All language subtitles for The.Clock.1945.iNTERNAL.BDRip.x264-MANiC

[instrumental music]

[music continues]

[instrumental music]

[foghorn blaring]

[bell clanging]

[indistinct chatter]

man on speaker:
Local number 17

leaving at 12:03 p.m.

For Newark, Perth Amboy

Elizabeth, Princeton Junction

Princeton,
Philadelphia, Track 22.

Local number 12

for Philadelphia, track 22.

Dixie flier for Trenton

Philadelphia, Baltimore

Washington, Richmond,
and Points South

ready on track 15.

Dixie flier on track 15.

Uh, pardon me, sir--

Here, you can keep them.

Uh... Oh, thanks.

Oh, excuse me, sir,
could you tell me

how to get out
of this place?

- Well, you go up.
- Oh.

Oh, where does
that take you?

Seventh Avenue.
You just in from camp, huh?

Yes, that's right.

Well, you got a nice day
for it.

- Yes, I, uh...
- Yeah?

Uh...

Certainly is
a big place, isn't it?

Yeah, it certainly is.
You-- you a stranger here?

- Yes, sir, I am.
- Well, you'll like it here.

- Goodbye.
- Um, uh...

Yeah?

What are some of
the things to see?

- Well, uh, how long you got?
- Just two days.

Now, what do you think
would be the best thing

to do on a Sunday?

Gosh, I wouldn't know.

I work here,
but I live in Jersey.

It's the first time
in 11 years

I've been here on a Sunday.

But you'll find plenty
to keep you busy.

- Goodbye.
- Well, thanks.

Don't mention it. Good luck.

[indistinct chatter]

[instrumental music]

[music continues]

[indistinct chatter]

[music continues]

[horn honking]

[music continues]

[indistinct shouting]

man 1: Extra!

[whistle blows]

[indistinct chatter]

Hey, mister!

Soldier!

Soldier!
Look behind you!

My heel. My heel.

- Who, me?
- No, behind you.

I'll be right up!

What did you do,
sprain your ankle?

- No, no--
- You wanna stay off that foot.

If you twisted it, you don't
want to put any weight on it.

You can do yourself a lot
of harm if you're not careful.

You know, a friend of mine
did one of this, uh...

- Say, the heel fell off.
- Yes, I know.

That's what I was trying
to tell you down there

but you wouldn't listen.

Oh, I'm sorry, uh...

Uh, you stay here.
I'll go get it for you.

What was it,
just a little heel?

Yes.

I found it!
I got it!

I-- I'm sorry

I didn't know
what you meant.

Thank you.

Would you help me
down, please?

Thank you.

- Oh, here.
- No, it's perfectly alright.

- I can do this by myself.
- No.

- I think I better help you.
- No, it's alright.

Now, you'll want to stay off
that foot with the heel

off it, because you might
really twist it.

You'll be alright, ma'am,
you want to keep

your shoe off the floor,
though or you might

get those nails
in your foot.

- I'm alright.
- Well, I... Oh, look!

There's a shoe repair shop!
Come on.

- It's closed.
- Well, let's try it.

[knocking]

Oh, he's gonna open it.

Look, uh, we've-- we've
got a busted heel.

We've got a busted heel!

[indistinct chatter]

Well, I go that way.

Oh, uh,
where does that take you?

- Fifth Avenue.
- Oh, Fifth Avenue.

- Uh-huh.
- Uh, well, is that far?

No, not very,
it's only about--

Well, look,
I don't suppose you'd...

Well, see, I'm so new
around here, I wondered

do you mind if I go
a little ways with you

and sort of look around?

- No, not-- not if you want to.
- Oh, thank you.

- Oh, say, this is a city.
- Isn't it?

These buildings,
the way they go right up

cloud-catchers.

Is it all like this?

- More or less.
- Pass, please.

I bet you get a cold downwind
through here in the winter.

Pile up
a lot of snow, too.

We got a little gully
out home

and the wind comes
down there 80 miles an--

Pass, please.

- How much is it?
- Two dimes. Put them in there.

Oh.

[dinging]

I guess he thought I was trying
to get away with something.

This city must seem
very strange to you.

Oh, yes, ma'am.
I'm green as grass.

I suppose you've lived here
all your life?

No.

Oh, you mean you're
a stranger here yourself?

No, not exactly.
I work here.

I came here
three years ago.

Oh, you got
folks here, then.

No. There's radio city
up ahead.

And Saks Fifth Avenue.

You mean you live all alone?

No.

There's Saint Patrick's
Cathedral.

Uh, you're not married,
are you?

No, I live with
another girl.

Oh. Well, what do you do,
if you don't mind my asking?

I'm a secretary
in an office.

Oh, I see.

Uh, well, what kind of
an office do you work in

Miss, uh, uh, Alice?

[wheezing]

[sneezing]

- Gesundheit.
- Oh, thank you.

Uh, what kind of an office
do you work in--

- Just an office.
- Oh.

I guess you think
I'm pretty nosy?

- Yes, you are.
- Yeah, I guess so. I'm sorry.

Well, it doesn't
really matter...

[wheezing]

- Ah-choo!
- Gesundheit.

You're not
catching cold, are you?

No. No, it's the sun.

It always does this to me.

I always sneeze
exactly twice

and then
I'm all through.

- There you are.
- Oh, hadn't you better keep it?

No, I'm all finished.
Thank you very much.

Don't you think
you ought to get off here?

I mean, we're almost
to the park.

Well, I didn't have
anywhere to go.

I was just going along
with you and...

Uh, but if I bother you--

Oh, no, of course
you don't bother me.

- I didn't mean that.
- Are you sure? Good.

I just mean that this bus
doesn't go very far--

- You say it went to the park?
- Yes.

You mean they've got a park
right in the middle of all this

with trees and grass
and everything?

Yes, I think
you'd enjoy it.

There's a lake and
there's a children's--

You wouldn't care
to walk just a little

with me in the park,
would you?

No, that's out of
the question. I can't.

- I've got to get home.
- Oh you mean you're in a hurry?

Yes, I'm going...

[chuckles]

Oh...

- Ah-choo!
- Gesundheit.

Thank you.

[both laughing]

[indistinct chatter]

[seals barking]

[crowd cheering]

[seals barking]

[inaudible dialogue]

[clamoring]

Look at that! Ha ha!

[water splashing]

[kids clamoring]

[inaudible dialogue]

[seal bellows]

[laughing]

Oh, I never get tired
of watching them.

They're such comedians.

Did you ever stop
to think how some animals

remind you so much
of people you know?

Yes, I... I know
exactly what you mean.

Well, you take that one, the one
that just got up on the rock...

[barking]

I've got an aunt
looks just like that.

She lives in Minnesota.

You know, it's funny,
when I was in school

they always used to tell me
I looked exactly like an owl.

Oh, that's ridiculous,
you don't look like...

[laughing]
You do!

You look exactly
like an owl.

[laughing]

Ah, now, let me see...

- What is it you remind me of?
- Never mind.

I don't want to know.

Oh, look at that.

The boat's bigger than he is.

Oh, kids are
a great study

when you get to know them.

- Live in a world all their own.
- Yeah.

Hiya, skipper,
where did you get that boat?

Hey! Take your
hands off that boat!

Who do you think you are?

[seal barking]

I-- I-- I don't get it.

Kids usually like me.

What a rude little boy.

I-- I-- I don't understand.

I usually get along
great with kids.

Out home,
they follow me around.

[instrumental music]

[laughs]

Well, I've really
got to go home now.

Yeah, well,
you've been awfully nice.

I've liked it.

Well, I-- I suppose I really
shouldn't keep you any longer

so, goodbye.

Goodbye.

It certainly made
an awful lot of difference

having someone
to talk to like this.

What are you going to do?

Uh, well, I don't know.

Let's see, uh...

What is this?
79th Street.

There's a museum
over there.

It's open on Sundays.

A museum, huh?

I think maybe that's
something you ought to see.

[chuckles]
Yeah, well, that's an idea.

I've only been there
once or twice myself.

It's a shame. I ought to go
there more often.

[instrumental music]

[chuckles]
Here.

Really?

Museum, huh?

[music continues]

Oh, we had a picture
of that on the wall at school.

Did you? So did we.

Gee, those long afternoons
looking at that thing

wishing that it were 3 o'clock
and could get out the old bat.

I know what you mean.

You know what?
I was just thinking.

What?

I was just thinking
how lucky I am.

Oh.

Shall we go up and see
the paintings?

Sure.

[indistinct dialogue]

There's a bully like that
in every school.

Yeah.
Well, this one was tough.

- And a lot bigger than me, too.
- Were you afraid?

Well, sure. And half
the school was watching.

I had to make up my mind
in an awful hurry.

I guess so.
What did you do?

What did I do?

Why, I punched the guy
right in the nose.

[screaming]

Oh, what's
the matter, fella?

Aw...

[crying]

He's frightened.

Aw, he wouldn't hurt you

would you?

Oh, no.

No. Children
usually love him.

- They follow him around.
- Well...

Like the Pied Piper.

Museum Guide: Ahem! To resume...

[instrumental music]

[chuckles]
We must have walked

150 miles already.

[chuckles]
Yes.

Whoo.

Oh, I don't think I could
ever get used to this city.

Anyhow, this isn't
what I want.

- How do you know?
- Oh, I know what I want.

- You do?
- Uh-huh.

I want a little business
of my own out home in Mapleton.

You mean you want
to live there always?

- That's right.
- Why?

Oh, because it's my home.

I was never away from home
very much before.

Not that I don't want to
get around and see things

but, I don't know,
I get to thinking

sometimes like in the spring

the evenings

I can almost smell the grass
outside the house.

Dad used to mow the lawn
before dinner.

He'd never let us kids do it.

Did you have a dog?

Dog? No! Did you?

- No.
- Why did you ask that?

- I just wondered.
- No, I didn't have a dog.

I got it all figured out.

After the war,
I'm gonna be a builder.

You mean a contractor?

Uh, no. You know,
more like a carpenter.

Uh, I want to put up
houses myself.

They say that houses are
all going to be alike

made out of plastics
and things

like boxes
you buy in a store.

Oh, not in Mapleton,
they won't.

Hmm.

Why do you want to be
a contractor, Joe

or a carpenter?

Oh, I like
working with wood.

I like the grain
and I like the feel of it.

I like the idea of building
things with my own hands.

You know what I mean?

Yes, I do, I think.

Someday I'd like
to build my own house.

I got a few ideas about it and
I've got a wonderful location

picked out for it, too, there's
a piece of ground that runs down

to the creek with two giant
black walnut trees on it.

I could put the house right
in between those two trees--

I know what you mean, we've got
a house like that back home.

It sits way out up a hill
and you can see

way out across the valley.

Yeah. Well, this place
I've got in mind...

[bell ringing]

Is that the closing bell?
What time is it?

- 5 o'clock.
- Oh, it's late! I've got to go.

Look, Emma,
this is what I meant.

"Sphinx of Queen Hatshepsut,
from her mortuary temple

"at Dayr Al-bahri, Thebes

"circa 1480 B.C.

18th dynasty, partly restored."

- Hmm, very interesting.
- Partly restored.

Cleopatra's needle
is restored, too.

You can see
where they restored it.

Say, have we time for a soda?

- Yeah, sure we have. Come on!
- Get going.

[clamoring]

You know, you can learn
a lot at a museum.

Hmm.

[laughing]

[instrumental music]

[horn honks]

It's been
a nice afternoon.

Well, I guess
this is goodbye.

Yes, I guess so.

I, uh, I suppose
you're probably busy tonight?

- Oh, yes, I am.
- Uh-huh.

Well, thanks a lot
for being so nice.

Would you like a cigarette?

Oh, no, thanks.

Oh, that's
one of those things

that light anywhere,
isn't it?

Uh-huh.
It-- it has the shield.

[music continues]

Uh, would you like it?

Oh, no, you keep it.
I don't smoke.

Well, take it anyway.

I really wouldn't
have any use for it.

Oh. Well, I, I just
wanted you to have it.

Oh.

Thank you very much.

Well, here comes my bus.

Uh, maybe...

Yes?

Maybe we'll meet again
sometime.

Maybe.

[instrumental music]

- Well, goodbye.
- Goodbye.

And thank you
for the lighter.

- Oh, that's alright.
- Oh, my bag.

Bye.

[engine revving]

[footsteps approaching]

Joe: Alice!

[panting]

- Alice!
- Joe!

Will you...

- Joe?
- Wh...

Alice...

look, will you
break that date tonight?

- Yes!
- Oh.

[laughing]

Oh, look,
where will I meet you?

Under the clock
at the Astor at 7:00.

Where?

Under the clock
at the Astor at 7:00.

What?

Under the clock

at the Astor at 7:00.

[panting]

[engine revving]

[instrumental music]

Helen: I can't imagine what
could have happened to Alice.

Really! She was supposed
to be home hours ago.

What do you think could have
happened to her, Bill?

Oh, I wouldn't worry,
only she spoke to me

herself from the station.

Oh, this isn't
like Alice at all.

You get to know a person
pretty well

when you live with them,
and there's one kid

that's really got her
head on her shoulders.

Of course, I always feel
she's still a hick

in a big town.

She's only been here
three years, you know.

Say, Bill, do you think
she could have stepped

in to see a movie?

No. No, I think
if she were gonna do that

she'd come home first.

Want to get yourself
a Coke, Bill?

I know!

She took a couple of books
to the country with her.

Maybe she stopped off
at the library to change them.

What do you think?

Oh, but that wouldn't
take her three hours.

Besides, what am I thinking of?
Today is Sunday.

Well, she must be somewhere,
but where?

[lock clicks]

- Hello, Bill.
- Who is that? Alice?

My gosh, Al,
where have you been?

I thought you were coming
right home.

Freddy called up
three times.

He's going to call again
in a half an hour.

I'm a little late, I guess.

Oh, a little late.

What happened to you?

I met a soldier.

What do you mean,
you met a soldier?

Well...

I tripped over him
at Penn Station

lost the heel on my shoe,
and he helped me--

Al, you're not
trying to tell me

you got picked up
by a uniform?

Picked up?

Really, Helen.

What's that you got?

- That is a lighter.
- Where did you get it?

He gave it to me.

What did he do that for?

I don't know.

Guess he just wanted to.

What else happened?

Nothing.

Well, I guess it's alright

as long as you finally
got rid of him.

Well, I didn't exactly
get rid of him.

What do you mean?

I got a date
with him tonight.

[sighs]
Good grief, Al.

I thought you had more sense

than to do a thing like that.

Well, don't you know
you're just heading for trouble?

You don't even know the man.

As far as he's concerned,
this is just a pickup.

Helen!

I wish you wouldn't
keep saying that.

Don't you think
I could tell the difference?

Oh, difference.

'It's always different.'

Joe's a nice boy.

He's just lonesome,
that's all.

- He's never been to New York--
- Oh, so it's Joe already.

- Joe what?
- Joe...

You don't know.

Oh, look, Al

I know you're old enough
to take care of yourself

and I don't want to
butt into your affairs

but it just doesn't
make sense to pick up a...

To make friends
with a stray soldier.

I-- I know, they're all
swell kids

but a girl has got
to look out for herself.

Al, are you gonna
use that little...

No, here, here.
You can have it.

Thanks. They leave you
in a few days.

And then what have you got?

Oh, I know,
it's-- it's different

when you meet a serviceman
through friends

and know who he is.

I'll leave it up to Bill.
Am I right, Bill?

Listen, Alice,
I've looked after you

for almost three years.

You've never done
anything like this before

and I won't
let you do it now.

I just won't let you do it.

He'll be waiting.

He's going to be
awfully disappointed.

Oh, honey, he won't feel
half as bad as you'll feel

after his leave is over
and he goes back to camp.

I suppose you're right.

I am right, Alice.

Oh, now,
you forget this Joe.

Freddy will be phoning
in a few minutes.

Oh, Freddy.

Freddy's a nice boy.

He's alright.

Anyway, you know
his last name.

Oh, we've got to go
if we want to get there

catch the feature.

Where are we eating?

I feel like a steak.

Let's go to that
little steakhouse

on 46th Street.

Give my regards to Freddy

and remember,
don't you weaken.

Bill, we could take
the IRT, then take...

- Goodbye!
- Oh.

Goodbye, Bill.

[door closes]

[instrumental music]

[music continues]

[telephone ringing]

Hello?

Oh, hello, Freddy.

Oh, I'm sorry.

Yes, Helen told me you'd called.

Well, I'm almost ready.
What time?

[instrumental music]

- Darling!
- Oh, hello, darling.

You're looking
mighty cute.

Here's something
to top you off.

Oh, it's lovely.

- Here, hold this.
- Alright.

How's that?

Down a little.

Now, how do you like it?

[whistles]

[laughing]

[instrumental music]

[inaudible dialogue]

[music continues]

[instrumental music]

- Oh, Joe!
- Alice!

- Am I late?
- Oh, no, no, you're not late.

I was just
worried about you. I...

Oh, I, here's
something for your hair

to top it off.

Oh, Joe.

You want me to hold
your mirror for you?

Yes. Here.

Ah, it's beautiful.

[indistinct chatter]

[engine revving]

[clamoring]

[instrumental music]

Ecco!

[speaking in foreign language]

I've lived with Helen
almost ever since I got here.

We work in
the same office.

She's in the sales division.

I'm in the traffic department.

I have to know all
about shipping

and railroads
and crates and everything.

Really? All that?

Yes, I do.
But you take Helen

now, she practically
runs the sales department.

Bill says she's practically
an executive.

Hm. Uh, who's, uh, Bill?

Oh, he-- he's a friend
of Helen's.

Sometimes Freddy
and I go out

dancing and things.

Oh, it's our
very best wine, madame.

- Oh, we didn't order this.
- No, we--

Compliments
to the corporal

and his charming companion
from the gentleman.

Wasn't that nice of him?

You, uh,
you like it, don't you?

The city and the office
and everything?

Oh, I love it.

- I never want it different.
- Never?

Uh-uh, never.

Don't you want to
get married someday, maybe?

Oh, that.

Not for a long time, anyway.

Well,
what about this, uh

Freddy that you mentioned?

- Freddy?
- Mm-hmm. What about him?

What about him?

Well, does that suit Freddy?

I don't know what you mean.

I mean not getting married.

I don't think I care
to answer that.

[chuckles]
Well, I was only asking.

My goodness,
I hardly know you.

I don't have to answer
anybody's questions

about Freddy
or anything else.

Well, wait a minute,
now, this Freddy

doesn't mean anything to me
one way or the other.

Alright, then let's
leave him out of this.

Well, that suits me.
I was only asking--

I don't know why you had
to bring him up at all.

Look, you brought him up.
I never even heard of the guy.

I think maybe I'd better go.

[music continues]

Oh, look, I'm sorry
if I said anything--

Helen was right.

She told me
what would happen.

I should have
listened to her.

But I suppose I haven't
got any sense.

If I had any sense,
I'd have listened to her.

It's different when
you meet a serviceman

through friends
and know who he is.

Then you know who he is.

Only sometimes
when a girl dates with a soldier

she isn't thinking
only of herself.

She knows he's far away
from home, alone

no one to talk to, and...

What are you staring at?

You've got brown eyes.

[instrumental music]

Think of all the people
in this city, all around us

all the people
in the country

all the people
in the world

and out of all that
just those stars

Vega and what you said

and you and me
down here together.

That's strange, isn't it?

I don't know, I...

It doesn't seem
strange anymore.

Suppose we hadn't met.

We couldn't not have met.

Alice:
I know.

It's strange, though

my coming home early
from the country.

That was only
a little part of it.

Alice: And your being there
in the station when I was.

Mm, that was
part of it, too.

There were other things.

Like your leaving home

my being in the army

[foghorn blaring]

getting leave just when I did

that's all part of it.

[foghorn blaring]

Even those ships
in the river.

The ships?

Oh.

That's part of a convoy.

That's why I got this leave.

I guess it'll be
the last one I'll get.

I see.

It's a lot of things,
isn't it?

And some don't matter,
others do.

They all matter.

This night
and being together.

- Yes.
- They matter, don't they?

- I don't know.
- Alice--

Joe, I don't know.

[footsteps approaching]

It's quiet here

almost as quiet
as it is out home.

It's never quiet, really.

The city's full of sounds.

Always underneath.

Listen.

[train whistle blowing]

[horn honks]

[engine revving]

[siren wailing]

[horn blowing]

[siren wailing]

[horn blowing]

[train chugging]

[instrumental music]

[music continues]

[music continues]

[intense music]

We have to go.

[instrumental music]

[music continues]

We take the bus here.

Alice, could I see you again
tomorrow?

I don't know, Joe.

It's my last night.

I don't know whether we ought to
see each other again at all.

Oh.

I thought
maybe you'd want to.

Well, I do, but I...

I just can't-- can't think
right now.

I'm sorry, Joe, please.

That's alright.

Where is that bus?

What time is it?

12:07.

The buses stop running
after midnight.

Well, couldn't we
take a taxi?

Oh, it would be
awfully expensive.

Oh, no, that's all...

Oh, here comes something.

That's not a taxi.

Oh, uh...

Something I can do for you?

I'm sorry, mister

we thought you were a taxi.

Oh, that's alright, Mac.
You want a lift?

- A lift? In that?
driver: Sure, why not?

Well, I don't,
I don't know.

Oh, there's plenty of room.
The whole wagon's empty.

That's awfully nice of you.

Come on, hop in. Hop in.

Here, sit right here.

Come on, sit down.

[engine revving]

- You got plenty of room?
- Yeah.

Oh, yes. I'm afraid
we're crowding you, though.

Oh, not at all.
Not at all.

You going home
from somewheres?

Yes, from somewheres.

That's good.

Me, I'm just starting out.

Just had my main meal.

Oh, supper, huh?

Uh-uh. Lunch.

[chuckles]
This is noontime for me.

man on radio:
And here's another request

this time from
Miss Nellie Greene.

Nellie Greene!
That dame again!

[indistinct chatter on radio]

Oh, ho ho!

Discrimination there. Get a load
of what she wants now.

man on radio: And that's another
request for "How Am I To Know."

Wouldn't she ask for that?
How do you like that?

Nothing but pure corn
she ever asks for.

That's the second request
in two weeks

that he's had of hers.

What's this getting to be

a Miss Nellie Greene
private program?

Is that a request program?

Yeah, you know, for folks
that work at night

like us.

I had a request in now
for three months.

Can I get it? No.

Miss Nellie Greene, yeah.

My request is,
"That's How I Need You."

Do you know it?

♪ Like a dah-dah
needs the sunshine ♪

♪ Like the flowers
need the dew ♪

♪ Like a baby needs
his mother dear ♪

♪ That's how I... ♪♪

It's an old favorite
of the wife's and mine.

You sure
you got plenty of room?

- Oh, yeah, plenty of room.
- It's wonderful.

driver:
That's good.

Hey, have you ever seen
the wagons loaded?

- You mean the milk wagons?
- Yeah.

If you got time,
I'll take you down there.

It's a very interesting sight
if you never seen it.

Oh, well that's awfully
nice of you

but I think
I'd better get home.

- Where do you live?
- On the eastside.

Well, I'll take you
right back up there.

Well, honestly, Mr...

Henry. Now, look,
you get the ride.

I get the company.
What's the matter with that?

Well...
What do you think, Joe?

Well, I sort of
like it here.

Sure.

[instrumental music]

[engine revving]

[thudding]

[engine revving]

man on radio:
Well, here we have a request

for, "Whispering" signed

"six girls in a pool room."

Ha ha! Now, I wonder
what they could be doing there.

Okay, girls, come out
from that corner pocket

and lean closer.

Not mine again.

Maybe they didn't
get my letter.

Or it could have
gotten lost, you know.

They might have played it
when you weren't listening.

Yeah, you think so?

I don't know. I listen
almost all the time.

[instrumental music]

[indistinct singing over radio]

♪ Whispering ♪

Pretty, isn't it?

♪ While you cuddle near me ♪

[air hissing]

- What's the matter?
- What was that?

Just a flat.

♪ There's no one here but you ♪♪

- Well, there it is.
- Oh, gosh.

- What do we do now?
- Nothing we can do.

Joe: Well, can I help you
put the spare on?

No, I don't carry none,
I got to get that service car

to come out and do it.

I got to find a phone.

Oh, there's a,
a lunchroom over there.

Oh, that'll do.
Come on.

- Won't take very long, will it?
- No.

I just call for maintenance man
he comes right out.

Drunk Man: We got some
new blood in here now.

We'll get an entirely
new consensus of opinion.

Henry: Order me a cup of coffee,
will you?

I have seen
the most un-American

and uncanny conduct
in this place tonight

you wouldn't believe it.

But fortunately for me

I have a few witnesses
who would be...

- I'd like some coffee.
- Three coffees.

- With cream. Yes.
- No, without.

Who would be more than happy
to help me straighten this out.

A few more
won't hurt, either.

A worker!

You as a worker

will understand
my entire situation.

Let me explain, oh, I'm sorry,
I'll just explain

look, I'm gonna borrow
your friend for a minute.

Please, look, pal,
give me a chance, will you?

I'll be right with you.

Oh, well,
there's a charming man.

Obviously you two
are a member of his party.

Would you care to join me
in a vermouth cassis

or champagne cocktail?

The liquor here
is comparatively...

Uh, bartender? Bartender.

These two, these two
young people are with me

and any little something...

Look, we don't serve
any drinks.

Oh, you don't serve...

Well, why don't you
serve any drinks?

- The boss says the license--
- A license!

Well, that is really
the height

of something or other.

I have to have a license
to drink a drink?

Why, this city
isn't fit to live.

I mean, let's face it,
after all

this country
is going to the dogs.

Think you could
run it any better?

You are without a doubt
the most utterly

exquisite creature
it has ever been my pleasure

to come in contact with.

Let me take you
out of all this.

I mean, let's cease
this useless sham.

Let's allow our emotions
full reign, shall we?

I mean, after all...

you-- you are a man
and I am a woman.

What else is there?

Hey, wait a minute.

Wait a minute.
Wait a minute.

Who made that
crack about a dog?

- Did you get him, Al?
- Yeah, he's on his way.

Hey, chum! Hey! Hey!
Hey, who is to the dogs?

- Yeah, hello.
- Huh-huh.

Well, wait a minute, Jack, just
put down that coffee a minute.

Come here. I want to...
It won't take a minute, lady.

- What's the matter?
- Look, just a minute.

One thing, what's this
crack about dogs?

What's the matter with dogs?
Dogs is my best friend!

What are you picking on me for?

Dogs is, everybody
is born free and equal--

Wait a minute.
Wait a minute.

Americanism,
that's un-American.

Oh, hi, it's a pleasure

to meet a member of
the Armed Forces.

You work for Uncle Sam,
but this civilian...

this un-American,
most un-American, believe me...

since Bunker Hill,
the constitution of

The United States,
and The Bill Of Rights!

Now, wait a minute.
I never--

man on radio: "That's How I Need
You" for my old pal Al Henry.

- My request!
- Oh, your request.

Well, I got a request, too.
I got a request, too.

Since the Monitor
and the Merrimac

this country
has got to expand!

- Al!
- Wait a minute.

Wait, I haven't finished, lady.

Listen, the fact remains,
the fact remains...

The Monitor and
the Merrimac...

Joe:
You alright?

- What a shame.
- Oh, hey, Al.

- Is that all?
- Hey, Al.

Ally pal.

Hey, Al, forgive me,
will you? I...

Hey, Al, I didn't mean it.

I didn't...

That's-- that
uncontrollable me.

Ah, that's beautiful.

That's beautiful.

That's the kind of stuff
that's really...

really soul stirring.
You get that kind of...

Ah, that music
is what really moves me.

Little drink, will you, chum?

Hey-- hey. Listen, listen.

If I could bring it
from my heart

one song like that, you could
take the rest of it and keep it.

One song.

Hey, what do you do, Al...

eat these things?

That's the third one
you popped in a month.

- How do you feel?
- Oh, pretty good.

That guy, he got me in the wind,
you know?

Yeah. How's the eye?

- The eye's alright.
- Let's see.

[whistles]

Oh, Al...

Hey, well, how much longer
you gonna be?

Good as new, right now.

Oh.

- Oh! Come on.
- Oh!

I'm alright.
I'm alright.

No, no. I'm alright.

- There we are.
- Good.

Joe, have you got
a handkerchief?

- Yeah.
- Give it to me, will you?

- I'm alright.
- Think I could get some water?

- Water?
- No, never mind. Here.

Milk will do.

Here. Put this on it.

Oh, that feels good.

- Better?
- Yeah, it was kind of hot.

It feels fine.

Don't you think we
better get you home, Al?

Oh, no, I got
the milk to deliver.

Well, why don't you rest
for a while, then, Al

while he's working on that?

Maybe you got something.

I'll see how he's coming along.

- Alright.
- Here, put your feet up.

- Is everything alright?
- All finished now, bub.

- Will you sign this?
- Yeah.

Thank you.

- Alright, thanks.
Alice: Joe.

Look, I don't think
we better leave him.

He's certainly in
no condition to drive.

Yeah.

He's gonna need some help.

Well, I-- I guess we
better stay with him

for a while.

Al?

[moaning]

Joe, there must be a list
around here somewhere.

Wait, what's this?

Oh, here's something.

- What?
- It's his route book.

Oh, it's a list
of addresses.

Do you think you could
find these places?

- Sure.
- Where's the first one?

- Uh, about three blocks south.
- Three blocks south.

I don't know whether
I can work this thing or not.

Look, turn to the right
at the first corner.

Yeah, alright, uh...

[engine starting]

[both laughing]

- Well, here we go.
- Here we go.

[instrumental music]

[indistinct chatter]

[music continues]

- Good morning.
- Good morning.

[music continues]

Oh! Good morning.

Morning to you.

[laughing]

- Hey.
- Oh, hello, Sheffield!

- Hey!
- How are you?

You through
for the night, too?

- Yes!
- Goodnight.

The patient's
sitting up, huh?

That's the lot.

Well, you two
are born milkmen.

- How's the eye, Al?
- Oh, it's a little hot.

Oh, we'll get you home
right away.

Oh, no, no.
You don't have to do that.

Oh, sure we will.

You want to lie down, rest,
and take it easy.

Well, if you insist.

- Sleepy? Oh, sure you are.
- A little.

Well, now what do I do?
Just stay on the same street?

- Mm-hmm.
- Alright.

What time is it, Joe?

A little before 5:00.

There's a lot
of light in the sky.

Mm-hmm.

Back home I used to see
the dawn come up sometimes.

Me, too.
Up over the Indiana fields.

You know,
it's still night there.

Morning comes here first,
doesn't it?

Mm-hmm.

And then, before that,
out in the sea...

And before that,
it's, out...

- Joe...
- Hmm?

Where are they sending you,
do you know?

No. England, I guess.

That's a long ways away.

Mm-hmm.

- Alice?
- Hmm?

Do you like me
a little bit?

Mm-hmm.

[instrumental music]

Joe, I'm sorry,
I'm just so sleepy.

Why don't you try
to get some sleep, then?

- Really?
- Mm-hmm.

Goodnight.

Goodnight, baby.

[music continues]

♪ Like the flowers
need the dew ♪

♪ Like a baby
needs its mother ♪♪

- That you, Al?
- Uh-huh.

Did you hear?
They played our song.

Say, he don't sing it
half as well as you do.

This is a couple of friends of
mine. This is Alice

and this is Joe,
this is Mrs. Al Henry.

- How do you do?
- I'm pleased to meet you.

Well, how was
the run today...

Oh!

Oh! Who did that?

Oh, it was just a drunk.
He didn't mean it.

What happened to
the other fella?

- Well, he--
- Is he dead?

No, of course he ain't dead.
He's alright.

Well, I guess
he's alright by now.

Let me tell you
what these kids did.

- What?
- Well, I passed out...

- When the slot machine hit me--
- What?

But, oh, no,
it was nothing.

They delivered
all of the milk.

- They did?
- Every drop.

Well, I think that was
mighty nice of them.

I do, indeed.

Well, I bet you're just starved
by now if you did that.

Oh, you mustn't
go to any trouble.

It isn't any trouble.
I got everything all ready.

I tell you, I know you milkmen
and your appetites.

You know, for a little,
skinny fella...

- Sit down, sit down.
- He eats more than most people.

I always say...

You know, I spend more
than half my life cooking.

Cooking!
Ha ha ha!

She can mix you up the finest
glass of ice water

you ever drank,
and that's her limit.

[laughing]

Oh, ha-ha-ha.
Come on, dear.

I bet you'd like to
wash up. Ha ha! You!

[laughs]
Twenty-two years!

Makes the best
corn cakes you ever ate.

Why don't you take
your coat off, Joe?

- Oh, this is fine, Al.
- Oh, don't stand on ceremony.

- Liberty hall here.
- My flower's all wilted.

- Oh.
- Can I help you?

- Yeah, if you will, dearie.
- Alright.

About half of them
now, I guess.

Oh, fine.

Now, watch yourself,
they're hot.

They're beautiful.

- Al? One egg or two?
- Yeah? One.

What's the matter?
Don't you feel good?

- One at a time.
- Ha-ha-ha.

Bring the coffee,
will you, too, dear?

- Alright.
- There you are.

Ham and one egg.

And as pretty
as a bride and groom.

[laughs]
You folks married?

Oh, no.

Well, there's lots
of young folks

are getting married
these days.

Yeah, a lot of guys
in my camp are getting married.

Uh-huh, I suppose,
here, butter one

of these while
it's hot, will you?

I suppose they're young,
and they don't know

what's gonna happen
to them next.

Sure! If two people
want to get married

leave them do it, I say.

Well, I think you
have to know somebody

a long time before
you get married.

I mean, you don't
want to do something

as serious as that
just in a minute.

Well, now, look,
wait a minute

I think you can find out
just as much about somebody

in a minute as you can by
knowing a whole lifetime.

Know what she was doing
when I first seen her?

Now, Al, now that,
now, then...

Flipping butter cakes
in Charles' window.

- No, really?
- Hah-ha-ha-ha.

And the minute
I laid eyes on her...

I knew she was for me.

Yeah.
And it took him three weeks

to get up his
courage to come in!

Ha-ha. Then he had to bring
his uncle with him!

It wasn't my uncle,
it was my cousin.

Oh, well...

Yeah.
My cousin, Michael Henry.

He's clerk of the court
for Judge Forbes.

I was pretty
sure of myself

but I thought you know, bringing
the clerk of the court in...

I'd make an impression.

I don't know, though.

I don't think
it's fair to the girl...

a soldier
getting married.

She doesn't know
what condition

he's going to come back in.

[scoffs] He may not even
come back at all.

Look, Joe...

if people thought
about all the things

that could happen,
they'd never do anything.

Al:
Ain't I right, Em?

Well, I think if a girl
and boy love each other

want to get married

all the talk in the world
ain't gonna stop them.

Mrs. Al:
Never has yet.

Hey!

- What's the matter?
- Company first. Company first.

Well, look, they got some,
ain't they?

Yeah, but they
delivered the milk, didn't they?

They delivered the milk,
they can reach.

- They still got arms.
- That's just like his uncle.

It wasn't my uncle,
it was my cousin.

Well, your uncle,
your cousin, what difference--

It's Michael that's
the one that can eat.

But I never
saw a kid eat--

I never saw such
a place in my life

to try and get
something to eat.

- Well, take it, take it!
- Alright.

- Ha-ha!
- Thank you. Thank you.

[instrumental music]

We go this way
to the subway.

What are you
thinking about?

Al Henry and his wife.

They're lovely people.

I was thinking about
what he said

about how you can learn
so much about a person

in just a little while.

Yes, I guess so.

Then it wouldn't really
make so much difference

how long a person
knew another person, would it?

No, it wouldn't,
I guess.

What are you
thinking about?

Something you said before.

About a soldier
not marrying because...

he doesn't know what condition
he'd come back in.

Yeah.

Well, I think if two people
are really in love...

that wouldn't make
any difference.

Wouldn't it?

Of course, they don't see
the problems.

Mr. and Mrs. Henry, I mean.

Joe...

Joe, I don't want
to leave you today.

Well, then why do it?

Why can't we have this
one last day together?

Couldn't we?

I-- I suppose I could
tell them at the office...

- I-- I could find some excuse.
- Oh, that would be--

Pardon me.

Oh, that would be wonderful!

Oh, no, we have
to change here.

I have to go up to the office
and show them where some things

are in my desk. You wait for me,
and I'll come as soon as I can.

- Alright, I'll wait.
- Alright.

conductor: Let them off, please.
Let them off.

Alright,
step lively, everybody.

All the way in.

Step lively, everybody.
All the way in.

Step lively.
All the way in.

Step lively, folks.
All the way in.

That's all!

Hey, wait a minute!
I got to get on there!

- Not now, buddy. Next train.
- Hey!

conductor: Get back there,
buddy! Do you want to get hurt?

[dramatic music]

What's the next
station, mister?

No English.

Oh, could you tell me
what the next station is?

The next station?
Well, let me see.

This is Grand Central...

Officer, could you tell me
what the next station is?

Fourteenth street.

[music continues]

Did you see a girl get off
the train a little while ago?

Well, I see a thousand girls
get off trains, fella.

Is this the next stop
after 42nd street?

The next express stop, yes.

Express...

Well, what's the next
local stop after?

- 33rd.
- Well, how do I get there?

Uh, take the stairway through
the platform and go across.

[instrumental music]

[music continues]

[music continues]

man on radio:
These are the actual statistics.

There are five boroughs
in New York

with a total population
of 7,454,995.

Bronx, 1,394,711.

Brooklyn, 2,698,285.

Manhattan, 1,889,924.

Queens, 1,297,634

Richmond, 174,441.

Making a grand total
of 7,454,995.

[mellow music]

Did you want something, miss?

I-- I'm looking
for a soldier.

Any particular one?

My friend. We got separated
in the subway.

Oh, what's his name?

- Joe.
- Joe? Joe what?

I don't know.

You don't know?

Well, what outfit
is he with?

He's... with the army.

Ha. That's a big help.

- Are you joking?
- Oh, no, please, I--

We only just met
yesterday, and...

I don't know it didn't seem to
make any difference

what his name was.

Oh, didn't make
any difference.

I-- I know it sounds funny

but-- but the night went so fast

and-- and I got sleepy.

And then we lost
each other this morning

and he's only got today.

I don't see how I can
help you, young lady.

And look, between you and me

I don't think I'd go around
telling that story, either.

You don't understand.

I've got to find him. I...

[music continues]

What am I...

[sniffles]
What am I going to do?

Say, would there be
any place particular

where you went together
where she might

go back and wait for you?

The clock at the Astor hotel! I
had a date with her last night!

Well, that's very likely
where she is right this minute.

- Looking for you.
- Do you think so?

I wouldn't be
at all surprised now.

- Thanks a lot, officers!
- Okay, son.

[instrumental music]

Help you?

What's the next train
for Aberdeen, Maryland?

Aberdeen? Aberdeen?

That's at 10:51.
You can make it easy.

- Going back to camp?
- Yeah.

- Track fourteen.
- Thank you.

Help you, young man?

[instrumental music]

[music continues]

Alice! Alice!

Joe!

Joe! Joe! Joe!

I thought you were lost!

I didn't know where to look.

Quick! What's your name?

- Maybery. Joe...
- Maybery.

Joe, I didn't know
where to find you.

I didn't think
I'd ever find you again.

Maybery.

[music continues]

Oh, look, Alice. We can't wait.

We mustn't.
It wouldn't be right.

- Oh, Joe, are you sure?
- We'll never be more sure.

Don't you see? We might never
have found one another again.

- No, don't say that.
- I've got to say it.

Look, please...
please, will you marry me?

[music continues]

[indistinct chatter]

[laughter]

woman on P.A.: Jackson
and Smith. Jackson and Smith.

Jackson and Smith.

Dosovich and Brady.
Dosovich and Brady.

Got your blood test papers?

Everyone got your
blood test papers?

Yes, thank you. Got your
blood test papers, sir?

Mm-hmm.

Got your blood test papers?

woman 1:
Is that what you mean?

I don't know.

Well, that's right.
That's right.

Got your blood test papers?

Please, now, please. Everyone
got their blood test papers?

Mister, what's that
about blood test papers?

According to the laws
of the state of New York

applicants
for a marriage license

must have
a blood test certificate.

[laughter]

Hey, look at this!

We didn't know anything
about a blood test!

- Where do we get one?
- Thirty-nine, Whitehall street.

Be quiet! Thirty-nine...

Thirty-nine, Whitehall street.
Two subway stops downtown.

You can't miss it.
Write it down, Irving.

Well, how late
are you open here?

Till 4:00 on the dot.

Come back here with your papers
and I'll get you your license.

You can be married
at the same time.

Marriage Clerk: Everybody got
their blood test papers here?

Everybody got it here?
Thank you. Thank you.

Room 318, third floor.
You got a pass?

No. We were told this
was the place to go.

Can't go upstairs
without a pass.

Okay, well, where
do I get a pass?

Lieutenant Burdrow,
second floor.

Hey, where are you going?

Didn't I tell you
you had to have a pass?

You told us we had
to see the lieutenant.

I said you couldn't go up
without a pass.

Well, then how can we--

Take a seat over there.

Who does he think
he is, Hitler?

Oh, I wish he was, just once.

Oh, can't-- can't we wait
over there somewhere?

No, we'd better sit here.

Ahem.

man 5: Hey, you!

You, soldier!
What's yours?

Well, we came to get
a blood test.

Why didn't you
say so, then?

Room 318, third floor.

Bring the pass back
when you come down.

Blood test. Okay,
wait over there, corporal.

- Will it take long, sir?
- Nope.

We'll get
the results in the morning.

Oh, no... we've got
to have it now!

We only have a few hours.

Sorry, bud. Regulations.

We're piled up here.
Twenty-four hours will do it.

Did you get fixed up
alright?

- No.
- What's the matter?

Wasn't anyone there
to take care of you?

Well, we... couldn't get the
papers till tomorrow morning.

My leave's up, and we wanted to
get it by 4:00 this afternoon.

Yeah? Hey!

Why don't you go
to a private laboratory?

What do you mean?

Well, you could go to
one of the approved

private laboratories.
Put the rush on them.

You'll get the results
in a couple of hours.

Well, could we make it
if we got there right away?

Sure. I got a list
here somewhere.

Now...

let me see.

Let me see.

Oh, Joe,
make him hurry.

Yeah, here it is.

The L&N public health
service laboratory

631, Canal Street.

631.
Thank you very much!

[instrumental music]

[cars honking]

Allen and Maybery.
Allen and Maybery.

Window five.

Law of the state of New York.
Three day wait.

Not valid for three days.

Sorry, nothing we can do.
Three day wait.

A judge of
the supreme court may...

upon submission
of a proper petition...

issue a waiver
of the time clause

permitting the parties
to be married at once.

[knocking]

Uh, is the judge in?
We got to get a...

Uh, could you get us
a waiver for this?

Waiver? Oh, I'm sorry.
But you're too late, folks.

- Too late?
- Yes. It's tough luck.

The judge has just gone.

Oh, no!

Um, you're Al Henry's cousin,
aren't you?

Yes.

Well, do you know Al?

Oh, he sent us to you.
He told us you'd help us.

Oh, why didn't you tell me?

Wait a minute.
Maybe I can catch the judge.

- Oh, how is Al?
- Oh, he's fine.

Oh, good. And Emily?

- She's fine, too.
- Emily...

Don't you think
you'd better hurry?

Oh, that's alright.
Just let me have your papers.

Yeah. Pull up some chairs.
Make yourself comfortable.

I-- I won't be very long.

Who is Emily?

I don't know.
Mrs. Henry, I guess.

What difference does it make?

Oh, Joe, look at the time.

Well, folks, here we are.

- It's all fixed.
- Thank you!

Be sure and tell Al
that I said

I'll be dropping
in on him one day...

[instrumental music]

Is there time to catch
the 4:37? Down!

Oh, dear.

Where-- where's Mr. Schwartz?

We're closed.

Well, where did he go?
It isn't 4 o'clock yet.

Just left. Don't know
if he's coming back.

Joe, that was the man
we just passed!

I think you can catch him
if we hurry.

- Please, mister!
- What is it?

- We want to get married.
- Too late, Mac.

But, mister,
it isn't 4 o'clock yet.

Well, I just got time
to catch my train.

Make up your minds.

Please, mister!

Oh, we tried so hard.

Okay, come along,
but you got to hurry, though.

Irving, look me up
another train.

Leave it, Bernie.

Turn that thing off.

Don't you see
there's a wedding going on?

What do you think this is,
a factory?

Will you step
over here, please?

You need a witness.

Will you act as a witness,
please? Come down.

Perhaps you'd better
step over there.

No, no, no, no.

Stand over there,
behind them, please.

Will you change
places, please?

The young lady should be
on the left.

Let me have your certificate.

This is a serious and solemn
step which you here undertake.

Do either of you know
of any reason

why you both should not be
legally joined in marriage

or there be anyone present
who can show just cause

why these parties should not
be legally joined together

let him now speak or hereafter
hold his peace.

Do you, Joseph Allen

take this woman as your
lawfully wedded wife

do you promise to love, honor--

[train rumbling]

In sickness and in health...

for better or for worse

as long as you both shall live?

Well, say, "I do."

Uh, I-- I do.

Do you, Alice Maybery

take this man to be your
lawfully wedded husband...

[train rumbling]

[faintly]
prosperity and adversity,

for better or worse as long
as you both shall live?

I do.

Place the ring upon
the third finger

of the bride's left hand.

I haven't got a ring.

Under the law, it is not
necessary to have a ring.

Whereas you've both
consented in wedlock

and have acknowledged it
before this company

I do, by virtue
of the authority vested in me

by the laws
of the state of New York

now pronounce you
husband and wife.

May God bless your union.

Here, you take this.

Boss, here's the 5:18 local.

Fine. That's Sunday, stupid!

Look up weekdays.

Irving, hold the elevator.

- Here you are.
- Thank you.

- Good luck.
- Thank you.

Thanks.

I didn't have any flowers.

No.

- We didn't have time.
- We rushed so.

Good luck.

- Thank you.
- Thank you.

[whirring]

[utensils clattering]

You're not eating your soup.

I don't feel very hungry.

Me, either.

It isn't very good soup,
I guess.

[chuckles]

[chuckles]

I wonder what Helen's going to
say when I tell her.

I guess she'll be
surprised, alright.

I'm going to have to
tell Aunt Martha, too.

Yeah.

Uh, I have to tell my folks.

Uh, are your mother
and father living?

Mm-hmm.

Yes.

Are yours?

Yeah. Yeah.

They're living.

Do you suppose...

maybe I should write
to your folks, maybe?

Oh, I suppose so.

I suppose I should
write to yours.

Yeah, that would be nice.

Uh, would you like to see
our house out home?

Mm-hmm.

- Uh, that one's me.
- Oh.

Yeah. And that one
there is-- is mother.

Do you suppose
she'll like me?

Oh, sure!

Sure, she will.

I should say so.

When does
your train go, Joe?

Well, I don't have
to be back in camp

till... till tomorrow noon.

I, um...

I guess you're not
very glad you married me...

are you, Alice?

Oh, I'm sorry, Joe.

I-- I guess I...

I-- I don't feel
very married.

Oh, I know.
I-- I don't blame you.

It-- it wasn't your fault.

It was... it's just...

[sniffling]
Oh, oh, it was...

It was so...

It was so...

[crying]
ugly.

- I know. I know.
- It was, it didn't...

[cries]

I know, I know.
It's alright, darling.

It's alright.

[crying]

[indistinct chatter]

woman 2:
Whoo!

[indistinct chatter]

Goodbye, darling!
Goodbye!

woman 3:
Goodbye, my dear!

[organ music]

[music continues]

[music continues]

It's the marriage service.

Yes.

"Dearly beloved...

we are gathered together
here in the sight of God...

and in the face
of this company...

to join together
this man and this woman

in holy matrimony...

which is
an honorable estate...

and, therefore,
is not by any...

to be entered into
unadvisedly or lightly

but reverently, discreetly,
advisedly, soberly

and in the fear of God.

Wilt thou have this woman
to thy wedded wife?

Wilt thou love her

comfort her in sickness
and in health

and forsaking all others keep
thee only unto her

as long as
ye both shall live?"

I will.

"I take thee, Alice,
to my wedded wife

to have and to hold
from this day forward

for better and for worse
for richer or for poorer

in sickness and in health

"to love and to cherish

till death do us part."

"Our father who art
in heaven..."

"In heaven..."

both:
"Hallowed be thy name."

"Thy kingdom come,
thy will be done..."

Oh, Joe...

I love you.

I'll love you
till the day I die.

[music continues]

[instrumental music]

[music continues]

[inaudible dialogue]

[music continues]

[music continues]

Ah, ah, ah, ah!

[music continues]

Alice...

uh, try...

Will you-- will you try not
to think about anything?

Joe.

Darling,
you're coming back.

Do you want me to tell you
how I know?

Two days ago,
you came to this city

and you didn't know anyone.

You didn't know me,
and I didn't know you.

And now we're married.

And we both know that
that was meant to be.

So, don't you see

who-- whoever makes
the arrangements for people

is doing
pretty well for us.

That's all we need to know.

[instrumental music]

[laughing]

man 6:
Come on, fellas! Let's go!

Are you sure you can't
send me your laundry?

Oh, mom, don't worry
about those things.

Don't worry, dear.
I will. Just be waiting for me.

Don't be scared.

Are you sure that you've got
everything straight?

The insurance on the car
runs out the seventeenth.

You have to see
Henry about that.

Bye, son. Now, you take
good care of your mother.

Say bye, Alan.
Say goodbye to your father.

[crying]

- Goodbye, darling. I love you.
- I'll be alright.

- You just take it easy.
- God bless you!

Oh, God bless you!

I hope you have
a good trip, dear.

[instrumental music]

Goodbye, darling.
Take good care of yourself.

- Don't forget to write.
- I won't.

[laughs]

[laughing]

I love you!

- See you soon.
- See you soon.

[music continues]

[music continues]

[vocalizing]

[music continues]