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These are the user uploaded subtitles that are being translated: 1 00:03:18,898 --> 00:03:19,832 ♪ THE DOUBT ♪ 2 00:03:19,899 --> 00:03:21,734 ♪ WHILE THE JURY IS OUT ♪ 3 00:03:21,834 --> 00:03:23,503 ♪ OR THE THRILL ♪ 4 00:03:23,570 --> 00:03:25,505 - ♪ WHEN THEY'RE - READING THE WILL ♪ 5 00:03:25,572 --> 00:03:27,173 ♪ OR THE CHASE ♪ 6 00:03:27,240 --> 00:03:30,109 ♪ FOR THE MAN WITH THE FACE ♪ 7 00:03:30,210 --> 00:03:33,079 ♪ THAT'S ENTERTAINMENT ♪ 8 00:03:33,179 --> 00:03:34,631 ♪ THE DAME WHO IS KNOWN 9 00:03:34,632 --> 00:03:36,082 AS THE FLAME ♪ 10 00:03:36,182 --> 00:03:38,017 ♪ OR THE KING 11 00:03:38,018 --> 00:03:39,852 OF AN UNDERWORLD RING ♪ 12 00:03:39,919 --> 00:03:41,788 ♪ HE'S AN APE ♪ 13 00:03:41,888 --> 00:03:44,591 ♪ WHO WON'T LET HER ESCAPE ♪ 14 00:03:44,691 --> 00:03:47,694 ♪ THAT'S ENTERTAINMENT ♪ 15 00:03:47,760 --> 00:03:49,395 ♪ IT MIGHT BE A FIGHT 16 00:03:49,396 --> 00:03:51,030 LIKE YOU SEE ON THE SCREEN ♪ 17 00:03:51,097 --> 00:03:53,416 ♪ A SWAIN GETTING SLAIN 18 00:03:53,417 --> 00:03:55,735 FOR THE LOVE OF A QUEEN ♪ 19 00:03:55,802 --> 00:03:57,103 ♪ SOME GREAT 20 00:03:57,104 --> 00:03:58,404 SHAKESPEAREAN SCENE ♪ 21 00:03:58,471 --> 00:03:59,606 ♪ WHERE A GHOST 22 00:03:59,607 --> 00:04:00,740 AND A PRINCE MEET ♪ 23 00:04:00,807 --> 00:04:02,284 - ♪ AND EVERYONE - ENDS IN MINCEMEAT ♪ 24 00:04:02,308 --> 00:04:03,927 ♪ THE GAG MAY BE 25 00:04:03,928 --> 00:04:05,545 WAVING THE FLAG ♪ 26 00:04:05,612 --> 00:04:07,414 ♪ THAT BEGAN 27 00:04:07,415 --> 00:04:09,215 WITH A MYSTICAL HAND ♪ 28 00:04:09,282 --> 00:04:11,251 ♪ HIP HOORAY ♪ 29 00:04:11,317 --> 00:04:13,286 ♪ THE AMERICAN WAY ♪ 30 00:04:13,386 --> 00:04:15,088 ♪ THE WORLD IS A STAGE ♪ 31 00:04:15,154 --> 00:04:17,657 ♪ THE STAGE IS A WORLD 32 00:04:17,658 --> 00:04:20,159 OF ENTERTAINMENT ♪ 33 00:04:31,638 --> 00:04:35,174 ♪ THAT'S ENTERTAINMENT ♪ 34 00:04:36,309 --> 00:04:38,177 - HEY! - HERE WE ARE! 35 00:04:39,979 --> 00:04:41,180 ALL RIGHT. 36 00:04:42,348 --> 00:04:43,916 ALL RIGHT. 37 00:04:43,983 --> 00:04:44,983 HERE WE ARE. 38 00:04:45,018 --> 00:04:46,252 AH! 39 00:04:46,319 --> 00:04:49,289 ♪ THAT'S ENTERTAINMENT ♪ 40 00:05:07,974 --> 00:05:09,842 - Man: HEY, LOOK - WHAT I CAN DO. 41 00:05:12,312 --> 00:05:13,763 BOOM, BOOM, 42 00:05:13,764 --> 00:05:15,214 BOOM, BOOM, BOOM. 43 00:05:19,385 --> 00:05:22,021 IT'S STILL ME! 44 00:05:32,498 --> 00:05:34,233 IT'S STILL ME! 45 00:05:36,369 --> 00:05:38,471 BOOM, BOOM, BOOM, BOOM. 46 00:05:52,985 --> 00:05:55,988 ♪ AND NOW AS WE CARRY RIGHT ON ♪ 47 00:05:56,055 --> 00:05:58,157 ♪ WE CALL UPON ♪ 48 00:05:58,224 --> 00:05:59,826 ♪ CHARMING LESLIE CARON ♪ 49 00:05:59,892 --> 00:06:02,111 ♪ ANYWHERE YOU CAN WATCH 50 00:06:02,112 --> 00:06:04,330 FRED ASTAIRE ♪ 51 00:06:04,397 --> 00:06:06,766 ♪ THAT'S ENTERTAINMENT ♪ 52 00:06:06,866 --> 00:06:08,551 ♪ A SCENE PLAYED 53 00:06:08,552 --> 00:06:10,236 BY JUDY AND GENE ♪ 54 00:06:10,336 --> 00:06:12,088 ♪ IT'S A SONG 55 00:06:12,089 --> 00:06:13,840 THAT GOES RINGING ALONG ♪ 56 00:06:13,906 --> 00:06:16,125 ♪ GARBO'S DANCE 57 00:06:16,126 --> 00:06:18,344 HAS A TOUCH OF ROMANCE ♪ 58 00:06:18,411 --> 00:06:21,247 ♪ THAT'S ENTERTAINMENT ♪ 59 00:06:21,347 --> 00:06:23,016 ♪ "THE SHOW MUST GO ON" 60 00:06:23,017 --> 00:06:24,684 IS THE SHOW BUSINESS CRY ♪ 61 00:06:24,751 --> 00:06:26,803 ♪ BUT THERE'S ALWAYS SOMEONE 62 00:06:26,804 --> 00:06:28,855 WHO WANTS TO KNOW WHY ♪ 63 00:06:28,921 --> 00:06:31,424 ♪ WITH ROBERT TAYLOR 64 00:06:28,921 --> 00:06:33,926 WITH AN ANSWER ♪ 65 00:06:31,425 --> 00:06:33,926 I'LL TRY TO COME UP 66 00:06:34,026 --> 00:06:35,928 - ♪ IT'S ELEANOR POWELL - THE DANCER ♪ 67 00:06:58,951 --> 00:06:59,886 ♪ MORE ♪ 68 00:06:59,952 --> 00:07:02,388 ♪ THERE IS MUCH MORE IN STORE ♪ 69 00:07:02,455 --> 00:07:03,890 ♪ THE WORLD IS A STAGE ♪ 70 00:07:03,956 --> 00:07:06,759 ♪ THE STAGE IS A WORLD 71 00:07:06,760 --> 00:07:09,562 OF ENTERTAINMENT ♪ 72 00:07:15,401 --> 00:07:18,605 ♪ THE BELLS ARE RINGING 73 00:07:18,606 --> 00:07:21,808 FOR ME AND MY GAL ♪ 74 00:07:21,908 --> 00:07:23,660 Gene Kelly: 75 00:07:21,908 --> 00:07:25,411 WAS MY FIRST FILM, 76 00:07:23,661 --> 00:07:25,411 FOR ME AND MY GAL 77 00:07:25,478 --> 00:07:26,979 - AND, BOY, - WAS I LUCKY. 78 00:07:27,079 --> 00:07:28,848 - I CO-STARRED - WITH JUDY GARLAND. 79 00:07:28,948 --> 00:07:30,133 Fred Astaire: 80 00:07:28,948 --> 00:07:31,317 STARTING AT THE TOP. 81 00:07:30,134 --> 00:07:31,317 THAT'S WHAT I CALL 82 00:07:31,417 --> 00:07:33,970 ♪ KNOWING TO A WEDDING 83 00:07:33,971 --> 00:07:36,522 THEY'RE GOING ♪ 84 00:07:36,622 --> 00:07:38,374 ♪ AND FOR WEEKS 85 00:07:38,375 --> 00:07:40,126 THEY'VE BEEN SEWING ♪ 86 00:07:40,193 --> 00:07:43,029 - ♪ THEY'VE BEEN SEWING SOMETHING - OLD AND SOMETHING NEW SO ♪ 87 00:07:43,129 --> 00:07:44,964 ♪ SOMETHING THAT IS BLUE SO ♪ 88 00:07:45,031 --> 00:07:47,167 ♪ THEY CAN MAKE A TROUSSEAU 89 00:07:47,168 --> 00:07:49,302 FOR MY GAL ♪ 90 00:07:49,368 --> 00:07:51,904 ♪ THEY'RE CONGREGATING 91 00:07:51,905 --> 00:07:54,440 FOR ME AND MY GAL ♪ 92 00:07:54,507 --> 00:07:56,209 ♪ LOOK HERE, WHY ♪ 93 00:07:56,309 --> 00:07:59,129 ♪ THAT'S THE PARSON WAITING 94 00:07:59,130 --> 00:08:01,948 FOR ME AND MY GAL ♪ 95 00:08:02,014 --> 00:08:03,750 ♪ AND SOMETIME WE'RE GOING TO 96 00:08:03,751 --> 00:08:05,485 BUILD A LITTLE HOME ♪ 97 00:08:05,551 --> 00:08:06,551 ♪ FOR 2 ♪ 98 00:08:06,619 --> 00:08:07,520 ♪ OR 3 ♪ 99 00:08:07,620 --> 00:08:08,521 ♪ OR 4 ♪ 100 00:08:08,621 --> 00:08:09,455 ♪ OR 5 ♪ 101 00:08:09,522 --> 00:08:10,990 ♪ OR MAYBE MORE ♪ 102 00:08:11,057 --> 00:08:13,426 ♪ IN LOVELAND 103 00:08:13,427 --> 00:08:15,795 FOR ME AND MY GAL ♪ 104 00:08:15,862 --> 00:08:18,331 - Chorus: ♪ FASCINATING RHYTHM, - YOU GOT ME ON THE GO ♪ 105 00:08:18,397 --> 00:08:19,866 ♪ FASCINATING RHYTHM, 106 00:08:19,867 --> 00:08:21,334 I'M ALL A-QUIVER ♪ 107 00:08:21,400 --> 00:08:24,303 - Kelly: FRED, I HEAR TAP-DANCING - IS POPULAR AGAIN. 108 00:08:24,370 --> 00:08:25,421 Astaire: AND HERE'S 109 00:08:24,370 --> 00:08:26,472 KEEP IT THAT WAY... 110 00:08:25,422 --> 00:08:26,472 A LADY WHO WILL 111 00:08:26,539 --> 00:08:28,074 ELEANOR POWELL. 112 00:08:28,174 --> 00:08:30,510 {\an8}♪ EACH MORNING I'M WAKING UP ♪ 113 00:08:30,576 --> 00:08:32,511 {\an8}♪ VERY HAPPY ♪ 114 00:08:32,578 --> 00:08:35,081 - {\an8}♪ JUST TO FIND - THAT NO WORK HAS BEEN DONE ♪ 115 00:08:35,181 --> 00:08:37,149 {\an8}♪ DO DO DO DO DO DO DO ♪ 116 00:08:37,216 --> 00:08:38,084 {\an8}♪ OH ♪ 117 00:08:38,184 --> 00:08:40,486 {\an8}♪ DO DO DO DO DO DO DO ♪ 118 00:08:40,553 --> 00:08:42,021 {\an8}♪ ONCE IT DIDN'T MATTER ♪ 119 00:08:42,088 --> 00:08:43,165 {\an8}♪ BUT NOW YOU'RE DOING WRONG ♪ 120 00:08:43,189 --> 00:08:44,490 {\an8}♪ WHEN YOU START TO PATTER ♪ 121 00:08:44,557 --> 00:08:45,992 {\an8}♪ I'M SO UNHAPPY ♪ 122 00:08:46,058 --> 00:08:48,494 - {\an8}♪ WON'T YOU TAKE A DAY OFF, - A COUPLE OF WEEKS ♪ 123 00:08:48,561 --> 00:08:50,096 {\an8}♪ SOMEWHERE FAR AWAY OFF? ♪ 124 00:08:50,196 --> 00:08:52,031 {\an8}♪ BUT MAKE IT SNAPPY ♪ 125 00:08:52,098 --> 00:08:53,600 {\an8}♪ OH, HOW I LONG 126 00:08:53,601 --> 00:08:55,101 {\an8}TO BE THE MAN ♪ 127 00:08:55,201 --> 00:08:56,502 {\an8}♪ THAT I USED TO BE ♪ 128 00:08:56,569 --> 00:08:58,838 {\an8}♪ OH, FASCINATING RHYTHM ♪ 129 00:08:58,905 --> 00:09:01,174 {\an8}♪ WON'T YOU STOP 130 00:09:01,175 --> 00:09:03,442 {\an8}PICKING ON ME? ♪ 131 00:09:31,737 --> 00:09:33,639 ♪ I'VE GOT A FEELIN' 132 00:09:33,640 --> 00:09:35,541 YOU'RE FOOLIN' ♪ 133 00:09:35,608 --> 00:09:36,859 ♪ I'VE GOT A NOTION 134 00:09:36,860 --> 00:09:38,110 IT'S MAKE-BELIEVE ♪ 135 00:09:38,210 --> 00:09:39,445 - ♪ AND YOU - ARE LAUGHING... ♪ 136 00:09:39,545 --> 00:09:41,123 - Astaire: MR. KELLY, - WOULD YOU TELL ME 137 00:09:41,147 --> 00:09:42,515 A COUPLE OF THINGS 138 00:09:42,516 --> 00:09:43,883 YOU NEVER EXPECTED TO SEE? 139 00:09:43,950 --> 00:09:46,252 Kelly: WELL, MR. ASTAIRE, 140 00:09:43,950 --> 00:09:48,554 ROBERT TAYLOR SINGING. 141 00:09:46,253 --> 00:09:48,554 I NEVER EXPECTED TO SEE 142 00:09:48,621 --> 00:09:51,057 ♪ MOMENTS OF PARADISE ♪ 143 00:09:51,123 --> 00:09:52,191 ♪ YOU'RE SUCH 144 00:09:52,192 --> 00:09:53,259 A STAND-OUT ♪ 145 00:09:53,326 --> 00:09:54,544 ♪ BUT HOW YOU 146 00:09:54,545 --> 00:09:55,761 HAND OUT THAT... ♪ 147 00:09:58,264 --> 00:10:00,083 ♪ I'VE GOT A FEELIN' 148 00:10:00,084 --> 00:10:01,901 YOU'RE FOOLIN' ♪ 149 00:10:01,968 --> 00:10:03,603 ♪ I'VE GOT A FEELIN' 150 00:10:03,604 --> 00:10:05,237 IT'S ALL A DREAM ♪ 151 00:10:05,304 --> 00:10:06,856 ♪ IT'S JUST A WELL-KNOWN 152 00:10:06,857 --> 00:10:08,407 OLD LOTTERY GAME ♪ 153 00:10:08,474 --> 00:10:10,009 ♪ NO FOOLIN' ♪ 154 00:10:10,109 --> 00:10:11,410 ♪ NO FOOLIN' ♪ 155 00:10:11,477 --> 00:10:13,446 ♪ NO FOOLIN' ♪ 156 00:10:13,512 --> 00:10:15,081 ♪ NO FOOLIN' ♪ 157 00:10:15,147 --> 00:10:16,415 ♪ WHEN I'M ♪ 158 00:10:16,482 --> 00:10:22,955 ♪ WHEN I'M FOOLIN' WITH YOU ♪ 159 00:10:29,328 --> 00:10:31,330 Kelly: AND I CERTAINLY 160 00:10:29,328 --> 00:10:33,332 GRETA GARBO DANCING. 161 00:10:31,331 --> 00:10:33,332 NEVER EXPECTED TO SEE 162 00:10:40,439 --> 00:10:43,509 [SINGING IN SPANISH] 163 00:11:16,008 --> 00:11:17,953 - Kelly: FRED, I HEAR THAT - SINCE YOU'VE BEEN A KID 164 00:11:17,977 --> 00:11:19,312 YOU ALWAYS SAID 165 00:11:17,977 --> 00:11:20,646 A DANCING MAN. 166 00:11:19,313 --> 00:11:20,646 YOU WANTED TO BE 167 00:11:20,713 --> 00:11:22,048 Astaire: OH, NO, NO, GENE. 168 00:11:22,049 --> 00:11:23,382 THAT'S NOT TRUE. 169 00:11:23,482 --> 00:11:25,568 I NEVER SAID ANYTHING 170 00:11:25,569 --> 00:11:27,653 LIKE THAT IN MY LIFE. 171 00:11:27,720 --> 00:11:32,525 ♪ I WANNA BE A DANCING MAN ♪ 172 00:11:32,591 --> 00:11:34,360 ♪ WHILE I CAN ♪ 173 00:11:34,427 --> 00:11:37,880 ♪ GONNA LEAVE MY FOOTSTEPS 174 00:11:37,881 --> 00:11:41,333 ON THE SANDS OF TIME ♪ 175 00:11:41,400 --> 00:11:45,404 ♪ IF I NEVER LEAVE A DIME ♪ 176 00:11:45,504 --> 00:11:48,224 ♪ A DANCING MAN 177 00:11:48,225 --> 00:11:50,943 WITH FOOTSTEPS ON THE SANDS ♪ 178 00:11:51,043 --> 00:11:52,878 ♪ OF RHYTHM ♪ 179 00:11:54,046 --> 00:11:57,883 ♪ AND RHYME ♪ 180 00:12:13,099 --> 00:12:14,533 HA! 181 00:12:24,110 --> 00:12:25,544 HA! 182 00:12:30,116 --> 00:12:31,317 HA HA! 183 00:12:46,999 --> 00:12:50,002 ♪ A DANCING MAN 184 00:12:50,003 --> 00:12:53,005 WITH FOOTSTEPS ON THE SANDS ♪ 185 00:12:53,105 --> 00:12:55,141 ♪ OF RHYTHM ♪ 186 00:12:57,777 --> 00:12:58,944 YEAH! 187 00:13:07,987 --> 00:13:11,590 ♪ A SONG OF LOVE IS A SAD SONG ♪ 188 00:13:11,657 --> 00:13:14,860 ♪ HI-LILI, HI-LILI, HI-LO ♪ 189 00:13:14,960 --> 00:13:16,912 Kelly: ONE OF MY HAPPIEST 190 00:13:16,913 --> 00:13:18,864 DISCOVERIES WAS LESLIE CARON. 191 00:13:18,964 --> 00:13:20,750 AFTER AN AMERICAN IN PARIS, 192 00:13:20,751 --> 00:13:22,535 SHE STARRED IN LILI. 193 00:13:22,635 --> 00:13:24,404 ♪ THE SONG OF LOVE 194 00:13:24,405 --> 00:13:26,172 IS A SAD SONG ♪ 195 00:13:26,272 --> 00:13:27,907 ♪ FOR I HAVE LOVED, 196 00:13:27,908 --> 00:13:29,542 AND IT'S SO ♪ 197 00:13:29,642 --> 00:13:31,310 ♪ HI-LILI, HI-LILI, 198 00:13:31,311 --> 00:13:32,978 HI-LO, HI-LO ♪ 199 00:13:33,045 --> 00:13:36,549 ♪ HI-LILI, HI-LILI, HI-LO ♪ 200 00:13:36,649 --> 00:13:38,551 ♪ HI-LILI, HI-LILI, 201 00:13:38,552 --> 00:13:40,452 HI-LO, HI-LO ♪ 202 00:13:40,519 --> 00:13:44,690 ♪ HI-LILI, HI-LILI ♪ 203 00:13:44,790 --> 00:13:45,825 ♪ HI-LO ♪ 204 00:13:49,128 --> 00:13:51,997 ♪ BE A CLOWN, BE A CLOWN ♪ 205 00:13:52,064 --> 00:13:55,568 ♪ ALL THE WORLD LOVES A CLOWN ♪ 206 00:13:55,668 --> 00:13:56,786 Kelly: I ALWAYS WANTED 207 00:13:56,787 --> 00:13:57,903 TO PLAY A CLOWN, 208 00:13:58,003 --> 00:13:59,288 AND IN THE PIRATE 209 00:13:59,289 --> 00:14:00,573 I FINALLY GOT THE CHANCE 210 00:14:00,673 --> 00:14:02,808 - WITH JUDY AND A TERRIFIC - COLE PORTER SONG. 211 00:14:02,875 --> 00:14:05,611 ♪ ...BAGGY PANTS, AND YOU'LL 212 00:14:05,612 --> 00:14:08,347 RIDE THE ROAD TO ROMANCE ♪ 213 00:14:08,414 --> 00:14:09,982 A BUTCHER OR A BAKER 214 00:14:09,983 --> 00:14:11,550 LADIES NEVER EMBRACE. 215 00:14:11,650 --> 00:14:13,085 A BARBER FOR A BEAU 216 00:14:11,650 --> 00:14:14,520 DISGRACE! 217 00:14:13,086 --> 00:14:14,520 WOULD BE A SOCIAL 218 00:14:14,587 --> 00:14:16,205 ♪ THEY ALL WILL COME TO CALL 219 00:14:16,206 --> 00:14:17,823 IF YOU CAN FALL ON YOUR FACE ♪ 220 00:14:17,890 --> 00:14:19,876 ♪ BE A CLOWN, 221 00:14:19,877 --> 00:14:21,861 BE A CLOWN, BE A CLOWN ♪ 222 00:14:29,001 --> 00:14:32,204 ♪ BE A CLOWN, BE A CLOWN ♪ 223 00:14:32,271 --> 00:14:35,274 ♪ ALL THE WORLD LOVES A CLOWN ♪ 224 00:14:35,374 --> 00:14:38,344 ♪ BE THE POOR SILLY ASS ♪ 225 00:14:38,410 --> 00:14:40,079 ♪ AND YOU'LL ALWAYS 226 00:14:40,080 --> 00:14:41,747 TRAVEL FIRST CLASS ♪ 227 00:14:51,090 --> 00:14:53,075 ♪ THE BROTHER MARX 228 00:14:53,076 --> 00:14:55,060 HIT OUR SCREENS ♪ 229 00:14:55,127 --> 00:14:58,697 ♪ WITH THEIR ZANY ROUTINES ♪ 230 00:14:58,764 --> 00:15:02,067 ♪ GROUCHO, BRASH AND ABSURD ♪ 231 00:15:02,134 --> 00:15:05,571 ♪ HARPO NEVER UTTERED A WORD ♪ 232 00:15:05,638 --> 00:15:09,108 ♪ CHICO'S QUAINT PIANO STYLE 233 00:15:09,109 --> 00:15:12,578 HAD HIS AUDIENCE IN THE AISLE ♪ 234 00:15:12,645 --> 00:15:15,114 ♪ THEY COULD HAVE PLAYED FRENCH 235 00:15:15,115 --> 00:15:17,583 COMEDY TRES, TRES ELEGANT ♪ 236 00:15:17,650 --> 00:15:19,569 ♪ OR SCENES IN ENGLISH DRAWING 237 00:15:19,570 --> 00:15:21,487 ROOMS WITH RICHES TO FLAUNT ♪ 238 00:15:21,587 --> 00:15:23,406 ♪ BUT THEY KNEW 239 00:15:21,587 --> 00:15:25,224 WITH MARGARET DUMONT ♪ 240 00:15:23,407 --> 00:15:25,224 THEY'D GET FAR MORE LAUGHS 241 00:15:25,291 --> 00:15:26,725 ♪ BE A... ♪ 242 00:15:36,302 --> 00:15:38,304 CHICO! 243 00:15:38,404 --> 00:15:39,605 HARPO! 244 00:15:39,672 --> 00:15:42,107 GROUCHO! 245 00:15:44,810 --> 00:15:46,779 - HEY, WAIT A MINUTE. - WAIT A MINUTE! 246 00:15:46,845 --> 00:15:48,414 THIS CAN'T BE MY ROOM. 247 00:15:48,480 --> 00:15:49,798 YES, SIR. SUITE 248 00:15:49,799 --> 00:15:51,116 NUMBER 58, SIR. 249 00:15:51,183 --> 00:15:53,152 - 58? THAT'S - AN AWFUL BIG NUMBER 250 00:15:53,252 --> 00:15:55,154 - FOR A BIRDCAGE - THIS SIZE. 251 00:15:55,254 --> 00:15:56,455 - WOULDN'T IT - BE SIMPLER 252 00:15:56,522 --> 00:15:58,007 IF YOU JUST PUT 253 00:15:56,522 --> 00:15:59,491 IN THE TRUNK? 254 00:15:58,008 --> 00:15:59,491 THE STATEROOM 255 00:15:59,591 --> 00:16:03,095 ♪ SING HO FOR THE OPEN HIGHWAY ♪ 256 00:16:03,162 --> 00:16:07,099 ♪ SING HO FOR THE OPEN ROAD ♪ 257 00:16:07,166 --> 00:16:08,634 ♪ WITH A YA HA HA 258 00:16:08,635 --> 00:16:10,102 AND A HA HA HA ♪ 259 00:16:10,169 --> 00:16:11,870 - HELLO, BOSS. - WHAT ARE YOU - DOING HERE? 260 00:16:11,971 --> 00:16:13,105 HELLO. 261 00:16:13,172 --> 00:16:14,974 - WELL, THIS MAKES IT - A PERFECT VOYAGE. 262 00:16:15,040 --> 00:16:16,125 I'M TERRIBLY SORRY, 263 00:16:15,040 --> 00:16:17,209 WAS MY TRUNK. 264 00:16:16,126 --> 00:16:17,209 BUT I THOUGHT THIS 265 00:16:17,309 --> 00:16:18,777 IT IS YOUR TRUNK. 266 00:16:18,844 --> 00:16:20,779 - I DON'T REMEMBER - PACKING YOU BOYS. 267 00:16:22,348 --> 00:16:24,316 [SNORING] 268 00:16:24,383 --> 00:16:26,185 - Chico: SHH! - DON'T WAKE HIM UP. 269 00:16:26,285 --> 00:16:27,286 HE'S GOT INSOMNIA. 270 00:16:26,285 --> 00:16:28,287 SLEEP IT OFF. 271 00:16:27,287 --> 00:16:28,287 HE'S TRYING TO 272 00:16:28,354 --> 00:16:29,739 THAT'S AS GRISLY 273 00:16:28,354 --> 00:16:31,123 AS I'VE EVER SEEN. 274 00:16:29,740 --> 00:16:31,123 A LOOKING OBJECT 275 00:16:31,190 --> 00:16:32,791 - WELL, GET HIM UP - OUT OF THERE. 276 00:16:33,692 --> 00:16:35,027 [KNOCK ON DOOR] 277 00:16:35,127 --> 00:16:36,295 YES? 278 00:16:36,362 --> 00:16:37,672 - WE'VE COME - TO MAKE UP YOUR ROOM. 279 00:16:37,696 --> 00:16:38,948 COME ON IN, GIRLS, 280 00:16:37,696 --> 00:16:40,199 HOPE BEHIND, 281 00:16:38,949 --> 00:16:40,199 AND LEAVE ALL 282 00:16:40,299 --> 00:16:41,734 - BUT YOU'VE - GOT TO WORK FAST 283 00:16:41,834 --> 00:16:43,712 - BECAUSE YOU'VE - GOT TO GET OUT - IN 10 MINUTES. 284 00:16:43,736 --> 00:16:45,221 HEY, TOMATO, 285 00:16:43,736 --> 00:16:46,705 GONNA FIX THE BED. 286 00:16:45,222 --> 00:16:46,705 WAKE UP. THEY'RE 287 00:16:46,805 --> 00:16:48,307 SAY, I'D LIKE TWO 288 00:16:46,805 --> 00:16:49,808 THERE, HUH? 289 00:16:48,308 --> 00:16:49,808 PILLOWS ON THAT BED 290 00:16:49,875 --> 00:16:51,143 - ALL RIGHT, - BRING HIM... 291 00:16:51,210 --> 00:16:52,821 - SAY, THERE'S A SLIGHT - MISUNDERSTANDING HERE. 292 00:16:52,845 --> 00:16:54,130 I SAID THE GIRLS 293 00:16:52,845 --> 00:16:55,414 NOT YOUR FRIEND. 294 00:16:54,131 --> 00:16:55,414 HAD TO WORK FAST, 295 00:16:55,514 --> 00:16:57,149 HE'S STILL ASLEEP. 296 00:16:57,216 --> 00:16:58,517 YOU KNOW, 297 00:16:57,216 --> 00:16:59,818 THAN I DO AWAKE. 298 00:16:58,518 --> 00:16:59,818 HE DOES BETTER ASLEEP 299 00:16:59,885 --> 00:17:01,220 - HE ALWAYS - SLEEPS THAT WAY. 300 00:17:01,320 --> 00:17:02,821 NOW HE'S HALF-ASLEEP. 301 00:17:02,888 --> 00:17:04,199 - YES, HE'S HALF-ASLEEP - AND HALF NELSON. 302 00:17:04,223 --> 00:17:05,324 [KNOCK ON DOOR] 303 00:17:05,391 --> 00:17:06,725 YES? 304 00:17:06,825 --> 00:17:08,294 Man: I'M THE ENGINEER. 305 00:17:06,825 --> 00:17:09,762 THE HEAT. 306 00:17:08,295 --> 00:17:09,762 I CAME TO TURN OFF 307 00:17:09,862 --> 00:17:11,206 - WELL, YOU CAN START - RIGHT IN ON HIM. 308 00:17:11,230 --> 00:17:12,097 [KNOCK ON DOOR] 309 00:17:12,197 --> 00:17:13,332 - DID YOU WANT - A MANICURE? 310 00:17:13,399 --> 00:17:14,767 NO. COME ON IN. 311 00:17:14,867 --> 00:17:16,435 - I HADN'T PLANNED - ON A MANICURE, 312 00:17:16,535 --> 00:17:18,135 - BUT I THINK - ON A JOURNEY - LIKE THIS, 313 00:17:18,203 --> 00:17:19,271 YOU OUGHT TO HAVE 314 00:17:18,203 --> 00:17:20,339 YOU CAN GET. 315 00:17:19,272 --> 00:17:20,339 EVERY CONVENIENCE 316 00:17:20,406 --> 00:17:22,207 - DID YOU WANT - YOUR NAILS - LONG OR SHORT? 317 00:17:22,274 --> 00:17:23,742 - YOU BETTER - MAKE THEM SHORT. 318 00:17:23,842 --> 00:17:25,611 - IT'S GETTING - KIND OF CROWDED - IN HERE. 319 00:17:28,047 --> 00:17:29,681 - I'M THE ENGINEER'S - ASSISTANT. 320 00:17:29,748 --> 00:17:31,100 YOU KNOW, I HAD 321 00:17:29,748 --> 00:17:32,451 GOING TO SHOW UP. 322 00:17:31,101 --> 00:17:32,451 A PREMONITION YOU WERE 323 00:17:32,551 --> 00:17:33,702 THE ENGINEER'S 324 00:17:32,551 --> 00:17:34,853 IN THE CORNER. 325 00:17:33,703 --> 00:17:34,853 RIGHT OVER THERE 326 00:17:34,920 --> 00:17:36,560 - YOU CAN - CHOP YOUR WAY - RIGHT THROUGH. 327 00:17:38,090 --> 00:17:39,858 - SAY, IS IT - MY IMAGINATION, 328 00:17:39,925 --> 00:17:41,269 - OR IS IT GETTING - CROWDED IN HERE? 329 00:17:41,293 --> 00:17:42,294 Chico: OH, I GOT 330 00:17:42,295 --> 00:17:43,295 PLENTY OF ROOM. 331 00:17:43,395 --> 00:17:44,963 [KNOCK ON DOOR] 332 00:17:45,064 --> 00:17:46,365 YES? 333 00:17:46,432 --> 00:17:48,067 - Woman: IS MY - AUNT MINNIE IN HERE? 334 00:17:48,133 --> 00:17:49,385 WELL, YOU CAN COME IN 335 00:17:48,133 --> 00:17:50,636 IF YOU WANT TO. 336 00:17:49,386 --> 00:17:50,636 AND PROWL AROUND 337 00:17:50,736 --> 00:17:51,987 IF SHE ISN'T IN HERE, 338 00:17:50,736 --> 00:17:53,238 SOMEBODY JUST AS GOOD. 339 00:17:51,988 --> 00:17:53,238 YOU CAN PROBABLY FIND 340 00:17:53,305 --> 00:17:54,449 - WELL, COULD I - USE YOUR PHONE? 341 00:17:54,473 --> 00:17:56,141 - Groucho: - USE THE PHONE? 342 00:17:56,241 --> 00:17:57,919 - I'LL LAY EVEN MONEY - YOU CAN'T GET - IN THE ROOM. 343 00:17:57,943 --> 00:17:59,711 - Chico: HOW - DO YOU DO? 344 00:17:59,778 --> 00:18:01,030 THIS BOAT WILL BE 345 00:17:59,778 --> 00:18:02,281 CAN GET TO THAT PHONE. 346 00:18:01,031 --> 00:18:02,281 IN NEW YORK BEFORE YOU 347 00:18:03,582 --> 00:18:05,117 I CAME TO MOP UP. 348 00:18:05,217 --> 00:18:06,552 JUST THE WOMAN 349 00:18:05,217 --> 00:18:07,886 COME RIGHT AHEAD. 350 00:18:06,553 --> 00:18:07,886 I'M LOOKING FOR. 351 00:18:07,953 --> 00:18:09,788 - YOU'LL HAVE TO START - ON THE CEILING. 352 00:18:09,888 --> 00:18:11,023 IT'S THE ONLY PLACE 353 00:18:09,888 --> 00:18:12,157 OCCUPIED. 354 00:18:11,024 --> 00:18:12,157 THAT ISN'T BEING 355 00:18:12,257 --> 00:18:14,093 - YOU CAN - CLEAN MY SHOES - IF YOU WANT TO. 356 00:18:14,159 --> 00:18:15,561 [KNOCK ON DOOR] 357 00:18:15,627 --> 00:18:16,862 TELL AUNT MINNIE 358 00:18:15,627 --> 00:18:18,097 ROOM, TOO, WILL YA? 359 00:18:16,863 --> 00:18:18,097 TO SEND UP A BIGGER 360 00:18:18,163 --> 00:18:19,298 STEWARD. 361 00:18:19,398 --> 00:18:20,566 AH, COME 362 00:18:20,567 --> 00:18:21,733 RIGHT AHEAD. 363 00:18:21,800 --> 00:18:23,068 - HEY, TOMATO, - THE FOOD! 364 00:18:23,135 --> 00:18:25,104 - BEEN WAITING - ALL AFTERNOON - FOR YOU, STEWARD. 365 00:18:25,170 --> 00:18:26,672 - I WANT MY - AUNT MINNIE. 366 00:18:36,448 --> 00:18:39,184 ♪ FROM THIS MOMENT ON ♪ 367 00:18:39,284 --> 00:18:42,805 ♪ YOU AND I, BABE, 368 00:18:42,806 --> 00:18:46,325 WE'LL BE RIDING HIGH, BABE ♪ 369 00:18:46,425 --> 00:18:48,961 ♪ EVERY CARE IS GONE ♪ 370 00:18:49,027 --> 00:18:51,930 ♪ FROM THIS MOMENT ON ♪ 371 00:19:11,216 --> 00:19:13,085 Kelly: KISS ME KATE, 372 00:19:11,216 --> 00:19:14,953 MUSIC 373 00:19:13,086 --> 00:19:14,953 WITH COLE PORTER'S LILTING 374 00:19:15,020 --> 00:19:16,288 CHOREOGRAPHED BY HERMES PAN 375 00:19:16,355 --> 00:19:17,840 AND PERFORMED 376 00:19:17,841 --> 00:19:19,324 BY ANN MILLER AND COMPANY. 377 00:19:41,180 --> 00:19:43,081 AH! 378 00:19:55,327 --> 00:19:56,829 Astaire: THAT'S BOB FOSSE 379 00:19:56,830 --> 00:19:58,330 DANCING WITH CAROL HANEY. 380 00:19:58,397 --> 00:20:00,365 - Kelly: I WONDER - WHAT EVER HAPPENED HIM? 381 00:21:06,932 --> 00:21:09,167 ♪ I LOVE THE LOOKS ♪ 382 00:21:09,268 --> 00:21:10,902 ♪ OF YOU ♪ 383 00:21:10,969 --> 00:21:14,339 ♪ THE LURE OF YOU ♪ 384 00:21:14,439 --> 00:21:17,743 ♪ I'D LOVE TO MAKE ♪ 385 00:21:17,809 --> 00:21:21,246 ♪ A TOUR OF YOU ♪ 386 00:21:21,313 --> 00:21:24,550 ♪ THE ARMS, THE EYES, 387 00:21:24,551 --> 00:21:27,786 THE MOUTH OF YOU ♪ 388 00:21:27,853 --> 00:21:31,140 ♪ THE EAST, WEST, NORTH, 389 00:21:31,141 --> 00:21:34,426 AND THE SOUTH OF YOU ♪ 390 00:21:34,493 --> 00:21:38,264 ♪ I'D LOVE TO GAIN 391 00:21:38,265 --> 00:21:42,034 COMPLETE CONTROL OF YOU ♪ 392 00:21:42,134 --> 00:21:45,704 ♪ AND HANDLE EVEN THE HEART 393 00:21:45,705 --> 00:21:49,274 AND SOUL OF YOU ♪ 394 00:21:49,341 --> 00:21:52,945 ♪ SO LOVE, AT LEAST, 395 00:21:52,946 --> 00:21:56,548 A SMALL PERCENT OF ME, DO ♪ 396 00:21:56,648 --> 00:22:00,002 ♪ FOR I LOVE 397 00:22:00,003 --> 00:22:03,355 ALL OF YOU ♪ 398 00:22:05,524 --> 00:22:06,875 Astaire: CYD CHARISSE... 399 00:22:06,876 --> 00:22:08,226 LOVELY CYD CHARISSE... 400 00:22:08,327 --> 00:22:10,229 HOW SHE DANCES. THIS IS FROM 401 00:22:10,230 --> 00:22:12,130 SILK STOCKINGS. 402 00:23:30,709 --> 00:23:33,128 ♪ I GET TOO HUNGRY 403 00:23:33,129 --> 00:23:35,547 FOR DINNER AT 8:00 ♪ 404 00:23:35,614 --> 00:23:37,883 ♪ I LIKE THE THEATER 405 00:23:37,884 --> 00:23:40,152 BUT NEVER COME LATE ♪ 406 00:23:40,252 --> 00:23:42,738 ♪ I NEVER BOTHER 407 00:23:42,739 --> 00:23:45,223 WITH PEOPLE I HATE ♪ 408 00:23:45,290 --> 00:23:46,859 ♪ THAT'S WHY 409 00:23:46,860 --> 00:23:48,427 THE LADY IS A TRAMP ♪ 410 00:23:48,493 --> 00:23:50,128 Astaire: BEAUTIFUL 411 00:23:48,493 --> 00:23:51,763 RODGERS AND HART STANDARD 412 00:23:50,129 --> 00:23:51,763 LENA HORNE SINGS A GREAT 413 00:23:51,830 --> 00:23:53,282 FROM THE FILM 414 00:23:53,283 --> 00:23:54,733 WORDS AND MUSIC. 415 00:23:54,800 --> 00:23:57,186 ♪ WON'T GO TO HARLEM 416 00:23:57,187 --> 00:23:59,571 IN ERMINE AND PEARLS ♪ 417 00:23:59,638 --> 00:24:01,940 ♪ DON'T DISH THE DIRT 418 00:24:01,941 --> 00:24:04,242 WITH THE REST OF THE GIRLS ♪ 419 00:24:04,309 --> 00:24:06,228 ♪ THAT'S WHY 420 00:24:06,229 --> 00:24:08,146 THE LADY IS A TRAMP ♪ 421 00:24:08,246 --> 00:24:11,166 ♪ I LIKE THE FREE, 422 00:24:11,167 --> 00:24:14,085 FRESH WIND IN MY HAIR ♪ 423 00:24:14,152 --> 00:24:16,621 ♪ LIFE WITHOUT CARE ♪ 424 00:24:16,688 --> 00:24:18,757 ♪ I'M BROKE, THAT'S OKE ♪ 425 00:24:18,824 --> 00:24:21,260 ♪ HATE CALIFORNIA, 426 00:24:21,261 --> 00:24:23,695 IT'S COLD AND IT'S DAMP ♪ 427 00:24:23,795 --> 00:24:27,632 ♪ THAT'S WHY THE LADY ♪ 428 00:24:30,202 --> 00:24:38,043 ♪ IS A TRAMP ♪ 429 00:24:40,779 --> 00:24:47,118 ♪ THEY ASKED ME HOW I KNEW ♪ 430 00:24:47,185 --> 00:24:51,289 ♪ MY TRUE LOVE WAS TRUE ♪ 431 00:24:51,356 --> 00:24:53,275 Astaire: JEROME KERN WROTE 432 00:24:51,356 --> 00:24:55,193 I'VE EVER HEARD, 433 00:24:53,276 --> 00:24:55,193 SOME OF THE LOVELIEST MELODIES 434 00:24:55,293 --> 00:24:57,262 AND NONE LOVELIER THAN THIS ONE, 435 00:24:57,263 --> 00:24:59,231 SUNG BY KATHRYN GRAYSON 436 00:24:59,331 --> 00:25:00,566 AND DANCED BY 437 00:25:00,567 --> 00:25:01,800 MARGE AND GOWER CHAMPION. 438 00:25:01,867 --> 00:25:04,736 ♪ INSIDE ♪ 439 00:25:04,836 --> 00:25:12,836 ♪ CANNOT BE DENIED ♪ 440 00:25:13,712 --> 00:25:16,431 ♪ THEY SAID, 441 00:25:16,432 --> 00:25:19,150 SOMEDAY YOU'LL FIND ♪ 442 00:25:19,217 --> 00:25:25,156 ♪ ALL WHO LOVE ARE BLIND ♪ 443 00:25:25,223 --> 00:25:30,562 ♪ WHEN YOUR HEART'S ON FIRE ♪ 444 00:25:30,662 --> 00:25:34,900 ♪ YOU MUST REALIZE ♪ 445 00:25:35,000 --> 00:25:42,107 ♪ SMOKE GETS IN YOUR EYES ♪ 446 00:26:37,462 --> 00:26:40,015 ♪ I COULD HARDLY WAIT 447 00:26:40,016 --> 00:26:42,567 TO KEEP OUR DATE ♪ 448 00:26:42,634 --> 00:26:43,769 Astaire: SOMEONE ONCE 449 00:26:43,770 --> 00:26:44,903 ASKED JEROME KERN 450 00:26:44,970 --> 00:26:46,722 WHERE IN AMERICAN MUSIC 451 00:26:46,723 --> 00:26:48,473 HE WOULD PLACE IRVING BERLIN. 452 00:26:48,573 --> 00:26:50,876 MR. KERN REPLIED, "IRVING 453 00:26:50,877 --> 00:26:53,178 BERLIN IS AMERICAN MUSIC." 454 00:26:53,278 --> 00:26:56,515 ♪ FOR IN YOUR 455 00:26:56,516 --> 00:26:59,751 EASTER BONNET ♪ 456 00:26:59,818 --> 00:27:02,087 ♪ WITH ALL 457 00:27:02,088 --> 00:27:04,356 THE FRILLS UPON IT ♪ 458 00:27:04,456 --> 00:27:06,458 ♪ YOU'LL BE 459 00:27:06,459 --> 00:27:08,460 THE GRANDEST FELLA ♪ 460 00:27:08,526 --> 00:27:12,964 ♪ IN THE EASTER PARADE ♪ 461 00:27:13,031 --> 00:27:16,801 ♪ I'LL BE ALL IN CLOVER ♪ 462 00:27:16,868 --> 00:27:19,020 ♪ AND WHEN THEY 463 00:27:19,021 --> 00:27:21,172 LOOK US OVER ♪ 464 00:27:21,272 --> 00:27:23,274 ♪ WE'LL BE 465 00:27:23,275 --> 00:27:25,276 THE PROUDEST COUPLE ♪ 466 00:27:25,343 --> 00:27:29,714 ♪ IN THE EASTER PARADE ♪ 467 00:27:29,814 --> 00:27:33,485 ♪ ON THE AVENUE ♪ 468 00:27:33,551 --> 00:27:37,455 ♪ FIFTH AVENUE ♪ 469 00:27:37,522 --> 00:27:39,541 ♪ THE PHOTOGRAPHERS 470 00:27:39,542 --> 00:27:41,559 WILL SNAP US ♪ 471 00:27:41,660 --> 00:27:43,829 ♪ AND YOU'LL FIND 472 00:27:41,660 --> 00:27:45,997 THE ROTOGRAVURE ♪ 473 00:27:43,830 --> 00:27:45,997 THAT YOU'RE IN 474 00:27:46,064 --> 00:27:48,183 ♪ OH, I COULD WRITE 475 00:27:48,184 --> 00:27:50,301 A SONNET ♪ 476 00:27:50,368 --> 00:27:54,205 ♪ ABOUT YOUR EASTER BONNET ♪ 477 00:27:54,305 --> 00:27:56,391 ♪ AND OF THE GUY 478 00:27:56,392 --> 00:27:58,476 I'M TAKING ♪ 479 00:27:58,543 --> 00:28:03,415 ♪ TO THE EASTER PARADE ♪ 480 00:28:04,983 --> 00:28:06,584 ♪ ON THE AVENUE ♪ 481 00:28:06,685 --> 00:28:08,920 - Chorus: - ♪ OOH OOH OOH OH OH OH ♪ 482 00:28:09,020 --> 00:28:10,889 ♪ FIFTH AVENUE ♪ 483 00:28:10,989 --> 00:28:13,024 ♪ OOH OOH OH OH OH OH ♪ 484 00:28:13,091 --> 00:28:15,093 ♪ THE PHOTOGRAPHERS 485 00:28:15,094 --> 00:28:17,095 WILL SNAP US ♪ 486 00:28:17,195 --> 00:28:19,731 ♪ AND YOU'LL FIND 487 00:28:17,195 --> 00:28:22,267 THE ROTOGRAVURE ♪ 488 00:28:19,732 --> 00:28:22,267 THAT YOU'RE IN 489 00:28:22,367 --> 00:28:24,619 ♪ OH, I COULD 490 00:28:24,620 --> 00:28:26,871 WRITE A SONNET ♪ 491 00:28:26,938 --> 00:28:31,042 ♪ ABOUT YOUR EASTER BONNET ♪ 492 00:28:31,109 --> 00:28:33,228 ♪ AND OF 493 00:28:33,229 --> 00:28:35,346 THE GIRL I'M TAKING ♪ 494 00:28:35,413 --> 00:28:42,187 ♪ TO THE EASTER PARADE ♪ 495 00:28:42,253 --> 00:28:45,457 ♪ OH ♪ 496 00:28:52,931 --> 00:28:54,232 ♪ ANYTHING THAT 497 00:28:54,233 --> 00:28:55,533 HAPPENS IN LIFE ♪ 498 00:28:55,600 --> 00:28:58,937 ♪ CAN HAPPEN ON THE SCREEN ♪ 499 00:28:59,037 --> 00:29:01,539 ♪ FANTASIES APPEAR ♪ 500 00:29:01,606 --> 00:29:05,543 ♪ COLORFUL AND QUEER ♪ 501 00:29:05,610 --> 00:29:07,278 WATCH ME. 502 00:29:07,378 --> 00:29:13,952 ♪ YOU'LL SEE JUST WHAT I MEAN ♪ 503 00:29:15,487 --> 00:29:17,623 ♪ FIRST, TAKE THE RED 504 00:29:17,624 --> 00:29:19,758 FROM THE SCENE ♪ 505 00:29:23,628 --> 00:29:25,697 ♪ AFTER THAT, PLEASE REMOVE 506 00:29:25,698 --> 00:29:27,766 ALL THE GREEN ♪ 507 00:29:27,832 --> 00:29:29,918 ♪ THEN THE YELLOW AND BLUE, 508 00:29:29,919 --> 00:29:32,003 MAKE THEM DISAPPEAR, TOO ♪ 509 00:29:32,103 --> 00:29:34,239 ♪ WHAT'S LEFT? ♪ 510 00:29:34,305 --> 00:29:36,574 ♪ BLACK AND WHITE ♪ 511 00:29:36,641 --> 00:29:39,010 ♪ BUT THAT'S QUITE ALL RIGHT ♪ 512 00:29:39,110 --> 00:29:44,916 ♪ IT'S ENTERTAINMENT ♪ 513 00:29:46,084 --> 00:29:49,020 ♪ YOU CAME ♪ 514 00:29:49,120 --> 00:29:52,357 ♪ I WAS ALONE ♪ 515 00:29:52,457 --> 00:29:54,969 - Astaire: HERE'S BING CROSBY, - STARTING US OFF IN SOME NUMBERS 516 00:29:54,993 --> 00:29:56,128 FILMED IN GLORIOUS 517 00:29:56,129 --> 00:29:57,262 BLACK AND WHITE. 518 00:29:57,328 --> 00:29:59,347 Kelly: THE SIREN HE'S 519 00:29:59,348 --> 00:30:01,366 SINGING TO IS FIFI D'ORSAY. 520 00:30:01,466 --> 00:30:04,369 THE FILM IS GOING HOLLYWOOD. 521 00:30:04,469 --> 00:30:07,472 ♪ BORN TO BE KISSED ♪ 522 00:30:07,539 --> 00:30:10,008 ♪ I CAN'T RESIST ♪ 523 00:30:10,108 --> 00:30:12,443 ♪ YOU ARE TEMPTATION ♪ 524 00:30:12,510 --> 00:30:17,549 ♪ AND I AM YOURS ♪ 525 00:30:17,649 --> 00:30:21,319 ♪ HERE IS MY HEART ♪ 526 00:30:21,386 --> 00:30:24,556 ♪ TAKE IT AND SAY ♪ 527 00:30:24,656 --> 00:30:28,226 ♪ WE'LL NEVER PART ♪ 528 00:30:28,326 --> 00:30:32,130 ♪ I'M JUST A SLAVE ♪ 529 00:30:32,197 --> 00:30:36,968 ♪ ONLY A SLAVE ♪ 530 00:30:37,035 --> 00:30:41,406 ♪ TO YOU ♪ 531 00:30:41,506 --> 00:30:48,980 ♪ TEMPTATION ♪ 532 00:30:49,047 --> 00:30:52,884 ♪ DEAR, WHEN YOU SMILE AT ME ♪ 533 00:30:52,984 --> 00:30:55,253 ♪ I HEARD A MELODY ♪ 534 00:30:55,353 --> 00:30:56,621 ♪ IT HAUNTED ME 535 00:30:56,622 --> 00:30:57,889 FROM THE START ♪ 536 00:30:57,989 --> 00:31:00,659 Kelly: JUDY GARLAND TOLD ME 537 00:30:57,989 --> 00:31:03,328 FOR HER AUDITION AT MGM. 538 00:31:00,660 --> 00:31:03,328 THAT THIS IS THE SONG SHE SANG 539 00:31:03,394 --> 00:31:04,712 BY THE WAY, 540 00:31:04,713 --> 00:31:06,030 SHE GOT THE JOB. 541 00:31:06,097 --> 00:31:09,434 ♪ ZING! WENT THE STRINGS 542 00:31:09,435 --> 00:31:12,770 OF MY HEART ♪ 543 00:31:12,871 --> 00:31:15,940 ♪ I STILL RECALL THE THRILL ♪ 544 00:31:16,040 --> 00:31:19,177 ♪ I GUESS I ALWAYS WILL ♪ 545 00:31:19,244 --> 00:31:25,283 ♪ I HOPE 'TWILL NEVER DEPART ♪ 546 00:31:25,383 --> 00:31:28,786 ♪ I KNEW I LOVED YOU HEAPS ♪ 547 00:31:28,887 --> 00:31:32,290 ♪ AND YOU WERE MINE FOR KEEPS ♪ 548 00:31:32,390 --> 00:31:40,065 ♪ ZING! WENT THE STRINGS 549 00:31:40,066 --> 00:31:47,739 OF MY HEART ♪ 550 00:31:49,440 --> 00:31:52,210 [WHISTLING] 551 00:31:52,277 --> 00:31:53,995 Astaire: 552 00:31:52,277 --> 00:31:55,713 IN CABIN IN THE SKY. 553 00:31:53,996 --> 00:31:55,713 THE WONDERFUL ETHEL WATERS 554 00:31:55,780 --> 00:31:57,115 Kelly: AND THAT'S 555 00:31:57,116 --> 00:31:58,449 ROCHESTER ON GUITAR. 556 00:31:58,549 --> 00:32:01,252 ♪ HA NA NA NA ♪ 557 00:32:01,319 --> 00:32:04,255 ♪ YA NA NA NA ♪ 558 00:32:04,322 --> 00:32:06,057 ♪ OH ♪ 559 00:32:06,124 --> 00:32:09,560 ♪ HERE I GO AGAIN ♪ 560 00:32:09,627 --> 00:32:11,729 ♪ I'M HEARING TRUMPETS 561 00:32:11,730 --> 00:32:13,831 BLOW AGAIN ♪ 562 00:32:13,932 --> 00:32:16,634 ♪ ALL AGLOW AGAIN ♪ 563 00:32:16,734 --> 00:32:18,903 ♪ TAKING A CHANCE 564 00:32:18,904 --> 00:32:21,072 ON LOVE ♪ 565 00:32:21,139 --> 00:32:23,741 ♪ HERE I SLIDE AGAIN ♪ 566 00:32:23,808 --> 00:32:26,027 ♪ ABOUT TO TAKE 567 00:32:26,028 --> 00:32:28,246 THAT RIDE AGAIN ♪ 568 00:32:28,313 --> 00:32:30,782 ♪ STARRY-EYED AGAIN ♪ 569 00:32:30,848 --> 00:32:34,118 ♪ TAKING A CHANCE ON LOVE ♪ 570 00:32:34,185 --> 00:32:36,304 ♪ I THOUGHT THE CARDS 571 00:32:36,305 --> 00:32:38,423 WERE A FRAME-UP ♪ 572 00:32:38,489 --> 00:32:41,793 ♪ AND I NEVER WOULD TRY ♪ 573 00:32:41,859 --> 00:32:43,311 ♪ BUT NOW I'M 574 00:32:43,312 --> 00:32:44,762 TAKING THE GAME UP ♪ 575 00:32:44,829 --> 00:32:47,649 ♪ AND THE ACE OF HEARTS 576 00:32:47,650 --> 00:32:50,468 IS HIGH ♪ 577 00:32:50,535 --> 00:32:52,770 ♪ THINGS AREN'T ENDING NOW ♪ 578 00:32:52,837 --> 00:32:54,606 ♪ I SEE A RAINBOW 579 00:32:54,607 --> 00:32:56,374 BLENDING NOW ♪ 580 00:32:56,474 --> 00:32:58,259 ♪ WE'LL HAVE 581 00:32:58,260 --> 00:33:00,044 OUR HAPPY ENDING NOW ♪ 582 00:33:00,144 --> 00:33:03,548 ♪ TAKING A CHANCE ON LOVE ♪ 583 00:33:15,159 --> 00:33:16,828 ♪ GOT TO SWING 584 00:33:16,829 --> 00:33:18,496 THAT JINX AWAY ♪ 585 00:33:18,563 --> 00:33:20,798 ♪ SWING A HI-DE-HEY ♪ 586 00:33:20,865 --> 00:33:22,517 ♪ HI-DE-HEY-DE 587 00:33:22,518 --> 00:33:24,168 RAP, TAP ON WOOD ♪ 588 00:33:24,235 --> 00:33:25,770 Kelly: ELEANOR POWELL 589 00:33:25,771 --> 00:33:27,305 IN BORN TO DANCE. 590 00:33:27,372 --> 00:33:29,240 Astaire: AND SHE SURE WAS. 591 00:33:42,520 --> 00:33:46,224 {\an8}♪ 3 CHEERS 592 00:33:46,225 --> 00:33:49,927 {\an8}FOR THE RED, WHITE, AND BLUE ♪ 593 00:33:50,028 --> 00:33:51,996 {\an8}♪ 3 CHEERS ♪ 594 00:33:52,063 --> 00:33:57,335 {\an8}♪ FOR THE RED, WHITE, AND BLUE ♪ 595 00:33:57,402 --> 00:34:04,842 {\an8}♪ THE ARMY AND NAVY FOREVER ♪ 596 00:34:04,909 --> 00:34:09,330 {\an8}♪ 3 CHEERS 597 00:34:09,331 --> 00:34:13,751 {\an8}FOR THE RED, WHITE, AND BLUE ♪ 598 00:34:33,805 --> 00:34:35,206 MEN! 599 00:34:35,273 --> 00:34:37,642 - THE SHIP WE WERE WAITING FOR - IS ANCHORED IN THE RIVER, 600 00:34:37,742 --> 00:34:38,893 BUT IT'S IN THE HANDS 601 00:34:38,894 --> 00:34:40,044 OF THE POLICE. 602 00:34:40,111 --> 00:34:41,513 OUR PLAN'S BEEN DISCOVERED, 603 00:34:40,111 --> 00:34:42,914 TO HAVE OUR FREEDOM, 604 00:34:41,514 --> 00:34:42,914 AND IF WE'RE EVER 605 00:34:42,980 --> 00:34:44,258 - WE'VE GOT TO FIGHT - FOR IT TONIGHT. 606 00:34:44,282 --> 00:34:45,283 WHO'S WITH ME? 607 00:34:45,383 --> 00:34:49,320 NOT ME! 608 00:34:49,420 --> 00:34:51,456 - ALL RIGHT. IF I HAVE TO, - I'LL GO ALONE. 609 00:34:51,556 --> 00:34:53,124 - WAIT, CHARLES. - I'LL GO WITH YOU. 610 00:34:53,224 --> 00:34:54,224 ONE MAN AT LAST! 611 00:34:54,258 --> 00:34:55,493 - AND ME, - TOO, SIR. 612 00:34:55,593 --> 00:34:56,904 - Astaire: NELSON EDDY - AND JEANETTE MacDONALD 613 00:34:56,928 --> 00:34:58,663 - WERE THE KING AND QUEEN - OF OPERETTA, 614 00:34:58,763 --> 00:35:01,065 - AND NEW MOON WAS - ONE OF THEIR MOST POPULAR. 615 00:35:01,132 --> 00:35:02,433 NOW WE'RE 10! 616 00:35:01,132 --> 00:35:03,734 COME ON. 617 00:35:02,434 --> 00:35:03,734 THAT MAKES AN ARMY. 618 00:35:03,801 --> 00:35:05,536 ♪ GIVE ME SOME MEN 619 00:35:05,537 --> 00:35:07,271 WHO ARE STOUT-HEARTED MEN ♪ 620 00:35:07,338 --> 00:35:09,207 ♪ WHO WILL FIGHT 621 00:35:09,208 --> 00:35:11,075 FOR THE RIGHT THEY ADORE ♪ 622 00:35:11,142 --> 00:35:12,777 ♪ START ME WITH 10 623 00:35:12,778 --> 00:35:14,412 WHO ARE STOUT-HEARTED MEN ♪ 624 00:35:14,479 --> 00:35:15,964 ♪ AND I'LL SOON 625 00:35:15,965 --> 00:35:17,448 GIVE YOU 10,000 MORE ♪ 626 00:35:17,515 --> 00:35:18,683 I'M GOING. 627 00:35:18,783 --> 00:35:20,518 ♪ SHOULDER TO SHOULDER ♪ 628 00:35:20,618 --> 00:35:21,919 ♪ AND BOLDER AND BOLDER ♪ 629 00:35:21,986 --> 00:35:23,788 ♪ THEY GROW AS THEY GO 630 00:35:23,789 --> 00:35:25,590 TO THE FORE ♪ 631 00:35:25,656 --> 00:35:27,425 ♪ THEN THERE'S NOTHING 632 00:35:27,426 --> 00:35:29,193 IN THE WORLD ♪ 633 00:35:29,293 --> 00:35:33,164 ♪ CAN HALT OR MAR A PLAN ♪ 634 00:35:33,264 --> 00:35:36,401 ♪ WHEN STOUT-HEARTED MEN 635 00:35:36,402 --> 00:35:39,537 CAN STICK TOGETHER MAN TO MAN ♪ 636 00:35:39,637 --> 00:35:41,072 OH, CHARLES, YOU 637 00:35:39,637 --> 00:35:42,507 FRENCH FLEET. 638 00:35:41,073 --> 00:35:42,507 CAN'T FIGHT THE WHOLE 639 00:35:42,607 --> 00:35:43,775 IT'S FIGHT OR PERISH 640 00:35:42,607 --> 00:35:44,942 ON THIS ISLAND. 641 00:35:43,776 --> 00:35:44,942 FOR EVERY MAN 642 00:35:45,009 --> 00:35:46,444 CHARLES... 643 00:35:46,511 --> 00:35:48,246 GOOD-BYE, MARIANNE. 644 00:35:46,511 --> 00:35:49,981 I EVER CAUSED YOU. 645 00:35:48,247 --> 00:35:49,981 FORGIVE ME FOR ANY GRIEF 646 00:35:54,352 --> 00:35:56,721 CHARLES. CHARLES! 647 00:35:56,821 --> 00:35:58,423 OH. YOU'LL 648 00:35:58,424 --> 00:36:00,024 COME BACK, CHARLES! 649 00:36:02,326 --> 00:36:04,829 YOU MUST COME BACK TO ME. 650 00:36:07,231 --> 00:36:11,202 ♪ THIS EAGER HEART OF MINE 651 00:36:11,203 --> 00:36:15,173 IS SINGING ♪ 652 00:36:15,239 --> 00:36:23,239 ♪ LOVER, COME BACK TO ME ♪ 653 00:36:25,650 --> 00:36:26,835 Charles: 654 00:36:25,650 --> 00:36:28,019 WHERE E'ER YOU ARE ♪ 655 00:36:26,836 --> 00:36:28,019 ♪ NEAR OR FAR, 656 00:36:28,085 --> 00:36:29,654 ♪ I'M COMING BACK 657 00:36:29,655 --> 00:36:31,222 TO YOU ♪ 658 00:36:31,322 --> 00:36:36,561 ♪ LOVE WILL GUIDE ME ♪ 659 00:36:36,661 --> 00:36:38,129 ♪ IN THE LIGHT 660 00:36:38,130 --> 00:36:39,597 THAT FOLLOWS NIGHT ♪ 661 00:36:39,697 --> 00:36:41,699 ♪ I'LL SEE YOU 662 00:36:41,700 --> 00:36:43,701 SMILING THROUGH ♪ 663 00:36:43,768 --> 00:36:48,139 ♪ YOUR LOVE 664 00:36:48,140 --> 00:36:52,510 WILL BE BESIDE ME ♪ 665 00:36:52,577 --> 00:36:56,113 ♪ THE SKY IS BLUE ♪ 666 00:36:56,214 --> 00:36:59,183 ♪ THE NIGHT IS COLD ♪ 667 00:36:59,250 --> 00:37:03,087 ♪ THE MOON IS NEW ♪ 668 00:37:03,187 --> 00:37:07,525 ♪ BUT LOVE IS OLD ♪ 669 00:37:07,592 --> 00:37:11,729 ♪ AND WHILE YOU'RE 670 00:37:11,730 --> 00:37:15,866 WAITING THERE ♪ 671 00:37:15,933 --> 00:37:19,504 ♪ THIS HEART OF MINE 672 00:37:19,505 --> 00:37:23,074 IS SINGING ♪ 673 00:37:23,140 --> 00:37:28,946 ♪ LOVER, 674 00:37:23,140 --> 00:37:31,140 BACK TO YOU ♪ TO ME ♪ 675 00:37:28,947 --> 00:37:34,752 ♪ I WILL COME COME BACK 676 00:37:34,819 --> 00:37:36,187 ♪ INK A DINK A DINK, 677 00:37:36,188 --> 00:37:37,555 A DINK A DOO ♪ 678 00:37:37,622 --> 00:37:39,156 ♪ A DINK A DEE ♪ 679 00:37:39,257 --> 00:37:41,726 ♪ OH, WHAT A TUNE ♪ 680 00:37:41,792 --> 00:37:43,728 - Kelly: ONE OF MY - FAVORITE COMEDIANS 681 00:37:43,794 --> 00:37:45,263 ALSO HAPPENS TO BE ONE 682 00:37:45,264 --> 00:37:46,731 OF MY FAVORITE HUMAN BEINGS, 683 00:37:46,797 --> 00:37:47,982 THAT LOVABLE LUNATIC 684 00:37:47,983 --> 00:37:49,166 JIMMY DURANTE. 685 00:37:49,267 --> 00:37:50,919 ♪ IT'S GOT THE WHOLE 686 00:37:50,920 --> 00:37:52,570 WORLD SPOONING ♪ 687 00:37:52,637 --> 00:37:54,138 - [PLAYING - TRUMPET SOLO] 688 00:37:54,238 --> 00:37:55,907 I'M WALKING 689 00:37:55,908 --> 00:37:57,575 DOWN THE STREET... 690 00:37:57,642 --> 00:37:59,194 I'M WALKING 691 00:37:59,195 --> 00:38:00,745 DOWN THE STREET... 692 00:38:09,153 --> 00:38:11,756 TELL ME, MR. JAMES, 693 00:38:09,153 --> 00:38:14,358 YOU ACCOMPLISH? 694 00:38:11,757 --> 00:38:14,358 NOW JUST WHAT DID 695 00:38:14,458 --> 00:38:16,594 ♪ INK A DINK A DINK ♪ 696 00:38:16,661 --> 00:38:17,595 ♪ A DINK A DOO ♪ 697 00:38:17,662 --> 00:38:23,934 ♪ A DINK A DEE-EE ♪ 698 00:38:24,001 --> 00:38:25,469 THAT NOTE WAS GIVEN TO ME 699 00:38:25,470 --> 00:38:26,937 BY BING CROSBY, 700 00:38:27,004 --> 00:38:28,556 AND WAS HE GLAD 701 00:38:28,557 --> 00:38:30,107 TO GET RID OF IT. 702 00:38:30,174 --> 00:38:32,076 ♪ INK A DINK A DEE 703 00:38:32,077 --> 00:38:33,978 A DINK A DOO ♪ 704 00:38:35,980 --> 00:38:37,682 ♪ I GOT RHYTHM ♪ 705 00:38:37,782 --> 00:38:39,617 ♪ I GOT MUSIC ♪ 706 00:38:39,684 --> 00:38:41,118 ♪ I GOT MY MAN ♪ 707 00:38:41,185 --> 00:38:42,236 ♪ WHO COULD ASK 708 00:38:42,237 --> 00:38:43,287 FOR ANYTHING MORE? ♪ 709 00:38:43,354 --> 00:38:45,156 ♪ I GOT DAISIES ♪ 710 00:38:45,222 --> 00:38:47,174 Astaire: NOW BUSBY BERKELEY'S 711 00:38:45,222 --> 00:38:49,126 FROM GIRL CRAZY 712 00:38:47,175 --> 00:38:49,126 DUDE-RANCH FINALE 713 00:38:49,193 --> 00:38:50,244 WITH JUDY, MICKEY, 714 00:38:50,245 --> 00:38:51,295 AND TOMMY DORSEY. 715 00:38:51,362 --> 00:38:53,247 ♪ OLD MAN TROUBLE, 716 00:38:53,248 --> 00:38:55,132 I DON'T MIND HIM ♪ 717 00:38:55,199 --> 00:38:57,218 ♪ YOU WON'T FIND HIM 718 00:38:57,219 --> 00:38:59,236 ROUND MY DOOR ♪ 719 00:38:59,337 --> 00:39:01,038 ♪ I GOT STARLIGHT ♪ 720 00:39:01,138 --> 00:39:02,807 ♪ I GOT SWEET DREAMS ♪ 721 00:39:02,873 --> 00:39:04,041 ♪ I GOT MY MAN ♪ 722 00:39:04,141 --> 00:39:05,142 ♪ WHO COULD ASK 723 00:39:05,143 --> 00:39:06,143 FOR ANYTHING MORE? ♪ 724 00:39:06,210 --> 00:39:07,395 ♪ WHO COULD ASK 725 00:39:07,396 --> 00:39:08,579 FOR ANYTHING MORE? ♪ 726 00:40:13,778 --> 00:40:17,765 ♪ WHO COULD ASK 727 00:40:17,766 --> 00:40:21,752 FOR ANYTHING MORE? ♪ 728 00:40:28,325 --> 00:40:29,760 ♪ BE A CLOWN ♪ 729 00:40:29,827 --> 00:40:31,095 ♪ BE A CLOWN ♪ 730 00:40:31,162 --> 00:40:32,630 ♪ ALL THE WORLD 731 00:40:32,631 --> 00:40:34,098 LOVES A CLOWN ♪ 732 00:40:34,165 --> 00:40:37,067 ♪ TAKE A PIE IN THE FACE ♪ 733 00:40:37,134 --> 00:40:38,736 ♪ AND YOU'LL WOW 734 00:40:38,737 --> 00:40:40,337 THE WHOLE HUMAN RACE ♪ 735 00:40:51,649 --> 00:40:53,918 Astaire: IN THE BEGINNING, 736 00:40:53,984 --> 00:40:56,320 THERE WAS SLAPSTICK COMEDY... 737 00:40:56,420 --> 00:40:58,322 AND LAUREL AND HARDY. 738 00:41:10,501 --> 00:41:12,703 [LAUGHING] 739 00:41:23,848 --> 00:41:25,600 Record: SO YOU CAN'T SLEEP, HUH? 740 00:41:25,601 --> 00:41:27,351 HA HA HA! 741 00:41:27,451 --> 00:41:29,654 Kelly: ABBOTT AND COSTELLO 742 00:41:29,655 --> 00:41:31,856 BEING... ABBOTT AND COSTELLO. 743 00:41:31,956 --> 00:41:33,791 - I'M GOING TO PUT THIS - IN YOUR EARS, 744 00:41:33,858 --> 00:41:35,276 AND THEN WHEN I GO TO SLEEP, 745 00:41:35,277 --> 00:41:36,694 YOU WON'T HEAR THE RECORD. 746 00:41:36,794 --> 00:41:38,538 - WHEN I GO TO SLEEP, - YOU'LL TAKE THE ARM OFF, 747 00:41:38,562 --> 00:41:40,307 - AND THE RECORD WILL STOP, - AND I'LL SLEEP. 748 00:41:40,331 --> 00:41:42,566 ALL RIGHT. YES. 749 00:41:42,666 --> 00:41:43,667 - NOW HOW'S THAT? - HUH? 750 00:41:43,734 --> 00:41:44,902 HUH? 751 00:41:45,002 --> 00:41:46,513 - EVERYTHING ALL RIGHT? - HOW'S THAT? ALL RIGHT? 752 00:41:46,537 --> 00:41:47,404 HUH? 753 00:41:47,505 --> 00:41:48,505 IS THAT ALL RIGHT? 754 00:41:48,539 --> 00:41:49,373 HUH? 755 00:41:49,473 --> 00:41:51,175 - I SAID, IS THAT - ALL RIGHT? 756 00:41:51,242 --> 00:41:52,643 IS THAT ALL RIGHT? 757 00:41:52,710 --> 00:41:53,861 OH, YES. YES. YES. 758 00:41:52,710 --> 00:41:55,012 SWELL. 759 00:41:53,862 --> 00:41:55,012 YOU CAN'T HEAR. 760 00:41:55,079 --> 00:41:56,890 - AND WHEN YOU - GO TO SLEEP, - I'LL TURN IT OFF. 761 00:41:56,914 --> 00:41:58,191 - TAKE IT OFF. YEAH. - THESE ARE GOOD, HUH? 762 00:41:58,215 --> 00:41:59,359 - GO AHEAD - AND GET YOUR SLEEP. 763 00:41:59,383 --> 00:42:00,494 - NOW I KNOW - I'LL GET SOME SLEEP. 764 00:42:00,518 --> 00:42:01,652 HUH? 765 00:42:01,719 --> 00:42:03,271 I SAID, I KNOW I'LL 766 00:42:03,272 --> 00:42:04,822 GET SOME SLEEP NOW. 767 00:42:04,889 --> 00:42:05,823 HUH? 768 00:42:05,890 --> 00:42:07,033 - I'M GOING TO - GET SOME SLEEP! 769 00:42:07,057 --> 00:42:08,158 WHAT? 770 00:42:08,225 --> 00:42:09,636 - I SAYS, I'M GOING TO - GET SOME SLEEP. 771 00:42:09,660 --> 00:42:10,895 - THAT'S WHAT - I'M HERE FOR. 772 00:42:10,995 --> 00:42:12,572 - THEN WHY DO YOU KEEP SAYING, - "HUH? HUH? HUH?" 773 00:42:12,596 --> 00:42:13,731 I CAN'T HEAR YOU. 774 00:42:13,831 --> 00:42:15,208 - WELL, THEN, KEEP THEM - IN YOUR EARS, THEN. 775 00:42:15,232 --> 00:42:16,543 - YOU DON'T HAVE TO - LISTEN TO NOTHING. 776 00:42:16,567 --> 00:42:17,935 WHAT? 777 00:42:18,035 --> 00:42:20,037 YOU DON'T HAVE TO 778 00:42:18,035 --> 00:42:22,039 N-NOTHING... 779 00:42:20,038 --> 00:42:22,039 LISTEN TO NOTHING... 780 00:42:22,106 --> 00:42:23,506 - LOOK. WAIT A MINUTE. - NOW LISTEN. 781 00:42:23,541 --> 00:42:25,175 - DON'T GET EXCITED, - PLEASE. WILL YOU? 782 00:42:25,242 --> 00:42:26,753 - WITH THESE - IN MY EARS, - I CAN'T HEAR. 783 00:42:26,777 --> 00:42:28,746 - LOOK. HERE. - TRY IT YOURSELF. - NOW SEE THAT? 784 00:42:28,846 --> 00:42:29,990 - NOW CAN YOU - HEAR ANYTHING? 785 00:42:30,014 --> 00:42:31,081 WHAT? 786 00:42:31,181 --> 00:42:32,182 YOU CAN'T HEAR 787 00:42:32,183 --> 00:42:33,183 ANYTHING, CAN YOU? 788 00:42:33,250 --> 00:42:34,552 HOW CAN I HEAR IF YOU'RE 789 00:42:33,250 --> 00:42:35,853 IN MY EARS LIKE THAT? 790 00:42:34,553 --> 00:42:35,853 GOING TO PUT THESE 791 00:42:35,920 --> 00:42:37,731 - AFTER ALL, I CAN'T HEAR - IF YOU GOT THEM IN MY EARS. 792 00:42:37,755 --> 00:42:38,956 HUH? 793 00:42:39,056 --> 00:42:40,291 IF YOU GOT THEM IN MY... 794 00:42:40,292 --> 00:42:41,525 HE'S GOT THEM AGAIN! 795 00:42:47,531 --> 00:42:50,367 {\an8}Kelly: IN THIS 1929 FILM, 796 00:42:50,434 --> 00:42:52,169 AMONG A GROUP OF SONG WRITERS, 797 00:42:52,170 --> 00:42:53,904 WE FIND... 798 00:42:53,971 --> 00:42:55,589 WELL! HE'LL 799 00:42:55,590 --> 00:42:57,207 INTRODUCE HIMSELF. 800 00:42:57,274 --> 00:42:59,443 - LADIES AND GENTLEMEN, - MAY I INTRODUCE MYSELF? 801 00:42:59,543 --> 00:43:01,211 MY NAME IS JACK BENNY, 802 00:43:01,278 --> 00:43:02,663 AND I WAS ASKED TO BE 803 00:43:01,278 --> 00:43:04,048 FOR THIS OCCASION. 804 00:43:02,664 --> 00:43:04,048 MASTER OF CEREMONIES 805 00:43:04,114 --> 00:43:05,549 I'D LIKE TO IDENTIFY 806 00:43:05,550 --> 00:43:06,984 THESE BOYS FOR YOU 807 00:43:07,084 --> 00:43:08,786 SO IN CASE YOU FIND THEM 808 00:43:07,084 --> 00:43:10,487 SOME NIGHT, 809 00:43:08,787 --> 00:43:10,487 PROWLING AROUND YOUR HOME 810 00:43:10,588 --> 00:43:12,122 - YOU'LL KNOW HOW - TO ADDRESS THEM. 811 00:43:12,222 --> 00:43:14,074 MR. NACIO HERB BROWN, 812 00:43:14,075 --> 00:43:15,926 THE COMPOSER AT THE PIANO, 813 00:43:15,993 --> 00:43:17,111 AND MR. ARTHUR FREED, 814 00:43:17,112 --> 00:43:18,228 THE LYRICIST, 815 00:43:18,295 --> 00:43:21,065 WHO ALSO WRITES THE WORDS. 816 00:43:21,131 --> 00:43:23,284 THESE TWO BOYS WROTE DOLL DANCE, 817 00:43:23,285 --> 00:43:25,436 BROADWAY MELODY, 818 00:43:25,502 --> 00:43:26,987 YOU WERE MEANT FOR ME, 819 00:43:26,988 --> 00:43:28,472 THE PAGAN LOVE SONG, 820 00:43:28,572 --> 00:43:29,940 AND THE WEDDING 821 00:43:29,941 --> 00:43:31,308 OF THE PAINTED DOLL. 822 00:43:33,978 --> 00:43:36,798 ♪ IT'S A HOLIDAY, 823 00:43:33,978 --> 00:43:39,617 OF THE PAINTED DOLL ♪ 824 00:43:36,799 --> 00:43:39,617 TODAY'S THE WEDDING 825 00:43:39,683 --> 00:43:41,285 ♪ IT'S A JOLLY DAY ♪ 826 00:43:41,352 --> 00:43:43,337 {\an8}♪ THE NEWS IS SPREADING 827 00:43:43,338 --> 00:43:45,322 {\an8}ALL AROUND THE HALL ♪ 828 00:43:45,422 --> 00:43:46,857 {\an8}♪ RED RIDING HOOD 829 00:43:46,858 --> 00:43:48,292 {\an8}AND MASTER BROWN ♪ 830 00:43:48,359 --> 00:43:49,827 {\an8}♪ THE JUMPING JACK 831 00:43:49,828 --> 00:43:51,295 {\an8}JUMPED INTO TOWN ♪ 832 00:43:51,362 --> 00:43:53,014 {\an8}♪ FROM FAR AND NEAR, 833 00:43:53,015 --> 00:43:54,665 {\an8}THEY'RE COMING HERE ♪ 834 00:43:54,765 --> 00:43:56,867 ♪ CHURCH BELLS ARE RINGING ♪ 835 00:43:56,967 --> 00:43:58,786 ♪ BRINGING ALL THE LITTLE 836 00:43:58,787 --> 00:44:00,604 DOLLIES FROM THE POLLIES ♪ 837 00:44:00,671 --> 00:44:03,207 ♪ WITH THE PAINTED CHEEKS ♪ 838 00:44:03,307 --> 00:44:06,427 ♪ LITTLE MAMA DOLL 839 00:44:03,307 --> 00:44:09,546 FOR WEEKS AND WEEKS ♪ 840 00:44:06,428 --> 00:44:09,546 HAS FUSSED AROUND 841 00:44:09,647 --> 00:44:11,215 ♪ SHOO THE BLUES, 842 00:44:11,216 --> 00:44:12,783 NO TIME TO LOSE ♪ 843 00:44:12,850 --> 00:44:14,151 ♪ BIKES AND SHOES 844 00:44:14,152 --> 00:44:15,452 WILL SPREAD THE NEWS ♪ 845 00:44:15,519 --> 00:44:17,121 ♪ THAT IT'S A HOLIDAY ♪ 846 00:44:17,187 --> 00:44:19,206 ♪ TODAY'S THE WEDDING 847 00:44:19,207 --> 00:44:21,225 OF THE LITTLE PAINTED DOLL ♪ 848 00:44:45,716 --> 00:44:47,902 I'VE COME TO THE CONCLUSION 849 00:44:45,716 --> 00:44:50,087 TO WRITE A POPULAR SONG. 850 00:44:47,903 --> 00:44:50,087 THAT IT'S A VERY SIMPLE MATTER 851 00:44:50,187 --> 00:44:51,672 Kelly: LET'S SEE HOW 852 00:44:50,187 --> 00:44:53,157 FEELS ABOUT THAT. 853 00:44:51,673 --> 00:44:53,157 SONG WRITER SAMMY CAHN 854 00:44:53,223 --> 00:44:54,942 WRITING A SONG CAN BE 855 00:44:54,943 --> 00:44:56,660 AGONY OR ECSTASY. 856 00:44:56,727 --> 00:44:58,362 IT CAN TAKE HALF AN HOUR 857 00:44:58,363 --> 00:44:59,997 OR HALF A YEAR, 858 00:45:00,064 --> 00:45:01,649 BUT WHEN ANYONE 859 00:45:01,650 --> 00:45:03,233 WRITES A SONG IN A MOVIE, 860 00:45:03,333 --> 00:45:04,668 THERE NEVER SEEMS TO BE 861 00:45:04,669 --> 00:45:06,003 ANY PROBLEM. 862 00:45:06,070 --> 00:45:07,822 INSPIRATION TURNS ON 863 00:45:07,823 --> 00:45:09,573 FASTER THAN A LIGHT BULB. 864 00:45:09,673 --> 00:45:12,343 FOR INSTANCE, LOOK HOW HARD 865 00:45:12,344 --> 00:45:15,012 ANN SOTHERN AND ROBERT YOUNG 866 00:45:15,079 --> 00:45:16,230 HAVE TO STRUGGLE 867 00:45:16,231 --> 00:45:17,381 TO WRITE A SONG 868 00:45:17,448 --> 00:45:18,983 WHICH WAS WRITTEN 869 00:45:18,984 --> 00:45:20,517 BY GEORGE AND IRA GERSHWIN. 870 00:45:20,584 --> 00:45:21,819 HEY... "OH, SWEET 871 00:45:21,820 --> 00:45:23,053 AND LOVELY." 872 00:45:23,120 --> 00:45:24,822 ♪ OH, SWEET AND LOVELY, 873 00:45:24,823 --> 00:45:26,523 CAN IT BE TRUE? ♪ 874 00:45:26,590 --> 00:45:28,525 ♪ YOU ARE THE ONE ♪ 875 00:45:28,592 --> 00:45:30,394 ♪ BABY, BE MINE ♪ 876 00:45:30,461 --> 00:45:32,062 BABY, BE MINE. 877 00:45:32,129 --> 00:45:33,747 ♪ OH, SWEET AND LOVELY, 878 00:45:33,748 --> 00:45:35,365 BABY, BE MINE ♪ 879 00:45:35,432 --> 00:45:37,367 ♪ BABY, BE GOOD ♪ 880 00:45:37,434 --> 00:45:38,902 ♪ LADY, BE GOOD ♪ 881 00:45:38,969 --> 00:45:40,704 - THAT'S IT. - "LADY, BE GOOD." 882 00:45:40,771 --> 00:45:42,089 ♪ OH, SWEET AND LOVELY, 883 00:45:42,090 --> 00:45:43,407 LADY, BE GOOD ♪ 884 00:45:43,474 --> 00:45:45,442 YEAH! 885 00:45:45,542 --> 00:45:47,845 ♪ OH, SWEET AND LOVELY, 886 00:45:47,846 --> 00:45:50,147 LADY, BE GOOD ♪ 887 00:45:50,247 --> 00:45:52,233 ♪ OH, LADY BE GOOD 888 00:45:52,234 --> 00:45:54,218 TO ME ♪ 889 00:45:54,284 --> 00:45:55,719 HOW'S THAT? 890 00:45:55,786 --> 00:45:58,255 ♪ I AM SO AWFULLY... 891 00:45:58,256 --> 00:46:00,724 MISUNDERSTOOD ♪ 892 00:46:00,791 --> 00:46:03,727 ♪ SO, LADY BE GOOD 893 00:46:03,728 --> 00:46:06,663 TO ME ♪ 894 00:46:06,764 --> 00:46:08,732 - Cahn: LEW AYRES, - PRODDED BY AL SHEAN, 895 00:46:08,799 --> 00:46:11,401 - SETS HIS LOVE - FOR JEANETTE MacDONALD TO MUSIC. 896 00:46:11,468 --> 00:46:12,620 YOU GOT SOMETHING 897 00:46:11,468 --> 00:46:13,771 THAT'S IMPORTANT, 898 00:46:12,621 --> 00:46:13,771 THAT HURTS YOU, 899 00:46:13,837 --> 00:46:15,672 THAT MEANS SOMETHING. 900 00:46:15,773 --> 00:46:17,191 WELL? WRITE IT OUT. 901 00:46:17,192 --> 00:46:18,609 PUT IT IN NOTES. 902 00:46:18,675 --> 00:46:20,794 ORCHESTRATE IT. 903 00:46:18,675 --> 00:46:22,913 AND THE BRASSES. 904 00:46:20,795 --> 00:46:22,913 MAKE THE VIOLINS TELL IT, 905 00:46:22,980 --> 00:46:24,698 YOU NEVER LOST MARY HALE. 906 00:46:24,699 --> 00:46:26,416 YOU LOST YOURSELF. 907 00:46:26,483 --> 00:46:27,735 YOU WERE LIKE A BIRD 908 00:46:27,736 --> 00:46:28,986 THAT WOULDN'T FLY, 909 00:46:29,086 --> 00:46:31,088 A FISH THAT WOULDN'T SWIM, 910 00:46:31,155 --> 00:46:32,289 A MUSICIAN THAT 911 00:46:32,290 --> 00:46:33,423 WOULDN'T WRITE. 912 00:46:33,490 --> 00:46:35,592 SPEAKING A WOMAN'S NAME 913 00:46:33,490 --> 00:46:37,694 BEFORE YOU GO TO SLEEP... 914 00:46:35,593 --> 00:46:37,694 NIGHT AFTER NIGHT 915 00:46:37,795 --> 00:46:38,863 THAT'S FOR NOBODIES, 916 00:46:38,864 --> 00:46:39,930 FOR WEAKLINGS. 917 00:46:39,997 --> 00:46:42,349 BUT YOU... YOU GOT TO SING OUT 918 00:46:42,350 --> 00:46:44,701 ON THEM SO SHE'LL HEAR IT, 919 00:46:44,802 --> 00:46:47,171 AND NO MATTER WHERE SHE IS, 920 00:46:44,802 --> 00:46:49,540 IN YOUR MUSIC, 921 00:46:47,172 --> 00:46:49,540 SHE'LL HEAR HER NAME 922 00:46:49,640 --> 00:46:50,991 AND THEN SHE'LL 923 00:46:50,992 --> 00:46:52,342 COME BACK TO YOU. 924 00:46:58,482 --> 00:47:01,519 ♪ ALTHOUGH YOUR TEARS 925 00:47:01,520 --> 00:47:04,555 MAY FALL ♪ 926 00:47:12,129 --> 00:47:13,164 [WHISPERS] 927 00:47:13,165 --> 00:47:14,198 Jimmy. 928 00:47:14,298 --> 00:47:18,602 ♪ WE WON'T BE 929 00:47:18,603 --> 00:47:22,906 FAR APART ♪ 930 00:47:24,541 --> 00:47:26,093 ♪ SUMMER JOURNEYS TO NIAGARA 931 00:47:26,094 --> 00:47:27,644 AND TO OTHER PLACES ♪ 932 00:47:27,711 --> 00:47:30,047 ♪ AGGRAVATE ALL OUR CARES ♪ 933 00:47:30,147 --> 00:47:32,249 ♪ WE'LL SAVE OUR FARES ♪ 934 00:47:32,349 --> 00:47:34,501 ♪ I'VE A COZY LITTLE FLAT 935 00:47:32,349 --> 00:47:36,653 AS OLD MANHATTAN ♪ 936 00:47:34,502 --> 00:47:36,653 IN WHAT IS KNOWN 937 00:47:36,720 --> 00:47:39,423 ♪ WE'LL SETTLE DOWN ♪ 938 00:47:39,523 --> 00:47:43,827 ♪ RIGHT HERE IN TOWN ♪ 939 00:47:43,894 --> 00:47:46,864 ♪ WE'LL HAVE 940 00:47:43,894 --> 00:47:49,833 AND STATEN ISLAND, TOO ♪ 941 00:47:46,865 --> 00:47:49,833 MANHATTAN, THE BRONX, 942 00:47:49,900 --> 00:47:51,418 ♪ IT'S LOVELY 943 00:47:51,419 --> 00:47:52,936 GOING THROUGH ♪ 944 00:47:53,036 --> 00:47:54,154 Cahn: NOW MICKEY ROONEY 945 00:47:54,155 --> 00:47:55,272 AND TOM DRAKE SHOW US 946 00:47:55,372 --> 00:47:58,942 HOW RODGERS AND HART DID IT. 947 00:47:59,042 --> 00:48:01,795 ♪ IT'S VERY FANCY ON OLD 948 00:48:01,796 --> 00:48:04,548 DELANCEY'S STREET, YOU KNOW ♪ 949 00:48:04,615 --> 00:48:08,385 ♪ THE SUBWAY CHARMS US SO ♪ 950 00:48:08,452 --> 00:48:10,938 ♪ WHEN BALMY BREEZES BLOW 951 00:48:10,939 --> 00:48:13,423 TO AND FRO ♪ 952 00:48:13,523 --> 00:48:15,442 Cahn: FRED ASTAIRE 953 00:48:13,523 --> 00:48:17,361 AS KALMAR AND RUBY. 954 00:48:15,443 --> 00:48:17,361 AND RED SKELTON 955 00:48:17,427 --> 00:48:18,478 I WOULDN'T WRITE 956 00:48:17,427 --> 00:48:19,529 IF YOU BEGGED ME! 957 00:48:18,479 --> 00:48:19,529 THAT SONG WITH YOU 958 00:48:19,596 --> 00:48:21,465 - BEGGED YOU? I DIDN'T - EVEN ASK YOU. 959 00:48:21,565 --> 00:48:22,933 I GUESS YOU JUST 960 00:48:21,565 --> 00:48:24,301 I FEEL SORRY FOR YOU. 961 00:48:22,934 --> 00:48:24,301 CAN'T HELP IT, HARRY. 962 00:48:24,401 --> 00:48:25,686 FEEL SORRY FOR ME? 963 00:48:24,401 --> 00:48:26,970 I'M JUST SOME... 964 00:48:25,687 --> 00:48:26,970 YOU MUST THINK 965 00:48:27,070 --> 00:48:28,472 I CAN TELL YOU 966 00:48:27,070 --> 00:48:29,873 IN 3 LITTLE WORDS... 967 00:48:28,473 --> 00:48:29,873 WHAT I THINK OF YOU 968 00:48:29,940 --> 00:48:31,775 YOU'RE A DOPE! 969 00:48:35,612 --> 00:48:37,047 3 LITTLE WORDS. 970 00:48:37,048 --> 00:48:38,482 YOU'RE A DOPE. 971 00:48:41,618 --> 00:48:44,788 ♪ YOU ARE A DOPE ♪ 972 00:48:46,957 --> 00:48:48,825 - Cahn: IN THE FILM - THE GREAT WALTZ, 973 00:48:48,926 --> 00:48:51,262 FERNAND GRAVET 974 00:48:48,926 --> 00:48:53,597 TALES FROM THE VIENNA WOODS 975 00:48:51,263 --> 00:48:53,597 AS JOHANN STRAUSS COMPOSED 976 00:48:53,664 --> 00:48:55,916 JUST BY RIDING THROUGH THE WOODS 977 00:48:55,917 --> 00:48:58,168 WITH MILIZA KORJUS. 978 00:48:58,268 --> 00:49:00,570 [BIRD SINGING] 979 00:49:00,637 --> 00:49:01,655 [WHISTLING 980 00:49:01,656 --> 00:49:02,673 [BIRD'S SONG] 981 00:49:08,912 --> 00:49:11,048 [HUMMING BIRD'S SONG... 982 00:49:11,049 --> 00:49:13,183 [FIRST NOTES OF WALTZ] 983 00:49:13,283 --> 00:49:16,453 [BIRD SINGING] 984 00:49:16,520 --> 00:49:18,822 [HUMS FIRST TWO 985 00:49:18,823 --> 00:49:21,124 [LINES OF WALTZ] 986 00:49:27,764 --> 00:49:31,768 [BIRD SINGING] 987 00:49:31,835 --> 00:49:33,103 [HUMS FIRST TWO 988 00:49:33,104 --> 00:49:34,371 [LINES OF WALTZ] 989 00:49:44,715 --> 00:49:48,719 [HUMS THIRD LINE] 990 00:49:53,523 --> 00:49:56,293 [HUMS THIRD LINE] 991 00:49:56,360 --> 00:49:58,445 [TRUMPETS PLAYING 992 00:49:58,446 --> 00:50:00,530 [FOURTH AND FIFTH LINES] 993 00:50:04,201 --> 00:50:07,070 [HUM FOURTH AND FIFTH LINES] 994 00:50:16,046 --> 00:50:17,981 - Driver: ♪ COME ON, - MY ROSIE ♪ 995 00:50:18,048 --> 00:50:19,400 ♪ COME ON, ♪ COME ON, 996 00:50:19,401 --> 00:50:20,751 MY ROSIE ♪ MY ROSIE ♪ 997 00:50:23,553 --> 00:50:25,622 [HUMMING TALES 998 00:50:25,623 --> 00:50:27,691 [FROM THE VIENNA WOODS] 999 00:51:11,134 --> 00:51:12,636 ♪ THAT'S ENTERTAINMENT ♪ 1000 00:51:31,788 --> 00:51:33,140 ♪ GOOD MORNING, 1001 00:51:33,141 --> 00:51:34,491 ♪ GOOD MORNING ♪ 1002 00:51:34,591 --> 00:51:36,226 ♪ IT'S GREAT TO STAY UP LATE ♪ 1003 00:51:36,293 --> 00:51:37,878 ♪ GOOD MORNING, 1004 00:51:37,879 --> 00:51:39,463 GOOD MORNING TO YOU ♪ 1005 00:51:40,931 --> 00:51:42,099 ♪ WHEN THE BAND 1006 00:51:42,100 --> 00:51:43,266 BEGAN TO PLAY ♪ 1007 00:51:43,333 --> 00:51:44,501 Astaire: THIS IS 1008 00:51:43,333 --> 00:51:45,669 SINGIN' IN THE RAIN NUMBERS 1009 00:51:44,502 --> 00:51:45,669 ONE OF THOSE TERRIFIC 1010 00:51:45,769 --> 00:51:47,704 WITH GENE, DEBBIE REYNOLDS, 1011 00:51:45,769 --> 00:51:49,639 HAVING A BALL. 1012 00:51:47,705 --> 00:51:49,639 AND DONALD O'CONNOR 1013 00:51:49,739 --> 00:51:50,874 ♪ SO GOOD MORNING, 1014 00:51:50,875 --> 00:51:52,008 GOOD MORNING ♪ 1015 00:51:52,109 --> 00:51:53,277 ♪ SUNBEAMS WILL SOON 1016 00:51:53,278 --> 00:51:54,444 SMILE THROUGH ♪ 1017 00:51:54,511 --> 00:51:55,896 ♪ GOOD MORNING, 1018 00:51:55,897 --> 00:51:57,280 GOOD MORNING TO YOU ♪ 1019 00:51:57,347 --> 00:51:59,316 ♪ AND YOU AND YOU AND YOU ♪ 1020 00:51:59,416 --> 00:52:00,501 ♪ GOOD MORNING, 1021 00:52:00,502 --> 00:52:01,585 GOOD MORNING ♪ 1022 00:52:01,651 --> 00:52:03,653 - ♪ WE'VE GABBED - THE WHOLE NIGHT THROUGH ♪ 1023 00:52:03,753 --> 00:52:05,088 ♪ GOOD MORNING, 1024 00:52:05,089 --> 00:52:06,423 GOOD MORNING TO YOU ♪ 1025 00:52:06,490 --> 00:52:08,301 - ♪ NOTHING COULD BE GRANDER - THAN TO BE IN LOUISIANA ♪ 1026 00:52:08,325 --> 00:52:09,393 ♪ IN THE MORNING, 1027 00:52:09,394 --> 00:52:10,460 IN THE MORNING ♪ 1028 00:52:10,527 --> 00:52:11,578 ♪ IT'S GREAT 1029 00:52:11,579 --> 00:52:12,629 TO STAY UP LATE ♪ 1030 00:52:12,696 --> 00:52:14,064 ♪ GOOD MORNING, 1031 00:52:14,065 --> 00:52:15,432 GOOD MORNING TO YOU ♪ 1032 00:52:15,499 --> 00:52:17,610 - ♪ MIGHT BE JUST AS IFFY - IF WE WAS IN MISSISSIPPI ♪ 1033 00:52:17,634 --> 00:52:18,735 ♪ WHEN WE LEFT, 1034 00:52:18,736 --> 00:52:19,836 THE MOVIE SHOWED ♪ 1035 00:52:19,936 --> 00:52:21,805 - ♪ THE FUTURE - WASN'T BRIGHT ♪ 1036 00:52:21,872 --> 00:52:23,073 ♪ BUT CAME THE DAWN, 1037 00:52:23,074 --> 00:52:24,274 THE SHOW GOES ON ♪ 1038 00:52:24,341 --> 00:52:25,818 - ♪ AND I DON'T WANT - TO SAY GOOD NIGHT ♪ 1039 00:52:25,842 --> 00:52:27,777 - SO SAY - GOOD MORNING! 1040 00:52:27,844 --> 00:52:29,279 ♪ GOOD MORNING ♪ 1041 00:52:29,346 --> 00:52:31,148 - ♪ RAINBOWS - ARE SHINING THROUGH ♪ 1042 00:52:31,214 --> 00:52:32,282 ♪ GOOD MORNING ♪ 1043 00:52:32,349 --> 00:52:33,383 ♪ GOOD MORNING ♪ 1044 00:52:33,483 --> 00:52:34,518 ♪ BONJOUR ♪ 1045 00:52:34,618 --> 00:52:35,519 ♪ MONSIEUR ♪ 1046 00:52:35,619 --> 00:52:36,620 ♪ BUENOS DIAS ♪ 1047 00:52:36,686 --> 00:52:37,554 ♪ MUCHAS FRIAS ♪ 1048 00:52:37,654 --> 00:52:38,654 ♪ BUON GIORNO ♪ 1049 00:52:38,688 --> 00:52:39,688 ♪ BUON GIORNO ♪ 1050 00:52:39,723 --> 00:52:40,724 ♪ GUTEN MORGEN ♪ 1051 00:52:40,824 --> 00:52:41,824 ♪ GUTEN MORGEN ♪ 1052 00:52:41,858 --> 00:52:43,727 ♪ GOOD MORNING TO YOU ♪ 1053 00:53:40,917 --> 00:53:42,836 Kelly: FRED, NANETTE FABRAY, 1054 00:53:42,837 --> 00:53:44,754 AND JACK BUCHANAN 1055 00:53:44,854 --> 00:53:46,806 AS A VERY YOUNG TRIO IN 1056 00:53:44,854 --> 00:53:48,758 FROM BAND WAGON. 1057 00:53:46,807 --> 00:53:48,758 THIS SCHWARTZ AND DIETZ NUMBER 1058 00:53:50,527 --> 00:53:51,728 ♪ MRS. WIFFLEPOOFER ♪ 1059 00:53:51,795 --> 00:53:53,897 - ♪ LOVES TO TALK - TO MRS. HILDENDOFFER ♪ 1060 00:53:53,964 --> 00:53:55,699 ♪ OF THE FATAL NATAL DAY 1061 00:53:55,700 --> 00:53:57,434 SHE HAD HER SILLY WILLY ♪ 1062 00:53:57,534 --> 00:53:59,202 ♪ MRS. HOSENCOOPER LOVES 1063 00:53:59,203 --> 00:54:00,870 TO TALK TO MRS. GOLDENWASSER ♪ 1064 00:54:00,937 --> 00:54:02,839 ♪ OF HER MAJOR OPERATION 1065 00:54:02,840 --> 00:54:04,741 WHEN SHE HAD HER TWINS ♪ 1066 00:54:04,808 --> 00:54:06,309 - ♪ BUT WHEN MOTHER - COMES ALONG ♪ 1067 00:54:06,409 --> 00:54:08,311 - ♪ SHE SILENCES - THE OTHERS ♪ 1068 00:54:08,411 --> 00:54:09,746 - ♪ SHE ACCOMPLISHED - SOMETHING ♪ 1069 00:54:09,813 --> 00:54:10,964 ♪ THAT IS VERY RARE 1070 00:54:10,965 --> 00:54:12,115 IN MOTHERS ♪ 1071 00:54:12,215 --> 00:54:14,000 ♪ MGM HAS GOT A LEO, 1072 00:54:14,001 --> 00:54:15,785 BUT MAMA HAS GOT A TRIO ♪ 1073 00:54:15,885 --> 00:54:17,354 ♪ SHE IS PROUD 1074 00:54:17,355 --> 00:54:18,822 BUT SAYS 3 IS A CROWD ♪ 1075 00:54:18,922 --> 00:54:21,491 ♪ OH, WE DO EVERYTHING ALIKE ♪ 1076 00:54:21,591 --> 00:54:22,759 ♪ WE LOOK ALIKE ♪ 1077 00:54:22,826 --> 00:54:24,394 - ♪ WE DRESS ALIKE, - WE WALK ALIKE ♪ 1078 00:54:24,461 --> 00:54:26,429 - ♪ WE TALK ALIKE, - AND WHAT IS MORE ♪ 1079 00:54:26,496 --> 00:54:28,298 ♪ WE HATE EACH OTHER VERY MUCH ♪ 1080 00:54:28,398 --> 00:54:30,267 ♪ WE HATE OUR FOLKS ♪ 1081 00:54:30,333 --> 00:54:31,952 ♪ WE'RE SICK OF JOKES 1082 00:54:30,333 --> 00:54:33,570 TO TELL US APART ♪ 1083 00:54:31,953 --> 00:54:33,570 ON WHAT AN ART IT IS 1084 00:54:33,637 --> 00:54:35,197 - ♪ WE EAT THE SAME - KIND OF VICTUALS ♪ 1085 00:54:35,272 --> 00:54:36,906 - ♪ WE DRINK THE SAME - KIND OF BOTTLES ♪ 1086 00:54:36,973 --> 00:54:38,742 - ♪ WE SIT IN THE SAME - KIND OF HIGHCHAIR ♪ 1087 00:54:38,808 --> 00:54:40,844 ♪ HIGHCHAIR, HIGHCHAIR ♪ 1088 00:54:54,624 --> 00:54:55,825 OW! 1089 00:54:55,925 --> 00:54:57,260 ♪ I WISH I HAD A GUN, 1090 00:54:57,261 --> 00:54:58,595 A LITTLE GUN ♪ 1091 00:54:58,662 --> 00:55:00,864 - ♪ IT WOULD BE FUN - TO SHOOT THE OTHER TWO ♪ 1092 00:55:00,964 --> 00:55:06,836 ♪ AND BE THE ONLY ONE ♪ 1093 00:55:06,936 --> 00:55:10,140 ♪ HAVE YOURSELF 1094 00:55:06,936 --> 00:55:13,343 CHRISTMAS ♪ 1095 00:55:10,141 --> 00:55:13,343 A MERRY LITTLE 1096 00:55:13,443 --> 00:55:14,654 - Kelly: FRED, - DO YOU REMEMBER 1097 00:55:14,678 --> 00:55:16,118 - THOSE WONDERFUL PARTIES - WITH JUDY 1098 00:55:16,146 --> 00:55:17,347 WHERE SHE'D GET UP 1099 00:55:17,348 --> 00:55:18,548 AND SING THIS SONG? 1100 00:55:18,648 --> 00:55:20,617 - SHE FIRST SANG IT - TO MARGARET O'BRIEN 1101 00:55:20,684 --> 00:55:22,519 IN MEET ME IN ST. LOUIS. 1102 00:55:22,619 --> 00:55:27,741 ♪ ALL OUR TROUBLES 1103 00:55:27,742 --> 00:55:32,862 WILL BE MILES AWAY ♪ 1104 00:55:32,962 --> 00:55:35,932 ♪ ONCE AGAIN, 1105 00:55:35,933 --> 00:55:38,902 AS IN OLDEN DAYS ♪ 1106 00:55:39,002 --> 00:55:42,773 ♪ HAPPY GOLDEN DAYS 1107 00:55:42,774 --> 00:55:46,543 OF YORE ♪ 1108 00:55:46,643 --> 00:55:49,913 ♪ FAITHFUL FRIENDS ♪ 1109 00:55:50,013 --> 00:55:51,665 ♪ WHO WERE DEAR 1110 00:55:51,666 --> 00:55:53,316 TO US ♪ 1111 00:55:53,383 --> 00:55:57,554 ♪ WILL BE NEAR TO US 1112 00:55:57,555 --> 00:56:01,725 ONCE MORE ♪ 1113 00:56:02,892 --> 00:56:05,195 ♪ SOMEDAY SOON ♪ 1114 00:56:05,261 --> 00:56:07,897 ♪ WE ALL 1115 00:56:07,898 --> 00:56:10,533 WILL BE TOGETHER ♪ 1116 00:56:10,600 --> 00:56:13,303 ♪ IF THE FATES 1117 00:56:13,304 --> 00:56:16,005 ALLOW ♪ 1118 00:56:17,707 --> 00:56:20,076 ♪ UNTIL THEN ♪ 1119 00:56:20,176 --> 00:56:25,482 ♪ WE'LL HAVE TO 1120 00:56:20,176 --> 00:56:28,176 SOMEHOW ♪ 1121 00:56:25,483 --> 00:56:30,787 MUDDLE THROUGH 1122 00:56:30,887 --> 00:56:36,192 ♪ SO HAVE YOURSELF ♪ 1123 00:56:36,259 --> 00:56:44,259 ♪ A MERRY LITTLE 1124 00:56:45,336 --> 00:56:53,336 CHRISTMAS NOW ♪ 1125 00:56:59,315 --> 00:57:00,433 ♪ STEPPIN' OUT 1126 00:57:00,434 --> 00:57:01,551 WITH MY BABY ♪ 1127 00:57:01,618 --> 00:57:02,836 ♪ CAN'T GO WRONG 1128 00:57:02,837 --> 00:57:04,053 'CAUSE I'M IN RIGHT ♪ 1129 00:57:04,120 --> 00:57:05,538 ♪ IT'S FOR SURE, 1130 00:57:05,539 --> 00:57:06,956 NOT FOR MAYBE ♪ 1131 00:57:07,056 --> 00:57:09,292 - ♪ THAT I'M - ALL DRESSED UP TONIGHT ♪ 1132 00:57:09,392 --> 00:57:10,677 Kelly: HERE YOU ARE AGAIN, 1133 00:57:10,678 --> 00:57:11,961 FRED, IN EASTER PARADE. 1134 00:57:12,061 --> 00:57:13,146 ♪ CAN'T BE BAD 1135 00:57:13,147 --> 00:57:14,230 TO FEEL SO GOOD ♪ 1136 00:57:14,297 --> 00:57:15,632 ♪ NEVER FELT 1137 00:57:15,633 --> 00:57:16,966 QUITE SO SUNNY ♪ 1138 00:57:17,066 --> 00:57:18,735 - ♪ AND I KEEP ON - KNOCKIN' WOOD ♪ 1139 00:57:18,802 --> 00:57:20,336 - ♪ THERE'LL BE - SMOOTH SAILING ♪ 1140 00:57:20,437 --> 00:57:22,105 ♪ 'CAUSE I'M TRIMMING 1141 00:57:22,106 --> 00:57:23,773 MY SAILS ♪ 1142 00:57:23,840 --> 00:57:25,058 ♪ WITH A BRIGHT SHINE 1143 00:57:25,059 --> 00:57:26,276 ON MY SHOES ♪ 1144 00:57:26,342 --> 00:57:29,279 ♪ AND ON MY NAILS ♪ 1145 00:57:29,345 --> 00:57:30,547 ♪ STEPPIN' OUT 1146 00:57:30,548 --> 00:57:31,748 WITH MY BABY ♪ 1147 00:57:31,815 --> 00:57:33,116 ♪ CAN'T GO WRONG 1148 00:57:33,117 --> 00:57:34,417 'CAUSE I'M IN RIGHT ♪ 1149 00:57:34,484 --> 00:57:35,735 ♪ ASK ME 1150 00:57:35,736 --> 00:57:36,986 WHEN WILL THE DAY BE ♪ 1151 00:57:37,086 --> 00:57:38,138 ♪ THE BIG DAY 1152 00:57:38,139 --> 00:57:39,189 MAY BE TONIGHT ♪ 1153 00:58:06,182 --> 00:58:07,751 Kelly: WHAT A FABULOUS BIT 1154 00:58:07,752 --> 00:58:09,319 OF TRICK PHOTOGRAPHY. 1155 00:58:09,385 --> 00:58:10,620 Astaire: PLEASE, KELLY. 1156 00:58:10,687 --> 00:58:11,772 I DON'T TELL 1157 00:58:11,773 --> 00:58:12,856 YOUR SECRETS. 1158 00:59:09,946 --> 00:59:14,117 ♪ 10 CENTS A DANCE ♪ 1159 00:59:14,217 --> 00:59:15,702 ♪ THAT'S WHAT 1160 00:59:15,703 --> 00:59:17,186 THEY PAY ME ♪ 1161 00:59:17,253 --> 00:59:19,022 ♪ GOSH, HOW THEY... ♪ 1162 00:59:19,088 --> 00:59:20,456 Astaire: DORIS DAY, 1163 00:59:20,557 --> 00:59:22,535 - BELTING OUT ANOTHER GREAT - RODGERS AND HART TUNE 1164 00:59:22,559 --> 00:59:24,594 FROM LOVE ME 1165 00:59:24,694 --> 00:59:27,530 ♪ 10 CENTS A DANCE ♪ 1166 00:59:27,597 --> 00:59:29,399 ♪ DANDIES 1167 00:59:29,400 --> 00:59:31,200 AND ROUGH GUYS ♪ 1168 00:59:31,267 --> 00:59:34,904 ♪ TOUGH GUYS 1169 00:59:34,905 --> 00:59:38,541 WHO TEAR MY GOWN ♪ 1170 00:59:38,608 --> 00:59:41,761 ♪ 7:00 TO MIDNIGHT, 1171 00:59:41,762 --> 00:59:44,914 I HEAR DRUMS ♪ 1172 00:59:44,981 --> 00:59:48,935 ♪ LOUDLY 1173 00:59:48,936 --> 00:59:52,889 THE SAXOPHONE BLOWS ♪ 1174 00:59:52,956 --> 00:59:56,259 ♪ TRUMPETS ARE TEARING 1175 00:59:56,260 --> 00:59:59,562 MY EARDRUMS ♪ 1176 00:59:59,629 --> 01:00:03,133 ♪ CUSTOMERS 1177 01:00:03,134 --> 01:00:06,636 CRUSH MY TOES ♪ 1178 01:00:08,104 --> 01:00:11,441 ♪ SOMETIMES I THINK ♪ 1179 01:00:11,507 --> 01:00:15,578 ♪ I'VE FOUND MY HERO ♪ 1180 01:00:15,645 --> 01:00:19,199 ♪ BUT IT'S A QUEER 1181 01:00:19,200 --> 01:00:22,752 ROMANCE ♪ 1182 01:00:22,819 --> 01:00:25,488 ♪ ALL THAT YOU NEED 1183 01:00:25,489 --> 01:00:28,157 IS A TICKET ♪ 1184 01:00:30,693 --> 01:00:35,298 ♪ COME ON, BIG BOY ♪ 1185 01:00:35,365 --> 01:00:43,206 ♪ 10 CENTS A DANCE ♪ 1186 01:00:46,109 --> 01:00:47,710 I GOT! 1187 01:00:47,810 --> 01:00:49,145 ♪ RHYTHM ♪ 1188 01:00:49,212 --> 01:00:50,113 I GOT! 1189 01:00:50,179 --> 01:00:51,214 ♪ MUSIC ♪ 1190 01:00:51,314 --> 01:00:52,314 I GOT! 1191 01:00:52,348 --> 01:00:53,549 ♪ MY GAL ♪ 1192 01:00:53,650 --> 01:00:54,851 ♪ WHO COULD ASK 1193 01:00:54,852 --> 01:00:56,052 FOR ANYTHING MORE? ♪ 1194 01:00:56,152 --> 01:00:57,553 - Astaire: - I'VE ALWAYS SAID, 1195 01:00:57,654 --> 01:00:59,198 - "JUST PUT GENE - WITH A BUNCH OF KIDS, 1196 01:00:59,222 --> 01:01:01,300 - AND YOU'RE BOUND TO - COME UP WITH A WINNER." WATCH. 1197 01:01:01,324 --> 01:01:02,324 I GOT! 1198 01:01:02,358 --> 01:01:03,626 ♪ MY GAL ♪ 1199 01:01:03,693 --> 01:01:04,878 ♪ WHO COULD ASK 1200 01:01:04,879 --> 01:01:06,062 FOR ANYTHING MORE? ♪ 1201 01:01:06,162 --> 01:01:08,698 ♪ OLD MAN TROUBLE ♪ 1202 01:01:08,798 --> 01:01:11,067 ♪ I DON'T MIND HIM ♪ 1203 01:01:11,167 --> 01:01:13,302 ♪ YOU WON'T FIND HIM ♪ 1204 01:01:13,369 --> 01:01:15,738 ♪ ROUND MY DOOR ♪ 1205 01:01:15,838 --> 01:01:16,838 VOUS COMPRENEZ CA? 1206 01:01:16,873 --> 01:01:17,974 NON! 1207 01:01:18,041 --> 01:01:19,041 I GOT! 1208 01:01:19,075 --> 01:01:20,376 ♪ RHYTHM ♪ 1209 01:01:20,476 --> 01:01:21,476 I GOT! 1210 01:01:21,511 --> 01:01:23,146 ♪ MUSIC ♪ 1211 01:01:23,212 --> 01:01:24,080 I GOT! 1212 01:01:24,180 --> 01:01:25,415 ♪ MY GAL ♪ 1213 01:01:25,515 --> 01:01:27,075 - ♪ WHO COULD ASK - FOR ANYTHING MORE? ♪ 1214 01:01:27,150 --> 01:01:28,501 ♪ WHO COULD ASK 1215 01:01:28,502 --> 01:01:29,852 FOR ANYTHING MORE? ♪ 1216 01:01:34,590 --> 01:01:35,858 [CHILDREN LAUGHING] 1217 01:01:43,833 --> 01:01:45,668 AEROPLANE! 1218 01:01:51,708 --> 01:01:53,894 ♪ WHO COULD ASK 1219 01:01:53,895 --> 01:01:56,079 FOR ANYTHING MORE? ♪ 1220 01:01:56,179 --> 01:01:57,547 MORE! 1221 01:02:00,516 --> 01:02:02,852 SURTOUT! 1222 01:02:02,919 --> 01:02:04,387 AU REVOIR! 1223 01:02:04,454 --> 01:02:06,022 AU REVOIR! 1224 01:02:06,089 --> 01:02:07,757 AU REVOIR! 1225 01:02:07,857 --> 01:02:10,093 AU REVOIR! 1226 01:02:10,193 --> 01:02:12,278 {\an8}Frank Sinatra: ♪ YOU SEE 1227 01:02:12,279 --> 01:02:14,363 {\an8}A PAIR OF LAUGHING EYES ♪ 1228 01:02:14,430 --> 01:02:16,416 {\an8}♪ AND SUDDENLY 1229 01:02:16,417 --> 01:02:18,401 {\an8}YOU'RE SIGHING SIGHS ♪ 1230 01:02:18,468 --> 01:02:20,269 - {\an8}♪ YOU'RE THINKING - NOTHING'S WRONG ♪ 1231 01:02:20,369 --> 01:02:22,271 {\an8}♪ YOU STRING ALONG, BOY ♪ 1232 01:02:22,371 --> 01:02:23,371 {\an8}♪ THEN SNAP! ♪ 1233 01:02:26,142 --> 01:02:27,177 {\an8}♪ THOSE EYES, 1234 01:02:27,178 --> 01:02:28,211 {\an8}THOSE SIGHS ♪ 1235 01:02:28,277 --> 01:02:29,696 {\an8}♪ THEY'RE PART 1236 01:02:29,697 --> 01:02:31,114 {\an8}OF THE TENDER TRAP ♪ 1237 01:02:31,214 --> 01:02:33,025 - {\an8}Kelly: AFTER HAVING SUNG - WITH THE HARRY JAMES 1238 01:02:33,049 --> 01:02:34,751 - {\an8}AND TOMMY DORSEY - ORCHESTRAS, 1239 01:02:34,817 --> 01:02:36,195 - FRANK SINATRA - MADE HIS SOLO DEBUT 1240 01:02:36,219 --> 01:02:38,054 - AT THE PARAMOUNT THEATER - IN NEW YORK 1241 01:02:38,121 --> 01:02:40,223 IN DECEMBER 1942. 1242 01:02:40,289 --> 01:02:42,892 - THEY HAD TO CALL OUT THE POLICE - TO CONTROL THE CROWDS, 1243 01:02:42,959 --> 01:02:44,861 ESPECIALLY HIS MOST AVID FANS, 1244 01:02:44,862 --> 01:02:46,763 THE BOBBYSOXERS. 1245 01:02:46,829 --> 01:02:48,297 [CROWD SCREAMING] 1246 01:02:55,471 --> 01:02:56,472 WHEN HE WALKED OUT 1247 01:02:56,473 --> 01:02:57,473 ON THE STAGE, 1248 01:02:57,573 --> 01:02:58,825 IT WAS NOT MERELY 1249 01:02:58,826 --> 01:03:00,076 THE BIRTH OF A STAR, 1250 01:03:00,143 --> 01:03:01,411 BUT THE CREATION 1251 01:03:01,412 --> 01:03:02,678 OF A LEGEND. 1252 01:03:07,984 --> 01:03:11,754 ♪ I'LL WALK ALONE ♪ 1253 01:03:11,821 --> 01:03:13,456 ♪ THEY'LL ASK ME WHY ♪ 1254 01:03:13,523 --> 01:03:15,408 ♪ AND I'LL TELL THEM 1255 01:03:15,409 --> 01:03:17,293 I'D RATHER ♪ 1256 01:03:19,529 --> 01:03:21,665 ♪ THERE ARE DREAMS 1257 01:03:21,666 --> 01:03:23,800 I MUST GATHER ♪ 1258 01:03:25,034 --> 01:03:28,271 ♪ I'LL WALK ALONE ♪ 1259 01:03:28,337 --> 01:03:30,706 - Kelly: IT WAS INEVITABLE - THAT THE SINATRA HYSTERIA 1260 01:03:30,807 --> 01:03:32,208 - WOULD LEAD HIM - TO HOLLYWOOD 1261 01:03:32,308 --> 01:03:34,388 - AND EQUALLY INEVITABLE - THAT PRODUCER ARTHUR FREED 1262 01:03:34,477 --> 01:03:36,596 WOULD CHOOSE HIM TO SING 1263 01:03:36,597 --> 01:03:38,714 KERN AND HAMMERSTEIN'S CLASSIC, 1264 01:03:38,815 --> 01:03:40,016 OL' MAN RIVER. 1265 01:03:40,116 --> 01:03:42,635 Sinatra: 1266 01:03:42,636 --> 01:03:45,154 ♪ OL' MAN RIVER ♪ 1267 01:03:45,221 --> 01:03:50,126 ♪ THAT OL' MAN RIVER ♪ 1268 01:03:50,193 --> 01:03:51,661 ♪ HE MUST KNOW 1269 01:03:51,662 --> 01:03:53,129 SOMETHIN' ♪ 1270 01:03:53,196 --> 01:03:55,081 ♪ BUT HE DON'T SAY 1271 01:03:55,082 --> 01:03:56,966 NOTHIN' ♪ 1272 01:03:57,033 --> 01:03:59,669 ♪ HE JUST 1273 01:03:59,670 --> 01:04:02,305 KEEPS ROLLIN' ♪ 1274 01:04:02,371 --> 01:04:06,459 ♪ HE KEEPS ON 1275 01:04:06,460 --> 01:04:10,546 ROLLIN' ALONG ♪ 1276 01:04:13,850 --> 01:04:16,002 ♪ HE DON'T 1277 01:04:16,003 --> 01:04:18,154 PLANT TATERS ♪ 1278 01:04:18,221 --> 01:04:20,190 ♪ AND HE DON'T 1279 01:04:20,191 --> 01:04:22,158 PLANT COTTON ♪ 1280 01:04:22,225 --> 01:04:23,710 ♪ AND THEM 1281 01:04:23,711 --> 01:04:25,194 WHAT PLANTS 'EM ♪ 1282 01:04:25,261 --> 01:04:30,032 ♪ IS SOON FORGOTTEN ♪ 1283 01:04:30,099 --> 01:04:35,004 ♪ BUT OL' MAN RIVER ♪ 1284 01:04:35,071 --> 01:04:38,324 ♪ JUST KEEPS 1285 01:04:38,325 --> 01:04:41,577 ROLLIN' ALONG ♪ 1286 01:04:42,912 --> 01:04:47,683 ♪ I FALL IN LOVE ♪ 1287 01:04:47,750 --> 01:04:52,521 ♪ TOO EASILY ♪ 1288 01:04:52,588 --> 01:04:54,056 Kelly: THERE'S SOMETHING 1289 01:04:54,057 --> 01:04:55,524 ABOUT A SINATRA BALLAD 1290 01:04:55,591 --> 01:04:57,693 - THAT MAKES IT - AUTOMATICALLY UNFORGETTABLE. 1291 01:04:57,760 --> 01:04:59,528 HERE IS YOUNG BLUE EYES 1292 01:04:59,595 --> 01:05:01,347 SINGING ONE OF MY FAVORITES 1293 01:05:01,348 --> 01:05:03,099 FROM ANCHORS AWEIGH. 1294 01:05:03,199 --> 01:05:06,435 ♪ I FALL IN LOVE ♪ 1295 01:05:06,535 --> 01:05:11,374 ♪ TOO TERRIBLY HARD ♪ 1296 01:05:11,440 --> 01:05:15,411 ♪ FOR LOVE 1297 01:05:15,412 --> 01:05:19,382 TO EVER LAST ♪ 1298 01:05:19,448 --> 01:05:22,802 ♪ MY HEART SHOULD BE 1299 01:05:22,803 --> 01:05:26,155 WELL-SCHOOLED ♪ 1300 01:05:26,255 --> 01:05:28,758 ♪ 'CAUSE 1301 01:05:28,759 --> 01:05:31,260 I'VE BEEN FOOLED ♪ 1302 01:05:32,962 --> 01:05:36,599 ♪ IN THE PAST ♪ 1303 01:05:36,666 --> 01:05:39,903 ♪ AND STILL 1304 01:05:39,904 --> 01:05:43,139 I FALL IN LOVE ♪ 1305 01:05:43,239 --> 01:05:45,441 ♪ TOO EASILY ♪ 1306 01:05:51,180 --> 01:05:56,519 ♪ I FALL IN LOVE ♪ 1307 01:05:56,619 --> 01:06:03,659 ♪ TOO FAST ♪ 1308 01:06:05,094 --> 01:06:06,495 ♪ I BELIEVE ♪ 1309 01:06:06,595 --> 01:06:09,365 - Kelly: FRANK SINGS - TO JIMMY DURANTE AND BILLY ROY 1310 01:06:09,465 --> 01:06:11,434 IN IT HAPPENED 1311 01:06:11,500 --> 01:06:13,269 - ♪ IF YOU WISH - FOR THE DREAM ♪ 1312 01:06:13,336 --> 01:06:15,204 - ♪ BY THE WISHING - WELL ♪ 1313 01:06:15,304 --> 01:06:16,672 - ♪ DON'T TELL - THE WISH ♪ 1314 01:06:16,772 --> 01:06:17,940 ♪ OR YOU'LL BREAK 1315 01:06:17,941 --> 01:06:19,108 THE SPELL ♪ 1316 01:06:19,175 --> 01:06:20,410 ♪ IT MAY 1317 01:06:20,411 --> 01:06:21,644 SOUND NAIVE ♪ 1318 01:06:21,711 --> 01:06:23,363 ♪ BUT THAT'S 1319 01:06:23,364 --> 01:06:25,014 WHAT I BELIEVE ♪ 1320 01:06:25,114 --> 01:06:27,616 ♪ I DON'T CARE ♪ 1321 01:06:27,683 --> 01:06:29,452 Kelly: HIGH SOCIETY, 1322 01:06:29,453 --> 01:06:31,220 AND IT CAN'T GET MUCH HIGHER 1323 01:06:31,320 --> 01:06:33,022 THAN FRANK SERENADING 1324 01:06:33,023 --> 01:06:34,724 THE FUTURE PRINCESS OF MONACO. 1325 01:06:34,824 --> 01:06:37,610 ♪ 'CAUSE YOU'RE 1326 01:06:37,611 --> 01:06:40,396 SENSATIONAL ♪ 1327 01:06:40,496 --> 01:06:43,966 ♪ MAKING LOVE ♪ 1328 01:06:44,033 --> 01:06:47,470 ♪ IS QUITE AN ART ♪ 1329 01:06:47,536 --> 01:06:50,039 ♪ WHAT YOU REQUIRE 1330 01:06:50,040 --> 01:06:52,541 IS THE PROPER SQUIRE ♪ 1331 01:06:52,641 --> 01:06:55,811 ♪ TO FIRE YOUR HEART ♪ 1332 01:06:55,878 --> 01:06:58,798 ♪ AND IF YOU SAY 1333 01:06:58,799 --> 01:07:01,717 THAT ONE FINE DAY ♪ 1334 01:07:01,817 --> 01:07:04,186 ♪ YOU'LL LET ME 1335 01:07:04,187 --> 01:07:06,555 COME TO CALL ♪ 1336 01:07:06,655 --> 01:07:10,326 ♪ WE'LL HAVE A BALL ♪ 1337 01:07:10,393 --> 01:07:12,912 ♪ 'CAUSE YOU'RE 1338 01:07:12,913 --> 01:07:15,431 SENSATIONAL ♪ 1339 01:07:15,531 --> 01:07:19,235 ♪ SENSATIONAL ♪ 1340 01:07:19,335 --> 01:07:22,371 ♪ THAT'S ALL ♪ 1341 01:07:26,609 --> 01:07:30,379 ♪ SHE ARGUED ♪ 1342 01:07:30,446 --> 01:07:31,447 FOUGHT 1343 01:07:31,448 --> 01:07:32,448 LIKE A WILDCAT. 1344 01:07:32,548 --> 01:07:36,719 ♪ SHE THREATENED ♪ 1345 01:07:36,786 --> 01:07:37,854 PRACTICALLY DREW 1346 01:07:37,855 --> 01:07:38,921 A GUN ON THE BOY. 1347 01:07:39,021 --> 01:07:41,240 ♪ SHE SAID, "YOU 1348 01:07:41,241 --> 01:07:43,459 CAN'T SEND ME HOME" ♪ 1349 01:07:43,559 --> 01:07:44,460 ♪ "NOT LIKE THIS" ♪ 1350 01:07:44,560 --> 01:07:45,561 WHAT HAPPENED?! 1351 01:07:45,628 --> 01:07:48,197 ♪ SHE FINALLY 1352 01:07:48,198 --> 01:07:50,766 GOT HER KISS ♪ 1353 01:07:52,802 --> 01:07:54,737 - Kelly: IT SEEMS - ONLY YESTERDAY 1354 01:07:54,804 --> 01:07:56,705 - THAT I DID THIS NUMBER - WITH FRANK. 1355 01:07:56,772 --> 01:07:58,741 - THAT'S WHEN HE TAUGHT ME - HOW TO DANCE. 1356 01:07:58,808 --> 01:07:59,892 ♪ WHAT A TIME 1357 01:07:59,893 --> 01:08:00,976 WE HAD TONIGHT ♪ 1358 01:08:04,113 --> 01:08:05,381 MMM! MMM! 1359 01:08:16,325 --> 01:08:17,560 ♪ WHAT A DISH, 1360 01:08:16,325 --> 01:08:18,794 WHAT A DAME ♪ 1361 01:08:17,561 --> 01:08:18,794 WHAT A DREAM, 1362 01:08:20,996 --> 01:08:23,432 ♪ AND SHE LIVES ALONE ♪ 1363 01:09:05,541 --> 01:09:08,094 Sinatra: 1364 01:09:08,095 --> 01:09:10,646 ♪ I GETS WEARY ♪ 1365 01:09:12,348 --> 01:09:14,117 ♪ AND SO SICK 1366 01:09:14,118 --> 01:09:15,885 OF TRYIN' ♪ 1367 01:09:15,985 --> 01:09:19,455 ♪ I'M TIRED OF LIVIN' ♪ 1368 01:09:19,522 --> 01:09:21,824 ♪ BUT I'M FEARED 1369 01:09:21,825 --> 01:09:24,126 OF DYIN' ♪ 1370 01:09:24,193 --> 01:09:28,497 ♪ AND OL' MAN RIVER ♪ 1371 01:09:28,564 --> 01:09:30,550 ♪ HE JUST KEEPS 1372 01:09:30,551 --> 01:09:32,535 ROLLIN' ♪ 1373 01:09:32,635 --> 01:09:40,635 ♪ ALONG ♪ 1374 01:09:58,894 --> 01:10:00,663 ♪ MOVIE BUFFS ♪ 1375 01:10:00,729 --> 01:10:02,498 ♪ AND THE REST ♪ 1376 01:10:02,565 --> 01:10:04,000 ♪ HAVE A LINE OR SCENE 1377 01:10:04,001 --> 01:10:05,434 THEY LIKE BEST ♪ 1378 01:10:05,534 --> 01:10:06,819 Astaire: 1379 01:10:05,534 --> 01:10:08,103 WHERE A LAWYER PLEADS ♪ 1380 01:10:06,820 --> 01:10:08,103 ♪ THE COURTROOM 1381 01:10:08,204 --> 01:10:09,905 ♪ FOR HIS CLIENT'S LIFE ♪ 1382 01:10:10,005 --> 01:10:11,850 - Kelly: ♪ A SLEUTH - THAT'S HOT - BUT CANNOT SPOT ♪ 1383 01:10:11,874 --> 01:10:13,275 - ♪ THE GUN - OR THE KNIFE ♪ 1384 01:10:13,375 --> 01:10:14,877 - ♪ BUT YOU'LL - KNOCK 'EM FLAT ♪ 1385 01:10:14,944 --> 01:10:16,262 ♪ WITH "THAT'S NO LADY, 1386 01:10:16,263 --> 01:10:17,580 THAT WAS MY WIFE" ♪ 1387 01:10:17,680 --> 01:10:19,381 ♪ THEY ALL LAST ♪ 1388 01:10:19,448 --> 01:10:20,950 ♪ UNSURPASSED ♪ 1389 01:10:21,050 --> 01:10:22,518 ♪ HERE'S THE CAST ♪ 1390 01:10:27,690 --> 01:10:29,525 - PLEASE - LET ME STAY. 1391 01:10:29,592 --> 01:10:31,077 BUT I WANT TO BE 1392 01:10:31,078 --> 01:10:32,561 ALONE. 1393 01:10:32,628 --> 01:10:34,563 - I JUST WANT - TO BE ALONE. 1394 01:10:34,630 --> 01:10:36,532 - WE WANT - TO BE ALONE. 1395 01:10:36,599 --> 01:10:37,617 BUT WE WANT 1396 01:10:37,618 --> 01:10:38,634 TO BE LEFT ALONE. 1397 01:10:38,734 --> 01:10:39,911 - DO YOU WANT TO BE - ALONE, COMRADE? 1398 01:10:39,935 --> 01:10:41,437 NO. 1399 01:10:41,537 --> 01:10:42,538 I DON'T KNOW WHAT 1400 01:10:41,537 --> 01:10:43,539 TOMORROW, 1401 01:10:42,539 --> 01:10:43,539 YOU'LL LOOK LIKE 1402 01:10:43,606 --> 01:10:45,258 BUT RIGHT NOW, BABY, 1403 01:10:43,606 --> 01:10:46,909 DAME IN THE WORLD. 1404 01:10:45,259 --> 01:10:46,909 YOU'RE THE MOST BEAUTIFUL 1405 01:10:46,976 --> 01:10:48,096 - YOU WANT TO WORK - WITH ME? 1406 01:10:48,143 --> 01:10:49,211 - YES, - MR. GALLAGHER. 1407 01:10:49,278 --> 01:10:50,212 SHAKE. 1408 01:10:50,279 --> 01:10:51,279 YES, SIR. 1409 01:10:51,313 --> 01:10:52,314 NOW BEAT IT. 1410 01:10:52,414 --> 01:10:53,315 THANK YOU. 1411 01:10:53,415 --> 01:10:55,818 GOOD-BYE, MR. CHIPS. 1412 01:10:55,918 --> 01:10:58,120 ANNUAL INCOME 20 POUNDS, 1413 01:10:58,220 --> 01:10:59,805 ANNUAL EXPENDITURE 1414 01:10:59,806 --> 01:11:01,390 19 POUNDS. 1415 01:11:01,457 --> 01:11:03,392 RESULT? HAPPINESS. 1416 01:11:03,459 --> 01:11:05,828 ANNUAL INCOME 20 POUNDS, 1417 01:11:05,928 --> 01:11:07,997 ANNUAL EXPENDITURE 1418 01:11:07,998 --> 01:11:10,065 21 POUNDS. 1419 01:11:10,132 --> 01:11:12,001 RESULT? MISERY. 1420 01:11:12,101 --> 01:11:13,836 THAT ADVICE 1421 01:11:13,837 --> 01:11:15,571 IS SO FAR WORTH TAKING, 1422 01:11:15,638 --> 01:11:16,972 - I HAVE NEVER - TAKEN IT MYSELF, 1423 01:11:17,072 --> 01:11:18,574 AND I'M 1424 01:11:17,072 --> 01:11:20,075 YOU BEHOLD. 1425 01:11:18,575 --> 01:11:20,075 THE MISERABLE CREATURE 1426 01:11:20,142 --> 01:11:22,144 GRAND HOTEL. 1427 01:11:22,145 --> 01:11:24,146 ALWAYS THE SAME. 1428 01:11:24,246 --> 01:11:25,581 PEOPLE COME. 1429 01:11:25,582 --> 01:11:26,915 PEOPLE GO. 1430 01:11:26,982 --> 01:11:28,984 NOTHING EVER HAPPENS. 1431 01:11:29,084 --> 01:11:30,219 I WAS READING A BOOK 1432 01:11:30,220 --> 01:11:31,353 THE OTHER DAY. 1433 01:11:33,022 --> 01:11:34,323 READING A BOOK? 1434 01:11:34,423 --> 01:11:36,334 - YES. IT'S ALL ABOUT - CIVILIZATION OR SOMETHING. 1435 01:11:36,358 --> 01:11:38,794 - A NUTTY KIND OF A BOOK. DO YOU - KNOW THAT THE GUY SAYS 1436 01:11:38,861 --> 01:11:40,529 THAT MACHINERY 1437 01:11:38,861 --> 01:11:42,197 OF EVERY PROFESSION? 1438 01:11:40,530 --> 01:11:42,197 IS GOING TO TAKE THE PLACE 1439 01:11:42,298 --> 01:11:44,333 OH, MY DEAR, 1440 01:11:44,433 --> 01:11:45,651 THAT'S SOMETHING 1441 01:11:44,433 --> 01:11:46,869 WORRY ABOUT. 1442 01:11:45,652 --> 01:11:46,869 YOU NEED NEVER 1443 01:11:46,969 --> 01:11:48,487 I'D LIKE 1444 01:11:46,969 --> 01:11:50,005 THROUGH YOUR HAIR. 1445 01:11:48,488 --> 01:11:50,005 TO RUN BAREFOOT 1446 01:11:50,105 --> 01:11:51,850 - Announcer: - ...THE PICTURESQUE IMPRESSIONS 1447 01:11:51,874 --> 01:11:53,809 - INDELIBLY FIXED - IN OUR MEMORY. 1448 01:11:53,876 --> 01:11:54,944 IT IS TIME TO CONCLUDE 1449 01:11:54,945 --> 01:11:56,011 OUR VISIT 1450 01:11:56,111 --> 01:11:57,746 AND RELUCTANTLY SAY 1451 01:11:57,747 --> 01:11:59,381 FAREWELL TO HONG KONG, 1452 01:11:59,481 --> 01:12:00,949 THE HUB OF THE ORIENT. 1453 01:12:01,016 --> 01:12:02,818 AND AS THE MIDNIGHT SUN LINGERS 1454 01:12:02,819 --> 01:12:04,620 ON THE SKYLINE OF THE CITY, 1455 01:12:04,687 --> 01:12:06,105 WE MOST RELUCTANTLY SAY 1456 01:12:06,106 --> 01:12:07,523 FAREWELL TO STOCKHOLM, 1457 01:12:07,623 --> 01:12:08,991 VENICE OF THE NORTH. 1458 01:12:09,058 --> 01:12:10,593 AND IT IS TO THIS PARADISE 1459 01:12:10,594 --> 01:12:12,127 OF THE CANADIAN ROCKIES 1460 01:12:12,194 --> 01:12:13,746 THAT WE RELUCTANTLY SAY FAREWELL 1461 01:12:13,747 --> 01:12:15,297 TO BEAUTIFUL BANFF. 1462 01:12:15,364 --> 01:12:16,799 WITH THIS THOUGHT, 1463 01:12:16,865 --> 01:12:18,867 WE MOST RELUCTANTLY SAY 1464 01:12:18,868 --> 01:12:20,869 FAREWELL TO THE TAJ MAHAL. 1465 01:12:20,969 --> 01:12:23,005 WE RELUCTANTLY SAY 1466 01:12:23,006 --> 01:12:25,040 FAREWELL, COLORFUL GUATEMALA. 1467 01:12:25,140 --> 01:12:26,725 WE RELUCTANTLY CONCLUDE 1468 01:12:26,726 --> 01:12:28,310 OUR VISIT TO JAPAN. 1469 01:12:28,377 --> 01:12:29,695 FAREWELL TO IRELAND, 1470 01:12:29,696 --> 01:12:31,013 THE EMERALD ISLE. 1471 01:12:31,080 --> 01:12:32,514 FAREWELL TO SWITZERLAND. 1472 01:12:32,581 --> 01:12:33,982 FAREWELL UDAIPUR. 1473 01:12:34,049 --> 01:12:35,049 FAREWELL TO OLD... 1474 01:12:35,084 --> 01:12:36,018 FAREWELL TO... 1475 01:12:36,085 --> 01:12:36,985 FAREWELL... 1476 01:12:37,052 --> 01:12:39,421 FAREWELL... FAREWELL... 1477 01:12:41,724 --> 01:12:44,827 I AM TANDALEO. 1478 01:12:44,893 --> 01:12:47,196 [OOOO 1479 01:12:47,197 --> 01:12:49,498 [AAH OOH AAH OOH] 1480 01:12:49,565 --> 01:12:50,899 [AAH OOH AAH OOH] 1481 01:12:50,999 --> 01:12:53,102 JANE. 1482 01:12:53,202 --> 01:12:54,236 TARZAN. 1483 01:12:54,336 --> 01:12:55,336 JANE. 1484 01:12:55,371 --> 01:12:56,371 TARZAN. 1485 01:12:56,405 --> 01:12:57,673 JANE. TARZAN. 1486 01:12:57,740 --> 01:12:58,674 JANE. TARZAN. 1487 01:12:58,741 --> 01:13:01,276 JANE. TARZAN. 1488 01:13:01,377 --> 01:13:02,377 JANE... 1489 01:13:02,411 --> 01:13:03,846 OH, PLEASE STOP. 1490 01:13:03,912 --> 01:13:06,131 [OOOO 1491 01:13:06,132 --> 01:13:08,350 [AAH OOH AAH OOH] 1492 01:13:08,417 --> 01:13:11,353 [AAH OOH AAH OOH] 1493 01:13:11,420 --> 01:13:12,621 [AAH OOH AAH OOH] 1494 01:13:18,127 --> 01:13:19,928 [IMITATES ELEPHANT] 1495 01:13:20,028 --> 01:13:21,480 JUST WALK NATURAL, 1496 01:13:20,028 --> 01:13:22,931 FOR A STROLL. 1497 01:13:21,481 --> 01:13:22,931 AS IF YOU WERE OUT 1498 01:13:23,031 --> 01:13:24,550 NOT A WORD. 1499 01:13:24,551 --> 01:13:26,068 NOT A WORD. 1500 01:13:26,135 --> 01:13:27,469 - Man: HOLD IT - RIGHT THERE! 1501 01:13:27,569 --> 01:13:29,538 - WHERE ARE YOU GOING - WITH THAT ELEPHANT? 1502 01:13:29,605 --> 01:13:31,240 WHAT ELEPHANT? 1503 01:13:32,608 --> 01:13:34,576 - AS SOON AS I SAW YOU, - I SAID TO MYSELF, 1504 01:13:34,643 --> 01:13:35,728 "THERE'S A HOT-LOOKING 1505 01:13:35,729 --> 01:13:36,812 LITTLE NUMBER." 1506 01:13:36,912 --> 01:13:38,063 DON'T LET IT 1507 01:13:38,064 --> 01:13:39,214 THROW YOU, CHAMP. 1508 01:13:39,281 --> 01:13:40,466 I'M 20 DEGREES COOLER 1509 01:13:40,467 --> 01:13:41,650 THAN YOU THINK. 1510 01:13:41,750 --> 01:13:42,894 - DAMES ARE - JUST LIKE TRAFFIC. 1511 01:13:42,918 --> 01:13:44,028 - SOMETIMES - YOU GOT TO STOP. 1512 01:13:44,052 --> 01:13:45,754 - SOMETIMES - YOU GOT TO GO. 1513 01:13:45,821 --> 01:13:46,872 CERTAIN WOMEN SHOULD 1514 01:13:46,873 --> 01:13:47,923 BE STRUCK REGULARLY 1515 01:13:47,990 --> 01:13:49,391 LIKE GONGS. 1516 01:13:49,458 --> 01:13:50,459 YOU SEE 1517 01:13:49,458 --> 01:13:51,460 OVER THERE? 1518 01:13:50,460 --> 01:13:51,460 THAT CHESS GAME 1519 01:13:51,560 --> 01:13:52,928 - WHEN I WAS - 4 YEARS OLD, 1520 01:13:52,995 --> 01:13:54,280 I PLAYED 10 PEOPLE 1521 01:13:54,281 --> 01:13:55,564 ALL AT ONCE, 1522 01:13:55,631 --> 01:13:57,399 BLINDFOLDED. 1523 01:13:57,466 --> 01:13:59,635 I LOST EVERY GAME. 1524 01:13:59,735 --> 01:14:01,437 LIE DOWN. 1525 01:14:01,503 --> 01:14:04,106 LIE DOWN. 1526 01:14:04,173 --> 01:14:05,173 STAND UP. 1527 01:14:06,642 --> 01:14:08,343 GRANDPA, I LOVE YOU. 1528 01:14:08,444 --> 01:14:10,112 - ROSETTA, - I LOVE YOU. 1529 01:14:10,179 --> 01:14:11,780 TIPPY, I LOVE YOU. 1530 01:14:11,847 --> 01:14:12,848 HONEY, I LOVE YOU. 1531 01:14:12,948 --> 01:14:15,017 HONEY, I LOVE YOU. 1532 01:14:15,117 --> 01:14:16,518 KIPPY, I LOVE YOU. 1533 01:14:16,618 --> 01:14:19,855 I LOVE YOU, DUKE. 1534 01:14:19,955 --> 01:14:21,099 - SAY, WHAT ARE YOU - TRYING TO DO, 1535 01:14:21,123 --> 01:14:22,257 STEAL MY GAG LINE? 1536 01:14:26,295 --> 01:14:27,663 AAH! 1537 01:14:30,032 --> 01:14:31,350 TO BEGIN WITH, 1538 01:14:31,351 --> 01:14:32,668 I TOOK 4 YEARS AT VASSAR. 1539 01:14:32,768 --> 01:14:33,936 VASSAR? BUT THAT'S 1540 01:14:33,937 --> 01:14:35,103 A GIRLS' COLLEGE. 1541 01:14:35,170 --> 01:14:36,221 I FOUND THAT OUT 1542 01:14:36,222 --> 01:14:37,272 THE THIRD YEAR. 1543 01:14:37,339 --> 01:14:38,540 - I'D HAVE BEEN - THERE YET, 1544 01:14:38,640 --> 01:14:40,240 - BUT I WENT OUT FOR - THE SWIMMING TEAM. 1545 01:14:40,309 --> 01:14:41,394 IT'S ALL RIGHT. 1546 01:14:41,395 --> 01:14:42,478 THAT'S IN EVERY 1547 01:14:42,544 --> 01:14:43,796 THAT'S 1548 01:14:42,544 --> 01:14:45,047 A SANITY CLAUSE. 1549 01:14:43,797 --> 01:14:45,047 WHAT THEY CALL 1550 01:14:45,147 --> 01:14:47,115 - HA HA HA! - YOU CAN'T FOOL ME. 1551 01:14:47,182 --> 01:14:48,233 THERE AIN'T 1552 01:14:48,234 --> 01:14:49,284 NO SANITY CLAUSE. 1553 01:14:49,351 --> 01:14:51,153 OH, HOLD ME CLOSER. 1554 01:14:51,220 --> 01:14:52,521 CLOSER. 1555 01:14:52,621 --> 01:14:53,956 CLOSER. 1556 01:14:54,022 --> 01:14:55,374 IF I HOLD YOU ANY CLOSER, 1557 01:14:55,375 --> 01:14:56,725 I'LL BE IN BACK OF YOU. 1558 01:14:56,825 --> 01:14:59,337 - Ronald Colman, voice-over: - IT'S A FAR, FAR BETTER - THING I DO 1559 01:14:59,361 --> 01:15:01,497 THAN I HAVE EVER DONE. 1560 01:15:01,563 --> 01:15:03,198 IT'S A FAR, 1561 01:15:03,199 --> 01:15:04,833 FAR BETTER REST I GO TO 1562 01:15:04,900 --> 01:15:06,902 THAN I HAVE EVER KNOWN. 1563 01:15:07,002 --> 01:15:08,403 OH, LASSIE! 1564 01:15:12,541 --> 01:15:13,943 YOU'RE MY LASSIE 1565 01:15:13,944 --> 01:15:15,344 COME HOME. 1566 01:15:15,410 --> 01:15:16,445 BUT, RHETT, 1567 01:15:16,446 --> 01:15:17,479 IF YOU GO, 1568 01:15:17,546 --> 01:15:19,198 WHERE SHALL I GO? 1569 01:15:19,199 --> 01:15:20,849 WHAT SHALL I DO? 1570 01:15:20,916 --> 01:15:22,167 FRANKLY, MY DEAR, 1571 01:15:22,168 --> 01:15:23,418 I DON'T GIVE A DAMN. 1572 01:15:47,743 --> 01:15:49,344 - Kelly: WHAT CAN I SAY - ABOUT PARIS 1573 01:15:49,411 --> 01:15:50,462 THAT WOULDN'T 1574 01:15:50,463 --> 01:15:51,513 BE REDUNDANT? 1575 01:15:51,580 --> 01:15:53,549 - EVEN PEOPLE - WHO HAVE NEVER BEEN THERE 1576 01:15:53,615 --> 01:15:54,783 KNOW OF ITS GLORIES 1577 01:15:54,883 --> 01:15:56,168 FROM SONGS, BOOKS, 1578 01:15:56,169 --> 01:15:57,452 MOVIES, PAINTINGS, 1579 01:15:57,553 --> 01:15:59,354 EVEN COOKBOOKS, 1580 01:15:59,421 --> 01:16:00,723 AND THANKS TO THE INVENTION 1581 01:16:00,724 --> 01:16:02,024 OF FILM AND RECORDS, 1582 01:16:02,090 --> 01:16:03,959 - THERE IS - ONE NATIONAL TREASURE 1583 01:16:04,059 --> 01:16:05,594 WHO WILL LIVE AS LONG 1584 01:16:05,595 --> 01:16:07,129 AS ALL THE OTHERS. 1585 01:16:07,229 --> 01:16:08,264 HA HA HA! 1586 01:16:08,265 --> 01:16:09,298 THAT'S PARIS! 1587 01:16:09,398 --> 01:16:10,733 CITY OF GIRLS 1588 01:16:10,734 --> 01:16:12,067 AND LIGHTS! 1589 01:16:12,134 --> 01:16:13,602 Kelly: MAURICE CHEVALIER. 1590 01:16:13,702 --> 01:16:15,871 - HERE HE IS, - SINGING ABOUT HIS PARIS 1591 01:16:15,938 --> 01:16:17,472 - IN ONE - OF HIS EARLY FILMS. 1592 01:16:17,573 --> 01:16:18,991 ♪ I'M GOING 1593 01:16:18,992 --> 01:16:20,409 TO MAXIM'S ♪ 1594 01:16:20,475 --> 01:16:21,543 ♪ WHERE ALL THE GIRLS 1595 01:16:21,544 --> 01:16:22,611 ARE DREAMS ♪ 1596 01:16:22,711 --> 01:16:24,780 - ♪ EACH KISS - GOES ON THE WINE LIST ♪ 1597 01:16:24,880 --> 01:16:26,081 ♪ AND MINE 1598 01:16:26,082 --> 01:16:27,282 IS QUITE A FINE LIST ♪ 1599 01:16:27,382 --> 01:16:29,885 ♪ LOLO, DODO, JUJU ♪ 1600 01:16:29,952 --> 01:16:31,086 ♪ CLOCLO, 1601 01:16:31,087 --> 01:16:32,220 MARGOT, FRUFRU ♪ 1602 01:16:32,287 --> 01:16:33,539 ♪ WE PROMISE 1603 01:16:33,540 --> 01:16:34,790 TO BE FAITHFUL ♪ 1604 01:16:34,890 --> 01:16:36,575 ♪ UNTIL THE NIGHT 1605 01:16:36,576 --> 01:16:38,260 IS THROUGH ♪ 1606 01:16:38,327 --> 01:16:39,645 ♪ LET US GAZE IN THE WINE 1607 01:16:39,646 --> 01:16:40,963 WHILE IT'S WET ♪ 1608 01:16:41,063 --> 01:16:42,414 ♪ LET'S DO THINGS 1609 01:16:42,415 --> 01:16:43,765 THAT WE'LL LIVE TO REGRET ♪ 1610 01:16:43,832 --> 01:16:45,401 ♪ LET ME DANCE 1611 01:16:45,402 --> 01:16:46,969 TILL THE RESTAURANT SWIRLS ♪ 1612 01:16:47,069 --> 01:16:48,404 ♪ WITH THE GIRLS, GIRLS, 1613 01:16:48,405 --> 01:16:49,738 GIRLS, GIRLS, GIRLS ♪ 1614 01:16:49,805 --> 01:16:51,307 ♪ WHERE THERE'S WINE 1615 01:16:51,308 --> 01:16:52,808 AND THERE'S WOMEN AND SONG ♪ 1616 01:16:52,908 --> 01:16:54,410 ♪ IT IS WRONG NOT TO DO 1617 01:16:54,411 --> 01:16:55,911 SOMETHING WRONG ♪ 1618 01:16:55,978 --> 01:16:57,288 - ♪ WHEN YOU DO - SOMETHING WRONG ♪ 1619 01:16:57,312 --> 01:16:58,847 - ♪ YOU MUST DO - SOMETHING RIGHT ♪ 1620 01:16:58,947 --> 01:17:00,115 ♪ AND I'M DOING 1621 01:17:00,116 --> 01:17:01,283 ALL RIGHT TONIGHT ♪ 1622 01:17:08,156 --> 01:17:09,992 - YOU KNOW, I GUESS - MORE SONGS 1623 01:17:10,092 --> 01:17:11,560 HAVE BEEN WRITTEN ABOUT PARIS 1624 01:17:11,561 --> 01:17:13,028 THAN ANY OTHER CITY. 1625 01:17:13,128 --> 01:17:14,396 ONE OF THE LOVELIEST 1626 01:17:14,397 --> 01:17:15,664 AND MOST POIGNANT 1627 01:17:15,764 --> 01:17:17,232 WAS BY JEROME KERN 1628 01:17:17,233 --> 01:17:18,700 AND OSCAR HAMMERSTEIN. 1629 01:17:18,800 --> 01:17:21,203 DINAH SHORE SINGS IT 1630 01:17:21,204 --> 01:17:23,605 IN TILL THE CLOUDS ROLL BY. 1631 01:17:23,672 --> 01:17:25,274 ♪ THE LAST TIME 1632 01:17:25,275 --> 01:17:26,875 I SAW PARIS ♪ 1633 01:17:26,975 --> 01:17:28,794 ♪ HER TREES WERE DRESSED 1634 01:17:28,795 --> 01:17:30,612 FOR SPRING ♪ 1635 01:17:30,679 --> 01:17:32,364 ♪ AND LOVERS WALKED 1636 01:17:32,365 --> 01:17:34,049 BENEATH THOSE TREES ♪ 1637 01:17:34,149 --> 01:17:36,068 ♪ AND BIRDS FOUND SONGS 1638 01:17:36,069 --> 01:17:37,986 TO SING ♪ 1639 01:17:38,053 --> 01:17:39,455 ♪ I DODGED 1640 01:17:39,456 --> 01:17:40,856 THE SAME OLD TAXI CABS ♪ 1641 01:17:40,956 --> 01:17:42,374 ♪ THAT I HAD DODGED 1642 01:17:42,375 --> 01:17:43,792 FOR YEARS ♪ 1643 01:17:43,859 --> 01:17:45,494 ♪ THE CHORUS 1644 01:17:45,495 --> 01:17:47,129 OF THEIR SQUEAKY HORNS ♪ 1645 01:17:47,195 --> 01:17:52,567 ♪ WAS MUSIC TO MY EARS ♪ 1646 01:17:52,668 --> 01:17:54,587 ♪ THE LAST TIME 1647 01:17:54,588 --> 01:17:56,505 I SAW PARIS ♪ 1648 01:17:56,571 --> 01:17:58,857 ♪ HER HEART 1649 01:17:58,858 --> 01:18:01,143 WAS WARM AND GAY ♪ 1650 01:18:01,209 --> 01:18:04,880 ♪ NO MATTER 1651 01:18:04,881 --> 01:18:08,550 HOW THEY CHANGE HER ♪ 1652 01:18:08,650 --> 01:18:15,190 ♪ I'LL REMEMBER HER 1653 01:18:15,191 --> 01:18:21,730 THAT WAY ♪ 1654 01:18:21,830 --> 01:18:23,298 Kelly: PARIS IS CALLED 1655 01:18:23,299 --> 01:18:24,766 THE CITY OF LIGHTS, 1656 01:18:24,866 --> 01:18:26,377 - AND WHEN THESE LIGHTS - ARE TURNED ON, 1657 01:18:26,401 --> 01:18:27,653 IT BECOMES THE DIAMOND 1658 01:18:27,654 --> 01:18:28,904 OF THE WORLD. 1659 01:18:29,004 --> 01:18:30,439 LOVERS, OF COURSE, 1660 01:18:30,440 --> 01:18:31,873 PREFER THE ROMANTIC SHADOWS 1661 01:18:31,940 --> 01:18:33,358 ALONG THE BANKS 1662 01:18:33,359 --> 01:18:34,776 OF THE SEINE. 1663 01:19:53,688 --> 01:19:54,840 ANOTHER FAMOUS PARISIAN 1664 01:19:54,841 --> 01:19:55,991 LANDMARK, 1665 01:19:56,091 --> 01:19:57,926 BUT OF A DIFFERENT KIND. 1666 01:19:57,993 --> 01:19:59,344 WE SEE GEORGES GUETARY 1667 01:19:59,345 --> 01:20:00,695 PERFORMING 1668 01:20:00,796 --> 01:20:01,981 IN TRUE 1669 01:20:01,982 --> 01:20:03,165 FOLIES-BERGERE STYLE. 1670 01:20:03,265 --> 01:20:05,384 ♪ I'LL BUILD A STAIRWAY 1671 01:20:05,385 --> 01:20:07,502 TO PARADISE ♪ 1672 01:20:07,602 --> 01:20:10,105 ♪ WITH A NEW STEP 1673 01:20:10,106 --> 01:20:12,607 EVERY DAY ♪ 1674 01:20:12,674 --> 01:20:14,660 ♪ I'M GOING TO GET THERE 1675 01:20:14,661 --> 01:20:16,645 AT ANY PRICE ♪ 1676 01:20:16,711 --> 01:20:18,830 ♪ STAND ASIDE, 1677 01:20:18,831 --> 01:20:20,949 I'M ON MY WAY ♪ 1678 01:20:21,016 --> 01:20:23,485 ♪ I'VE GOT THE BLUES ♪ 1679 01:20:23,552 --> 01:20:25,087 ♪ AND UP ABOVE, 1680 01:20:25,088 --> 01:20:26,621 IT'S SO FAIR ♪ 1681 01:20:26,688 --> 01:20:27,889 ♪ SHOES ♪ 1682 01:20:27,989 --> 01:20:29,424 ♪ GO ON 1683 01:20:29,425 --> 01:20:30,859 AND CARRY ME THERE ♪ 1684 01:20:30,959 --> 01:20:32,928 ♪ I'LL BUILD A STAIRWAY 1685 01:20:32,929 --> 01:20:34,896 TO PARADISE ♪ 1686 01:20:34,996 --> 01:20:37,749 ♪ WITH A NEW STEP 1687 01:20:37,750 --> 01:20:40,502 EVERY DAY ♪ 1688 01:20:40,569 --> 01:20:42,554 ♪ I'LL BUILD A STAIRWAY 1689 01:20:42,555 --> 01:20:44,539 TO PARADISE ♪ 1690 01:20:44,639 --> 01:20:47,242 ♪ WITH A NEW STEP 1691 01:20:47,243 --> 01:20:49,845 EVERY DAY ♪ 1692 01:20:49,911 --> 01:20:51,897 ♪ I'M GOING TO GET THERE 1693 01:20:51,898 --> 01:20:53,882 AT ANY PRICE ♪ 1694 01:20:53,982 --> 01:20:56,285 ♪ STAND ASIDE, 1695 01:20:56,286 --> 01:20:58,587 I'M ON MY WAY ♪ 1696 01:20:58,687 --> 01:21:00,922 ♪ I'VE GOT THE BLUES ♪ 1697 01:21:01,022 --> 01:21:02,757 ♪ AND UP ABOVE, 1698 01:21:02,758 --> 01:21:04,492 IT'S SO FAIR ♪ 1699 01:21:04,559 --> 01:21:05,927 ♪ SHOES ♪ 1700 01:21:06,027 --> 01:21:07,462 ♪ GO ON 1701 01:21:07,463 --> 01:21:08,897 AND CARRY ME THERE ♪ 1702 01:21:08,997 --> 01:21:11,283 ♪ I'LL BUILD A STAIRWAY 1703 01:21:11,284 --> 01:21:13,568 TO PARADISE ♪ 1704 01:21:13,668 --> 01:21:15,837 ♪ WITH A NEW STEP 1705 01:21:15,838 --> 01:21:18,006 EVERY DAY ♪ 1706 01:21:18,073 --> 01:21:21,676 ♪ WITH A NEW STEP ♪ 1707 01:21:21,743 --> 01:21:29,743 ♪ EVERY DAY ♪ 1708 01:21:35,056 --> 01:21:36,925 - Kelly: - THE PLACE DU TROCADERO 1709 01:21:37,025 --> 01:21:39,527 - IS ONE OF MY FAVORITE PLACES - IN PARIS. 1710 01:21:39,594 --> 01:21:40,762 IT'S A GREAT HANGOUT 1711 01:21:40,763 --> 01:21:41,930 FOR CHILDREN WHO SKATE, 1712 01:21:42,030 --> 01:21:43,281 SO I ALWAYS BRING MY KIDS 1713 01:21:43,282 --> 01:21:44,532 HERE TO JOIN ME. 1714 01:21:44,599 --> 01:21:46,001 EH, GENE KELLY, 1715 01:21:46,002 --> 01:21:47,402 REGARDEZ-MOI! 1716 01:21:47,469 --> 01:21:49,971 FORMIDABLE! 1717 01:21:53,975 --> 01:21:55,477 HEY, YOU KNOW, A NUMBER 1718 01:21:55,478 --> 01:21:56,978 ON ROLLER SKATES... 1719 01:21:57,078 --> 01:21:58,530 THAT MIGHT NOT BE 1720 01:21:58,531 --> 01:21:59,981 A BAD IDEA. 1721 01:22:03,785 --> 01:22:05,086 THIS IS MONTMARTRE, 1722 01:22:05,153 --> 01:22:06,638 A VERY DIFFERENT SECTION 1723 01:22:06,639 --> 01:22:08,123 OF THE CITY. 1724 01:22:08,223 --> 01:22:10,558 - AS YOU CAN SEE, - THE SIDEWALKS ARE ALWAYS JAMMED 1725 01:22:10,625 --> 01:22:12,460 - WITH YOUNG ARTISTS - PLYING THEIR TRADE. 1726 01:22:14,062 --> 01:22:15,397 MONTMARTRE 1727 01:22:15,398 --> 01:22:16,731 IS ALSO WORLD-RENOWNED 1728 01:22:16,798 --> 01:22:18,633 - FOR ITS COLORFUL - CABARETS. 1729 01:22:28,977 --> 01:22:30,812 THE CANCAN, 1730 01:22:28,977 --> 01:22:32,647 AND COMPANY. 1731 01:22:30,813 --> 01:22:32,647 DANCED BY GWEN VERDON 1732 01:22:53,535 --> 01:22:55,303 UN, DEUX, TROIS, QUATRE! 1733 01:22:55,370 --> 01:22:57,272 CANCAN! CANCAN! CANCAN! 1734 01:23:13,855 --> 01:23:15,407 Kelly: NOT FAR FROM PARIS 1735 01:23:15,408 --> 01:23:16,958 IS VERSAILLES, 1736 01:23:17,025 --> 01:23:18,744 ONE OF THE MOST BEAUTIFUL 1737 01:23:18,745 --> 01:23:20,462 PALACES EVER BUILT. 1738 01:23:20,528 --> 01:23:21,796 A MUSEUM NOW, 1739 01:23:21,863 --> 01:23:23,381 IT'S STILL USED 1740 01:23:23,382 --> 01:23:24,899 FOR SPECIAL STATE DINNERS 1741 01:23:25,000 --> 01:23:26,401 AND CHARITY BALLS. 1742 01:23:26,501 --> 01:23:28,103 SOME SUGGESTION 1743 01:23:28,104 --> 01:23:29,704 OF A BAL DE VERSAILLES 1744 01:23:29,804 --> 01:23:32,357 WAS CAPTURED BY ERNST LUBITSCH 1745 01:23:32,358 --> 01:23:34,909 IN THE PICTURE THE MERRY WIDOW, 1746 01:23:35,010 --> 01:23:36,711 FILMED IN 1934. 1747 01:24:14,916 --> 01:24:16,885 [ALL SINGING] 1748 01:25:04,299 --> 01:25:06,051 ♪ GENE DANCES 1749 01:25:06,052 --> 01:25:07,802 IN THE CARTOON ♪ 1750 01:25:09,504 --> 01:25:11,406 - ♪ THEN - THERE'S BING ♪ 1751 01:25:11,473 --> 01:25:12,741 ♪ HE AND LOUIE 1752 01:25:12,742 --> 01:25:14,008 WILL CROON ♪ 1753 01:25:15,343 --> 01:25:17,245 ♪ BOBBY VAN ♪ 1754 01:25:17,312 --> 01:25:18,613 ♪ COULD JUMP 1755 01:25:18,614 --> 01:25:19,914 OVER THE MOON ♪ 1756 01:25:19,981 --> 01:25:21,833 ♪ THAT'S 1757 01:25:21,834 --> 01:25:23,685 ENTERTAINMENT ♪ 1758 01:25:23,785 --> 01:25:25,019 ♪ YOU'LL SEE ♪ 1759 01:25:25,120 --> 01:25:26,154 ♪ FRED AND JUDY 1760 01:25:26,155 --> 01:25:27,188 AS TRAMPS ♪ 1761 01:25:29,157 --> 01:25:30,792 ♪ CYD PLAYS ONE ♪ 1762 01:25:30,859 --> 01:25:31,910 ♪ OF THOSE 1763 01:25:31,911 --> 01:25:32,961 GLAMOROUS VAMPS ♪ 1764 01:25:34,963 --> 01:25:36,698 ♪ HOWARD KEEL ♪ 1765 01:25:36,798 --> 01:25:37,916 ♪ HE'LL SUM UP 1766 01:25:37,917 --> 01:25:39,033 THE WHOLE DEAL ♪ 1767 01:25:39,134 --> 01:25:41,102 - Both: ♪ THE WORLD'S - A CARTOON ♪ 1768 01:25:41,169 --> 01:25:42,437 ♪ A GREAT BIG BALLOON ♪ 1769 01:25:42,504 --> 01:25:45,974 ♪ OF ENTERTAINMENT ♪ 1770 01:26:04,859 --> 01:26:06,194 Astaire: HEY, GENE, 1771 01:26:06,294 --> 01:26:08,463 - YOU'VE HAD SOME VERY UNUSUAL - DANCING PARTNERS, 1772 01:26:08,530 --> 01:26:10,565 - BUT THESE - FROM INVITATION TO THE DANCE 1773 01:26:10,665 --> 01:26:12,133 BEAT EVERYTHING. 1774 01:27:09,757 --> 01:27:11,192 [CRASH] 1775 01:28:11,919 --> 01:28:13,588 ♪ WELL, YOU TAKE 1776 01:28:13,589 --> 01:28:15,256 SOME SKINS ♪ 1777 01:28:15,323 --> 01:28:18,293 ♪ JAZZ BEGINS ♪ 1778 01:28:18,359 --> 01:28:21,596 ♪ AND YOU TAKE A BASS ♪ 1779 01:28:21,663 --> 01:28:23,215 ♪ MAN, NOW WE'RE GETTIN' 1780 01:28:23,216 --> 01:28:24,766 SOMEPLACE ♪ 1781 01:28:24,832 --> 01:28:27,168 ♪ TAKE A BOX ♪ 1782 01:28:27,268 --> 01:28:29,771 ♪ ONE THAT ROCKS ♪ 1783 01:28:29,837 --> 01:28:32,490 ♪ TAKE A BLUE HORN, 1784 01:28:32,491 --> 01:28:35,143 NEW ORLEANS BOY ♪ 1785 01:28:38,646 --> 01:28:40,048 Astaire: HIGH SOCIETY 1786 01:28:40,148 --> 01:28:41,666 BRINGS BING AND SATCHMO 1787 01:28:41,667 --> 01:28:43,184 TOGETHER TO EXPLAIN JAZZ. 1788 01:28:44,819 --> 01:28:47,455 ♪ TAKE A BONE ♪ 1789 01:28:47,522 --> 01:28:49,490 ♪ OH, HOLD THE PHONE ♪ 1790 01:28:50,858 --> 01:28:51,859 ♪ TAKE A SPOT ♪ 1791 01:28:53,194 --> 01:28:55,663 ♪ COOL AND HOT ♪ 1792 01:28:55,730 --> 01:28:58,767 ♪ NOW YOU HAS JAZZ, 1793 01:28:58,768 --> 01:29:01,803 JAZZ, JAZZ, JAZZ, JAZZ ♪ 1794 01:29:01,869 --> 01:29:03,404 - HEY, POPS, - YOU WANT TO GRAB 1795 01:29:03,504 --> 01:29:04,806 - A LITTLE - OF WHAT'S LEFT HERE? 1796 01:29:04,872 --> 01:29:06,174 YEAH, DADDY, YEAH. 1797 01:29:06,240 --> 01:29:07,240 HERE WE GO. 1798 01:29:07,308 --> 01:29:08,576 ♪ IF YOU SAIL ♪ 1799 01:29:08,676 --> 01:29:09,744 - ♪ A-SAILIN', - SAILIN' ♪ 1800 01:29:09,844 --> 01:29:10,878 ♪ OVER THE SEA ♪ 1801 01:29:10,978 --> 01:29:12,647 - ♪ WILL YOU WAIT - FOR ME? ♪ 1802 01:29:12,714 --> 01:29:13,949 ♪ TAKE MY TIP, 1803 01:29:13,950 --> 01:29:15,183 THEY'RE ALL MOLTO HIP ♪ 1804 01:29:15,249 --> 01:29:16,517 ♪ IN ITALY ♪ 1805 01:29:16,584 --> 01:29:17,985 - ♪ WELL, - ARRIVEDERCI ♪ 1806 01:29:18,052 --> 01:29:19,320 ♪ AS FOR FRANCE? ♪ 1807 01:29:19,387 --> 01:29:20,698 - ♪ OH, I KNOW - YOU'RE VERY BIG THERE ♪ 1808 01:29:20,722 --> 01:29:21,923 - ♪ YES, BELIEVE IT - OR NOT ♪ 1809 01:29:22,023 --> 01:29:23,591 - ♪ I DO BELIEVE, - I DO, INDEED ♪ 1810 01:29:23,691 --> 01:29:25,226 ♪ THE FRENCHMEN 1811 01:29:23,691 --> 01:29:26,761 THEY CALL ♪ 1812 01:29:25,227 --> 01:29:26,761 ALL PREFER WHAT 1813 01:29:26,861 --> 01:29:28,396 ♪ LE JAZZ HOT ♪ 1814 01:29:28,496 --> 01:29:29,697 ♪ FORMIDABLE ♪ 1815 01:29:29,764 --> 01:29:30,764 ♪ TAKE A PLANE ♪ 1816 01:29:30,832 --> 01:29:32,200 - ♪ OOH - BABA DOO ZAT ♪ 1817 01:29:32,266 --> 01:29:33,401 ♪ GO TO SIAM ♪ 1818 01:29:33,501 --> 01:29:34,702 ♪ BA DOO AH ♪ 1819 01:29:34,769 --> 01:29:35,937 ♪ IN BANGKOK TODAY 1820 01:29:35,938 --> 01:29:37,105 ROUND THE CLOCK ♪ 1821 01:29:37,205 --> 01:29:38,740 - ♪ WELL, THEY ALL - LIKE THE JAZZ ♪ 1822 01:29:38,840 --> 01:29:40,241 - ♪ BA DOO BE DOO - DE JAZZ ♪ 1823 01:29:40,341 --> 01:29:41,342 ♪ INDIANS ON ♪ 1824 01:29:41,409 --> 01:29:43,211 - ♪ OOH - BA DOO DOO ZIP ♪ 1825 01:29:43,277 --> 01:29:44,345 ♪ THE AMAZON ♪ 1826 01:29:44,412 --> 01:29:45,680 - ♪ OOH BOP - DIDDLY DOP ♪ 1827 01:29:45,747 --> 01:29:47,048 ♪ BEAT ONE BAR, 1828 01:29:47,049 --> 01:29:48,349 AND ALL OF THEM ARE ♪ 1829 01:29:48,416 --> 01:29:49,601 ♪ OH, WELL, GONE, 1830 01:29:49,602 --> 01:29:50,785 MAN, GONE! ♪ 1831 01:29:50,885 --> 01:29:54,021 ♪ AH, FROM THE EQUATOR ♪ 1832 01:29:54,088 --> 01:29:56,724 ♪ UP TO THE POLE ♪ 1833 01:29:56,791 --> 01:29:58,042 ♪ EVERYBODY WINGIN', 1834 01:29:58,043 --> 01:29:59,293 EVERYBODY SINGIN' ♪ 1835 01:29:59,394 --> 01:30:00,562 ♪ THAT ROCK, ROCK, ROCK, 1836 01:30:00,563 --> 01:30:01,729 ROCK, ROCK AND ROLL ♪ 1837 01:30:01,796 --> 01:30:03,181 ♪ AND FROM THE EAST 1838 01:30:03,182 --> 01:30:04,565 TO THE WEST ♪ 1839 01:30:04,632 --> 01:30:06,034 ♪ FROM THE COAST 1840 01:30:06,035 --> 01:30:07,435 TO THE COAST ♪ 1841 01:30:07,535 --> 01:30:08,870 ♪ JAZZ IS KING 1842 01:30:08,871 --> 01:30:10,204 'CAUSE JAZZ IS THE THING ♪ 1843 01:30:10,271 --> 01:30:17,412 ♪ THE FOLKS DIG MOST ♪ 1844 01:30:17,478 --> 01:30:19,981 ♪ BAM BAM BAM BAM BAM ♪ 1845 01:30:20,081 --> 01:30:22,450 ♪ BA DOP BOP BA DOO BA ♪ 1846 01:30:22,550 --> 01:30:24,152 ♪ THAT'S JAZZ ♪ 1847 01:30:25,820 --> 01:30:26,971 ♪ WE'RE A COUPLE 1848 01:30:26,972 --> 01:30:28,122 OF SWELLS ♪ 1849 01:30:28,222 --> 01:30:29,474 ♪ WE STOP 1850 01:30:29,475 --> 01:30:30,725 AT THE BEST HOTELS ♪ 1851 01:30:30,792 --> 01:30:32,060 ♪ BUT WE PREFER 1852 01:30:32,061 --> 01:30:33,327 THE COUNTRY ♪ 1853 01:30:33,428 --> 01:30:35,113 ♪ FAR AWAY 1854 01:30:35,114 --> 01:30:36,798 FROM THE CITY SMELLS ♪ 1855 01:30:36,898 --> 01:30:38,183 Kelly: FRED, 1856 01:30:38,184 --> 01:30:39,467 HERE YOU ARE WITH JUDY. 1857 01:30:39,567 --> 01:30:40,652 EVEN WHEN YOU PLAY 1858 01:30:40,653 --> 01:30:41,736 A TRAMP, 1859 01:30:41,803 --> 01:30:43,738 - YOU'RE IN TOP HAT - AND TAILS. 1860 01:30:43,805 --> 01:30:45,190 ♪ THE PRIDE 1861 01:30:45,191 --> 01:30:46,574 OF THE TENNIS COURTS ♪ 1862 01:30:46,641 --> 01:30:47,659 ♪ IN JUNE, JULY, 1863 01:30:47,660 --> 01:30:48,676 AND AUGUST ♪ 1864 01:30:48,776 --> 01:30:50,378 ♪ WE LOOK CUTE 1865 01:30:50,379 --> 01:30:51,979 WHEN WE'RE DRESSED IN SHORTS ♪ 1866 01:30:56,651 --> 01:30:57,752 ♪ THE VANDERBILTS ♪ 1867 01:30:57,819 --> 01:30:59,988 ♪ ARE WAITING 1868 01:30:59,989 --> 01:31:02,156 AT THE CLUB ♪ 1869 01:31:02,256 --> 01:31:03,458 ♪ BUT HOW ARE WE 1870 01:31:03,459 --> 01:31:04,659 TO GET THERE? ♪ 1871 01:31:04,759 --> 01:31:05,794 ♪ THAT'S 1872 01:31:05,795 --> 01:31:06,828 THE RUB ♪ 1873 01:31:06,928 --> 01:31:09,997 ♪ THAT'S THE RUB ♪ 1874 01:31:10,097 --> 01:31:12,183 ♪ WE WOULD SAIL 1875 01:31:12,184 --> 01:31:14,268 UP THE AVENUE ♪ 1876 01:31:14,335 --> 01:31:15,853 ♪ BUT WE HAVEN'T GOT 1877 01:31:15,854 --> 01:31:17,371 A YACHT ♪ 1878 01:31:17,472 --> 01:31:18,757 ♪ WE WOULD DRIVE 1879 01:31:18,758 --> 01:31:20,041 UP THE AVENUE ♪ 1880 01:31:20,141 --> 01:31:21,659 ♪ BUT THE HORSE WE HAD 1881 01:31:21,660 --> 01:31:23,177 WAS SHOT ♪ 1882 01:31:23,277 --> 01:31:24,645 ♪ WE WOULD RIDE 1883 01:31:24,646 --> 01:31:26,013 ON A TROLLEY CAR ♪ 1884 01:31:26,113 --> 01:31:27,532 ♪ BUT WE HAVEN'T GOT 1885 01:31:27,533 --> 01:31:28,950 THE FARE ♪ 1886 01:31:29,016 --> 01:31:30,401 ♪ SO WE'LL WALK 1887 01:31:30,402 --> 01:31:31,786 UP THE AVENUE ♪ 1888 01:31:31,853 --> 01:31:33,321 ♪ YES, WE'LL WALK 1889 01:31:33,322 --> 01:31:34,789 UP THE AVENUE ♪ 1890 01:31:34,856 --> 01:31:36,257 ♪ YES, WE'LL WALK 1891 01:31:36,258 --> 01:31:37,658 UP THE AVENUE ♪ 1892 01:31:37,725 --> 01:31:41,028 ♪ TILL WE'RE THERE ♪ 1893 01:32:23,004 --> 01:32:24,439 ♪ WE WOULD SWIM 1894 01:32:24,440 --> 01:32:25,873 UP THE AVENUE ♪ 1895 01:32:25,940 --> 01:32:27,225 ♪ BUT WE HAVEN'T 1896 01:32:27,226 --> 01:32:28,509 ANY LAKE ♪ 1897 01:32:28,576 --> 01:32:30,011 ♪ SO WE'LL WALK 1898 01:32:30,012 --> 01:32:31,445 UP THE AVENUE ♪ 1899 01:32:31,546 --> 01:32:32,914 ♪ YES, WE'LL WALK 1900 01:32:32,915 --> 01:32:34,282 UP THE AVENUE ♪ 1901 01:32:34,382 --> 01:32:35,650 ♪ YES, A WALK 1902 01:32:35,651 --> 01:32:36,918 UP THE AVENUE'S ♪ 1903 01:32:37,018 --> 01:32:39,887 ♪ WHAT WE'LL TAKE ♪ 1904 01:32:58,573 --> 01:33:00,775 - Kelly: "V" STANDS - FOR VIM, VIGOR, VITALITY, 1905 01:33:00,875 --> 01:33:02,393 AND BOBBY VAN IN THIS NUMBER 1906 01:33:02,394 --> 01:33:03,911 FROM SMALL TOWN GIRL. 1907 01:33:03,978 --> 01:33:05,079 [CAR HORN HONKING] 1908 01:33:05,146 --> 01:33:06,547 [BICYCLE BELL RINGING] 1909 01:33:06,614 --> 01:33:07,815 [WHISTLING] 1910 01:34:20,021 --> 01:34:21,522 [PARROT SQUAWKING] 1911 01:34:32,033 --> 01:34:33,033 HOW. 1912 01:34:37,538 --> 01:34:39,006 [WHINNY] 1913 01:34:58,559 --> 01:35:00,027 [WHISTLE BLOWS] 1914 01:35:08,736 --> 01:35:10,571 ♪ TAKE ME TO BROADWAY ♪ 1915 01:35:10,671 --> 01:35:11,839 ♪ AND LET ME TAKE IT 1916 01:35:11,840 --> 01:35:13,007 FROM THERE ♪ 1917 01:35:13,074 --> 01:35:14,775 - People: - ♪ TAKE ME TO BROADWAY ♪ 1918 01:35:14,875 --> 01:35:17,645 ♪ AND LET ME TAKE IT 1919 01:35:17,646 --> 01:35:20,414 FROM THERE ♪ 1920 01:35:22,583 --> 01:35:25,019 ♪ GOTTA DANCE ♪ 1921 01:35:25,086 --> 01:35:26,620 - Kelly: - ♪ GOTTA DANCE ♪ 1922 01:35:26,721 --> 01:35:28,222 - Chorus: - ♪ GOTTA DANCE ♪ 1923 01:35:28,289 --> 01:35:29,907 Kelly: 1924 01:35:29,908 --> 01:35:31,525 ♪ GOTTA DANCE ♪ 1925 01:36:17,004 --> 01:36:18,039 Kelly, voice-over: 1926 01:36:18,040 --> 01:36:19,073 CYD CHARISSE... 1927 01:36:19,140 --> 01:36:20,608 LOVELY CYD CHARISSE... 1928 01:36:20,609 --> 01:36:22,076 HOW SHE DANCES. 1929 01:36:22,143 --> 01:36:23,311 THIS FROM SINGIN' 1930 01:36:23,312 --> 01:36:24,478 IN THE RAIN. 1931 01:36:36,657 --> 01:36:37,925 [COUGH] 1932 01:38:16,290 --> 01:38:17,825 ♪ THERE'S NO BUSINESS 1933 01:38:17,826 --> 01:38:19,360 LIKE SHOW BUSINESS ♪ 1934 01:38:19,426 --> 01:38:21,245 ♪ LIKE NO BUSINESS 1935 01:38:21,246 --> 01:38:23,063 I KNOW ♪ 1936 01:38:23,130 --> 01:38:24,699 ♪ EVERYTHING ABOUT IT 1937 01:38:24,700 --> 01:38:26,267 IS APPEALING ♪ 1938 01:38:26,367 --> 01:38:27,801 - Astaire: - IN ANNIE GET YOUR GUN, 1939 01:38:27,902 --> 01:38:29,770 - BETTY HUTTON, HOWARD KEEL, - KEENAN WYNN, 1940 01:38:29,870 --> 01:38:32,106 - LOUIS CALHERN, AND COMPANY - TEAR THE SCREEN APART 1941 01:38:32,206 --> 01:38:33,807 WITH IRVING BERLIN'S 1942 01:38:33,908 --> 01:38:35,309 FABULOUS ANTHEM 1943 01:38:35,310 --> 01:38:36,710 TO ENTERTAINMENT. 1944 01:38:36,777 --> 01:38:38,529 ♪ THERE'S NO PEOPLE 1945 01:38:38,530 --> 01:38:40,281 LIKE SHOW PEOPLE ♪ 1946 01:38:40,381 --> 01:38:42,183 ♪ THEY SMILE 1947 01:38:42,184 --> 01:38:43,984 WHEN THEY ARE LOW ♪ 1948 01:38:44,084 --> 01:38:45,569 ♪ EVEN WITH A TURKEY 1949 01:38:44,084 --> 01:38:47,054 WILL FOLD ♪ 1950 01:38:45,570 --> 01:38:47,054 THAT YOU KNOW 1951 01:38:47,121 --> 01:38:49,006 ♪ YOU MAY BE STRANDED 1952 01:38:49,007 --> 01:38:50,891 OUT IN THE COLD ♪ 1953 01:38:50,958 --> 01:38:52,476 ♪ STILL YOU 1954 01:38:50,958 --> 01:38:53,994 FOR A SACK OF GOLD ♪ 1955 01:38:52,477 --> 01:38:53,994 WOULDN'T CHANGE IT 1956 01:38:54,094 --> 01:38:55,930 ♪ LET'S GO ON 1957 01:38:55,931 --> 01:38:57,765 WITH THE SHOW ♪ 1958 01:38:57,831 --> 01:38:59,950 ♪ LET'S GO ON 1959 01:38:59,951 --> 01:39:02,069 WITH THE ♪ 1960 01:39:02,136 --> 01:39:08,442 ♪ SHOW ♪ 1961 01:39:10,344 --> 01:39:12,229 Hutton: ♪ THERE'S NO BUSINESS 1962 01:39:12,230 --> 01:39:14,114 LIKE SHOW BUSINESS ♪ 1963 01:39:14,181 --> 01:39:15,916 ♪ LIKE NO BUSINESS 1964 01:39:15,917 --> 01:39:17,651 I KNOW ♪ 1965 01:39:17,751 --> 01:39:19,420 ♪ EVERYTHING ABOUT IT 1966 01:39:19,421 --> 01:39:21,088 IS APPEALING ♪ 1967 01:39:21,155 --> 01:39:22,924 ♪ EVERYTHING 1968 01:39:22,925 --> 01:39:24,692 THE TRAFFIC WILL ALLOW ♪ 1969 01:39:24,792 --> 01:39:26,360 ♪ NOWHERE COULD YOU GET 1970 01:39:26,361 --> 01:39:27,928 THAT HAPPY FEELIN' ♪ 1971 01:39:27,995 --> 01:39:29,797 ♪ WHEN YOU ARE STEALIN' 1972 01:39:29,798 --> 01:39:31,598 THAT EXTRA BOW ♪ 1973 01:39:31,665 --> 01:39:33,400 ♪ THERE'S NO PEOPLE 1974 01:39:33,401 --> 01:39:35,135 LIKE SHOW PEOPLE ♪ 1975 01:39:35,202 --> 01:39:36,854 ♪ THEY SMILE 1976 01:39:36,855 --> 01:39:38,505 WHEN THEY ARE LOW ♪ 1977 01:39:38,605 --> 01:39:40,457 ♪ EVEN WITH A TURKEY 1978 01:39:40,458 --> 01:39:42,309 THAT YOU KNOW WILL FOLD ♪ 1979 01:39:42,376 --> 01:39:44,328 ♪ YOU MAY BE STRANDED 1980 01:39:44,329 --> 01:39:46,280 OUT IN THE COLD ♪ 1981 01:39:46,347 --> 01:39:49,116 - ♪ STILL YOU WOULDN'T CHANGE IT - FOR A SACK OF GOLD ♪ 1982 01:39:49,183 --> 01:39:51,085 ♪ LET'S GO ON 1983 01:39:51,086 --> 01:39:52,987 WITH THE SHOW ♪ 1984 01:39:53,053 --> 01:39:56,273 ♪ LET'S GO ON 1985 01:39:56,274 --> 01:39:59,493 WITH THE ♪ 1986 01:39:59,560 --> 01:40:00,995 [WHOOPING] 1987 01:40:22,016 --> 01:40:23,550 [GUNSHOTS] 1988 01:41:15,702 --> 01:41:17,554 SPENCER TRACY 1989 01:41:17,555 --> 01:41:19,406 AND KATHARINE HEPBURN... 1990 01:41:19,473 --> 01:41:20,858 THEY STARRED 1991 01:41:20,859 --> 01:41:22,242 IN 9 FILMS TOGETHER 1992 01:41:22,309 --> 01:41:23,544 AND WERE UNDOUBTEDLY 1993 01:41:23,610 --> 01:41:25,579 - THE MOST SUCCESSFUL - DRAMATIC TEAM 1994 01:41:25,646 --> 01:41:27,381 IN SCREEN HISTORY. 1995 01:41:27,448 --> 01:41:29,383 - LET'S LOOK - AT SOME OF THEIR WORK, 1996 01:41:29,450 --> 01:41:30,918 TOGETHER AND APART. 1997 01:41:37,791 --> 01:41:38,859 THERE. 1998 01:41:38,860 --> 01:41:39,927 THAT'S BETTER. 1999 01:41:39,993 --> 01:41:42,062 I'M FATHER FLANAGAN. 2000 01:41:42,129 --> 01:41:43,130 - I SAW - YOUR BROTHER JOE 2001 01:41:43,230 --> 01:41:44,248 JUST A LITTLE 2002 01:41:44,249 --> 01:41:45,265 WHILE AGO. 2003 01:41:45,332 --> 01:41:46,700 WE HAD A LONG TALK 2004 01:41:46,701 --> 01:41:48,068 ABOUT YOU, WHITEY. 2005 01:41:48,135 --> 01:41:49,353 JOE WANTS YOU 2006 01:41:48,135 --> 01:41:50,571 TO BOYS TOWN. 2007 01:41:49,354 --> 01:41:50,571 TO COME WITH ME 2008 01:41:50,637 --> 01:41:52,122 YOU'VE GOT A SWELL CHANCE 2009 01:41:52,123 --> 01:41:53,607 TAKING ME TO THAT JOINT. 2010 01:41:53,674 --> 01:41:54,951 - NOW, LOOK, WHITEY, - IN A PINCH, 2011 01:41:54,975 --> 01:41:56,252 - I CAN BE TOUGHER - THAN YOU ARE, 2012 01:41:56,276 --> 01:41:57,344 AND I GUESS MAYBE 2013 01:41:57,345 --> 01:41:58,412 THIS IS THE PINCH. 2014 01:41:58,479 --> 01:42:00,114 - YOU'RE COMING - WITH ME TO BOYS TOWN 2015 01:42:00,180 --> 01:42:01,215 BECAUSE THAT'S 2016 01:42:00,180 --> 01:42:02,249 WANTS IT... 2017 01:42:01,216 --> 01:42:02,249 THE WAY YOUR BROTHER 2018 01:42:02,316 --> 01:42:04,251 - AND THAT'S THE WAY - I WANT IT. 2019 01:42:11,191 --> 01:42:12,393 SHORTY, DO YOU 2020 01:42:11,191 --> 01:42:13,594 AND LETTING ME BY? 2021 01:42:12,394 --> 01:42:13,594 MIND BACKING UP 2022 01:42:13,660 --> 01:42:15,546 YEAH, I DO MIND. 2023 01:42:13,660 --> 01:42:17,431 AND DON'T CALL ME SHORTY. 2024 01:42:15,547 --> 01:42:17,431 SUPPOSE YOU BACK UP, 2025 01:42:17,498 --> 01:42:19,409 - SHORTY OR SONNY... - WHAT DIFFERENCE - DOES IT MAKE? 2026 01:42:19,433 --> 01:42:20,968 MOVE OVER, BUD. 2027 01:42:21,034 --> 01:42:22,236 NOW, I'M WEARING 2028 01:42:21,034 --> 01:42:23,437 WITH 4-INCH HEELS. 2029 01:42:22,237 --> 01:42:23,437 JUSTIN BOOTS 2030 01:42:23,504 --> 01:42:24,938 - THEY'LL SURE MAKE - BIG DENTS 2031 01:42:25,005 --> 01:42:26,940 - IN THAT LITTLE FRAME - OF YOURS. 2032 01:42:27,007 --> 01:42:28,809 [GUNSHOTS] 2033 01:43:04,244 --> 01:43:05,496 LADY ATHLETE, 2034 01:43:04,244 --> 01:43:06,747 ALWAYS A MARKET. 2035 01:43:05,497 --> 01:43:06,747 PROPERLY HANDLED... 2036 01:43:06,847 --> 01:43:08,081 Man: ALWAYS. 2037 01:43:08,182 --> 01:43:09,517 I DON'T THINK 2038 01:43:08,182 --> 01:43:10,851 PROPERLY HANDLED. 2039 01:43:09,518 --> 01:43:10,851 YOU EVER BEEN 2040 01:43:10,918 --> 01:43:12,219 THAT'S RIGHT... 2041 01:43:12,220 --> 01:43:13,520 NOT EVEN BY MYSELF. 2042 01:43:15,222 --> 01:43:16,807 Man: OH, 2043 01:43:16,808 --> 01:43:18,392 VERY FEW BRAINS. 2044 01:43:18,492 --> 01:43:20,427 - YEAH. THERE'S ONE THING - I GOT TO SAY, THOUGH. 2045 01:43:20,527 --> 01:43:21,728 WHAT? 2046 01:43:21,828 --> 01:43:23,664 - NICELY PACKED, - THAT KIT. 2047 01:43:23,730 --> 01:43:25,098 - HA HA! - IS, AT THAT. 2048 01:43:25,199 --> 01:43:26,517 NOT MUCH MEAT ON HER, 2049 01:43:25,199 --> 01:43:27,834 IS CHERCE. 2050 01:43:26,518 --> 01:43:27,834 BUT WHAT'S THERE 2051 01:43:27,901 --> 01:43:30,070 [MEN TALKING] 2052 01:43:30,170 --> 01:43:31,605 - Tracy: - I TOLD YOU ALREADY. 2053 01:43:31,705 --> 01:43:33,073 I AIN'T GOING TO MAKE 2054 01:43:33,074 --> 01:43:34,441 NO DEALS WITH YOU, SEE? 2055 01:43:34,541 --> 01:43:35,842 - OH, TWO AGAINST - ONE, HUH? 2056 01:43:35,909 --> 01:43:37,711 - Man: THAT'S RIGHT, - TWO AGAINST ONE, 2057 01:43:37,778 --> 01:43:39,063 AND THAT'S HOW IT IS 2058 01:43:37,778 --> 01:43:40,347 TOO, WISE GUY... 2059 01:43:39,064 --> 01:43:40,347 IN THIS BUSINESS, 2060 01:43:40,414 --> 01:43:41,848 TWO AGAINST ONE! 2061 01:43:41,915 --> 01:43:43,550 YOU WANT 2062 01:43:43,551 --> 01:43:45,185 YOUR USUAL PERCENT? 2063 01:43:45,252 --> 01:43:46,252 OOH! 2064 01:43:48,689 --> 01:43:49,957 HEY, MY GLASSES! 2065 01:43:50,057 --> 01:43:51,792 - HEY, THAT'S NO FAIR, - I'M TELLING YOU! 2066 01:43:51,892 --> 01:43:53,210 WHAT'S 2067 01:43:51,892 --> 01:43:53,210 WHERE ARE 2068 01:43:53,211 --> 01:43:54,528 THE BIG IDEA? 2069 01:43:53,211 --> 01:43:54,528 MY GLASSES? 2070 01:43:54,595 --> 01:43:56,530 - WHAT IS THIS, - ANYWAY? 2071 01:43:56,597 --> 01:43:57,681 DID YOU EVER SEE 2072 01:43:56,597 --> 01:43:58,765 BEFORE? 2073 01:43:57,682 --> 01:43:58,765 A THING LIKE THIS 2074 01:43:58,865 --> 01:44:00,200 WE'RE SO UTTERLY 2075 01:43:58,865 --> 01:44:01,535 EACH OTHER, COULDN'T WE? 2076 01:44:00,201 --> 01:44:01,535 DIFFERENT, WE COULD HELP 2077 01:44:01,602 --> 01:44:03,580 - I MEAN, REALLY HELP... - THAT IS, IF WE... IF WE... 2078 01:44:03,604 --> 01:44:05,372 IF WE WHAT? 2079 01:44:05,439 --> 01:44:06,873 1, 2, 3... 2080 01:44:06,940 --> 01:44:08,451 - I'VE BEEN THINKING - ALL SORTS OF THINGS 2081 01:44:08,475 --> 01:44:10,186 - AND IN ALL - SORTS OF WAYS... - BACKWARDS, FORWARDS, 2082 01:44:10,210 --> 01:44:11,378 EVERY WHICH WAY, 2083 01:44:11,379 --> 01:44:12,546 BUT CHIEFLY FORWARDS. 2084 01:44:12,613 --> 01:44:14,181 WELL, I HOPE THAT MEANS 2085 01:44:12,613 --> 01:44:14,181 TO STOP LIVING 2086 01:44:14,182 --> 01:44:15,749 THAT YOU'VE DECIDED 2087 01:44:14,182 --> 01:44:15,749 IN THE PAST. 2088 01:44:15,816 --> 01:44:16,967 YES, THAT'S IT, AND 2089 01:44:15,816 --> 01:44:18,118 MAYBE YOU'RE RIGHT. 2090 01:44:16,968 --> 01:44:18,118 I'VE GOT TO THINKING. 2091 01:44:18,218 --> 01:44:20,153 - IT IS STUPID OF ME. - IT IS SELFISH, 2092 01:44:20,254 --> 01:44:21,672 BUT IT IS 2093 01:44:20,254 --> 01:44:21,672 TO LIVE IN ALONE 2094 01:44:21,673 --> 01:44:23,090 A TERRIBLE WORLD 2095 01:44:21,673 --> 01:44:23,090 WITH JUST MEMORIES, 2096 01:44:23,156 --> 01:44:24,934 - AND YOU'VE GOT - SUCH QUALITIES - TO FACE IT WITH... 2097 01:44:24,958 --> 01:44:26,043 TO DO SOMETHING 2098 01:44:26,044 --> 01:44:27,127 ABOUT IT WITH. 2099 01:44:27,227 --> 01:44:28,345 YOUR EYE IS SO CLEAR. 2100 01:44:27,227 --> 01:44:28,345 YOU'RE SO HONEST, 2101 01:44:28,346 --> 01:44:29,463 YOU SEE SO STRAIGHT. 2102 01:44:28,346 --> 01:44:29,463 SO QUICK, 2103 01:44:29,563 --> 01:44:31,574 - SO AWARE OF EVERYTHING - AND FEARLESS AND - FORTHRIGHT AND... 2104 01:44:31,598 --> 01:44:33,267 WAIT A MINUTE. 2105 01:44:33,333 --> 01:44:34,978 - NO, I'M NONE - OF THOSE THINGS, - EXCEPT MAYBE HONEST. 2106 01:44:35,002 --> 01:44:36,937 - I'VE GOT QUALITIES - FOR IT, TOO. 2107 01:44:37,004 --> 01:44:38,205 I'M STRONG AND HAVE 2108 01:44:38,206 --> 01:44:39,406 LOTS OF ENERGY, 2109 01:44:39,473 --> 01:44:41,217 - AND I'M BRAVE, TOO, - IN A WAY. THINGS - DON'T GET ME DOWN, 2110 01:44:41,241 --> 01:44:42,743 - AND I CAN TAKE - PUNISHMENT. 2111 01:44:42,809 --> 01:44:44,087 - IT ISN'T - JUST THIS HOUSE - I CAN OFFER YOU 2112 01:44:44,111 --> 01:44:46,013 - OR MYSELF - AS AN ASSISTANT. 2113 01:44:46,113 --> 01:44:47,181 I THOUGHT THAT 2114 01:44:46,113 --> 01:44:47,181 TO EACH OTHER 2115 01:44:47,182 --> 01:44:48,248 AFTER ALL WE SAID 2116 01:44:47,182 --> 01:44:48,248 THAT FIRST NIGHT 2117 01:44:48,315 --> 01:44:50,226 - AND THE WAY - WE UNDERSTAND - EACH OTHER ABOUT - LOVE AND SO FORTH... 2118 01:44:50,250 --> 01:44:52,019 - WELL, YOU KNOW - I NEVER COULD, 2119 01:44:52,119 --> 01:44:53,763 - AND I KNOW HOW - YOU NEVER COULD - OR RATHER WOULD - WANT TO, 2120 01:44:53,787 --> 01:44:55,589 - AND THEN THERE'S - ALL THAT... WHAT YOU CALL 2121 01:44:55,656 --> 01:44:57,934 - THAT POWERFUL COMMODITY - TO BE PUT TO USE, - SO I THOUGHT... 2122 01:44:57,958 --> 01:45:02,095 SO YOU THOUGHT? 2123 01:45:02,162 --> 01:45:03,964 WHAT WERE YOU DOING 2124 01:45:02,162 --> 01:45:05,766 TODAY? 2125 01:45:03,965 --> 01:45:05,766 DOWN IN MY BAILIWICK 2126 01:45:05,832 --> 01:45:07,000 OH, JUST A LITTLE 2127 01:45:07,001 --> 01:45:08,168 AMBULANCE CHASING. 2128 01:45:08,268 --> 01:45:09,770 HMM. SUCCESSFUL? 2129 01:45:09,836 --> 01:45:10,937 - WELL, I GOT - THE CASE. 2130 01:45:11,004 --> 01:45:12,172 WHAT CASE? 2131 01:45:12,272 --> 01:45:14,150 - A GIRL NAMED DORIS ATTINGER - SHOT HER HUSBAND. 2132 01:45:14,174 --> 01:45:15,475 - I'M GOING TO - DEFEND HER. 2133 01:45:18,812 --> 01:45:20,264 NOW, WHEN DID YOU 2134 01:45:20,265 --> 01:45:21,715 BEGIN TO SUSPECT 2135 01:45:21,815 --> 01:45:23,167 THAT YOU WERE LOSING 2136 01:45:23,168 --> 01:45:24,518 YOUR HUSBAND'S AFFECTION? 2137 01:45:24,618 --> 01:45:26,687 UM... 2138 01:45:26,787 --> 01:45:27,955 WHEN HE STOPPED 2139 01:45:27,956 --> 01:45:29,122 BATTING ME AROUND. 2140 01:45:29,189 --> 01:45:31,074 ♪ FAREWELL, 2141 01:45:31,075 --> 01:45:32,959 AMANDA... ♪ 2142 01:45:33,026 --> 01:45:39,866 AGH! 2143 01:45:39,966 --> 01:45:41,401 WHAT'S THE MATTER? 2144 01:45:41,501 --> 01:45:42,519 DON'T YOU WANT 2145 01:45:42,520 --> 01:45:43,537 YOUR RUB NOW? WHAT... 2146 01:45:43,637 --> 01:45:45,305 WHAT'S THE... 2147 01:45:43,637 --> 01:45:46,973 ABOUT A LITTLE SLAP? 2148 01:45:45,306 --> 01:45:46,973 WHAT ARE YOU, SORE 2149 01:45:47,040 --> 01:45:48,508 NO. 2150 01:45:48,575 --> 01:45:50,143 WELL, WHAT THEN? 2151 01:45:50,210 --> 01:45:52,121 - YOU MEANT THAT, DIDN'T YOU? - YOU REALLY MEANT THAT! 2152 01:45:52,145 --> 01:45:53,046 WHY, NO! 2153 01:45:53,146 --> 01:45:54,648 - YES, YOU DID. - I CAN TELL. 2154 01:45:54,715 --> 01:45:55,783 I KNOW YOUR TOUCH. 2155 01:45:54,715 --> 01:45:56,850 FROM A SLUG! 2156 01:45:55,784 --> 01:45:56,850 I KNOW A SLAP 2157 01:45:56,917 --> 01:45:57,917 WELL, OK, OK. 2158 01:45:57,984 --> 01:45:59,419 - I'M NOT - SO SURE IT IS. 2159 01:45:59,519 --> 01:46:01,421 - I'M NOT SO SURE - I CARE TO EXPOSE - MYSELF 2160 01:46:01,521 --> 01:46:03,023 TO TYPICAL, 2161 01:46:01,521 --> 01:46:04,524 MASCULINE BRUTALITY! 2162 01:46:03,024 --> 01:46:04,524 INSTINCTIVE 2163 01:46:04,591 --> 01:46:05,992 OH, COME, NOW! 2164 01:46:06,059 --> 01:46:07,804 - AND IT FELT - NOT ONLY AS THOUGH - YOU MEANT IT, 2165 01:46:07,828 --> 01:46:09,663 BUT AS THOUGH 2166 01:46:07,828 --> 01:46:11,498 I CAN TELL. 2167 01:46:09,664 --> 01:46:11,498 YOU HAD A RIGHT TO! 2168 01:46:11,565 --> 01:46:13,200 WHAT HAVE YOU 2169 01:46:11,565 --> 01:46:14,835 RADAR EQUIPMENT? 2170 01:46:13,201 --> 01:46:14,835 GOT BACK THERE, 2171 01:46:14,901 --> 01:46:16,470 Tracy: ALL RIGHT. 2172 01:46:16,471 --> 01:46:18,038 ALL RIGHT. 2173 01:46:18,105 --> 01:46:19,606 BREAK IT UP. 2174 01:46:19,706 --> 01:46:21,174 [GASP] 2175 01:46:21,241 --> 01:46:22,376 ADAM... 2176 01:46:22,442 --> 01:46:23,510 ADAM... 2177 01:46:23,577 --> 01:46:25,011 LISTEN TO ME, ADAM. 2178 01:46:25,078 --> 01:46:26,380 DON'T YOU HANDLE ME, LADY. 2179 01:46:26,381 --> 01:46:27,681 I'M NOT NUTTY. 2180 01:46:27,748 --> 01:46:29,449 - NOW, ADAM, - YOU'RE SICK. 2181 01:46:29,549 --> 01:46:30,717 PLEASE... 2182 01:46:30,784 --> 01:46:32,061 - WHAT DO YOU THINK - YOU'RE DOING? 2183 01:46:32,085 --> 01:46:34,054 - TEACHING A LESSON. - HIM FIRST... 2184 01:46:34,121 --> 01:46:37,357 THEN COMES YOURS. 2185 01:46:37,424 --> 01:46:38,692 - NOW, GET AWAY, - AMANDA. 2186 01:46:38,759 --> 01:46:40,260 - DON'T YOU DO IT, - AMANDA. 2187 01:46:40,360 --> 01:46:41,612 STOP IT, ADAM. 2188 01:46:41,613 --> 01:46:42,863 STOP IT! 2189 01:46:42,929 --> 01:46:44,030 YOU'VE NO RIGHT! 2190 01:46:44,097 --> 01:46:45,249 THAT'S ALL 2191 01:46:45,250 --> 01:46:46,400 I WANTED TO HEAR. 2192 01:46:47,768 --> 01:46:49,369 AAH! 2193 01:46:55,776 --> 01:46:58,311 LICORICE. MMM! 2194 01:46:58,412 --> 01:46:59,480 IF THERE'S ANYTHING 2195 01:46:59,481 --> 01:47:00,547 I'M A SUCKER FOR, 2196 01:47:00,614 --> 01:47:01,715 IT'S LICORICE. 2197 01:47:01,782 --> 01:47:03,383 [PIANO PLAYING] 2198 01:47:23,136 --> 01:47:25,739 [PIANO PLAYING FAST] 2199 01:47:25,806 --> 01:47:27,407 - [PIANO PLAYING - REGULAR SPEED] 2200 01:48:17,691 --> 01:48:18,992 I FIGURE YOU CAN 2201 01:48:18,993 --> 01:48:20,293 TAKE CARE OF YOURSELF. 2202 01:48:20,360 --> 01:48:21,878 OH, YEAH. I BET YOU 2203 01:48:20,360 --> 01:48:23,396 IF YOU TRIED. 2204 01:48:21,879 --> 01:48:23,396 COULD EVEN LICK ME 2205 01:48:23,497 --> 01:48:25,465 - OH, SURE. - I THINK SO. 2206 01:48:25,532 --> 01:48:27,467 - I NEED SOMEONE - TO LOOK AFTER ME. 2207 01:48:27,534 --> 01:48:28,902 WELL, WHAT ABOUT ME? 2208 01:48:30,637 --> 01:48:32,515 - WELL, I DON'T KNOW - IF I CAN LICK YOU - OR YOU CAN LICK ME, 2209 01:48:32,539 --> 01:48:33,957 BUT I'LL TELL YOU 2210 01:48:33,958 --> 01:48:35,375 ONE THING I DO KNOW. 2211 01:48:35,475 --> 01:48:36,843 TOGETHER, WE CAN 2212 01:48:36,844 --> 01:48:38,211 LICK THEM ALL. 2213 01:48:38,311 --> 01:48:39,980 - Kelly: AND TOGETHER - THEY DID 2214 01:48:40,046 --> 01:48:41,314 BECAUSE EVERYTHING 2215 01:48:41,315 --> 01:48:42,582 ABOUT TRACY AND HEPBURN 2216 01:48:42,682 --> 01:48:44,584 WAS CHERCE. 2217 01:48:50,891 --> 01:48:54,227 ♪ CAN IT BE ♪ 2218 01:48:54,327 --> 01:48:57,597 ♪ I LIKE MYSELF? ♪ 2219 01:48:57,697 --> 01:48:59,699 ♪ SHE LIKES ME, SO ♪ 2220 01:48:59,766 --> 01:49:04,404 ♪ I LIKE MYSELF ♪ 2221 01:49:04,504 --> 01:49:06,840 ♪ IF SOMEONE WONDERFUL 2222 01:49:06,841 --> 01:49:09,175 AS SHE IS ♪ 2223 01:49:09,242 --> 01:49:10,827 ♪ CAN THINK 2224 01:49:10,828 --> 01:49:12,412 I'M WONDERFUL ♪ 2225 01:49:12,512 --> 01:49:14,464 ♪ I MUST BE 2226 01:49:14,465 --> 01:49:16,416 QUITE A GUY ♪ 2227 01:49:16,516 --> 01:49:17,994 - Astaire: GENE, YOU - FINALLY DID WORK OUT 2228 01:49:18,018 --> 01:49:19,853 - THAT NUMBER ON SKATES, - DIDN'T YOU? 2229 01:49:19,920 --> 01:49:21,788 - Kelly: YES, - I GUESS I DID 2230 01:49:21,888 --> 01:49:23,323 IN A FILM DREAMED UP 2231 01:49:23,324 --> 01:49:24,758 BY COMDEN AND GREEN 2232 01:49:24,858 --> 01:49:26,526 CALLED IT'S ALWAYS 2233 01:49:26,593 --> 01:49:29,796 ♪ ...LIKE MYSELF ♪ 2234 01:49:29,896 --> 01:49:32,883 ♪ BUT NOW MY LOVE 2235 01:49:32,884 --> 01:49:35,869 HAS GOT ME RIDIN' HIGH ♪ 2236 01:49:35,936 --> 01:49:38,038 ♪ SHE LIKES ME, 2237 01:49:38,039 --> 01:49:40,140 SO SO DO I ♪ 2238 01:51:08,795 --> 01:51:10,180 I CAN REMEMBER 2239 01:51:10,181 --> 01:51:11,564 EVERYTHING 2240 01:51:11,665 --> 01:51:12,866 AS IF IT WERE 2241 01:51:12,867 --> 01:51:14,067 YESTERDAY. 2242 01:51:14,167 --> 01:51:15,669 ♪ WE MET AT 9:00 ♪ 2243 01:51:15,735 --> 01:51:17,003 ♪ WE MET AT 8:00 ♪ 2244 01:51:17,070 --> 01:51:18,471 ♪ I WAS ON TIME ♪ 2245 01:51:18,538 --> 01:51:20,140 ♪ NO, YOU WERE LATE ♪ 2246 01:51:20,206 --> 01:51:22,359 ♪ AH, YES, 2247 01:51:22,360 --> 01:51:24,511 I REMEMBER IT WELL ♪ 2248 01:51:24,577 --> 01:51:26,646 - Astaire: HERE'S - MY FAVORITE BOULEVARDIER 2249 01:51:26,713 --> 01:51:28,515 WITH HERMIONE GINGOLD 2250 01:51:28,581 --> 01:51:30,283 AND A LOVELY LERNER AND LOEWE 2251 01:51:30,284 --> 01:51:31,985 SONG FROM GIGI. 2252 01:51:32,052 --> 01:51:34,021 ♪ I REMEMBER IT 2253 01:51:34,022 --> 01:51:35,989 WELL ♪ 2254 01:51:36,056 --> 01:51:37,407 ♪ THAT DAZZLING 2255 01:51:37,408 --> 01:51:38,758 APRIL MOON ♪ 2256 01:51:38,858 --> 01:51:40,543 ♪ THERE WAS NONE 2257 01:51:40,544 --> 01:51:42,228 THAT NIGHT ♪ 2258 01:51:42,328 --> 01:51:43,997 ♪ AND THE MONTH 2259 01:51:43,998 --> 01:51:45,665 WAS JUNE ♪ 2260 01:51:45,732 --> 01:51:47,033 ♪ THAT'S RIGHT ♪ 2261 01:51:47,100 --> 01:51:48,568 ♪ THAT'S RIGHT ♪ 2262 01:51:48,668 --> 01:51:50,537 ♪ IT WARMS MY HEART 2263 01:51:50,538 --> 01:51:52,405 TO KNOW THAT YOU ♪ 2264 01:51:52,505 --> 01:51:54,357 ♪ REMEMBER STILL 2265 01:51:54,358 --> 01:51:56,209 THE WAY YOU DO ♪ 2266 01:51:56,276 --> 01:51:58,011 ♪ AH, YES ♪ 2267 01:51:59,913 --> 01:52:02,165 ♪ I REMEMBER IT 2268 01:52:02,166 --> 01:52:04,417 WELL ♪ 2269 01:52:06,252 --> 01:52:07,253 ♪ THAT CARRIAGE 2270 01:52:07,254 --> 01:52:08,254 RIDE ♪ 2271 01:52:08,354 --> 01:52:09,789 - ♪ YOU WALKED ME - HOME ♪ 2272 01:52:09,889 --> 01:52:11,124 ♪ YOU LOST A GLOVE ♪ 2273 01:52:11,224 --> 01:52:12,859 ♪ I LOST A COMB ♪ 2274 01:52:12,926 --> 01:52:15,195 ♪ AH, YES, 2275 01:52:15,196 --> 01:52:17,464 I REMEMBER IT WELL ♪ 2276 01:52:17,564 --> 01:52:19,032 - ♪ THAT BRILLIANT - SKY ♪ 2277 01:52:19,099 --> 01:52:20,467 ♪ WE HAD SOME RAIN ♪ 2278 01:52:20,567 --> 01:52:21,901 - ♪ THOSE RUSSIAN - SONGS ♪ 2279 01:52:21,968 --> 01:52:23,403 ♪ FROM SUNNY SPAIN? ♪ 2280 01:52:23,470 --> 01:52:25,856 ♪ AH, YES, 2281 01:52:25,857 --> 01:52:28,241 I REMEMBER IT WELL ♪ 2282 01:52:28,308 --> 01:52:29,810 ♪ YOU WORE 2283 01:52:29,811 --> 01:52:31,311 A GOWN OF GOLD ♪ 2284 01:52:31,411 --> 01:52:33,146 ♪ I WAS 2285 01:52:33,147 --> 01:52:34,881 ALL IN BLUE ♪ 2286 01:52:34,948 --> 01:52:36,350 ♪ AM I 2287 01:52:36,351 --> 01:52:37,751 GETTING OLD? ♪ 2288 01:52:37,817 --> 01:52:40,720 ♪ OH, NO, NOT YOU ♪ 2289 01:52:40,787 --> 01:52:43,140 ♪ HOW STRONG YOU WERE, 2290 01:52:43,141 --> 01:52:45,492 HOW YOUNG AND GAY ♪ 2291 01:52:45,592 --> 01:52:47,794 ♪ A PRINCE OF LOVE 2292 01:52:47,795 --> 01:52:49,996 IN EVERY WAY ♪ 2293 01:52:50,096 --> 01:52:51,731 ♪ AH, YES ♪ 2294 01:52:53,266 --> 01:52:56,503 ♪ I REMEMBER IT 2295 01:52:56,504 --> 01:52:59,739 WELL ♪ 2296 01:53:13,520 --> 01:53:16,089 - Astaire: THE LAST TIME - GINGER AND I WORKED TOGETHER 2297 01:53:16,156 --> 01:53:18,324 - WAS IN - THE BARKLEYS OF BROADWAY. 2298 01:53:18,424 --> 01:53:20,176 Kelly: AND I THINK 2299 01:53:18,424 --> 01:53:21,928 ROUTINES YOU EVER DID. 2300 01:53:20,177 --> 01:53:21,928 THIS IS ONE OF THE BEST 2301 01:53:39,512 --> 01:53:40,512 YEAH! 2302 01:53:49,155 --> 01:53:50,356 HA HA! 2303 01:53:55,895 --> 01:53:56,895 MM-HMM. 2304 01:54:24,224 --> 01:54:25,825 HA HA! HA HA! 2305 01:54:35,168 --> 01:54:36,836 HA HA! AHH... 2306 01:54:54,254 --> 01:54:55,254 HA HA! 2307 01:55:18,111 --> 01:55:19,555 - Kelly: NO PICTURE - ABOUT ENTERTAINMENT 2308 01:55:19,579 --> 01:55:21,281 - WOULD BE COMPLETE - WITHOUT A NUMBER 2309 01:55:21,381 --> 01:55:22,799 FROM WET AND WONDERFUL 2310 01:55:22,800 --> 01:55:24,217 ESTHER WILLIAMS. 2311 01:55:24,284 --> 01:55:26,753 - Astaire: AND SHE DOES IT - WITHOUT TRICK PHOTOGRAPHY. 2312 01:59:28,227 --> 01:59:30,780 ♪ A SHOW THAT IS 2313 01:59:30,781 --> 01:59:33,332 REALLY A SHOW ♪ 2314 01:59:33,399 --> 01:59:36,052 ♪ SENDS YOU OUT 2315 01:59:36,053 --> 01:59:38,704 WITH A KIND OF A GLOW ♪ 2316 01:59:38,804 --> 01:59:42,108 ♪ AND YOU SAY 2317 01:59:42,109 --> 01:59:45,411 AS YOU GO ON YOUR WAY ♪ 2318 01:59:45,511 --> 01:59:48,648 ♪ THAT'S ENTERTAINMENT ♪ 2319 01:59:48,714 --> 01:59:50,566 ♪ THE ART THAT APPEALS 2320 01:59:50,567 --> 01:59:52,418 TO THE HEART ♪ 2321 01:59:52,518 --> 01:59:54,437 ♪ IS A SONG 2322 01:59:54,438 --> 01:59:56,355 THAT JUST HAS TO BELONG ♪ 2323 01:59:56,422 --> 01:59:59,142 ♪ OR A DANCE 2324 01:59:59,143 --> 02:00:01,861 THAT IS SURE TO ENTRANCE ♪ 2325 02:00:01,928 --> 02:00:05,097 ♪ THAT'S ENTERTAINMENT ♪ 2326 02:00:05,198 --> 02:00:07,217 ♪ AND NOW MAY WE PAUSE 2327 02:00:07,218 --> 02:00:09,235 FOR A MOMENT OR TWO? ♪ 2328 02:00:09,335 --> 02:00:11,771 ♪ BECAUSE THERE'S A CHORE 2329 02:00:11,772 --> 02:00:14,207 THAT WE FEEL WE SHOULD DO ♪ 2330 02:00:14,273 --> 02:00:15,842 ♪ WE'D LIKE TO NAME 2331 02:00:15,843 --> 02:00:17,410 JUST A FEW ♪ 2332 02:00:17,510 --> 02:00:18,845 ♪ OF THE STARS 2333 02:00:18,846 --> 02:00:20,179 YOU HAVE SEEN HERE ♪ 2334 02:00:20,246 --> 02:00:22,065 ♪ PERFORMING A SONG 2335 02:00:22,066 --> 02:00:23,883 OR SCENE HERE ♪ 2336 02:00:23,950 --> 02:00:26,586 ♪ THERE WERE ♪ 2337 02:00:26,686 --> 02:00:28,521 - ♪ JUDY GARLAND, - LESLIE CARON ♪ 2338 02:00:28,588 --> 02:00:30,189 - ♪ GRETA GARBO, - DORIS DAY ♪ 2339 02:00:30,256 --> 02:00:31,536 - ♪ BOB TAYLOR, - JACK BUCHANAN ♪ 2340 02:00:31,591 --> 02:00:33,359 - ♪ TONY MARTIN, - MAURICE CHEVALIER ♪ 2341 02:00:33,426 --> 02:00:34,746 - ♪ BING CROSBY, - MICKEY ROONEY ♪ 2342 02:00:34,794 --> 02:00:35,995 ♪ ELEANOR POWELL, 2343 02:00:35,996 --> 02:00:37,196 NANETTE FABRAY ♪ 2344 02:00:37,263 --> 02:00:39,932 ♪ THAT'S ENTERTAINMENT ♪ 2345 02:00:40,032 --> 02:00:41,434 - ♪ CLARK GABLE, - MELVYN DOUGLAS ♪ 2346 02:00:41,534 --> 02:00:43,202 - ♪ BOB MONTGOMERY, - JOHN BARRYMORE ♪ 2347 02:00:43,269 --> 02:00:45,037 - ♪ HERMIONE GINGOLD, - ESTHER WILLIAMS ♪ 2348 02:00:45,104 --> 02:00:47,039 - ♪ FRANK SINATRA, - DINAH SHORE ♪ 2349 02:00:47,106 --> 02:00:48,466 - ♪ FRANCHOT TONE, - GREER GARSON ♪ 2350 02:00:48,541 --> 02:00:50,085 - ♪ KATHARINE HEPBURN, - SPENCER TRACY ♪ 2351 02:00:50,109 --> 02:00:53,045 - ♪ RODDY McDOWALL, - MYRNA LOY, AND WILLIAM POWELL ♪ 2352 02:00:53,112 --> 02:00:54,790 - ♪ JEANETTE MacDONALD, - DEBBIE REYNOLDS ♪ 2353 02:00:54,814 --> 02:00:56,215 - ♪ MARGE AND GOWER - CHAMPION ♪ 2354 02:00:56,282 --> 02:00:57,962 - ♪ ANN MILLER, CARY GRANT, - ANN SOTHERN ♪ 2355 02:00:58,050 --> 02:00:59,619 - ♪ LOUIS ARMSTRONG, - BOBBY VAN ♪ 2356 02:00:59,719 --> 02:01:01,230 - ♪ JEAN HARLOW, CYD CHARISSE, - JOAN CRAWFORD ♪ 2357 02:01:01,254 --> 02:01:02,539 ♪ VIVIEN LEIGH, 2358 02:01:02,540 --> 02:01:03,823 TARZAN ♪ 2359 02:01:03,923 --> 02:01:05,725 ♪ THAT MAKES 42 ♪ 2360 02:01:05,791 --> 02:01:08,511 ♪ WE'VE MISSED MANY 2361 02:01:08,512 --> 02:01:11,230 WHO HAVE ENTERTAINED YOU ♪ 2362 02:01:11,297 --> 02:01:13,099 ♪ AND IF IT'S A HIT, 2363 02:01:13,100 --> 02:01:14,900 THEN THEY'LL GO ON FROM THERE ♪ 2364 02:01:14,967 --> 02:01:17,286 ♪ THEY PLAYED A CHARADE 2365 02:01:17,287 --> 02:01:19,605 THAT WAS LIGHTER THAN AIR ♪ 2366 02:01:19,672 --> 02:01:20,957 ♪ A GOOD OLD-FASHIONED 2367 02:01:20,958 --> 02:01:22,241 AFFAIR ♪ 2368 02:01:22,308 --> 02:01:23,393 ♪ AS WE SING 2369 02:01:23,394 --> 02:01:24,477 THIS FINALE ♪ 2370 02:01:24,577 --> 02:01:26,312 - ♪ WE HOPE GOES - UP YOUR ALLEY ♪ 2371 02:01:26,412 --> 02:01:27,680 ♪ NO DEATH ♪ 2372 02:01:27,780 --> 02:01:29,282 - ♪ LIKE YOU GET - IN MACBETH ♪ 2373 02:01:29,348 --> 02:01:31,350 ♪ NO ORDEAL ♪ 2374 02:01:31,450 --> 02:01:32,852 - ♪ LIKE THE END - OF CAMILLE ♪ 2375 02:01:32,952 --> 02:01:34,920 ♪ THIS GOOD-BYE ♪ 2376 02:01:34,987 --> 02:01:36,172 ♪ BRINGS A TEAR 2377 02:01:36,173 --> 02:01:37,356 TO THE EYE ♪ 2378 02:01:37,456 --> 02:01:39,158 - ♪ THE WORLD - IS A STAGE ♪ 2379 02:01:39,258 --> 02:01:41,394 ♪ THE STAGE IS THE WORLD 2380 02:01:41,395 --> 02:01:43,529 OF ENTERTAINMENT ♪ 254371