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1
00:00:02,803 --> 00:00:04,603
THIS GAME SUCKS.
2
00:00:04,638 --> 00:00:05,804
WHERE'S THE REMOTE?
3
00:00:05,839 --> 00:00:07,117
I DON'T KNOW.
WHERE'D YOU PUT IT?
4
00:00:07,141 --> 00:00:08,381
I THINK SHARON'S SITTING ON IT.
5
00:00:08,409 --> 00:00:09,486
NO, I'M NOT.
6
00:00:09,510 --> 00:00:10,675
WELL, ARE YOU SURE?
7
00:00:10,711 --> 00:00:11,955
YEAH. I THINK I'D FEEL IT.
8
00:00:11,979 --> 00:00:13,056
SHARON, I LEFT IT RIGHT
WHERE YOU'RE SITTING.
9
00:00:13,080 --> 00:00:15,558
COME ON, GET UP.
ALL RIGHT! ALL RIGHT!
10
00:00:15,582 --> 00:00:16,681
SEE?
11
00:00:16,717 --> 00:00:18,117
LISTEN, WHILE YOU'RE UP,
12
00:00:18,152 --> 00:00:20,419
COULD YOU GET US A
COUPLE MORE BEERS?
13
00:00:35,681 --> 00:00:37,014
LOOKING FOR THIS?
14
00:00:37,049 --> 00:00:38,749
YEAH. THANKS.
15
00:00:38,785 --> 00:00:41,452
CAN I GET YOU A TALL
COOL GLASS OF LEMONADE?
16
00:00:41,487 --> 00:00:42,586
YEAH. THAT'D BE NICE.
17
00:00:42,622 --> 00:00:43,665
COMING RIGHT UP.
18
00:00:43,689 --> 00:00:47,291
SHARON. GOING
AFTER THE REPAIRMAN.
19
00:00:47,326 --> 00:00:49,226
CHICK-A-BWOW.
20
00:00:51,163 --> 00:00:52,730
DID YOU EVER STOP AND AND THINK
21
00:00:52,765 --> 00:00:53,931
THAT JOHNNY JUST MIGHT BE
22
00:00:53,966 --> 00:00:57,267
AN EMOTIONALLY SCARRED
WORKING-CLASS HERO
23
00:00:57,303 --> 00:00:59,570
WHOSE GENIUS IS SIMPLY UNTAPPED?
24
00:00:59,605 --> 00:01:01,550
YOU KNOW, SHARON, I AM SO SORRY
25
00:01:01,574 --> 00:01:04,686
THAT I GOT YOU GOOD WILL
HUNTING FOR YOUR BIRTHDAY.
26
00:01:04,710 --> 00:01:07,645
PETE, CAN I GET A
LEMONADE, PLEASE?
27
00:01:07,680 --> 00:01:09,346
SHARON, I'M WORKING HERE.
28
00:01:09,381 --> 00:01:12,616
HENCE MY CRAZY IDEA
TO ORDER FROM YOU.
29
00:01:12,652 --> 00:01:14,552
I'M HAVING A LITTLE TROUBLE
30
00:01:14,587 --> 00:01:16,587
WITH MY CLASS
SCHEDULE RIGHT NOW.
31
00:01:16,622 --> 00:01:17,666
I WOULD'VE GONE
OVER IT LAST NIGHT,
32
00:01:17,690 --> 00:01:19,957
BUT I WAS A LITTLE BUSY
33
00:01:19,992 --> 00:01:21,904
PREPARING FOR MY INTERVIEW
WITH CONWAY AND ASSOCIATES.
34
00:01:21,928 --> 00:01:24,094
IT'S JUST THE BIGGEST
ARCHITECTURE FIRM IN BOSTON, OK?
35
00:01:24,129 --> 00:01:25,863
AND IF I GET THIS INTERNSHIP,
36
00:01:25,898 --> 00:01:27,631
I'M GONNA BE SET
FOR LIFE. SET FOR LIFE!
37
00:01:27,667 --> 00:01:28,766
BUT I SUPPOSE...
38
00:01:28,801 --> 00:01:30,668
I SUPPOSE I CAN PUT
EVERYTHING ON HOLD
39
00:01:30,703 --> 00:01:33,136
AND GET YOU YOUR LEMONADE!
40
00:01:33,172 --> 00:01:34,304
OK.
41
00:01:34,340 --> 00:01:36,173
OK.
42
00:01:36,208 --> 00:01:37,686
I'LL GET THE LEMONADE.
43
00:01:37,710 --> 00:01:41,070
GOD, ICE THAT VEIN IN THE
MIDDLE OF YOUR FOREHEAD.
44
00:01:41,747 --> 00:01:43,258
I JUST STARTED MY
PSYCH ROTATION.
45
00:01:43,282 --> 00:01:44,448
GREAT.
46
00:01:44,484 --> 00:01:47,250
AND, YOU KNOW, I THINK
I FOUND MY CALLING...
47
00:01:47,286 --> 00:01:49,598
EASING THE WOES OF
THE PETES OF THE WORLD.
48
00:01:49,622 --> 00:01:51,032
WELL, ON BEHALF OF
THE PETES OF THE WORLD,
49
00:01:51,056 --> 00:01:52,222
GO AWAY.
50
00:01:54,694 --> 00:01:56,638
PETE, COME ON, WHAT'S WRONG?
51
00:01:56,662 --> 00:01:57,940
THEY'RE NOT GONNA
LET ME GRADUATE
52
00:01:57,964 --> 00:01:59,530
UNLESS I TAKE AN ELECTIVE.
53
00:01:59,565 --> 00:02:02,399
WHAT KIND OF POLICE
STATE ARE WE LIVING IN?
54
00:02:02,434 --> 00:02:03,712
BERG, LOOK, IT'S MY
LAST YEAR, ALL RIGHT?
55
00:02:03,736 --> 00:02:05,102
I NEED TO FOCUS.
56
00:02:05,137 --> 00:02:06,748
I DON'T NEED A
DISTRACTION RIGHT NOW.
57
00:02:06,772 --> 00:02:09,673
A DISTRACTION IS EXACTLY
WHAT YOU NEED RIGHT NOW.
58
00:02:09,709 --> 00:02:11,408
YOU'RE TOO FOCUSED, OK?
59
00:02:11,443 --> 00:02:13,443
YOU'VE BEEN EATING AND
SLEEPING ARCHITECTURE
60
00:02:13,479 --> 00:02:15,012
FOR THE LAST 8 MONTHS.
61
00:02:15,047 --> 00:02:16,446
YOU'RE STRESSED
OUT OVER A CAREER
62
00:02:16,482 --> 00:02:18,215
THAT YOU HAVEN'T
EVEN STARTED YET.
63
00:02:18,250 --> 00:02:19,717
YOU KNOW, I THINK
64
00:02:19,752 --> 00:02:21,062
THAT A NICE, EASY ELECTIVE
65
00:02:21,086 --> 00:02:22,498
WOULD BE A GOOD THING.
66
00:02:22,522 --> 00:02:23,921
IT'LL LOOSEN YOU UP.
67
00:02:24,924 --> 00:02:25,990
OK! OK!
68
00:02:27,627 --> 00:02:29,727
I WISH I HAD MY LAST SEMESTER
69
00:02:29,762 --> 00:02:31,896
TO DO ALL OVER AGAIN.
70
00:02:31,931 --> 00:02:33,241
BECAUSE ONCE YOU'RE
OUT IN THE REAL WORLD,
71
00:02:33,265 --> 00:02:35,932
EVERY DAY IS ALL...
72
00:02:35,967 --> 00:02:37,867
YECCH AND... AND... BLECCH.
73
00:02:39,237 --> 00:02:40,370
YOU GOT THAT LEMONADE?
74
00:02:40,406 --> 00:02:42,049
Sharon: OH, YEAH. HERE YOU GO.
75
00:02:42,073 --> 00:02:44,007
Berg: OK. RIGHT HERE...
THE PERFECT ELECTIVE.
76
00:02:44,042 --> 00:02:46,510
INTERMEDIATE BOWLING.
77
00:02:46,545 --> 00:02:47,844
BOWLING?
78
00:02:47,879 --> 00:02:49,413
THAT'S A COURSE?
79
00:02:49,448 --> 00:02:51,259
I'VE BEEN BOWLING EVERY WEDNESDAY
NIGHT FOR THE PAST 10 YEARS.
80
00:02:51,283 --> 00:02:52,616
WHERE'S MY Ph.D.?
81
00:02:54,853 --> 00:02:56,464
JOHN, IT'S NOT JUST BOWLING.
82
00:02:56,488 --> 00:02:58,888
IT'S BOWLING... APPRECIATION.
83
00:03:00,258 --> 00:03:02,125
WHAT I APPRECIATE ABOUT BOWLING
84
00:03:02,160 --> 00:03:04,093
IS IT COSTS ME 15 BUCKS.
85
00:03:04,129 --> 00:03:06,330
IT'S GONNA COST
YOU CLOWNS 8 GRAND.
86
00:03:06,365 --> 00:03:07,831
GO FIGURE.
87
00:03:09,535 --> 00:03:11,468
I GOTTA TRACK DOWN A
PART. I'LL SEE YOU TOMORROW.
88
00:03:11,503 --> 00:03:13,014
AND THANKS FOR THE LEMONADE.
89
00:03:13,038 --> 00:03:14,038
SURE.
90
00:03:16,575 --> 00:03:18,575
HA HA HA.
91
00:03:18,610 --> 00:03:20,510
YEAH, YEAH. IF HE'S SO SMART,
92
00:03:20,546 --> 00:03:22,879
WHY IS IT TAKING HIM 4
DAYS TO FIX A JUKEBOX?
93
00:03:22,914 --> 00:03:24,659
EVERY NIGHT, AFTER HE LEAVES,
94
00:03:24,683 --> 00:03:26,603
I BREAK A DIFFERENT PART.
95
00:03:28,119 --> 00:03:30,821
OH! MAN, I GOTTA
XEROX MY BLUEPRINTS,
96
00:03:30,856 --> 00:03:32,956
I GOTTA PICK UP MY
SUIT FROM THE CLEANERS,
97
00:03:32,991 --> 00:03:35,325
AND, SOMEHOW, I HAVE
TO DROP THESE CARDS OFF
98
00:03:35,361 --> 00:03:36,671
TO THE REGISTRAR'S
OFFICE BY 5:00.
99
00:03:36,695 --> 00:03:38,161
HEY, IF YOU WANT,
100
00:03:38,196 --> 00:03:39,407
I'LL DROP BY THE REGISTRAR'S
OFFICE ON THE WAY HOME
101
00:03:39,431 --> 00:03:40,764
AND DROP THOSE OFF FOR YOU.
102
00:03:40,799 --> 00:03:41,998
YOU RULE.
103
00:03:44,002 --> 00:03:45,669
I MOST CERTAINLY DO.
104
00:03:51,209 --> 00:03:52,676
HEY, BERG.
105
00:03:52,711 --> 00:03:53,977
HEY.
106
00:03:54,012 --> 00:03:55,379
YOU'RE NOT GONNA BELIEVE THIS.
107
00:03:55,414 --> 00:03:56,513
FUNNIEST THING...
108
00:03:56,548 --> 00:03:58,515
I WENT IN TO MY
METALLURGY CLASS TODAY,
109
00:03:58,550 --> 00:04:01,385
AND IT TURNS OUT I'M NOT
ENROLLED IN METALLURGY.
110
00:04:01,420 --> 00:04:04,721
APPARENTLY, SOMEONE ENROLLED ME
111
00:04:04,757 --> 00:04:06,790
IN SPORTS BROADCASTING.
112
00:04:06,825 --> 00:04:08,625
HMM...
113
00:04:13,665 --> 00:04:15,410
AND HOW DOES THAT MAKE YOU FEEL?
114
00:04:15,434 --> 00:04:16,600
ANGRY.
115
00:04:16,635 --> 00:04:17,601
THAT'S GOOD.
116
00:04:17,636 --> 00:04:20,704
NOW TELL ME, HOW ARE
WE GONNA WORK THROUGH
117
00:04:20,739 --> 00:04:22,806
THESE NEGATIVE EMOTIONS, PETE?
118
00:04:22,841 --> 00:04:24,452
WELL, FIRST, I'M
GONNA LUNGE AT YOU
119
00:04:24,476 --> 00:04:26,220
AND BEAT YOU UNCONSCIOUS
120
00:04:26,244 --> 00:04:28,222
WITH MY SPORTS
BROADCASTING BOOK.
121
00:04:28,246 --> 00:04:29,679
COME ON.
122
00:04:29,715 --> 00:04:31,593
OH, NO. I CAN DO IT. IT'S
A REALLY HEAVY BOOK.
123
00:04:31,617 --> 00:04:33,784
BERG, I TRIED TO SWITCH OUT,
124
00:04:33,819 --> 00:04:35,419
BUT ALL THE OTHER
ELECTIVES WERE FULL.
125
00:04:35,454 --> 00:04:37,198
WELL, YOU SHOULD'VE
GOTTEN THERE EARLY,
126
00:04:37,222 --> 00:04:38,688
LIKE I DID.
127
00:04:38,724 --> 00:04:40,356
BERG, I GOTTA GO
TO THIS INTERVIEW.
128
00:04:40,392 --> 00:04:42,270
THEN I GOTTA RUSH OVER AND
ANNOUNCE THIS STUPID GAME
129
00:04:42,294 --> 00:04:45,061
FOR THIS STUPID COURSE THAT
I SHOULDN'T EVEN BE TAKING.
130
00:04:45,096 --> 00:04:47,764
AND IF I DON'T
GO, I'M GONNA FAIL!
131
00:04:47,800 --> 00:04:49,866
THIS IS THE REST OF MY
LIFE WE'RE TALKING ABOUT.
132
00:04:49,902 --> 00:04:51,735
EXACTLY.
133
00:04:51,770 --> 00:04:55,439
THIS IS YOUR LAST YEAR
OF GRAD SCHOOL. OK?
134
00:04:55,474 --> 00:04:58,241
YOUR LAST YEAR TO
DO SOMETHING... FUN.
135
00:04:58,276 --> 00:04:59,375
WHOO-HOO!
136
00:05:00,679 --> 00:05:05,214
YOUR LAST YEAR BEFORE
YECCH AND BLECCH.
137
00:05:10,055 --> 00:05:12,055
THIS IS MY LAST YEAR.
138
00:05:12,090 --> 00:05:16,025
OH, MY GOD. BERG,
IT'S MY LAST YEAR.
139
00:05:16,061 --> 00:05:19,021
AND YOU WANTED TO
STRIKE ME WITH A BOOK.
140
00:05:20,265 --> 00:05:21,998
BUT SPORTS BROADCASTING?
141
00:05:22,033 --> 00:05:24,378
COME ON. YOU KNOW SPORTS
BETTER THAN ANYONE. TRUE.
142
00:05:24,402 --> 00:05:25,947
HOW MANY TIMES WATCHING
FOOTBALL AT O'MALLEY'S
143
00:05:25,971 --> 00:05:27,582
HAVE PEOPLE THROWN
PEANUTS AT YOUR HEAD
144
00:05:27,606 --> 00:05:28,950
AND TOLD YOU TO SIT
DOWN AND SHUT UP?
145
00:05:28,974 --> 00:05:30,239
A LOT.
146
00:05:32,945 --> 00:05:35,411
NOW YOU GET COLLEGE
CREDIT FOR THAT.
147
00:05:35,447 --> 00:05:37,347
IT'LL BE GREAT.
148
00:05:37,382 --> 00:05:38,893
THE BIG CROWD, THE STADIUM,
149
00:05:38,917 --> 00:05:40,361
THE FANS, THE
ACTION ON THE FIELD.
150
00:05:40,385 --> 00:05:41,718
AND TELL ME...
151
00:05:41,753 --> 00:05:43,130
WHO, WHO IS GONNA BRING THAT FUN
152
00:05:43,154 --> 00:05:44,914
INTO EVERYONE'S LIVING ROOMS?
153
00:05:45,724 --> 00:05:46,923
PETE DUNVILLE?
154
00:05:46,959 --> 00:05:48,892
YEAH!
155
00:05:48,927 --> 00:05:50,171
ALL RIGHT, I'M GONNA
GO TO MY INTERVIEW.
156
00:05:50,195 --> 00:05:51,761
I WANT YOU TO MEET
ME AT THE GAME.
157
00:05:51,797 --> 00:05:53,730
AND IF I DON'T HAVE ANY FUN,
158
00:05:53,765 --> 00:05:55,176
I'M GONNA HAVE TO
KILL YOU AFTERWARDS.
159
00:05:55,200 --> 00:05:56,480
FAIR ENOUGH.
160
00:06:01,540 --> 00:06:03,707
I MUST SAY, MR. DUNVILLE,
161
00:06:03,742 --> 00:06:06,776
YOUR PORTFOLIO
IS QUITE IMPRESSIVE.
162
00:06:06,812 --> 00:06:09,245
THANK YOU, SIR. THANK YOU.
163
00:06:09,280 --> 00:06:11,347
I FOUND THIS ON THE BUS.
164
00:06:12,518 --> 00:06:15,184
IT'S JUST A LITTLE
JOKE TO BREAK...
165
00:06:15,220 --> 00:06:17,821
BREAK THE TENSION.
166
00:06:17,856 --> 00:06:21,290
SO, WHAT INSPIRED YOU
TO BE AN ARCHITECT?
167
00:06:21,326 --> 00:06:22,336
OH, MY DAD. MY DAD MOSTLY.
168
00:06:22,360 --> 00:06:23,326
WAS HE AN ARCHITECT?
169
00:06:23,361 --> 00:06:24,460
NO, NO, NO, NO.
170
00:06:24,496 --> 00:06:25,573
HE WAS A FOREMAN ON
CONSTRUCTION SITES.
171
00:06:25,597 --> 00:06:27,931
EVER SINCE I WAS,
LIKE, 8 YEARS OLD,
172
00:06:27,966 --> 00:06:29,944
HE ALWAYS HAD THESE
BIG DREAMS FOR ME.
173
00:06:29,968 --> 00:06:33,603
AND, YOU KNOW,
SO... HI. HOW ARE YOU?
174
00:06:33,639 --> 00:06:36,640
THE THING THAT
STRIKES ME, MR. DUNVILLE,
175
00:06:36,675 --> 00:06:38,642
IS IN THE PAST 25 MINUTES,
176
00:06:38,677 --> 00:06:40,522
YOU'VE ANSWERED
ALL OF OUR QUESTIONS
177
00:06:40,546 --> 00:06:42,546
IN A CLEAR AND COMPETENT MANNER.
178
00:06:42,581 --> 00:06:44,714
BUT THE ONE THING I
HAVEN'T HEARD YOU SAY IS...
179
00:06:44,750 --> 00:06:47,316
WHY YOU LOVE ARCHITECTURE.
180
00:06:47,352 --> 00:06:50,754
WHY I LOVE ARCHITECTURE.
181
00:06:51,924 --> 00:06:53,023
UM...
182
00:06:54,693 --> 00:06:56,974
WELL, YOU KNOW,
THE THING IS, IS...
183
00:06:59,598 --> 00:07:01,638
WELL, I MEAN, IT'S BECAUSE...
184
00:07:02,267 --> 00:07:03,845
WELL, WITHOUT ARCHITECTURE,
185
00:07:03,869 --> 00:07:06,002
WE'D ALL BE OUTSIDE.
186
00:07:08,440 --> 00:07:10,206
THANK YOU, MR. DUNVILLE.
187
00:07:10,241 --> 00:07:11,419
WE'LL HAVE YOU BACK TOMORROW
188
00:07:11,443 --> 00:07:12,654
TO MEET OUR SENIOR PARTNERS.
189
00:07:12,678 --> 00:07:13,977
OH, THANK YOU.
190
00:07:14,012 --> 00:07:15,679
THANK YOU VERY MUCH.
191
00:07:18,283 --> 00:07:20,450
DID YOU GET THAT
THING WITH THE BUS?
192
00:07:25,423 --> 00:07:29,292
THIS IS PETE DUNVILLE
FOR WMFO COLLEGE RADIO,
193
00:07:29,327 --> 00:07:31,861
AND WE'VE GOT A REAL
CLASH OF THE TITANS TONIGHT.
194
00:07:35,433 --> 00:07:36,900
THE FIRST ROUND
195
00:07:36,935 --> 00:07:38,245
OF THE MONDAY NIGHT
CHESS CLUB TOURNAMENT
196
00:07:38,269 --> 00:07:39,803
IS JUST SECONDS AWAY
197
00:07:39,838 --> 00:07:42,706
AFTER THESE WORDS
FROM FRANK'S AUTO REPAIR.
198
00:07:42,741 --> 00:07:45,341
REMEMBER, AT FRANK'S...
199
00:07:45,376 --> 00:07:47,510
YOU WON'T GET ROOKED.
200
00:07:48,880 --> 00:07:50,224
PETE, YOU'RE DOING GREAT.
201
00:07:50,248 --> 00:07:52,649
YOU GOT THE CROWD IN A FRENZY.
202
00:07:55,053 --> 00:07:57,020
IT'LL BE GREAT... YOU SAY.
203
00:07:57,055 --> 00:07:58,822
IT'LL BE GREAT!
204
00:07:58,857 --> 00:08:01,891
THE CROWD, THE STADIUM,
THE ACTION ON THE FIELD!
205
00:08:01,927 --> 00:08:04,060
THIS GAME DOESN'T
EVEN HAVE A BALL.
206
00:08:05,396 --> 00:08:07,775
SO... SO... I... I TAKE IT THE
INTERVIEW WENT POORLY.
207
00:08:07,799 --> 00:08:08,765
NO, NO.
208
00:08:08,800 --> 00:08:10,166
THE INTERVIEW WENT GREAT.
209
00:08:10,201 --> 00:08:13,103
I'M GOING BACK TO MEET
THE SENIOR PARTNERS.
210
00:08:13,138 --> 00:08:15,105
HEY. HAVE I TOLD YOU
211
00:08:15,140 --> 00:08:17,240
THAT I LOVE ARCHITECTURE LATELY?
212
00:08:17,275 --> 00:08:19,721
WHEN YOU'VE BEEN TOGETHER
AS LONG AS WE HAVE, YOU...
213
00:08:19,745 --> 00:08:21,665
YOU DON'T HAVE TO SAY IT.
214
00:08:26,184 --> 00:08:27,416
OH. AND WE'RE BACK,
215
00:08:27,452 --> 00:08:29,519
AND I THINK A MOVE
IS ABOUT TO HAPPEN.
216
00:08:29,554 --> 00:08:32,221
WAIT, WAIT, WAIT, WAIT... NOPE.
217
00:08:34,225 --> 00:08:35,225
YES!
218
00:08:36,728 --> 00:08:37,994
NO!
219
00:08:41,066 --> 00:08:44,233
YES! YES! AND WHAT A MOVE IT WAS
220
00:08:44,269 --> 00:08:46,536
FROM OUR EXCHANGE
STUDENT YURI KIROV,
221
00:08:46,571 --> 00:08:48,104
WHO HAILS FROM KAZAKHSTAN.
222
00:08:48,140 --> 00:08:49,438
HA HA! I'LL TELL YOU,
223
00:08:49,474 --> 00:08:50,718
I DON'T KNOW HOW MUCH LONGER
224
00:08:50,742 --> 00:08:53,543
HE'LL BE ABLE TO SUSTAIN
THIS DIZZYING PACE.
225
00:08:55,681 --> 00:08:57,321
OH... OH, AND... AND
THE COUNTERMOVE.
226
00:08:57,348 --> 00:08:58,748
OH! AND A BEAUTY!
227
00:08:58,784 --> 00:09:00,316
PAWN TO KNIGHT 4.
228
00:09:00,351 --> 00:09:02,318
AN UNEXPECTEDLY AGGRESSIVE PLAY
229
00:09:02,353 --> 00:09:04,888
BY OUR CHALLENGER
ISAAC GLICKSTEIN.
230
00:09:08,794 --> 00:09:11,161
WE... WE HAVE A
SLUGFEST BREWIN' HERE
231
00:09:11,196 --> 00:09:12,528
IN THE COHEN AUDITORIUM.
232
00:09:15,033 --> 00:09:17,667
AND YURI, "THE MAD RUSSIAN,"
233
00:09:17,703 --> 00:09:20,503
IS DOMINATING BOTH
SIDES OF THE BOARD!
234
00:09:21,873 --> 00:09:24,708
AND GLICKSTEIN'S
QUEEN IS RUNNIN' SCARED.
235
00:09:24,743 --> 00:09:26,142
GO GET 'EM, YURI!
236
00:09:26,178 --> 00:09:28,056
FINISH HIM, YURI!
237
00:09:28,080 --> 00:09:30,080
YOU'RE RIGHT. THIS IS A BLAST!
238
00:09:30,115 --> 00:09:31,525
WE'VE MADE A BREAKTHROUGH.
239
00:09:31,549 --> 00:09:35,451
OH! AND YURI SENDS HIS
BISHOP COAST TO COAST!
240
00:09:35,486 --> 00:09:36,853
OH, WAIT!
241
00:09:36,888 --> 00:09:39,756
WAIT! GLICKSTEIN'S KING
IS TRAPPED IN THE CORNER!
242
00:09:39,791 --> 00:09:42,092
AND HE LOOKS LEFT.
HE LOOKS RIGHT.
243
00:09:42,127 --> 00:09:43,559
THERE'S NOWHERE TO GO!
244
00:09:44,730 --> 00:09:47,508
WAIT, WAIT! YES, IT'S
CHECKMATE! IT'S OVER!
245
00:09:47,532 --> 00:09:48,698
WHOO!
246
00:09:48,734 --> 00:09:51,968
THERE'S A PARTY IN
KAZAKHSTAN TONIGHT!
247
00:09:52,003 --> 00:09:55,171
I LOVE SPORTS BROADCASTING!
248
00:10:03,217 --> 00:10:04,650
WHAT ARE YOU DOIN'?
249
00:10:04,685 --> 00:10:06,117
NOTHING.
250
00:10:06,153 --> 00:10:08,654
OH... SHARON.
251
00:10:08,689 --> 00:10:11,434
YOU THINK JOHNNY'S GONNA BE
ABLE TO SOLVE THAT, DON'T YOU?
252
00:10:11,458 --> 00:10:12,636
IT'S POSSIBLE.
253
00:10:12,660 --> 00:10:14,526
ADMIT IT. YOU LIKE THIS GUY,
254
00:10:14,562 --> 00:10:16,773
AND YOU JUST CAN'T STAND THE FACT
THAT HE'S NOT AN INVESTMENT BANKER.
255
00:10:16,797 --> 00:10:18,430
YOU ARE SO... SO NOW...
256
00:10:18,465 --> 00:10:19,698
YOU'RE RATIONALIZING,
257
00:10:19,733 --> 00:10:21,466
TELLING YOURSELF
HE'S SOME BIG GENIUS.
258
00:10:21,502 --> 00:10:24,622
GO PLAY WITH PETE'S
BRAIN. LEAVE MINE ALONE.
259
00:10:26,207 --> 00:10:28,973
JOHNNY. UH, WHAT
DO YOU MAKE OF THIS?
260
00:10:29,009 --> 00:10:30,242
HEY, I KNOW THIS.
261
00:10:30,277 --> 00:10:31,376
YOU DO?
262
00:10:31,412 --> 00:10:32,652
YEAH. SURE.
263
00:10:39,019 --> 00:10:40,319
THERE YOU GO.
264
00:10:40,354 --> 00:10:41,354
HUH!
265
00:10:44,791 --> 00:10:46,491
HE DID IT.
266
00:10:46,527 --> 00:10:48,793
JOHNNY PROVED THE ELUSIVE
267
00:10:48,829 --> 00:10:52,429
"CUTE BUNNY WITH A BIG
FLUFFY TAIL" THEOREM.
268
00:10:56,002 --> 00:10:57,547
HEY, EVERYONE.
HOW YOU ALL DOIN'?
269
00:10:57,571 --> 00:10:59,404
OOH! MINE!
270
00:10:59,440 --> 00:11:01,384
HEY, WHO'S THIS HAPPY GUY?
271
00:11:01,408 --> 00:11:02,919
WHERE'S MY FRIEND?
272
00:11:02,943 --> 00:11:05,143
YOU WERE RIGHT, BERG.
SPORTS BROADCASTING.
273
00:11:05,178 --> 00:11:06,278
HA HA!
274
00:11:06,313 --> 00:11:07,890
NOW, NORMALLY, THIS
TYPE OF PROGRESS
275
00:11:07,914 --> 00:11:09,881
WOULD'VE TAKEN YEARS
OF PSYCHOANALYSIS.
276
00:11:09,916 --> 00:11:12,251
ME? HALF-HOUR.
277
00:11:13,387 --> 00:11:15,064
ARE YOU PETE DUNVILLE?
278
00:11:15,088 --> 00:11:16,455
YEAH, THAT'S ME.
279
00:11:16,490 --> 00:11:18,468
OH, I KNEW IT! HEY,
GUYS, I WAS RIGHT!
280
00:11:18,492 --> 00:11:21,159
HERE HE IS... THE
VOICE OF CHESS!
281
00:11:21,194 --> 00:11:23,027
YES, I AM.
282
00:11:23,063 --> 00:11:25,074
COME ON, DO IT. DO IT!
283
00:11:25,098 --> 00:11:26,365
OK, OK, OK.
284
00:11:30,504 --> 00:11:33,037
THIS IS PETE DUNVILLE
REMINDING YOU...
285
00:11:33,073 --> 00:11:34,539
IT'S YOUR MOVE.
286
00:11:34,575 --> 00:11:36,775
OH, AWESOME!
287
00:11:38,412 --> 00:11:39,378
ALL RIGHT, SEE YOU LATER.
288
00:11:39,413 --> 00:11:41,112
BYE.
289
00:11:41,148 --> 00:11:45,350
SO, I JUST STOPPED
IN TO LET YOU KNOW
290
00:11:45,386 --> 00:11:47,486
TO HUDDLE AROUND
YOUR RADIOS TONIGHT
291
00:11:47,521 --> 00:11:48,920
BECAUSE... THAT'S RIGHT...
292
00:11:48,955 --> 00:11:50,955
PETE DUNVILLE IS ANNOUNCING
WOMEN'S BASKETBALL.
293
00:11:50,991 --> 00:11:51,991
HA HA!
294
00:11:52,025 --> 00:11:54,359
TUFTS VS. AMHERST.
5 P.M. TIPOFF.
295
00:11:54,395 --> 00:11:58,196
OK, FIRST OF ALL... STOP REFERRING
TO YOURSELF IN THE THIRD PERSON.
296
00:11:58,231 --> 00:12:01,745
AND SECOND, I THOUGHT YOU WERE
MEETING THE SENIOR PARTNERS TONIGHT.
297
00:12:01,769 --> 00:12:02,901
I'M BLOWIN' 'EM OFF.
298
00:12:02,936 --> 00:12:04,102
WHAT?
299
00:12:04,137 --> 00:12:05,604
YUP. BLOWIN' 'EM OFF.
300
00:12:05,639 --> 00:12:08,106
BUT THIS INTERNSHIP IS HUGE.
301
00:12:08,141 --> 00:12:10,487
SET FOR LIFE. "CAN'T GET
YOU LEMONADE." REMEMBER?
302
00:12:10,511 --> 00:12:12,778
THAT WAS BEFORE I DECIDED
TO QUIT ARCHITECTURE.
303
00:12:12,813 --> 00:12:14,078
WHAT?!
304
00:12:14,114 --> 00:12:16,581
YEAH! ALL THANKS TO THAT MAN,
305
00:12:16,617 --> 00:12:19,150
FOR HE HATH SHOWN ME THE LIGHT.
306
00:12:19,186 --> 00:12:22,887
DON'T LOOKETH AT ME.
307
00:12:22,923 --> 00:12:25,835
HEY, HEY, YOU'RE A SEMESTER
AWAY FROM GETTING YOUR DEGREE.
308
00:12:25,859 --> 00:12:28,026
GET YOUR BUTT DOWN
TO THAT INTERVIEW.
309
00:12:28,061 --> 00:12:30,072
IF I GO TO THAT INTERVIEW,
I'M GONNA TELL YOU RIGHT NOW,
310
00:12:30,096 --> 00:12:32,108
YEAH? I'M GONNA
GET THAT INTERNSHIP.
311
00:12:32,132 --> 00:12:35,166
AND THEN I'M GONNA BE LOCKED
INTO THAT JOB FOR THE REST OF MY LIFE.
312
00:12:35,202 --> 00:12:37,869
WHY SETTLE FOR YECCH AND BLECCH
313
00:12:37,904 --> 00:12:39,538
WHEN I CAN HAVE YIPPEE?
314
00:12:40,741 --> 00:12:43,007
DON'T DO THIS. IT'S
BAD FOR YOUR FUTURE.
315
00:12:43,043 --> 00:12:45,109
AND YOUR PARENTS
ARE GONNA BLAME ME.
316
00:12:45,145 --> 00:12:48,847
YOUR MOTHER STILL HASN'T FORGIVEN
ME FOR SETTING THE POOL ON FIRE.
317
00:12:48,882 --> 00:12:51,316
YOU DID SET THE POOL ON FIRE.
318
00:12:51,352 --> 00:12:53,418
AND I'M TIRED OF
HEARIN' ABOUT IT.
319
00:12:54,655 --> 00:12:56,455
EVER SINCE I WAS 12 YEARS OLD,
320
00:12:56,490 --> 00:12:57,956
I NEVER EVEN THOUGHT ABOUT
321
00:12:57,991 --> 00:13:00,459
BEING ANYTHING BUT AN ARCHITECT.
322
00:13:00,494 --> 00:13:02,639
I MEAN, I WAS THE
ONLY KID ON MY BLOCK
323
00:13:02,663 --> 00:13:04,808
WHO USED SCAFFOLDING
TO BUILD A SNOWMAN.
324
00:13:04,832 --> 00:13:07,932
YES, WHICH IS WHY YOU
SHOULD BE AN ARCHITECT!
325
00:13:07,968 --> 00:13:09,133
NO. NO. LOOK,
326
00:13:09,169 --> 00:13:10,747
THIS STUPID ELECTIVE
HAS OPENED MY EYES.
327
00:13:10,771 --> 00:13:12,949
THERE'S SO MANY THINGS OUT
THERE THAT I'VE BEEN MISSING,
328
00:13:12,973 --> 00:13:14,150
BUT NOT ANYMORE. ALL RIGHT?
329
00:13:14,174 --> 00:13:15,452
SO WISH ME LUCK.
330
00:13:15,476 --> 00:13:18,142
GOOD-BYE, AND I WILL
SEE YOU ON THE RADIO.
331
00:13:18,178 --> 00:13:20,512
AND PETE DUNVILLE
IS OUT THE DOOR!
332
00:13:21,548 --> 00:13:23,181
WHERE DOES HE GET THESE IDEAS?
333
00:13:23,216 --> 00:13:24,282
OHH!
334
00:13:24,317 --> 00:13:25,550
THIS ISN'T FUNNY.
335
00:13:25,586 --> 00:13:27,906
YOU BROKE OUR
PETE. NOW GO FIX HIM.
336
00:13:33,159 --> 00:13:35,059
WHERE'S BERG? I NEED
HIM TO SIGN FOR THIS.
337
00:13:35,095 --> 00:13:36,439
OH, YOU JUST MISSED HIM.
338
00:13:36,463 --> 00:13:38,430
BUT IF YOU LEFT NOW,
339
00:13:38,465 --> 00:13:40,932
TRAVELING AT 15.6
KILOMETERS PER HOUR,
340
00:13:40,967 --> 00:13:42,445
AND BERG IS TRAVELING
341
00:13:42,469 --> 00:13:44,347
AT 5.3 KILOMETERS PER HOUR,
342
00:13:44,371 --> 00:13:46,048
HOW MANY MINUTES WILL IT BE
343
00:13:46,072 --> 00:13:47,832
BEFORE YOU REACH HIM?
344
00:13:49,743 --> 00:13:52,511
SO IN OTHER WORDS,
HE'S NOT HERE.
345
00:13:52,546 --> 00:13:53,879
RIGHT.
346
00:13:59,653 --> 00:14:02,287
OK. "NUMBER 42... TRACY KELLER.
347
00:14:02,322 --> 00:14:05,356
RAISED HER 8 BROTHERS
WHILE FATHER WORKED NIGHTS."
348
00:14:05,392 --> 00:14:07,258
MMM, IT'S A GOOD
HUMAN INTEREST STORY.
349
00:14:07,294 --> 00:14:10,295
"NUMBER 8... CHERYL LaSASSO.
350
00:14:10,330 --> 00:14:12,464
"AMAZING JUMP SHOT.
351
00:14:12,499 --> 00:14:14,666
PARENTS LIVED IN A BUBBLE."
352
00:14:16,737 --> 00:14:18,403
OK! I CAN USE THAT.
353
00:14:19,506 --> 00:14:21,172
HEY YA, PETE.
354
00:14:21,207 --> 00:14:22,619
BERG, BERG, DON'T EVEN
TRY AND TALK ME OUT OF THIS
355
00:14:22,643 --> 00:14:23,853
'CAUSE IT'S NOT GONNA WORK.
356
00:14:23,877 --> 00:14:25,822
I JUST CAME BY TO WISH YOU
LUCK IN YOUR NEW CAREER.
357
00:14:25,846 --> 00:14:28,680
I EVEN... WELL, I... I
BROUGHT YOU A PRESENT.
358
00:14:31,852 --> 00:14:32,818
OH!
359
00:14:32,853 --> 00:14:35,620
WOW! BERG, THESE ARE AMAZING!
360
00:14:35,656 --> 00:14:37,188
I KNEW YOU'D LIKE 'EM.
361
00:14:37,223 --> 00:14:39,502
BERG, THESE ARE THE ORIGINAL
BLUEPRINTS FOR FENWAY PARK!
362
00:14:39,526 --> 00:14:41,092
WELL, THIS IS SCALED DOWN.
363
00:14:41,127 --> 00:14:43,161
IN REAL LIFE, IT'S REALLY
MUCH BIGGER THAN THIS.
364
00:14:43,196 --> 00:14:45,675
OH. LOOK. LOOK. LOOK WHERE
THE SCOREBOARD USED TO BE.
365
00:14:45,699 --> 00:14:47,310
MAN! THEY DON'T BUILD
'EM LIKE THIS ANYMORE.
366
00:14:47,334 --> 00:14:49,245
AND LOOK... THEY USED I-BEAMS
TO SUPPORT THE UPPER DECK.
367
00:14:49,269 --> 00:14:51,247
IT GAVE THE GAME CHARACTER.
368
00:14:51,271 --> 00:14:52,504
IT'S PRETTY COOL, HUH?
369
00:14:52,539 --> 00:14:54,083
IT'S VERY, VERY COO.
370
00:14:54,107 --> 00:14:56,453
SEE, THIS... THIS PUTS
EVERYTHING INTO PERSPECTIVE.
371
00:14:56,477 --> 00:14:58,988
YOU KNOW, THIS GIVES ME
SOMETHING TO SHOOT FOR.
372
00:14:59,012 --> 00:15:00,545
REALLY? YEAH.
373
00:15:00,581 --> 00:15:02,692
I HOPE TO ANNOUNCE A
GAME THERE SOMEDAY.
374
00:15:02,716 --> 00:15:04,449
NICE TRY.
375
00:15:04,485 --> 00:15:05,962
THIS WAS SUPPOSED
TO BE AN ELECTIVE...
376
00:15:05,986 --> 00:15:07,619
NOT A CAREER.
377
00:15:07,654 --> 00:15:09,833
LOOK, YOU CAN'T JUST THROW
EVERYTHING AWAY LIKE THIS.
378
00:15:09,857 --> 00:15:13,024
YOU DID A GOOD THING. YOU
HELPED ME FIND MY CALLING.
379
00:15:13,059 --> 00:15:14,158
YOUR CALLING?
380
00:15:14,194 --> 00:15:16,160
YEAH! I'M A NATURAL.
381
00:15:16,196 --> 00:15:18,575
YOU DID THE PLAY-BY-PLAY
FOR ONE CHESS MATCH.
382
00:15:18,599 --> 00:15:20,632
I WAS ON TOP OF EVERYTHING.
383
00:15:20,667 --> 00:15:22,834
I DIDN'T MISS A MOVE.
384
00:15:22,870 --> 00:15:25,147
THEY MADE A MOVE...
EVERY 35 MINUTES.
385
00:15:25,171 --> 00:15:27,205
PETE! INTERVIEW!
386
00:15:27,240 --> 00:15:29,919
COME ON. IT'LL BE FUN.
WHAT DO YOU SAY? PETE...
387
00:15:29,943 --> 00:15:31,476
HEY. YOU...
388
00:15:31,512 --> 00:15:34,012
YOUR BODY LANGUAGE
IS VERY NEGATIVE.
389
00:15:39,686 --> 00:15:42,153
SO, JOHNNY... YOU LIKE TO READ?
390
00:15:42,188 --> 00:15:43,955
YEAH, I LIKE TO READ.
391
00:15:43,991 --> 00:15:45,857
OH. WHAT DID YOU THINK
392
00:15:45,893 --> 00:15:47,704
OF KANT'S CRITIQUE
OF PURE REASON?
393
00:15:47,728 --> 00:15:49,873
OH, MAN, I COULDN'T GET
ENOUGH OF IT. REALLY?
394
00:15:49,897 --> 00:15:52,731
NO! WHAT, ARE YOU CRAZY?
395
00:15:52,766 --> 00:15:54,844
WHAT ARE YOU TRYING TO DO?
396
00:15:54,868 --> 00:15:56,379
LOOK, I WASN'T TRYING
TO S... YES, YOU WERE.
397
00:15:56,403 --> 00:15:58,180
NO, NO, NO. I DIDN'T
MEAN... YES, YOU DID.
398
00:15:58,204 --> 00:16:00,939
SEE, DO I KNOW THIS,
DO I KNOW THAT? LOOK.
399
00:16:00,974 --> 00:16:02,874
LET ME TELL YOU WHAT I DO KNOW.
400
00:16:02,910 --> 00:16:04,453
I KNOW HOW TO TAKE
A CHEVY CARBURETOR
401
00:16:04,477 --> 00:16:05,944
AND PUT IT INTO A FORD.
402
00:16:05,979 --> 00:16:07,445
I KNOW EVERY WORD
403
00:16:07,480 --> 00:16:08,958
TO EVERY MOTOWN
SONG EVER WRITTEN.
404
00:16:08,982 --> 00:16:11,950
AND... I KNOW YOU
WATCH TOO MANY MOVIES.
405
00:16:11,985 --> 00:16:14,052
WHAT? WHAT ARE
YOU TALKING ABOUT?
406
00:16:14,087 --> 00:16:15,987
GOOD WILL HUNTING.
407
00:16:16,023 --> 00:16:18,100
OH. GOD, I'VE BEEN
MEANING TO SEE THAT,
408
00:16:18,124 --> 00:16:20,825
SHARON. BUT WHEN
I GO TO RENT IT... OK.
409
00:16:20,861 --> 00:16:22,493
I KNOW ONE MORE THING.
410
00:16:24,932 --> 00:16:27,131
YOU ARE VERY, VERY CUTE.
411
00:16:28,268 --> 00:16:30,134
GUESS I DON'T
HAVE TO BE A GENIUS
412
00:16:30,170 --> 00:16:32,571
TO FIGURE THAT ONE OUT.
413
00:16:32,606 --> 00:16:33,972
YOU KNOW, IT'S 5:00.
414
00:16:34,007 --> 00:16:35,317
YOU MIGHT WANT TO
TURN ON THE RADIO.
415
00:16:35,341 --> 00:16:37,408
YOUR STUPID FRIEND IS ON.
416
00:16:37,444 --> 00:16:39,477
HA HA HA HA!
417
00:16:43,684 --> 00:16:45,684
Pete: GOOD EVENING,
LADIES AND GENTLEMEN,
418
00:16:45,719 --> 00:16:47,485
AND WELCOME TO COUSENS GYM.
419
00:16:47,520 --> 00:16:48,954
I'M PETE DUNVILLE,
420
00:16:48,989 --> 00:16:50,934
AND WE'RE JUST SECONDS
AWAY FROM THE TIPOFF
421
00:16:50,958 --> 00:16:53,424
OF WHAT PROMISES TO BE
THE MOST EXPLOSIVE GAME
422
00:16:53,460 --> 00:16:55,894
BETWEEN THESE 2
INTRASTATE RIVALS.
423
00:16:55,929 --> 00:16:57,996
OK, LOOKS LIKE
THEY'RE READY TO PLAY,
424
00:16:58,031 --> 00:16:59,798
AND HERE'S THE TIP!
425
00:16:59,833 --> 00:17:02,612
COPLEY'S ALL OVER IT AS TUFTS
SENDS IT UP COURT ON A FAST BREAK.
426
00:17:02,636 --> 00:17:05,103
COPLEY PASSES IT
TO SHEILA LAWRENCE!
427
00:17:05,138 --> 00:17:07,283
SHEILA LAWRENCE
FINDS LaSASSO BASELINE!
428
00:17:07,307 --> 00:17:09,507
AND CHERYL LaSASSO DUNKS IT,
429
00:17:09,542 --> 00:17:10,875
JUST LIKE A MAN!
430
00:17:15,482 --> 00:17:17,794
DUNKS... LIKE A MAN?
431
00:17:17,818 --> 00:17:20,262
OH, PETE, DON'T EXPLAIN
IT. JUST MOVE ON. MOVE ON.
432
00:17:20,286 --> 00:17:23,121
AND WHEN... WHEN I SAY
SHE DUNKS IT LIKE A MAN,
433
00:17:23,156 --> 00:17:25,068
I DON'T MEAN TO IMPLY THAT
WOMEN AREN'T AS GOOD AS MEN,
434
00:17:25,092 --> 00:17:26,691
THEY'RE JUST SLOWER.
435
00:17:28,394 --> 00:17:31,162
IT'S LIKE A HANDICAP,
BUT... BUT NOT A BAD ONE.
436
00:17:33,000 --> 00:17:35,033
WOMEN CAN DO
ANYTHING. I MEAN, I'M SURE...
437
00:17:35,068 --> 00:17:37,468
I'M SURE THAT SOMEDAY WE'LL
EVEN HAVE A WOMAN PRESIDENT.
438
00:17:37,504 --> 00:17:39,904
WE ALMOST HAD A BLACK PRESIDENT.
439
00:17:42,242 --> 00:17:44,220
NOT THAT WE SHOULDN'T
HAVE A BLACK PRESIDENT.
440
00:17:44,244 --> 00:17:45,777
IN FACT, NEXT ELECTION,
441
00:17:45,812 --> 00:17:48,947
I'M VOTING FOR A
WOMAN BLACK PRESIDENT.
442
00:17:48,982 --> 00:17:51,782
SHUT UP, PETE. JUST
SHUT UP ALREADY.
443
00:17:52,352 --> 00:17:53,885
AND I'M GONNA VOTE FOR HER,
444
00:17:53,920 --> 00:17:55,486
NOT BECAUSE SHE'S BLACK,
445
00:17:55,522 --> 00:17:58,589
BUT BECAUSE SHE'S
THE MOST QUALIFIED...
446
00:17:58,625 --> 00:18:00,125
WHOEVER SHE IS.
447
00:18:02,462 --> 00:18:05,163
THE SCORE IS 16-12 AS WE
GO INTO OUR FIRST TIME-OUT.
448
00:18:05,198 --> 00:18:07,443
I'M PETE DUNVILLE WITH
WHAT IS SHAPING UP TO BE...
449
00:18:07,467 --> 00:18:09,134
MY LAST BROADCAST.
450
00:18:18,879 --> 00:18:20,344
JOHNNY, I'M TELLING YOU.
451
00:18:20,380 --> 00:18:22,147
I'M NOT JUST SAYING THIS.
452
00:18:22,182 --> 00:18:24,448
THEY'RE NOT A COUPLE OF IDIOTS.
453
00:18:24,484 --> 00:18:26,250
LOOK, ALL I KNOW IS,
454
00:18:26,286 --> 00:18:29,954
SOMEHOW, SOMEBODY GOT
RIGATONI IN THE JUKEBOX.
455
00:18:29,990 --> 00:18:31,389
OOH! HA HA!
456
00:18:31,424 --> 00:18:33,357
YOU JUST HAVE TO
GET TO KNOW 'EM.
457
00:18:38,899 --> 00:18:41,966
MY PROFESSOR, MISS DEVORE,
MADE A POINT TO STOP BY
458
00:18:42,002 --> 00:18:44,169
AND PERSONALLY GIVE ME A "D."
459
00:18:44,204 --> 00:18:45,469
THAT'S NOT SO BAD.
460
00:18:45,505 --> 00:18:47,216
I'VE NEVER GOTTEN A
"D" BEFORE IN MY LIFE.
461
00:18:47,240 --> 00:18:49,473
SECURITY GAVE YOU A
PERSONAL ESCORT TO YOUR CAR.
462
00:18:49,509 --> 00:18:52,210
THAT'S PRETTY COOL.
463
00:18:52,245 --> 00:18:54,590
LOOK, I'VE BEEN STUDYING
ARCHITECTURE MY WHOLE LIFE, RIGHT?
464
00:18:54,614 --> 00:18:56,592
AND THEN ALONG COMES THIS
SPORTS BROADCASTING THING,
465
00:18:56,616 --> 00:18:58,083
AND IT FELT GREAT!
466
00:18:58,118 --> 00:19:00,262
YOU KNOW? AND I KNOW
I WENT A LITTLE NUTS.
467
00:19:00,286 --> 00:19:02,754
ALL RIGHT. BUT IT
WAS SO LIBERATING.
468
00:19:02,789 --> 00:19:05,690
SO BASICALLY, THE
THING I LOVE, I SUCK AT.
469
00:19:05,726 --> 00:19:07,566
BOY, DO YOU EVER. I'LL SAY.
470
00:19:08,695 --> 00:19:10,775
RHETORICAL. DIDN'T
NEED A RESPONSE.
471
00:19:13,466 --> 00:19:16,145
AND THE THING I'M
GREAT AT, I THREW AWAY.
472
00:19:16,169 --> 00:19:18,269
NOT NECESSARILY.
WHAT DO YOU MEAN?
473
00:19:18,304 --> 00:19:20,271
THAT BIG FIRM YOU HAD
THE INTERVIEW WITH?
474
00:19:20,306 --> 00:19:21,806
YOU HAVE ANOTHER
INTERVIEW TUESDAY.
475
00:19:21,842 --> 00:19:24,909
I... I WROTE THEM A NOTE AS YOUR
DOCTOR SAYING YOU WERE ILL.
476
00:19:24,945 --> 00:19:27,746
REALLY? YEAH. NOW,
IF ANYBODY ASKS,
477
00:19:27,781 --> 00:19:30,281
YOU HAD ELECTROSHOCK THERAPY.
478
00:19:30,316 --> 00:19:31,816
SO TWITCH A LITTLE.
479
00:19:38,525 --> 00:19:42,026
YOU BROKE OUR
PETE. NOW GO FIX HIM.
480
00:19:42,061 --> 00:19:43,027
BUT, WAIT.
481
00:19:43,062 --> 00:19:45,074
BEFORE, BEFORE WE DO ANYTHING...
482
00:19:45,098 --> 00:19:48,133
YOU JUST SLAPPED
ME IN THE DIDN'T YOU?
483
00:19:48,168 --> 00:19:49,267
THAT THREW YOU?!
484
00:19:49,302 --> 00:19:50,935
YEAH.
485
00:19:55,175 --> 00:19:57,875
IT WAS JUST LIKE A NICE
LITTLE SURPRISE ON MY DAY.
486
00:19:59,312 --> 00:20:00,956
SHOULD I NOT SLAPPED HIS?
487
00:20:00,980 --> 00:20:02,880
SURE. SURE. IT FELT GREAT.
34218
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