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1
00:01:12,280 --> 00:01:13,444
Time.
2
00:01:14,744 --> 00:01:17,547
One of the most
complex expressions.
3
00:01:17,582 --> 00:01:19,252
Memory made manifest.
4
00:01:21,388 --> 00:01:23,784
It's something that
straddles past and future
5
00:01:23,819 --> 00:01:26,820
without ever quite
being present.
6
00:01:26,855 --> 00:01:31,594
Or rather, it at first seems
indifferent to the present.
7
00:01:31,629 --> 00:01:35,235
There's a tension of a most
unfathomable nature.
8
00:01:36,568 --> 00:01:38,469
The word desires
to be understood.
9
00:01:38,504 --> 00:01:40,372
To have meaning.
10
00:01:40,407 --> 00:01:43,309
But you somehow feel
that it's not you yourself
11
00:01:43,344 --> 00:01:45,740
that the word is addressing.
12
00:01:46,875 --> 00:01:48,644
It washes over you,
13
00:01:50,219 --> 00:01:53,715
holding a dialogue
with something arcane
14
00:01:53,750 --> 00:01:56,190
that's maybe not mortal.
15
00:01:56,225 --> 00:01:58,390
And you feel intrigued.
16
00:01:58,425 --> 00:01:59,589
Captured even.
17
00:02:01,230 --> 00:02:04,528
You're aware
of a deeper existence.
18
00:02:04,563 --> 00:02:07,861
Maybe a temporary reassurance
that indeed
19
00:02:07,896 --> 00:02:10,237
there is no beginning, no end.
20
00:02:11,768 --> 00:02:13,603
And all at once,
the outward appearance
21
00:02:13,638 --> 00:02:15,935
of meaning is transcended.
22
00:02:15,970 --> 00:02:18,740
And you find yourself
struggling to comprehend
23
00:02:18,775 --> 00:02:21,776
a deep and formidable mystery.
24
00:02:22,746 --> 00:02:25,285
All is transient.
25
00:02:25,320 --> 00:02:26,781
Does it matter?
26
00:02:26,816 --> 00:02:28,288
Do I bother?
27
00:03:07,494 --> 00:03:10,825
All those moments
28
00:03:10,860 --> 00:03:13,795
will be lost in time
29
00:03:16,635 --> 00:03:19,867
like tears...
30
00:03:42,793 --> 00:03:44,595
Dust...
31
00:03:44,630 --> 00:03:47,026
Cover me moon dust.
32
00:03:48,370 --> 00:03:50,370
Cover me...
33
00:05:15,182 --> 00:05:18,854
Ground to Major, bye bye, Tom.
34
00:05:30,472 --> 00:05:33,770
Planet Earth, is control on?
35
00:06:11,106 --> 00:06:13,810
I wanted to see him.
36
00:06:13,845 --> 00:06:15,680
What are you so upset about?
37
00:06:15,715 --> 00:06:17,847
I wanted to see him.
38
00:06:17,882 --> 00:06:19,915
They said he was
coming round the back.
39
00:06:19,950 --> 00:06:21,950
I've been waiting
for ages to see him.
40
00:06:25,890 --> 00:06:27,186
Why are you so upset?
41
00:06:27,221 --> 00:06:29,155
He's smashing.
42
00:06:29,190 --> 00:06:31,058
I kissed him! I kissed his hand!
43
00:06:50,046 --> 00:06:52,046
Rumors
and questions have arisen,
44
00:06:52,081 --> 00:06:54,488
such as who is he, what is he,
where did he come from?
45
00:06:54,523 --> 00:06:56,017
Is he a creature
of a foreign power?
46
00:06:56,052 --> 00:06:57,755
Is he a creep? Is he dangerous?
47
00:06:57,790 --> 00:06:59,625
Is he smart, dumb,
nice to his parents,
48
00:06:59,660 --> 00:07:02,562
real, a put-on, crazy,
sane, man, woman, robot?
49
00:07:02,597 --> 00:07:03,992
What is this?
50
00:07:04,027 --> 00:07:06,764
Ladies and gentlemen,
David Bowie.
51
00:13:04,156 --> 00:13:05,892
He's just
another fella, you know?
52
00:13:05,927 --> 00:13:07,487
No, he's not. He's different.
53
00:13:07,522 --> 00:13:09,995
Well, nobody like
him can produce the music.
54
00:13:15,629 --> 00:13:17,497
Davie's the greatest,
and I'll say it again.
55
00:13:17,532 --> 00:13:19,070
Dave's the greatest,
56
00:13:19,105 --> 00:13:20,577
and I'll say it again,
Dave's the greatest.
57
00:13:20,601 --> 00:13:22,469
And I seen him onstage,
and he was fantastic.
58
00:13:22,504 --> 00:13:24,878
I'll follow that bloke anywhere
'cause he's the greatest.
59
00:13:24,913 --> 00:13:26,605
And I'll say it again,
he's the greatest.
60
00:13:26,640 --> 00:13:29,047
Listen, you don't have
to be bent to wear makeup.
61
00:13:29,082 --> 00:13:31,115
It looks good,
so why not wear it?
62
00:13:31,150 --> 00:13:33,381
Even if it's camp,
but he's sexy, isn't he?
63
00:13:33,416 --> 00:13:34,921
Sort of thing, really.
64
00:13:39,059 --> 00:13:41,290
If I can tart it all up enough,
65
00:13:41,325 --> 00:13:44,898
maybe people will see that it
has a lot to do with just them.
66
00:13:44,933 --> 00:13:46,163
What, with reflection?
67
00:13:46,198 --> 00:13:47,527
Yeah, that it is really
68
00:13:47,562 --> 00:13:49,133
a reflection
of what they're like.
69
00:13:49,168 --> 00:13:51,630
Mr. Powell, Mr. Jenkins.
70
00:13:54,272 --> 00:13:56,173
Businessmen in general...
71
00:13:56,208 --> 00:13:57,570
Best watch it.
72
00:13:57,605 --> 00:13:59,176
How are you?
73
00:13:59,211 --> 00:14:00,320
I'm very well,
thank you. How are you?
74
00:14:00,344 --> 00:14:01,607
INTERVIEWER I'm fine.
75
00:14:01,642 --> 00:14:03,543
Good. How are you? How are you?
76
00:14:03,578 --> 00:14:06,282
You, uh, have to get the gear on
77
00:14:06,317 --> 00:14:07,954
in order to project yourself.
78
00:14:07,989 --> 00:14:09,692
I mean, were you a nobody
who suddenly thought,
79
00:14:09,716 --> 00:14:12,552
"Jesus, I must get into
the scene by some other way"?
80
00:14:12,587 --> 00:14:14,191
I never asked
Jesus for a think, no.
81
00:14:14,226 --> 00:14:15,467
It was always
on my own initiative.
82
00:14:15,491 --> 00:14:16,655
And...
83
00:14:16,690 --> 00:14:19,966
When I was 14, I became a Mod,
84
00:14:20,001 --> 00:14:21,429
and it just carried
on from there.
85
00:14:21,464 --> 00:14:23,343
I've always dressed
in what I considered clothes
86
00:14:23,367 --> 00:14:25,664
that are exciting for me,
87
00:14:25,699 --> 00:14:28,568
um, to prevent me
becoming humdrum
88
00:14:28,603 --> 00:14:30,471
so that I would receive
reaction from people
89
00:14:30,506 --> 00:14:32,044
which would
encourage me to write.
90
00:14:33,707 --> 00:14:36,345
You will have
obviously as many men followers
91
00:14:36,380 --> 00:14:38,116
as you have women followers.
Yes.
92
00:14:38,151 --> 00:14:39,546
I mean,
you haven't been shy about
93
00:14:39,581 --> 00:14:42,021
declaring a certain
air of bisexuality.
94
00:14:42,056 --> 00:14:43,550
Not at all.
I know quite a few men.
95
00:14:46,555 --> 00:14:49,094
Some people feel you're...
96
00:14:49,129 --> 00:14:50,689
By saying you're bisexual.
97
00:14:50,724 --> 00:14:54,363
By... by kind of flaunting
that in a way...
98
00:14:54,398 --> 00:14:55,529
Who's flaunting it?
99
00:15:00,701 --> 00:15:03,009
Why do
you think that bisexuality in,
100
00:15:03,044 --> 00:15:06,111
say '72, '73 has become
a common... not a common,
101
00:15:06,146 --> 00:15:08,047
but an accepted kind of deal.
102
00:15:08,082 --> 00:15:09,323
Why do you think we
have moved into that
103
00:15:09,347 --> 00:15:11,644
era of liberal behavior?
104
00:15:11,679 --> 00:15:13,316
Once upon a time, your father,
105
00:15:13,351 --> 00:15:15,582
my father, everybody's
father, I presume,
106
00:15:15,617 --> 00:15:19,355
wanted a good job, with a good
income, or reasonable income.
107
00:15:19,390 --> 00:15:23,755
Some chance of promotion
to secure their family life.
108
00:15:23,790 --> 00:15:25,526
Um, where's the camera?
109
00:15:25,561 --> 00:15:28,397
You're probably fine there,
and that's where it ended.
110
00:15:28,432 --> 00:15:31,070
But now, people
want a role in society.
111
00:15:31,105 --> 00:15:32,511
They want to feel that
they have a position.
112
00:15:32,535 --> 00:15:34,337
They want to be an individual,
113
00:15:34,372 --> 00:15:36,119
and I think there's
a lot of searching to find
114
00:15:36,143 --> 00:15:38,011
the individual within oneself.
115
00:15:38,046 --> 00:15:39,441
Right, and how about the shoes?
116
00:15:39,476 --> 00:15:40,684
Are those men's shoes,
or women's shoes,
117
00:15:40,708 --> 00:15:42,081
or bisexual shoes?
118
00:15:42,116 --> 00:15:43,156
They're shoe shoes, silly.
119
00:15:51,587 --> 00:15:54,126
There was a feeling
of excitement and titillation
120
00:15:54,161 --> 00:15:55,589
about moving in areas
121
00:15:55,624 --> 00:15:58,196
which were forbidden
to the rest of society.
122
00:16:04,600 --> 00:16:07,370
From micro to macro,
from yin to yang,
123
00:16:07,405 --> 00:16:09,042
from male to female,
124
00:16:09,077 --> 00:16:12,507
there is no scissor cut.
No absolute.
125
00:16:15,545 --> 00:16:18,777
I believe that there was
an unconscious move to create
126
00:16:18,812 --> 00:16:21,813
a high priest form from
the line of the Greek gods
127
00:16:21,848 --> 00:16:23,518
who could procreate themselves.
128
00:16:23,553 --> 00:16:26,587
Somebody who
was at a super level
129
00:16:26,622 --> 00:16:30,360
to we regular mortals, because
of his androgynous nature,
130
00:16:30,395 --> 00:16:32,131
being somebody that incorporated
131
00:16:32,166 --> 00:16:34,133
both feminine
and masculine attributes.
132
00:16:58,621 --> 00:16:59,621
Know I am.
133
00:18:24,377 --> 00:18:25,706
It was a pudding, you know?
134
00:18:25,741 --> 00:18:27,609
It was a pudding of new ideas.
135
00:18:27,644 --> 00:18:29,677
I think we took it
on our shoulders
136
00:18:29,712 --> 00:18:32,812
that we were creating
the 21st century in 1971.
137
00:18:32,847 --> 00:18:35,881
We wanted to just blast
everything in the past.
138
00:18:35,916 --> 00:18:40,259
Question all the established
values, all the taboos.
139
00:18:40,294 --> 00:18:42,822
Everything is rubbish
and all rubbish is wonderful.
140
00:19:40,618 --> 00:19:42,321
I just didn't... to this.
141
00:19:42,356 --> 00:19:45,720
I've never seen anything
like this before.
142
00:19:45,755 --> 00:19:47,920
See, I'm just a space
cadet, he's the commander.
143
00:19:50,056 --> 00:19:51,495
What universe is that?
144
00:19:51,530 --> 00:19:53,794
Bowie universe.
145
00:19:53,829 --> 00:19:56,401
Now nobody's scared
to walk around like that,
146
00:19:56,436 --> 00:19:58,370
are they?
He's done it, ain't he.
147
00:19:58,405 --> 00:20:01,406
He's broke through
a barrier, now, ain't he?
148
00:20:01,441 --> 00:20:03,474
I guess I'm living
my fantasy, you know?
149
00:20:03,509 --> 00:20:04,607
What's your fantasy?
150
00:20:04,642 --> 00:20:05,938
Oh, Bowie.
151
00:20:05,973 --> 00:20:09,007
I like people who are AC/DC.
152
00:20:09,042 --> 00:20:10,712
You know what I mean?
153
00:20:10,747 --> 00:20:12,450
Do the clothes,
you are trying to say,
154
00:20:12,485 --> 00:20:14,914
are the clothes expressed
now your own personality?
155
00:20:14,949 --> 00:20:17,290
Um, no, that I've
never been quite clear about.
156
00:20:17,325 --> 00:20:18,764
I've never been sure
of my own personality.
157
00:20:18,788 --> 00:20:20,557
That's very refreshing.
158
00:20:20,592 --> 00:20:22,832
That's a very refreshing thing
to hear somebody say that.
159
00:20:24,057 --> 00:20:27,630
Very. But can you fill us
in on the barest outlines?
160
00:20:27,665 --> 00:20:29,566
I'm a collector.
161
00:20:29,601 --> 00:20:33,031
Um, and I've always just
seemed to collect personalities,
162
00:20:33,066 --> 00:20:36,540
um, ideas. I have
a hodge podge philosophy
163
00:20:36,575 --> 00:20:40,907
which really is very minimal.
Um, what?
164
00:20:40,942 --> 00:20:42,744
Do you believe in God?
165
00:20:42,779 --> 00:20:44,515
Um, I believe in an energy form.
166
00:20:44,550 --> 00:20:46,011
I'm not... I wouldn't put a
167
00:20:46,046 --> 00:20:47,947
I wouldn't like to
put a name to it.
168
00:20:47,982 --> 00:20:50,323
Do you
indulge in any form of worship?
169
00:20:50,358 --> 00:20:52,721
Um, uh, life.
170
00:20:53,889 --> 00:20:55,658
I love life very much indeed.
171
00:21:01,127 --> 00:21:03,666
My strivings to have
some kind of spiritual base
172
00:21:03,701 --> 00:21:06,097
were really, really
strong all my life,
173
00:21:06,132 --> 00:21:08,000
and I think I tried
to amalgamate
174
00:21:08,035 --> 00:21:11,003
my own bedrock of spirituality.
175
00:21:11,038 --> 00:21:12,972
I mean, I was
a Buddhist on Tuesday,
176
00:21:13,007 --> 00:21:14,941
and I was into
Nietzsche by Friday.
177
00:21:24,557 --> 00:21:26,821
Some time
flirting with Buddhism,
178
00:21:26,856 --> 00:21:28,658
and spending some
time in a Buddhist retreat.
179
00:21:28,693 --> 00:21:30,924
I mean, I felt at
the time that I was, you know,
180
00:21:30,959 --> 00:21:36,402
um, Buddha's answer to
everything he wanted man to be,
181
00:21:36,437 --> 00:21:39,064
but I'm... the one thing that
hung over from that time
182
00:21:39,099 --> 00:21:42,606
was the feeling
of impermanence and transience.
183
00:21:42,641 --> 00:21:45,444
That was the one thing
that really struck home
184
00:21:45,479 --> 00:21:47,380
about everything
that I was learning.
185
00:21:47,415 --> 00:21:49,041
Nothing's gonna
stay around very long.
186
00:21:49,076 --> 00:21:50,581
I mean, you know,
everything changes
187
00:21:50,616 --> 00:21:52,143
different rates.
188
00:21:52,178 --> 00:21:54,750
Some seem to me sort
of established for a bit,
189
00:21:54,785 --> 00:21:57,588
but they're only moving at
a slower rate than other things
190
00:21:57,623 --> 00:22:00,525
and they're all inevitably
sort of a change-over.
191
00:22:11,505 --> 00:22:15,034
For me, there's always
been a thread of merely,
192
00:22:15,069 --> 00:22:17,410
um, a search.
193
00:22:17,445 --> 00:22:20,039
Generally, I think the subject
matters always come back
194
00:22:20,074 --> 00:22:23,482
to this singular question
of nearly every artist,
195
00:22:23,517 --> 00:22:25,946
which is what's my
relationship with the universe?
196
00:22:25,981 --> 00:22:28,718
Whatever other form
it takes that's basic,
197
00:22:28,753 --> 00:22:31,149
I think that's probably
the essential question
198
00:22:31,184 --> 00:22:33,987
that all of us ask ourselves.
199
00:22:34,022 --> 00:22:36,429
A lot of us probably
on that last few minutes.
200
00:22:50,511 --> 00:22:51,906
What's Ziggy?
201
00:22:51,941 --> 00:22:54,810
Ziggy, I wanted...
I wanted to define
202
00:22:54,845 --> 00:22:57,846
the archetype
"Messiah Rock star."
203
00:22:57,881 --> 00:22:59,782
That's all I wanted to do,
204
00:22:59,817 --> 00:23:02,785
and I used the trappings
of Kabuki theater,
205
00:23:02,820 --> 00:23:06,052
mime technique,
and fringe New York music.
206
00:23:27,108 --> 00:23:29,207
Ziggy was for
me a very simplistic thing:
207
00:23:29,242 --> 00:23:31,748
What it seemed to
be, an alien rock star,
208
00:23:31,783 --> 00:23:34,520
but other people reread him
209
00:23:34,555 --> 00:23:36,951
and contributed more
information about Ziggy
210
00:23:36,986 --> 00:23:37,986
than I'd put into him.
211
00:24:07,016 --> 00:24:09,885
You know, we've
set ourselves up as such.
212
00:24:09,920 --> 00:24:11,788
We want it all.
213
00:24:11,823 --> 00:24:13,592
You know, we want
all the adulation,
214
00:24:13,627 --> 00:24:15,165
and people to read the lyrics,
and read and everything
215
00:24:15,189 --> 00:24:16,628
just to play the game.
216
00:26:52,016 --> 00:26:54,049
When I was really
young, one of the mysteries,
217
00:26:54,084 --> 00:26:57,118
the great mystery of rock,
was that I hardly understood
218
00:26:57,153 --> 00:26:59,219
a word of what they
were singing about.
219
00:27:01,322 --> 00:27:03,762
Fats Domino, I still don't know
220
00:27:03,797 --> 00:27:05,764
one word of one lyric
that he ever wrote.
221
00:27:05,799 --> 00:27:08,261
I never understood
his pronunciation.
222
00:27:08,296 --> 00:27:11,066
And that made it even more
mysterious, and wonderful,
223
00:27:11,101 --> 00:27:12,804
and magic, you know?
224
00:27:12,839 --> 00:27:14,432
That he was talking
about something
225
00:27:14,467 --> 00:27:16,907
that I couldn't even
possibly start to understand,
226
00:27:16,942 --> 00:27:19,338
and I wanted in.
227
00:27:19,373 --> 00:27:21,208
I wanted to be in that place,
228
00:27:21,243 --> 00:27:24,409
this alternate
universe, you know?
229
00:27:24,444 --> 00:27:27,049
And that was so much
a part of the magic of music,
230
00:27:27,084 --> 00:27:28,985
and the same with art.
231
00:27:29,020 --> 00:27:32,318
I never really... I could
appreciate the Vermeer,
232
00:27:32,353 --> 00:27:34,925
or Tintoretto, or Titian,
or something like that,
233
00:27:34,960 --> 00:27:37,191
but because it was
symbolic and figurative,
234
00:27:37,226 --> 00:27:41,426
it didn't... I was never that
impressed with virtuosity.
235
00:27:41,461 --> 00:27:44,198
I was, you know, I understood
that their technique
236
00:27:44,233 --> 00:27:46,244
and the way they applied
paint, and what they could do,
237
00:27:46,268 --> 00:27:49,269
and how they could
embrace light and all that,
238
00:27:49,304 --> 00:27:52,305
I understood and realized the,
239
00:27:52,340 --> 00:27:56,408
and I bowed
in humbleness at their...
240
00:27:56,443 --> 00:27:59,180
But it wasn't... I mean, that's
not what I wanted from it.
241
00:27:59,215 --> 00:28:00,984
I wanted to use art.
242
00:28:01,019 --> 00:28:04,284
I wanted to use art
in a different way in my life.
243
00:28:04,319 --> 00:28:06,187
I wanted a sense that
244
00:28:09,489 --> 00:28:11,995
all the nooks and crannies
that we don't understand
245
00:28:12,030 --> 00:28:14,228
about the way that we live
through our day to day life,
246
00:28:14,263 --> 00:28:16,967
and I wanted that
shown to me, you know?
247
00:28:17,002 --> 00:28:20,399
Not in great clarity, but some
kind of physical manifestation
248
00:28:20,434 --> 00:28:24,106
of these are the areas of life
that are causing you grief,
249
00:28:24,141 --> 00:28:27,912
or euphoria, and you
don't really know why.
250
00:28:27,947 --> 00:28:29,815
Why is it that you
wake up one day,
251
00:28:29,850 --> 00:28:33,511
and an oak tree, hit by
the light in a certain way,
252
00:28:33,546 --> 00:28:37,889
will produce these
extraordinary feelings of glee,
253
00:28:37,924 --> 00:28:39,484
and absolute enjoyment,
254
00:28:39,519 --> 00:28:41,992
exhilaration at
actually being alive.
255
00:28:42,027 --> 00:28:44,390
Another day, you can wake up
256
00:28:44,425 --> 00:28:47,261
and that same tree
will seem like some.
257
00:28:47,296 --> 00:28:51,496
Caspar David Fried rich
symbolic death, you know?
258
00:28:51,531 --> 00:28:53,905
And it will be dark and
negative and awful, you know?
259
00:28:53,940 --> 00:28:56,435
And it's that sense of why
those things happen?
260
00:28:56,470 --> 00:28:59,405
Why aren't things
the same every single day
261
00:28:59,440 --> 00:29:01,407
and produce exactly
the same feeling?
262
00:29:01,442 --> 00:29:03,277
And art always does that to me.
263
00:29:16,325 --> 00:29:18,325
What are your hobbies?
264
00:29:18,360 --> 00:29:19,997
Well, where
would you like to start?
265
00:29:20,032 --> 00:29:25,871
Uh, I sculpt, paint,
and write films.
266
00:29:25,906 --> 00:29:28,973
Um, I make video television.
267
00:29:29,008 --> 00:29:30,568
Not programs,
but video television.
268
00:29:30,603 --> 00:29:33,274
- Of what?
- Um, art things that I do.
269
00:29:33,309 --> 00:29:39,214
Experimental video,
and cinematography.
270
00:29:39,249 --> 00:29:40,952
With
the art now that you create,
271
00:29:40,987 --> 00:29:42,316
the sculpturings...
272
00:29:42,351 --> 00:29:45,088
Yeah, I have... you'll see.
273
00:29:47,422 --> 00:29:49,257
Is what
274
00:29:49,292 --> 00:29:52,458
I play with video, yes.
I flirt an awful lot.
275
00:30:02,536 --> 00:30:04,206
I've asked again,
over the last few years,
276
00:30:04,241 --> 00:30:06,142
I've been identifying
again with a force.
277
00:30:06,177 --> 00:30:07,880
I don't know how I'm going to...
278
00:30:07,915 --> 00:30:10,245
How it will end up for me,
279
00:30:10,280 --> 00:30:14,183
but, um, I can't pinpoint it,
280
00:30:14,218 --> 00:30:16,317
but I do have
a very strong belief in
281
00:30:17,925 --> 00:30:20,222
in a force, and I don't
know how it works.
282
00:30:20,257 --> 00:30:23,324
What I mean is, there is
something else other than us.
283
00:30:23,359 --> 00:30:25,491
That's as near
as I can get to it,
284
00:30:25,526 --> 00:30:30,166
and it may even just be
people on other planets
285
00:30:30,201 --> 00:30:31,431
that I'm thinking about.
286
00:30:31,466 --> 00:30:33,103
It may be God.
287
00:30:33,138 --> 00:30:34,907
It may be...
I don't know what it is,
288
00:30:34,942 --> 00:30:36,542
but there's a definite
force that I feel.
289
00:30:38,110 --> 00:30:39,945
Almost
like there's something else,
290
00:30:39,980 --> 00:30:41,947
that we're just a part of it.
Yeah. Yeah.
291
00:30:41,982 --> 00:30:44,180
That's beyond us.
That's my feeling as well.
292
00:30:44,215 --> 00:30:47,183
There's always been, um, for me
293
00:30:47,218 --> 00:30:50,153
I guess for a lot of people...
A certain sense of you
294
00:30:50,188 --> 00:30:53,893
that's other-worldly.
Um, and of course that's...
295
00:32:17,572 --> 00:32:19,077
Like anything useful,
296
00:32:20,377 --> 00:32:22,047
it's all got to do with fear.
297
00:32:24,249 --> 00:32:26,117
I think he's
broken his arm, sir.
298
00:32:28,616 --> 00:32:31,386
They wouldn't
bother with it, Captain.
299
00:32:45,270 --> 00:32:47,402
Ziggy was a disguise?
300
00:32:47,437 --> 00:32:49,173
He was
a character that I created.
301
00:32:49,208 --> 00:32:51,208
I wanted to make films,
302
00:32:53,839 --> 00:32:58,116
and I transposed most
of those ideas into music form.
303
00:33:00,615 --> 00:33:02,087
How long is it gonna take
304
00:33:02,122 --> 00:33:03,583
before you're all David Bowie?
305
00:33:03,618 --> 00:33:05,321
David: Oh never, you know.
306
00:33:05,356 --> 00:33:07,191
I'd run off
into something else, you know.
307
00:33:14,101 --> 00:33:15,496
What's "Changes" all about?
308
00:33:15,531 --> 00:33:17,828
Changes.
309
00:33:17,863 --> 00:33:20,204
Someone putting
themselves through
310
00:33:20,239 --> 00:33:23,141
as much experimentation
to, you know,
311
00:33:23,176 --> 00:33:25,737
sort of treating oneself
as a bit of an experiment.
312
00:33:27,180 --> 00:33:30,115
I put myself in predicaments
313
00:33:30,150 --> 00:33:32,810
to see how I'll
cope with them a lot.
314
00:33:32,845 --> 00:33:36,451
It's sort of trying
to strengthen myself.
315
00:34:09,189 --> 00:34:12,256
I put myself in dangerous
situations, which I did.
316
00:34:12,291 --> 00:34:15,886
Put myself in any situation
which I feel I can't cope with.
317
00:34:15,921 --> 00:34:17,459
Dangerous
situations, such as what?
318
00:34:17,494 --> 00:34:18,856
Can you explain that?
319
00:34:18,891 --> 00:34:20,561
Yeah. Areas
where I have to be in,
320
00:34:20,596 --> 00:34:22,266
sort of, social
contact with people,
321
00:34:22,301 --> 00:34:24,235
which I'm not
very good at doing.
322
00:34:24,270 --> 00:34:25,797
I put myself in
323
00:34:25,832 --> 00:34:27,667
I don't quite
know what you mean now.
324
00:34:27,702 --> 00:34:29,471
Well, I went to
Los Angeles and I lived there
325
00:34:29,506 --> 00:34:31,737
for a couple of years, which is
a city I really detest.
326
00:34:31,772 --> 00:34:33,508
Yeah. So, I went to
327
00:34:33,543 --> 00:34:37,281
live there to see what
would happen to my writing.
328
00:34:43,718 --> 00:34:45,157
Since you've been in America,
329
00:34:45,192 --> 00:34:46,686
you seem to have picked up
330
00:34:46,721 --> 00:34:49,821
on a lot of the idioms
and themes of American music,
331
00:34:49,856 --> 00:34:52,890
and American culture.
How has that happened?
332
00:34:52,925 --> 00:34:55,728
There's a fly
floating around in my milk.
333
00:34:55,763 --> 00:34:58,731
There's a foreign body
in it, you see?
334
00:34:58,766 --> 00:35:00,568
And it's getting a lot of milk.
335
00:35:00,603 --> 00:35:02,141
That's kind of how I feel.
336
00:35:04,211 --> 00:35:07,542
A foreign body, and I just...
I couldn't help but soak it up.
337
00:35:07,577 --> 00:35:09,379
You know.
338
00:35:09,414 --> 00:35:11,777
I hated it when
I first came here.
339
00:35:11,812 --> 00:35:13,251
I couldn't see any of it.
340
00:35:14,386 --> 00:35:15,946
Look, a wax museum.
341
00:35:15,981 --> 00:35:19,257
Hey, a bleedin' wax museum
in the middle of a desert!
342
00:35:19,292 --> 00:35:21,358
You'd think it would
melt, wouldn't you?
343
00:35:39,510 --> 00:35:41,345
There's
a good, old circle thing,
344
00:35:41,380 --> 00:35:43,281
and it really is, it's uh,
345
00:35:43,316 --> 00:35:46,944
it's the decadence that
precedes the righteousness,
346
00:35:46,979 --> 00:35:49,584
and the morality
347
00:35:49,619 --> 00:35:53,588
of an extremely
right wing art form,
348
00:35:53,623 --> 00:35:56,756
which, in its right wing-ness
is in fact very liberal
349
00:35:56,791 --> 00:35:58,769
because the faster you
can get rid of the right wings,
350
00:35:58,793 --> 00:36:01,827
and by accelerating it, then
you bring back.
351
00:36:01,862 --> 00:36:04,632
You've got to go
through the dictatorship.
352
00:36:04,667 --> 00:36:06,469
You've got to go
through the right wing...
353
00:36:06,504 --> 00:36:07,701
Coveting the highest...
354
00:36:07,736 --> 00:36:09,769
Exactly.
355
00:36:09,804 --> 00:36:11,639
Man Ray is suddenly
getting very popular,
356
00:36:13,544 --> 00:36:16,842
and it's... I mean, I... We...
I know, you know what's coming.
357
00:36:16,877 --> 00:36:22,650
I mean, baby, what is coming.
358
00:36:22,685 --> 00:36:24,014
Of course it is, yeah.
359
00:36:24,049 --> 00:36:26,258
And we're going
to live through it.
360
00:36:26,293 --> 00:36:28,491
We're gonna be lucky enough.
361
00:36:28,526 --> 00:36:31,362
This ain't rock and roll!
362
00:36:31,397 --> 00:36:33,727
This is genocide!
363
00:37:28,949 --> 00:37:30,784
You know,
you haven't... your accent,
364
00:37:30,819 --> 00:37:33,358
your voice, your method
of speech has not changed.
365
00:37:33,393 --> 00:37:35,525
You've been away for two years.
366
00:37:35,560 --> 00:37:37,593
Does that mean you've been
locked away somewhere?
367
00:37:37,628 --> 00:37:39,023
Yes, I don't talk to anybody.
368
00:37:41,368 --> 00:37:43,962
But do people talk to you?
369
00:37:43,997 --> 00:37:45,634
I've heard it rumored, yes.
370
00:39:19,994 --> 00:39:21,895
Some people thought...
371
00:39:21,930 --> 00:39:23,908
There's a lady who said
"I don't know if he'd be
372
00:39:23,932 --> 00:39:25,745
if I'd want to meet him.
He would make me very nervous.
373
00:39:25,769 --> 00:39:27,175
I have a feeling
he's into black magic,
374
00:39:27,199 --> 00:39:29,001
and that sort of thing."
375
00:39:29,036 --> 00:39:31,080
And other people see you as
just a very skillful performer
376
00:39:31,104 --> 00:39:33,170
who changes from time to time,
377
00:39:33,205 --> 00:39:34,611
from one thing to another.
378
00:39:34,646 --> 00:39:36,679
Yeah. Well, both of that is...
379
00:39:36,714 --> 00:39:38,076
All of the above?
380
00:39:39,816 --> 00:39:41,486
ROCK 'N' ROLL WITH ME
381
00:40:10,748 --> 00:40:12,242
What kind
of childhood did you have?
382
00:40:12,277 --> 00:40:13,881
Oh, incredibly ordinary.
383
00:40:13,916 --> 00:40:15,751
Ordinary? Yeah.
384
00:40:15,786 --> 00:40:17,247
In what way? Well, I mean,
385
00:40:17,282 --> 00:40:19,183
it was regular.
I went to school, I ate.
386
00:40:21,627 --> 00:40:23,957
In suburbia,
you're given the impression
387
00:40:23,992 --> 00:40:25,959
that nothing culturally
belongs to you.
388
00:40:25,994 --> 00:40:28,060
That you are sort
of in this wasteland,
389
00:40:28,095 --> 00:40:30,634
and I think there's
a passion for most people
390
00:40:30,669 --> 00:40:33,065
who have an iota of curiosity
391
00:40:33,100 --> 00:40:35,639
about them to escape
and get out.
392
00:41:10,236 --> 00:41:12,104
One of my siblings
393
00:41:12,139 --> 00:41:14,843
meant so much to
me in my early years,
394
00:41:14,878 --> 00:41:17,307
and his name was Terry,
and he was my half-brother,
395
00:41:17,342 --> 00:41:18,979
my mother's son.
396
00:41:19,014 --> 00:41:20,618
Hey, hey, good evening, Buffalo.
397
00:41:20,653 --> 00:41:23,214
It's nice to be here.
398
00:41:23,249 --> 00:41:27,691
He was living between
our family and another family,
399
00:41:27,726 --> 00:41:30,056
and the periods
that I did see him,
400
00:41:30,091 --> 00:41:33,092
it seemed to me that he had
more curiosity about the world
401
00:41:33,127 --> 00:41:34,797
than anybody I'd met.
402
00:41:36,196 --> 00:41:41,001
And the first real,
major event for me was
403
00:41:41,036 --> 00:41:43,168
when he passed Jack Kerouac's
On The Road on to me,
404
00:41:43,203 --> 00:41:46,644
which really changed my life.
405
00:41:46,679 --> 00:41:50,076
And he would also introduce me
to people like John Coltrane,
406
00:41:50,111 --> 00:41:51,814
which was way above my head,
407
00:41:51,849 --> 00:41:53,816
but I wanted to read
what he read,
408
00:41:53,851 --> 00:41:56,214
and I wanted to listen
to what he listened to,
409
00:41:56,249 --> 00:41:59,151
as one does with
an older brother.
410
00:42:18,810 --> 00:42:20,909
I think Terry
probably gave me a great...
411
00:42:20,944 --> 00:42:22,647
The greatest serviceable
education
412
00:42:22,682 --> 00:42:24,308
I could ever have had.
413
00:42:24,343 --> 00:42:27,850
I mean, he just introduced
me to the outside things,
414
00:42:27,885 --> 00:42:30,149
kinds of books,
and kinds of music
415
00:42:30,184 --> 00:42:32,624
and attitudes that just weren't
416
00:42:32,659 --> 00:42:34,219
the currency
in the area that I grew up.
417
00:42:35,860 --> 00:42:38,091
And then he would go
away for long periods,
418
00:42:38,126 --> 00:42:41,292
and one period he went
away and joined the RAF.
419
00:42:43,164 --> 00:42:48,772
When he came back, he had very
evident signs of schizophrenia,
420
00:42:48,807 --> 00:42:50,807
and he stayed in hospital
for the rest of his life.
421
00:43:18,100 --> 00:43:20,397
I think it made me
worry about my own disposition,
422
00:43:20,432 --> 00:43:23,268
and whether I just
had eccentric ideas,
423
00:43:23,303 --> 00:43:26,271
or whether I was
heading somewhere else.
424
00:44:20,261 --> 00:44:21,964
I understand
that you have a fear
425
00:44:21,999 --> 00:44:24,032
because there was
mental illness in your family,
426
00:44:24,067 --> 00:44:26,903
that you have a fear of
mental illness. Is that true?
427
00:44:26,938 --> 00:44:30,071
Um, no, I developed
a system against it.
428
00:44:30,106 --> 00:44:33,338
I think that probably became
part of the therapy of art,
429
00:44:33,373 --> 00:44:35,978
and I was fortunate
enough to be able to
430
00:44:36,013 --> 00:44:38,442
express any visions
that I had in my head.
431
00:44:38,477 --> 00:44:40,081
Yeah. Very outwardly.
432
00:44:40,116 --> 00:44:42,787
Gradually
learning to do without sleep.
433
00:44:45,517 --> 00:44:48,320
It's a labyrinthine
existence that we live,
434
00:44:48,355 --> 00:44:51,257
and so it makes sense
for me to put together
435
00:44:51,292 --> 00:44:52,929
elements in a song which
436
00:44:52,964 --> 00:44:54,964
wouldn't naturally
be good bedfellows.
437
00:44:59,531 --> 00:45:02,136
I guess I'm trying to articulate
438
00:45:04,239 --> 00:45:06,338
those mysterious
corners of the mind
439
00:45:06,373 --> 00:45:08,307
where there exist
grains of truth
440
00:45:08,342 --> 00:45:10,243
that we don't often touch on,
441
00:45:10,278 --> 00:45:12,850
because we don't have
the words to capture them.
442
00:45:15,052 --> 00:45:17,888
So, we'll write on three or
four different subject matters,
443
00:45:17,923 --> 00:45:21,859
and then integrate them
together by cutting them up.
444
00:45:21,894 --> 00:45:25,093
What I've used it for
more than anything else
445
00:45:25,128 --> 00:45:29,966
is igniting anything that
might be in my imagination.
446
00:45:30,001 --> 00:45:31,572
I've tried doing it
with diaries and things,
447
00:45:31,596 --> 00:45:34,234
and I was finding out
amazing things about me
448
00:45:34,269 --> 00:45:36,368
and what I'd done
and where I was going.
449
00:45:37,976 --> 00:45:39,844
A lot of the things I had done,
450
00:45:39,879 --> 00:45:42,275
it seemed that it would
predict things about the future
451
00:45:42,310 --> 00:45:45,278
and tell me a lot
about the past.
452
00:45:45,313 --> 00:45:49,546
I suppose it's a very
Western tarot. I don't know.
453
00:45:49,581 --> 00:45:51,548
Obviously, one
is trying to always
454
00:45:51,583 --> 00:45:53,583
reevaluate one's personality,
455
00:45:53,618 --> 00:45:56,388
and understand why one works.
456
00:45:58,359 --> 00:46:01,360
I think a lot of artists deal
with loneliness and solitude.
457
00:46:03,463 --> 00:46:07,597
An artist does tend
to examine the world
458
00:46:07,632 --> 00:46:09,500
through his relationship to it,
459
00:46:09,535 --> 00:46:11,403
and so that produces
460
00:46:11,438 --> 00:46:13,471
a very introverted looking
lot of work.
461
00:46:13,506 --> 00:46:16,474
I don't feel lonely.
I apply that to my work.
462
00:46:16,509 --> 00:46:21,281
I sense a feeling of loneliness
from my work when I look at it,
463
00:46:21,316 --> 00:46:24,515
but I don't feel like
a solitary person myself,
464
00:46:24,550 --> 00:46:26,385
but it seems
to show up in my work,
465
00:46:26,420 --> 00:46:28,618
and it's like taking
a photograph
466
00:46:28,653 --> 00:46:30,587
and then developing the negative
467
00:46:30,622 --> 00:46:33,194
and seeing another
person standing behind you.
468
00:47:18,373 --> 00:47:19,636
With your background,
469
00:47:19,671 --> 00:47:23,409
why were you
intrigued by all this?
470
00:47:23,444 --> 00:47:27,380
Um, it was... I mean,
471
00:47:27,415 --> 00:47:29,580
it filled a vast expanse
of my imagination.
472
00:47:29,615 --> 00:47:31,219
I was always pretty imaginative.
473
00:47:33,388 --> 00:47:36,224
And the imagination
can dry up in
474
00:47:36,259 --> 00:47:38,424
wherever you're
living in England, often.
475
00:47:38,459 --> 00:47:40,657
I mean, if there's
nothing to keep it going.
476
00:47:40,692 --> 00:47:42,659
It just supplied a need in me.
477
00:47:44,234 --> 00:47:46,597
American became
a myth-land for me.
478
00:47:52,737 --> 00:47:55,573
We're not stopped.
Is there anything behind us?
479
00:48:01,053 --> 00:48:02,514
Let's go with him now live,
480
00:48:02,549 --> 00:48:04,219
by satellite,
481
00:48:04,254 --> 00:48:06,958
to beautiful downtown Burbank
in Los Angeles.
482
00:48:09,028 --> 00:48:10,104
Is it true that you're gonna be
483
00:48:10,128 --> 00:48:11,292
teaming up with...
484
00:48:12,427 --> 00:48:14,328
Every avenue.
485
00:48:14,363 --> 00:48:17,166
It's very calm, and it's a kind
of a superficial calmness
486
00:48:17,201 --> 00:48:19,278
that they've developed to
underplay the fact that it's...
487
00:48:19,302 --> 00:48:22,204
There's a lot of high
pressure here,
488
00:48:22,239 --> 00:48:24,140
as it's a very big
entertainment industry area.
489
00:48:25,737 --> 00:48:28,507
And you get this feeling
of unease with everybody.
490
00:48:28,542 --> 00:48:30,047
It's a very big
entertainment area.
491
00:48:30,082 --> 00:48:31,444
The first time that it really
492
00:48:31,479 --> 00:48:34,084
came home to me
what a strange...
493
00:48:36,055 --> 00:48:39,749
About the churches
designed by an architect
494
00:48:39,784 --> 00:48:41,619
Arthur, would
you please slow down?
495
00:48:43,359 --> 00:48:45,029
We're
bouncing backwards and forwards
496
00:48:45,064 --> 00:48:46,393
on the satellite at the moment.
497
00:48:46,428 --> 00:48:49,363
I mean, our sound
is bouncing around.
498
00:48:49,398 --> 00:48:50,562
Yes, I can see it.
499
00:48:52,566 --> 00:48:54,236
It'll be all right in a minute.
500
00:49:00,178 --> 00:49:01,178
Are you there, David?
501
00:49:02,510 --> 00:49:03,674
Are you there, David?
502
00:49:03,709 --> 00:49:05,610
Bedroom in the sky.
503
00:49:05,645 --> 00:49:07,381
Are you there, Mr. David Bowie?
504
00:49:16,689 --> 00:49:19,723
I think that I felt often,
505
00:49:19,758 --> 00:49:24,332
ever since I was a teenager,
506
00:49:24,367 --> 00:49:29,535
um, so adrift, and so
not part of everyone I saw.
507
00:49:30,670 --> 00:49:32,406
There's so many dark secrets
508
00:49:32,441 --> 00:49:33,737
about my family in the cupboard
509
00:49:33,772 --> 00:49:36,575
that it kind of made me feel
510
00:49:36,610 --> 00:49:39,149
very much on the outside
of everything,
511
00:49:39,184 --> 00:49:44,517
and because of that, I felt
there was no basis to my life,
512
00:49:44,552 --> 00:49:46,552
like everybody else
seemed to have.
513
00:49:48,160 --> 00:49:50,457
Which of course is ridiculous.
514
00:49:50,492 --> 00:49:53,229
Probably, I would
do things to prove that
515
00:49:53,264 --> 00:49:56,166
I had some emotional substance
516
00:49:57,433 --> 00:49:59,070
when in fact I didn't.
517
00:50:39,838 --> 00:50:42,806
Thematically, I've always
dealt with isolation
518
00:50:42,841 --> 00:50:44,676
in everything I've written,
I think.
519
00:50:44,711 --> 00:50:46,876
If you're
interested in isolation,
520
00:50:46,911 --> 00:50:49,780
is it because you think that
a person in an isolated state
521
00:50:49,815 --> 00:50:53,124
feel greater emotions
than they do
522
00:50:53,159 --> 00:50:55,786
when they're surrounded
by people and things?
523
00:50:55,821 --> 00:50:58,624
I think if he is in isolation,
524
00:50:58,659 --> 00:51:03,332
instead of receiving
the whole world as his home,
525
00:51:03,367 --> 00:51:06,467
he tends to create
a micro-world inside himself.
526
00:51:06,502 --> 00:51:10,306
Um, and it's that peculiar
part of the human mind
527
00:51:10,341 --> 00:51:12,671
that fascinates me
about the small universes
528
00:51:12,706 --> 00:51:15,707
that can be created
inside the mind.
529
00:51:15,742 --> 00:51:18,248
Some of them
fairly schizophrenic
530
00:51:18,283 --> 00:51:19,381
and quite off the wall.
531
00:51:22,683 --> 00:51:25,552
It feels now that
I don't come from anywhere,
532
00:51:25,587 --> 00:51:28,753
but I was born in Brixton.
533
00:51:28,788 --> 00:51:30,326
When were you born? What year?
534
00:51:30,361 --> 00:51:33,461
1947. January the eighth.
535
00:51:33,496 --> 00:51:36,563
Makes me a Capricorn
with an Aquarius ascendant
536
00:51:36,598 --> 00:51:38,598
and a Leo descendant.
537
00:51:41,801 --> 00:51:43,471
How much now is left of the lad
538
00:51:43,506 --> 00:51:45,176
from Brixton, do you think?
539
00:51:45,211 --> 00:51:46,320
Not very much, I would think.
540
00:51:46,344 --> 00:51:48,278
I know, you know.
541
00:51:48,313 --> 00:51:52,216
I never got... I never became
who I should have been.
542
00:51:52,251 --> 00:51:54,218
I've spent an awful lot
of my life
543
00:51:54,253 --> 00:51:56,649
actually looking
for myself, you know?
544
00:51:56,684 --> 00:52:00,653
And understanding what it was
that I-why-what I existed for.
545
00:52:00,688 --> 00:52:02,488
What was it that really
made me happy in life?
546
00:52:03,691 --> 00:52:05,757
And who exactly, or was...
547
00:52:05,792 --> 00:52:07,912
Who are the parts of myself
I was trying to hide from?
548
00:52:10,566 --> 00:52:13,666
I think a lot of us
have huge senses of denial
549
00:52:13,701 --> 00:52:15,866
about who we are and
where we exist in the world.
550
00:52:18,442 --> 00:52:19,881
I really wanted to
sort of, you know,
551
00:52:19,905 --> 00:52:21,505
be very emotionally involved
with people.
552
00:52:22,611 --> 00:52:24,281
I didn't know how to do it.
553
00:52:24,316 --> 00:52:25,716
You know,
my parents were like that,
554
00:52:25,746 --> 00:52:27,515
and I guess you kind of,
as they say,
555
00:52:28,848 --> 00:52:30,881
they pass on a lot of faults.
556
00:52:34,986 --> 00:52:36,722
What do
your parents do for a living?
557
00:52:36,757 --> 00:52:41,265
My father's dead,
and my mother has a small flat,
558
00:52:41,300 --> 00:52:44,532
and I think she's got a day job.
559
00:52:44,567 --> 00:52:46,281
Does she have trouble
explaining you to the neighbors
560
00:52:46,305 --> 00:52:48,503
who say, "Are you
any relation to that"
561
00:52:48,538 --> 00:52:50,571
I think she pretends
I'm not hers.
562
00:52:52,311 --> 00:52:54,476
Nah, she's uh,
she doesn't talk much.
563
00:52:54,511 --> 00:52:57,644
You know, she doesn't,
um, I don't think we really...
564
00:52:57,679 --> 00:52:59,481
We were never
that close particularly.
565
00:52:59,516 --> 00:53:00,845
We have an understanding.
566
00:53:00,880 --> 00:53:01,912
Yeah.
567
00:53:05,687 --> 00:53:07,720
Was it a happy marriage?
568
00:53:07,755 --> 00:53:10,426
Not necessarily
terribly loving or anything,
569
00:53:10,461 --> 00:53:12,890
in terms of
no real physical affection,
570
00:53:14,762 --> 00:53:17,400
or even they
didn't really articulate
571
00:53:17,435 --> 00:53:18,566
any love for each other.
572
00:53:25,971 --> 00:53:28,510
There's an awful lot of
emotional/spiritual mutilation
573
00:53:28,545 --> 00:53:30,281
goes on in my family.
574
00:53:35,387 --> 00:53:38,487
Did you like any
of the traditional people
575
00:53:38,522 --> 00:53:40,555
that you're supposed to like?
576
00:53:40,590 --> 00:53:42,051
Like, did you like
Winnie the Pooh?
577
00:53:42,086 --> 00:53:43,492
No. No.
578
00:53:43,527 --> 00:53:44,922
Rupert Bear?
579
00:53:44,957 --> 00:53:46,594
No. No I didn't. I didn't like...
580
00:53:46,629 --> 00:53:48,057
Did you have a teddy bear?
581
00:53:48,092 --> 00:53:50,301
No, I didn't. I don't think.
582
00:53:53,405 --> 00:53:56,032
I can't remember having
anything like that at all.
583
00:53:56,067 --> 00:53:59,277
No, I never liked, um,
children's things very much.
584
00:54:24,568 --> 00:54:25,996
You know,
since you've been away,
585
00:54:26,031 --> 00:54:27,833
or quite recently,
the newspapers
586
00:54:27,868 --> 00:54:30,308
having been having a bit
of a bash at your mother?
587
00:54:33,511 --> 00:54:36,072
And saying that she's
a bit tearful from time to time.
588
00:54:36,107 --> 00:54:39,515
And that she's suffered
a certain amount of anguish,
589
00:54:39,550 --> 00:54:41,649
and that she doesn't hear
from you an awful lot.
590
00:54:41,684 --> 00:54:43,849
Is that eyewash or is it real?
591
00:54:49,021 --> 00:54:50,658
There's some kind of traumatism
592
00:54:50,693 --> 00:54:53,089
often goes on
in our childhoods I think.
593
00:54:53,124 --> 00:54:55,432
I think, that are...
594
00:54:55,467 --> 00:54:57,379
Makes us crave some kind
of strange affection, you know?
595
00:54:57,403 --> 00:54:58,666
It's sort of an...
596
00:54:58,701 --> 00:55:00,404
Often you'll find
that the person
597
00:55:00,439 --> 00:55:02,406
who craves a lot of affection
598
00:55:02,441 --> 00:55:04,474
actually isn't terribly good
at giving it.
599
00:55:07,875 --> 00:55:10,942
Does that mean
you have to separate yourself
600
00:55:10,977 --> 00:55:14,044
quite a lot from, say,
falling in love
601
00:55:14,079 --> 00:55:16,651
and getting very involved
with a person?
602
00:55:16,686 --> 00:55:20,116
Um, oh no, I think, no.
603
00:55:20,151 --> 00:55:21,656
I think quite the reverse.
604
00:55:21,691 --> 00:55:23,757
But, love, falling in love,
605
00:55:23,792 --> 00:55:26,892
is different from then going on
to love that person.
606
00:55:26,927 --> 00:55:28,157
Yes, it is. Yes.
607
00:55:28,192 --> 00:55:30,533
And once you've
loved somebody a lot,
608
00:55:30,568 --> 00:55:32,447
it means that you've got
to share your life with them.
609
00:55:32,471 --> 00:55:34,141
- That's what I really...
- No, I don't think so.
610
00:55:34,165 --> 00:55:36,770
I think you can love somebody
from afar.
611
00:55:36,805 --> 00:55:39,476
But if you then decided
not to love them from afar,
612
00:55:39,511 --> 00:55:41,907
you as an artist
would have to give up
613
00:55:41,942 --> 00:55:43,777
quite a lot of your time
to them.
614
00:55:43,812 --> 00:55:45,108
Yes, and I can't do that.
615
00:55:45,143 --> 00:55:46,648
That's what I was wondering,
616
00:55:46,683 --> 00:55:48,155
whether you did...
Whether you did that.
617
00:55:48,179 --> 00:55:49,882
No, no, no, love can't
get quite in my way,
618
00:55:49,917 --> 00:55:53,952
because I feel... I shelter
myself from it incredibly.
619
00:55:55,923 --> 00:56:00,959
Interviewer: Do you feel removed
from the body and the feel
620
00:56:00,994 --> 00:56:03,830
that you create on the planet?
621
00:56:03,865 --> 00:56:05,997
Until I'm performing or writing
622
00:56:06,032 --> 00:56:08,802
I mainly feel pretty much
of an empty vessel.
623
00:56:10,234 --> 00:56:11,706
When you're
performing and writing,
624
00:56:11,741 --> 00:56:13,070
you're fulfilled?
625
00:56:13,105 --> 00:56:15,974
I don't particularly feel...
626
00:59:43,887 --> 00:59:45,722
Well, an awful lot of changes
627
00:59:45,757 --> 00:59:47,251
with my musical career
628
00:59:47,286 --> 00:59:49,693
were challenges to myself.
629
00:59:49,728 --> 00:59:52,663
I have to feel that I'm
stepping on new ground,
630
00:59:52,698 --> 00:59:55,061
that the ice beneath my feet
is very thin.
631
00:59:55,096 --> 00:59:56,667
Any second, I could crack it
632
00:59:56,702 --> 00:59:58,064
and just plunge through
and drown.
633
00:59:59,870 --> 01:00:02,233
I got to a point in Los Angeles
634
01:00:02,268 --> 01:00:04,972
where I got very tired
with my method of writing,
635
01:00:05,007 --> 01:00:08,074
and I wanted to invent
a new musical language.
636
01:00:10,309 --> 01:00:12,276
I knew I had to get
to an environment
637
01:00:12,311 --> 01:00:14,817
that was totally different
to Los Angeles.
638
01:00:14,852 --> 01:00:16,951
So I thought
of the most arduous city
639
01:00:16,986 --> 01:00:19,349
that I could think of,
and it was West Berlin.
640
01:00:19,384 --> 01:00:22,792
They don't give an FA about
who you are in Berlin.
641
01:00:22,827 --> 01:00:25,157
The trappings of rock and roll
don't mean anything to them.
642
01:00:25,192 --> 01:00:26,928
So, I could walk around,
buy me own food,
643
01:00:26,963 --> 01:00:29,161
and just lease
a small apartment,
644
01:00:29,196 --> 01:00:31,702
which I did above
an automobile spare parts shop.
645
01:00:41,912 --> 01:00:45,782
I didn't have
the necessary verbal equipment
646
01:00:45,817 --> 01:00:47,883
to describe what I was seeing,
647
01:00:47,918 --> 01:00:49,358
and that's where
I needed assistance.
648
01:01:00,260 --> 01:01:01,963
So, I contacted Brian Eno,
649
01:01:01,998 --> 01:01:04,394
who is definitely one
of the keenest brains
650
01:01:04,429 --> 01:01:06,330
of modern music, and I said,
651
01:01:06,365 --> 01:01:09,234
"Look, Brian, I need to know
some new processes,
652
01:01:09,269 --> 01:01:11,005
"and new methods of writing.
653
01:01:11,040 --> 01:01:12,974
Please help me,
otherwise I'm packing it in."
654
01:01:14,439 --> 01:01:16,340
We started working on a series
655
01:01:16,375 --> 01:01:19,343
of processes and methods of
writing in the studio in Berlin
656
01:01:19,378 --> 01:01:22,049
to invent, a different kind
of linguistics to work with.
657
01:01:39,970 --> 01:01:41,805
Most of the things
that I do these days,
658
01:01:41,840 --> 01:01:44,104
I go in with very little
preparation.
659
01:01:44,139 --> 01:01:46,535
There's no governor,
no controller.
660
01:01:46,570 --> 01:01:49,406
Every track is written
with a different process,
661
01:01:49,441 --> 01:01:51,782
from spontaneous singing,
662
01:01:51,817 --> 01:01:52,992
I didn't know
what I was gonna sing,
663
01:01:53,016 --> 01:01:54,477
or how I was gonna sing it,
664
01:01:54,512 --> 01:01:56,182
and I just stood
in front of the mic,
665
01:01:56,217 --> 01:01:58,855
right down
to fragmented, pre-thought,
666
01:01:58,890 --> 01:02:01,759
analyzed and processed writings
of Burroughs' school.
667
01:02:03,961 --> 01:02:05,895
It probably touches areas
of emotion
668
01:02:05,930 --> 01:02:07,798
that aren't normally dwelt upon
669
01:02:07,833 --> 01:02:09,492
because they're arrived
at other than
670
01:02:09,527 --> 01:02:11,967
by the regular channels
of emotive thought.
671
01:03:04,450 --> 01:03:06,285
Most of the things
that I do these days
672
01:03:06,320 --> 01:03:08,991
are on the occasion
of the studio.
673
01:03:09,026 --> 01:03:11,455
I go in with very little
preparation,
674
01:03:11,490 --> 01:03:13,292
just throw ideas out,
675
01:03:13,327 --> 01:03:16,097
and you might make
little experiments sort of say,
676
01:03:16,132 --> 01:03:17,560
look here's 50 seconds.
677
01:03:17,595 --> 01:03:20,266
Play 10 notes on that 50 seconds
678
01:03:20,301 --> 01:03:22,136
and don't repeat
the same note twice.
679
01:03:27,946 --> 01:03:30,078
Now, that sounds
like an awful easy thing to do.
680
01:03:30,113 --> 01:03:31,981
Well, it is.
681
01:03:32,016 --> 01:03:33,444
See, you must understand,
682
01:03:33,479 --> 01:03:35,215
I mean, it sounds
incredibly indulgent,
683
01:03:35,250 --> 01:03:39,087
and indeed it is
because what I'm trying to do
684
01:03:39,122 --> 01:03:42,453
is mold the traditional
methods of rock and roll
685
01:03:44,028 --> 01:03:45,324
with newer processes.
686
01:03:47,262 --> 01:03:51,033
Trying to find
a new form of language.
687
01:03:51,068 --> 01:03:52,397
Do you think you have influence
688
01:03:52,432 --> 01:03:53,970
on their thinking, though?
689
01:03:54,005 --> 01:03:55,906
No.
690
01:03:55,941 --> 01:03:58,073
And that's what I'm trying
to do with the new music,
691
01:03:58,108 --> 01:04:01,109
is find a new language
which doesn't... it isn't that...
692
01:04:01,144 --> 01:04:03,540
Doesn't have that kind
of image influence.
693
01:04:06,347 --> 01:04:08,292
Do you think people
will understand that language?
694
01:04:08,316 --> 01:04:10,184
Yes.
695
01:04:10,219 --> 01:04:12,098
Because I think people,
especially in the city context,
696
01:04:12,122 --> 01:04:13,583
think in fragments.
697
01:04:13,618 --> 01:04:16,421
The city person will see
a milk advert on the street,
698
01:04:16,456 --> 01:04:18,192
and be thinking
"Milk, what's gonna...
699
01:04:18,227 --> 01:04:19,468
"What are we gonna have
for dinner?
700
01:04:19,492 --> 01:04:21,228
"Boy getting knocked down
by a bus,
701
01:04:21,263 --> 01:04:23,461
crashed against a wall..."
that kind of thing.
702
01:04:23,496 --> 01:04:25,232
So, he's thinking in terms of,
703
01:04:25,267 --> 01:04:28,664
maybe 1,000 different images
at any given time.
704
01:04:28,699 --> 01:04:32,437
And the language that Brian
and I are sort of producing
705
01:04:32,472 --> 01:04:35,308
is a language that can relate
to that way of thinking.
706
01:04:46,255 --> 01:04:50,158
We live within
this manifested idea
707
01:04:50,193 --> 01:04:52,028
of what should be form,
708
01:04:52,063 --> 01:04:55,625
and what we try and keep out
of our existence is chaos,
709
01:04:55,660 --> 01:04:59,002
which is a very real part
of our lives,
710
01:04:59,037 --> 01:05:01,631
and our refusal to accept chaos
711
01:05:01,666 --> 01:05:03,732
as being integral
to our existence,
712
01:05:03,767 --> 01:05:06,339
I think, has been one
of the greatest mistakes
713
01:05:06,374 --> 01:05:08,671
as a civilization
that we've made.
714
01:05:10,477 --> 01:05:12,015
My work as an artist
715
01:05:12,050 --> 01:05:13,530
has always been
to do with transition.
716
01:05:14,514 --> 01:05:16,712
The nature and study of change
717
01:05:16,747 --> 01:05:19,385
in our particular era
is most important
718
01:05:19,420 --> 01:05:21,123
because never in our history
719
01:05:21,158 --> 01:05:24,159
has there been
such a rapid curve of change
720
01:05:24,194 --> 01:05:25,721
since the industrial revolution.
721
01:05:27,197 --> 01:05:29,164
I'm a fairly
good social observer,
722
01:05:29,199 --> 01:05:32,167
and I think
that I encapsulate areas
723
01:05:32,202 --> 01:05:35,104
every, maybe every year or so,
724
01:05:35,139 --> 01:05:38,074
I tried to stamp
that down somewhere,
725
01:05:38,109 --> 01:05:41,077
what that year is all about.
726
01:05:41,112 --> 01:05:42,419
Rather than
what it was all about,
727
01:05:42,443 --> 01:05:44,476
or what it's going to be.
728
01:05:44,511 --> 01:05:47,248
It's very much trying to capture
729
01:05:47,283 --> 01:05:49,646
the quintessence of that year.
730
01:06:03,761 --> 01:06:05,299
I notice that the music now
731
01:06:05,334 --> 01:06:07,103
is more... more daring,
732
01:06:07,138 --> 01:06:09,237
more adventurous,
more fractured.
733
01:06:09,272 --> 01:06:10,810
Is there a danger that
by following your instinct,
734
01:06:10,834 --> 01:06:12,240
your aesthetic instincts,
735
01:06:12,275 --> 01:06:13,384
if you like,
your artistic instinct,
736
01:06:13,408 --> 01:06:16,574
that you will jeopardize that?
737
01:06:16,609 --> 01:06:18,224
You know, the money
and the good life and all...
738
01:06:18,248 --> 01:06:19,511
No shit, Sherlock.
739
01:06:21,482 --> 01:06:24,417
Yes, I think I... Yes, I think
I rather sort of hit that one
740
01:06:24,452 --> 01:06:25,682
in the head at the moment.
741
01:06:25,717 --> 01:06:30,489
Um, and it's quite
a relief, really.
742
01:06:30,524 --> 01:06:36,165
I feel a lot more,
um, free than what I do.
743
01:06:36,200 --> 01:06:39,201
I just needed, it just needed
a positive decision
744
01:06:39,236 --> 01:06:41,071
to only do what I want to do,
745
01:06:41,106 --> 01:06:42,706
and not do things
for the sake of what
746
01:06:44,571 --> 01:06:48,177
either David Bowie or whoever
I was playing last time,
747
01:06:48,212 --> 01:06:50,443
Thin White Duke or something,
was expected to do.
748
01:06:54,746 --> 01:06:56,350
I went naked in Berlin.
749
01:06:56,385 --> 01:06:59,485
I really did try
and strip down my life
750
01:06:59,520 --> 01:07:02,587
to what I believed
to be absolute basic essentials
751
01:07:02,622 --> 01:07:04,424
so I could build up again
752
01:07:04,459 --> 01:07:07,493
everything that I thought
that I'd lost, you know?
753
01:07:07,528 --> 01:07:09,264
I guess I was...
What I was really doing
754
01:07:09,299 --> 01:07:11,431
was doing that on an emotional
and spiritual level,
755
01:07:11,466 --> 01:07:14,170
but you manifest it physically.
756
01:07:14,205 --> 01:07:16,535
The surprising thing is,
is that we came up...
757
01:07:16,570 --> 01:07:18,702
We thought we were
just going to be into a process
758
01:07:18,737 --> 01:07:20,539
of discovery and experiment
759
01:07:20,574 --> 01:07:22,618
and had some pretty wishy-washy
stuff come out of it,
760
01:07:22,642 --> 01:07:26,611
but what did come out of it
was a pretty good statement
761
01:07:26,646 --> 01:07:30,285
of some esoteric nature.
762
01:07:30,320 --> 01:07:32,485
It was a bit hard
to put one's finger
763
01:07:32,520 --> 01:07:34,124
on exactly
what the information was,
764
01:07:34,159 --> 01:07:36,522
but it was vital,
and it was interesting,
765
01:07:36,557 --> 01:07:38,161
and I think
that's successful music.
766
01:12:41,598 --> 01:12:44,192
Today, David Bowie
is 33 years old.
767
01:12:44,227 --> 01:12:46,964
He has recorded 17 rock albums,
768
01:12:46,999 --> 01:12:48,966
produced a gallery full
of paintings,
769
01:12:49,001 --> 01:12:51,067
acted in two feature films,
770
01:12:51,102 --> 01:12:53,003
and is the only rock star
771
01:12:53,038 --> 01:12:55,709
ever to act in a play
on Broadway.
772
01:12:55,744 --> 01:12:58,580
Bowie never seems
to stand still.
773
01:12:58,615 --> 01:12:59,757
When he no longer
feels challenged
774
01:12:59,781 --> 01:13:01,616
by one art form,
775
01:13:01,651 --> 01:13:04,652
he moves on to the next,
and the next, and the next.
776
01:13:04,687 --> 01:13:06,819
It's as if David Bowie
learned to run
777
01:13:06,854 --> 01:13:08,018
before he learned to walk.
778
01:13:18,635 --> 01:13:20,107
You know, I've got
a grasshopper sort of mind,
779
01:13:20,131 --> 01:13:21,966
and I can't resist
bringing things
780
01:13:22,001 --> 01:13:24,639
to a conclusion like saying,
"Well that's a piece in itself,
781
01:13:24,674 --> 01:13:26,114
and now I move
on to something else."
782
01:13:30,141 --> 01:13:31,712
You described
yourself as a generalist.
783
01:13:31,747 --> 01:13:33,076
Is that... Yeah.
784
01:13:33,111 --> 01:13:35,078
That's a freedom...
Giving umbrella.
785
01:13:35,113 --> 01:13:37,047
It gives me a chance
786
01:13:37,082 --> 01:13:39,148
to do anything
I want successfully
787
01:13:39,183 --> 01:13:41,018
or unsuccessfully,
without being tied down.
788
01:13:44,628 --> 01:13:46,991
I want... I'm a generalist,
789
01:13:47,026 --> 01:13:50,929
is really sort of my cliche way
describing myself.
790
01:13:50,964 --> 01:13:52,667
David Bowie. Rank and file.
791
01:13:53,868 --> 01:13:55,263
33 years old.
792
01:13:55,298 --> 01:13:56,671
Generalist.
793
01:13:56,706 --> 01:13:57,969
Unlike most rock stars
794
01:13:58,004 --> 01:13:59,674
who stick
to a successful formula
795
01:13:59,709 --> 01:14:01,907
when they get it,
Bowie, when he does,
796
01:14:01,942 --> 01:14:07,110
deliberately changes direction,
and puts on yet another face.
797
01:14:13,756 --> 01:14:17,560
I really sort of go
in just pure, barbaric impetus.
798
01:14:18,860 --> 01:14:21,531
I do get fired up for something
799
01:14:21,566 --> 01:14:25,260
and it's not all cerebral
at all, by any means.
800
01:14:25,295 --> 01:14:26,965
A lot of it is pure instinct,
801
01:14:27,000 --> 01:14:29,033
and knowing that
I've found something
802
01:14:29,068 --> 01:14:31,200
that I haven't found before.
803
01:14:31,235 --> 01:14:36,975
Sometimes
I think my head is so big
804
01:14:37,010 --> 01:14:40,682
because it is so full of themes.
805
01:15:10,912 --> 01:15:12,142
What are you gonna do now?
806
01:15:12,177 --> 01:15:13,352
Are you going back home to bed?
807
01:15:13,376 --> 01:15:15,145
Yes. Well, I don't know.
808
01:15:15,180 --> 01:15:17,785
A bit in the mood to
probably do a little writing
809
01:15:17,820 --> 01:15:19,952
or painting or something.
810
01:15:19,987 --> 01:15:21,954
You're painting
in large canvases?
811
01:15:21,989 --> 01:15:23,252
Or small canvases? Or drawings?
812
01:15:23,287 --> 01:15:25,353
Yes. Quire large, acrylics.
813
01:15:25,388 --> 01:15:27,630
I'm doing a lot
of sculptures as well.
814
01:15:27,665 --> 01:15:31,931
A sort of polythene and
essential functional things.
815
01:15:33,363 --> 01:15:35,737
Why are you creative, David?
816
01:15:35,772 --> 01:15:37,970
I think it has something to do
817
01:15:38,005 --> 01:15:42,975
with wanting to find the place
where I can kind of set sail
818
01:15:43,010 --> 01:15:46,044
and know that I won't really
fall off the edge of the world
819
01:15:46,079 --> 01:15:47,683
when I get
to the end of the sea.
820
01:15:47,718 --> 01:15:51,280
I find it
an intoxicating parallel
821
01:15:51,315 --> 01:15:53,656
to my perceived reality.
822
01:16:13,975 --> 01:16:16,008
I'm not sure
that I'm manifesting ideas
823
01:16:16,043 --> 01:16:17,779
when I do my work.
824
01:16:17,814 --> 01:16:20,815
It's just
this inexhaustible supply
825
01:16:20,850 --> 01:16:24,819
of extracurricular thoughts
826
01:16:24,854 --> 01:16:26,348
that I have
that don't actually apply
827
01:16:26,383 --> 01:16:28,020
to the survival of life,
828
01:16:28,055 --> 01:16:29,890
and I'm not quite sure
what to do with them.
829
01:17:00,857 --> 01:17:02,450
So rather than be pinned down,
830
01:17:02,485 --> 01:17:05,860
my momentum
was to hit and run very fast.
831
01:17:05,895 --> 01:17:07,191
Once I'd done something,
832
01:17:07,226 --> 01:17:09,160
and said it,
drop it and move on.
833
01:17:28,247 --> 01:17:31,116
I feel quite at home
in just about anywhere now,
834
01:17:31,151 --> 01:17:32,887
on a temporary basis.
835
01:17:32,922 --> 01:17:35,890
Where do you spend
most of your time?
836
01:17:35,925 --> 01:17:37,325
Again, what is
"most of one's time"?
837
01:17:37,355 --> 01:17:39,927
Over the last year,
it's been London,
838
01:17:39,962 --> 01:17:43,733
New York, South Pacific,
Australia, Africa...
839
01:17:43,768 --> 01:17:45,262
The nature of my life
840
01:17:45,297 --> 01:17:48,331
is one of an old-fashioned
beatnik traveler,
841
01:17:48,366 --> 01:17:50,366
and more than anything else,
842
01:17:50,401 --> 01:17:54,139
I spend very little time
in musical circles.
843
01:17:54,174 --> 01:17:57,747
I spend more time discovering
the social life
844
01:17:57,782 --> 01:17:59,914
of rather obscure places.
845
01:19:06,576 --> 01:19:10,083
This is your promised land
is it not?
846
01:19:10,118 --> 01:19:13,548
Roof, food, care, protection.
847
01:19:14,958 --> 01:19:17,453
Oh, right, Mr. Treves.
848
01:19:17,488 --> 01:19:20,159
I'll bet you don't know
what to call this.
849
01:19:20,194 --> 01:19:22,293
No, sir. I don't.
850
01:19:22,328 --> 01:19:24,328
You call it... home.
851
01:19:27,102 --> 01:19:29,399
Never had a home before.
852
01:19:29,434 --> 01:19:30,906
You have one now.
853
01:19:30,941 --> 01:19:32,072
Say it, John.
854
01:19:32,107 --> 01:19:33,403
- Home.
- Home?
855
01:19:33,438 --> 01:19:35,306
No, no. I mean really say it.
856
01:19:35,341 --> 01:19:37,440
"I have a home.
857
01:19:37,475 --> 01:19:39,508
"This is my..." Come on.
858
01:19:40,610 --> 01:19:42,049
I have a home.
859
01:19:43,184 --> 01:19:49,320
This is my home.
860
01:19:49,355 --> 01:19:53,027
This is my home.
861
01:19:53,997 --> 01:19:55,524
I have a home.
862
01:19:56,659 --> 01:20:00,364
I have, for as long as I like.
863
01:20:03,270 --> 01:20:06,040
That is what home is.
864
01:20:16,613 --> 01:20:18,382
I had always thought
865
01:20:18,417 --> 01:20:20,956
that by this stage I would be
settled down somewhere
866
01:20:20,991 --> 01:20:23,156
with a house and grounds
and everything,
867
01:20:23,191 --> 01:20:24,993
but I never got to doing that.
868
01:20:32,695 --> 01:20:34,431
Never... I've never bought
a house,
869
01:20:34,466 --> 01:20:36,400
and I still have
no intention to buy
870
01:20:38,668 --> 01:20:40,602
because with me,
871
01:20:40,637 --> 01:20:44,144
the way I live is very much
also part of the
872
01:20:44,179 --> 01:20:45,508
what produces my work,
873
01:20:45,543 --> 01:20:49,314
so I have to keep examining
my life
874
01:20:49,349 --> 01:20:52,086
to make sure that I am
in constant change,
875
01:20:52,121 --> 01:20:57,322
and not getting too bloated
with philosophic opulence.
876
01:20:57,357 --> 01:21:00,094
Keep sort of throwing bits
and pieces away.
877
01:21:00,129 --> 01:21:03,196
And by... to change countries
is one way of doing that.
878
01:21:10,139 --> 01:21:12,007
I'm not quite sure
where to go now.
879
01:21:12,042 --> 01:21:17,144
Um, the East beckons me.
880
01:21:17,179 --> 01:21:18,585
I'm a bit scared
of moving over there, you know?
881
01:21:18,609 --> 01:21:20,213
Japan?
882
01:21:20,248 --> 01:21:22,446
Yes, because I fall
in love so much
883
01:21:22,481 --> 01:21:24,481
with the lifestyle that
I'll get very Zen about it.
884
01:21:38,596 --> 01:21:41,597
Please
give us your special message
885
01:21:41,632 --> 01:21:44,435
to the audience of our program,
"Young Oh! Oh!"
886
01:21:45,537 --> 01:21:47,240
Look at the camera, please.
887
01:21:47,275 --> 01:21:49,605
Uh, don't waste any day.
Don't waste a minute.
888
01:21:49,640 --> 01:21:51,376
Yes.
889
01:21:51,411 --> 01:21:53,345
Mr. David Bowie.
890
01:21:53,380 --> 01:21:54,610
Thank you again.
891
01:22:09,627 --> 01:22:11,660
I hope that none of us
are kind of static
892
01:22:11,695 --> 01:22:13,332
throughout our lives.
893
01:22:13,367 --> 01:22:16,401
I mean, I guess one has
a formed personality
894
01:22:16,436 --> 01:22:18,007
from quite an early age,
895
01:22:18,042 --> 01:22:20,372
but it is tempered
and subject to change.
896
01:22:24,081 --> 01:22:26,180
I mean,
we all to a certain extent
897
01:22:26,215 --> 01:22:29,348
create our lives
and create our culture daily,
898
01:22:29,383 --> 01:22:31,119
as we live that 24 hours.
899
01:22:31,154 --> 01:22:34,551
We'll choose a tie,
or a haircut, or a chair,
900
01:22:34,586 --> 01:22:35,794
not just
because it's functional,
901
01:22:35,818 --> 01:22:37,521
but for most of us
902
01:22:37,556 --> 01:22:39,276
because it actually
says something about us.
903
01:22:41,527 --> 01:22:44,198
I still, you know,
am sort of getting somewhere
904
01:22:44,233 --> 01:22:47,036
that I quite like,
but I'm still not.
905
01:22:47,071 --> 01:22:48,471
We'll find out eventually,
won't we?
906
01:22:50,635 --> 01:22:53,075
I might now be cut out
for all this, really,
907
01:22:53,110 --> 01:22:55,110
at the end.
908
01:22:55,145 --> 01:22:56,507
Why did you change so often?
909
01:22:56,542 --> 01:22:57,651
I mean,
what was the need for it?
910
01:22:57,675 --> 01:22:58,740
Was it just a gimmick?
911
01:22:58,775 --> 01:23:00,346
Being a Capricorn.
912
01:23:00,381 --> 01:23:02,744
I didn't want to expose myself
to the public,
913
01:23:02,779 --> 01:23:05,087
so I developed a series
of characters.
914
01:23:05,122 --> 01:23:07,485
So, behind that all the time
was a real David Bowie?
915
01:23:08,290 --> 01:23:09,454
At times, yes.
916
01:23:09,489 --> 01:23:11,060
I lost control
a couple of times.
917
01:23:12,525 --> 01:23:14,294
So you're not...
This is really you.
918
01:23:14,329 --> 01:23:16,569
This is not you just still
sort of playing the role of...
919
01:23:18,267 --> 01:23:19,530
One wonders.
920
01:23:19,565 --> 01:23:21,829
I think
that it's not at all mystifying
921
01:23:21,864 --> 01:23:23,545
why you change your appearance
as often as you do,
922
01:23:23,569 --> 01:23:25,206
to my view by the way,
923
01:23:25,241 --> 01:23:29,309
because I think you've
used yourself as a canvas.
924
01:23:29,344 --> 01:23:31,179
- Yes, very much so.
- Is that right?
925
01:23:31,214 --> 01:23:32,774
Yes, very much so.
926
01:23:32,809 --> 01:23:37,746
Um, I never wanted to appear
as myself onstage ever,
927
01:23:37,781 --> 01:23:39,418
at any time, until recently.
928
01:23:39,453 --> 01:23:43,356
Were you hiding yourself
from us by doing that?
929
01:23:43,391 --> 01:23:46,227
Partly, but I was
enjoying it very much.
930
01:23:46,262 --> 01:23:48,229
- And, you paint now?
- Yes.
931
01:23:48,264 --> 01:23:49,736
But your paintings,
you're not willing
932
01:23:49,760 --> 01:23:51,166
to let us see yet?
933
01:23:51,201 --> 01:23:52,497
Uh, no.
934
01:23:52,532 --> 01:23:53,608
I've been offered
two or three showings,
935
01:23:53,632 --> 01:23:55,269
but I've turned
936
01:23:55,304 --> 01:23:57,370
I've accepted two of them,
and then I broke my word
937
01:23:57,405 --> 01:23:59,504
and said I wouldn't show them.
938
01:23:59,539 --> 01:24:01,374
I haven't yet bucked up
the courage.
939
01:24:01,409 --> 01:24:04,245
Why not? What do you fear?
940
01:24:04,280 --> 01:24:05,576
Well, I know I'm a good writer.
941
01:24:07,481 --> 01:24:09,448
I'm not sure
about putting my paintings.
942
01:24:09,483 --> 01:24:11,120
They're very personal
to me, as well.
943
01:24:11,155 --> 01:24:13,353
Um, they're all portraits,
944
01:24:13,388 --> 01:24:15,388
and they're portraits
of people in isolation.
945
01:24:15,423 --> 01:24:19,161
Most of the paintings
are Germans or Turks
946
01:24:19,196 --> 01:24:20,855
who live in Berlin,
947
01:24:20,890 --> 01:24:23,297
and they're either
from East Berlin,
948
01:24:23,332 --> 01:24:24,804
and who are now living
in West Berlin,
949
01:24:24,828 --> 01:24:26,234
and knowing their families
950
01:24:26,269 --> 01:24:28,203
are on the other side
of the wall.
951
01:24:28,238 --> 01:24:31,437
And so, I tried to capture
a lot of that isolation
952
01:24:31,472 --> 01:24:33,802
and I put a lot of myself
into the paintings as well.
953
01:24:33,837 --> 01:24:35,144
They're very much part of me.
954
01:24:53,692 --> 01:24:55,626
Well, I think
the question is what...
955
01:24:55,661 --> 01:24:58,761
You know, what you want to be
for yourself and your life.
956
01:24:58,796 --> 01:25:00,664
I don't know whether
that's important anymore.
957
01:25:00,699 --> 01:25:02,897
I mean, what I want
to do is just work well.
958
01:25:02,932 --> 01:25:05,438
When I'm working well,
I like my writing.
959
01:25:05,473 --> 01:25:06,868
At the moment, especially.
960
01:25:06,903 --> 01:25:08,705
More than at any other time,
I think.
961
01:25:08,740 --> 01:25:11,246
I mean, I was getting so bored
with what I was writing.
962
01:25:11,281 --> 01:25:13,545
I just, I felt inadequate,
I thought my writing
963
01:25:13,580 --> 01:25:14,909
was becoming monotonous.
964
01:25:14,944 --> 01:25:16,845
I didn't take
the kinds of chances
965
01:25:16,880 --> 01:25:18,253
I was taking at one time.
966
01:25:19,652 --> 01:25:21,751
I thought if I'm going
to end up like,
967
01:25:23,722 --> 01:25:27,394
um, a lot of other rock
and roll celebrities,
968
01:25:27,429 --> 01:25:28,857
inasmuch
that I'm going to be trying
969
01:25:28,892 --> 01:25:30,826
to retain the safe position,
you know?
970
01:25:30,861 --> 01:25:33,202
And that's not what
I started out wanting to do.
971
01:25:33,237 --> 01:25:35,270
But is it important to you
to have a mass audience?
972
01:25:35,305 --> 01:25:36,381
Do you want a lot of people to...
973
01:25:36,405 --> 01:25:37,437
No. No.
974
01:25:37,472 --> 01:25:38,867
I want to work well.
975
01:25:38,902 --> 01:25:41,573
I want to...
I just have to work well.
976
01:25:44,347 --> 01:25:46,479
I think it's
an heroic act to take,
977
01:25:46,514 --> 01:25:51,583
um... to be able
to obtain enthusiasm
978
01:25:51,618 --> 01:25:54,883
and joy from the actual process
of living from day to day.
979
01:25:56,524 --> 01:25:57,622
Yes, very much.
980
01:25:57,657 --> 01:26:01,494
I try. And it is, it is
981
01:26:01,529 --> 01:26:03,661
I think it takes practice to,
982
01:26:03,696 --> 01:26:07,302
and concentration,
and exercise to enjoy it.
983
01:26:07,337 --> 01:26:10,503
This is very easy to fall
into the trap of looking
984
01:26:10,538 --> 01:26:13,770
for one's dreams and always
thinking of a future moment
985
01:26:13,805 --> 01:26:15,508
when everything will be better.
986
01:26:15,543 --> 01:26:17,642
And if the process
is not enjoyed,
987
01:26:17,677 --> 01:26:19,413
the dreams will never come
to anything.
988
01:26:19,448 --> 01:26:21,712
And by enjoying the process,
989
01:26:21,747 --> 01:26:23,450
you are creating
a dream come true.
990
01:26:33,792 --> 01:26:36,991
I think I have an abundantly
healthy curiosity about life.
991
01:26:37,026 --> 01:26:39,829
About life around me,
specifically.
992
01:26:39,864 --> 01:26:43,536
And how, how we put
ourselves together culturally,
993
01:26:43,571 --> 01:26:46,341
and I think it's served me well
as an artist,
994
01:26:46,376 --> 01:26:50,741
in as much as I'm really
inquiring continually
995
01:26:50,776 --> 01:26:53,447
into how things are made
and why we make them,
996
01:26:53,482 --> 01:26:57,946
and the significance
or meanings behind things.
997
01:27:01,853 --> 01:27:05,954
I'd be really scared of feeling
that I'd got somewhere,
998
01:27:05,989 --> 01:27:09,430
because for me,
art is about searching,
999
01:27:09,465 --> 01:27:10,827
and if you come to a place
1000
01:27:10,862 --> 01:27:12,829
where you think
you've made a discovery,
1001
01:27:12,864 --> 01:27:14,765
I think that really is...
1002
01:27:17,066 --> 01:27:19,341
God, that would be
really demoralizing.
1003
01:27:19,376 --> 01:27:21,343
I think the search is the thing.
1004
01:30:28,994 --> 01:30:32,028
There's a gradual shift
when you reach mid 30s.
1005
01:30:32,063 --> 01:30:33,733
Uh, I think that
there's a period
1006
01:30:33,768 --> 01:30:36,868
where you have
to decide not to try
1007
01:30:36,903 --> 01:30:41,609
and grasp frantically
for the feelings of desperation
1008
01:30:41,644 --> 01:30:44,744
and anger that you have
when you're in your mid 20s.
1009
01:30:44,779 --> 01:30:49,243
And if you can relax into
the idea that being mid 30s
1010
01:30:49,278 --> 01:30:50,981
is quite a nice place to be
1011
01:30:51,016 --> 01:30:52,818
with an amount of experience
behind you,
1012
01:30:54,250 --> 01:30:56,184
I think the perspective changes.
1013
01:31:03,193 --> 01:31:04,203
You said once that there's
1014
01:31:04,227 --> 01:31:06,062
so many shells around you
1015
01:31:06,097 --> 01:31:07,745
that you don't know what
the p... looks like anymore.
1016
01:31:07,769 --> 01:31:09,098
Yeah,
well I've gone through that.
1017
01:31:09,133 --> 01:31:11,672
I'm pretty aware
of what I'm like.
1018
01:31:11,707 --> 01:31:13,542
Really? Yeah, yeah.
1019
01:31:13,577 --> 01:31:16,677
I feel pretty-pretty happy
about my own relationship
1020
01:31:16,712 --> 01:31:17,744
to the world, and...
1021
01:31:20,980 --> 01:31:25,653
We've got to be positive
about our days on this planet.
1022
01:31:25,688 --> 01:31:28,084
I never realized
you were such an optimist.
1023
01:31:28,119 --> 01:31:29,690
Well, I never was particularly.
1024
01:31:30,924 --> 01:31:32,286
You're more romantic
1025
01:31:32,321 --> 01:31:35,025
than people give you credit for.
1026
01:31:35,060 --> 01:31:36,994
I think I'm probably
a lot more emotional
1027
01:31:37,029 --> 01:31:39,766
than people would think
that I was.
1028
01:31:39,801 --> 01:31:42,604
I am emotionally very
responsive to life and people.
1029
01:31:46,709 --> 01:31:49,237
I just wanted to come in touch
with a common factor
1030
01:31:49,272 --> 01:31:51,173
because I feel a need
at the moment to
1031
01:31:52,308 --> 01:31:54,847
be part of a society again,
1032
01:31:54,882 --> 01:31:56,310
and having traveled
an awful lot,
1033
01:31:56,345 --> 01:31:59,181
feel more and more
part of everything.
1034
01:31:59,216 --> 01:32:00,985
And I wish
to express that feeling.
1035
01:32:01,020 --> 01:32:04,021
I don't want to seem
as though I'm detached and cold
1036
01:32:04,056 --> 01:32:05,660
because I'm not.
1037
01:32:09,127 --> 01:32:11,061
You seem very sure of yourself,
1038
01:32:11,096 --> 01:32:13,129
and very,
sort of content, and...
1039
01:32:13,164 --> 01:32:14,735
You seem at ease with yourself.
1040
01:32:14,770 --> 01:32:16,000
I'm at ease with myself, yeah.
1041
01:32:22,679 --> 01:32:23,876
You've always been so good
1042
01:32:23,911 --> 01:32:26,109
at being convincing, you know?
1043
01:32:26,144 --> 01:32:28,716
- Whatever it was at the time.
- Yeah. I see.
1044
01:32:28,751 --> 01:32:30,685
I mean, is it possible that this
1045
01:32:30,720 --> 01:32:34,282
is just another role?
I see what's going on.
1046
01:32:34,317 --> 01:32:36,691
I believe that there is a thread
1047
01:32:36,726 --> 01:32:38,924
of meaning running
through my life at the moment,
1048
01:32:38,959 --> 01:32:40,695
that I have no wish
at the moment to break,
1049
01:32:40,730 --> 01:32:42,059
and I feel it's leading
1050
01:32:42,094 --> 01:32:44,160
somewhere fulfilling
and positive.
1051
01:32:44,195 --> 01:32:47,064
And if I feel that way,
then I make every effort
1052
01:32:47,099 --> 01:32:49,671
to make that part
of my music now.
1053
01:32:54,205 --> 01:32:56,370
It's the ultimate swing
of the pendulum.
1054
01:32:56,405 --> 01:32:58,779
When things reach a point
to one extreme,
1055
01:32:58,814 --> 01:33:00,242
there will be
a natural gravitation
1056
01:33:00,277 --> 01:33:02,145
back to a point,
1057
01:33:02,180 --> 01:33:04,114
which is the antithesis
of that one.
1058
01:33:04,149 --> 01:33:06,149
So, you've got
a musical vocabulary,
1059
01:33:06,184 --> 01:33:10,252
which is high-tech, and icy.
1060
01:33:10,287 --> 01:33:13,222
There's gonna be sooner
or later a swing back to,
1061
01:33:13,257 --> 01:33:16,126
well, what is the other side
of that coin?
1062
01:33:16,161 --> 01:33:17,864
Ladies and gentlemen,
Mr. David Bowie.
1063
01:33:23,399 --> 01:33:26,235
I'd like to, um,
start off the 80s
1064
01:33:26,270 --> 01:33:29,172
in a positive,
optimistic fashion.
1065
01:33:29,207 --> 01:33:32,076
I'll be undertaking,
a world tour,
1066
01:33:32,111 --> 01:33:34,012
sometime around the middle
of the year,
1067
01:33:34,047 --> 01:33:38,016
and it'll take me through
to the autumn at least.
1068
01:33:38,051 --> 01:33:40,084
And he's back. David Bowie,
1069
01:33:40,119 --> 01:33:42,284
launching his
first new album in three years,
1070
01:33:42,319 --> 01:33:45,221
preparing for his first
British tour in five years,
1071
01:33:45,256 --> 01:33:47,256
and telling Newsnight's
Robin Denselow
1072
01:33:47,291 --> 01:33:50,292
about his new
and more emotional music style.
1073
01:33:51,867 --> 01:33:54,395
I'm trying to write
in a more obvious
1074
01:33:54,430 --> 01:33:56,100
and positive manner.
1075
01:33:56,135 --> 01:33:59,301
I've not gone quite
into a corner
1076
01:33:59,336 --> 01:34:01,908
with experimentation of sound.
1077
01:34:01,943 --> 01:34:04,779
I'm not quite so concerned
with cut-up exercise,
1078
01:34:04,814 --> 01:34:07,276
or using juxtaposition
of lyrics, or whatever.
1079
01:34:07,311 --> 01:34:09,179
I'd like to do
something positive.
1080
01:34:09,214 --> 01:34:11,951
Something that helps people,
to use a cliche.
1081
01:34:13,350 --> 01:34:14,723
This is probably
the simplest music
1082
01:34:14,758 --> 01:34:16,054
I've ever done.
1083
01:34:16,089 --> 01:34:17,385
What do you mean simple?
1084
01:34:17,420 --> 01:34:20,223
It makes very warm,
1085
01:34:20,258 --> 01:34:22,192
understandable
musical statements.
1086
01:34:22,227 --> 01:34:24,095
It has a warm response.
1087
01:34:24,130 --> 01:34:27,868
I hope that it's the most
emotionally uplifting music
1088
01:34:27,903 --> 01:34:29,936
I've made in a long time.
1089
01:34:29,971 --> 01:34:31,432
It's very positive.
1090
01:34:31,467 --> 01:34:33,137
Is that how you're feeling?
1091
01:34:33,172 --> 01:34:35,073
Relatively. Oh yeah.
1092
01:34:35,108 --> 01:34:36,404
I'm very positive.
1093
01:34:48,825 --> 01:34:50,891
British fans are overwhelming
1094
01:34:50,926 --> 01:34:53,190
the post office with more
than four times
1095
01:34:53,225 --> 01:34:56,424
as many ticket requests
as seats available.
1096
01:34:56,459 --> 01:34:59,031
This is the biggest demand ever.
1097
01:34:59,066 --> 01:35:01,033
We waited hours
and hours to get tickets.
1098
01:35:01,068 --> 01:35:02,133
Big Bowie fan?
1099
01:35:02,168 --> 01:35:03,233
Yeah, that's me.
1100
01:35:03,268 --> 01:35:04,366
He's totally evolved.
1101
01:35:04,401 --> 01:35:05,939
He knows what his fans want,
1102
01:35:05,974 --> 01:35:07,347
and that's what
he's delivering now.
1103
01:35:07,371 --> 01:35:09,844
I love David Bowie!
1104
01:35:09,879 --> 01:35:11,351
Fans have
been waiting a day and a half
1105
01:35:11,375 --> 01:35:12,781
in the stadium parking lot.
1106
01:35:12,816 --> 01:35:14,244
They open the gates at 5pm.
1107
01:35:14,279 --> 01:35:16,917
We want Bowie!
1108
01:35:24,553 --> 01:35:27,422
Ladies and gentlemen
1109
01:35:28,997 --> 01:35:32,328
David Bowie and his band!
1110
01:35:40,305 --> 01:35:41,469
What is it about David Bowie
1111
01:35:41,504 --> 01:35:43,339
that excites you so much?
1112
01:35:43,374 --> 01:35:44,846
- His style.
- Yeah?
1113
01:35:44,881 --> 01:35:46,078
I like his makeup.
1114
01:35:46,113 --> 01:35:47,343
You like his makeup?
1115
01:35:47,378 --> 01:35:48,817
I like his music.
1116
01:38:33,148 --> 01:38:34,444
Bowie!
1117
01:38:34,479 --> 01:38:36,017
Bowie!
1118
01:38:36,052 --> 01:38:37,546
Bowie!
1119
01:38:37,581 --> 01:38:39,713
Bowie! Bowie!
1120
01:38:44,159 --> 01:38:45,686
Do you think
they phenomenal success
1121
01:38:45,721 --> 01:38:48,260
of the tour marks
the rebirth of Bowie fever?
1122
01:38:49,428 --> 01:38:51,098
No, I don't think that.
1123
01:38:51,133 --> 01:38:53,199
But I think it's just
a Bowie acceptance now,
1124
01:38:53,234 --> 01:38:56,235
which is quite gratifying
after all these years.
1125
01:39:11,087 --> 01:39:12,625
Didn't think I'd ever
hear myself saying this,
1126
01:39:12,649 --> 01:39:14,352
but it's like the audience
1127
01:39:14,387 --> 01:39:16,255
and myself are just,
like, together.
1128
01:39:16,290 --> 01:39:17,553
It's trying to come back
1129
01:39:17,588 --> 01:39:19,687
to being a person again
in terms...
1130
01:39:19,722 --> 01:39:21,524
In the eyes of the audience,
1131
01:39:21,559 --> 01:39:23,262
and it certainly
has no pretensions
1132
01:39:23,297 --> 01:39:25,330
to be a serious,
1133
01:39:25,365 --> 01:39:29,796
heavy statement-filled show,
but I mean,
1134
01:39:29,831 --> 01:39:31,468
it's exactly
what I want it to be.
1135
01:39:35,540 --> 01:39:37,177
What do you most enjoy doing?
1136
01:39:37,212 --> 01:39:39,014
In life, at the moment?
1137
01:39:41,216 --> 01:39:43,282
Waking up and feeling
as though I've got a future.
1138
01:39:44,846 --> 01:39:48,155
I keep remembering
that there is a tomorrow,
1139
01:39:48,190 --> 01:39:50,157
when that never really occurred
to me before,
1140
01:39:50,192 --> 01:39:51,488
that there was a tomorrow.
1141
01:39:51,523 --> 01:39:54,293
Tomorrow was really,
"This is it.
1142
01:39:54,328 --> 01:39:56,493
"This is now, this is important.
1143
01:39:56,528 --> 01:39:58,660
"Everything else is crazy,
and static,
1144
01:39:58,695 --> 01:40:01,729
"and it means nothing,
or everything's impermanent,
1145
01:40:01,764 --> 01:40:04,468
therefore I will just live
for the second."
1146
01:40:06,241 --> 01:40:09,275
And one has to start taking
very positive stands on things.
1147
01:40:15,283 --> 01:40:16,788
When you feel comfortable
with yourself,
1148
01:40:16,812 --> 01:40:18,515
you can no longer write.
1149
01:40:18,550 --> 01:40:22,090
That seems to be
the writer's great problem.
1150
01:40:22,125 --> 01:40:25,522
As I get more comfortable,
I obviously have the feeling
1151
01:40:25,557 --> 01:40:29,163
that it's not so much that
is my writing as good,
1152
01:40:29,198 --> 01:40:32,760
or as potent as it used to be,
but do I need to write anymore?
1153
01:41:01,527 --> 01:41:05,298
His new album seems
to be, to me, a step sideways.
1154
01:41:05,333 --> 01:41:06,365
Why do you describe it
1155
01:41:06,400 --> 01:41:07,663
that... in that way?
1156
01:41:07,698 --> 01:41:09,269
Because I think he's not doing
1157
01:41:09,304 --> 01:41:10,831
anything particularly new,
1158
01:41:10,866 --> 01:41:14,142
and I suspect that
for the first time ever,
1159
01:41:14,177 --> 01:41:18,509
the fans are up there with him
and he's not ahead of the game.
1160
01:41:18,544 --> 01:41:21,809
He seems to me to have become
something rather old fashioned,
1161
01:41:21,844 --> 01:41:24,185
which is to say a superstar.
1162
01:41:38,267 --> 01:41:41,235
If you've gone mainstream,
there's only one way to do it,
1163
01:41:41,270 --> 01:41:43,171
and that's sell out
three days a year.
1164
01:41:43,206 --> 01:41:44,271
Really do it.
1165
01:41:44,306 --> 01:41:45,734
Yeah, yeah.
1166
01:41:45,769 --> 01:41:47,340
He's done it in one big deal,
hasn't he?
1167
01:41:50,807 --> 01:41:52,444
This is the last stop
1168
01:41:52,479 --> 01:41:54,842
on what's been a pretty
extensive tour for you.
1169
01:41:54,877 --> 01:41:57,284
Uh, yeah, I'm not
actually finishing in Auckland.
1170
01:41:57,319 --> 01:41:58,648
I'm going over now
1171
01:41:58,683 --> 01:42:00,914
to Singapore,
Hong Kong, and Bangkok.
1172
01:42:36,391 --> 01:42:38,886
I'm not quite so stricken
with the idea
1173
01:42:38,921 --> 01:42:40,954
of making a point.
1174
01:42:40,989 --> 01:42:43,297
I'm not quite sure
that any point
1175
01:42:43,332 --> 01:42:45,794
that I have to make
isn't being made quite as well
1176
01:42:45,829 --> 01:42:47,400
by other people.
1177
01:42:47,435 --> 01:42:50,799
Um, and that maybe the point,
1178
01:42:50,834 --> 01:42:52,306
my most important point,
1179
01:42:52,341 --> 01:42:53,967
is that I can entertain
very well,
1180
01:42:54,002 --> 01:42:57,641
and I think I'm no longer
finding it uncomfortable
1181
01:42:57,676 --> 01:43:01,645
to reach that conclusion.
1182
01:43:02,945 --> 01:43:05,748
That I now find
I'm very comfortable
1183
01:43:05,783 --> 01:43:08,586
being an actor, an entertainer,
1184
01:43:08,621 --> 01:43:12,293
without too much
all-encompassing stuff.
1185
01:44:01,542 --> 01:44:03,542
Pepsi continues to innovate,
1186
01:44:03,577 --> 01:44:05,379
by capturing what's new,
1187
01:44:05,414 --> 01:44:08,316
what's contemporary,
and what's hot.
1188
01:44:08,351 --> 01:44:10,351
The Glass Spider Tour
will be all of that.
1189
01:44:17,624 --> 01:44:20,493
You always have
that segment of people
1190
01:44:20,528 --> 01:44:21,890
who are with you from the start
1191
01:44:21,925 --> 01:44:24,464
and if you know Bowie,
you know he's sold out.
1192
01:44:24,499 --> 01:44:27,929
I don't begrudge any
artist for getting an audience.
1193
01:44:27,964 --> 01:44:31,064
I'm sorry, I never found
that poverty meant purity.
1194
01:44:31,099 --> 01:44:32,967
For a guy who doesn't like
1195
01:44:33,002 --> 01:44:35,475
to play it safe, though,
as the audience gets larger,
1196
01:44:35,510 --> 01:44:37,444
it must be harder
to take those chances.
1197
01:44:53,957 --> 01:44:55,561
Here I was,
making lots of money,
1198
01:44:55,596 --> 01:44:57,464
performing
to these huge audiences,
1199
01:44:57,499 --> 01:44:58,960
and I thought that's it,
you know?
1200
01:44:58,995 --> 01:45:01,699
I've come to the vacuum
of my life.
1201
01:46:34,222 --> 01:46:35,463
I'm a young man.
1202
01:46:36,796 --> 01:46:38,829
Do you understand?
1203
01:46:38,864 --> 01:46:40,633
I'm a young man.
1204
01:46:59,280 --> 01:47:02,116
Thank you very much.
Bye bye, we love you.
1205
01:47:31,752 --> 01:47:34,016
Even though
it was enormously successful,
1206
01:47:35,591 --> 01:47:37,921
there was no growth
going on at all.
1207
01:47:43,566 --> 01:47:44,873
They were very hard years
to get through
1208
01:47:44,897 --> 01:47:46,633
to find any sense of purpose.
1209
01:47:48,802 --> 01:47:50,703
I wasn't allowing myself
1210
01:47:50,738 --> 01:47:53,640
the service of being
who I really am as an artist.
1211
01:47:55,006 --> 01:47:56,940
I'd given myself
dreadful parameters
1212
01:47:56,975 --> 01:48:01,648
in confining myself to merely
what I presumed people wanted.
1213
01:48:05,720 --> 01:48:07,214
I never wanted to do this.
1214
01:48:07,249 --> 01:48:09,788
I never wanted to be out there
pleasing people.
1215
01:48:09,823 --> 01:48:11,691
I wanted to be really stubborn
1216
01:48:11,726 --> 01:48:13,759
and have people like
what I like.
1217
01:48:13,794 --> 01:48:15,992
Not give them what they like.
1218
01:48:21,835 --> 01:48:25,199
It's very, very easy
to become work-obsessed
1219
01:48:25,234 --> 01:48:27,608
for the reason of not having
to look at oneself.
1220
01:48:31,746 --> 01:48:33,240
I think over the last few years,
1221
01:48:33,275 --> 01:48:35,209
I'm understanding
1222
01:48:35,244 --> 01:48:38,146
a very important thing
in my life,
1223
01:48:38,181 --> 01:48:41,688
which is that I really
have to come back
1224
01:48:41,723 --> 01:48:44,053
to what my life is about.
1225
01:48:44,088 --> 01:48:47,892
That my life is not about
the work that I do.
1226
01:48:47,927 --> 01:48:49,630
My work is not me.
1227
01:48:49,665 --> 01:48:54,833
I am distinctly one entity
that needs looking at.
1228
01:48:57,739 --> 01:48:59,101
When I first looked,
1229
01:48:59,136 --> 01:49:01,939
I just didn't understand
that person,
1230
01:49:01,974 --> 01:49:04,238
because I'd never given myself
the time,
1231
01:49:04,273 --> 01:49:05,976
nor the incentive
1232
01:49:06,011 --> 01:49:09,716
to want to really
have a look at myself, deeply.
1233
01:49:12,754 --> 01:49:15,920
I think the first intrusion
into one's own inner conflicts
1234
01:49:15,955 --> 01:49:18,021
is not the most pleasant
of experiences.
1235
01:49:21,059 --> 01:49:23,356
But working through them
1236
01:49:23,391 --> 01:49:25,226
can really be
one of the greatest adventures
1237
01:49:25,261 --> 01:49:26,997
of one's life,
1238
01:49:27,032 --> 01:49:31,265
and it takes a certain amount
of bravado,
1239
01:49:31,300 --> 01:49:34,939
and need, and a realization
1240
01:49:34,974 --> 01:49:37,975
that you're missing out
on your own life.
1241
01:49:39,275 --> 01:49:41,275
You are probably
creating hazards
1242
01:49:41,310 --> 01:49:47,182
and disturbing experiences
for others around you.
1243
01:49:47,217 --> 01:49:49,690
And the house must be put right.
1244
01:50:09,371 --> 01:50:11,074
Do you have
any room in your life
1245
01:50:11,109 --> 01:50:12,944
for any kind of real
relationship like that?
1246
01:50:12,979 --> 01:50:14,379
More room than
I've ever had before.
1247
01:50:17,951 --> 01:50:20,149
You've said that being in love,
1248
01:50:20,184 --> 01:50:21,359
you thought was like a disease.
1249
01:50:21,383 --> 01:50:23,185
Yeah.
1250
01:50:23,220 --> 01:50:24,700
Horrible,
and it bred jealousy, and
1251
01:50:24,727 --> 01:50:26,419
I think I've... I think I've
1252
01:50:26,454 --> 01:50:30,830
I think I've grown to feel
a distaste for that statement.
1253
01:50:55,857 --> 01:50:58,352
Then I met Iman,
1254
01:50:58,387 --> 01:51:01,861
and it was smack,
right from the first night.
1255
01:51:01,896 --> 01:51:03,159
That was it. It was over.
1256
01:51:05,900 --> 01:51:06,932
It was incredible.
1257
01:51:10,432 --> 01:51:14,401
My life suddenly became
rose-tinged.
1258
01:51:44,070 --> 01:51:46,004
I really started thinking about
1259
01:51:46,039 --> 01:51:49,975
where I was gonna go with it,
and what I could do for her,
1260
01:51:50,010 --> 01:51:52,439
and how I could be
1261
01:51:52,474 --> 01:51:54,144
some kind
of valuable contribution
1262
01:51:54,179 --> 01:51:56,212
to a relationship.
1263
01:52:13,429 --> 01:52:16,199
It became a process
over the first year or so,
1264
01:52:16,234 --> 01:52:18,971
trying to balance my life
in terms of well,
1265
01:52:19,006 --> 01:52:21,138
how many of these
precious moments
1266
01:52:21,173 --> 01:52:24,075
am I willing to give away
at my age, 45?
1267
01:52:24,110 --> 01:52:27,045
Do I want to keep
on inundating myself
1268
01:52:27,080 --> 01:52:29,476
with one work project
after another, and sort of,
1269
01:52:29,511 --> 01:52:32,413
leave virtually no room
for a real, solid,
1270
01:52:32,448 --> 01:52:35,856
wonderful relationship
to start blooming?
1271
01:52:44,867 --> 01:52:46,900
Tour plans. Any tour plans?
1272
01:52:46,935 --> 01:52:50,365
Unfortunately not.
No, not this time.
1273
01:52:50,400 --> 01:52:53,940
As you know, I've only been
married seven months,
1274
01:52:53,975 --> 01:52:57,438
and I really want to spend
more time within the marriage.
1275
01:52:57,473 --> 01:53:00,243
I think the worst thing to do
is run away for a year.
1276
01:53:01,444 --> 01:53:02,509
I really do.
1277
01:53:35,643 --> 01:53:38,919
There's a certain
buoyancy that you can develop
1278
01:53:38,954 --> 01:53:40,580
as you get older
1279
01:53:40,615 --> 01:53:43,990
if you are capable of absorbing
that it's a finite life,
1280
01:53:44,025 --> 01:53:45,486
and a finite existence.
1281
01:53:46,687 --> 01:53:48,291
And it's a kind of a knowledge
1282
01:53:48,326 --> 01:53:51,294
that you cannot
possibly entertain
1283
01:53:51,329 --> 01:53:53,098
when you're young.
1284
01:53:53,133 --> 01:53:56,662
You cannot entertain
the real magnificence
1285
01:53:56,697 --> 01:53:59,269
and inevitability
of the short span of years
1286
01:53:59,304 --> 01:54:00,666
that we spend on the earth.
1287
01:54:00,701 --> 01:54:02,536
And I think
if you are really honest
1288
01:54:02,571 --> 01:54:04,076
with that reality,
1289
01:54:04,111 --> 01:54:06,474
you can have
a kind of a freedom,
1290
01:54:06,509 --> 01:54:08,949
artistically, spiritually,
and emotionally
1291
01:54:08,984 --> 01:54:10,577
that you don't have
when you're young.
1292
01:54:15,254 --> 01:54:17,287
The idea of holding
on to anything
1293
01:54:17,322 --> 01:54:21,588
that's manifested
seems farcical.
1294
01:54:21,623 --> 01:54:23,425
There is nothing to hold onto.
1295
01:54:23,460 --> 01:54:25,328
Youth, physical things, or
1296
01:54:29,037 --> 01:54:30,201
definitely possessions.
1297
01:54:35,076 --> 01:54:36,977
The 20th century concern
1298
01:54:37,012 --> 01:54:40,244
is how we put our new god
back together again.
1299
01:54:40,279 --> 01:54:43,379
I think that we're coming
into an era of chaos,
1300
01:54:43,414 --> 01:54:45,513
and chaos has meaning
in our lives,
1301
01:54:45,548 --> 01:54:47,988
and I think
that we have to re-adapt
1302
01:54:48,023 --> 01:54:51,189
our interpretation of religion
and spirituality
1303
01:54:51,224 --> 01:54:52,421
to suit our new millennium.
1304
01:54:53,721 --> 01:54:55,655
Chaos and fragmentation
is something
1305
01:54:55,690 --> 01:54:58,493
that I've always been
very comfortable with.
1306
01:54:58,528 --> 01:55:01,232
That obviously
is my through-line.
1307
01:55:01,267 --> 01:55:03,003
Because I've always felt
1308
01:55:03,038 --> 01:55:05,533
that there's no real central
one truth in life.
1309
01:55:05,568 --> 01:55:07,700
That the way we live
is trying to make sense
1310
01:55:07,735 --> 01:55:12,078
of the endless vortex
of fragments.
1311
01:55:12,113 --> 01:55:14,509
That essentially,
we try and pull
1312
01:55:14,544 --> 01:55:17,050
these weedy little truths
1313
01:55:17,085 --> 01:55:19,547
and absolutes
1314
01:55:19,582 --> 01:55:23,584
out of this kind
of mindless chaos,
1315
01:55:23,619 --> 01:55:25,619
which is the real universe.
1316
01:55:25,654 --> 01:55:28,358
There's something about
the 90s that I really like.
1317
01:55:28,393 --> 01:55:30,327
There's something in the air
that I recognize.
1318
01:55:30,362 --> 01:55:32,098
I think it's all the frag...
1319
01:55:32,133 --> 01:55:34,496
All the fragments
flying around in the chaos.
1320
01:55:34,531 --> 01:55:37,268
It feels really... I kind of...
I know this stuff.
1321
01:59:03,542 --> 01:59:06,708
I think, I think
it has something to do
1322
01:59:06,743 --> 01:59:09,744
with being able to reach
the end of any one day
1323
01:59:09,779 --> 01:59:12,648
and feel that you took from it
1324
01:59:12,683 --> 01:59:16,784
and gave back to it
as much as possible.
1325
01:59:18,326 --> 01:59:20,524
I hate to waste days.
1326
01:59:29,271 --> 01:59:32,239
I've just been feeling
a lot more comfortable
1327
01:59:32,274 --> 01:59:34,340
with life, and myself,
and my writing
1328
01:59:34,375 --> 01:59:35,869
and everything
as the years go by,
1329
01:59:35,904 --> 01:59:38,278
so it's... I just happen to be
in a great place.
1330
01:59:38,313 --> 01:59:39,840
I'm really lucky in that way.
1331
01:59:39,875 --> 01:59:41,413
'Cause I look
at some of my mates,
1332
01:59:41,448 --> 01:59:43,382
and some contemporaries,
1333
01:59:43,417 --> 01:59:46,517
and I know some of them feel,
I don't know, tired, or bitter,
1334
01:59:46,552 --> 01:59:48,453
or you know, a number of things
1335
01:59:48,488 --> 01:59:51,819
that traditionally
are supposed to go
1336
01:59:51,854 --> 01:59:53,293
with getting older, you know?
1337
01:59:53,328 --> 01:59:54,602
And I've just been
very fortunate
1338
01:59:54,626 --> 01:59:56,362
that it just
hasn't happened to me.
1339
01:59:56,397 --> 01:59:59,233
I just feel really...
I'm pretty keen on everything.
1340
02:00:00,632 --> 02:00:02,500
I've just landed on my feet.
1341
02:00:02,535 --> 02:00:05,899
I've done and do everything
I've always wanted to do,
1342
02:00:05,934 --> 02:00:07,637
you know?
1343
02:00:07,672 --> 02:00:08,672
That's been...
1344
02:00:09,872 --> 02:00:11,839
That's a great thing.
1345
02:00:11,874 --> 02:00:13,357
Oh, it's extraordinary.
It really is extraordinary.
1346
02:00:13,381 --> 02:00:14,479
I've an incredible life.
1347
02:00:15,581 --> 02:00:17,449
It's been amazing.
1348
02:00:17,484 --> 02:00:19,253
I would love to do it again.
1349
02:00:21,983 --> 02:00:25,886
I was determined,
ever since I was 16,
1350
02:00:25,921 --> 02:00:27,855
that I would have
the greatest adventure
1351
02:00:27,890 --> 02:00:30,693
that any one person
could ever have.
1352
02:00:30,728 --> 02:00:33,366
And I set my sails
in the general direction
1353
02:00:33,401 --> 02:00:35,632
of uncharted waters.
1354
02:00:35,667 --> 02:00:38,305
I put myself
through everything...
1355
02:00:38,340 --> 02:00:41,066
Absolutely everything,
that came along.
1356
02:00:41,101 --> 02:00:45,576
It was very important for me
to expand my horizons
1357
02:00:45,611 --> 02:00:47,314
and seeing just how...
1358
02:00:47,349 --> 02:00:49,712
Just how near to the line
I could get.
1359
02:01:30,722 --> 02:01:32,920
I've been so eclectic
all my life.
1360
02:01:32,955 --> 02:01:35,923
I've been admiring
of so many different people
1361
02:01:35,958 --> 02:01:37,958
and so many different things
that they've done,
1362
02:01:37,993 --> 02:01:41,797
I feel that I owe so many
for the way that I think
1363
02:01:41,832 --> 02:01:42,832
and do things.
1364
02:01:44,131 --> 02:01:47,836
I guess anybody
who's had the integrity
1365
02:01:47,871 --> 02:01:50,377
to kind of always work
outside of the system,
1366
02:01:50,412 --> 02:01:52,511
has always appealed to me.
1367
02:01:52,546 --> 02:01:55,712
Whenever I'm teetering
on sort of what I know
1368
02:01:55,747 --> 02:01:58,550
is what I do best,
and what I really feel for,
1369
02:01:58,585 --> 02:02:00,717
and there's an area
that I think that,
1370
02:02:00,752 --> 02:02:02,983
well, an audience
I know would like this,
1371
02:02:03,953 --> 02:02:05,788
I just remember back
1372
02:02:05,823 --> 02:02:09,792
to how much I hate the center
of the social strata,
1373
02:02:09,827 --> 02:02:11,959
how I hate being drawn
into the middle,
1374
02:02:11,994 --> 02:02:14,434
to the middle of the road
of anything,
1375
02:02:14,469 --> 02:02:17,063
to that which is most popular.
1376
02:02:17,098 --> 02:02:19,098
And if... The other thing
I would say is that
1377
02:02:19,133 --> 02:02:21,936
if you feel safe in the area
that you're working in,
1378
02:02:21,971 --> 02:02:23,740
you're not working
in the right area.
1379
02:02:23,775 --> 02:02:25,940
Always go a little further
into the water
1380
02:02:25,975 --> 02:02:27,909
than you feel
you're capable of being in.
1381
02:02:27,944 --> 02:02:29,878
Go a little bit
out of your depth,
1382
02:02:29,913 --> 02:02:31,079
and when you don't feel
1383
02:02:31,114 --> 02:02:33,112
that your feet
are quite touching the bottom,
1384
02:02:33,147 --> 02:02:34,553
you're just about
in the right place
1385
02:02:34,588 --> 02:02:35,950
to do something exciting.
1386
02:02:44,862 --> 02:02:46,433
Let me tell you one thing.
1387
02:02:47,733 --> 02:02:50,998
All people,
no matter who they are,
1388
02:02:51,033 --> 02:02:53,704
they all wish
they'd appreciated life more.
1389
02:02:56,071 --> 02:02:59,039
It's what you do in life
that's important,
1390
02:02:59,074 --> 02:03:02,482
not how much time you have,
or what you wish you'd done.
1391
02:04:26,227 --> 02:04:28,535
There is no beginning, no end.
1392
02:04:29,835 --> 02:04:31,538
And all at once,
1393
02:04:31,573 --> 02:04:34,574
the outward appearance
of meaning is transcended,
1394
02:04:34,609 --> 02:04:38,006
and you find yourself
struggling to comprehend a deep
1395
02:04:38,041 --> 02:04:39,909
and formidable mystery.
1396
02:04:41,781 --> 02:04:42,846
I'm dying.
1397
02:04:44,014 --> 02:04:46,278
You are dying.
1398
02:04:46,313 --> 02:04:49,820
Second by second,
all is transient.
1399
02:04:50,988 --> 02:04:53,824
Does it matter? Do I bother?
1400
02:04:55,058 --> 02:04:56,926
Yes I do.
1401
02:04:56,961 --> 02:04:58,961
Life is fantastic.
1402
02:04:58,996 --> 02:05:01,095
It never ends. It only changes.
1403
02:05:02,197 --> 02:05:05,572
Flesh to stone to flesh.
1404
02:05:05,607 --> 02:05:07,200
And round and round.
1405
02:05:08,940 --> 02:05:10,874
Best keep walking.
1406
02:14:12,285 --> 02:14:13,614
Well you know what?
1407
02:14:13,649 --> 02:14:15,715
This has been
an incredible pleasure,
1408
02:14:15,750 --> 02:14:19,158
and, uh,
you were really interesting.
1409
02:14:19,193 --> 02:14:20,731
I didn't know those things
you were telling me
1410
02:14:20,755 --> 02:14:23,162
about yourselves.
It's nice to have met you.
1411
02:14:23,197 --> 02:14:25,296
I'm glad we did finally
meet at last.
107523
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