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1
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[HORSE NEIGHING]
2
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[CLOCK BELL CHIMING]
3
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[INDISTINCT CHATTER]
4
00:00:15,560 --> 00:00:19,929
Ladies and gentlemen,
welcome to Whitechapel.
5
00:00:20,840 --> 00:00:24,686
Be sure to look down as keenly
as you look up.
6
00:00:25,400 --> 00:00:28,927
Mr. Gladstone himself only last week...
7
00:00:29,080 --> 00:00:32,368
...found himself fitted for new boots.
Ha, ha, ha.
8
00:00:32,880 --> 00:00:36,441
TOUR GUIDE: Follow me
for the haunts of Jack the Ripper.
9
00:00:36,920 --> 00:00:38,331
[SPECTATORS SHOUTING]
10
00:00:42,240 --> 00:00:44,288
Who wants a wager?
11
00:00:56,040 --> 00:00:57,326
Yours, shitspade.
12
00:01:02,960 --> 00:01:07,170
Our men in blue are still
cloaked in ignorance of Jack.
13
00:01:07,320 --> 00:01:10,085
WOMAN: Here you are, darling,
looking for a bit of company?
14
00:01:10,240 --> 00:01:11,844
Miller's Court.
15
00:01:12,520 --> 00:01:15,330
Five months past
the scene of the worst.
16
00:01:15,840 --> 00:01:18,810
The worst and, please God, the last.
17
00:01:19,480 --> 00:01:22,131
Mary Jane Kelly.
18
00:01:22,280 --> 00:01:25,045
What that man Jack did to her...
19
00:01:25,600 --> 00:01:27,489
Well, we shall not say.
20
00:01:29,280 --> 00:01:31,044
He's tasty, all right.
Where'd you find him?
21
00:01:31,200 --> 00:01:32,565
I looked. Wasn't hard.
22
00:01:33,520 --> 00:01:35,648
Fighters, whores,
if flesh is what you seek...
23
00:01:35,800 --> 00:01:36,801
...there's no shortage in these pans.
24
00:01:41,600 --> 00:01:42,965
Falls when he's bid?
25
00:01:43,680 --> 00:01:46,081
Money's right, he'll give you his
mother and his sister, too.
26
00:01:46,320 --> 00:01:47,651
I likes him.
27
00:01:49,280 --> 00:01:52,170
All of this parish
know little else but thuggery.
28
00:01:52,840 --> 00:01:55,286
How best to raise them up
from such iniquity?
29
00:01:55,440 --> 00:01:58,444
Well, that's a matter for you
good people, of course.
30
00:01:58,600 --> 00:02:00,045
Look! Look!
31
00:02:02,760 --> 00:02:04,842
Black shit and buggery.
32
00:02:05,520 --> 00:02:06,885
Murder!
33
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Murder!
34
00:02:10,120 --> 00:02:11,884
Murder!
35
00:02:13,560 --> 00:02:15,528
[BLOWING WHISTLE]
36
00:02:20,720 --> 00:02:22,529
The inspector. I must see him.
37
00:02:22,680 --> 00:02:26,446
Show yourself in there dressed
like that, they'll know he's blue.
38
00:02:35,040 --> 00:02:37,361
One! You're gone!
39
00:02:39,280 --> 00:02:41,806
Your champion this night!
40
00:02:51,560 --> 00:02:53,289
You little streak of piss!
41
00:02:53,480 --> 00:02:55,323
I've gutted younger for less,
do you hear?
42
00:02:55,480 --> 00:02:56,527
Let me.
43
00:02:57,400 --> 00:02:58,890
[GRUNTS]
44
00:03:01,360 --> 00:03:03,044
This had better be very good.
45
00:03:03,240 --> 00:03:04,571
They found a tart, sir.
46
00:03:05,520 --> 00:03:06,851
Up on Folgate.
47
00:03:07,880 --> 00:03:09,689
She's been ripped, inspector.
48
00:03:50,160 --> 00:03:52,401
Hobbs, you did right.
49
00:03:53,240 --> 00:03:55,766
Cecil Smeaton's greed will keep him
warm for a day or two.
50
00:03:56,640 --> 00:03:58,961
And you will take a fall
for him tomorrow.
51
00:03:59,120 --> 00:04:00,565
Yes, sir.
52
00:04:00,760 --> 00:04:04,810
This girl, if she has been carved,
as has been described...
53
00:04:05,080 --> 00:04:07,082
...Ripper or no, word will have spread.
54
00:04:07,240 --> 00:04:10,926
We will find the press, a mob,
whipped into a fear and rage.
55
00:04:12,000 --> 00:04:13,889
This populace, still without a culprit...
56
00:04:14,040 --> 00:04:16,805
...it is to our uniform
that they direct their fury.
57
00:04:16,960 --> 00:04:19,247
So you stand strong
and you follow your sergeant.
58
00:04:19,560 --> 00:04:21,050
They'll do their duty, sir.
59
00:04:32,360 --> 00:04:34,124
[CROWD CLAMORING]
60
00:04:59,040 --> 00:05:00,087
You. Name?
61
00:05:00,400 --> 00:05:01,970
- Creighton.
- Creighton, have you touched anything?
62
00:05:02,320 --> 00:05:03,970
Have you arranged matters to
your benefit in any way?
63
00:05:04,120 --> 00:05:05,246
No, sir.
64
00:05:05,520 --> 00:05:07,568
Who is it's paid for your time here?
65
00:05:07,720 --> 00:05:10,121
Mr. Best at The Star, inspector,
who else?
66
00:05:10,280 --> 00:05:12,647
Well, you're on my ticket now.
I want these details, I want her face...
67
00:05:12,800 --> 00:05:14,564
...her eyes, her throat.
68
00:05:15,480 --> 00:05:17,130
She wasn't cut here.
69
00:05:17,280 --> 00:05:20,204
Where was she...?
Where was she brought in from?
70
00:05:20,360 --> 00:05:22,203
We can't keep them
penned in much longer, sir.
71
00:05:22,360 --> 00:05:24,488
But this is vital. All of ii.
And this is next to useless.
72
00:05:24,640 --> 00:05:26,404
I need this place uncorrupted
and in daylight.
73
00:05:26,560 --> 00:05:28,050
- What?
- The wall.
74
00:05:29,680 --> 00:05:31,091
He's left word again.
75
00:05:32,880 --> 00:05:34,405
"Down on whores."
76
00:05:35,000 --> 00:05:36,764
I need more time with her.
77
00:05:36,920 --> 00:05:38,922
Sir, there's the way things are
and the way things should be...
78
00:05:39,080 --> 00:05:40,411
...but that lot are coming through.
79
00:05:43,760 --> 00:05:45,410
Right, we need to move her.
80
00:05:46,320 --> 00:05:48,561
You. You're not finished.
I want the ground...
81
00:05:48,720 --> 00:05:50,688
...going in both directions away from her.
As much as you can get.
82
00:05:50,840 --> 00:05:52,842
And I want the wall, the writing.
You understand?
83
00:06:15,760 --> 00:06:16,921
Stand aside.
84
00:06:18,480 --> 00:06:20,926
Stand aside! Stand aside!
85
00:06:23,800 --> 00:06:26,406
BEST: A comment
for The Star, inspector?
86
00:06:26,560 --> 00:06:28,562
Is it him? ls it Jack?
87
00:06:28,720 --> 00:06:30,051
Away with you, Best.
88
00:06:30,520 --> 00:06:32,966
These citizens need their
questions answered, Mr, Reid.
89
00:06:33,160 --> 00:06:35,481
No, they need their fears pacified.
90
00:06:36,680 --> 00:06:38,489
Where would be the sport in that?
91
00:06:39,360 --> 00:06:40,486
Where are we taking her, sir?
92
00:06:40,760 --> 00:06:43,047
- To London? Mr. Bagsler Phillips'?
- No.
93
00:06:43,200 --> 00:06:45,248
Take her back to Leman Street.
Use the back.
94
00:06:45,400 --> 00:06:48,768
Find a cell, lock her in it.
Don't book her in, tell no one.
95
00:06:48,920 --> 00:06:50,251
Yourself, sir?
96
00:06:50,760 --> 00:06:52,728
- Not the American.
- Just gel her hid.
97
00:06:54,360 --> 00:06:55,725
Let's
98
00:06:55,880 --> 00:06:57,530
[DRIVER URGING HORSE]
99
00:07:07,120 --> 00:07:09,407
[CLOCK BELL CHIMING]
100
00:07:10,640 --> 00:07:12,085
[WOMAN assume]
101
00:07:14,680 --> 00:07:16,011
[GASPING]
102
00:07:25,160 --> 00:07:28,721
Captain Jackson, this is
all topsy-turvy, I'm sure.
103
00:07:28,920 --> 00:07:32,129
Now, Rose. I have told you...
104
00:07:33,400 --> 00:07:35,368
...there are no rules here.
105
00:07:47,920 --> 00:07:49,684
[DOOR SLAMS, WOMAN SHOUTING]
106
00:07:55,400 --> 00:07:56,811
Jackson!
107
00:07:57,280 --> 00:07:58,770
Sweet Jesus.
108
00:07:59,520 --> 00:08:01,921
You cannot simply intrude here
any time of your choosing.
109
00:08:02,120 --> 00:08:04,964
That this house thrives and that your girls
are not walking the streets this night...
110
00:08:05,120 --> 00:08:09,170
...is at my whim and indulgence, madam.
Don't forget that. Where is he?
111
00:08:09,560 --> 00:08:11,688
What do I care?
It's not as if he ever pays.
112
00:08:11,880 --> 00:08:13,006
First door on the left.
113
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Jackson!
114
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[BANGING ON DOOR]
115
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REID: Jackson!
- What? He's taken me for the night!
116
00:08:19,360 --> 00:08:20,805
Jackson!
117
00:08:22,400 --> 00:08:23,811
JACKSON:
Reid?
118
00:08:26,000 --> 00:08:28,810
I'm occupied.
I'll come see you in the morning.
119
00:08:28,960 --> 00:08:30,610
REID:
Can't wait. I need a surgeon.
120
00:08:35,040 --> 00:08:36,166
You have your own.
121
00:08:36,360 --> 00:08:38,647
They're drunks and incompetents.
I want you.
122
00:08:41,400 --> 00:08:42,447
Five minutes.
123
00:08:42,600 --> 00:08:44,011
Now! Now.
124
00:08:46,000 --> 00:08:47,490
- Now.
- All right.
125
00:08:53,760 --> 00:08:55,250
You going to tell me what this is about?
126
00:08:55,400 --> 00:08:56,765
Just keep walking.
127
00:08:59,480 --> 00:09:01,881
WOMAN:
Don't touch me, don't touch me!
128
00:09:23,680 --> 00:09:25,205
Jackson!
129
00:09:44,560 --> 00:09:47,689
- Is it him?
- That's what you're here to find out.
130
00:09:48,280 --> 00:09:50,169
Your sudden passion for the furtive?
131
00:09:50,320 --> 00:09:52,971
I must be sure before
that hell rises again.
132
00:10:02,480 --> 00:10:05,051
Get her naked, Sergeant Drake.
133
00:10:12,360 --> 00:10:13,885
Hey, gently.
134
00:10:15,600 --> 00:10:17,728
What are those,
hands or meat hooks? Really.
135
00:10:18,360 --> 00:10:20,840
It's no wonder to me at all
you're a bachelor.
136
00:10:26,760 --> 00:10:29,286
The hemorrhage is from the
severance of the left carotid.
137
00:10:29,480 --> 00:10:32,245
- That's a stroke left to right.
DRAKE: Like the others.
138
00:10:32,440 --> 00:10:35,250
And these are...?
These are stars, aren't they?
139
00:10:35,440 --> 00:10:37,841
In the eyelids, slit apart.
140
00:10:40,280 --> 00:10:42,965
Catherine Eddowes and Mary Jane Kelly
had the same.
141
00:10:43,520 --> 00:10:45,249
And the writing on the wall?
142
00:10:45,680 --> 00:10:48,650
Like Goulston Street the night
we found Miss Eddowes' apron.
143
00:10:48,800 --> 00:10:51,087
Same words as was in that letter.
144
00:10:53,920 --> 00:10:55,649
What, what is that?
145
00:10:56,160 --> 00:10:58,208
Some kind of gelatin.
146
00:10:58,360 --> 00:10:59,646
REID:
What kind?
147
00:10:59,840 --> 00:11:01,171
Ifs from a meat pie.
148
00:11:01,440 --> 00:11:02,965
What?
149
00:11:03,120 --> 00:11:04,849
How am I to know yet?
150
00:11:05,640 --> 00:11:07,608
Don't you have evidence to collect?
151
00:11:09,480 --> 00:11:11,084
I know it's tempting
but try not to kill him.
152
00:11:18,320 --> 00:11:19,606
ARTHERTON:
Uh, Mr. Reid, sir?
153
00:11:21,480 --> 00:11:23,608
- I'm hearing strange rumors.
-Oh, yes?
154
00:11:24,320 --> 00:11:27,563
That there's an unregistered
female on the premises.
155
00:11:27,720 --> 00:11:29,609
Always an abundance of those, sergeant.
156
00:11:29,760 --> 00:11:31,205
I'm not here to judge you, sir.
157
00:11:31,360 --> 00:11:34,204
Just to remind you of our
obligations under the law.
158
00:11:34,360 --> 00:11:36,522
And I thank you for that, Artherton,
as always.
159
00:11:47,600 --> 00:11:49,887
Creighton! Open up!
160
00:12:17,640 --> 00:12:19,130
This one.
161
00:12:22,960 --> 00:12:24,724
He dragged the body through the archway.
162
00:12:30,320 --> 00:12:31,810
Those?
163
00:12:33,520 --> 00:12:36,126
Oh, I overexposed them.
164
00:12:36,280 --> 00:12:38,169
Worth our while to check.
165
00:12:39,920 --> 00:12:41,285
Uh...
166
00:13:03,440 --> 00:13:06,125
Do you think me
some bone-headed flatfoot?
167
00:13:06,880 --> 00:13:08,041
They need more time.
168
00:13:08,200 --> 00:13:11,443
Professional man like yourself,
I would have thought you'd know better.
169
00:13:25,760 --> 00:13:27,250
That's the same wall!
170
00:13:28,040 --> 00:13:29,929
Where's the message, Creighton?
171
00:13:30,360 --> 00:13:31,646
The writing on the wall,
"Down on whores."
172
00:13:31,800 --> 00:13:33,450
Was it you painted it up there?
173
00:13:35,160 --> 00:13:37,003
You know who it was.
174
00:13:37,920 --> 00:13:39,126
Best.
175
00:13:39,880 --> 00:13:42,645
I just record about what I see.
176
00:13:56,920 --> 00:13:59,048
Get that to press, quick sharp.
177
00:14:02,880 --> 00:14:05,929
How do you think they felt, those girls,
the moment they knew that was it...
178
00:14:06,080 --> 00:14:07,570
...that breathing this air was up?
179
00:14:07,720 --> 00:14:09,404
Hmm? The later ones.
180
00:14:09,560 --> 00:14:11,881
They would have known what that
lunatic intended for their bodies.
181
00:14:12,040 --> 00:14:13,963
Do you have a pity for them?
182
00:14:14,160 --> 00:14:17,642
Do you have a pity for the many men
you've ruined with your accusations?
183
00:14:17,800 --> 00:14:21,088
I have... I have never accused.
I have asked questions.
184
00:14:21,240 --> 00:14:22,321
I have speculated!
185
00:14:22,480 --> 00:14:25,723
Speculate!
Well, I speculate about you, Best.
186
00:14:26,560 --> 00:14:28,562
The hand that penned that letter.
187
00:14:28,760 --> 00:14:31,445
A letter I never credited as bona fide.
188
00:14:32,520 --> 00:14:33,646
And now...
189
00:14:34,880 --> 00:14:36,325
...this.
190
00:14:38,200 --> 00:14:40,043
What else did you alter'?
191
00:14:40,520 --> 00:14:41,851
[SCOFFS]
192
00:14:43,720 --> 00:14:45,006
Nothing.
193
00:14:45,160 --> 00:14:48,289
Yeah, well, I didn't have to, did I?
Just underlined what's plain...
194
00:14:48,440 --> 00:14:51,569
...to a man who's as intimate
with the Ripper's doings as myself.
195
00:14:52,840 --> 00:14:56,845
Well, myself and, uh,
Chief inspector Abberline.
196
00:14:58,680 --> 00:15:00,569
You spoke to Fred Abberline?
197
00:15:00,720 --> 00:15:03,246
Your boss as was? I have. Yes.
198
00:15:04,760 --> 00:15:07,604
And he finds himself
in agreement with me.
199
00:15:09,160 --> 00:15:10,366
Our friend is back.
200
00:15:11,600 --> 00:15:12,965
Nothing's for certain.
201
00:15:13,120 --> 00:15:15,009
And I won't have people
hiding in their homes again...
202
00:15:15,160 --> 00:15:17,845
...till I get to certain.
If I see this in print...
203
00:15:18,000 --> 00:15:19,968
...I'll be back here for some
ripping of my own.
204
00:15:20,720 --> 00:15:22,210
Ooh. Ha, ha.
205
00:15:26,440 --> 00:15:28,522
Who do you think you are, Reid?
206
00:15:29,000 --> 00:15:32,641
What, you come here to rattle me?
Well, you forget what I know of you.
207
00:15:33,160 --> 00:15:36,687
Oh, no. Do not fear,
good citizens, do not shake.
208
00:15:36,840 --> 00:15:40,049
For sleepless, tireless
Detectives Reid and Abberline...
209
00:15:40,200 --> 00:15:42,168
...hunt our Jack down dockside and rookery.
210
00:15:42,320 --> 00:15:44,243
Two finer police the world
has not yet made!
211
00:15:44,400 --> 00:15:45,811
So be of good heart.
212
00:15:46,320 --> 00:15:49,961
This maniac will be brought
to ground and hearth.
213
00:15:50,560 --> 00:15:51,971
Only, um...
214
00:15:53,000 --> 00:15:55,207
Oh, yeah, no, he... He wasn't.
215
00:15:56,320 --> 00:15:57,845
Was he?
216
00:15:58,840 --> 00:16:02,083
The man and his works abide.
217
00:16:05,080 --> 00:16:07,845
Friday. All right?
218
00:16:09,600 --> 00:16:13,605
Unless you've got something proves
it's another knife man...
219
00:16:14,720 --> 00:16:16,882
...this story turns over on Friday.
220
00:16:33,400 --> 00:16:34,447
ARTHERTON:
Ah, inspector.
221
00:16:34,600 --> 00:16:35,681
REID:
I know, I know, Artherton.
222
00:16:35,840 --> 00:16:37,649
ARTHERTON: It's not that, sir.
- What'?
223
00:16:38,480 --> 00:16:41,051
Our past has come to say "how do."
224
00:16:43,880 --> 00:16:46,611
Chief inspector Abberline.
What merits such a visit?
225
00:16:46,760 --> 00:16:48,125
Enough dancing, detective.
226
00:16:48,880 --> 00:16:52,202
If there's a diced-up girl
in this shop, she's mine.
227
00:16:56,440 --> 00:16:57,771
Out.
228
00:17:15,200 --> 00:17:16,281
How could you do this?
229
00:17:16,440 --> 00:17:17,521
This is my shop now.
230
00:17:17,720 --> 00:17:19,245
This is my case!
231
00:17:19,400 --> 00:17:21,084
I know what this looks like.
232
00:17:21,560 --> 00:17:25,724
But look. Look, this graffito.
This is Best's contrivance.
233
00:17:25,880 --> 00:17:27,245
Look at her!
234
00:17:28,120 --> 00:17:31,442
Her eyes, the stars on her face,
her guts.
235
00:17:31,600 --> 00:17:34,206
Her abdomen was opened fresh
right here as part of the autopsy...
236
00:17:34,400 --> 00:17:35,890
...conducted by Homer Jackson.
237
00:17:36,040 --> 00:17:37,849
That Yankee clap doctor!
238
00:17:38,000 --> 00:17:40,731
REID: The man was a U.S. Army surgeon
and he was a Pinkerton.
239
00:17:40,880 --> 00:17:42,530
ABBERLINE: Pinkerton?
REID: That's right.
240
00:17:42,800 --> 00:17:45,041
ABBERLINE:
A chartered mercenary with a badge!
241
00:17:45,200 --> 00:17:47,089
And you wane his word above mus'?
242
00:17:47,320 --> 00:17:49,891
I think you would have her
Ripper above all else.
243
00:17:50,400 --> 00:17:52,323
Another bite, another chance at him.
244
00:17:52,480 --> 00:17:53,481
But you would not?
245
00:17:53,640 --> 00:17:55,369
I would have my innards
served to me cold...
246
00:17:55,520 --> 00:17:58,967
...if I thought it would show him to us
but, Fred, what if...?
247
00:17:59,120 --> 00:18:02,010
What if this girl was
dressed as Jack for our eyes?
248
00:18:02,920 --> 00:18:05,207
And in our fervor,
we fill the streets with uniform...
249
00:18:05,360 --> 00:18:06,930
...hunting for him
and miss the truth of it?
250
00:18:07,080 --> 00:18:10,004
Now, let me bring my mercenary
back in here and have him speak.
251
00:18:15,080 --> 00:18:18,084
JACKSON: The fact he didn't
open her up strikes as strange.
252
00:18:18,440 --> 00:18:20,408
Their guts, it's always
what he wanted the most...
253
00:18:20,560 --> 00:18:23,848
...to open them up
and see the viscera in his hand.
254
00:18:24,000 --> 00:18:27,561
Then he was caught short,
as he was with Elizabeth Stride.
255
00:18:28,160 --> 00:18:31,209
Her throat was cut,
the rest of her untouched.
256
00:18:31,360 --> 00:18:34,489
But if he was disturbed with
this one, he went back to her.
257
00:18:34,640 --> 00:18:35,880
Or he hid beside her.
258
00:18:36,040 --> 00:18:38,646
But whichever, he waited some few
hours before bringing her here.
259
00:18:39,440 --> 00:18:40,441
So long, in fact...
260
00:18:40,600 --> 00:18:42,841
...that all the blood had ceased
to spill from her body.
261
00:18:43,000 --> 00:18:45,685
You see these cuts
and gashes in her throat?
262
00:18:45,840 --> 00:18:48,844
And no blood
on the road she was dragged across.
263
00:18:49,000 --> 00:18:51,241
I doubt that there would have been much
where they opened her up, either.
264
00:18:51,440 --> 00:18:53,044
When the woman's throat was cut?
265
00:18:53,200 --> 00:18:55,168
The throat is a past-modem injury.
266
00:18:57,280 --> 00:18:58,725
Then what did fall her'?
267
00:18:59,880 --> 00:19:01,245
Asphyxia.
268
00:19:02,760 --> 00:19:05,161
Her hyoid bone is broken.
269
00:19:07,280 --> 00:19:10,602
So she was strangled.
All else happened after.
270
00:19:11,760 --> 00:19:15,082
These slits in her eyes and her face...
271
00:19:15,640 --> 00:19:18,644
...with Kelly and Eddowes, they were
a postscript, an afterthought.
272
00:19:18,840 --> 00:19:20,285
This girl, they're top billing.
273
00:19:21,040 --> 00:19:23,805
This is theory, not proof.
274
00:19:25,200 --> 00:19:27,601
Get proof. If you cannot...
275
00:19:28,200 --> 00:19:30,931
...I'll pull rank and claim her.
276
00:19:36,960 --> 00:19:38,007
DOOR CLOSES
277
00:19:38,200 --> 00:19:39,406
What else?
278
00:19:39,800 --> 00:19:42,565
Well, despite your friend
Best's connivery...
279
00:19:42,720 --> 00:19:46,611
...she had been serviced,
recently and vigorously.
280
00:19:47,520 --> 00:19:48,646
So she was a tan?
281
00:19:48,800 --> 00:19:50,370
No, I don't think so.
282
00:19:51,000 --> 00:19:53,162
See, I place her at no younger than 28.
283
00:19:53,320 --> 00:19:58,121
Her skin, nail beds, the essential
health of her, uh, you know, apparatus.
284
00:19:59,240 --> 00:20:01,891
By that age even the more
costly are worn through,
285
00:20:02,040 --> 00:20:03,280
So if she wasn't a professional...
286
00:20:03,800 --> 00:20:05,211
M'! Qflfissm
287
00:20:07,800 --> 00:20:09,643
The lady taught fiddle.
288
00:20:10,800 --> 00:20:11,926
[LAUGHS]
289
00:20:12,240 --> 00:20:15,801
Yeah, she lived to the north.
The new suburbs.
290
00:20:16,280 --> 00:20:18,248
Has the Pinkerton been
conferring with spirits?
291
00:20:18,440 --> 00:20:19,601
Enough, sergeant. Go on.
292
00:20:21,760 --> 00:20:24,650
JACKSON:
Here, beneath her chin.
293
00:20:25,600 --> 00:20:28,171
You see this moon-like impression
in the clavicle?
294
00:20:28,560 --> 00:20:29,607
Her fingers...
295
00:20:30,920 --> 00:20:33,321
...worn and puckered by strings.
296
00:20:33,480 --> 00:20:36,962
And her hair,
there are heavy deposits in it.
297
00:20:38,240 --> 00:20:39,605
Soot.
298
00:20:42,880 --> 00:20:44,211
From the underground railway.
299
00:20:45,600 --> 00:20:48,843
Which arrives, Drake, I believe,
from which direction?
300
00:20:50,600 --> 00:20:52,284
REID:
Finchley, Highgate, Crouch End.
301
00:20:52,440 --> 00:20:54,727
Missing persons reports.
Can't be too many lady violinists.
302
00:20:54,880 --> 00:20:56,962
Just a warning, sir.
It may take some time.
303
00:20:57,840 --> 00:20:59,444
The type-printing telegraphs
you ordered...
304
00:20:59,600 --> 00:21:00,681
What of them? They're faster.
305
00:21:00,840 --> 00:21:02,126
- So it is said...
- Reid.
306
00:21:03,720 --> 00:21:05,529
You have a type-printer?
307
00:21:25,440 --> 00:21:28,922
Hobbs,
you were instructed, were you not?
308
00:21:29,400 --> 00:21:30,811
- Yes, inspector.
- Well?
309
00:21:31,280 --> 00:21:32,361
It's a bit of a handful...
310
00:21:32,560 --> 00:21:34,528
Come on, boy, this is the future!
311
00:21:34,680 --> 00:21:36,728
The lad might come to terms
with it sooner, sir...
312
00:21:36,880 --> 00:21:38,928
...if you weren't stood so close.
313
00:21:40,960 --> 00:21:44,089
And that, Reid, is the
human barrier to progress.
314
00:21:46,320 --> 00:21:49,802
I'm home to change.
You need to rest, too.
315
00:21:52,440 --> 00:21:53,521
Captain Jackson.
316
00:21:53,680 --> 00:21:55,728
The tonic you took from her thighs...
317
00:21:55,880 --> 00:21:57,086
...have you wondered...
318
00:21:57,240 --> 00:21:59,811
...whether it might not be
some kind of silver solution?
319
00:22:00,680 --> 00:22:03,081
From a peeper's dry plate?
320
00:22:26,600 --> 00:22:28,011
Emily.
321
00:22:29,760 --> 00:22:31,250
Have you been to church?
322
00:22:37,400 --> 00:22:38,640
I am home for a shirt.
323
00:22:40,080 --> 00:22:41,491
And now you go back.
324
00:22:42,800 --> 00:22:44,928
- It cannot be helped.
-of course.
325
00:22:56,320 --> 00:22:59,881
There is a particular reason
why I must return.
326
00:23:02,600 --> 00:23:04,523
- Has he come?
- I don't know.
327
00:23:06,720 --> 00:23:08,449
I don't know, it might be.
328
00:23:27,200 --> 00:23:29,123
Please don't go out after nightfall.
329
00:23:31,520 --> 00:23:34,683
I'll get word to you if
I'm to be gone all night.
330
00:23:36,920 --> 00:23:38,126
I don't want you to worry.
331
00:23:38,280 --> 00:23:39,406
I know.
332
00:23:41,760 --> 00:23:42,966
No.
333
00:23:57,920 --> 00:23:59,445
Send the runner to Mr. Reid.
334
00:24:00,080 --> 00:24:01,764
He'll be taking the Metropolitan.
335
00:24:02,320 --> 00:24:04,243
Finchley's missing a violinist.
336
00:24:06,240 --> 00:24:07,480
Johnson!
337
00:24:10,600 --> 00:24:13,922
DRAKE: It's the call to send them underground
that troubles me, sir.
338
00:24:14,280 --> 00:24:16,851
- Seems unnatural.
- Well, they're building more.
339
00:24:17,000 --> 00:24:18,411
More trains, digging more tunnels.
340
00:24:18,600 --> 00:24:21,490
It means the city can spread out
and we can stop living like rats.
341
00:24:21,640 --> 00:24:23,449
What, come live on these streets?
342
00:24:24,560 --> 00:24:26,244
Would you like that, Bennet?
343
00:24:26,640 --> 00:24:28,449
I'd like many things, sir.
344
00:24:30,680 --> 00:24:32,409
Is this it?
345
00:24:37,560 --> 00:24:39,289
[CHOKING]
346
00:24:41,640 --> 00:24:43,244
Mr. Thwaites, sir? It's the police.
347
00:24:49,440 --> 00:24:50,521
[PANTING]
348
00:24:52,840 --> 00:24:55,127
Drake! Drake, I cannot hold him.
349
00:24:59,720 --> 00:25:01,006
[DRIVER URGING HORSE]
350
00:25:18,000 --> 00:25:19,490
What did Reid want?
351
00:25:20,640 --> 00:25:21,801
Weren't you taught to knock?
352
00:25:22,640 --> 00:25:24,768
The day you pay rent,
Jackson, I'll knock.
353
00:25:25,480 --> 00:25:28,086
Is that maniac on the strut again?
354
00:25:28,240 --> 00:25:29,924
Who, Reid?
355
00:25:32,480 --> 00:25:35,529
Relax, darling. You need to start
frisking men for knives again...
356
00:25:35,720 --> 00:25:37,961
...I'll let you know. Now...
357
00:25:42,440 --> 00:25:44,886
Any of the girls
get their picture taken?
358
00:25:45,640 --> 00:25:47,563
Is this what brought Reid here?
359
00:25:49,520 --> 00:25:51,841
Jackson, that man could ruin us.
360
00:25:52,000 --> 00:25:54,082
He wants my help.
What am I supposed to do?
361
00:25:54,280 --> 00:25:55,964
You tell him sorry
but you're indisposed?
362
00:25:56,120 --> 00:26:00,364
Fine. But he'll ask himself why.
And me and you, we don't want that.
363
00:26:00,520 --> 00:26:03,330
You stop lavishing your care
and attention on him.
364
00:26:04,480 --> 00:26:06,244
Coming here was your idea.
365
00:26:07,120 --> 00:26:10,283
When we came here, you said this was
the kind of lawless shitswarm...
366
00:26:10,440 --> 00:26:12,124
...that we could hide ourselves
in and you were right.
367
00:26:12,280 --> 00:26:15,090
But, darling, in case you haven't
noticed, we're not hiding any more.
368
00:26:15,240 --> 00:26:16,571
We live here.
369
00:26:16,760 --> 00:26:18,762
Now, if that man wants
to make a friend of me...
370
00:26:18,920 --> 00:26:19,921
...he is welcome.
371
00:26:20,080 --> 00:26:21,241
Because if he ain't a friend,
he's an enemy...
372
00:26:21,400 --> 00:26:23,448
...and an enemy like that we do not need.
373
00:26:23,640 --> 00:26:28,168
So please, which of the girls
has a leaning to smut?
374
00:26:42,000 --> 00:26:43,331
Myrtle!
375
00:26:44,240 --> 00:26:45,765
Get Rose up here.
376
00:26:50,640 --> 00:26:52,130
You can keep them if you like.
377
00:26:52,760 --> 00:26:54,046
L m8)'-
378
00:26:57,680 --> 00:26:59,808
Where'd you get these done, Rose?
379
00:27:04,000 --> 00:27:06,844
DRAKE: Two men boarded
a coach with some toff.
380
00:27:07,000 --> 00:27:08,923
Trimmed whiskers, mustache.
381
00:27:10,840 --> 00:27:13,810
Mr. Thwaites, these men,
they put you up there?
382
00:27:14,240 --> 00:27:16,368
And the man Sergeant Drake
describes, do you know him?
383
00:27:17,840 --> 00:27:21,811
Were you hereto talk about Maude,
my wife?
384
00:27:29,920 --> 00:27:31,922
Sir, you should prepare yourself.
385
00:27:35,400 --> 00:27:36,561
Whatever the outcome...
386
00:27:36,720 --> 00:27:38,449
...it may be safer for you to remain
with us a while, Mr. Thwaites...
387
00:27:38,600 --> 00:27:40,011
...until we find those men.
388
00:27:40,160 --> 00:27:43,687
And I would apologize for where
I have been forced to lay her.
389
00:27:43,840 --> 00:27:46,366
She will be moved as soon
as circumstance allows.
390
00:27:48,400 --> 00:27:49,925
[DOOR OPENING]
391
00:28:04,560 --> 00:28:05,891
Oh, Maude.
392
00:28:14,760 --> 00:28:16,171
[THWAITES SOBBING]
393
00:28:20,760 --> 00:28:22,091
PHOTOGRAPHER:
Just hold that position.
394
00:28:22,240 --> 00:28:23,287
ROSE:
This is it.
395
00:28:23,840 --> 00:28:27,367
PHOTOGRAPHER: Yeah, that's very good.
Can you show a little bit more...?
396
00:28:28,120 --> 00:28:29,451
ROSE:
Queen of Sheba.
397
00:28:33,360 --> 00:28:34,805
Little Bo Peep.
398
00:28:40,520 --> 00:28:44,047
Boudicca, Queen of the Britons.
399
00:29:02,280 --> 00:29:03,645
Rose?
400
00:29:03,840 --> 00:29:05,604
ROSE:
It's all right, Perce. He's with me.
401
00:29:05,920 --> 00:29:07,684
Thinking of joining up, ain't you?
402
00:29:09,600 --> 00:29:10,965
Business good?
403
00:29:11,120 --> 00:29:12,360
Never better.
404
00:29:13,080 --> 00:29:16,527
So long as we don't get copped
and find the right distribution.
405
00:29:16,920 --> 00:29:19,605
Rosie here'll be lighting them
up in Blackpool.
406
00:29:20,320 --> 00:29:23,085
Sarah Bernhardt and I
shall be one of a piece.
407
00:29:23,280 --> 00:29:25,044
You already are, Rose.
408
00:29:26,200 --> 00:29:27,611
You already are.
409
00:29:32,760 --> 00:29:34,489
[INDISTINCT CHATTER]
410
00:29:42,640 --> 00:29:44,483
Don't y'all get cold out here?
411
00:29:45,480 --> 00:29:48,450
Wouldn't know.
Never been out here before.
412
00:30:13,920 --> 00:30:15,410
We have her name.
413
00:30:16,600 --> 00:30:17,886
We know how she was killed.
414
00:30:18,080 --> 00:30:19,320
And nothing else.
415
00:30:23,440 --> 00:30:25,010
What does he want?
416
00:30:30,040 --> 00:30:32,361
Your lead, inspector.
417
00:30:32,760 --> 00:30:34,888
Your notion about the dry plates.
418
00:30:35,920 --> 00:30:37,604
REID:
And this relates how?
419
00:30:38,640 --> 00:30:40,130
And we have this, too.
420
00:30:42,800 --> 00:30:43,926
It's more, uh...
421
00:30:45,160 --> 00:30:46,286
Evolved.
422
00:30:47,080 --> 00:30:48,684
That's disgusting!
423
00:30:48,840 --> 00:30:51,047
It's disgustingly remunerative.
424
00:30:51,240 --> 00:30:55,290
The act itself, Reid,
that's the future of smut.
425
00:30:55,440 --> 00:30:57,249
Maude Thwaites was caught up in this?
426
00:30:57,400 --> 00:30:58,970
It would fit.
427
00:30:59,680 --> 00:31:03,082
No streetwalker but so recently
and energetically squired?
428
00:31:03,760 --> 00:31:06,730
The gelatin from a photographer's
plate on her thigh?
429
00:31:07,240 --> 00:31:08,924
I am in your debt.
430
00:31:11,080 --> 00:31:14,801
You tell me which scratch Drake
is taking his fall in tonight...
431
00:31:15,800 --> 00:31:17,040
...I'll consider it paid.
432
00:31:22,240 --> 00:31:23,969
THWAITES: You've no right
to ask me this thing.
433
00:31:24,120 --> 00:31:26,441
REID:
I fear I have every right, sir.
434
00:31:27,680 --> 00:31:31,207
Your wife's body bears the signs of
recent intimacy and I need to know...
435
00:31:31,360 --> 00:31:33,681
-...if that intimacy was shared with yourself.
-of course it was.
436
00:31:33,920 --> 00:31:35,445
[SIGHs]
437
00:31:36,680 --> 00:31:42,483
Mr. Thwaites, why do you think those men
chose to string you up like they did?
438
00:31:42,640 --> 00:31:45,530
I've told you,
I have no idea who they were.
439
00:31:45,680 --> 00:31:49,651
No. I mean, there was trouble
taken to make it appear...
440
00:31:49,840 --> 00:31:54,402
"self-slaughter, as if driven by
guilt or shame.
441
00:31:55,320 --> 00:31:56,970
In any event, they wanted your silence.
442
00:31:57,120 --> 00:32:01,125
But just what is it they were
feared you might speak of?
443
00:32:02,320 --> 00:32:04,163
What shame, Mr. Thwaites?
444
00:32:09,600 --> 00:32:10,965
This shame?
445
00:32:11,680 --> 00:32:14,524
Did your wife have
pictures taken like this?
446
00:32:17,720 --> 00:32:22,362
How far and how openly did your wife
share her intimacy?
447
00:32:27,880 --> 00:32:29,564
Everything she did...
448
00:32:32,480 --> 00:32:34,164
...she did for us.
449
00:32:35,480 --> 00:32:37,005
For me.
450
00:32:37,840 --> 00:32:40,684
So that my pride might not be ruined.
451
00:32:42,240 --> 00:32:45,608
When I found her, she lived
near here, in Whitechapel.
452
00:32:46,440 --> 00:32:50,240
She used to play for the
children of the orphanage...
453
00:32:50,440 --> 00:32:53,649
...on Criterion Street,
from where I hoped to deliver her.
454
00:32:54,120 --> 00:32:56,441
My church group, we raise supplies...
455
00:32:56,600 --> 00:32:58,807
...for a number of poor schools
in the borough.
456
00:33:01,720 --> 00:33:04,041
I loved her immediately.
457
00:33:07,800 --> 00:33:10,121
Before I married her, however...
458
00:33:14,320 --> 00:33:16,926
She confessed to a certain...
459
00:33:18,040 --> 00:33:19,246
...practicality.
460
00:33:19,400 --> 00:33:22,244
But, as you say, you delivered her.
461
00:33:22,400 --> 00:33:23,640
I did.
462
00:33:24,800 --> 00:33:29,761
I promised her comfort and dignity.
463
00:33:31,520 --> 00:33:33,409
Pupils to be taken in her own home.
464
00:33:33,560 --> 00:33:35,324
And she deceived you.
465
00:33:37,720 --> 00:33:39,290
No, sergeant.
466
00:33:41,000 --> 00:33:42,684
The deception was mine.
467
00:33:43,920 --> 00:33:45,126
My”
468
00:33:47,000 --> 00:33:49,810
Employment was not
as secure as I thought.
469
00:33:50,960 --> 00:33:53,964
I had no grounds to
promise her those things.
470
00:33:55,160 --> 00:33:58,130
Her home, even her violin...
471
00:33:59,320 --> 00:34:01,049
...l mortgaged it all.
472
00:34:02,000 --> 00:34:03,843
And so she returned to Whitechapel.
473
00:34:05,600 --> 00:34:07,125
DRAKE: Where did she go?
THWAITES: I don't know.
474
00:34:07,480 --> 00:34:09,881
- Who did she go to?
- I don't know.
475
00:34:10,040 --> 00:34:12,611
Mr. Thwaites, it's unwise to rile him.
476
00:34:16,120 --> 00:34:17,724
You think you can hurt me?
477
00:34:19,000 --> 00:34:22,004
Here, when my most profound wish...
478
00:34:22,200 --> 00:34:25,647
...is that those men had succeeded
in their task?
479
00:34:25,800 --> 00:34:29,521
Can't you see, inspector,
that I am the last person...
480
00:34:29,680 --> 00:34:32,365
...who would ever know about
the things that she did?
481
00:34:32,520 --> 00:34:36,411
Because as far as I was concerned...
482
00:34:38,840 --> 00:34:41,207
...it wasn't happening at all.
483
00:34:43,720 --> 00:34:45,165
What do you think?
484
00:34:46,360 --> 00:34:48,408
REID:
She was never Ripper, that girl.
485
00:34:49,160 --> 00:34:51,401
Her killer prospers
by this radical smut.
486
00:34:53,000 --> 00:34:55,810
DRAKE: You really don't think
it could have been the husband, sir?
487
00:34:56,520 --> 00:34:59,364
The shame is too much,
he follows her, kills her.
488
00:34:59,520 --> 00:35:01,682
He'd need lodgings.
Somewhere to work on her.
489
00:35:02,000 --> 00:35:03,126
No.
490
00:35:07,240 --> 00:35:11,165
Well, sergeant, like it or not, Joseph
Smeaton must draw us away a while.
491
00:35:12,360 --> 00:35:15,091
- Are you fit and able?
- Yes, sir.
492
00:35:25,840 --> 00:35:27,365
MAN:
Don't fight it, pull on!
493
00:35:31,520 --> 00:35:32,760
Come on!
494
00:35:33,160 --> 00:35:35,640
This scratch is over. Corner.
495
00:35:44,160 --> 00:35:46,811
Come to, gentlemen. Fifth scratch.
496
00:35:54,280 --> 00:35:55,486
[GROANS]
497
00:35:59,120 --> 00:36:00,804
[DRAKE SCREAMING]
498
00:36:02,480 --> 00:36:04,926
He ain't got to deal with it for too
much longer now, does he?
499
00:36:05,320 --> 00:36:06,890
[CROWD SHOUTING]
500
00:36:18,520 --> 00:36:19,760
[CROWD CHEERS]
501
00:36:21,080 --> 00:36:23,401
I thought you said
he could be trusted! Eh?
502
00:36:47,680 --> 00:36:51,890
Do the count, do the count!
Count it! Hurry up!
503
00:36:52,040 --> 00:36:56,967
CROWD: Nine, eight,
seven, six, five...
504
00:36:57,440 --> 00:37:00,967
...four, three, two, one.
505
00:37:01,720 --> 00:37:03,404
[CHEERING]
506
00:37:03,560 --> 00:37:06,803
- Come and get your winnings, here we go!
SMEATON: Here you go. One for you.
507
00:37:07,240 --> 00:37:10,961
One for you, sir. One for you.
Oh, you bet. That for you.
508
00:37:11,160 --> 00:37:12,446
Hey, leave off. What's going on?
509
00:37:12,640 --> 00:37:15,246
Joseph Smeaton, I am arresting
you for the organization of...
510
00:37:15,400 --> 00:37:18,609
...and the illicit profiteering
from prescribed and rigged fights.
511
00:37:19,200 --> 00:37:20,247
Put the irons on him.
512
00:37:20,400 --> 00:37:22,402
You're blue? Buckle me?
513
00:37:22,560 --> 00:37:26,201
You need to put the irons on
every man jack in East London!
514
00:37:26,560 --> 00:37:29,643
They'll be leaving their earnings with
someone new by the morning.
515
00:37:30,320 --> 00:37:31,481
[SMEATON SCREAMS]
516
00:37:34,960 --> 00:37:39,010
Counterfeit currency. I'll send
you down for snide, too, Joe.
517
00:37:41,880 --> 00:37:43,120
Sir!
518
00:37:45,520 --> 00:37:47,204
- Sir.
REID: It's fine.
519
00:37:47,360 --> 00:37:51,081
The toff, whiskers, Thwaites...
520
00:37:51,760 --> 00:37:53,125
There!
521
00:38:02,600 --> 00:38:04,523
- Best make haste, Tucker.
TUCKER: Yes, sir.
522
00:38:31,880 --> 00:38:33,530
REID: If Thwaites has anything more
to tell us about this man...
523
00:38:33,680 --> 00:38:35,887
...we are taking it this time. Thwaites.
524
00:38:36,640 --> 00:38:39,530
Oh, no! No, no, no, no, no!
525
00:38:42,040 --> 00:38:44,281
- Find Jackson.
DRAKE: Yes, sir.
526
00:38:54,560 --> 00:38:56,005
[KNOCKING ON DOOR]
527
00:38:56,800 --> 00:38:59,565
JOHN: Mr. Thwaites' particulars, sir.
DRAKE: Thank you, John.
528
00:39:03,600 --> 00:39:05,125
Ma? I?
529
00:39:18,560 --> 00:39:19,846
Sweet girl.
530
00:39:20,200 --> 00:39:21,531
'With dark secrets.
531
00:39:21,680 --> 00:39:24,445
We've all got secrets.
Even Sergeant Drake here...
532
00:39:24,600 --> 00:39:27,001
I would be gentle with
Sergeant Drake, if I were you.
533
00:39:27,160 --> 00:39:28,810
He's of a mind to murder someone...
534
00:39:28,960 --> 00:39:31,440
...and tonight I do not have
the strength to...
535
00:39:34,160 --> 00:39:35,810
To stop him.
536
00:39:42,240 --> 00:39:43,685
What do you see?
537
00:39:47,680 --> 00:39:49,648
- Death and corruption.
- Look closer.
538
00:39:51,560 --> 00:39:52,971
It's a blemish.
539
00:39:54,120 --> 00:39:55,804
It's a mark on
the camera lens, most likely.
540
00:39:56,400 --> 00:39:59,324
- The same place on each photograph.
- Same camera.
541
00:40:01,760 --> 00:40:02,921
[BANGS ON DOOR]
542
00:40:03,080 --> 00:40:05,003
DRAKE: Creighton!
REID: Go on, sergeant.
543
00:40:33,360 --> 00:40:34,725
False bottom.
544
00:40:47,400 --> 00:40:51,121
You may want to avert your eyes, Drake.
This is some strong meat.
545
00:40:57,360 --> 00:40:58,691
I have her.
546
00:41:02,040 --> 00:41:04,168
Not much seems to be
beyond our Maude, does it?
547
00:41:07,840 --> 00:41:10,889
Hang on. That's him. It's the toff!
548
00:41:26,400 --> 00:41:27,526
JACKSON:
What is this?
549
00:41:28,040 --> 00:41:29,565
Look at this. It's all exactly the same.
550
00:41:29,720 --> 00:41:31,051
Show me.
551
00:41:34,520 --> 00:41:35,806
No!
552
00:41:37,320 --> 00:41:38,526
Creighton!
553
00:41:43,680 --> 00:41:44,841
[GRUNTS]
554
00:41:48,880 --> 00:41:50,564
JACKSON:
Water only inflames it.
555
00:41:52,920 --> 00:41:54,445
What kind of fire will not be doused?
556
00:41:54,800 --> 00:41:56,131
REID:
The door is bolted fast.
557
00:41:56,320 --> 00:41:57,685
Then all evidence dies here.
558
00:41:57,840 --> 00:41:59,444
And all the men who know about it.
559
00:42:03,320 --> 00:42:04,845
[BANGING ON DOOR]
560
00:42:09,040 --> 00:42:11,122
Jackson, sheets! Pass me the sheets!
561
00:42:13,840 --> 00:42:16,286
Clear out the space between the
hinges around the door with this.
562
00:42:16,440 --> 00:42:19,284
Do it, sergeant! Cut me some strips.
563
00:42:22,560 --> 00:42:25,325
Phosphorous. Flash powder.
564
00:42:30,320 --> 00:42:32,846
- What's he doing?
- The crazy bastards making guncotton!
565
00:42:33,640 --> 00:42:34,721
Guncotton?
566
00:42:37,560 --> 00:42:39,005
[cow-nus]
567
00:42:44,840 --> 00:42:46,524
REID:
This one in the bottom. Of course.
568
00:42:47,640 --> 00:42:48,687
JACKSON:
Come on!
569
00:42:49,480 --> 00:42:51,050
REID:
Back! Get back!
570
00:42:57,240 --> 00:42:59,766
You're just shanking it.
You gotta aim right.
571
00:42:59,920 --> 00:43:02,651
- You just take your time, sir.
- Thank you, sergeant.
572
00:43:20,400 --> 00:43:21,526
[DOG BARKING]
573
00:43:24,240 --> 00:43:25,401
Now what?
574
00:43:31,760 --> 00:43:33,728
I see these images all look identical...
575
00:43:34,480 --> 00:43:37,643
...but by the end of the sequence, the
bird sits in a different position.
576
00:43:38,560 --> 00:43:39,800
Now, there's a man...
577
00:43:41,200 --> 00:43:44,283
"Frenchman, Le Prince. He's an engineer.
578
00:43:44,880 --> 00:43:48,521
He has been experimenting
with photographic images...
579
00:43:49,760 --> 00:43:51,046
...that move.
580
00:43:52,480 --> 00:43:54,801
- Like a lantern show?
- No, real.
581
00:43:57,400 --> 00:43:59,641
That's why the pictures appear
as a kind, because...
582
00:43:59,800 --> 00:44:04,203
...every degree of muscular movement
has to be captured with precision.
583
00:44:04,360 --> 00:44:07,762
So the end effect, therefore,
is fluid movement.
584
00:44:09,800 --> 00:44:14,362
It is the... It is the precise
details of our lives caught...
585
00:44:15,200 --> 00:44:16,884
...and represented to us.
586
00:44:19,480 --> 00:44:25,123
Now, what, what if you
could make these images move?
587
00:44:26,520 --> 00:44:28,966
And be real? You see?
588
00:44:29,920 --> 00:44:31,126
See the leash?
589
00:44:31,560 --> 00:44:33,289
Enough, perhaps, in a moment of...
590
00:44:34,000 --> 00:44:36,367
...grotesque passion, to break her neck?
591
00:44:37,160 --> 00:44:39,891
And what if this entire moment had
been captured by this new camera?
592
00:44:41,320 --> 00:44:44,051
In the right circles, make them a mint.
593
00:44:45,480 --> 00:44:47,244
Then they'd make more.
594
00:44:48,800 --> 00:44:51,531
This man. We must find this man.
595
00:45:31,000 --> 00:45:32,650
Ooh! Um...
596
00:45:33,560 --> 00:45:34,721
[memes]
597
00:45:34,880 --> 00:45:36,041
Oh!
598
00:45:38,000 --> 00:45:39,126
Good evening, my ladies.
599
00:45:39,760 --> 00:45:41,569
ROSE:
Good evening, sir.
600
00:45:42,040 --> 00:45:43,087
[memes]
601
00:45:49,080 --> 00:45:50,366
Turkish Delight?
602
00:45:51,240 --> 00:45:52,924
Oh, thank you, sir.
603
00:45:55,520 --> 00:45:56,726
Mmm.
604
00:46:03,640 --> 00:46:06,291
ROSE:
ls there someone else in here, sir?
605
00:46:06,440 --> 00:46:07,646
No.
606
00:46:08,920 --> 00:46:10,604
No one you need worry about.
607
00:46:13,080 --> 00:46:15,048
- Here, take another.
ROSE: Heh.
608
00:46:21,560 --> 00:46:24,450
All your snitches, every tart,
landlord, bully and thief.
609
00:46:24,600 --> 00:46:28,525
He'll be wealthy, refined, ruthless.
610
00:46:30,280 --> 00:46:33,887
Artherton. I've come for her.
Where's Reid?
611
00:46:34,200 --> 00:46:37,124
- Uh, the inspector addresses his men.
- Right.
612
00:46:39,480 --> 00:46:41,881
We only have these pictures,
we have no name.
613
00:46:49,520 --> 00:46:52,603
His name is Sir Arthur Donaldson.
614
00:46:57,640 --> 00:47:00,723
Summer '86, before your time here.
615
00:47:01,280 --> 00:47:04,921
He got his cock out
at a church picnic in Victoria Park.
616
00:47:05,080 --> 00:47:06,570
Week or so later...
617
00:47:06,760 --> 00:47:09,923
...tore the blouse off a pregnant
woman on the Stepney omnibus.
618
00:47:10,760 --> 00:47:16,688
Charged him, but man from such a family
as like to do jug as Victoria herself.
619
00:47:18,040 --> 00:47:19,849
The address was all we ever had for him.
620
00:47:20,600 --> 00:47:22,125
- Thank you, Fred.
- Go.
621
00:47:47,600 --> 00:47:48,840
Where's Rose, Susan?
622
00:47:52,440 --> 00:47:54,727
Rose isn't with us
this morning, Mr. Jackson.
623
00:47:54,880 --> 00:47:56,564
Will one of our other girls serve?
624
00:47:58,960 --> 00:48:00,883
She has to hear what I have to say.
625
00:48:01,600 --> 00:48:03,648
She's got to stop with the smut.
626
00:48:03,800 --> 00:48:06,201
You squire her one day and
then you daddy her the next?
627
00:48:09,440 --> 00:48:12,887
What's the problem here, Susan?
Now you decide to get jealous?
628
00:48:14,960 --> 00:48:16,325
Jealous?
629
00:48:18,120 --> 00:48:23,206
I would rather shrivel and die alone
than let you near me again.
630
00:48:23,360 --> 00:48:24,691
Then get the girl.
631
00:48:27,320 --> 00:48:28,367
She's not here.
632
00:48:32,560 --> 00:48:35,086
She was ordered out
and is yet to be returned.
633
00:48:35,240 --> 00:48:37,925
They're late. And what's worse,
they paid me in snide.
634
00:48:41,320 --> 00:48:43,721
- Who did?
- I don't know.
635
00:48:44,280 --> 00:48:46,806
A toff took two of them
away in his great charabanc.
636
00:48:46,960 --> 00:48:48,405
Right, get your hat.
You're going to see Reid.
637
00:48:48,560 --> 00:48:50,050
No, I'm doing no such thing.
638
00:48:51,200 --> 00:48:54,363
You touch me again and I will kill you.
639
00:49:46,600 --> 00:49:48,602
Oh, no, no, no, my beauty.
640
00:49:49,160 --> 00:49:51,367
- You're coming with me.
- No.
641
00:49:52,240 --> 00:49:55,483
Tristan or Bertrand or whatever
your name is, I'm going home.
642
00:49:57,200 --> 00:50:00,010
I've paid for you, you're mine.
643
00:50:04,400 --> 00:50:05,606
Get off me!
644
00:50:08,960 --> 00:50:10,200
DRAKE:
Get the door.
645
00:50:26,960 --> 00:50:28,610
No one at home, sir.
646
00:50:31,080 --> 00:50:32,411
[ROSE GROANS]
647
00:50:33,200 --> 00:50:36,283
Hobbs! Donaldson's friends
and relatives, The Telegraph.
648
00:50:36,440 --> 00:50:38,044
Scotland Yard must have their
names and addresses.
649
00:50:38,200 --> 00:50:39,361
Reid.
650
00:50:41,360 --> 00:50:42,850
Show and tell, Susan.
651
00:50:45,280 --> 00:50:49,330
Counterfeit. Two of my girls
taken last night, not yet returned.
652
00:50:49,920 --> 00:50:52,685
Black coach, one horse.
They paid in that.
653
00:50:52,840 --> 00:50:54,171
REID:
Smeaton.
654
00:50:54,840 --> 00:50:56,285
Come with me.
655
00:51:08,120 --> 00:51:09,963
[ROSE WHIMPERING]
656
00:51:12,160 --> 00:51:13,366
[GROANING]
657
00:51:15,840 --> 00:51:17,080
[GASPS]
658
00:51:17,920 --> 00:51:19,410
What?
659
00:51:20,840 --> 00:51:22,126
ROSE:
What's he doing?
660
00:51:30,680 --> 00:51:33,206
This snide. One of yours, I believe.
661
00:51:36,760 --> 00:51:38,410
Mine are all over the city.
662
00:51:38,560 --> 00:51:39,721
Only they're not.
663
00:51:40,080 --> 00:51:42,003
Arthur Donaldson, where is he?
664
00:51:42,200 --> 00:51:44,328
What makes you think that I know, eh?
665
00:51:44,480 --> 00:51:46,244
Sincerely? Not a great deal. Instinct.
666
00:51:46,400 --> 00:51:47,686
[SMEATON GASPS]
667
00:51:48,640 --> 00:51:50,563
Well, you can take your instinct...
668
00:51:50,720 --> 00:51:53,485
...and you can shove it up this
animal's fundament.
669
00:52:50,960 --> 00:52:52,325
Shall we make another'?
670
00:52:54,720 --> 00:52:56,085
Inn-n-
671
00:52:57,000 --> 00:52:58,490
Huh?
672
00:53:01,640 --> 00:53:03,085
I need light.
673
00:53:03,960 --> 00:53:09,842
Imagine, a little thing like that
come between us and our enrichment!
674
00:53:10,960 --> 00:53:12,291
Light...
675
00:53:13,280 --> 00:53:14,691
...you shall have.
676
00:53:25,120 --> 00:53:26,167
[GROANS]
677
00:53:27,320 --> 00:53:29,084
Where is Donaldson?
678
00:53:30,040 --> 00:53:32,930
SMEATON:
He lives in Mayfair!
679
00:53:33,640 --> 00:53:37,122
- Unh.
DRAKE: We know that. He does no longer.
680
00:53:37,960 --> 00:53:39,803
[SMEATON GROANING]
681
00:53:43,160 --> 00:53:45,049
I only went there once!
682
00:53:46,320 --> 00:53:48,687
- Well?
- Under our noses, sir.
683
00:53:50,760 --> 00:53:52,842
DONALDSON: This will calm you.
- Unh.
684
00:53:53,240 --> 00:53:54,651
[ROSE GURGLES]
685
00:55:12,480 --> 00:55:13,720
MAN:
Downstairs.
686
00:55:14,200 --> 00:55:16,089
Donaldson! Arthur Donaldson!
687
00:55:17,000 --> 00:55:18,365
[GASPS]
688
00:55:22,960 --> 00:55:24,883
Myrtle, Myrtle, where is Rose?
689
00:55:25,040 --> 00:55:26,451
REID:
Jackson!
690
00:55:30,240 --> 00:55:31,685
REID:
Get the sword, sergeant.
691
00:55:46,600 --> 00:55:47,761
REID:
Drake!
692
00:55:58,760 --> 00:56:00,091
[SHOUTS]
693
00:56:04,480 --> 00:56:06,448
[cow-nus]
694
00:56:10,760 --> 00:56:11,886
REID:
Does she breathe, sergeant?
695
00:56:12,040 --> 00:56:13,280
DRAKE:
She does, sir.
696
00:56:20,840 --> 00:56:22,569
Whatever happens...
697
00:56:22,720 --> 00:56:27,601
...whatever punishment is seen fit
for all this, that is extraordinary.
698
00:56:29,800 --> 00:56:30,926
[seas]
699
00:56:35,160 --> 00:56:36,764
[SCREAMING]
700
00:56:57,120 --> 00:56:58,360
[DOOR OPENS]
701
00:56:58,560 --> 00:56:59,891
[ALL MURMURING]
702
00:57:02,720 --> 00:57:04,131
This way.
703
00:57:19,440 --> 00:57:22,284
I thought, at last...
704
00:57:23,160 --> 00:57:25,208
...l thought it was safe again.
705
00:57:25,640 --> 00:57:28,450
Shush now. It is, it is safe now.
706
00:57:37,680 --> 00:57:40,445
Thank you, Drake. I'll tend to her now.
707
00:57:42,640 --> 00:57:44,005
[ROSE MOANS]
708
00:57:48,400 --> 00:57:51,529
JACKSON:
Hey, Rosie. Hey...
709
00:58:05,800 --> 00:58:07,689
ABBERLINE:
Clear the way, lads.
710
00:58:24,240 --> 00:58:25,605
The facts.
711
00:58:29,000 --> 00:58:30,525
Have you lost your mind?
712
00:58:36,760 --> 00:58:38,091
Why?
713
00:58:38,280 --> 00:58:39,725
Because it is the truth.
714
00:58:40,920 --> 00:58:42,251
And I would have the world know it.
715
00:58:42,400 --> 00:58:45,563
She was never Ripper, that girl.
But you two...
716
00:58:45,720 --> 00:58:47,449
...you for profit...
717
00:58:47,600 --> 00:58:51,047
...you for guilt, I suspect, wanted it so.
718
00:58:52,000 --> 00:58:54,162
Now I ask us to undertake this.
719
00:58:54,840 --> 00:58:57,969
That we find a little joy
in his continued absence...
720
00:58:58,120 --> 00:59:00,202
...that we cease to look for him...
721
00:59:00,360 --> 00:59:03,045
...in every act of evil
that crosses our path.
722
00:59:04,360 --> 00:59:07,045
There is an abundance of that hereabout
and I would have obsession...
723
00:59:07,200 --> 00:59:09,202
...blinker us to the wider world no longer.
724
00:59:10,000 --> 00:59:11,570
Am I understood?
725
00:59:15,040 --> 00:59:16,371
Then get out.
726
00:59:32,520 --> 00:59:35,330
Edmund, this last year...
727
00:59:35,480 --> 00:59:41,010
...that lunatic will ever bind me to you...
728
00:59:42,480 --> 00:59:45,165
...but you ask too much.
729
00:59:45,320 --> 00:59:49,769
He lives still,
he breathes this air still.
730
00:59:51,200 --> 00:59:53,567
These streets demand your vigilance.
731
00:59:53,960 --> 00:59:55,007
No.
732
00:59:56,360 --> 00:59:57,930
We did everything in our power...
733
00:59:58,080 --> 01:00:01,129
...used every instrument allowed to us,
some that were not.
734
01:00:01,320 --> 01:00:05,530
All that we can hope for now
is that he is gone and stays gone.
735
01:00:12,360 --> 01:00:14,647
He will own my life no more.
736
01:00:59,840 --> 01:01:02,411
The men of Whitechapel
do your job for you once more.
737
01:01:02,600 --> 01:01:03,761
[CROWD YELLING]
738
01:01:03,920 --> 01:01:06,241
REID:
He is my prisoner and in my protection.
739
01:01:06,440 --> 01:01:09,171
MAN:
Then at a time of my choosing...
740
01:01:09,440 --> 01:01:12,171
...we will end you all this night.
741
01:01:12,800 --> 01:01:13,926
[SCREAMING]
742
01:01:57,200 --> 01:01:59,202
[English - US - SDH]54485
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