All language subtitles for 46 - Prop Creation Sculpting Pt 1

Ok so once we have our

Very

Basic bass forum

Radar go here we are ready to start sculpting on this now I discussed a little bit

In last video at why I am largely going to be using sculpting for this is because it isn't

Organic curved forms here in this type of asset really lends itself well

There's a couple of things we need to do in order to be ready to sculpt on the mesh in blender

In the first thing we need to do is we need to apply or mirror modifier

Now near the manor fire will not work with the type of sculpting we're going to do early on

So we need to make sure that we apply it so that we save this half of the mash

Sell to apply is a near modifier come in to edit Now by pressing tablet and keyboard and start with

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By pressing tab on a keyboard we were in an 8-month previously

And apply

So now I'm back in bed now we see we have both sides of our mesh hair so

For the actual sculpting portion we need to first come into sculpting mode in blender

The Exorcist Opening 1 in wonder we just need to come up to the mode of drop-down list and choose Scotland

Nailsea that your toolbar on the left side of the screen changes when we enter

In these I can't hear all represent different pressures that we can sculpt on our mask

Now I'm one quick side no I do want to make is that I will be using a tablet

2

Perform on my sculpting operation which means I can

With a special pen draw directly onto my screen here now all of this

I'm going to show you can be accomplished with a mouse and keyboard it's just a little bit more difficult you will have a little bit late

Find control and you will have to pay more close attention to manually setting these settings up here

For radius and strength

I'm where is I have these icons

Only right side of these settings enable which means I can use the pressure that I'm placing on my tablet

To determine these values here

So if we were to come in and start a sculpting on our mesh as it is well we can see that

Poem some birds out here

But I really do not have enough geometry

To Scotland any meaning for work

So the way that we are going to go about this first stage of sculpting is to use was called

Apology

Apology is used in the early stages of sculpting

Creating the basic forms

To enable dynamic topology all we have to do is come up

To the top right hand corner of the screen and enable this checkbox here

Little warning that says we have Vertex data in the ruv

Just ignore this for now and press OK

Apology does is it dynamically subdivide a mesh under your breasts

As you start to say

If I were just to take this and default draw brush that stop brush in the toolbar here

Indian sculpting

You can see that

And mash

Is now being dynamically subdivided right all of these are in the edges that it has

Under a breaststroke

Now because of the way down works it does not respect your underline topology

Which means it will create a triangulated mat under or breaststroke here

Cell

Having a dynamically apologised

Mesh here is really great for getting your basic forms but if you needed to like and make this face perfect

You want to come in and apologise it and we will discuss how to do the

Later on in the course

So I know anything about apology is that if you leave sculpt mode and return to

It will a disabled a merit apology so every time you re and her script Mode all we have to do is click this

Again another word

Control Z

Just don't do those changes because I want to start fresh on this

The setting I need to enable before I really get sculpting is I need

Enable symmetry on this now we applied the mirror modifier already because Dynamique

Allergy does not work with a near modify area we need to use the

Symmetry that is sort of packed into the Script mode of blender for this to work properly so

Cemetery is located right next to the dynamic topology options in it

Represented by the slope butterfly icon so we want to mirror across the x axis

So we just need a headless x right here to me across the x-axis and you can see when I go on it now it will be

Play symmetrical

Again as I said is a much more artistic method

Creating assets as opposed to modelling which is a little bit more mathematical South

I'm just going to go ahead and starts coughing this head and I will

Try to discuss what brushes and things I'm using as I am using them

Cell

Due to get the basic forms

So let's just start driving As Anything the job which is the first brush here

B&M give you just sort of a basic driving mechanic now

Do you make a stroke in sculpt mode

For the most part

Infamous brushes

You will be pushing the vertices out

Now if you want to

Push the vertices in instead so if I wanted to

What's a build at this for my hair which represents this so

Forehead piece

I would just start drawing

In the area now if I wanted to push this area for the eye socket in

To do that I can do that still want to drive to hold control

Well I make my stroke to put it in

So with that in mind

Let's just go ahead and starts companies forms and now

Typically when you're sculpting you want to start with your large farms it's sort of the same row as

You want to start with your large forms to get your basic shapes down before you

Began putting in any sort of detail

So I'm just going to Mark out roughly the areas I want for the eyes and nose in the mouth

We will incrementally add a detail to

You may notice that while I am sculpting with dynamic topology in its default settings

Zoom in very close here

NS golf

We're getting a much finer level of subdivision then if I zoom for the hour

Is Scott here you'll see that the edges that were creating your much longer

This is because by default dynamic topology

Is

Sitting called relative detail you can see all the dynamic topology settings by clicking the

We have our details size or refined nothing in our detailing mode so

What is causing me discrepancy here in

In the level of cell division is this relative detail now this is meant as an aid

You work for the out

When you are first building at your forms

And as you search you move it back in

You can change this manually if you prefer you need a final level of control

We can change this from relative detail to constant detail

Change the units appear for the detail size but it

No matter how close or far away I am from the mash

Cel-fi with a detail size of 3 on constant if

If I got here we get a quite large Revolution

Just the same

So I'm going to put it back on relative detail for now and if you want to use real to detail but you just want

Detail size 2

Be Finer

You have to do is to adjust the detail size

Alright here it is at 12

I believe it would be something like 30 going up

I would give you a

Have a lower resolution stroke

Ingredients for something like 5 will be good for finer details you can see working and match mirrors up here

I'm going to put it up

Can to start out with my details and also leave it on some divide collapse

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It handles how we are son dividing the smash dynamically so

If a Edge is

Over the detail size it will subdivided and if it is too small it will collapse

Constant detail throughout

Now there are some limits to Sandal I Collapse if you're trying to get in like these really tight

You will only be able to get the Crease so tired before the edge of star collapsing in

Meant to say for 4 months I don't suggest doing this early

When we are ready to do this tiger cruises we're going to come in here and just change it to subdivide

So let's just go ahead and get started with actually sculpting more than smash

We will discuss further some of these functions as they come up

So I'm just going to roughly lockout where I want leave me in facial features

And again I'm just using my dryer brush

To smooth out these

Edges of Jagged Edge of the way I just did all we have to do as with any brush like this

You just want to hold the shift key as you move over to smooth

So you want to be a little bit careful with the smooth brushes that can easily and quickly erase a lot of the details you put

It's also great for obviously

Swimming out these more jagged areas

I'm going to push in with the ctrl key in the drawer here to form an eye socket

Build up the forms of the eye back into it

Later on

Working with the skull here

And the bone structure

So the more you know about anatomy for artists the better York

Sculpting in face sculpting is going to be

Cell

With this particular case we have a little bit more freedom because again this is not an actual

Daisy Stone sculpture of a head

Typically when driving or scoping you want to start

In the basic bone formation and the planes of the face and then building up

Thesaurus

What will be the muscle mass on top of that

Once you start sculpting in some of these basic forms are gonna need to change your brush size of intralace

There's a couple of ways to do that in wonder the first way would be just to come up to the top here

Where it says radius

The cider after Daniel change the radius of your fresh however this one

Do not find particularly useful because you can't see the preview of your brush as you were moving

The

The Slider at the door and you can also click on it and type in a value in America

If you need the number to be exact

I found it much more useful

For large-scale changes and you can press the sky on your keyboard

And the flight your mouse back and forth

Will give you a preview of the size of your cursor

So if I want to send a smile and get process

And I would now have a much smaller brush to work with for a finer detail

If you only need to increase or decrease

The size of your breasts by a little bit you can press up

On your keyboard or the

To increase your size and the opening bracket to decrease your size

And if you are familiar with photoshop these are they same hotkeys that are used to increase and decrease your

In that program

I'm just going to continue this by giving everything a really light tap with my pen here

Increase of geometry not working with

I need to bring this chin forward so at aftermath here

And

I'm getting if you just need more geometry work with that you don't want to change the shape you can either

The inflate brushes also very good for this

Fuel options down here in the brush palette there is the inflate brush

Again I really like top here will subdivide your geometry if you're using an apology of course

Without changing the shape

To dramatically

So I'm just using a combination of the inflate in the smooth brush here to up

Play model of little bits I have a little bit more

Geometry dash work with

Nearest think there is a more dramatic flipping a forehead that I would really like here so when I'm getting used to

It is called the grab brush

You can access the Graham brush with the shortcut g on your keyboard

Press here in the two pallet which of course can always just select from this men

As well

Increase the size of those to be quite large and I'm going to grab

In a moving out I like to use my mouth

To be a little bit more exact

Then using a tablet if you are using one

Turn of the next most basic level after our base modelling here so

YouTube going in refined this and I'm going to just keep using the dry brush

Am I found a dry brush should be the most versatile

Brush in

In your palate here

I'm just kind of work the way you would expect it in I want to rush you like you can just draw it will raise up

Will get into using more pressures as we continue to refine that for this level

Detail I really find the drawer and the inflate brushes to work the best

Of course for alternating with the smooth

To equalise some of these lamps

Our sort of a natural product of sculpting at this level

Samsung the frame some of the island here

We can sort a pull out

Some of the actual form for the eye

20 min little bit more fine detail

In

I'm actually going to use the inflate brush right in here

The Polish for mouth

Play crash by letting you never hear

Shortcut for the soul

And

The shortcut for the invite brush can also

The shortcut is the Ikea new keyboard so you can also access it that way

Increase the strength here so I can

Another thing it's just not inflating as much as I would like so

To increase the strength you can either come to the fire here inside it up of course you can manually

Strength is going to always be between the value of 0 in 1

Or we can come in in pressure staff

Keyboard

You'll get there for a fighter here and you can select your string

That way

So it was at .5 so I want increase it to save point

Decrease the size of the Wirral

Anglesey

It's

Much quicker

Just got in this iPhone now

So we're getting good form then but getting a little

Blurry right here as I swapped so I'm gonna switch to where is called the Crease brush

To draw and some of these Folds here like such as

These are eyelid Folds and things like right here the any wrinkles

That is best accomplished with a crease brush

So we can access decrease fresh by pressing shift in C on a keyboard

Can you see that the Crease brush is right here

Call power as well

Force or push in in pinch together your mash

To form a more online hearing is really good for differentiating forms

I want this to be pretty heavily creased

We can search you

Pull out some of these nose features

A little bit more clearly

No I'm not going for a one-to-one creative recreation of this image and

It's more of an inspiration a general guidelines that maybe make it a little bit more cartoon

Change the expression on the face things like that

We can start to

Bournemouth farmers well not really too worried about getting this crease

Right now I'm just for a drawing in the lines

As a congestion of where these features are going to be

And then I will continue to pull him in as I continue to refine

47

For my fees

Jowls right here

So I'm going to sketch out the ear next

I'm going to do that with the ground Russia games and just going to come up and select the drug Rush

Sorry the driver sure I had actually start of the grass brush to use for brush

Relatively the same as a drawer shopping by default it is set to the negative

So that it pushes in like the Crease brush but it's a little West types of A4

So you can hold control to push it out instead or if you want to switch the default direction of

Right here next to the strength we have this plus and - key

So if it means by default the pressure will push outwards away from your mouse when you

And that holding control will give you the opposite of whatever sign is selected here so if you find that

In control the entire time and you just want to switch the direction of the Brush by default you can do so

Ok so I'm going to be here

And

I am going to just dropped in this one of the reform again not really stopping in the full form

Just

Putting in on lines to suggest where the form is going to be

So this is already saving up really well

The ohmic heads in other console scene they're all wearing this sort of helmets with these

The frontier flats sale with go ahead in

Draw in the lines for that

So I'm just gonna come across the forehead here with the dry brush

And really just I boring it

Am I even use my detail size to let SE7

So that I can still be zoomed out

To see the overall art of this line but I still get a good

Cleared

Definition between the side of the head and the sort of helmet hat thing

I'm just going to bring a little bit of form around the ear here

I'm using the shift key to smooth out anyone's

So I have a look here but obviously I want this this coming to be a little bit more snow

I'm gonna come in

With a combination of the drawer and smooth brushes

I'm just going to fill this out

A little bit Lestrange

And if you find that

Your sculptures are looking quite lumpy that usually means your details size is 2

Small

So you either need to increase that he orders an hour typically going to

Larger detail size and drying the forms and it's moving them will give you a better result than trying to

Put too much detail in right away you often end up with a 1p mash

Switch to the Crease brush and draw in the line here so I just get a little bit

Separation between the head and the the Hat

Not really sure about it

Is exactly supposed to be

It's in the picture so I can put it in

Using the shape here in the bags under the ground brush by putting g

Increase the size on this just so I can pull this out

Little bit smoother

On the side here

In when you're sculpting is important that you

Look at yours

Your sculpture from

Many angles

Because he may have if you've got to you entirely from the single this time I look at it good when you

It may look terrible

The other reason you want to always be sculpting in perspective mode as well

The actual game you are creating your acid for is 9

Play get it to me like a top-down isometric you should always always be sculpting in prospective now because

To offend you get people that's called an orthographic view which is what I have just switched to right now by pressing 5 on the keyboard

And they will stop until it looks good in orthographic view and then want to get put in

Very disturbing so double check to make sure that you're always introspective

When sculpting for

3D games in that will be viewed in first Active you always want to keep your target platform in

Because there's just no point to creating something

You know if you're not

If it's not going to look good

Platform you can make it look very very nice in blender but it doesn't look good in unreal well you just waste

I'm really

Because that's where this is eventually going in lab

If you don't want to bring the size of the head in to be a little bit more narrow

So I'm just going to use the grab pressure get on with a very large brush size

Yeah that looks a little bit better than me

Ok sweetheart actually a pretty solid

Basic

Facial features in now and I'm pretty happy with where it's at

So where about 30 minutes I will take a quick break and we come back we're going to continue to refine the