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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: WEBVTT 1 00:00:04.660 --> 00:00:08.391 So this is my studio. We're in Mayfair in London. 2 00:00:08.391 --> 00:00:11.860 I basically, during lockdown, 3 00:00:11.860 --> 00:00:12.900 changed it up a bit 4 00:00:12.900 --> 00:00:15.010 and put up these black curtains 5 00:00:15.010 --> 00:00:17.090 and gallery lighting, 6 00:00:17.090 --> 00:00:19.620 so that we can do exhibitions in here as well. 7 00:00:19.620 --> 00:00:22.280 So this is an exhibition of my Bond pictures. 8 00:00:22.280 --> 00:00:24.360 I did a collaboration with 007 9 00:00:24.360 --> 00:00:27.450 from the 17 years working on Daniel Craig's Bond films. 10 00:00:27.450 --> 00:00:31.333 So these are prints that are in the process of being signed. 11 00:00:33.468 --> 00:00:35.840 And then this is the main space. 12 00:00:35.840 --> 00:00:38.620 So you'll see, we've got the pictures on the walls. 13 00:00:38.620 --> 00:00:39.453 We've got a hair 14 00:00:39.453 --> 00:00:41.110 and makeup room back here, 15 00:00:41.110 --> 00:00:43.160 a grip room here, 16 00:00:43.160 --> 00:00:45.310 and a really large bar for events 17 00:00:45.310 --> 00:00:46.600 and stuff. 18 00:00:46.600 --> 00:00:49.020 We got a shop that we sell our products, 19 00:00:49.020 --> 00:00:52.090 but then all these curtains pull back 20 00:00:52.090 --> 00:00:54.410 to reveal our sort of backgrounds. 21 00:00:54.410 --> 00:00:58.880 This is the Barger Baglite that I do probably 90% 22 00:00:58.880 --> 00:01:02.990 of my lit portraits on. It's a very versatile light. 23 00:01:02.990 --> 00:01:05.800 It's the one that has three different power leads. 24 00:01:05.800 --> 00:01:07.520 So it's a six kilowatt light, 25 00:01:07.520 --> 00:01:10.010 but each one of these leads is two kilowatts, 26 00:01:10.010 --> 00:01:13.350 and that means that I can plug it into different parts 27 00:01:13.350 --> 00:01:15.760 of a house power, just with extension leads 28 00:01:15.760 --> 00:01:20.760 and run a really powerful light off a house power supply. 29 00:01:21.550 --> 00:01:23.190 So that's my standard light. 30 00:01:23.190 --> 00:01:25.180 That's a mediu- that's a small, sorry, 31 00:01:25.180 --> 00:01:29.210 Chimera Softbox, called Quartz Chimeras, 32 00:01:29.210 --> 00:01:30.860 'cause they don't catch fire. 33 00:01:30.860 --> 00:01:33.410 Like, if you use a normal strobe lightbox, 34 00:01:33.410 --> 00:01:35.520 it'll catch fire, so these are fireproof. 35 00:01:35.520 --> 00:01:37.690 And that's got a egg crate grid on it, 36 00:01:37.690 --> 00:01:40.510 which gives a very sort of directional soft light. 37 00:01:40.510 --> 00:01:43.140 And then, whenever we want to, 38 00:01:43.140 --> 00:01:45.120 we can just pull the curtain shut 39 00:01:45.120 --> 00:01:49.560 and we're back to a gallery. 40 00:01:49.560 --> 00:01:51.773 So that's my space in town. 41 00:01:54.530 --> 00:01:57.823 What we have here are my camera bags. 42 00:01:58.700 --> 00:02:01.440 I'm a bit of a show-off now, 'cause I designed both of them, 43 00:02:01.440 --> 00:02:03.980 the bottom one with Globe-Trotter 44 00:02:03.980 --> 00:02:06.010 and the top one with Billingham. 45 00:02:06.010 --> 00:02:06.843 It's quite interesting. 46 00:02:06.843 --> 00:02:10.320 I've used a Billingham bag since I was 18 years old. 47 00:02:10.320 --> 00:02:11.678 So there's photos of me in, 48 00:02:11.678 --> 00:02:13.770 I don't know, there's one in Sierra Leone, 49 00:02:13.770 --> 00:02:17.060 and there's me using a version of this bag 50 00:02:17.060 --> 00:02:18.760 and I did a version, I've got this black 51 00:02:18.760 --> 00:02:19.980 and gold thing going on. 52 00:02:19.980 --> 00:02:22.780 Same with the Leica that I designed. 53 00:02:22.780 --> 00:02:25.470 And then this with Globe-Trotter. 54 00:02:25.470 --> 00:02:27.333 So this is what I travel with, 55 00:02:29.120 --> 00:02:31.253 as in getting on planes travel, 56 00:02:31.253 --> 00:02:33.600 and I take it around. 57 00:02:33.600 --> 00:02:37.060 And then I basically take cameras from this bag, 58 00:02:37.060 --> 00:02:38.060 stick them in this bag 59 00:02:38.060 --> 00:02:41.067 when it's just me walking about, so. 60 00:02:43.560 --> 00:02:44.720 So again, black 61 00:02:44.720 --> 00:02:46.710 and gold, got this color thing going on, 62 00:02:46.710 --> 00:02:49.420 I'll show you my Leica as well, that has it. 63 00:02:49.420 --> 00:02:51.870 But anyway, so this is how we've got this set up. 64 00:02:53.400 --> 00:02:55.150 It's got both my film cameras 65 00:02:55.150 --> 00:02:56.410 and my stills cameras in it. 66 00:02:56.410 --> 00:02:58.660 I'll quickly show you the film camera, 67 00:02:58.660 --> 00:03:02.880 this is called the Red KOMODO, 68 00:03:02.880 --> 00:03:06.900 and it's absolutely fantastic 6K camera 69 00:03:06.900 --> 00:03:09.000 and I've got it set up with a Leica mount 70 00:03:09.000 --> 00:03:10.500 so I put my Leica lenses on it. 71 00:03:10.500 --> 00:03:15.500 So I tend to put a 24 mil Leica M lens on that, 72 00:03:16.180 --> 00:03:17.240 manually focus, 73 00:03:17.240 --> 00:03:19.903 and then, I've got, on the back here, 74 00:03:23.870 --> 00:03:27.560 you'll see, all my batteries, battery charges, microphones, 75 00:03:27.560 --> 00:03:29.500 all that sort of stuff for the Red. 76 00:03:29.500 --> 00:03:31.930 But then stills-cameras-wise, 77 00:03:31.930 --> 00:03:34.343 I use two Leica SL2s, 78 00:03:35.240 --> 00:03:38.130 and I only use long lenses really, with these cameras. 79 00:03:38.130 --> 00:03:39.960 I have a mount, which means I can put some 80 00:03:39.960 --> 00:03:41.770 of my, oh that is a long lens, 81 00:03:41.770 --> 00:03:45.460 but some of my wider, Leica M lenses on it too. 82 00:03:45.460 --> 00:03:46.950 And then I have two lenses. 83 00:03:46.950 --> 00:03:49.570 The one I use the most is the 75 mil, 84 00:03:49.570 --> 00:03:52.370 and then there's a 90 mil as well. 85 00:03:52.370 --> 00:03:55.140 Also in here, are my memory cards 86 00:03:55.140 --> 00:03:58.280 and these are tiny little LED lights 87 00:03:58.280 --> 00:04:03.280 that I can pop on a camera or have if I need to. 88 00:04:04.510 --> 00:04:06.830 Again, battery chargers, batteries, 89 00:04:06.830 --> 00:04:09.350 and then here's one of my Leica Q2 cameras. 90 00:04:09.350 --> 00:04:11.470 I only have space for one of them 91 00:04:11.470 --> 00:04:14.300 because the other Leica Q2 is always either 92 00:04:14.300 --> 00:04:15.953 around my neck or in my shoulder bag. 93 00:04:15.953 --> 00:04:18.380 Also got my little flash guns. 94 00:04:18.380 --> 00:04:22.040 This is the Fuji EF-X20, 95 00:04:22.040 --> 00:04:24.500 and it just clips on here, 96 00:04:24.500 --> 00:04:26.570 and the flash is very close to the lens 97 00:04:26.570 --> 00:04:31.540 and it gives these very defined, sharp jawline shadows 98 00:04:31.540 --> 00:04:32.760 that just works really well. 99 00:04:32.760 --> 00:04:33.980 It looks fantastic in black 100 00:04:33.980 --> 00:04:34.813 and white. 101 00:04:34.813 --> 00:04:36.170 The pictures sort of, have this sort of, 102 00:04:36.170 --> 00:04:41.170 feeling of being at sort of, like Studio54 in the late '70s. 103 00:04:41.330 --> 00:04:43.690 It's got a really, really nice look to it. 104 00:04:43.690 --> 00:04:46.453 And then sound-wise, I've got, 105 00:04:47.770 --> 00:04:51.893 that's a microphone, it's this stereo mic by Sennheiser, 106 00:04:54.170 --> 00:04:59.040 and with a little wind sock on it. 107 00:04:59.040 --> 00:05:03.043 And then here are my radio mics, 108 00:05:04.083 --> 00:05:05.400 and that clips to the camera 109 00:05:05.400 --> 00:05:07.590 and does sound sync. 110 00:05:07.590 --> 00:05:10.880 And this is the same as the one I'm wearing on me 111 00:05:10.880 --> 00:05:15.700 at the moment, which is how I can have a mic on two people, 112 00:05:15.700 --> 00:05:16.590 often one on me 113 00:05:16.590 --> 00:05:18.123 and one on my subject. 114 00:05:19.660 --> 00:05:24.270 This is the Billingham Bag, that I've just designed. 115 00:05:24.270 --> 00:05:25.570 Again, black 116 00:05:25.570 --> 00:05:27.340 and brass, black 117 00:05:27.340 --> 00:05:28.570 and brass is a bit of a thing with me. 118 00:05:28.570 --> 00:05:32.080 I designed this camera with Daniel Craig 119 00:05:32.080 --> 00:05:35.010 and it's a limited edition Leica Q2. 120 00:05:35.010 --> 00:05:36.460 And again, it's black 121 00:05:36.460 --> 00:05:37.293 and brass. 122 00:05:37.293 --> 00:05:40.143 It's the, sort of this gold-colored-badge is the, 123 00:05:41.020 --> 00:05:42.770 well apparently the first ever gold badge, 124 00:05:42.770 --> 00:05:45.650 but I saw a brass one they made like a hundred years ago, 125 00:05:45.650 --> 00:05:47.440 but, so it's either the first ever, 126 00:05:47.440 --> 00:05:48.800 or the first in a hundred years, 127 00:05:48.800 --> 00:05:50.550 this is a particularly special one. 128 00:05:51.460 --> 00:05:53.930 I got the, you know that glow-in-the-dark stuff 129 00:05:53.930 --> 00:05:54.890 you get on your watches? 130 00:05:54.890 --> 00:05:55.723 Well, I got that 131 00:05:55.723 --> 00:05:58.330 and put it along the automatic, 132 00:05:58.330 --> 00:05:59.880 so that when you're out at night, 133 00:05:59.880 --> 00:06:02.280 you can sort of see your way back to automatic, 134 00:06:02.280 --> 00:06:04.970 and it's also got a quote on the top of it 135 00:06:04.970 --> 00:06:08.047 from William Blake, which is 136 00:06:08.047 --> 00:06:10.870 "To see a world in a grain of sand." 137 00:06:10.870 --> 00:06:12.610 And that was a quote that my dad gave me 138 00:06:12.610 --> 00:06:14.690 when I went off on my first foreign trip, 139 00:06:14.690 --> 00:06:18.560 when I went to Burma, when I was a kid. 140 00:06:18.560 --> 00:06:20.350 I got smuggled into Burma when I was 19 141 00:06:20.350 --> 00:06:21.470 and photographed the war, 142 00:06:21.470 --> 00:06:23.170 and my dad gave me that quote. 143 00:06:23.170 --> 00:06:25.910 I basically debus the kit that I'm using, 144 00:06:25.910 --> 00:06:26.980 if I'm out for a day 145 00:06:26.980 --> 00:06:29.530 and then I can just sling this bag on my back. 146 00:06:29.530 --> 00:06:33.030 It's also got my laptop in the back of it. 147 00:06:33.030 --> 00:06:34.680 And we make these at two sizes. 148 00:06:34.680 --> 00:06:35.550 This is the larger one, 149 00:06:35.550 --> 00:06:38.260 and then we make a really small one as well, 150 00:06:38.260 --> 00:06:40.120 called the PRO Mini. 151 00:06:40.120 --> 00:06:42.610 Part of the theory with this bag is 152 00:06:42.610 --> 00:06:44.880 that it just doesn't look like a camera bag, 153 00:06:44.880 --> 00:06:46.160 it looks just like a, sort of, 154 00:06:46.160 --> 00:06:49.250 nice, posh carry-on bag. 155 00:06:49.250 --> 00:06:53.883 So, that's that. (whistling) 10994

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