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1
00:00:02,103 --> 00:00:03,103
AHH.
2
00:00:03,137 --> 00:00:06,071
WOULD YOU PASS THE
LOBSTER FRA DIABLO?
3
00:00:06,107 --> 00:00:07,406
UH, MORE CHAMPAGNE.
4
00:00:07,441 --> 00:00:09,274
AH, YES.
5
00:00:09,310 --> 00:00:10,876
LOOKING GOOD, PETER.
6
00:00:10,911 --> 00:00:13,012
FEELING GOOD, BERG.
7
00:00:13,047 --> 00:00:14,913
HERE'S TO OUR LAST RIDE
8
00:00:14,948 --> 00:00:16,393
ON THE CORPORATE GRAVY TRAIN.
9
00:00:16,417 --> 00:00:18,817
BECAUSE AS SOON
AS I QUIT TOMORROW,
10
00:00:18,852 --> 00:00:20,252
IT'S GOOD-BYE WINE AND CHEESE,
11
00:00:20,287 --> 00:00:22,254
HELLO MACARONI AND CHEESE.
12
00:00:22,289 --> 00:00:23,655
I DON'T KNOW HOW
COMFORTABLE I AM
13
00:00:23,690 --> 00:00:24,990
WITH YOU QUITTING YOUR JOB.
14
00:00:25,026 --> 00:00:26,669
ARE YOU SURE THIS IS
THE RIGHT THING FOR US?
15
00:00:26,693 --> 00:00:27,659
SHRIMP?
16
00:00:27,694 --> 00:00:28,660
OH.
17
00:00:28,695 --> 00:00:30,040
IF I HAVE TO SPEND ONE MORE DAY
18
00:00:30,064 --> 00:00:31,497
AT THAT CHEMICAL COMPANY,
19
00:00:31,532 --> 00:00:33,043
I WON'T BE ABLE TO
LIVE WITH MYSELF.
20
00:00:33,067 --> 00:00:34,466
I DON'T CARE.
21
00:00:34,502 --> 00:00:35,645
THEY CAN TAKE MY
CLOTHING ALLOWANCE,
22
00:00:35,669 --> 00:00:38,137
MY COMPANY CAR,
MY... OOH, CAVIAR.
23
00:00:39,606 --> 00:00:41,084
YOU'VE REALLY OUTDONE YOURSELF.
24
00:00:41,108 --> 00:00:44,609
THE CORPORATE GOLD
CARD. TAKE ONE LAST LOOK.
25
00:00:47,381 --> 00:00:49,381
I'LL MISS YOU.
26
00:00:49,417 --> 00:00:52,817
AU REVOIR... MON CHéRI.
27
00:00:54,221 --> 00:00:56,155
HOW ARE YOU GONNA EXPENSE THIS?
28
00:00:56,190 --> 00:00:58,257
MM. ARE YOU WEARING HAIR SPRAY?
29
00:00:58,292 --> 00:01:00,803
WHAT DO YOU THINK, I
JUST WAKE UP LIKE THIS?
30
00:01:00,827 --> 00:01:02,528
THERE... CHEMICALS.
31
00:01:02,563 --> 00:01:03,995
WE'VE TALKED BUSINESS.
32
00:01:04,031 --> 00:01:05,664
I'M ENTERTAINING CLIENTS.
33
00:01:05,699 --> 00:01:07,677
I'LL BUY THAT, BUT,
UM, ONE QUESTION.
34
00:01:07,701 --> 00:01:09,634
WHAT ABOUT THEM?
35
00:01:11,505 --> 00:01:14,239
HOW OFTEN DO YOU
SEE A STRING QUARTET?
36
00:01:14,275 --> 00:01:15,407
ALMOST NEVER.
37
00:01:15,443 --> 00:01:16,841
THERE YOU GO...
38
00:01:16,877 --> 00:01:18,757
THEY'RE AN ENDANGERED SPECIES
39
00:01:30,602 --> 00:01:32,168
COME ON, BERG, YOU WILL NOT.
40
00:01:32,203 --> 00:01:34,403
NO, NO. I AM GOING TO NAME
41
00:01:34,439 --> 00:01:36,673
A MEDICAL PROCEDURE AFTER YOU.
42
00:01:36,708 --> 00:01:39,809
OK. IT'S A CROWDED
RESTAURANT, RIGHT?
43
00:01:39,844 --> 00:01:41,310
LOTS OF PEOPLE.
44
00:01:41,345 --> 00:01:43,412
A GUY... AH! SLUMPS
OVER HIS TABLE.
45
00:01:43,448 --> 00:01:44,914
SOMEBODY YELLS, "WAIT!
46
00:01:44,950 --> 00:01:47,083
I KNOW THE CATHY MANEUVER."
47
00:01:48,519 --> 00:01:50,519
I MEAN, I COULD NAME
A DISEASE AFTER YOU,
48
00:01:50,555 --> 00:01:52,354
BUT YOU DON'T WANT SOME GUY
49
00:01:52,390 --> 00:01:53,935
RUNNING AROUND
SCRATCHING HIMSELF
50
00:01:53,959 --> 00:01:55,639
SAYING, "DAMN! I'VE GOT CATHY."
51
00:01:56,327 --> 00:01:58,861
WHAT IS THAT?
52
00:01:58,897 --> 00:02:02,531
OH. JUST, UH... IT'S
JUST MY BEEPER.
53
00:02:04,402 --> 00:02:08,571
I, UH, I USE IT... FOR
MEDICAL EMERGENCIES.
54
00:02:11,676 --> 00:02:13,977
AND AFTER HE GRADUATES
NEXT SEMESTER,
55
00:02:14,012 --> 00:02:17,113
PETE HERE WILL BE
DESIGNING SKYSCRAPERS.
56
00:02:17,148 --> 00:02:18,848
THAT'S BIG BUCKS.
57
00:02:18,883 --> 00:02:20,817
WOW. REALLY.
58
00:02:20,852 --> 00:02:22,384
WELL, YEAH, I MEAN,
59
00:02:22,420 --> 00:02:24,231
IT'S A REALLY TOUGH
JOB MARKET OUT THERE.
60
00:02:24,255 --> 00:02:26,222
WITH THE ECONOMY
61
00:02:26,257 --> 00:02:27,768
AND THE COMPETITION
THE WAY IT IS,
62
00:02:27,792 --> 00:02:29,726
AND I'M KINDA LOOKING
TO... PETE, HOLD THIS.
63
00:02:29,761 --> 00:02:30,827
OW! OW!
64
00:02:30,862 --> 00:02:32,328
OW! OW! HOT!
65
00:02:32,363 --> 00:02:33,630
LIKE I SAID,
66
00:02:33,665 --> 00:02:35,364
PETE HERE'S GONNA BE
DESIGNING SKYSCRAPERS.
67
00:02:35,399 --> 00:02:37,967
YES, I AM. GREAT BIG
TALL ONES. UP IN THE SKY.
68
00:02:38,003 --> 00:02:38,968
HA HA!
69
00:02:39,004 --> 00:02:41,070
I FINALLY DID IT!
70
00:02:41,106 --> 00:02:44,173
EXCUSE ME. THAT'S MY
FRIEND, AND SHE FINALLY DID IT.
71
00:02:44,208 --> 00:02:45,407
SO, HOW DID IT GO?
72
00:02:45,443 --> 00:02:47,910
MM! I WAS IN RARE FORM.
73
00:02:47,946 --> 00:02:49,912
BOTTOM LINE, SHARON...
74
00:02:49,948 --> 00:02:51,258
DID YOU QUIT YOUR JOB OR NOT?
75
00:02:51,282 --> 00:02:52,893
OH, MAN, I STORM INTO
GILLINGHAM'S OFFICE,
76
00:02:52,917 --> 00:02:54,150
TOTALLY UNANNOUNCED.
77
00:02:54,185 --> 00:02:55,752
HE'S LIKE..."HUH?"
78
00:02:55,787 --> 00:02:58,621
HALF AN EGG SALAD SANDWICH
FALLS OUT OF HIS FAT FACE
79
00:02:58,657 --> 00:03:01,457
ONTO HIS MONOGRAMMED SHIRT.
80
00:03:01,492 --> 00:03:03,592
YES! YOU DA BOMB!
81
00:03:07,032 --> 00:03:09,365
SHE'S "DA BOMB"?
82
00:03:09,400 --> 00:03:10,566
PETE, WHAT...
83
00:03:10,601 --> 00:03:11,746
REALLY? I THOUGHT
I PULLED IT OFF.
84
00:03:11,770 --> 00:03:13,569
OH, NO. YOU REALLY DIDN'T.
85
00:03:13,604 --> 00:03:16,505
SO I TELL HIM I'M
FINISHED WORKING
86
00:03:16,541 --> 00:03:17,952
FOR HIS STUPID CHEMICAL COMPANY.
87
00:03:17,976 --> 00:03:20,376
IF HE WANTS TO GET ON TV
88
00:03:20,411 --> 00:03:21,656
AND SAY THAT THE
HOLE IN THE OZONE LAYER
89
00:03:21,680 --> 00:03:25,048
IS OUR WINDOW TO
THE LORD, BE MY GUEST.
90
00:03:25,083 --> 00:03:26,615
YEAH! SHE DA BOMB!
91
00:03:26,651 --> 00:03:28,551
STOP.
92
00:03:28,586 --> 00:03:29,897
I TELL HIM I HAVE
TO LIVE WITH MYSELF.
93
00:03:29,921 --> 00:03:30,887
OUTSTANDING, SHARON.
94
00:03:30,922 --> 00:03:32,088
AND WHAT DID HE SAY?
95
00:03:32,123 --> 00:03:33,701
YOU KNOW THAT SLOB
HAD THE AUDACITY
96
00:03:33,725 --> 00:03:35,291
TO TRY AND BRIBE ME?
97
00:03:35,326 --> 00:03:36,659
HE REFUSES MY RESIGNATION
98
00:03:36,695 --> 00:03:39,461
AND THEN TELLS ME TO TAKE
THE WEEKEND TO RECONSIDER
99
00:03:39,497 --> 00:03:41,330
AT THE COMPANY CONDO IN ARUBA.
100
00:03:41,365 --> 00:03:43,833
LIKE YOU'D EVER GO
TO ARUBA BY YOURSELF.
101
00:03:43,868 --> 00:03:45,634
WELL, HE SAID I COULD
BRING YOU GUYS.
102
00:03:47,872 --> 00:03:49,972
PETE, WE'RE GOING TO ARUBA.
103
00:03:50,008 --> 00:03:51,841
FORGET ABOUT IT,
BERG. I CAN'T GO.
104
00:03:51,876 --> 00:03:53,275
WHAT?
105
00:03:53,311 --> 00:03:55,144
THAT'S EXACTLY WHAT
GILLINGHAM WANTS ME TO DO.
106
00:03:55,180 --> 00:03:57,113
HE KNOWS, IF I GO,
107
00:03:57,148 --> 00:03:58,159
I'LL BE TOO GUILTY TO QUIT.
108
00:03:58,183 --> 00:04:00,950
WHY IN THE HELL
WOULD YOU FEEL GUILTY?
109
00:04:00,985 --> 00:04:02,629
LOOK AT THE STRESS
THEY'VE PUT YOU THROUGH.
110
00:04:02,653 --> 00:04:04,720
HUH? CAN YOU FEEL THAT?
111
00:04:04,755 --> 00:04:07,590
AND WHO HAS TO
ABSORB THAT STRESS?
112
00:04:07,625 --> 00:04:09,625
OW. ME AND PETE.
113
00:04:09,661 --> 00:04:11,827
I'M FED UP WITH THESE PEOPLE.
114
00:04:11,862 --> 00:04:13,196
THAT'S IT. WE'RE GOING.
115
00:04:13,231 --> 00:04:14,241
NO, BERG. I CAN'T GO, EITHER.
116
00:04:14,265 --> 00:04:15,543
I HAVE THAT BIG INTERVIEW
117
00:04:15,567 --> 00:04:16,877
WITH FARBER AND ASSOCIATES
ON MONDAY MORNING.
118
00:04:16,901 --> 00:04:18,367
YES, MONDAY...
119
00:04:18,403 --> 00:04:21,437
CONVENIENTLY LOCATED ON
THE OTHER SIDE OF THE WEEKEND.
120
00:04:21,472 --> 00:04:23,439
BERG, LOOK, THIS IS MY FUTURE
121
00:04:23,474 --> 00:04:24,885
WE'RE TALKING ABOUT HERE.
122
00:04:24,909 --> 00:04:26,353
IF I GET THIS JOB, I'M GONNA
BE SET AFTER GRADUATION.
123
00:04:26,377 --> 00:04:28,811
WHEREAS, IF I GO
TO ARUBA WITH YOU,
124
00:04:28,846 --> 00:04:29,890
I'M GONNA COME
BACK WITH A HANGOVER
125
00:04:29,914 --> 00:04:32,348
AND ONE EYEBROW SHAVED OFF.
126
00:04:32,383 --> 00:04:33,882
I COULDN'T HELP IT, OK?
127
00:04:33,918 --> 00:04:35,951
IT WAS TWITCHING THE
WHOLE TIME YOU WERE ASLEEP.
128
00:04:35,986 --> 00:04:39,455
BESIDES, LOOK, SHARON
AND I CAN'T GO WITHOUT YOU.
129
00:04:39,490 --> 00:04:40,623
WHEN DID I SAY I WAS GOING?
130
00:04:40,658 --> 00:04:42,124
IN MY HEAD, SHAR,
131
00:04:42,159 --> 00:04:43,526
THE SECOND YOU SAID "ARUBA."
132
00:04:43,561 --> 00:04:46,462
BERG, I'M TRYING TO QUIT MY JOB.
133
00:04:46,497 --> 00:04:48,664
I HAVE TO PUT TOGETHER A RESUME.
134
00:04:48,700 --> 00:04:49,910
I GOTTA GO BUY A NEW SUIT.
135
00:04:49,934 --> 00:04:51,212
I HAVE TO START MEETING
WITH HEADHUNTERS.
136
00:04:51,236 --> 00:04:53,001
WHO ARE YOU PEOPLE?
137
00:04:54,505 --> 00:04:56,539
WHERE'S THE GIRL?
138
00:04:56,574 --> 00:04:58,018
WHERE'S THAT GIRL
WHO, SENIOR BREAK,
139
00:04:58,042 --> 00:05:02,478
JUMPED OVER A HOTEL
JACUZZI IN A GOLF CART?
140
00:05:02,513 --> 00:05:04,647
AND THEY SAID IT
COULDN'T BE DONE.
141
00:05:04,682 --> 00:05:06,415
YEAH.
142
00:05:06,451 --> 00:05:08,050
AND YOU,
143
00:05:08,085 --> 00:05:10,386
THE MAN IMMORTALIZED
IN PALM BEACH
144
00:05:10,421 --> 00:05:12,255
AFTER DRINKING 7 BUFFALO SWEATS
145
00:05:12,290 --> 00:05:13,789
IN UNDER AN HOUR.
146
00:05:13,824 --> 00:05:16,537
YES! YES, WHICH WAS
FOLLOWED BY ME PASSING OUT
147
00:05:16,561 --> 00:05:18,794
AND YOU SHAVING MY EYEBROW.
148
00:05:18,829 --> 00:05:20,329
YOU KNOW WHAT?
149
00:05:20,365 --> 00:05:22,498
I'M LISTENING TO ALL OF
THESE REASONS WHY NOT TO GO,
150
00:05:22,533 --> 00:05:25,167
AND I'M THINKING THAT THESE
ARE THE REASONS WE HAVE TO GO.
151
00:05:25,202 --> 00:05:28,137
I MEAN, MATURITY IS STALKING US,
152
00:05:28,172 --> 00:05:29,972
BEARING DOWN ON US
153
00:05:30,007 --> 00:05:31,985
LIKE THAT BOULDER WAS
BEARING DOWN ON INDIANA JONES
154
00:05:32,009 --> 00:05:33,721
IN THE BEGINNING OF RAIDERS.
155
00:05:33,745 --> 00:05:34,777
IT'S COMIN'!
156
00:05:36,547 --> 00:05:38,387
ARE WE GONNA LET IT CATCH US?
157
00:05:38,416 --> 00:05:39,982
I THINK NOT.
158
00:05:40,017 --> 00:05:41,517
WHEN'S THE NEXT TIME
159
00:05:41,552 --> 00:05:43,397
THAT WE ARE GONNA HAVE THE
OPPORTUNITY AND THE FREEDOM
160
00:05:43,421 --> 00:05:46,054
TO FLY FIRST-CLASS...
FIRST CLASS?
161
00:05:46,090 --> 00:05:48,957
FIRST-CLASS TO ARUBA?
162
00:05:48,993 --> 00:05:50,626
WE OWE IT TO OURSELVES.
163
00:05:50,662 --> 00:05:51,727
NO, NO.
164
00:05:51,763 --> 00:05:55,130
WE OWE IT TO YOUNG
PEOPLE EVERYWHERE
165
00:05:55,166 --> 00:05:57,600
TO DODGE THAT BOULDER
AND GET ON THAT PLANE.
166
00:05:57,635 --> 00:06:02,171
NOW, HEY, YOU
TELL ME I'M WRONG...
167
00:06:02,206 --> 00:06:04,139
I'LL NEVER MENTION IT AGAIN.
168
00:06:04,175 --> 00:06:08,143
BUT... IF I'M RIGHT,
169
00:06:08,179 --> 00:06:09,845
THEN WE'RE ABOUT TO HAVE
170
00:06:09,880 --> 00:06:12,281
THE BEST WEEKEND OF OUR LIVES.
171
00:06:14,419 --> 00:06:16,719
WHO'S WITH ME, HUH?
172
00:06:21,492 --> 00:06:23,759
♪ ARUBA, JAMAICA ♪
173
00:06:23,795 --> 00:06:25,594
♪ OOH, I WANNA TAKE YOU ♪
174
00:06:25,630 --> 00:06:27,763
♪ TO BERMUDA, BAHAMA ♪
175
00:06:27,799 --> 00:06:29,732
♪ COME ON, PRETTY MAMA ♪
176
00:06:29,767 --> 00:06:32,000
♪ KEY LARGO, MONTEGO ♪
177
00:06:32,036 --> 00:06:33,569
♪ BABY, WHY DON'T WE GO ♪
178
00:06:33,604 --> 00:06:35,838
♪ DOWN TO KOKOMO? ♪
179
00:06:35,873 --> 00:06:37,606
♪ WE'LL GET THERE FAST ♪
180
00:06:37,642 --> 00:06:40,343
♪ AND THEN WE'LL TAKE IT SLOW ♪
181
00:06:40,378 --> 00:06:44,714
♪ THAT'S WHERE WE WANNA GO ♪
182
00:06:47,385 --> 00:06:49,752
♪ WAY DOWN TO KOKOMO ♪
183
00:06:49,787 --> 00:06:51,286
TO US! TO US!
184
00:06:51,322 --> 00:06:52,955
TO US IN ARUBA!
185
00:06:52,990 --> 00:06:54,923
MY GOAL IS TO BE A
LOCAL FOLK LEGEND THERE
186
00:06:54,959 --> 00:06:57,760
WITHIN 2 HOURS OF ARRIVAL.
187
00:06:57,795 --> 00:06:59,261
ALL FOR FUN.
188
00:06:59,296 --> 00:07:00,929
All: AND FUN FOR ALL!
189
00:07:04,969 --> 00:07:07,035
♪ ARUBA, JAMAICA ♪
190
00:07:07,071 --> 00:07:09,204
♪ OOH, I WANNA TAKE YOU ♪
191
00:07:09,240 --> 00:07:11,273
♪ TO BERMUDA, BAHAMA ♪
192
00:07:11,308 --> 00:07:13,075
♪ COME ON, PRETTY MAMA ♪
193
00:07:13,110 --> 00:07:15,411
♪ KEY LARGO, MONTEGO ♪
194
00:07:15,446 --> 00:07:17,413
♪ BABY, WHY DON'T WE GO... ♪
195
00:07:17,448 --> 00:07:18,748
PETE, JUST LET IT RING.
196
00:07:18,783 --> 00:07:20,427
I CAN'T. WHAT IF
IT'S AN EMERGENCY?
197
00:07:20,451 --> 00:07:22,985
THEY WOULD'VE
USED THE BAT SIGNAL.
198
00:07:23,020 --> 00:07:25,921
HI. YOU'VE REACHED
976 PETE 'N BERG.
199
00:07:25,956 --> 00:07:27,823
IF YOU'RE OVER 18,
LEAVE US A MESSAGE.
200
00:07:27,859 --> 00:07:28,924
IF YOU'RE UNDER 18
201
00:07:28,959 --> 00:07:30,371
AND HAVE YOUR
PARENTS' PERMISSION,
202
00:07:30,395 --> 00:07:31,972
YOU MAY ALSO LEAVE US A MESSAGE.
203
00:07:32,997 --> 00:07:34,663
THIS IS FRANK FARBER.
204
00:07:34,699 --> 00:07:36,009
I'M CALLING FOR PETER DUNVILLE.
205
00:07:36,033 --> 00:07:37,210
I WAS HOPING TO GET IN
TOUCH WITH YOU RIGHT AWAY
206
00:07:37,234 --> 00:07:38,479
REGARDING OUR MEETING ON MONDAY.
207
00:07:38,503 --> 00:07:40,569
DON'T GET THE PHONE.
HE PICKS UP THE PHONE.
208
00:07:40,605 --> 00:07:42,645
MR. FARBER, THIS
IS PETE DUNVILLE.
209
00:07:44,542 --> 00:07:45,674
I'M SORRY.
210
00:07:45,710 --> 00:07:48,389
YOU CAN'T MAKE OUR
MEETING ON MONDAY?
211
00:07:48,413 --> 00:07:49,413
TODAY?
212
00:07:49,447 --> 00:07:50,413
NO!
213
00:07:50,448 --> 00:07:52,247
DRINKS THIS AFTERNOON?
214
00:07:52,283 --> 00:07:53,749
MARGARITAS ON THE BEACH.
215
00:07:53,785 --> 00:07:55,195
SERVED BY WAITRESSES IN THONGS.
216
00:07:55,219 --> 00:07:56,752
WELL, YOU KNOW WHAT,
217
00:07:56,788 --> 00:07:59,266
WE COULD PUT THIS OFF
UNTIL YOU'RE BACK IN TOWN,
218
00:07:59,290 --> 00:08:00,523
IF YOU'D LIKE?
219
00:08:00,558 --> 00:08:02,024
YES! YES! YES! YES! YES!
220
00:08:02,059 --> 00:08:03,726
YOU DON'T LIKE.
221
00:08:05,195 --> 00:08:07,229
OK. OK.
222
00:08:07,264 --> 00:08:09,598
COPLEY PLAZA HOTEL. 20 MINUTES.
223
00:08:10,835 --> 00:08:12,234
HEY, DON'T WORRY.
224
00:08:12,269 --> 00:08:16,305
THIS IS MERELY A SPEED BUMP
ON THE ROAD TO PARADISE.
225
00:08:16,340 --> 00:08:17,840
HMM. THAT'S GOOD STUFF.
226
00:08:17,875 --> 00:08:19,942
SOMEBODY WRITE THAT DOWN.
227
00:08:19,977 --> 00:08:21,310
♪ ARUBA, JAMAICA ♪
228
00:08:21,345 --> 00:08:22,311
♪ OOH, I WANNA TAKE YA ♪
229
00:08:22,346 --> 00:08:25,180
GUYS, GO WITHOUT ME.
230
00:08:25,215 --> 00:08:26,682
LOOK, WE NEVER...
231
00:08:26,717 --> 00:08:28,183
WE NEVER LEAVE A MAN BEHIND.
232
00:08:28,218 --> 00:08:30,018
WE TOOK AN OATH. ALL FOR FUN...
233
00:08:30,054 --> 00:08:32,321
AND FUN FOR ALL.
234
00:08:32,356 --> 00:08:33,322
THANK YOU.
235
00:08:33,357 --> 00:08:34,623
OH, GREAT. GREAT.
236
00:08:34,659 --> 00:08:36,336
THEY HAVE ROOM ON
THE 2:00 FLIGHT TO ARUBA.
237
00:08:36,360 --> 00:08:37,360
EXCELLENT.
238
00:08:37,394 --> 00:08:39,328
BUT ONE OF US HAS TO FLY COACH.
239
00:08:42,967 --> 00:08:45,501
WAIT, WAIT. I'VE NEVER
SAT IN FIRST CLASS.
240
00:08:45,536 --> 00:08:46,769
WE'LL TELL YOU WHAT IT'S LIKE.
241
00:08:46,804 --> 00:08:49,772
NO PROBLEM. WE'LL BE
THERE IN TIME FOR SUNSET.
242
00:08:49,807 --> 00:08:51,507
YES! OK, PETE, IT'S UP TO YOU.
243
00:08:51,542 --> 00:08:52,808
IN AND OUT.
244
00:08:52,844 --> 00:08:54,054
LOOK, BERG, MY FATHER
PERSONALLY CALLED
245
00:08:54,078 --> 00:08:55,422
TO GET ME THIS INTERVIEW, OK?
246
00:08:55,446 --> 00:08:56,846
I CAN'T BLOW IT.
247
00:08:56,881 --> 00:08:58,347
YOU CAN DO ANYTHING
248
00:08:58,382 --> 00:09:00,215
IF YOU SET YOUR MIND TO IT.
249
00:09:00,250 --> 00:09:01,784
JUST TAKE CONTROL.
250
00:09:01,819 --> 00:09:03,619
ONE DRINK, GET JOB, WE'RE GONE.
251
00:09:03,654 --> 00:09:06,254
BERG, THIS IS NOT A
GUY YOU PUSH AROUND.
252
00:09:06,290 --> 00:09:08,624
THIS GUY, HE COLLECTS
GUNS. HE HUNTS BEAR.
253
00:09:08,659 --> 00:09:10,325
HE KILLED HIS FIRST GRIZZLY
254
00:09:10,361 --> 00:09:12,060
BY THE TIME HE WAS 10.
255
00:09:12,096 --> 00:09:13,440
BIG DEAL. I KILLED 200 WHALES
256
00:09:13,464 --> 00:09:14,942
BY THE TIME I WAS 23.
257
00:09:14,966 --> 00:09:16,465
DON'T SAY THAT.
258
00:09:16,501 --> 00:09:17,933
THAT'S NOT TRUE.
259
00:09:17,969 --> 00:09:21,169
AND EVEN IF IT WAS,
WE'RE GOING TO ARUBA.
260
00:09:21,205 --> 00:09:22,671
WHAT AM I DOING HERE?
261
00:09:22,707 --> 00:09:24,272
I WENT IN THERE TO QUIT.
262
00:09:24,308 --> 00:09:26,587
THEN JABBA THE HUTT DANGLES
ARUBA IN FRONT OF MY FACE,
263
00:09:26,611 --> 00:09:28,744
AND I'M PACKING A BATHING SUIT.
264
00:09:28,779 --> 00:09:30,779
WHAT DOES THAT SAY ABOUT ME?
265
00:09:30,815 --> 00:09:34,082
THAT YOU'RE A SELLOUT
WHO LIKES TO SWIM.
266
00:09:34,118 --> 00:09:36,151
I'M KIDDING.
267
00:09:36,186 --> 00:09:37,887
YOU'RE A WONDERFUL
PERSON WHO WE LOVE.
268
00:09:37,922 --> 00:09:39,087
YES, WE DO.
269
00:09:39,123 --> 00:09:40,455
THANKS, GUYS.
270
00:09:40,491 --> 00:09:42,992
OK. ALL BETTER?
271
00:09:43,027 --> 00:09:45,260
THE LONG PEDAL MAKES IT GO.
272
00:09:49,567 --> 00:09:51,600
PETE, I CAN ALREADY TELL
273
00:09:51,636 --> 00:09:53,814
YOU'RE EVERYTHING
YOUR DAD SAID YOU WERE.
274
00:09:53,838 --> 00:09:55,437
I GO BY MY GUT,
275
00:09:55,472 --> 00:09:58,641
AND MY GUT TELLS ME
YOU'RE MY KINDA GUY.
276
00:09:58,676 --> 00:10:01,476
THANKS, KITTEN.
277
00:10:02,747 --> 00:10:04,424
I'D LIKE TO HAVE THAT
MOUNTED IN MY OFFICE,
278
00:10:04,448 --> 00:10:05,548
HUH, PETE?
279
00:10:05,583 --> 00:10:08,450
YES, YES. YES,
SIR, SHE'S... SHE'S...
280
00:10:08,485 --> 00:10:10,085
SHE'S A VERY GOOD WAITRESS.
281
00:10:18,563 --> 00:10:20,763
WELL, MR. FARBER,
THANK YOU SO MUCH
282
00:10:20,798 --> 00:10:22,238
FOR LETTING ME TAKE
UP ALL YOUR TIME.
283
00:10:22,266 --> 00:10:23,644
WAIT A MINUTE.
WHERE ARE YOU GOING?
284
00:10:23,668 --> 00:10:24,912
YOU'RE NOT GONNA MAKE A MAN
285
00:10:24,936 --> 00:10:26,201
DRINK ALONE, ARE YOU?
286
00:10:26,236 --> 00:10:27,770
NO. OF COURSE NOT.
287
00:10:28,806 --> 00:10:30,405
BOTTOMS UP.
288
00:10:30,441 --> 00:10:31,618
WHOA. HOLD UP THERE, PETE.
289
00:10:31,642 --> 00:10:33,542
THERE IS NO BIGGER DISGRACE
290
00:10:33,578 --> 00:10:35,321
THAN HURRYING A FINE BRANDY.
291
00:10:35,345 --> 00:10:39,481
YOU GOTTA WARM IT IN
THE PALM OF YOUR HAND.
292
00:10:39,516 --> 00:10:40,928
BRANDY IS ONLY AS GOOD
293
00:10:40,952 --> 00:10:43,485
AS THE TIME YOU SPEND WITH IT.
294
00:10:43,520 --> 00:10:45,187
HOW MUCH TIME?
295
00:10:46,523 --> 00:10:48,691
NOT LONG.
296
00:10:48,726 --> 00:10:50,626
A COUPLE OF HOURS.
297
00:10:55,633 --> 00:10:58,567
YOU ALSO HAVE TO GO
TO AUSTRALIA, PETER.
298
00:10:58,603 --> 00:11:00,535
BEAUTIFUL WOMEN,
299
00:11:00,571 --> 00:11:01,615
AND THEY'RE DESCENDED
FROM PRISONERS,
300
00:11:01,639 --> 00:11:04,139
SO THEY DON'T
MIND BEING TIED UP.
301
00:11:04,174 --> 00:11:05,307
YEAH, YES.
302
00:11:05,342 --> 00:11:07,710
AND THEIR SUMMERS
ARE OUR WINTERS, SO...
303
00:11:07,745 --> 00:11:10,713
NOW, MALAYSIAN WOMEN...
304
00:11:10,748 --> 00:11:12,748
YOU KNOW WHAT, I'M GONNA
GO REFILL THE CASHEWS.
305
00:11:12,783 --> 00:11:15,084
STOP SNIFFING IT,
AND JUST DRINK IT.
306
00:11:15,119 --> 00:11:16,630
WHAT DO YOU WANT ME TO
DO? THE GUY'S A PSYCHOPATH.
307
00:11:16,654 --> 00:11:18,164
PETE, IF WE LEAVE RIGHT NOW,
WE CAN STILL CATCH OUR FLIGHT.
308
00:11:18,188 --> 00:11:19,554
LOOK, IT'S NOT GONNA HAPPEN.
309
00:11:19,590 --> 00:11:20,990
HE HASN'T FINISHED INSULTING
310
00:11:21,025 --> 00:11:23,225
EVERY NATIONALITY ON EARTH YET.
311
00:11:23,260 --> 00:11:24,727
JUST GO WITHOUT ME.
312
00:11:24,762 --> 00:11:25,728
NEVER.
313
00:11:25,763 --> 00:11:27,395
SO, WHAT ARE WE GONNA DO?
314
00:11:27,431 --> 00:11:29,009
I CAME UP WITH "NEVER."
315
00:11:29,033 --> 00:11:31,133
GUYS, JUST DO SOMETHING.
316
00:11:31,168 --> 00:11:32,400
DON'T WORRY, OK?
317
00:11:32,436 --> 00:11:33,747
I PROMISE, BY MIDNIGHT TONIGHT,
318
00:11:33,771 --> 00:11:35,115
WE WILL BE SIPPING MAI TAIS
319
00:11:35,139 --> 00:11:36,859
UNDER THE MOONLIGHT.
320
00:11:37,942 --> 00:11:40,009
LET ME ASK YOU SOMETHING, PETE.
321
00:11:40,044 --> 00:11:42,344
HAVE YOU EVER
BEEN WITH A LASSIE?
322
00:11:46,316 --> 00:11:47,482
I'M SORRY?
323
00:11:48,753 --> 00:11:51,120
YOU KNOW, A SCOTTISH BROAD.
324
00:11:51,155 --> 00:11:54,035
THEY'LL TAKE CARE OF THE
OL' LOCH NESS MONSTER.
325
00:11:55,126 --> 00:11:59,962
YES. THAT'S... THAT'S
VERY ROMANTIC, SIR.
326
00:11:59,997 --> 00:12:02,164
I HAVE BEEN GOING TO SCOTLAND
327
00:12:02,199 --> 00:12:05,467
7 OR 8 TIMES A YEAR
SINCE I WAS YOUR AGE.
328
00:12:05,502 --> 00:12:07,462
YOU KNOW WHO'S NEVER BEEN THERE?
329
00:12:08,338 --> 00:12:09,672
MY WIFE.
330
00:12:11,208 --> 00:12:12,841
PREACHING TO THE
CHOIR, MR. FARBER.
331
00:12:12,877 --> 00:12:15,010
IS THAT FARBER?
332
00:12:15,046 --> 00:12:16,679
THE ARKY?
333
00:12:16,714 --> 00:12:18,246
"ARKY"?
334
00:12:18,282 --> 00:12:20,783
YOU KNOW, ARCHITECT.
WITH THE BUILDINGS.
335
00:12:20,818 --> 00:12:21,784
YEAH, YES.
336
00:12:21,819 --> 00:12:23,752
YES, I AM AN ARCHITECT.
337
00:12:23,788 --> 00:12:26,254
OH, I THINK... NO, I KNOW.
338
00:12:27,992 --> 00:12:31,259
THIS IS THE HAPPIEST
MOMENT OF MY LIFE.
339
00:12:31,295 --> 00:12:34,329
IT'S ME... YOUR LITTLE
LADDIE WEE WILLIE.
340
00:12:36,067 --> 00:12:37,265
WHO?
341
00:12:37,301 --> 00:12:39,702
I HAVE BEEN SEARCHING
HIGH AND LOW FOR YOU.
342
00:12:39,737 --> 00:12:42,404
YOU KNOW, YOU'VE LEFT
A TRAIL OF HALF-BREEDS
343
00:12:42,439 --> 00:12:44,973
ALL ACROSS EUROPE.
344
00:12:45,009 --> 00:12:47,976
YOU MUST LIKE TO WORK
OUT, IF YOU KNOW WHAT I MEAN.
345
00:12:48,012 --> 00:12:49,690
OH, REALLY! WHERE'S THE MANAGER?
346
00:12:49,714 --> 00:12:51,980
YOU'RE ME DA!
347
00:12:52,016 --> 00:12:53,949
I AM NOT YOUR DA!
348
00:12:53,984 --> 00:12:55,350
OH, NONSENSE.
349
00:12:55,385 --> 00:12:57,519
LOOK AT THE RESEMBLANCE.
350
00:12:57,554 --> 00:13:01,489
OF COURSE, ADD 40
POUNDS AND 60 YEARS.
351
00:13:01,525 --> 00:13:02,657
JUST A SECOND.
352
00:13:02,693 --> 00:13:04,392
DON'T YOU REMEMBER PHYLLIS?
353
00:13:04,428 --> 00:13:08,764
A GREAT BIG GANGLY WOMAN...
YELLOW TEETH, IRON LUNG.
354
00:13:08,799 --> 00:13:11,233
SHE'S ME MUM.
355
00:13:11,268 --> 00:13:13,446
THAT SOUNDS LIKE
A LOT OF PEOPLE.
356
00:13:13,470 --> 00:13:15,938
GOD REST HER SOUL.
357
00:13:15,973 --> 00:13:20,909
SHE DIED... IN A FREAK
RUGBY ACCIDENT.
358
00:13:20,945 --> 00:13:22,622
THIS IS ALL VERY INTERESTING...
359
00:13:22,646 --> 00:13:26,215
SHE LAY THERE
DYING ON THAT FIELD,
360
00:13:26,250 --> 00:13:29,051
HER CLEATS ALL BLOODIED-UP.
361
00:13:29,086 --> 00:13:33,088
HER FINAL WISH
WAS THAT I FIND YOU...
362
00:13:33,124 --> 00:13:34,589
FRANK FARBER MY FATHER...
363
00:13:34,625 --> 00:13:39,962
SO THAT I MAY HAVE PEACE, HOPE,
364
00:13:39,997 --> 00:13:43,198
AND A PORCHE 911 TURBO.
365
00:13:43,234 --> 00:13:44,354
OH, FOR HEAVEN'S SAKE.
366
00:13:45,435 --> 00:13:48,536
I'VE GOT A SURPRISE FOR YOU.
367
00:13:48,572 --> 00:13:49,537
SIS!
368
00:13:49,573 --> 00:13:51,339
GET YOUR CAMERA. WE FOUND DA.
369
00:13:51,375 --> 00:13:52,641
SIS!?
370
00:13:52,676 --> 00:13:54,143
OH, LOOK AT HIM.
371
00:13:54,178 --> 00:13:56,478
ALE FOR EVERYONE.
372
00:13:56,513 --> 00:13:57,858
MR. FARBER, WOULD YOU
LIKE ME TO TAKE A PICTURE
373
00:13:57,882 --> 00:13:59,081
OF YOU AND YOUR KIDS?
374
00:13:59,116 --> 00:14:01,516
NO! ABSOLUTELY NOT!
375
00:14:01,551 --> 00:14:03,551
OH, THAT'S GREAT THERE.
376
00:14:03,587 --> 00:14:05,087
THAT'S A NICE SUIT.
377
00:14:05,122 --> 00:14:06,499
IT'S IMPOSSIBLE. PLEASE!
378
00:14:06,523 --> 00:14:08,090
OH, MY GOODNESS.
379
00:14:08,125 --> 00:14:10,492
LOOK. THAT'S NOT BURLAP.
380
00:14:10,527 --> 00:14:12,005
I THINK WE'VE REALLY HIT
THE POT OF GOLD HERE.
381
00:14:12,029 --> 00:14:13,929
HOW MUCH DO YOU
PULL DOWN A YEAR?
382
00:14:13,964 --> 00:14:15,375
OH, THIS IS INSUFFERABLE.
383
00:14:15,399 --> 00:14:16,542
NICE MEETING YOU, PETE.
384
00:14:16,566 --> 00:14:18,806
I TRUST I CAN COUNT
ON YOUR DISCRETION.
385
00:14:21,172 --> 00:14:22,805
FREEDOM!
386
00:14:27,912 --> 00:14:29,477
HELLO.
387
00:14:29,513 --> 00:14:31,814
NO. I HAVEN'T SEEN THE NEWS.
388
00:14:33,083 --> 00:14:35,517
WHAT?
389
00:14:35,552 --> 00:14:37,119
WELL, WHY ME?
390
00:14:38,655 --> 00:14:42,157
YES, SIR, I DO TECHNICALLY
STILL WORK FOR YOU.
391
00:14:42,193 --> 00:14:43,758
OK. I'M ON MY WAY.
392
00:14:45,095 --> 00:14:46,661
OK. YOU SEE, HOW IT WORKS IS,
393
00:14:46,697 --> 00:14:49,397
THE CAR TAKES US TO
THE AIRPORT, BUT FIRST,
394
00:14:49,433 --> 00:14:50,899
FIRST, YOU HAVE TO
GET INTO THE CAR.
395
00:14:50,935 --> 00:14:54,803
NO. MY COMPANY JUST DUMPED
30,000 GALLONS OF TOXIC WASTE
396
00:14:54,839 --> 00:14:56,016
INTO CHESAPEAKE BAY.
397
00:14:56,040 --> 00:14:57,417
I HAVE TO GO MAKE A STATEMENT.
398
00:14:57,441 --> 00:14:58,852
WE'RE NEVER GONNA
MAKE THE FLIGHT.
399
00:14:58,876 --> 00:15:00,675
HOW LONG DOES IT
TAKE TO SAY "OOPS"?
400
00:15:01,979 --> 00:15:03,979
GUYS, JUST GO WITHOUT ME.
401
00:15:04,014 --> 00:15:06,315
AND I SAY WE'RE ALL GOING.
402
00:15:06,350 --> 00:15:07,961
WE SHAN'T GIVE UP THE FIGHT,
403
00:15:07,985 --> 00:15:10,585
OR I'M NOT THE SON
OF FRANK FARBER.
404
00:15:16,496 --> 00:15:19,096
KNOCK IT OFF!
405
00:15:19,132 --> 00:15:21,165
I'M CHANGING LANES HERE.
406
00:15:23,369 --> 00:15:26,069
LADY! LADY, LOOK, YOU
DON'T UNDERSTAND.
407
00:15:26,105 --> 00:15:29,573
WE REPRESENT THE
YOUTH OF AMERICA, OK?
408
00:15:29,609 --> 00:15:32,709
WE HAVE AN
APPOINTMENT AT MIDNIGHT
409
00:15:32,745 --> 00:15:33,977
WITH 3 MAI TAIS.
410
00:15:34,013 --> 00:15:35,546
YEAH. COACH IS FINE.
411
00:15:35,581 --> 00:15:39,483
NO. THE SEATS DON'T
HAVE TO RECLINE.
412
00:15:39,519 --> 00:15:41,352
OOH. THEY'RE RIGHT
NEAR THE BATHROOM?
413
00:15:41,387 --> 00:15:43,521
OW OW! WE'LL TAKE THEM.
414
00:15:43,556 --> 00:15:45,989
ALL RIGHT. WE'RE ON,
WE'RE IN, WE'RE THERE.
415
00:15:46,025 --> 00:15:47,802
YOU GUYS SHOULD JUST DROP
ME OFF AND GO WITHOUT ME.
416
00:15:47,826 --> 00:15:49,059
WE TOOK AN OATH.
417
00:15:49,094 --> 00:15:50,294
YES. MAI TAIS BY MIDNIGHT.
418
00:15:50,329 --> 00:15:51,806
YEAH. SHAR, JUST GET UP THERE,
419
00:15:51,830 --> 00:15:53,308
MAKE YOUR STATEMENT,
DON'T TAKE ANY QUESTIONS,
420
00:15:53,332 --> 00:15:54,576
AND WE'LL BE ON OUR WAY.
421
00:15:54,600 --> 00:15:55,910
BERG, I HAVE TO TAKE AT
LEAST A FEW QUESTIONS.
422
00:15:55,934 --> 00:15:57,635
OTHERWISE, IT LOOKS
LIKE I'M COVERING UP.
423
00:15:57,670 --> 00:15:59,970
AND THEIR QUESTIONS
TAKE FOREVER.
424
00:16:00,005 --> 00:16:02,806
JUST GET UP THERE
AND SPIN, SPIN, SPIN.
425
00:16:02,841 --> 00:16:04,308
SPIN, SPIN, SPIN?
426
00:16:04,343 --> 00:16:07,744
BERG, MY COMPANY JUST
DUMPED 30 TONS OF TOXIC GOO
427
00:16:07,780 --> 00:16:09,413
INTO CHESAPEAKE BAY.
428
00:16:11,284 --> 00:16:13,684
WELL, LOOK, THESE THINGS HAPPEN.
429
00:16:18,824 --> 00:16:20,524
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
430
00:16:20,560 --> 00:16:22,793
NO DOUBT YOU'VE HEARD
ABOUT THE SHORELINE
431
00:16:22,828 --> 00:16:25,762
THAT RAMMED INTO ONE OF
OUR TANKERS IN CHESAPEAKE BAY.
432
00:16:27,032 --> 00:16:28,977
AT TEAM OF ENGINEERS
FROM IMMACULATE CHEMICALS
433
00:16:29,001 --> 00:16:32,002
IS ALREADY ON THE SCENE
ASSESSING THE SITUATION
434
00:16:32,037 --> 00:16:33,970
AND PROVIDING
COFFEE AND CROISSANTS
435
00:16:34,006 --> 00:16:36,640
TO INCONVENIENCED FISHERMEN.
436
00:16:36,676 --> 00:16:39,443
NOW I ONLY HAVE TIME
TO TAKE A FEW QUESTIONS.
437
00:16:39,478 --> 00:16:40,689
OVER HERE! OVER
HERE! RIGHT HERE!
438
00:16:40,713 --> 00:16:42,779
YES! MIKE BERGEN. DAILY PLANET.
439
00:16:42,815 --> 00:16:44,315
MISS CARTER.
440
00:16:45,551 --> 00:16:47,651
I'M GONNA GET
RIGHT TO THE POINT.
441
00:16:47,687 --> 00:16:50,087
EXACTLY WHAT COLOR
WAS THE TANKER?
442
00:16:50,122 --> 00:16:52,122
Man: WHAT?!
443
00:16:52,157 --> 00:16:53,702
WE BELIEVE IT WAS
BLUE AND WHITE,
444
00:16:53,726 --> 00:16:55,626
POSSIBLY WITH SOME RED TRIM.
445
00:16:57,096 --> 00:16:58,061
AHA!
446
00:16:58,097 --> 00:16:59,062
NEXT QUESTION.
447
00:16:59,098 --> 00:17:00,063
THANK YOU.
448
00:17:00,099 --> 00:17:01,232
OVER HERE!
449
00:17:01,267 --> 00:17:02,678
PHIL NADER. BOSTON GLOBE.
450
00:17:02,702 --> 00:17:04,779
IS IT TRUE THAT THE TANKER
INVOLVED IN THIS ATROCITY
451
00:17:04,803 --> 00:17:06,548
FAILED REPEATED INSPECTIONS
452
00:17:06,572 --> 00:17:09,840
AND WAS RECOMMENDED FOR
DECOMMISSION OVER 2 YEARS AGO?
453
00:17:09,875 --> 00:17:12,743
I'M SORRY. I WAS POINTING TO
THE GENTLEMAN BEHIND YOU.
454
00:17:14,313 --> 00:17:16,547
PETE DUNVILLE. BOY'S LIFE.
455
00:17:16,582 --> 00:17:18,682
WOULD YOU QUALIFY
THE TANKER IN QUESTION
456
00:17:18,718 --> 00:17:20,618
AS A BOAT OR A SHIP?
457
00:17:20,653 --> 00:17:22,919
IT WAS A TANKER.
458
00:17:22,955 --> 00:17:23,920
THANK YOU.
459
00:17:23,956 --> 00:17:25,033
ANYONE ELSE?
460
00:17:25,057 --> 00:17:26,490
LET ME ASK YOU THIS.
461
00:17:26,525 --> 00:17:28,492
IF YOU WERE A TREE,
462
00:17:28,527 --> 00:17:31,428
WHAT KIND OF TREE WOULD YOU BE?
463
00:17:31,464 --> 00:17:33,742
LOOK, IF YOU REPORTERS AREN'T
GOING TO TAKE THIS SERIOUSLY,
464
00:17:33,766 --> 00:17:35,065
NEITHER AM I.
465
00:17:35,100 --> 00:17:36,578
THIS PRESS CONFERENCE IS OVER.
466
00:17:36,602 --> 00:17:38,012
Man: COME ON, ONE MORE QUESTION!
467
00:17:38,036 --> 00:17:39,503
HEY, HEY, HEY.
468
00:17:39,538 --> 00:17:42,498
WHAT DID YOU GET FOR
THE FIRST QUESTION?
469
00:17:44,677 --> 00:17:46,154
WE CANNOT BE STOPPED.
470
00:17:46,178 --> 00:17:48,279
WE ARE IN LOVE WITH OURSELVES.
471
00:17:48,314 --> 00:17:49,946
ON TO ARUBA.
472
00:17:52,217 --> 00:17:55,185
♪ JAMAICA, OOH, I
WANNA TAKE YOU ♪
473
00:17:55,220 --> 00:17:57,421
♪ TO BERMUDA, BAHAMA ♪
474
00:17:57,456 --> 00:18:00,157
♪ COME ON, PRETTY MAMA! ♪
475
00:18:01,394 --> 00:18:04,361
PRETTY MAMA SHOULD LEARN
HOW TO READ HER GAS GAUGE.
476
00:18:04,397 --> 00:18:05,796
PRETTY MAMA DIDN'T KNOW
477
00:18:05,831 --> 00:18:07,709
SHE WAS GONNA BE
DRIVING ALL OVER BOSTON.
478
00:18:07,733 --> 00:18:09,844
WELL, WHEN'S THE LAST
TIME YOU CHECKED YOUR OIL?
479
00:18:09,868 --> 00:18:11,034
POP YOUR HOOD.
480
00:18:11,069 --> 00:18:12,336
THIS IS JUST A MINOR SETBACK.
481
00:18:12,371 --> 00:18:13,704
WE HAVE OVER HALF AN HOUR
482
00:18:13,739 --> 00:18:14,750
TO MAKE IT TO THE AIRPORT.
483
00:18:14,774 --> 00:18:16,940
IN FACT, I LAUGH
AT THE SETBACKS.
484
00:18:16,975 --> 00:18:17,975
HA HA!
485
00:18:20,446 --> 00:18:21,779
OK, WHAT'S THAT?
486
00:18:21,814 --> 00:18:22,979
I DON'T KNOW.
487
00:18:23,015 --> 00:18:24,147
IT'S NEVER DONE THAT BEFORE.
488
00:18:24,183 --> 00:18:25,582
LET ME HAVE A LOOK.
489
00:18:27,720 --> 00:18:30,721
YEAH. STEP BACK, PETE.
490
00:18:30,756 --> 00:18:34,658
OK. OK, WHAT DO YOU
KNOW ABOUT CARS?
491
00:18:34,694 --> 00:18:36,660
I KNOW YOU HATE IT
492
00:18:36,696 --> 00:18:38,407
WHEN I PRETEND TO KNOW
SOMETHING ABOUT THEM.
493
00:18:38,431 --> 00:18:39,730
MAYBE MY WIPER FLUID'S LOW.
494
00:18:39,765 --> 00:18:41,476
NO. IT'S COMING FROM HERE.
495
00:18:43,502 --> 00:18:45,969
BERG, IT'S YOUR BEEPER.
496
00:18:47,440 --> 00:18:48,806
WHOA! HEY!
497
00:18:48,841 --> 00:18:50,106
HA HA! MY FIRST BEEP.
498
00:18:50,142 --> 00:18:52,175
SHARON, GET THE CAMERA.
499
00:18:55,581 --> 00:18:57,614
GET IN THE PICTURE. COME ON.
500
00:18:58,984 --> 00:19:00,351
YEAH! OH!
501
00:19:00,386 --> 00:19:02,853
OH. OH, NO.
502
00:19:02,888 --> 00:19:04,688
WHAT?
503
00:19:04,724 --> 00:19:05,689
IT'S THE HOSPITAL.
504
00:19:05,725 --> 00:19:07,424
DON'T ANSWER THE PAGE.
505
00:19:07,460 --> 00:19:08,625
HEY. THIS IS MIKE BERGEN.
506
00:19:08,661 --> 00:19:10,527
HE ANSWERS THE PAGE.
507
00:19:11,897 --> 00:19:13,731
WELL, DID YOU TRY LUIS?
508
00:19:13,766 --> 00:19:18,669
WHAT ABOUT... WHAT
ABOUT TRACY? SHE...
509
00:19:18,704 --> 00:19:20,237
OH, COME ON.
510
00:19:20,272 --> 00:19:22,138
THERE'S GOTTA BE SOMEONE ELSE.
511
00:19:22,174 --> 00:19:23,240
OK.
512
00:19:25,711 --> 00:19:27,578
I HAVE TO FILL IN FOR
A GUY IN MY CLASS.
513
00:19:27,613 --> 00:19:29,112
HIS GRANDMOTHER DIED.
514
00:19:29,147 --> 00:19:30,614
OH, MY GOD.
515
00:19:30,649 --> 00:19:32,609
COULD HER TIMING BE WORSE?
516
00:19:34,253 --> 00:19:36,387
BERG, YOU GOTTA GET OUT OF IT.
517
00:19:36,422 --> 00:19:38,500
WELL, WHAT DO YOU
EXPECT ME TO DO? LIE.
518
00:19:38,524 --> 00:19:39,556
I CAN'T.
519
00:19:39,592 --> 00:19:41,124
WAIT. WHAT DO YOU MEAN?
520
00:19:41,159 --> 00:19:42,537
MICHAEL BERGEN
OF THE DAILY PLANET
521
00:19:42,561 --> 00:19:44,294
CAN'T LIE?
522
00:19:44,329 --> 00:19:46,196
THIS IS A LITTLE
DIFFERENT, RIGHT?
523
00:19:46,231 --> 00:19:48,866
BUT WE'VE COME SO FAR.
524
00:19:48,901 --> 00:19:51,201
YOU THINK I DON'T WANNA GO?
525
00:19:51,236 --> 00:19:54,538
EVERY SYNAPSE IN MY
BRAIN IS TELLING ME ARUBA,
526
00:19:54,573 --> 00:19:57,073
BUT I CAN'T.
527
00:19:57,109 --> 00:19:59,342
YOU GUYS GO WITHOUT ME.
528
00:19:59,378 --> 00:20:01,478
WE'RE NOT GOING WITHOUT
YOU. WE TOOK AN OATH.
529
00:20:01,514 --> 00:20:03,547
THEN WHAT SHOULD I DO?
530
00:20:03,582 --> 00:20:05,482
LOOK, IF I DON'T SHOW UP,
531
00:20:05,518 --> 00:20:06,528
THERE'S GONNA BE 5 MED
STUDENTS INSTEAD OF 6.
532
00:20:06,552 --> 00:20:08,318
RIGHT? BIG DEAL.
533
00:20:08,353 --> 00:20:10,298
IT'S NOT LIKE THEY'RE
EXPECTING YOU IN SURGERY.
534
00:20:10,322 --> 00:20:12,289
OH! BUT THEY PAGED ME.
535
00:20:12,324 --> 00:20:14,825
I MEAN, I SHOULD BE THERE.
536
00:20:14,860 --> 00:20:16,493
THAT'S TRUE, TOO.
537
00:20:16,529 --> 00:20:18,896
BUT I WANNA GO TO ARUBA!
538
00:20:20,365 --> 00:20:22,666
BUT YOU ALSO WANNA BE A DOCTOR.
539
00:20:22,701 --> 00:20:27,070
LOOK, BERG, WHATEVER
YOU DECIDE TO DO,
540
00:20:27,105 --> 00:20:28,739
WE'RE BEHIND YOU, SO...
541
00:20:33,178 --> 00:20:34,244
OK.
542
00:20:36,148 --> 00:20:38,114
LET'S GO.
543
00:20:38,150 --> 00:20:39,683
♪ ARUBA, JAMAICA ♪
544
00:20:39,718 --> 00:20:40,984
♪ OOH, I WANNA TAKE YOU ♪
545
00:20:42,488 --> 00:20:43,954
HI. EXCUSE ME.
546
00:20:43,989 --> 00:20:44,955
HI. HELLO.
547
00:20:44,990 --> 00:20:45,956
HI. HELLO.
548
00:20:45,991 --> 00:20:48,158
HI. OH! VERY TALL.
549
00:20:48,193 --> 00:20:49,593
AHH! HERE WE GO.
550
00:20:49,628 --> 00:20:50,694
MAI TAIS AT MIDNIGHT?
551
00:20:50,729 --> 00:20:54,331
All: MAI TAIS AT MIDNIGHT!
552
00:20:54,366 --> 00:20:55,410
BERG, IF IT WASN'T FOR YOU,
553
00:20:55,434 --> 00:20:56,467
WE WOULDN'T BE HERE.
554
00:20:56,502 --> 00:20:58,602
WELCOME TO BEACON STREET PIZZA.
555
00:20:58,637 --> 00:21:01,572
NICE HAT.
556
00:21:01,607 --> 00:21:04,385
MY FIRST BEEP, AND I
ROSE TO THE OCCASION.
557
00:21:04,409 --> 00:21:06,610
OH, OUR LITTLE BOY'S GROWING UP.
558
00:21:06,645 --> 00:21:08,745
AND I'M TAKING YOU
TWO DOWN WITH ME.
559
00:21:08,781 --> 00:21:10,747
OH, LET'S LIMBO!
560
00:21:10,783 --> 00:21:12,415
YOU DA BOMB!
561
00:21:12,451 --> 00:21:13,862
WHEN DID HE START THIS?
562
00:21:13,886 --> 00:21:15,318
I DON'T KNOW.
563
00:21:15,354 --> 00:21:17,588
♪ ARUBA, JAMAICA ♪
564
00:21:17,623 --> 00:21:19,590
♪ OOH, I WANNA TAKE YOU ♪
565
00:21:19,625 --> 00:21:21,091
♪ TO BERMUDA... ♪
566
00:21:25,030 --> 00:21:26,463
GOOD EVENING.
567
00:21:26,498 --> 00:21:29,099
AND NOW THE AMERICAN
BROADCASTING COMPANY STRING QUARTET
568
00:21:29,134 --> 00:21:32,302
PLAYING THE THEME FROM TWO
GUYS, A GIRL AND A PIZZA PLACE,
569
00:21:32,338 --> 00:21:33,514
FOLLOWED BY THE FOURTH MOVEMENT
570
00:21:33,538 --> 00:21:35,038
OF THE DREW CAREY SHOW.
38413
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