All language subtitles for 61 - Character Creation Sculpting Pt 1

Ok so now that we have the basic form of our model complete we are ready to

Sculpting on this piece so this is really going to follow the same

Sculpting process as we did for our unique wrap our going to come in baguettes got the alarm

Is using dynamic topology for going to read apologise the model

And we're going to come in and finish up or sculpt adding in some detail and do any hire

Resolution surface detailing that you may choose to have for the Smiler so

Ado let's get started

Tell us my form is already complete and I'm not going to be changing the scale of the sun going to hide it

And also

Going to pull my actual model outside of my Utilities

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Collection so I can class it inlets name or model instead of plain because that is no longer

That's name it whatever you want if you're careful

Anything you're free my mate whatever you want I'm just going in a bit character so

From this piece here I am going to jump into Scott mode

And before I even anymore dynamic topology I am going to sort it out

Some of the proportion issues that were being caused by using the skin modifier so on

Let's do this with some entry on in list

Muesli g brush hair

And a fairly large brush size and I'm just gonna start fixing some of these important issues

In the head region so I'm just gonna come in in the orthographic view and just turned up all these out

The name match my reference so little bit better and look a little bit more natural in 3DS

I think in order to really get these fixed

Add a subdivision surface modifier

Tudors peace

In order to really get the sheets correct

The head Moor Street down not be sticking out quite so much

Something like that

And come in in the shoulders in this and fix this area

The profession guide a used is sort of a generic humanoid form here I'm going to die

Create in order to achieve the final look that i w and one of those deviations and

Is scared a little bit more of a belly and put a little bit more of the characters

Towards the bottom of the door sounds because I think it looks cute

I need a pull out his torso self is a little thin in the Y Direction so I need to

A little bit more mass in the back of the shoulders

That flower sack shape that's really common in cartoon characters

Arm hurts a little bit

Neil work

I come in with the invoice brush to fix some of the teething issue

The waves

Now because all of these sculpting techniques are

Pretty much the same as what we have gone over so far I'm not going to spend

As much time on explanation for the portion it's a larger going to be demonstration and so if they're

You think that I'm doing that seems you're not familiar with I would I would go back

Watch the previous videos where I Scott's because I do a little bit more explanation

In the videos

Ok

Fingers with ok right now the feet need some work

OK Google little bit of a pinching issue

A bit of a pinching issue here

In this Tyrol region and I think it's gonna be ok because we are going to use dynamic topology

These edges should collapse when I come over with dynamic topology but I say job

Get there

Ok

Cell

The major proportional edit that I wanted to make so I'm just going to apply the subdivision

Go to Spotify asleep don't lose any of them information and now we are ready to come in and see

Dynamic topology here

Make sure that Cemetery is on of course and

Let's collab are active tool settings so that we can see all them here

You can also explain or dynamic topology section which will just give us the same menu but we can have it

All the time if we so choose ok so I took

Screenshot of my reference in a drink here so this is obviously not going to be a human characters

Changes from this

More generic Human Scale reference here and I'm going to be in the mouth in the area

So I'm going to start my cannabis cutting in this sort of more snout like face

With that again I'm not necessarily going for a one

The one Recreation of this character this is the character I have made previously for a purse

I just want something along these lines

Cancel that

Are you going to be the snow form if you need to come in and clean up around it

Because this is the guy with the tenant here so we don't want a chin

Double chin necessarily the to go back here

The browsing of that here

It's kind of like an alien at this stage but that's ok

Where I have some Cheap Trick here

Coffee can be about here

Pull out a little bit of warm for the ears

I'm just using the dry brush at the moment using a combination of drawing in

Directions by holding control and the shift key to smooth out

There's a pretty good basic shapes or just got in and continue to refine this

Zoom in on my way to get a slightly smaller detail size in my dynamic topology here

Decrease brush and just give this a little bit more definition

Same thing around the ear if you want them a little bit more defined from the rear

The body

Why should say the head

Can pull these out a little bit more and then push the front of

In using the G brush

To get more of that your ship going

Let me start just getting out very loosely where I want the features to be

Should give him a call to Allah

And you should have a large sort of lip portion and to make

Look like a monkey

I'm just going to fix some of the tapering in the head is getting

Strange Zagreb rush to fix my proportions they always used to grab Rush when I'm having

It just finally gets the best results

So want the eyes to be carnival Lowe's set and far apart so I'm just

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Paul the vac and then come in and fix where is using having

Using the drop brush

Like that

No push in a little bit here for the sockets but not too much because it'll start to lose that kind of more card

Equality and creepy

I'm going to come in with the pressure on the neck because it's starting to tension a little bit too much

I'm using the inflate in a smooth brush here just to get she's a little bit

Stronger will be more solid

And I'm coming in over the head with the invoice brush and a fairly zoomed in

Dance to just a present a little bit so that matches the rest of the body

I think I want to face to be a little bit more flat as well so I'm going to come in with the grand brush and if error

Large first size and just really gently pull this back in

So we're not going to be adding too much detail to the body or anything like that we're going to keep the future

Mortal fly art maintain that's where cartoonish quality but I am going to come over a really light pass

With the inflate brush just to up so it

Get a little smoother

So if you just use a combination of the inflate brush and little bit and then you come in and hold shift

50 smooth brush you end up with a relatively the same volume and mash that you had to begin with but

You just have a little bit more subdivision to work with here

In the same thing with the legs and adding detail to these but I do want to

Omega figure

Settle an because I'm coming over the sea and actually losing resolution that mean to me

Apology details size is not low enough so it's down to 6

For this area and you can see we have a match now and I'll come over with the inflate brush we are losing anything

So we need to pay a little special attention to this area cause of that issue we were having with

Plugging into itself you can see right here so we want to get rid of this overlapping area centrally

This might take some doing

I'm going to do basically is with the smooth brush can a smooth this out so I can get access to this

Reinflate it

With the inflate brush in because my refined method is set to subdivide the Labs

That overlap there and now we just have a smooth transition

Small areas of skin modifier as exactly fixed in sculpting but if you have a large area there

And that is something that need to be addressed at the time of modelling

No why Denise our little bit morcellator like a little bit more like they could support

And the Palm here needs a little bit more flash to it I'm actually going to do that with the Drum brush

Just on the outer Edge here

Can I have the Crease and trend of fine the fam

Nice thing about doing hands and that you always have a reference reading for a meal

To do to define the joint all that more as I come out of the drawer

Cancel the Tabernacle here

Mistake for a little bit of back and forth works but I think it's worth it just to find out where you are

Pause should be with the dry brush and I can come it will be created with the Crease brush on the other side

Impression

A little bit of a Ben

In the finding a little bit better now I just need to smooth it out in blended in

Really careful using the smooth brush on these for the thin thin

Can you call sections here as you can really lose a lot of mass very quickly so just come

A very light smoothing stroke

And you can always come back to the sort of collapsing effect of the smooth brush

With inflate brush

Chinese

Areas in here are smooth and there's no pinching moreover laughing

Ok so we increased or decreased our details size here increasing resolution

Let's go over and do the faith and again with the smallest eyes

And I'm gonna start playing out the top part of a whip here

With the dry brush and blending in

To smooth the satellite

I want this to be pushed out

I'm playing

Really like that was quiet this mouth and so we retain that sort of egg shape

Let's do some half now

Can do

Hit this with decreased brush over where we want the actual masturbate now I know about

Faces in in mi and things if you are planning on having this characters

Move when they talk or something like that you will need to discuss this character with their mouth

I am not going to be doing any facial animations in this course so I'm going

Close but I just know that if you wanted to do facial animations you will need a more advanced and

You need to swabs the character with their eyes closed in their mouth open

Because obviously if you want it with it closed there is no way there's no interior of the mouth

In modelled for

When you go to speaker open your mouth at all likewise if you wanna your character with the eyes

Can hear from there will be no lids to close over the I so I know about that

Covering facial animations in this course is a little bit outside the scope of this course but just know that

You did Plan create your character with email completely open

And the eyes completely closed

So you may be wondering why I am leaving the eyes as just playing sockets here

That is because typically when you are queen characters the eyes are a completely separate match that are just

Where is or slightly elongated spheres depending on you know what level of realism you're going for so

How you do the eyes that you would push in the sockets here

And then you would have a Scotsman briefly

And you would shift a to add a new TV series

This fear

By accessing the 90 degrees so that this for apex point is point forward in this is going to serve

As likely marker for where people would be phoning do is bring

Add to approximately where it needs to be on my head but keep it in the centre

The match because we're going to use a mirror modifier

Here and Amir modifiers always won't mirror around the point of origin so if we leave

The point of origin order pivot right in the centre of the of the head here

We just don't have to worry about it as much as I'm going to steal it way into about the size of an eyeball

What are my right now

And before we move it any further

We are going to chat into edit mode so that we are leaving the origin

Where it is so now if we move in edit mode when we moved to power a little split into

Creed 2 spheres here which we then just have to position

Roughly

Where we want the ice to be

We may have to come in and move these a little day if they're not exactly

Rate for our final mesh but this will give you an idea of where your eyes should be

So when you're going in with your Scott

Ok let's leave it there for now and let's return to our scope to you

Seems

Make sure the apology is enabled still

Now that our fears are and we can come and her sculpting around the eyes themselves

Decrease the eyelids and things like that

Close up the wholesale

Do you want to keep in mind that

The portion of the Islet you see is only a small fraction of your actual eyeball so

Much bigger than just supporting you see so just like I realised you

You know when you're making me some 3D you want to make the eyeball much bigger and then just only happy for portion

So are usually just sort of clothes at this area with the drawer and then come in with the

Trees to do the island

Let's get some attention to this year here and up with the drama

This year

Paint the snow brush of course

Decrease and get this world and where to find them trying to have my

Active tour here

On the side here so that you can more easily see you a brush I'm using because sometimes it's hard to tell with these icons

So I apologise if I forget that for the most part I use just three or four brushes

Jean-Luc g rush on me feel like the Crease brush

Inflate brush

And that is the majority of my sculpting is just one of those few brushes

Browse our little bit too intense so I'm going to raise them after giving a nice like

Cartoon HD his brown hair going to push them in the head in this diary

Never feeling a little bit extreme

And sort of define the mask area of course

Not the 3D mask painting that were familiar with in a lot of cartoons

Especially we have the sort of a hairline around that creates a mask especially in animals like if you will get

3

Turn on the side of his face

We're going to do something different here

Can you get on some chubby cheeks to make sure he's

Cute

Coming in to smooth out the head here

With Ian fibrillation the smooth

If you

What two previous model with the smooth shading on you can definitely do that during the sculpting process

All you have to do is come here to the dynamic topology settings and click smooth cheating and that will get rid of all that

Fastening that you see here I prefer to have the testing on because it gives me more information about

Anthony and the talus of my mash

And settle for the actual sheeting person I do tend to leave that on but if you if it bothers you to have it on you

Ok so I need to fix the profiles this year hear something I need to use the grab brush but I don't want to affect the

I'd like to change the face so far so I'm going to pull out mask brush

I'm just gonna paint a mask out number face

Increase strength although to make this go faster

Faith and Holloway the back of the head we don't want to

For about

Define mountain too much you are

Alternative instead of masking at the areas you do not want to affect you could also

Just mask at the areas you do want to effects of I just want this year might be faster for me too

The out

An invert the mask so you can do that

Painting at first

Come in Queen Ann Summers

Once I have the area that I want to change mast out we can invert the mask

Mouse converter

Shortcut right here is control I so that will fit the mask so now everything on the

Except for the year so I can come and with the ground brush and like a really weird brush size and start

Fixing the shape of this and pulling it so pointed it back without affecting anything around it

That's more of Anita shape and profile in my opinion

We do want them to stick out a little bit the kisses you know a monkey character

Thank you Sunday half the years

But I don't there pointing all that too forward so

And there we have it

Ok

I just need to do a little bit more work on the mouth here

And I think that is going to be good for the level of detail I want for this stage for the face

Remember I don't want to go to hi a detail could we still have to read apologise this and

Really fine detail we put in is going to be lost in the reader policy process and we're going to have to reschedule

So I am going to change my refund method from some divide collapse to subdivide just to get this type

Decreasing

Decrease pressure course

Fix the profile here a little bit more

With the invite brush

Something like that

So I actually think this sort of detail is pretty good for the

Anyway so break and when we come back we're going to finish getting

Play basically this level of detail over the rest of the body so I will see you in the next video