All language subtitles for The.Blacklist.S03E14.720p.WEB-DL.2CH.x265.[@SeriesLand4U]

(COUNTRY MUSIC PLAYING)

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You... You all right, son?

Are you hurt?

Son, do you need help?

Hey.
Hey.

What's this?

A trust account.
For your child.

I... I can't take this.

I'm sorry.

(LIQUID POURING)

When I was young,
I loved fairy tales.

I was always partial
to shape-shifters,

who seemed good and sweet

but they were full of
unimaginable darkness.

"Once upon a time,
there lived a
woman in the woods.

"She was neither purely evil,
nor purely good.

"She gathered
unwanted children

"and gave them a home
in which to stay.

"She promised them
they'd live forever and a day.

"She changed
them into colors,
so beautiful, so bold..."

"She cared for
them so sweetly,
they never grew old."

(LAUGHING)

You know it.

Lady Ambrosia.
Ugh, always creeped me out.

I'm more of
a Wizard of Oz fan.

You just can't
beat a farm girl
in great shoes.

(LAUGHING)
Every culture has
their versions

of a mythic creature
who takes children.

The Germans
have Der Grossmann,
the Mexicans, La Llorona.

But there are whispers
that Lady Ambrosia
is not a myth.

That there's
a real woman out there,

takes unwanted children
and raises them

with the promise
of eternal youth.

This little boy
turned up out of
nowhere yesterday,

and I wonder if Lady Ambrosia
played any part in
his disappearance.

Missing children turn up.

He wasn't "missing".

He died four years ago.

And he's not the first.

LIZ: I love Annapolis.

I had a friend who went to
the Naval Academy

and we used to
go to this little
Italian restaurant, Maria's.

On the water,
is it even still open?

I don't think we know it.
LIZ: Beside the point.

Anyway, um, it seems like
a lovely place
to raise a child.

It really is.
Um, we've got great schools.

And outdoor activities...

Oh, there's this tall ship,
it looks like a pirate ship.

It's in the harbor.

Uh, we take my niece,
she is obsessed with it.

Can I be honest?

I like you guys a lot.

And you're probably
too polite to ask about it,

but you do know
about my past?

CHRIS: Yeah, we do.

All we want is
a healthy baby.

And we know that
with this process,
there are compromises.

I'm sure if we work together,
we can come up with a plan.

But I have gotten
my hopes up before,

so I just wanna make sure
you're completely comfortable

with me being
a part of my child...

Our child's life.

Three children.
All missing
and presumed dead.

Mary Jones died
on a family
camping trip in 2003.

Jeffrey Childs disappeared
from his backyard
two years later.

In 2012, Ethan Linley
drowned on the Ohio River.

All three were
later found alive.

All three had traces of
these ritualistic patterns

painted on their bodies.

Were they able to
explain what had happened?

Identify their captors?

No. Jones was also autistic,
and Childs was blind.

Can you zoom in
any closer on the
patterns on Ethan's body?

ARAM: Hang on.

Okay.

SAMAR: They don't look like
strokes from a paintbrush.

It looks like finger-painting.

Check with his doctor.
If Navabi's right,
lift the prints

from the finger-paint
in the photos and run them.

Ressler,
take Keen to that hospital,

I want a psych
eval on the kid.

Agent Ressler.
Judy Sickler, Child Services.

This is Elizabeth Keen,
she's a clinical psychologist.

She'll be assessing
the child.

Well, that might be tricky.
He's a sweet boy,
but non-verbal.

I understand he's autistic.
Is there any sign of abuse?

Aside from a few
bumps and bruises,
being a little dehydrated,

he got a perfect
bill of health.

Hi, Ethan. I'm Liz.

I'm here to help.

Okay, how are you feeling?

How do you feel?

JUDY: Don't think you're gonna
get that back.

First thing he's been
excited about all day.

Ah...

I can't believe
that he's here.

(PEN CLICKING)

Ethan.

It's me.

It's Dad.

(STAMMERING) I just...

I don't understand.
Where did you find him?

The cops won't
tell us anything.

They're still investigating.
But, we'll give you
two a moment.

(SIGHS)

I can't imagine
what it must have

been like for them,
all these years,

thinking their child was dead.

(CELL PHONE BUZZING)

LIZ: What is it?
What's wrong?

It's Aram.

Apparently two weeks
before Ethan disappeared,

the Linleys tried to
give him up for adoption.

All right, children.

Who else is excited
to celebrate Matthew today?

Everybody!

Yay!
KID: Yay!

All right, children,
let's stop here.

My little angels,
this is where it begins!

We're going to celebrate who?

KIDS: Matthew!

♪ 'Cause don't you know
it's Matthew's day

♪ He'll be safe
and always play

♪ Today's the day
he learns to...

KIDS: Fly!

♪ He'll be so happy
in the... ♪

KIDS: Sky!

LADY AMBROSIA: And then what's
he going to be in the sky?

KIDS: Butterfly!

Beautiful butterfly!

LADY AMBROSIA: Whoo! Matthew!

(CHEERING AND APPLAUSE)

(ALL EXCLAIMING)

LADY AMBROSIA:
Matthew! Bye-bye!

How beautiful!
How many butterflies?

KIDS: One, two,
three, four, five...

LADY AMBROSIA: How many?
Can you count them?

KIDS: Six, seven...

Ten, 20, 30, 40.

So beautiful.

(KIDS CHEERING)

I know what
you've done, Theodore.

I know what you've done.

Ethan Linley disappeared
on May 20th, 2012.

In the six months
before he "passed away",

his parents met with
four different
adoption agencies.

Ethan apparently requires
around-the-clock care.

Medical therapy,
speech and language therapy.

In fact, Jeanne quit
her job to be Ethan's
full-time caregiver.

My cousin has special needs.

The burden it places
on his parents,

the way they deal with it
is incredible.

I'm not saying
it's easy,

but I'd never give up my
kid for adoption.

People give their kids up
for all kinds of reasons.

COOPER: Investigators
may have talked to

the Linleys about
adopting out Ethan,

but I doubt
they spoke with
adoption agencies.

Question them,
see what they know.
Get warrants.

There's something these
parents aren't telling us.

(PHONES RINGING)

WOMAN: Number 34.

Hey.

How you doin'?

I've seen you before.

I doubt it.

Yes, it's you. I know,
I know you from my
spin class, right?

Hot Stuff.

I think you have me mistaken
for somebody else.

No, no. You are one kooky
little white man.

I'm telling you,
when Calvin plays
Donna Summer?

Mmm-mmm.
Mmm-mmm-mmm.

You just go. I'll tell you.

Now, you know all the girls
in the class got a crush
on you, right?

Especially me.
I think you're really sexy.

Thank you.

So, you wanna
get some food
after this, Hot Stuff?

Like I said,
I think you have me
mistaken for somebody else.

♪ Lookin' for some hot stuff
baby this evenin'
(CHUCKLES)

♪ I need some hot stuff
baby tonight

Come on,
we can have some fun!

♪ I need some hot stuff
baby this evenin' ♪
(LAUGHING)

Forty-five minutes, Glen?
Forty-five minutes.

Make it quick.
I'm meeting Trudy

for a nooner at
the Old Colony Inn.

Vasilia Patinka, former KGB,
I need you to find her.

It'll take time.
I'm stacked up.
Stacked up?

Employee training's
always 1st of the month.

We're getting
the parking lot re-striped,

I gotta get the cones,

I gotta book the DJ
for the New Year's party.

It's February.

Always thinking ahead,
"Hot Stuff."

I do not wait for 45 minutes
in that petri dish of humanity

unless I absolutely have to.

This is a matter
of life and death, Glen.

So is my nooner with Trudy.

As the French say,
"La petite mort."

If you find this woman,
if you get it done fast,

your tawdry liaisons
at the no-tell motel will be
a thing of the past,

as I will
personally introduce you

to two young ladies
you will never forget.

Soft, warm,
blonde and willing.

Willing?

Tell Trudy
you have to cancel.

(DIALING)

(LINE TRILLING)

Noah. It's Jeanne Linley.

Have you heard?
About Ethan? He's back.

You told me that
he would never be found.

And now he just shows up?

Calm down. It's gonna be fine.

Calm down?

I didn't work directly
with the Linleys,
Noah Shuster did.

RESSLER:
Could we speak with him?
I have to go.

We need to talk.
You know where to meet me.

One hour.
We'll figure this all out.

Noah finds homes
for children who are
difficult to place.

Kids with
emotional disturbances,
special needs, health issues.

That's strange,
he was just here.

Do you have a home address,
contact information?

GRETCHEN: Yes, of course.

Client information
is privileged.

Not anymore.

They said yes?

Open adoption,
you can have qualified
contact. Everything we wanted.

It's great,
and I can't thank you enough.

Wow. This is really
gonna happen.

(LINE BEEPS)
Um...

I'm sorry.
Um, hang on, just a sec.

(ALL CHEERING)

Liz! Liz it's me!

Tom? Where are you?

Listen, it's all good!
I figured out another way
to make some cash.

(ALL CHEERING)

Boys, we're here.

You can celebrate later,
we have work to do.

Tell the ball and chain
you'll call her back.

What's going on?

All you need to know
right now is that everything
is gonna be fine,

all right? We are free.

From what?

From Reddington, all of it.

Hey, look,
don't make any moves
on the adoption.

Tom, what have you done?

I'll meet you at
your place tomorrow night.

I'll bring Wing Yees and I'll
explain everything, all right?

I got a good feeling.

I gotta go.

I know you like to watch.

(BEEPING)

You could have
called anybody to do
the job with,

but you called me.

You need me.
We need each other.

Come with me to Zurich,
right now.

Gina. I can't.

Freezing out there,
hop in.

(SOFT MUSIC PLAYING ON STEREO)

I'm so sorry
about all of this.

I don't need an apology,
Noah, I wanna know
how this happened.

That does nothing to solve
the issue at hand.

What's important
is that we come
up with a solution.

Now...
Now?

(GASPING)

(MUFFLED SCREAMING)

(MUSIC CONTINUES)

(MUFFLED GROANING)
NOAH: Make her go to sleep.

(GROANING STOPS)

I think Mother
hurts the children.

I don't think she turns them
into butterflies.

Come up here.

You need to stop
questioning your mother.

You let Ethan get away.

Now, you need
to help us

clean this mess up.
Do you understand?

Sorry, Dad.

It's me again,
where are you?

Please call me
when you get this.

Mr. Linley.
This is Agent Navabi.
You need to come with us.

Why? Is something wrong?

Noah Shuster?
I don't know who that is.

What's going on?
He was the adoption agent

that you and your wife
met about Ethan.

The day after he disappeared,
$25,000 from one
of your accounts

was transferred to his.

That's ridiculous. I never...
Sir, you're gonna have to
come with us.

I can't.
My wife is not here.

All right? She said she was
going out for coffee,

she hasn't come back.
I don't know
what's happened to her.

Now you want me to
leave Ethan alone?

He'll be taken care of.
By who?

Come on.

(SIGHS)

You hungry?

How do you feel
about waffles?

Ah. No toaster.
No microwave, no problem.

No problem.

I know, the whole idea
that Mozart'll

improve cognitive
skills is a myth,

but they say
babies start learning
in the womb, so...

On the off chance
it'll get him into Harvard...

(CLASSICAL MUSIC PLAYING
ON CELL PHONE)

Oh!

(FAUCET RUNNING)

(SCREAMING)

(SMOKE ALARM BEEPING)

It's okay, Ethan, it's okay.
It's just a smoke alarm.

It's fine. Ethan?

What happened?
Is everything all right?

What are you doing?
Put that away!
What are you doing?

Get out! Get out!

(SIGHS)

(MUSIC CONTINUES)

One last chance. Zurich.

You know I can't.

(VAN DOOR CLOSES)

Thanks, boys.

(ALL SCREAM)

Torch it.
Call me when it's done.

(GUNSHOTS)
(GRUNTS)

I want him gone.

He's here
for your protection.

I don't want his
protection any more
than I want your money.

REDDINGTON:
The money isn't for you.

LIZ: It's very generous.

I can appreciate that it comes
from a place of concern.

But it's dirty money
and I just don't want it.

I don't need it.

No, but your child does.

I'm giving my
child up for adoption.

Why would you do that?

How can you, of all people,
ask me that question?

The life I have
because of you
is no place for a child.

I can't even make a waffle
without one of your people

bursting into my
home with a gun.

You think your life
is too dangerous for a child.

But what is your
life without one?

I can tell you from personal
experience, not much.

What?

You and Tom
agree on something?

He wants you
to keep the baby.

(EXHALES) Yeah.

Oh, my God, that's it.

The key to these abductions
is parental consent.

No child can be adopted out
without both parents agreeing.

So, I had Aram look over
Noah Shuster's case files.

There were 93 cases,
including Ethan's,

where parents
considered adoption,

then backed out.

Of those, 16 kids died
or went missing within
a year of their visit.

Sixteen kids with
cognitive, physical
or psychological issues.

According to Ethan's father,
adoption was
his mother's idea.

He was working
extra shifts

to pay for Ethan's
private school and therapies,

leaving her alone with him.

He was trying to
appease his wife
by meeting with Shuster,

but he maintains that he never
wanted to go through with it.

Well, conveniently for him,

she's not around
to challenge his
side of things.

No, but she had access
to a personal trust
account from which

she transferred
money to Shuster.

She could have
paid him off,

and he could have taken
her to cover it up.

I think this Lady Ambrosia
is using Shuster

to identify
mothers and fathers

who wanna get
rid of their kids
but can't because

their spouses won't consent.

I searched the
National Child
Identification Program

and of the prints we lifted,
and the finger-paint
on Ethan's body,

seven of them
belonged to that group
of missing children.

We need to find
this Noah Shuster

and figure out where
this city of lost kids is.

You lied to me!

We had a deal.
Two ladies for you,
one address for me.

Ladies. The kind that walk
on two legs.

Preferably hairless.

I want the address.

You think it's funny?
Little dogs?

I thought they'd
be a nice gesture.
I thought you'd like them.

I don't like them.

Or maybe you're afraid
they won't like you.

Dogs are very intuitive,
they'll know if you're
hiding something.

I am hiding something.
I hate dogs.

They're homeless.

(SIGHS)

I'll call ya when I decide
to race the Iditarod.

Yeah, you know what?
Forget it,

just forget it,
I'll take them back.

Your friend,
Vasilia Patinka,

she's living under an alias
in Gaithersburg.

1632 South Perry Drive.

What about the dogs?

I love 'em.
Taking an early lunch
so we can hit the dog park.

These little marshmallows
are gonna get my
wienie roasted.

You are beautiful, Anya.

(CHUCKLES)

It's magical work. Magical!

Isn't Anya going
to make the most
gorgeous butterfly?

Oh, looks like someone's
coming through our door.

We need to talk.

The grownups
will be right back.

Help your friends.

It's gone too far.

The FBI came to the office!

If they have Ethan,
if he leads them here...

Well, you can't
let that happen!

You know,
what we do matters.

Unwanted children
feel loved here.

We keep them safe until...

We have to let them go.

You took care of
Ethan's mother,
you take care of him.

Theo says you hurt them.

He knows.

He doesn't know.
I can handle him.

Can you handle Ethan?

Oh, no.

Agent Ressler!

20 minutes ago, Noah Shuster
logged into the DCFS website.

Why wasn't his
access denied?

He searched for Ethan

and in his file,
his temporary
emergency guardian

is listed as...

Jesus. Call Keen.
Get units there now.

(CELL PHONE BUZZING)

Hello?

ARAM: Noah Shuster looked up
Ethan in the foster system

and found your address.
We think he's
coming for the boy,

Agent Ressler's on his way.

Ethan,
I just realized I don't have
an extra toothbrush.

We're gonna have to go back
to the store. Okay?

Let's go!

Drop it!
Okay.

We're taking the boy.

Ethan. Run! Go. Go!

(GUNSHOT)

(GRUNTS)

Ethan?

Ethan?

(SIGHS)

(PEN CLICKING)

(SIGHS) Thank God! Ethan?

You can come out now.
Everything's okay.

You're safe now. You're safe.

(PEN CLICKING)

I wouldn't be here
if it wasn't important.

How did you find me?

What you endured
most people
never recover from.

I doubt I would have.

But you've turned
it into a calling.

Nikolai would be proud.

I never blamed him
for what happened.

He blamed himself.

The Glasnost Files.

There's something in them
I need to see.

That was another life.

One of the bravest men
I ever knew was deaf.

Zeeb Pasha.

A communist I shared a cell
within a military prison

outside Ankara.

Zeeb and I were
interrogated by
the K section.

Foot-whipping,
hung by our wrists,
electric shock.

(CHUCKLES)

I was nothing
more than a groaning
heap in the corner.

Every time our
guard passed the cell,

Zeeb would start signing.

His fingers were a blur,

pointing and tapping.

Twisting and swirling.

The same thing over and over,
again and again.

And lo and behold, one night,
our cell was left unlocked.

Turns out, the guard's
daughter was deaf.

And old Zeeb had been signing

"my wife,
my daughter, my life."

Six words, unspoken, convinced
that guard to let us go.

Such a beautiful language.

Like that girl just then.
What did she say to you?

On her way out?

I'm grateful for you.

The Glasnost Files.

I said no.

What if I could give you
answers about your daughter,

would that change your mind?

The only thing
that could change

my mind is you
bringing her back.

But since that's not possible,
the answer is no.

JUDY: I don't care
who you have approval from,

I am not leaving
Ethan in your care.

I feel like I've
made a connection
with him on some level,

and that he might tell me
where he was being kept.

(WHISPERS) Where the other
children are being held.

You need to say goodbye.

(PEN CLICKING)

(EXHALES)

Hey, Ethan.

You're going to go
with Miss Sickler now.

And she's going to take you
to a place that is so safe.

And you're going
to be surrounded
by people who care about you,

and no one is ever going to
hurt you again.

Okay?

(PEN CLICKING)

You took Noah Shuster?

Baz did.
After he saved you.

What is your
interest in this case?

Same as yours.
Missing children.

Brimley is in there

speaking to the only man
who can tell us where to find

Lady Ambrosia.

(DOOR RATTLING)

I need to take Butterscotch
for a walk.

When I get back,
I'm gonna need some
ground mineral salt

and a corded Dremel drill.

Come on.
That's it. Very good.

REDDINGTON: When I said
that Baz saved you,

I wasn't looking
for a thank you.

I'm just relieved.

I found a couple.

To take the baby.

Thinking about it
is one thing,

but actually doing it,
that...

How did she do it?
My mother?

Your parents
loved each other very much.

The Cold War was hard.

Too hard for your father.

When the Soviet Union
was collapsing,

he took you from her.

She gave up
everything to follow him.

To follow you.

The night of the fire.

That's what they
were arguing about?

Your mother...

Despite what he'd done,
she wanted him back.

She wanted them
to be a family.

As much as it
pains me to say it,
he was probably

the only man she
ever really loved.

And I shot him.

It was an accident.

Tell me. I need to know.

Your mother was
never the same after that.

The man she loved,
killed by the child
she adored.

It was...

Just too much.

Two months later,
she went to Cape May.

Left her clothes on the beach,
walked into the ocean

and was never seen again.

So that night,
I killed both of my parents.

REDDINGTON:
You were a child.

There should never have been
a gun for you to grab.

Looking back,
I'm not sure
I shouldn't have

raised you myself.

I don't want you looking back
with that kind of regret.

Where are they?

They're ugly,
then they're beautiful.

Answer me. Where...

Your father...
I'm ugly.

Where is he?

He took him.
The man with the gun.

A policeman?

Oh, my God.
Why don't you
have answers for me?

I thought that you
made them beautiful

to keep them
from being like me.

Look, we have to
talk about this later.

Your job is
to prepare Anya.

(SIGHS)

He refuses to leave.

I didn't want to force him
and make things worse.

I think he wants
to speak with you.

LIZ: Hey, Ethan.

Can I come in?

So you decided
to stick around, uh?

Ethan, what is this?

COOPER: Ethan drew this?
LIZ: Isn't it amazing?

Look at the patterns
on the wings.

They remind me of...

The finger-painting.

That's the same pattern
that was painted on Ethan

and the other two
kids who escaped.

Same dark edges,
same spotting.

So whoever was
holding these kids

was painting them
like butterflies.

Some sort of ritual?

Feniseca tarquinius.

Also known as
the Harvester Butterfly.

Highly localized.
Related to a species found
in Africa and Asia,

the only carnivorous
butterfly in North America.

Carnivorous?

If there is a ritual, maybe
it involves this species.

Why would Ethan
want me to know that?

COOPER: Track all sales
of this species

of larvae for
the past 12 months.

I want a location.

RESSLER: We need Shuster,
but Reddington has him.

Keen,
where the hell is Reddington?

I believe you abducted
Anya Patinka. Where is she?

(PANTING)

If that's who
you're looking for,
you're too late.

It's her birthday.

I don't know what that means.

(SIGHS)

Lady Ambrosia. She...

She means well.

By abducting children?

We always try to
keep our process
as humane as possible...

What process?

What process?

Anya is turning 12.

The end of adolescence.

She'll be transformed.

We use nitrous.
The children are happy,
relaxed,

euphoric for their rebirth.

(LAUGHING)

And the other children?

NOAH: They help prepare
for the celebration

while the wrapping
of the butterfly child
continues.

REDDINGTON:
Where is she?

NOAH: We call it the Colony.

An abandoned schoolhouse.

Route 2, south of Richmond.

After our son died,

she wanted to
save other children.

She turns them
into butterflies.

Sets them free

so they can stay
children forever.

(PANTS)

(PILLS RATTLING)

(GRUNTS)

(GRUNTS IN PAIN)

(DOOR OPENS)

(GASPING)

Okay. This is amazing.

Uh, well, maybe not amazing.
I mean, how many people

are in the market
for carnivorous
butterfly larvae?

Aram.

Okay. I tracked nine shipments
in the last six months.

Eight to sanctuaries,
wildlife preserves and zoos.

And the ninth?

Exactly.

Oh, Anya.

I know you can't
hear me, but...

You're almost there.

You're almost home.

Oh, bless you child.

Bless you.

Anya Patinka.

Where is she?

Who the hell are you?

REDDINGTON:
Her fairy godmother.

I hear it's her birthday,
we've come to celebrate.

It's been some time
since freshman English,

but I seem to recall
that fairy tales about

abandonment,
death and witches

are supposed to
allow children to

deal with their fears
in symbolic terms.

But there's nothing symbolic
about this place.

You're a real witch.

I don't know who you are,

but if you don't
get off my property

right now,
I'll call the police.

REDDINGTON: I believe
they're already on their way.

While we're waiting,
how about I tell you a story?

It's about a mother,
her two sons
and a canoeing accident.

You talked to Noah.

The family lived by a river.

The boys often
took a canoe out to fish.

One day the canoe tipped.
Inexplicably,

the elder son,
the golden child,

the champion swimmer,
drowned.

While the younger,
the lesser child, survived.

The way Noah
tells it,

you allowed Theo to believe
it was his fault.

That he was the reason
his brother died.

That he would have been
better off dead.

They could have died together.

As a beautiful
and innocent...

Theo would have been
spared all of this.

By "this", you mean
the horror of being
different?

Is that why you kill them?

I save them!

From what?

I make sure the damaged ones

don't grow up to be
outcasts like Theo.

Hated, pitied.
No one loves an outcast.

Not even his mother.

I couldn't send my son away.

But when I look at him,
I see what these
children shouldn't be,

and what they won't be.

Because I see the life
I save them from.

I'm ugly.

From where I sit,
there's only one ugly
person in the room,

and it's certainly
not you, Theo.

She's breathing.

She'll be okay.

Excellent.
We must be going.

Theo...

You are entitled to,
as much as anyone,

happiness, joy,

a mother's love.

Theo, stop him.

Stop him!

Theo, what are you doing?
Stop him!

Theo.
Theo? Theo?

(MUFFLED SCREAMING)
What? No! Please!

Theo. Theo!
What are you doing?

(GRUNTS)
Let me go!

Let me go!

I'm not asking you again!

No!

(SCREAMING)

(THUD)

(INDISTINCT RADIO
CONVERSATIONS)

(KIDS CHEERING)

(SIGHS)

(THUD)

Follow me.

(SOFT MUSIC PLAYING)

(MOUTHING)

(PEN CLICKING)

(DIALING)

LIZ: Hey, Tom.

I'm just wondering
where you are.

Give me a call when you can.

Anya?

Anya!

Anya!

(CRYING)

Baby!

I still don't understand it.
Reddington's interest
in this case.

What does he get?

Thank you.

It just keeps getting worse.

LIZ: "'How can I get there?'
asked Dorothy.

"'You must walk.
It is a long journey

"'through a country
that is sometimes
dark and terrible.

"'However, I will use
all the magic arts I know

"'to keep you from harm.'

"She came close to Dorothy
and kissed her gently
on the forehead.

"'When you get to Oz,

"'do not be afraid of him.

"'But tell your story,

"'and ask him to help you.

"'Goodbye, my dear.'"

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