All language subtitles for 50 - Prop Creation HighRes Sculpting Pt 1

Ok so I just want to head in finish up the Rita pology of camera it was

Play just more of the same process we went over for the face but extending it

Head and clothing the shape of entirely so the next stage one

4 go back into sculpting 14 just a little bit to get some of this high-resolution detail

The Reid apology has served the purpose of creating or low poly form

For our final piece cell it is in this lower poly

Model that we will eventually be bringing into unreal Engine but we're going to do a poo

Tricks and tweaks to make it appear the same as this one here and it's not even

A bit better on that here

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So the first thing I'm going to do here as I'm going to take my read apology school and

I'm just doing this to create a backup in case I need to go back to a point where I still had these

Players present before they are applied and it's just a good idea to keep backup working copies at

Various stages of development in case you ran into a problem on Friday down a line in use

Save yourself time redoing amount of Warwick XL

I'm just going to keep this one here let's call it

Hobo and hide it in the viewport by pressing the eye

I can't hear next to it

What time last word is the same thing we have our

Original Scott please here

And we have our clean Reid apologise to metric here in oldest pub in the military

So you can see the topology of it it's definitely not perfect but again this is going

Aesthetic properties so it is more important that I'm just capturing the main forms of the nurse

Then I really setting it up for facial animation cos it's not going to happen

We'll get more into proper ecology for facial animation in more detail than this

We talked about making our character

The first thing I want to do is just apply these modifiers I have here because

So if I hide them and you can hide anymore fire in the viewport by pressing the monitor I can't hear

Right now this is what my actual piece looks like underneath

So I want to just apply these so I can do that by time and then you were here or if you have

Large modifier static hair instead of going in and one by one applying them

Every fire you have on a message please

Is just to select the mesh in object mode in your viewport and hid control

And

On the object itself in under this convert to menu here if you still like a mess

Mesh object this function has the effect of applying all of our modifiers

See hear my modifiers have now disappeared from the stack

Now we can see the entire match is available house

Conform to the shape

Of the sculptor underneath

And more importantly now I can we not move this piece around without it being affected by the Shrinking

Ok so this is here but obviously this is quite low poly

Bastard and we wanted our

Pleased to have a higher quality so where do we go from here

Back in to sculpt mode as I mentioned just briefly

To add some to Riad into detail that we lost

High quality high level of detail like the surface of this stone

Text generator

List returning select r

Will polymesh here

And we are going to return to sculpt mode up here in the corner

Celt

We hear you're back in Scotland now if we tried to stop on this at this point we would

Geometry to really get the detail that we need and if we were to enable dynamic topology that

Well that would defeat the purpose of doing the root apology in the first place because it would be with

Because we will end up with a messy triangulated skull like we had

If you recall this is all very messy and trying you later so we need a different method of

Subdivision

In order to keep the smart overly clean

This is where we are going to use this cold via multiresolution modifier

You are diverse the same way you add any other modifier by coming in here to the modifier stack

This time we're going to come into the generate column and running a slight at the multi-resolution

Now there's nothing because we have no levels of subdivision on it so

What a multiresolution modifier does is similar to a subdivision surface modifier Excel

Multi Reza specifically built to work with the sculpting tools in blender

So what we have to do to get this working properly if you need to come into the manor fire

And we just need at least once

To get started on this

So that's moved our mesh into a higher level of

Now

You may be asking yourself why can't we just use the subdivision surface modifier for this

Division service monitor does not work properly with sculpting and

Has a little bit more functionality for when we eventually go to bake these details

Talk about more later on when we get there

I'm just going to start this out by subdividing this

Play step to level 3 in till we start to see since moving here now

Medium back into sculpt mode

Just transferred over to my tablet screen so I'm recording

Right here and opening back up on my tablet

Ok so I'm using a multi rosemallow fire the main difference between Multiverse

Topology is that any new edges or subdivide your mesh

Anyway under the stroke the way that the multi the way that the dynamic duo

The Multiverse modifier is entirely dependant on the

Manual levels of subdivision that you have set here so if I were to come in

And just drop them for sizes play right here you can see this pushing

The point is not actually adding any new ones so that is why we used dynamic apology

Original these forms because it's much quicker than modelling

Quickly add new geometry in the way that we need we don't have to worry about the other line

Now that we have just cleaned up version what we want is to subdivided a few times here

And start sculpting with the geometry that is already present

Sell before we actually start sculpting on this I'm just going to hit the X symmetry button to mirror cross

Only have to do half of the work here

And we're basically going to use the exact same methodology that we did with the dynamic topology here

Add in detail where we have lost it so what start with that

I'm gonna take the job and come along with the browse here and just put them on a little bit

I'm using my

My why can't I work for this

This can be a cross accomplished with a mouse and keyboard it's just a little bit

Easier with the tablet if you have one

Decrease brush in

Reduce my breast size by holding the fkn selecting a new size and I'm going to come in here

Define that I am a little bit more

Always feel free to use ctrl Z when you need to undo something in ctrl shift and z

I want to read you something and that works in all areas of one there not disgusting that applies to

Remodelling versions as well

Can you make a crease brush and just further emphasising the Brown here

Junior separate crease line in here

3D LED

Time

Just like with the dynamic topology is really important in the materials to not subdivide too high

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When starting out with otherwise your end result will be lumpy

That's a nice thing about the Shiraz that if you do subdivide looks I had the sun divided up

And I realise I needed to make a larger form well the nice thing about the multi res

This level

Slider scale here

Anytime for two shift back down to your original mesh and shift back up and stop

Any step in between in scopes so even though I have

Four levels of subdivision here I can go down to 3 if I needed to make a larger form in

In the details with

Carry over to the higher levels of subdivision so

A fully functional

Sculpting system here in blender

I want to pull this out a little bit more so I'm going to hold

Control

Well I

Come over it with my

Crease brush

Instead of fishing end

I'm asking this out

Depressed to mask

I'm just going to call in the I hear

Just to prevent any unwanted editing and then I'm going to press shift see

To bring a micro splashing in

Hold control in and bring this Ireland out

Can I get a magnifier definition and you'll notice as you sculpt along these forms

Because your underlying topology the edges are flowing in this Direction you got it

You will get much tighter creases in magic

Better forms than you were with the dynamic topology here

Because exploring the Drum brush just feel that I win in a little

Can you use the smooth to smooth out when necessary going to switch to the info

Brush Curve

I think the little later so we'll meet you pinched

So I'm just alternating here with the inflate

In the smooth brush to get that I lead in the way want it

Actually before claiming asking going to go ahead and do the bottom words and say already have this item

Switch back to my Chris I'm going to hold control and pull out the bottom

Just underneath here

Now keeping in mind that this is supposed to be a stone sculpture so we don't have to go

Crazy detailed here just about as detailed as a stone sculpture of a face

The mass to make sure that this all looks ok

And there's a little bit of pinching here but we're also are at our third subdivision level so I can go out

Hiya and you can see that it starts to smooth out some of that faster than shading

Now I do recommend keeping your shading on flat here for the sculpting that's at least

Give you a better idea of the four actual form of the Ramesh

Give you son of a false idea of

The form of it

Eventually we will go in and

Enable smooth shading

So you had a do that when we get there but at this point it is best probably to keep your settings

Get rid of a little bit of like a waviness in these lines I like to fix it with the grab brush

I'm just going to get g on my keyboard

Increase my size and then just really carefully go around and try to even out anyway we've been as I'm getting

Right here in the bottom

So we've added the detail back in my eyelids go back around to the nose and and

Brush with a fairly large brush size

I'm going to come around here the outer Edge

In just a Finest range

Little bit

And let's do the same thing for the mouth that's coming with the Crease brush in

Smaller of the size and putting f on my keyboard in selecting a smaller size

And as long as we follow these depology lines that We Created in a retail policy section we should get a night

Increase Vert

Can you come in with the dryer brush and hold control and push in

This upper lip

Portion in and just a little bit less extreme

I want to come in with the drawer brush stay on a relatively small brush size

I just pulled out this other

Portion here

When did in the edges of it with the smooth brush

Pull out a little bit more and definition in the bottom lip by increasing airbrush size and just with the dropper

Giving it some very light Strokes

Air holding shift to use the smooth brush in swimming out anyone Venus

Can you just continue on with the entire face in the same manner I'm just going home control

Definition for this shiny here and then smooth it out when it's a little bit too extreme

To do my Strokes slightly more extreme than I want the final result to be and then

A really light pressure on my tablet and using the smooth vs moving out

Final result

And don't be afraid to use a grab brush and fix any

So whether shoes you see

You don't want to deviate too far from

Apologise for urgent blood

It is ok if you do see areas of course

You Want to Make Those changes now rather than later

Apologies I am for a bit of a little bit more round

And holding shift and just having with my mouth just quickly really late leader just knew that out a little

Get some more definition back into this line down the cheek so I'm going to switch to Mike

Press here

Reduce my brush size in coming along this line

Accentuate this

Cheek

Redraw in Ireland here

For the year flats

They come and have a long as your read apology was decent you should be able to see

Boundaries of these

Properly

Same thing with the ears can you use the Crease brush in a minute and drying the outside crease

What about the inside crease

So we just need to come around them for him of this sort of

Helmet

And to find it a little bit more such a little bit more distinct from the rest of the head

Is a stone sculpture we don't need to get in super take creases cos you know in Siri this is all

One piece that was carved out of stone so there should be some

Marinus in the distinction here just as there is in the photo itself

And I do want

Forms to remain clear in a readable to the I at a glance so we do need to come in

In some of these

Details most of the details that we lost was in the creases but as long as we

Order forms properly in the Rita pology it should be no problem dad those in and you know it

Because you're if you go across

You are a geometry in a way that you are read the party now that I can't find my sort of fighting

The natural flow of your face is here you'll get this sort of triangulation and here which is now

Really ideal

So I've drawn in on my creases again the last thing I'm gonna do

I really tell if I'm going to come over on my creases with the pinch brush or something in the key on my

Just watched to the paintbrush in over

Areas where I need to crease tightly I'm just going to come over and really lately pinch them in

Selling this area for example is a great example of what you can really clearly

Just getting bring these edges in tighter with each other

For a cleaner and result

You will get some stretching and distortion with the paintbrush typically

The area that you're working on typically it'll be ok will even itself out but

Do not be afraid to use a mask to avoid that stretching if it is causing issues for you

Sometimes it's easier to use the pinch brush to

Grab precious just a little bit too extreme sometimes you just need a change

The paint brushes good for that as well

Inflate and deflate this year in a little bit the vets in

Multi-monitor fire that since we're not dynamically adding new geometry

To this as we sculpt when you make a large-scale changes you will get some stretching here

Decimal stretching is Carol Lee ok and it will be not notice of all we smooth out the message

Extreme stretching that may be an indication to you that you did not do nothing work in the Diner

Apology phase in any may need to go in and change your base forms and apologise again

So this is looking free good I am going to add a little bit more detail to this

If it doesn't me come to the store that I'll just just some edges of long hair on my hat for like the sort of

Detail work we can always accomplished this with textures as well but

Since we're here we may as well

Try to get as much detail as we can in the scopes is going to make your texture in France

A little bit easier in

In general when making 3D assets the more

Work you put into the early stages of the

Cleaner easier the better your results sort of

Will be and you'll have to do last work

Downstream in the pipeline for the speak so because I'm spending

I'm doing this really nicely

My my texture work is going to be a little bit easier for me my text doesn't have to do so much heavy lifting

Wiltshire

What overall

Make the final result between Ireland and Nisa

Decrease around the Hat just add some detailing to it when I come in with the pin

Russian pension closed

That looks so much better and see if we can add some detail in app

What time do I get has here

Reduce my breast size a little bit otherwise you'll get out of this

Heroin effects with the Crease brush which can be mitigated by

Using the pinch brush but it's better just to avoid it altogether

Can you get two of the basic idea of the Line hair was coming into you

Is a little bit wavy hair so grab brush

Just straight now these lines

Little bit of pinching at the top

Set with the grab brush without the brushes

The grab brush that the brush size is relative to your screen space not to your

When I zoom out the brush stays the same size on my screen but relative to my mum

It's a larger so sometimes if you find that you're too close in and you're getting lots of love always in France

It's better to zoom out faster than reciting in brush as well

Banging on about pinching here there's probably have to do with the reed apologies so so I'm just going to

Lower my resolution

Here to see what's going on

Actually looks like I have 4 living area in my

Original mesh cell what I'm going to do

Is I'm going to quickly coming to edit mode

That was caused by we have these two or 11 points here in really these should be one single

Because it's a long line of symmetry so I'm just going to let them both on my keyboard to bring up the match

Menu I'm going to merge them at the centre

I'm just gonna

Scooters for words for the detail little bit more even

And I'm going to return to Scope mount

I'm going to increase my levels back

Here we are getting an error here and that's just because I hadn't the mesh on in editing

And it doesn't really know how subdivide that's all I have to do is just really lightly tap with the smooth brush holder

Nest in it should sort itself out

Just clicking really lightly in holding the air

The shift key to smooth out there fix that no problem

Not the monkey Rises because it maintains you are on the line geometry we can have back into edit mode and

Areas like that without too much of a headache I'm going to another one more

Line hair of detailing

Large sound and do that in reduce

Again

You have sort of like a dinner

Square

Pretty decent coming with a paint brush and cleaner 7

And you can see here that I'm fighting my apology a little bit because I did not have these details

My original stage one sculpt with the dynamic topology

I think this will be ok if it's not however we can come in and clean an oven at

Is it causes too much of a problem

I'm just going to come with you grab fresh and just leaving out some of these

Through wobbly areas

I really gently clicking employment out

Gently but I'm clicking in gently pulling them out

To even out some of that area

Ok so this is pretty good I'm pretty satisfied with the amount of detail

Not that we have added back into this we just have one more thing to do before WWI

Ready to move on from the sculpting portion and that is going to be adding the high-resolution

Stone detailing in here and we're going to be going over that in the next video