FOR THE WAY EVERYTHING JUST WENT DOWN. 369 00:17:26,445 --> 00:17:28,480 I WAS JUST TOO NERVOUS ABOUT THIS MORNING 370 00:17:28,547 --> 00:17:31,016 AND I SHOULD HAVE BEEN MORE COMMUNICATIVE. 371 00:17:31,617 --> 00:17:33,185 I WISH I COULD GET YOU ON THE PHONE. 372 00:17:33,252 --> 00:17:36,989 I WAS THINKING ABOUT THE SHOW, 373 00:17:37,055 --> 00:17:42,428 {\an5}AND I THOUGHT MAYBE WHAT IF WE JUST CHANGED THE VENUE OR LIKE PUSH IT BACK? 374 00:17:42,494 --> 00:17:44,763 I MEAN THESE KINDS OF THINGS HAPPEN. 375 00:17:44,830 --> 00:17:48,066 I MEAN, THIS IS NOT THE END, THE BE-ALL END-ALL. 376 00:17:48,133 --> 00:17:52,137 AND, ANYWAY, LET ME KNOW WHAT YOU THINK 377 00:17:52,204 --> 00:17:59,344 AND I LOVE YOU AND CALL ME LATER. OKAY, BYE. 378 00:18:01,213 --> 00:18:03,248 [CHEERFUL MUSIC] 379 00:18:08,053 --> 00:18:12,691 {\an5}-CAN I SHOW YOU SOMETHING? IT STARTED GROWING. -YOU HAVE AS WELL. 380 00:18:12,758 --> 00:18:14,193 I HAVE. 381 00:18:14,259 --> 00:18:17,329 IT DOES-- -DID YOU JUST SNIFF YOUR ARMPIT? 382 00:18:17,396 --> 00:18:20,365 DID YOU JUST [SNIFFS] YOUR OWN ARMPIT? 383 00:18:20,432 --> 00:18:22,367 DON'T YOU FIND IT SORT OF SEXY? 384 00:18:38,484 --> 00:18:40,919 NO, YOU DON'T HAVE TO DO THAT. 385 00:18:40,986 --> 00:18:42,221 WHY? WHAT? 386 00:18:42,287 --> 00:18:43,755 IT'S ALRIGHT, YOU DON'T HAVE TO. 387 00:18:43,822 --> 00:18:45,157 COME BACK UP HERE. 388 00:18:46,024 --> 00:18:47,993 SORRY, IT DOESN'T WORK FOR ME. 389 00:18:48,794 --> 00:18:52,331 {\an5}-OKAY. YEAH. -ALRIGHT, I DON'T-- IT'S NOT YOU. 390 00:18:52,397 --> 00:18:55,033 {\an5}I JUST DON'T, YOU KNOW I DON'T-- ANYONE, NOT WITH ANYONE. 391 00:18:55,100 --> 00:18:57,436 -I JUST DON'T-- -I'M NOT-- I JUST DON'T. 392 00:18:59,571 --> 00:19:01,440 [CHEERFUL MUSIC] 393 00:19:04,843 --> 00:19:07,246 [MOANS] 394 00:19:07,980 --> 00:19:11,149 {\an5}NO, DON'T COME IN. DON'T COME IN. YOU ARE NOT COMING IN. 395 00:19:11,216 --> 00:19:13,585 {\an5}-THE WHOLE THING'S FUCKED UP. -YEAH, BUT IT'S GOING TO BE ALRIGHT. 396 00:19:13,652 --> 00:19:15,754 {\an5}-NO. -WE'VE GOT FOUR DAYS, SO THAT'S GOING TO BE PLENTY OF TIME. 397 00:19:15,821 --> 00:19:17,256 IT'S NOT GOING TO BE ALRIGHT FOR WEEKS. 398 00:19:17,322 --> 00:19:18,557 CAN I HAVE A LOOK? 399 00:19:18,624 --> 00:19:20,592 YOU DON'T WANT TO SEE. LOOK, LOOK. 400 00:19:20,659 --> 00:19:22,861 {\an5}-I DO WANT-- -JUST CANCEL IT. YOU'RE GONNA HAVE TO DO 401 00:19:22,928 --> 00:19:26,164 {\an5}YOUR SHAKESPEARE SOMEWHERE ELSE. IT'S OFF, IT'S NOT MY PROBLEM. 402 00:19:26,231 --> 00:19:30,135 {\an5}THIS JUST SEEMS LIKE SUCH A SHAME REALLY, BECAUSE YOU PUT SO MUCH WORK INTO THIS. 403 00:19:30,202 --> 00:19:34,540 THAT'S ONE OF THE THINGS YOU DO HAVE, YOU HAVE A GREAT SHOW, 404 00:19:34,606 --> 00:19:37,910 YOU HAVE A 405 00:19:37,976 --> 00:19:41,413 TALENTED DIRECTOR, YOU HAVE PEOPLE WHO ARE COMING. 406 00:19:41,480 --> 00:19:44,883 {\an5}-WHAT YOU'RE MISSING IS A VENUE. -YEAH, WE HAVEN'T GOT THAT ANYMORE, HAVE WE? 407 00:19:44,950 --> 00:19:47,553 {\an5}-THAT'S WHAT WE'VE NOT GOT, IS THAT. -WHY DON'T I CALL MY DAD AND SEE 408 00:19:47,619 --> 00:19:52,291 IF WE CAN GET LIKE SOME SORT OF TEMPORARY STRUCTURE OR 409 00:19:52,357 --> 00:19:54,026 SOME SORT OF, I DON'T KNOW, 410 00:19:54,092 --> 00:19:56,361 UHM, MARQUEE OR SOMETHING. 411 00:19:59,565 --> 00:20:01,366 A MARQUEE WOULD WORK, COULDN'T IT? 412 00:20:03,402 --> 00:20:06,371 -[JERRY] THIS IS IT. -OH, MY GOD. 413 00:20:06,438 --> 00:20:09,241 -MY WOMAN CAVE. -WOW! 414 00:20:09,308 --> 00:20:11,510 -INCREDIBLE, ISN'T IT. -GOD, IT'S AMAZING. 415 00:20:11,577 --> 00:20:15,414 {\an5}IT'S AMAZING. IT GIVES ME VERTIGO JUST LOOKING AT IT. 416 00:20:15,480 --> 00:20:17,449 {\an1}I MEAN, WE CAN HAVE ABOUT FIVE MINUTES HERE. 417 00:20:17,516 --> 00:20:20,919 THANKS, YEAH, I'D LOVE THAT. [YELLS] OH, MY GOD. 418 00:20:20,986 --> 00:20:25,591 {\an5}I KNOW, IT'S AMAZING. [HOWLS] OH, MY GOD, THE SOUND IS SO GOOD. 419 00:20:25,657 --> 00:20:27,192 I KNOW. 420 00:20:27,259 --> 00:20:30,128 [SINGING] 421 00:20:30,195 --> 00:20:33,165 [LAUGHS] YOU'D HAVE TO BE A TRAINED SINGER 422 00:20:33,231 --> 00:20:35,133 TO MAKE THAT SOUND GOOD, BUT [SCREAMS]. 423 00:20:35,200 --> 00:20:37,502 HOO! IT'S FUN, ISN'T IT? 424 00:20:37,569 --> 00:20:39,638 [HOWLS] 425 00:20:42,507 --> 00:20:46,745 NO, BUT JUST HOLD ON. [HOWLS] YEAH. 426 00:20:46,812 --> 00:20:49,815 -YEAH. -YEEHAW! 427 00:20:49,881 --> 00:20:51,583 [LAUGHTER] 428 00:20:52,250 --> 00:20:55,087 -DON'T TOUCH THAT. -NO, I WASN'T ACTUALLY. 429 00:20:55,153 --> 00:21:00,125 {\an5}IT'S SORT OF GREASEPROOF. IF YOU'RE WORRIED ABOUT HOW FAR BACK IT GOES 430 00:21:00,192 --> 00:21:03,462 {\an5}-IT GOES BACK A FUCK UP A LONG WAY. -RIGHT, YEAH. 431 00:21:03,528 --> 00:21:07,032 {\an5}THEIR APARTMENT, I THINK IS GOING TO BE ON THIS SIDE AND THEN TO THE LEFT OF IT 432 00:21:07,099 --> 00:21:09,534 IS GOING TO BE, YOU KNOW, EVERYTHING ELSE HAPPENED OUTSIDE 433 00:21:09,601 --> 00:21:12,137 THE APARTMENT, BUT YOU'LL ALWAYS SEE THE APARTMENT. 434 00:21:12,204 --> 00:21:15,607 AND THEN I WAS THINKING, WHEN THEY'RE WATCHING THAT PLAY 435 00:21:15,674 --> 00:21:17,643 {\an5}YOU KNOW, I THINK IT'S GOING TO BE SOMETHING A BIT LIKE HAMILTON. 436 00:21:17,709 --> 00:21:20,412 THEY'RE SITTING ON THEIR CHAIRS, THEY'RE SITTING SIDE BY SIDE, 437 00:21:20,479 --> 00:21:24,216 THE AUDIENCE IS THE AUDIENCE, WHO DO YOU FANCY? 438 00:21:24,282 --> 00:21:28,086 {\an5}THEN IT'S REALLY SMALL, LIKE... WHICH IS NICE IN CONTRAST TO HOW BIG THE ROOM IS. 439 00:21:28,153 --> 00:21:30,922 {\an5}THEN HE'S LIKE "NOT GOING TO ANSWER THAT, THAT'S A TRICK QUESTION." 440 00:21:30,989 --> 00:21:33,225 {\an5}AND THEN SHE'S LIKE, "JUST TELL ME WHO YOU FANCY I DON'T THINK YOU WANT 441 00:21:33,291 --> 00:21:39,264 {\an5}-TO FUCK THEM OR ANYTHING BUT WHO DO YOU FANCY?" -OSCAR, I READ YOUR LETTER. 442 00:21:39,331 --> 00:21:43,335 {\an5}-I DON'T DO IT GOOD BECAUSE I'M NOT AN ACTOR BUT-- -I DON'T WANT TO GO THROUGH IT. 443 00:21:43,402 --> 00:21:47,205 {\an5}HE'S LIKE, "SHUT THE FUCK UP, RACHEL" YOU KNOW, BECAUSE HE LOVES HER. 444 00:21:47,272 --> 00:21:51,143 {\an5}I LOVE SAYING FUCK IN THIS ROOM IN PARTICULAR BECAUSE IT FEELS LIKE 445 00:21:51,209 --> 00:21:56,181 {\an5}SUCH A-- WITH THIS, THE ACOUSTICS IN HERE I THINK WILL BE REALLY-- 446 00:21:56,248 --> 00:22:00,352 IF YOU CAN GET FUCKING TO IT, THEN THAT WILL SELL TICKETS. 447 00:22:00,419 --> 00:22:02,354 {\an5}-AS MANY FUCKS ON THE PAGE AS YOU CAN. -YEAH. 448 00:22:02,421 --> 00:22:05,624 {\an5}-A COUPLE OF CUNTS, THAT BUMS ON SEATS. -I CAN DO THAT. YEAH. 449 00:22:05,691 --> 00:22:07,325 -BECAUSE YOU'RE A FEMALE WRITER -YEAH. 450 00:22:07,392 --> 00:22:09,161 SO PEOPLE, THEY DON'T WANT TO COME IN 451 00:22:09,227 --> 00:22:11,329 AND WATCH SOMETHING ABOUT A '50S HOUSEWIFE, YOU KNOW? 452 00:22:11,396 --> 00:22:13,665 {\an5}-NO. -THEY WANT TO COME IN AND THEY WANT TO SEE SOME FUCKING 453 00:22:13,732 --> 00:22:16,968 {\an5}SOME RIMMING, AND SOME LIKE, FISTING, AND WHATEVER YOU'VE GOT. 454 00:22:17,035 --> 00:22:19,371 I WANT TO EAT YOUR BODY, I WANT TO EAT YOU. 455 00:22:19,438 --> 00:22:21,373 LIKE YOU KNOW WHEN YOU LOVE SOMEONE SO MUCH 456 00:22:21,440 --> 00:22:24,643 THAT YOU JUST WANT TO CONSUME THEM? 457 00:22:24,710 --> 00:22:27,145 YOU WISH YOU COULD PUT THAT PERSON INSIDE YOU. 458 00:22:27,212 --> 00:22:28,680 DO YOU WANT TO GO TO LUNCH? 459 00:22:30,048 --> 00:22:31,750 -YEAH. -ARE YOU HUNGRY? 460 00:22:32,451 --> 00:22:37,656 {\an5}OH, SO, OK. YEAH, I AM STARVING ACTUALLY. I WOULD LOVE, YEAH. 461 00:22:37,723 --> 00:22:39,858 -I'M BUYING. -THANK YOU. 462 00:22:39,925 --> 00:22:41,827 [MUSIC] 463 00:22:48,433 --> 00:22:49,835 [PHONE RINGS] 464 00:22:51,636 --> 00:22:54,606 -OH, IT'S GERALD. -RIGHT, RIGHT, RIGHT. 465 00:22:57,075 --> 00:22:59,644 HI GERALD, IT'S RACHEL. 466 00:22:59,711 --> 00:23:03,582 THANKS FOR CALLING ME BACK. RACHEL, DICK'S DAUGHTER. 467 00:23:04,349 --> 00:23:08,754 DICK. DICK. YES, HIS DAUGHTER. 468 00:23:08,820 --> 00:23:11,823 HI, SOME FRIENDS OF MINE, LOVELY PEOPLE, 469 00:23:11,890 --> 00:23:14,092 THEY'VE PUT TOGETHER THIS SHAKESPEARE FESTIVAL. 470 00:23:14,159 --> 00:23:17,996 THEY'RE REALLY INTO PLAYS AND ACTORS AND THINGS. 471 00:23:18,063 --> 00:23:21,199 {\an5}AND UNFORTUNATELY, THE PAVILION THAT THEY WERE GOING TO HOST IT AT 472 00:23:21,266 --> 00:23:22,801 HAS FALLEN THROUGH. 473 00:23:27,372 --> 00:23:30,809 YEAH, NO, I DIDN'T THINK THAT WOULD-- 474 00:23:33,278 --> 00:23:35,714 AMAZING! THANK YOU! 475 00:23:35,781 --> 00:23:38,016 THANK YOU, GERALD, THAT'S SO KIND. 476 00:23:39,017 --> 00:23:40,018 YEAH, I'M ON FACEBOOK. 477 00:23:42,521 --> 00:23:44,689 OKAY, BYE NOW. 478 00:23:44,756 --> 00:23:49,861 YEAH, BYE, WILL DO. YEAH, BYE. DONE. 479 00:23:49,928 --> 00:23:53,031 JUST DONE? DONE? WE'VE GOT A MARQUEE? 480 00:23:53,098 --> 00:23:56,067 {\an5}-WE HAVE A MARQUEE. -WE'VE GOT A MARQUEE! WE'VE GOT A MARQUEE! 481 00:23:56,134 --> 00:23:57,335 WE'VE GOT A MARQUEE! 482 00:23:57,402 --> 00:23:59,771 [LAUGHTER] 483 00:24:03,375 --> 00:24:05,777 [CLEARS THROAT] 484 00:24:06,578 --> 00:24:07,779 WE'VE GOT A MARQUEE! [LAUGHTER] 485 00:24:08,780 --> 00:24:10,348 -WE'VE GOT A MARQUEE! -ARE YOU SERIOUS? 486 00:24:10,415 --> 00:24:12,784 I MEAN I-- I MADE ONE CALL. 487 00:24:12,851 --> 00:24:15,754 CONGRATULATIONS. TO THE MARQUEE. 488 00:24:15,821 --> 00:24:18,290 -TO THE MARQUEE. -TO THE MARQUEE. 489 00:24:18,356 --> 00:24:19,691 -YEAH. -WE'VE GOT A MARQUEE. 490 00:24:19,758 --> 00:24:21,626 -YOU'VE GOT A MARQUEE. -DON'T MOVE. 491 00:24:21,693 --> 00:24:23,595 I'VE GOT HALF A MARQUEE WITH YOU. 492 00:24:23,662 --> 00:24:25,664 I'VE GOT HALF A MARQUEE WITH YOU, MATE. 493 00:24:39,444 --> 00:24:40,879 [SIGHS] 494 00:24:41,980 --> 00:24:44,649 GOD, IT'S SO SLOW, I CAN'T BELIEVE IT. 495 00:24:44,716 --> 00:24:46,918 OKAY. DOWNING ONE. 496 00:24:52,724 --> 00:24:56,862 OOOH, I JUST FIND THAT WAKES ME UP FOR SOME REASON. 497 00:24:56,928 --> 00:24:58,797 I KNOW. NO, IT BURNS REALLY GOOD RIGHT HERE. 498 00:24:58,864 --> 00:25:01,666 HERE I'M KIND OF A BIG FISH IN A SMALL POND, 499 00:25:01,733 --> 00:25:04,369 -BUT I LIKE BEING A BIG FISH. -YEAH, WHO DOESN'T? 500 00:25:04,436 --> 00:25:06,238 WHO WOULD WANT TO BE A SMALL FISH? 501 00:25:06,304 --> 00:25:08,640 {\an5}-DO YOU KNOW WHAT I MEAN? -I'M SORT OF A BIG FISH IN A SMALL POND TOO IN THE SENSE 502 00:25:08,707 --> 00:25:10,675 THAT AMONGST MY FRIENDS 503 00:25:10,742 --> 00:25:13,778 I'M LIKE THE LOUDEST, FUNNIEST ONE. 504 00:25:13,845 --> 00:25:17,449 YEAH, THAT'S SO FUNNY, WE HAVE SO MUCH IN COMMON. 505 00:25:17,515 --> 00:25:21,953 {\an5}-YEAH. -I'VE HAD SEVERAL REALLY TERRIBLE EXPERIENCES WITH MEN 506 00:25:22,020 --> 00:25:23,822 AND THAT'S WHAT I LIKED ABOUT YOUR PLAY. 507 00:25:23,889 --> 00:25:30,629 YOU JUST CAPTURED THE COMPLETE POINTLESSNESS OF MEN. 508 00:25:31,897 --> 00:25:34,666 -RIGHT. -I SEE YOU AS A BRIGHT LIGHT. 509 00:25:35,367 --> 00:25:38,937 {\an5}AND I MEAN, YOU KNOW, THERE'S A POINT IN YOUR LIFE WHERE YOU HAVE TO SAY 510 00:25:39,004 --> 00:25:44,676 "I'M GREAT, I'M FANTASTIC. I AM THE LIGHT. I AM THE LIGHT." 511 00:25:44,743 --> 00:25:46,645 I SAY IT TO MYSELF ALL THE TIME. 512 00:25:46,711 --> 00:25:48,747 "I'M A FANTASTIC WOMAN." 513 00:25:49,748 --> 00:25:51,716 I LOOK IN THE MIRROR AND I THINK: 514 00:25:51,783 --> 00:25:54,986 {\an5}-"YEAH, YOU DON'T NEED ANYONE." -YEAH. 515 00:25:55,053 --> 00:25:59,391 AND WHO NEEDS A RELATIONSHIP WHEN THEY KEEP FUCKING YOU UP? 516 00:25:59,457 --> 00:26:03,428 {\an5}[LAUGHS] DO YOU KNOW WHAT I JUST FEEL LIKE YOU'RE ALL THE WAY OVER THERE 517 00:26:03,495 --> 00:26:08,900 {\an5}-YEAH. -AND I'M SORT OF SHOUTING AND THERE'S A SPACE HERE. 518 00:26:11,036 --> 00:26:12,804 THE THING IS, I SHOULD HAVE SAT THERE IN THE BEGINNING 519 00:26:12,871 --> 00:26:15,240 BUT I REALLY HAVE TO GO NOW 520 00:26:15,307 --> 00:26:18,743 {\an5}-WHY? -BECAUSE I FEEL LIKE I'VE HAD ONE TOO MANY ALREADY 521 00:26:18,810 --> 00:26:21,479 AND I SHOULD GET GOING. YOU KNOW IT'S JUST-- 522 00:26:21,546 --> 00:26:25,717 {\an5}THAT'S A SHAME, I JUST FEEL LIKE WE'VE GOT MUCH MORE TO TALK ABOUT THE PLAY. 523 00:26:26,952 --> 00:26:28,586 -YEAH. -DO YOU KNOW WHAT I MEAN? 524 00:26:28,653 --> 00:26:30,622 ABSOLUTELY. I AGREE ACTUALLY, 525 00:26:30,689 --> 00:26:32,857 I DON'T EVEN KNOW WHAT I WAS THINKING. 526 00:26:32,924 --> 00:26:35,593 I MEAN WHAT ARE YOUR PRIORITIES, RIGHT? 527 00:26:36,261 --> 00:26:41,232 {\an5}-ARE YOU ASKING ME? -YEAH, I WANT TO GET INTO THE CORE OF YOU. 528 00:26:41,299 --> 00:26:43,735 YOU'VE GOT SO MUCH GOING FOR YOU, YOU'RE PHOTOGENIC. 529 00:26:43,802 --> 00:26:45,470 I DON'T WANT TO BE LIKE, SLEAZY ABOUT THAT 530 00:26:45,537 --> 00:26:48,740 BUT THE THING IS THAT SELLS. YOU CAN DO A LOT OF PRESS. 531 00:26:48,807 --> 00:26:51,242 {\an5}-OH MY GOD. -SO WE'RE GOING TO PUT YOU ON THE POSTER. 532 00:26:51,309 --> 00:26:54,312 {\an5}-WHAT DO YOU MEAN I'M GOING ON A POSTER? -OF COURSE YOU ARE. 533 00:26:54,379 --> 00:26:58,583 {\an5}SHUT UP. I MEAN, I WOULD ACTUALLY LIKE TO KEEP MY FACE OUT OF IT AS MUCH POSSIBLE. 534 00:26:58,650 --> 00:26:59,517 -NO. -NO? 535 00:26:59,584 --> 00:27:00,552 -NO. -OKAY. 536 00:27:00,618 --> 00:27:02,654 NO. I GOT TO PUT A-- NO. 537 00:27:02,721 --> 00:27:06,424 -WHY? -YOU ARE THE PLAY. 538 00:27:06,491 --> 00:27:08,326 -I'M THE PLAY? -YOU ARE THE PLAY. 539 00:27:08,393 --> 00:27:11,930 WELL, I JUST SORT OF THOUGHT THE PLAY WAS THE PLAY. 540 00:27:11,997 --> 00:27:17,268 I JUST THINK A COUPLE MORE OF THIS AND THE PLAY IS ON. 541 00:27:18,603 --> 00:27:24,009 {\an1}WAIT, WHAT DO YOU MEAN THE PLAY IS ON? CLARIFY. 542 00:27:26,111 --> 00:27:29,681 OH, MY GOD, YEAH, THE PLAY IS ON. 543 00:27:29,748 --> 00:27:31,449 LET'S GET A PEN AND PAPER. 544 00:27:31,516 --> 00:27:34,052 NO, LET'S FUCKING CARVE IT IN MY ARMS. 545 00:27:34,119 --> 00:27:37,989 {\an5}-LET'S GET ANOTHER DRINK. -I WOULD LOVE ANOTHER ONE, THANK YOU. 546 00:27:38,056 --> 00:27:40,558 -THE SAME AGAIN OR TWO? -OKAY. 547 00:27:40,625 --> 00:27:42,427 -TWO AND A SHOT? -OKAY, OKAY, OKAY. 548 00:27:42,494 --> 00:27:46,031 {\an5}-ABSOLUTELY FINE, LET'S DRINK UP. -YEAH, OKAY. 549 00:27:46,097 --> 00:27:47,732 THANK YOU. 550 00:27:49,100 --> 00:27:50,869 [CHEERFUL MUSIC] 551 00:27:53,104 --> 00:27:55,807 [ROCK MUSIC] 552 00:28:33,878 --> 00:28:35,880 [JEFF] SHE LEFT ME FOR ANOTHER WOMAN. 553 00:28:35,947 --> 00:28:38,917 -I'M A LAUGHING STOCK. -SHE DOESN'T GET YOU. 554 00:28:38,983 --> 00:28:41,519 -SHE DOESN'T GET YOU. -SHE DOESN'T GET ESSENCE OF ME. 555 00:28:41,586 --> 00:28:43,755 EVEN MY KIDS THINK I'M AN IDIOT. 556 00:28:43,822 --> 00:28:45,657 WHO CARES ABOUT IT? WHO CARES, REALLY? 557 00:28:45,723 --> 00:28:48,793 BUT I STILL LOVE HER. I LOVE HER SO MUCH. 558 00:28:49,828 --> 00:28:52,130 OH, MY GOD. 559 00:28:53,264 --> 00:28:55,767 LOOK AT THIS HAIR. 560 00:28:55,834 --> 00:28:58,303 [INDISTINCT] 561 00:28:59,270 --> 00:29:01,106 [LOUD MUSIC] 562 00:29:01,172 --> 00:29:02,907 [PHONE RINGS] 563 00:29:04,242 --> 00:29:06,678 -HELLO! -OLIVER! 564 00:29:06,744 --> 00:29:08,113 YEAH. HELLO, YOU ALRIGHT? 565 00:29:08,179 --> 00:29:11,816 YEAH, I'M GOOD. WHAT ARE YOU DOING? 566 00:29:11,883 --> 00:29:15,787 WAIT A MINUTE, IT'S QUITE LOUD HERE, WAIT A MINUTE. 567 00:29:15,854 --> 00:29:17,222 YEAH, ARE YOU ALRIGHT? 568 00:29:18,957 --> 00:29:21,359 YEAH, IT'S ALL GOOD, JUST HAVING A COUPLE OF PEOPLE. 569 00:29:21,426 --> 00:29:23,995 NOTHING, JUST LISTENING TO STUFF. ARE YOU ALRIGHT? 570 00:29:24,062 --> 00:29:27,799 {\an5}THAT SOUNDS FUN. THAT SOUNDS SO-- I'M STILL IN CARDIFF. 571 00:29:27,866 --> 00:29:30,401 -IT WENT SO WELL. -OKAY. 572 00:29:30,468 --> 00:29:32,137 -SO WELL! -GOOD, GOOD. 573 00:29:32,203 --> 00:29:36,808 -OLLIE, ARE YOU THERE? -YEAH, I'M HERE, I'M HERE. 574 00:29:36,875 --> 00:29:39,410 I SAID MY PLAY IS GOING TO GET PRODUCED. 575 00:29:39,477 --> 00:29:42,881 THAT'S GREAT STUFF, THAT'S GOOD, SO WHEN ARE YOU COMING HOME? 576 00:29:43,414 --> 00:29:47,118 WELL, HERE'S THE THING I'VE HAD A COUPLE OF DRINKS, NOT MANY. 577 00:29:47,185 --> 00:29:51,723 {\an5}NOT LIKE A-- JUST LIKE ONE OR TWO, BUT I DON'T WANT TO DRIVE 578 00:29:51,789 --> 00:29:53,057 BECAUSE I THINK THAT WOULD BE IRRESPONSIBLE. 579 00:29:53,124 --> 00:29:55,927 I THOUGHT YOU WERE AT A MEETING. 580 00:29:56,761 --> 00:29:57,862 I THOUGHT YOU HAD A MEETING. 581 00:29:57,929 --> 00:29:59,631 YOU'RE RIGHT, I KNOW. I WAS, 582 00:29:59,697 --> 00:30:04,068 BUT WE HAD A DRINK TO CELEBRATE. BECAUSE YOU KNOW... 583 00:30:04,135 --> 00:30:05,703 ARE YOU GOING TO GET BACK THEN? 584 00:30:05,770 --> 00:30:08,173 DO YOU WANT ME TO COME HOME? 585 00:30:08,239 --> 00:30:11,009 {\an5}-YEAH, OF COURSE, I DO. YOU JUST-- -DO YOU? 586 00:30:11,075 --> 00:30:13,945 {\an5}-YEAH, COURSE I DO. OF COURSE, I WANT YOU TO COME BACK. -I WANT TO COME HOME. 587 00:30:14,012 --> 00:30:15,613 WELL, YEAH. WHERE ELSE ARE YOU GOING TO GO 588 00:30:15,680 --> 00:30:16,915 IF YOU DON'T COME HOME? 589 00:30:16,981 --> 00:30:18,883 -ALRIGHT. -I LOVE YOU. 590 00:30:18,950 --> 00:30:20,418 YEAH! YEAH! 591 00:30:20,485 --> 00:30:23,154 {\an5}-OKAY. -IT'S GOOD HERE. IT'S GOOD, YEAH. 592 00:30:23,221 --> 00:30:25,256 -OKAY. -ALRIGHT, THEN. 593 00:30:25,323 --> 00:30:27,725 {\an5}-I WAS HOPING-- -JUST GET IN A TAXI, I'LL SEE YOU IN A BIT. 594 00:30:27,792 --> 00:30:29,727 -YEAH, I'LL JUMP IN A CAB. -I'LL SEE YOU 595 00:30:29,794 --> 00:30:31,196 WHEN YOU GET BACK HERE, YEAH? 596 00:30:31,996 --> 00:30:34,265 CAN I-- HEY, OLLIE, OLLIE, OLLIE. 597 00:30:36,267 --> 00:30:37,302 GREAT. 598 00:30:41,072 --> 00:30:46,077 {\an5}-WOW, WE'RE GOING THERE, AREN'T WE? -CHEERS. 599 00:30:51,082 --> 00:30:53,451 {\an5}-DO YOU WANT TO COME TO MY PLACE? -YES. 600 00:30:55,220 --> 00:30:56,454 YEAH. 601 00:30:56,521 --> 00:30:58,456 [ROCK MUSIC] 602 00:31:05,230 --> 00:31:09,267 WHEN I MEET GILL, I MEAN THE GIRL THAT HE MEETS 603 00:31:09,334 --> 00:31:12,403 SORT OF THIS NICE, NORMAL GIRL. 604 00:31:12,470 --> 00:31:14,739 YOU LOOK AMAZING IN THAT. 605 00:31:14,806 --> 00:31:15,974 IN THIS? 606 00:31:21,879 --> 00:31:23,915 SLOWLY KISS ME. 607 00:31:27,385 --> 00:31:29,487 [ROCK MUSIC] 608 00:31:29,554 --> 00:31:32,056 [MUTED TALK] 609 00:31:34,525 --> 00:31:37,061 [MUTED TALK] 610 00:31:47,272 --> 00:31:49,340 -KISS ME. -JUST KISS YOU? 611 00:31:49,407 --> 00:31:53,778 -YOU'RE NOT SCARED, ARE YOU? -NO, I'M JUST-- I'M NOT. 612 00:31:53,845 --> 00:31:56,114 [ROCK MUSIC] 613 00:32:08,993 --> 00:32:10,295 [LAUGHTER] 614 00:32:12,196 --> 00:32:15,566 -OH, MY GOD. -WHAT? 615 00:32:15,633 --> 00:32:17,001 SOME MORE KISSING, IS IT? 616 00:32:17,068 --> 00:32:18,369 [ELECTRIC GUITAR] 617 00:32:40,391 --> 00:32:41,359 [MUSIC ENDS] 618 00:32:41,426 --> 00:32:43,995 [SNORING] 619 00:32:45,630 --> 00:32:48,433 [KNOCK ON THE DOOR] 620 00:32:48,499 --> 00:32:51,602 [HEAVY BREATHING] 621 00:32:51,669 --> 00:32:53,071 [KNOCKING] 622 00:32:53,137 --> 00:32:54,305 [LOUD KNOCKING] 623 00:32:57,475 --> 00:32:59,410 AH, FUCKING HELL. 624 00:33:02,847 --> 00:33:05,016 OH, MY GOD, BABE, WHERE HAVE YOU BEEN? 625 00:33:05,083 --> 00:33:07,518 -ARE YOU ALRIGHT? -MM-HMM. 626 00:33:08,553 --> 00:33:10,054 [OLIVER MOANS] 627 00:33:11,222 --> 00:33:15,159 -WHERE HAVE YOU BEEN? -I'VE BEEN OUT. 628 00:33:15,226 --> 00:33:18,363 {\an5}-I'VE BEEN OUT. -OUT? THAT'S WHAT I'M GOING TO GET? OUT? 629 00:33:18,429 --> 00:33:19,330 [MOANING] 630 00:33:19,397 --> 00:33:21,132 COME ON, HOW DID YOU NOT-- 631 00:33:21,199 --> 00:33:24,302 I LOVE YOU. JUST COME HERE, JUST SHUT UP. 632 00:33:24,369 --> 00:33:26,404 JUST SHUT UP, AND COME AND CUDDLE. 633 00:33:28,606 --> 00:33:30,408 [OLIVER MOANS] 634 00:33:32,110 --> 00:33:33,478 [GILLIAN MOANS] 635 00:33:34,579 --> 00:33:37,382 -OLIVER. -YEAH. 636 00:33:39,984 --> 00:33:42,320 DO YOU PROMISE YOU'LL NEVER LEAVE ME? 637 00:33:50,128 --> 00:33:51,496 YOU ALRIGHT, BABE? 638 00:33:54,098 --> 00:33:58,469 -HEY. -YEAH, I'M GOOD. I FEEL GOOD. 639 00:33:58,536 --> 00:33:59,337 -YEAH? -YEAH. 640 00:33:59,404 --> 00:34:01,672 -ARE YOU SURE? -MM-HMM. 641 00:34:01,739 --> 00:34:04,509 [SWALLOWING AND SMATTERING] 642 00:34:27,231 --> 00:34:29,534 30 SECONDS. 28. 643 00:34:32,437 --> 00:34:34,472 I THINK IT'S A REALLY GOOD THING THAT IT'S DONE. 644 00:34:34,539 --> 00:34:37,108 {\an5}-WHAT? -THAT WE'VE HAD THIS LITTLE KIND OF, 645 00:34:37,175 --> 00:34:38,476 I DON'T KNOW, LITTLE BLIP. 646 00:34:38,543 --> 00:34:40,578 IF WE CAN GET THROUGH THAT... 647 00:34:40,645 --> 00:34:42,713 [MAKING BUBBLES] 648 00:34:42,780 --> 00:34:47,418 {\an5}IF I CAN GET THROUGH THAT AS WELL AS EVERYTHING ELSE, WE'LL BE FINE. 649 00:34:47,485 --> 00:34:49,487 -I WOULD HOPE SO. -YOU CAN'T HOPE IT, 650 00:34:49,554 --> 00:34:53,124 YOU'VE GOT TO BE MORE POSITIVE THAN THAT, WE WILL DO IT. 651 00:34:53,191 --> 00:34:58,463 {\an5}-I DO WANT TO SAY SORRY, I DON'T WANT TO JUST BRUSH IT OFF LIKE THAT. 652 00:34:58,529 --> 00:35:02,200 I AM SORRY THAT I CAME LAST NIGHT. 653 00:35:02,266 --> 00:35:04,502 CAME BACK THIS MORNING ACTUALLY. 654 00:35:04,569 --> 00:35:08,639 {\an5}JUST FORGET ABOUT IT NOW I GUESS, YEAH? JUST MOVE ON FROM IT. 655 00:35:08,706 --> 00:35:10,274 YEAH. 656 00:35:10,341 --> 00:35:14,212 IT'S A BLIP AND NOW IT'S DONE, SO THAT'S GOOD. 657 00:35:14,278 --> 00:35:17,515 IT MAKES US STRONGER, ACTUALLY. 658 00:35:17,582 --> 00:35:19,250 -YEAH. -YEAH? 659 00:35:19,317 --> 00:35:23,855 MAYBE WHEN WE GET THROUGH ENOUGH OFF THESE. 660 00:35:23,921 --> 00:35:26,157 -HOPEFULLY, THIS IS THE ONE. -NO MORE OF THESE. 661 00:35:26,224 --> 00:35:30,161 YEAH, WELL NO-- I DON'T FANCY ANY MORE OF THOSE. 662 00:35:30,228 --> 00:35:34,565 -MAYBE WE'LL HAVE A BABY? -YEAH. 663 00:35:35,333 --> 00:35:37,168 -YEAH! -YEAH. 664 00:35:37,235 --> 00:35:38,936 -YEAH. -YEAH! 665 00:35:39,003 --> 00:35:44,542 YEAH, BUT YOU HAVE TO HAVE SEX WITH ME TO HAVE A BABY. 666 00:35:44,609 --> 00:35:47,678 {\an5}YEAH, I KNOW THAT. WE HAVE SEX, WE'RE NORMALLY LIKE-- 667 00:35:49,113 --> 00:35:51,449 OH, UHM. WE HAVE SOME. 668 00:35:51,516 --> 00:35:54,051 WE DO IT A LOT AT HOME. 669 00:35:54,118 --> 00:35:56,787 -WE DON'T. -WE'VE DONE IT IN THE KITCHEN. 670 00:35:58,256 --> 00:36:03,494 {\an5}WE DID. WE DIDN'T EVEN TAKE OUR SHOES OFF AND WE CAME IN HERE 671 00:36:03,561 --> 00:36:05,897 AND THEN I DID YOU OVER THE KITCHEN THING, DIDN'T I? 672 00:36:05,963 --> 00:36:09,367 {\an5}-I MEAN, YOU WERE HAVING IT AND WE WERE ON THAT TABLE. -STOP IT! 673 00:36:09,433 --> 00:36:13,404 {\an5}-OH, PLEASE, I DON'T LIKE THE WAY YOU TALK ABOUT ME. -WHAT ARE YOU TALKING ABOUT? 674 00:36:13,471 --> 00:36:17,942 DID YOU NOT COME FUCKING-- LIKE I'M A PROJECT. STOP! 675 00:36:18,009 --> 00:36:21,145 {\an5}I THINK YOU WERE THINKING ABOUT THE MOVES THEN, BECAUSE WE DID THE MOVES THE FIRST TIME 676 00:36:21,212 --> 00:36:24,048 {\an5}-AND THEN YOU WANTED THE MOVES AGAIN IF I REMEMBER. -STOP WITH THE MOVES! 677 00:36:24,115 --> 00:36:26,183 -OKAY, THE-- -THE FACT THAT YOU CAN GO 678 00:36:26,250 --> 00:36:29,186 "REMEMBER THIS TIME, REMEMBER THIS TIME, REMEMBER THIS TIME", 679 00:36:29,253 --> 00:36:31,789 WELL, IT SHOULD JUST BE ALL ONE BIG BLUR. 680 00:36:31,856 --> 00:36:34,258 YOU REMEMBER THE TIME BECAUSE ISN'T IT EVERY DAY, BABY? 681 00:36:34,325 --> 00:36:38,396 {\an5}I CAN'T DO IT EVERY-- COME ON YOU'VE GOT TO HAVE A BIT OF SENSE NOW AS WELL, EVERY DAY? 682 00:36:38,462 --> 00:36:40,898 COOL HEAD, THAT'S JUST BEING DAFT AS WELL. 683 00:36:40,965 --> 00:36:44,569 {\an5}NOBODY DOES IT EVERY DAY, YOU ONLY NEED TO DO IT ONCE TO HAVE A BABY, ANYWAY. 684 00:36:47,805 --> 00:36:49,540 [COOKER IGNITER SOUND]. 685 00:36:54,979 --> 00:36:59,517 {\an5}-DO WE HAVE ANY GARLIC? -NO, I DIDN'T-- SORRY I DIDN'T KNOW WE NEEDED ANY. 686 00:36:59,584 --> 00:37:03,054 IT'LL BE A GARLIC-LESS PASTA SAUCE. 687 00:37:03,120 --> 00:37:04,422 ALRIGHT. 688 00:37:10,461 --> 00:37:13,130 {\an5}-GARLIC WON'T MAKE A DIFFERENCE ANYWAY REALLY. -IT WON'T, YOU KNOW WHAT? 689 00:37:13,197 --> 00:37:15,266 -IT'LL BE FINE. -IT... 690 00:37:16,000 --> 00:37:21,739 FUCK IT, IT WILL. LET'S NOT PRETEND, RIGHT? ALREADY. 691 00:37:21,806 --> 00:37:23,307 I LIKE IT ANYWAY. 692 00:37:30,214 --> 00:37:31,816 [MOANS] 693 00:37:35,219 --> 00:37:36,454 HOW IS THAT? 694 00:37:37,755 --> 00:37:39,323 -IT'S ALRIGHT. -IT'S ALRIGHT, YEAH. 695 00:37:39,390 --> 00:37:40,524 -IT'S ALRIGHT. -IT'S A BIT SWEET. 696 00:37:40,591 --> 00:37:42,493 IT'S NOT THE BEST, NOT. 697 00:37:43,427 --> 00:37:45,463 NO, IT WAS GOOD. IT WAS A GOOD NIGHT. 698 00:37:45,529 --> 00:37:50,568 {\an5}I'M GLAD THAT I WENT, I'M GLAD THAT I STAYED LATE, NOT THAT LATE OBVIOUSLY 699 00:37:50,635 --> 00:37:54,939 I COULD HAVE DONE WITHOUT THAT, BUT IT WAS GOOD FOR 700 00:37:55,006 --> 00:37:57,241 THE JOB, IT WAS GOOD FOR THE RELATIONSHIP, YOU KNOW. 701 00:37:57,808 --> 00:38:00,978 YOU WANT TO STAY IN THEIR CONSCIOUSNESS 702 00:38:01,045 --> 00:38:03,648 {\an5}YOU WANT THEM TO BE THINKING ABOUT YOU THE NEXT DAY LIKE "YEAH, I LOVE THAT GIRL." 703 00:38:03,714 --> 00:38:06,717 SHE WAS LIKING YOUR PLAY. LIKING YOUR PLAY. 704 00:38:06,784 --> 00:38:08,686 {\an5}-SHE LOVES MY-- OF COURSE SHE LOVES MY PLAY. -GOOD. 705 00:38:08,753 --> 00:38:11,389 THAT IS WHAT'S SO VALIDATING IS JUST TO HAVE SOMEONE, 706 00:38:11,455 --> 00:38:15,526 {\an5}YOU KNOW, WHO'S NOT MY FAMILY MEMBER, NOT SOMEONE WHO LOVES ME, THINK THAT 707 00:38:15,593 --> 00:38:19,363 WHAT I'M MAKING IS BRILLIANT, YOU KNOW. 708 00:38:19,430 --> 00:38:22,033 IT'S FUNNY BECAUSE SHE IS SO FUCKING SMART. 709 00:38:22,099 --> 00:38:24,201 SHE'S SO ON IT, ESPECIALLY WITH THIS KIND OF STUFF. 710 00:38:24,268 --> 00:38:27,471 {\an5}WE REALLY, LIKE, WE REALLY UNDERSTAND, SHE LIKES THE SAME PLAYS 711 00:38:27,538 --> 00:38:28,706 AND IT WAS JUST LIKE BOOM, BOOM, BOOM, BOOM. 712 00:38:28,773 --> 00:38:31,308 -AND DO YOU KNOW -IT'S GOOD. 713 00:38:31,375 --> 00:38:35,479 THAT-- THIS WAS WILD, BUT LIKE, I KISSED HER. 714 00:38:35,546 --> 00:38:38,616 I MEAN SHE KISSED ME, BUT, YEAH. 715 00:38:38,683 --> 00:38:39,617 WE KISSED. 716 00:38:39,684 --> 00:38:41,619 LIKE WHAT? 717 00:38:41,686 --> 00:38:48,259 I JUST-- THAT IS SO... [LAUGHS] IT'S SO NOT ME. 718 00:38:48,325 --> 00:38:49,760 I KISSED A GIRL. 719 00:38:51,195 --> 00:38:54,999 [LAUGHS] I KI-- LIKE SNOGGED. 720 00:38:55,066 --> 00:39:00,604 {\an5}LIKE PROPERLY LIKE: "OH, MY GOD, WHAT AM I DOING? I MUST BE SO DRUNK." 721 00:39:00,671 --> 00:39:03,574 WOW! IS IT JUST IN YOUR 30'S THAT YOU START BEING LIKE: 722 00:39:03,641 --> 00:39:06,143 "WHATEVER, I'M JUST GOING TO KISS SOME GIRL NOW." 723 00:39:06,210 --> 00:39:07,511 I TOTALLY KISSED HER. 724 00:39:08,312 --> 00:39:09,346 JUST... 725 00:39:10,548 --> 00:39:12,850 {\an5}I GUESS I SHOULD HAVE DONE IT IN HIGH SCHOOL AND GOT THAT OUT MY SYSTEM. 726 00:39:14,351 --> 00:39:16,487 I'M KIND OF... 727 00:39:17,221 --> 00:39:18,489 SO DID I. 728 00:39:18,556 --> 00:39:21,659 SHUT UP! WHAT ARE YOU-- DON'T EVEN. 729 00:39:21,726 --> 00:39:24,695 YOU GOT-- I GOT KISSED BY SOMEONE AS WELL. 730 00:39:31,035 --> 00:39:32,536 [LAUGHTER] 731 00:39:34,038 --> 00:39:37,808 WHAT? THAT'S NOT THE SAME, IS IT THOUGH? 732 00:39:38,809 --> 00:39:40,778 NO, IT'S NOT EXACTLY THE SAME, BUT IT'S... 733 00:39:42,179 --> 00:39:46,083 {\an5}-SIMILAR. -IT'S NOT. I DON'T THINK IT'S THE SAME AT ALL. 734 00:39:46,150 --> 00:39:49,320 OTHER PEOPLE CAN KISS GIRLS AS WELL, NOT JUST YOU, MAYBE. 735 00:39:49,386 --> 00:39:52,590 {\an5}OF COURSE THEY CAN-- OF COURSE OTHER PEOPLE CAN KISS GIRLS. 736 00:39:52,656 --> 00:39:55,226 MAYBE OTHER GIRLS WANT TO KISS ME. 737 00:39:55,292 --> 00:39:56,527 MAYBE SOMEBODY KISSED ME LAST NIGHT. 738 00:39:56,594 --> 00:39:58,596 I'M SURE OTHER PEOPLE WANT TO KISS YOU 739 00:39:58,662 --> 00:40:00,564 I WANT TO KISS YOU ALL THE FUCKING TIME. 740 00:40:00,631 --> 00:40:02,199 I KNOW SOMEBODY ELSE WANTED TO KISS ME 741 00:40:02,266 --> 00:40:03,667 BECAUSE I KISSED SOMEONE ELSE LAST NIGHT. 742 00:40:11,876 --> 00:40:13,544 A BIT OF FUN. 743 00:40:17,414 --> 00:40:20,050 [DEEP BREATH] 744 00:40:20,117 --> 00:40:21,585 UHM... 745 00:40:23,487 --> 00:40:27,525 WOW, WHO DID YOU KISS? 746 00:40:30,928 --> 00:40:32,797 I DON'T WANT TO KNOW. I DON'T WANT TO KNOW WHO YOU KISSED. 747 00:40:32,863 --> 00:40:35,533 {\an5}-YOU DO KNOW. -I DON'T WANT TO KNOW WHO YOU KISSED. 748 00:40:35,599 --> 00:40:38,335 {\an5}-OKAY. -ACTUALLY, JUST DON'T EVEN FUCKING TELL ME. 749 00:40:38,402 --> 00:40:41,872 {\an5}-I WON'T THEN. I WON'T. -DON'T FUCKING-- DO NOT EVEN TRY. 750 00:40:41,939 --> 00:40:44,775 WHATEVER YOU DID IS NOT THE SAME AS WHAT I DID. 751 00:40:47,144 --> 00:40:49,046 NO, I WASN'T UP ALL NIGHT. 752 00:40:50,948 --> 00:40:51,949 UHM... 753 00:41:04,461 --> 00:41:06,063 -YEAH? -YEAH. 754 00:41:07,565 --> 00:41:09,033 [GILLIAN SCOFFS] 755 00:41:09,099 --> 00:41:12,970 [OLIVER] YEAH, JUST... 756 00:41:16,707 --> 00:41:19,510 OH, SHIT! I FORGOT THE SPAGHETTI. 757 00:41:19,577 --> 00:41:25,115 {\an5}DO YOU KNOW WHAT? I CANNOT BELIEVE WHAT IS GOING ON? IT'S A BIT DRY. 758 00:41:25,182 --> 00:41:28,419 THAT WAS ALWAYS GONNA HAPPEN WITH THAT HEAT ON IT. 759 00:41:28,485 --> 00:41:31,922 {\an5}I KNEW IT! I KNEW RACHEL LIKED YOU. I KNEW SHE LIKED YOU. 760 00:41:31,989 --> 00:41:35,993 {\an5}-YEAH, BUT IT WAS NOT-- -I KNEW IT. I KNEW SHE HAD A CRUSH ON YOU. 761 00:41:36,060 --> 00:41:36,961 I CALLED IT. 762 00:41:37,027 --> 00:41:37,995 [OLIVER] IT WAS... 763 00:42:02,620 --> 00:42:03,821 [RACHEL] HI, GUYS! 764 00:42:04,855 --> 00:42:06,023 GUYS! 765 00:42:07,391 --> 00:42:08,158 HIYA. 766 00:42:10,194 --> 00:42:13,864 HI! WOW! OH, MY GOD! 767 00:42:13,931 --> 00:42:15,532 IT'S GOOD, ISN'T IT? YEAH. 768 00:42:15,599 --> 00:42:16,600 [GILLIAN] THANK YOU. 769 00:42:16,667 --> 00:42:19,470 -YEAH, WOW! -YEAH. 770 00:42:19,870 --> 00:42:22,873 {\an5}DON'T LET US STOP YOU. IF WE'RE IN THE MIDDLE OF IT, DON'T LET IT STOP YOU, THOUGH. 771 00:42:22,940 --> 00:42:25,576 -BECAUSE WE GOT TO-- -I'LL LEAVE YOU TO IT. 772 00:42:25,643 --> 00:42:27,611 -OKAY. -YEAH. 773 00:42:27,678 --> 00:42:29,947 -BYE, GUYS. -OKAY, BYE-BYE NOW, TA-TA. 774 00:42:30,014 --> 00:42:33,450 -TA-TA. -[RACHEL] BYE! BYE! 775 00:42:33,517 --> 00:42:36,987 {\an5}THANK YOU FOR BOTH TURNING UP. WE'VE GOT A PROBLEM WITH THE ACTORS. 776 00:42:37,054 --> 00:42:39,256 {\an5}-WHAT'S WRONG? -THE ACTORS ARE SAYING THAT THEY DON'T THINK 777 00:42:39,323 --> 00:42:41,258 -YOU WERE REALLY INTO THIS. -THAT'S NOT THE POINT. 778 00:42:41,325 --> 00:42:43,727 IT DOESN'T MATTER WHAT I WANT AND DON'T WANT, WE'RE HERE 779 00:42:43,794 --> 00:42:47,731 {\an5}TO DO A JOB, AREN'T WE, JEFF? AM I NOT THERE AND PRESENT EVERY FUCKING DAY, AM I NOT? 780 00:42:47,798 --> 00:42:50,801 {\an5}-I'M SORRY, WHAT MORE DO YOU WANT? DO YOU WANT ME TO LOVE IT? -LET'S DO YOUR PLAY. 781 00:42:50,868 --> 00:42:52,803 JUST TELLING YOU WHAT THE ACTORS HAVE SAID. 782 00:42:52,870 --> 00:42:55,739 {\an5}-LET'S DO YOUR PLAY. -WHAT DO YOU MEAN LET'S DO MY PLAY? 783 00:42:55,806 --> 00:42:58,208 -WHAT ABOUT YOUR MOM? -FORGET ABOUT MY MOTHER. 784 00:42:58,275 --> 00:43:00,878 MY MOTHER WILL JUST SIT THERE AND BE HAPPY WITH ANYTHING. 785 00:43:00,945 --> 00:43:03,380 {\an5}-NO, SHE WON'T BE HAPPY. -THERE'S A TENT AND THERE'LL BE A PLAY 786 00:43:03,447 --> 00:43:06,984 AND MY MOTHER WILL BE HAPPY. IF WE DO YOURS, I'LL BE HAPPY. 787 00:43:08,285 --> 00:43:12,323 -IT'S READY, LET'S JUST DO IT. -[JEFF] COME ON, GUYS. 788 00:43:12,389 --> 00:43:14,391 {\an5}-LET ME ASK THEM. LET ME JUST SHOW THEM -JEFF'S RIGHT, LET'S DO IT. 789 00:43:14,458 --> 00:43:16,627 -I WANT TO HEAR THEIR THOUGHTS. -LET'S GO AND ASK THEM AND SEE. 790 00:43:16,694 --> 00:43:18,462 I WANT TO SEE WHO WOULD-- 791 00:43:18,529 --> 00:43:20,197 JUST GIVE ME A SECOND. 792 00:43:22,599 --> 00:43:26,203 -ARE YOU GUYS OKAY? -YEAH, WE'RE FINE. 793 00:43:36,847 --> 00:43:38,582 [DAVID] I USED TO COME DOWN HERE WITH YOUR MOTHER. 794 00:43:38,649 --> 00:43:41,051 -[OLIVER] YEAH? -[DAVID] YEAH, WE WERE COURTING. 795 00:43:41,118 --> 00:43:42,953 [LAUGHS] 796 00:43:43,020 --> 00:43:45,055 -ALL THOSE YEARS AGO. -YEAH. 797 00:43:47,524 --> 00:43:52,262 {\an5}-THINGS AREN'T GOING THE BEST, REALLY. -WHAT, WITH YOU AND GILLIAN? 798 00:43:54,098 --> 00:43:55,265 -YEAH. -WHY? 799 00:43:58,002 --> 00:44:00,537 I'VE DONE SOME THINGS WRONG. 800 00:44:00,604 --> 00:44:03,807 WHAT DID YOU-- COME ON. 801 00:44:05,609 --> 00:44:08,712 I KISSED RACHEL. 802 00:44:11,615 --> 00:44:13,884 IT WAS JUST-- JUST KISSED HER? 803 00:44:13,951 --> 00:44:17,287 JUST KISSED HER. SHE KISSED ME BACK. 804 00:44:17,354 --> 00:44:21,091 {\an5}THERE'S NOTHING WRONG KISSING SOMEBODY ELSE, YOU KNOW, I MEAN. 805 00:44:21,158 --> 00:44:24,328 {\an5}-ISN'T THERE? -NO, CHRIST NO. SHE'S A LOVELY GIRL. 806 00:44:24,395 --> 00:44:29,433 {\an5}-SHE IS, YEAH. -AND I-- EVEN AN OLD TWAT LIKE ME 807 00:44:29,500 --> 00:44:33,103 I CAN REALIZE THAT SHE'S A VERY, VERY, VERY ATTRACTIVE GIRL. 808 00:44:33,771 --> 00:44:37,875 {\an5}-ALRIGHT. -I WOULDN'T BLAME YOU FOR A MINUTE. 809 00:44:37,941 --> 00:44:40,511 -IT'S A BIT MORE COMPLICATED. -WHAT? 810 00:44:40,577 --> 00:44:43,580 -IT'S A BIT MORE COMPLICATED. -WHAT, DO YOU MEAN YOU-- 811 00:44:43,647 --> 00:44:48,318 NO, NOT ME DOING ANYTHING, BUT GILLIAN, 812 00:44:48,385 --> 00:44:50,587 SHE KISSED A LADY AS WELL, THOUGH. I KISSED A WOMAN 813 00:44:50,654 --> 00:44:52,322 -AND SHE KISSED A WOMAN. -WHAT? 814 00:44:52,389 --> 00:44:53,791 YEAH. 815 00:44:53,857 --> 00:44:57,227 -GILLIAN? -YEAH. 816 00:44:59,596 --> 00:45:01,098 OH, GOD. 817 00:45:01,165 --> 00:45:05,335 I THOUGHT THAT THAT WAS A BLOODY, YOU KNOW-- BUT... 818 00:45:07,704 --> 00:45:10,541 -ONE OF THEM WOMEN. -YEAH. 819 00:45:10,607 --> 00:45:14,078 {\an5}-LESBIAN, DAD, YOU CAN SAY IT, IT'S ALRIGHT. -ALRIGHT, A FUCKING LESBIAN. 820 00:45:14,144 --> 00:45:17,314 YEAH, YOU CAN STILL SAY LESBIAN WITHOUT THE FUCKING, 821 00:45:17,381 --> 00:45:20,117 IT'S ALRIGHT. I DON'T THINK SHE IS ONE. 822 00:45:20,184 --> 00:45:24,288 NO, I DON'T THINK SHE IS EITHER. CHRIST, IT'S JUST ONE OF THOSE-- 823 00:45:24,354 --> 00:45:28,025 YOU KNOW, ONE OF THOSE-- 824 00:45:28,092 --> 00:45:29,993 SHE DID SAY SHE WAS DRUNK. 825 00:45:30,060 --> 00:45:31,628 THERE YOU GO THEN. THERE YOU ARE. 826 00:45:31,695 --> 00:45:34,064 I MEAN THAT'S IT, ISN'T IT? 827 00:45:34,131 --> 00:45:36,867 IT'S AS SIMPLE AS THAT. YOU KNOW. 828 00:45:36,934 --> 00:45:40,537 -I JUST LOVE HER, DAD. I CANT-- -I KNOW THAT. 829 00:45:40,604 --> 00:45:45,142 {\an5}SHE'S A GOOD KID. SHE'S STUCK BY YOU LIKE GLUE, REALLY. 830 00:45:45,209 --> 00:45:47,845 SHE DESERVES A MEDAL, ACTUALLY FOR PUTTING UP WITH YOU. 831 00:45:47,911 --> 00:45:49,913 -[LAUGHS] -NO, SHE DOES. 832 00:45:49,980 --> 00:45:52,349 -SHE DOES. -GREAT PEP TALK, DAD. 833 00:45:52,416 --> 00:45:55,652 SHE DESERVES A MEDAL FOR PUTTING UP WITH ME. 834 00:45:55,719 --> 00:45:58,422 IT'S THE BEER TALKING. THE FUCK IT IS. 835 00:45:58,489 --> 00:45:59,957 SHE HAS STUCK AROUND, THOUGH, HASN'T SHE? 836 00:46:00,023 --> 00:46:03,760 YEAH. I MEAN, MAYBE IF YOU HAD A JOB, 837 00:46:03,827 --> 00:46:07,798 -A PROPER, PROPER JOB. -WELL, I'VE GOT A JOB. 838 00:46:07,865 --> 00:46:09,800 DEEJAYING IS A PROPER JOB, IS IT? 839 00:46:09,867 --> 00:46:11,802 WELL, YEAH. 840 00:46:11,869 --> 00:46:15,539 HOW MUCH DO YOU MAKE ON THAT? 150 QUID A WEEK? 841 00:46:15,606 --> 00:46:18,976 {\an5}-A NIGHT-- 150 QUID A NIGHT. -A NIGHT, HOW MANY NIGHTS A WEEK? 842 00:46:19,042 --> 00:46:21,912 {\an5}-ONE NIGHT A WEEK. -ONE NIGHT A WEEK, 150 QUID A WEEK? 843 00:46:21,979 --> 00:46:25,249 {\an5}-ALRIGHT. -150 QUID A WEEK, THAT'S WHAT IT'S ABOUT? 844 00:46:25,315 --> 00:46:26,950 YEAH. YEAH. 845 00:46:27,017 --> 00:46:29,786 WHAT I SUGGEST YOU DO NOW, IS YOU GO OUT, RIGHT? 846 00:46:29,853 --> 00:46:32,489 GO ALL THE HOME, DON'T STOP, OKAY? 847 00:46:32,556 --> 00:46:36,727 {\an5}-YEAH. -YOU PICK UP A MEAL, TAKEAWAY, AN INDIAN OR CHINESE. 848 00:46:36,793 --> 00:46:37,995 -SHE LIKES CHINESE, DOESN'T SHE? -YEAH. 849 00:46:38,061 --> 00:46:39,663 -CHINESE, OKAY. -YEAH. 850 00:46:39,730 --> 00:46:43,000 -FLOWERS, RIGHT? -YEAH, THE FULL SHEBANG. 851 00:46:43,066 --> 00:46:44,968 -WOMEN LOVE THAT. -YEAH? 852 00:46:45,035 --> 00:46:50,073 THEY DO. YOU NEED TO SORT IT OUT. JUST SORT IT OUT. 853 00:46:50,140 --> 00:46:51,275 RIGHT. 854 00:46:53,710 --> 00:46:56,313 [UPBEAT MUSIC] 855 00:47:00,150 --> 00:47:02,352 JUST LIKE-- I'M YOUNG. 856 00:47:04,888 --> 00:47:09,393 {\an5}JUST BECAUSE YOU KISSED A GIRL, DOESN'T MEAN YOU DON'T LOVE YOUR HUSBAND. 857 00:47:09,459 --> 00:47:11,995 [UPBEAT MUSIC] 858 00:47:15,799 --> 00:47:21,672 {\an5}I LOVE MY HUSBAND, THAT DOESN'T MEAN I DON'T LIKE TO HAVE SEX AS WELL WITH GIRLS. 859 00:47:21,738 --> 00:47:25,742 I THINK THAT'S WHAT PEOPLE DO AS A RITE OF PASSAGE, ISN'T IT? 860 00:47:25,809 --> 00:47:27,411 [UPBEAT MUSIC] 861 00:47:31,081 --> 00:47:33,483 HE LOVES GIRLS TOO, HE LOVES A GIRL NAMED RACHEL. 862 00:47:33,550 --> 00:47:34,985 THAT'S AMAZING. 863 00:47:36,320 --> 00:47:39,289 WE'RE NOT-- WE'RE NOT THE CONVENTIONAL SORT. 864 00:47:39,356 --> 00:47:42,192 [UPBEAT MUSIC] 865 00:47:51,668 --> 00:47:56,907 -MATT, WOW, HI. -GILLIAN, BEEN LOOKING FOR YOU. 866 00:47:56,974 --> 00:48:00,911 WHAT ARE YOU DOING HERE? [LAUGHS] OLLIE'S NOT HERE. 867 00:48:00,978 --> 00:48:04,014 I'M NOT HERE FOR OLLIE, I'M HERE FOR YOU. 868 00:48:04,081 --> 00:48:07,017 -YOU GOT ME FLOWERS. -CAN YOU JUST LISTEN. 869 00:48:07,084 --> 00:48:08,852 I JUST WANT TO TALK TO YOU, IF THAT'S ALRIGHT? 870 00:48:08,919 --> 00:48:10,153 OKAY. 871 00:48:10,220 --> 00:48:11,922 YOU KNOW I WENT TO LONDON AND I WENT 872 00:48:11,989 --> 00:48:13,323 TO GET AWAY BECAUSE 873 00:48:13,390 --> 00:48:15,592 YOU'RE WITH MY MATE AND THAT'S NOT RIGHT 874 00:48:15,659 --> 00:48:17,961 {\an5}THAT I SHOULD HAVE THE THOUGHTS THAT I HAVE, BUT I HAVE THEM 875 00:48:18,028 --> 00:48:19,863 -AND I'VE DECIDED-- -HOLD ON RIGHT THERE. 876 00:48:19,930 --> 00:48:21,832 JUST COME IN, COME IN A SEC. 877 00:48:21,898 --> 00:48:23,634 I WOULD LIKE THAT VERY MUCH. 878 00:48:23,700 --> 00:48:26,069 -WHAT ARE YOU TALKING ABOUT? -IT MADE ME REALIZE SOMETHING. 879 00:48:26,136 --> 00:48:28,038 THE RIGHT THING TO DO, IS TO BE WITH YOU. 880 00:48:28,105 --> 00:48:31,708 {\an5}NOW, I KNOW THAT MAYBE YOU THINK "YOU LIKE, AS IN YOU LIKE WRITING" 881 00:48:31,775 --> 00:48:35,812 AND MAYBE YOU THINK I CAN'T BE THAT SORT OF GUY, BUT I CAN BE. 882 00:48:35,879 --> 00:48:38,849 I WROTE YOU A POEM. CAN I READ IT TO YOU? 883 00:48:38,915 --> 00:48:41,285 OH, YEAH, PLEASE, I'D LOVE TO HEAR YOUR POEM. 884 00:48:41,351 --> 00:48:43,553 I'VE NEVER WRITTEN BEFORE, I'VE DONE THIS FOR YOU. 885 00:48:44,988 --> 00:48:46,757 -IT'S CALLED GILLIAN. -OK. 886 00:48:46,823 --> 00:48:52,729 I THINK OF YOU NIGHT AND DAY AND HOW YOU'D BE THE GREATEST LAY. 887 00:48:52,796 --> 00:48:55,098 I THINK OF US TOGETHER AT LAST. 888 00:48:55,165 --> 00:48:58,035 I THINK OF BANGING YOU OUT ON THE GRASS 889 00:48:58,101 --> 00:49:04,074 {\an5}TO KISS YOUR NECK WOULD BE MY TASK, BUT IN THE END, I'D WANT YOUR ASS. 890 00:49:04,675 --> 00:49:09,079 THERE IS NO ONE FINER FROM HERE TO NORTH CAROLINA, 891 00:49:09,146 --> 00:49:12,749 AND IF YOU DON'T MIND, I'D LIKE TO KISS YOUR VAGINA. 892 00:49:12,816 --> 00:49:14,751 OH, MY GOD, YEAH. 893 00:49:14,818 --> 00:49:17,120 [UPBEAT MUSIC] 894 00:49:17,187 --> 00:49:19,289 THAT WAS SO GOOD. 895 00:49:30,100 --> 00:49:32,569 HELLO, BABE, YOU ALRIGHT? 896 00:49:32,636 --> 00:49:34,171 [MOANING] 897 00:49:35,172 --> 00:49:37,808 I FEEL LIKE I'M DEEP INSIDE YOU. 898 00:49:38,508 --> 00:49:40,944 IF SHE'S IN THERE WITH YOU, I'M COMING IN NOW! 899 00:49:41,011 --> 00:49:43,947 {\an5}-I'M JUST TELLING YOU NOW, -[GILLIAN] DON'T BE SO FUCKING LOUD. 900 00:49:44,014 --> 00:49:45,449 I DON'T KNOW WHAT'S GOING-- 901 00:49:51,288 --> 00:49:53,924 -YOU ALRIGHT, MATE? -ALRIGHT. 902 00:49:54,624 --> 00:49:57,194 YOU KNOW IT'S NOT BEEN RIGHT BETWEEN YOU TWO 903 00:49:57,260 --> 00:50:00,197 AND YOU KNOW IT'S ALWAYS BEEN RIGHT BETWEEN US. 904 00:50:00,263 --> 00:50:04,000 YOU NEED SOMEONE YOUR OWN SIZE, AND SHE'S MY FIT. 905 00:50:04,067 --> 00:50:07,137 {\an5}-MATT. -IN MANY WAYS, I'VE DONE YOU A FAVOR. 906 00:50:07,204 --> 00:50:10,374 YOU NEED TO JUST STOP. JUST GO. 907 00:50:10,440 --> 00:50:12,209 -[MATT] I'LL BE WAITING. -I DON'T THINK? 908 00:50:12,275 --> 00:50:17,447 I KNOW. WHAT ARE YOU-- WHAT ARE YOU DOING? 909 00:50:20,450 --> 00:50:25,088 -YOU FELL IN LOVE WITH SOMEONE. -OH, GOD! 910 00:50:25,155 --> 00:50:27,624 "IN LOVE WITH SOMEONE." OF COURSE I'M NOT. 911 00:50:27,691 --> 00:50:29,960 I DON'T BELIEVE IT FOR A SECOND. I THINK YOU'RE JUST SAYING THAT 912 00:50:30,026 --> 00:50:32,629 {\an5}AND I THINK YOU'VE FALLEN IN LOVE WITH HER, AND I THINK YOU KISSING HER 913 00:50:32,696 --> 00:50:35,732 {\an5}IS WORSE THAN ANY FUCKING DICK I COULD TAKE IN MY PUSSY, RIGHT NOW. 914 00:50:35,799 --> 00:50:38,201 {\an5}-I'M IN LOVE WITH YOU. -WHAT THE FUCK DO YOU MEAN WITH SOME CONNECTION? 915 00:50:38,268 --> 00:50:40,237 I DON'T BELIEVE YOU FOR A SECOND THAT YOU'RE IN LOVE WITH ME. 916 00:50:40,303 --> 00:50:42,239 I CAN SEE YOU CONNECTING JUST NOW. 917 00:50:42,305 --> 00:50:43,573 YOU'VE HAD A WOMAN AND MAN. 918 00:50:43,640 --> 00:50:46,076 I'VE JUST HAVE ONE KISS. 919 00:50:46,143 --> 00:50:48,211 WHAT ARE WE EVEN DOING? 920 00:50:48,278 --> 00:50:49,312 I DON'T KNOW, I'M NOT DOING ANYTHING. 921 00:50:49,379 --> 00:50:50,947 YOU'RE THE ONE DOING EVERYONE. 922 00:50:51,014 --> 00:50:52,883 THAT'S THE THING, THAT'S THE THING. 923 00:50:52,949 --> 00:50:58,321 {\an5}YOU THINK THAT, IS YOU THINK YOU'RE NOT DOING ANYTHING. GET OUT. 924 00:51:00,190 --> 00:51:03,360 COME ON, GROW UP. WHAT DO YOU MEAN, "GET OUT"? 925 00:51:03,427 --> 00:51:07,230 {\an5}"COME ON, GROW UP." WHY AM I GROW-- GROW UP? GET OUT. GET OUT! 926 00:51:07,297 --> 00:51:10,267 GET OUT! WE ARE NOT DOING WELL. GET OUT! 927 00:51:10,333 --> 00:51:13,103 NO, NO. YOU GET OUT! 928 00:51:14,237 --> 00:51:18,275 GET OUT OF MY MOTHER'S HOUSE! HOW'S THAT? 929 00:51:18,341 --> 00:51:20,210 {\an5}-OH YEAH, IT'S YOUR MOMMY'S HOUSE. -YOU GET OUT. 930 00:51:20,277 --> 00:51:22,479 -WHOSE HOUSE IS IT? -STAY IN MOMMY'S HOUSE, THEN. 931 00:51:22,546 --> 00:51:25,382 DON'T BRING MY MOTHER INTO IT, NOW! 932 00:51:25,449 --> 00:51:28,251 {\an5}YOU'RE DISGUSTING KICKING A WOMAN OUT OF HER OWN FUCKING HOUSE. 933 00:51:28,318 --> 00:51:30,253 [OLIVER] OH, FUCK OFF! 934 00:51:30,320 --> 00:51:33,256 [FATEFUL MUSIC] 935 00:51:47,070 --> 00:51:49,239 [ROMANTIC SONG] 936 00:52:01,084 --> 00:52:05,155 {\an5}I'M GOING DO REALLY-- I'M GOING TO SURPRISE YOU NOW. OKAY, ARE YOU READY? 937 00:52:05,222 --> 00:52:09,092 -I'M READY? -OH, MY GOD, YOU DON'T DO IT. 938 00:52:09,159 --> 00:52:11,161 LEFT HANDED. 939 00:52:11,228 --> 00:52:13,296 THAT'S A FIT. I'M GONNA BE OFF A NEW DRILL. 940 00:52:26,476 --> 00:52:28,578 [OLIVER] ARE YOU READY? I'M GOING TO THROW TO YOU, RIGHT? 941 00:52:31,114 --> 00:52:32,582 {\an5}-OH, SORRY BABE, I DIDN'T MEAN TO- -AWW! 942 00:52:33,650 --> 00:52:36,186 {\an5}-THAT ONE HURT. -ALL OF ME, THAT WAS ALL ON ME, THAT WAS MY THROW. 943 00:52:36,253 --> 00:52:37,420 COME HERE, COME HERE. 944 00:52:38,154 --> 00:52:39,623 MY FAULT. MORE? 945 00:52:43,126 --> 00:52:46,229 -BETTER, YEAH? -YEAH. 946 00:52:47,597 --> 00:52:48,565 THANK YOU. 947 00:52:52,869 --> 00:52:57,073 {\an5}[OLIVER] OH, YES! DID YOU SEE THE WAY YOU DID THAT? STRAIGHT UP, LIKE A BOOM? 948 00:52:57,140 --> 00:52:58,975 YOU LIKE WHEN I GO LIKE THAT? FRISBEE. 949 00:52:59,042 --> 00:53:00,176 YOU LOOK GORGEOUS. 950 00:53:00,243 --> 00:53:02,445 [FATEFUL MUSIC] 951 00:53:17,761 --> 00:53:19,329 YOU'RE HAVING A THINK? 952 00:53:24,100 --> 00:53:25,769 -ARE YOU HAVING A THINK? -YEAH. 953 00:53:29,139 --> 00:53:30,407 IT'S GOING TO TAKE A WHILE? 954 00:53:34,444 --> 00:53:35,712 CAN YOU HAVE A THINK IN THE CAR? 955 00:53:35,779 --> 00:53:37,113 IT'S JUST, 956 00:53:37,180 --> 00:53:39,316 I FORGOT WWE SMACKDOWN 957 00:53:39,382 --> 00:53:41,718 AND IT'S ON IN 23 MINUTES. 958 00:53:41,785 --> 00:53:45,789 HEY, MATT. 959 00:53:45,855 --> 00:53:46,823 YEAH. 960 00:53:48,358 --> 00:53:50,527 -DO YOU LIKE THE BEACH? -YEAH, I LOVE IT. 961 00:53:51,161 --> 00:53:53,863 YOU KNOW HOW PARENTS TAKE LIKE A SHELL 962 00:53:53,930 --> 00:53:57,367 {\an5}AND THEY PUT IT TO YOUR EAR, AND THEY GO: "YOU KNOW, THAT'S THE OCEAN." 963 00:53:57,434 --> 00:54:01,371 {\an5}-YEAH. -MY DAD DID THAT. HE SAID: "THIS IS THE SEA." 964 00:54:01,438 --> 00:54:04,207 AND THEN, YOU LISTEN AND IT'S LIKE [WHISTLING]. 965 00:54:04,274 --> 00:54:08,244 IT SOUNDS LIKE THE SEA, BUT ACTUALLY IT'S NOT. 966 00:54:08,311 --> 00:54:14,150 {\an5}-WHAT IS IT? -IT'S JUST THE WAY THAT THE SHELL IS STRUCTURED 967 00:54:14,217 --> 00:54:15,552 AND THEN, YOU LOOK LIKE A FUCKING IDIOT 968 00:54:15,619 --> 00:54:17,954 WHEN YOU FINALLY TELL SOMEONE: 969 00:54:18,021 --> 00:54:20,957 {\an5}"THAT'S THE SEA IN THERE." AND THEY'RE LIKE: "NO, IT'S NOT." 970 00:54:21,024 --> 00:54:24,294 {\an5}AND I KNOW HE WASN'T LYING, HE WAS JUST TRYING TO MAKE IT NICE, 971 00:54:24,361 --> 00:54:26,696 {\an5}BUT IT ACTUALLY DID END UP BEING A LIE BECAUSE THEN YOU BELIEVE IT 972 00:54:26,763 --> 00:54:28,898 {\an5}-AND THEN, YOU LOOK LIKE A FUCKING IDIOT. -RIGHT. 973 00:54:30,300 --> 00:54:31,635 IT'S HORRIBLE, ISN'T IT? 974 00:54:33,303 --> 00:54:35,238 YEAH, YEAH. 975 00:54:35,305 --> 00:54:38,341 I MEAN, IT SOUNDS LIKE IT WAS QUITE A LONG TIME AGO, THOUGH, 976 00:54:38,408 --> 00:54:43,713 SO, PROBABLY BEST NOT TO THINK ABOUT IT ANYMORE. 977 00:54:50,654 --> 00:54:55,692 DO YOU EVER THINK ABOUT WHAT LOVE IS? 978 00:54:56,226 --> 00:55:00,430 {\an5}-ACTUAL LOVE? -YEAH. WHAT IS IT? WHAT DO PEOPLE MEAN? 979 00:55:00,497 --> 00:55:04,267 {\an5}BECAUSE IT'S THIS MYTH, ISN'T IT? IT'S JUST A CONCEPT. 980 00:55:04,334 --> 00:55:07,137 -NO. LOVE IS A THING. -WHAT IS IT? 981 00:55:07,203 --> 00:55:11,307 {\an5}IT'S A CHEMICAL REACTION IN THE BODY. I LOOK AT YOU, AND I LOVE YOU 982 00:55:11,374 --> 00:55:13,610 AND WHAT THAT MEANS IS, I SEE YOU. 983 00:55:13,677 --> 00:55:16,713 THE IMAGE PASS THROUGH MY EYES TO MY BRAIN 984 00:55:16,780 --> 00:55:19,282 DOWN TO MY HEART, AND INTO MY KNOB 985 00:55:19,349 --> 00:55:23,153 AND I GET A BONER, AND THAT MEANS I LOVE YOU, 986 00:55:23,219 --> 00:55:24,688 AND YOU RECIPROCATE IT. 987 00:55:24,754 --> 00:55:28,058 YOU LOOK AT ME, AND YOU SEE ME THROUGH YOUR EYES 988 00:55:28,124 --> 00:55:30,393 AND IT GOES THROUGH YOUR HEAD, THROUGH YOUR HEART 989 00:55:30,460 --> 00:55:36,766 {\an5}AND YOU GET WIDE ON. AND, IF I HAVE A BONER AND YOU HAVE A WIDE ON, THAT'S LOVE. 990 00:55:36,833 --> 00:55:39,169 IF I HAVE A BONER, AND YOU DON'T HAVE A WIDE ON 991 00:55:39,235 --> 00:55:43,373 THAT'S UNREQUITED, AND VICE VERSA. 992 00:55:43,440 --> 00:55:47,644 AND WHEN WE KISS, THAT'S SOULMATES, FOR THAT MOMENT. 993 00:55:47,711 --> 00:55:51,381 YEAH. I THINK YOU'RE RIGHT. 994 00:55:51,448 --> 00:55:54,718 {\an5}-I AM RIGHT. -I THINK YOU ARE RIGHT. THAT'S IT, THOUGH. IT'S JUST SIMPLE. 995 00:55:54,784 --> 00:55:57,353 IT'S JUST SIMPLE. IT'S JUST... 996 00:55:57,420 --> 00:55:59,322 PEOPLE HAVE BEEN WRITING WHAT THEY'VE BEEN WRITING 997 00:55:59,389 --> 00:56:01,791 {\an5}CREATING WHAT THEY'VE BEEN CREATING THE MESSES THEY'VE BEEN MAKING 998 00:56:01,858 --> 00:56:04,461 AND THE PEOPLE THEY'VE BEEN MURDERING FOR THIS 999 00:56:04,527 --> 00:56:06,463 ALL BECAUSE THEY'RE FUCKING HORNY. 1000 00:56:07,597 --> 00:56:09,466 -YEAH. -YOU MIGHT BE RIGHT. 1001 00:56:09,532 --> 00:56:12,769 I'M COMPLETELY RIGHT. I'VE PROVED IT MANY TIMES. 1002 00:56:15,305 --> 00:56:16,740 YOU LOVE ME? 1003 00:56:16,806 --> 00:56:19,509 RIGHT NOW, I LOVE THE SHIT OUT OF YOU. 1004 00:56:19,576 --> 00:56:21,377 DO YOU WANT TO LOVE ME IN THE VAN? 1005 00:56:21,444 --> 00:56:23,279 I WANT TO LOVE YOU TILL YOU'RE DEAD. 1006 00:56:23,346 --> 00:56:26,750 OKAY, IN THE CAR. TAKE ME TO THE VAN. 1007 00:56:28,485 --> 00:56:31,488 ONE SECOND, LET ME ADJUST THIS. 1008 00:56:32,756 --> 00:56:37,460 YOU LIE DOWN, I'M JUST GOING TO CLIMB ON. 1009 00:56:37,527 --> 00:56:39,496 FUCKING HELL, HOLD ON. 1010 00:56:39,562 --> 00:56:41,731 [ROMANTIC SONG] 1011 00:56:41,798 --> 00:56:42,732 OKAY. 1012 00:56:44,300 --> 00:56:45,602 [MOANING] 1013 00:56:53,376 --> 00:56:57,147 THAT'S SO NICE. THAT IS-- WAIT. 1014 00:56:57,213 --> 00:57:00,450 WAIT, WAIT LET ME JUST GET MY LEG. IT'S CRAMPING. 1015 00:57:04,788 --> 00:57:09,759 {\an5}IF YOU JUST STAY STILL, I CAN JUST DO IT. IF YOU JUST STAY RIGHT-- 1016 00:57:09,826 --> 00:57:12,295 JUST STICK YOUR TONGUE OUT. 1017 00:57:12,362 --> 00:57:13,730 MMM. 1018 00:57:15,999 --> 00:57:17,834 WHAT ARE YOU DOING? 1019 00:57:17,901 --> 00:57:21,137 I'M DOING 20 MINUTE INTERVALS, YOU KNOW WHAT I MEAN, SO THAT-- 1020 00:57:21,204 --> 00:57:22,739 WE'RE TO START WITH THIS AND WE'RE GOING TO MOVE ON 1021 00:57:22,806 --> 00:57:26,476 [CROSS TALK] TO DIFFERENT-- YEAH. 1022 00:57:26,543 --> 00:57:29,345 I'LL LET YOU KNOW. I HAVE A CLUE. 1023 00:57:29,412 --> 00:57:31,815 I'VE GOT THE PHONE RIGHT HERE, BABY. 1024 00:57:33,550 --> 00:57:35,018 [MOANING] 1025 00:57:35,084 --> 00:57:37,053 [ROMANTIC SONG] 1026 00:57:37,120 --> 00:57:38,488 [MOANING] 1027 00:57:40,456 --> 00:57:42,725 [MOANING] 1028 00:57:58,341 --> 00:57:59,509 [MATT] THAT IS IT? 1029 00:58:00,944 --> 00:58:04,247 -[GILLIAN] THIS IS THE-- -[MATT] SO, THIS IS IT? 1030 00:58:04,314 --> 00:58:06,649 -[GILLIAN] THIS IS THE TENT? -[MATT] THIS IS ALL YOURS? 1031 00:58:06,716 --> 00:58:07,884 [GILLIAN] IT'S MINE AND OLIVER'S. 1032 00:58:07,951 --> 00:58:10,620 -THE-- GENERALLY-- -AMERICANO? 1033 00:58:10,687 --> 00:58:14,390 HI. GOOD MORNING. YOU GOT THIS FOR ME? 1034 00:58:14,457 --> 00:58:17,493 -YEAH, I KNOW YOU LIKE IT. -ALRIGHT, MATE. 1035 00:58:17,560 --> 00:58:18,928 -ALRIGHT, YEAH. -THANK YOU. 1036 00:58:18,995 --> 00:58:20,897 I ONLY GOT ONE, I DIDN'T KNOW HE WAS COMING. 1037 00:58:20,964 --> 00:58:23,032 THAT'S ALRIGHT, MATE. COFFEE IS BAD FOR YOU. 1038 00:58:24,467 --> 00:58:28,738 HOW IS THIS FEELING FOR YOU NOW? IS THIS ALL LOOKING RIGHT? 1039 00:58:28,805 --> 00:58:30,840 OH, WOW. OKAY. DID YOU DO THIS? 1040 00:58:30,907 --> 00:58:32,675 YEAH. AND TONY SET IT ALL UP. 1041 00:58:32,742 --> 00:58:34,410 DID YOU PUT UP THAT FABRIC? 1042 00:58:34,477 --> 00:58:36,813 -YEAH, I PUT IT OVER THE THING. -THAT'S GREAT. THANK YOU. 1043 00:58:36,880 --> 00:58:39,716 IT'S SMALL, BECAUSE THE RATIO OF THE STAGE 1044 00:58:39,782 --> 00:58:42,085 TO THE TENT IS A LITTLE BIT WEAK. 1045 00:58:42,151 --> 00:58:43,319 IT'S MORE THAN WEAK, YEAH. 1046 00:58:43,386 --> 00:58:44,587 YOU CAN PUT STUFF UP TO BREAK UP 1047 00:58:44,654 --> 00:58:46,689 THE WHITE A LITTLE BIT. TWIGS. 1048 00:58:46,756 --> 00:58:50,159 I HATE THE TWIGS. I REALLY HATE THE TWIGS. 1049 00:58:50,226 --> 00:58:53,129 {\an5}-DO WHATEVER YOU WANT, I'M NOT-- -I'LL GIVE THEM A TRY. I WILL GIVE THEM A TRY. 1050 00:58:53,196 --> 00:58:55,865 YEAH? OR WE'LL GET SOMETHING ELSE, THEN, MAYBE? 1051 00:58:55,932 --> 00:58:58,568 I THINK YOU'RE RIGHT ABOUT THE FOLIAGE, ACTUALLY. 1052 00:59:00,570 --> 00:59:03,139 CAN I-- AND YOU WANT THESE? 1053 00:59:03,206 --> 00:59:05,008 YEAH, WE CAN PUT THOSE WHEREVER YOU WANT. 1054 00:59:05,875 --> 00:59:08,645 MATE, CAN I HAVE A WORD? 1055 00:59:08,711 --> 00:59:12,582 {\an5}-YEAH, SORRY, I'VE JUST GOT TO GO AND HAVE A WORD. -JUST BE A MINUTE, BABE. 1056 00:59:12,649 --> 00:59:14,117 I'LL JUST BE A SECOND, NOW. 1057 00:59:14,183 --> 00:59:15,551 YEAH, BE NICE. 1058 00:59:15,618 --> 00:59:17,587 I RE-DID THE LIFE TABLE. 1059 00:59:17,654 --> 00:59:19,389 -WHAT? -SCORES HAVE CHANGED. 1060 00:59:19,455 --> 00:59:20,423 I'M AMAZED YOU'RE STILL DOING THIS? 1061 00:59:20,490 --> 00:59:21,424 CRISSCROSS, 1062 00:59:21,491 --> 00:59:23,426 YOU, BLANK. JEFF, SPOTS. 1063 00:59:23,493 --> 00:59:28,398 JEFF, STANDARD AS USUAL. GIRLFRIENDS, ME WAY MORE. WHYS? 1064 00:59:28,464 --> 00:59:32,468 {\an5}YES, YOU HAD ONE, BUT I FUCKED HER. ONE NIGHTERS, LOADS MORE. 1065 00:59:32,535 --> 00:59:35,972 COOL JOBS, ME, WAY MORE. HOLIDAYS-- 1066 00:59:36,039 --> 00:59:38,875 {\an5}-COOL JOBS? -YEAH, MATE. I'M A PERSONAL TRAINER. 1067 00:59:38,942 --> 00:59:40,810 -ARE YOU? -YES, MATE. 1068 00:59:40,877 --> 00:59:42,779 {\an5}-ARE YOU ACTUALLY A PERSONAL TRAINER? -YES, MATE. 1069 00:59:42,845 --> 00:59:45,348 {\an5}-OR... -I WORK WITH WOMEN. I MAKE THEIR BUTTS BIGGER. 1070 00:59:45,415 --> 00:59:49,852 {\an5}-YEAH, I'M A DJ. -YOU ARE WEDDING DJ. IT'S NOT QUITE THE SAME. 1071 00:59:49,919 --> 00:59:52,555 {\an5}WHAT DO YOU WANT? I'VE HAD THE TIME OF MY LIFE AGAIN? ALRIGHT. 1072 00:59:52,622 --> 00:59:57,193 {\an5}-I'VE GOT A RESIDENCY. -YOU'RE LIKE AN UNCLE. YOU ARE A RESIDENT UNCLE. 1073 00:59:57,260 --> 01:00:00,596 I DO BIRTHDAY PARTIES AND I DO ANY CELEBRATION YOU WANT 1074 01:00:00,663 --> 01:00:02,899 REALLY, I CAN GO AROUND. I DO ALL OF THE STUFF. 1075 01:00:02,966 --> 01:00:05,601 MOVING ON, HOLIDAYS-- LOOK, I GAVE YOU THAT. 1076 01:00:05,668 --> 01:00:07,036 -OKAY. -FRIENDS, EVEN. 1077 01:00:07,103 --> 01:00:10,440 FASHION, NO COMPETITION. FEASANCE, NO COMPETITION, 1078 01:00:10,506 --> 01:00:15,244 {\an5}ANAL, ALTHOUGH, LOOK, THERE WAS THAT ONE TIME YOU TOLD ME ABOUT BUT I'M SURE THAT WAS A MISTAKE. 1079 01:00:15,311 --> 01:00:18,748 {\an5}-TRUE LOVE. -TRUE LOVE? HOW HAVE YOU DONE THAT? 1080 01:00:18,815 --> 01:00:22,585 {\an5}I SHOULD BE AT THE TOP OF THAT. GIVE ME-- YOU CAN'T JUST BE DOING THAT, "TRUE LOVE" 1081 01:00:22,652 --> 01:00:25,388 {\an5}JUST ALL OF A SUDDEN-- JEFF'S ON THE SAME AS ME AS TRUE LOVE. 1082 01:00:25,455 --> 01:00:29,859 MATE, WHAT DID RIHANNA SAY? "ALL'S FAIR IN LOVE AND WAR." 1083 01:00:29,926 --> 01:00:34,263 {\an5}LOOK, OKAY. ALL IS FAIR AND ALL THAT, BUT COME ON, NOW. 1084 01:00:34,330 --> 01:00:36,232 YOU'VE HAD A BIT OF A LAUGH NOW, RIGHT? 1085 01:00:36,299 --> 01:00:37,800 YOU'VE DONE THAT NOW, JUST-- 1086 01:00:37,867 --> 01:00:40,770 I'VE DONE THAT A FEW TIMES. WHAT DO MATES DO? 1087 01:00:40,837 --> 01:00:43,740 THEY STEP ASIDE WHEN A MATE FINDS LOVE. 1088 01:00:43,806 --> 01:00:45,808 -EXACTLY, MATE. SO-- -AND THEY LET LOVE BLOOM. 1089 01:00:45,875 --> 01:00:50,046 {\an5}-OKAY. SO, AS A MATE, YOU SHOULD STEP ASIDE, OUT OF YOUR-- -[GILLIAN] YOU TWO, 1090 01:00:50,113 --> 01:00:52,482 WOULD YOU MIND? I'M JUST TRYING TO WORK OVER HERE. 1091 01:00:52,548 --> 01:00:54,650 {\an5}-JUST KEEP IT DOWN A BIT. -DO YOU NEED ANY HELP MOVING ANYTHING? 1092 01:00:54,717 --> 01:00:56,686 I CAN MOVE THE WHOLE THING IF YOU NEED IT. 1093 01:00:56,753 --> 01:00:57,787 WE DON'T NEED THE WHOLE THING MOVED 1094 01:00:57,854 --> 01:00:59,455 WE JUST NEED THAT MOVING. 1095 01:00:59,522 --> 01:01:01,691 {\an5}-WE JUST-- -HOW MUCH OF THE STUFF DID YOU NEED MOVED? 1096 01:01:01,758 --> 01:01:02,792 I CAN MOVE STUFF, AS WELL. 1097 01:01:02,859 --> 01:01:04,160 I'M JUST TRYING TO FOCUS, 1098 01:01:04,227 --> 01:01:05,661 IT'S HARD TO FOCUS. 1099 01:01:05,728 --> 01:01:06,829 [OLIVER] ALRIGHT, SORRY. 1100 01:01:06,896 --> 01:01:08,031 [GILLIAN] IT'S OKAY. 1101 01:01:09,032 --> 01:01:10,633 THAT'S A BIT CHILDISH, ISN'T IT? 1102 01:01:10,700 --> 01:01:12,568 BIT CHILDISH, DOING THAT LIKE THAT. 1103 01:01:12,635 --> 01:01:15,872 IS IT LIKE THAT? GO ON. 1104 01:01:16,739 --> 01:01:19,142 [GROANING] 1105 01:01:26,783 --> 01:01:28,818 [OLIVER] GET OFF. 1106 01:01:36,392 --> 01:01:38,327 [GROANS] 1107 01:01:52,141 --> 01:01:54,243 -WHAT'S THAT? -THIS NEEDS REDOING? 1108 01:01:54,310 --> 01:01:55,912 WHAT'RE YOU DOING THERE? 1109 01:01:58,881 --> 01:02:02,151 {\an5}-FIGHTING. -FOR A DRAW? IT WAS A DRAW, MATE. 1110 01:02:02,218 --> 01:02:05,321 [CHEERFUL MUSIC] 1111 01:02:08,858 --> 01:02:11,928 {\an5}-IS THERE A PLUG HOLE IN THE TENT? -YEAH. 1112 01:02:12,962 --> 01:02:15,598 I LOVE THE TENT. I REALLY LOVE IT. 1113 01:02:16,165 --> 01:02:19,168 -IT'LL BREAK UP THE WHITE. -YEAH. 1114 01:02:19,235 --> 01:02:21,771 WHY HAVE YOU BROUGHT A FRISBEE I THOUGHT WE WERE WORKING OUT. 1115 01:02:21,838 --> 01:02:23,706 OKAY, CATCH IT. JUST KEEP YOUR EYE ON IT, 1116 01:02:23,773 --> 01:02:26,342 AND THEN YOU DEFINITELY WILL CATCH IT. 1117 01:02:26,409 --> 01:02:27,777 ALRIGHT, THROW IT. 1118 01:02:27,844 --> 01:02:29,979 I'M SORRY, I'M SO SORRY. 1119 01:02:30,046 --> 01:02:31,647 MATT, WHAT ARE YOU DOING? 1120 01:02:31,714 --> 01:02:33,716 MATT, NOT RIGHT HERE. 1121 01:02:33,783 --> 01:02:35,551 I JUST WANTED TO PLAY FRISBEE. 1122 01:02:35,618 --> 01:02:37,920 THAT'S ALL I WANTED. GET ON MY BACK. 1123 01:02:37,987 --> 01:02:39,922 -WHY? -BECAUSE WE'RE DOING A WORKOUT. 1124 01:02:39,989 --> 01:02:41,290 I WANTED TO SHOW YOU SOMETHING. 1125 01:02:41,357 --> 01:02:42,358 OKAY. 1126 01:02:44,727 --> 01:02:47,230 {\an5}-AND NOW WHAT? -WELL, IF YOU'RE NOT GOING TO DO IT PROPERLY, 1127 01:02:47,296 --> 01:02:48,698 FORGET IT. 1128 01:02:48,764 --> 01:02:50,433 BUT I'M JUST DOING WHAT YOU TOLD ME TO. 1129 01:02:50,500 --> 01:02:52,135 {\an5}-YOU'RE BEING HEAVIER ON PURPOSE. -IS THAT IT? 1130 01:02:52,201 --> 01:02:53,569 WHERE'D THE FRISBEE GO, THEN? 1131 01:02:53,636 --> 01:02:54,804 FUCK THE FRISBEE. 1132 01:02:55,705 --> 01:02:57,073 -WHY? -LET'S GO GET BACK. 1133 01:02:57,140 --> 01:02:58,808 WE'VE GOT TO SET UP THE BARBECUE. 1134 01:02:59,876 --> 01:03:01,277 WE HARDLY PLAYED. 1135 01:03:01,344 --> 01:03:03,112 [CHEERFUL MUSIC] 1136 01:03:15,858 --> 01:03:18,728 -OLIVER. -YEAH? 1137 01:03:19,295 --> 01:03:22,999 IT'S OKAY. IT'S GOING TO BE OKAY. 1138 01:03:23,065 --> 01:03:25,801 IT'S ALL GOING TO BE FINE, AND I'M SORRY FOR-- 1139 01:03:25,868 --> 01:03:29,138 OH, YEAH, NO, THERE'S NOTHING TO BE SORRY ABOUT. 1140 01:03:29,205 --> 01:03:31,707 OH, NO, I FEEL REALLY AWFUL ABOUT IT. 1141 01:03:31,774 --> 01:03:32,842 DON'T FEEL AWFUL ABOUT IT. 1142 01:03:32,909 --> 01:03:35,811 I MEAN, I DIDN'T FEEL AWFUL... 1143 01:03:35,878 --> 01:03:39,081 KISSING YOU WAS NICE. 1144 01:03:40,683 --> 01:03:42,451 JUST WAS A HAPPY MOMENT. 1145 01:03:42,518 --> 01:03:43,853 IT WAS JUST A HAPPY MOMENT. 1146 01:03:43,920 --> 01:03:45,354 IT WAS JUST A HAPPY MOMENT. 1147 01:03:54,130 --> 01:03:56,032 I HAVE TO GET HER BACK. 1148 01:03:58,968 --> 01:04:02,305 WHAT IF WE GO TO THE BARBECUE? 1149 01:04:02,371 --> 01:04:03,873 WHO'S BARBECUE? 1150 01:04:03,940 --> 01:04:07,009 MATT'S HAVING A BARBECUE AT HIS PARENT'S HOUSE. 1151 01:04:07,076 --> 01:04:09,946 IF WE TURN UP TOGETHER THEN, 1152 01:04:10,012 --> 01:04:12,982 GO IN THERE FAIRLY STRONG, AND THEN YOU GET STRAIGHT IN 1153 01:04:13,049 --> 01:04:17,853 IN BETWEEN MATT AND GILLIAN, AND JUST TAKE HIM AWAY. 1154 01:04:17,920 --> 01:04:18,921 -OH, I SEE. -JUST GET HIM AWAY, 1155 01:04:18,988 --> 01:04:21,691 BECAUSE HE'LL BE REALLY INTO 1156 01:04:21,757 --> 01:04:24,961 {\an5}THE WAY YOU LOOK, AND STUFF. IF YOU CAN JUST THEN KEEP HIM OUT OF THE WAY, 1157 01:04:25,027 --> 01:04:30,099 IT WOULD JUST REALLY LET ME GET-- 1158 01:04:30,166 --> 01:04:31,334 I SEE WHAT YOU'RE SAYING. 1159 01:04:32,835 --> 01:04:34,036 -ALRIGHT. -DEAL? 1160 01:04:34,103 --> 01:04:36,072 -DEAL. -DEAL. 1161 01:04:41,177 --> 01:04:43,012 YOU REALLY WANT HER BACK, DON'T YOU? 1162 01:04:44,113 --> 01:04:45,481 I DON'T KNOW WHAT TO DO WITHOUT HER. 1163 01:04:47,950 --> 01:04:50,720 {\an5}-OI, YOU'RE NOT VEGETARIAN, ARE YOU? -WHAT? 1164 01:04:50,786 --> 01:04:51,887 YOU'RE NOT VEGETARIAN, ARE YOU? 1165 01:04:51,954 --> 01:04:54,724 -NO. -THANK GOD FOR THAT. 1166 01:04:54,790 --> 01:04:57,393 IT IS VERY PICNICKY. HEADS UP. 1167 01:04:57,460 --> 01:04:58,461 OH, SHIT. 1168 01:05:04,033 --> 01:05:05,968 IN SCENE TWO, SHE ALREADY FEELS 1169 01:05:06,035 --> 01:05:07,503 LIKE THEIR MARRIAGE IS FALLING APART 1170 01:05:07,570 --> 01:05:09,338 AND SHE SAYS: "WHO DO YOU FANCY IN HERE?" 1171 01:05:09,405 --> 01:05:11,540 IT IS A TRICK QUESTION. IF YOU ASK SOMEONE 1172 01:05:11,607 --> 01:05:14,243 WHO YOU'RE WITH, IF THEY FANCY-- 1173 01:05:14,310 --> 01:05:16,812 WHO THEY FANCY, WHAT DO YOU THINK THEY MEAN? 1174 01:05:16,879 --> 01:05:20,316 {\an5}-THEY MEAN-- -HANG ON, IF YOU ASK ME "WHO DO I FANCY?" 1175 01:05:20,383 --> 01:05:22,551 -YEAH. -YOU. 1176 01:05:22,618 --> 01:05:24,186 THANK YOU. 1177 01:05:25,288 --> 01:05:27,323 I WAS JUST ON THE PHONE TO ONE OF MY ACTORS, 1178 01:05:27,390 --> 01:05:31,794 SHE'S A FUCKING NIGHTMARE. SHE'S TRYING TO INFUSE HER OWN 1179 01:05:31,861 --> 01:05:34,096 MEANINGS INTO MY WRITING. 1180 01:05:34,163 --> 01:05:38,634 {\an5}ALL I WANT HER TO DO, IS SIMPLY SAY THE LINE, YOU KNOW. 1181 01:05:38,701 --> 01:05:42,605 LIKE I DON'T ACTUALLY NEED HER TO DO LIKE PREGNANT PAUSES. 1182 01:05:42,672 --> 01:05:45,875 {\an5}-OH, YEAH. -BUT ANYWAY, I JUST TOLD HER THAT. 1183 01:05:45,941 --> 01:05:48,477 PLEASE, JUST SAY THE LINES. 1184 01:05:49,211 --> 01:05:51,847 -AND... -WHAT DID SHE SAY? 1185 01:05:51,914 --> 01:05:55,818 SHE SAID: "SURE." BUT LISTEN 1186 01:05:55,885 --> 01:05:58,354 I JUST DON'T HAVE A GOOD RELATIONSHIP WITH THESE ACTORS. 1187 01:05:58,421 --> 01:06:00,790 THEY HATE ME, THEY THINK I'M SOME SORT 1188 01:06:00,856 --> 01:06:03,893 OF CONTROLLING BITCH, BUT I AM, BECAUSE IT'S MY PLAY. 1189 01:06:03,959 --> 01:06:05,261 YEAH, YOU'RE THE BOSS. 1190 01:06:05,328 --> 01:06:07,463 I'M JUST GOING TO SPREAD THIS BLANKET OUT. 1191 01:06:08,531 --> 01:06:10,032 OKAY. 1192 01:06:10,933 --> 01:06:12,234 IT'S A NICE BLANKET. 1193 01:06:12,301 --> 01:06:14,103 YEAH, IT'S A SOLID BLANKET. 1194 01:06:18,107 --> 01:06:20,309 DO YOU WANT TO COME ON THE BLANKET WITH ME? 1195 01:06:20,910 --> 01:06:23,079 WELL, I MEAN, I'M STILL COOKING, SO. 1196 01:06:23,946 --> 01:06:25,247 VERY SOFT. 1197 01:06:26,415 --> 01:06:28,751 DO YOU WANT TO COME LIE DOWN ON IT WITH ME? 1198 01:06:28,818 --> 01:06:32,221 {\an5}I CAN'T TAKE MY EYES OF THIS, YOU OVERCOOK THESE, YOU RUIN IT. 1199 01:06:33,689 --> 01:06:36,625 BUT I WANTED TO CELEBRATE. 1200 01:06:38,894 --> 01:06:40,329 WHAT DO YOU MEAN? 1201 01:06:40,396 --> 01:06:43,399 WELL, I WANT TO HAVE A CELEBRATORY SHAG. 1202 01:06:44,567 --> 01:06:47,103 IN YOUR MOM'S GARDEN. 1203 01:06:49,271 --> 01:06:50,306 WHAT ARE YOU CELEBRATING? 1204 01:06:50,373 --> 01:06:53,409 MY PLAY BEING PRODUCED, FINALLY. 1205 01:06:54,076 --> 01:06:58,180 YEAH, IN A TENT FOR LIKE 40 PEOPLE. 1206 01:06:59,915 --> 01:07:01,384 IT'S GOOD. 1207 01:07:05,020 --> 01:07:07,156 IT'S SOMETHING. 1208 01:07:07,223 --> 01:07:09,458 SOME PEOPLE NEVER GET THAT, NOT EVEN A TENT. 1209 01:07:09,525 --> 01:07:13,195 THAT'S TRUE. LISTEN, I'D LOVE TO SHAG YOU, 1210 01:07:13,262 --> 01:07:17,666 BUT JEFF IS COMING AROUND, AND MY MOM COULD WALK IN. 1211 01:07:18,401 --> 01:07:22,071 WHAT WE HAVE IS LIKE-- IT'S MORE THAN JUST SEX. 1212 01:07:22,138 --> 01:07:24,206 NOT JUST-- YOU CAN'T JUST HAVE SEX ALL THE TIME. 1213 01:07:24,273 --> 01:07:27,009 I LOVE SEX, I'M ALL ABOUT SEX, 1214 01:07:27,076 --> 01:07:29,612 BUT THE FACT IS, THERE IS MORE TO LIFE. 1215 01:07:31,280 --> 01:07:33,649 SOMETIMES I JUST WANT TO KNOW ABOUT YOU. 1216 01:07:34,984 --> 01:07:36,252 THE REAL YOU. 1217 01:07:37,019 --> 01:07:38,554 SHOULD I HAVE BROUGHT SOME MEAT? 1218 01:07:39,622 --> 01:07:41,056 NO, I DON'T THINK SO. 1219 01:07:41,123 --> 01:07:42,425 I HAVEN'T BOUGHT ANYTHING, 1220 01:07:42,491 --> 01:07:45,227 -NOT EVEN SAUSAGE. -DON'T WORRY ABOUT THAT, 1221 01:07:45,294 --> 01:07:47,863 GUYS, I'M NOT SURE THIS IS A GOOD IDEA. 1222 01:07:47,930 --> 01:07:51,767 {\an5}-IT'LL BE FINE. -IT'S OKAY, WE'VE GOT QUITE A ROBUST PLAN. 1223 01:07:51,834 --> 01:07:55,738 {\an5}-HE SPECIFICALLY INVITED ME, NOT YOU GUYS, I MEAN-- -[RACHEL] YOU'LL BE FINE. 1224 01:07:55,805 --> 01:07:58,674 {\an5}-[OLIVER] YOU'LL BE FINE. -YOU'LL BE ABSOLUTELY FINE, YOU'LL HAVE A LOVELY TIME, 1225 01:07:58,741 --> 01:08:00,943 -AND I'M GOING TO-- -[OLIVER] YEAH, THAT'D BE GREAT. 1226 01:08:02,411 --> 01:08:06,982 {\an5}-[RACHEL] WHAT A LOVELY HOUSE. -YEAH, IT'S HIS PARENTS' HOUSE, IT'S NOT HIS. IT LOOKS GOOD. 1227 01:08:07,049 --> 01:08:09,118 JEFFREY! HOW ARE YOU? 1228 01:08:09,185 --> 01:08:10,219 I'VE GOT SOME PEOPLE WITH ME. 1229 01:08:10,286 --> 01:08:12,121 GREAT, THE MORE THE MERRIER. 1230 01:08:12,188 --> 01:08:13,389 -HI. -HI. 1231 01:08:13,456 --> 01:08:15,958 RACHEL, DO YOU REMEMBER ME? 1232 01:08:16,025 --> 01:08:19,161 RACHEL. FUCKING HELL, YOU LOOK GREAT. 1233 01:08:19,228 --> 01:08:20,896 -HELLO, MATE. -YOU KNOW OLIVER. 1234 01:08:20,963 --> 01:08:24,533 -YEAH. -HI, MATE. THANK YOU. 1235 01:08:26,235 --> 01:08:27,369 -ALRIGHT, -YOU'RE ALRIGHT, MATE. 1236 01:08:29,238 --> 01:08:30,573 DO YOU MIND IF I-- 1237 01:08:31,540 --> 01:08:33,843 {\an5}-[RACHEL] WHAT A LOVELY BARBECUE. -YEAH. 1238 01:08:33,909 --> 01:08:36,378 {\an5}[MATT] I BOUGHT SOME EXTRA CORN JUST IN CASE ANY MORE WOMEN WERE COMING. 1239 01:08:36,445 --> 01:08:39,048 -SO CORN FOR THE GIRLS-- -MEAT FOR THE BOYS. 1240 01:08:39,114 --> 01:08:41,183 OH, THAT'S CONSIDERATE. 1241 01:08:41,784 --> 01:08:43,185 WHAT'RE YOU DOING HERE? 1242 01:08:44,386 --> 01:08:46,455 JEFF ASKED ME TO COME ALONG. 1243 01:08:49,258 --> 01:08:53,662 OKAY, BUT WHY DID YOU COME TO THE BARBECUE? 1244 01:08:57,233 --> 01:08:58,667 I WANTED TO SEE YOU. 1245 01:09:01,804 --> 01:09:03,239 RIGHT. 1246 01:09:04,640 --> 01:09:10,913 {\an5}-IT'S QUITE HOT WITH THAT THERE, ISN'T IT? -I LIKE IT. 1247 01:09:10,980 --> 01:09:13,182 {\an5}-[MATT] WHAT ABOUT YOU, I MEAN-- -[RACHEL] GOD, WELL I'VE BEEN TRAVELLING 1248 01:09:13,249 --> 01:09:14,383 A LOT, ACTUALLY, FOR WORK. 1249 01:09:14,450 --> 01:09:17,019 -HAVE YOU? -YEAH. 1250 01:09:17,086 --> 01:09:19,355 -CAN I ASK YOU SOMETHING? -GO ON. 1251 01:09:19,421 --> 01:09:22,858 I DON'T WANT TO BE RUDE, BUT COULD YOU OPEN YOUR COAT A BIT? 1252 01:09:22,925 --> 01:09:27,196 JUST A BIT SO I COULD SEE JUST WHAT'S GOING ON UNDER THERE? 1253 01:09:27,263 --> 01:09:30,366 YEAH, THAT IS TREMENDOUS. 1254 01:09:31,600 --> 01:09:33,068 YOU SEE HOW I HANDLED THAT. 1255 01:09:33,135 --> 01:09:34,403 VERY GOOD. 1256 01:09:34,470 --> 01:09:38,240 STOICISM. AND THEN IT JUST GOES AWAY. 1257 01:09:38,774 --> 01:09:41,977 I PREFER THAT THING THAT I DO, LIKE THAT. 1258 01:09:42,044 --> 01:09:44,980 {\an5}THAT'S JUST WORK, IS IT? WHAT KIND OF WORK YOU DO? WHAT ARE YOU DOING NOW? 1259 01:09:45,047 --> 01:09:46,348 -BATS. -YOU'RE WORKING WITH BATS? 1260 01:09:46,415 --> 01:09:47,616 -YEAH. -FUCK ME, WELL THAT'S GREAT. 1261 01:09:47,683 --> 01:09:50,819 I MEAN, YOU COULD, IF YOU WANT. 1262 01:09:50,886 --> 01:09:53,455 {\an5}THAT IS GOOD. DO YOU KNOW WHAT? FOR SOMEONE YOUR SIZE AND SHAPE, 1263 01:09:54,023 --> 01:09:56,458 -THAT IS SOLID. -THANK YOU. 1264 01:09:56,525 --> 01:09:59,094 REMEMBER THAT BARBECUE WE HAD DOWN ON THE BEACH? 1265 01:09:59,161 --> 01:10:01,530 -I LOOKED REALLY YOUNG. -YEAH. 1266 01:10:02,231 --> 01:10:03,666 LOOK, WHAT YOU'VE DONE TO ME. 1267 01:10:04,366 --> 01:10:05,534 IT'S ALRIGHT. 1268 01:10:06,635 --> 01:10:09,238 -I LIKE YOUR WRINKLES. -THERE ARE NO WRINKLES! 1269 01:10:09,305 --> 01:10:11,407 OKAY. SORRY, THERE ARE NO WRINKLES. 1270 01:10:13,275 --> 01:10:15,678 -IF THERE WERE, I'D LIKE THEM. -I KNOW YOU WOULD. 1271 01:10:16,545 --> 01:10:18,380 [MATT] I STARTED DOING POETRY NOW, 1272 01:10:18,447 --> 01:10:20,482 SO I'M NOT JUST, YOU KNOW, A MUSCLE MAN. 1273 01:10:20,549 --> 01:10:23,252 I'M ALSO AN ARTIST. IT'S LIKE: 1274 01:10:23,319 --> 01:10:26,488 LOOK AT YOU, LOOK AT YOU, YOUR EYES SO BROWN 1275 01:10:26,555 --> 01:10:29,858 I'D REALLY LIKE TO HEAR YOUR SEX SOUND 1276 01:10:29,925 --> 01:10:33,262 I'D LIKE TO LIE DOWN WITH YOU ON YOUR FRONT 1277 01:10:33,329 --> 01:10:36,565 OR TURN YOU OVER AND IGNORE YOUR-- 1278 01:10:36,632 --> 01:10:39,301 {\an5}I JUST HAVE LOTS OF THINGS-- I HAVE OTHER IDEAS THAT I HAVE. 1279 01:10:39,368 --> 01:10:41,870 -[RACHEL] SO GOOD. -POETRY? SINCE WHEN? 1280 01:10:41,937 --> 01:10:44,440 SINCE AGES. IT'S JUST LIKE I LOOK AT SOMETHING 1281 01:10:44,506 --> 01:10:47,276 AND IF I'M INSPIRED BY IT, THEN I'LL DO A POEM LIKE: 1282 01:10:47,343 --> 01:10:50,479 JEFFREY, JEFFREY, YOUR TIMING'S QUITE SHIT. 1283 01:10:50,546 --> 01:10:53,649 JEFFREY, JEFFREY, COULD YOU GET THE FUCK OUT OF IT? 1284 01:10:53,716 --> 01:10:56,652 JEFFREY, JEFFREY, WE'VE GOT A THING HAPPENING. 1285 01:10:56,719 --> 01:11:00,422 JEFFREY, JEFFREY, YOUR PRESENCE IS CRAPPENING. 1286 01:11:14,637 --> 01:11:19,642 [GILLIAN] WHAT ARE YOU DOING? WHAT ARE YOU DOING? 1287 01:11:19,708 --> 01:11:23,912 I'M JUST TRYING TO HOLD ON TO SOMETHING. 1288 01:11:26,649 --> 01:11:28,484 I DON'T WORK WITHOUT YOU. 1289 01:11:31,787 --> 01:11:36,358 SIMPLE AS THAT, I JUST DON'T... WORK WITHOUT YOU. 1290 01:11:40,295 --> 01:11:42,197 -MATT! -DON'T CALL HIM. 1291 01:11:42,264 --> 01:11:43,699 -MATT! -YEAH? 1292 01:11:43,766 --> 01:11:46,502 COULD YOU TAKE ME BACK TO YOUR FLAT, PLEASE? 1293 01:11:48,070 --> 01:11:51,240 I'M SORT OF ALRIGHT HERE WITH RACHEL, AS IT GOES. 1294 01:11:51,306 --> 01:11:53,475 {\an5}-[GILLIAN] OH YEAH. -[RACHEL] WE'RE REALLY GETTING ON. 1295 01:11:53,542 --> 01:11:56,512 -WE HAVEN'T-- -OK, NO, NO, ENJOY. 1296 01:11:56,578 --> 01:11:58,947 YOU CAN'T LEAVE NOW. 1297 01:12:00,582 --> 01:12:01,650 IT'S FOR THE BEST, ISN'T IT? 1298 01:12:01,717 --> 01:12:03,585 -YEAH. -IT'S ALL OKAY. 1299 01:12:05,354 --> 01:12:06,588 [RACHEL] TAKE CARE. 1300 01:12:06,655 --> 01:12:08,590 [MATT] YOU KNOW, FOR SOMEONE SO FIT, 1301 01:12:08,657 --> 01:12:10,993 SHE'S REALLY LIKE COMPLICATED. 1302 01:12:11,060 --> 01:12:13,629 {\an5}WHAT, BECAUSE SHE LOOKS LIKE THAT, SHE CAN'T BE COMPLICATED? 1303 01:12:13,696 --> 01:12:16,331 I JUST THINK, WHY BOTHER, LIKE-- 1304 01:12:16,398 --> 01:12:18,634 WHY BOTHER WITH WHAT? WITH WHAT? JUST COMING 1305 01:12:18,701 --> 01:12:20,669 AND TAKING HER OFF ME, BREAKING HER HEART, BREAKING MY HEART? 1306 01:12:20,736 --> 01:12:25,474 LISTEN, IF YOU WANT HER BACK, YOU KNOW, I WISH YOU LUCK, MATE. 1307 01:12:25,541 --> 01:12:29,178 {\an5}THAT'S IT, SO I JUST HAVE HER BACK, NOW? THAT'S IT, SO YOU'VE MOVED ON, NOW? 1308 01:12:29,244 --> 01:12:32,381 {\an5}I'M SAYING YOU SHOULD FIGHT FOR HER BECAUSE SHE'S, YOU KNOW, A NIGHTMARE 1309 01:12:32,448 --> 01:12:34,583 AND I WANT YOU TO HAVE THAT. 1310 01:12:34,650 --> 01:12:37,252 SO, YOU WANT-- YOU KNOW WHAT, I DO WANT THAT, 1311 01:12:37,319 --> 01:12:38,520 AND I WOULDN'T MAKE IT A NIGHTMARE. 1312 01:12:38,587 --> 01:12:40,522 WHAT HAVE I SAID MATES ARE FOR? 1313 01:12:40,589 --> 01:12:42,524 {\an5}-MATES ARE FOR STEPPING ASIDE WHEN... -OK, THANK YOU FOR 1314 01:12:42,591 --> 01:12:44,159 -STEPPING ASIDE. -...LOVE IS IN THE WAY. 1315 01:12:44,226 --> 01:12:46,595 [MUSIC] 1316 01:12:56,805 --> 01:13:00,409 IT'S ALWAYS, ALWAYS GOING TO BE COMPLICATED 1317 01:13:00,476 --> 01:13:03,712 AND YOU'RE NEVER GOING TO HAVE A NINE TO FIVE. 1318 01:13:04,680 --> 01:13:09,585 HE KNEW VERY WELL WHO I WAS 1319 01:13:09,651 --> 01:13:10,919 WHEN HE MARRIED ME. 1320 01:13:14,389 --> 01:13:15,357 AND HE LOVED IT. 1321 01:13:15,424 --> 01:13:17,593 [LIGHT MUSIC] 1322 01:13:22,131 --> 01:13:24,600 SO, WE'VE ACCEPTED THAT THERE ARE COMPLICATIONS 1323 01:13:24,666 --> 01:13:29,605 WITH ME CONSTANTLY CHANGING, BEING A FUCKING MOODY BITCH, 1324 01:13:31,807 --> 01:13:33,408 AND HE HAS TO ADJUST TO THAT 1325 01:13:33,475 --> 01:13:35,244 AND I HAVE TO ADJUST TO HIM. 1326 01:13:35,310 --> 01:13:36,845 HE WORSHIPS ME. 1327 01:13:38,080 --> 01:13:40,482 I MEAN, HE DID. 1328 01:13:43,786 --> 01:13:48,323 HE USED TO, JUST NOT AT THE MOMENT. 1329 01:13:48,390 --> 01:13:50,559 [LIGHT MUSIC] 1330 01:13:57,666 --> 01:13:58,967 IS IT COLD, THOUGH? 1331 01:14:00,469 --> 01:14:02,504 IT IS COLD. IT IS COLD. IT IS COLD. 1332 01:14:03,872 --> 01:14:05,340 [LAUGHTER] 1333 01:14:05,407 --> 01:14:07,309 YOU'VE GOT YOUR PLAY, 1334 01:14:07,376 --> 01:14:10,512 YOU'VE GOT YOUR PLAY, FINALLY, GILLIAN. 1335 01:14:12,915 --> 01:14:16,518 AND YOU'RE MISERABLE. THE FUCK! 1336 01:14:17,886 --> 01:14:21,657 AM I GOING TO BE THE ONLY ONE SITTING AT MY FUCKING PLAY? 1337 01:14:22,925 --> 01:14:25,694 I WANT HIM TO CARE ABOUT ME. I REALLY DO WANT HIM TO. 1338 01:14:25,761 --> 01:14:28,530 I CARE ABOUT-- I CARE ABOUT HIM SEEING IT. 1339 01:14:28,597 --> 01:14:31,333 I NEED HIM TO SEE IT, I WANT HIM TO SEE IT, I WANT-- 1340 01:14:31,867 --> 01:14:34,369 [GILLIAN] SAY HELLO, WE'LL SEND THIS ONE TO YOUR MOM. 1341 01:14:34,436 --> 01:14:35,871 HI, JANET. 1342 01:14:35,938 --> 01:14:37,573 [INDISTINCT] MOM. 1343 01:14:38,907 --> 01:14:39,908 [LAUGHTER] 1344 01:14:41,176 --> 01:14:44,112 SHOULD I TRY THE TRICK? WIND'S GOING TO TAKE IT. 1345 01:14:44,179 --> 01:14:46,181 [OLIVER] GO ON. 1346 01:14:46,248 --> 01:14:48,684 {\an5}-HOW THE FUCK DID I HURT MYSELF? -DID IT HURT YOU? 1347 01:14:48,750 --> 01:14:50,886 BUT YOU COULD HAVE HAD IT DIFFERENTLY. 1348 01:14:50,953 --> 01:14:52,855 HE COULD'VE SAT THERE WITH YOU, 1349 01:14:52,921 --> 01:14:55,324 WATCHING YOUR PLAY WITH YOU 1350 01:14:55,390 --> 01:14:58,060 BEING SO FUCKING PROUD OF YOU. 1351 01:14:58,126 --> 01:14:59,995 [SIGHS] 1352 01:15:02,264 --> 01:15:05,601 {\an5}OH, GOD. PLEASE SHOW UP, PLEASE SHOW UP, PLEASE SHOW UP. 1353 01:15:05,667 --> 01:15:08,770 [LIGHT MUSIC] 1354 01:15:23,418 --> 01:15:26,955 [GILLIAN] DEAR, OLIVER, I'M NOT THE PERFECT WIFE, 1355 01:15:27,022 --> 01:15:32,527 THAT'S FOR SURE, AND I REALIZE YOU COULD LEAVE AT ANY POINT 1356 01:15:32,594 --> 01:15:34,863 AND MAKE SOMEONE ELSE WILDLY HAPPY, 1357 01:15:35,998 --> 01:15:40,168 BUT PLEASE, PLEASE STICK AROUND. 1358 01:15:41,470 --> 01:15:45,540 I'M GETTING THERE. LOVE, HONEY-PIE. 1359 01:15:46,708 --> 01:15:48,577 [RACHEL] HOW ARE YOU GONNA PITCH IT? 1360 01:15:50,078 --> 01:15:55,050 {\an5}[OLIVER] I'M JUST GOING TO GO IN, I'M GOING TO SAY: "I THINK YOU NEED TO COME AND SEE THIS." 1361 01:15:59,488 --> 01:16:01,356 {\an5}-I'M GOING TO GIVE HIM ANOTHER TRY. -IT'S NOT GOING TO WORK, 1362 01:16:01,423 --> 01:16:02,858 -I JUST CALLED HIM A SECOND-- -STRAIGHT TO VOICEMAIL. 1363 01:16:02,925 --> 01:16:04,893 LIKE I SAID, I JUST CALLED HIM. 1364 01:16:04,960 --> 01:16:06,428 IT WENT STRAIGHT TO VOICEMAIL. 1365 01:16:06,495 --> 01:16:09,998 OLIVER! IT'S JEFFREY! CALL ME! 1366 01:16:10,065 --> 01:16:13,235 {\an5}WE'RE GOING TO JUST HAVE TO PRESUME THAT WE'RE GOING AHEAD WITHOUT HIM. 1367 01:16:13,302 --> 01:16:16,405 SO, YOU'VE TRIED HIM, I'VE LEFT HIM MULTIPLE TEXT MESSAGES, 1368 01:16:16,471 --> 01:16:17,940 -I'M SURE. -DOES HE NOT CARE? 1369 01:16:18,006 --> 01:16:19,875 THAT'S WHAT I DON'T UNDERSTAND, DOES HE NOT CARE? 1370 01:16:19,942 --> 01:16:24,379 I'M SURE HE-- YOU KNOW WHAT, ACTUALLY, I DON'T CARE. 1371 01:16:24,446 --> 01:16:25,747 NO, I CARE ABOUT THIS, I DON'T CARE. 1372 01:16:25,814 --> 01:16:30,652 IF HE MAKES IT, HE MAKES IT. 1373 01:16:30,719 --> 01:16:33,388 OKAY, YOU GO, AND I'LL PARK UP. 1374 01:16:33,455 --> 01:16:34,890 -OKAY. -SEE YOU IN A SEC. 1375 01:16:34,957 --> 01:16:35,924 YEAH. 1376 01:16:50,172 --> 01:16:51,673 BOTHERED? 1377 01:16:58,580 --> 01:16:59,915 OLLY! 1378 01:17:02,250 --> 01:17:05,687 [VIDEO PLAYING] 1379 01:17:47,963 --> 01:17:48,964 OLLY! 1380 01:18:15,023 --> 01:18:16,158 OLIVER? 1381 01:18:23,632 --> 01:18:25,167 I'M SORRY. 1382 01:18:31,239 --> 01:18:32,908 [HUMMING] 1383 01:18:36,144 --> 01:18:37,946 -HELLO, ARE YOU JERRY? -PLEASE DON'T TOUCH ME. 1384 01:18:38,013 --> 01:18:39,881 YOU NEED TO COME WITH ME NOW. WOULD YOU BE WILLING TO 1385 01:18:39,948 --> 01:18:41,016 -DO THAT WITH ME, NOW? -GET YOUR HANDS OFF ME, 1386 01:18:41,083 --> 01:18:42,284 I DON'T WANT YOU TOUCHING ME. 1387 01:18:42,350 --> 01:18:45,353 JERRY. SORRY ABOUT HIM. 1388 01:18:45,420 --> 01:18:48,090 {\an5}-HI, I'M RACHEL. YOU DON'T KNOW ME, -NO. 1389 01:18:48,156 --> 01:18:49,958 -YOU DON'T KNOW MY FRIEND. -NO. 1390 01:18:50,025 --> 01:18:51,293 I WONDERED IF THERE'S ANY WAY 1391 01:18:51,359 --> 01:18:52,761 THAT WE COULD SHOW YOU 1392 01:18:52,828 --> 01:18:54,129 THIS PERFORMANCE? 1393 01:18:56,098 --> 01:18:58,834 I FEEL LIKE I'M IN A PIECE OF THEATER RIGHT NOW. 1394 01:18:58,900 --> 01:19:02,104 {\an5}JUST A BIT OF A DIFFERENT WAY. I'M USED TO PEOPLE JUST POSTING A SCRIPT. 1395 01:19:02,170 --> 01:19:05,373 RIGHT, NO, OBVIOUSLY. I'VE HEARD A LOT ABOUT YOU. 1396 01:19:05,440 --> 01:19:07,642 YOU'VE A VERY GOOD REPUTATION IN THE INDUSTRY. 1397 01:19:07,709 --> 01:19:09,811 WHO TOLD YOU THAT? [LAUGHTER] 1398 01:19:09,878 --> 01:19:13,748 -I GOOGLED IT. -YOU GOOGLED ME, DID YOU? 1399 01:19:13,815 --> 01:19:18,920 YEAH, IT'S QUITE AN IMPRESSIVE THREAD. 1400 01:19:18,987 --> 01:19:20,689 YOU ARE WINNING ME OVER, 1401 01:19:20,755 --> 01:19:24,493 SORT OF MESMERIZING ME INTO LIKE GOING SOMEWHERE WITH YOU. 1402 01:19:24,559 --> 01:19:28,096 {\an5}-IS HE COMING TOO, THIS OAF? -YEAH, THIS WAY, YEAH. 1403 01:19:32,934 --> 01:19:35,203 -EXCUSE ME, SORRY, HI. -HI. 1404 01:19:35,270 --> 01:19:37,139 ACTUALLY, WE'RE NOT QUITE READY YET, 1405 01:19:37,205 --> 01:19:40,742 {\an5}ALMOST THOUGH. SO, JUST WAIT OVER THERE A MINUTE. 1406 01:19:40,809 --> 01:19:42,878 HI. YEAH, NOT READY YET, 1407 01:19:42,944 --> 01:19:46,414 ALMOST, YOU'RE EARLY. [LAUGHS] HI, JEFF. 1408 01:19:46,481 --> 01:19:49,284 WE'RE GOING TO JUST HAVE TO START WITHOUT OLLY. 1409 01:19:49,351 --> 01:19:50,952 OKAY. ALRIGHT. 1410 01:19:51,019 --> 01:19:53,688 EVERYONE, HI. THANKS FOR COMING. 1411 01:19:53,755 --> 01:19:55,657 BOY, WHAT A SHOW WE'VE GOT FOR YOU TONIGHT. 1412 01:19:55,724 --> 01:19:59,961 THIS IS ACTUALLY WRITTEN BY A NEW WRITER, GILLIAN WALKER. 1413 01:20:00,028 --> 01:20:03,899 SO, PLEASE, COME IN, TAKE A SEAT AND ENJOY THE SHOW. 1414 01:20:06,168 --> 01:20:09,871 -ARE YOU READY? -YEAH, I'LL BE RIGHT THERE. 1415 01:20:32,494 --> 01:20:34,796 -NOT YOU. -NOT ME, ALRIGHT. 1416 01:20:35,497 --> 01:20:38,967 -I FEEL LIKE I'M IN PRISON. -YES, I KNOW WHAT YOU MEAN. 1417 01:20:39,034 --> 01:20:41,970 -IS THAT INTENDED? -JILLY WANTED TO HAVE A KIND OF 1418 01:20:42,037 --> 01:20:45,607 INCARCERATED BEAT IN THE NARRATIVE. 1419 01:20:45,674 --> 01:20:49,010 {\an5}-JUST ON TO THAT, NEXT. -OKAY, I'M FEELING A BIT MANHANDLED, NOW. 1420 01:20:49,077 --> 01:20:51,846 {\an5}-SORRY. -IT'S ABOUT OPPRESSION OF WOMEN, RIGHT? 1421 01:20:51,913 --> 01:20:53,882 YEAH, I'M GETTING IT RIGHT 1422 01:20:53,949 --> 01:20:57,385 BECAUSE I FELT LIKE HE'S MY OWNER, OR MY EXECUTIONER. 1423 01:20:57,452 --> 01:21:00,956 WATCH YOUR HEAD, GET IN. 1424 01:21:01,022 --> 01:21:05,427 OKAY, EVERYTHING IS GOING TO BE ABSOLUTELY FINE. 1425 01:21:08,997 --> 01:21:11,666 -[JILL]WHO DO YOU FANCY? -WHO DO I FANCY? 1426 01:21:11,733 --> 01:21:16,671 {\an5}IN HERE, RIGHT NOW. IF I WASN'T AROUND, WHO'D YOU BE EYEING UP? 1427 01:21:16,738 --> 01:21:20,809 {\an5}-[MAN] THAT'S A TRICK QUESTION, I'M NOT FALLING FOR THAT. -[JILL]WHO DO YOU FANCY? 1428 01:21:20,875 --> 01:21:27,682 {\an5}-[JERRY] WHERE ARE WE NOW? -[RACHEL] VERY NEARLY THERE. THIS IS YOUR NEW THEATER SPACE. 1429 01:21:27,749 --> 01:21:31,720 {\an5}-YOUR NEW THEATRICAL EXPERIENCE. -[JILL] WHY ARE YOU SO DEFENSIVE? 1430 01:21:31,786 --> 01:21:34,289 IT'S NOT LIKE I'M SAYING: "PICK SOMEONE AND FUCK THEM," IS IT? 1431 01:21:34,356 --> 01:21:39,327 {\an5}[ACTOR] YOU'RE BEING SILLY, JILL AND I'M NOT PLAYING YOUR GAMES. WHO DO YOU FANCY? 1432 01:21:39,394 --> 01:21:42,564 -[JILL] CRACKING ASS. -[ACTOR] MY ASS. 1433 01:21:42,631 --> 01:21:46,268 [JILL] YOUR ASS IS MIDDLE-AGED, FLABBY AND SPOTTY. 1434 01:21:46,334 --> 01:21:51,239 [ACTOR] OI, THAT'S-- WELL, YEAH, ACTUALLY THAT'S FAIR ENOUGH. 1435 01:21:51,306 --> 01:21:53,141 LITERALLY, IT WAS EXHAUSTING, 1436 01:21:53,208 --> 01:21:55,277 LIKE ALL THE THINGS THAT ARE AWESOME 1437 01:21:55,343 --> 01:21:58,613 -IN THE WORLD, AT ONE TIME. -[JILL] FORGET ABOUT IT. 1438 01:21:58,680 --> 01:22:02,284 {\an5}[JILL] HE WAS SO EMBARRASSED, HE DIDN'T HAVE A CLUE WHERE TO LOOK. 1439 01:22:02,350 --> 01:22:04,753 [ACTRESS] IF HE WANTS TO FUCK AROUND WITH RAQUEL-- 1440 01:22:04,819 --> 01:22:07,255 [JILL] BUT JOHN SAID SHE WAS OKAY. 1441 01:22:07,322 --> 01:22:11,593 [JILL] TITS, ASS, FANNIES, COCKS. 1442 01:22:11,660 --> 01:22:14,796 [ACTRESS] OH, MY GOD, THAT SOUNDS AMAZING! 1443 01:22:14,863 --> 01:22:19,067 {\an5}-[ACTRESS 2] IT WAS BAD. -[JILL] UNTIL HE DIDN'T GET UP WITH THE KIDS IN THE MORNING. 1444 01:22:19,134 --> 01:22:21,136 [ACTOR] IT WAS YOUR TURN. 1445 01:22:21,202 --> 01:22:25,006 I WAS POUNDED LAST NIGHT, 1446 01:22:25,073 --> 01:22:27,208 -I'M STILL SORE. -[JILL] POUNDED. 1447 01:22:27,275 --> 01:22:28,843 OH, I CAN FEEL YOUR PAIN! 1448 01:22:28,910 --> 01:22:31,279 [LAUGHS] 1449 01:22:34,015 --> 01:22:41,022 [ACTORS] SLOW. DEEP, DEEP SLOW. 1450 01:22:41,890 --> 01:22:48,063 MOVE, DEEP, MOVE! MOVE! 1451 01:22:48,129 --> 01:22:51,533 [SCREAMING] 1452 01:22:51,599 --> 01:22:53,868 [JILL] I FEEL SO LONELY. 1453 01:22:53,935 --> 01:22:56,571 [LIGHT MUSIC] 1454 01:23:58,466 --> 01:24:01,369 [SIGHS] 1455 01:24:01,436 --> 01:24:03,638 [PLAYING LOVE LETTER BY NICK CAVE ] 1456 01:25:06,668 --> 01:25:08,236 I LOVE YOU. 1457 01:25:09,471 --> 01:25:11,706 I NEVER WANT TO BE WITHOUT YOU AGAIN. 1458 01:25:13,675 --> 01:25:18,713 [MUSIC CONTINUES] 110077