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CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT
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00:01:55,811 --> 00:01:59,815
♪ EVERYWHERE
AROUND THE WORLD ♪
3
00:01:59,858 --> 00:02:03,166
♪ THEY'RE COMING TO AMERICA
4
00:02:03,210 --> 00:02:07,083
♪ EVERY TIME THAT
FLAG'S UNFURLED ♪
5
00:02:07,127 --> 00:02:10,913
♪ THEY'RE COMING TO AMERICA
6
00:02:10,956 --> 00:02:14,656
♪ GOT A DREAM TO
TAKE THEM THERE ♪
7
00:02:14,699 --> 00:02:18,268
♪ THEY'RE COMING TO AMERICA
8
00:02:18,312 --> 00:02:22,229
♪ GOT A DREAM THEY'VE
COME TO SHARE ♪
9
00:02:22,272 --> 00:02:26,102
♪ THEY'RE COMING TO AMERICA
10
00:02:26,146 --> 00:02:30,367
♪ THEY'RE COMING TO AMERICA
11
00:02:30,411 --> 00:02:34,197
♪ THEY'RE COMING TO AMERICA
12
00:02:34,241 --> 00:02:37,940
♪ THEY'RE COMING TO AMERICA
13
00:02:37,983 --> 00:02:41,204
♪ THEY'RE COMING TO AMERICA
14
00:02:41,248 --> 00:02:43,946
♪ TODAY
15
00:02:45,252 --> 00:02:47,384
♪ TODAY
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00:02:48,864 --> 00:02:51,258
♪ TODAY
17
00:02:52,868 --> 00:02:55,349
♪ TODAY
18
00:02:56,872 --> 00:02:58,352
♪ TODAY
19
00:02:58,395 --> 00:03:00,876
♪ MY COUNTRY 'TIS OF THEE
20
00:03:00,919 --> 00:03:01,833
♪ TODAY
21
00:03:01,877 --> 00:03:04,793
♪ SWEET LAND OF LIBERTY
22
00:03:04,836 --> 00:03:05,620
♪ TODAY
23
00:03:05,663 --> 00:03:08,405
♪ OF THEE I SING
24
00:03:08,449 --> 00:03:09,232
♪ TODAY
25
00:03:09,276 --> 00:03:14,237
♪ OF THEE I SING TODAY
26
00:03:16,021 --> 00:03:18,459
♪ TODAY
27
00:03:20,112 --> 00:03:22,114
♪ TODAY
28
00:03:23,681 --> 00:03:26,293
♪ TODAY
29
00:03:27,468 --> 00:03:29,861
♪ TODAY
30
00:03:31,298 --> 00:03:33,430
♪ TODAY
31
00:03:44,746 --> 00:03:47,444
[MEN SINGING IN HEBREW]
32
00:05:04,913 --> 00:05:06,393
SO, WHAT'S THE RUSH?
33
00:05:06,436 --> 00:05:08,569
TAKING IT SO FAST.
34
00:05:08,612 --> 00:05:09,700
I'M SORRY, POP.
35
00:05:09,744 --> 00:05:11,180
LOOK, I PROMISED RIVEY
THAT I'D TAKE HER
36
00:05:11,223 --> 00:05:12,964
OVER TO THE LIBRARY
BEFORE IT CLOSES.
37
00:05:13,008 --> 00:05:14,836
OH, RIVEY.
THAT EXPLAINS IT.
38
00:05:14,879 --> 00:05:15,967
OK, I GOT TO RUN.
39
00:05:16,011 --> 00:05:17,969
IF YOU WERE MARRIED
A FEW MORE YEARS,
40
00:05:18,013 --> 00:05:21,146
SHE'D BE BORED
BY HERSELF ALREADY.
41
00:05:26,108 --> 00:05:27,327
RIVEY. COME WITH US.
42
00:05:27,370 --> 00:05:28,676
WE'RE GOING
TO HAVE A GOOD TIME.
43
00:05:28,719 --> 00:05:30,808
OH, YOU'RE REALLY CRAZY,
YOU KNOW THAT?
44
00:05:30,852 --> 00:05:32,593
COME ON. WE'LL
HAVE A GOOD TIME.
45
00:05:32,636 --> 00:05:34,682
WHAT? AND GIVE UP
ALL THE FUN I'M GOING
46
00:05:34,725 --> 00:05:36,466
TO HAVE IN THE
LIBRARY TONIGHT?
47
00:05:36,510 --> 00:05:38,773
ALL THOSE PEOPLE
SAYING, "SHH!"
48
00:05:38,816 --> 00:05:40,209
ALL RIGHT.
49
00:05:40,252 --> 00:05:42,516
YOU COVER FOR ME,
I'LL MAKE IT UP
TO YOU LATER, OK?
50
00:05:42,559 --> 00:05:44,387
YOU PROMISE?
YEAH.
51
00:05:44,431 --> 00:05:45,867
ALL RIGHT.
52
00:05:50,654 --> 00:05:52,221
THEY PAY 50 BUCKS, MAN.
53
00:05:52,264 --> 00:05:54,702
HEY. THERE'S TIMMY.
54
00:05:54,745 --> 00:05:56,051
OHH.
55
00:05:56,094 --> 00:05:57,487
SAY, YOU KNOW WHAT TIME IT IS?
COME ON. WE'RE LATE.
56
00:05:57,531 --> 00:05:58,880
HEY, RELAX A LITTLE BIT.
57
00:05:58,923 --> 00:06:00,664
HEY, WAIT A MINUTE.
THIS IS A BLACK CLUB.
58
00:06:00,708 --> 00:06:02,536
BE COOL.
IT'S ALL RIGHT.
59
00:06:02,579 --> 00:06:04,059
[INDISTINCT]
60
00:06:04,102 --> 00:06:06,322
HEY, HOW YOU
GUYS DOING?
61
00:06:06,366 --> 00:06:07,976
WHAT'S GOING DOWN?
62
00:06:08,019 --> 00:06:10,021
[MUSIC PLAYING
IN BACKGROUND]
63
00:06:10,065 --> 00:06:10,761
HE'S WHITE!
64
00:06:10,805 --> 00:06:12,328
THAT'S WHAT I TOLD HIM.
65
00:06:12,372 --> 00:06:13,460
HEY, BRO,
WHERE YOU BEEN?
66
00:06:13,503 --> 00:06:15,287
I THOUGHT Y'ALL GOT
MUGGED OR SOMETHING.
67
00:06:15,331 --> 00:06:16,158
I'M SORRY.
68
00:06:16,201 --> 00:06:17,333
HEY, WHAT'S
HAPPENING, JESS?
69
00:06:17,377 --> 00:06:18,334
LISTEN, I GOT AN IDEA.
70
00:06:18,378 --> 00:06:21,293
YOU DO IT WITH 3.
YOU CAN DO IT.
71
00:06:21,337 --> 00:06:22,556
I KEEP TELLING YOU, MAN.
72
00:06:22,599 --> 00:06:24,949
WE GOT AN AGENT COMING
TO SEE 4 BROTHERS, JESS.
73
00:06:24,993 --> 00:06:26,516
AND THAT'S WHAT
WE'VE GOT TO GIVE HIM.
74
00:06:26,560 --> 00:06:28,823
WE GOT TO HAVE. NOW,
HOW ARE WE SUPPOSED TO KNOW
75
00:06:28,866 --> 00:06:30,390
THAT TEDDY WOULD
GET HIMSELF BUSTED
76
00:06:30,433 --> 00:06:32,217
30 DAYS FOR PARKING
IN HIS OWN GARAGE?
77
00:06:32,261 --> 00:06:34,306
RIGHT! IN SOMEBODY
ELSE'S CAR?
78
00:06:34,350 --> 00:06:36,221
HEY, SQUASH THAT,
SQUASH THAT.
79
00:06:36,265 --> 00:06:37,266
LOOK IT HERE, MAN.
80
00:06:37,309 --> 00:06:38,746
THIS IS OUR
LAST CHANCE.
81
00:06:38,789 --> 00:06:40,269
THIS IS IT.YOU UNDERSTAND?
82
00:06:40,312 --> 00:06:41,575
AND YOU WROTE
THE SONGS
83
00:06:41,618 --> 00:06:43,098
AND YOU DON'T HAVE TO DO
NONE OF THE FANCY SHIT,
84
00:06:43,141 --> 00:06:45,579
SO YOU HAVE
TO BE TEDDY TONIGHT.
85
00:06:45,622 --> 00:06:47,363
WHO ELSE CAN DO IT?
86
00:06:47,407 --> 00:06:48,930
NOBODY BUT YOU.
OK?
87
00:06:48,973 --> 00:06:50,584
YOU GONNA DO IT,
AIN'T YOU?
88
00:06:50,627 --> 00:06:51,367
ALL RIGHT!
89
00:06:51,411 --> 00:06:52,847
[ALL TALKING AT ONCE]
90
00:06:52,890 --> 00:06:54,326
HEY, BLOOD, PLASMA,
WHATEVER YOU WANT
ME TO CALL YOU,
91
00:06:54,370 --> 00:06:55,850
BROTHER,
BUT IF YOU DON'T GET
92
00:06:55,893 --> 00:06:57,329
YOUR 3, 4 BLACK ASSES
OUT HERE,
93
00:06:57,373 --> 00:06:58,548
I'M GONNA HAVE
TO PUT ON ANOTHER ACT.
94
00:06:58,592 --> 00:07:01,203
BUT PLEASE TELL ME THAT
AIN'T NO WHITE MAN.
95
00:07:01,246 --> 00:07:01,986
PLEASE!
96
00:07:02,030 --> 00:07:07,427
♪ 1, 2, 3, 4 BROTHERS!
97
00:07:07,470 --> 00:07:10,255
♪ IT TAKES A LOT OF TIME
IF YOU WANT IT RIGHT ♪
98
00:07:10,299 --> 00:07:11,474
♪ OOH, OOH
99
00:07:11,518 --> 00:07:14,085
♪ TAKES A LOT OF TIME
AND BELIEVIN', BABY ♪
100
00:07:14,129 --> 00:07:15,609
♪ OOH, OOH
101
00:07:15,652 --> 00:07:17,828
♪ YOU GOTTA SEE
THE SIGNS AND KNOW
YOU'LL GET IT RIGHT ♪
102
00:07:17,872 --> 00:07:18,829
♪ OOH, OOH
103
00:07:18,873 --> 00:07:20,614
♪ I SEE THE SIGNS
IN YOUR EYES ♪
104
00:07:20,657 --> 00:07:25,836
♪ AND I KNOW THAT
IT'S YOU, BABY, BABY, ♪
105
00:07:25,880 --> 00:07:29,492
♪ OOH, BABY, BABY, NOW
106
00:07:29,536 --> 00:07:32,364
♪ YOU, BABY, BABY
107
00:07:32,408 --> 00:07:38,632
♪ ONLY A BLIND MAN
WOULD LEAVE YOU
BEHIND BUT NOT ME ♪
108
00:07:40,155 --> 00:07:42,810
♪ IT TAKES A LOT OF
LOVIN' TO MAKE IT GOOD ♪
109
00:07:42,853 --> 00:07:44,246
♪ OOH, OOH
110
00:07:44,289 --> 00:07:46,378
♪ OOH, IT TAKES
A LOT OF LOVIN',
BELIEVE IT, BABE ♪
111
00:07:46,422 --> 00:07:47,597
♪ OOH, OOH
112
00:07:47,641 --> 00:07:50,034
♪ I'M SAYIN' IT AGAIN
SO IT'S UNDERSTOOD ♪
113
00:07:50,078 --> 00:07:51,514
♪ OOH, OOH
114
00:07:51,558 --> 00:07:56,214
♪ ME, I BELIEVE
IN THE THINGS
I KEEP SEEIN' IN YOU ♪
115
00:07:56,258 --> 00:07:58,390
♪ BABY, BABY
116
00:07:58,434 --> 00:08:01,872
♪ OOH, BABY, BABY, NOW
117
00:08:01,916 --> 00:08:05,397
♪ YOU, BABY, BABY
118
00:08:05,441 --> 00:08:09,314
♪ OOH, BABY, BABY, NOW
119
00:08:09,358 --> 00:08:13,014
♪ YOU, BABY, BABY
120
00:08:13,057 --> 00:08:16,887
♪ OOH, BABY, BABY, NOW
121
00:08:16,931 --> 00:08:20,369
♪ YOU, BABY, BABY
122
00:08:20,412 --> 00:08:24,068
♪ OOH, BABY, BABY, NOW
123
00:08:24,112 --> 00:08:27,768
♪ YOU, BABY, BABY
124
00:08:27,811 --> 00:08:31,380
♪ YOU, BABY, BABY, NOW
125
00:08:31,423 --> 00:08:35,210
♪ YOU, BABY, BABY, NOW
126
00:08:35,253 --> 00:08:39,083
♪ YOU, BABY, BABY, NOW
127
00:08:39,127 --> 00:08:42,609
♪ YOU, BABY, BABY, NOW
128
00:08:42,652 --> 00:08:47,091
♪ YOU, BABY, BABY, NOW
129
00:08:47,135 --> 00:08:49,093
[CHEERING]
130
00:09:02,280 --> 00:09:05,806
NO, NO, NO, NO, NO,
NO, NO, NO, EVERYBODY!
131
00:09:05,849 --> 00:09:08,286
THAT AIN'T NO BROTHER!
IT'S A WHITE BOY!
132
00:09:08,330 --> 00:09:11,420
[ALL YELLING
AT THE SAME TIME]
133
00:09:26,261 --> 00:09:27,871
[SIRENS]
134
00:09:36,663 --> 00:09:38,447
NEXT.
135
00:09:42,799 --> 00:09:45,106
UH, COME TO GET MY SON.
136
00:09:45,149 --> 00:09:46,411
YUSSEL.
137
00:09:46,455 --> 00:09:48,979
JESS RABINOVITCH.
138
00:09:50,285 --> 00:09:53,201
NO, WE AIN'T GOT
NO JESS RABINOVITCH.
139
00:09:53,244 --> 00:09:54,332
WE GOT A JESS ROBIN.
140
00:09:54,376 --> 00:09:58,293
ARE YOU THE CANTOR
THE LADY CALLED ABOUT?
141
00:09:58,336 --> 00:10:00,469
YES, I'M...
142
00:10:00,861 --> 00:10:03,385
WOULD YOU SIGN
RIGHT THERE, CANTOR?
143
00:10:03,428 --> 00:10:05,256
OK, GUYS, YOU'VE
BEEN BAILED OUT.
144
00:10:05,300 --> 00:10:08,129
WHOO! I TOLD YOU
RIVEY WOULD COME THROUGH.
145
00:10:08,172 --> 00:10:10,871
[ALL CHEERING]
146
00:10:10,914 --> 00:10:15,005
♪ OOH, BABY, BABY
147
00:10:15,049 --> 00:10:19,227
♪ OOH, BABY, BABY, NOW
148
00:10:19,270 --> 00:10:24,101
♪ OOH, BABY, BABY
149
00:10:24,319 --> 00:10:26,408
♪ BABY, BABY, NOW
150
00:10:26,451 --> 00:10:30,412
♪ OOH, BABY, BABY
151
00:10:30,455 --> 00:10:31,369
BREAKFAST IS ON YOU.
152
00:10:31,413 --> 00:10:35,112
♪ OOH, BABY, BABY, NOW
153
00:10:35,156 --> 00:10:36,853
♪ OOH, BABY, BABY, NOW
154
00:10:36,897 --> 00:10:40,596
I BELIEVE YOU
GOT US BOOKED
IN THE WRONG HOTEL.
155
00:10:40,640 --> 00:10:41,728
SO, WHERE'S RIVKA, MAN?
156
00:10:41,771 --> 00:10:45,645
YEAH! IT WAS NICE OF
HER TO BAIL US OUT.
157
00:10:45,688 --> 00:10:47,864
UH-UH.
158
00:10:48,473 --> 00:10:49,431
OH, MY.
159
00:10:49,474 --> 00:10:50,432
UH-HUH.
160
00:10:50,475 --> 00:10:53,174
HI, POP.
161
00:10:55,350 --> 00:10:56,133
OK.
162
00:10:56,177 --> 00:10:57,308
I CAN EXPLAIN THIS, POP.
163
00:10:57,352 --> 00:10:59,789
UM, YOU MAY NOT
BELIEVE THIS,
164
00:10:59,833 --> 00:11:00,964
BUT, UH...
165
00:11:01,008 --> 00:11:04,185
FUNNY THING HAPPENED
ON THE WAY FROM SHUL.
166
00:11:04,228 --> 00:11:06,404
YEAH!
THAT'S RIGHT!
167
00:11:06,448 --> 00:11:10,060
WE WERE--
HE WAS JUST DOING
A FAVOR FOR US.
168
00:11:14,021 --> 00:11:15,849
I KNOW YOUR FATHER.
169
00:11:15,892 --> 00:11:17,720
20 YEARS.
170
00:11:17,764 --> 00:11:19,635
HE'S A FINE MAN.
171
00:11:19,679 --> 00:11:23,117
LOOK, WE REALLY APPRECIATE
YOU BAILING US OUT, CANTOR.
172
00:11:23,160 --> 00:11:25,249
YEAH, YOU REALLY
SAVED OUR ASS--
173
00:11:25,293 --> 00:11:27,382
AT! AT!
174
00:11:29,471 --> 00:11:32,561
IT'S NOT TOUGH ENOUGH...
175
00:11:32,604 --> 00:11:35,259
BEING A JEW?
176
00:11:42,136 --> 00:11:44,878
HEY, MAN.
SORRY, JESS.
177
00:11:48,403 --> 00:11:51,101
HEY, BENNY. HOW'S THE
KNISH BUSINESS, HUH?
178
00:11:51,145 --> 00:11:52,189
IT AIN'T.
YEAH.
179
00:11:52,233 --> 00:11:54,452
TELL ME ABOUT IT.
180
00:11:54,844 --> 00:11:57,412
[CHILDREN SINGING IN HEBREW]
181
00:11:59,283 --> 00:12:02,417
THANK YOU. LET'S TRY
ONE MORE TIME, OK?
182
00:12:02,460 --> 00:12:05,072
[SINGING IN HEBREW]
183
00:12:18,607 --> 00:12:20,435
[KNOCK ON DOOR]
184
00:12:20,478 --> 00:12:21,958
[SINGING IN HEBREW]
185
00:12:22,002 --> 00:12:24,482
JUST A MOMENT, PLEASE.
186
00:12:27,659 --> 00:12:29,226
ARE YOU ALL RIGHT?
187
00:12:29,270 --> 00:12:30,445
YEAH, I'M ALL RIGHT.
188
00:12:30,488 --> 00:12:31,533
WHAT HAPPENED TO YOU
LAST NIGHT?
189
00:12:31,576 --> 00:12:33,056
HE SAID YOU WOULDN'T
PICK US UP.
190
00:12:33,100 --> 00:12:35,493
YOU CALLED IN THE MIDDLE
OF THE NIGHT, REMEMBER?
191
00:12:35,537 --> 00:12:39,193
THE SAME PHONE
THAT WOKE ME WOKE HIM?
192
00:12:39,236 --> 00:12:40,542
ANYWAY...
193
00:12:40,585 --> 00:12:42,544
I'M GLAD IT'S OUT
IN THE OPEN.
194
00:12:42,587 --> 00:12:47,201
I NEVER LIKED YOU SNEAKING
AROUND BEHIND HIS BACK.
195
00:12:47,244 --> 00:12:49,116
[CHILDREN LAUGHING]
196
00:12:49,159 --> 00:12:50,334
LOOK, I BETTER GET BACK.
197
00:12:50,378 --> 00:12:52,206
WHAT ARE YOU GOING
TO SAY TO HIM?
198
00:12:52,249 --> 00:12:55,513
I'LL EXPLAIN.
199
00:12:55,557 --> 00:12:59,474
I'LL TELL TILLIE.
YOU GO.
200
00:12:59,517 --> 00:13:01,432
OK.
201
00:13:01,476 --> 00:13:04,392
LET'S TRY ONE
MORE TIME AND...
202
00:13:04,435 --> 00:13:06,873
[CHILDREN SINGING
IN HEBREW]
203
00:13:29,460 --> 00:13:34,552
POP, I WANT TO EXPLAIN
TO YOU ABOUT LAST NIGHT.
204
00:13:34,596 --> 00:13:36,163
SO, EXPLAIN.
205
00:13:36,206 --> 00:13:41,342
WHEN I TALK TO THE
SERGEANT OF POLICE
THIS MORNING,
206
00:13:41,385 --> 00:13:45,041
HE SAID THERE WAS
NO JESSE RABINOVITCH,
207
00:13:45,085 --> 00:13:48,871
ONLY A JESS ROBIN.
208
00:13:49,437 --> 00:13:50,612
WHY ROBIN?
209
00:13:50,655 --> 00:13:54,529
IT'S A NAME, POP.
IT'S A PROFESSIONAL NAME.
210
00:13:54,572 --> 00:13:57,271
I USE IT WHENEVER I...
211
00:13:57,314 --> 00:13:58,707
YOU KNOW, I...
212
00:13:58,750 --> 00:14:03,016
WHENEVER YOU WHAT?
I DON'T KNOW.
213
00:14:05,757 --> 00:14:10,153
POP, LOOK, I HAVE
TO BE HONEST WITH YOU.
214
00:14:10,197 --> 00:14:14,288
I HAVE BEEN SNEAKING AROUND
AND DOING THESE KIND OF SHOWS
215
00:14:14,331 --> 00:14:17,204
NOW FOR--FOR A LONG TIME.
216
00:14:17,247 --> 00:14:20,511
WE NEED THE EXTRA MONEY.
WHAT IS SO TERRIBLE?
217
00:14:20,555 --> 00:14:24,907
IF IT'S NOT
SO TERRIBLE, WHY ALL
THE SNEAKING AROUND?
218
00:14:24,951 --> 00:14:28,084
BECAUSE YOU DO
THINK IT'S TERRIBLE.
219
00:14:29,651 --> 00:14:31,783
AND IT IS.
220
00:14:31,827 --> 00:14:33,307
YOU'RE A CANTOR.
221
00:14:33,350 --> 00:14:34,874
ASSISTANT CANTOR, POP.
222
00:14:34,917 --> 00:14:40,227
FOR FIVE GENERATIONS,
A CANTOR RABINOVITCH
HAS BEEN SINGING
223
00:14:40,270 --> 00:14:41,358
IN THE SYNAGOGUE.
224
00:14:41,402 --> 00:14:44,884
I SING IN THE SYNAGOGUE,
POP, FOR WHAT?!
225
00:14:45,885 --> 00:14:47,451
FOR GOD.
226
00:14:49,323 --> 00:14:51,629
GOD DOESN'T PAY SO GOOD, POP.
227
00:14:51,673 --> 00:14:52,979
HUH?
228
00:14:53,022 --> 00:14:55,198
THIS IS A POOR SYNAGOGUE.
THEY PAY WHAT THEY CAN,
229
00:14:55,242 --> 00:14:56,417
BUT I CAN'T LIVE ON THAT.
230
00:14:56,460 --> 00:14:59,289
GOD DOESN'T
PAY SO GOOD?
231
00:14:59,333 --> 00:15:00,682
RIVKA AND I WANT
OUR OWN PLACE,
232
00:15:00,725 --> 00:15:03,815
WE WANT TO HAVE BABIES.
HOW CAN I AFFORD THAT, POP?
233
00:15:03,859 --> 00:15:05,252
WHAT DO YOU WANT
FROM GOD?
234
00:15:05,295 --> 00:15:08,081
YOU CAN NEVER REPAY.
NEVER! NEVER!
235
00:15:08,124 --> 00:15:10,387
ALL RIGHT, OK. EASY.
POP, JUST TAKE IT EASY.
236
00:15:10,431 --> 00:15:12,868
I'M SORRY I SAID IT.
I DIDN'T MEAN IT. PLEASE.
237
00:15:12,912 --> 00:15:15,349
YOU THINK IT'S
AN ACCIDENT THAT
YOU CAN SING?
238
00:15:15,392 --> 00:15:18,787
GOD GAVE YOU YOUR VOICE
FOR HIS USE, NOT YOURS!
239
00:15:18,830 --> 00:15:20,223
ALL RIGHT, POP. I'M SORRY.
240
00:15:20,267 --> 00:15:22,965
JUST SIT DOWN, OK?
LET ME GET YOU SOME SCHNAPPS.
241
00:15:23,009 --> 00:15:26,751
THE RABBI TOLD ME HE HAS
COMPLAINTS ABOUT YOU.
242
00:15:26,795 --> 00:15:30,320
YOU WANT TO CHANGE THIS,
YOU WANT TO CHANGE THAT.
243
00:15:30,364 --> 00:15:33,976
PUT MORE PRAYERS
INTO ENGLISH.
244
00:15:34,020 --> 00:15:36,326
ALL RIGHT, POP.
COME ON, NOT NOW.
245
00:15:36,370 --> 00:15:37,719
YES, NOW!
246
00:15:37,762 --> 00:15:39,982
THERE ARE SOME THINGS
IS MORE IMPORTANT
247
00:15:40,026 --> 00:15:42,419
NOT TO CHANGE! OUR
PEOPLE WERE KILLED
248
00:15:42,463 --> 00:15:45,074
FOR SAYING A PRAYER
A CERTAIN WAY.
249
00:15:45,118 --> 00:15:48,425
WE OWE IT TO THEM
TO KEEP ON SINGING IT...
250
00:15:48,469 --> 00:15:49,513
THEIR WAY.
251
00:15:49,557 --> 00:15:53,082
YOU CAN'T CHANGE
WHAT HAS ALWAYS BEEN!
252
00:15:53,126 --> 00:15:57,347
THAT'S HOW YOU KNOW
WHERE YOU STAND...
253
00:15:57,391 --> 00:16:00,872
WHO YOU ARE
AND WHERE YOU COME FROM.
254
00:16:00,916 --> 00:16:03,310
AND IF YOU DON'T KNOW
WHERE YOU COME FROM,
255
00:16:03,353 --> 00:16:06,661
HOW DO YOU KNOW
WHERE YOU'RE GOING?
256
00:16:08,271 --> 00:16:09,229
OK, POP.
257
00:16:09,272 --> 00:16:10,621
I KNOW WHO I AM.
258
00:16:10,665 --> 00:16:12,406
I KNOW WHAT I HAVE TO DO.
259
00:16:12,449 --> 00:16:13,450
ASSISTANT CANTOR.
260
00:16:13,494 --> 00:16:15,409
RIGHT NOW I'M GOING
TO GO AND SHAVE.
261
00:16:15,452 --> 00:16:17,367
I'M GOING TO CHANGE
THE MUSIC FOR SHAVUOS.
262
00:16:17,411 --> 00:16:19,021
I'M GOING TO MAKE
EVERYBODY HAPPY.
263
00:16:19,065 --> 00:16:24,244
IN YOUR OWN WORDS,
YUSSEL, WHAT'S
SO TERRIBLE?
264
00:16:24,287 --> 00:16:26,681
[SPEAKING YIDDISH]
265
00:16:27,073 --> 00:16:28,552
HAVEN'T SEEN
YOU IN A WHILE.
266
00:16:28,596 --> 00:16:30,032
WHAT'S HAPPENING?
267
00:16:30,076 --> 00:16:31,425
NOT MUCH.
268
00:16:31,468 --> 00:16:33,775
I GUESS YOUR OLD MAN'S
WATCHING YOU LIKE A HAWK, HUH?
269
00:16:33,818 --> 00:16:37,257
RIGHT. WHAT'S
HAPPENING WITH YOU?
270
00:16:37,300 --> 00:16:40,695
OH, MAN. WE GOT US
A GIG IN L.A.
271
00:16:40,738 --> 00:16:42,001
OOH, TERRIFIC. TELL ME.
272
00:16:42,044 --> 00:16:44,786
OUR CRAZY AGENT FINALLY
GOT UP OFF HIS ASS, MAN,
273
00:16:44,829 --> 00:16:46,353
AND DID SOMETHING FOR US.
274
00:16:46,396 --> 00:16:47,789
GOT US SOME
BACK-UP WORK.
275
00:16:47,832 --> 00:16:50,183
YOU KNOW, JESS,
YOU OUGHT TO COME
OUT THERE WITH US
276
00:16:50,226 --> 00:16:51,053
AND TAKE YOUR SHOT.
277
00:16:51,097 --> 00:16:52,576
NO, NOT THIS TIME,
BROTHER.
278
00:16:52,620 --> 00:16:56,711
THIS TIME I GOT
TO WALK THE STRAIGHT
AND THE NARROW.
279
00:16:56,754 --> 00:16:57,842
STRAIGHT AND THE NARROW?
280
00:16:57,886 --> 00:17:00,149
IT'S A PRETTY
TOUGH GIG, MAN.
281
00:17:00,193 --> 00:17:01,324
YEAH, IT'S TOUGH.
282
00:17:01,368 --> 00:17:02,978
WELL, BROTHER, I'M GOING
TO BE OUT IN L.A.
283
00:17:03,022 --> 00:17:03,805
ENJOYING THE SUNSHINE.
284
00:17:03,848 --> 00:17:05,372
GETTING
YOUR TAN TOGETHER?
285
00:17:05,415 --> 00:17:06,808
YEAH, RIGHT.
WHOO!
286
00:17:06,851 --> 00:17:09,028
HA HA HA HA!
287
00:17:09,419 --> 00:17:11,291
[KNOCK ON DOOR]
GOOD NIGHT!
288
00:17:11,334 --> 00:17:14,294
GOOD NIGHT, POP.GOOD NIGHT.
289
00:17:14,642 --> 00:17:16,252
[THUNDER]
290
00:17:19,125 --> 00:17:22,215
BUBBA'S GOING
TO CALIFORNIA.
291
00:17:23,259 --> 00:17:25,131
GOOD.
292
00:17:26,741 --> 00:17:27,916
WELL, I'LL MISS HIM.
293
00:17:27,959 --> 00:17:30,092
YOU KNOW, YOU'VE
GOT TOO MUCH TALENT
294
00:17:30,136 --> 00:17:34,531
TO WASTE ON A MUSIC
THAT DOESN'T MEAN ANYTHING.
295
00:17:36,229 --> 00:17:40,276
RIVEY, IT MEANS
SOMETHING TO ME.
296
00:17:40,320 --> 00:17:42,235
HEY.
297
00:17:45,368 --> 00:17:49,068
I THINK POP IS ASLEEP.
298
00:17:54,377 --> 00:17:56,249
HONEY?
HMM?
299
00:17:56,727 --> 00:17:59,904
LET'S TAKE
A RAIN CHECK, OK?
300
00:18:01,950 --> 00:18:04,083
OH.
301
00:18:04,605 --> 00:18:07,086
ARE THINGS OK, JESS?
302
00:18:07,129 --> 00:18:08,870
SURE.
303
00:18:10,001 --> 00:18:11,655
GO TO SLEEP.
304
00:18:38,334 --> 00:18:40,293
[PLAYING]
305
00:19:04,055 --> 00:19:05,883
[HUMMING]
306
00:19:17,243 --> 00:19:21,160
[PIANO PLAYING]
307
00:19:21,203 --> 00:19:23,118
[SING IN HEBREW]
308
00:19:54,149 --> 00:19:56,195
YOU'VE GOT IT.
YOU SEE THE DIFFERENCE?
309
00:19:56,238 --> 00:19:57,631
YEAH.
YOU'RE COOL.
310
00:19:57,674 --> 00:20:00,329
WHY DO I HAVE
TO SING THIS AT MY
BAR MITZVAH ANYWAY?
311
00:20:00,373 --> 00:20:01,591
[SIGHS] WHY?
312
00:20:01,635 --> 00:20:04,420
NOW, THAT'S ONE OF MY
FAVORITE QUESTIONS, TOO.
313
00:20:04,464 --> 00:20:05,987
WHY DON'T YOU JUST...
314
00:20:06,030 --> 00:20:07,945
DO IT FOR YOUR PARENTS
THIS TIME, OK?
315
00:20:07,989 --> 00:20:09,469
SOMETIMES YOU DO IT
FOR YOUR PARENTS.
316
00:20:09,512 --> 00:20:12,254
I THOUGHT THAT
WAS THE WHOLE IDEA
OF BEING BAR MITZVAHED.
317
00:20:12,298 --> 00:20:13,603
YOU'RE A MAN.
318
00:20:13,647 --> 00:20:16,215
YOU DON'T HAVE
TO LISTEN TO YOUR
PARENTS ANYMORE.
319
00:20:16,606 --> 00:20:19,174
YOU'VE GOT A LOT
TO LEARN, KIDDO.
320
00:20:19,218 --> 00:20:20,480
ALL RIGHT, LOOK,
YOU HAVE IT.
321
00:20:20,523 --> 00:20:22,264
YOU KNOW THE WORDS,
YOU KNOW THE MUSIC.
322
00:20:22,308 --> 00:20:24,614
JUST PUT YOURSELF
INTO IT, OK?
323
00:20:24,658 --> 00:20:25,615
YEAH.
324
00:20:25,659 --> 00:20:26,616
I'LL LET YOU GO
HOME EARLY TODAY.
325
00:20:26,660 --> 00:20:28,052
GO OUT AND PLAY
WITH YOUR FRIENDS.
326
00:20:28,096 --> 00:20:28,966
THANKS, JESS.
ALL RIGHT.
327
00:20:29,010 --> 00:20:30,403
I'LL SEE YOU LATER.
BYE.
328
00:20:30,446 --> 00:20:31,317
GOOD-BYE.
329
00:20:31,360 --> 00:20:33,232
[SINGING IN HEBREW]
330
00:20:36,322 --> 00:20:37,453
HELLO, RABBI.
HOW ARE YOU?
331
00:20:37,497 --> 00:20:39,238
IT'S VERY
EXCITING TODAY.
332
00:20:39,281 --> 00:20:40,239
YES, IT IS, IT IS.
333
00:20:40,282 --> 00:20:41,805
YOU SINGING AT
YOUR FATHER'S PARTY.
334
00:20:41,849 --> 00:20:46,767
25 YEARS HE HAS BEEN
THE CANTOR OF OUR SHUL.
335
00:20:46,810 --> 00:20:48,029
YEAH. AYE...
336
00:20:48,072 --> 00:20:52,686
YOU KNOW,
IF YOU REALLY WANT
TO DO IT RIGHT,
337
00:20:52,729 --> 00:20:55,341
WELL, YOU CAN DO IT,
YOUNGSTER.
338
00:20:55,384 --> 00:20:57,386
[SINGING IN HEBREW]
339
00:20:57,430 --> 00:20:58,779
THANK YOU, RABBI.
340
00:20:58,822 --> 00:21:00,868
[SINGING IN HEBREW]
341
00:21:03,131 --> 00:21:04,872
[PLAYING PIANO]
342
00:21:12,488 --> 00:21:16,318
♪ LOVE ON THE ROCKS
343
00:21:16,362 --> 00:21:19,408
♪ NO BIG SURPRISE
344
00:21:19,452 --> 00:21:21,584
♪ POUR ME A DRINK
345
00:21:21,628 --> 00:21:25,806
♪ AND I'LL TELL
YOU SOME LIES ♪
346
00:21:25,849 --> 00:21:28,896
[HUMMING]
347
00:21:31,333 --> 00:21:33,161
YUSSEL! YUSSEL!
348
00:21:33,204 --> 00:21:35,555
THERE'S A TELEPHONE
CALL FOR YOU!
349
00:21:35,598 --> 00:21:38,166
THANK YOU.
350
00:21:43,171 --> 00:21:44,390
LONG DISTANCE.
351
00:21:44,433 --> 00:21:47,262
NOBODY DIED.
GOD FORBID.
352
00:21:48,132 --> 00:21:49,177
HELLO?
353
00:21:49,220 --> 00:21:50,483
Bubba: SO HOW'S MY
FAVORITE WHITE MAN?
354
00:21:50,526 --> 00:21:51,266
BUBBA!
355
00:21:51,310 --> 00:21:53,050
IT'S OK, RABBI.
IT'S OK.
356
00:21:53,094 --> 00:21:53,921
OY!
357
00:21:53,964 --> 00:21:54,835
HOW'S L.A.?
358
00:21:54,878 --> 00:21:56,140
YOU STILL WORKING
ON YOUR TAN?
359
00:21:56,184 --> 00:21:58,752
HA HA HA!
EVERY DAY, JESS,
EVERY DAY, BROTHER.
360
00:21:58,795 --> 00:22:00,101
LOOK HERE,
YOU SITTING DOWN?
361
00:22:00,144 --> 00:22:01,798
WHAT DO YOU MEAN
AM I SITTING DOWN?
362
00:22:01,842 --> 00:22:03,147
WHAT'S GOING ON?
363
00:22:03,191 --> 00:22:04,105
JUST SIT DOWN.
364
00:22:04,148 --> 00:22:05,367
ALL RIGHT. I'M SITTING.
TELL ME.
365
00:22:05,411 --> 00:22:07,369
YOU KNOW THOSE TAPES YOU
SENT ME LAST WEEK?
366
00:22:07,413 --> 00:22:11,591
WELL, I PLAYED THEM
FOR PAUL ROSSINI AND
THE CAT FREAKED OUT.
367
00:22:11,634 --> 00:22:13,375
PAUL ROSSINI?
WHO'S PAUL ROSSINI?
368
00:22:13,419 --> 00:22:16,291
THAT'S KEITH LENNOX'
PRODUCER, BROTHER.
369
00:22:16,335 --> 00:22:17,118
KEITH LENNOX?
370
00:22:17,161 --> 00:22:18,380
YEAH, WE DO THE BACK-UP
371
00:22:18,424 --> 00:22:20,251
FOR MR. PLATINUM
HIMSELF. CAN YOU
GET TO THAT?
372
00:22:20,295 --> 00:22:24,386
ANYWAY, ROSSINI
PLAYED LENNOX SOME
OF YOUR TAPE.
373
00:22:24,430 --> 00:22:25,866
AND THE BOTTOM LINE IS,
374
00:22:25,909 --> 00:22:29,260
KEITH LENNOX
WANTS TO RECORD
LOVE ON THE ROCKS.
375
00:22:29,304 --> 00:22:32,873
OH, COME ON, MAN.
I DON'T BELIEVE IT.
ARE YOU SERIOUS?
376
00:22:32,916 --> 00:22:35,223
YEAH, MAN. I'M SERIOUS
AS A HEART ATTACK.
377
00:22:35,266 --> 00:22:37,399
LISTEN, THEY NEED YOU
OUT HERE FOR TWO WEEKS.
378
00:22:37,443 --> 00:22:40,271
YOU GET FULL EXPENSES,
EVERYTHING FIRST-CLASS,
379
00:22:40,315 --> 00:22:42,012
BROTHER, AND YOU
CAN BRING RIVEY.
380
00:22:42,056 --> 00:22:45,407
ONLY THING, JESS, YOU
GOT TO BE OUT HERE
BY TOMORROW.
381
00:22:45,451 --> 00:22:47,148
TOMORROW? COME ON,
ARE YOU CRAZY?
382
00:22:47,191 --> 00:22:50,194
NO, MAN. WE GOT TO GO
INTO THE STUDIOS
383
00:22:50,238 --> 00:22:51,544
AND START
CUTTING TOMORROW.
384
00:22:51,587 --> 00:22:54,373
ALL RIGHT. LOOK, LET ME
CALL YOU BACK ON THIS, OK?
385
00:22:54,416 --> 00:22:55,286
WHERE ARE YOU STAYING?
386
00:22:55,330 --> 00:22:57,158
WE'RE STAYING
AT THE HOLLYWOOD
387
00:22:57,201 --> 00:22:58,377
GARDEN OF EDEN MOTEL.
388
00:22:58,420 --> 00:23:01,205
JESS, IT'S PARADISE, MAN.
389
00:23:01,249 --> 00:23:02,293
IT'S PARADISE.
390
00:23:02,337 --> 00:23:04,861
YEAH, GREAT.
I'LL CALL YOU BACK, OK?
391
00:23:04,905 --> 00:23:06,646
ALL RIGHT.
BYE, NOW.
392
00:23:11,912 --> 00:23:14,218
HI, GORGEOUS.
I GOT TO GET DRESSED
FOR THE PARTY.
393
00:23:14,262 --> 00:23:16,960
COME HERE A SECOND.
I GOT TO TALK TO YOU.
394
00:23:17,004 --> 00:23:18,440
I JUST SPOKE
WITH BUBBA IN L.A.
395
00:23:18,484 --> 00:23:21,008
THERE'S A ROCK STAR
THAT HE'S WORKING FOR
OUT THERE.
396
00:23:21,051 --> 00:23:23,358
THEY WANT TO RECORD
ONE OF MY SONGS.
397
00:23:23,402 --> 00:23:26,056
THEY NEED ME TO COME OUT
FOR TWO WEEKS.
398
00:23:26,100 --> 00:23:28,015
WHAT DID YOU TELL HIM?
399
00:23:28,058 --> 00:23:31,453
RIVEY, DO YOU KNOW WHAT IT
MEANS TO HAVE A HIT SONG
AND A HIT ALBUM LIKE THAT?
400
00:23:31,497 --> 00:23:35,457
I GOT TO GO. HONEY, I WANT
YOU TO COME WITH ME.
401
00:23:36,153 --> 00:23:37,633
HOW CAN I GO AND...
402
00:23:37,677 --> 00:23:40,288
I HAVE SO MUCH TO DO HERE.
403
00:23:40,331 --> 00:23:41,594
HOW CAN YOU GO?
404
00:23:41,637 --> 00:23:45,293
AREN'T YOU CURIOUS ABOUT
WHAT GOES ON OUT THERE?
405
00:23:45,685 --> 00:23:47,556
WHY SHOULD I BE?
406
00:23:47,600 --> 00:23:49,384
I HAVE WHAT I WANT.
407
00:23:49,428 --> 00:23:50,385
IT'S ALL HERE.
408
00:23:50,429 --> 00:23:52,996
OH, RIVEY, HONEY,
IT'S TWO WEEKS.
409
00:23:53,040 --> 00:23:54,345
[SOBBING]
410
00:23:54,389 --> 00:23:55,346
WHY?
411
00:23:55,390 --> 00:23:57,131
YOU'VE BEEN DOING
SO BEAUTIFULLY.
412
00:23:57,174 --> 00:23:59,394
I'M SO PROUD
OF YOU, JESS.
413
00:23:59,438 --> 00:24:00,482
PLEASE?
414
00:24:00,526 --> 00:24:03,485
I'VE NEVER SEEN
YOUR FATHER SO HAPPY.
415
00:24:03,529 --> 00:24:05,139
DON'T SPOIL IT FOR HIM.
416
00:24:05,182 --> 00:24:06,532
DON'T DO THAT
TO HIM, PLEASE.
417
00:24:06,575 --> 00:24:09,186
IF YOU'RE NOT
GOING TO THINK OF ME,
THINK OF HIM.
418
00:24:09,230 --> 00:24:10,274
THINK OF YOUR
FATHER, JESS.
419
00:24:10,318 --> 00:24:12,363
LISTEN. I LOVE MY FATHER.
420
00:24:12,407 --> 00:24:14,104
I'LL NEVER DO
ANYTHING TO HURT HIM,
421
00:24:14,148 --> 00:24:17,673
BUT I'M GOING TO L.A.
WITH YOU OR WITHOUT YOU.
422
00:24:17,717 --> 00:24:20,459
I AM GOING TO L.A.
423
00:24:43,351 --> 00:24:45,875
[MUSIC DROWNING
OUT DIALOGUE]
424
00:25:07,680 --> 00:25:10,857
[INDISTINCT] HA HA HA.
425
00:25:12,336 --> 00:25:14,774
AHH!
426
00:25:14,817 --> 00:25:16,645
[CHEERING]
427
00:25:18,081 --> 00:25:23,391
LEO AND I HAVE
BEEN REMEMBERING
ALL SORT OF THINGS.
428
00:25:23,434 --> 00:25:25,741
HARRY TRUMAN
WAS A WONDERFUL MAN.
429
00:25:25,785 --> 00:25:28,178
WITHOUT HIM, WE WOULD
HAVE ALL BEEN NOWHERE.
430
00:25:28,222 --> 00:25:32,400
LEO, WHY DON'T YOU GO
ASK TILLIE TO DANCE?
431
00:25:33,357 --> 00:25:34,707
I'M RESTING.
432
00:25:34,750 --> 00:25:38,319
JUST GO ASK HER
TO DANCE, PLEASE, LEO?
433
00:25:38,362 --> 00:25:39,363
TO THE MUSIC.
434
00:25:39,407 --> 00:25:43,585
LEO, PLEASE!
GO ASK TILLIE TO DANCE.
435
00:25:44,107 --> 00:25:46,414
I'M DANCING.
436
00:25:47,458 --> 00:25:53,116
OH, HOW I'D LOVE
TO DANCE WITH YOUR MOTHER.
437
00:25:53,160 --> 00:25:56,293
OH, SHE WAS
SO FULL OF LIFE.
438
00:25:56,337 --> 00:25:57,468
AH.
439
00:25:57,512 --> 00:25:59,383
PAPA, I GOT TO TALK TO
YOU ABOUT SOMETHING.
440
00:25:59,427 --> 00:26:02,299
THAT AWFUL DAY
WHEN YOU WERE PLAYING
441
00:26:02,343 --> 00:26:07,827
IN THE STREETS AND THEN CAME
THE BULLETS AND THE BOMB
442
00:26:07,870 --> 00:26:08,741
AND THE TERRORISTS!
443
00:26:08,784 --> 00:26:10,699
PAPA, COME ON,
COME ON, PAPA.
444
00:26:10,743 --> 00:26:13,006
THIS IS A TIME
FOR CELEBRATION.
445
00:26:13,049 --> 00:26:14,355
BE HAPPY, BE HAPPY.
446
00:26:14,398 --> 00:26:15,617
YEAH, YEAH.
447
00:26:15,661 --> 00:26:18,098
AH, YEAH, YEAH, YEAH,
YEAH, YEAH, YEAH, YEAH.
448
00:26:18,141 --> 00:26:21,101
PAPA, I GOT TO TALK TO
YOU ABOUT SOMETHING.
449
00:26:21,144 --> 00:26:24,017
I GOT AN OFFER FOR
A JOB IN LOS ANGELES.
450
00:26:24,060 --> 00:26:26,106
THEY WANT ME TO COME OUT
AND RECORD MY MUSIC.
451
00:26:26,149 --> 00:26:30,501
IT'S TWO WEEKS.
I HAVE TO GO OUT
THERE FOR TWO WEEKS.
452
00:26:30,545 --> 00:26:31,633
NO.
453
00:26:31,677 --> 00:26:34,462
PAPA, SOMEBODY WANTS
TO RECORD MY MUSIC.
454
00:26:34,505 --> 00:26:35,637
THIS IS IMPORTANT TO ME.
455
00:26:35,681 --> 00:26:38,858
YOU WON'T COME BACK.
I KNOW IT.
456
00:26:38,901 --> 00:26:39,641
PAPA.
457
00:26:39,685 --> 00:26:41,251
YOU WILL NEVER COME BACK.
458
00:26:41,295 --> 00:26:42,426
COME ON.
MY LIFE IS HERE.
459
00:26:42,470 --> 00:26:44,254
YOU'RE HERE,
RIVEY'S HERE.
460
00:26:44,298 --> 00:26:46,300
PLEASE. TWO WEEKS.
461
00:26:47,214 --> 00:26:48,781
IF YOU DO THIS THING,
462
00:26:48,824 --> 00:26:53,873
IF YOU GO ALL THE WAY
TO CALIFORNIA...
463
00:27:05,972 --> 00:27:08,627
TAKE CARE OF YOURSELF.
464
00:27:09,671 --> 00:27:11,194
OH, PAPA, COME ON.
465
00:27:11,238 --> 00:27:12,587
THIS IS A TIME
TO BE HAPPY.
466
00:27:12,631 --> 00:27:15,242
NO SADNESS,
NO SADNESS. HUH?
467
00:27:15,285 --> 00:27:16,460
NO, NO.
468
00:27:16,504 --> 00:27:18,332
COME ON. WE'RE GONNA
SING, WE'RE GONNA SING.
469
00:27:18,375 --> 00:27:20,290
[SINGING HAVA NAGILA]
470
00:29:33,032 --> 00:29:34,468
[CHEERING]
471
00:30:13,594 --> 00:30:16,336
HI. I'M JESS ROBIN.
472
00:30:16,379 --> 00:30:18,033
ARE YOU SURE?
473
00:30:18,077 --> 00:30:20,688
I MEAN, I WAS EXPECTING
SOMEONE A LITTLE MORE
RELIGIOUS LOOKING.
474
00:30:20,731 --> 00:30:21,820
NO, I'M JUST A CANTOR.
475
00:30:21,863 --> 00:30:25,258
OH. DO I CALL YOU CANTOR
OR FATHER OR...
476
00:30:25,301 --> 00:30:26,955
HA HA. JESS.
477
00:30:26,999 --> 00:30:28,087
OH, OK.
478
00:30:28,130 --> 00:30:29,088
GOOD.
479
00:30:29,131 --> 00:30:30,611
I'M WITH KEITH LENNOX
PRODUCTIONS.
480
00:30:30,654 --> 00:30:32,569
MOLLY. MOLLY BELL.
481
00:30:32,613 --> 00:30:34,223
THAT'S WHAT THEY CALL ME.
482
00:30:34,267 --> 00:30:36,530
MY REAL NAME'S
A LOT LONGER.
483
00:30:36,573 --> 00:30:37,705
SO IS MINE.
484
00:30:37,748 --> 00:30:39,402
BELENGOCAVELA?
485
00:30:39,446 --> 00:30:40,490
RABINOVITCH?
486
00:30:40,534 --> 00:30:42,231
OH, THAT'S NOT BAD.
487
00:30:42,275 --> 00:30:43,450
NICE TO MEET YOU.
488
00:30:43,493 --> 00:30:46,018
YOU'LL LOVE IT. THEY'VE
GOT EVERYTHING HERE.
489
00:30:46,061 --> 00:30:48,324
SMOG, FOG, FLOODS,
EARTHQUAKES.
490
00:30:48,368 --> 00:30:49,891
THAT'S JUST SOME
OF THE GOOD STUFF.
491
00:30:49,935 --> 00:30:52,198
HEY, I'M ONLY GOING
TO BE HERE FOR TWO WEEKS.
492
00:30:52,241 --> 00:30:55,288
WELL, YOU MIGHT MISS
THE EARTHQUAKE.
493
00:30:56,419 --> 00:30:59,292
THOSE ARE PALM TREES.
494
00:30:59,901 --> 00:31:02,817
JESS, WELCOME TO CALIFORNIA.
495
00:31:02,861 --> 00:31:05,472
NO, WAIT.
496
00:31:11,957 --> 00:31:15,656
NOW, WELCOME
TO CALIFORNIA.
497
00:31:30,845 --> 00:31:32,368
♪ BAH!
498
00:31:32,412 --> 00:31:33,804
♪ BAH!
499
00:31:33,848 --> 00:31:35,328
♪ BAH!
500
00:31:35,371 --> 00:31:36,590
♪ BAH!
501
00:31:36,633 --> 00:31:38,897
[ROCK MUSIC PLAYING]
502
00:31:42,204 --> 00:31:44,946
♪ LOVE ON THE ROCKS
AIN'T NO BIG SURPRISE ♪
503
00:31:44,990 --> 00:31:48,297
♪ POUR ME A DRINK, AND
I'LL TELL YOU SOME LIES ♪
504
00:31:48,341 --> 00:31:51,474
HE'S JUST
GETTING READY, RIGHT?
505
00:31:51,518 --> 00:31:54,347
NO, THEY'RE
DOING IT FOR REAL.
506
00:31:54,390 --> 00:31:56,131
THIS SONG IS SUPPOSED
TO BE A BALLAD.
507
00:31:56,175 --> 00:31:58,220
THAT'S HIS STYLE,
MISTER.
508
00:31:58,264 --> 00:32:00,266
MADE HIM
A MILLIONAIRE.
509
00:32:00,309 --> 00:32:02,398
YEAH, BUT THE THING
IS IT'S TOO FAST.
510
00:32:02,442 --> 00:32:03,573
YOU CAN'T HEAR THE WORDS.
511
00:32:03,617 --> 00:32:05,010
YEAH, THAT'S WHY WE
BROUGHT YOU DOWN HERE.
512
00:32:05,053 --> 00:32:08,274
WE CHANGED
THE TEMPO, YOU'RE GONNA
CHANGE THE LYRICS.
513
00:32:08,883 --> 00:32:10,232
HOLD IT!
514
00:32:10,276 --> 00:32:11,407
[WHISTLES]
515
00:32:11,451 --> 00:32:14,497
HOLD IT!
516
00:32:17,022 --> 00:32:18,153
WHAT ARE YOU PLAYING?
517
00:32:18,197 --> 00:32:20,416
I--I TOLD YOU THREE...
518
00:32:20,460 --> 00:32:21,548
HOW MANY TIMES...
519
00:32:21,591 --> 00:32:25,030
THREE TIMES I'VE TOLD YOU,
IT'S TOO SLOW!
520
00:32:25,073 --> 00:32:27,554
DO YOU UNDERSTAND?
IT'S TOO SLOW.
521
00:32:27,597 --> 00:32:29,599
I WANT IT FASTER, ALL RIGHT?
522
00:32:29,643 --> 00:32:31,993
FASTER.
DA DA DA DA, ALL RIGHT?
523
00:32:32,037 --> 00:32:33,255
BOOM, BOOM, BOOM, BOOM!
524
00:32:33,299 --> 00:32:34,996
WE CAN HEAR THE "BOOM
BOOM" IN HERE, DARLING.
525
00:32:35,040 --> 00:32:36,389
IT SOUNDS WONDERFUL
526
00:32:36,432 --> 00:32:38,913
I DON'T GIVE A MONKEY'S WHAT
YOU CAN HEAR, ALL RIGHT?
527
00:32:38,957 --> 00:32:40,175
Paul: BUT WE'RE
GOING TO--
528
00:32:40,219 --> 00:32:41,568
SHUT IT!
529
00:32:41,611 --> 00:32:45,050
JUST SHUT IT, ALL RIGHT?
530
00:32:46,442 --> 00:32:47,748
MR. ROSSINI.
WHAT?
531
00:32:47,791 --> 00:32:51,230
IF HE TRIES IT AS A BALLAD,
IT'LL REALLY HELP HIM.
532
00:32:53,362 --> 00:32:55,451
WHY DON'T YOU GO
AND TELL HIM THAT?
533
00:32:55,495 --> 00:32:56,800
I MEAN, HE'LL
LISTEN TO YOU.
534
00:32:56,844 --> 00:32:59,412
I MEAN, HE'LL TAKE
ADVICE FROM ANYONE
IN HIS VISA.
535
00:32:59,455 --> 00:33:00,369
GO ON. GO TELL HIM.
536
00:33:00,413 --> 00:33:01,718
OK.
JESS, JUST BE COOL, HMM?
537
00:33:01,762 --> 00:33:05,157
OH, YEAH.
I'M SURE IT'S A MISTAKE.
538
00:33:05,200 --> 00:33:08,943
LET'S GET IT AS FAST
AS WE CAN GET.
539
00:33:10,945 --> 00:33:12,425
MR. LENNOX.
540
00:33:12,468 --> 00:33:15,471
HI. I'M JESSE ROBIN.
I WROTE THIS SONG
THAT YOU'RE DOING.
541
00:33:15,515 --> 00:33:18,083
UH, I THINK
IT MIGHT HELP YOU
542
00:33:18,126 --> 00:33:19,475
IF I DID IT AS A BALLAD.
543
00:33:19,519 --> 00:33:20,781
YOU KNOW, THE PHRASING.
544
00:33:20,824 --> 00:33:22,304
YEAH, OK, FINE,
GO AHEAD.
545
00:33:22,348 --> 00:33:23,523
CAN I DO IT?
546
00:33:23,566 --> 00:33:25,177
FOR YOU?
547
00:33:25,220 --> 00:33:27,657
GO AHEAD.
548
00:33:27,701 --> 00:33:29,224
GREAT.
549
00:33:36,753 --> 00:33:40,322
CAN I ASK THE BAND TO PLAY
THE MAJOR SEVENTH CHORDS
550
00:33:40,366 --> 00:33:44,283
IN THE, UH, IN THE BRIDGE
AND TAKE IT REAL EASY?
551
00:33:44,326 --> 00:33:46,024
REAL EASY TEMPO.
552
00:33:46,067 --> 00:33:48,461
AND 3, 4.
553
00:33:48,504 --> 00:33:50,898
[PLAYING KEYBOARDS
AT SLOW TEMPO]
554
00:34:03,258 --> 00:34:06,261
♪ LOVE ON THE ROCKS
555
00:34:06,783 --> 00:34:09,873
♪ AIN'T NO SURPRISE
556
00:34:10,352 --> 00:34:16,358
♪ JUST POUR ME A DRINK, AND
I'LL TELL YOU SOME LIES ♪
557
00:34:18,230 --> 00:34:20,188
♪ GOT NOTHING TO LOSE
558
00:34:20,232 --> 00:34:23,931
♪ SO YOU JUST
SING THE BLUES ♪
559
00:34:23,974 --> 00:34:26,977
♪ ALL THE TIME
560
00:34:31,808 --> 00:34:34,985
♪ GAVE ME YOUR HEART
561
00:34:35,029 --> 00:34:37,901
♪ YOU GAVE ME YOUR SOUL
562
00:34:39,425 --> 00:34:42,341
♪ THEN YOU LEFT ME ALONE HERE
563
00:34:42,384 --> 00:34:46,388
♪ WITH NOTHING TO HOLD
564
00:34:47,476 --> 00:34:50,697
♪ YESTERDAY'S GONE
565
00:34:51,306 --> 00:34:57,573
♪ NOW ALL I WANT IS A SMILE
566
00:34:57,617 --> 00:34:59,401
REAL STRONG HERE, PLEASE.
567
00:34:59,445 --> 00:35:02,404
[MUSIC GETS LOUDER
AND MORE DRAMATIC]
568
00:35:02,448 --> 00:35:05,538
♪ FIRST THEY SAY THEY WANT YOU
569
00:35:05,581 --> 00:35:09,324
♪ SEE, THEY REALLY NEED YOU
570
00:35:09,368 --> 00:35:13,198
♪ SUDDENLY YOU FIND
YOU'RE OUT THERE ♪
571
00:35:13,241 --> 00:35:16,897
♪ WALKING IN A STORM
572
00:35:16,940 --> 00:35:20,901
♪ AND WHEN THEY KNOW
THEY HAVE YOU ♪
573
00:35:20,944 --> 00:35:24,383
♪ THEN THEY REALLY HAVE YOU
574
00:35:24,426 --> 00:35:27,734
♪ NOTHING YOU CAN DO OR SAY
575
00:35:27,777 --> 00:35:29,736
♪ YOU'VE GOT TO LEAVE
576
00:35:29,779 --> 00:35:32,782
♪ JUST GET AWAY
577
00:35:32,826 --> 00:35:38,875
♪ WE ALL KNOW THE SONG
578
00:35:40,225 --> 00:35:43,228
♪ LOVE ON THE ROCKS
579
00:35:44,098 --> 00:35:47,101
♪ IT AIN'T NO BIG SURPRISE
580
00:35:47,536 --> 00:35:54,108
♪ JUST POUR ME A DRINK, AND
I'LL TELL YOU MY LIES ♪
581
00:35:56,023 --> 00:35:59,244
♪ YESTERDAY'S GONE
582
00:36:00,288 --> 00:36:06,903
♪ NOW ALL I WANT IS A SMILE
583
00:36:19,873 --> 00:36:23,529
THANK YOU. THAT WAS,
UH, VERY NICE.
584
00:36:23,572 --> 00:36:25,357
NOW, WHY DON'T
YOU JUST PISS OFF
585
00:36:25,400 --> 00:36:28,534
AND TAKE THOSE FOUR
CLOWNS WITH YOU.
586
00:36:29,404 --> 00:36:32,973
Keith: OK, PAUL, NOW
WE DO IT MY WAY.
587
00:36:33,016 --> 00:36:35,323
DOES THAT MEAN WE'RE FIRED?
588
00:36:37,064 --> 00:36:38,892
[TAPE REWINDING]
589
00:36:46,029 --> 00:36:49,032
PAUL, THAT'S THE WAY
THAT SONG SHOULD BE.
590
00:36:49,294 --> 00:36:50,991
TELL KEITH LENNOX THAT.
591
00:36:51,034 --> 00:36:52,862
[ROCK MUSIC PLAYING]
592
00:36:57,258 --> 00:37:00,218
HEY, RABINOVITCH!
593
00:37:01,741 --> 00:37:03,351
YOU'RE OK.
594
00:37:03,395 --> 00:37:05,658
YOU BETTER NOT TELL
KEITH LENNOX THAT.
595
00:37:05,701 --> 00:37:06,572
I JUST DID.
596
00:37:06,615 --> 00:37:08,008
WHAT DID HE SAY?
597
00:37:08,051 --> 00:37:09,662
"YOU'RE FIRED."
598
00:37:10,402 --> 00:37:13,318
WELL, HE JUST BLEW
A VERY IMPORTANT GIG.
599
00:37:13,361 --> 00:37:16,059
AND THERE'S ONLY
ONE THING TO DO.
600
00:37:16,103 --> 00:37:17,757
WHAT IS THAT?
601
00:37:18,279 --> 00:37:19,585
HAVE A PARTY!
602
00:37:19,628 --> 00:37:22,457
[LAUGHTER]
603
00:37:27,332 --> 00:37:30,378
♪ HEY, LOOK AT THE WAY
SHE'S WAVIN' HER SAIL ♪
604
00:37:30,422 --> 00:37:32,380
♪ IT'S A WONDROUS
SIGHT TO SEE ♪
605
00:37:32,424 --> 00:37:35,253
♪ PEOPLE COMIN' AROUND
FROM ALL OVER TOWN ♪
606
00:37:35,296 --> 00:37:37,385
♪ HAVE A LOOK
AT THE ROBERT E. LEE ♪
607
00:37:37,429 --> 00:37:42,303
♪ PROUD AND STRONG
AND MADE TO BE FREE ♪
608
00:37:42,347 --> 00:37:46,307
♪ CAN'T GO WRONG
ON THE ROBERT E. LEE ♪
609
00:37:46,351 --> 00:37:49,615
♪ GOT THE SUN IN MY EYES
AND THE WIND IN MY FACE ♪
610
00:37:49,658 --> 00:37:51,530
♪ AND IT'S GOOD
JUST TO BE ALIVE ♪
611
00:37:51,573 --> 00:37:54,359
♪ GONNA SET OUT TONIGHT
FOR NEW ORLEANS ♪
612
00:37:54,402 --> 00:37:58,319
♪ I WON'T SLEEP
TILL I ARRIVE ♪
613
00:37:58,711 --> 00:38:02,628
♪ AND IF I'M LUCKY, I'LL FIND
A YOUNG LADY UNDER THE STARS ♪
614
00:38:02,671 --> 00:38:05,761
♪ AND WE'LL DANCE
THE NIGHT AWAY ♪
615
00:38:05,805 --> 00:38:07,285
IS THAT ME?
616
00:38:07,328 --> 00:38:09,548
♪ SOMEBODY WAY DOWN
617
00:38:09,591 --> 00:38:11,854
[HUMMING]
618
00:38:25,607 --> 00:38:28,262
♪ GOT THE SUN IN MY EYES
AND THE WIND IN MY FACE ♪
619
00:38:28,306 --> 00:38:30,351
♪ AND IT'S GOOD
JUST TO BE ALIVE ♪
620
00:38:30,395 --> 00:38:32,962
♪ GONNA SET OUT TONIGHT
FOR NEW ORLEANS ♪
621
00:38:33,006 --> 00:38:36,314
♪ I WON'T SLEEP
TILL I ARRIVE ♪
622
00:38:40,448 --> 00:38:42,320
[CHEERING]
623
00:38:43,799 --> 00:38:45,279
BOOM, BOOM, BOOM!
624
00:38:45,323 --> 00:38:47,325
I WANT MORE BOOM, BOOM, BOOM!
625
00:38:47,368 --> 00:38:49,849
I WANT MORE
BOOM, BOOM, BOOM!
626
00:38:49,892 --> 00:38:51,241
MORE BOOM, BOOM, BOOM!
627
00:38:51,285 --> 00:38:53,331
WHO WANTS MORE BEER?
628
00:38:54,941 --> 00:38:56,464
YOU OVERLOOK THE BEACH.
629
00:38:56,508 --> 00:38:58,118
SOMETIMES THE RENT.
630
00:38:58,161 --> 00:39:01,077
[LAUGHTER AND
OVERLAPPING CONVERSATIONS]
631
00:39:12,741 --> 00:39:15,178
MOLLY! YOU GOT ANY
CHARLIE PARKER ALBUMS?
632
00:39:15,222 --> 00:39:18,399
OH, MY GOSH.
IT'S MY MIDDLE NAME.
633
00:39:18,443 --> 00:39:19,879
WHERE DO YOU
KEEP THEM AT?
634
00:39:19,922 --> 00:39:22,360
YOU EVER HEAR HIM
WITH STRINGS? I GOT
SOME RIGHT HERE.
635
00:39:45,426 --> 00:39:46,862
HEY, ROBIN.
636
00:39:46,906 --> 00:39:48,255
JESS ROBIN.
637
00:39:48,298 --> 00:39:50,344
YOU CAN GET MUGGED
OUT HERE ON THE BEACH,
YOU KNOW?
638
00:39:50,388 --> 00:39:52,999
YOU CAN GET MUGGED
IN A RECORDING STUDIO.
639
00:39:53,042 --> 00:39:57,090
AND, UH, THE NAME'S
RABINOVITCH.
640
00:40:00,223 --> 00:40:01,311
WHAT IS IT?
641
00:40:01,355 --> 00:40:02,791
LOVE ON THE ROCKS
BY JESS ROBIN.
642
00:40:02,835 --> 00:40:06,882
THE SOUND MAN GAVE
IT TO ME AS A GOING
AWAY PRESENT.
643
00:40:06,926 --> 00:40:10,669
NOBODY SHOULD SING YOUR
SONGS BUT YOU, JESS.
644
00:40:11,234 --> 00:40:12,453
SO FAR, NOBODY HAS.
645
00:40:12,497 --> 00:40:15,325
WELL, LOOK, IT'S
A TOUGH BUSINESS.
646
00:40:15,369 --> 00:40:17,719
LENNOX IS SINGING
YOUR SONG ALL WRONG
647
00:40:17,763 --> 00:40:20,635
BUT HE IS SINGING IT.
YOU'LL MAKE IT.
648
00:40:20,679 --> 00:40:24,378
I KNEW IT THE MOMENT
I HEARD YOU IN THAT
RECORDING STUDIO.
649
00:40:24,422 --> 00:40:27,337
IT MIGHT TAKE
A LITTLE WHILE,
BUT YOU'LL MAKE IT.
650
00:40:27,381 --> 00:40:29,601
WELL, I DON'T HAVE
A LITTLE WHILE.
651
00:40:29,644 --> 00:40:31,341
I GOT FIRED TODAY.
652
00:40:31,385 --> 00:40:32,517
I'M GONNA GO HOME.
653
00:40:32,560 --> 00:40:34,344
JESS, YOU WERE GOING
TO STAY TWO WEEKS.
654
00:40:34,388 --> 00:40:36,999
WHY DON'T YOU
AT LEAST GIVE YOURSELF
THE TWO WEEKS?
655
00:40:37,043 --> 00:40:38,653
WHAT CAN YOU DO IN TWO WEEKS?
656
00:40:38,697 --> 00:40:42,744
YEAH, YOU'RE RIGHT.
IT TAKES THREE WEEKS
TO BECOME A SUPERSTAR.
657
00:40:42,788 --> 00:40:44,137
TO BECOME A LEGEND,
AT LEAST A MONTH.
658
00:40:44,180 --> 00:40:47,488
WELL, I GUESS
I'M OUT OF LUCK THEN.
659
00:40:47,532 --> 00:40:48,881
JESS, WHY
DON'T YOU STAY?
660
00:40:48,924 --> 00:40:51,492
WHAT HAVE YOU GOT
GOING FOR YOU BACK
IN NEW YORK?
661
00:40:51,536 --> 00:40:54,669
A JOB, FOR ONE THING.
662
00:40:55,409 --> 00:40:57,106
I REALLY AM A CANTOR.
663
00:40:57,150 --> 00:40:59,413
COME FROM
A FAMILY OF CANTORS.
664
00:40:59,457 --> 00:41:01,415
FIVE GENERATIONS.
665
00:41:01,459 --> 00:41:02,677
CANTOR RABINOVITCH.
666
00:41:02,721 --> 00:41:05,941
SO, NOW ALL OF A SUDDEN
THERE'S A JESS ROBIN.
667
00:41:05,985 --> 00:41:09,467
THERE'S ALWAYS
BEEN A JESS ROBIN...
668
00:41:09,945 --> 00:41:13,296
EVER SINCE I WAS A KID.
YOU KNOW, THE SONGS...
669
00:41:13,340 --> 00:41:14,950
THAT GO THROUGH YOUR HEAD.
670
00:41:14,994 --> 00:41:16,952
I DON'T KNOW.
I GUESS I CAME OUT HERE
671
00:41:16,996 --> 00:41:18,258
TO SEE IF THEY
WERE ANY GOOD.
672
00:41:18,301 --> 00:41:21,304
SEE IF I'M ANY GOOD.
673
00:41:21,870 --> 00:41:25,439
I JUST DON'T WANT TO
GO THROUGH LIFE THINKING...
674
00:41:25,483 --> 00:41:27,615
I COULD'VE BEEN.
675
00:41:27,659 --> 00:41:29,051
MY FATHER DID THAT.
676
00:41:29,095 --> 00:41:32,315
HE WANTED TO BE
A CONCERT PIANIST
WHEN HE WAS YOUNG.
677
00:41:32,359 --> 00:41:33,534
NOBODY LISTENED TO HIM.
678
00:41:33,578 --> 00:41:35,275
NOBODY TRIED TO HELP.
679
00:41:35,318 --> 00:41:37,625
SO, AFTER A WHILE,
HE JUST PLAYED IT SAFE,
680
00:41:37,669 --> 00:41:40,236
BECAME A SOUND ENGINEER.
681
00:41:40,280 --> 00:41:41,934
HE WAS REALLY
GOOD, TOO.
682
00:41:41,977 --> 00:41:43,849
I GUESS HE DIED THINKING,
683
00:41:43,892 --> 00:41:46,460
MAYBE I COULD'VE BEEN.
684
00:41:57,297 --> 00:41:59,908
WELL, SUPPOSING I WAS
GOING TO STAY OUT HERE
685
00:41:59,952 --> 00:42:02,258
FOR A COUPLE OF WEEKS...
686
00:42:02,302 --> 00:42:03,738
YOU SEEM TO KNOW THE ROPES.
687
00:42:03,782 --> 00:42:07,176
I SHOULD. I'VE BEEN
KNOCKED THROUGH
THEM ENOUGH TIMES.
688
00:42:07,220 --> 00:42:09,004
WELL, WHAT WOULD I DO?
689
00:42:09,048 --> 00:42:11,354
WELL, THE FIRST THING
YOU GOT TO DO
690
00:42:11,398 --> 00:42:12,704
IS FIND SOMEBODY
TO HANDLE YOU.
691
00:42:12,747 --> 00:42:15,228
YOU HAVE TO GET SOMEBODY
TOUGH AND SMART,
692
00:42:15,271 --> 00:42:16,751
SOMEBODY WHO REALLY
CARES ABOUT YOUR TALENT.
693
00:42:16,795 --> 00:42:20,233
AND THEY, WHOEVER,
THEY HAVE TO FIND OUT
WHO'S DOING WHAT
694
00:42:20,276 --> 00:42:25,325
AND WHERE AND TRY
TO GET YOU THERE AHEAD
OF EVERYBODY ELSE.
695
00:42:25,847 --> 00:42:28,850
WELL, I'M--I'M GOING
TO NEED A PLACE TO STAY.
696
00:42:28,894 --> 00:42:30,199
I HAVE AN EXTRA ROOM.
697
00:42:30,243 --> 00:42:31,287
YOU CAN STAY
HERE WITH ME.
698
00:42:31,331 --> 00:42:34,464
I'D HAVE TO LET
POP KNOW, CALL RIVKA.
699
00:42:34,508 --> 00:42:35,422
RIVKA?
700
00:42:35,465 --> 00:42:36,466
MY WIFE.
701
00:42:36,510 --> 00:42:38,773
RIGHT. YOU CAN'T
STAY HERE WITH ME.
702
00:42:38,817 --> 00:42:41,559
UM, MAYBE YOU COULD
STAY WITH BUBBA.
703
00:42:42,690 --> 00:42:44,126
AND, LIKE YOU SAID,
704
00:42:44,170 --> 00:42:46,215
I HAVE TO FIND SOMEONE
WHO CAN HANDLE ME,
705
00:42:46,259 --> 00:42:49,567
SOMEONE WHO'S
TOUGH AND SMART AND...
706
00:42:49,610 --> 00:42:53,179
AND SOMEONE WHO CARES.
707
00:42:53,222 --> 00:42:57,270
NOW, WHERE AM I GOING TO
FIND SOMEONE LIKE THAT?
708
00:42:58,358 --> 00:43:03,276
OH, WELL. I GUESS I BEEN
OUT OF WORK LONG ENOUGH.
709
00:43:08,455 --> 00:43:10,544
THAT'S HIM. EDDIE GIBBS.
710
00:43:10,588 --> 00:43:12,981
BOOKS ALL
THE VARIETY ACTS.
711
00:43:13,025 --> 00:43:14,287
WHICH ONE?
712
00:43:14,330 --> 00:43:16,289
THE FAT ONE.
LOOK, HE JUST LOST
THE OPENING ACT
713
00:43:16,332 --> 00:43:19,292
FOR ZANY GRAY'S
ONE-NIGHTER.
714
00:43:20,293 --> 00:43:22,251
WELL, GO GET HIM.
715
00:43:22,295 --> 00:43:23,252
WELL, THANKS, PEG.
716
00:43:23,296 --> 00:43:25,603
I OWE YA!
717
00:43:32,653 --> 00:43:34,307
PRETEND YOU DON'T KNOW ME.
718
00:43:34,350 --> 00:43:36,918
I DON'T.
719
00:43:37,789 --> 00:43:42,445
TAKE MY WALLET.
JUST LEAVE ME
MY CREDIT CARDS.
720
00:43:42,489 --> 00:43:44,622
OK. YOU CAN HAVE
THE CREDIT CARDS.
721
00:43:44,665 --> 00:43:46,275
TURN ON THE RADIO.
722
00:43:46,319 --> 00:43:48,843
TURN ON THE RADIO.
723
00:43:50,105 --> 00:43:51,063
[RADIO PLAYING]
724
00:43:51,106 --> 00:43:52,412
LOUDER. LOUDER!
725
00:43:52,455 --> 00:43:54,370
Man: ...THE CONTINUING
LARGE SUPPLY OF CORPORATE...
726
00:43:54,414 --> 00:43:57,765
NOW, YOU LISTEN,
AND YOU LISTEN GOOD.
727
00:43:57,809 --> 00:43:59,027
THE INDUSTRIALS
WERE DOWN ONE POINT
728
00:43:59,071 --> 00:44:02,422
IN MODERATE TRADING AND
UTILITIES WERE DOWN...
729
00:44:02,465 --> 00:44:03,423
[MUSIC PLAYING]
730
00:44:03,466 --> 00:44:06,295
♪ LOVE ON THE ROCKS
731
00:44:07,209 --> 00:44:09,647
♪ AIN'T NO SURPRISE
732
00:44:10,343 --> 00:44:16,262
♪ JUST POUR ME A DRINK, AND
I'LL TELL YOU SOME LIES ♪
733
00:44:18,220 --> 00:44:20,440
♪ GOT NOTHING TO LOSE
734
00:44:20,483 --> 00:44:24,139
♪ SO YOU JUST
SING THE BLUES ♪
735
00:44:24,183 --> 00:44:26,315
♪ ALL THE TIME
736
00:44:26,359 --> 00:44:27,273
YOU LIKE HIM?
737
00:44:27,316 --> 00:44:28,056
HE'S GOOD.
738
00:44:28,100 --> 00:44:29,057
GOOD? HE'S TERRIFIC!
739
00:44:29,101 --> 00:44:31,233
HE'S TERRIFIC. UM...
740
00:44:31,277 --> 00:44:32,104
WHO IS HE?
741
00:44:32,147 --> 00:44:33,192
ZANY GRAY'S
NEW OPENING ACT.
742
00:44:33,235 --> 00:44:34,715
ARE YOU CRAZY? COME ON!
743
00:44:34,759 --> 00:44:36,021
I CAN'T BOOK
SOMEONE FROM A TAPE!
744
00:44:36,064 --> 00:44:38,545
I GOT TO SEE HIM IN
FRONT OF AN AUDIENCE.
745
00:44:38,588 --> 00:44:40,286
TAKE YOUR TAPE AND OUT.
746
00:44:40,329 --> 00:44:41,287
WELL, BUT, MISTER--OUT!
747
00:44:41,330 --> 00:44:44,246
NOW, OPEN THE DOOR.
COME ON. OUT!
748
00:44:44,769 --> 00:44:47,685
NOW, CLOSE
THE DOOR BEHIND YOU.
749
00:44:48,468 --> 00:44:50,296
GO, GO!
750
00:44:54,256 --> 00:44:56,998
[TIRES SCREECHING]
751
00:45:00,480 --> 00:45:02,482
YOU SURE?
752
00:45:02,700 --> 00:45:04,223
ALL RIGHT. WELL, WILL
YOU HAVE HIM CALL ME
753
00:45:04,266 --> 00:45:06,399
HERE AT MOLLY'S PLACE
WHEN HE GETS IN?
754
00:45:06,442 --> 00:45:08,053
PLEASE.
755
00:45:08,793 --> 00:45:10,229
BUBBA'S NOT THERE.
756
00:45:10,272 --> 00:45:12,013
HE SAYS HE'S GOING
TO CALL ME AT 7:00.
757
00:45:12,057 --> 00:45:13,145
IT'S A QUARTER TO 8:00.
758
00:45:13,188 --> 00:45:14,233
DON'T WORRY. HE'LL CALL.
759
00:45:14,276 --> 00:45:16,409
I HAVE TOTAL
CONFIDENCE IN BUBBA.
760
00:45:16,452 --> 00:45:17,671
HE'LL GET YOU THE JOB.
761
00:45:17,715 --> 00:45:19,717
HE HAS A LOT OF PULL AT
THE VENICE BLUES CLUB.
762
00:45:19,760 --> 00:45:21,457
WHAT PULL?
HE'S A WAITER.
763
00:45:21,501 --> 00:45:22,807
OH, JESS, RELAX.
764
00:45:22,850 --> 00:45:24,765
HAVE A LITTLE
FAITH, CANTOR.
765
00:45:24,809 --> 00:45:26,767
I'LL TELL YOU WHAT,
I'LL CHEER YOU UP.
766
00:45:26,811 --> 00:45:29,683
I'LL PLAY YOU ONE
OF YOUR SONGS.
767
00:45:36,037 --> 00:45:37,735
NO, WAIT. MOLLY, MOLLY.
768
00:45:37,778 --> 00:45:39,301
THAT'S TOO UP.
769
00:45:39,345 --> 00:45:42,783
WE NEED SOMETHING
A LITTLE MORE DEPRESSING
FOR THIS MOMENT.
770
00:45:42,827 --> 00:45:44,045
ALL RIGHT.
771
00:45:44,089 --> 00:45:45,133
WHAT ABOUT THAT?
772
00:45:45,177 --> 00:45:46,047
YEAH, THIS IS A GOOD ONE.
773
00:45:46,091 --> 00:45:48,310
YOU HAVEN'T
HEARD THAT ONE.
774
00:45:48,354 --> 00:45:49,050
OK.
775
00:45:49,094 --> 00:45:53,054
♪ HELLO AGAIN, HELLO
776
00:45:53,098 --> 00:45:57,189
♪ I JUST CALLED
TO SAY HELLO ♪
777
00:45:57,232 --> 00:46:01,236
♪ I COULDN'T SLEEP
AT ALL TONIGHT ♪
778
00:46:01,280 --> 00:46:04,109
♪ AND I KNOW IT'S LATE
779
00:46:04,152 --> 00:46:07,373
♪ BUT I COULDN'T WAIT
780
00:46:07,416 --> 00:46:13,422
♪ HELLO, MY FRIEND, HELLO
781
00:46:16,251 --> 00:46:21,256
♪ IT'S GOOD TO NEED YOU SO
782
00:46:23,868 --> 00:46:30,265
♪ IT'S GOOD TO WANT
YOU LIKE I DO ♪
783
00:46:30,309 --> 00:46:34,226
♪ AND TO FEEL THIS WAY
784
00:46:34,269 --> 00:46:38,796
♪ WHEN I HEAR YOU SAY
785
00:46:38,839 --> 00:46:43,061
♪ HELLO
786
00:46:49,415 --> 00:46:50,242
AHEM.
787
00:46:50,285 --> 00:46:51,809
I'M STILL WORKING ON IT.
788
00:46:51,852 --> 00:46:53,767
JESS, THAT'S BEAUTIFUL.
789
00:46:53,811 --> 00:46:56,204
YOU HAVE GOT
TO FINISH THAT.
790
00:46:56,248 --> 00:46:57,423
WHAT FOR?
791
00:46:57,466 --> 00:46:59,207
FOR ME.
792
00:46:59,251 --> 00:47:00,208
I LOVE IT!
793
00:47:00,252 --> 00:47:03,559
WELL, I'LL FINISH
IT SOMETIME,
794
00:47:03,603 --> 00:47:05,213
BUT NOT NOW.
795
00:47:05,257 --> 00:47:07,041
LOOK, OUR TWO WEEKS ARE UP.
796
00:47:07,085 --> 00:47:09,348
IF I DON'T GET
THAT CALL FROM BUBBA,
797
00:47:09,391 --> 00:47:10,566
I'M GOING HOME.
798
00:47:10,610 --> 00:47:12,960
LOOK, HE'LL CALL AND
HE'LL GET YOU THAT JOB.
799
00:47:13,004 --> 00:47:16,094
AND I PROMISE YOU,
I WILL GET EDDIE GIBBS
TO BE THERE.
800
00:47:16,137 --> 00:47:19,097
IT'S GETTING LATE.
801
00:47:20,185 --> 00:47:23,753
I KNOW HOW TO GET
YOU TO STAY.
802
00:47:23,797 --> 00:47:26,452
I'LL GIVE YOU MY BODY.
803
00:47:30,325 --> 00:47:32,545
HELLO?
804
00:47:33,415 --> 00:47:35,243
HELLO AGAIN.
805
00:47:35,765 --> 00:47:38,290
I JUST OFFERED YOU
MY BODY.
806
00:47:38,333 --> 00:47:41,249
I HEARD.
807
00:47:42,947 --> 00:47:45,775
WOULD YOU RATHER
HAVE A PIZZA?
808
00:47:49,910 --> 00:47:52,565
MOLLY, COME ON.
YOU'VE BEEN TERRIFIC.
809
00:47:52,608 --> 00:47:54,784
THESE TWO WEEKS
HAVE BEEN EXCITING.
810
00:47:54,828 --> 00:47:55,916
BUT I'M GONNA HAVE TO GO.
811
00:47:55,960 --> 00:47:58,005
JESS, IT'S ONLY
BEEN TWO WEEKS.
812
00:47:58,049 --> 00:47:59,267
NOTHING HAPPENS
IN TWO WEEKS.
813
00:47:59,311 --> 00:48:00,312
COME ON. WE TOOK
OUR SHOT AT IT.
814
00:48:00,355 --> 00:48:02,270
WHY DON'T WE JUST
LEAVE IT AT THAT?
815
00:48:02,314 --> 00:48:04,316
COME ON.
816
00:48:07,710 --> 00:48:10,365
IS SCHMUCK
A JEWISH WORD?
817
00:48:10,975 --> 00:48:13,194
YES. SCHMUCK IS
A JEWISH WORD.
818
00:48:13,238 --> 00:48:14,108
WHY?
819
00:48:14,152 --> 00:48:15,718
IF YOU GO BACK TOMORROW,
820
00:48:15,762 --> 00:48:19,026
I JUST WANTED TO BE
ABLE TO SAY SOMETHING
IN JEWISH TO YOU.
821
00:48:19,070 --> 00:48:19,809
OK.
822
00:48:19,853 --> 00:48:22,073
[TELEPHONE RINGING]
823
00:48:23,378 --> 00:48:24,553
HELLO?
824
00:48:24,597 --> 00:48:26,729
YEAH, BUBBA.
825
00:48:29,341 --> 00:48:30,603
OH, THAT'S GREAT!
826
00:48:30,646 --> 00:48:33,258
WELL, I DON'T KNOW.
I'LL HAVE TO ASK THE CANTOR.
827
00:48:33,301 --> 00:48:36,217
YOU THINK
YOU'LL STILL BE HERE
10:30 SATURDAY NIGHT.
828
00:48:36,261 --> 00:48:39,307
WELL, I-I MAY HAVE
A HOLLYWOOD BOWL ENGAGEMENT,
829
00:48:39,351 --> 00:48:41,483
BUT THEY'LL MOVE IT.
830
00:48:41,527 --> 00:48:43,398
YES! TELL HIM YES!
831
00:48:43,442 --> 00:48:45,226
OH, HE SAID YES.
832
00:48:45,705 --> 00:48:48,273
ALL RIGHT! YOU'RE ON!
833
00:48:49,752 --> 00:48:51,667
PIECE OF CAKE.
834
00:48:53,713 --> 00:48:57,630
♪ HEY, IT TAKES A LOT
OF LOVE TO MAKE IT GOOD ♪
835
00:48:57,673 --> 00:49:01,112
♪ TAKES A LOT OF LOVE
AND BELIEVIN', BABE ♪
836
00:49:01,155 --> 00:49:05,072
♪ I'M SAYIN' IT AGAIN
SO IT'S UNDERSTOOD ♪
837
00:49:05,116 --> 00:49:10,208
♪ ME, I BELIEVE
IN THE THINGS I KEEP
SEEIN' IN YOU ♪
838
00:49:10,251 --> 00:49:12,862
♪ BABY, BABY
839
00:49:12,906 --> 00:49:16,301
♪ OOH, BABY, BABY, NOW
840
00:49:16,344 --> 00:49:19,913
♪ OOH, BABY, BABY
841
00:49:19,957 --> 00:49:23,873
♪ OOH, BABY, BABY, NOW
842
00:49:23,917 --> 00:49:27,486
♪ OOH, BABY, BABY
843
00:49:27,529 --> 00:49:31,403
♪ OOH, BABY, BABY, NOW
844
00:49:31,446 --> 00:49:35,624
♪ OOH, BABY, BABY, NOW
845
00:49:35,668 --> 00:49:41,282
♪ OOH, BABY, BABY, NOW
846
00:49:41,326 --> 00:49:43,110
[CHEERING]
847
00:50:01,128 --> 00:50:03,261
TAKE IT DOWN!
848
00:50:10,311 --> 00:50:15,055
♪ HEY, SOMEBODY'S WAITIN'
ON THE RIVER JORDAN ♪
849
00:50:15,099 --> 00:50:18,667
♪ SOMEBODY'S WAITIN'
ON THE OTHER SIDE ♪
850
00:50:18,711 --> 00:50:22,367
♪ I CAST MY STONES
ON THE WAY TO HEAVEN ♪
851
00:50:22,410 --> 00:50:26,414
♪ AND ON THE WAY YOU
KNOW THAT I WILL ABIDE ♪
852
00:50:26,458 --> 00:50:32,072
♪ YES, ON THE WAY YOU
KNOW THAT I WILL ABIDE ♪
853
00:50:32,768 --> 00:50:34,553
♪ SHOW THEM
854
00:50:36,250 --> 00:50:38,252
♪ DO IT!
855
00:50:40,211 --> 00:50:42,430
♪ I'M AMAZED
856
00:50:43,910 --> 00:50:46,434
♪ AND CONFUSED
857
00:50:47,218 --> 00:50:50,221
♪ I'VE BEEN DAZED, YEAH
858
00:50:51,396 --> 00:50:55,008
♪ BEEN ABUSED
859
00:51:00,753 --> 00:51:04,322
♪ TAKE ME HOME
TO THAT GOLDEN RIVER ♪
860
00:51:04,365 --> 00:51:07,542
♪ TAKE ME THERE
TO THE OTHER SHORE ♪
861
00:51:07,586 --> 00:51:11,242
♪ I'LL FIND MY WAY
TO THAT PEACEFUL PLAYGROUND ♪
862
00:51:11,285 --> 00:51:15,289
♪ I KNOW I'VE BEEN THERE,
YES, I'VE BEEN THERE BEFORE ♪
863
00:51:15,333 --> 00:51:20,468
♪ I KNOW I'LL FIND IT 'CAUSE
I'VE BEEN THERE BEFORE ♪
864
00:51:22,644 --> 00:51:25,604
♪ OOH, AHH
865
00:51:29,129 --> 00:51:31,436
♪ I'M AMAZED
866
00:51:33,002 --> 00:51:35,222
♪ AND CONFUSED
867
00:51:36,310 --> 00:51:39,661
♪ I'VE BEEN DAZED, YEAH
868
00:51:40,445 --> 00:51:43,100
♪ BEEN ABUSED
869
00:51:44,188 --> 00:51:47,104
♪ I'M AMAZED, YEAH
870
00:51:47,800 --> 00:51:50,455
♪ AND CONFUSED
871
00:51:51,325 --> 00:51:55,199
♪ I'VE BEEN DAZED, YEAH
872
00:51:55,242 --> 00:51:59,116
♪ BEEN ABUSED, BABE
873
00:52:05,818 --> 00:52:07,646
[CHEERING]
874
00:52:39,025 --> 00:52:40,200
HE HATED ME.
875
00:52:40,244 --> 00:52:42,594
NO. HE HATES LOUD MUSIC.
876
00:52:42,637 --> 00:52:44,248
YOU, HE LOVED.
877
00:52:44,291 --> 00:52:47,294
YOU OPEN FOR
ZANY GRAY NEXT WEEK.
878
00:52:47,338 --> 00:52:49,427
OHH!
879
00:52:54,954 --> 00:52:56,390
LET'S GO GET PIZZA.
880
00:52:56,434 --> 00:52:58,218
COME ON.
881
00:53:03,789 --> 00:53:06,313
HONEY, I'M OPENING
FOR ZANY GRAY.
882
00:53:06,357 --> 00:53:07,401
YOU KNOW THE BIG COMIC?
883
00:53:07,445 --> 00:53:09,229
I DON'T KNOW. IT'S
ONLY ONE NIGHT,
884
00:53:09,273 --> 00:53:11,318
BUT IT COULD LEAD
TO SOMETHING.
885
00:53:11,362 --> 00:53:12,319
YAY.
886
00:53:12,363 --> 00:53:13,712
RIVEY, WHY DON'T YOU
COME OUT HERE?
887
00:53:13,755 --> 00:53:16,105
YOU SEE THE SHOW OUT
HERE? OK? COME ON
OUT TO L.A.
888
00:53:16,149 --> 00:53:18,760
NO. YOU COME HOME, JESS.
889
00:53:18,804 --> 00:53:20,197
REMEMBER ME?
890
00:53:20,240 --> 00:53:21,589
I MISS YOU.
891
00:53:21,633 --> 00:53:23,243
HONEY, WE'VE BEEN
KNOCKING OURSELVES
OUT FOR THIS.
892
00:53:23,287 --> 00:53:24,853
I MEAN, MOLLY'S
BEEN GREAT.
893
00:53:24,897 --> 00:53:26,377
I CAN'T WAIT TO THANK HER.
894
00:53:26,420 --> 00:53:28,422
LOOK, RIVEY, I'VE
GOT TO DO THIS.
895
00:53:28,466 --> 00:53:30,990
WELL, THEN YOU'LL HAVE
TO TELL PAPA YOURSELF.
896
00:53:31,033 --> 00:53:32,905
I'M NOT GOING
TO COVER FOR YOU.
897
00:53:32,948 --> 00:53:34,733
WHERE IS HE?
IS HE UP?
898
00:53:34,776 --> 00:53:36,648
HOLD ON.
899
00:53:36,691 --> 00:53:39,172
PAPA.
900
00:53:40,347 --> 00:53:42,219
HE'S COMING HOME?
901
00:53:42,262 --> 00:53:45,091
NO. HE'S STAYING LONGER.
902
00:53:53,317 --> 00:53:54,231
YUSSEL?
903
00:53:54,274 --> 00:53:56,233
POP, HOW ARE YOU?
YOU ALL RIGHT?
904
00:53:56,276 --> 00:53:58,974
YEAH, YEAH, FINE.
905
00:53:59,018 --> 00:54:01,934
WHAT'S ABOUT YOU
STAYING LONGER?
906
00:54:01,977 --> 00:54:03,370
POP, THIS COULD
BE REALLY EXCITING.
907
00:54:03,414 --> 00:54:05,067
I MEAN, I'M GUARANTEED
ONE NIGHT OF WORK,
908
00:54:05,111 --> 00:54:08,854
BUT IF NOTHING ELSE,
A LOT OF PEOPLE ARE
GOING TO GET TO SEE ME.
909
00:54:08,897 --> 00:54:10,986
OH. YEAH.
910
00:54:11,030 --> 00:54:15,077
WELL, PLENTY EXCITEMENT
AROUND HERE,
911
00:54:15,121 --> 00:54:16,470
I CAN TELL YOU.
912
00:54:16,514 --> 00:54:20,300
THE BERNSTEIN GIRL
GOT MARRIED.
913
00:54:20,344 --> 00:54:21,345
NO KIDDING.
914
00:54:21,388 --> 00:54:22,868
YEAH, YEAH. SHE GOT
THE SIEGEL BOY.
915
00:54:22,911 --> 00:54:28,308
HIS PARENTS WON'T
BAR MITZVAH HIM
UNTIL YOU COME HOME.
916
00:54:28,352 --> 00:54:31,311
OH, THAT'S GREAT, POP.
IT SOUND GREAT.
917
00:54:31,355 --> 00:54:33,357
LISTEN TO ME.
IT'S GOING TO WORK OUT.
918
00:54:33,400 --> 00:54:36,273
I PROMISE.
I GOT TO TRY THIS. YOU KNOW?
919
00:54:36,316 --> 00:54:38,579
JUST TAKE CARE
OF YOURSELF, OK, POP?
920
00:54:38,623 --> 00:54:40,973
DON'T WORRY.
I'LL KEEP IN TOUCH.
921
00:54:41,016 --> 00:54:43,932
GIVE MY LOVE
TO EVERYBODY, OK?
922
00:54:43,976 --> 00:54:45,020
GOOD-BYE, POP.
923
00:54:45,064 --> 00:54:46,979
GOOD-BYE, YUSSEL.
924
00:54:47,022 --> 00:54:49,416
[CLICK]
925
00:54:59,034 --> 00:55:01,341
HE ASKED YOU
TO GO TO HIM.
926
00:55:01,385 --> 00:55:03,125
WHY DID YOU SAY NO?
927
00:55:03,169 --> 00:55:07,260
A WIFE'S PLACE
IS WITH HER HUSBAND.
928
00:55:07,521 --> 00:55:10,350
A HUSBAND'S PLACE
IS WITH HER WIFE.
929
00:55:10,394 --> 00:55:13,179
BUT HE WANTS YOU THERE.
930
00:55:13,222 --> 00:55:14,441
WHY DON'T YOU GO?
931
00:55:14,485 --> 00:55:16,574
YOU MIGHT BRING HIM HOME.
932
00:55:16,617 --> 00:55:21,666
OH, PAPA.
I DON'T KNOW.
933
00:55:21,709 --> 00:55:25,322
I GUESS IT'S
FOR THE BEST.
934
00:55:27,019 --> 00:55:29,238
ARE YOU SURE, RIVKA?
935
00:55:30,501 --> 00:55:33,155
ARE YOU SURE?
936
00:55:34,679 --> 00:55:37,899
Man: ZANY GRAY PROGRAMS,
$1.00. RIGHT HERE.
937
00:55:37,943 --> 00:55:39,248
GET YOUR PROGRAMS.
938
00:55:39,292 --> 00:55:41,250
[INSTRUMENTS TUNING]
939
00:55:49,215 --> 00:55:51,260
THERE'S A LOT OF
PEOPLE OUT THERE.
940
00:55:51,304 --> 00:55:55,395
THE BIGGER THEY ARE,
THE HARDER THEY FALL.
941
00:55:55,439 --> 00:55:58,224
DON'T LET ALL MY YEARS
IN SHOW BUSINESS
THROW YOU.
942
00:55:58,267 --> 00:56:00,400
I'M A NERVOUS WRECK
ABOUT THIS.
943
00:56:00,444 --> 00:56:01,532
THEY'LL LOVE YOU.
944
00:56:01,575 --> 00:56:03,664
Announcer: LADIES AND GENTLEMEN,
945
00:56:03,708 --> 00:56:06,624
ZANY GRAY PROUDLY PRESENTS
946
00:56:06,667 --> 00:56:10,976
A FINE, NEW, YOUNG
SINGING TALENT,
947
00:56:11,019 --> 00:56:12,194
JESS ROBIN!
948
00:56:12,238 --> 00:56:14,283
GO GET 'EM, CANTOR.
949
00:56:22,379 --> 00:56:24,859
[PEOPLE CHANTING
"WE WANT ZANY!"]
950
00:56:43,225 --> 00:56:46,533
Man: IS THAT ALL YOU
CAN PLAY, TURKEY?
951
00:56:46,577 --> 00:56:48,666
[PLAYING HARMONICA]
952
00:56:56,369 --> 00:56:58,240
[BAND BEGINS PLAYING]
953
00:57:04,421 --> 00:57:06,945
♪ SUMMER LOVE
954
00:57:07,467 --> 00:57:10,992
♪ THEY CALL IT SUMMER LOVE
955
00:57:11,340 --> 00:57:14,256
♪ BUT MAYBE IT'S REAL
956
00:57:16,215 --> 00:57:20,262
♪ AND I DON'T
BELIEVE MAKE BELIEVE ♪
957
00:57:20,306 --> 00:57:23,483
♪ BUT I WAS A LONELY BOY
958
00:57:23,527 --> 00:57:27,661
♪ BUT SHE WAS A LONELY GIRL
959
00:57:27,705 --> 00:57:31,012
♪ WE'RE TOGETHER TONIGHT
960
00:57:31,796 --> 00:57:37,062
♪ WE'RE TOGETHER TONIGHT
961
00:57:42,371 --> 00:57:44,852
♪ SUMMER LOVE
962
00:57:45,331 --> 00:57:48,465
♪ THEY CALL IT SUMMER LOVE
963
00:57:49,727 --> 00:57:52,469
♪ BUT MAYBE IT'S REAL
964
00:57:54,209 --> 00:57:58,170
♪ AND I DON'T BELIEVE
MAKE BELIEVE ♪
965
00:57:58,213 --> 00:58:02,087
♪ BUT I WAS A LONELY BOY
966
00:58:02,130 --> 00:58:05,525
♪ AND SHE WAS A LONELY GIRL
967
00:58:05,569 --> 00:58:09,747
♪ WE'RE TOGETHER TONIGHT
968
00:58:09,790 --> 00:58:14,491
♪ WE'RE TOGETHER TONIGHT
969
00:58:20,366 --> 00:58:23,064
♪ SUMMER LOVE
970
00:58:24,022 --> 00:58:25,763
♪ THEY CALL IT SUMMER LOVE...
971
00:58:25,806 --> 00:58:29,506
HI. I'M RIVKA RABINOVITCH.
972
00:58:30,898 --> 00:58:32,247
ROBIN.
973
00:58:33,161 --> 00:58:34,685
JESS WILL BE SURPRISED.
974
00:58:34,728 --> 00:58:36,425
I'M A LITTLE SURPRISED MYSELF.
975
00:58:36,469 --> 00:58:38,427
IT WAS A SPUR OF THE MOMENT.
976
00:58:38,471 --> 00:58:40,647
OH. I'M MOLLY.
977
00:58:40,691 --> 00:58:43,302
HI. I KNOW. HE TOLD ME.
978
00:58:43,345 --> 00:58:44,869
OH.
979
00:59:07,369 --> 00:59:10,851
♪ I DON'T BELIEVE
MAKE BELIEVE ♪
980
00:59:10,895 --> 00:59:14,725
♪ BUT I WAS A LONELY BOY
981
00:59:14,768 --> 00:59:18,511
♪ AND YOU WERE A LONELY GIRL
982
00:59:18,555 --> 00:59:22,210
♪ AND WHEN THE EVENING
WAS DONE ♪
983
00:59:23,255 --> 00:59:28,086
♪ WE'RE TOGETHER LIKE ONE
984
00:59:44,450 --> 00:59:46,234
[APPLAUSE]
985
00:59:59,247 --> 01:00:03,382
UM, MAYBE WE SHOULD DO SOMETHING
THAT EVERYBODY CAN, UH,
986
01:00:03,425 --> 01:00:08,605
CLAP ALONG WITH OR JOIN IN WITH.
WHAT DO YOU THINK, HUH?
987
01:00:08,648 --> 01:00:11,651
YEAH? OK.
988
01:00:13,740 --> 01:00:15,873
[BAND PLAYING]
989
01:00:28,973 --> 01:00:31,236
ALL RIGHT. TOGETHER.
990
01:00:34,065 --> 01:00:37,416
♪ HEY, MA CHERIE
991
01:00:37,459 --> 01:00:39,374
♪ IF I TAKE YOU HOME...
992
01:00:39,418 --> 01:00:43,291
JESS TELLS ME YOU'VE
BEEN A GREAT HELP TO HIM.
993
01:00:43,335 --> 01:00:44,423
I MEAN, EVERY TIME WE TALK,
994
01:00:44,466 --> 01:00:47,208
IT'S MOLLY DID THIS
AND MOLLY DID THAT.
995
01:00:47,252 --> 01:00:49,602
THAT'S VERY NICE OF HIM.
996
01:00:54,607 --> 01:00:57,044
PLEASE FORGIVE ME, BUT...
997
01:00:57,088 --> 01:00:58,655
3,000 MILES AWAY...
998
01:00:58,698 --> 01:01:03,660
YOU BEGIN TO WONDER
IF HE'S TELLING ME
EVERYTHING MOLLY DID.
999
01:01:07,011 --> 01:01:09,448
I OFFERED HIM
MY BODY ONCE.
1000
01:01:09,491 --> 01:01:10,710
[CLICK]
1001
01:01:10,754 --> 01:01:13,452
HE SETTLED
FOR A PIZZA.
1002
01:01:21,982 --> 01:01:25,290
♪ HEY, MA CHERIE
1003
01:01:25,333 --> 01:01:27,727
♪ IF I TAKE YOU HOME
1004
01:01:27,771 --> 01:01:31,122
♪ WILL YOU MAKE ME PLEAD?
1005
01:01:31,775 --> 01:01:34,647
♪ MY SWEET AMOUR
1006
01:01:34,691 --> 01:01:37,171
♪ IF I COME TOO CLOSE
1007
01:01:37,215 --> 01:01:40,697
♪ WILL YOU CLOSE THE DOOR?
1008
01:01:41,698 --> 01:01:44,613
♪ OH, MY LOUISE
1009
01:01:44,657 --> 01:01:46,528
♪ DO YOU KNOW MY NAME?
1010
01:01:46,572 --> 01:01:53,492
♪ I REMEMBER YOURS AND
I KNOW WHAT YOU NEED ♪
1011
01:01:53,971 --> 01:01:57,714
♪ WHAT YOU NEED, MY LOUISE
1012
01:01:59,672 --> 01:02:01,543
♪ DO IT NOW!
1013
01:02:03,807 --> 01:02:05,547
♪ YES!
1014
01:02:10,422 --> 01:02:13,599
♪ HEY, MA CHERIE
1015
01:02:13,642 --> 01:02:15,949
♪ IF I TAKE YOU HOME
1016
01:02:15,993 --> 01:02:19,344
♪ WILL YOU MAKE ME PLEAD?
1017
01:02:20,127 --> 01:02:23,435
♪ OH, MON AMOUR
1018
01:02:23,478 --> 01:02:25,524
♪ IF I COME TOO CLOSE
1019
01:02:25,567 --> 01:02:28,875
♪ WILL YOU CLOSE THE DOOR?
1020
01:02:29,571 --> 01:02:33,053
♪ OH, MY LOUISE
1021
01:02:33,097 --> 01:02:35,534
♪ DO YOU KNOW MY NAME?
1022
01:02:35,577 --> 01:02:37,492
♪ I REMEMBER YOURS...
1023
01:02:37,536 --> 01:02:39,712
HOW CAN HE LEAVE ALL THIS?
1024
01:02:39,756 --> 01:02:41,888
DOES HE HAVE TO?
1025
01:02:43,020 --> 01:02:47,502
IT'S, UH, IT'S MORE
COMPLICATED THAN THAT, MOLLY.
1026
01:02:47,546 --> 01:02:49,635
YOU CAN'T UNDERSTAND.
1027
01:02:49,678 --> 01:02:51,593
WE'RE DIFFERENT.
1028
01:02:51,637 --> 01:02:53,595
IT GOES BACK TO OUR PARENTS,
TO OUR LIFE.
1029
01:02:53,639 --> 01:02:55,728
YOU'RE RIGHT, RIVKA.
I DON'T UNDERSTAND.
1030
01:02:55,772 --> 01:02:57,556
I KNOW VERY LITTLE ABOUT
WHERE HE COMES FROM,
1031
01:02:57,599 --> 01:03:00,602
ABOUT YOU OR THE
HOLD YOU ALL SEEM
TO HAVE ON HIM,
1032
01:03:00,646 --> 01:03:02,996
BUT I KNOW WHERE
HE'S GOING.
1033
01:03:03,040 --> 01:03:04,476
LISTEN TO HIM.
1034
01:03:04,519 --> 01:03:07,435
JUST LOOK AT HIM.
1035
01:03:08,393 --> 01:03:11,875
♪ OH, MY LOUISE
1036
01:03:11,918 --> 01:03:13,659
♪ DO YOU KNOW MY NAME?
1037
01:03:13,702 --> 01:03:20,100
♪ I REMEMBER YOURS AND
I KNOW WHAT YOU NEED ♪
1038
01:03:20,971 --> 01:03:25,105
♪ WHAT YOU NEED, MY LOUISE
1039
01:03:28,021 --> 01:03:29,893
♪ ME
1040
01:03:30,981 --> 01:03:34,332
♪ WHAT YOU NEED, MY LOUISE
1041
01:03:35,550 --> 01:03:38,684
♪ WHAT YOU NEED, MY LOUISE
1042
01:03:38,727 --> 01:03:40,729
♪ YEAH
1043
01:03:41,600 --> 01:03:44,124
♪ YES
1044
01:03:46,344 --> 01:03:49,695
YES! THANK YOU!
1045
01:04:00,924 --> 01:04:04,101
I'M NOT YOUR
PROBLEM, RIVKA.
1046
01:04:06,103 --> 01:04:08,322
THAT'S YOUR PROBLEM.
1047
01:04:32,477 --> 01:04:33,652
YOU WERE GREAT.
1048
01:04:33,695 --> 01:04:34,435
GREAT JOB.
1049
01:04:34,479 --> 01:04:37,525
[ALL TALKING AT ONCE]
1050
01:04:42,966 --> 01:04:45,098
WHERE'S MOLLY?
WHERE'S MOLLY?
1051
01:04:45,142 --> 01:04:48,101
I DON'T KNOW.
I THINK SHE'S GONE.
1052
01:04:48,145 --> 01:04:50,538
CATCH YOU DOWNSTAIRS, MAN.
1053
01:04:53,454 --> 01:04:55,108
HOW YOU DOING?
1054
01:04:57,458 --> 01:04:58,895
WHY DIDN'T
YOU LET ME KNOW?
1055
01:04:58,938 --> 01:05:01,898
AREN'T WE GOING
TO SAY HELLO FIRST?
1056
01:05:03,987 --> 01:05:04,988
COME ON, LET'S TALK.
1057
01:05:05,031 --> 01:05:06,467
YOU WERE WONDERFUL.THANKS.
1058
01:05:06,511 --> 01:05:08,992
DID YOU HEAR THEM? WAS THAT
AUDIENCE GREAT TONIGHT?
1059
01:05:09,035 --> 01:05:12,299
I COULDN'T BELIEVE IT.
I'M SO HAPPY YOU
WERE HERE TO SEE IT.
1060
01:05:12,343 --> 01:05:14,432
ALL NIGHT, YOU
WERE WONDERFUL.
1061
01:05:14,475 --> 01:05:15,650
THANKS, BABE.REALLY WONDERFUL.
1062
01:05:15,694 --> 01:05:18,218
THANKS.
AND THAT'S SOME
SHIRT YOU HAVE ON?
1063
01:05:18,262 --> 01:05:19,176
HUH? HUH?
1064
01:05:19,219 --> 01:05:21,352
YOU KNOW, THIS
IS JUST ONE NIGHT,
1065
01:05:21,395 --> 01:05:23,136
BUT WE ARE
ON OUR WAY NOW.
1066
01:05:23,180 --> 01:05:26,313
I WISH POP WERE HERE
TO SEE THIS, HUH?
1067
01:05:26,357 --> 01:05:30,578
YOU DON'T NEED PAPA.
YOU DON'T NEED ANYBODY.
1068
01:05:30,622 --> 01:05:32,798
YOU KNOW WHAT
THIS MEANS FOR US?
1069
01:05:32,841 --> 01:05:34,495
EVERYTHING
YOU EVER WANTED.
1070
01:05:34,539 --> 01:05:37,934
HONEY, EVERYTHING
WE'VE EVER WANTED.
1071
01:05:37,977 --> 01:05:39,805
I HAVE EVERYTHING
NOW, JESS.
1072
01:05:39,848 --> 01:05:41,633
YOU KNOW I LEARNED
SOMETHING OUT THERE.
1073
01:05:41,676 --> 01:05:45,985
THOSE PEOPLE LOVE
THE MUSIC AND I LOVE
DOING IT FOR THEM.
1074
01:05:46,029 --> 01:05:49,119
I CAN'T GO BACK NOW.
I'M JUST BEGINNING.
1075
01:05:49,162 --> 01:05:51,164
NOT AFTER
TONIGHT ANYWAY, RIVEY.
1076
01:05:51,208 --> 01:05:53,819
I'M NOT ASKING YOU TO.
1077
01:05:53,862 --> 01:05:54,733
I WOULDN'T.
1078
01:05:54,776 --> 01:05:57,605
HI. HI. HI!GREAT SHOW!
1079
01:05:57,649 --> 01:06:00,521
HOW ARE YOU? OK.
HANG ON JUST FOR A SECOND.
1080
01:06:00,565 --> 01:06:03,916
WHAT DO YOU MEAN?
WHAT ARE YOU SAYING?
1081
01:06:04,351 --> 01:06:11,010
I GUESS THAT I ALWAYS LIKED
BEING MARRIED TO A CANTOR.
1082
01:06:11,054 --> 01:06:13,970
RIVEY, DID YOU EVER
THINK THAT THERE MIGHT BE
1083
01:06:14,013 --> 01:06:16,450
SOMETHING IN LIFE
THAT'S JUST AS THRILLING?
1084
01:06:16,494 --> 01:06:18,365
LIKE WHAT?
1085
01:06:18,409 --> 01:06:20,237
LIKE FOLLOWING
A HUSBAND AROUND
1086
01:06:20,280 --> 01:06:22,674
FROM CITY TO CITY,
SAYING WOW?
1087
01:06:22,717 --> 01:06:23,718
I DON'T BELIEVE IT.
1088
01:06:23,762 --> 01:06:25,111
THIS IS THE BIGGEST
NIGHT OF MY LIFE
1089
01:06:25,155 --> 01:06:26,895
AND YOU WANT TO DRAG ME
BACK TO ELRIDGE STREET.
1090
01:06:26,939 --> 01:06:30,334
IT'S WHERE WE BELONG.
IT'S WHAT WE ARE.
1091
01:06:30,377 --> 01:06:32,336
I MEAN, MAYBE YOU CAN
BREAK AWAY FROM IT,
1092
01:06:32,379 --> 01:06:33,815
BUT I DON'T WANT TO.
1093
01:06:33,859 --> 01:06:36,035
I SHOULD'VE
TAKEN YOU OUT OF THAT
APARTMENT YEARS AGO.
1094
01:06:36,079 --> 01:06:37,471
YOU SOUND
LIKE MY FATHER.
1095
01:06:37,515 --> 01:06:39,169
I'VE ALWAYS BEEN LIKE HIM.
1096
01:06:39,212 --> 01:06:40,518
YOU'RE THE ONE
THAT'S CHANGED.
1097
01:06:40,561 --> 01:06:42,215
YOU'RE DAMN RIGHT
I'VE CHANGED.
1098
01:06:42,259 --> 01:06:43,564
I FINALLY FOUND
OUT WHERE I BELONG.
1099
01:06:43,608 --> 01:06:45,044
IT'S NOT BACK THERE.
IT'S HERE.
1100
01:06:45,088 --> 01:06:47,438
BUT IT'S NOT WHERE I BELONG.
1101
01:06:47,481 --> 01:06:48,743
IT'S NOT WHAT I WANT.
1102
01:06:48,787 --> 01:06:51,746
RIVEY, WE'VE KNOWN EACH
OTHER MOST OF OUR LIVES.
1103
01:06:51,790 --> 01:06:53,183
ARE YOU TELLING ME THAT
IF I DON'T COME BACK
1104
01:06:53,226 --> 01:06:56,925
WITH YOU NOW, THAT'S IT.
WE'RE FINISHED?
1105
01:06:59,885 --> 01:07:04,933
ONLY IF YOU CAN COME HOME
WITHOUT ANY REGRETS.
1106
01:07:04,977 --> 01:07:07,675
CAN YOU DO THAT, JESS?
1107
01:07:07,719 --> 01:07:09,764
RIVEY, HOME
IS YOU AND ME.
1108
01:07:09,808 --> 01:07:11,375
RIGHT NOW IT'S HERE.
1109
01:07:11,418 --> 01:07:15,379
COME ON, SAY HELLO
TO MY FRIENDS.
1110
01:07:16,119 --> 01:07:17,337
HEY, HERE HE IS, FOLKS!
1111
01:07:17,381 --> 01:07:20,471
THE SWEETEST ROBIN.
1112
01:07:21,602 --> 01:07:24,214
HE'S WITH
ALL THE RECORDS.
1113
01:07:24,257 --> 01:07:26,085
BARNEY CALLAHAN,
I TELL YOU, YOU WERE--
1114
01:07:26,129 --> 01:07:28,000
HE WANTS TO TALK
A RECORD DEAL.
1115
01:07:28,044 --> 01:07:31,177
[ALL TALKING AT ONCE]
1116
01:07:38,532 --> 01:07:40,534
RIVEY!
1117
01:07:43,363 --> 01:07:47,150
HE THINKS YOU'RE MAD.
WHAT'S GOING ON HERE?
1118
01:07:47,193 --> 01:07:48,455
IS SOMETHING WRONG?
1119
01:07:48,499 --> 01:07:50,196
WHAT CAN WE DO FOR YOU?
1120
01:07:50,240 --> 01:07:51,458
YOU NEED ANYTHING?
WE GOT IT ALL.
1121
01:07:51,502 --> 01:07:55,114
WE CAN DO ANYTHING YOU WANT.
YOU WANT A DRINK?
1122
01:08:08,345 --> 01:08:11,609
YOU'RE A HARD GIRL
TO GET IN TOUCH WITH.
YOU KNOW THAT?
1123
01:08:11,652 --> 01:08:13,219
WHAT ARE YOU DOING HERE?
1124
01:08:13,263 --> 01:08:15,656
EDDIE TOLD ME YOU WERE
SIGNING A BIG RECORD
DEAL THIS MORNING.
1125
01:08:15,700 --> 01:08:17,484
I'VE BEEN CALLING YOU
FOR THREE DAYS.
1126
01:08:17,528 --> 01:08:19,138
ALL I GET IS
AN ANSWERING MACHINE.
1127
01:08:19,182 --> 01:08:22,272
WELL, TOMMY ASKED ME
IF I WANTED TO GO TO
ACAPULCO WITH HIM,
1128
01:08:22,315 --> 01:08:24,665
SO WE WERE JUST GETTING
THE BOAT READY.
1129
01:08:24,709 --> 01:08:25,840
ACAPULCO?
1130
01:08:25,884 --> 01:08:27,494
YEAH, LOOK, JESS,
IF THERE'S SOME PROBLEM
1131
01:08:27,538 --> 01:08:29,627
WITH THE DEAL, YOU CAN
JUST TALK TO EDDIE.
1132
01:08:29,670 --> 01:08:30,584
HE'S A GREAT AGENT.
1133
01:08:30,628 --> 01:08:32,108
THERE'S NO PROBLEM
WITH THE DEAL.
1134
01:08:32,151 --> 01:08:35,937
THE DEAL IS FINE.
I JUST--I JUST WANTED
TO TALK TO YOU.
1135
01:08:35,981 --> 01:08:40,551
WELL, SO, TALK.
1136
01:08:40,899 --> 01:08:45,251
WELL, I JUST WANTED
TO TELL YOU THAT, UH...
1137
01:08:45,295 --> 01:08:47,123
LOOK, WHY DON'T WE GO OUT
AND GET SOME LUNCH AND...
1138
01:08:47,166 --> 01:08:50,474
NO, JESS, I DON'T
THINK SO. YOU'RE
ON YOUR WAY NOW.
1139
01:08:50,517 --> 01:08:53,955
I JUST THOUGHT I'D TAKE
A LITTLE VACATION.
1140
01:08:53,999 --> 01:08:55,392
TOMMY, THIS IS JESS.
1141
01:08:55,435 --> 01:08:57,133
JESS, THIS IS TOMMY.
1142
01:08:57,176 --> 01:08:58,003
GLAD TO MEET
YOU, JESS.
1143
01:08:58,046 --> 01:09:00,005
COME ON ABOARD.
HAVE A BEER?
1144
01:09:00,048 --> 01:09:02,486
NO, THANK YOU.
1145
01:09:09,493 --> 01:09:11,408
HE SEEMS LIKE
A NICE FELLA.
1146
01:09:11,451 --> 01:09:13,453
YEAH, HE IS.
1147
01:09:13,497 --> 01:09:15,934
TERRIFIC.
1148
01:09:15,977 --> 01:09:18,980
WELL, I GUESS, UH...
1149
01:09:19,024 --> 01:09:20,678
I GUESS SO.
1150
01:09:24,986 --> 01:09:28,381
THANKS FOR EVERYTHING...
1151
01:09:28,425 --> 01:09:31,123
AND HAVE A GOOD TIME
IN ACAPULCO.
1152
01:09:31,167 --> 01:09:33,212
I WILL.
1153
01:09:35,432 --> 01:09:36,737
OK.
1154
01:09:56,148 --> 01:09:57,845
MOLLY, HOLD IT.
1155
01:09:57,889 --> 01:10:00,413
BEFORE YOU SAY ANYTHING,
JUST LET ME FINISH WHAT
I HAVE TO SAY. OK?
1156
01:10:00,979 --> 01:10:03,242
RIVEY WENT TO NEW YORK
AFTER THE SHOW.
1157
01:10:03,286 --> 01:10:04,852
SHE WENT BACK HOME AND, UM,
1158
01:10:04,896 --> 01:10:07,377
WE FINALLY FIGURED OUT
WE DIDN'T WANT THE SAME
THINGS ANYMORE
1159
01:10:07,420 --> 01:10:12,120
AND MAYBE WE NEVER DID,
BUT IT'S OVER.
1160
01:10:12,164 --> 01:10:15,167
I'M SORRY, JESS.
I REALLY AM.
1161
01:10:15,211 --> 01:10:16,255
WELL, IT'S OK.
1162
01:10:16,299 --> 01:10:17,778
I DON'T REALLY
WANT ANY SYMPATHY.
1163
01:10:17,822 --> 01:10:21,260
I JUST WANTED
TO TELL YOU THAT...
1164
01:10:21,304 --> 01:10:22,870
WHILE WE WERE
WORKING TOGETHER,
1165
01:10:22,914 --> 01:10:26,483
I GOT TO FEEL...
1166
01:10:26,526 --> 01:10:29,703
THAT...
1167
01:10:29,747 --> 01:10:32,358
WELL...
1168
01:10:32,402 --> 01:10:35,231
I GOT TO FEEL...
1169
01:10:35,274 --> 01:10:36,275
SHIT.
1170
01:10:36,319 --> 01:10:39,235
JESS, WHAT ARE
YOU TRYING TO SAY?
1171
01:10:41,149 --> 01:10:45,066
MOLLY, WHAT I'VE WANT
TO SAY TO YOU IS THAT...
1172
01:10:46,372 --> 01:10:49,810
I DON'T WANT YOU GOING
TO ACAPULCO WITH HIM.
1173
01:10:54,380 --> 01:10:56,034
I SEE.
1174
01:10:56,948 --> 01:10:59,864
TOMMY, WOULD YOU
BE TOO DISAPPOINTED
1175
01:10:59,907 --> 01:11:01,735
IF I DIDN'T GO
TO ACAPULCO WITH YOU?
1176
01:11:01,779 --> 01:11:07,437
ACAPULCO? WE'RE GOING
TO CATALINA FOR THE DAY.
1177
01:11:09,134 --> 01:11:10,614
OH, NO.
1178
01:11:10,657 --> 01:11:11,615
HEE HEE HEE.
1179
01:11:11,658 --> 01:11:14,226
NO, NOW, JESS!
JESS, DON'T DO THAT.
1180
01:11:14,270 --> 01:11:15,967
YOU DON'T EVEN KNOW
HOW TO TURN IT ON!
1181
01:11:16,010 --> 01:11:19,405
OH, NO! NO! JESS!
1182
01:11:19,449 --> 01:11:21,755
NO, NO, NO!
1183
01:11:21,799 --> 01:11:23,888
[MUSIC UNDERSCORING THROUGHOUT]
1184
01:12:29,214 --> 01:12:30,868
[BELL DINGS]
1185
01:13:05,468 --> 01:13:11,865
♪ HELLO AGAIN, HELLO
1186
01:13:14,172 --> 01:13:19,873
♪ JUST CALLED
TO SAY HELLO ♪
1187
01:13:20,483 --> 01:13:25,226
♪ I COULDN'T SLEEP
1188
01:13:25,270 --> 01:13:29,448
♪ AT ALL TONIGHT
1189
01:13:29,666 --> 01:13:32,799
♪ AND I KNOW IT'S LATE
1190
01:13:33,496 --> 01:13:37,630
♪ BUT I COULDN'T WAIT
1191
01:13:38,370 --> 01:13:43,244
♪ HELLO, MY FRIEND, HELLO
1192
01:13:46,291 --> 01:13:52,297
♪ JUST CALLED TO LET YOU KNOW
1193
01:13:52,558 --> 01:14:01,132
♪ I THINK ABOUT
YOU EVERY NIGHT ♪
1194
01:14:01,175 --> 01:14:04,875
♪ AND I'M HERE ALONE
1195
01:14:05,484 --> 01:14:08,879
♪ AND YOU'RE THERE AT HOME
1196
01:14:09,923 --> 01:14:14,058
♪ HELLO
1197
01:14:18,758 --> 01:14:22,196
♪ MAYBE IT'S BEEN CRAZY
1198
01:14:22,240 --> 01:14:26,244
♪ MAYBE I'M TO BLAME
1199
01:14:26,287 --> 01:14:32,250
♪ WON'T YOU PUT YOUR HEART
ABOVE YOUR HEAD ♪
1200
01:14:34,252 --> 01:14:36,994
♪ WE'VE BEEN
THROUGH IT ALL ♪
1201
01:14:37,037 --> 01:14:42,173
♪ AND YOU LOVE ME
JUST THE SAME ♪
1202
01:14:42,216 --> 01:14:46,003
♪ AND WHEN YOU'RE NOT NEAR
1203
01:14:46,046 --> 01:14:51,182
♪ I JUST NEED TO HEAR
1204
01:14:51,225 --> 01:14:58,232
♪ HELLO, MY FRIEND, HELLO
1205
01:15:01,279 --> 01:15:07,067
♪ IT'S GOOD TO NEED YOU SO
1206
01:15:07,459 --> 01:15:15,902
♪ IT'S GOOD TO
LOVE YOU LIKE I DO ♪
1207
01:15:15,946 --> 01:15:19,645
♪ AND TO FEEL THIS WAY
1208
01:15:20,254 --> 01:15:23,475
♪ WHEN I HEAR YOU SAY
1209
01:15:25,738 --> 01:15:32,092
♪ HELLO
1210
01:15:48,239 --> 01:15:51,285
Man: CUT. THANK YOU.
1211
01:15:52,025 --> 01:15:55,551
THAT'S A TAKE, JESS.
WE GOT IT.
1212
01:15:55,594 --> 01:15:56,639
THANK YOU.
1213
01:15:56,682 --> 01:15:58,466
[MUSICIANS RATTLING
THEIR INSTRUMENTS]
1214
01:16:18,617 --> 01:16:19,662
THANK YOU.
1215
01:16:19,705 --> 01:16:22,229
THANK YOU. IS--IS GOOD?
1216
01:16:22,273 --> 01:16:23,230
YOU'RE SURE?
1217
01:16:23,274 --> 01:16:24,797
YEAH, IT'S
THE RIGHT ADDRESS.
1218
01:16:24,841 --> 01:16:26,843
YES. THANK YOU.
1219
01:16:26,886 --> 01:16:28,409
YOU'RE KIND.
1220
01:16:28,453 --> 01:16:29,846
THANK YOU.
1221
01:16:50,693 --> 01:16:53,217
YES? POP?
1222
01:16:53,260 --> 01:16:56,002
YUSSEL.
WHAT A SURPRISE.
1223
01:16:57,221 --> 01:16:58,396
WHY DIDN'T YOU CALL ME?
1224
01:16:58,439 --> 01:16:59,527
I WOULD HAVE
PICKED YOU UP.
1225
01:16:59,571 --> 01:17:02,313
I'M HERE.
WHY CALL?
1226
01:17:04,532 --> 01:17:07,318
AREN'T YOU GOING
TO INVITE ME IN?
1227
01:17:07,361 --> 01:17:09,189
OH, RIGHT.
COME IN, COME IN.
1228
01:17:09,233 --> 01:17:14,542
IT'S A--NO PALAZZOS,
NO GONDOLAS?
1229
01:17:14,586 --> 01:17:16,370
THEY CALL THIS VENICE?
1230
01:17:16,414 --> 01:17:18,329
YEAH, IT'S
CALIFORNIA, POP.
1231
01:17:18,372 --> 01:17:20,636
YEAH. HA HA HA.
1232
01:17:22,855 --> 01:17:24,640
COME ON IN.
1233
01:17:28,644 --> 01:17:29,427
HOW ABOUT SOME TEA?
1234
01:17:29,470 --> 01:17:30,558
I'VE GOT
THE WATER BOILING.
1235
01:17:30,602 --> 01:17:34,258
OH, YEAH, SOME TEA
WOULD BE NICE.
1236
01:17:34,301 --> 01:17:36,303
TAKE YOUR COAT OFF.
1237
01:17:37,435 --> 01:17:43,310
OHH. WHAT A NICE PLACE
YOU GOT HERE, YUSSEL.
1238
01:17:43,354 --> 01:17:46,096
OHH, OOH, OHH.
1239
01:17:46,139 --> 01:17:49,360
AH, REAL NICE.
1240
01:18:04,592 --> 01:18:07,770
♪ MY NAME IS YUSSEL
1241
01:18:07,813 --> 01:18:10,033
HO HO. GOOD.
1242
01:18:10,076 --> 01:18:13,166
I SEE YOU HAVEN'T
FORGOTTEN EVERYTHING.
1243
01:18:13,210 --> 01:18:19,346
YOU LOOK GOOD,
YUSSEL, FOR ONE WHO
HAS CHANGED SO MUCH.
1244
01:18:19,390 --> 01:18:22,654
POP, YOU USED TO TELL
ME SEASONS CHANGE.
1245
01:18:22,698 --> 01:18:24,308
PEOPLE DON'T CHANGE.
1246
01:18:24,351 --> 01:18:27,572
MAYBE YOU
THE EXCEPTION, HUH?
1247
01:18:27,615 --> 01:18:29,095
NO. NOT ME.
1248
01:18:29,139 --> 01:18:32,969
THEN COME HOME WITH ME NOW.
1249
01:18:33,012 --> 01:18:34,579
POP, I CAN'T COME HOME.
1250
01:18:34,622 --> 01:18:36,233
I JUST CUT
MY FIRST ALBUM.
1251
01:18:36,276 --> 01:18:37,713
SURE, I KNOW.
1252
01:18:37,756 --> 01:18:39,018
YOU KNOW THEY WANT
ME TO PERFORM ON
NATIONAL TELEVISION?
1253
01:18:39,062 --> 01:18:41,760
POP, LOOK, I KNOW
IT'S HARD FOR YOU
TO UNDERSTAND,
1254
01:18:41,804 --> 01:18:44,197
BUT THIS IS A WHOLE
NEW CAREER FOR ME.
1255
01:18:44,241 --> 01:18:45,459
YOU'RE A CANTOR.
1256
01:18:45,503 --> 01:18:48,332
POP, THE WORLD CAN DO
WITHOUT ANOTHER CANTOR.
1257
01:18:48,375 --> 01:18:49,986
YOU'RE WRONG, YUSSEL.
1258
01:18:50,029 --> 01:18:52,510
ASK YOURSELF, WHY IN THE WAR,
1259
01:18:52,553 --> 01:18:56,862
WHEN SO MANY DIED,
GOD SPARED US,
A FAMILY OF CANTORS.
1260
01:18:56,906 --> 01:18:58,168
THERE MUST BE A REASON.
1261
01:18:58,211 --> 01:18:59,517
IT'S GOT TO MAKE SENSE.
1262
01:18:59,560 --> 01:19:00,561
COME ON, POP.
1263
01:19:00,605 --> 01:19:03,434
TO SING IN SHUL.
THERE'S THE REASON.
1264
01:19:03,477 --> 01:19:06,263
TO SERVE HIM, YUSSEL.
1265
01:19:06,306 --> 01:19:07,743
YOU MUST COME HOME
WITH ME NOW
1266
01:19:07,786 --> 01:19:11,790
BEFORE YOU FORGET
EVERYTHING YOU WERE
EVER BORN TO BE.
1267
01:19:11,834 --> 01:19:13,226
YUSSEL! COME ON!
STOP!
1268
01:19:13,270 --> 01:19:15,925
PLEASE FOR ONCE
IN YOUR LIFE WOULD
YOU LISTEN TO ME?
1269
01:19:15,968 --> 01:19:17,883
I KNOW WHAT
YOU BELIEVE.
1270
01:19:17,927 --> 01:19:20,233
I TRIED TO LIVE UP
TO IT, POP.
1271
01:19:20,277 --> 01:19:22,279
I SWEAR I TRIED TO
LIVE UP TO IT,
1272
01:19:22,322 --> 01:19:23,367
BUT I CAN'T DO IT
ANYMORE.
1273
01:19:23,410 --> 01:19:25,064
I CAN'T DO IT ANYMORE.
1274
01:19:25,108 --> 01:19:26,196
POP, I HAVE THINGS
INSIDE OF ME.
1275
01:19:26,239 --> 01:19:28,764
I HAVE TO EXPRESS THEM.
I HAVE MY MUSIC.
1276
01:19:28,807 --> 01:19:31,375
I HAVE MY LIFE.
MY FEELINGS.
1277
01:19:31,418 --> 01:19:35,031
MAYBE THEY COME
FROM GOD, TOO.
1278
01:19:35,074 --> 01:19:37,207
I DON'T KNOW.
1279
01:19:37,250 --> 01:19:40,993
I DO KNOW I HAVE
TO DO IT MY OWN WAY.
1280
01:19:41,341 --> 01:19:48,218
DOES FINDING YOUR OWN WAY,
INCLUDE LEAVING YOUR WIFE?
1281
01:19:53,571 --> 01:19:55,486
WHAT DID SHE SAY TO YOU?
1282
01:19:55,529 --> 01:19:58,141
SHE DIDN'T HAVE
TO SAY ANYTHING.
1283
01:19:58,184 --> 01:20:02,841
YOU HERE, SHE THERE,
3 MONTHS.
1284
01:20:02,885 --> 01:20:06,410
MAN AND WIFE,
THAT'S NO GOOD.
1285
01:20:07,237 --> 01:20:09,848
POP, WE'RE
GETTING A DIVORCE.
1286
01:20:12,372 --> 01:20:15,375
A DIVORCE?
1287
01:20:16,812 --> 01:20:19,249
SHE WANTS IT, TOO.
1288
01:20:19,292 --> 01:20:21,207
IT HAPPENS TO PEOPLE
EVERYDAY, POP.
1289
01:20:21,251 --> 01:20:27,344
PEOPLE YES, BUT NOT A BOY AND
GIRL WHO GREW UP TOGETHER.
1290
01:20:30,260 --> 01:20:36,309
WHY, YUSSEL? WHY?
1291
01:20:36,353 --> 01:20:37,441
[DOOR OPENS]
1292
01:20:37,484 --> 01:20:39,182
I GOT ANOTHER COUPLE
OF BAGS IN THE CAR.
1293
01:20:39,225 --> 01:20:42,011
DO YOU THINK YOU COULD...
1294
01:20:58,375 --> 01:21:01,465
POP, THIS IS MOLLY.
1295
01:21:04,468 --> 01:21:06,731
MOLLY, SAY HELLO
TO MY FATHER.
1296
01:21:06,774 --> 01:21:07,645
HOW DO YOU DO?
1297
01:21:07,688 --> 01:21:10,126
CANTOR RABINOVITCH.
1298
01:21:26,403 --> 01:21:29,319
NO!
1299
01:21:29,362 --> 01:21:32,278
NO!
1300
01:21:33,410 --> 01:21:35,586
I HAVE...
1301
01:21:35,629 --> 01:21:40,112
NO SON.
1302
01:21:40,156 --> 01:21:41,548
POP.
1303
01:21:42,941 --> 01:21:44,900
[SPEAKING YIDDISH]
1304
01:21:47,815 --> 01:21:49,469
POP, WHY ARE
YOU DOING THIS?
1305
01:21:49,513 --> 01:21:50,557
POP!
1306
01:21:50,601 --> 01:21:52,951
[YELLING IN YIDDISH]
1307
01:21:52,995 --> 01:21:56,215
POP! WHY ARE YOU
DOING THIS?
1308
01:21:56,259 --> 01:21:58,870
[SPEAKING YIDDISH]
1309
01:21:59,827 --> 01:22:02,221
YOUR ONLY SON, POP!
1310
01:22:03,570 --> 01:22:05,659
[DOOR SLAMS]
1311
01:22:08,793 --> 01:22:10,186
HONEY, WHAT HAPPENED?
1312
01:22:10,229 --> 01:22:12,623
WHAT WAS THAT ALL ABOUT?
1313
01:22:12,666 --> 01:22:14,973
WHEN A JEW WANTS
SOMEONE DEAD,
1314
01:22:15,017 --> 01:22:18,542
THEY TEAR A PIECE
OF THEIR CLOTHES.
1315
01:22:18,585 --> 01:22:20,457
WHO'S DEAD?
1316
01:22:20,500 --> 01:22:22,459
I AM.
1317
01:23:11,203 --> 01:23:13,510
♪ YOU KNOW THAT
YOU CAN FIND ME ♪
1318
01:23:13,553 --> 01:23:14,990
♪ KNOW THAT YOU
CAN FIND ME ♪
1319
01:23:15,033 --> 01:23:16,252
♪ ON THE WAY TO JERUSALEM
1320
01:23:16,295 --> 01:23:17,427
♪ ON THE WAY
TO JERUSALEM ♪
1321
01:23:17,470 --> 01:23:19,820
♪ WELL, I TOOK
A MAGIC CARPET RIDE ♪
1322
01:23:19,864 --> 01:23:21,561
♪ TOOK A MAGIC
CARPET RIDE ♪
1323
01:23:21,605 --> 01:23:23,346
♪ TO A POPULAR MOVIE SHOW
1324
01:23:23,389 --> 01:23:24,347
♪ POPULAR
MOVIE SHOW ♪
1325
01:23:24,390 --> 01:23:26,349
♪ AND THAT'S
WHERE I FOUND HER ♪
1326
01:23:26,392 --> 01:23:27,480
♪ THAT'S WHERE
I FOUND HER ♪
1327
01:23:27,524 --> 01:23:29,395
♪ ON THE WAY TO JERUSALEM
1328
01:23:29,439 --> 01:23:30,527
♪ ON THE WAY
TO JERUSALEM ♪
1329
01:23:30,570 --> 01:23:33,095
♪ SHE WAS HANGIN'
ON A SILVER SCREEN ♪
1330
01:23:33,138 --> 01:23:34,270
♪ HANGIN' ON
A SILVER SCREEN ♪
1331
01:23:34,313 --> 01:23:37,012
♪ WHEN YOU GOT TO
GO, YOU GOT TO GO ♪
1332
01:23:37,055 --> 01:23:38,056
♪ GOT TO GO
1333
01:23:38,100 --> 01:23:44,062
♪ ON MY WAY, BABY,
I'M ON MY WAY ♪
1334
01:23:44,106 --> 01:23:47,239
♪ AND I'M GOING TO FLY
1335
01:23:48,023 --> 01:23:50,416
♪ ONE MORE DAY
1336
01:23:50,460 --> 01:23:53,593
♪ GIVE ME JUST
ONE MORE DAY ♪
1337
01:23:53,637 --> 01:23:56,422
♪ BUT I'VE GOT TO KNOW
1338
01:23:56,466 --> 01:23:59,599
♪ DOES JERUSALEM CLOSE?
1339
01:23:59,643 --> 01:24:03,734
♪ DOES JERUSALEM CLOSE?
1340
01:24:03,777 --> 01:24:07,129
♪ WHEN DOES IT CLOSE?
1341
01:24:17,226 --> 01:24:18,357
COME ON, MAN.
1342
01:24:18,401 --> 01:24:20,316
ARE YOU FALLING ASLEEP
ON THIS THING?
1343
01:24:20,359 --> 01:24:22,405
DON'T LAY BACK
ON THOSE LYRICS.
1344
01:24:22,448 --> 01:24:23,319
ME LAYING BACK?
1345
01:24:23,362 --> 01:24:25,408
I DON'T WANT
TO HEAR ABOUT IT.
1346
01:24:25,451 --> 01:24:26,365
FROM THE TOP.
1347
01:24:26,409 --> 01:24:27,671
1, 2, 3!
1348
01:24:27,714 --> 01:24:29,455
[MUSIC PLAYING]
1349
01:24:34,765 --> 01:24:37,202
HOLD IT, HOLD IT,
HOLD IT, HOLD IT,
HOLD IT, HOLD IT.
1350
01:24:37,246 --> 01:24:39,335
WHAT HAPPENED
TO THE GROOVE?
1351
01:24:39,378 --> 01:24:41,293
I GOT TO DO THIS ON ZANY'S
SHOW TOMORROW NIGHT,
1352
01:24:41,337 --> 01:24:45,602
FIRST TV SHOT AND YOU
GUYS ARE GOING TO MAKE ME
LOOK LIKE AN IDIOT.
1353
01:24:49,040 --> 01:24:49,954
AHH.
1354
01:24:49,997 --> 01:24:53,305
THIS ARRANGEMENT
STINKS AS WELL.
1355
01:24:53,349 --> 01:24:55,264
TAKE 5.
1356
01:25:00,269 --> 01:25:02,793
[INDISTINCT]
1357
01:25:06,797 --> 01:25:09,147
SO, WHAT DID THE DOCTOR SAY?
1358
01:25:09,191 --> 01:25:12,455
ANOTHER RABBIT
BIT THE DUST.
1359
01:25:13,412 --> 01:25:14,326
CONGRATULATIONS.
1360
01:25:14,370 --> 01:25:16,023
YOU'RE GOING TO BE
A MOTHER, HUH?
1361
01:25:16,067 --> 01:25:18,156
I WOULDN'T TELL
HIM NOW THOUGH.
1362
01:25:18,200 --> 01:25:20,332
HE'S LIABLE
TO PUNCH YOU OUT.
1363
01:25:20,376 --> 01:25:22,073
YEAH. I HEARD.
1364
01:25:22,117 --> 01:25:23,770
YOU KNOW, I REALLY
DON'T KNOW HOW MUCH LONGER
WE CAN TAKE IT, MOLLY.
1365
01:25:23,814 --> 01:25:25,772
Jess: ALL RIGHT.
COME ON. LET'S DO IT.
1366
01:25:25,816 --> 01:25:28,035
DON'T LOSE YOUR
SENSE OF HUMOR.
1367
01:25:28,079 --> 01:25:29,689
HEY, YOU KNOW,
I'M GOING TO TRY.
1368
01:25:29,733 --> 01:25:31,343
THERE, WE KNOW
THE CHARTS.
1369
01:25:31,387 --> 01:25:32,388
YEAH. OK.
1370
01:25:32,431 --> 01:25:33,563
WHERE'S BUBBA?
1371
01:25:33,606 --> 01:25:34,651
WE KNOW THE CHARTS.
1372
01:25:34,694 --> 01:25:35,739
BUBBA, COME ON.
1373
01:25:35,782 --> 01:25:37,697
HEY, COME ON. WILL YA?
1374
01:25:37,741 --> 01:25:39,308
I DON'T HAVE ALL DAY FOR THIS.
1375
01:25:39,351 --> 01:25:40,918
WE DON'T HAVE ALL DAY.
1376
01:25:40,961 --> 01:25:43,355
HEY, MAN. I'M MOVING
MY BLACK ASS AS FAST
AS I CAN. YOU KNOW?
1377
01:25:43,399 --> 01:25:45,618
[LAUGHING]
1378
01:25:46,750 --> 01:25:48,099
COUNT IT DOWN.
1379
01:25:48,143 --> 01:25:49,405
COUNT IT DOWN.
1380
01:25:49,448 --> 01:25:50,884
1, 2.
1381
01:25:57,021 --> 01:25:58,153
WHAT'S GOING ON?
1382
01:25:58,196 --> 01:25:59,502
HOLD IT, HOLD IT,
HOLD IT.
1383
01:25:59,545 --> 01:26:00,677
WHAT HAPPENED
TO THE GROOVE?
1384
01:26:00,720 --> 01:26:02,200
WHAT HAPPENED
TO THE GROOVE, GUYS?
1385
01:26:02,244 --> 01:26:04,159
ARE YOU DOING THIS
ON PURPOSE? OR WHAT IS IT?
1386
01:26:04,202 --> 01:26:05,812
ARE YOU TRYING
TO MAKE ME LOOK BAD?
1387
01:26:05,856 --> 01:26:06,857
COME ON, JESS, BE COOL.
1388
01:26:06,900 --> 01:26:08,772
HEY, DON'T TELL
ME TO COOL IT, MAN.
1389
01:26:08,815 --> 01:26:11,209
YOU LISTEN
TO THAT PLAYBACK.
1390
01:26:11,253 --> 01:26:14,212
PLAY IT.
1391
01:26:17,346 --> 01:26:18,303
PLAY IT.
1392
01:26:18,347 --> 01:26:19,478
Man: IT'LL BE
A MINUTE, MR. ROBIN.
1393
01:26:19,522 --> 01:26:20,436
JESSE, STOP IT, HUH?
1394
01:26:20,479 --> 01:26:22,481
HEY, I'M THE GUY
OUT FRONT THERE.
1395
01:26:22,525 --> 01:26:23,439
REMEMBER THAT?
1396
01:26:23,482 --> 01:26:25,180
LOOK, YOU'RE
NOT MAD AT THEM.
1397
01:26:25,223 --> 01:26:26,224
YOU'RE JUST MAD AT YOURSELF.
1398
01:26:26,268 --> 01:26:27,573
LOOK, I DON'T WANT
TO KNOW ABOUT IT.
1399
01:26:27,617 --> 01:26:28,574
YOU'VE BEEN LIKE THIS EVER
SINCE YOUR FATHER LEFT.
1400
01:26:28,618 --> 01:26:29,793
DON'T TALK TO ME
ABOUT MY FATHER.
1401
01:26:29,836 --> 01:26:31,403
THAT'S WHAT
IT'S ALL ABOUT.
1402
01:26:31,447 --> 01:26:32,709
DON'T LAY IT ALL OUT
ON THEM JUST BECAUSE
YOU CAN'T HANDLE IT.
1403
01:26:32,752 --> 01:26:34,189
DON'T TELL ME.
I CAN'T HANDLE IT.
1404
01:26:34,232 --> 01:26:35,799
I DON'T NEED HIM.
I DON'T NEED YOU.
1405
01:26:35,842 --> 01:26:37,627
I DON'T NEED ANY OF THIS.
1406
01:26:37,670 --> 01:26:39,237
I'VE HAD IT.
1407
01:26:39,281 --> 01:26:40,847
[MUSIC PLAYING]
1408
01:26:49,682 --> 01:26:50,814
WHAT'S WRONG WITH HIM?
1409
01:26:50,857 --> 01:26:52,816
I'M GOING TO GO
TALK WITH HIM.
1410
01:26:52,859 --> 01:26:54,339
NO, BUBBA.
1411
01:26:54,383 --> 01:26:57,168
JUST LET HIM WORK IT
OUT FOR HIMSELF.
1412
01:26:57,212 --> 01:26:59,083
[TIRES SCREECHING]
1413
01:26:59,126 --> 01:27:01,433
WATCH WHERE
YOU'RE GOING.
1414
01:27:07,744 --> 01:27:10,355
[TIRES SCREECHING]
1415
01:29:11,084 --> 01:29:15,219
♪ SONGS OF LIFE
1416
01:29:15,262 --> 01:29:18,440
♪ THEY RING
1417
01:29:19,266 --> 01:29:22,357
♪ FROM QUIET STEEPLES
1418
01:29:23,314 --> 01:29:26,448
♪ TO DISTANT VALLEYS
1419
01:29:27,449 --> 01:29:30,843
♪ ALONG THE HILLSIDES
1420
01:29:31,540 --> 01:29:34,630
♪ OF LOVERS' HEARTS
1421
01:29:36,240 --> 01:29:39,635
♪ OF LOVERS' HEARTS
1422
01:29:44,422 --> 01:29:51,429
♪ COME SING
YOUR SONGS OF LIFE ♪
1423
01:29:52,778 --> 01:29:55,215
♪ AND THEY WILL KEEP YOU
1424
01:29:55,259 --> 01:30:00,656
♪ FROM EVER WANTING
1425
01:30:01,700 --> 01:30:05,095
♪ FROM EVER NEEDING
1426
01:30:06,183 --> 01:30:09,229
♪ FOR EVERMORE
1427
01:30:10,405 --> 01:30:13,625
♪ FOR EVERMORE
1428
01:30:15,279 --> 01:30:22,373
♪ OH, AND WHEN
THE MOMENT'S TRUE ♪
1429
01:30:24,462 --> 01:30:25,855
♪ THEY SING
1430
01:30:25,898 --> 01:30:30,599
♪ SO SOFTLY TO ME
AND YOU ♪
1431
01:30:30,642 --> 01:30:35,778
♪ YOU KNOW THEY DO,
YOU KNOW THEY DO ♪
1432
01:30:35,821 --> 01:30:44,308
♪ SO I SING
MY SONGS OF LIFE ♪
1433
01:30:46,049 --> 01:30:50,096
♪ THAT I WILL HOLD YOU
1434
01:30:50,140 --> 01:30:53,448
♪ INSIDE FOREVER
1435
01:30:54,449 --> 01:30:57,843
♪ AND YOU WILL KNOW ME
1436
01:30:58,975 --> 01:31:03,066
♪ AND I'LL BE YOURS
1437
01:31:03,719 --> 01:31:07,853
♪ AND YOU'LL BE MINE
1438
01:31:08,767 --> 01:31:10,943
♪ OH
1439
01:31:10,987 --> 01:31:15,252
♪ AND WHEN THE MOMENT'S TRUE
1440
01:31:17,036 --> 01:31:19,038
♪ THEY SING
1441
01:31:19,082 --> 01:31:23,478
♪ SO SOFTLY TO ME AND YOU
1442
01:31:23,521 --> 01:31:26,089
♪ YOU KNOW THEY DO
1443
01:31:26,132 --> 01:31:29,222
♪ YOU KNOW THEY DO
1444
01:31:29,266 --> 01:31:37,013
♪ AND I'LL SING
MY SONGS OF LIFE ♪
1445
01:31:39,015 --> 01:31:42,235
♪ THAT I MAY HOLD YOU
1446
01:31:43,323 --> 01:31:46,849
♪ INSIDE FOREVER
1447
01:31:47,589 --> 01:31:51,244
♪ AND YOU WILL KNOW ME
1448
01:31:52,202 --> 01:31:56,075
♪ AND I'LL BE YOURS
1449
01:31:57,337 --> 01:32:00,645
♪ AND YOU'LL BE MINE
1450
01:32:14,267 --> 01:32:16,443
GOOD MORNING.
1451
01:32:19,403 --> 01:32:20,578
I NEED A JOB.
1452
01:32:20,622 --> 01:32:22,145
I GOT A LITTLE EXTRA TIME.
1453
01:32:22,188 --> 01:32:24,277
HOW ABOUT PLAYING ME A TUNE?
1454
01:32:25,409 --> 01:32:27,716
WHAT DO YOU WANT
TO HEAR?
1455
01:32:27,759 --> 01:32:29,195
OH, I DON'T KNOW.
1456
01:32:29,239 --> 01:32:32,938
UM, YOU ARE MY SUNSHINE.
1457
01:32:32,982 --> 01:32:36,072
MY DADDY TAUGHT
ME THAT ONE.
1458
01:32:38,857 --> 01:32:42,252
♪ YOU ARE MY SUNSHINE
1459
01:32:42,295 --> 01:32:43,383
IS THIS THE ONE?
1460
01:32:43,427 --> 01:32:44,254
YEAH, THAT'S IT.
1461
01:32:44,297 --> 01:32:46,648
♪ MY ONLY SUNSHINE
1462
01:32:46,691 --> 01:32:48,998
♪ YOU MAKE ME HAPPY
1463
01:32:49,041 --> 01:32:52,175
♪ WHEN SKIES ARE GREY
1464
01:32:52,218 --> 01:32:53,872
YOU KNOW THE WORDS.
1465
01:32:53,916 --> 01:32:56,788
♪ YOU'LL NEVER KNOW, DEAR
1466
01:32:56,832 --> 01:33:00,792
♪ HOW MUCH I LOVE YOU
1467
01:33:00,836 --> 01:33:07,538
♪ PLEASE DON'T TAKE
MY SUNSHINE AWAY ♪
1468
01:33:07,582 --> 01:33:10,193
HEY, HEY, YOU GOT
YOURSELF A JOB, BOY.
1469
01:33:10,236 --> 01:33:15,633
♪ THE OTHER NIGHT, DEAR,
AS I LAY SLEEPING ♪
1470
01:33:15,677 --> 01:33:21,378
♪ I DREAMED I HELD
YOU IN MY ARMS ♪
1471
01:33:21,421 --> 01:33:24,163
♪ WHEN I WOKE, DEAR
1472
01:33:24,207 --> 01:33:25,600
♪ I WAS MISTAKEN
1473
01:33:25,643 --> 01:33:30,779
♪ SO I HUNG MY HEAD
DOWN AND CRIED ♪
1474
01:33:30,822 --> 01:33:36,001
♪ YOU ARE MY SUNSHINE,
MY ONLY SUNSHINE ♪
1475
01:33:36,045 --> 01:33:40,832
♪ YOU MAKE ME HAPPY,
OOH, WHEN SKIES ARE GREY ♪
1476
01:33:40,876 --> 01:33:46,664
♪ YOU'LL NEVER KNOW, DEAR,
JUST HOW MUCH I LOVE YOU ♪
1477
01:33:46,708 --> 01:33:53,062
♪ PLEASE DON'T TAKE
MY SUNSHINE AWAY ♪
1478
01:33:55,804 --> 01:33:58,458
[CHEERING]
1479
01:34:04,334 --> 01:34:18,565
[PIANO PLAYING]
1480
01:34:18,609 --> 01:34:23,440
CAN I HAVE SOMETHING
WITH A LITTLE BIT MORE
BOOM, BOOM, BOOM?
1481
01:34:26,269 --> 01:34:29,054
HOW DID YOU FIND ME HERE?
1482
01:34:31,317 --> 01:34:32,492
IT TOOK A WHILE, MAN.
1483
01:34:32,536 --> 01:34:36,061
BUT ONE MUSICIAN CAN
ALWAYS FIND ANOTHER ONE.
1484
01:34:36,105 --> 01:34:36,932
OW YOU BEEN?
1485
01:34:36,975 --> 01:34:38,673
I'M ALL RIGHT.
HOW YOU DOING?
1486
01:34:38,716 --> 01:34:40,892
GOOD.
1487
01:34:42,459 --> 01:34:43,373
WHAT'S WRONG?
1488
01:34:43,416 --> 01:34:44,853
POP, MOLLY, WHAT?
1489
01:34:44,896 --> 01:34:45,984
NEITHER.
1490
01:34:46,028 --> 01:34:49,292
THE GUY WHO SENT ME
IS NAMED...
1491
01:34:49,335 --> 01:34:53,035
CHARLIE PARKER
RABINOVITCH.
1492
01:34:55,341 --> 01:34:58,040
THAT'S RIGHT.
1493
01:35:00,782 --> 01:35:03,654
CAME IN AT 8 POUNDS,
10 OUNCES.
1494
01:35:03,698 --> 01:35:06,831
AND HE WAILS
JUST LIKE A CANNON.
1495
01:35:42,562 --> 01:35:49,221
♪ HELLO AGAIN, HELLO
1496
01:35:50,440 --> 01:35:57,229
♪ JUST CALLED
TO SAY HELLO ♪
1497
01:35:58,491 --> 01:36:06,238
♪ I COULDN'T SLEEP
AT ALL TONIGHT ♪
1498
01:36:06,282 --> 01:36:09,807
♪ AND I KNOW IT'S LATE
1499
01:36:10,199 --> 01:36:13,855
♪ BUT I COULDN'T WAIT
1500
01:36:15,117 --> 01:36:21,253
♪ HELLO, MY FRIEND, HELLO
1501
01:36:23,125 --> 01:36:29,435
♪ JUST CALLED
TO LET YOU KNOW ♪
1502
01:36:30,697 --> 01:36:39,271
♪ I THINK ABOUT YOU
EVERY NIGHT ♪
1503
01:36:39,315 --> 01:36:42,666
♪ AND I'M HERE ALONE
1504
01:36:43,058 --> 01:36:47,062
♪ AND YOU'RE
THERE AT HOME ♪
1505
01:36:47,889 --> 01:36:52,458
♪ HELLO
1506
01:37:08,039 --> 01:37:14,829
♪ HELLO, MY FRIEND, HELLO
1507
01:37:15,655 --> 01:37:22,053
♪ I CALLED
TO LET YOU KNOW ♪
1508
01:37:22,967 --> 01:37:31,889
♪ I THINK ABOUT YOU
EVERY NIGHT ♪
1509
01:37:31,933 --> 01:37:35,458
♪ AND I KNOW IT'S LATE
1510
01:37:36,154 --> 01:37:41,072
♪ BUT I COULDN'T WAIT
1511
01:37:41,116 --> 01:37:46,251
♪ HELLO
1512
01:38:00,526 --> 01:38:01,919
SEE YOU TOMORROW, EDDIE.
1513
01:38:01,963 --> 01:38:04,095
OK, CHARLIE.
1514
01:38:08,186 --> 01:38:09,579
PRETEND YOU DON'T KNOW ME.
1515
01:38:09,622 --> 01:38:12,712
OH, DON'T TELL ME, MR.
WONDERFUL IS BACK.
1516
01:38:12,756 --> 01:38:15,628
AND JUST IN TIME
FOR ZANY'S AUTUMN SPECIAL
FROM NEW YORK.
1517
01:38:15,672 --> 01:38:18,327
ARE YOU KIDDING?
HE WALKED OUT
ON ZANY LAST YEAR.
1518
01:38:18,370 --> 01:38:19,415
THE ANSWER'S NO.
1519
01:38:19,458 --> 01:38:21,634
ONE SONG, EDDIE,
THAT'S ALL I'M ASKING.
1520
01:38:21,678 --> 01:38:22,984
NO.
YOU OWE HIM!
1521
01:38:23,027 --> 01:38:25,160
HE TOOK A HIKE.
WHO REMEMBERS HIM?
1522
01:38:25,203 --> 01:38:26,204
HIS ALBUM WENT GOLD.
1523
01:38:26,248 --> 01:38:27,379
A YEAR AGO.
1524
01:38:27,423 --> 01:38:30,861
I'LL BET YOUR COMMISSION
PAID FOR THIS CAR.
1525
01:38:30,905 --> 01:38:32,167
WHERE CAN I DROP YA?
1526
01:38:32,210 --> 01:38:33,168
NEW YORK.
1527
01:38:33,211 --> 01:38:33,951
FORGET IT!
1528
01:38:33,995 --> 01:38:35,605
DAMN IT! YOU OWE HIM!
1529
01:38:35,648 --> 01:38:36,736
I HATE HIM!
1530
01:38:36,780 --> 01:38:38,564
I LOVE HIM!
1531
01:38:41,350 --> 01:38:43,352
ALL RIGHT.
ONE NUMBER, SCALE.
1532
01:38:43,395 --> 01:38:45,615
ONE SONG, TWO
AND A HALF MINUTES.
1533
01:38:45,658 --> 01:38:47,486
THREE.
TWO AND A HALF!
1534
01:38:47,530 --> 01:38:51,664
OH, ALL RIGHT,
TWO AND A HALF.
1535
01:38:52,056 --> 01:38:54,015
ALL RIGHT, THREE.
1536
01:38:54,058 --> 01:38:57,061
AW, THANKS, EDDIE.
1537
01:38:58,497 --> 01:39:01,152
YOU WIN,
THREE AND A HALF.
1538
01:39:01,196 --> 01:39:02,284
OH! THANK YOU, EDDIE!
1539
01:39:02,327 --> 01:39:07,028
COME ON, ENOUGH ALREADY.
COME ON! ENOUGH!
1540
01:39:11,684 --> 01:39:13,643
[MUSIC PLAYING]
1541
01:39:42,063 --> 01:39:44,021
WHOO!
1542
01:39:44,065 --> 01:39:45,414
WHAT DO YOU THINK?
HUH?
1543
01:39:45,457 --> 01:39:46,545
I LOVE THE PIANO.
1544
01:39:46,589 --> 01:39:48,634
YEAH, ARE YOU GONNA
WORK THE PIANO? HMM?
1545
01:39:48,678 --> 01:39:51,028
DO WE HAVE TIME TO TRY
FOR SOME MORE PIANO?
1546
01:39:51,072 --> 01:39:55,380
I'M SORRY, JESS, YOU'RE
GOING TO HAVE TO WAIT UNTIL
THURSDAY REHEARSALS.
1547
01:39:55,424 --> 01:39:57,556
WHAT'S WRONG
WITH TOMORROW?
1548
01:39:57,600 --> 01:40:00,081
JEWISH HOLIDAY,
EDDIE, YOM KIPPUR.
1549
01:40:00,124 --> 01:40:01,821
ANY MEMBERS OF
THE BAND THAT ARE JEWISH
1550
01:40:01,865 --> 01:40:04,868
MAY LEAVE NOW OR IF YOU
KNOW ANY JEWISH PEOPLE,
1551
01:40:04,911 --> 01:40:05,869
YOU MAY LEAVE.
1552
01:40:05,912 --> 01:40:07,958
TAKE IT EASY, JESS.
SEE YOU LATER.
1553
01:40:08,002 --> 01:40:08,959
NIGHT, FELLAS.
1554
01:40:09,003 --> 01:40:09,873
SEE YOU, KIDS.
OK.
1555
01:40:09,916 --> 01:40:11,353
AND HAPPY
YOM KIPPUR.
1556
01:40:11,396 --> 01:40:12,267
NIGHT.
1557
01:40:12,310 --> 01:40:14,225
GOOD NIGHT, EDDIE.
1558
01:40:17,141 --> 01:40:20,927
LEO, WHAT'S THE MATTER?
1559
01:40:20,971 --> 01:40:23,017
DID YOU GET YOUR TICKETS?
1560
01:40:23,713 --> 01:40:24,757
IT'S NOT THE TICKETS.
1561
01:40:24,801 --> 01:40:27,151
YUSSEL,
I GOT THE TICKETS, JESS.
1562
01:40:27,195 --> 01:40:28,935
YUSSEL...
1563
01:40:28,979 --> 01:40:31,025
WHAT IS IT, POP?
1564
01:40:31,068 --> 01:40:32,983
YOUR FATHER, IT'S
HIGH BLOOD PRESSURE.
1565
01:40:33,027 --> 01:40:38,119
IT'S NOT SERIOUS.
BUT THE DOCTORS WOULDN'T
LET HIM SING TONIGHT.
1566
01:40:38,162 --> 01:40:39,163
LEO.
1567
01:40:39,207 --> 01:40:41,035
PLEASE, YOU REALIZE
WHAT THIS MEANS.
1568
01:40:41,078 --> 01:40:43,689
IT'S THE FIRST TIME
IN FIVE GENERATIONS
1569
01:40:43,733 --> 01:40:48,607
THAT A RABINOVITCH
WOULDN'T BE SINGING
ON YOM KIPPUR.
1570
01:40:48,651 --> 01:40:52,263
DID HE ASK YOU TO COME HERE
AND TELL ME THAT?
1571
01:40:52,307 --> 01:40:53,047
NO.
1572
01:40:53,090 --> 01:40:55,310
I THOUGHT
THAT TONIGHT,
1573
01:40:55,353 --> 01:40:57,486
IF YOU WOULD SING
IN HIS PLACE,
1574
01:40:57,529 --> 01:41:02,795
WHAT BETTER WAY
TO BRING THE TWO OF
YOU TOGETHER AGAIN.
1575
01:41:04,188 --> 01:41:05,059
LEO, LOOK...
1576
01:41:05,102 --> 01:41:06,364
I KNOW YOU MEAN WELL,
1577
01:41:06,408 --> 01:41:10,107
BUT IT'S TOO LATE
FOR SOMETHING LIKE THAT.
1578
01:41:25,557 --> 01:41:27,603
YOU'RE JUST AS
STUBBORN AS HE IS.
1579
01:41:27,646 --> 01:41:29,953
HONEY, PLEASE! STAY
OUT OF IT, OK?
1580
01:41:29,996 --> 01:41:35,045
JESS, I MAY BE
A SHIKSA, BUT I KNOW
WHAT YOM KIPPUR MEANS.
1581
01:41:35,089 --> 01:41:37,003
A DAY OF ATONEMENT.
1582
01:41:37,047 --> 01:41:39,223
ISN'T IT TIME?
1583
01:41:39,789 --> 01:41:43,488
LOOK...WE'RE TOGETHER AGAIN.
1584
01:41:43,532 --> 01:41:46,839
WE HAVE A BEAUTIFUL
NEW BABY.
1585
01:41:46,883 --> 01:41:50,060
YOU'RE GOING TO BE
A SMASH IN THIS SHOW.
1586
01:41:50,104 --> 01:41:51,627
IT'S PERFECT.
1587
01:41:51,670 --> 01:41:52,802
ALMOST.
1588
01:41:52,845 --> 01:41:54,151
HONEY, FORGET IT.
1589
01:41:54,195 --> 01:41:56,022
I'M NOT GOING
TO GO CRAWLING BACK
TO MY FATHER.
1590
01:41:56,066 --> 01:41:57,154
JESS, I'M NOT ASKING YOU--
1591
01:41:57,198 --> 01:41:59,417
MOLLY, PLEASE,
FORGET IT.
1592
01:42:09,166 --> 01:42:10,733
I CAN'T
FORGET IT, JESS.
1593
01:42:10,776 --> 01:42:13,170
HONEY, YOU STILL
DON'T UNDERSTAND.
1594
01:42:13,214 --> 01:42:14,867
HE WON'T TAKE MY CALLS.
1595
01:42:14,911 --> 01:42:16,173
HE WON'T ANSWER
MY LETTERS.
1596
01:42:16,217 --> 01:42:17,653
AS FAR AS
HE'S CONCERNED, I'M DEAD.
1597
01:42:17,696 --> 01:42:19,307
YOU UNDERSTAND?
I'M DEAD TO HIM!
1598
01:42:19,350 --> 01:42:22,527
I JUST CAN'T FORGET THAT
IT WAS ME WHO OPENED
THE DOOR THAT DAY.
1599
01:42:22,571 --> 01:42:27,663
IT'S ME YOUR FATHER
WAS LOOKING AT WHEN
HE TORE HIS CLOTHES.
1600
01:42:28,054 --> 01:42:29,055
DON'T YOU SEE?
1601
01:42:29,099 --> 01:42:31,536
IF YOU DON'T
AT LEAST TRY,
1602
01:42:31,580 --> 01:42:35,671
THIS IS ALWAYS GOING TO
BE SOMETHING BETWEEN US.
1603
01:42:42,765 --> 01:42:45,071
[MEN SINGING IN HEBREW]
1604
01:44:06,196 --> 01:44:08,242
[JESS SINGING IN HEBREW]
1605
01:45:46,122 --> 01:45:48,298
POP.
1606
01:45:48,342 --> 01:45:50,648
WE HAVE TO TALK.
1607
01:45:56,088 --> 01:45:58,047
IT'S BEEN OVER
A YEAR, POP.
1608
01:45:58,090 --> 01:46:00,441
ISN'T THAT LONG ENOUGH?
1609
01:46:01,267 --> 01:46:04,401
THIS YOM KIPPUR.
DAY OF FORGIVENESS.
1610
01:46:04,445 --> 01:46:07,186
PLEASE. PLEASE,
LISTEN TO ME.
1611
01:46:07,230 --> 01:46:08,623
YOU USED TO TELL ME
YOU GOT TO KNOW
1612
01:46:08,666 --> 01:46:11,103
WHERE YOU COME FROM TO
KNOW WHERE YOU'RE GOING.
1613
01:46:11,147 --> 01:46:12,888
WELL, I KNOW WHERE
I COME FROM.
1614
01:46:12,931 --> 01:46:15,194
I KNOW WHERE
I'M GOING NOW.
1615
01:46:15,238 --> 01:46:19,764
I GOT MY OWN
CONGREGATION NOW AND
THEY LOVE MY MUSIC.
1616
01:46:19,808 --> 01:46:22,985
IT MAKES THEM FEEL THINGS,
IT MAKES THEM HAPPY.
1617
01:46:23,028 --> 01:46:25,422
WHAT IS SO TERRIBLE?
1618
01:46:34,431 --> 01:46:37,260
YOU HAVE
A GRANDSON, POP.
1619
01:46:42,918 --> 01:46:44,659
HYEM RABINOVITCH.
1620
01:46:44,702 --> 01:46:47,313
6th GENERATION.
1621
01:46:47,357 --> 01:46:51,405
POP, IT'S NO SIN TO
MARRY SOMEONE YOU LOVE.
1622
01:46:52,754 --> 01:46:54,538
LOOK. LOOK.
1623
01:46:54,582 --> 01:46:57,628
HE'S EVEN GOT
MAMA'S SMILE.
1624
01:46:59,151 --> 01:47:04,069
I UNDERSTAND. YOU
HAVE NO SON, SO YOU
HAVE NO GRANDSON.
1625
01:47:04,113 --> 01:47:08,030
WELL, YOU'RE WRONG.
YOU'RE WRONG.
1626
01:47:08,509 --> 01:47:13,252
AND I'M SORRY FOR YOU,
FOR BOTH OF US.
1627
01:47:22,131 --> 01:47:23,872
YUSSEL!
1628
01:47:26,352 --> 01:47:28,746
NOT ONLY...
1629
01:47:28,790 --> 01:47:31,357
MAMA'S SMILE...
1630
01:47:33,229 --> 01:47:36,014
YOUR EYES.
1631
01:47:54,032 --> 01:47:56,034
[SPEAKING YIDDISH]
1632
01:47:57,471 --> 01:48:01,649
MY...SON.
1633
01:48:09,526 --> 01:48:12,834
[AMERICAPLAYING]
1634
01:49:08,237 --> 01:49:14,504
♪ FAR, WE'VE BEEN
TRAVELING FAR ♪
1635
01:49:14,548 --> 01:49:17,942
♪ WITHOUT A HOME
1636
01:49:17,986 --> 01:49:21,642
♪ BUT NOT WITHOUT A STAR
1637
01:49:23,861 --> 01:49:25,559
♪ FREE
1638
01:49:25,602 --> 01:49:29,432
♪ ONLY WANT TO BE FREE
1639
01:49:29,998 --> 01:49:33,088
♪ WE HUDDLE CLOSE
1640
01:49:33,131 --> 01:49:37,440
♪ AND HANG ON TO A DREAM
1641
01:49:38,659 --> 01:49:42,837
♪ ON THE BOATS AND
ON THE PLANES ♪
1642
01:49:42,880 --> 01:49:46,754
♪ THEY'RE COMING TO AMERICA
1643
01:49:46,797 --> 01:49:50,322
♪ NEVER LOOKING BACK AGAIN
1644
01:49:50,366 --> 01:49:54,283
♪ THEY'RE COMING
TO AMERICA ♪
1645
01:49:54,326 --> 01:49:56,024
♪ HOME
1646
01:49:56,633 --> 01:49:59,854
♪ DON'T IT SEEM SO FAR AWAY
1647
01:50:00,463 --> 01:50:04,293
♪ OH, WE'RE
TRAVELING LIGHT TODAY ♪
1648
01:50:04,336 --> 01:50:07,644
♪ IN THE EYE OF THE STORM
1649
01:50:08,123 --> 01:50:12,083
♪ IN THE EYE OF THE STORM
1650
01:50:13,694 --> 01:50:15,739
♪ HOME
1651
01:50:15,783 --> 01:50:19,134
♪ TO A NEW AND
A SHINY PLACE ♪
1652
01:50:19,177 --> 01:50:23,181
♪ MAKE OUR BED AND
WE'LL SAY OUR GRACE ♪
1653
01:50:23,225 --> 01:50:27,055
♪ FREEDOM'S LIGHT
BURNING WARM ♪
1654
01:50:27,098 --> 01:50:31,059
♪ FREEDOM'S LIGHT BURNING WARM
1655
01:50:33,104 --> 01:50:35,019
[CROWD CHEERING]
1656
01:50:40,634 --> 01:50:44,420
♪ EVERYWHERE
AROUND THE WORLD ♪
1657
01:50:44,463 --> 01:50:47,902
♪ THEY'RE COMING TO AMERICA
1658
01:50:47,945 --> 01:50:52,210
♪ EVERY TIME THAT
FLAG'S UNFURLED ♪
1659
01:50:52,254 --> 01:50:55,474
♪ THEY'RE COMING TO AMERICA
1660
01:50:55,518 --> 01:50:59,870
♪ GOT A DREAM TO
TAKE THEM THERE ♪
1661
01:50:59,914 --> 01:51:03,047
♪ THEY'RE COMING TO AMERICA
1662
01:51:03,091 --> 01:51:07,182
♪ GOT A DREAM THEY'VE
COME TO SHARE ♪
1663
01:51:07,225 --> 01:51:10,925
♪ THEY'RE COMING TO AMERICA
1664
01:51:10,968 --> 01:51:15,233
♪ THEY'RE COMING TO AMERICA
1665
01:51:15,494 --> 01:51:19,063
♪ THEY'RE COMING TO AMERICA
1666
01:51:19,107 --> 01:51:23,111
♪ THEY'RE COMING TO AMERICA
1667
01:51:23,154 --> 01:51:26,505
♪ THEY'RE COMING TO AMERICA
1668
01:51:26,549 --> 01:51:29,073
♪ TODAY
1669
01:51:30,161 --> 01:51:32,860
♪ TODAY
1670
01:51:34,035 --> 01:51:37,038
♪ TODAY, YEAH
1671
01:51:37,865 --> 01:51:40,650
♪ TODAY
1672
01:51:42,130 --> 01:51:42,957
♪ TODAY
1673
01:51:43,000 --> 01:51:45,960
♪ MY COUNTRY 'TIS OF THEE
1674
01:51:46,003 --> 01:51:46,961
♪ TODAY
1675
01:51:47,004 --> 01:51:49,572
♪ SWEET LAND OF LIBERTY
1676
01:51:49,615 --> 01:51:50,878
♪ TODAY
1677
01:51:50,921 --> 01:51:53,228
♪ OF THEE I SING
1678
01:51:53,271 --> 01:51:54,577
♪ TODAY
1679
01:51:54,620 --> 01:51:59,843
♪ OF THEE I SING TODAY
1680
01:52:01,192 --> 01:52:03,629
♪ TODAY
1681
01:52:05,153 --> 01:52:07,459
♪ TODAY
1682
01:52:09,070 --> 01:52:11,463
♪ TODAY
1683
01:52:13,030 --> 01:52:15,467
♪ OOH
1684
01:52:19,036 --> 01:52:20,995
[CHEERING]
1685
01:52:51,852 --> 01:52:54,028
[HELLO AGAINPLAYING]
1686
01:52:59,163 --> 01:53:05,430
♪ HELLO AGAIN, HELLO
1687
01:53:07,041 --> 01:53:13,438
♪ JUST CALLED
TO SAY HELLO ♪
1688
01:53:15,136 --> 01:53:18,835
♪ I COULDN'T SLEEP
1689
01:53:18,879 --> 01:53:22,752
♪ AT ALL TONIGHT
1690
01:53:22,796 --> 01:53:25,233
♪ AND I KNOW IT'S LATE
1691
01:53:26,190 --> 01:53:29,454
♪ BUT I COULDN'T WAIT
1692
01:53:30,368 --> 01:53:36,679
♪ HELLO, MY FRIEND, HELLO
1693
01:53:38,681 --> 01:53:44,861
♪ JUST CALLED TO LET YOU KNOW
1694
01:53:46,123 --> 01:53:54,131
♪ I THINK ABOUT
YOU EVERY NIGHT ♪
1695
01:53:54,175 --> 01:53:57,047
♪ WHEN I'M HERE ALONE
1696
01:53:58,005 --> 01:54:01,660
♪ AND YOU'RE THERE AT HOME
1697
01:54:02,705 --> 01:54:06,840
♪ HELLO
1698
01:54:11,279 --> 01:54:14,848
♪ MAYBE IT'S BEEN CRAZY
1699
01:54:14,891 --> 01:54:18,373
♪ AND MAYBE I'M TO BLAME
1700
01:54:18,416 --> 01:54:24,248
♪ BUT I PUT MY HEART
ABOVE MY HEAD ♪
1701
01:54:26,294 --> 01:54:28,949
♪ WE'VE BEEN
THROUGH IT ALL ♪
1702
01:54:28,992 --> 01:54:33,214
♪ AND YOU LOVE ME
JUST THE SAME ♪
1703
01:54:34,084 --> 01:54:36,782
♪ AND WHEN YOU'RE NOT THERE
1704
01:54:36,826 --> 01:54:41,918
♪ I JUST NEED TO HEAR
1705
01:54:41,962 --> 01:54:48,229
♪ HELLO, MY FRIEND, HELLO
1706
01:54:50,622 --> 01:54:56,890
♪ IT'S GOOD TO NEED YOU SO
1707
01:54:57,847 --> 01:55:05,942
♪ IT'S GOOD TO
LOVE YOU LIKE I DO ♪
1708
01:55:05,986 --> 01:55:08,989
♪ AND TO FEEL THIS WAY
1709
01:55:09,990 --> 01:55:13,036
♪ WHEN I HEAR YOU SAY
1710
01:55:14,037 --> 01:55:18,041
♪ HELLO
1711
01:55:33,578 --> 01:55:39,584
♪ HELLO, MY FRIEND, HELLO
1712
01:55:41,021 --> 01:55:47,462
♪ JUST CALLED
TO LET YOU KNOW ♪
1713
01:55:48,158 --> 01:55:56,819
♪ I THINK ABOUT YOU
EVERY NIGHT ♪
1714
01:55:56,862 --> 01:55:59,996
♪ AND I KNOW IT'S LATE
1715
01:56:00,823 --> 01:56:02,172
♪ BUT I COULDN'T WAIT...
1716
01:56:02,216 --> 01:56:04,522
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT
1717
01:56:04,566 --> 01:56:07,569
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
109106
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