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[MUSIC]
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>> YOU KNOW THAT FEELING WE ALL
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GET WHEN WWE IS TOTALLY AWESOME?
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[CROWD CHEERS] >> OH, YEAH.
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>> THAT FEELING OF FUN,
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NOSTALGIA.
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THE ICONIC IMAGES THAT MADE YOU
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A LIFELONG FAN.
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LIKE THE MOST AWESOME FINISHING
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MOVES IN WWE.
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FROM THE STUNNING- >> STUNNER,
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STUNNER.
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>> TO THE SUDDEN.
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>> OH, NO, RKO.
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>> MY GOD, THE RKO OUT OF
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NOWHERE.
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>> AREA CODES- >> 619.
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>> -TO AERIAL STRIKES.
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>> FROM THE TOP ROPE WITH THE
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PHENOMENAL FOREARM.
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>> THESE ARE THE WWE FINISHING
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MOVES THAT THRILL US-
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>> OH, MY
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GOD.
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>> -THAT SHOCK US AND BRING US
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TO OUR FEET TO CHANT IN UNISON,
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"THIS IS AWESOME."
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[CROWD CHANTS "THIS IS AWESOME"]
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>> WELCOME EVERYONE TO THIS IS
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AWESOME.
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THE ONLY SHOW THAT DIVES INTO
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THE MOST AWESOME EVERYTHING.
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THEN, NOW AND FOREVER.
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I'M YOUR HOST GREG MILLER
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@GAMEOVERGREGGY AND TODAY WE
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LOOK AT THE MOST AWESOME
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FINISHING MOVES IN WWE HISTORY.
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WHETHER YOU'VE DEFINITELY NOT
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TRIED THEM AT HOME, SEEN THEM
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ALL OVER SOCIAL MEDIA, OR SIMPLY
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CAUGHT UP IN THE EXCITEMENT, WWE
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SUPERSTARS PULLED OFF THAT FINAL
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STOP IN AN EPIC MATCH.
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THERE'S NO DOUBT THAT WE ALL
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SHARE IN A THRILLING EXPERIENCE
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LIKE NO OTHER.
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WHAT ARE WE WAITING FOR?
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FINISH HIM.
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>> MAN, WHAT MAKES A GOOD
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FINISHING MOVE?
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THAT'S ACTUALLY A REALLY GREAT
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QUESTION.
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[MUSIC] >> SKULL-CRUSHING
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FINALE.
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>> RUDE AWAKENING.
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FORGET ABOUT IT.
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>> A GOOD FINISHING MOVE HAS TO
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BE BELIEVABLE.
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>> IT HAS TO BE IMPACTFUL.
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>> BONZAI.
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>> ZIGGLER, ZIG ZAG.
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>> THAT'S ONE OF THE MOST
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DEVASTATING MANEUVERS I'VE EVER
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SEEN.
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>> THEY NEED TO STAND OUT.
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>> IT HAS TO BE A STATEMENT.
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>> THERE IS NO WAY.
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>> OH, MY GOD.
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>> FAIRYTALE ENDING.
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>> FROG SPLASH.
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FROG SPLASH.
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>> MOST IMPORTANTLY IT KEEPS
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PEOPLE DOWN FOR THE FINISH.
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THEY GOT TO GET THE THREE-COUNT
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AFTER THEY HIT THIS MOVE.
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>> CLOTHESLINE FROM HELL.
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>> PEOPLE WHEN THEY SEE IT, THEY
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KNOW THAT THAT'S THE END OF THE
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MATCH.
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>> OH, THERE'S ABSOLUTELY NO WAY
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THEY'RE GETTING UP FROM THAT.
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STICK A FORK IN THEM.
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>> FORGET ABOUT IT.
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IT'S OVER.
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>> IT'S A MOVE THAT YOU CAN DO
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ON ANYONE.
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>> TO ANY PERSON NO MATTER WHAT
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THEIR SIZE IS.
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>> THAT GOES A LONG WAY.
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IT'S ALSO IMPORTANT THAT YOU
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HAVE THE ABILITY TO HIT IT OUT
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OF NOWHERE.
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>> OH, MY GOD.
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OUT OF NOWHERE.
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[MUSIC] >> AS A WRESTLER, I WANT
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MY FINISHING MOVE TO BE
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SOMETHING THAT I CAN TEASE.
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>> HE'S CALLING FOR IT.
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>> IT HAS TO HAVE A GREAT SETUP.
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>> THE VIPER IS COILED.
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>> PERFECT POSITION FOR A
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BATISTA BOMB.
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>> COBRA TIME.
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>> COBRA.
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>> SOMETIMES, YOU WANT TO BUILD
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THAT ANTICIPATION.
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>> THE BAND IS TUNING UP.
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>> GET EVERYONE TO UNDERSTAND
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IT'S COMING, IT'S ABOUT TO GO
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DOWN.
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[CROWD COUNTING DOWN, "THREE,
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TWO, ONE"] >> CLAYMORE.
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>> I THINK MY FAVORITE FINISHING
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MOVE-
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>> I ALWAYS LOVED POWER
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FINISHING MOVES.
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>> LOOK AT THE STRENGTH, OF THE
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POWER.
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>> OH, MY GOODNESS.
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>> I'VE ALWAYS BEEN PARTIAL TO
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SUBMISSIONS, OBVIOUSLY.
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>> LOOK AT THIS, SITTING DOWN.
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THIS HURTS, BROTHER.
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[CROWD CHEERS] >> CAN'T TAKE TOO
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MUCH OF THIS HOLD, THE PAIN IS
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UNBELIEVABLE.
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>> ROCK BOTTOM.
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[CROWD CHEERS] >> THE RAZOR'S
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EDGE.
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[CROWD CHEERS] >> I WAS A BIG
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FAN OF THE SHOOTING STAR PRESS.
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[CROWD CHEERS] >> I LOVED THE
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ANKLE LOCK.
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>> HULK, WHAT DO YOU SAY?
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>> THE GLAM SLAM.
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>> HULK HOGAN'S LEG DROP.
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>> HULKSTER DROPS THE LEG.
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>> THE KOD.
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>> UNBELIEVABLE POWER BY BELAIR.
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>> PROBABLY THE PEDIGREE.
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>> GOLDBERG'S JACKHAMMER.
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>> THE PEOPLE'S ELBOW.
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>> THE MOST ELECTRIFYING MOVE IN
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ALL OF ENTERTAINMENT.
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OH, THE PEOPLE'S ELBOW.
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[CROWD CHEERS] >> WHEN YOU BUILD
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THAT CONNECTION WITH THE
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AUDIENCE, THAT'S WHAT MAKES THAT
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INDIVIDUAL MOVE OUT OF ALL THESE
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MOVES SO IMPORTANT.
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IT'S JUST HOW YOU CATER TO IT
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AND HOW MUCH PEOPLE ACTUALLY
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CARE TO SEE IT.
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[CROWD CHEERS]
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>> I CARE TO SEE
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IT.
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LET'S GET STARTED BY TAKING A
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TRIP TO DEATH VALLEY, WHERE OVER
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THE YEARS HUNDREDS OF SOULS HAD
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THEIR FATE SEALED BY WAY OF THE
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DREADED TOMBSTONE PILEDRIVER.
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>> FINISHING MOVES WHEN THEY'RE
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GREAT NEED TO BE ASSOCIATED WITH
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A CHARACTER.
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I DON'T THINK THAT'S EVER MORE
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TRUE THAN THE UNDERTAKER'S
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TOMBSTONE PILEDRIVER.
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>> THE DREADED TOMBSTONE.
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[CROWD CHEERS] >> PROBABLY THE
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MOST DEVASTATING MOVE IN ALL OF
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WWE.
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>> YOU KNEW THAT IT WAS OVER.
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>> TOMBSTONE.
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>> NO ONE EVER GOT UP FROM THE
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TOMBSTONE.
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>> TOMBSTONE.
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>> THERE'S NOT VERY MANY MEN
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THAT PICKED ME UP AND DROPPED ME
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ON MY HEAD.
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>> THAT MAN JUST WENT FROM 6'3"
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TO 5'10".
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>> THE MAN IS POSSESSED.
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>> IT'S SO METHODICAL.
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>> THE WAY THAT WHOLE MOVE JUST
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TOLD A STORY OF ITS OWN.
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>> WHEN HE TAKES HIS HAND ACROSS
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THE THROAT, THE PEOPLE RISE.
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>> HERE IT COMES.
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>> THERE'S A SETUP.
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PICK THE GUY UPSIDE DOWN--
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>> OH
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MAN, TOMBSTONE.
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>> --AND THEN YOU DROP HIM ON
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HIS HEAD.
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>> THE DEAD MAN HAS CHOSEN HIS
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VICTIM.
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>> THE CROSSING OF THE ARMS.
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>> IT LOOKS AS THOUGH HE WILL
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LAY TO REST.
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>> THEN THE TONGUE AND THE EYES.
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[CHUCKLES] >> LOOK AT THE EYES
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ON THAT UNDERTAKER, WOULD YOU?
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>> HE'S PUTTING YOU IN THAT
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GRAVE.
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>> IT'S ONE OF THE MOST
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DEVASTATING MANEUVERS I'VE EVER
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SEEN.
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>> THE TOMBSTONE IS AN INVERTED
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PILEDRIVER WHICH WAS A NEW
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CONCEPT AT THE TIME.
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[CROWD CHEERS] >> WOW, HE JUST
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GOT NAILED WITH THE TOMBSTONE.
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>> WHAT IS IT?
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>> I THINK IT'S A TOMBSTONE AND
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IT'S OVER.
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>> EVERY WWE FAN KNEW THAT WE
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WERE LOOKING AT SOMETHING
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DIFFERENT.
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>> OH, MY.
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>> HE WASN'T DOING ANYTHING REAL
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UNDERTAKERS WEREN'T DOING.
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>> FROM BODY BAGS, TO CASKETS,
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TO LIVE BURIALS.
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THE UNDERTAKER HAD AN IMPRESSIVE
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AMOUNT OF WAYS TO CLEAN UP THE
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CARNAGE OF HIS DREADED TOMBSTONE
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PILEDRIVER, BUT EVEN MORE
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IMPRESSIVE WAS THE SUPERSTAR
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BODY COUNT.
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[MUSIC]
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>> FROM HULK HOGAN TO
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SHAWN MICHAELS AND EVERYBODY IN
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BETWEEN.
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>> HE GAVE ME THREE IN ONE
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MATCH.
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>> UNDERTAKER'S TRYING TO KILL
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HIS OWN BROTHER.
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>> SO TERRIFYING.
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THAT MUST BE WHY HE HAD SO MUCH
240
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SUCCESS WITH IT FOR SO MANY
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YEARS.
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>> ANOTHER ONE.
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>> BRING OUT THE BAG.
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>> 450 TOMBSTONE.
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>> NO WAY.
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NO FREAKING WAY.
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>> GOD.
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>> NOT ONLY WAS IT EXTREMELY
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VISUALLY DEVASTATING BUT ALSO
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THE FACT THAT IT WAS UNDERTAKER
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DOING IT.
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>> REST IN PEACE.
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[THE UNDERTAKER'S MUSIC PLAYS]
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>> NOW, LET'S MOVE ON FROM ON A
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DEAD MAN TO A VIPER, WHO
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ARGUABLY HAS ONE OF THE MOST
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CAPTIVATING, AWESOME, AND VIRAL
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FINISHING MANEUVERS IN WWE
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HISTORY.
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IT ALWAYS SEEMS TO COME OUT OF
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NOWHERE.
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>> RANDY, AN RKO.
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RANDY ORTON WITH AN RKO OUT OF
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NOWHERE.
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>> IS THERE ANYTHING BETTER THAN
266
00:07:57,110 --> 00:07:59,245
AN RKO OUT OF NOWHERE?
267
00:07:59,279 --> 00:08:00,613
[MUSIC] >> OH, RANDY ORTON WITH
268
00:08:00,647 --> 00:08:01,381
AN RKO.
269
00:08:01,414 --> 00:08:02,482
>> BEAUTIFUL.
270
00:08:02,515 --> 00:08:04,017
>> OUT OF NOWHERE.
271
00:08:04,017 --> 00:08:05,085
>> THE RKO IS DEFINITELY ONE OF
272
00:08:05,118 --> 00:08:06,486
THE BEST FINISHES IN THE
273
00:08:06,519 --> 00:08:08,288
BUSINESS.
274
00:08:08,321 --> 00:08:09,122
>> HE CAUGHT HIM WITH AN RKO IN
275
00:08:09,155 --> 00:08:10,623
MID-AIR.
276
00:08:10,657 --> 00:08:12,525
>> RANDY ORTON, AN RKO.
277
00:08:12,559 --> 00:08:14,728
>> I WOULD SAY MY FAVORITE
278
00:08:14,761 --> 00:08:16,062
FINISHING MOVE IT'S GOT TO BE
279
00:08:16,096 --> 00:08:17,197
THE RKO, RIGHT?
280
00:08:17,230 --> 00:08:18,264
I MEAN, WHATEVER YOU WANT TO
281
00:08:18,298 --> 00:08:19,933
CALL IT, THE DIAMOND CUTTER, THE
282
00:08:20,033 --> 00:08:21,167
ACE CUTTER.
283
00:08:21,201 --> 00:08:22,268
>> OH, HE GOT THE CUTTER.
284
00:08:22,302 --> 00:08:23,703
>> HE GOT THE DIAMOND CUTTER AND
285
00:08:23,737 --> 00:08:25,638
THE PLACE EXPLODES.
286
00:08:25,672 --> 00:08:27,040
>> THE DIAMOND CUTTER WAS
287
00:08:27,040 --> 00:08:28,908
ORIGINALLY JOHNNY ACE'S "ACE
288
00:08:28,942 --> 00:08:30,610
CRUSHER".
289
00:08:30,643 --> 00:08:32,445
I TOOK THAT, BUT WHAT REALLY
290
00:08:32,479 --> 00:08:34,280
MADE THE DIAMOND CUTTER ITS OWN
291
00:08:34,314 --> 00:08:36,916
THAT NOBODY WAS DOING WAS
292
00:08:36,950 --> 00:08:39,386
CATCHING IT OUT OF NOWHERE.
293
00:08:39,419 --> 00:08:40,587
>> THAT'S WHAT IS SO UNIQUE
294
00:08:40,620 --> 00:08:41,855
ABOUT THAT MOVE.
295
00:08:41,888 --> 00:08:43,223
OUT OF ANYWHERE, HE CAN PUT IT
296
00:08:43,256 --> 00:08:45,058
ON.
297
00:08:45,058 --> 00:08:46,059
>> THEN RANDY KICKED IT UP A
298
00:08:46,059 --> 00:08:48,428
NOTCH, AND THEN FOR THE LAST 20
299
00:08:48,461 --> 00:08:50,130
YEARS, I THINK THE RKO HAS TAKEN
300
00:08:50,163 --> 00:08:51,965
ON A LIFE OF ITSELF.
301
00:08:52,065 --> 00:08:53,533
>> INTO AN RKO.
302
00:08:53,566 --> 00:08:54,801
WHAT A COUNTER.
303
00:08:54,834 --> 00:08:55,969
>> I THINK THE MAGIC OF THE RKO
304
00:08:56,069 --> 00:08:57,804
IS THAT IT'S FINAL.
305
00:08:57,837 --> 00:08:59,072
NO ONE IS SAFE.
306
00:08:59,072 --> 00:09:01,007
>> AN RKO IN MID-AIR.
307
00:09:01,041 --> 00:09:02,742
>> I DON'T THINK THERE'S ANY
308
00:09:02,776 --> 00:09:03,877
FINISHING MANEUVER THAT'S MORE
309
00:09:03,910 --> 00:09:06,012
FUN THAN THE RKO.
310
00:09:06,012 --> 00:09:07,213
THE WAY HE COILS UP.
311
00:09:07,247 --> 00:09:08,748
>> RANDY ORTON ABOUT TO GO TO
312
00:09:08,782 --> 00:09:10,283
THAT PLACE.
313
00:09:10,316 --> 00:09:11,618
>> THE VIPER IS COILED AND READY
314
00:09:11,651 --> 00:09:14,087
TO STRIKE.
315
00:09:14,120 --> 00:09:15,188
>> YOU CAN HEAR THE CROWD STAND
316
00:09:15,221 --> 00:09:16,189
UP AND START APPLAUDING AND
317
00:09:16,222 --> 00:09:22,195
GETTING READY, AND ONCE IT'S HIT
318
00:09:22,228 --> 00:09:23,129
IT BLOWS THE ROOF OFF THE PLACE
319
00:09:23,163 --> 00:09:24,364
EVERY TIME.
320
00:09:24,397 --> 00:09:25,432
>> RANDY WILL SET IT UP
321
00:09:25,465 --> 00:09:27,734
SOMETIMES, BUT MOST TIMES THE
322
00:09:27,767 --> 00:09:29,235
RKO COMES OUT OF NOWHERE.
323
00:09:29,269 --> 00:09:30,937
>> THE VIPER STRIKES.
324
00:09:31,037 --> 00:09:32,105
>> I'VE SEEN RANDY ORTON CATCH
325
00:09:32,138 --> 00:09:33,440
PEOPLE COMING OFF THE TOP ROPE,
326
00:09:33,473 --> 00:09:36,776
SPRINGBOARDING INTO IT OR ONTO
327
00:09:36,810 --> 00:09:40,213
THE HOODS OF CARS.
328
00:09:40,246 --> 00:09:41,147
SHOOTING STAR PRESS.
329
00:09:41,181 --> 00:09:43,216
>> OH, DID HE DO IT?
330
00:09:43,249 --> 00:09:44,384
DID HE GET HIM?
331
00:09:44,417 --> 00:09:46,086
OH, MY GOD.
332
00:09:46,119 --> 00:09:49,923
>> RANDY ORTON SLITHERING--
333
00:09:49,956 --> 00:09:50,957
WATCH OUT.
334
00:09:51,057 --> 00:09:51,825
WATCH OUT.
335
00:09:51,858 --> 00:09:52,792
WATCH OUT.
336
00:09:52,826 --> 00:09:53,526
RKO.
337
00:09:53,560 --> 00:09:54,494
>> I FEEL LIKE THE RKO HAS
338
00:09:54,527 --> 00:09:55,428
BECOME A SOCIAL MEDIA
339
00:09:55,462 --> 00:09:56,363
PHENOMENON.
340
00:09:56,396 --> 00:09:57,397
OBVIOUSLY, THE INFAMOUS VIDEO OF
341
00:09:57,430 --> 00:09:58,398
HIS WIFE, RANDY'S WIFE GIVING IT
342
00:09:58,431 --> 00:09:59,466
TO HIM ON THE BEACH.
343
00:09:59,499 --> 00:10:00,867
>> I THINK THE RKO TRANSCENDS
344
00:10:00,900 --> 00:10:02,769
BEYOND WWE.
345
00:10:02,802 --> 00:10:04,371
THEN IT BECAME A MEME, IT BECAME
346
00:10:04,404 --> 00:10:06,072
VIRAL.
347
00:10:06,106 --> 00:10:08,675
>> OH, MAN.
348
00:10:08,708 --> 00:10:12,979
>> OH, RKO.
349
00:10:13,013 --> 00:10:14,014
>> OH, NO.
350
00:10:14,047 --> 00:10:15,148
OUT OF NOWHERE.
351
00:10:15,181 --> 00:10:16,249
>> IT IS HILARIOUS LIKE PEOPLE
352
00:10:16,282 --> 00:10:17,417
ARE SO CREATIVE WITH MEMES AND
353
00:10:17,450 --> 00:10:18,485
GIFS.
354
00:10:18,518 --> 00:10:19,486
THAT'S WHAT I LOVE ABOUT THE
355
00:10:19,519 --> 00:10:20,653
RKO.
356
00:10:20,687 --> 00:10:21,855
>> IT JUST GOES TO SHOW YOU THE
357
00:10:21,888 --> 00:10:23,923
POWER THAT WRESTLING HAS.
358
00:10:23,957 --> 00:10:24,991
IT LEAPS INTO ALL DIFFERENT
359
00:10:25,025 --> 00:10:26,459
WORLDS, NOT JUST OUR OWN.
360
00:10:26,493 --> 00:10:27,961
>> IT'S HARD TO DISPUTE THE
361
00:10:27,994 --> 00:10:30,196
POPULARITY OF THE RKO AND THE
362
00:10:30,230 --> 00:10:31,664
HUGE ROLE IT PLAYED IN RANDY
363
00:10:31,698 --> 00:10:33,600
ORTON'S LEGENDARY CAREER.
364
00:10:33,633 --> 00:10:35,101
>> HE JUST LOOKS LIKE A STAR.
365
00:10:35,135 --> 00:10:36,069
YOU JUST KNOW YOU'RE IN THE
366
00:10:36,102 --> 00:10:38,171
PRESENCE OF GREATNESS.
367
00:10:38,204 --> 00:10:39,572
>> THAT'S WHAT MAKES THE RKO
368
00:10:39,606 --> 00:10:42,008
SUCH A SPECIAL MOVE IS THAT YOU
369
00:10:42,042 --> 00:10:43,943
CAN GO THROUGH HIGHLIGHT REELS
370
00:10:43,977 --> 00:10:45,512
AND SEE AMAZING TIMES THE RKO
371
00:10:45,545 --> 00:10:47,113
HAS BEEN PULLED OFF.
372
00:10:47,147 --> 00:10:49,115
WHEN SETH IS ABOUT TO HIT THAT
373
00:10:49,149 --> 00:10:51,818
STOMP AND RANDY ORTON POPS UP,
374
00:10:51,851 --> 00:10:53,286
RKO OUT OF NOWHERE IN MID-AIR,
375
00:10:53,319 --> 00:10:54,421
THAT'S AWESOME.
376
00:10:54,454 --> 00:10:55,789
WHEN CHAD GABLE IS GOING FOR A
377
00:10:55,822 --> 00:10:57,490
MOONSAULT, RANDY ORTON POPS UP,
378
00:10:57,524 --> 00:11:02,429
RKO OUT OF NOWHERE-
379
00:11:02,462 --> 00:11:03,530
>> RKO THE
380
00:11:03,563 --> 00:11:04,397
WAY DOWN.
381
00:11:04,431 --> 00:11:05,298
>> -THAT'S AWESOME.
382
00:11:05,331 --> 00:11:06,266
I DON'T CARE WHO YOU ARE.
383
00:11:06,299 --> 00:11:08,068
THAT'S AWESOME.
384
00:11:08,068 --> 00:11:12,339
[MUSIC]
385
00:11:12,372 --> 00:11:13,306
>> COULDN'T AGREE MORE,
386
00:11:13,340 --> 00:11:14,307
SAM.
387
00:11:14,341 --> 00:11:15,408
I MEAN, WE DO CALL THIS SHOWS
388
00:11:15,442 --> 00:11:17,177
THIS IS AWESOME, AND MORE
389
00:11:17,210 --> 00:11:18,578
AWESOMENESS AWAITS, COURTESY OF
390
00:11:18,611 --> 00:11:20,180
THE MOST INTENSE IN QUITE
391
00:11:20,213 --> 00:11:22,082
MANIACAL TANDEMS IN SPORTS
392
00:11:22,082 --> 00:11:23,216
ENTERTAINMENT HISTORY.
393
00:11:23,249 --> 00:11:30,557
GET READY FOR A RUSH.
394
00:11:30,590 --> 00:11:32,692
>> WE'RE COMING AFTER YOU.
395
00:11:32,726 --> 00:11:35,128
>> DOOMSDAY DEVICE.
396
00:11:35,161 --> 00:11:36,563
>> BOY, LET'S TALK ABOUT THE
397
00:11:36,596 --> 00:11:40,367
DOOMSDAY DEVICE.
398
00:11:40,400 --> 00:11:41,301
>> NOT TOO PLEASANT OF AN
399
00:11:41,334 --> 00:11:42,235
EXPERIENCE.
400
00:11:42,268 --> 00:11:50,777
ALL RIGHT.
401
00:11:50,810 --> 00:11:51,778
>> OUCH.
402
00:11:51,811 --> 00:11:52,579
[MUSIC]
403
00:11:52,612 --> 00:11:53,646
>> DOOM IS WHAT YOU'RE
404
00:11:53,680 --> 00:11:54,514
GOING TO RECEIVE AT THE HANDS OF
405
00:11:54,547 --> 00:11:55,582
THE LOD.
406
00:11:55,615 --> 00:11:56,549
>> LEGION OF DOOM, THE ROAD
407
00:11:56,583 --> 00:11:57,617
WARRIORS, WHATEVER YOU WANT TO
408
00:11:57,650 --> 00:11:58,618
CALL THEM.
409
00:11:58,651 --> 00:11:59,586
THEY WERE THE MOST POPULAR TAG
410
00:11:59,619 --> 00:12:01,187
TEAM OF ALL TIME.
411
00:12:01,221 --> 00:12:02,455
>> SYNONYMOUS WITH POWER AND
412
00:12:02,489 --> 00:12:03,656
STRENGTH.
413
00:12:03,690 --> 00:12:04,791
>> LARGER THAN LIFE, VISUALLY,
414
00:12:04,824 --> 00:12:06,726
THE BIG SPIKES ON THEIR
415
00:12:06,760 --> 00:12:08,061
SHOULDERS WITH THE SHOULDER PADS
416
00:12:08,061 --> 00:12:10,330
AND THE FACE PAINT.
417
00:12:10,363 --> 00:12:11,331
>> NOT JUST BIG GUYS, MAN, WE'RE
418
00:12:11,364 --> 00:12:13,767
TALKING ATHLETIC GUYS MOVING
419
00:12:13,800 --> 00:12:15,769
LIKE GUYS HALF THEIR SIZE.
420
00:12:15,802 --> 00:12:17,570
>> THESE TWO ARE DOUBLE
421
00:12:17,604 --> 00:12:19,739
DANGEROUS AT ALL TIMES.
422
00:12:19,773 --> 00:12:21,241
>> A LOT OF PEOPLE WERE SCARED
423
00:12:21,274 --> 00:12:22,642
OF THE ROAD WARRIORS.
424
00:12:22,676 --> 00:12:23,777
IT WASN'T TOO MUCH A TECHNICAL
425
00:12:23,810 --> 00:12:25,712
WRESTLING, BUT BRAWLING IT FIT.
426
00:12:25,745 --> 00:12:26,980
>> DOOMSDAY DEVICE.
427
00:12:27,080 --> 00:12:28,081
>> THEY'RE THE GREATEST TAG TEAM
428
00:12:28,081 --> 00:12:29,282
OF ALL TIME.
429
00:12:29,315 --> 00:12:30,684
THE DOOMSDAY DEVICE PROBABLY THE
430
00:12:30,717 --> 00:12:32,285
GREATEST FINISH OF ALL TIME.
431
00:12:32,318 --> 00:12:34,220
>> FREE RIDE COMING UP.
432
00:12:34,254 --> 00:12:36,389
>> NOT A FUN RIDE.
433
00:12:36,423 --> 00:12:37,590
>> I AM ALWAYS AMAZED BY THE
434
00:12:37,624 --> 00:12:39,192
INDIVIDUALS WHO GATHER ENOUGH
435
00:12:39,225 --> 00:12:40,760
COURAGE TOGETHER TO DARE TO STEP
436
00:12:40,794 --> 00:12:42,095
INTO THE RING WITH THE LEGION OF
437
00:12:42,095 --> 00:12:43,563
DOOM.
438
00:12:43,596 --> 00:12:44,664
>> OH, THE DOOMSDAY DEVICE WAS
439
00:12:44,698 --> 00:12:46,166
SO TERRIFYING.
440
00:12:46,199 --> 00:12:47,334
>> OH, NO.
441
00:12:47,367 --> 00:12:49,269
>> OH, MY.
442
00:12:49,302 --> 00:12:51,538
>> HERE'S 280, 300-POUND
443
00:12:51,571 --> 00:12:53,340
MUSCLE-BOUND FREAKS WHO ALSO
444
00:12:53,373 --> 00:12:54,974
WERE THE MOST INTENSE LEGIT
445
00:12:55,008 --> 00:12:56,910
BADASSES.
446
00:12:56,943 --> 00:12:57,777
>> Y'ALL WERE A LITTLE
447
00:12:57,811 --> 00:13:00,547
DIFFERENT, JUST A LITTLE.
448
00:13:00,580 --> 00:13:01,614
>> JUST SOMETHING ABOUT IT.
449
00:13:01,648 --> 00:13:02,816
WHETHER IT'S THE FACT THAT
450
00:13:02,849 --> 00:13:04,084
ANIMAL IS JUST ABLE TO HOIST YOU
451
00:13:04,117 --> 00:13:05,118
UP ON HIS SHOULDERS LIKE
452
00:13:05,151 --> 00:13:06,252
NOTHING.
453
00:13:06,286 --> 00:13:07,153
>> CAN HE GET HIM UP?
454
00:13:07,187 --> 00:13:08,455
HE GOT HIM, WHAT STRENGTH.
455
00:13:08,488 --> 00:13:09,622
>> IT MUST HAVE BEEN SO MUCH
456
00:13:09,656 --> 00:13:10,890
SCARIER WHEN IT WAS HAWK FLYING
457
00:13:10,924 --> 00:13:12,092
AT YOU.
458
00:13:12,125 --> 00:13:13,393
>> WHOA, WHAT A MOVE.
459
00:13:13,426 --> 00:13:14,561
>> LOOKS DISORIENTING AND
460
00:13:14,594 --> 00:13:15,795
PAINFUL.
461
00:13:15,829 --> 00:13:16,830
>> YOU DON'T KNOW WHERE YOU'RE
462
00:13:16,863 --> 00:13:17,831
GOING, YOU DON'T KNOW WHAT'S
463
00:13:17,864 --> 00:13:18,865
GOING TO HAPPEN, YOU DON'T KNOW
464
00:13:18,898 --> 00:13:19,899
WHAT'S GOING TO HIT THE GROUND
465
00:13:19,933 --> 00:13:21,067
FIRST.
466
00:13:21,101 --> 00:13:22,068
>> YOU'RE A BIT DEFENSELESS.
467
00:13:22,068 --> 00:13:23,069
ONE PUTS YOU UP ON HER
468
00:13:23,069 --> 00:13:23,970
SHOULDERS, THE OTHERS COME OFF
469
00:13:24,070 --> 00:13:25,472
THE TOP ROPE.
470
00:13:25,505 --> 00:13:26,606
>> ANIMAL SAYS ELEVATOR UP.
471
00:13:26,639 --> 00:13:27,640
>> THIS IS NOT WHERE YOU WANT TO
472
00:13:27,674 --> 00:13:28,641
BE.
473
00:13:28,675 --> 00:13:29,609
>> ELEVATOR DOWN.
474
00:13:29,642 --> 00:13:30,510
OH.
475
00:13:30,543 --> 00:13:31,444
>> WHOA, WHOA, WHOA, LET'S JUST
476
00:13:31,478 --> 00:13:32,679
STOP FOR A SECOND BECAUSE
477
00:13:32,712 --> 00:13:34,547
THEY'RE REALLY NOT DOING IT
478
00:13:34,581 --> 00:13:35,849
JUSTICE, THE DOOMSDAY DEVICE.
479
00:13:35,882 --> 00:13:36,916
IT ISN'T ABOUT WINNING THE
480
00:13:36,950 --> 00:13:38,151
MATCH, IT IS ABOUT DESTROYING
481
00:13:38,184 --> 00:13:39,219
YOUR OPPONENT.
482
00:13:39,252 --> 00:13:40,286
LOOK AT THE PEOPLE IN THIS
483
00:13:40,320 --> 00:13:41,488
VIDEO.
484
00:13:41,521 --> 00:13:42,455
DID YOU EVER SEE THEM WRESTLE
485
00:13:42,489 --> 00:13:43,690
AGAIN?
486
00:13:43,723 --> 00:13:45,258
NO, BECAUSE THEY WERE TOO
487
00:13:45,291 --> 00:13:46,860
TERRIFIED TO STEP BACK IN THE
488
00:13:46,893 --> 00:13:47,627
RING.
489
00:13:47,660 --> 00:13:48,628
IF THIS IS THIS PART OF THIS IS
490
00:13:48,661 --> 00:13:49,529
AWESOME, WHAT OTHER MOVES DO WE
491
00:13:49,562 --> 00:13:50,363
HAVE?
492
00:13:50,397 --> 00:13:51,231
WHY IS THE DOOMSDAY DEVICE HERE
493
00:13:51,264 --> 00:13:52,132
RIGHT NOW?
494
00:13:52,165 --> 00:13:53,099
>> WELL.
495
00:13:53,133 --> 00:13:54,434
>> PERHAPS THE MOST AWESOME
496
00:13:54,467 --> 00:13:55,702
PHYSICAL COMBINATION TAG TEAM
497
00:13:55,735 --> 00:13:58,104
WRESTLING HAS EVER KNOWN.
498
00:13:58,104 --> 00:13:59,439
>> WHEN YOU SEE GUYS THAT SIZE
499
00:13:59,472 --> 00:14:00,807
DOING THINGS LIKE THAT, THAT'S
500
00:14:00,840 --> 00:14:01,941
GOING TO HURT.
501
00:14:02,042 --> 00:14:03,610
>> YOU SEE THEM FORCEFULLY MAKE
502
00:14:03,643 --> 00:14:05,078
GUYS DO BACKFLIPS WITH THIS,
503
00:14:05,111 --> 00:14:06,346
IT'S LIKE THE DEFINITION OF A
504
00:14:06,379 --> 00:14:07,947
FINISHER.
505
00:14:08,048 --> 00:14:08,882
>> IT'S ONE OF THOSE WHEN IT
506
00:14:08,915 --> 00:14:11,051
TAKES PLACE, WE'RE LIKE, "OH."
507
00:14:11,051 --> 00:14:12,052
>> THE BEGINNING OF THE END
508
00:14:12,052 --> 00:14:14,554
RIGHT THERE, BRAIN.
509
00:14:14,587 --> 00:14:16,189
>> YOU CAN JUST HEAR IT OVER THE
510
00:14:16,222 --> 00:14:17,457
CROWD BECAUSE THEY KNOW THAT'S
511
00:14:17,490 --> 00:14:18,858
THE END.
512
00:14:18,892 --> 00:14:21,161
>> EVERYBODY'S GOING TO GET
513
00:14:21,194 --> 00:14:22,362
SQUISHED LIKE PEAS.
514
00:14:22,395 --> 00:14:24,164
>> THAT'S RIGHT.
515
00:14:24,197 --> 00:14:25,398
>> GET USED TO IT.
516
00:14:25,432 --> 00:14:26,599
>> BEAT PEOPLE UP LOOKING LIKE
517
00:14:26,633 --> 00:14:27,701
THAT AND GET THEIR BUSINESS DONE
518
00:14:27,734 --> 00:14:29,069
AND LEAVE.
519
00:14:29,069 --> 00:14:30,904
>> AWESOME DEVASTATION.
520
00:14:30,937 --> 00:14:32,172
>> THE POPULARITY WAS THROUGH
521
00:14:32,205 --> 00:14:33,406
THE ROOF.
522
00:14:33,440 --> 00:14:35,275
>> 360 IN MID-AIR.
523
00:14:35,308 --> 00:14:37,344
>> PEOPLE ARE GOING NUTS.
524
00:14:37,377 --> 00:14:38,645
>> OH, MAN, WHAT A MOVE.
525
00:14:38,678 --> 00:14:40,447
>> WHOA, THAT'S GOOD.
526
00:14:40,480 --> 00:14:41,781
THAT IS GOOD.
527
00:14:41,815 --> 00:14:42,749
>> YES, THE DOOMSDAY DEVICE IS
528
00:14:42,782 --> 00:14:43,817
DEFINITELY UP THERE WHEN WE TALK
529
00:14:43,850 --> 00:14:44,918
ABOUT FINISHING MOVES,
530
00:14:44,951 --> 00:14:45,919
ESPECIALLY TAG TEAM FINISHING
531
00:14:45,952 --> 00:14:46,386
MOVES.
532
00:14:46,419 --> 00:14:53,626
>> WHAT A RUSH.
533
00:14:53,660 --> 00:14:55,428
>> AS THEY SAY, WHAT GOES UP
534
00:14:55,462 --> 00:14:57,864
MUST COME DOWN.
535
00:14:57,897 --> 00:14:59,499
THAT WAS ESPECIALLY TRUE WITH
536
00:14:59,532 --> 00:15:00,700
THE DOOMSDAY DEVICE, AND THIS
537
00:15:00,734 --> 00:15:03,036
NEXT DEVASTATING FINISHING
538
00:15:03,036 --> 00:15:04,804
MANEUVER APPROPRIATELY NAMED
539
00:15:04,838 --> 00:15:06,873
AFTER THE MOST FEARSOME TORNADO
540
00:15:06,906 --> 00:15:11,211
IN EXISTENCE.
541
00:15:11,244 --> 00:15:12,178
>> LOOK AT THIS.
542
00:15:12,212 --> 00:15:13,279
THIS IS SCARY.
543
00:15:13,313 --> 00:15:15,348
>> OH, MAN.
544
00:15:15,382 --> 00:15:16,950
[MUSIC] >> FOR THOSE WHO DON'T
545
00:15:17,050 --> 00:15:18,251
KNOW BROCK LESNAR, HE IS AN
546
00:15:18,284 --> 00:15:21,121
ATHLETIC FREAK OF NATURE.
547
00:15:21,154 --> 00:15:23,189
>> THE ALPHA MALE OF OUR
548
00:15:23,223 --> 00:15:26,226
SPECIES.
549
00:15:26,259 --> 00:15:27,460
>> THE F5, HE PICKS YOU UP ON
550
00:15:27,494 --> 00:15:28,962
HIS SHOULDERS.
551
00:15:29,062 --> 00:15:30,130
>> IT LOOKS LIKE YOU JUST HUNTED
552
00:15:30,163 --> 00:15:31,498
A DEER, AND INSTEAD OF GETTING A
553
00:15:31,531 --> 00:15:33,066
TRUCK TO THROW IT IN THE BACKUP,
554
00:15:33,066 --> 00:15:34,334
YOU JUST DECIDED TO PUT THE
555
00:15:34,367 --> 00:15:36,269
CARCASS ON YOUR SHOULDER.
556
00:15:36,302 --> 00:15:38,138
>> STARTS PRESSING YOU, WHICH IS
557
00:15:38,171 --> 00:15:39,305
VERY EASY FOR HIM.
558
00:15:39,339 --> 00:15:40,573
>> HE'S POPPING YOU UP HIGHER
559
00:15:40,607 --> 00:15:42,242
INTO THE AIR.
560
00:15:42,275 --> 00:15:43,910
>> FLIP THEM AROUND THE AIR
561
00:15:43,943 --> 00:15:46,212
WHERE HE'S LIKE A PROPELLER.
562
00:15:46,246 --> 00:15:47,881
>> SLAMS YOU DOWN IN THE MAT.
563
00:15:47,914 --> 00:15:49,683
>> THE F5 CONNECTS.
564
00:15:49,716 --> 00:15:50,750
>> WHY HIT HIM WITH A FIST WHEN
565
00:15:50,784 --> 00:15:53,086
YOU CAN HIT HIM WITH A PLANET?
566
00:15:53,086 --> 00:15:57,223
THAT'S THE F5.
567
00:15:57,257 --> 00:15:58,258
>> IT'S KIND OF SYNONYMOUS WITH
568
00:15:58,291 --> 00:15:59,392
THE FACT THAT BROCK LESNAR IS A
569
00:15:59,426 --> 00:16:00,326
FORCE OF NATURE.
570
00:16:00,360 --> 00:16:01,628
BROCK'S AN F5 TORNADO.
571
00:16:01,661 --> 00:16:04,030
>> HE'S 6'3", HE'S 295 POUNDS.
572
00:16:04,064 --> 00:16:06,900
HE IS LEGITIMATELY THE BADDEST
573
00:16:06,933 --> 00:16:09,202
DUDE ON THE PLANET.
574
00:16:09,235 --> 00:16:15,175
>> F5, AN F5.
575
00:16:15,208 --> 00:16:16,176
>> I'VE SEEN HIM HIT IT ON SO
576
00:16:16,209 --> 00:16:17,177
MANY DIFFERENT OPPONENTS OF
577
00:16:17,210 --> 00:16:18,545
VARYING SIZES, AND PEOPLE GO
578
00:16:18,578 --> 00:16:21,448
FLYING.
579
00:16:21,481 --> 00:16:22,382
>> I REMEMBER WATCHING HIM DO IT
580
00:16:22,415 --> 00:16:23,450
TO THE BIG SHOW ONCE AND I WAS
581
00:16:23,483 --> 00:16:25,552
JUST LIKE, "HOW?"
582
00:16:25,585 --> 00:16:26,553
>> MY GOD.
583
00:16:26,586 --> 00:16:27,387
>> NO WAY.
584
00:16:27,420 --> 00:16:28,388
NO WAY.
585
00:16:28,421 --> 00:16:29,622
F5.
586
00:16:29,656 --> 00:16:32,258
>> BROCK LESNAR HAS F5'D 500
587
00:16:32,292 --> 00:16:34,060
POUNDS.
588
00:16:34,060 --> 00:16:35,428
>> THE F5 AT BY THE ELIMINATION
589
00:16:35,462 --> 00:16:37,464
CHAMBER, I WAS CRAPPING MY
590
00:16:37,497 --> 00:16:39,532
PANTS.
591
00:16:39,566 --> 00:16:40,834
>> OH, MY GOD.
592
00:16:40,867 --> 00:16:41,835
>> NO.
593
00:16:41,868 --> 00:16:42,602
NO.
594
00:16:42,635 --> 00:16:43,536
BROCK.
595
00:16:43,570 --> 00:16:44,371
BROCK.
596
00:16:44,404 --> 00:16:45,338
PLEASE.
597
00:16:45,372 --> 00:16:46,473
>> NOT UP THERE.
598
00:16:46,506 --> 00:16:47,474
NOT UP THERE, BROCK.
599
00:16:47,507 --> 00:16:48,608
>> BROCK, PLEASE.
600
00:16:48,641 --> 00:16:49,509
OH.
601
00:16:49,542 --> 00:16:50,677
>> OH, MY GOD.
602
00:16:50,710 --> 00:16:51,578
F5.
603
00:16:51,611 --> 00:16:52,479
>> OH, MY GOD.
604
00:16:52,512 --> 00:16:53,413
>> F5 OFF THE CHAMBER.
605
00:16:53,446 --> 00:16:54,447
[MUSIC] >> HE DID F5 A SHARK
606
00:16:54,481 --> 00:16:55,482
ONCE.
607
00:16:55,515 --> 00:16:56,983
YOU KNOW WHAT?
608
00:16:57,083 --> 00:16:57,851
THE SHARK NEVER ASKED FOR A
609
00:16:57,884 --> 00:16:58,718
REMATCH.
610
00:16:58,752 --> 00:16:59,886
>> YOU CAN'T SURVIVE THE
611
00:16:59,919 --> 00:17:00,754
ONSLAUGHT.
612
00:17:00,787 --> 00:17:04,224
YOU CAN'T SURVIVE THE F5.
613
00:17:04,257 --> 00:17:05,258
>> IT'S A REALLY IMPACTFUL AND
614
00:17:05,291 --> 00:17:07,827
VISUALLY EXCITING MOVE.
615
00:17:07,861 --> 00:17:09,596
WHEN BROCK'S THE ONE WHO DOES,
616
00:17:09,629 --> 00:17:10,597
IT BRINGS A WHOLE OTHER LEVEL TO
617
00:17:10,630 --> 00:17:12,665
IT.
618
00:17:12,699 --> 00:17:13,667
>> THE F5, BROCK LESNAR,
619
00:17:13,700 --> 00:17:15,902
UNTOUCHABLE.
620
00:17:15,935 --> 00:17:17,671
>> IT DOESN'T FEEL GOOD.
621
00:17:17,704 --> 00:17:20,273
>> HE IS INDEED THE BEAST
622
00:17:20,306 --> 00:17:21,541
INCARNATE.
623
00:17:21,574 --> 00:17:22,609
>> DON'T GET F5'D WITH BROCK
624
00:17:22,642 --> 00:17:23,743
LESNAR.
625
00:17:23,777 --> 00:17:24,744
>> OH, NO.
626
00:17:24,778 --> 00:17:25,879
OH, NO.
627
00:17:25,912 --> 00:17:26,680
OH, NO.
628
00:17:26,713 --> 00:17:27,614
AN F5 THROUGH THE TABLE BY
629
00:17:27,647 --> 00:17:28,581
LESNAR.
630
00:17:28,615 --> 00:17:29,749
>> BROCK LESNAR IS AN ABSOLUTE
631
00:17:29,783 --> 00:17:36,322
ASS-KICKING MACHINE.
632
00:17:36,356 --> 00:17:37,390
>> WHEW.
633
00:17:37,424 --> 00:17:39,526
I NEVER WANT TO EXPERIENCE THAT.
634
00:17:39,559 --> 00:17:41,561
AFTER MY BRUSH WITH BROCK'S
635
00:17:41,594 --> 00:17:43,129
WRATH AT THE 2018 SURVIVOR
636
00:17:43,163 --> 00:17:44,497
SERIES.
637
00:17:44,531 --> 00:17:47,200
>> SHUT UP.
638
00:17:47,233 --> 00:17:51,438
[LAUGHS]
639
00:17:51,471 --> 00:17:52,172
>> I REALLY HAVE TO
640
00:17:52,205 --> 00:17:53,139
RETHINK MY APPROACH TO THE BEAST
641
00:17:53,173 --> 00:17:54,240
INCARNATE.
642
00:17:54,274 --> 00:17:57,110
PURE BRUTALITY ON DISPLAY.
643
00:17:57,143 --> 00:17:58,645
WHEN IT COMES TO SHEER SUDDEN
644
00:17:58,678 --> 00:18:00,347
IMPACT AND TRAUMA, THERE IS
645
00:18:00,380 --> 00:18:01,848
PROBABLY NO MORE EFFECTIVE MOVE
646
00:18:01,881 --> 00:18:08,021
IN THE ARSENAL THAN THE SPEAR.
647
00:18:08,021 --> 00:18:10,023
>> HE'S HEADING FOR THAT TABLE.
648
00:18:10,023 --> 00:18:14,027
[MUSIC]
649
00:18:14,027 --> 00:18:15,128
>> I WOULD SAY THE SPEAR
650
00:18:15,161 --> 00:18:16,029
IS THE MOST EXPLOSIVE FINISHING
651
00:18:16,062 --> 00:18:19,099
MOVE OUT OF ALL OF THEM.
652
00:18:19,132 --> 00:18:21,468
>> QUICK, EASY, SIMPLE.
653
00:18:21,501 --> 00:18:22,502
>> IT'S NOT A WONDER LIKE, "OH,
654
00:18:22,535 --> 00:18:24,237
HOW DOES A SPEAR WORK?"
655
00:18:24,270 --> 00:18:25,805
YOU MAKE YOUR BODY INTO A SPEAR,
656
00:18:25,839 --> 00:18:27,307
AND YOU DESTROY YOUR OPPONENT.
657
00:18:27,340 --> 00:18:28,742
I GET IT.
658
00:18:28,775 --> 00:18:35,048
>> SPEAR, SPEAR, SPEAR.
659
00:18:35,081 --> 00:18:37,717
>> YOU CAN HIT IT ON ANYBODY.
660
00:18:37,751 --> 00:18:38,551
>> YOU JUST DON'T KNOW WHEN A
661
00:18:38,585 --> 00:18:39,686
SPEAR IS GOING TO COME OUT OF
662
00:18:39,719 --> 00:18:45,091
NOWHERE.
663
00:18:45,125 --> 00:18:46,226
>> I'VE TAKEN THE SPEAR FROM A
664
00:18:46,259 --> 00:18:47,560
FEW PEOPLE, BUT OF ALL THE
665
00:18:47,594 --> 00:18:49,129
SPEARS I'VE TAKEN, NO ONE HITS
666
00:18:49,162 --> 00:18:53,600
LIKE GOLDBERG.
667
00:18:53,633 --> 00:18:54,668
>> HE'S A FOOTBALL PLAYER, SO
668
00:18:54,701 --> 00:18:55,835
IT'S A NATURAL INSTINCT THING
669
00:18:55,869 --> 00:18:58,605
FOR HIM.
670
00:18:58,638 --> 00:18:59,673
>> HE'LL DRIVE THE BREATH RIGHT
671
00:18:59,706 --> 00:19:01,408
OUT OF YOU, AND YOU'LL REMEMBER
672
00:19:01,441 --> 00:19:03,009
IT THE NEXT MORNING.
673
00:19:03,043 --> 00:19:04,144
>> OOH.
674
00:19:04,177 --> 00:19:05,111
>> OH, THE SPEAR.
675
00:19:05,145 --> 00:19:06,713
>> IT'S LIKE A TRAIN IS HITTING
676
00:19:06,746 --> 00:19:07,847
YOU AND YOU KNOW IT'S COMING,
677
00:19:07,881 --> 00:19:09,616
AND YOU KNOW YOU CAN'T STOP IT.
678
00:19:09,649 --> 00:19:10,817
>> I WAS HURTING BAD, BUT I
679
00:19:10,850 --> 00:19:12,852
STILL WANTED TO TALK SOME TRASH.
680
00:19:12,886 --> 00:19:14,020
THAT WAS LIKE GETTING HIT BY A
681
00:19:14,054 --> 00:19:15,789
LITTLE BABY.
682
00:19:15,822 --> 00:19:17,190
YOU SEE THIS TWITCH IN HIS EYE.
683
00:19:17,223 --> 00:19:19,025
HE GOES.
684
00:19:19,059 --> 00:19:20,226
>> GOLDBERG AIN'T PLAYING
685
00:19:20,260 --> 00:19:22,028
TONIGHT.
686
00:19:22,062 --> 00:19:25,498
[CROWD CHEERS] >> SPEAR.
687
00:19:25,532 --> 00:19:28,568
TURNED ZIGGLER INSIDE OUT.
688
00:19:28,601 --> 00:19:30,036
>> EDGE IS NOT AS BIG AS
689
00:19:30,036 --> 00:19:31,705
GOLDBERG, BUT HE'S MUCH MORE
690
00:19:31,738 --> 00:19:33,306
AERODYNAMIC.
691
00:19:33,340 --> 00:19:36,109
HE'S GOT MUCH MORE SPEED.
692
00:19:36,142 --> 00:19:37,277
>> THE BUILD-UP TO WHAT
693
00:19:37,310 --> 00:19:38,645
"RATED-R" EDGE USE TO DO, I USED
694
00:19:38,678 --> 00:19:40,080
TO HAVE HAIR.
695
00:19:40,113 --> 00:19:41,114
WHEN HE PULLED HIS HAIR BACK AND
696
00:19:41,147 --> 00:19:42,282
HE MADE THE CRAZY EYES.
697
00:19:42,315 --> 00:19:45,418
LOVED IT.
698
00:19:45,452 --> 00:19:47,420
>> LOOK OUT.
699
00:19:47,454 --> 00:19:49,889
>> OH, MY GOD.
700
00:19:49,923 --> 00:19:51,891
>> IT WAS INSANE.
701
00:19:51,925 --> 00:19:52,959
I STILL REMEMBER EDGE JUMPING
702
00:19:53,059 --> 00:19:54,327
OFF THAT LADDER.
703
00:19:54,361 --> 00:19:55,662
SPEARED JEFF HARDY WHILE HE'S
704
00:19:55,695 --> 00:19:58,098
HOLDING ONTO THE BELT.
705
00:19:58,131 --> 00:19:59,666
>> EDGE FROM THE 20-FOOT LADDER
706
00:19:59,699 --> 00:20:01,901
WITH THE SPEAR ON JEFF HARDY.
707
00:20:01,935 --> 00:20:03,269
>> IT PAINS ME TO SAY THAT I'M
708
00:20:03,303 --> 00:20:05,538
CHOOSING SOMEONE OVER EDGE, BUT
709
00:20:05,572 --> 00:20:06,973
I'M GOING TO GO BOBBY SPEAR.
710
00:20:07,007 --> 00:20:10,210
[MUSIC]
711
00:20:10,243 --> 00:20:11,111
>> MY SPEAR WAS A LITTLE
712
00:20:11,144 --> 00:20:12,178
BIT DIFFERENT.
713
00:20:12,212 --> 00:20:13,446
>> MINE, WHEN I RUN, I RUN AND
714
00:20:13,480 --> 00:20:14,614
BLAST YOU AND I ALMOST TAKE YOU
715
00:20:14,647 --> 00:20:16,349
ON A LITTLE BIT OF A RIDE.
716
00:20:16,383 --> 00:20:17,550
I'M FLIPPING MYSELF AND FLIPPING
717
00:20:17,584 --> 00:20:19,219
YOU WITH ME.
718
00:20:19,252 --> 00:20:22,022
>> LASHLEY WITH A SPEAR.
719
00:20:22,055 --> 00:20:23,523
>> I'VE BEEN FORTUNATE ENOUGH TO
720
00:20:23,556 --> 00:20:25,325
ONLY HAVE THE CRAP SPEARED OUT
721
00:20:25,358 --> 00:20:28,395
OF ME BY BOBBY LASHLEY, BUT THAT
722
00:20:28,428 --> 00:20:30,196
SUCKS BECAUSE IT'S ONE OF THOSE
723
00:20:30,230 --> 00:20:31,164
THINGS WHERE YOU KNOW IT'S GOING
724
00:20:31,197 --> 00:20:32,298
TO TAKE A COUPLE WEEKS TO GET
725
00:20:32,332 --> 00:20:35,835
BACK TO NORMAL.
726
00:20:35,869 --> 00:20:36,970
>> BOBBY LASHLEY HAS A PRETTY
727
00:20:37,003 --> 00:20:39,773
SICK SPEAR, BUT CHARLOTTE'S IS
728
00:20:39,806 --> 00:20:42,442
ALSO SICK.
729
00:20:42,475 --> 00:20:44,144
>> OH, AND A SPEAR BY CHARLOTTE.
730
00:20:44,177 --> 00:20:46,212
>> MORE FINESSE-FILLED SPEAR
731
00:20:46,246 --> 00:20:47,180
LIKE CHARLOTTE FLAIR'S MAKES IT
732
00:20:47,213 --> 00:20:48,815
ALL EVEN MORE OF A THEATRICAL
733
00:20:48,848 --> 00:20:52,218
PRESENTATION.
734
00:20:52,252 --> 00:20:55,488
>> OH, MY GOD.
735
00:20:55,522 --> 00:20:56,623
>> THE BEST SPEAR OF ALL TIME
736
00:20:56,656 --> 00:20:57,791
BELONGS TO THE GREATEST
737
00:20:57,824 --> 00:20:59,092
SUPERSTAR OF ALL TIME, "THE HEAD
738
00:20:59,125 --> 00:21:03,630
OF THE TABLE" ROMAN REIGNS
739
00:21:03,663 --> 00:21:04,664
SPEAR.
740
00:21:04,698 --> 00:21:05,765
HE ALMOST BLOWN HIM IN HALF.
741
00:21:05,799 --> 00:21:07,434
>> OH, MY GOD.
742
00:21:07,467 --> 00:21:10,070
>> ROMAN CRUSHES.
743
00:21:10,070 --> 00:21:10,937
IT'S LIKE YOU COULD FEEL IT'S AN
744
00:21:10,970 --> 00:21:11,905
OPEN FIELD TACKLE FROM THIS
745
00:21:11,938 --> 00:21:12,906
FOOTBALL THAT IS TAKING YOU
746
00:21:12,939 --> 00:21:13,873
DOWN.
747
00:21:13,907 --> 00:21:15,508
>> NO, THERE'S A SPEAR.
748
00:21:15,542 --> 00:21:16,876
>> WOW.
749
00:21:16,910 --> 00:21:19,312
>> THERE WAS ONE THAT ROMAN DID.
750
00:21:19,346 --> 00:21:20,547
SHANE MCMAHON WAS DOING HIS
751
00:21:20,580 --> 00:21:21,715
COAST TO COAST.
752
00:21:21,748 --> 00:21:23,550
HE GOES OFF THE TOP ROPE, AND AS
753
00:21:23,583 --> 00:21:25,952
HE WAS ABOUT TO LAND, ROMAN
754
00:21:25,985 --> 00:21:28,888
COMES IN AND SPEARS HIM OUT OF
755
00:21:28,922 --> 00:21:30,323
THE AIR.
756
00:21:30,357 --> 00:21:31,624
>> OH, MY GOD.
757
00:21:31,658 --> 00:21:32,659
>> WHAT A SPEAR.
758
00:21:32,692 --> 00:21:33,827
>> THAT'S PROBABLY THE BEST
759
00:21:33,860 --> 00:21:34,928
SPEAR I'VE EVER SEEN.
760
00:21:34,961 --> 00:21:36,162
>> EVERY TIME A GUY IS HITTING A
761
00:21:36,196 --> 00:21:38,665
SPEAR, THEY ARE LITERALLY TRYING
762
00:21:38,698 --> 00:21:41,101
TO RIP YOU IN HALF.
763
00:21:41,101 --> 00:21:43,103
YOU JUST KNOW THAT IT'S SO
764
00:21:43,103 --> 00:21:49,743
IMPACTFUL, AND I THINK THAT'S
765
00:21:49,776 --> 00:21:50,176
WHAT MAKES A GOOD FINISHING
766
00:21:50,210 --> 00:22:02,389
MOVE.
767
00:22:02,422 --> 00:22:03,423
>> YES, THE SPEAR IS PERHAPS ONE
768
00:22:03,456 --> 00:22:04,524
OF THE MOST INCREDIBLE AND
769
00:22:04,557 --> 00:22:06,393
EXCITING FINAL SMASHES TO
770
00:22:06,426 --> 00:22:10,196
WITNESS, BUT IS IT PHENOMENAL,
771
00:22:10,230 --> 00:22:15,468
LIKE THIS NEXT FINISHING MOVE?
772
00:22:15,502 --> 00:22:18,772
>> PHENOMENAL FOREARM INCOMING.
773
00:22:18,805 --> 00:22:21,374
>> OH, MY GOD.
774
00:22:21,408 --> 00:22:22,809
>> THE PHENOMENAL FOREARM,
775
00:22:22,842 --> 00:22:24,344
NOBODY DOES THE PHENOMENAL
776
00:22:24,377 --> 00:22:26,646
FOREARM LIKE AJ DOES.
777
00:22:26,680 --> 00:22:27,847
>> AJ'S SO GOOD.
778
00:22:27,881 --> 00:22:29,082
>> HE'S NOT GOOD, COLE, HE'S
779
00:22:29,082 --> 00:22:30,316
PHENOMENAL.
780
00:22:30,350 --> 00:22:31,117
>> OH.
781
00:22:31,151 --> 00:22:32,252
>> THERE IT IS.
782
00:22:32,285 --> 00:22:33,353
>> THE PHENOMENAL FOREARM IS
783
00:22:33,386 --> 00:22:34,320
PROBABLY ONE OF MY FAVORITE
784
00:22:34,354 --> 00:22:35,555
MOVES IN WRESTLING OF ALL TIME,
785
00:22:35,588 --> 00:22:40,760
100%, HANDS DOWN
786
00:22:40,794 --> 00:22:41,528
>> WATCH OUT.
787
00:22:41,561 --> 00:22:42,595
INCOMING.
788
00:22:42,629 --> 00:22:43,630
>> WHERE DID AJ STYLES COME
789
00:22:43,663 --> 00:22:44,664
FROM?
790
00:22:44,698 --> 00:22:45,765
>> PHENOMENAL FOREARM.
791
00:22:45,799 --> 00:22:46,800
>> ONE OF THE BEST IN THE ENTIRE
792
00:22:46,833 --> 00:22:47,767
WORLD HAS BEEN FOR HIS ENTIRE
793
00:22:47,801 --> 00:22:50,003
CAREER.
794
00:22:50,103 --> 00:22:51,237
>> THE PHENOMENAL FOREARM IS ONE
795
00:22:51,271 --> 00:22:52,339
OF THE BEST FINISHING MOVES OUT
796
00:22:52,372 --> 00:22:54,374
THERE BECAUSE IT'S MINE, AND
797
00:22:54,407 --> 00:22:55,508
ALSO THE FACT THAT I CAN DO IT
798
00:22:55,542 --> 00:22:58,778
ON ANYONE.
799
00:22:58,812 --> 00:23:00,947
>> RIGHT ON THE JAW OF SHINSUKE.
800
00:23:01,047 --> 00:23:02,849
>> ROMAN REIGNS.
801
00:23:02,882 --> 00:23:06,353
>> BROCK LESNAR.
802
00:23:06,386 --> 00:23:07,721
>> ONE IN PARTICULAR PHENOMENAL
803
00:23:07,754 --> 00:23:09,222
FOREARM THAT STANDS OUT IN MY
804
00:23:09,255 --> 00:23:10,657
MIND WOULD HAVE TO BE JOHN CENA
805
00:23:10,690 --> 00:23:13,593
AT SUMMERSLAM.
806
00:23:13,626 --> 00:23:14,561
>> LOOK AT THIS.
807
00:23:14,594 --> 00:23:15,795
>> HE KNOWS.
808
00:23:15,829 --> 00:23:16,830
HE KNOWS.
809
00:23:16,863 --> 00:23:18,131
>> HERE COMES THAT PHENOMENAL
810
00:23:18,164 --> 00:23:19,199
FOREARM.
811
00:23:19,232 --> 00:23:20,233
>> THAT'S SIGNATURE AJ STYLES
812
00:23:20,266 --> 00:23:22,869
RIGHT THERE.
813
00:23:22,902 --> 00:23:24,704
>> HE NAILED IT.
814
00:23:24,738 --> 00:23:25,972
HE JUST BEAT JOHN CENA AT
815
00:23:26,072 --> 00:23:28,575
SUMMERSLAM.
816
00:23:28,608 --> 00:23:29,743
>> THAT WAS A HUGE MATCH FOR ME,
817
00:23:29,776 --> 00:23:32,712
AND I'LL NEVER FORGET IT.
818
00:23:32,746 --> 00:23:34,080
>> GUYS, NOW, I DON'T LEAVE MY
819
00:23:34,114 --> 00:23:35,215
FEET OFTEN, AND THAT'S BY
820
00:23:35,248 --> 00:23:37,217
DESIGN.
821
00:23:37,250 --> 00:23:38,385
TO BE ABLE TO CLIMB UP TO THE
822
00:23:38,418 --> 00:23:39,853
TOP ROPE AND THROW A TOP ROPE
823
00:23:39,886 --> 00:23:41,554
FOREARM WITH SUCH PRECISION
824
00:23:41,588 --> 00:23:44,190
EVERY SINGLE TIME, I DON'T KNOW
825
00:23:44,224 --> 00:23:46,292
HOW AJ STYLES DOES IT.
826
00:23:46,326 --> 00:23:47,694
>> AJ STYLES' PHENOMENAL FOREARM
827
00:23:47,727 --> 00:23:49,529
IS REALLY ALL YOU NEED TO KNOW
828
00:23:49,562 --> 00:23:52,732
ABOUT AJ STYLES.
829
00:23:52,766 --> 00:23:53,800
HE'S SOMEBODY THAT MAKES THIS
830
00:23:53,833 --> 00:23:55,635
LOOK LIKE AN ART BUT STILL WILL
831
00:23:55,669 --> 00:23:58,371
BEAT YOU INTO SMITHEREENS.
832
00:23:58,405 --> 00:23:59,806
>> LUCKY FOR HIM, I KNOW THE
833
00:23:59,839 --> 00:24:01,041
INTERNATIONAL LANGUAGE OF
834
00:24:01,041 --> 00:24:05,879
FOREARM TO FACE.
835
00:24:05,912 --> 00:24:07,047
>> IMAGINE GETTING HIT IN THE
836
00:24:07,080 --> 00:24:08,214
JAW WITH A FOREARM.
837
00:24:08,248 --> 00:24:09,449
NOW IMAGINE ADDING THE VELOCITY
838
00:24:09,482 --> 00:24:13,620
OF NOT JUST GRAVITY BUT
839
00:24:13,653 --> 00:24:14,654
SPRINGING OFF THE ROPE.
840
00:24:14,688 --> 00:24:15,655
ALL THAT ADDED FORCE DRIVING
841
00:24:15,689 --> 00:24:16,756
STRAIGHT TO YOUR JAW, THAT'LL
842
00:24:16,790 --> 00:24:19,893
KNOCK ANYONE OUT.
843
00:24:19,926 --> 00:24:21,127
>> HE GOT HIS WRESTLEMANIA
844
00:24:21,161 --> 00:24:22,429
MOMENT.
845
00:24:22,462 --> 00:24:23,563
>> IT'S ABSURD HOW ATHLETIC HE
846
00:24:23,596 --> 00:24:24,864
IS.
847
00:24:24,898 --> 00:24:26,066
HE'S A COMPLETE FREAK OF NATURE.
848
00:24:26,066 --> 00:24:27,300
WHEN HE THROWS HIS FOREARM, IT'S
849
00:24:27,334 --> 00:24:28,735
LIKE YOU GOT HIT BY A TON OF
850
00:24:28,768 --> 00:24:31,137
BRICKS.
851
00:24:31,171 --> 00:24:32,505
>> BEAUTIFUL SHOT RIGHT THROUGH
852
00:24:32,539 --> 00:24:35,208
THE TABLE.
853
00:24:35,241 --> 00:24:36,409
>> THAT THING HITS AND THAT
854
00:24:36,443 --> 00:24:37,677
THING HITS HARD AND HE DOESN'T
855
00:24:37,711 --> 00:24:38,878
MISS.
856
00:24:38,912 --> 00:24:39,979
THAT IS VERY IMPRESSIVE.
857
00:24:40,080 --> 00:24:41,481
AJ IS ONE OF THE FEW WHO CAN
858
00:24:41,514 --> 00:24:43,350
PULL IT OFF EVERY DAMN TIME.
859
00:24:43,383 --> 00:24:44,584
>> A LITTLE BIT OF THIS, A
860
00:24:44,617 --> 00:24:45,819
LITTLE BIT OF THAT.
861
00:24:45,852 --> 00:24:46,953
>> A LITTLE BIT OF THIS.
862
00:24:46,986 --> 00:24:48,555
>> YES, MAYBE A LITTLE OF THAT.
863
00:24:48,588 --> 00:24:49,923
>> DON'T FORGET, HE LOADS IT UP
864
00:24:49,956 --> 00:24:51,191
AS WELL.
865
00:24:51,224 --> 00:24:52,158
>> IT'S LIKE HE'S TRYING TO
866
00:24:52,192 --> 00:24:53,093
FINISH THINGS OFF WITH HIS
867
00:24:53,093 --> 00:24:54,094
PHENOMENAL FOREARM HERE.
868
00:24:54,094 --> 00:24:55,161
>> WHEN HE COMES ACROSS WITH IT,
869
00:24:55,195 --> 00:24:57,130
>> PHENOMENAL FOREARM.
870
00:24:57,163 --> 00:24:58,631
>> IT DELIVERS A NIGHT NIGHT,
871
00:24:58,665 --> 00:25:00,033
TOO.
872
00:25:00,033 --> 00:25:02,035
>> THE HAIR IS FLOWING LIKE SOME
873
00:25:02,035 --> 00:25:03,303
SORT OF PRINCE CHARMING FROM
874
00:25:03,336 --> 00:25:04,504
SHREK.
875
00:25:04,537 --> 00:25:08,241
THE WIND IS IN HIS EYES.
876
00:25:08,274 --> 00:25:09,275
AJ CAN DO THINGS THAT NO OTHER
877
00:25:09,309 --> 00:25:12,045
PERSON CAN DO.
878
00:25:12,045 --> 00:25:22,188
[MUSIC]
879
00:25:24,891 --> 00:25:25,792
>> I'M NOT SURE I'D BE
880
00:25:25,825 --> 00:25:27,494
NOTICING AJ'S HAIR AS HE FLIES
881
00:25:27,527 --> 00:25:28,828
OFF THE TOP TURNBUCKLE TOWARD ME
882
00:25:28,862 --> 00:25:30,930
WITH ALL THAT VELOCITY, BUT NOW
883
00:25:30,964 --> 00:25:32,065
THAT NIKKI MENTIONS IT, IT DOES
884
00:25:32,098 --> 00:25:33,333
LOOK PRETTY SWEET.
885
00:25:33,366 --> 00:25:36,336
ALSO PRETTY SWEET, THE 3D, MADE
886
00:25:36,369 --> 00:25:37,637
FAMOUS BY WWE HALL OF FAMERS THE
887
00:25:37,671 --> 00:25:40,306
DUDLEY BOYZ.
888
00:25:40,340 --> 00:25:41,641
WITH PRECISION, TIMING, AND A
889
00:25:41,675 --> 00:25:44,110
TABLE OR TWO, THIS MANEUVER HAD
890
00:25:44,144 --> 00:25:46,546
THE WWE UNIVERSE TESTIFYING THAT
891
00:25:46,579 --> 00:25:53,153
THIS WAS INDEED AWESOME.
892
00:25:53,186 --> 00:25:54,621
[MUSIC]
893
00:25:54,654 --> 00:25:55,755
>> THE MOST DECORATED
894
00:25:55,789 --> 00:25:57,223
TEAM OF ALL TIME, THE DUDLEY
895
00:25:57,257 --> 00:25:59,192
BOYZ.
896
00:25:59,225 --> 00:26:00,293
>> THE DUDLEY BOYZ BROUGHT THEIR
897
00:26:00,326 --> 00:26:03,163
HARD-HITTING ECW ENERGY TO THE
898
00:26:03,196 --> 00:26:04,230
WWE SPOTLIGHT WITH THEIR DUDLEY
899
00:26:04,264 --> 00:26:09,669
DEATH DROP FINISHING MOVE.
900
00:26:09,703 --> 00:26:10,937
>> 3D.
901
00:26:11,037 --> 00:26:12,872
>> THE 3D BY THE DUDLEYS.
902
00:26:12,906 --> 00:26:13,873
>> IF I'M GOING FOR A TAG TEAM
903
00:26:13,907 --> 00:26:15,775
FINISHING MOVE, IT WOULD HAVE TO
904
00:26:15,809 --> 00:26:17,277
BE THE 3D.
905
00:26:17,310 --> 00:26:18,511
>> OH, LOOK AT THIS.
906
00:26:18,545 --> 00:26:21,047
>> HEADS UP.
907
00:26:21,047 --> 00:26:21,881
>> 3D.
908
00:26:21,915 --> 00:26:23,049
>> THAT IS THE MOST FUN TO
909
00:26:23,049 --> 00:26:24,851
WATCH, IT'S COOL-LOOKING, A
910
00:26:24,884 --> 00:26:26,086
GUY'S UP IN THE AIR AND HE GETS
911
00:26:26,119 --> 00:26:28,955
AN RKO OFF THE GROUND.
912
00:26:29,055 --> 00:26:30,190
I CAN'T BELIEVE THERE'S A BETTER
913
00:26:30,223 --> 00:26:32,058
ONE THAN THE 3D.
914
00:26:32,092 --> 00:26:34,527
>> BROTHER D-VON, 3D.
915
00:26:34,561 --> 00:26:35,962
>> THE 3D IS A PRETTY AWESOME
916
00:26:36,062 --> 00:26:37,063
MOVE.
917
00:26:37,097 --> 00:26:38,732
D-VON GRABS A GUY BY HIS LEGS,
918
00:26:38,765 --> 00:26:40,133
LIFTS HIM UP IN THE AIR, AND BUH
919
00:26:40,166 --> 00:26:41,634
BUH RAY JUMPS UP, GRABS HIS
920
00:26:41,668 --> 00:26:43,103
HEAD, DROPS HIM RIGHT ON THE
921
00:26:43,136 --> 00:26:44,871
MAT, IT'S A VERY DEVASTATING
922
00:26:44,904 --> 00:26:46,806
MOVE.
923
00:26:46,840 --> 00:26:48,541
[MUSIC] >> IT REQUIRES PERFECT
924
00:26:48,575 --> 00:26:49,609
TIMING, AND NO ONE DOES IT
925
00:26:49,642 --> 00:26:51,144
BETTER THAN THE DUDLEYS.
926
00:26:51,177 --> 00:26:52,612
>> 3D.
927
00:26:52,645 --> 00:26:54,481
DUDLEY DEATH DROP.
928
00:26:54,514 --> 00:26:55,682
>> SOMETIMES THEY'D SET IT UP
929
00:26:55,715 --> 00:26:56,816
AND YOU KNEW EXACTLY WHAT WAS
930
00:26:56,850 --> 00:26:57,951
COMING, BUT OTHER TIMES THEY'D
931
00:26:57,984 --> 00:26:59,119
JUST CATCH THEIR OPPONENT BY
932
00:26:59,152 --> 00:27:00,186
SURPRISE.
933
00:27:00,220 --> 00:27:01,321
>> OH, LOOK OUT HERE.
934
00:27:01,354 --> 00:27:02,422
LOOK OUT, THE 3D.
935
00:27:02,455 --> 00:27:03,890
>> IT ALWAYS MADE FOR A GOOD
936
00:27:03,923 --> 00:27:04,891
MOMENT.
937
00:27:04,924 --> 00:27:06,292
>> WHAT ARE THE DUDLEY BOYZ BEST
938
00:27:06,326 --> 00:27:07,594
KNOWN FOR?
939
00:27:07,627 --> 00:27:09,362
D-VON.
940
00:27:09,396 --> 00:27:10,830
[CROWD YELLS "D-VON"] >> GET THE
941
00:27:10,864 --> 00:27:12,799
TABLES.
942
00:27:12,832 --> 00:27:17,504
[CROWD YELLS "GET THE TABLE"]
943
00:27:17,537 --> 00:27:18,672
YOU CAN PULL OFF A 3D EVEN
944
00:27:18,705 --> 00:27:20,573
BETTER WITH A TABLE INVOLVED.
945
00:27:20,607 --> 00:27:22,042
[MUSIC] >> NOW WE'VE GOT THE
946
00:27:22,042 --> 00:27:23,176
THING THAT MAKES THE DUDLEY BOYZ
947
00:27:23,209 --> 00:27:24,444
THE DUDLEY BOYZ INVOLVED IN THAT
948
00:27:24,477 --> 00:27:26,112
FINISHING AND IT MAKES IT ALL
949
00:27:26,146 --> 00:27:27,847
THE MORE SPECIAL.
950
00:27:27,881 --> 00:27:29,115
>> YOU KNOW THE BEST PART ABOUT
951
00:27:29,149 --> 00:27:30,350
IT IS, MAN?
952
00:27:30,383 --> 00:27:33,553
WE GET TO USE TABLES.
953
00:27:33,586 --> 00:27:35,221
OH, TESTIFY.
954
00:27:35,255 --> 00:27:36,289
>> OH, NO.
955
00:27:36,322 --> 00:27:38,324
NO.3D.
956
00:27:38,358 --> 00:27:39,826
>> THERE'S SOMETHING ABOUT
957
00:27:39,859 --> 00:27:41,194
HAVING SOMEBODY RIBS JUST
958
00:27:41,227 --> 00:27:42,462
DESTROY A TABLE AS YOU DRAG
959
00:27:42,495 --> 00:27:44,097
THEIR HEAD DOWN THAT, YES,
960
00:27:44,130 --> 00:27:45,298
REALLY BROUGHT ANOTHER LEVEL TO
961
00:27:45,331 --> 00:27:46,533
THAT FINISHER.
962
00:27:46,566 --> 00:27:47,801
>> OH, NO.
963
00:27:47,834 --> 00:27:48,935
NO.
964
00:27:48,968 --> 00:27:51,705
>> 3D THROUGH THE TABLE.
965
00:27:51,738 --> 00:27:53,139
[MUSIC] >> HERE'S SOME GUYS WITH
966
00:27:53,173 --> 00:27:54,207
TOTAL DISREGARD FOR THEIR
967
00:27:54,240 --> 00:27:55,709
BODIES, SO GUESS WHAT, YOU KNOW
968
00:27:55,742 --> 00:27:58,678
THAT THIS WAS GOING TO BE
969
00:27:58,712 --> 00:28:01,014
SOMETHING THAT IS GOING TO HURT,
970
00:28:01,014 --> 00:28:03,149
AND BELIEVE ME, IT REALLY IS 3D,
971
00:28:03,183 --> 00:28:08,588
DESTRUCTION, DESTRUCTION,
972
00:28:08,621 --> 00:28:13,693
DESTRUCTION.
973
00:28:13,727 --> 00:28:15,628
OH.
974
00:28:15,662 --> 00:28:16,730
>> YOU HAD THE 3D, AND THAT'S
975
00:28:16,763 --> 00:28:18,698
ALREADY A SPECTACULAR MOVE TO
976
00:28:18,732 --> 00:28:20,033
WATCH, THEN YOU ADD IN THE
977
00:28:20,066 --> 00:28:22,035
TABLE, IT'S LIKE, ALL RIGHT,
978
00:28:22,035 --> 00:28:23,169
WHAT ELSE CAN YOU DO?
979
00:28:23,203 --> 00:28:24,304
THE MOVE IS ALREADY LOVED, IT'S
980
00:28:24,337 --> 00:28:25,538
BELOVED BY EVERYONE, IT'S AN
981
00:28:25,572 --> 00:28:27,707
AMAZING TAG TEAM MANEUVER.
982
00:28:27,741 --> 00:28:38,885
>> ONE, TWO, THREE.
983
00:28:38,918 --> 00:28:40,053
>> NO TABLE IS SAFE IN THE WWE
984
00:28:40,086 --> 00:28:42,155
UNIVERSE, AND THE SAME CAN BE
985
00:28:42,188 --> 00:28:44,057
SAID FOR THE CHIN OF ANY
986
00:28:44,057 --> 00:28:45,358
OPPONENT WHO FACES SUPERSTAR
987
00:28:45,392 --> 00:28:47,594
SHAWN MICHAELS.
988
00:28:47,627 --> 00:28:49,129
WHEN HBK BUILDS UP HIS ICONIC
989
00:28:49,162 --> 00:28:50,630
FINISHER IN THE CORNER OF THAT
990
00:28:50,663 --> 00:28:53,199
RING LIKE A RAGING BULL ABOUT TO
991
00:28:53,233 --> 00:28:55,101
TAKE DOWN A MATADOR, GET READY
992
00:28:55,135 --> 00:28:57,604
TO SING A NEW TUNE.
993
00:28:57,637 --> 00:29:00,373
>> WHAT'S YOUR NAME?
994
00:29:00,407 --> 00:29:01,741
>> STAN.
995
00:29:01,775 --> 00:29:03,109
>> STAN.
996
00:29:03,143 --> 00:29:04,110
>> OH.
997
00:29:04,144 --> 00:29:06,179
>> SEE, I JUST KICKED STAN.
998
00:29:06,212 --> 00:29:07,280
[MUSIC] >> OH, SWEET CHIN MUSIC,
999
00:29:07,313 --> 00:29:10,750
SHAWN MICHAELS.
1000
00:29:10,784 --> 00:29:12,118
>> SWEET CHIN MUSIC CAN
1001
00:29:12,152 --> 00:29:13,086
LITERALLY HIT YOU AT ANY TIME,
1002
00:29:13,119 --> 00:29:16,890
ANYWHERE, ANY PLACE.
1003
00:29:16,923 --> 00:29:18,224
>> SWEET CHIN MUSIC.
1004
00:29:18,258 --> 00:29:19,192
>> WHAT?
1005
00:29:19,225 --> 00:29:21,094
>> SHAWN MICHAELS.
1006
00:29:21,127 --> 00:29:22,195
>> ONCE HE KICKED YOU WITH THE
1007
00:29:22,228 --> 00:29:23,363
SWEET CHIN MUSIC IT'S NIGHT
1008
00:29:23,396 --> 00:29:24,731
NIGHT.
1009
00:29:24,764 --> 00:29:25,899
>> SEE, ONE WITHOUT THE OTHER
1010
00:29:25,932 --> 00:29:27,200
ISN'T ANY GOOD.
1011
00:29:27,233 --> 00:29:28,435
>> OH, I KNEW HE WAS GOING TO DO
1012
00:29:28,468 --> 00:29:30,737
THAT.
1013
00:29:30,770 --> 00:29:31,771
>> YOU SEE THE EYES IN THE BACK
1014
00:29:31,805 --> 00:29:33,039
OF THE HEAD AND YOU'RE LIKE, OH,
1015
00:29:33,073 --> 00:29:34,274
THE LIGHTS ARE ON, BUT NOBODY'S
1016
00:29:34,307 --> 00:29:35,642
HOME.
1017
00:29:35,675 --> 00:29:36,810
>> THIS GUY JUST KICKED HIS CHIN
1018
00:29:36,843 --> 00:29:38,378
OFF.
1019
00:29:38,411 --> 00:29:39,379
>> YOU CAN'T HELP BUT TO FEEL
1020
00:29:39,412 --> 00:29:40,780
BAD FOR WHOEVER IT IS JUST GOT
1021
00:29:40,814 --> 00:29:42,048
THEIR JAW KICKED IN EVEN IF IT
1022
00:29:42,082 --> 00:29:47,821
WAS A BAD GUY YOU'RE JUST LIKE
1023
00:29:47,854 --> 00:29:48,788
SORRY.
1024
00:29:48,822 --> 00:29:51,057
>> THE BAND IS TUNING UP.
1025
00:29:51,091 --> 00:29:52,392
>> ANYTIME YOU CAN GET THE CROWD
1026
00:29:52,425 --> 00:29:54,160
MOTIVATED AND READY TO SEE YOUR
1027
00:29:54,194 --> 00:29:57,063
FINISHING MOVE.
1028
00:29:57,063 --> 00:29:58,064
THERE'S NOTHING QUITE LIKE IT
1029
00:29:58,064 --> 00:29:59,466
AND NOBODY DID IT BETTER THAN
1030
00:29:59,499 --> 00:30:01,401
SHAWN MICHAELS.
1031
00:30:01,434 --> 00:30:06,873
>> YOU KNOW WHAT'S COMING.
1032
00:30:06,906 --> 00:30:08,008
>> YOU HAVE TO LET THEM FEEL
1033
00:30:08,041 --> 00:30:09,075
WHAT YOU'RE ABOUT TO DO AND
1034
00:30:09,109 --> 00:30:10,276
SWEET CHIN MUSIC IS A GREAT
1035
00:30:10,310 --> 00:30:11,711
EXAMPLE OF THAT.
1036
00:30:11,745 --> 00:30:12,779
>> THE ONLY PERSON THAT WASN'T
1037
00:30:12,812 --> 00:30:14,114
READY WAS HIS OPPONENT BECAUSE
1038
00:30:14,147 --> 00:30:15,415
HE WAS ABOUT TO GET A LITTLE
1039
00:30:15,448 --> 00:30:19,886
SWEET, A CHIN, A MUSIC.
1040
00:30:19,919 --> 00:30:21,221
>> WHAT I REMEMBER THE MOST
1041
00:30:21,254 --> 00:30:22,789
WOULD BE IN YOUR HOUSE 2 IN
1042
00:30:22,822 --> 00:30:26,192
1995.
1043
00:30:26,226 --> 00:30:29,262
>> OH MY GOODNESS.
1044
00:30:29,295 --> 00:30:35,301
ONE, TWO- YES.
1045
00:30:35,335 --> 00:30:36,369
>> WRESTLEMANIA 21 HIM AND KURT
1046
00:30:36,403 --> 00:30:38,471
STOLE THE SHOW.
1047
00:30:38,505 --> 00:30:40,473
>> LOOK OUT.
1048
00:30:40,507 --> 00:30:41,741
>> SWEET CHIN MUSIC, SWEET CHIN
1049
00:30:41,775 --> 00:30:43,476
MUSIC.
1050
00:30:43,510 --> 00:30:44,544
>> FANS LOVE THE SWEET CHIN
1051
00:30:44,577 --> 00:30:46,012
MUSIC FROM WHEN SHAWN HAD THE
1052
00:30:46,046 --> 00:30:47,547
GOLD RUSH MATCH.
1053
00:30:47,580 --> 00:30:48,815
IT'S PROBABLY THE GREATEST SWEET
1054
00:30:48,848 --> 00:30:52,052
CHIN MUSIC OF ALL TIME.
1055
00:30:52,085 --> 00:30:53,987
>> SWEET CHIN MUSIC OUT OF
1056
00:30:54,020 --> 00:30:55,755
NOWHERE.
1057
00:30:55,789 --> 00:30:57,190
>> I CAN APPRECIATE WHAT IT WAS
1058
00:30:57,223 --> 00:30:58,558
EVEN THOUGH I DIDN'T APPRECIATE
1059
00:30:58,591 --> 00:31:00,126
RECEIVING IT BECAUSE IT WASN'T
1060
00:31:00,160 --> 00:31:04,631
EXACTLY A KISS ON THE CHEEK.
1061
00:31:04,664 --> 00:31:06,132
>> YOU'RE WATCHING RIC FLAIR
1062
00:31:06,166 --> 00:31:08,401
WRESTLE FOR THE LAST TIME IN WWE
1063
00:31:08,435 --> 00:31:10,470
AND YOU'RE LIKE, OH, MY GOSH,
1064
00:31:10,503 --> 00:31:16,176
THIS IS A MOMENT.
1065
00:31:16,209 --> 00:31:18,478
>> MY GOD, WHAT A SHOCK.
1066
00:31:18,511 --> 00:31:19,779
>> THAT SWEET CHIN MUSIC WILL
1067
00:31:19,813 --> 00:31:21,147
STAND THE TEST OF TIME.
1068
00:31:21,181 --> 00:31:24,884
>> SHAWN IS SO GIFTED IN SO MANY
1069
00:31:24,918 --> 00:31:26,453
WAYS, BUT ATHLETICALLY, HE'S THE
1070
00:31:26,486 --> 00:31:29,255
BEST OF THE BEST.
1071
00:31:29,289 --> 00:31:30,590
>> ANYONE CAN KICK SOMEONE IN
1072
00:31:30,623 --> 00:31:32,525
THE FACE, BUT NOT ANYONE CAN
1073
00:31:32,559 --> 00:31:35,662
SWEET CHIN MUSIC.
1074
00:31:35,695 --> 00:31:36,796
>> NOBODY USED IT BETTER THAN
1075
00:31:36,830 --> 00:31:37,831
SHAWN MICHAELS.
1076
00:31:37,864 --> 00:31:39,099
SEVERAL OF US HAVE TRIED TO
1077
00:31:39,099 --> 00:31:40,400
CAPTURE THE SAME MAGIC HE HAD
1078
00:31:40,433 --> 00:31:42,335
WITH IT, BUT THERE'S JUST
1079
00:31:42,369 --> 00:31:43,536
SOMETHING ABOUT HIM THE WAY HE
1080
00:31:43,570 --> 00:31:44,971
USED IT.
1081
00:31:45,005 --> 00:31:46,239
>> LITERALLY WHEN SHAWN MICHAELS
1082
00:31:46,272 --> 00:31:47,607
THREW THE SUPERKICK HE TOOK
1083
00:31:47,640 --> 00:31:48,875
SOMEBODY'S HEAD OFF AND TO ME
1084
00:31:48,908 --> 00:31:52,445
THAT'S A GREAT FINISHING MOVE.
1085
00:31:52,479 --> 00:31:59,219
>> OH, MY GOD IN HEAVEN.
1086
00:31:59,252 --> 00:32:00,420
>> THERE REALLY WAS SOMETHING
1087
00:32:00,453 --> 00:32:01,821
SPECIAL ABOUT THE WAY MICHAELS
1088
00:32:01,855 --> 00:32:03,189
THREW THAT SUPERKICK AND IT WILL
1089
00:32:03,223 --> 00:32:04,624
FOREVER REMAIN ONE OF THE MOST
1090
00:32:04,657 --> 00:32:06,826
AWESOME FINISHING MOVES IN WWE
1091
00:32:06,860 --> 00:32:10,330
HISTORY UNLESS HIS ARCH RIVAL
1092
00:32:10,363 --> 00:32:11,631
BRET.
1093
00:32:11,664 --> 00:32:12,932
HART HAS SOMETHING TO SAY ABOUT
1094
00:32:12,966 --> 00:32:13,933
IT.
1095
00:32:13,967 --> 00:32:15,135
A HIGH RULE TO MICHAELS' LOW
1096
00:32:15,168 --> 00:32:16,536
RULE, THE HITMAN WOULD
1097
00:32:16,569 --> 00:32:17,804
DEFINITELY ARGUE THAT A
1098
00:32:17,837 --> 00:32:18,938
SHARPSHOOTER FINISHER EARNS TOP
1099
00:32:18,972 --> 00:32:20,774
RANKING.
1100
00:32:20,807 --> 00:32:22,075
TAKE A LOOK AND DECIDE FOR
1101
00:32:22,075 --> 00:32:25,211
YOURSELF.
1102
00:32:25,245 --> 00:32:26,312
>> LADIES AND GENTLEMEN, BRET
1103
00:32:26,346 --> 00:32:29,416
"THE HITMAN" HART.
1104
00:32:29,449 --> 00:32:30,717
>> THE BEST THERE IS, THE BEST
1105
00:32:30,750 --> 00:32:31,918
THERE WAS AND THE BEST THERE
1106
00:32:31,951 --> 00:32:33,086
EVER WILL BE.
1107
00:32:33,119 --> 00:32:34,154
>> THIS CAPACITY CROWD RISING TO
1108
00:32:34,187 --> 00:32:35,522
THEIR FEET.
1109
00:32:35,555 --> 00:32:37,624
>> BRET WAS SUCH A HUGE STAR.
1110
00:32:37,657 --> 00:32:39,225
>> A FAN WITH A MINIATURE HITMAN
1111
00:32:39,259 --> 00:32:40,627
OUTFIT.
1112
00:32:40,660 --> 00:32:41,895
>> AS A KID BRET WAS MY ABSOLUTE
1113
00:32:41,928 --> 00:32:43,163
NUMBER ONE.
1114
00:32:43,196 --> 00:32:44,731
HE'S ONE OF THOSE GUYS I STILL
1115
00:32:44,764 --> 00:32:47,500
GO BACK TO WATCH ALL THE TIME.
1116
00:32:47,534 --> 00:32:48,635
>> IT LOOKS LIKE THE HITMAN IS
1117
00:32:48,668 --> 00:32:49,969
SETTING HIM UP FOR THE
1118
00:32:50,003 --> 00:32:51,137
SHARPSHOOTER.
1119
00:32:51,171 --> 00:32:52,238
>> YOU ARE GOING TO SAY UNCLE
1120
00:32:52,272 --> 00:32:54,374
LOUD AND CLEAR.
1121
00:32:54,407 --> 00:32:55,542
>> IF HE SPINS HIM OVER HE'LL
1122
00:32:55,575 --> 00:32:57,310
HAVE IT CINCHED IN.
1123
00:32:57,344 --> 00:32:58,511
>> YES.
1124
00:32:58,545 --> 00:33:00,046
IT'S OVER.
1125
00:33:00,046 --> 00:33:01,081
>> WHAT WAS SO COOL ABOUT THE
1126
00:33:01,114 --> 00:33:02,415
SHARPSHOOTER WAS THE DRAMA OF
1127
00:33:02,449 --> 00:33:04,884
LOCKING IT IN.
1128
00:33:04,918 --> 00:33:07,287
THE DRAMA OF TURNING IT OVER.
1129
00:33:07,320 --> 00:33:09,055
>> SHARPSHOOTER CAN HE DO IT?
1130
00:33:09,089 --> 00:33:10,090
>> THEN THE DRAMA OF SITTING
1131
00:33:10,123 --> 00:33:11,391
INTO IT.
1132
00:33:11,424 --> 00:33:12,592
>> SHAWN MICHAELS WAS SO CLOSE.
1133
00:33:12,625 --> 00:33:14,427
>> IT HURTS.
1134
00:33:14,461 --> 00:33:16,696
IT HURTS A LOT, AND YOU WILL
1135
00:33:16,730 --> 00:33:18,565
TAP.
1136
00:33:18,598 --> 00:33:20,633
>> THE SHARPSHOOTER WOULD CAUSE
1137
00:33:20,667 --> 00:33:23,236
PAIN AND SUFFERING NOT ONLY IN
1138
00:33:23,269 --> 00:33:31,344
WWE BUT ALL OF ENTERTAINMENT.
1139
00:33:31,378 --> 00:33:37,350
>> OH, MY GOD.
1140
00:33:37,384 --> 00:33:38,284
>> I LIKE TO SIT BACK.
1141
00:33:38,318 --> 00:33:39,452
>> SHADES OF BRET "THE HITMAN"
1142
00:33:39,486 --> 00:33:41,154
HART, THE SHARPSHOOTER.
1143
00:33:41,187 --> 00:33:42,355
>> MANY HAVE ATTEMPTED THE
1144
00:33:42,389 --> 00:33:44,090
DEVASTATING SUBMISSION MOVE OVER
1145
00:33:44,090 --> 00:33:46,493
THE YEARS, BUT ONLY THE HITMAN
1146
00:33:46,526 --> 00:33:49,829
EXECUTED IT TO PERFECTION.
1147
00:33:49,863 --> 00:33:51,231
>> THE SHARPSHOOTER, HE'S GOT
1148
00:33:51,264 --> 00:33:52,699
IT.
1149
00:33:52,732 --> 00:33:54,100
HE'S GOT IT.
1150
00:33:54,100 --> 00:33:55,335
>> NEW INTERCONTINENTAL
1151
00:33:55,368 --> 00:33:56,970
CHAMPION, BRET "THE HITMAN"
1152
00:33:57,003 --> 00:33:58,438
HART.
1153
00:33:58,471 --> 00:33:59,706
>> HE'S GOING TO WRESTLE YOU
1154
00:33:59,739 --> 00:34:01,207
UNTIL YOU JUST CANNOT KEEP UP
1155
00:34:01,241 --> 00:34:03,643
WITH IT.
1156
00:34:03,677 --> 00:34:06,746
THEN WHEN HE GETS READY TO
1157
00:34:06,780 --> 00:34:08,615
FINISH YOU OFF, THAT'S WHAT HE'S
1158
00:34:08,648 --> 00:34:13,053
GOING TO DO.
1159
00:34:13,053 --> 00:34:14,054
>> YOU HAVE AGAIN A MOMENT LIKE
1160
00:34:14,054 --> 00:34:15,155
BRET HART AND STONE COLD WHERE
1161
00:34:15,188 --> 00:34:16,056
STONE COLD IS PASSING OUT IN THE
1162
00:34:16,056 --> 00:34:17,290
POOL OF HIS OWN BLOOD JUST
1163
00:34:17,323 --> 00:34:21,294
HANGING ON THERE.
1164
00:34:21,327 --> 00:34:23,596
>> SHARPSHOOTER, HE'S GOT IT ON.
1165
00:34:23,630 --> 00:34:25,699
>> SAY THE WORDS, STEVE.
1166
00:34:25,732 --> 00:34:27,334
COME ON.
1167
00:34:27,367 --> 00:34:30,370
STEVE, DO YOU GIVE UP?
1168
00:34:30,403 --> 00:34:33,206
[BELL RINGS] >> AUSTIN NEVER
1169
00:34:33,239 --> 00:34:35,542
GAVE UP, AUSTIN NEVER GAVE UP,
1170
00:34:35,575 --> 00:34:39,112
BUT HE PASSED OUT WITH THE PAIN.
1171
00:34:39,145 --> 00:34:40,447
>> THE FOLLOWING CONTEST IS FOR
1172
00:34:40,480 --> 00:34:44,617
THE WORLD WRESTLING --
1173
00:34:44,651 --> 00:34:48,288
CHAMPIONSHIP.
1174
00:34:48,321 --> 00:34:49,222
>> HE'S GOING TO PUT HIM THROUGH
1175
00:34:49,255 --> 00:34:52,926
THE MILL WITH THIS NOW.
1176
00:34:52,959 --> 00:34:54,561
>> NOW HE'S GOING FOR THE
1177
00:34:54,594 --> 00:34:56,830
SHARPSHOOTER.
1178
00:34:56,863 --> 00:34:57,764
[BELL RINGS] >> WE'VE SEEN
1179
00:34:57,797 --> 00:34:58,898
HISTORY MADE.
1180
00:34:58,932 --> 00:35:00,100
IT'S PANDEMONIUM HERE IN
1181
00:35:00,133 --> 00:35:02,102
SASKATOON.
1182
00:35:02,135 --> 00:35:03,169
>> THAT'S A COOL MOVE TO JUST
1183
00:35:03,203 --> 00:35:04,104
LOCK IN.
1184
00:35:04,137 --> 00:35:05,238
>> DOMINIK MYSTERIO IN A WORLD
1185
00:35:05,271 --> 00:35:07,407
OF HURT RIGHT NOW.
1186
00:35:07,440 --> 00:35:08,808
>> NOBODY DID IT BETTER THAN
1187
00:35:08,842 --> 00:35:10,043
BRET.
1188
00:35:10,043 --> 00:35:11,277
NATTIE HAS CARRIED THAT ON.
1189
00:35:11,311 --> 00:35:13,279
>> I'M GOING TO DEDICATE THIS TO
1190
00:35:13,313 --> 00:35:14,781
MY UNCLE, BRET.
1191
00:35:14,814 --> 00:35:16,649
[BELL RINGS] >> BRET HART AND
1192
00:35:16,683 --> 00:35:19,352
NATALYA, DOUBLE SHARPSHOOTER.
1193
00:35:19,386 --> 00:35:20,653
>> NOTHING SAYS EXCELLENCE OF
1194
00:35:20,687 --> 00:35:24,190
EXECUTION LIKE A SHARPSHOOTER.
1195
00:35:24,224 --> 00:35:25,325
>> BRET HART'S GOT THE
1196
00:35:25,358 --> 00:35:26,726
SHARPSHOOTER, AND THE REFEREE IS
1197
00:35:26,760 --> 00:35:27,394
CALLING FOR THE BELL.
1198
00:35:27,427 --> 00:35:36,236
>> HE GAVE UP.
1199
00:35:36,269 --> 00:35:37,504
>> WHAT DO YOU THINK, SWEET CHIN
1200
00:35:37,537 --> 00:35:39,706
MUSIC OR THE SHARPSHOOTER?
1201
00:35:39,739 --> 00:35:41,808
>> NOW, I'M SORRY, BRET, I'M
1202
00:35:41,841 --> 00:35:43,076
GOING SWEET CHIN MUSIC, BUT IT
1203
00:35:43,076 --> 00:35:44,944
IS COOL TO SEE PART OF THE
1204
00:35:44,978 --> 00:35:46,212
HITMAN'S LEGACY BEING CARRIED ON
1205
00:35:46,246 --> 00:35:47,781
THROUGH NATALYA.
1206
00:35:47,814 --> 00:35:50,083
NOW OUR FINAL FINISHER ALSO HAS
1207
00:35:50,116 --> 00:35:53,520
LEGIT LEGEND STATUS, THE
1208
00:35:53,553 --> 00:35:55,989
ULTIMATE ONE FINGERED SALUTE.
1209
00:35:56,089 --> 00:35:57,223
THIS SIGNATURE MOVE BELONGED TO
1210
00:35:57,257 --> 00:36:00,927
THE MAN, THE MYTH, THE LEGEND,
1211
00:36:01,027 --> 00:36:03,363
MR. DTA HIMSELF, "STONE COLD"
1212
00:36:03,396 --> 00:36:06,533
STEVE AUSTIN.
1213
00:36:06,566 --> 00:36:12,339
NOW GIMME A HELL YES.
1214
00:36:12,372 --> 00:36:14,140
>> AUSTIN 3:16 SAYS I JUST
1215
00:36:14,174 --> 00:36:19,245
WHIPPED YOUR ASS.
1216
00:36:19,279 --> 00:36:20,213
>> THE STONE COLD STUNNER IS THE
1217
00:36:20,246 --> 00:36:21,414
GREATEST FINISHING MOVE OF ALL
1218
00:36:21,448 --> 00:36:23,049
TIME.
1219
00:36:23,083 --> 00:36:26,419
>> STUNNER.
1220
00:36:26,453 --> 00:36:27,921
>> YOU COULD DO IT AT ANY POINT.
1221
00:36:27,954 --> 00:36:29,055
ALL YOU NEED FOR A SETUP IS TO
1222
00:36:29,055 --> 00:36:30,290
KICK SOMEBODY IN THE GUT OR
1223
00:36:30,323 --> 00:36:33,059
GROIN.
1224
00:36:33,059 --> 00:36:34,294
>> I SPEAK FOR EVERYONE WHEN I
1225
00:36:34,327 --> 00:36:35,495
SAY THE STUNNER IS LIKE THE BEST
1226
00:36:35,528 --> 00:36:36,696
FINISHING MANEUVER, EVERYONE
1227
00:36:36,730 --> 00:36:37,964
REMEMBERS IT.
1228
00:36:38,064 --> 00:36:39,099
>> OH.
1229
00:36:39,132 --> 00:36:40,433
>> OH.
1230
00:36:40,467 --> 00:36:41,801
OH MY GOD, WHAT A STUNNER.
1231
00:36:41,835 --> 00:36:43,603
>> WHENEVER AUSTIN WOULD COME
1232
00:36:43,636 --> 00:36:45,305
AND JUST FLICK YOU OFF AND GIVE
1233
00:36:45,338 --> 00:36:46,673
YOU THE STUNNER, IT WAS AMAZING.
1234
00:36:46,706 --> 00:36:50,076
>> I ALWAYS THOUGHT IT WAS THE
1235
00:36:50,110 --> 00:36:53,480
GREATEST MOVE.
1236
00:36:53,513 --> 00:36:55,448
>> AUSTIN GOT THE STUNNER.
1237
00:36:55,482 --> 00:36:56,549
>> IT'S SO SIMPLE, BUT IT'S SO
1238
00:36:56,583 --> 00:36:57,984
VISUALLY EXCITING.
1239
00:36:58,084 --> 00:36:59,819
>> OH, WAIT A MINUTE, LOOK AT
1240
00:36:59,853 --> 00:37:01,454
THIS.
1241
00:37:01,488 --> 00:37:02,489
>> THE WAY HE WOULD TAKE YOU AND
1242
00:37:02,522 --> 00:37:04,391
JACK YOU DOWN AND HIT ON HIS
1243
00:37:04,424 --> 00:37:06,326
ASS, THE VERTEBRAE JACKING ALL
1244
00:37:06,359 --> 00:37:07,861
THE WAY UP AND KNOCKING THE GUY
1245
00:37:07,894 --> 00:37:09,696
OUT.
1246
00:37:09,729 --> 00:37:11,031
>> IT JUST WORKED GREAT FOR MY
1247
00:37:11,064 --> 00:37:13,800
CHARACTER, IS SUDDEN AS THE
1248
00:37:13,833 --> 00:37:15,201
GLASS BREAKING IS, SO IS THE
1249
00:37:15,235 --> 00:37:17,270
KICK AND THE EXECUTION OF THE
1250
00:37:17,303 --> 00:37:18,905
STONE COLD STUNNER.
1251
00:37:18,938 --> 00:37:19,906
>> THE GREAT THING ABOUT THE
1252
00:37:19,939 --> 00:37:21,041
STUNNER IS THAT YOU CAN DO IT
1253
00:37:21,041 --> 00:37:22,042
WHENEVER, EVERY TIME YOU SAW
1254
00:37:22,075 --> 00:37:23,710
STONE COLD ON A PROMO OR IN THE
1255
00:37:23,743 --> 00:37:24,878
RING, YOU'RE LIKE, WHEN'S IT
1256
00:37:24,911 --> 00:37:25,845
COMING.
1257
00:37:25,879 --> 00:37:27,447
>> STUNNER.
1258
00:37:27,480 --> 00:37:29,549
OH MY GOD, IT'S OVER.
1259
00:37:29,582 --> 00:37:30,884
>> AS A KID, I WOULD GO TO THE
1260
00:37:30,917 --> 00:37:32,419
CENTER JUST SO THAT I'D BE ABLE
1261
00:37:32,452 --> 00:37:34,854
TO SEE THE STUNNER.
1262
00:37:34,888 --> 00:37:35,889
ANY TIME HE WOULD HIT THAT, THE
1263
00:37:35,922 --> 00:37:40,593
CROWD WOULD GET SO EXCITED.
1264
00:37:40,627 --> 00:37:42,529
THEN WE GET TO SMASH SOME BEERS
1265
00:37:42,562 --> 00:37:43,563
AND DRINK SOME BEERS AND THROW
1266
00:37:43,596 --> 00:37:48,735
THE MIDDLE FINGER UP, I LOVE IT.
1267
00:37:48,768 --> 00:37:49,669
[MUSIC] >> MAN, I HAVE SO MANY
1268
00:37:49,703 --> 00:37:50,637
FAVORITES STUNNERS, IT'S
1269
00:37:50,670 --> 00:37:51,938
UNBELIEVABLE.
1270
00:37:51,971 --> 00:37:53,173
SCOTT HALL TOOK AN AMAZING
1271
00:37:53,206 --> 00:37:55,275
STUNNER AT WRESTLEMANIA 18.
1272
00:37:55,308 --> 00:37:56,443
I'LL NEVER FORGET THAT ONE.
1273
00:37:56,476 --> 00:37:57,944
>> STUNNER.
1274
00:37:57,977 --> 00:37:59,079
AUSTIN GOT THE STUNNER.
1275
00:37:59,079 --> 00:38:00,013
>> THE BOTCH WITH VINCE IN
1276
00:38:00,013 --> 00:38:01,214
MADISON SQUARE GARDEN.
1277
00:38:01,247 --> 00:38:07,854
>> YOU CAN KISS MY ASS.
1278
00:38:07,887 --> 00:38:09,022
>> NO ONE HAD EVER TOUCHED VINCE
1279
00:38:09,022 --> 00:38:11,458
IN THAT FASHION.
1280
00:38:11,491 --> 00:38:12,258
THAT WAS A GREAT ONE THAT I'LL
1281
00:38:12,292 --> 00:38:13,526
ALWAYS LOVE.
1282
00:38:13,560 --> 00:38:14,627
WATCHING HIM SELL, THAT WAS
1283
00:38:14,661 --> 00:38:16,062
AWESOME.
1284
00:38:16,096 --> 00:38:16,830
EVERY STUNNER THAT I GAVE THE
1285
00:38:16,863 --> 00:38:20,233
ROCK WAS UNIQUE AND A HUGE SELL
1286
00:38:20,266 --> 00:38:21,401
FROM HIM AND HE TOOK IT OVER THE
1287
00:38:21,434 --> 00:38:23,870
TOP AND THAT'S WHAT MADE IT SO
1288
00:38:23,903 --> 00:38:25,872
DYNAMIC AND THAT WAS THE
1289
00:38:25,905 --> 00:38:27,540
CHEMISTRY BETWEEN MYSELF AND THE
1290
00:38:27,574 --> 00:38:28,842
MOST ELECTRIFYING MAN IN THE
1291
00:38:28,875 --> 00:38:31,177
HISTORY OF THE BUSINESS.
1292
00:38:31,211 --> 00:38:34,714
>> OH, AUSTIN GOT THE STUNNER.
1293
00:38:34,748 --> 00:38:35,949
>> AT WRESTLEMANIA 38, I GOT A
1294
00:38:36,049 --> 00:38:38,385
CHANCE TO STUN AUSTIN THEORY.
1295
00:38:38,418 --> 00:38:39,652
THE WAY HE FLEW UP IN THE AIR
1296
00:38:39,686 --> 00:38:41,354
AND JUST WAS MAKING THE MOTIONS
1297
00:38:41,388 --> 00:38:42,522
THAT HE DID.
1298
00:38:42,555 --> 00:38:43,590
IT WAS FANTASTIC.
1299
00:38:43,623 --> 00:38:46,459
IT WAS A WRESTLEMANIA MOMENT.
1300
00:38:46,493 --> 00:38:49,696
>> AUSTIN STUNS AUSTIN.
1301
00:38:49,729 --> 00:38:52,465
>> JUST TO BE IN THAT CATEGORY
1302
00:38:52,499 --> 00:38:53,366
OF THIS GUY GOT STUNNED BY
1303
00:38:53,400 --> 00:38:54,467
AUSTIN.
1304
00:38:54,501 --> 00:38:55,301
I MEAN, I COULD QUIT NOW IF I
1305
00:38:55,335 --> 00:38:57,671
WANTED TO.
1306
00:38:57,704 --> 00:39:00,874
>> PAT MCAFEE, HE DID A TOTAL
1307
00:39:00,907 --> 00:39:02,409
DIFFERENT SPIN ON IT, BUT EVERY
1308
00:39:02,442 --> 00:39:04,377
BIT AS SPECTACULAR, AND ALTHOUGH
1309
00:39:04,411 --> 00:39:06,146
HE WAS BASICALLY KNOCKED OUT
1310
00:39:06,179 --> 00:39:08,114
FROM THE STUNNER, SOMEHOW HE WAS
1311
00:39:08,148 --> 00:39:10,350
ABLE TO KEEP POUR AND BEER HIS
1312
00:39:10,383 --> 00:39:11,551
MOUTH.
1313
00:39:11,584 --> 00:39:15,021
IT WAS ABSOLUTELY RIDICULOUS.
1314
00:39:15,021 --> 00:39:15,889
>> IT WAS SO MUCH FUN.
1315
00:39:15,922 --> 00:39:16,790
YOU COULD JUST FEEL THE WHOLE
1316
00:39:16,823 --> 00:39:18,291
ENERGY FROM THE CROWD BECAUSE I
1317
00:39:18,324 --> 00:39:19,492
DON'T THINK A SINGLE PERSON LEFT
1318
00:39:19,526 --> 00:39:20,460
THEIR SEATS FOR 15 MINUTES AFTER
1319
00:39:20,493 --> 00:39:21,594
WE'RE THROUGH JUST CHUGGING
1320
00:39:21,628 --> 00:39:22,462
BEER.
1321
00:39:22,495 --> 00:39:24,064
>> THAT'S THE BOTTOM LINE
1322
00:39:24,097 --> 00:39:30,203
BECAUSE STONE COLD SAID SO.
1323
00:39:30,236 --> 00:39:31,604
>> WHAT A CAREER.
1324
00:39:31,638 --> 00:39:32,706
STONE COLD'S UNFORGETTABLE
1325
00:39:32,739 --> 00:39:33,873
STUNNERS HAVE BECOME AN AMAZING
1326
00:39:33,907 --> 00:39:36,309
LEGACY AND HIGHLIGHT REEL OF
1327
00:39:36,343 --> 00:39:39,045
GREAT WWE MOMENTS.
1328
00:39:39,045 --> 00:39:40,647
ALL OF THESE FINISHING MOVES
1329
00:39:40,680 --> 00:39:42,782
WHETHER TERRIFYING OR AWE
1330
00:39:42,816 --> 00:39:44,517
INSPIRING MAKE UP THE FABRIC AND
1331
00:39:44,551 --> 00:39:47,520
MAGIC OF THE WWE THAT FANS LIKE
1332
00:39:47,554 --> 00:39:50,323
US JUST CAN'T GET ENOUGH OF.
1333
00:39:50,357 --> 00:39:51,725
I'M KIND OF FUNNY'S GREG MILLER.
1334
00:39:51,758 --> 00:39:53,126
THIS HAS BEEN AWESOME AND I'LL
1335
00:39:53,159 --> 00:39:57,597
SEE YOU NEXT TIME.
1336
00:39:57,630 --> 00:39:59,132
ON THE NEXT THIS IS AWESOME, THE
1337
00:39:59,165 --> 00:40:00,867
MOST AWESOME WEDDINGS IN WWE
1338
00:40:00,900 --> 00:40:03,670
HISTORY, FROM THE DESPERATE AND
1339
00:40:03,703 --> 00:40:06,072
DOWNRIGHT DISASTERS TO LAS
1340
00:40:06,106 --> 00:40:08,141
VEGAS, LOVE STORIES.
1341
00:40:08,174 --> 00:40:09,409
>> MR. AND MRS. HUNTER HEARST
1342
00:40:09,442 --> 00:40:10,977
HELMSLEY.
1343
00:40:11,011 --> 00:40:13,179
>> UNHOLY UNIONS.
1344
00:40:13,213 --> 00:40:14,114
>> WHO CAN FORGET THESE
1345
00:40:14,147 --> 00:40:16,716
BEAUTIFUL WEDDING MOMENTS?
1346
00:40:16,750 --> 00:40:18,251
WEDDINGS THAT ALWAYS GO JUST AS
1347
00:40:18,284 --> 00:40:19,986
PLANNED.
1348
00:40:20,020 --> 00:40:21,354
>> KANE HAS TOMBSTONED THE
1349
00:40:21,388 --> 00:40:22,756
PRIEST.
1350
00:40:22,789 --> 00:40:23,857
>> JOIN THE WWE UNIVERSE FROM
1351
00:40:23,890 --> 00:40:26,292
SAYING I DO.
1352
00:40:26,326 --> 00:40:29,796
>> YOU STINK AND THE WHOLE DAMN
1353
00:40:29,829 --> 00:40:31,631
WEDDING STINKS.
1354
00:40:31,664 --> 00:40:32,966
>> ONLY ON THE NEXT.
1355
00:40:32,999 --> 00:40:36,736
THIS IS AWESOME.
1356
00:40:36,770 --> 00:40:38,705
[SCREAMING]
1357
00:40:38,755 --> 00:40:43,305
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