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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,667 --> 00:00:13,833 PREVIOUSLY ON... 2 00:00:13,867 --> 00:00:15,767 IT SEEMS ON HIS LAST THREE TRIPS EAST, 3 00:00:15,800 --> 00:00:17,467 HE CASHED IN HIS FIRST-CLASS TICKET 4 00:00:17,500 --> 00:00:19,167 AND TOOK A DETOUR TO ATLANTIC CITY. 5 00:00:19,200 --> 00:00:21,700 LYNETTE RECEIVED SOME DISTURBING NEWS... 6 00:00:21,733 --> 00:00:25,567 HE SAID IT WAS OKAY FOR ME TO KISS HER. WHAT ELSE DID YOUR BROTHER TELL YOU? 7 00:00:25,600 --> 00:00:26,800 CALEB REVEALED A SECRET... 8 00:00:28,467 --> 00:00:31,833 SUSAN MADE A FIRST CLASS CONFESSION... 9 00:00:31,867 --> 00:00:34,600 YOU'RE GOING TO LEAVE ME OUT HERE IN THE MIDDLE OF NOWHERE? 10 00:00:34,633 --> 00:00:37,133 I CAN'T BE AROUND YOU ANYMORE. I'M JUST NOT STRONG ENOUGH. 11 00:00:37,167 --> 00:00:39,167 AND BREE MADE THE MOST DIFFICULT DECISION 12 00:00:39,200 --> 00:00:41,600 OF HER LIFE. 13 00:00:45,800 --> 00:00:47,700 (Mary Alice) SUSAN MAYER HAD ALWAYS BELIEVED 14 00:00:47,733 --> 00:00:50,667 THE ONE GOOD THING ABOUT HARD TIMES 15 00:00:50,700 --> 00:00:55,067 IS THAT YOU GET TO FIND OUT WHO YOUR FRIENDS REALLY ARE. 16 00:00:55,100 --> 00:00:57,300 WHEN HER GRANDMOTHER DIED, 17 00:00:57,333 --> 00:01:00,133 IT WAS BREE WHO BROUGHT HOMEMADE COOKIES. 18 00:01:00,167 --> 00:01:02,567 WHEN THE CRITICS PANNED HER THIRD BOOK, 19 00:01:02,600 --> 00:01:06,233 IT WAS GABRIELLE WHO HIRED THE HANDSOME MASSEUR. 20 00:01:06,267 --> 00:01:08,733 WHEN HER DIVORCE BECAME FINAL, 21 00:01:08,767 --> 00:01:12,667 IT WAS LYNETTE WHO POURED THE SCOTCH. 22 00:01:12,700 --> 00:01:16,800 SADLY, SUSAN'S LIFE HAD BEEN SHATTERED ONCE AGAIN... 23 00:01:16,833 --> 00:01:18,733 BUT AS ALWAYS, 24 00:01:18,767 --> 00:01:22,633 HER FRIENDS HAD COME TO HELP PICK UP THE PIECES. 25 00:01:22,667 --> 00:01:26,267 SUSAN? WE'VE ALL BEEN TALKING. 26 00:01:26,300 --> 00:01:29,233 WE'VE DECIDED YOU AND JULIE SHOULD STAY WITH BREE. 27 00:01:29,267 --> 00:01:31,633 OH, THANKS. NO, THAT'S OKAY. WE'LL STAY AT A MOTEL. 28 00:01:31,667 --> 00:01:32,867 ABSOLUTELY NOT. 29 00:01:32,900 --> 00:01:36,233 JUST GIVE ME AN HOUR OR TWO TO STRAIGHTEN UP ANDREW'S ROOM, 30 00:01:36,267 --> 00:01:38,767 AND THEN YOU CAN BRING YOUR... SELVES OVER. 31 00:01:38,800 --> 00:01:40,500 I DON'T DESERVE FRIENDS LIKE YOU. 32 00:01:40,533 --> 00:01:42,067 WE'RE AWARE OF THAT. 33 00:01:42,100 --> 00:01:43,267 (chuckles) 34 00:01:43,300 --> 00:01:45,433 SUSAN, YOU'RE RUNNING LOW ON TRASH BAGS. 35 00:01:45,467 --> 00:01:47,367 I'M GOING TO RUN TO THE STORE. 36 00:01:47,400 --> 00:01:49,300 THANKS, ORSON. THANKS FOR COMING. 37 00:01:49,333 --> 00:01:51,567 YOU KNOW, YOU DIDN'T HAVE TO DO THIS. 38 00:01:51,600 --> 00:01:53,233 HEY, IT'S MY PLEASURE. 39 00:01:57,700 --> 00:01:59,600 MRS. MAYER! 40 00:02:02,267 --> 00:02:04,433 HI. BUD PENROD, 41 00:02:04,467 --> 00:02:07,667 TOWN AND COUNTRY INSURANCE-- THE "CAN-DO" PEOPLE. 42 00:02:07,700 --> 00:02:10,133 OH, IT'S NICE TO MEET YOU. 43 00:02:10,167 --> 00:02:11,367 YEAH. LOOK AT THAT. 44 00:02:11,400 --> 00:02:13,633 WELL, THAT'S NO FUN AT ALL, IS IT? 45 00:02:13,667 --> 00:02:15,167 NO. NO, IT ISN'T. 46 00:02:15,200 --> 00:02:17,733 SO WHEN AM I GONNA GET THE CHECK? 47 00:02:17,767 --> 00:02:19,367 'CAUSE I HAVE A LOT OF REBUILDING TO DO. 48 00:02:19,400 --> 00:02:21,300 I NEED TO GET STARTED. 49 00:02:21,333 --> 00:02:23,600 YEAH, WELL, I'M AFRAID THAT'S GOING TO BE A WHILE. 50 00:02:23,633 --> 00:02:26,600 YOU SEE, THE FIRE DEPARTMENT HAS RULED THAT THIS WAS ARSON. 51 00:02:26,633 --> 00:02:27,833 ARSON? 52 00:02:27,867 --> 00:02:30,400 YEAH. SO WE CAN'T GIVE YOU ANY MONEY 53 00:02:30,433 --> 00:02:31,633 UNTIL WE FINISH OUR INVESTIGATION. 54 00:02:31,667 --> 00:02:33,433 WHO WOULD WANNA BURN DOWN MY HOUSE? 55 00:02:33,467 --> 00:02:36,167 I DON'T KNOW. DO YOU HAVE ANY ENEMIES? 56 00:02:36,200 --> 00:02:38,333 NO. NO, LOOKIT. 57 00:02:38,367 --> 00:02:41,433 THE WHOLE NEIGHBORHOOD TURNED OUT TO HELP. 58 00:02:41,467 --> 00:02:43,200 I'M VERY POPULAR. 59 00:02:43,233 --> 00:02:46,567 AND THERE'S NO ONE AMONG THEM THAT WISHES YOU ILL? 60 00:02:46,600 --> 00:02:49,700 OH, NO, NO. EVERYBODY'S BEEN VERY HELPFUL. 61 00:02:49,733 --> 00:02:52,800 UM, EVERYBODY LIKES ME. ABSOLUTELY... 62 00:02:55,633 --> 00:02:56,767 EVERYONE. 63 00:02:56,800 --> 00:03:00,067 YES, HARD TIMES WERE WHAT SUSAN USED 64 00:03:00,100 --> 00:03:02,100 TO DISTINGUISH WHO WAS A FRIEND 65 00:03:02,133 --> 00:03:04,333 AND WHO WASN'T. 66 00:03:12,300 --> 00:03:15,500 NOT EVERYONE ENJOYS BEING A SMALL PART 67 00:03:15,533 --> 00:03:16,600 OF A LARGE COMMUNITY. 68 00:03:16,633 --> 00:03:20,333 INDEED, SOME YEARN TO LEAVE THE STRESS AND NOISE 69 00:03:20,367 --> 00:03:23,100 OF CONSTANT COMPANIONSHIP BEHIND THEM, 70 00:03:23,133 --> 00:03:25,067 SO THEY STRIKE OUT ON THEIR OWN, 71 00:03:25,067 --> 00:03:28,733 HOPING THEIR SOLITUDE WILL BRING A LITTLE PEACE AND QUIET. 72 00:03:28,767 --> 00:03:31,700 IT'S ONLY THEN THEY DISCOVER 73 00:03:31,733 --> 00:03:34,200 HOW DANGEROUS IT IS... 74 00:03:34,233 --> 00:03:37,733 TO BE ALONE IN THE WORLD. 75 00:04:07,400 --> 00:04:10,233 (Paul) ZACH, DID YOU GET THE TRASH? 76 00:04:10,267 --> 00:04:12,400 HOW'D YOU GET IN HERE? 77 00:04:12,433 --> 00:04:13,400 HIYA, PAUL. 78 00:04:13,433 --> 00:04:16,067 I STOOD AT THE BACK DOOR SHOUTING AND SHOUTING. 79 00:04:16,067 --> 00:04:17,800 WERE YOU IN THE LITTLE BOYS ROOM? I'M CALLING THE POLICE. 80 00:04:17,833 --> 00:04:19,433 NO NEED. I JUST NEEDED TO BORROW SOME FLOUR. 81 00:04:19,467 --> 00:04:21,067 I'M A LITTLE BIT PSYCHIC, 82 00:04:21,067 --> 00:04:23,767 AND I PREDICT FRESH-BAKED COOKIES IN YOUR FUTURE. 83 00:04:23,800 --> 00:04:25,700 ZACHARY. 84 00:04:25,733 --> 00:04:27,433 WHAT'D SHE WANT? 85 00:04:27,467 --> 00:04:28,767 SHE WAS IN THE CUPBOARD. 86 00:04:28,800 --> 00:04:31,267 GET A TRASH BAG. WE'RE THROWING EVERYTHING AWAY. 87 00:04:31,300 --> 00:04:33,400 YOU THINK SHE WAS TRYING TO POISON US? 88 00:04:33,433 --> 00:04:37,800 ALL I KNOW IS WE'RE EATING OUT TONIGHT. 89 00:04:41,800 --> 00:04:43,700 WHAT DO YOU WANT? 90 00:04:43,733 --> 00:04:47,667 UH... THIS IS A LITTLE AWKWARD, AND I APOLOGIZE IN ADVANCE 91 00:04:47,700 --> 00:04:51,800 FOR HOW THIS IS GONNA SOUND, BUT, UM... 92 00:04:51,833 --> 00:04:56,067 BY ANY CHANCE, DID... YOU BURN DOWN MY HOUSE? 93 00:04:56,067 --> 00:04:58,200 YES. 94 00:04:58,233 --> 00:05:02,500 WHAT? YES, I BURNT DOWN YOUR HOUSE, YOU SLEAZY LITTLE WHORE. 95 00:05:02,533 --> 00:05:05,533 EDIE! WHY WOULD YOU DO THAT?! 96 00:05:05,567 --> 00:05:07,067 CAN YOU BLAME ME, 97 00:05:07,100 --> 00:05:10,100 AFTER SENDING ME THAT ACID LETTER? 98 00:05:10,133 --> 00:05:12,233 LETTER? WHAT LETTER? 99 00:05:12,267 --> 00:05:15,133 THE ONE WHERE YOU ADMITTED TO STABBING ME IN THE BACK 100 00:05:15,167 --> 00:05:16,633 BY SLEEPING WITH KARL. 101 00:05:16,667 --> 00:05:18,267 YOU WEREN'T SUPPOSED TO GET THAT. 102 00:05:18,300 --> 00:05:20,200 I STOLE THAT BACK FROM THE MAILMAN. 103 00:05:20,233 --> 00:05:22,400 SO YOU WERE TRYING TO HIDE THE TRUTH FROM ME? 104 00:05:22,433 --> 00:05:25,567 THIS IS NOT WHAT WE SHOULD FOCUS ON RIGHT NOW. 105 00:05:25,600 --> 00:05:28,367 THE POINT IS, YOU MALICIOUSLY SET FIRE TO MY HOUSE. 106 00:05:28,400 --> 00:05:31,767 LOOK, I ADMIT I MIGHT HAVE... OVERREACTED A TAD. 107 00:05:31,800 --> 00:05:33,700 A TAD? EDIE, I HAVE NO ROOF! 108 00:05:33,733 --> 00:05:36,067 YOU CAN'T JUST GO AROUND BURNING DOWN PEOPLE'S HOMES. 109 00:05:36,100 --> 00:05:39,133 WHY NOT? YOU BURNT DOWN MY HOME. 110 00:05:39,167 --> 00:05:41,733 YOU STOLE MIKE FROM ME. YOU SLEPT WITH MY FIANCé. 111 00:05:41,767 --> 00:05:43,267 THAT'S THE TRIFECTA. 112 00:05:43,300 --> 00:05:45,200 YOU'RE LUCKY I DIDN'T TORCH YOUR CAR. 113 00:05:45,233 --> 00:05:47,133 THAT'S IT. I'M GOING TO THE POLICE, 114 00:05:47,167 --> 00:05:49,133 AND I'M TELLING THEM WHAT YOU DID. 115 00:05:49,167 --> 00:05:51,333 DID WHAT? I DIDN'T DO ANYTHING. 116 00:05:51,367 --> 00:05:53,700 WHAT? YOU JUST CONFESSED. 117 00:05:53,733 --> 00:05:55,267 NO, I DIDN'T. 118 00:05:55,300 --> 00:05:58,300 DID ANYONE ELSE HEAR ME CONFESS? 119 00:05:58,333 --> 00:05:59,633 (singsong voice) HELLO? 120 00:05:59,667 --> 00:06:01,533 HELLO? 121 00:06:01,567 --> 00:06:03,567 (normal voice) NO WITNESSES. 122 00:06:04,467 --> 00:06:06,767 NO EVIDENCE, NO CONFESSION. 123 00:06:06,800 --> 00:06:08,633 I GUESS WE'RE DONE HERE. 124 00:06:08,667 --> 00:06:10,567 YOU CAN GO HOME NOW. 125 00:06:10,600 --> 00:06:12,067 OH, WAIT. THAT'S RIGHT. 126 00:06:12,100 --> 00:06:14,067 YOU DON'T HAVE ONE. 127 00:06:14,100 --> 00:06:16,133 (sighs) 128 00:06:22,100 --> 00:06:25,467 NO, NO, XIAO-MEI, I'VE TOLD YOU A MILLION TIMES. 129 00:06:25,500 --> 00:06:27,400 NO RED MEAT FOR MR. SOLIS. 130 00:06:27,433 --> 00:06:29,100 MY TRIGLYCERIDES ARE THROUGH THE ROOF. 131 00:06:29,133 --> 00:06:32,067 MM. SWEETIE, I NEED SOME MORE CREAM. 132 00:06:38,500 --> 00:06:40,467 XIAO-MEI, WHAT'S WRONG? 133 00:06:42,733 --> 00:06:44,233 SHE SMELL. 134 00:06:44,267 --> 00:06:45,667 WHO SMELLS? GABY? 135 00:06:45,700 --> 00:06:47,633 (coughs) EXCUSE ME. WHAT? 136 00:06:47,667 --> 00:06:51,433 HER PERFUME... MAKE ME SICK. 137 00:06:51,467 --> 00:06:53,367 HONEY, IT'S 100 BUCKS AN OUNCE. 138 00:06:53,400 --> 00:06:55,700 THAT TENDS TO MAKE EVERYONE A LITTLE NAUSEOUS. 139 00:06:55,733 --> 00:06:58,600 XIAO-MEI, YOUR BOOBS-- ARE THEY TENDER? 140 00:06:58,633 --> 00:07:00,467 MM-HMM. 141 00:07:00,500 --> 00:07:03,167 CARLOS! HER BOOBS ARE NONE OF YOUR BUSINESS. 142 00:07:03,200 --> 00:07:06,133 GABY, THINK. SHE'S SENSITIVE TO SMELL, 143 00:07:06,167 --> 00:07:09,067 NAUSEOUS AND HAS SWOLLEN BREASTS. 144 00:07:11,167 --> 00:07:12,267 (exhales deeply) 145 00:07:12,300 --> 00:07:13,233 (squeals) 146 00:07:13,267 --> 00:07:14,267 (chuckles) 147 00:07:20,233 --> 00:07:22,333 WELL, I JUST RAN HER BLOOD WORK. 148 00:07:22,367 --> 00:07:25,067 IT LOOKS LIKE THE INSEMINATION WAS SUCCESSFUL. 149 00:07:25,067 --> 00:07:25,867 OH! 150 00:07:25,900 --> 00:07:28,367 OH, MY GOD. WE'RE GONNA HAVE A BABY! 151 00:07:28,400 --> 00:07:29,767 NOW, YOU SHOULD KNOW, 152 00:07:29,800 --> 00:07:31,700 SINCE SHE'S EXPERIENCING EARLY SYMPTOMS, 153 00:07:31,733 --> 00:07:33,800 THIS MIGHT BE A TOUGH PREGNANCY FOR HER. 154 00:07:33,833 --> 00:07:36,500 NOT A PROBLEM. WE ARE GONNA TREAT HER LIKE A QUEEN! 155 00:07:36,533 --> 00:07:39,500 ABSOLUTELY. YOU HAVE NOTHING TO WORRY ABOUT HERE. 156 00:07:39,533 --> 00:07:41,533 (squeals) 157 00:07:41,567 --> 00:07:44,300 OH, MRS. SOLIS, YOU SMELL. 158 00:07:44,333 --> 00:07:46,400 OH, YEAH. OKAY. SORRY. 159 00:07:47,700 --> 00:07:50,733 (Carlos laughing) 160 00:07:52,100 --> 00:07:53,700 I THINK IT'S GONNA BE A KICK 161 00:07:53,733 --> 00:07:55,633 HAVING SUSAN AND JULIE STAY WITH US. 162 00:07:55,667 --> 00:07:57,633 IT'LL BE LIKE LIVING IN A SORORITY. 163 00:07:57,667 --> 00:08:00,600 WE'LL STAY UP LATE AND WE'LL GOSSIP AND MAKE S'MORES. 164 00:08:00,633 --> 00:08:02,667 DOESN'T THAT SOUND LIKE FUN? 165 00:08:02,700 --> 00:08:06,267 WHY ARE YOU PRETENDING TO BE HAPPY? 166 00:08:06,300 --> 00:08:09,167 I HEARD YOU WALKING AROUND YOUR ROOM ALL NIGHT LONG... 167 00:08:09,200 --> 00:08:10,333 CRYING. 168 00:08:10,367 --> 00:08:13,467 I DON'T WANT TO TALK ABOUT IT. 169 00:08:13,500 --> 00:08:15,400 LOOK, I KNOW WHY YOU'RE WORRIED, 170 00:08:15,433 --> 00:08:18,767 BUT ANDREW CAN TAKE CARE OF HIMSELF, AND IF HE CAN'T, 171 00:08:18,800 --> 00:08:21,100 HE SHOULDN'T HAVE RUN AWAY IN THE FIRST PLACE. 172 00:08:21,133 --> 00:08:24,067 YOU KNOW WHAT? MAYBE ANDREW LEAVING WILL BE GOOD FOR US. 173 00:08:24,100 --> 00:08:27,167 YOU ARE ALL I HAVE LEFT, AND I AM GONNA BE 174 00:08:27,200 --> 00:08:29,533 THE BEST MOTHER THAT I CAN BE. 175 00:08:29,567 --> 00:08:31,433 THERE'S DEFINITELY ROOM FOR IMPROVEMENT. 176 00:08:32,667 --> 00:08:35,500 IT'S JUST... 177 00:08:35,533 --> 00:08:38,133 YOU KINDA FORGOT MY BIRTHDAY. 178 00:08:38,167 --> 00:08:40,467 WHAT? 179 00:08:40,500 --> 00:08:43,733 YEAH. IT WAS SIX WEEKS AGO. 180 00:08:43,767 --> 00:08:47,133 OH, MY GOD, DANIELLE. I AM SO SORRY. 181 00:08:47,167 --> 00:08:49,567 IT'S OKAY. YOU HAD A LOT GOING ON. 182 00:08:49,600 --> 00:08:51,500 I MEAN, ANDREW WAS SUING YOU, 183 00:08:51,533 --> 00:08:53,833 AND YOU WERE PRETTY WASTED THAT MONTH. 184 00:08:53,867 --> 00:08:56,733 HONEY, YOU'VE GOTTA LET ME MAKE IT UP TO YOU. 185 00:08:56,767 --> 00:08:58,667 I-I'M GONNA THROW YOU A BIRTHDAY PARTY 186 00:08:58,700 --> 00:09:00,600 WITH ALL YOUR FRIENDS, OKAY? 187 00:09:00,633 --> 00:09:03,133 THAT COULD BE COOL. 188 00:09:04,400 --> 00:09:06,200 YOU KNOW WHAT ELSE I'D LIKE? 189 00:09:06,233 --> 00:09:07,667 NAME IT. IT'S YOURS. 190 00:09:07,700 --> 00:09:10,100 I WANT ANDREW'S ROOM. 191 00:09:11,633 --> 00:09:13,533 YOU SAID HE'S PROBABLY NOT COMING BACK, 192 00:09:13,567 --> 00:09:16,667 AND I COULD REALLY USE THE EXTRA CLOSET SPACE. 193 00:09:16,700 --> 00:09:19,367 BUT, SWEETHEART, THIS IS-- THIS IS HIS ROOM. 194 00:09:19,400 --> 00:09:21,667 MOM, YOU FORGOT MY BIRTHDAY. 195 00:09:21,700 --> 00:09:24,167 YOU'RE REALLY IN NO POSITION TO NEGOTIATE. 196 00:09:24,200 --> 00:09:27,067 HONEY, WHERE AM I GONNA PUT ALL OF HIS THINGS? 197 00:09:27,100 --> 00:09:29,800 AND, YOU KNOW, HE MIGHT COME BACK AT SOME POINT. 198 00:09:29,833 --> 00:09:32,067 HE WON'T. 199 00:09:32,067 --> 00:09:35,800 LIKE YOU SAID, I'M ALL YOU HAVE LEFT. 200 00:09:38,600 --> 00:09:40,133 ATLANTIC CITY? 201 00:09:40,167 --> 00:09:41,400 YEAH, IT'S LAST MINUTE, 202 00:09:41,433 --> 00:09:43,567 BUT JERRY GOT A GREAT DEAL ON A SUITE AT ONE OF THE CASINOS, 203 00:09:43,600 --> 00:09:46,467 AND A BUNCH OF THE OLD GANG IS COMING IN FROM NEW YORK, 204 00:09:46,500 --> 00:09:48,400 AND GOD, IT'S BEEN FOREVER SINCE I HAVE BEEN, 205 00:09:48,433 --> 00:09:50,233 SO HOW COULD I TURN THAT DOWN? 206 00:09:50,267 --> 00:09:51,833 YEAH, HOW, INDEED? 207 00:09:51,867 --> 00:09:53,767 WHAT? 208 00:09:53,800 --> 00:09:55,733 I DIDN'T SAY ANYTHING. 209 00:09:55,767 --> 00:09:57,733 NO, BUT YOU HAVE THAT LOOK. 210 00:09:57,767 --> 00:09:59,600 IS SOMETHING WRONG? 211 00:09:59,633 --> 00:10:01,667 NO! (chuckles) 212 00:10:03,833 --> 00:10:06,267 EXCEPT THAT I KNOW YOU'VE BEEN TO ATLANTIC CITY 213 00:10:06,300 --> 00:10:09,500 THREE TIMES IN THE LAST MONTH WITHOUT TELLING ME. 214 00:10:09,533 --> 00:10:12,400 ED FOUND THE RECEIPTS WHEN HE DID THE OFFICE AUDIT. 215 00:10:12,433 --> 00:10:14,300 OTHER THAN THAT, NO, NOTHING'S WRONG. 216 00:10:14,333 --> 00:10:15,400 (laughing) 217 00:10:15,433 --> 00:10:17,800 TOM, IT WOULD BE BETTER FOR YOUR GENERAL WELL-BEING 218 00:10:17,833 --> 00:10:20,200 IF YOU DID NOT LAUGH AT THIS MOMENT IN TIME. 219 00:10:20,233 --> 00:10:22,133 AM I GONNA HAVE TO RUIN THE SURPRISE? 220 00:10:22,167 --> 00:10:24,100 BECAUSE IT'S A REALLY GOOD SURPRISE. 221 00:10:24,133 --> 00:10:26,100 I'M THINKING, YEAH, RUIN IT. 222 00:10:26,133 --> 00:10:28,433 I HAVE BEEN GOING TO ATLANTIC CITY FOR BUSINESS. 223 00:10:28,467 --> 00:10:30,467 I AM UP FOR A TOP SPOT WITH JERRY'S FIRM, 224 00:10:30,500 --> 00:10:32,600 HUFFINGTON PROMOTIONS. 225 00:10:32,633 --> 00:10:34,633 AND IF YOU DON'T BELIEVE ME... 226 00:10:36,433 --> 00:10:40,467 YOU CAN CALL THE C.E.O. HIMSELF. 227 00:10:40,500 --> 00:10:46,267 I AM... SO HAPPY AND I'M SO RELIEVED. 228 00:10:46,300 --> 00:10:49,133 DID YOU THINK I WAS CHEATING? 229 00:10:49,167 --> 00:10:51,500 NO! ABSOLUTELY NOT. LYNETTE... 230 00:10:51,533 --> 00:10:53,333 NO! OKAY, A LITTLE BIT. 231 00:10:53,367 --> 00:10:55,500 I'M SORRY, I'M SORRY. 232 00:10:55,533 --> 00:10:58,167 ED FOUND RECEIPTS FOR FLOWERS AND THEATER TICKETS. 233 00:10:58,200 --> 00:11:01,267 I MEAN, BY THE WAY, DID YOU-- JERRY AND I WENT TO A SHOW, 234 00:11:01,300 --> 00:11:03,767 AND THE FLOWERS WERE FOR MILT'S WIFE. 235 00:11:03,800 --> 00:11:06,433 I KNEW THAT. YOU DIDN'T HAVE TO TELL ME THAT. 236 00:11:06,467 --> 00:11:08,700 WHY DID YOU BUY FLOWERS FOR MILT'S WIFE? LYNETTE... 237 00:11:08,733 --> 00:11:12,467 SORRY. STOP. DONE TALKING. THAT'S FANTASTIC. 238 00:11:12,500 --> 00:11:14,433 I LOVE YOU! 239 00:11:14,467 --> 00:11:15,800 I LOVE YOU. 240 00:11:27,067 --> 00:11:28,300 (zips up bag) 241 00:11:29,200 --> 00:11:30,800 (vacuum cleaner whirring) 242 00:11:30,833 --> 00:11:32,333 CARLOS... 243 00:11:34,767 --> 00:11:36,500 WHAT'S GOING ON? 244 00:11:36,533 --> 00:11:38,333 XIAO-MEI IS FEELING UNDER THE WEATHER, 245 00:11:38,367 --> 00:11:40,833 SO I TOOK UP THE VACUUMING. 246 00:11:40,867 --> 00:11:42,767 OH, WELL, I'M SORRY TO HEAR THAT. 247 00:11:42,800 --> 00:11:44,733 SO, UH, DID YOU MOVE MY BEAUTY PRODUCTS? 248 00:11:44,767 --> 00:11:47,767 THEY'RE NOT IN THE BATHROOM. 249 00:11:48,700 --> 00:11:49,933 WHY IN THE HELL? 250 00:11:49,967 --> 00:11:53,800 I FORGOT TO TELL YOU. UH, YOU CAN'T USE THAT STUFF ANYMORE. 251 00:11:53,833 --> 00:11:57,267 IT REALLY TRIGGERS XIAO-MEI'S MORNING SICKNESS. 252 00:11:57,300 --> 00:12:00,567 ALL OF IT? EVEN MY HAIR POMADE? 253 00:12:00,600 --> 00:12:03,567 GIVES ME STOMACHACHE. YEAH, WELL, IT GIVES ME VOLUME, 254 00:12:03,600 --> 00:12:06,133 SO I GUESS WE'RE BOTH GONNA HAVE A PROBLEM. 255 00:12:06,167 --> 00:12:08,400 DO YOU HAVE TO BE SO HIGH-MAINTENANCE? 256 00:12:08,433 --> 00:12:11,600 YOU'RE NOT A MODEL, CARLOS. MAINTENANCE IS MY ONLY SKILL. 257 00:12:11,633 --> 00:12:13,600 PLEASE, NO FIGHT. 258 00:12:13,633 --> 00:12:17,233 IF MRS. SOLIS SMELL BAD, I BE OKAY. 259 00:12:18,800 --> 00:12:23,500 (sighs) FINE. I'LL LEARN TO LIVE WITHOUT PRODUCT. 260 00:12:23,533 --> 00:12:26,133 BUT WHEN MY HAIR STARTS SMELLING LIKE HAIR, 261 00:12:26,167 --> 00:12:28,167 I DON'T WANNA HEAR A WORD. 262 00:12:30,767 --> 00:12:33,267 SURPRISE! 263 00:12:33,300 --> 00:12:35,133 WHAT THE HELL IS THAT? 264 00:12:35,167 --> 00:12:37,567 ISN'T IT DARLING? I MADE IT FOR YOUR PARTY. 265 00:12:37,600 --> 00:12:39,500 IT'S A BIG "1" AND A BIG "7"... 266 00:12:39,533 --> 00:12:40,567 (hits balloon) 267 00:12:40,600 --> 00:12:41,500 FOR "17." 268 00:12:41,533 --> 00:12:44,400 WERE YOU UP ALL NIGHT MAKING THAT THING? 269 00:12:44,433 --> 00:12:46,233 YEAH. I JUST WASN'T TIRED. 270 00:12:46,267 --> 00:12:48,433 OH, I WANNA SHOW YOU WHAT ELSE I'VE PLANNED. 271 00:12:48,467 --> 00:12:50,533 I THINK YOU'RE GONNA LOVE IT. 272 00:12:50,567 --> 00:12:52,833 YOU GOT A FAJITA BAR AND A JUGGLER? 273 00:12:52,867 --> 00:12:54,500 NO, RELAX. HE'S A VERY HIP JUGGLER. 274 00:12:54,533 --> 00:12:56,700 HE ONLY PERFORMS TO BEATLES SONGS, 275 00:12:56,733 --> 00:12:59,067 AND I SAW THE VIDEO, AND IT'S ABSOLUTELY THRILLING. 276 00:12:59,067 --> 00:13:01,233 MOM, I DON'T WANT ANY OF THIS STUFF. 277 00:13:01,267 --> 00:13:04,567 IT'S NOT EVEN MY REAL BIRTHDAY. DANIELLE, I JUST WANT YOU TO HAVE THE BEST PARTY 278 00:13:04,600 --> 00:13:06,500 YOU HAVE EVER HAD IN YOUR ENTIRE LIFE. 279 00:13:06,533 --> 00:13:09,267 I JUST WANT A FEW FRIENDS TO COME OVER AND HANG OUT. 280 00:13:09,300 --> 00:13:10,700 YOU CAN MAKE A CAKE, 281 00:13:10,733 --> 00:13:12,200 BUT GIANT BALLOON NUMBERS? 282 00:13:12,233 --> 00:13:15,367 I MEAN, COME ON. THEY WOULD ALL MAKE FUN OF ME. 283 00:13:15,400 --> 00:13:18,633 OH. 284 00:13:20,633 --> 00:13:22,633 OKAY. 285 00:13:29,433 --> 00:13:30,833 IS THAT REALLY NECESSARY? 286 00:13:30,867 --> 00:13:34,367 HONEY, I CAN'T POSSIBLY PUT IT IN THE GARBAGE AS IS. 287 00:13:39,100 --> 00:13:41,500 IT'S JUST ANOTHER MORNING WITH THE VAN DE KAMPS. 288 00:13:41,533 --> 00:13:43,633 OH, SUSAN, DID I WAKE YOU? 289 00:13:43,667 --> 00:13:46,167 UH, NO. NO, I WAS UP. 290 00:13:46,200 --> 00:13:48,100 WELL, I'M SORRY ABOUT THE NOISE. 291 00:13:48,133 --> 00:13:50,433 IT'S JUST THAT DANIELLE DOESN'T WANT BALLOONS, 292 00:13:50,467 --> 00:13:52,367 AND I'M KIND OF PRESSED FOR TIME. 293 00:13:52,400 --> 00:13:56,767 BREE... ARE YOU OKAY? 294 00:13:58,167 --> 00:14:00,500 SHE SAID SHE DOESN'T WANT BALLOONS. 295 00:14:00,533 --> 00:14:03,367 I'M FINE. 296 00:14:09,867 --> 00:14:12,667 (pounding on door) 297 00:14:12,700 --> 00:14:14,667 MOM? 298 00:14:14,700 --> 00:14:18,467 LOOK, I KNOW YOU'RE OUT THERE. PLEASE, JUST TALK TO ME. 299 00:14:18,500 --> 00:14:20,800 MOM, I NEED SOMETHING TO DRINK. 300 00:14:20,833 --> 00:14:24,067 JUST SOME WATER, SOME JUICE. SOMETHING, ANYTHING. PLEASE. 301 00:14:24,100 --> 00:14:26,100 MOM! 302 00:14:29,800 --> 00:14:33,300 YOU WANT ME TO SAY THAT I SET CALEB UP? 303 00:14:33,333 --> 00:14:36,633 YEAH, I DID IT. 304 00:14:38,200 --> 00:14:40,467 I STARTED THINKING ABOUT ALL THOSE YEARS-- 305 00:14:40,500 --> 00:14:43,467 YEARS THAT WE HAD TO TAKE CARE OF HIM, AND... 306 00:14:43,500 --> 00:14:46,233 I JUST THOUGHT MAYBE ONCE HE WAS GONE, 307 00:14:46,267 --> 00:14:48,267 WE COULD HAVE A NORMAL LIFE. 308 00:14:48,300 --> 00:14:52,067 (sobbing) AND I'M SORRY. 309 00:14:52,067 --> 00:14:55,200 BUT, MOM, YOU HAVE GOT TO LET ME OUT OF HERE NOW. 310 00:14:55,233 --> 00:14:58,333 DAMN YOU! 311 00:14:58,367 --> 00:15:00,267 YOU WERE WILLING TO STAND BY 312 00:15:00,300 --> 00:15:03,833 AND LET ME MURDER YOUR BROTHER WITHOUT REASON. 313 00:15:03,867 --> 00:15:06,500 THAT'S AN UNFORGIVABLE BETRAYAL. 314 00:15:06,533 --> 00:15:09,267 I AM SO CONSUMED WITH RAGE. 315 00:15:09,300 --> 00:15:12,167 IT'S BEST YOU STAY IN THERE, BECAUSE IF I LET YOU OUT, 316 00:15:12,200 --> 00:15:16,400 I DON'T KNOW WHAT I MIGHT DO TO YOU. 317 00:15:17,733 --> 00:15:19,733 (loud clang) 318 00:15:22,167 --> 00:15:24,467 (telephone rings) 319 00:15:24,500 --> 00:15:25,767 HELLO? 320 00:15:25,800 --> 00:15:27,700 I NEED EDIE TO SPILL HER GUTS. 321 00:15:27,733 --> 00:15:29,733 WHAT DO YOU KNOW ABOUT WEARING A WIRE? 322 00:15:31,100 --> 00:15:32,767 SO YOU SEE THE LITTLE RED LIGHT? MM. 323 00:15:32,800 --> 00:15:34,267 IT'S ALL VOICE-ACTIVATED, 324 00:15:34,300 --> 00:15:36,200 SO IF THE LIGHT'S ON, YOU'RE RECORDING. 325 00:15:36,233 --> 00:15:38,567 UH, LET ME SHOW YOU HOW TO TAPE IT ON. 326 00:15:38,600 --> 00:15:40,367 OH, OKAY. 327 00:15:40,400 --> 00:15:42,300 SORRY IF MY HANDS ARE COLD. 328 00:15:42,333 --> 00:15:46,267 UM... NO, THAT'S OKAY. THEY'RE FINE. 329 00:15:50,233 --> 00:15:52,567 SO YOU SURE YOU WANNA DO THIS? 330 00:15:52,600 --> 00:15:54,633 YEAH. I'M SORT OF UP AGAINST THE WALL. 331 00:15:54,667 --> 00:15:56,567 THE INSURANCE COMPANY NEEDS PROOF FAST, 332 00:15:56,600 --> 00:15:59,200 AND THINGS ARE SORT OF WEIRD AT BREE'S. 333 00:15:59,233 --> 00:16:01,300 I DON'T WANNA OVERSTAY MY WELCOME. 334 00:16:01,333 --> 00:16:06,100 WELL, IF THINGS GET TOUGH, YOU CAN ALWAYS STAY HERE. 335 00:16:06,133 --> 00:16:07,700 TESTING, TESTING. 336 00:16:07,733 --> 00:16:11,567 I'M SORRY. DID YOU JUST INVITE ME TO MOVE IN WITH YOU? 337 00:16:11,600 --> 00:16:14,167 WELL, YOU AND JULIE IN THE SPARE BEDROOM. 338 00:16:14,200 --> 00:16:15,400 OH. 339 00:16:15,433 --> 00:16:17,100 YOU'VE... 340 00:16:17,133 --> 00:16:19,833 YOU'VE BEEN SAYING HOW YOU WANT TO BE FRIENDS AGAIN, 341 00:16:19,867 --> 00:16:21,333 AND YOU'RE RIGHT. 342 00:16:21,367 --> 00:16:24,667 THERE'S NO REASON WE CAN'T BE FRIENDS. 343 00:16:24,700 --> 00:16:28,233 YOU SURE THAT WON'T PUT A CRIMP IN YOUR, UH, DATING LIFE? 344 00:16:28,267 --> 00:16:31,700 YOU KNOW, THAT GIRL YOU WERE AT THE MOVIES WITH? 345 00:16:31,733 --> 00:16:33,400 NO. THAT WAS A ONE-TIME THING. 346 00:16:33,433 --> 00:16:36,533 BUT WHAT ABOUT THAT GUY, THOUGH? ORSON. 347 00:16:36,567 --> 00:16:40,400 YEAH, HE JUST HEARD ABOUT THE FIRE AND CAME OVER TO HELP. 348 00:16:40,433 --> 00:16:41,333 WE'RE FRIENDS. 349 00:16:41,367 --> 00:16:44,667 OH. SO... NEITHER OF US IS DATING ANYBODY. 350 00:16:44,700 --> 00:16:47,267 GUESS NOT. 351 00:16:50,333 --> 00:16:53,200 I GOT MY BOARDING PASS. 352 00:16:53,233 --> 00:16:55,800 DO WHAT YOU NEED TO DO AND DON'T WORRY ABOUT THE KIDS. 353 00:16:55,833 --> 00:16:57,733 I'LL KEEP 'EM OUT OF TROUBLE. 354 00:16:57,767 --> 00:16:59,300 IS THIS CRAZY? 355 00:16:59,333 --> 00:17:01,433 FOLLOWING TOM ACROSS THE COUNTRY JUST TO SPY ON HIM? 356 00:17:01,467 --> 00:17:03,367 IF HE KNEW I WAS DOING THIS... 357 00:17:03,400 --> 00:17:06,333 GOD, I DON'T THINK I CAN GO THROUGH WITH THIS. 358 00:17:06,367 --> 00:17:08,267 NOW, LOOK, THERE'S PROBABLY NOTHING GOING ON, 359 00:17:08,300 --> 00:17:11,167 BUT YOU NEED TO KNOW THE TRUTH. 360 00:17:11,200 --> 00:17:12,233 DO I? I'M HAPPY. 361 00:17:12,267 --> 00:17:15,167 I MEAN, I WAS. WHY DON'T I JUST LOOK THE OTHER WAY 362 00:17:15,200 --> 00:17:18,067 AND PRETEND NOTHING'S WRONG? LOTS OF WOMEN CAN DO THAT. 363 00:17:18,100 --> 00:17:20,067 BUT WE BOTH KNOW YOU'RE NOT ONE OF THEM. 364 00:17:20,067 --> 00:17:23,733 AND WHAT IF I SEE HIM WITH ANOTHER WOMAN? WHAT THEN? 365 00:17:26,133 --> 00:17:28,500 (sighs) I OWN A GUN. 366 00:17:34,667 --> 00:17:37,533 *** 367 00:17:37,567 --> 00:17:40,567 (indistinct conversations, laughter) 368 00:17:46,267 --> 00:17:47,467 YOU OKAY HERE? 369 00:17:47,500 --> 00:17:49,267 I'M FINE. WHY? 370 00:17:49,300 --> 00:17:51,633 IT'S JUST, PEOPLE HAVE BEEN ASKING ABOUT THE CAKE, 371 00:17:51,667 --> 00:17:54,100 AND YOU'VE BEEN ICING IT FOR OVER AN HOUR. 372 00:17:54,133 --> 00:17:56,067 WELL, I JUST KEEP MESSING IT UP. 373 00:17:56,067 --> 00:17:57,800 I DON'T KNOW WHAT'S WRONG WITH ME. 374 00:17:57,833 --> 00:17:59,367 YOU'RE PROBABLY JUST TIRED. 375 00:17:59,400 --> 00:18:01,800 MY MOM AND I HEARD YOU UP ALL NIGHT. 376 00:18:01,833 --> 00:18:04,767 (sighs) IT JUST KEEPS COMING OUT TOO THICK. 377 00:18:07,500 --> 00:18:09,400 YOU KNOW, PEOPLE AREN'T GONNA CARE 378 00:18:09,433 --> 00:18:11,800 IF THE ICING ISN'T PERFECT. 379 00:18:11,833 --> 00:18:16,300 PEOPLE CARE ABOUT DETAILS. 380 00:18:16,333 --> 00:18:18,500 SOMEDAY WHEN DANIELLE LOOKS BACK, 381 00:18:18,533 --> 00:18:21,467 I WANT HER TO REMEMBER JUST HOW PERFECT HER CAKE LOOKED 382 00:18:21,500 --> 00:18:24,133 AND HOW HARD HER MOTHER WORKED TO MAKE HER HAPPY. 383 00:18:24,167 --> 00:18:27,167 THIS CAKE IS A SYMBOL OF MY LOVE. 384 00:18:28,733 --> 00:18:33,533 WELL, IT LOOKS DELICIOUS. 385 00:18:35,633 --> 00:18:39,100 (all) * HAPPY BIRTHDAY TO YOU 386 00:18:39,133 --> 00:18:42,733 * HAPPY BIRTHDAY TO YOU 387 00:18:42,767 --> 00:18:45,667 * HAPPY BIRTHDAY 388 00:18:45,700 --> 00:18:47,633 * DEAR DANIELLE 389 00:18:47,667 --> 00:18:51,067 STOP! ONE OF THE CANDLES WENT OUT. 390 00:18:51,100 --> 00:18:53,800 UM, WE'RE GONNA HAVE TO DO THIS ALL OVER AGAIN. 391 00:18:53,833 --> 00:18:55,733 I'M SORRY. I'LL BE RIGHT BACK. 392 00:18:55,767 --> 00:18:58,233 MOM, IT'S ALL RIGHT. SWEETHEART, THIS IS YOUR SPECIAL DAY. 393 00:18:58,267 --> 00:19:00,467 ALL OF YOUR CANDLES SHOULD BE LIT. 394 00:19:00,500 --> 00:19:03,067 IT'LL JUST TAKE ME TWO SECONDS. 395 00:19:03,067 --> 00:19:04,267 IS SHE SERIOUS? 396 00:19:04,300 --> 00:19:06,533 WELCOME TO MY OWN PRIVATE HELL. 397 00:19:10,233 --> 00:19:12,700 THAT IS SOME SERIOUS FROSTING. 398 00:19:12,733 --> 00:19:14,567 (Bree) ALL RIGHTY. 399 00:19:18,167 --> 00:19:21,467 (heart pounding) 400 00:19:29,100 --> 00:19:31,500 WHO TOUCHED THIS? 401 00:19:31,533 --> 00:19:34,600 MOM, WHAT IS THE MATTER? IT'S JUST A LITTLE FROSTING. 402 00:19:34,633 --> 00:19:36,167 SOMEBODY RUINED YOUR CAKE, 403 00:19:36,200 --> 00:19:38,800 AND I WANNA KNOW WHO COULD BE THAT THOUGHTLESS. 404 00:19:38,833 --> 00:19:41,500 WAS IT YOU? OR YOU?! WHO WAS IT? 405 00:19:41,533 --> 00:19:43,500 MOM, PLEASE, YOU'RE EMBARRASSING ME. 406 00:19:43,533 --> 00:19:46,800 YOU. YOU LOOK LIKE A GIRL WHO ENJOYS HER FROSTING. 407 00:19:46,833 --> 00:19:50,067 NO! NO, I DIDN'T TOUCH IT. 408 00:19:50,100 --> 00:19:52,800 IT'S JUST A CAKE, FOR GOD SAKES. WILL YOU PLEASE JUST CUT IT? 409 00:19:52,833 --> 00:19:54,367 MRS. VAN DE KAMP-- 410 00:19:54,400 --> 00:19:56,467 OPEN YOUR MOUTH. I WANNA SMELL YOUR BREATH. 411 00:19:56,500 --> 00:19:58,400 IT WASN'T ME! IT WAS BARBIE. 412 00:19:58,433 --> 00:19:59,767 BARBIE! 413 00:19:59,800 --> 00:20:01,700 (gasp) 414 00:20:01,733 --> 00:20:04,167 WHAT THE HELL IS WRONG WITH YOU?! 415 00:20:04,200 --> 00:20:07,600 NOW IT'S RUINED! EVERYTHING IS RUINED! 416 00:20:13,733 --> 00:20:16,100 (door opens, closes) 417 00:20:16,133 --> 00:20:18,367 UM... 418 00:20:18,400 --> 00:20:20,467 YOU CAN JUST... LEAVE THAT THERE, 419 00:20:20,500 --> 00:20:24,733 AND I'LL, UM... CLEAN IT UP LATER. 420 00:20:30,633 --> 00:20:33,233 XIAO-MEI, WHAT ARE YOU DOING IN OUR BED? 421 00:20:33,267 --> 00:20:36,133 I SAID SHE COULD SLEEP IN THERE FROM NOW ON. 422 00:20:36,167 --> 00:20:38,367 IT'S GOT THE BATHROOM, YOU KNOW, IN CASE 423 00:20:38,400 --> 00:20:40,600 SHE GETS SICK IN THE MIDDLE OF THE NIGHT. 424 00:20:40,633 --> 00:20:43,300 WELL, WHAT'S WRONG WITH THE GUEST BATHROOM? IT'S TOO FAR AWAY. 425 00:20:43,333 --> 00:20:46,133 IT'S RIGHT DOWN THE HALL. GABY, SHE NEEDS HER REST. 426 00:20:46,167 --> 00:20:47,633 AND BESIDES, THAT BED 427 00:20:47,667 --> 00:20:50,267 IS MUCH MORE COMFORTABLE THAN THE ONE IN THE GUEST ROOM. 428 00:20:50,300 --> 00:20:51,800 YEAH, I KNOW. 429 00:20:51,833 --> 00:20:55,033 THAT'S WHY I HAD THE MOVERS PUT IT IN HERE, WHERE WE SLEEP. 430 00:20:55,067 --> 00:20:58,300 MAYBE I GO TO MY BED. 431 00:20:58,333 --> 00:21:00,567 YES, XIAO-MEI, THAT WOULD BE GOOD. 432 00:21:02,100 --> 00:21:03,200 UH-OH. 433 00:21:06,400 --> 00:21:10,167 FINE. YOU CAN USE OUR TOILET. 434 00:21:13,267 --> 00:21:15,567 (groaning) 435 00:21:15,600 --> 00:21:17,133 OW! STOP KICKING ME. 436 00:21:17,167 --> 00:21:19,067 I'M JUST TRYING TO GET COMFORTABLE. 437 00:21:19,100 --> 00:21:22,233 YEAH, IN A TWIN? GOOD LUCK. 438 00:21:22,267 --> 00:21:25,100 GOD, I WANT MY BED BACK. 439 00:21:25,133 --> 00:21:27,467 WE'LL GO BUY A NICE BIG ONE TOMORROW 440 00:21:27,500 --> 00:21:30,567 AND PUT IT IN HERE, OKAY? THAT IS NOT THE POINT. WE ARE A WEEK INTO THIS PREGNANCY, 441 00:21:30,600 --> 00:21:33,467 AND YOU'RE ALREADY PUTTING XIAO-MEI'S NEEDS BEFORE MINE. 442 00:21:33,500 --> 00:21:36,800 WELL, SHE'S THE PRIORITY NOW. SHE'S THE MOTHER OF MY CHILD. 443 00:21:37,833 --> 00:21:41,367 LIKE HELL SHE IS. THAT IS MY EGG. 444 00:21:41,400 --> 00:21:43,333 YOU KNOW WHAT I MEAN. SHE'S THE... 445 00:21:43,367 --> 00:21:45,233 OVEN, CARLOS. THE OVEN. 446 00:21:45,267 --> 00:21:47,300 A WELL-CARED-FOR, WELL-PAID OVEN. 447 00:21:47,333 --> 00:21:49,233 IT CAME OUT WRONG. I'M SORRY, OKAY? 448 00:21:49,267 --> 00:21:51,733 NOW CAN WE JUST GET SOME SLEEP? 449 00:21:54,133 --> 00:21:56,133 OHH! BABE, I'M SORRY. 450 00:21:56,167 --> 00:21:58,100 I SWEAR. I SWEAR I DIDN'T MEAN TO. 451 00:21:58,133 --> 00:22:00,633 MY LEG JUST CRAMPED UP. 452 00:22:00,667 --> 00:22:03,200 WHERE ARE YOU GOING? THAT'S MY PILLOW! 453 00:22:04,567 --> 00:22:06,367 GOOD NIGHT. 454 00:22:06,400 --> 00:22:09,400 (gravel hitting window) 455 00:22:10,367 --> 00:22:12,633 (whispering loudly) MATTHEW! 456 00:22:24,800 --> 00:22:27,333 (footsteps approach) 457 00:22:28,867 --> 00:22:30,633 MOM, COME ON. 458 00:22:30,667 --> 00:22:33,300 OH, MY GOD. WHAT ARE YOU DOING IN THERE? 459 00:22:33,333 --> 00:22:34,500 DANIELLE, IS THAT YOU? 460 00:22:34,533 --> 00:22:36,433 MY MOM FOUND OUT WHAT WE DID TO CALEB. 461 00:22:36,467 --> 00:22:39,467 SHE FLIPPED OUT AND LOCKED ME IN HERE. DON'T WORRY. I'LL GET YOU OUT. 462 00:22:39,500 --> 00:22:41,400 BE REALLY CAREFUL, OKAY? PLEASE, OKAY? 463 00:22:41,433 --> 00:22:43,467 I'VE NEVER SEEN HER LIKE THIS BEFORE. 464 00:22:43,500 --> 00:22:45,400 SHE'S SERIOUSLY LOST IT THIS TIME. 465 00:22:45,433 --> 00:22:47,700 I KNOW A LITTLE SOMETHING ABOUT PSYCHO MOMS. 466 00:22:47,733 --> 00:22:50,267 TRUST ME, I'LL BE FINE. 467 00:22:50,300 --> 00:22:52,333 (front door closes) 468 00:22:56,467 --> 00:22:57,833 HEY. 469 00:22:57,867 --> 00:23:00,767 CLEANING UP AFTER THE BIG PARTY? 470 00:23:00,800 --> 00:23:03,533 YEAH. 471 00:23:05,833 --> 00:23:07,167 YOU KNOW, IT'S LATE. 472 00:23:07,200 --> 00:23:09,633 WHY DON'T YOU, UH, GO TO BED AND, YOU KNOW, 473 00:23:09,667 --> 00:23:12,533 LET JULIE AND I HELP YOU WITH THAT IN THE MORNING? 474 00:23:12,567 --> 00:23:16,067 OH, THAT'S OKAY. I CAN'T SLEEP ANYWAY. 475 00:23:16,067 --> 00:23:18,533 ARE YOU... OKAY? 476 00:23:18,567 --> 00:23:21,367 I TAKE IT YOU HEARD WHAT HAPPENED. 477 00:23:21,400 --> 00:23:24,367 YEAH, WHEN YOU FLIP OUT IN FRONT OF THE PEP SQUAD, 478 00:23:24,400 --> 00:23:27,133 WORD TRAVELS FAST. 479 00:23:27,167 --> 00:23:29,233 IT WAS THE ODDEST SENSATION. 480 00:23:29,267 --> 00:23:31,700 I WAS FINE, AND EVERYTHING WAS FINE, 481 00:23:31,733 --> 00:23:35,600 AND THEN SUDDENLY I WAS ON THE OUTSIDE OF MY BODY 482 00:23:35,633 --> 00:23:38,567 WATCHING A WOMAN WHO LOOKED LIKE ME 483 00:23:38,600 --> 00:23:41,067 BECOMING A RAVING MANIAC. 484 00:23:41,067 --> 00:23:44,067 BREE, I'M WORRIED ABOUT YOU. DO... 485 00:23:44,100 --> 00:23:46,400 DO YOU THINK THAT YOU SHOULD SEE SOMEONE? OH, NO, I'M FINE. 486 00:23:46,433 --> 00:23:49,633 I'M JUST TIRED, THAT'S ALL. I JUST NEED A LONG REST, 487 00:23:49,667 --> 00:23:52,100 AND THEN I'M GONNA BE AS GOOD AS NEW. 488 00:23:52,133 --> 00:23:56,667 OKAY, WELL, THEN WHY DON'T YOU STOP AND GO TO BED? 489 00:23:56,700 --> 00:24:00,567 BECAUSE, UM, I CAN'T SLEEP JUST YET. 490 00:24:00,600 --> 00:24:01,767 WHY NOT? 491 00:24:01,800 --> 00:24:03,433 BECAUSE WHEN I SLEEP, I DREAM, 492 00:24:03,467 --> 00:24:05,533 AND WHEN I DREAM, I KEEP SEEING ANDREW'S FACE 493 00:24:05,567 --> 00:24:07,100 IN THAT REARVIEW MIRROR. 494 00:24:07,133 --> 00:24:09,700 OKAY, WHAT ARE YOU TALKING ABOUT? 495 00:24:09,733 --> 00:24:13,300 ANDREW, UM... 496 00:24:13,333 --> 00:24:14,767 DIDN'T RUN AWAY. 497 00:24:17,067 --> 00:24:23,267 I, UM, DROPPED HIM OFF IN THE MIDDLE OF NOWHERE, 498 00:24:23,300 --> 00:24:25,600 TOLD HIM THAT I COULDN'T BE AROUND HIM ANYMORE, 499 00:24:25,633 --> 00:24:28,100 AND THEN... 500 00:24:28,133 --> 00:24:29,567 I DROVE OFF. 501 00:24:34,767 --> 00:24:37,633 SO I JUST NEED A LITTLE TIME TO FORGET WHAT I'VE DONE, 502 00:24:37,667 --> 00:24:40,700 AND THEN I CAN SLEEP AGAIN. 503 00:24:42,800 --> 00:24:44,067 HEY. 504 00:24:48,700 --> 00:24:50,633 YOU KNOW, I AM NOT EVEN TIRED. 505 00:24:50,667 --> 00:24:57,233 SO... WHY DON'T I STAY UP AND HELP YOU? 506 00:24:58,233 --> 00:25:00,333 THAT WOULD BE NICE. 507 00:25:23,667 --> 00:25:26,067 THANK YOU. 508 00:25:26,100 --> 00:25:28,467 (cell phone rings) 509 00:25:28,500 --> 00:25:31,733 (ring) 510 00:25:31,767 --> 00:25:32,767 HELLO? 511 00:25:32,800 --> 00:25:35,500 Hey, you. How you doing? 512 00:25:35,533 --> 00:25:37,567 HEY! GREAT. 513 00:25:37,600 --> 00:25:42,167 GREAT. HOW'S ATLANTIC CITY? ARE YOU, UM, WINNING SOME MONEY? 514 00:25:42,200 --> 00:25:43,567 Oh, I'm about even. 515 00:25:43,600 --> 00:25:46,067 ACTUALLY, I'M HEADING BACK INTO THE CASINO RIGHT NOW 516 00:25:46,067 --> 00:25:47,467 TO TRY MY LUCK AGAIN. Yeah? 517 00:25:47,500 --> 00:25:49,233 YOU'RE QUITE A GAMBLER. 518 00:25:49,267 --> 00:25:50,433 (chuckles) 519 00:25:50,467 --> 00:25:52,733 WHERE'S JERRY? 520 00:25:52,767 --> 00:25:55,633 UH, JERRY? 521 00:25:55,667 --> 00:25:58,500 HE--HE'S RIGHT HERE. HEY, HONEY, HOW ARE THE KIDS? 522 00:25:58,533 --> 00:26:00,667 GREAT. GREAT. THEY'RE IN THE DAY CARE ROOM. 523 00:26:00,700 --> 00:26:03,667 I'M... LOOKING AT 'EM RIGHT NOW. 524 00:26:03,700 --> 00:26:05,833 (chuckles) HEY, WHY DON'T YOU WALK IN THERE AND, UM, 525 00:26:05,867 --> 00:26:08,733 put 'em on the phone with me so I can say hi? 526 00:26:08,767 --> 00:26:10,367 OKAY. SURE. 527 00:26:10,400 --> 00:26:12,467 FIRST, CAN I TALK TO JERRY? 528 00:26:12,500 --> 00:26:14,733 WHY DO YOU WANNA TALK TO JERRY? 529 00:26:14,767 --> 00:26:17,700 WELL, JUST, YOU KNOW, SAY HELLO. IT'S BEEN A LONG TIME. 530 00:26:17,733 --> 00:26:22,167 (car alarm blaring) 531 00:26:23,567 --> 00:26:25,333 WOW, MAN, THAT IS WEIRD. 532 00:26:25,367 --> 00:26:27,700 CAN YOU HEAR-- DO YOU HEAR THAT CAR ALARM? 533 00:26:27,733 --> 00:26:30,433 UH... NO. 534 00:26:30,467 --> 00:26:33,100 IT'S STRANGE, BECAUSE I CAN HEAR IT HERE 535 00:26:33,133 --> 00:26:35,500 AND THROUGH THE PHONE. 536 00:26:35,533 --> 00:26:38,333 WHOA. THAT'S WEIRD KIND OF FEEDBACK, YOU KNOW? (alarm stops) 537 00:26:38,367 --> 00:26:40,267 PHYSICS CAN BE SPOOKY THAT WAY. 538 00:26:40,300 --> 00:26:42,200 LISTEN, I GOTTA GO. I GOTTA GO. 539 00:26:42,233 --> 00:26:44,133 ED IS TALKING TO ME, AND, UM, 540 00:26:44,167 --> 00:26:46,067 I'll call you back later? 541 00:26:46,100 --> 00:26:47,067 UM, OKAY. 542 00:26:47,067 --> 00:26:48,633 OKAY, BYE. 543 00:26:48,667 --> 00:26:50,167 Bye, honey. 544 00:27:02,833 --> 00:27:04,733 (woman) 9-1-1. Is this an emergency? 545 00:27:04,767 --> 00:27:06,133 I THINK SO. 546 00:27:06,167 --> 00:27:09,267 MY NEIGHBOR, PAUL YOUNG, HAS BEEN THREATENING ME. 547 00:27:09,300 --> 00:27:11,200 Is he there right now? 548 00:27:11,233 --> 00:27:12,467 NO. 549 00:27:12,500 --> 00:27:14,400 Ma'am, until he actually does something, 550 00:27:14,433 --> 00:27:16,333 there's nothing we can do. 551 00:27:16,367 --> 00:27:18,267 WELL, I WON'T LIVE IN FEAR ANYMORE. 552 00:27:18,300 --> 00:27:20,200 IF YOU PEOPLE REFUSE TO CONFRONT HIM, 553 00:27:20,233 --> 00:27:22,567 I GUESS I'LL JUST HAVE TO DO IT MYSELF. 554 00:27:30,400 --> 00:27:32,233 (beep) 555 00:27:41,333 --> 00:27:44,167 NO, EDIE, WAIT. UM, I DON'T WANNA FIGHT. 556 00:27:44,200 --> 00:27:46,100 I KNOW THAT WE'VE HAD OUR DIFFERENCES, 557 00:27:46,133 --> 00:27:47,833 BUT, YOU KNOW, WE HAD A FRIENDSHIP GOING THERE, 558 00:27:47,867 --> 00:27:50,367 AND I JUST THINK WE OWE IT TO OURSELVES 559 00:27:50,400 --> 00:27:52,300 TO TALK ABOUT WHAT HAPPENED. 560 00:27:52,333 --> 00:27:55,567 WHAT'S THERE TO TALK ABOUT? IT HAPPENED. 561 00:27:55,600 --> 00:27:57,500 I WALKED DOWN TO YOUR HOUSE... 562 00:27:57,533 --> 00:27:59,733 (mouth full) I HAD A WATERING CAN... WHAT? 563 00:27:59,767 --> 00:28:01,800 (muttering) FILLED IT WITH GASOLINE AND... 564 00:28:01,833 --> 00:28:04,500 BOOM! LAUGHED MY ASS OFF. 565 00:28:04,533 --> 00:28:06,800 OKAY, WAIT. COULD YOU JUST SWALLOW? 566 00:28:06,833 --> 00:28:08,500 'CAUSE I COULDN'T REALLY... WHAT YOU WERE SAYING-- 567 00:28:08,533 --> 00:28:10,067 AND THAT WAS BASICALLY IT. 568 00:28:10,067 --> 00:28:11,800 ONE OF THE BEST DAYS OF MY LIFE. 569 00:28:11,833 --> 00:28:13,733 WELL, SEE, YOU WERE CHEWING, 570 00:28:13,767 --> 00:28:15,800 AND SO I DIDN'T REALLY HEAR WHAT YOU SAID. 571 00:28:15,833 --> 00:28:17,733 COULD YOU JUST SAY IT AGAIN? (chuckles) 572 00:28:17,767 --> 00:28:20,633 I BURNT YOUR HOUSE DOWN. IT WAS GREAT. WHAT DO YOU WANT? 573 00:28:20,667 --> 00:28:22,567 SO, UH, Y-YOU THEN A-ADMIT 574 00:28:22,600 --> 00:28:26,667 BURNING DOWN MY HOUSE ON PURPOSE? 575 00:28:33,567 --> 00:28:35,467 YOU'RE WEARING A WIRE, AREN'T YOU? 576 00:28:35,500 --> 00:28:36,767 HUH? 577 00:28:36,800 --> 00:28:39,267 OPEN THAT BLOUSE. WHAT? 578 00:28:39,300 --> 00:28:40,733 OPEN THAT BLOUSE! 579 00:28:40,767 --> 00:28:42,667 AAH! 580 00:28:42,700 --> 00:28:43,567 (screaming) 581 00:28:43,600 --> 00:28:45,500 YOU CAN'T OUTRUN ME, MAYER! 582 00:28:45,533 --> 00:28:47,533 I'M IN THE BEST SHAPE OF MY LIFE! 583 00:28:47,567 --> 00:28:50,100 WELL, GOOD, THEN YOU'LL BE PRIME MEAT PICKING 584 00:28:50,133 --> 00:28:51,633 WHEN YOU GO TO JAIL! YOU GIVE IT! 585 00:28:51,667 --> 00:28:53,400 (Susan) BITE ME! 586 00:28:55,633 --> 00:28:58,100 AHA! 587 00:28:58,133 --> 00:29:00,067 NO! NO! 588 00:29:00,100 --> 00:29:01,433 OW! 589 00:29:01,467 --> 00:29:02,800 OW! 590 00:29:02,833 --> 00:29:04,100 (buzzing) 591 00:29:04,133 --> 00:29:05,367 (panting) 592 00:29:05,400 --> 00:29:09,067 WHAT THE HELL? HUH. 593 00:29:10,200 --> 00:29:11,400 AAH! 594 00:29:11,433 --> 00:29:17,533 (screaming) 595 00:29:26,500 --> 00:29:29,067 (shifts gears) 596 00:30:45,433 --> 00:30:48,267 NINE MONTHS OF LONG NIGHTS ON THE COUCH 597 00:30:48,300 --> 00:30:51,233 LOOMED BEFORE GABRIELLE... 598 00:30:52,567 --> 00:30:57,267 AND SHE HAD DECIDED SHE WOULD NOT TAKE IT LYING DOWN. 599 00:30:57,300 --> 00:31:01,733 SO SHE DIPPED INTO HER SUPPLY OF FORBIDDEN PERFUMES... 600 00:31:02,800 --> 00:31:06,600 DETERMINED THAT IN THIS BATTLE... 601 00:31:06,633 --> 00:31:11,367 SHE WOULD BE THE ONE TO COME OUT SMELLING LIKE A ROSE. 602 00:31:13,100 --> 00:31:14,833 I THINK I TAKE NAP NOW. 603 00:31:14,867 --> 00:31:17,300 YEAH, SURE, KNOCK YOURSELF OUT. 604 00:31:21,167 --> 00:31:25,167 AAH! (screams in Chinese) 605 00:31:33,867 --> 00:31:35,600 HONEY? 606 00:31:40,800 --> 00:31:42,400 BOYS? 607 00:31:45,533 --> 00:31:47,700 ANYBODY HOME? 608 00:31:50,600 --> 00:31:52,567 HEY, MRS. McCLUSKEY, EXCUSE ME. 609 00:31:52,600 --> 00:31:55,767 YOU HAVEN'T SEEN LYNETTE AROUND, HAVE YOU? 610 00:31:55,800 --> 00:31:58,667 SHE'S NOT HOME. SHE'S NOT ANSWERING HER CELL PHONE. 611 00:31:58,700 --> 00:32:00,567 SHE PACKED UP THE KIDS AND THE PUPPY AND LEFT. 612 00:32:00,600 --> 00:32:02,133 PACKED 'EM UP? WHY? 613 00:32:02,167 --> 00:32:04,433 SHE FOLLOWED YOU TO ATLANTIC CITY. 614 00:32:04,467 --> 00:32:06,667 SHE KNOWS ABOUT YOUR OTHER WOMAN. 615 00:32:06,700 --> 00:32:11,300 BOY, YOU'RE JUST LUCKY YOU'RE NOT MY HUSBAND. 616 00:32:18,167 --> 00:32:19,733 HI. 617 00:32:23,667 --> 00:32:27,100 (groans) 618 00:32:28,367 --> 00:32:30,267 OKAY, FIRST, LET ME SAY, 619 00:32:30,300 --> 00:32:32,667 I'M REALLY SORRY ABOUT THE YELLOWJACKETS. 620 00:32:34,600 --> 00:32:37,667 AND... ALSO, NO MATTER HOW MAD I AM ABOUT WHAT YOU DID, 621 00:32:37,700 --> 00:32:40,233 I DON'T WANT TO SEE YOU GO TO PRISON. 622 00:32:40,267 --> 00:32:43,733 SO I CAME WITH A SOLUTION. 623 00:32:43,767 --> 00:32:46,633 WHY DON'T YOU JUST COME FORWARD AND TELL THE POLICE 624 00:32:46,667 --> 00:32:50,067 THAT YOU SAW SOME VAGRANT LURKING BY MY GARAGE 625 00:32:50,100 --> 00:32:51,833 WITH A CAN OF GASOLINE? 626 00:32:51,867 --> 00:32:56,333 AND IF YOU DO THAT, THEN I'LL DESTROY THE TAPE. 627 00:32:56,367 --> 00:32:59,133 AND THEN THE INSURANCE COMPANY WILL PAY THE CLAIM. 628 00:32:59,167 --> 00:33:00,433 NOBODY GETS HURT. 629 00:33:00,467 --> 00:33:02,600 DOES THAT SOUND GOOD? 630 00:33:04,400 --> 00:33:05,767 (weakly) COME CLOSER. 631 00:33:05,800 --> 00:33:07,767 OH, UH... 632 00:33:14,133 --> 00:33:16,833 TAKE YOUR STINKING DEAL AND SHOVE IT. 633 00:33:16,867 --> 00:33:18,500 EDIE... 634 00:33:18,533 --> 00:33:20,433 EVERY TIME SOMETHING BAD HAPPENS TO ME, 635 00:33:20,467 --> 00:33:22,367 YOU'RE STANDING NEARBY. 636 00:33:22,400 --> 00:33:24,533 WELL, I'VE HAD IT. 637 00:33:24,567 --> 00:33:26,467 NO MORE PRETENDING TO BE FRIENDS. 638 00:33:26,500 --> 00:33:29,467 WHEN I GET OUTTA HERE, I'M GONNA DESTROY YOU. 639 00:33:29,500 --> 00:33:33,667 OKAY, I'M JUST GONNA THINK THAT THIS IS THE MEDS TALKING, 640 00:33:33,700 --> 00:33:36,233 AND I'LL COME BACK TOMORROW. 641 00:33:36,267 --> 00:33:38,233 DON'T BOTHER. 642 00:33:38,267 --> 00:33:40,433 OKAY, EDIE, I'M IN TROUBLE HERE. 643 00:33:40,467 --> 00:33:42,800 OH, I'M SURE YOU'LL TURN ON THE WATERWORKS, 644 00:33:42,833 --> 00:33:44,733 AND THE WHOLE NEIGHBORHOOD WILL COME RUNNING. 645 00:33:44,767 --> 00:33:46,233 THEY ALWAYS DO. 646 00:33:46,267 --> 00:33:48,567 THAT'S NOT TRUE. SURE, IT IS. 647 00:33:48,600 --> 00:33:51,500 YOU NEVER MISS AN OPPORTUNITY TO PLAY THE VICTIM, 648 00:33:51,533 --> 00:33:53,433 AND YOU THINK JUST BECAUSE 649 00:33:53,467 --> 00:33:56,400 EVERYBODY ALWAYS COMES TO YOUR RESCUE, 650 00:33:56,433 --> 00:33:58,533 IT MEANS THAT YOU'RE LOVED. 651 00:33:58,567 --> 00:34:00,300 WELL, IT DOESN'T. 652 00:34:00,333 --> 00:34:03,500 IT MEANS THAT YOU'RE HELPLESS. 653 00:34:03,533 --> 00:34:06,100 NOW GET OUT. 654 00:34:06,133 --> 00:34:08,433 JUST GET OUT. 655 00:34:16,867 --> 00:34:18,267 HEY THERE. 656 00:34:18,300 --> 00:34:20,133 HI. 657 00:34:20,167 --> 00:34:23,300 SO YOU GIVEN ANY THOUGHT TO STAYING AT MY PLACE? 658 00:34:23,333 --> 00:34:26,800 OH, YEAH, THAT. UM... 659 00:34:26,833 --> 00:34:28,767 LOOK, I REALLY APPRECIATE THE OFFER, 660 00:34:28,800 --> 00:34:31,067 BUT I THINK I'M GONNA HAVE TO PASS. 661 00:34:31,067 --> 00:34:32,600 REALLY? YEAH. 662 00:34:32,633 --> 00:34:35,167 I THINK IT'S BEST. I DON'T WANNA GET A REP AROUND HERE 663 00:34:35,200 --> 00:34:37,100 FOR BEING A CHARITY CASE, YOU KNOW? 664 00:34:37,133 --> 00:34:39,067 WELL, I DIDN'T MEAN IT THAT WAY-- 665 00:34:39,067 --> 00:34:41,200 JUST ONE FRIEND HELPING OUT ANOTHER. 666 00:34:41,233 --> 00:34:45,300 I KNOW, BUT I CAN FIGURE THIS OUT ON MY OWN. 667 00:34:45,333 --> 00:34:47,400 AT LEAST I'M GONNA TRY. 668 00:34:48,700 --> 00:34:52,400 YOU KNOW, I'M STRONGER THAN PEOPLE GIVE ME CREDIT FOR. 669 00:34:52,433 --> 00:34:53,600 I REALLY AM. 670 00:34:53,633 --> 00:34:56,633 WELL, IF THERE'S ANYTHING I CAN DO... 671 00:34:56,667 --> 00:35:00,500 YOU KNOW WHAT WOULD BE NICE? 672 00:35:00,533 --> 00:35:04,067 WHY DON'T YOU JUST STOP OVER FOR COFFEE SOMETIME? 673 00:35:04,067 --> 00:35:05,367 OKAY. 674 00:35:05,400 --> 00:35:07,300 I MEAN, THAT IS AFTER I GET 675 00:35:07,333 --> 00:35:09,233 RUNNING WATER AND ELECTRICITY AGAIN... 676 00:35:09,267 --> 00:35:11,167 AND A COFFEEMAKER. 677 00:35:11,200 --> 00:35:13,633 (both chuckle) 678 00:35:17,800 --> 00:35:20,600 I HOPE YOU'RE HAPPY. THAT POOR GIRL CAN HARDLY EVEN 679 00:35:20,633 --> 00:35:23,233 COME UPSTAIRS NOW BECAUSE OF YOU. 680 00:35:23,267 --> 00:35:26,233 CARLOS, STOP WITH THE DANCE. IT'S ALREADY IN THE WALLPAPER. 681 00:35:26,267 --> 00:35:29,500 NOW I SWEAR, IF ANYTHING HAPPENS TO THAT KID BECAUSE OF YOU... 682 00:35:29,533 --> 00:35:31,733 OH, IT'S PERFUME, NOT TOXIC GAS. 683 00:35:31,767 --> 00:35:33,300 WHY ARE YOU ACTING THIS WAY? 684 00:35:33,333 --> 00:35:35,233 BECAUSE I SEE THE WRITING ON THE WALL, 685 00:35:35,267 --> 00:35:37,267 AND IT SCARES THE HELL OUT OF ME. 686 00:35:37,300 --> 00:35:38,600 MEANING WHAT? 687 00:35:38,633 --> 00:35:40,533 FROM THE SECOND XIAO-MEI GOT PREGNANT, 688 00:35:40,567 --> 00:35:43,633 YOU HAVE FOUND A MILLION AND ONE WAYS TO TELL ME THAT 689 00:35:43,667 --> 00:35:46,300 THAT BABY IS MORE IMPORTANT TO YOU THAN ME. OH, COME ON, GABY. 690 00:35:46,333 --> 00:35:48,233 NO! MEN CAN'T HELP IT. 691 00:35:48,267 --> 00:35:50,433 WHEN THEY BECOME FATHERS, THEY BECOME LOUSY HUSBANDS, 692 00:35:50,467 --> 00:35:51,833 AND SOME WIVES DON'T MIND, 693 00:35:51,867 --> 00:35:53,767 BUT YOU DIDN'T MARRY ONE OF THOSE WOMEN. 694 00:35:53,800 --> 00:35:56,267 I DON'T THINK I CAN SLEEP IN HERE TONIGHT. 695 00:35:56,300 --> 00:35:58,667 THE AIR'S JUST A LITTLE TOO TOXIC. 696 00:36:01,867 --> 00:36:05,067 (TV playing) 697 00:36:07,067 --> 00:36:10,233 SHE KICK YOU OUT, TOO? 698 00:36:10,267 --> 00:36:12,167 MARRIAGE IS COMPLICATED, XIAO-MEI. 699 00:36:12,200 --> 00:36:14,100 YOU'LL FIND THAT OUT SOMEDAY. 700 00:36:14,133 --> 00:36:18,167 YOU FEEL LIKE WATCHING SOME TRASHY AMERICAN TV? 701 00:36:20,667 --> 00:36:22,133 I MAKE YOU SANDWICH. 702 00:36:22,167 --> 00:36:24,067 ROAST BEEF. 703 00:36:24,100 --> 00:36:25,667 (sighs) OH, MAN. 704 00:36:25,700 --> 00:36:28,067 GABY'S GOT ME ON THIS HEALTH KICK THING. 705 00:36:28,067 --> 00:36:29,800 SHE'LL KILL ME IF I EAT RED MEAT. 706 00:36:29,833 --> 00:36:32,467 I WILL NOT TELL. 707 00:36:40,767 --> 00:36:42,300 TASTE GOOD? 708 00:36:44,733 --> 00:36:45,667 REAL GOOD. 709 00:36:47,667 --> 00:36:51,433 MATTHEW, WAKE UP. I HAVE YOUR BREAKFAST. 710 00:36:51,467 --> 00:36:53,367 I MIGHT BE FURIOUS WITH YOU, 711 00:36:53,400 --> 00:36:55,800 BUT NEVER LET IT BE SAID THAT I'M CRUEL. 712 00:36:57,467 --> 00:36:59,367 I ADVISE YOU NOT TO CHARGE THIS DOOR, 713 00:36:59,400 --> 00:37:04,100 BECAUSE I AM NOT IN THE MOOD FOR ANY UNPLEASANTNESS. 714 00:37:04,133 --> 00:37:06,100 MATTHEW? 715 00:37:06,133 --> 00:37:09,133 MATTHEW? 716 00:37:09,167 --> 00:37:10,200 AAH! 717 00:37:10,233 --> 00:37:12,667 (thud) 718 00:37:16,133 --> 00:37:18,833 JEEZ, DANIELLE! I THOUGHT YOU WERE JUST GONNA STEAL THE KEY. 719 00:37:18,867 --> 00:37:21,067 LET'S JUST GET OUT OF HERE. 720 00:37:34,233 --> 00:37:35,433 (Danielle's voice) MOTHER, MATTHEW AND I 721 00:37:35,467 --> 00:37:38,100 ARE RUNNING AWAY TOGETHER, AND WE'RE NEVER COMING BACK. 722 00:37:38,133 --> 00:37:42,667 IF YOU WANT ME TO BE HAPPY, YOU WON'T TRY TO FIND US. 723 00:37:42,700 --> 00:37:46,200 LIVING IN THAT HOUSE WITH YOU WAS LIKE BEING IN A PRISON. 724 00:37:46,233 --> 00:37:49,067 YOU DROVE ME TO DO THIS, SO I HOPE YOU'LL BLAME YOURSELF. 725 00:37:49,067 --> 00:37:51,333 HAVE A NICE LIFE. DANIELLE. 726 00:37:56,800 --> 00:37:58,200 HELLO. 727 00:37:58,233 --> 00:38:00,133 MY NAME IS BREE VAN DE KAMP, 728 00:38:00,167 --> 00:38:04,100 AND I'D LIKE TO ADMIT MYSELF FOR PSYCHIATRIC OBSERVATION. 729 00:38:04,133 --> 00:38:06,433 ALL RIGHT, WHAT SEEMS TO BE THE PROBLEM? 730 00:38:06,467 --> 00:38:10,300 I THINK I'M ABOUT TO HAVE A NERVOUS BREAKDOWN. 731 00:38:17,400 --> 00:38:20,100 DAMN IT! 732 00:38:20,133 --> 00:38:21,400 (grunts) 733 00:38:24,267 --> 00:38:26,533 WHAT THE HELL? 734 00:38:32,700 --> 00:38:35,633 THAT PSYCHOTIC BITCH. 735 00:38:58,267 --> 00:39:01,633 (siren wailing) 736 00:39:05,367 --> 00:39:06,667 (sighs) 737 00:39:06,700 --> 00:39:08,233 THERE WAS NO CONFRONTATION. 738 00:39:08,267 --> 00:39:10,300 FELICIA TILLMAN'S THE ONE WHO MADE THE CALL. 739 00:39:10,333 --> 00:39:12,100 SHE'S THE ANONYMOUS TIP. 740 00:39:12,133 --> 00:39:13,800 LET'S JUST GO OVER THERE RIGHT NOW. 741 00:39:13,833 --> 00:39:15,467 I GUARANTEE YOU, 742 00:39:15,500 --> 00:39:18,367 THE WOMAN IS HAVING A COCKTAIL, LAUGHING HER ASS OFF. 743 00:39:18,400 --> 00:39:21,600 WE'RE NOT GOING ANYWHERE YET, SIR. AHEM. 744 00:39:21,633 --> 00:39:25,067 (sighs) YES, I KNOW THERE'S BLOOD EVERYWHERE. 745 00:39:25,100 --> 00:39:26,833 SHE PROBABLY GOT IT FROM A PIG 746 00:39:26,867 --> 00:39:30,100 SO SHE CAN VANDALIZE EVERYTHING I OWN. 747 00:39:31,200 --> 00:39:32,633 SERGEANT... 748 00:39:32,667 --> 00:39:35,500 WHAT IS IT? 749 00:39:35,533 --> 00:39:38,267 PUT YOUR HANDS WHERE I CAN SEE 'EM. 750 00:39:44,500 --> 00:39:47,300 OH, MAN, SHE'S GOOD. 751 00:39:50,133 --> 00:39:52,833 IT'S A SHOCKING MOMENT FOR EACH OF US, 752 00:39:52,867 --> 00:39:58,067 THAT MOMENT WE REALIZE WE ARE ALL ALONE IN THIS WORLD. 753 00:39:58,833 --> 00:40:03,667 THE FAMILY WE TAKE FOR GRANTED COULD ONE DAY ABANDON US. 754 00:40:06,067 --> 00:40:09,300 THE HUSBAND WE TRUST SO IMPLICITLY 755 00:40:09,333 --> 00:40:11,367 MIGHT BETRAY US... 756 00:40:13,200 --> 00:40:19,067 THE DAUGHTER WE LOVE SO DEEPLY PERHAPS WON'T RETURN TO US. 757 00:40:19,100 --> 00:40:23,200 AND THEN WE COULD END UP ALL BY OURSELVES. 758 00:40:25,100 --> 00:40:30,300 OF COURSE, SOME SEE GREAT VALUE IN GOING IT ALONE. 759 00:40:30,333 --> 00:40:31,800 FOR EXAMPLE... 760 00:40:31,833 --> 00:40:33,733 SORRY ABOUT THE DUST, MRS. HUBER. 761 00:40:33,767 --> 00:40:36,633 WE DON'T GET TOO MANY TOURISTS THIS FAR UP THE MOUNTAIN. 762 00:40:36,667 --> 00:40:38,167 FIRST SNOWS COME, 763 00:40:38,200 --> 00:40:40,500 AND THIS PLACE IS COMPLETELY CUT OFF. 764 00:40:40,533 --> 00:40:42,433 DROPPING OFF THE FACE OF THE EARTH-- 765 00:40:42,467 --> 00:40:44,367 NOW THAT'S WHAT I CALL A VACATION. 766 00:40:44,400 --> 00:40:45,667 (chuckles) 767 00:40:45,700 --> 00:40:46,633 I'M SORRY. 768 00:40:46,667 --> 00:40:49,233 OH. 769 00:40:51,800 --> 00:40:54,800 SOMETIMES I'M JUST ALL THUMBS. 55390

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