All language subtitles for WWE This Is Awesome s01e04 Most Awesome Finishing Moves.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,168 --> 00:00:05,705 [MUSIC] 2 00:00:05,739 --> 00:00:07,340 >> YOU KNOW THAT FEELING WE ALL 3 00:00:07,374 --> 00:00:09,042 GET WHEN WWE IS TOTALLY AWESOME? 4 00:00:09,075 --> 00:00:12,779 [CROWD CHEERS] >> OH, YEAH. 5 00:00:12,812 --> 00:00:13,947 >> THAT FEELING OF FUN, 6 00:00:13,980 --> 00:00:15,281 NOSTALGIA. 7 00:00:15,315 --> 00:00:18,351 THE ICONIC IMAGES THAT MADE YOU 8 00:00:18,385 --> 00:00:20,053 A LIFELONG FAN. 9 00:00:20,086 --> 00:00:21,855 LIKE THE MOST AWESOME FINISHING 10 00:00:21,888 --> 00:00:24,357 MOVES IN WWE. 11 00:00:24,391 --> 00:00:26,593 FROM THE STUNNING- >> STUNNER, 12 00:00:26,626 --> 00:00:28,294 STUNNER. 13 00:00:28,328 --> 00:00:29,596 >> TO THE SUDDEN. 14 00:00:29,629 --> 00:00:31,464 >> OH, NO, RKO. 15 00:00:31,498 --> 00:00:32,432 >> MY GOD, THE RKO OUT OF 16 00:00:32,465 --> 00:00:33,833 NOWHERE. 17 00:00:33,867 --> 00:00:36,336 >> AREA CODES- >> 619. 18 00:00:36,369 --> 00:00:38,905 >> -TO AERIAL STRIKES. 19 00:00:38,938 --> 00:00:40,373 >> FROM THE TOP ROPE WITH THE 20 00:00:40,407 --> 00:00:42,275 PHENOMENAL FOREARM. 21 00:00:42,308 --> 00:00:47,013 >> THESE ARE THE WWE FINISHING 22 00:00:47,047 --> 00:00:47,947 MOVES THAT THRILL US- 23 00:00:47,981 --> 00:00:48,782 >> OH, MY 24 00:00:48,815 --> 00:00:49,616 GOD. 25 00:00:49,649 --> 00:00:50,450 >> -THAT SHOCK US AND BRING US 26 00:00:50,483 --> 00:00:55,855 TO OUR FEET TO CHANT IN UNISON, 27 00:00:55,889 --> 00:00:57,490 "THIS IS AWESOME." 28 00:00:57,524 --> 00:01:07,467 [CROWD CHANTS "THIS IS AWESOME"] 29 00:01:07,500 --> 00:01:08,501 >> WELCOME EVERYONE TO THIS IS 30 00:01:08,535 --> 00:01:09,602 AWESOME. 31 00:01:09,636 --> 00:01:11,237 THE ONLY SHOW THAT DIVES INTO 32 00:01:11,271 --> 00:01:13,573 THE MOST AWESOME EVERYTHING. 33 00:01:13,606 --> 00:01:16,176 THEN, NOW AND FOREVER. 34 00:01:16,209 --> 00:01:17,944 I'M YOUR HOST GREG MILLER 35 00:01:17,977 --> 00:01:19,946 @GAMEOVERGREGGY AND TODAY WE 36 00:01:19,979 --> 00:01:21,414 LOOK AT THE MOST AWESOME 37 00:01:21,448 --> 00:01:23,817 FINISHING MOVES IN WWE HISTORY. 38 00:01:23,850 --> 00:01:25,352 WHETHER YOU'VE DEFINITELY NOT 39 00:01:25,385 --> 00:01:27,087 TRIED THEM AT HOME, SEEN THEM 40 00:01:27,120 --> 00:01:29,089 ALL OVER SOCIAL MEDIA, OR SIMPLY 41 00:01:29,122 --> 00:01:30,990 CAUGHT UP IN THE EXCITEMENT, WWE 42 00:01:31,091 --> 00:01:32,392 SUPERSTARS PULLED OFF THAT FINAL 43 00:01:32,425 --> 00:01:35,228 STOP IN AN EPIC MATCH. 44 00:01:35,261 --> 00:01:36,463 THERE'S NO DOUBT THAT WE ALL 45 00:01:36,496 --> 00:01:38,098 SHARE IN A THRILLING EXPERIENCE 46 00:01:38,131 --> 00:01:39,332 LIKE NO OTHER. 47 00:01:39,366 --> 00:01:40,667 WHAT ARE WE WAITING FOR? 48 00:01:40,700 --> 00:01:43,970 FINISH HIM. 49 00:01:44,004 --> 00:01:44,804 >> MAN, WHAT MAKES A GOOD 50 00:01:44,838 --> 00:01:45,972 FINISHING MOVE? 51 00:01:46,006 --> 00:01:46,873 THAT'S ACTUALLY A REALLY GREAT 52 00:01:46,906 --> 00:01:47,974 QUESTION. 53 00:01:48,008 --> 00:01:49,242 [MUSIC] >> SKULL-CRUSHING 54 00:01:49,275 --> 00:01:50,010 FINALE. 55 00:01:50,110 --> 00:01:51,311 >> RUDE AWAKENING. 56 00:01:51,344 --> 00:01:52,345 FORGET ABOUT IT. 57 00:01:52,379 --> 00:01:53,313 >> A GOOD FINISHING MOVE HAS TO 58 00:01:53,346 --> 00:01:54,948 BE BELIEVABLE. 59 00:01:54,981 --> 00:01:57,117 >> IT HAS TO BE IMPACTFUL. 60 00:01:57,150 --> 00:01:58,785 >> BONZAI. 61 00:01:58,818 --> 00:02:00,553 >> ZIGGLER, ZIG ZAG. 62 00:02:00,587 --> 00:02:01,588 >> THAT'S ONE OF THE MOST 63 00:02:01,621 --> 00:02:02,522 DEVASTATING MANEUVERS I'VE EVER 64 00:02:02,555 --> 00:02:03,790 SEEN. 65 00:02:03,823 --> 00:02:05,325 >> THEY NEED TO STAND OUT. 66 00:02:05,358 --> 00:02:08,061 >> IT HAS TO BE A STATEMENT. 67 00:02:08,094 --> 00:02:09,529 >> THERE IS NO WAY. 68 00:02:09,562 --> 00:02:11,364 >> OH, MY GOD. 69 00:02:11,398 --> 00:02:13,333 >> FAIRYTALE ENDING. 70 00:02:13,366 --> 00:02:14,668 >> FROG SPLASH. 71 00:02:14,701 --> 00:02:16,336 FROG SPLASH. 72 00:02:16,369 --> 00:02:17,437 >> MOST IMPORTANTLY IT KEEPS 73 00:02:17,470 --> 00:02:20,707 PEOPLE DOWN FOR THE FINISH. 74 00:02:20,740 --> 00:02:21,675 THEY GOT TO GET THE THREE-COUNT 75 00:02:21,708 --> 00:02:23,543 AFTER THEY HIT THIS MOVE. 76 00:02:23,576 --> 00:02:25,445 >> CLOTHESLINE FROM HELL. 77 00:02:25,478 --> 00:02:26,746 >> PEOPLE WHEN THEY SEE IT, THEY 78 00:02:26,780 --> 00:02:28,214 KNOW THAT THAT'S THE END OF THE 79 00:02:28,248 --> 00:02:29,582 MATCH. 80 00:02:29,616 --> 00:02:30,650 >> OH, THERE'S ABSOLUTELY NO WAY 81 00:02:30,684 --> 00:02:31,785 THEY'RE GETTING UP FROM THAT. 82 00:02:31,818 --> 00:02:32,986 STICK A FORK IN THEM. 83 00:02:33,086 --> 00:02:34,087 >> FORGET ABOUT IT. 84 00:02:34,120 --> 00:02:35,388 IT'S OVER. 85 00:02:35,422 --> 00:02:36,456 >> IT'S A MOVE THAT YOU CAN DO 86 00:02:36,489 --> 00:02:37,824 ON ANYONE. 87 00:02:37,857 --> 00:02:39,159 >> TO ANY PERSON NO MATTER WHAT 88 00:02:39,192 --> 00:02:41,194 THEIR SIZE IS. 89 00:02:41,227 --> 00:02:42,495 >> THAT GOES A LONG WAY. 90 00:02:42,529 --> 00:02:43,596 IT'S ALSO IMPORTANT THAT YOU 91 00:02:43,630 --> 00:02:44,497 HAVE THE ABILITY TO HIT IT OUT 92 00:02:44,531 --> 00:02:46,800 OF NOWHERE. 93 00:02:46,833 --> 00:02:48,702 >> OH, MY GOD. 94 00:02:48,735 --> 00:02:50,770 OUT OF NOWHERE. 95 00:02:50,804 --> 00:02:53,106 [MUSIC] >> AS A WRESTLER, I WANT 96 00:02:53,106 --> 00:02:54,874 MY FINISHING MOVE TO BE 97 00:02:54,908 --> 00:02:57,777 SOMETHING THAT I CAN TEASE. 98 00:02:57,811 --> 00:02:59,346 >> HE'S CALLING FOR IT. 99 00:02:59,379 --> 00:03:01,348 >> IT HAS TO HAVE A GREAT SETUP. 100 00:03:01,381 --> 00:03:02,882 >> THE VIPER IS COILED. 101 00:03:02,916 --> 00:03:03,883 >> PERFECT POSITION FOR A 102 00:03:03,917 --> 00:03:05,719 BATISTA BOMB. 103 00:03:05,752 --> 00:03:07,053 >> COBRA TIME. 104 00:03:07,053 --> 00:03:08,154 >> COBRA. 105 00:03:08,188 --> 00:03:09,356 >> SOMETIMES, YOU WANT TO BUILD 106 00:03:09,389 --> 00:03:10,757 THAT ANTICIPATION. 107 00:03:10,790 --> 00:03:13,893 >> THE BAND IS TUNING UP. 108 00:03:13,927 --> 00:03:15,061 >> GET EVERYONE TO UNDERSTAND 109 00:03:15,061 --> 00:03:16,696 IT'S COMING, IT'S ABOUT TO GO 110 00:03:16,730 --> 00:03:18,164 DOWN. 111 00:03:18,198 --> 00:03:19,199 [CROWD COUNTING DOWN, "THREE, 112 00:03:19,232 --> 00:03:21,735 TWO, ONE"] >> CLAYMORE. 113 00:03:21,768 --> 00:03:23,703 >> I THINK MY FAVORITE FINISHING 114 00:03:23,737 --> 00:03:27,073 MOVE- 115 00:03:27,073 --> 00:03:28,074 >> I ALWAYS LOVED POWER 116 00:03:28,074 --> 00:03:30,243 FINISHING MOVES. 117 00:03:30,276 --> 00:03:31,244 >> LOOK AT THE STRENGTH, OF THE 118 00:03:31,277 --> 00:03:32,345 POWER. 119 00:03:32,379 --> 00:03:35,081 >> OH, MY GOODNESS. 120 00:03:35,115 --> 00:03:36,216 >> I'VE ALWAYS BEEN PARTIAL TO 121 00:03:36,249 --> 00:03:38,618 SUBMISSIONS, OBVIOUSLY. 122 00:03:38,651 --> 00:03:39,819 >> LOOK AT THIS, SITTING DOWN. 123 00:03:39,853 --> 00:03:41,588 THIS HURTS, BROTHER. 124 00:03:41,621 --> 00:03:42,756 [CROWD CHEERS] >> CAN'T TAKE TOO 125 00:03:42,789 --> 00:03:43,690 MUCH OF THIS HOLD, THE PAIN IS 126 00:03:43,723 --> 00:03:45,191 UNBELIEVABLE. 127 00:03:45,225 --> 00:03:46,793 >> ROCK BOTTOM. 128 00:03:46,826 --> 00:03:47,961 [CROWD CHEERS] >> THE RAZOR'S 129 00:03:47,994 --> 00:03:49,662 EDGE. 130 00:03:49,696 --> 00:03:50,630 [CROWD CHEERS] >> I WAS A BIG 131 00:03:50,663 --> 00:03:52,132 FAN OF THE SHOOTING STAR PRESS. 132 00:03:52,165 --> 00:03:53,400 [CROWD CHEERS] >> I LOVED THE 133 00:03:53,433 --> 00:03:54,801 ANKLE LOCK. 134 00:03:54,834 --> 00:03:55,702 >> HULK, WHAT DO YOU SAY? 135 00:03:55,735 --> 00:03:56,770 >> THE GLAM SLAM. 136 00:03:56,803 --> 00:03:58,104 >> HULK HOGAN'S LEG DROP. 137 00:03:58,138 --> 00:03:59,639 >> HULKSTER DROPS THE LEG. 138 00:03:59,673 --> 00:04:00,707 >> THE KOD. 139 00:04:00,740 --> 00:04:03,510 >> UNBELIEVABLE POWER BY BELAIR. 140 00:04:03,543 --> 00:04:05,278 >> PROBABLY THE PEDIGREE. 141 00:04:05,311 --> 00:04:08,314 >> GOLDBERG'S JACKHAMMER. 142 00:04:08,348 --> 00:04:09,649 >> THE PEOPLE'S ELBOW. 143 00:04:09,683 --> 00:04:11,251 >> THE MOST ELECTRIFYING MOVE IN 144 00:04:11,284 --> 00:04:13,453 ALL OF ENTERTAINMENT. 145 00:04:13,486 --> 00:04:15,188 OH, THE PEOPLE'S ELBOW. 146 00:04:15,221 --> 00:04:16,089 [CROWD CHEERS] >> WHEN YOU BUILD 147 00:04:16,122 --> 00:04:17,223 THAT CONNECTION WITH THE 148 00:04:17,257 --> 00:04:18,224 AUDIENCE, THAT'S WHAT MAKES THAT 149 00:04:18,258 --> 00:04:19,759 INDIVIDUAL MOVE OUT OF ALL THESE 150 00:04:19,793 --> 00:04:22,062 MOVES SO IMPORTANT. 151 00:04:22,062 --> 00:04:23,129 IT'S JUST HOW YOU CATER TO IT 152 00:04:23,163 --> 00:04:24,297 AND HOW MUCH PEOPLE ACTUALLY 153 00:04:24,330 --> 00:04:26,066 CARE TO SEE IT. 154 00:04:26,066 --> 00:04:30,804 [CROWD CHEERS] 155 00:04:30,837 --> 00:04:31,838 >> I CARE TO SEE 156 00:04:31,871 --> 00:04:32,839 IT. 157 00:04:32,872 --> 00:04:33,773 LET'S GET STARTED BY TAKING A 158 00:04:33,807 --> 00:04:34,674 TRIP TO DEATH VALLEY, WHERE OVER 159 00:04:34,708 --> 00:04:35,942 THE YEARS HUNDREDS OF SOULS HAD 160 00:04:35,975 --> 00:04:38,078 THEIR FATE SEALED BY WAY OF THE 161 00:04:38,078 --> 00:04:47,387 DREADED TOMBSTONE PILEDRIVER. 162 00:04:47,420 --> 00:04:48,421 >> FINISHING MOVES WHEN THEY'RE 163 00:04:48,455 --> 00:04:49,622 GREAT NEED TO BE ASSOCIATED WITH 164 00:04:49,656 --> 00:04:51,691 A CHARACTER. 165 00:04:51,725 --> 00:04:53,593 I DON'T THINK THAT'S EVER MORE 166 00:04:53,626 --> 00:04:54,794 TRUE THAN THE UNDERTAKER'S 167 00:04:54,828 --> 00:04:57,597 TOMBSTONE PILEDRIVER. 168 00:04:57,630 --> 00:04:59,165 >> THE DREADED TOMBSTONE. 169 00:04:59,199 --> 00:05:00,066 [CROWD CHEERS] >> PROBABLY THE 170 00:05:00,100 --> 00:05:01,267 MOST DEVASTATING MOVE IN ALL OF 171 00:05:01,301 --> 00:05:03,269 WWE. 172 00:05:03,303 --> 00:05:05,105 >> YOU KNEW THAT IT WAS OVER. 173 00:05:05,138 --> 00:05:06,373 >> TOMBSTONE. 174 00:05:06,406 --> 00:05:07,374 >> NO ONE EVER GOT UP FROM THE 175 00:05:07,407 --> 00:05:08,375 TOMBSTONE. 176 00:05:08,408 --> 00:05:09,309 >> TOMBSTONE. 177 00:05:09,342 --> 00:05:10,343 >> THERE'S NOT VERY MANY MEN 178 00:05:10,377 --> 00:05:11,544 THAT PICKED ME UP AND DROPPED ME 179 00:05:11,578 --> 00:05:12,645 ON MY HEAD. 180 00:05:12,679 --> 00:05:14,114 >> THAT MAN JUST WENT FROM 6'3" 181 00:05:14,147 --> 00:05:15,782 TO 5'10". 182 00:05:15,815 --> 00:05:17,417 >> THE MAN IS POSSESSED. 183 00:05:17,450 --> 00:05:19,486 >> IT'S SO METHODICAL. 184 00:05:19,519 --> 00:05:20,854 >> THE WAY THAT WHOLE MOVE JUST 185 00:05:20,887 --> 00:05:23,356 TOLD A STORY OF ITS OWN. 186 00:05:23,390 --> 00:05:24,691 >> WHEN HE TAKES HIS HAND ACROSS 187 00:05:24,724 --> 00:05:26,893 THE THROAT, THE PEOPLE RISE. 188 00:05:26,926 --> 00:05:28,128 >> HERE IT COMES. 189 00:05:28,161 --> 00:05:29,562 >> THERE'S A SETUP. 190 00:05:29,596 --> 00:05:34,134 PICK THE GUY UPSIDE DOWN-- 191 00:05:34,167 --> 00:05:35,168 >> OH 192 00:05:35,201 --> 00:05:36,136 MAN, TOMBSTONE. 193 00:05:36,169 --> 00:05:37,070 >> --AND THEN YOU DROP HIM ON 194 00:05:37,070 --> 00:05:38,071 HIS HEAD. 195 00:05:38,071 --> 00:05:38,938 >> THE DEAD MAN HAS CHOSEN HIS 196 00:05:38,972 --> 00:05:39,739 VICTIM. 197 00:05:39,773 --> 00:05:40,640 >> THE CROSSING OF THE ARMS. 198 00:05:40,674 --> 00:05:41,641 >> IT LOOKS AS THOUGH HE WILL 199 00:05:41,675 --> 00:05:42,575 LAY TO REST. 200 00:05:42,609 --> 00:05:43,810 >> THEN THE TONGUE AND THE EYES. 201 00:05:43,843 --> 00:05:45,078 [CHUCKLES] >> LOOK AT THE EYES 202 00:05:45,078 --> 00:05:45,912 ON THAT UNDERTAKER, WOULD YOU? 203 00:05:45,945 --> 00:05:47,080 >> HE'S PUTTING YOU IN THAT 204 00:05:47,080 --> 00:05:48,081 GRAVE. 205 00:05:48,114 --> 00:05:49,182 >> IT'S ONE OF THE MOST 206 00:05:49,215 --> 00:05:50,183 DEVASTATING MANEUVERS I'VE EVER 207 00:05:50,216 --> 00:05:51,184 SEEN. 208 00:05:51,217 --> 00:05:52,285 >> THE TOMBSTONE IS AN INVERTED 209 00:05:52,318 --> 00:05:53,620 PILEDRIVER WHICH WAS A NEW 210 00:05:53,653 --> 00:05:56,656 CONCEPT AT THE TIME. 211 00:05:56,690 --> 00:05:58,892 [CROWD CHEERS] >> WOW, HE JUST 212 00:05:58,925 --> 00:06:01,194 GOT NAILED WITH THE TOMBSTONE. 213 00:06:01,227 --> 00:06:02,796 >> WHAT IS IT? 214 00:06:02,829 --> 00:06:03,863 >> I THINK IT'S A TOMBSTONE AND 215 00:06:03,897 --> 00:06:05,432 IT'S OVER. 216 00:06:05,465 --> 00:06:06,666 >> EVERY WWE FAN KNEW THAT WE 217 00:06:06,700 --> 00:06:07,634 WERE LOOKING AT SOMETHING 218 00:06:07,667 --> 00:06:10,303 DIFFERENT. 219 00:06:10,337 --> 00:06:11,304 >> OH, MY. 220 00:06:11,338 --> 00:06:12,439 >> HE WASN'T DOING ANYTHING REAL 221 00:06:12,472 --> 00:06:14,741 UNDERTAKERS WEREN'T DOING. 222 00:06:14,774 --> 00:06:18,211 >> FROM BODY BAGS, TO CASKETS, 223 00:06:18,244 --> 00:06:19,779 TO LIVE BURIALS. 224 00:06:19,813 --> 00:06:21,181 THE UNDERTAKER HAD AN IMPRESSIVE 225 00:06:21,214 --> 00:06:22,482 AMOUNT OF WAYS TO CLEAN UP THE 226 00:06:22,515 --> 00:06:24,484 CARNAGE OF HIS DREADED TOMBSTONE 227 00:06:24,517 --> 00:06:27,320 PILEDRIVER, BUT EVEN MORE 228 00:06:27,354 --> 00:06:28,588 IMPRESSIVE WAS THE SUPERSTAR 229 00:06:28,621 --> 00:06:30,857 BODY COUNT. 230 00:06:30,890 --> 00:06:35,562 [MUSIC] 231 00:06:35,595 --> 00:06:38,765 >> FROM HULK HOGAN TO 232 00:06:38,798 --> 00:06:40,934 SHAWN MICHAELS AND EVERYBODY IN 233 00:06:40,967 --> 00:06:46,773 BETWEEN. 234 00:06:46,806 --> 00:06:47,941 >> HE GAVE ME THREE IN ONE 235 00:06:47,974 --> 00:06:48,975 MATCH. 236 00:06:49,075 --> 00:06:49,909 >> UNDERTAKER'S TRYING TO KILL 237 00:06:49,943 --> 00:06:51,411 HIS OWN BROTHER. 238 00:06:51,444 --> 00:06:52,612 >> SO TERRIFYING. 239 00:06:52,645 --> 00:06:53,646 THAT MUST BE WHY HE HAD SO MUCH 240 00:06:53,680 --> 00:06:54,881 SUCCESS WITH IT FOR SO MANY 241 00:06:54,914 --> 00:06:56,416 YEARS. 242 00:06:56,449 --> 00:06:57,851 >> ANOTHER ONE. 243 00:06:57,884 --> 00:07:08,261 >> BRING OUT THE BAG. 244 00:07:09,829 --> 00:07:11,031 >> 450 TOMBSTONE. 245 00:07:11,031 --> 00:07:12,098 >> NO WAY. 246 00:07:12,132 --> 00:07:13,266 NO FREAKING WAY. 247 00:07:13,299 --> 00:07:16,169 >> GOD. 248 00:07:16,202 --> 00:07:17,804 >> NOT ONLY WAS IT EXTREMELY 249 00:07:17,837 --> 00:07:19,272 VISUALLY DEVASTATING BUT ALSO 250 00:07:19,305 --> 00:07:21,641 THE FACT THAT IT WAS UNDERTAKER 251 00:07:21,675 --> 00:07:24,778 DOING IT. 252 00:07:24,811 --> 00:07:27,047 >> REST IN PEACE. 253 00:07:27,047 --> 00:07:34,854 [THE UNDERTAKER'S MUSIC PLAYS] 254 00:07:34,888 --> 00:07:36,056 >> NOW, LET'S MOVE ON FROM ON A 255 00:07:36,056 --> 00:07:38,358 DEAD MAN TO A VIPER, WHO 256 00:07:38,391 --> 00:07:39,659 ARGUABLY HAS ONE OF THE MOST 257 00:07:39,693 --> 00:07:41,361 CAPTIVATING, AWESOME, AND VIRAL 258 00:07:41,394 --> 00:07:44,130 FINISHING MANEUVERS IN WWE 259 00:07:44,164 --> 00:07:45,932 HISTORY. 260 00:07:45,965 --> 00:07:47,067 IT ALWAYS SEEMS TO COME OUT OF 261 00:07:47,067 --> 00:07:48,368 NOWHERE. 262 00:07:48,401 --> 00:07:50,303 >> RANDY, AN RKO. 263 00:07:50,337 --> 00:07:52,372 RANDY ORTON WITH AN RKO OUT OF 264 00:07:52,405 --> 00:07:55,508 NOWHERE. 265 00:07:55,542 --> 00:07:57,077 >> IS THERE ANYTHING BETTER THAN 266 00:07:57,110 --> 00:07:59,245 AN RKO OUT OF NOWHERE? 267 00:07:59,279 --> 00:08:00,613 [MUSIC] >> OH, RANDY ORTON WITH 268 00:08:00,647 --> 00:08:01,381 AN RKO. 269 00:08:01,414 --> 00:08:02,482 >> BEAUTIFUL. 270 00:08:02,515 --> 00:08:04,017 >> OUT OF NOWHERE. 271 00:08:04,017 --> 00:08:05,085 >> THE RKO IS DEFINITELY ONE OF 272 00:08:05,118 --> 00:08:06,486 THE BEST FINISHES IN THE 273 00:08:06,519 --> 00:08:08,288 BUSINESS. 274 00:08:08,321 --> 00:08:09,122 >> HE CAUGHT HIM WITH AN RKO IN 275 00:08:09,155 --> 00:08:10,623 MID-AIR. 276 00:08:10,657 --> 00:08:12,525 >> RANDY ORTON, AN RKO. 277 00:08:12,559 --> 00:08:14,728 >> I WOULD SAY MY FAVORITE 278 00:08:14,761 --> 00:08:16,062 FINISHING MOVE IT'S GOT TO BE 279 00:08:16,096 --> 00:08:17,197 THE RKO, RIGHT? 280 00:08:17,230 --> 00:08:18,264 I MEAN, WHATEVER YOU WANT TO 281 00:08:18,298 --> 00:08:19,933 CALL IT, THE DIAMOND CUTTER, THE 282 00:08:20,033 --> 00:08:21,167 ACE CUTTER. 283 00:08:21,201 --> 00:08:22,268 >> OH, HE GOT THE CUTTER. 284 00:08:22,302 --> 00:08:23,703 >> HE GOT THE DIAMOND CUTTER AND 285 00:08:23,737 --> 00:08:25,638 THE PLACE EXPLODES. 286 00:08:25,672 --> 00:08:27,040 >> THE DIAMOND CUTTER WAS 287 00:08:27,040 --> 00:08:28,908 ORIGINALLY JOHNNY ACE'S "ACE 288 00:08:28,942 --> 00:08:30,610 CRUSHER". 289 00:08:30,643 --> 00:08:32,445 I TOOK THAT, BUT WHAT REALLY 290 00:08:32,479 --> 00:08:34,280 MADE THE DIAMOND CUTTER ITS OWN 291 00:08:34,314 --> 00:08:36,916 THAT NOBODY WAS DOING WAS 292 00:08:36,950 --> 00:08:39,386 CATCHING IT OUT OF NOWHERE. 293 00:08:39,419 --> 00:08:40,587 >> THAT'S WHAT IS SO UNIQUE 294 00:08:40,620 --> 00:08:41,855 ABOUT THAT MOVE. 295 00:08:41,888 --> 00:08:43,223 OUT OF ANYWHERE, HE CAN PUT IT 296 00:08:43,256 --> 00:08:45,058 ON. 297 00:08:45,058 --> 00:08:46,059 >> THEN RANDY KICKED IT UP A 298 00:08:46,059 --> 00:08:48,428 NOTCH, AND THEN FOR THE LAST 20 299 00:08:48,461 --> 00:08:50,130 YEARS, I THINK THE RKO HAS TAKEN 300 00:08:50,163 --> 00:08:51,965 ON A LIFE OF ITSELF. 301 00:08:52,065 --> 00:08:53,533 >> INTO AN RKO. 302 00:08:53,566 --> 00:08:54,801 WHAT A COUNTER. 303 00:08:54,834 --> 00:08:55,969 >> I THINK THE MAGIC OF THE RKO 304 00:08:56,069 --> 00:08:57,804 IS THAT IT'S FINAL. 305 00:08:57,837 --> 00:08:59,072 NO ONE IS SAFE. 306 00:08:59,072 --> 00:09:01,007 >> AN RKO IN MID-AIR. 307 00:09:01,041 --> 00:09:02,742 >> I DON'T THINK THERE'S ANY 308 00:09:02,776 --> 00:09:03,877 FINISHING MANEUVER THAT'S MORE 309 00:09:03,910 --> 00:09:06,012 FUN THAN THE RKO. 310 00:09:06,012 --> 00:09:07,213 THE WAY HE COILS UP. 311 00:09:07,247 --> 00:09:08,748 >> RANDY ORTON ABOUT TO GO TO 312 00:09:08,782 --> 00:09:10,283 THAT PLACE. 313 00:09:10,316 --> 00:09:11,618 >> THE VIPER IS COILED AND READY 314 00:09:11,651 --> 00:09:14,087 TO STRIKE. 315 00:09:14,120 --> 00:09:15,188 >> YOU CAN HEAR THE CROWD STAND 316 00:09:15,221 --> 00:09:16,189 UP AND START APPLAUDING AND 317 00:09:16,222 --> 00:09:22,195 GETTING READY, AND ONCE IT'S HIT 318 00:09:22,228 --> 00:09:23,129 IT BLOWS THE ROOF OFF THE PLACE 319 00:09:23,163 --> 00:09:24,364 EVERY TIME. 320 00:09:24,397 --> 00:09:25,432 >> RANDY WILL SET IT UP 321 00:09:25,465 --> 00:09:27,734 SOMETIMES, BUT MOST TIMES THE 322 00:09:27,767 --> 00:09:29,235 RKO COMES OUT OF NOWHERE. 323 00:09:29,269 --> 00:09:30,937 >> THE VIPER STRIKES. 324 00:09:31,037 --> 00:09:32,105 >> I'VE SEEN RANDY ORTON CATCH 325 00:09:32,138 --> 00:09:33,440 PEOPLE COMING OFF THE TOP ROPE, 326 00:09:33,473 --> 00:09:36,776 SPRINGBOARDING INTO IT OR ONTO 327 00:09:36,810 --> 00:09:40,213 THE HOODS OF CARS. 328 00:09:40,246 --> 00:09:41,147 SHOOTING STAR PRESS. 329 00:09:41,181 --> 00:09:43,216 >> OH, DID HE DO IT? 330 00:09:43,249 --> 00:09:44,384 DID HE GET HIM? 331 00:09:44,417 --> 00:09:46,086 OH, MY GOD. 332 00:09:46,119 --> 00:09:49,923 >> RANDY ORTON SLITHERING-- 333 00:09:49,956 --> 00:09:50,957 WATCH OUT. 334 00:09:51,057 --> 00:09:51,825 WATCH OUT. 335 00:09:51,858 --> 00:09:52,792 WATCH OUT. 336 00:09:52,826 --> 00:09:53,526 RKO. 337 00:09:53,560 --> 00:09:54,494 >> I FEEL LIKE THE RKO HAS 338 00:09:54,527 --> 00:09:55,428 BECOME A SOCIAL MEDIA 339 00:09:55,462 --> 00:09:56,363 PHENOMENON. 340 00:09:56,396 --> 00:09:57,397 OBVIOUSLY, THE INFAMOUS VIDEO OF 341 00:09:57,430 --> 00:09:58,398 HIS WIFE, RANDY'S WIFE GIVING IT 342 00:09:58,431 --> 00:09:59,466 TO HIM ON THE BEACH. 343 00:09:59,499 --> 00:10:00,867 >> I THINK THE RKO TRANSCENDS 344 00:10:00,900 --> 00:10:02,769 BEYOND WWE. 345 00:10:02,802 --> 00:10:04,371 THEN IT BECAME A MEME, IT BECAME 346 00:10:04,404 --> 00:10:06,072 VIRAL. 347 00:10:06,106 --> 00:10:08,675 >> OH, MAN. 348 00:10:08,708 --> 00:10:12,979 >> OH, RKO. 349 00:10:13,013 --> 00:10:14,014 >> OH, NO. 350 00:10:14,047 --> 00:10:15,148 OUT OF NOWHERE. 351 00:10:15,181 --> 00:10:16,249 >> IT IS HILARIOUS LIKE PEOPLE 352 00:10:16,282 --> 00:10:17,417 ARE SO CREATIVE WITH MEMES AND 353 00:10:17,450 --> 00:10:18,485 GIFS. 354 00:10:18,518 --> 00:10:19,486 THAT'S WHAT I LOVE ABOUT THE 355 00:10:19,519 --> 00:10:20,653 RKO. 356 00:10:20,687 --> 00:10:21,855 >> IT JUST GOES TO SHOW YOU THE 357 00:10:21,888 --> 00:10:23,923 POWER THAT WRESTLING HAS. 358 00:10:23,957 --> 00:10:24,991 IT LEAPS INTO ALL DIFFERENT 359 00:10:25,025 --> 00:10:26,459 WORLDS, NOT JUST OUR OWN. 360 00:10:26,493 --> 00:10:27,961 >> IT'S HARD TO DISPUTE THE 361 00:10:27,994 --> 00:10:30,196 POPULARITY OF THE RKO AND THE 362 00:10:30,230 --> 00:10:31,664 HUGE ROLE IT PLAYED IN RANDY 363 00:10:31,698 --> 00:10:33,600 ORTON'S LEGENDARY CAREER. 364 00:10:33,633 --> 00:10:35,101 >> HE JUST LOOKS LIKE A STAR. 365 00:10:35,135 --> 00:10:36,069 YOU JUST KNOW YOU'RE IN THE 366 00:10:36,102 --> 00:10:38,171 PRESENCE OF GREATNESS. 367 00:10:38,204 --> 00:10:39,572 >> THAT'S WHAT MAKES THE RKO 368 00:10:39,606 --> 00:10:42,008 SUCH A SPECIAL MOVE IS THAT YOU 369 00:10:42,042 --> 00:10:43,943 CAN GO THROUGH HIGHLIGHT REELS 370 00:10:43,977 --> 00:10:45,512 AND SEE AMAZING TIMES THE RKO 371 00:10:45,545 --> 00:10:47,113 HAS BEEN PULLED OFF. 372 00:10:47,147 --> 00:10:49,115 WHEN SETH IS ABOUT TO HIT THAT 373 00:10:49,149 --> 00:10:51,818 STOMP AND RANDY ORTON POPS UP, 374 00:10:51,851 --> 00:10:53,286 RKO OUT OF NOWHERE IN MID-AIR, 375 00:10:53,319 --> 00:10:54,421 THAT'S AWESOME. 376 00:10:54,454 --> 00:10:55,789 WHEN CHAD GABLE IS GOING FOR A 377 00:10:55,822 --> 00:10:57,490 MOONSAULT, RANDY ORTON POPS UP, 378 00:10:57,524 --> 00:11:02,429 RKO OUT OF NOWHERE- 379 00:11:02,462 --> 00:11:03,530 >> RKO THE 380 00:11:03,563 --> 00:11:04,397 WAY DOWN. 381 00:11:04,431 --> 00:11:05,298 >> -THAT'S AWESOME. 382 00:11:05,331 --> 00:11:06,266 I DON'T CARE WHO YOU ARE. 383 00:11:06,299 --> 00:11:08,068 THAT'S AWESOME. 384 00:11:08,068 --> 00:11:12,339 [MUSIC] 385 00:11:12,372 --> 00:11:13,306 >> COULDN'T AGREE MORE, 386 00:11:13,340 --> 00:11:14,307 SAM. 387 00:11:14,341 --> 00:11:15,408 I MEAN, WE DO CALL THIS SHOWS 388 00:11:15,442 --> 00:11:17,177 THIS IS AWESOME, AND MORE 389 00:11:17,210 --> 00:11:18,578 AWESOMENESS AWAITS, COURTESY OF 390 00:11:18,611 --> 00:11:20,180 THE MOST INTENSE IN QUITE 391 00:11:20,213 --> 00:11:22,082 MANIACAL TANDEMS IN SPORTS 392 00:11:22,082 --> 00:11:23,216 ENTERTAINMENT HISTORY. 393 00:11:23,249 --> 00:11:30,557 GET READY FOR A RUSH. 394 00:11:30,590 --> 00:11:32,692 >> WE'RE COMING AFTER YOU. 395 00:11:32,726 --> 00:11:35,128 >> DOOMSDAY DEVICE. 396 00:11:35,161 --> 00:11:36,563 >> BOY, LET'S TALK ABOUT THE 397 00:11:36,596 --> 00:11:40,367 DOOMSDAY DEVICE. 398 00:11:40,400 --> 00:11:41,301 >> NOT TOO PLEASANT OF AN 399 00:11:41,334 --> 00:11:42,235 EXPERIENCE. 400 00:11:42,268 --> 00:11:50,777 ALL RIGHT. 401 00:11:50,810 --> 00:11:51,778 >> OUCH. 402 00:11:51,811 --> 00:11:52,579 [MUSIC] 403 00:11:52,612 --> 00:11:53,646 >> DOOM IS WHAT YOU'RE 404 00:11:53,680 --> 00:11:54,514 GOING TO RECEIVE AT THE HANDS OF 405 00:11:54,547 --> 00:11:55,582 THE LOD. 406 00:11:55,615 --> 00:11:56,549 >> LEGION OF DOOM, THE ROAD 407 00:11:56,583 --> 00:11:57,617 WARRIORS, WHATEVER YOU WANT TO 408 00:11:57,650 --> 00:11:58,618 CALL THEM. 409 00:11:58,651 --> 00:11:59,586 THEY WERE THE MOST POPULAR TAG 410 00:11:59,619 --> 00:12:01,187 TEAM OF ALL TIME. 411 00:12:01,221 --> 00:12:02,455 >> SYNONYMOUS WITH POWER AND 412 00:12:02,489 --> 00:12:03,656 STRENGTH. 413 00:12:03,690 --> 00:12:04,791 >> LARGER THAN LIFE, VISUALLY, 414 00:12:04,824 --> 00:12:06,726 THE BIG SPIKES ON THEIR 415 00:12:06,760 --> 00:12:08,061 SHOULDERS WITH THE SHOULDER PADS 416 00:12:08,061 --> 00:12:10,330 AND THE FACE PAINT. 417 00:12:10,363 --> 00:12:11,331 >> NOT JUST BIG GUYS, MAN, WE'RE 418 00:12:11,364 --> 00:12:13,767 TALKING ATHLETIC GUYS MOVING 419 00:12:13,800 --> 00:12:15,769 LIKE GUYS HALF THEIR SIZE. 420 00:12:15,802 --> 00:12:17,570 >> THESE TWO ARE DOUBLE 421 00:12:17,604 --> 00:12:19,739 DANGEROUS AT ALL TIMES. 422 00:12:19,773 --> 00:12:21,241 >> A LOT OF PEOPLE WERE SCARED 423 00:12:21,274 --> 00:12:22,642 OF THE ROAD WARRIORS. 424 00:12:22,676 --> 00:12:23,777 IT WASN'T TOO MUCH A TECHNICAL 425 00:12:23,810 --> 00:12:25,712 WRESTLING, BUT BRAWLING IT FIT. 426 00:12:25,745 --> 00:12:26,980 >> DOOMSDAY DEVICE. 427 00:12:27,080 --> 00:12:28,081 >> THEY'RE THE GREATEST TAG TEAM 428 00:12:28,081 --> 00:12:29,282 OF ALL TIME. 429 00:12:29,315 --> 00:12:30,684 THE DOOMSDAY DEVICE PROBABLY THE 430 00:12:30,717 --> 00:12:32,285 GREATEST FINISH OF ALL TIME. 431 00:12:32,318 --> 00:12:34,220 >> FREE RIDE COMING UP. 432 00:12:34,254 --> 00:12:36,389 >> NOT A FUN RIDE. 433 00:12:36,423 --> 00:12:37,590 >> I AM ALWAYS AMAZED BY THE 434 00:12:37,624 --> 00:12:39,192 INDIVIDUALS WHO GATHER ENOUGH 435 00:12:39,225 --> 00:12:40,760 COURAGE TOGETHER TO DARE TO STEP 436 00:12:40,794 --> 00:12:42,095 INTO THE RING WITH THE LEGION OF 437 00:12:42,095 --> 00:12:43,563 DOOM. 438 00:12:43,596 --> 00:12:44,664 >> OH, THE DOOMSDAY DEVICE WAS 439 00:12:44,698 --> 00:12:46,166 SO TERRIFYING. 440 00:12:46,199 --> 00:12:47,334 >> OH, NO. 441 00:12:47,367 --> 00:12:49,269 >> OH, MY. 442 00:12:49,302 --> 00:12:51,538 >> HERE'S 280, 300-POUND 443 00:12:51,571 --> 00:12:53,340 MUSCLE-BOUND FREAKS WHO ALSO 444 00:12:53,373 --> 00:12:54,974 WERE THE MOST INTENSE LEGIT 445 00:12:55,008 --> 00:12:56,910 BADASSES. 446 00:12:56,943 --> 00:12:57,777 >> Y'ALL WERE A LITTLE 447 00:12:57,811 --> 00:13:00,547 DIFFERENT, JUST A LITTLE. 448 00:13:00,580 --> 00:13:01,614 >> JUST SOMETHING ABOUT IT. 449 00:13:01,648 --> 00:13:02,816 WHETHER IT'S THE FACT THAT 450 00:13:02,849 --> 00:13:04,084 ANIMAL IS JUST ABLE TO HOIST YOU 451 00:13:04,117 --> 00:13:05,118 UP ON HIS SHOULDERS LIKE 452 00:13:05,151 --> 00:13:06,252 NOTHING. 453 00:13:06,286 --> 00:13:07,153 >> CAN HE GET HIM UP? 454 00:13:07,187 --> 00:13:08,455 HE GOT HIM, WHAT STRENGTH. 455 00:13:08,488 --> 00:13:09,622 >> IT MUST HAVE BEEN SO MUCH 456 00:13:09,656 --> 00:13:10,890 SCARIER WHEN IT WAS HAWK FLYING 457 00:13:10,924 --> 00:13:12,092 AT YOU. 458 00:13:12,125 --> 00:13:13,393 >> WHOA, WHAT A MOVE. 459 00:13:13,426 --> 00:13:14,561 >> LOOKS DISORIENTING AND 460 00:13:14,594 --> 00:13:15,795 PAINFUL. 461 00:13:15,829 --> 00:13:16,830 >> YOU DON'T KNOW WHERE YOU'RE 462 00:13:16,863 --> 00:13:17,831 GOING, YOU DON'T KNOW WHAT'S 463 00:13:17,864 --> 00:13:18,865 GOING TO HAPPEN, YOU DON'T KNOW 464 00:13:18,898 --> 00:13:19,899 WHAT'S GOING TO HIT THE GROUND 465 00:13:19,933 --> 00:13:21,067 FIRST. 466 00:13:21,101 --> 00:13:22,068 >> YOU'RE A BIT DEFENSELESS. 467 00:13:22,068 --> 00:13:23,069 ONE PUTS YOU UP ON HER 468 00:13:23,069 --> 00:13:23,970 SHOULDERS, THE OTHERS COME OFF 469 00:13:24,070 --> 00:13:25,472 THE TOP ROPE. 470 00:13:25,505 --> 00:13:26,606 >> ANIMAL SAYS ELEVATOR UP. 471 00:13:26,639 --> 00:13:27,640 >> THIS IS NOT WHERE YOU WANT TO 472 00:13:27,674 --> 00:13:28,641 BE. 473 00:13:28,675 --> 00:13:29,609 >> ELEVATOR DOWN. 474 00:13:29,642 --> 00:13:30,510 OH. 475 00:13:30,543 --> 00:13:31,444 >> WHOA, WHOA, WHOA, LET'S JUST 476 00:13:31,478 --> 00:13:32,679 STOP FOR A SECOND BECAUSE 477 00:13:32,712 --> 00:13:34,547 THEY'RE REALLY NOT DOING IT 478 00:13:34,581 --> 00:13:35,849 JUSTICE, THE DOOMSDAY DEVICE. 479 00:13:35,882 --> 00:13:36,916 IT ISN'T ABOUT WINNING THE 480 00:13:36,950 --> 00:13:38,151 MATCH, IT IS ABOUT DESTROYING 481 00:13:38,184 --> 00:13:39,219 YOUR OPPONENT. 482 00:13:39,252 --> 00:13:40,286 LOOK AT THE PEOPLE IN THIS 483 00:13:40,320 --> 00:13:41,488 VIDEO. 484 00:13:41,521 --> 00:13:42,455 DID YOU EVER SEE THEM WRESTLE 485 00:13:42,489 --> 00:13:43,690 AGAIN? 486 00:13:43,723 --> 00:13:45,258 NO, BECAUSE THEY WERE TOO 487 00:13:45,291 --> 00:13:46,860 TERRIFIED TO STEP BACK IN THE 488 00:13:46,893 --> 00:13:47,627 RING. 489 00:13:47,660 --> 00:13:48,628 IF THIS IS THIS PART OF THIS IS 490 00:13:48,661 --> 00:13:49,529 AWESOME, WHAT OTHER MOVES DO WE 491 00:13:49,562 --> 00:13:50,363 HAVE? 492 00:13:50,397 --> 00:13:51,231 WHY IS THE DOOMSDAY DEVICE HERE 493 00:13:51,264 --> 00:13:52,132 RIGHT NOW? 494 00:13:52,165 --> 00:13:53,099 >> WELL. 495 00:13:53,133 --> 00:13:54,434 >> PERHAPS THE MOST AWESOME 496 00:13:54,467 --> 00:13:55,702 PHYSICAL COMBINATION TAG TEAM 497 00:13:55,735 --> 00:13:58,104 WRESTLING HAS EVER KNOWN. 498 00:13:58,104 --> 00:13:59,439 >> WHEN YOU SEE GUYS THAT SIZE 499 00:13:59,472 --> 00:14:00,807 DOING THINGS LIKE THAT, THAT'S 500 00:14:00,840 --> 00:14:01,941 GOING TO HURT. 501 00:14:02,042 --> 00:14:03,610 >> YOU SEE THEM FORCEFULLY MAKE 502 00:14:03,643 --> 00:14:05,078 GUYS DO BACKFLIPS WITH THIS, 503 00:14:05,111 --> 00:14:06,346 IT'S LIKE THE DEFINITION OF A 504 00:14:06,379 --> 00:14:07,947 FINISHER. 505 00:14:08,048 --> 00:14:08,882 >> IT'S ONE OF THOSE WHEN IT 506 00:14:08,915 --> 00:14:11,051 TAKES PLACE, WE'RE LIKE, "OH." 507 00:14:11,051 --> 00:14:12,052 >> THE BEGINNING OF THE END 508 00:14:12,052 --> 00:14:14,554 RIGHT THERE, BRAIN. 509 00:14:14,587 --> 00:14:16,189 >> YOU CAN JUST HEAR IT OVER THE 510 00:14:16,222 --> 00:14:17,457 CROWD BECAUSE THEY KNOW THAT'S 511 00:14:17,490 --> 00:14:18,858 THE END. 512 00:14:18,892 --> 00:14:21,161 >> EVERYBODY'S GOING TO GET 513 00:14:21,194 --> 00:14:22,362 SQUISHED LIKE PEAS. 514 00:14:22,395 --> 00:14:24,164 >> THAT'S RIGHT. 515 00:14:24,197 --> 00:14:25,398 >> GET USED TO IT. 516 00:14:25,432 --> 00:14:26,599 >> BEAT PEOPLE UP LOOKING LIKE 517 00:14:26,633 --> 00:14:27,701 THAT AND GET THEIR BUSINESS DONE 518 00:14:27,734 --> 00:14:29,069 AND LEAVE. 519 00:14:29,069 --> 00:14:30,904 >> AWESOME DEVASTATION. 520 00:14:30,937 --> 00:14:32,172 >> THE POPULARITY WAS THROUGH 521 00:14:32,205 --> 00:14:33,406 THE ROOF. 522 00:14:33,440 --> 00:14:35,275 >> 360 IN MID-AIR. 523 00:14:35,308 --> 00:14:37,344 >> PEOPLE ARE GOING NUTS. 524 00:14:37,377 --> 00:14:38,645 >> OH, MAN, WHAT A MOVE. 525 00:14:38,678 --> 00:14:40,447 >> WHOA, THAT'S GOOD. 526 00:14:40,480 --> 00:14:41,781 THAT IS GOOD. 527 00:14:41,815 --> 00:14:42,749 >> YES, THE DOOMSDAY DEVICE IS 528 00:14:42,782 --> 00:14:43,817 DEFINITELY UP THERE WHEN WE TALK 529 00:14:43,850 --> 00:14:44,918 ABOUT FINISHING MOVES, 530 00:14:44,951 --> 00:14:45,919 ESPECIALLY TAG TEAM FINISHING 531 00:14:45,952 --> 00:14:46,386 MOVES. 532 00:14:46,419 --> 00:14:53,626 >> WHAT A RUSH. 533 00:14:53,660 --> 00:14:55,428 >> AS THEY SAY, WHAT GOES UP 534 00:14:55,462 --> 00:14:57,864 MUST COME DOWN. 535 00:14:57,897 --> 00:14:59,499 THAT WAS ESPECIALLY TRUE WITH 536 00:14:59,532 --> 00:15:00,700 THE DOOMSDAY DEVICE, AND THIS 537 00:15:00,734 --> 00:15:03,036 NEXT DEVASTATING FINISHING 538 00:15:03,036 --> 00:15:04,804 MANEUVER APPROPRIATELY NAMED 539 00:15:04,838 --> 00:15:06,873 AFTER THE MOST FEARSOME TORNADO 540 00:15:06,906 --> 00:15:11,211 IN EXISTENCE. 541 00:15:11,244 --> 00:15:12,178 >> LOOK AT THIS. 542 00:15:12,212 --> 00:15:13,279 THIS IS SCARY. 543 00:15:13,313 --> 00:15:15,348 >> OH, MAN. 544 00:15:15,382 --> 00:15:16,950 [MUSIC] >> FOR THOSE WHO DON'T 545 00:15:17,050 --> 00:15:18,251 KNOW BROCK LESNAR, HE IS AN 546 00:15:18,284 --> 00:15:21,121 ATHLETIC FREAK OF NATURE. 547 00:15:21,154 --> 00:15:23,189 >> THE ALPHA MALE OF OUR 548 00:15:23,223 --> 00:15:26,226 SPECIES. 549 00:15:26,259 --> 00:15:27,460 >> THE F5, HE PICKS YOU UP ON 550 00:15:27,494 --> 00:15:28,962 HIS SHOULDERS. 551 00:15:29,062 --> 00:15:30,130 >> IT LOOKS LIKE YOU JUST HUNTED 552 00:15:30,163 --> 00:15:31,498 A DEER, AND INSTEAD OF GETTING A 553 00:15:31,531 --> 00:15:33,066 TRUCK TO THROW IT IN THE BACKUP, 554 00:15:33,066 --> 00:15:34,334 YOU JUST DECIDED TO PUT THE 555 00:15:34,367 --> 00:15:36,269 CARCASS ON YOUR SHOULDER. 556 00:15:36,302 --> 00:15:38,138 >> STARTS PRESSING YOU, WHICH IS 557 00:15:38,171 --> 00:15:39,305 VERY EASY FOR HIM. 558 00:15:39,339 --> 00:15:40,573 >> HE'S POPPING YOU UP HIGHER 559 00:15:40,607 --> 00:15:42,242 INTO THE AIR. 560 00:15:42,275 --> 00:15:43,910 >> FLIP THEM AROUND THE AIR 561 00:15:43,943 --> 00:15:46,212 WHERE HE'S LIKE A PROPELLER. 562 00:15:46,246 --> 00:15:47,881 >> SLAMS YOU DOWN IN THE MAT. 563 00:15:47,914 --> 00:15:49,683 >> THE F5 CONNECTS. 564 00:15:49,716 --> 00:15:50,750 >> WHY HIT HIM WITH A FIST WHEN 565 00:15:50,784 --> 00:15:53,086 YOU CAN HIT HIM WITH A PLANET? 566 00:15:53,086 --> 00:15:57,223 THAT'S THE F5. 567 00:15:57,257 --> 00:15:58,258 >> IT'S KIND OF SYNONYMOUS WITH 568 00:15:58,291 --> 00:15:59,392 THE FACT THAT BROCK LESNAR IS A 569 00:15:59,426 --> 00:16:00,326 FORCE OF NATURE. 570 00:16:00,360 --> 00:16:01,628 BROCK'S AN F5 TORNADO. 571 00:16:01,661 --> 00:16:04,030 >> HE'S 6'3", HE'S 295 POUNDS. 572 00:16:04,064 --> 00:16:06,900 HE IS LEGITIMATELY THE BADDEST 573 00:16:06,933 --> 00:16:09,202 DUDE ON THE PLANET. 574 00:16:09,235 --> 00:16:15,175 >> F5, AN F5. 575 00:16:15,208 --> 00:16:16,176 >> I'VE SEEN HIM HIT IT ON SO 576 00:16:16,209 --> 00:16:17,177 MANY DIFFERENT OPPONENTS OF 577 00:16:17,210 --> 00:16:18,545 VARYING SIZES, AND PEOPLE GO 578 00:16:18,578 --> 00:16:21,448 FLYING. 579 00:16:21,481 --> 00:16:22,382 >> I REMEMBER WATCHING HIM DO IT 580 00:16:22,415 --> 00:16:23,450 TO THE BIG SHOW ONCE AND I WAS 581 00:16:23,483 --> 00:16:25,552 JUST LIKE, "HOW?" 582 00:16:25,585 --> 00:16:26,553 >> MY GOD. 583 00:16:26,586 --> 00:16:27,387 >> NO WAY. 584 00:16:27,420 --> 00:16:28,388 NO WAY. 585 00:16:28,421 --> 00:16:29,622 F5. 586 00:16:29,656 --> 00:16:32,258 >> BROCK LESNAR HAS F5'D 500 587 00:16:32,292 --> 00:16:34,060 POUNDS. 588 00:16:34,060 --> 00:16:35,428 >> THE F5 AT BY THE ELIMINATION 589 00:16:35,462 --> 00:16:37,464 CHAMBER, I WAS CRAPPING MY 590 00:16:37,497 --> 00:16:39,532 PANTS. 591 00:16:39,566 --> 00:16:40,834 >> OH, MY GOD. 592 00:16:40,867 --> 00:16:41,835 >> NO. 593 00:16:41,868 --> 00:16:42,602 NO. 594 00:16:42,635 --> 00:16:43,536 BROCK. 595 00:16:43,570 --> 00:16:44,371 BROCK. 596 00:16:44,404 --> 00:16:45,338 PLEASE. 597 00:16:45,372 --> 00:16:46,473 >> NOT UP THERE. 598 00:16:46,506 --> 00:16:47,474 NOT UP THERE, BROCK. 599 00:16:47,507 --> 00:16:48,608 >> BROCK, PLEASE. 600 00:16:48,641 --> 00:16:49,509 OH. 601 00:16:49,542 --> 00:16:50,677 >> OH, MY GOD. 602 00:16:50,710 --> 00:16:51,578 F5. 603 00:16:51,611 --> 00:16:52,479 >> OH, MY GOD. 604 00:16:52,512 --> 00:16:53,413 >> F5 OFF THE CHAMBER. 605 00:16:53,446 --> 00:16:54,447 [MUSIC] >> HE DID F5 A SHARK 606 00:16:54,481 --> 00:16:55,482 ONCE. 607 00:16:55,515 --> 00:16:56,983 YOU KNOW WHAT? 608 00:16:57,083 --> 00:16:57,851 THE SHARK NEVER ASKED FOR A 609 00:16:57,884 --> 00:16:58,718 REMATCH. 610 00:16:58,752 --> 00:16:59,886 >> YOU CAN'T SURVIVE THE 611 00:16:59,919 --> 00:17:00,754 ONSLAUGHT. 612 00:17:00,787 --> 00:17:04,224 YOU CAN'T SURVIVE THE F5. 613 00:17:04,257 --> 00:17:05,258 >> IT'S A REALLY IMPACTFUL AND 614 00:17:05,291 --> 00:17:07,827 VISUALLY EXCITING MOVE. 615 00:17:07,861 --> 00:17:09,596 WHEN BROCK'S THE ONE WHO DOES, 616 00:17:09,629 --> 00:17:10,597 IT BRINGS A WHOLE OTHER LEVEL TO 617 00:17:10,630 --> 00:17:12,665 IT. 618 00:17:12,699 --> 00:17:13,667 >> THE F5, BROCK LESNAR, 619 00:17:13,700 --> 00:17:15,902 UNTOUCHABLE. 620 00:17:15,935 --> 00:17:17,671 >> IT DOESN'T FEEL GOOD. 621 00:17:17,704 --> 00:17:20,273 >> HE IS INDEED THE BEAST 622 00:17:20,306 --> 00:17:21,541 INCARNATE. 623 00:17:21,574 --> 00:17:22,609 >> DON'T GET F5'D WITH BROCK 624 00:17:22,642 --> 00:17:23,743 LESNAR. 625 00:17:23,777 --> 00:17:24,744 >> OH, NO. 626 00:17:24,778 --> 00:17:25,879 OH, NO. 627 00:17:25,912 --> 00:17:26,680 OH, NO. 628 00:17:26,713 --> 00:17:27,614 AN F5 THROUGH THE TABLE BY 629 00:17:27,647 --> 00:17:28,581 LESNAR. 630 00:17:28,615 --> 00:17:29,749 >> BROCK LESNAR IS AN ABSOLUTE 631 00:17:29,783 --> 00:17:36,322 ASS-KICKING MACHINE. 632 00:17:36,356 --> 00:17:37,390 >> WHEW. 633 00:17:37,424 --> 00:17:39,526 I NEVER WANT TO EXPERIENCE THAT. 634 00:17:39,559 --> 00:17:41,561 AFTER MY BRUSH WITH BROCK'S 635 00:17:41,594 --> 00:17:43,129 WRATH AT THE 2018 SURVIVOR 636 00:17:43,163 --> 00:17:44,497 SERIES. 637 00:17:44,531 --> 00:17:47,200 >> SHUT UP. 638 00:17:47,233 --> 00:17:51,438 [LAUGHS] 639 00:17:51,471 --> 00:17:52,172 >> I REALLY HAVE TO 640 00:17:52,205 --> 00:17:53,139 RETHINK MY APPROACH TO THE BEAST 641 00:17:53,173 --> 00:17:54,240 INCARNATE. 642 00:17:54,274 --> 00:17:57,110 PURE BRUTALITY ON DISPLAY. 643 00:17:57,143 --> 00:17:58,645 WHEN IT COMES TO SHEER SUDDEN 644 00:17:58,678 --> 00:18:00,347 IMPACT AND TRAUMA, THERE IS 645 00:18:00,380 --> 00:18:01,848 PROBABLY NO MORE EFFECTIVE MOVE 646 00:18:01,881 --> 00:18:08,021 IN THE ARSENAL THAN THE SPEAR. 647 00:18:08,021 --> 00:18:10,023 >> HE'S HEADING FOR THAT TABLE. 648 00:18:10,023 --> 00:18:14,027 [MUSIC] 649 00:18:14,027 --> 00:18:15,128 >> I WOULD SAY THE SPEAR 650 00:18:15,161 --> 00:18:16,029 IS THE MOST EXPLOSIVE FINISHING 651 00:18:16,062 --> 00:18:19,099 MOVE OUT OF ALL OF THEM. 652 00:18:19,132 --> 00:18:21,468 >> QUICK, EASY, SIMPLE. 653 00:18:21,501 --> 00:18:22,502 >> IT'S NOT A WONDER LIKE, "OH, 654 00:18:22,535 --> 00:18:24,237 HOW DOES A SPEAR WORK?" 655 00:18:24,270 --> 00:18:25,805 YOU MAKE YOUR BODY INTO A SPEAR, 656 00:18:25,839 --> 00:18:27,307 AND YOU DESTROY YOUR OPPONENT. 657 00:18:27,340 --> 00:18:28,742 I GET IT. 658 00:18:28,775 --> 00:18:35,048 >> SPEAR, SPEAR, SPEAR. 659 00:18:35,081 --> 00:18:37,717 >> YOU CAN HIT IT ON ANYBODY. 660 00:18:37,751 --> 00:18:38,551 >> YOU JUST DON'T KNOW WHEN A 661 00:18:38,585 --> 00:18:39,686 SPEAR IS GOING TO COME OUT OF 662 00:18:39,719 --> 00:18:45,091 NOWHERE. 663 00:18:45,125 --> 00:18:46,226 >> I'VE TAKEN THE SPEAR FROM A 664 00:18:46,259 --> 00:18:47,560 FEW PEOPLE, BUT OF ALL THE 665 00:18:47,594 --> 00:18:49,129 SPEARS I'VE TAKEN, NO ONE HITS 666 00:18:49,162 --> 00:18:53,600 LIKE GOLDBERG. 667 00:18:53,633 --> 00:18:54,668 >> HE'S A FOOTBALL PLAYER, SO 668 00:18:54,701 --> 00:18:55,835 IT'S A NATURAL INSTINCT THING 669 00:18:55,869 --> 00:18:58,605 FOR HIM. 670 00:18:58,638 --> 00:18:59,673 >> HE'LL DRIVE THE BREATH RIGHT 671 00:18:59,706 --> 00:19:01,408 OUT OF YOU, AND YOU'LL REMEMBER 672 00:19:01,441 --> 00:19:03,009 IT THE NEXT MORNING. 673 00:19:03,043 --> 00:19:04,144 >> OOH. 674 00:19:04,177 --> 00:19:05,111 >> OH, THE SPEAR. 675 00:19:05,145 --> 00:19:06,713 >> IT'S LIKE A TRAIN IS HITTING 676 00:19:06,746 --> 00:19:07,847 YOU AND YOU KNOW IT'S COMING, 677 00:19:07,881 --> 00:19:09,616 AND YOU KNOW YOU CAN'T STOP IT. 678 00:19:09,649 --> 00:19:10,817 >> I WAS HURTING BAD, BUT I 679 00:19:10,850 --> 00:19:12,852 STILL WANTED TO TALK SOME TRASH. 680 00:19:12,886 --> 00:19:14,020 THAT WAS LIKE GETTING HIT BY A 681 00:19:14,054 --> 00:19:15,789 LITTLE BABY. 682 00:19:15,822 --> 00:19:17,190 YOU SEE THIS TWITCH IN HIS EYE. 683 00:19:17,223 --> 00:19:19,025 HE GOES. 684 00:19:19,059 --> 00:19:20,226 >> GOLDBERG AIN'T PLAYING 685 00:19:20,260 --> 00:19:22,028 TONIGHT. 686 00:19:22,062 --> 00:19:25,498 [CROWD CHEERS] >> SPEAR. 687 00:19:25,532 --> 00:19:28,568 TURNED ZIGGLER INSIDE OUT. 688 00:19:28,601 --> 00:19:30,036 >> EDGE IS NOT AS BIG AS 689 00:19:30,036 --> 00:19:31,705 GOLDBERG, BUT HE'S MUCH MORE 690 00:19:31,738 --> 00:19:33,306 AERODYNAMIC. 691 00:19:33,340 --> 00:19:36,109 HE'S GOT MUCH MORE SPEED. 692 00:19:36,142 --> 00:19:37,277 >> THE BUILD-UP TO WHAT 693 00:19:37,310 --> 00:19:38,645 "RATED-R" EDGE USE TO DO, I USED 694 00:19:38,678 --> 00:19:40,080 TO HAVE HAIR. 695 00:19:40,113 --> 00:19:41,114 WHEN HE PULLED HIS HAIR BACK AND 696 00:19:41,147 --> 00:19:42,282 HE MADE THE CRAZY EYES. 697 00:19:42,315 --> 00:19:45,418 LOVED IT. 698 00:19:45,452 --> 00:19:47,420 >> LOOK OUT. 699 00:19:47,454 --> 00:19:49,889 >> OH, MY GOD. 700 00:19:49,923 --> 00:19:51,891 >> IT WAS INSANE. 701 00:19:51,925 --> 00:19:52,959 I STILL REMEMBER EDGE JUMPING 702 00:19:53,059 --> 00:19:54,327 OFF THAT LADDER. 703 00:19:54,361 --> 00:19:55,662 SPEARED JEFF HARDY WHILE HE'S 704 00:19:55,695 --> 00:19:58,098 HOLDING ONTO THE BELT. 705 00:19:58,131 --> 00:19:59,666 >> EDGE FROM THE 20-FOOT LADDER 706 00:19:59,699 --> 00:20:01,901 WITH THE SPEAR ON JEFF HARDY. 707 00:20:01,935 --> 00:20:03,269 >> IT PAINS ME TO SAY THAT I'M 708 00:20:03,303 --> 00:20:05,538 CHOOSING SOMEONE OVER EDGE, BUT 709 00:20:05,572 --> 00:20:06,973 I'M GOING TO GO BOBBY SPEAR. 710 00:20:07,007 --> 00:20:10,210 [MUSIC] 711 00:20:10,243 --> 00:20:11,111 >> MY SPEAR WAS A LITTLE 712 00:20:11,144 --> 00:20:12,178 BIT DIFFERENT. 713 00:20:12,212 --> 00:20:13,446 >> MINE, WHEN I RUN, I RUN AND 714 00:20:13,480 --> 00:20:14,614 BLAST YOU AND I ALMOST TAKE YOU 715 00:20:14,647 --> 00:20:16,349 ON A LITTLE BIT OF A RIDE. 716 00:20:16,383 --> 00:20:17,550 I'M FLIPPING MYSELF AND FLIPPING 717 00:20:17,584 --> 00:20:19,219 YOU WITH ME. 718 00:20:19,252 --> 00:20:22,022 >> LASHLEY WITH A SPEAR. 719 00:20:22,055 --> 00:20:23,523 >> I'VE BEEN FORTUNATE ENOUGH TO 720 00:20:23,556 --> 00:20:25,325 ONLY HAVE THE CRAP SPEARED OUT 721 00:20:25,358 --> 00:20:28,395 OF ME BY BOBBY LASHLEY, BUT THAT 722 00:20:28,428 --> 00:20:30,196 SUCKS BECAUSE IT'S ONE OF THOSE 723 00:20:30,230 --> 00:20:31,164 THINGS WHERE YOU KNOW IT'S GOING 724 00:20:31,197 --> 00:20:32,298 TO TAKE A COUPLE WEEKS TO GET 725 00:20:32,332 --> 00:20:35,835 BACK TO NORMAL. 726 00:20:35,869 --> 00:20:36,970 >> BOBBY LASHLEY HAS A PRETTY 727 00:20:37,003 --> 00:20:39,773 SICK SPEAR, BUT CHARLOTTE'S IS 728 00:20:39,806 --> 00:20:42,442 ALSO SICK. 729 00:20:42,475 --> 00:20:44,144 >> OH, AND A SPEAR BY CHARLOTTE. 730 00:20:44,177 --> 00:20:46,212 >> MORE FINESSE-FILLED SPEAR 731 00:20:46,246 --> 00:20:47,180 LIKE CHARLOTTE FLAIR'S MAKES IT 732 00:20:47,213 --> 00:20:48,815 ALL EVEN MORE OF A THEATRICAL 733 00:20:48,848 --> 00:20:52,218 PRESENTATION. 734 00:20:52,252 --> 00:20:55,488 >> OH, MY GOD. 735 00:20:55,522 --> 00:20:56,623 >> THE BEST SPEAR OF ALL TIME 736 00:20:56,656 --> 00:20:57,791 BELONGS TO THE GREATEST 737 00:20:57,824 --> 00:20:59,092 SUPERSTAR OF ALL TIME, "THE HEAD 738 00:20:59,125 --> 00:21:03,630 OF THE TABLE" ROMAN REIGNS 739 00:21:03,663 --> 00:21:04,664 SPEAR. 740 00:21:04,698 --> 00:21:05,765 HE ALMOST BLOWN HIM IN HALF. 741 00:21:05,799 --> 00:21:07,434 >> OH, MY GOD. 742 00:21:07,467 --> 00:21:10,070 >> ROMAN CRUSHES. 743 00:21:10,070 --> 00:21:10,937 IT'S LIKE YOU COULD FEEL IT'S AN 744 00:21:10,970 --> 00:21:11,905 OPEN FIELD TACKLE FROM THIS 745 00:21:11,938 --> 00:21:12,906 FOOTBALL THAT IS TAKING YOU 746 00:21:12,939 --> 00:21:13,873 DOWN. 747 00:21:13,907 --> 00:21:15,508 >> NO, THERE'S A SPEAR. 748 00:21:15,542 --> 00:21:16,876 >> WOW. 749 00:21:16,910 --> 00:21:19,312 >> THERE WAS ONE THAT ROMAN DID. 750 00:21:19,346 --> 00:21:20,547 SHANE MCMAHON WAS DOING HIS 751 00:21:20,580 --> 00:21:21,715 COAST TO COAST. 752 00:21:21,748 --> 00:21:23,550 HE GOES OFF THE TOP ROPE, AND AS 753 00:21:23,583 --> 00:21:25,952 HE WAS ABOUT TO LAND, ROMAN 754 00:21:25,985 --> 00:21:28,888 COMES IN AND SPEARS HIM OUT OF 755 00:21:28,922 --> 00:21:30,323 THE AIR. 756 00:21:30,357 --> 00:21:31,624 >> OH, MY GOD. 757 00:21:31,658 --> 00:21:32,659 >> WHAT A SPEAR. 758 00:21:32,692 --> 00:21:33,827 >> THAT'S PROBABLY THE BEST 759 00:21:33,860 --> 00:21:34,928 SPEAR I'VE EVER SEEN. 760 00:21:34,961 --> 00:21:36,162 >> EVERY TIME A GUY IS HITTING A 761 00:21:36,196 --> 00:21:38,665 SPEAR, THEY ARE LITERALLY TRYING 762 00:21:38,698 --> 00:21:41,101 TO RIP YOU IN HALF. 763 00:21:41,101 --> 00:21:43,103 YOU JUST KNOW THAT IT'S SO 764 00:21:43,103 --> 00:21:49,743 IMPACTFUL, AND I THINK THAT'S 765 00:21:49,776 --> 00:21:50,176 WHAT MAKES A GOOD FINISHING 766 00:21:50,210 --> 00:22:02,389 MOVE. 767 00:22:02,422 --> 00:22:03,423 >> YES, THE SPEAR IS PERHAPS ONE 768 00:22:03,456 --> 00:22:04,524 OF THE MOST INCREDIBLE AND 769 00:22:04,557 --> 00:22:06,393 EXCITING FINAL SMASHES TO 770 00:22:06,426 --> 00:22:10,196 WITNESS, BUT IS IT PHENOMENAL, 771 00:22:10,230 --> 00:22:15,468 LIKE THIS NEXT FINISHING MOVE? 772 00:22:15,502 --> 00:22:18,772 >> PHENOMENAL FOREARM INCOMING. 773 00:22:18,805 --> 00:22:21,374 >> OH, MY GOD. 774 00:22:21,408 --> 00:22:22,809 >> THE PHENOMENAL FOREARM, 775 00:22:22,842 --> 00:22:24,344 NOBODY DOES THE PHENOMENAL 776 00:22:24,377 --> 00:22:26,646 FOREARM LIKE AJ DOES. 777 00:22:26,680 --> 00:22:27,847 >> AJ'S SO GOOD. 778 00:22:27,881 --> 00:22:29,082 >> HE'S NOT GOOD, COLE, HE'S 779 00:22:29,082 --> 00:22:30,316 PHENOMENAL. 780 00:22:30,350 --> 00:22:31,117 >> OH. 781 00:22:31,151 --> 00:22:32,252 >> THERE IT IS. 782 00:22:32,285 --> 00:22:33,353 >> THE PHENOMENAL FOREARM IS 783 00:22:33,386 --> 00:22:34,320 PROBABLY ONE OF MY FAVORITE 784 00:22:34,354 --> 00:22:35,555 MOVES IN WRESTLING OF ALL TIME, 785 00:22:35,588 --> 00:22:40,760 100%, HANDS DOWN 786 00:22:40,794 --> 00:22:41,528 >> WATCH OUT. 787 00:22:41,561 --> 00:22:42,595 INCOMING. 788 00:22:42,629 --> 00:22:43,630 >> WHERE DID AJ STYLES COME 789 00:22:43,663 --> 00:22:44,664 FROM? 790 00:22:44,698 --> 00:22:45,765 >> PHENOMENAL FOREARM. 791 00:22:45,799 --> 00:22:46,800 >> ONE OF THE BEST IN THE ENTIRE 792 00:22:46,833 --> 00:22:47,767 WORLD HAS BEEN FOR HIS ENTIRE 793 00:22:47,801 --> 00:22:50,003 CAREER. 794 00:22:50,103 --> 00:22:51,237 >> THE PHENOMENAL FOREARM IS ONE 795 00:22:51,271 --> 00:22:52,339 OF THE BEST FINISHING MOVES OUT 796 00:22:52,372 --> 00:22:54,374 THERE BECAUSE IT'S MINE, AND 797 00:22:54,407 --> 00:22:55,508 ALSO THE FACT THAT I CAN DO IT 798 00:22:55,542 --> 00:22:58,778 ON ANYONE. 799 00:22:58,812 --> 00:23:00,947 >> RIGHT ON THE JAW OF SHINSUKE. 800 00:23:01,047 --> 00:23:02,849 >> ROMAN REIGNS. 801 00:23:02,882 --> 00:23:06,353 >> BROCK LESNAR. 802 00:23:06,386 --> 00:23:07,721 >> ONE IN PARTICULAR PHENOMENAL 803 00:23:07,754 --> 00:23:09,222 FOREARM THAT STANDS OUT IN MY 804 00:23:09,255 --> 00:23:10,657 MIND WOULD HAVE TO BE JOHN CENA 805 00:23:10,690 --> 00:23:13,593 AT SUMMERSLAM. 806 00:23:13,626 --> 00:23:14,561 >> LOOK AT THIS. 807 00:23:14,594 --> 00:23:15,795 >> HE KNOWS. 808 00:23:15,829 --> 00:23:16,830 HE KNOWS. 809 00:23:16,863 --> 00:23:18,131 >> HERE COMES THAT PHENOMENAL 810 00:23:18,164 --> 00:23:19,199 FOREARM. 811 00:23:19,232 --> 00:23:20,233 >> THAT'S SIGNATURE AJ STYLES 812 00:23:20,266 --> 00:23:22,869 RIGHT THERE. 813 00:23:22,902 --> 00:23:24,704 >> HE NAILED IT. 814 00:23:24,738 --> 00:23:25,972 HE JUST BEAT JOHN CENA AT 815 00:23:26,072 --> 00:23:28,575 SUMMERSLAM. 816 00:23:28,608 --> 00:23:29,743 >> THAT WAS A HUGE MATCH FOR ME, 817 00:23:29,776 --> 00:23:32,712 AND I'LL NEVER FORGET IT. 818 00:23:32,746 --> 00:23:34,080 >> GUYS, NOW, I DON'T LEAVE MY 819 00:23:34,114 --> 00:23:35,215 FEET OFTEN, AND THAT'S BY 820 00:23:35,248 --> 00:23:37,217 DESIGN. 821 00:23:37,250 --> 00:23:38,385 TO BE ABLE TO CLIMB UP TO THE 822 00:23:38,418 --> 00:23:39,853 TOP ROPE AND THROW A TOP ROPE 823 00:23:39,886 --> 00:23:41,554 FOREARM WITH SUCH PRECISION 824 00:23:41,588 --> 00:23:44,190 EVERY SINGLE TIME, I DON'T KNOW 825 00:23:44,224 --> 00:23:46,292 HOW AJ STYLES DOES IT. 826 00:23:46,326 --> 00:23:47,694 >> AJ STYLES' PHENOMENAL FOREARM 827 00:23:47,727 --> 00:23:49,529 IS REALLY ALL YOU NEED TO KNOW 828 00:23:49,562 --> 00:23:52,732 ABOUT AJ STYLES. 829 00:23:52,766 --> 00:23:53,800 HE'S SOMEBODY THAT MAKES THIS 830 00:23:53,833 --> 00:23:55,635 LOOK LIKE AN ART BUT STILL WILL 831 00:23:55,669 --> 00:23:58,371 BEAT YOU INTO SMITHEREENS. 832 00:23:58,405 --> 00:23:59,806 >> LUCKY FOR HIM, I KNOW THE 833 00:23:59,839 --> 00:24:01,041 INTERNATIONAL LANGUAGE OF 834 00:24:01,041 --> 00:24:05,879 FOREARM TO FACE. 835 00:24:05,912 --> 00:24:07,047 >> IMAGINE GETTING HIT IN THE 836 00:24:07,080 --> 00:24:08,214 JAW WITH A FOREARM. 837 00:24:08,248 --> 00:24:09,449 NOW IMAGINE ADDING THE VELOCITY 838 00:24:09,482 --> 00:24:13,620 OF NOT JUST GRAVITY BUT 839 00:24:13,653 --> 00:24:14,654 SPRINGING OFF THE ROPE. 840 00:24:14,688 --> 00:24:15,655 ALL THAT ADDED FORCE DRIVING 841 00:24:15,689 --> 00:24:16,756 STRAIGHT TO YOUR JAW, THAT'LL 842 00:24:16,790 --> 00:24:19,893 KNOCK ANYONE OUT. 843 00:24:19,926 --> 00:24:21,127 >> HE GOT HIS WRESTLEMANIA 844 00:24:21,161 --> 00:24:22,429 MOMENT. 845 00:24:22,462 --> 00:24:23,563 >> IT'S ABSURD HOW ATHLETIC HE 846 00:24:23,596 --> 00:24:24,864 IS. 847 00:24:24,898 --> 00:24:26,066 HE'S A COMPLETE FREAK OF NATURE. 848 00:24:26,066 --> 00:24:27,300 WHEN HE THROWS HIS FOREARM, IT'S 849 00:24:27,334 --> 00:24:28,735 LIKE YOU GOT HIT BY A TON OF 850 00:24:28,768 --> 00:24:31,137 BRICKS. 851 00:24:31,171 --> 00:24:32,505 >> BEAUTIFUL SHOT RIGHT THROUGH 852 00:24:32,539 --> 00:24:35,208 THE TABLE. 853 00:24:35,241 --> 00:24:36,409 >> THAT THING HITS AND THAT 854 00:24:36,443 --> 00:24:37,677 THING HITS HARD AND HE DOESN'T 855 00:24:37,711 --> 00:24:38,878 MISS. 856 00:24:38,912 --> 00:24:39,979 THAT IS VERY IMPRESSIVE. 857 00:24:40,080 --> 00:24:41,481 AJ IS ONE OF THE FEW WHO CAN 858 00:24:41,514 --> 00:24:43,350 PULL IT OFF EVERY DAMN TIME. 859 00:24:43,383 --> 00:24:44,584 >> A LITTLE BIT OF THIS, A 860 00:24:44,617 --> 00:24:45,819 LITTLE BIT OF THAT. 861 00:24:45,852 --> 00:24:46,953 >> A LITTLE BIT OF THIS. 862 00:24:46,986 --> 00:24:48,555 >> YES, MAYBE A LITTLE OF THAT. 863 00:24:48,588 --> 00:24:49,923 >> DON'T FORGET, HE LOADS IT UP 864 00:24:49,956 --> 00:24:51,191 AS WELL. 865 00:24:51,224 --> 00:24:52,158 >> IT'S LIKE HE'S TRYING TO 866 00:24:52,192 --> 00:24:53,093 FINISH THINGS OFF WITH HIS 867 00:24:53,093 --> 00:24:54,094 PHENOMENAL FOREARM HERE. 868 00:24:54,094 --> 00:24:55,161 >> WHEN HE COMES ACROSS WITH IT, 869 00:24:55,195 --> 00:24:57,130 >> PHENOMENAL FOREARM. 870 00:24:57,163 --> 00:24:58,631 >> IT DELIVERS A NIGHT NIGHT, 871 00:24:58,665 --> 00:25:00,033 TOO. 872 00:25:00,033 --> 00:25:02,035 >> THE HAIR IS FLOWING LIKE SOME 873 00:25:02,035 --> 00:25:03,303 SORT OF PRINCE CHARMING FROM 874 00:25:03,336 --> 00:25:04,504 SHREK. 875 00:25:04,537 --> 00:25:08,241 THE WIND IS IN HIS EYES. 876 00:25:08,274 --> 00:25:09,275 AJ CAN DO THINGS THAT NO OTHER 877 00:25:09,309 --> 00:25:12,045 PERSON CAN DO. 878 00:25:12,045 --> 00:25:22,188 [MUSIC] 879 00:25:24,891 --> 00:25:25,792 >> I'M NOT SURE I'D BE 880 00:25:25,825 --> 00:25:27,494 NOTICING AJ'S HAIR AS HE FLIES 881 00:25:27,527 --> 00:25:28,828 OFF THE TOP TURNBUCKLE TOWARD ME 882 00:25:28,862 --> 00:25:30,930 WITH ALL THAT VELOCITY, BUT NOW 883 00:25:30,964 --> 00:25:32,065 THAT NIKKI MENTIONS IT, IT DOES 884 00:25:32,098 --> 00:25:33,333 LOOK PRETTY SWEET. 885 00:25:33,366 --> 00:25:36,336 ALSO PRETTY SWEET, THE 3D, MADE 886 00:25:36,369 --> 00:25:37,637 FAMOUS BY WWE HALL OF FAMERS THE 887 00:25:37,671 --> 00:25:40,306 DUDLEY BOYZ. 888 00:25:40,340 --> 00:25:41,641 WITH PRECISION, TIMING, AND A 889 00:25:41,675 --> 00:25:44,110 TABLE OR TWO, THIS MANEUVER HAD 890 00:25:44,144 --> 00:25:46,546 THE WWE UNIVERSE TESTIFYING THAT 891 00:25:46,579 --> 00:25:53,153 THIS WAS INDEED AWESOME. 892 00:25:53,186 --> 00:25:54,621 [MUSIC] 893 00:25:54,654 --> 00:25:55,755 >> THE MOST DECORATED 894 00:25:55,789 --> 00:25:57,223 TEAM OF ALL TIME, THE DUDLEY 895 00:25:57,257 --> 00:25:59,192 BOYZ. 896 00:25:59,225 --> 00:26:00,293 >> THE DUDLEY BOYZ BROUGHT THEIR 897 00:26:00,326 --> 00:26:03,163 HARD-HITTING ECW ENERGY TO THE 898 00:26:03,196 --> 00:26:04,230 WWE SPOTLIGHT WITH THEIR DUDLEY 899 00:26:04,264 --> 00:26:09,669 DEATH DROP FINISHING MOVE. 900 00:26:09,703 --> 00:26:10,937 >> 3D. 901 00:26:11,037 --> 00:26:12,872 >> THE 3D BY THE DUDLEYS. 902 00:26:12,906 --> 00:26:13,873 >> IF I'M GOING FOR A TAG TEAM 903 00:26:13,907 --> 00:26:15,775 FINISHING MOVE, IT WOULD HAVE TO 904 00:26:15,809 --> 00:26:17,277 BE THE 3D. 905 00:26:17,310 --> 00:26:18,511 >> OH, LOOK AT THIS. 906 00:26:18,545 --> 00:26:21,047 >> HEADS UP. 907 00:26:21,047 --> 00:26:21,881 >> 3D. 908 00:26:21,915 --> 00:26:23,049 >> THAT IS THE MOST FUN TO 909 00:26:23,049 --> 00:26:24,851 WATCH, IT'S COOL-LOOKING, A 910 00:26:24,884 --> 00:26:26,086 GUY'S UP IN THE AIR AND HE GETS 911 00:26:26,119 --> 00:26:28,955 AN RKO OFF THE GROUND. 912 00:26:29,055 --> 00:26:30,190 I CAN'T BELIEVE THERE'S A BETTER 913 00:26:30,223 --> 00:26:32,058 ONE THAN THE 3D. 914 00:26:32,092 --> 00:26:34,527 >> BROTHER D-VON, 3D. 915 00:26:34,561 --> 00:26:35,962 >> THE 3D IS A PRETTY AWESOME 916 00:26:36,062 --> 00:26:37,063 MOVE. 917 00:26:37,097 --> 00:26:38,732 D-VON GRABS A GUY BY HIS LEGS, 918 00:26:38,765 --> 00:26:40,133 LIFTS HIM UP IN THE AIR, AND BUH 919 00:26:40,166 --> 00:26:41,634 BUH RAY JUMPS UP, GRABS HIS 920 00:26:41,668 --> 00:26:43,103 HEAD, DROPS HIM RIGHT ON THE 921 00:26:43,136 --> 00:26:44,871 MAT, IT'S A VERY DEVASTATING 922 00:26:44,904 --> 00:26:46,806 MOVE. 923 00:26:46,840 --> 00:26:48,541 [MUSIC] >> IT REQUIRES PERFECT 924 00:26:48,575 --> 00:26:49,609 TIMING, AND NO ONE DOES IT 925 00:26:49,642 --> 00:26:51,144 BETTER THAN THE DUDLEYS. 926 00:26:51,177 --> 00:26:52,612 >> 3D. 927 00:26:52,645 --> 00:26:54,481 DUDLEY DEATH DROP. 928 00:26:54,514 --> 00:26:55,682 >> SOMETIMES THEY'D SET IT UP 929 00:26:55,715 --> 00:26:56,816 AND YOU KNEW EXACTLY WHAT WAS 930 00:26:56,850 --> 00:26:57,951 COMING, BUT OTHER TIMES THEY'D 931 00:26:57,984 --> 00:26:59,119 JUST CATCH THEIR OPPONENT BY 932 00:26:59,152 --> 00:27:00,186 SURPRISE. 933 00:27:00,220 --> 00:27:01,321 >> OH, LOOK OUT HERE. 934 00:27:01,354 --> 00:27:02,422 LOOK OUT, THE 3D. 935 00:27:02,455 --> 00:27:03,890 >> IT ALWAYS MADE FOR A GOOD 936 00:27:03,923 --> 00:27:04,891 MOMENT. 937 00:27:04,924 --> 00:27:06,292 >> WHAT ARE THE DUDLEY BOYZ BEST 938 00:27:06,326 --> 00:27:07,594 KNOWN FOR? 939 00:27:07,627 --> 00:27:09,362 D-VON. 940 00:27:09,396 --> 00:27:10,830 [CROWD YELLS "D-VON"] >> GET THE 941 00:27:10,864 --> 00:27:12,799 TABLES. 942 00:27:12,832 --> 00:27:17,504 [CROWD YELLS "GET THE TABLE"] 943 00:27:17,537 --> 00:27:18,672 YOU CAN PULL OFF A 3D EVEN 944 00:27:18,705 --> 00:27:20,573 BETTER WITH A TABLE INVOLVED. 945 00:27:20,607 --> 00:27:22,042 [MUSIC] >> NOW WE'VE GOT THE 946 00:27:22,042 --> 00:27:23,176 THING THAT MAKES THE DUDLEY BOYZ 947 00:27:23,209 --> 00:27:24,444 THE DUDLEY BOYZ INVOLVED IN THAT 948 00:27:24,477 --> 00:27:26,112 FINISHING AND IT MAKES IT ALL 949 00:27:26,146 --> 00:27:27,847 THE MORE SPECIAL. 950 00:27:27,881 --> 00:27:29,115 >> YOU KNOW THE BEST PART ABOUT 951 00:27:29,149 --> 00:27:30,350 IT IS, MAN? 952 00:27:30,383 --> 00:27:33,553 WE GET TO USE TABLES. 953 00:27:33,586 --> 00:27:35,221 OH, TESTIFY. 954 00:27:35,255 --> 00:27:36,289 >> OH, NO. 955 00:27:36,322 --> 00:27:38,324 NO.3D. 956 00:27:38,358 --> 00:27:39,826 >> THERE'S SOMETHING ABOUT 957 00:27:39,859 --> 00:27:41,194 HAVING SOMEBODY RIBS JUST 958 00:27:41,227 --> 00:27:42,462 DESTROY A TABLE AS YOU DRAG 959 00:27:42,495 --> 00:27:44,097 THEIR HEAD DOWN THAT, YES, 960 00:27:44,130 --> 00:27:45,298 REALLY BROUGHT ANOTHER LEVEL TO 961 00:27:45,331 --> 00:27:46,533 THAT FINISHER. 962 00:27:46,566 --> 00:27:47,801 >> OH, NO. 963 00:27:47,834 --> 00:27:48,935 NO. 964 00:27:48,968 --> 00:27:51,705 >> 3D THROUGH THE TABLE. 965 00:27:51,738 --> 00:27:53,139 [MUSIC] >> HERE'S SOME GUYS WITH 966 00:27:53,173 --> 00:27:54,207 TOTAL DISREGARD FOR THEIR 967 00:27:54,240 --> 00:27:55,709 BODIES, SO GUESS WHAT, YOU KNOW 968 00:27:55,742 --> 00:27:58,678 THAT THIS WAS GOING TO BE 969 00:27:58,712 --> 00:28:01,014 SOMETHING THAT IS GOING TO HURT, 970 00:28:01,014 --> 00:28:03,149 AND BELIEVE ME, IT REALLY IS 3D, 971 00:28:03,183 --> 00:28:08,588 DESTRUCTION, DESTRUCTION, 972 00:28:08,621 --> 00:28:13,693 DESTRUCTION. 973 00:28:13,727 --> 00:28:15,628 OH. 974 00:28:15,662 --> 00:28:16,730 >> YOU HAD THE 3D, AND THAT'S 975 00:28:16,763 --> 00:28:18,698 ALREADY A SPECTACULAR MOVE TO 976 00:28:18,732 --> 00:28:20,033 WATCH, THEN YOU ADD IN THE 977 00:28:20,066 --> 00:28:22,035 TABLE, IT'S LIKE, ALL RIGHT, 978 00:28:22,035 --> 00:28:23,169 WHAT ELSE CAN YOU DO? 979 00:28:23,203 --> 00:28:24,304 THE MOVE IS ALREADY LOVED, IT'S 980 00:28:24,337 --> 00:28:25,538 BELOVED BY EVERYONE, IT'S AN 981 00:28:25,572 --> 00:28:27,707 AMAZING TAG TEAM MANEUVER. 982 00:28:27,741 --> 00:28:38,885 >> ONE, TWO, THREE. 983 00:28:38,918 --> 00:28:40,053 >> NO TABLE IS SAFE IN THE WWE 984 00:28:40,086 --> 00:28:42,155 UNIVERSE, AND THE SAME CAN BE 985 00:28:42,188 --> 00:28:44,057 SAID FOR THE CHIN OF ANY 986 00:28:44,057 --> 00:28:45,358 OPPONENT WHO FACES SUPERSTAR 987 00:28:45,392 --> 00:28:47,594 SHAWN MICHAELS. 988 00:28:47,627 --> 00:28:49,129 WHEN HBK BUILDS UP HIS ICONIC 989 00:28:49,162 --> 00:28:50,630 FINISHER IN THE CORNER OF THAT 990 00:28:50,663 --> 00:28:53,199 RING LIKE A RAGING BULL ABOUT TO 991 00:28:53,233 --> 00:28:55,101 TAKE DOWN A MATADOR, GET READY 992 00:28:55,135 --> 00:28:57,604 TO SING A NEW TUNE. 993 00:28:57,637 --> 00:29:00,373 >> WHAT'S YOUR NAME? 994 00:29:00,407 --> 00:29:01,741 >> STAN. 995 00:29:01,775 --> 00:29:03,109 >> STAN. 996 00:29:03,143 --> 00:29:04,110 >> OH. 997 00:29:04,144 --> 00:29:06,179 >> SEE, I JUST KICKED STAN. 998 00:29:06,212 --> 00:29:07,280 [MUSIC] >> OH, SWEET CHIN MUSIC, 999 00:29:07,313 --> 00:29:10,750 SHAWN MICHAELS. 1000 00:29:10,784 --> 00:29:12,118 >> SWEET CHIN MUSIC CAN 1001 00:29:12,152 --> 00:29:13,086 LITERALLY HIT YOU AT ANY TIME, 1002 00:29:13,119 --> 00:29:16,890 ANYWHERE, ANY PLACE. 1003 00:29:16,923 --> 00:29:18,224 >> SWEET CHIN MUSIC. 1004 00:29:18,258 --> 00:29:19,192 >> WHAT? 1005 00:29:19,225 --> 00:29:21,094 >> SHAWN MICHAELS. 1006 00:29:21,127 --> 00:29:22,195 >> ONCE HE KICKED YOU WITH THE 1007 00:29:22,228 --> 00:29:23,363 SWEET CHIN MUSIC IT'S NIGHT 1008 00:29:23,396 --> 00:29:24,731 NIGHT. 1009 00:29:24,764 --> 00:29:25,899 >> SEE, ONE WITHOUT THE OTHER 1010 00:29:25,932 --> 00:29:27,200 ISN'T ANY GOOD. 1011 00:29:27,233 --> 00:29:28,435 >> OH, I KNEW HE WAS GOING TO DO 1012 00:29:28,468 --> 00:29:30,737 THAT. 1013 00:29:30,770 --> 00:29:31,771 >> YOU SEE THE EYES IN THE BACK 1014 00:29:31,805 --> 00:29:33,039 OF THE HEAD AND YOU'RE LIKE, OH, 1015 00:29:33,073 --> 00:29:34,274 THE LIGHTS ARE ON, BUT NOBODY'S 1016 00:29:34,307 --> 00:29:35,642 HOME. 1017 00:29:35,675 --> 00:29:36,810 >> THIS GUY JUST KICKED HIS CHIN 1018 00:29:36,843 --> 00:29:38,378 OFF. 1019 00:29:38,411 --> 00:29:39,379 >> YOU CAN'T HELP BUT TO FEEL 1020 00:29:39,412 --> 00:29:40,780 BAD FOR WHOEVER IT IS JUST GOT 1021 00:29:40,814 --> 00:29:42,048 THEIR JAW KICKED IN EVEN IF IT 1022 00:29:42,082 --> 00:29:47,821 WAS A BAD GUY YOU'RE JUST LIKE 1023 00:29:47,854 --> 00:29:48,788 SORRY. 1024 00:29:48,822 --> 00:29:51,057 >> THE BAND IS TUNING UP. 1025 00:29:51,091 --> 00:29:52,392 >> ANYTIME YOU CAN GET THE CROWD 1026 00:29:52,425 --> 00:29:54,160 MOTIVATED AND READY TO SEE YOUR 1027 00:29:54,194 --> 00:29:57,063 FINISHING MOVE. 1028 00:29:57,063 --> 00:29:58,064 THERE'S NOTHING QUITE LIKE IT 1029 00:29:58,064 --> 00:29:59,466 AND NOBODY DID IT BETTER THAN 1030 00:29:59,499 --> 00:30:01,401 SHAWN MICHAELS. 1031 00:30:01,434 --> 00:30:06,873 >> YOU KNOW WHAT'S COMING. 1032 00:30:06,906 --> 00:30:08,008 >> YOU HAVE TO LET THEM FEEL 1033 00:30:08,041 --> 00:30:09,075 WHAT YOU'RE ABOUT TO DO AND 1034 00:30:09,109 --> 00:30:10,276 SWEET CHIN MUSIC IS A GREAT 1035 00:30:10,310 --> 00:30:11,711 EXAMPLE OF THAT. 1036 00:30:11,745 --> 00:30:12,779 >> THE ONLY PERSON THAT WASN'T 1037 00:30:12,812 --> 00:30:14,114 READY WAS HIS OPPONENT BECAUSE 1038 00:30:14,147 --> 00:30:15,415 HE WAS ABOUT TO GET A LITTLE 1039 00:30:15,448 --> 00:30:19,886 SWEET, A CHIN, A MUSIC. 1040 00:30:19,919 --> 00:30:21,221 >> WHAT I REMEMBER THE MOST 1041 00:30:21,254 --> 00:30:22,789 WOULD BE IN YOUR HOUSE 2 IN 1042 00:30:22,822 --> 00:30:26,192 1995. 1043 00:30:26,226 --> 00:30:29,262 >> OH MY GOODNESS. 1044 00:30:29,295 --> 00:30:35,301 ONE, TWO- YES. 1045 00:30:35,335 --> 00:30:36,369 >> WRESTLEMANIA 21 HIM AND KURT 1046 00:30:36,403 --> 00:30:38,471 STOLE THE SHOW. 1047 00:30:38,505 --> 00:30:40,473 >> LOOK OUT. 1048 00:30:40,507 --> 00:30:41,741 >> SWEET CHIN MUSIC, SWEET CHIN 1049 00:30:41,775 --> 00:30:43,476 MUSIC. 1050 00:30:43,510 --> 00:30:44,544 >> FANS LOVE THE SWEET CHIN 1051 00:30:44,577 --> 00:30:46,012 MUSIC FROM WHEN SHAWN HAD THE 1052 00:30:46,046 --> 00:30:47,547 GOLD RUSH MATCH. 1053 00:30:47,580 --> 00:30:48,815 IT'S PROBABLY THE GREATEST SWEET 1054 00:30:48,848 --> 00:30:52,052 CHIN MUSIC OF ALL TIME. 1055 00:30:52,085 --> 00:30:53,987 >> SWEET CHIN MUSIC OUT OF 1056 00:30:54,020 --> 00:30:55,755 NOWHERE. 1057 00:30:55,789 --> 00:30:57,190 >> I CAN APPRECIATE WHAT IT WAS 1058 00:30:57,223 --> 00:30:58,558 EVEN THOUGH I DIDN'T APPRECIATE 1059 00:30:58,591 --> 00:31:00,126 RECEIVING IT BECAUSE IT WASN'T 1060 00:31:00,160 --> 00:31:04,631 EXACTLY A KISS ON THE CHEEK. 1061 00:31:04,664 --> 00:31:06,132 >> YOU'RE WATCHING RIC FLAIR 1062 00:31:06,166 --> 00:31:08,401 WRESTLE FOR THE LAST TIME IN WWE 1063 00:31:08,435 --> 00:31:10,470 AND YOU'RE LIKE, OH, MY GOSH, 1064 00:31:10,503 --> 00:31:16,176 THIS IS A MOMENT. 1065 00:31:16,209 --> 00:31:18,478 >> MY GOD, WHAT A SHOCK. 1066 00:31:18,511 --> 00:31:19,779 >> THAT SWEET CHIN MUSIC WILL 1067 00:31:19,813 --> 00:31:21,147 STAND THE TEST OF TIME. 1068 00:31:21,181 --> 00:31:24,884 >> SHAWN IS SO GIFTED IN SO MANY 1069 00:31:24,918 --> 00:31:26,453 WAYS, BUT ATHLETICALLY, HE'S THE 1070 00:31:26,486 --> 00:31:29,255 BEST OF THE BEST. 1071 00:31:29,289 --> 00:31:30,590 >> ANYONE CAN KICK SOMEONE IN 1072 00:31:30,623 --> 00:31:32,525 THE FACE, BUT NOT ANYONE CAN 1073 00:31:32,559 --> 00:31:35,662 SWEET CHIN MUSIC. 1074 00:31:35,695 --> 00:31:36,796 >> NOBODY USED IT BETTER THAN 1075 00:31:36,830 --> 00:31:37,831 SHAWN MICHAELS. 1076 00:31:37,864 --> 00:31:39,099 SEVERAL OF US HAVE TRIED TO 1077 00:31:39,099 --> 00:31:40,400 CAPTURE THE SAME MAGIC HE HAD 1078 00:31:40,433 --> 00:31:42,335 WITH IT, BUT THERE'S JUST 1079 00:31:42,369 --> 00:31:43,536 SOMETHING ABOUT HIM THE WAY HE 1080 00:31:43,570 --> 00:31:44,971 USED IT. 1081 00:31:45,005 --> 00:31:46,239 >> LITERALLY WHEN SHAWN MICHAELS 1082 00:31:46,272 --> 00:31:47,607 THREW THE SUPERKICK HE TOOK 1083 00:31:47,640 --> 00:31:48,875 SOMEBODY'S HEAD OFF AND TO ME 1084 00:31:48,908 --> 00:31:52,445 THAT'S A GREAT FINISHING MOVE. 1085 00:31:52,479 --> 00:31:59,219 >> OH, MY GOD IN HEAVEN. 1086 00:31:59,252 --> 00:32:00,420 >> THERE REALLY WAS SOMETHING 1087 00:32:00,453 --> 00:32:01,821 SPECIAL ABOUT THE WAY MICHAELS 1088 00:32:01,855 --> 00:32:03,189 THREW THAT SUPERKICK AND IT WILL 1089 00:32:03,223 --> 00:32:04,624 FOREVER REMAIN ONE OF THE MOST 1090 00:32:04,657 --> 00:32:06,826 AWESOME FINISHING MOVES IN WWE 1091 00:32:06,860 --> 00:32:10,330 HISTORY UNLESS HIS ARCH RIVAL 1092 00:32:10,363 --> 00:32:11,631 BRET. 1093 00:32:11,664 --> 00:32:12,932 HART HAS SOMETHING TO SAY ABOUT 1094 00:32:12,966 --> 00:32:13,933 IT. 1095 00:32:13,967 --> 00:32:15,135 A HIGH RULE TO MICHAELS' LOW 1096 00:32:15,168 --> 00:32:16,536 RULE, THE HITMAN WOULD 1097 00:32:16,569 --> 00:32:17,804 DEFINITELY ARGUE THAT A 1098 00:32:17,837 --> 00:32:18,938 SHARPSHOOTER FINISHER EARNS TOP 1099 00:32:18,972 --> 00:32:20,774 RANKING. 1100 00:32:20,807 --> 00:32:22,075 TAKE A LOOK AND DECIDE FOR 1101 00:32:22,075 --> 00:32:25,211 YOURSELF. 1102 00:32:25,245 --> 00:32:26,312 >> LADIES AND GENTLEMEN, BRET 1103 00:32:26,346 --> 00:32:29,416 "THE HITMAN" HART. 1104 00:32:29,449 --> 00:32:30,717 >> THE BEST THERE IS, THE BEST 1105 00:32:30,750 --> 00:32:31,918 THERE WAS AND THE BEST THERE 1106 00:32:31,951 --> 00:32:33,086 EVER WILL BE. 1107 00:32:33,119 --> 00:32:34,154 >> THIS CAPACITY CROWD RISING TO 1108 00:32:34,187 --> 00:32:35,522 THEIR FEET. 1109 00:32:35,555 --> 00:32:37,624 >> BRET WAS SUCH A HUGE STAR. 1110 00:32:37,657 --> 00:32:39,225 >> A FAN WITH A MINIATURE HITMAN 1111 00:32:39,259 --> 00:32:40,627 OUTFIT. 1112 00:32:40,660 --> 00:32:41,895 >> AS A KID BRET WAS MY ABSOLUTE 1113 00:32:41,928 --> 00:32:43,163 NUMBER ONE. 1114 00:32:43,196 --> 00:32:44,731 HE'S ONE OF THOSE GUYS I STILL 1115 00:32:44,764 --> 00:32:47,500 GO BACK TO WATCH ALL THE TIME. 1116 00:32:47,534 --> 00:32:48,635 >> IT LOOKS LIKE THE HITMAN IS 1117 00:32:48,668 --> 00:32:49,969 SETTING HIM UP FOR THE 1118 00:32:50,003 --> 00:32:51,137 SHARPSHOOTER. 1119 00:32:51,171 --> 00:32:52,238 >> YOU ARE GOING TO SAY UNCLE 1120 00:32:52,272 --> 00:32:54,374 LOUD AND CLEAR. 1121 00:32:54,407 --> 00:32:55,542 >> IF HE SPINS HIM OVER HE'LL 1122 00:32:55,575 --> 00:32:57,310 HAVE IT CINCHED IN. 1123 00:32:57,344 --> 00:32:58,511 >> YES. 1124 00:32:58,545 --> 00:33:00,046 IT'S OVER. 1125 00:33:00,046 --> 00:33:01,081 >> WHAT WAS SO COOL ABOUT THE 1126 00:33:01,114 --> 00:33:02,415 SHARPSHOOTER WAS THE DRAMA OF 1127 00:33:02,449 --> 00:33:04,884 LOCKING IT IN. 1128 00:33:04,918 --> 00:33:07,287 THE DRAMA OF TURNING IT OVER. 1129 00:33:07,320 --> 00:33:09,055 >> SHARPSHOOTER CAN HE DO IT? 1130 00:33:09,089 --> 00:33:10,090 >> THEN THE DRAMA OF SITTING 1131 00:33:10,123 --> 00:33:11,391 INTO IT. 1132 00:33:11,424 --> 00:33:12,592 >> SHAWN MICHAELS WAS SO CLOSE. 1133 00:33:12,625 --> 00:33:14,427 >> IT HURTS. 1134 00:33:14,461 --> 00:33:16,696 IT HURTS A LOT, AND YOU WILL 1135 00:33:16,730 --> 00:33:18,565 TAP. 1136 00:33:18,598 --> 00:33:20,633 >> THE SHARPSHOOTER WOULD CAUSE 1137 00:33:20,667 --> 00:33:23,236 PAIN AND SUFFERING NOT ONLY IN 1138 00:33:23,269 --> 00:33:31,344 WWE BUT ALL OF ENTERTAINMENT. 1139 00:33:31,378 --> 00:33:37,350 >> OH, MY GOD. 1140 00:33:37,384 --> 00:33:38,284 >> I LIKE TO SIT BACK. 1141 00:33:38,318 --> 00:33:39,452 >> SHADES OF BRET "THE HITMAN" 1142 00:33:39,486 --> 00:33:41,154 HART, THE SHARPSHOOTER. 1143 00:33:41,187 --> 00:33:42,355 >> MANY HAVE ATTEMPTED THE 1144 00:33:42,389 --> 00:33:44,090 DEVASTATING SUBMISSION MOVE OVER 1145 00:33:44,090 --> 00:33:46,493 THE YEARS, BUT ONLY THE HITMAN 1146 00:33:46,526 --> 00:33:49,829 EXECUTED IT TO PERFECTION. 1147 00:33:49,863 --> 00:33:51,231 >> THE SHARPSHOOTER, HE'S GOT 1148 00:33:51,264 --> 00:33:52,699 IT. 1149 00:33:52,732 --> 00:33:54,100 HE'S GOT IT. 1150 00:33:54,100 --> 00:33:55,335 >> NEW INTERCONTINENTAL 1151 00:33:55,368 --> 00:33:56,970 CHAMPION, BRET "THE HITMAN" 1152 00:33:57,003 --> 00:33:58,438 HART. 1153 00:33:58,471 --> 00:33:59,706 >> HE'S GOING TO WRESTLE YOU 1154 00:33:59,739 --> 00:34:01,207 UNTIL YOU JUST CANNOT KEEP UP 1155 00:34:01,241 --> 00:34:03,643 WITH IT. 1156 00:34:03,677 --> 00:34:06,746 THEN WHEN HE GETS READY TO 1157 00:34:06,780 --> 00:34:08,615 FINISH YOU OFF, THAT'S WHAT HE'S 1158 00:34:08,648 --> 00:34:13,053 GOING TO DO. 1159 00:34:13,053 --> 00:34:14,054 >> YOU HAVE AGAIN A MOMENT LIKE 1160 00:34:14,054 --> 00:34:15,155 BRET HART AND STONE COLD WHERE 1161 00:34:15,188 --> 00:34:16,056 STONE COLD IS PASSING OUT IN THE 1162 00:34:16,056 --> 00:34:17,290 POOL OF HIS OWN BLOOD JUST 1163 00:34:17,323 --> 00:34:21,294 HANGING ON THERE. 1164 00:34:21,327 --> 00:34:23,596 >> SHARPSHOOTER, HE'S GOT IT ON. 1165 00:34:23,630 --> 00:34:25,699 >> SAY THE WORDS, STEVE. 1166 00:34:25,732 --> 00:34:27,334 COME ON. 1167 00:34:27,367 --> 00:34:30,370 STEVE, DO YOU GIVE UP? 1168 00:34:30,403 --> 00:34:33,206 [BELL RINGS] >> AUSTIN NEVER 1169 00:34:33,239 --> 00:34:35,542 GAVE UP, AUSTIN NEVER GAVE UP, 1170 00:34:35,575 --> 00:34:39,112 BUT HE PASSED OUT WITH THE PAIN. 1171 00:34:39,145 --> 00:34:40,447 >> THE FOLLOWING CONTEST IS FOR 1172 00:34:40,480 --> 00:34:44,617 THE WORLD WRESTLING -- 1173 00:34:44,651 --> 00:34:48,288 CHAMPIONSHIP. 1174 00:34:48,321 --> 00:34:49,222 >> HE'S GOING TO PUT HIM THROUGH 1175 00:34:49,255 --> 00:34:52,926 THE MILL WITH THIS NOW. 1176 00:34:52,959 --> 00:34:54,561 >> NOW HE'S GOING FOR THE 1177 00:34:54,594 --> 00:34:56,830 SHARPSHOOTER. 1178 00:34:56,863 --> 00:34:57,764 [BELL RINGS] >> WE'VE SEEN 1179 00:34:57,797 --> 00:34:58,898 HISTORY MADE. 1180 00:34:58,932 --> 00:35:00,100 IT'S PANDEMONIUM HERE IN 1181 00:35:00,133 --> 00:35:02,102 SASKATOON. 1182 00:35:02,135 --> 00:35:03,169 >> THAT'S A COOL MOVE TO JUST 1183 00:35:03,203 --> 00:35:04,104 LOCK IN. 1184 00:35:04,137 --> 00:35:05,238 >> DOMINIK MYSTERIO IN A WORLD 1185 00:35:05,271 --> 00:35:07,407 OF HURT RIGHT NOW. 1186 00:35:07,440 --> 00:35:08,808 >> NOBODY DID IT BETTER THAN 1187 00:35:08,842 --> 00:35:10,043 BRET. 1188 00:35:10,043 --> 00:35:11,277 NATTIE HAS CARRIED THAT ON. 1189 00:35:11,311 --> 00:35:13,279 >> I'M GOING TO DEDICATE THIS TO 1190 00:35:13,313 --> 00:35:14,781 MY UNCLE, BRET. 1191 00:35:14,814 --> 00:35:16,649 [BELL RINGS] >> BRET HART AND 1192 00:35:16,683 --> 00:35:19,352 NATALYA, DOUBLE SHARPSHOOTER. 1193 00:35:19,386 --> 00:35:20,653 >> NOTHING SAYS EXCELLENCE OF 1194 00:35:20,687 --> 00:35:24,190 EXECUTION LIKE A SHARPSHOOTER. 1195 00:35:24,224 --> 00:35:25,325 >> BRET HART'S GOT THE 1196 00:35:25,358 --> 00:35:26,726 SHARPSHOOTER, AND THE REFEREE IS 1197 00:35:26,760 --> 00:35:27,394 CALLING FOR THE BELL. 1198 00:35:27,427 --> 00:35:36,236 >> HE GAVE UP. 1199 00:35:36,269 --> 00:35:37,504 >> WHAT DO YOU THINK, SWEET CHIN 1200 00:35:37,537 --> 00:35:39,706 MUSIC OR THE SHARPSHOOTER? 1201 00:35:39,739 --> 00:35:41,808 >> NOW, I'M SORRY, BRET, I'M 1202 00:35:41,841 --> 00:35:43,076 GOING SWEET CHIN MUSIC, BUT IT 1203 00:35:43,076 --> 00:35:44,944 IS COOL TO SEE PART OF THE 1204 00:35:44,978 --> 00:35:46,212 HITMAN'S LEGACY BEING CARRIED ON 1205 00:35:46,246 --> 00:35:47,781 THROUGH NATALYA. 1206 00:35:47,814 --> 00:35:50,083 NOW OUR FINAL FINISHER ALSO HAS 1207 00:35:50,116 --> 00:35:53,520 LEGIT LEGEND STATUS, THE 1208 00:35:53,553 --> 00:35:55,989 ULTIMATE ONE FINGERED SALUTE. 1209 00:35:56,089 --> 00:35:57,223 THIS SIGNATURE MOVE BELONGED TO 1210 00:35:57,257 --> 00:36:00,927 THE MAN, THE MYTH, THE LEGEND, 1211 00:36:01,027 --> 00:36:03,363 MR. DTA HIMSELF, "STONE COLD" 1212 00:36:03,396 --> 00:36:06,533 STEVE AUSTIN. 1213 00:36:06,566 --> 00:36:12,339 NOW GIMME A HELL YES. 1214 00:36:12,372 --> 00:36:14,140 >> AUSTIN 3:16 SAYS I JUST 1215 00:36:14,174 --> 00:36:19,245 WHIPPED YOUR ASS. 1216 00:36:19,279 --> 00:36:20,213 >> THE STONE COLD STUNNER IS THE 1217 00:36:20,246 --> 00:36:21,414 GREATEST FINISHING MOVE OF ALL 1218 00:36:21,448 --> 00:36:23,049 TIME. 1219 00:36:23,083 --> 00:36:26,419 >> STUNNER. 1220 00:36:26,453 --> 00:36:27,921 >> YOU COULD DO IT AT ANY POINT. 1221 00:36:27,954 --> 00:36:29,055 ALL YOU NEED FOR A SETUP IS TO 1222 00:36:29,055 --> 00:36:30,290 KICK SOMEBODY IN THE GUT OR 1223 00:36:30,323 --> 00:36:33,059 GROIN. 1224 00:36:33,059 --> 00:36:34,294 >> I SPEAK FOR EVERYONE WHEN I 1225 00:36:34,327 --> 00:36:35,495 SAY THE STUNNER IS LIKE THE BEST 1226 00:36:35,528 --> 00:36:36,696 FINISHING MANEUVER, EVERYONE 1227 00:36:36,730 --> 00:36:37,964 REMEMBERS IT. 1228 00:36:38,064 --> 00:36:39,099 >> OH. 1229 00:36:39,132 --> 00:36:40,433 >> OH. 1230 00:36:40,467 --> 00:36:41,801 OH MY GOD, WHAT A STUNNER. 1231 00:36:41,835 --> 00:36:43,603 >> WHENEVER AUSTIN WOULD COME 1232 00:36:43,636 --> 00:36:45,305 AND JUST FLICK YOU OFF AND GIVE 1233 00:36:45,338 --> 00:36:46,673 YOU THE STUNNER, IT WAS AMAZING. 1234 00:36:46,706 --> 00:36:50,076 >> I ALWAYS THOUGHT IT WAS THE 1235 00:36:50,110 --> 00:36:53,480 GREATEST MOVE. 1236 00:36:53,513 --> 00:36:55,448 >> AUSTIN GOT THE STUNNER. 1237 00:36:55,482 --> 00:36:56,549 >> IT'S SO SIMPLE, BUT IT'S SO 1238 00:36:56,583 --> 00:36:57,984 VISUALLY EXCITING. 1239 00:36:58,084 --> 00:36:59,819 >> OH, WAIT A MINUTE, LOOK AT 1240 00:36:59,853 --> 00:37:01,454 THIS. 1241 00:37:01,488 --> 00:37:02,489 >> THE WAY HE WOULD TAKE YOU AND 1242 00:37:02,522 --> 00:37:04,391 JACK YOU DOWN AND HIT ON HIS 1243 00:37:04,424 --> 00:37:06,326 ASS, THE VERTEBRAE JACKING ALL 1244 00:37:06,359 --> 00:37:07,861 THE WAY UP AND KNOCKING THE GUY 1245 00:37:07,894 --> 00:37:09,696 OUT. 1246 00:37:09,729 --> 00:37:11,031 >> IT JUST WORKED GREAT FOR MY 1247 00:37:11,064 --> 00:37:13,800 CHARACTER, IS SUDDEN AS THE 1248 00:37:13,833 --> 00:37:15,201 GLASS BREAKING IS, SO IS THE 1249 00:37:15,235 --> 00:37:17,270 KICK AND THE EXECUTION OF THE 1250 00:37:17,303 --> 00:37:18,905 STONE COLD STUNNER. 1251 00:37:18,938 --> 00:37:19,906 >> THE GREAT THING ABOUT THE 1252 00:37:19,939 --> 00:37:21,041 STUNNER IS THAT YOU CAN DO IT 1253 00:37:21,041 --> 00:37:22,042 WHENEVER, EVERY TIME YOU SAW 1254 00:37:22,075 --> 00:37:23,710 STONE COLD ON A PROMO OR IN THE 1255 00:37:23,743 --> 00:37:24,878 RING, YOU'RE LIKE, WHEN'S IT 1256 00:37:24,911 --> 00:37:25,845 COMING. 1257 00:37:25,879 --> 00:37:27,447 >> STUNNER. 1258 00:37:27,480 --> 00:37:29,549 OH MY GOD, IT'S OVER. 1259 00:37:29,582 --> 00:37:30,884 >> AS A KID, I WOULD GO TO THE 1260 00:37:30,917 --> 00:37:32,419 CENTER JUST SO THAT I'D BE ABLE 1261 00:37:32,452 --> 00:37:34,854 TO SEE THE STUNNER. 1262 00:37:34,888 --> 00:37:35,889 ANY TIME HE WOULD HIT THAT, THE 1263 00:37:35,922 --> 00:37:40,593 CROWD WOULD GET SO EXCITED. 1264 00:37:40,627 --> 00:37:42,529 THEN WE GET TO SMASH SOME BEERS 1265 00:37:42,562 --> 00:37:43,563 AND DRINK SOME BEERS AND THROW 1266 00:37:43,596 --> 00:37:48,735 THE MIDDLE FINGER UP, I LOVE IT. 1267 00:37:48,768 --> 00:37:49,669 [MUSIC] >> MAN, I HAVE SO MANY 1268 00:37:49,703 --> 00:37:50,637 FAVORITES STUNNERS, IT'S 1269 00:37:50,670 --> 00:37:51,938 UNBELIEVABLE. 1270 00:37:51,971 --> 00:37:53,173 SCOTT HALL TOOK AN AMAZING 1271 00:37:53,206 --> 00:37:55,275 STUNNER AT WRESTLEMANIA 18. 1272 00:37:55,308 --> 00:37:56,443 I'LL NEVER FORGET THAT ONE. 1273 00:37:56,476 --> 00:37:57,944 >> STUNNER. 1274 00:37:57,977 --> 00:37:59,079 AUSTIN GOT THE STUNNER. 1275 00:37:59,079 --> 00:38:00,013 >> THE BOTCH WITH VINCE IN 1276 00:38:00,013 --> 00:38:01,214 MADISON SQUARE GARDEN. 1277 00:38:01,247 --> 00:38:07,854 >> YOU CAN KISS MY ASS. 1278 00:38:07,887 --> 00:38:09,022 >> NO ONE HAD EVER TOUCHED VINCE 1279 00:38:09,022 --> 00:38:11,458 IN THAT FASHION. 1280 00:38:11,491 --> 00:38:12,258 THAT WAS A GREAT ONE THAT I'LL 1281 00:38:12,292 --> 00:38:13,526 ALWAYS LOVE. 1282 00:38:13,560 --> 00:38:14,627 WATCHING HIM SELL, THAT WAS 1283 00:38:14,661 --> 00:38:16,062 AWESOME. 1284 00:38:16,096 --> 00:38:16,830 EVERY STUNNER THAT I GAVE THE 1285 00:38:16,863 --> 00:38:20,233 ROCK WAS UNIQUE AND A HUGE SELL 1286 00:38:20,266 --> 00:38:21,401 FROM HIM AND HE TOOK IT OVER THE 1287 00:38:21,434 --> 00:38:23,870 TOP AND THAT'S WHAT MADE IT SO 1288 00:38:23,903 --> 00:38:25,872 DYNAMIC AND THAT WAS THE 1289 00:38:25,905 --> 00:38:27,540 CHEMISTRY BETWEEN MYSELF AND THE 1290 00:38:27,574 --> 00:38:28,842 MOST ELECTRIFYING MAN IN THE 1291 00:38:28,875 --> 00:38:31,177 HISTORY OF THE BUSINESS. 1292 00:38:31,211 --> 00:38:34,714 >> OH, AUSTIN GOT THE STUNNER. 1293 00:38:34,748 --> 00:38:35,949 >> AT WRESTLEMANIA 38, I GOT A 1294 00:38:36,049 --> 00:38:38,385 CHANCE TO STUN AUSTIN THEORY. 1295 00:38:38,418 --> 00:38:39,652 THE WAY HE FLEW UP IN THE AIR 1296 00:38:39,686 --> 00:38:41,354 AND JUST WAS MAKING THE MOTIONS 1297 00:38:41,388 --> 00:38:42,522 THAT HE DID. 1298 00:38:42,555 --> 00:38:43,590 IT WAS FANTASTIC. 1299 00:38:43,623 --> 00:38:46,459 IT WAS A WRESTLEMANIA MOMENT. 1300 00:38:46,493 --> 00:38:49,696 >> AUSTIN STUNS AUSTIN. 1301 00:38:49,729 --> 00:38:52,465 >> JUST TO BE IN THAT CATEGORY 1302 00:38:52,499 --> 00:38:53,366 OF THIS GUY GOT STUNNED BY 1303 00:38:53,400 --> 00:38:54,467 AUSTIN. 1304 00:38:54,501 --> 00:38:55,301 I MEAN, I COULD QUIT NOW IF I 1305 00:38:55,335 --> 00:38:57,671 WANTED TO. 1306 00:38:57,704 --> 00:39:00,874 >> PAT MCAFEE, HE DID A TOTAL 1307 00:39:00,907 --> 00:39:02,409 DIFFERENT SPIN ON IT, BUT EVERY 1308 00:39:02,442 --> 00:39:04,377 BIT AS SPECTACULAR, AND ALTHOUGH 1309 00:39:04,411 --> 00:39:06,146 HE WAS BASICALLY KNOCKED OUT 1310 00:39:06,179 --> 00:39:08,114 FROM THE STUNNER, SOMEHOW HE WAS 1311 00:39:08,148 --> 00:39:10,350 ABLE TO KEEP POUR AND BEER HIS 1312 00:39:10,383 --> 00:39:11,551 MOUTH. 1313 00:39:11,584 --> 00:39:15,021 IT WAS ABSOLUTELY RIDICULOUS. 1314 00:39:15,021 --> 00:39:15,889 >> IT WAS SO MUCH FUN. 1315 00:39:15,922 --> 00:39:16,790 YOU COULD JUST FEEL THE WHOLE 1316 00:39:16,823 --> 00:39:18,291 ENERGY FROM THE CROWD BECAUSE I 1317 00:39:18,324 --> 00:39:19,492 DON'T THINK A SINGLE PERSON LEFT 1318 00:39:19,526 --> 00:39:20,460 THEIR SEATS FOR 15 MINUTES AFTER 1319 00:39:20,493 --> 00:39:21,594 WE'RE THROUGH JUST CHUGGING 1320 00:39:21,628 --> 00:39:22,462 BEER. 1321 00:39:22,495 --> 00:39:24,064 >> THAT'S THE BOTTOM LINE 1322 00:39:24,097 --> 00:39:30,203 BECAUSE STONE COLD SAID SO. 1323 00:39:30,236 --> 00:39:31,604 >> WHAT A CAREER. 1324 00:39:31,638 --> 00:39:32,706 STONE COLD'S UNFORGETTABLE 1325 00:39:32,739 --> 00:39:33,873 STUNNERS HAVE BECOME AN AMAZING 1326 00:39:33,907 --> 00:39:36,309 LEGACY AND HIGHLIGHT REEL OF 1327 00:39:36,343 --> 00:39:39,045 GREAT WWE MOMENTS. 1328 00:39:39,045 --> 00:39:40,647 ALL OF THESE FINISHING MOVES 1329 00:39:40,680 --> 00:39:42,782 WHETHER TERRIFYING OR AWE 1330 00:39:42,816 --> 00:39:44,517 INSPIRING MAKE UP THE FABRIC AND 1331 00:39:44,551 --> 00:39:47,520 MAGIC OF THE WWE THAT FANS LIKE 1332 00:39:47,554 --> 00:39:50,323 US JUST CAN'T GET ENOUGH OF. 1333 00:39:50,357 --> 00:39:51,725 I'M KIND OF FUNNY'S GREG MILLER. 1334 00:39:51,758 --> 00:39:53,126 THIS HAS BEEN AWESOME AND I'LL 1335 00:39:53,159 --> 00:39:57,597 SEE YOU NEXT TIME. 1336 00:39:57,630 --> 00:39:59,132 ON THE NEXT THIS IS AWESOME, THE 1337 00:39:59,165 --> 00:40:00,867 MOST AWESOME WEDDINGS IN WWE 1338 00:40:00,900 --> 00:40:03,670 HISTORY, FROM THE DESPERATE AND 1339 00:40:03,703 --> 00:40:06,072 DOWNRIGHT DISASTERS TO LAS 1340 00:40:06,106 --> 00:40:08,141 VEGAS, LOVE STORIES. 1341 00:40:08,174 --> 00:40:09,409 >> MR. AND MRS. HUNTER HEARST 1342 00:40:09,442 --> 00:40:10,977 HELMSLEY. 1343 00:40:11,011 --> 00:40:13,179 >> UNHOLY UNIONS. 1344 00:40:13,213 --> 00:40:14,114 >> WHO CAN FORGET THESE 1345 00:40:14,147 --> 00:40:16,716 BEAUTIFUL WEDDING MOMENTS? 1346 00:40:16,750 --> 00:40:18,251 WEDDINGS THAT ALWAYS GO JUST AS 1347 00:40:18,284 --> 00:40:19,986 PLANNED. 1348 00:40:20,020 --> 00:40:21,354 >> KANE HAS TOMBSTONED THE 1349 00:40:21,388 --> 00:40:22,756 PRIEST. 1350 00:40:22,789 --> 00:40:23,857 >> JOIN THE WWE UNIVERSE FROM 1351 00:40:23,890 --> 00:40:26,292 SAYING I DO. 1352 00:40:26,326 --> 00:40:29,796 >> YOU STINK AND THE WHOLE DAMN 1353 00:40:29,829 --> 00:40:31,631 WEDDING STINKS. 1354 00:40:31,664 --> 00:40:32,966 >> ONLY ON THE NEXT. 1355 00:40:32,999 --> 00:40:36,736 THIS IS AWESOME. 1356 00:40:36,770 --> 00:40:38,705 [SCREAMING] 1357 00:40:38,755 --> 00:40:43,305 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 85239

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.