All language subtitles for 47 - Prop Creation Sculpting Pt 2

Ok so we are back with her to sculpting or head here

So I think that I'm ready for the use of next level of detail I think I have accomplished

All that I am going to at this level so what I'm going to do if I'm going to come into the day

Apology settings and then I change distance from 7 should say to 5

Slowly in this down finer and finer I'm going to

Leave it at some divide collapse for the moment because just not quite ready

To take it even father of putting it on Sunday vinyl make it an even lower level

Detail you can see already just from switching from 7 to 5 in coming in and zooming in a little bit more

Not working a match match final level of detail here so I'm just going to come in

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Put in these forms that I couldn't get that higher level or should that lower level

Set confusing colour of a numbers go the higher your level of details

Apologise if I miss speak at any point there

I think you got the idea

And again I'm just using the drama a combination of the drawer and smooth brushes

To accomplish pretty much everything at the point and then don't forget if you press control

Can you use the dry brush you can put it in to get even more definition of these forms

How many years is a Creed

Chris Brown Sugar around the outer edge of this shift in C

Greece

Around the edge

I'm just going to smooth on the very outer edge of this if you've moved to close where you will always

Start a racing that crease you just made but if we just

Over here so it's just the very edge of the Brush that is

Near the Crease we can smooth out of some of these months

Can I come in with decreased intensity in a spiral here

Switch back to the Bridge by pressing x on the keyboard

Next would be the shortcut for the drawer brush

If you ever want to know what these shortcuts are you can just have her

The brush in the top palate here and it will tell you a shortcut if it has one every

Brush has a shortcut by default and you can assign them manually yourself

Coming into your preferences in Birmingham to the keys that stick with the default

Simplicity

Rashes that don't have a

Shortcut by default typically just ones that you don't use very often or most

Do not use them quite often so we can just select the menu from the toolbar

Don't worry about getting your creases too tight at this point in actually would not be possible to do this

To get very very take creases at this point sells don't trust too much

Stop getting like your eyelids in orbeez crease lines and then we'll come

Get them really really tight later

Come in with the dry brush once more and I'm going to do it on the ice so I can get more

Detailing here

Just going to come in with a combination of the

Draught sweeping once already I live with the dry brush to buy my geometry and then I'm coming

Smooth to smooth it out

The smooth again just as a reminder is any rush you can just hold shift and I will change that

Brush

Wow shift is being held down

Switch to the inflate brush increase the

Can you scan a trade it even out some other one's on this I

I'm looking at my eyes here in their nice eyes that they don't really conform to the shape of

These at this reference image and now this is totally up to you have closely you want to see

Reference I'm going for a pretty loose interpretation here but if I did want to match

Is more closely the way I go about changing the shape of something like this is with the grab brush again

Airbrush with a fairly large brush size and we can just pull

Around on arm rash until we have something in a shape that has more thing

So I think I want

Decrease the size

That much

Add to get more of this sort of half moon shape going here

The eyeballs of themselves are coming over to far so I'm going to reduce the size of my breasts

I'm going to push it I'm using the smooth brush hair

Now the nice thing about sculpting with symmetry

Add a post to my story is that I can sculpt on either side so when we're modeling we really

The right side to work with and everything that we did on the right was copied over the left however

In sculpting you because we are using a different for asymmetry here what we can do as we

Cummins got on either side here and no matter where we sculpt is going to be mirrored over to the other side so

If I was well I can just have a little bit better than I die about these

From this angle for the left or I can come in and just edit the

I directly in that

Change will be automatically mirrored over to the right so that's one of the nice thing about this

A little bit more even grab brush

I think it's a little bit more detail to the nose itself switch back to her

Addressing her size here and then just with the drawer in the smooth it would have been an alternating

I'm just going to come in here

Detail

Better there

Grab

Auction in

I want the sort of bread out of form

Different shape here when you're talking about against shape sometimes it's hard to describe

Alright you're doing because nothing really conforms to a specific like primitive shape the way

It doesn't matter line

I'll do my best here

Give the sky for anger expression and we have in our

In a reference image because of course we have to keep in mind what this is for now this is our fall

So the Big Stone head in a fall on our character so it's sort of like an enemy in

Alright so I'm going to get that sort of an angry expression

To my Grand National this down

The Brow closer to the IAT self at least on the inner corner

Continue detailing here wheels and white brush to add a little bit

Actually in geometry to the nose

Show me things to see in Fleet in the smooth

Wait to subdivide smooth this minute down

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Stop for me nostrils I'm going to reduce the size of my brush here and beyond

Fresh and I'm just going to help control and push it in

If you're wondering what the difference between the inflow and addresses and pretty

On the back of the head is going to push

4 m in One Direction away from the mash and the inflate brush

Pushes out in all directions you get this metal wire of fact

What is the traffic to draw for this part for the mouth

Looks like I don't know you quite in every room for these offer a lips but

That's ok I'm just going to for a draw over my previous crease with

To get something closer to the volume now looking for

United his lips are sticking out way too much so I'm going to smooth

Down

With the smooth brush

American for the bottom here

Come in with the Crease brush now no find the Crease brushes most effective with a pretty small brush

How to reduce the size of this here and come in and start to

Redraw the actual crease for the mouth

Alex

Pretty decent from the front hair but obviously from the side this is all wrong so

In the opposite fashion of the Crease brush I find the grabber at work

Furby Lorna brush sizes

And I'm just using The Smiths here to push this back into the face of a little bit more

Can you think of your smooth was like you are razor

To pull out some more mass for the chin hair

Just using the address again

This little wider in a little lower

I'm going to equalise out another little bit less pointy

Anything for mouth is infected protruding too much from the face so what we can do here is out of come in

Missing angle

With the gravel rash and move everything in

I'm really liking this form I have for the brown but I want to change the shape of

Now is here and I want to be able to grab the Snow's without affecting the brown hair

When I do that is by using a mask so the mask brush can be found at the bottom of

Brush palette here it so the one with the paintbrush

We can just click on this and that will pull a bar mask brush so what I can do now is

On the area that I do not want to be affected here and it will start to painted in Black

This is going to be your mask now I'm asking sort of a temporary block if you will sell

Painting in black affect the colour of my final piece it is just

Ring Glenda basically by giving it values between 0 and 10 of course being black one being white

Where I want my next brushworks to be effective so I've painted out my eye

Masque hair because I don't want to change anything about this so now if I come in with my grandpa here

To pull in the nose you can see if I can get much finer control over what I'm doing by mass

Elsa and portions

Sell extremely useful

In sculpting in

I just personally feel that users can get really high quality sculpt without wearing hoodie

Is masks properly

Switch back to my employed brashear

Internal continue to

Get the shape here

In the nostril so I'm holding control and pushing in

What I'm going to do about her that is reduce my size all a bit more and then letting go of control so I have

Norman flight I'm going to come around the edges to sort a tightness up and add a little bit of

Against flash it does it really feel it right to say that they still

I think you got the idea

That's looking pretty good ok so once you're done and you you feel like you don't want this nasty anymore

I want to come in and make changes to the eyes now we need to clear those mask away so the 1st

That is just clearing the entire mask so we can either come to

Under the mask tab

And we can do a lot of things you can do like if you wanted to only affect the eyes you couldn't read it

Until now I can everything else as nest out in I can only see eyes but what I'm actually going to do

You can see the shortcut for cleaning your mask here is up my in that will just hurt

Back to the way it was

Ok so I'm still coming in here with the in the

Smooth

Install TuneIn the smooth the drawn to get this form here

Another thing to know is that this is really just the first stage of sculpting and I'm just trying

In the basic form so I'm not going to be wearing too much about creating these really

Tightly or doing any of this stone texting stage after

Apologise vs Nash

So if you want to for a pull-up a line for a Sharp line

Let's just inked in coming away from your message you can use the Crease brush and holder

For the opposite direction so when I like to draw really well the Fine Line data hold control

I'm coming with the Crease brush

To push these out

He can release control the push back in

And I need to change the shape of the mouth

This party is far too forward going to town with my grandpa in increase of size

Just call this out

This in

Maybe poveys

Cheeks more down towards the mall herself

I'm on my keyboard to get the mask brush back because I don't want to affect the mouth

South I just want to affect this area

Of course the the mask brush the shortcuts work

As they do for the regular sculpting brushes so with the MasterChef

In Enfield control it will erase only area that you need to rest with the mass

So I can feel a mask at the

Nose and mouth and then I can come in with control in clean of the edges so that I can really get really fly

Controller release

What's coming with the grab

Hollies generals out of maintaining the square block

Form

Erskine take a look at it

Any distracting colour

Variations near wider

So I wake

The angles of the mouth in the reference here and I don't have that extreme of an angle

Come in with the grab brush and push out the centre

Paul Danny science expression that looks good

Definition of I'm out here so when I come in with the Crease brushing again

Rangers

Reshape these

Wines

And nothing to come in with the brush I think

And

Photos

Pour out of a definition on the bottom lip

It looks pretty girl even from the side this could probably stay in the come for a little

Is a mask first so I don't mess up everything that I just carefully

Put there

Those areas

Septum forward to little bit flatter the face is quite flat here

I want to wonder anything but

And I do not want to

Deviate too far from a reference

Sorry I think this form is a little bit strange on the cheek Here song and it will be grand

Tube push that in

27 used to be a lot more work around the back of the head and the top here

But the face of selfies shaving over really well just gonna maths the whole thing outside

Don't mess it up

Increasing my strength of my mask in breath brush with shift in F

Turn out I can come in here in start work on the head and stuff and not have to worry about messing up

Anything on the face itself

Strictly Finglas 9 in

Mask out here here so I don't

Definition it

The Graham again and I'm just going to start fixing some of this

Awareness courses for working Monday

Like a muffin or something that's all I want

Using a mixture of the grab in the Creed and the smooth brush here

This line a little bit but the way that I'm going to do that here is using the grand

Starting a genus and down again could I have on this mask out so the area below it

I want to get a move if I use the grab brush

Mask over here as well

Monstrous mask at this entire line actually

Go back to grab increase or size here

Now I do believe that using the grand British will not

Actually some good idea mesh even if using dynamic topology so if you feel

You're trying to grab something and 9 of geometry to work with go over released

Play with the inflate brush first to subdivide your mash and then you should be able to grab the points that you need

There's a few brushes that will not send allied even if you're using it

I believe the smooth brush will not subdivided mash you have to send out a first using

Grab or the dry brush in Andover brushes

Decided to your bed f****** a little dramatic

Disconnect

Press the side of down towards the bottom of the head to get this line

And then we can pull the mass out here

You can smooth it just sort of equaliser doubt

Invert the Mask with control and I

Which means I can help push this app

You may give some nasty artefacts that's just sort of

It's just a part of the course

Unfortunately you can come in for an hour and clear mask and

Trying to equalise it out here

Reiss but springers in entire hair

And I think we're just about ready to take the saughall subdivide collapse so

Did you hear is in the dynamic topology settings are fine

Australia

Wow me to get in increase these really tightly without worrying about destroying the crease

Because normally when they got too small to save on performance

In this case

I just I would not be able to get in here in pinch this up really tired

Collapse

Set up

Can you use the grand brush at 6 that will pinching then I was trying to get

Inside if you want to pinch these adjust tyre together without push

Increase in Father

There is a brush for that is the pinch crash so you can access it either here in the tool

Or by pressing P on your keyboard P45 intravenously and now when I come around this with the paintbrush

It will pinch

These edges in together but it's not actually pushing this crease further into the mesh

I like to come in with a crease brush first to make these lines and then really Sharp and a map of the

Which British

To much about getting these lines perfect because we still have to re

Apologise this and unfortunately the process of apology will lose some of this detail

Again the stage of sculpting is about getting a major forms in

Apologise and then we're going to come back in and do some high res sculpting so refined

In an atom the sort of stone detail into the surface of cells

To get my mask here I'm just going mask at the top here

I'm going to come with me crease brush

Anus is it really in the reference but I just want to crease a little bit before

Here to give it sort of a furrowed angry Brow appearance

Calpol

Silicone of an evenness out with the ground pressure gain

Do you want to add a little bit more detail on the eye because you can see here and the reference to House full of the bag

Let's Hear It for the sockets let's put that in the Crease brush again

And I'm just gonna go really lightly here

In fact it may be a good idea to mask out the eyes self before we start the sleep don't

Mistakes or

Circle here

And the free good but

Funny so I'm gonna use my g fresh I'm just going to come here

Fix it

What's Craven masking take a look

Just going with a grand passion fixing episode of these lumps on the side

Doesn't really have to be perfect at this stage

Sing for basic shapes this is actually pretty good so

Venus in the back to fix the Everest

Set alarm

I think this is a good place to stop so when we come back we're going to

Read apologising this message so that we can prep it for even final detail sculpting

So I will see you in the next video