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WEBVTT
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So this is my studio. We're in Mayfair in London.
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I basically, during lockdown,
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changed it up a bit
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and put up these black curtains
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and gallery lighting,
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so that we can do exhibitions in here as well.
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So this is an exhibition of my Bond pictures.
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I did a collaboration with 007
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from the 17 years working on Daniel Craig's Bond films.
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So these are prints that are in the process of being signed.
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And then this is the main space.
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So you'll see, we've got the pictures on the walls.
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We've got a hair
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and makeup room back here,
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a grip room here,
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and a really large bar for events
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and stuff.
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We got a shop that we sell our products,
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but then all these curtains pull back
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to reveal our sort of backgrounds.
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This is the Barger Baglite that I do probably 90%
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of my lit portraits on. It's a very versatile light.
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It's the one that has three different power leads.
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So it's a six kilowatt light,
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but each one of these leads is two kilowatts,
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and that means that I can plug it into different parts
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of a house power, just with extension leads
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and run a really powerful light off a house power supply.
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So that's my standard light.
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That's a mediu- that's a small, sorry,
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Chimera Softbox, called Quartz Chimeras,
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'cause they don't catch fire.
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Like, if you use a normal strobe lightbox,
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it'll catch fire, so these are fireproof.
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And that's got a egg crate grid on it,
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which gives a very sort of directional soft light.
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And then, whenever we want to,
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we can just pull the curtain shut
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and we're back to a gallery.
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So that's my space in town.
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What we have here are my camera bags.
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I'm a bit of a show-off now, 'cause I designed both of them,
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the bottom one with Globe-Trotter
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and the top one with Billingham.
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It's quite interesting.
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I've used a Billingham bag since I was 18 years old.
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So there's photos of me in,
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I don't know, there's one in Sierra Leone,
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and there's me using a version of this bag
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and I did a version, I've got this black
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and gold thing going on.
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Same with the Leica that I designed.
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And then this with Globe-Trotter.
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So this is what I travel with,
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as in getting on planes travel,
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and I take it around.
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And then I basically take cameras from this bag,
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stick them in this bag
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when it's just me walking about, so.
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So again, black
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and gold, got this color thing going on,
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I'll show you my Leica as well, that has it.
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But anyway, so this is how we've got this set up.
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It's got both my film cameras
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and my stills cameras in it.
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I'll quickly show you the film camera,
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this is called the Red KOMODO,
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and it's absolutely fantastic 6K camera
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and I've got it set up with a Leica mount
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so I put my Leica lenses on it.
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So I tend to put a 24 mil Leica M lens on that,
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manually focus,
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and then, I've got, on the back here,
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you'll see, all my batteries, battery charges, microphones,
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all that sort of stuff for the Red.
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But then stills-cameras-wise,
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I use two Leica SL2s,
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and I only use long lenses really, with these cameras.
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I have a mount, which means I can put some
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of my, oh that is a long lens,
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but some of my wider, Leica M lenses on it too.
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And then I have two lenses.
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The one I use the most is the 75 mil,
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and then there's a 90 mil as well.
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Also in here, are my memory cards
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and these are tiny little LED lights
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that I can pop on a camera or have if I need to.
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Again, battery chargers, batteries,
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and then here's one of my Leica Q2 cameras.
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I only have space for one of them
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because the other Leica Q2 is always either
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around my neck or in my shoulder bag.
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Also got my little flash guns.
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This is the Fuji EF-X20,
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and it just clips on here,
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and the flash is very close to the lens
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and it gives these very defined, sharp jawline shadows
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that just works really well.
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It looks fantastic in black
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and white.
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The pictures sort of, have this sort of,
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feeling of being at sort of, like Studio54 in the late '70s.
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It's got a really, really nice look to it.
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And then sound-wise, I've got,
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that's a microphone, it's this stereo mic by Sennheiser,
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and with a little wind sock on it.
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And then here are my radio mics,
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and that clips to the camera
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and does sound sync.
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And this is the same as the one I'm wearing on me
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at the moment, which is how I can have a mic on two people,
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often one on me
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and one on my subject.
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This is the Billingham Bag, that I've just designed.
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Again, black
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and brass, black
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and brass is a bit of a thing with me.
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I designed this camera with Daniel Craig
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and it's a limited edition Leica Q2.
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And again, it's black
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and brass.
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It's the, sort of this gold-colored-badge is the,
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well apparently the first ever gold badge,
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but I saw a brass one they made like a hundred years ago,
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but, so it's either the first ever,
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or the first in a hundred years,
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this is a particularly special one.
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I got the, you know that glow-in-the-dark stuff
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you get on your watches?
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Well, I got that
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and put it along the automatic,
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so that when you're out at night,
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you can sort of see your way back to automatic,
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and it's also got a quote on the top of it
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from William Blake, which is
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"To see a world in a grain of sand."
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And that was a quote that my dad gave me
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when I went off on my first foreign trip,
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when I went to Burma, when I was a kid.
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I got smuggled into Burma when I was 19
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and photographed the war,
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and my dad gave me that quote.
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I basically debus the kit that I'm using,
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if I'm out for a day
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and then I can just sling this bag on my back.
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It's also got my laptop in the back of it.
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And we make these at two sizes.
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This is the larger one,
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and then we make a really small one as well,
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called the PRO Mini.
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Part of the theory with this bag is
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that it just doesn't look like a camera bag,
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it looks just like a, sort of,
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nice, posh carry-on bag.
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So, that's that. (whistling)
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