All language subtitles for Apollo.The.Forgotten.Films.2019.1080p.AMZN.WEBRip.DDP2.0.X264-QOQ-Obfuscated

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��0yM��S��T�gS���<�O�I�f@�*ױ�B@M��libebml v1.3.6 + libmatroska v1.4.9WA�mkvmerge v30.1.0 ('Forever And More') 64-bitD��AS�@Da� z�Ցfs������ɼ�U���E�T�k���ׁsň���;����������S_TEXT/UTF8�D%C�u��F�����Narrator: HIDDEN IN THE ARCHIVES FOR OVER 50 YEARS...��=�����=King: 11.���C�u@�������...THOUSANDS OF REELS OF FORGOTTEN FILM...�� ������ �10.��ߠ����`...BROUGHT TOGETHER FOR THE FIRST TIME...�� �C�u��:�����9.���������...TO REVEAL A SEEMINGLY IMPOSSIBLE CHALLENGE.�� ������=IGNITION SEQUENCE START.���C�u@��R������Griffin: I THOUGHT, "NO WAY.��U�����UARE YOU KIDDING ME?"�� ��ȡ�Anders: EVERY DAY HAD SOMETHING THAT I HAD NEVER SEEN BEFORE.��\C�u��u0�����RELEASE.�� ����� Narrator: AN INCREDIBLE DECADE OF TRIAL...�� ����� ALL SYSTEMS ARE GO.��ZC�u�炊������...AND ERROR.��������9Griffin: AT THE END OF THE DAY, WE ALL KNEW THE RISK.��GC�u�炨�����Armstrong: WE GOT SKIRT SEP.��w�����wNarrator: A TEAM OF OVER 400,000 MEN AND WOMEN...���C�u�炾T�ʡāWorden: EVERY SINGLE ONE OF THOSE PEOPLE HAD ONE GOAL IN MIND.�� ��� �Narrator: ...CAUGHT ON CAMERA.�� �C�u���"�����Lovell: I WAS AT THE RIGHT PLACE AT THE RIGHT TIME.���������King: 3.��-C�u���ࠫ���Narrator: WITH UNSEEN FOOTAGE...��8�����82....AND EXCLUSIVE INTERVIEWS...��7�����oAND THAT'S 1.���C�u�������...THE STORY OF MANKIND'S MOST AUDACIOUS ADVENTURE.�� ��� �LIFT-OFF. WE HAVE A LIFT-OFF.�� �C�u��������LIFT-OFF ON APOLLO 11.�� K����� KSchmitt: THERE'S NO TURNING BACK.�� .C�u��4u�����YOU'RE GOING TO THE MOON.�������--Captions by VITAC-- www.vitac.com�� �C�u��HB�����CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS�� �C�u��_ԠȡCronkite: WE'RE COUNTING DOWN TOWARD THE LAUNCH OF APOLLO 11.��0�����03 HOURS AND 32 MINUTES FROM NOW,�� (C�u@��{,�����MAN BEGINS THE GREATEST ADVENTURE IN HIS HISTORY --���š��A TRIP TO THE MOON, WITH THE EXPECTATION OF LANDING THERE.��tC�u@���������Narrator: APOLLO 11 IS READY FOR LAUNCH.��󠜡���IT'S TAKEN AN ARMY��r�����eOF ALMOST HALF A MILLION SCIENTISTS AND ENGINEERS�� �C�u���������NEARLY A DECADE TO GET TO THIS POINT.��֠�����NOW A TREASURE TROVE OF FORGOTTEN FILM���C�u��ݣ�¡��REVEALING THIS HISTORIC MISSION IN JAW-DROPPING DETAIL.��&C�u��=�����THREE HOURS BEFORE LAUNCH,���������NASA CAMERAS CAPTURE THE APOLLO 11 CREW SUITING UP.��C�u��'t�����MY NAME IS MIKE COLLINS.�������ON APOLLO 11, I WAS THE COMMAND MODULE PILOT.���C�u��@_�����FLYING TO AND FROM THE MOON IS A THREE-MAN JOB.��à�����WE EACH HAD SPECIALTIES.�� )C�u@��YK�����Narrator: THE MISSION COMMANDER IS NEIL ARMSTRONG,��Ѡ�����RESPONSIBLE FOR GETTING HIS TEAM TO THE MOON AND BACK.��`C�u��y|�����BUZZ ALDRIN, THE LUNAR MODULE PILOT,�� ڠ���� �WILL ATTEMPT THE LANDING WITH ARMSTRONG��jC�u���������WHILE MIKE COLLINS WILL STAY IN LUNAR ORBIT.���������Collins: IT WAS A QUESTION OF CAMARADERIE�� C�u���X�����AND ALL PITCHING TOGETHER TO GET THE JOB DOWN.�� ������QNarrator: SUITED UP AND READY TO GO...���C�u@���l�����...THE ASTRONAUTS LEAVE FOR THE PAD.�� ������ �King: RIGHT ON TIME, THE PRIME CREW��������*NOW DEPARTING FROM THEIR CREW QUARTERS��#C�u��湠����HERE AT THE KENNEDY SPACE CENTER.��Z�����HNarrator: NEIL ARMSTRONG LEADS THE CREW��wC�u���x�����INTO THE GLARE OF THE WORLD'S PRESS.�� �C�u��)!�¡��EIGHT MILES AWAY, THE MOST POWERFUL MACHINE EVER BUILT,���������THE SATURN V ROCKET,�� �C�u��D������AWAITS THEIR ARRIVAL.�� =����� =Collins: I WENT OUT THERE WITH NEIL AND BUZZ.�� C�u@��Z�����39A WAS OUR PAD.�� ������ �WE'D BEEN ACCUSTOMED TO GOING OUT TO THE PAD��䠾����AND FINDING 40 OR 50 WORKMEN SCAMPERING UP AND DOWN�� eC�u��y�����LIKE ANTS ON THE GANTRIES,���������AND HERE, ON LAUNCH DAY,�� ������NO ONE WAS THERE.�� �C�u���K�����ANYWAY, WE FOUND OUR WAY UP TO THIS LITTLE ELEVATOR,��j�����jTHREE OF US, PLUS TECHNICIAN,�� �C�u���������AND UP WE WENT 300-AND-SOME FEET IN THE AIR.�� C�u@���Ϡ����King: THIS IS APOLLO-SATURN LAUNCH CONTROL.�������SHORTLY, WE'LL EXPECT ASTRONAUTS NEIL ARMSTRONG�� �������AND MICHAEL COLLINS TO COME ACROSS SWING ARM 9�� .C�u���������AND STAND BY TO BOARD THE SPACECRAFT.���������Collins: WHEN I WAS WAITING FOR MY TURN TO BOARD,�� �C�u@�� {�����I COULD LOOK TO MY RIGHT,���������AND I SEE THIS GIGANTIC PILE OF MACHINERY,�� �������360 FEET TALL FULL OF GADGETS�� sC�u��&������THAT WERE GOING TO PROPEL ME TO THE MOON.�������ASTRONAUT FRED HAISE IS ABOUT TO COME OUT�� �C�u��>4�����AFTER GIVING THE THREE PRIME CREWMEN A HAND�� n����� nIN THEIR PRELIMINARY CHECKOUTS ABOARD.�� �C�u��Ri�����MY NAME IS FRED HAISE.���������I WAS THE BACK-UP LUNAR MODULE PILOT�� 頣����ON THE APOLLO 11 MISSION.���C�u@��k������I WAS THE LAST PERSON TO CRAWL OUT OF THE CAPSULE,��Ѡǡ���LEAVING NEIL, BUZZ, AND MIKE TO TAKE THEIR TRIP TO THE MOON.���C�u��������I WAVED GOODBYE TO THEM AND GAVE THEM A THUMBS-UP,�� ������ �HOPING THINGS GO WELL.�� .C�u@���ܠˡŁMan: OKAY, THE SWING ARM IS GOING TO FULL RETRACT AT THIS TIME.�� 4����� 4Narrator: FILLED WITH SUPER-COOLED LIQUID FUEL,�� �C�u���꠯���THE SATURN V WEIGHS OVER 3,200 TONS.���C�u��ϋ�š��LAUNCHING A ROCKET THIS BIG IS AN UNPRECEDENTED CHALLENGE.���C�u���_�š��RARELY SEEN FOOTAGE REVEALS THE IMMENSE SCALE OF THE TASK.���C�u��2G�����Announcer: NASA's PROJECT APOLLO.��G�����GITS MOST URGENT ENGINEERING CHALLENGE --�� �C�u@��KU�����THE DEVELOPMENT OF A LAUNCH VEHICLE,�������CAPABLE OF HURTLING MEN AND MATERIAL�� )�����*TO A POINT 250,000 MILES AWAY --��>C�u��l������THE MOON.��䠮����Narrator: THE SATURN V MUST DELIVER��T�����8AT LEAST 7.5 MILLION POUNDS OF THRUST��C�u���������IN A SUSTAINED...�� 3����� 3CONTROLLED...�� KC�u���{�����WAY.�� ֠���� �FILM FOOTAGE TRACES ALMOST 10 YEARS�� K�����!DEVELOPING A GIANT ROCKET ENGINE --�� dC�u��������THE F-1.�� ����� MY NAME IS RICK WEISS, PROPULSION ENGINEER�� �C�u@��� �����FOR ALL THE APOLLO MISSIONS.�� ������ �THE F-1 ENGINE WAS PHENOMENAL�� ����RWITH 1.5 MILLION POUNDS OF THRUST.���C�u@���砻���Narrator: FILM OF NASA FACILITIES ACROSS AMERICA��󠿡���REVEALS CRITICAL TEST FIRINGS TO PERFECT THE ENGINE.��GC�u��񠰡��Weiss: THE WHOLE KEY TO IT IS TIMING,�� =�á�� =THAT THE LIQUID OXYGEN MEETS THE FUEL AT THE RIGHT TIME,��GC�u@��7u�����AND IT'S BURNED PRECISELY AT THE RIGHT MOMENT.��Ƞ̡Ɓ�Narrator: THE RESULT IS THE MOST POWERFUL COMBUSTION ENGINE EVER,���C�u��Y񠪡��WHICH NOW MUST PERFORM PERFECTLY�� n����� nIN FULL VIEW OF THE WORLD'S CAMERAS.�� C�u��������FROM THE AIR, FILM FOOTAGE CAPTURES SPECTATORS�������POURING IN TO WITNESS THE LAUNCH.��$C�u���-�����King: THE ESTIMATE IS MORE THAN A MILLION PERSONS��Р�����ARE IN THE IMMEDIATE AREA IN BREVARD COUNTY��GC�u���D�����TO WATCH THE LAUNCH.�� ۠¡�� �AND AT THE V.I.P. STANDS 3 1/2 MILES AWAY FROM THE PAD,��*C�u���I�����NEWS CAMERAS AND HOME MOVIES RECORD THE EXCITEMENT.�������I'M KOTCHO SOLACOFF.��|C�u�� ۠����I'VE KNOWN NEIL SINCE WE WERE IN THE SIXTH GRADE.��M�����MTHE V.I.P. GRANDSTAND WAS 3 1/2 MILES�� �C�u��'à����FROM WHERE THE ROCKET WAS.�� ����� I FELT VERY SPECIAL TO BE THERE,���C�u��FV�����ALL TO SEE OUR BEST FRIEND ON THAT ROCKET.�� QC�u@��`ߠ����Morgan: IT WAS JUST PEOPLE, PEOPLE, PEOPLE EVERYWHERE.���������THEY JUST WANTED TO BE A PART OF THE HISTORY.�� QC�u���������I'M JOANN MORGAN, APOLLO 11 INSTRUMENTATION CONTROLLER��Ƞ�����IN THE LAUNCH CONTROL CENTER.��$C�u��������THE COUNTDOWN IN APOLLO 11�� ������ �WAS MY FIRST TIME TO BE THERE FOR LIFT-OFF.��oC�u@��Š�ҡ́Narrator: EXCLUSIVE NASA FILM FOOTAGE REVEALS THE FINAL TENSE MOMENTS,�� ����� UNSEEN BY THE OUTSIDE WORLD.�� sC�u��� �����WE JUST PASSED THE 2-MINUTE MARK ON THE COUNTDOWN.�� K����� KT-MINUS 1 MINUTE, 54 SECONDS AND COUNTING.�� yC�u@�������Morgan: THEY LOCKED THE DOORS.��c�����cTHEY WANTED THINGS QUIET.��F����� �EVERYBODY FOCUSED ON THEIR WORK.��C�u��!à����ALL INDICATIONS COMING IN TO THE CONTROL CENTER�� _����� _INDICATE WE ARE GO.��wC�u@��; ����Donnelly: APOLLO 11, THE LAUNCH TEAM��c�����cWISHES YOU GOOD LUCK AND GODSPEED.��$�ȡ �Armstrong: AH, THANK YOU VERY MUCH. KNOW IT'LL BE A GOOD ONE.�� �C�u��S2�����King: T-MINUS 15 SECONDS. GUIDANCE IS INTERNAL.��󠚡���12, 11, 10, 9...��WC�u��v|�����IGNITION SEQUENCE START.�� )����� )6, 5, 4, 3, 2, 1, ZERO.��{C�u@���������Narrator: HUNDREDS OF FEET BELOW THE ASTRONAUTS,�� ������ �LAUNCH PAD CAMERAS CAPTURE��������THE F-1 ENGINES EXPLODING INTO LIFE.�� �C�u���T�����Collins: THERE'S THIS GIGANTIC BELCH OF FIRE.�� �C�u���O�����AND THEN IT SLOWLY ASCENDS.��à�����Narrator: CAMERAS RUNNING AT 500 FRAMES A SECOND�� C�u�� 1�����CAPTURE A STORM OF ICE�� ������ �SHAKEN FREE FROM THE ROCKET'S FRIGID SKIN.�� �C�u�� /������REMASTERED FOR THE FIRST TIME IN DECADES...�� �C�u�� C栽���...THIS INCREDIBLY DETAILED SLOW-MOTION FOOTAGE...�� �C�u�� Y۠ơ��...WILL ALLOW ENGINEERS TO SCRUTINIZE ANY POTENTIAL FAILURE��[�����[SECOND BY SECOND.��C�u�� yȠ����LIFT-OFF. WE HAVE A LIFT-OFF.��Y�����Y32 MINUTES PAST THE HOUR.�� �����`LIFT-OFF ON APOLLO 11.�� C�u�� �3�ơ��Collins: INSIDE IS ALL KINDS OF LITTLE JIGS LEFT AND RIGHT.���C�u�� ������THE ENGINE'S GIMBALLING BACK AND FORTH�� L����� LTO KEEP THIS MACHINE IN BALANCE.�� C�u�� �C�����Narrator: THE CROWD SEE THE LAUNCH,��7�����7BUT THEY CAN'T HEAR IT...YET.�� xC�u�� �򠾡��Weiss: WHEN THE ROCKET STARTED, THERE WAS NO NOISE.�� �C�u�� ؠ����BUT BIRDS STARTED FLYING EVERYWHERE.�� LC�u�� ������Solacoff: AT THE BLEACHERS, ALL OF A SUDDEN,���������THE BLAST HIT YOU.�� 4C�u�� -x�����TOWER CLEARED.���������YOUR CLOTHES SHOOK. I COULD NOT BELIEVE IT.�� C�u�� HF�����Morgan: THE SHOCK WAVE HIT,�������AND THE FLOOR IS SHAKING.���C�u�� ^�����Cronkite: BUILDING'S SHAKING.��2�����2WHAT A MOMENT.������� BMAN ON THE WAY TO THE MOON.�� �C�u�� u���Solacoff: I WAS SCREAMING, BUT LIKE EVERYBODY,���������IT WAS, "GO, GO, GO, GO!"�� �C�u�� �H�����THERE HE GOES. THERE'S OUR BUDDY NEIL,�� ����� GOING UP THERE ON THEIR WAY TO THE MOON.���C�u�� �*�š��McCandless: APOLLO 11, HOUSTON, YOU'RE GOOD AT ONE MINUTE.�� �C�u@�� 󠽡��Narrator: TRACKING CAMERAS FOLLOW THE F-1 ENGINES,�� ����� �LIFTING THE ROCKET TO AN ALTITUDE OF AROUND 40 MILES.��8C�u�� 4𠹡��BUT TO GET TO ORBIT REQUIRES EVEN MORE THRUST.���C�u@�� L������Weiss: IF YOUR MISSION IS TO GO INTO DEEP SPACE,��䠨����YOU CAN'T JUST TAKE ONE ROCKET�� K�����/AND EXPECT IT TO CARRY���C�u@�� c������EVERYTHING THAT YOU NEED TO CARRY.��󠤡���SO YOU BUILD IT IN STAGES.��h�����[Narrator: ASSEMBLY FOOTAGE REVEALS��3C�u�� y;�����THE SATURN V ISN'T ONE ROCKET --�� K����� KIT'S THREE,�� �������STACKED ON TOP OF EACH OTHER.�� �C�u@� ������MARK. MODE ONE-CHARLIE.��G�����GArmstrong: ONE-CHARLIE.��T����� �REMASTERED FILM FROM TELESCOPIC CAMERAS�� �C�u�� �������SHOWS THE SATURN V AT A DISTANCE OF 55 MILES,���������CAPTURING THE END OF THE FIRST-STAGE BURN.�� .C�u�� ͯ�����McCandless: THIS IS HOUSTON. YOU ARE GO FOR STAGING.�� �C�u�� 潠á��Collins: BOOM. THERE'S AN EXPLOSION OUTSIDE YOUR WINDOW,�� ������ �ALL KINDS OF YELLOW AND RED AND FIRE.�� C�u@�� �������YOU LURCH FORWARD IN YOUR STRAPS.�� 頝��� �Armstrong: STAGING.���������Collins: BEFORE YOU HAVE A CHANCE TO REACT TO THAT,��ZC�u�� ɠ����THE SECOND STAGE LIGHTS UP.��������/AND IGNITION.��UC�u�� 9������IT'S VERY TRAUMATIC.���������"OH, MY GOD. IS THIS THING GOING TO EXPLODE?��h�����OR HAS IT EXPLODED?"���C�u@�� V������BEFORE YOU REALIZE, "NO, IT'S JUST NORMAL STAGING."�� V�ǡ�� VIT'S SHUTTING ONE STAGE DOWN AND CRANKING UP THE NEXT STAGE.���C�u�� �1�����YOU CAN'T ENJOY WHAT YOU'VE ALREADY DONE.��%�����%YOU HAVE THE NEXT THING AHEAD --��C�u�� �l�����IGNITION OF YOUR THIRD-STAGE ROCKET.�� .C�u�� ������AND IGNITION.��2�����[McCandless: IGNITION CONFIRMED. THRUST IS GO, 11.�� �C�u�� V������Cronkite: APOLLO 11 IS ON THE WAY,���������RIDING THAT PILLAR OF FLAME FROM THE SATURN V�� C�u�� kX�����INTO THE SKIES�� ������ �WHERE THE MOON IS WAITING.��|C�u�� �T�����Weiss: THE LAUNCH TEAM DID IT.�� �ǡ�� �WE JUST SMILED AND RELISHED IN THE THOUGHT THAT IT WAS DONE.���C�u�� �蠷���TO SEE THE LAUNCHER THERE WITH NOTHING ON IT�� .����� .IS JUST -- I MEAN, IT WAS JUST UNBELIEVABLE.��GC�u@�� �]�����THE ROCKET'S GONE.��2�����2THERE'S NOTHING THERE.��A����� sWHAT JUST HAPPENED, YOU KNOW?�������� WE WERE JUST WORKING ON IT YESTERDAY.�� �C�u�� �!�����Morgan: ONCE THAT VEHICLE HAS CLEARED THE TOWER,�� ������ �THE PEOPLE AT MISSION CONTROL IN HOUSTON�� �C�u�� ������ARE IN CHARGE WITH THE REST OF THE FLIGHT.�� .C�u@��'��á��McCandless: APOLLO 11, APOLLO 11, THIS IS HOUSTON, OVER.�������Narrator: FOUND DEEP IN THE NASA ARCHIVES,�� �C�u@�Bu�����FILM FROM INSIDE MISSION CONTROL��Z�����ZWILL REVEAL EVERY ASPECT��򠨡��LOF APOLLO 11's DARING JOURNEY.���C�u��b������I'M GERRY GRIFFIN, FLIGHT DIRECTOR FOR APOLLO 11.��C�u@��w������WHEN YOU WALK INTO MISSION CONTROL���������AND YOU'RE GOING TO THE MOON,�� �������COLORS ARE A LITTLE DIFFERENT.���C�u@�������DISPLAYS LOOK BRIGHTER.�� ������ �IT'S THE ADRENALINE.�� �����Armstrong: HELLO, HOUSTON. HELLO, HOUSTON.���C�u@���������THIS IS APOLLO 11. I'M READING YOU LOUD AND CLEAR.�� ՠ���� �GO AHEAD. OVER.��2�����MY NAME IS GLYNN LUNNEY,���C�u���X�����A FLIGHT DIRECTOR FOR APOLLO 11.��G�����GIT WAS AN EXCITING TIME FOR ME.�� <C�u@���۠����WHEN I SAT AT THE CONSOLE, I WAS RESPONSIBLE�� Q�ġ�� QFOR EVERYTHING THAT HAPPENED TO THE VEHICLE AND THE CREW.��jC�u@���Ҡ����THE AVERAGE AGE IN MISSION CONTROL�� ������ �WAS ABOUT 27.�� n�ˡŁ!Griffin: IT WAS KIND OF LIKE THE NATION GAVE THE KEYS TO THE CAR�� �C�u��ܠ����TO A BUNCH OF KIDS AND SAID, "GO TO THE MOON."���������THE ASTRONAUTS, THEY HAD TO FLY THE SPACECRAFT,�� �C�u@��74�����BUT WE COULD SEE THOUSANDS OF MEASUREMENTS --�� ������ �TEMPERATURES, VOLTAGES,��������ALL KINDS OF THINGS THAT THEY COULDN'T.��8C�u��O.�����McCandless: APOLLO 11, THIS IS HOUSTON.��h�����hYOU ARE CONFIRMED GO FOR ORBIT.�� �C�u@��z&�ӡ́Narrator: ARMSTRONG, ALDRIN, AND COLLINS HAVE MADE IT INTO EARTH ORBIT,���������WHERE THEY'RE TREATED TO A SPECTACULAR SIGHT.�� �C�u���堭���STILL PHOTOGRAPHS TAKEN BY COLLINS�������PROVIDE A PERSPECTIVE OF EARTH FEW HAVE SEEN.��9C�u�� $�����THE CREW OF APOLLO 11 ARE LESS THAN TWO HOURS�� ����� INTO THE GREATEST JOURNEY OF THEIR LIVES...��LC�u@��7!�����...THE LATEST CHAPTER IN AN ADVENTURE��8�����8THAT BEGAN EIGHT YEARS EARLIER�� �������WITH AN EVENT THAT SHOOK THE WORLD.�� .C�u���������IN APRIL 1961,�� P����� PSOVIET COSMONAUT YURI GAGARIN���C�u���������BECOMES THE FIRST MAN IN ORBIT.�� ࠦ��� �Morgan: THAT WAS VERY SCARY,��TC�u���������BECAUSE THE RUSSIANS HAVE THIS ASTRONAUT.�� ������ �WHAT IN THE WORLD IS GOING TO HAPPEN NEXT?�� .C�u���s�����Narrator: DETERMINED TO OUTDO THE SOVIETS,��Ѡ�����PRESIDENT KENNEDY ANNOUNCES A BOLD INITIATIVE.�� �C�u��������I BELIEVE THAT THIS NATION SHOULD COMMIT ITSELF�� ������ �TO ACHIEVING THE GOAL BEFORE THIS DECADE IS OUT��9C�u�������OF LANDING A MAN ON THE MOON��2�����2AND RETURNING HIM SAFELY TO THE EARTH.��C�u��T�ʡāGriffin: WHEN KENNEDY SAID WE'RE GOING TO DO IT IN THIS DECADE,�� B����� BI THOUGHT, "ARE YOU KIDDING ME?�� �C�u��3&�����THIS IS 1961.�������WE'RE GOING TO DO IT IN THIS DECADE?�� �����%NO WAY."��wC�u��Qܠ����Narrator: IT'S AN AUDACIOUS CHALLENGE.��䠣����NASA HAS NO TIME TO LOSE.���C�u��u'�ġ��Baldwin: THE COUNTDOWN BEGINS AT CAPE CANAVERAL, FLORIDA,�� B����� BFOR ONE OF MAN'S GREATEST ADVENTURES.�� �C�u@���f�����JOHN GLENN IS ONE OF SEVEN ASTRONAUTS���������SELECTED FOR PROJECT MERCURY.�� Ơ����eNarrator: PHASE ONE -- THE MERCURY MISSIONS.�� C�u���ܠ����THE GOAL -- TO LAUNCH A MAN INTO ORBIT�� ������ �AND BRING HIM HOME SAFELY.�� �C�u���󠽡��Lunney: THE MERCURY PROJECT WAS A ONE-MAN CAPSULE.�������FIRST TIME WE PUT PEOPLE IN SPACE.�� 4C�u���=�����Man: 6, 5, 4, 3, 2, 1, ZERO.���C�u��������Narrator: A CAMERA FILMS JOHN GLENN��7�����7AS HE BECOMES THE FIRST AMERICAN TO ORBIT EARTH.���C�u��7������Glenn: ALL SYSTEMS ARE GO.�� ������ �MY NAME IS WALTER CUNNINGHAM.���C�u��Kܠ����I WAS FLYING WITH THE MARINE CORPS RESERVE.�� ������ �I HEARD THIS VOICE SCREAMING,�� C�u@��`������"YOU LUCKY SON OF A BITCH."���������AND I LOOKED AROUND AND REALIZED IT WAS ME.�� ՠ�����I HAD DONE THAT SCREAMING.���C�u@��|�����NOW THIS IS FRIENDSHIP 7.�� �����BEAUTIFUL VIEW OF THE AFRICAN COAST.��䠫����THE HORIZON IS A BRILLIANT BLUE.��`C�u��������Narrator: WITH THE SUCCESS OF THE MERCURY PROGRAM...�� ������...NASA PLANS MORE COMPLEX SPACE FLIGHTS.�� �C�u���������RARE REELS OF FILM RECORD THEIR SEARCH FOR PILOTS��i�����iWITH THE RIGHT STUFF TO FLY THEM.�� LC�u@��ꬠ����Collins: WHEN THE SPACE PROGRAM WAS FIRST CREATED,�� d�ȡ dPEOPLE DIDN'T KNOW WHAT SORT OF BACKGROUND THEY SHOULD SELECT��LC�u��\�����FOR THIS STRANGE, NEW SPACE ROLE.��0�ơ��0Narrator: MIKE COLLINS, SEEN IN THIS NEWLY TRANSFERRED FILM�� �C�u��'k�����FROM 1962,��F�����FHOPES HE'S GOT WHAT IT TAKES.�� yC�u@��<*�ΡȁCollins: THEN SOMEONE SAID THAT THE CANDIDATES SHOULD BE GRADUATES�� P����� POF AN ACCREDITED TEST PILOT SCHOOL.�� sC�u��d �����Narrator: THESE MEN, INCLUDING A YOUNG NEIL ARMSTRONG,��}�����}REGULARLY RISK THEIR LIVES,��C�u��{������PUSHING UNTRIED AIRCRAFT TO THE LIMITS.�� e����� eMan: RELEASE.��������RMan #2: CLEAN BREAK.���C�u@����ơ��Collins: THE ROLE OF THE TEST PILOT IS TO DO THINGS BETTER,�� ࠰��� �TO DO THEM HIGHER, TO DO THEM FASTER.�� �C�u��������Man #3: AT A MACH NUMBER 1 AND CLIMBING TO 35.�� ������ �Narrator: IT'S EXACTLY WHAT NASA'S LOOKING FOR.���C�u��ʬ�����AND THERE'S NO SHORTAGE OF APPLICANTS.�� )������MY NAME IS JIM LOVELL.���C�u@���"�����I WAS AT THE NAVAL ACADEMY AT THE TIME.�� ����� I'M AL WORDEN.��ˠȡ�I HAD THE TEST PILOT TRAINING. I WAS LESS THAN THE AGE LIMIT.�� �C�u���𠰡��I THOUGHT, "WHAT HAVE I GOT TO LOSE?"�� �ġ�� Narrator: RARE ARCHIVE FILM SHOWS THE SUCCESSFUL RECRUITS�� �C�u��������MEETING THE WORLD'S PRESS.�� `����� `I'M BILL ANDERS.��Р����0TO MY AMAZEMENT, I GOT SELECTED.�� �C�u��4������I'M HARRISON SCHMITT.�� �����I BELONG TO THE GROUP 4 SCIENTIST-ASTRONAUTS.���C�u��Lc�����I'M ASTRONAUT CHARLIE DUKE.��8�̡Ɓ8A MOON FLIGHT, IF I GOT ONE, WAS GONNA BE THE ULTIMATE ADVENTURE.��C�u��e������Narrator: AMONG THE NEW ASTRONAUTS ARE THREE MEN�� Q����� QDESTINED TO ATTEMPT THE FIRST MOON LANDING.���C�u���젿���Collins: WE KNEW EXACTLY WHAT NASA WAS TRYING TO DO.�� ������ �IT WAS GOING TO BE A SUCCESSFUL PROGRAM.�� <C�u@���$�����McCandless: APOLLO 11, THIS IS HOUSTON.��󠵡���SLIGHTLY LESS THAN ONE MINUTE TO IGNITION,��$�����AND EVERYTHING IS GO.��C�u���J�����Narrator: AFTER 1 1/2 EARTH ORBITS,���������THE CREW OF APOLLO 11 MUST NOW FLY FURTHER�� .C�u@��������AND FASTER THAN EVER BEFORE.��䠱����Cronkite: APOLLO 11, PREPARING TO FIRE�� �������THE THIRD-STAGE ENGINE AGAIN�� �C�u���������AND PUT THE MEN ON THE TRAJECTORY��w�����wOUT TOWARD THE MOON.���C�u@�� ��ɡÁCollins: YOU'VE GOT TO GET YOUR SPACECRAFT OUT OF EARTH ORBIT,��~�����~AND THAT REQUIRES AND ADDITIONAL BURN.��jC�u��1`�����IT'S CALLED T.L.I. -- TRANS-LUNAR INJECTION.�� �C�u@�HF�����McCandless: APOLLO 11, THIS IS HOUSTON.��Р�����YOU ARE GO FOR T.L.I. OVER.�� ՠ�����Collins: THANK YOU.��xC�u��k)�����IGNITION.��c�����cLovell: WHEN THAT ENGINE LIGHTS,������� �IT KEEPS GOING FASTER AND FASTER.�� C�u��Š����McCandless: WE CONFIRM IGNITION, AND THE THRUST IS GO.�������24,000 MILES AN HOUR.�� QC�u���������Collins: IGNITION.McCandless: WE CONFIRM IGNITION,���������AND THE THRUST IS GO.���C�u���1�á��Narrator: THE APOLLO 11 CREW IS BREAKING AWAY FROM EARTH�� ۠���� �AT EXTRAORDINARY SPEEDS.�� �C�u���Ġ����King: 35,000 FEET PER SECOND.�� ������ �FILM OF EARTH RAPIDLY SHRINKING�� )C�u�� ������GIVES A SENSE OF THE ACCELERATION NEEDED TO ESCAPE --�� ����� OVER 24,000 MILES AN HOUR.�� .C�u@��G������McCandless: ROGER, 11.��|�����|Collins: THE FLIGHT TO THE MOON��d����� �IS A VERY FRAGILE DAISY CHAIN OF EVENTS.�� �C�u@��c�����YOU'VE GOT TO LOOK FOR, "WHAT'S THE NEXT ONE?����¡���WHEN IS THAT COMING UP? HOW AM I GONNA COPE WITH THAT?"��MC�u@�y蠼���Narrator: UNSEEN FILM GIVES A FASCINATING INSIGHT�� 頺��� �INTO THE YEARS OF TRAINING THE ASTRONAUTS FACED��C�u���Ӡ����BEFORE EVER LEAVING THE GROUND.�� �C�u���䠙���Man: 5, 4, 3...�� ����� FOR A FLIGHT TO THE MOON,���������FAILURE IS NOT AN OPTION.���C�u@���U�ȡLovell: WE USE SIMULATORS TO PRACTICE FOR THE ACTUAL MISSION.��>�����>WE DO EVERYTHING FROM LIFT-OFF. ROLL COMPLETE.�� �C�u��������WE LEARN HOW THE ROCKET IS PERFORMING.�� )����� )PRESSURE'S DECREASING.���C�u@��-�����Narrator: ASTRONAUTS ALSO NEED TO PREPARE THEMSELVES���������FOR THE ENORMOUS STRAIN OF LAUNCH AND LANDING.���C�u@��9������Lovell: IN OUR CENTRIFUGE, WE HAD TO GET UP TO 6 "G"s,���ǡ���BECAUSE THAT IS THE "G"-LOADING THAT WE GET DURING RE-ENTRY.���C�u@��Zr�ɡÁAnders: IF YOU'VE NEVER HAD AN ELEPHANT SITTING ON YOUR CHEST,�� 頣��� �THAT'S WHAT IT FELT LIKE.��x�����aTHE BLOOD ALL POOLS IN THE BACK OF YOUR HEAD.�� 3C�u��y�����Lovell: AFTER ABOUT 4 "G"s,���������IT'S DIFFICULT TO GET TO THE SWITCHES.��LC�u@���ؠ����Narrator: AS THIS SHOCKING FILM REVEALS,�� ������ �NASA EVEN USED TEST SUBJECTS�� )������TO ANALYZE THE AFFECTS OF EXTREME LAUNCH VIBRATIONS.��9C�u���������Schmitt: THE LEAD CONDUCTOR OF THESE SIMULATIONS�� ����� WAS A SIMULATION SUPERVISOR,�� �C�u��ܳ�����SOME DEVIL-MAY-CARE KIND OF GUY�� Ǡ���� �THAT WOULD JUST DRIVE YOU INSANE.�� PC�u���ʠ����THEY'RE CONSTANTLY TRYING TO KILL YOU.�� ����� �Anders: THE TEAM HAD ENOUGH FAILURES IN THE SIMULATOR�� =C�u�� 砬���TO MAKE A NINE-LIFE CAT LOOK BAD.�� 頺��� �I MEAN, I MUST HAVE BEEN KILLED 20 OR 30 TIMES,�� �C�u�� ������MAYBE PER DAY.�� ������ �Narrator: BUT WITH EVERY FAILURE,��w������THEIR SKILLS ONLY IMPROVE.�� QC�u@��>堯���Worden: IT'S LIKE PLAYING A PIANO --���������YOU CAN PRACTICE EIGHT HOURS A DAY FOR MONTHS,�� 頼����TO THE POINT WHERE YOU DON'T EVEN THINK ABOUT IT.��$C�u@��U���YOU JUST DO IT.����ġ���Collins: LEARNING HOW TO COPE WITH ALL THESE DIFFICULTIES�� ������/GAVE US A GREAT FEELING OF CONFIDENCE��|C�u��p������THAT WE REALLY KNEW OUR MACHINE.���á��tNarrator: BUT IN SPACE, THERE'S LITTLE MARGIN FOR ERROR.��GC�u���������JUST OVER THREE HOURS AFTER LAUNCH,�� n����� nMIKE COLLINS PREPARES FOR THE NEXT CRITICAL MANEUVER.��`C�u���ˠǡ��Griffin: WHAT MIKE HAD TO DO WAS SEPARATE THE COMMAND MODULE�� B����� BFROM THE THIRD STAGE OF THE SATURN,�� �C�u��������AND THEN TURN AROUND, 180-DEGREE MANEUVER,��L�����LDOCK, EJECT THE LUNAR MODULE, AND THEN BACK AWAY.���C�u@�� J�����Cronkite: WE'RE WAITING FOR THE LUNAR MODULE�� ����� TO COME AND PULL IT OUT.�������� �AND HERE WE HEAR THEM.��c������McCandless: APOLLO 11, THIS IS HOUSTON.��iC�u��$������YOU'RE GO FOR SEPARATION.��#������Narrator: AS THE SPACECRAFT TURNS AROUND,��C�u��>k�����MIKE'S TARGET LINES UP IN THE LENS.�� PC�u��[렴���Griffin: IT REQUIRES SKILL TO GET DOCKED.�� Ơ���� �VERY, VERY SLOW MOTION.�� �C�u��r������VERY PRECISE.��w�����oNO REASON TO HURRY.���C�u���������HE HAD A LONG TIME TO GET IT OFF OF THERE.�� C�u@���㠣���MIKE DID A WONDERFUL JOB.�������EVERYTHING WORKED FINE.��ޠ�����Cronkite: THE THREE APOLLO 11 ASTRONAUTS --��xC�u@���N�����ARMSTRONG, ALDRIN, AND MIKE COLLINS --��Z�����ZNOW WITH THE LUNAR MODULE ATTACHED TO THEIR NOSE,�� �������THEY'LL BE ON THEIR WAY TO THE MOON.���C�u���<�����Narrator: THE CREW NOW FACED EIGHT DAYS���������IN THE MOST HOSTILE ENVIRONMENT KNOWN TO MAN.��GC�u�� ������MY NAME IS BILL CARPENTIER.��Z�����ZI WAS THE FLIGHT SURGEON ASSIGNED TO APOLLO 11.�� �C�u�� ������WITH THE GOAL OF SENDING A MAN TO THE MOON�� B����� BAND RETURNING HIM SAFELY TO EARTH,���C�u@��4Ƞ����WHAT WE DIDN'T KNOW��ˠ�����WAS HOW A MAN WAS GOING TO FUNCTION IN SPACE.�� ��ǡ���Narrator: REMASTERED FILM SHOWS NASA LEFT NOTHING TO CHANCE.���C�u@��}������BACK IN 1964, THE SPACE PROGRAM IS GATHERING PACE.����ơ���BUT WITH UNDER THREE DAYS OF HUMAN SPACE FLIGHT EXPERIENCE,��C�u���v�����NASA EMBARKS ON PHASE 2 OF THEIR GRAND PLAN --���������PROJECT GEMINI.�� �C�u@���������Lovell: THE GEMINI PROGRAM WAS TO TRY TO FIGURE OUT�� ������ �ALL THE PROBLEMS THAT WE'D HAVE GOING TO THE MOON.���C�u��������NASA LAUNCHES 10 TWO-MANNED EARTH-ORBITING MISSIONS�� y����� yTO PRACTICE SPACE WALKS...�� xC�u���������...RENDEZVOUS...���C�u�����...AND DOCKING MANEUVERS.���C�u@�8������BUT THE GREATEST UNKNOWN IS THE MOST CRITICAL.�� ������ �CAN HUMANS SURVIVE THE DURATION OF A MOON MISSION?���C�u��W1�¡��REDISCOVERED NASA FILM REVEALS ASTRONAUTS GORDON COOPER�� ߠ���� �AND PETE CONRAD'S JOURNEY TO FIND OUT.��~C�u��t������MY NAME IS JAY BARBREE.���������I REPORTED APOLLO 11 FOR NBC NEWS.��RC�u���k�����GEMINI V WAS KNOWN AS 8 DAYS OR BUST.����¡���IT WAS TO PROVE THAT WE COULD LIVE IN SPACE LONG ENOUGH���C�u@���력���TO GO TO THE MOON AND BACK.�� ֠ԡ΁ �Griffin: IT WAS VERY IMPORTANT, BECAUSE NO ONE HAD EVER FLOWN THAT LONG.���C�u���o�����Man: 5, 4, 3, 2, 1, ZERO.���C�u��� �����IGNITION.�� ������ �LIFT-OFF.���C�u���@�����Carpentier: NOBODY KNEW WHAT WOULD HAPPEN.���������FOR HOW LONG COULD MAN ADAPT TO WEIGHTLESSNESS?�� yC�u��+4�����GEMINI V, SEE YOU GUYS IN EIGHT DAYS.�� �C�u@��G~�����IT'S BEEN A BUSY DAY FOR ASTRONAUTS CONRAD AND COOPER.�� ������ �THEY'RE NOW IN THEIR 50th REVOLUTION,��h�����PASSING OVER SOUTH AMERICA.���C�u@��rݠ����Mission Control: ROGER.���������Young: GORDON COOPER AND PETE CONRAD TONIGHT�������� �ARE NEARLY MIDWAY THROUGH THEIR EIGHT-DAY FLIGHT��������CAND SHOWING NO SIGNS OF ANY ILL EFFECT.��C�u���5�ӡ́Barbree: ON THE FIFTH DAY, WE TOOK OVER THE ENDURANCE TIME FROM RUSSIA.���C�u���r�����Mission Control: ROGER. CONGRATULATIONS.���������Carpentier: THE MAIN CONCERN WAS RE-ENTRY.�� C�u@��������THERE WAS NO INFORMATION ABOUT HOW THE ASTRONAUTS�� ������ �WOULD HANDLE "G"-FORCES��ߠ����`AFTER EIGHT DAYS OF WEIGHTLESSNESS.��*C�u��ˡŁWHAT COULD BE EXPECTED WHEN THEY RETURNED TO EARTH, NOBODY KNEW.��9C�u�� ������Narrator: FILM FOUND IN THE NASA ARCHIVES��򠻡���DOCUMENTS THE HEALTH OF THE MEN DURING RECOVERY.��C�u�� ������Carpentier: I WAS WAITING FOR THEM IN THE HELICOPTER.�� ������ �THE CREW WAS ABLE TO STAND UP.�� �C�u��4K�����THEY WERE ABLE TO WAVE.�� ����� THEY WERE IN VERY GOOD SPIRITS.���C�u@��N'�����BOTH OF THEM WERE JOKING AROUND.�� Ǡ���� �THEY WERE NORMAL.��h�ˡŁ/AND SO GEMINI V GAVE CONFIDENCE THAT WE CAN SEND MAN TO THE MOON��CC�u��s������AND EXPECT HIM TO FUNCTION AFTER EIGHT DAYS IN SPACE.��HC�u���g�����McCandless: 11, THIS IS HOUSTON.��2�����2WE'RE RECEIVING A TV PICTURE COMING DOWN FROM YOU ALL.��CC�u���ܠġ��Narrator: A DAY AFTER LAUNCH, THE APOLLO 11 CREW TRANSMIT�������THEIR FIRST LIVE TV BROADCAST���C�u��ؠ�����TO MILLIONS OF VIEWERS ON EARTH.��Ѡ�����Duke: THAT'S BIG MIKE COLLINS THERE.�� (C�u@��𙠴���Collins: YEAH, HELLO, THERE, SPORTS FANS.���������YOU GOT A LITTLE BIT OF ME,�������� QPLUS NEIL'S IN THE CENTER COUCH.�� �C�u@��������BUZZ IS DOING THE CAMERA WORK THIS TIME.�� .�ǡ�� .Collins: AT THE LAST MINUTE, THEY LOAD ON BOARD A TV CAMERA.��C�u��!Ġ����WE DID THE BEST WE COULD WITH IT.���������WE TRIED TO PUT ON AN ENTERTAINING SHOW.���C�u@��6=�����BUT OUT PRIME JOB WAS TO GET TO THE MOON SAFELY,����ɡÁ�AND THE TV CAMERA WAS NOT GONNA HELP US AT ALL IN THAT REGARD.�� C�u@��Z࠴���Narrator: WITH MOST OF THE MISSION AHEAD,��8�����8THE CREW MUST TRUST THEIR CRAFT���������TO PROTECT THEM FROM THE DEADLY ENVIRONMENT OF SPACE.�� .C�u���<�����Collins: HOUSTON, APOLLO 11.Duke: GO AHEAD, 11.���C�u@���Ԡ����Narrator: THANKS TO STUNNING REMASTERED FILM FOOTAGE,�� e����� eWE'RE SEEING THE APOLLO 11 MISSION LIKE NEVER BEFORE.���C�u@��������Collins: YEAH, NEIL'S STANDING ON HIS HEAD AGAIN.��#�����#HE'S TRYING TO MAKE ME NERVOUS.�������� �Duke: ROGER.��2������IN THE VOID OF SPACE, THE CREW'S SURVIVAL�� �C�u��池����DEPENDS ON THE COMMAND MODULE --�� ������ �A SPACECRAFT BORN FROM A PAINFUL PAST.��iC�u��'7�����AFTER THE MERCURY AND GEMINI MISSIONS,�� ������ �NASA BEGINS ITS ULTIMATE PUSH TO THE MOON --�� �C�u��>b�����THE APOLLO PROGRAM,��#�����#THEIR BIGGEST UNDERTAKING EVER.���C�u��T4�ȡUNCOVERED FILM ARCHIVE REVEALS THE UNPRECEDENTED PREPARATIONS���������FOR LANDING MEN ON THE MOON.�� �C�u��qo�����Griffin: THE DIFFERENCE BETWEEN THE GEMINI PROGRAM�� 頭��� �AND THE APOLLO PROGRAM WAS MARKED.���C�u@���<�����FOR ONE THING, WE HAD THREE ASTRONAUTS ON BOARD.�� ������ �Narrator: CARRYING THREE ASTRONAUTS��2������DEMANDS A MUCH MORE COMPLEX SPACECRAFT.�� �C�u@���������Announcer: COCKPIT, CREW QUARTERS, COMMAND CENTER.���������WHEN AMERICA'S THREE ASTRONAUTS TRAVEL TO THE MOON,�� �C�u���'�ơ��THEY'LL USE THE APOLLO COMMAND MODULE FOR ALL THESE THINGS.��>�����>MY NAME'S JERRY GOODMAN.���C�u���R�����I WORKED ON THE INTERIOR DESIGN���������OF THE COMMAND MODULE.�� �C�u���Ѡ����THE COMMAND MODULE HAS TO PROTECT AGAINST THE VACUUM��j�����jOUTSIDE OF THE VEHICLE.�� �C�u�� ˠ����AND YOU HAD TO HAVE ENVIRONMENTAL CONTROL,�� ����� TEMPERATURE CONTROL, FOOD AND WATER,��C�u�� ٠����WASTE MANAGEMENT,��F�ơ��FAND ALL THE REST OF THE SUPPLIES NECESSARY TO SUSTAIN THEM.��iC�u�� 3������IT WAS VERY COMPLEX.�� ��ԡ΁ �Narrator: WITH GOAL OF LANDING ON THE MOON BEFORE THE END OF THE DECADE,��C�u�� M �����ENGINEERS ARE PUSHED FOR TIME.���������Cunningham: THE FIRST ONE WAS SCHEDULED TO FLY���C�u�� d�����IN FEBRUARY OF '67.�� s����� sTHERE WAS PRESSURE TO GET THIS DONE.�� �C�u�� |#�����WE WERE WORKING 24 HOURS A DAY.�� ڠ���� �Goodman: THERE'S NO DOUBT WE WERE MOVING QUICKLY.�� =C�u�� �:�����WE WERE WORKING OUR TAILS OFF.�� dC�u@�� ��ϡɁNarrator: RARE FILM FROM THE VAULTS REVEALS NASA's PRESS CONFERENCE��o�����oANNOUNCING THE FIRST CREW OF THEIR NEW SPACECRAFT.���C�u�� �n�����Man: GENTLEMEN, THE OCCASION, OF COURSE,�������IS THE NAMING OF THE FIRST APOLLO FLIGHT CREW.���C�u�� �������LIEUTENANT COLONEL VIRGIL GUS GRISSOM,�� .����� .LIEUTENANT COLONEL EDWARD H. WHITE,���C�u@��!ɠ����AND LIEUTENANT ROGER B. CHAFFEE.�� ��ġ�� �Man #2: I REALIZE THAT THIS ISN'T THE FLIGHT TO THE MOON,��F������BUT IF IT WERE, WHICH TWO MEN WOULD GO DOWN?�� �C�u��!.5�����IF IT WAS THIS CREW, IT WOULD BE ME AND SOMEBODY ELSE.�� �����tNEEDLESS TO SAY, I'M EXTREMELY EXCITED,�� nC�u@��!J�����AND I THINK I'VE GOT A COUPLE OF THE GREATEST MEN�������IN THE WORLD TO WORK WITH.��������IT'S GONNA BE A LOT OF FUN.���C�u��!oD�ơ��Narrator: REMASTERED FILM SHOWS THE APOLLO 1 COMMAND MODULE��Ѡ�����PREPARING FOR A LAUNCH TEST.�� )C�u��!�>�����Griffin: WE WERE GETTING READY FOR THE FIRST FLIGHT,��䠰����AND EVERYTHING WAS REALLY LOOKING UP.��C�u@��!�)�����Man #3: READY TO BEGIN CHECKUP OF FLIGHT CREW.���������Man #4: ROGER. LET'S START WITH COMMANDER.�������� xROGER.��P������BAILER BAR DOWN AND LOCKED. CHECK.��C�u��!������NECK RING LOCKED. CHECK.��c�����cTIE DOWN FRONT AND BACK. CHECK.�� �������IT WAS A PLUGS-OUT TEST,��C�u��!�������A DRESS REHEARSAL, IF YOU CAN THINK OF IT THAT WAY.�� ��� �Narrator: FIXED BLACK-AND-WHITE TV CAMERAS���C�u��!�͠����PROVIDE LIVE PICTURES OF THE PAD TESTS.�� ����� LET ME KNOW WHEN YOU HAVE SECURED THE DOOR.�� C�u@��!�䠰���Griffin: WE WOULD COUNT DOWN TO ZERO,�������AND IT WOULD STOP.��#����� 3THIS IS E.C.S. GO AHEAD, E.C.S.��iC�u��"������THE HATCH DOOR IS SECURED. ROGER.���ġ���Narrator: WITH GRISSOM, WHITE, AND CHAFFEE SEALED INSIDE,��0C�u��"1������THE APOLLO 1 COUNTDOWN TEST CONTINUES.�� x����� xMan: THAT WASN'T ON MY TRANSCRIPT TODAY.��7C�u@��"GR�����Grissom: OKAY, I'M JUST BARELY READING YOU.��Z�����ZGriffin: WE WERE HAVING TROUBLE WITH COMMUNICATION.�� _������COMMANDER GUS GRISSOM WAS REALLY COMPLAINING ABOUT IT.���C�u��"h������THEY STOPPED THE COUNTDOWN���������TO SEE IF THEY COULD FIX THE COMMUNICATION.�� nC�u��"�t�����I KEPT MY HEADSET ON,�������AND I HEARD THIS STATIC,�� 頜����KIND OF A CRACKLE.�� =C�u��"�������SAID, "SOMETHING'S GOING ON AT THE CAPE."�� .����� .I SUSPECT BY THE TIME I GOT THAT OUT,�� C�u��"�֠����IT WAS OVER.�� �C�u@�"�;�����WE DON'T KNOW TO THIS DAY EXACTLY WHERE IT SPARKED,�� ˠ���� �BUT A FIRE STARTED INSIDE THE COMMAND MODULE.��~C�u��#������IN THOSE DAYS, WE USED 100% OXYGEN.�� ��ơ�� �IF YOU EVER GET A FIRE STARTED IN A 100% OXYGEN ATMOSPHERE,���C�u��# ������YOU CAN BURN ALMOST ANYTHING.����š�� Cunningham: WE HAD A HATCH THAT IS SEALED FROM THE INSIDE,�� �C�u��#@Ƞ����AND IT GOT A SPARK JUST LIKE THAT.���������THEY WERE ALL GONE IN ABOUT 18 SECONDS.�� eC�u@��#�S�ˡŁLovell: WE WERE DEVASTATED BY THE LOSS OF THREE OF OUR FRIENDS.�� ����� GOING TO THE MOON OR GOING AROUND THE EARTH,�� �C�u��#�I�����YOU'RE WILLING TO TAKE THE RISK,�� ����� BUT SITTING IN AN UN-FUELED SPACECRAFT,��*C�u��#�~�����THAT WAS NOT THE WAY TO GO.��Z�����!THAT WAS NOT WHAT WE HAD JOINED FOR.��eC�u��#��ơ��Narrator: AMERICA IS STUNNED BY THE DEATHS OF THREE HEROES,���C�u��#�à����BUT THE ARCHIVES REVEAL A DETERMINATION�� P����� PTHAT THIS SHOULD NEVER HAPPEN AGAIN.�� �C�u��$�����Griffin: AFTER THE FIRE, I WAS PUT ON A TEAM�� _����� _TO STRAIGHTEN OUT THE COMMAND MODULE.�� �C�u��$/U�����WE CHANGED THE AIR,���������MAKE SURE WE WENT TO A MIX OF OXYGEN AND NITROGEN.���C�u��$Hˠ����WE REDESIGNED THE INTERIOR�� _����� _SO NOTHING WAS FLAMMABLE.�� �C�u��$^������Goodman: WE DECIDED TO GO TO A UNIFIED HATCH�� ՠ���� �THAT YOU COULD OPEN OUTWARD VERY FAST.���C�u��$w������Narrator: BEHIND-THE-SCENES FOOTAGE�������DOCUMENTS A RADICAL REDESIGN OF THE COMMAND MODULE.��oC�u��$������BY OCTOBER 1968,��䠪����AFTER ALMOST TWO YEARS OF DELAY,�� �C�u��$�������NASA FINALLY HAS A SPACECRAFT READY TO GO TO THE MOON.���C�u��$�j�á��Goodman: THE FIRE REMINDED US THAT WE HAD TO BE CAREFUL.���C�u��$�7�����THE CREW PAID A BIG PRICE, BUT THEY MAY HAVE SAVED US.���C�u@��% O�����Narrator: SAFE IN THEIR COMMAND MODULE,��7�����71/4 MILLION MILES FROM EARTH,�� .�����eAPOLLO 11 IS CLOSING IN ON THE MOON.�� BC�u@��%H.�����Collins: THE TRIP TO THE MOON IS RATHER STRANGE,��򠺡���IN THAT YOU'RE NOT ALLOWED TO LOOK AT THE MOON.�� �������THE REASON HAS TO DO WITH THERMAL CONDITIONS.�� �C�u@��%eР����TO KEEP THE HEAT EVENLY DISTRIBUTED,��Z�����ZYOU HAVE TO TURN BROADSIDE TO THE SUN�� �������AND ROTATE THE MACHINE LIKE A CHICKEN ON A ROTISSERIE.���C�u��%�`�����Narrator: BUT THAT'S ABOUT TO CHANGE.�� s����� sAPOLLO 11 MUST FIRE ITS ROCKET ENGINE�� �C�u��%�w�����AND BE CAPTURED BY THE MOON'S GRAVITY,�� ��� �A MANEUVER CALLED LUNAR ORBIT INSERTION.�� �C�u��%�"�����A MISTAKE AT THIS STAGE COULD PROVE FATAL.�� 4����� 4Anders: LUNAR ORBIT INSERTION WAS ONE���C�u@��%������OF THE MORE CHALLENGING ASPECTS OF THE FLIGHT.�� ��ǡ�� �McCandless: 11, THIS IS HOUSTON. YOU ARE GO FOR L.O.I. OVER.���C�u��%蛠����Aldrin: ROGER.��F�����FTHE MANEUVER HAD TO BE ESSENTIALLY PERFECT.�� C�u@��%�򠹡��Narrator: THE CAPTURE HAPPENS BEHIND THE MOON,�� K����� KOUT OF SIGHT OF MISSION CONTROL.�� �á��eIF ANYTHING GOES WRONG, THE ASTRONAUTS ARE ON THEIR OWN.���C�u��&#U�����McCandless: WE'LL SEE YOU ON THE OTHER SIDE. OVER.��Ƞ�����WE NOW HAVE HAD CONFIRMATION���C�u��&;٠����OF LOSS OF SIGNAL FROM THE APOLLO 11.�� )C�u��&X�����MISSION CONTROL: Apollo 11, this is Houston, over.��Р���� �Apollo 11, this is Houston.��C�u@��&s������Narrator: THREE DAYS INTO THEIR HISTORIC JOURNEY,�� Ơơ�� �APOLLO 11 IS BEHIND THE MOON, CUT OFF FROM MISSION CONTROL.��!C�u��&�䠸���BUT FILM FOOTAGE AND ONBOARD VOICE RECORDINGS�� ����� CAPTURE THE ASTRONAUTS' FIRST REACTIONS�� =C�u��&�2�����TO THEIR CLOSE-UP VIEW OF THE ALIEN WORLD.�� dC�u��&�|�š��Collins: IT WAS A BULBOUS, THREE-DIMENSIONAL, HUGE SPHERE.��WC�u��' Ӡ����BELLY STUCK OUT TOWARD US,�� ������ �IT FILLED THE WHOLE WINDOW,�� �C�u��'!`�����SO CLOSE THAT YOU'RE ALMOST WORRIED ABOUT HITTING IT.���C�u��'S������IT DIDN'T OFFER ME��ˠ�����ANY PARTICULAR WARM INVITATION TO GO FURTHER.�� �C�u@��'�z�����MISSION CONTROL: We're a minute-and-a-half away��w�����wfrom acquisition time.�� K������Narrator: AFTER AROUND 35 ANXIOUS MINUTES,�� sC�u��'���á��MISSION CONTROL ARE WAITING TO HEAR FROM THE ASTRONAUTS.���C�u@��'������WITH THE BLACKOUT OVER, AND LOCKED IN LUNAR ORBIT,��[�á��[THE CREW TURNED THEIR LIVE TV CAMERA ON THE WORLD BELOW.���C�u@��(P�ơ��MISSION CONTROL: We're getting a beautiful picture now, 11.�� ��ʡā �Duke: THE LUNAR SURFACE IS THE ROUGHEST PLACE I'VE EVER SEEN --���C�u��(3䠳���CRATERED EVERYWHERE, NOT ONE LEVEL SPOT.�� �����Narrator: THE TERRAIN IS DEADLY,��C�u��(K������BUT THEY'RE HOPING TO FIND A SAFE LANDING SPOT�� ������ �IN AN AREA CALLED THE SEA OF TRANQUILITY.���C�u��(�������TO ATTEMPT A LANDING, ARMSTRONG AND ALDRIN�� ������ �MUST PUT THEIR LIVES IN THE HANDS���C�u��(�ܠ����OF THE MOST EXTRAORDINARY SPACECRAFT�� ����� EVER CONCEIVED --��jC�u��(�`�����ITS DESIGN AND TESTING DOCUMENTED��䠣����IN RARE REMASTERED FILMS.�� �C�u@��(�R�á��Schmitt: THE LUNAR MODULE WAS AN EXTRAORDINARY CHALLENGE��i�����iFOR ENGINEERS.��q����� �THE SPACECRAFT HAD TO LAND ON THE MOON,�� �C�u��)�����PROVIDE PROTECTION FOR THE CREW,����á���AND GET THE CREW BACK TO THE COMMAND AND SERVICE MODULE.��oC�u��),#�����Narrator: FILM OF THE EARLY MOCKUPS REVEAL A CRAFT�� ������ �THAT'S ANYTHING BUT AERODYNAMIC.��~C�u@��)F#�¡��Schmitt: IT WAS DESIGNED TO FLY OUTSIDE THE ATMOSPHERE,���������SO IT DOESN'T LOOK LIKE A NORMAL SPACECRAFT.�� �C�u��)gϠ����Narrator: THERE ARE TWO MAIN PARTS.�� =����� =THE BOTTOM IS THE DESCENT STAGE.�� �C�u��)}栺���Haise: THE DESCENT STAGE HAD THE ONE BIG ENGINE�� ������ �TO BE THROTTLED SO IT WOULD MAKE THE LANDING.�� <C�u��)�Ǡ����Narrator: ON TOP IS THE ASCENT STAGE,�� =����� =WHICH HOLDS THE CREW ON THEIR WAY DOWN...�� �C�u@�)�ޠġ��Haise: YOU HAD NO SEATS. THE CREW WOULD HAVE TO STAND UP.���������Narrator: ...AND WHEN THEIR TIME IS UP,��C�u��)Ê�����BLAST THEM OFF THE SURFACE.���������BUT THE LUNAR MODULE'S GREATEST CHALLENGE IS WEIGHT.��C�u@��)㙠ġ��Schmitt: TO MAXIMIZE THE TIME YOU COULD STAY ON THE MOON,�� V�ơ�� VEVERYTHING WAS DONE POSSIBLE TO KEEP ITS MASS AT A MINIMUM.�� C�u@��*��ġ��Anders: THE SKIN WAS A LITTLE TOUGHER THAN REYNOLDS WRAP,�� Ǡ���� �BUT NOT MUCH.���š���ONE TIME, A GUY BENT OVER WITH A SCREWDRIVER IN HIS POCKET�� �C�u@��*#������AND THE SCREWDRIVER FELL OUT���������AND WENT RIGHT THROUGH THE LUNAR MODULE.�� ������Narrator: AFTER SEVEN YEARS OF DESIGN�� �C�u��*?ޠ����AND TWO TEST FLIGHTS IN SPACE...�� �C�u@��*ZΠ¡��...NASA IS CONVINCED THE LUNAR MODULE IS UP TO THE JOB.����š���NOW, WITH APOLLO 11, THE WHOLE WORLD IS ABOUT TO FIND OUT.��!C�u@��*���¡��Cronkite: WE'RE APPROACHING ONE OF THE CRITICAL MOMENTS��|�����|OF THIS FLIGHT.��P����� �THE COMMAND MODULE AND THE LUNAR MODULE���C�u��*�X�����WILL BEGIN UNDOCKING.�� ��ơ�� �Narrator: ARMSTRONG AND ALDRIN ARE INSIDE THE LUNAR MODULE,�� VC�u��*Ы�����NICKNAMED "EAGLE."�� �C�u@��*�C�����MISSION CONTROL: Roger.�� n����� nNarrator: AFTER SEPARATION,��U�ȡ�COLLINS FILMS AND PHOTOGRAPHS EAGLE AS IT BEGINS ITS DESCENT.���C�u��+ؠ����HE'S LEFT TO ORBIT THE MOON��2�����2ON BOARD THE COMMAND MODULE, NICKNAMED "COLUMBIA."�� �C�u��+<(�����Collins: WHEN NEIL AND BUZZ WENT DOWN TO THE SURFACE,�� P����� PMY JOB WAS TO FILL THAT COMMAND MODULE.�� �C�u��+R?�����I WAS THEIR BASE CAMP, THEIR TICKET HOME.�� �C�u@��+v{�����MISSION CONTROL: Great.���������Narrator: ON EARTH, HUNDREDS OF MILLIONS OF VIEWERS�� s������FOLLOW EVENTS AS ARMSTRONG AND ALDRIN�� mC�u��+�ᠢ���ATTEMPT TO MAKE HISTORY.�� Q����� QTHE LUNAR MODULE HAS BEGUN TO DROP INTO THE ORBIT,��`C�u��+�������WHICH WILL TAKE IT DOWN TO THE MOON'S SURFACE.�� ������ �Narrator: ALDRIN TURNS ON EAGLE'S MOUNTED CAMERA�� �C�u��+�9�����TO FILM ITS DARING DESCENT.�� �C�u��+�󠻡��Griffin: WITH APOLLO 11, THE LAST 50,000 FEET --�� ������ �THAT'S WHEN IT BECAME REAL.�� 3C�u��+�#�����COLLINS: Columbia, Eagle, Houston.���������Both looking good going over the hill.���C�u��,ɠ����Griffin: EVERYTHING ELSE UP TO THAT POINT�� ������ �WE HAD PRACTICED IN PRIOR MISSIONS.�� �C�u��,'W�����BUT THIS WAS NEW TERRITORY.�� Ơ���� �WE'RE GONNA EITHER LAND OR WE'RE GONNA ABORT --�� �C�u��,=������ONE OF THE TWO.���C�u��,Y-�����Narrator: MISSION CONTROL CHARTS EAGLE'S PROGRESS�� L����� LON A GIANT SCREEN.�� �C�u��,o"�����Griffin: THE ROOM WAS ABSOLUTELY JAM-PACKED.�� ����� WE WERE SITTING ON THE FLOORS, ON THE STEPS.�� .C�u��,�V�����AND YOU TALK ABOUT EXCITEMENT.��>�����>Duke: MY ROLE IN APOLLO 11 WAS CAPSULE COMMUNICATOR --��>C�u��,�Ҡ����CAPCOM -- THE ONLY PERSON IN MISSION CONTROL�� 頭��� �WHO CAN ACTUALLY TALK TO THE CREW.�� C�u��,�Ҡ����ARMSTRONG: Roger, understand.���C�u��,ڟ�����Duke: WE IGNITED THE ENGINE.�� �C�u��- ,�����AS WE STARTED THE DESCENT,�� m����� mIT SEEMED LIKE THE WHEELS CAME OFF OF THE WHOLE THING.�� �C�u��-2������WE STARTED HAVING COMMUNICATION PROBLEMS.�� �C�u��-G0�����WE WERE HAVING DATA DROPOUT.�� L�����RWE START HAVING COMPUTER PROBLEMS.�� KC�u��-m��š��Narrator: MISSION CONTROL FACES A SPLIT-SECOND DECISION --���������LAND OR ABORT.��jC�u��-�Ƞ����DUKE: Roger, copy.�������� ARMSTRONG: Program alarm.�� C�u��-������1202! 1202.�� ��� �Narrator: WITH ALARMS SOUNDING������� ON BOARD APOLLO 11's LUNAR MODULE...���C�u@��-Ӯ�ġ��ARMSTRONG: Give us the reading on the 1202 program alarm.�� .�ȡ .Narrator: ...MISSION CONTROL MUST MAKE A CRITICAL DECISION --���C�u@��-�Р����LAND OR ABORT.�� 頪��� �Duke: WE HAD A SERIES OF ALARMS.��ޠ�����I SAID, "THIS IS IT. COMPUTER'S GOING BELLY-UP.�� �C�u��. w�����WE WON'T BE ABLE TO CONTINUE."�� ������ �Lunney: WE WERE OVERLOADING THE COMPUTER.�� C�u��.#I�����AND IT WAS SAYING TO US,���������"YOU'RE ASKING ME TO DO MORE THAN I CAN DO."��C�u��.<�����Narrator: BUT AS THE CAMERAS REVEAL,��F�����FFLIGHT DIRECTOR GENE KRANZ ISN'T READY TO GIVE UP.��[C�u@��.R������-We're go on that, Flight. -We're go on that alarm?�� n����� nKRANZ: If it doesn't reoccur, we'll be go.��������DUKE: Roger.��wC�u��.i2�����KRANZ: CAPCOM, we're go for landing.��Z�����ZDuke: EAGLE, HOUSTON. YOU'RE GO FOR LANDING, OVER.��ZC�u��.�ՠ����Duke: THE TENSION WAS RISING IN MISSION CONTROL�� ����� WITH THESE THINGS GOING WRONG.�� �C�u��.�������We're go. Same type, we're go.��[�����[WE'RE GETTING CLOSE TO TOUCHDOWN���C�u@��.�ʠ����ON THE MOON'S SURFACE.�������I'M GETTING KNOTS IN MY STOMACH.��Р���� �Narrator: TO LAND SAFELY,��3�����!NEIL ARMSTRONG NEEDS COMPLETE CONTROL OF EAGLE.��8C�u��.�#�����ARMSTRONG: 2,000 feet. 2,000 feet.�� 頴��� �Narrator: REMASTERED FILM FOOTAGE REVEALS�� C�u��.������HOW HIS PILOTING SKILLS BECAME SECOND TO NONE.�� �C�u��/0%�����LANDING ON AN ALIEN LANDSCAPE�� ������ �REQUIRES PILOTS TO MASTER A COMPLEX FLYING MACHINE...��4C�u��/R�����IN AN AIRLESS, LOW-GRAVITY ENVIRONMENT.�� C�u��/l ǡ��Haise: MY TRAINING WAS TO GO TO NASA LANGLEY RESEARCH CENTER��C�u��/�Š¡��AND FLY A TETHERED TEST VEHICLE THAT'S GONNA PUT YOU IN���C�u��/�������1/6 GRAVITY.�� �C�u��/������IT HAD THE CHARACTERISTICS CONTROL-WISE�� Q����� QOF THE LUNAR MODULE VEHICLE.�� �C�u��/�L�����ONCE THE ASTRONAUTS MASTER STEERING���������IN A TETHERED SIMULATOR...�� )C�u��/������THEY GRADUATE TO A SELF-POWERED TRAINING VEHICLE.��C�u@��0��á��Anders: IT HAD A GIMBAL JET ENGINE THAT RAN ON JET FUEL.���������YOU COULD ORIENT IT BY LITTLE PUSH ROCKETS�� �C�u��0������DISTRIBUTED ABOUT THE VEHICLE.�� �C�u��03ؠ����WE HAD GREAT CONFIDENCE IN THE GAUGING SYSTEM.�� ˠ���� �WE'D GET DOWN TO 20 SECONDS AND TAKE OFF AGAIN.�� �C�u��0Mo�����THAT CONFIDENCE WAS OVERRATED.�� ������ �Narrator: AS NEIL ARMSTRONG IS ABOUT TO DISCOVER.��%C�u��0�p�����Anders: THAT MORNING, THE FUEL SENSOR HEAD FAILED.�� d�����>WE THOUGHT HE'D HAD TWICE AS MUCH TIME.�� �C�u��0�k�����HE DIDN'T. AND HE RAN OUT OF GAS.�� ������ �CAMERAS CAPTURE ARMSTRONG GRAPPLING FOR CONTROL.�� �C�u��0�L�����Barbree: WHAT THE HECK HAPPENED? IT WAS SO FAST.�� K������HE JUST EJECTED OUT.�� )C�u��1[�����THAT INCIDENT GOT HIM THE JOB���������OF LANDING ON THE MOON,��wC�u��1^�����BECAUSE THEY PUT MORE FAITH IN NEIL ARMSTRONG���������TO MAKE THE RIGHT DECISIONS TO LAND�� �C�u��12������THAN ANY OTHER OF THE ASTRONAUTS.�� =�����Narrator: NOW ARMSTRONG FACES THE ULTIMATE TEST�� =C�u��1L������OF HIS FLYING SKILLS.��Р�����THIS TIME, EJECTING ISN'T AN OPTION.�� xC�u��1�à����ARMSTRONG: Coming down to 23.�� 頹��� �Narrator: LESS THAN 1,000 FEET ABOVE THE MOON,�� �C�u��1�������EAGLE'S ONBOARD FILM CAMERA ROLLS�� =����� =AS ARMSTRONG SEES SOMETHING TROUBLING.��$C�u@��1�蠻���Schmitt: WHEN NEIL FINALLY LOOKED OUT THE WINDOW�������AND KNEW WHERE THE COMPUTER WAS GOING TO LAND HIM,�� =�����RHE HAD TO CHANGE THAT BECAUSE OF A CRATER.�� �C�u��1�㠼���Narrator: BUT THAT MEANS PILOTING EAGLE MANUALLY.���������ARMSTRONG: 350 feet, down at 4.���C�u@��1������Schmitt: HE OVER-FLEW THAT CRATER��7�����7TO FIND ANOTHER LANDING POINT.��ߠ����BUT IN DOING SO, OF COURSE, USED UP MORE FUEL.�� eC�u��2 ������ARMSTRONG: 300 feet down, 3 1/2, 47 forward.�������Lunney: HE'S LOOKING FOR A PLACE TO LAND.�� =C�u��2&Ġ����I MEAN, IF IT'S A ROCK, IT'S OKAY.���������BUT IF IT'S A BOULDER, IT MAY NOT BE.�� KC�u��2M������WE HAD TO BE CAREFUL WITH THE FUEL.�� ����� THERE WAS A LIMITED AMOUNT OF IT ON BOARD.�� C�u��2bנ����Narrator: CHARLIE DUKE STARTS COUNTING DOWN��Р�����TO A LOW-FUEL ABORT CALL.�� �C�u��2w������DUKE: 60 seconds.��ߠš���Griffin: BUZZ'S FOCUS WAS INSIDE LOOKING AT THE PRESSURES,�� VC�u��2�ʠ����THE TEMPERATURES.��C�u��2�\�ʡāHE WAS CALLING HEIGHT ABOVE THE SURFACE AND HIS DESCENT RATE...���C�u��2�s�ɡÁSO NEIL DIDN'T HAVE TO TAKE HIS ATTENTION AND LOOK AT A GAUGE.���C�u��2س�����IT WAS LIKE A SONG AND DANCE.����š���THEY WERE WORKING TOGETHER TO GET THE THING ON THE GROUND.�� �C�u��2�`�ġ��BUZZ WOULD MAKE THESE CALLS ABOUT EVERY 10 OR 15 SECONDS.��oC�u��3)�����AND BETWEEN TWO CALLS, HE SLIPPED IN SOMETHING.��[C�u��30���"PICKING UP SOME DUST" --�� ������ �IT STILL SENDS CHILLS UP MY BACK.�� C�u��3G������"OOH, WE'RE THERE. WE'RE GONNA DO THIS."�� C�u��3c������Narrator: AROUND THE WORLD,���������VIEWERS FOLLOW THE ACTION THROUGH TV ANIMATIONS.���C�u��3}p�����Solacoff: I WAS WATCHING TV.�������WALTER CRONKITE WAS THE ANCHORMAN.�� �������AND I STARTED YELLING,���C�u��3������"GO, NEIL! GO, NEIL! GO, NEIL!" LIKE THAT.��o�����oARMSTRONG: Drifting to the right a little.���C�u��3������30 seconds.���C�u��3�������Faint shadow.��ˠ�����Duke: EVERYBODY'S HOLDING THEIR BREATH.�� QC�u��3�B�����ARMSTRONG: Contact light.�� P����� POkay. Engine stop.�� �C�u��4#�����Duke: I HEARD BUZZ SAY, "CONTACT. ENGINE STOP."�� _����� _AND WE KNEW THEY WERE ON THE GROUND.�� �C�u��4$1�����DUKE: We copy you down, Eagle.��䠹����ARMSTRONG: Houston, uh, Tranquility base here.��5C�u��4AJ�����The Eagle has landed.�� P�����/DUKE: Roger, Tranquility.��wC�u@��4Y𠤡��We copy you on the ground.��$�¡��$IT WAS LIKE AIR GOING OUT OF A BIG BALLOON, YOU KNOW --�� Ơ�����SHOOO!��ZC�u@��4t4�����You got a bunch of guys about to turn blue.��F�����FWe're breathing again. Thanks a lot.�� _������IT'S JUST A GREAT SIGH OF RELIEF,��iC�u��4�B�����AND OUR HEARTS ARE POUNDING.�� )����� )NEIL IS JUST AS CALM AS HE CAN BE.���������ARMSTRONG: Thank you.��[C�u��4�e�����Solacoff: HE FINALLY MADE IT.�� ������ �I JUMPED UP AND DOWN, AND I STARTED TO CRY.�� QC�u@��4�F�����I JUST SAID, "I KNEW YOU COULD DO IT, BUDDY.�� ������ �I KNEW YOU COULD DO IT."��F������MAN ON THE MOON! PHEW, BOY.�� LC�u��5������Narrator: MOMENTS AFTER TOUCHDOWN,��򠸡���BUZZ ALDRIN POSITIONS THE ONBOARD 16mm CAMERA���C�u��5*������TO RECORD NEIL ARMSTRONG'S DESCENT.�������Barbree: I WAS REPORTING FROM MISSION CONTROL.�� sC�u��5D.�����NASA HAD PROGRAMMED IN FOR THEM�� .����� .A FOUR-HOUR REST PERIOD.��8C�u��5^��ġ��I'M TALKING TO NEIL A COUPLE OF WEEKS BEFORE HE TAKES OFF�� ������ �AND HE SAYS, "WE AIN'T GONNA SLEEP.�� �C�u��5u��š��YOU THINK I'M GONNA SLEEP WHEN I JUST LANDED ON THE MOON?"�� �C�u��5�~�����ARMSTRONG: Okay, Houston, I'm on the porch.�� m����� mMISSION CONTROL: Roger, Neil.�� 4C�u��5������Narrator: HEADING DOWN THE LADDER,��򠡡���ARMSTRONG PULLS A CORD,�� 3C�u��5�D�����RELEASING A TV CAMERA.�� ��¡�� �MISSION CONTROL: And we're getting a picture on the TV.�� `C�u@��5�\�����ALDRIN: You got a good picture, huh?����ǡ���MISSION CONTROL: Currently, it's upside-down on our monitor.��������GBut we can make out a fair amount of detail.��[C�u��5�������Narrator: THE LIVE CAMERA FEED BEAMS BACK TO EARTH...�� �C�u��6Ѡ����...GIVING OVER HALF-A-BILLION PEOPLE THEIR FIRST LOOK��G�����GAT THE MOON'S SURFACE.�� C�u��6")�ơ��Morgan: IT WAS SO WONDERFUL TO SEE NEIL ARMSTRONG STEP OUT.���������MISSION CONTROL: Okay, Neil.���C�u��6:h�����We can see you coming down the ladder now.�� Ǡ���� �Morgan: SEEING COVERAGE AROUND THE WORLD,�� C�u��6OI�����HOW MANY PEOPLE CARED AND HOW UNIFYING IT WAS --�� 3����� 3IT MADE ME A VERY PROUD AMERICAN.�� �C�u��6j�����ARMSTRONG: I'm, uh, at the foot of the ladder.�� ڠ���� �Barbree: I WATCHED NEIL COME DOWN THE LADDER�� /C�u@��6� �����ON THE SAME SCREEN��2�����2THAT THE PEOPLE IN MISSION CONTROL WATCHED.�� �������THEY WERE ALL VERY FOCUSED WITH WHAT WAS GOING ON.�� VC�u@��6�8�����ARMSTRONG: The surface appears to be very fine-grained��i�����ias you get close to it.��蠤���QIt's almost like a powder.��C�u��6�������Barbree: NEIL MOVES DOWN THE PAD.�� ������ �ARMSTRONG: Okay, I'm gonna step off the LM now.�� BC�u��6�h�����Barbree: THIS WAS THE MOMENT IT WAS GOING TO HAPPEN.��נ�����HE PUT ONE FOOT DOWN ONTO THE MOON...�� 3C�u��6�������...AND THEN HE SAID IT.��o�����oARMSTRONG: That's one small step for man...��WC�u��7 ������one giant leap for mankind.�� PC�u��7�n�����THE DATE'S NOW INDELIBLE -- JULY 20, 1969,���������THE DAY MAN REACHED AND WALKED ON THE MOON.��>C�u��7��ġ��Duke: MISSION CONTROL WAS SO PROUD BECAUSE WE WERE THERE,���������WE HAD DONE IT, WE WERE ON THE MOON.���C�u@��7�1�����Lovell: I HAD A LITTLE BIT OF ENVY, OF COURSE,���������BEING THE BACKUP COMMANDER.��Р����oHAD SOMETHING HAPPENED TO NEIL DURING HIS TRAINING,�� �C�u��8D�����I WOULD'VE BEEN THE ACTUAL GUY GOING.��F�����FIT'S TOO BAD HE WAS SO GOOD.��C�u��89�����Narrator: AS ARMSTRONG EXPLORES THE MOON,�� ������ �HIS FIRST WORDS ARE RESONATING AROUND THE WORLD.��CC�u��89 �����Solacoff: "THAT'S ONE SMALL STEP FOR MAN,�� _����� _ONE GIANT LEAP FOR MANKIND."��C�u@��8R��¡��I ASKED NEIL, "HOW DID YOU FIGURE OUT HOW TO SAY THAT?"��堼����AND HE SAYS, "WELL, I WAS THINKING ABOUT THE GAME���C�u��8r�����WE USED TO PLAY AS KIDS CALLED MOTHER, MAY I.�� ��� �YOU WOULD SAY, 'TAKE FIVE SMALL STEPS'�� �C�u��8�Ԡ����TO REACH A CERTAIN GOAL, OR YOU COULD SAY,�� t����� t'TAKE THREE GIANT STEPS.'"���C�u��8�栰���AND HE SAID, "ON THE WAY TO THE MOON,��ߠ�����I GOT TO THINKING ABOUT GIANT STEPS AND SMALL STEPS�� �C�u@��8�������AND I KIND OF PUT THEM TOGETHER."�� ��̡Ɓ �Narrator: BUT NASA MUST BRING BACK MORE THAN WORDS AND PICTURES.��uC�u��8қ�����ALDRIN: Okay, I'm on the top step.�� m����� mNarrator: ALDRIN JOINS ARMSTRONG ON THE SURFACE�� =C�u��8�E�����TO HELP GATHER PRICELESS SCIENTIFIC SAMPLES.��֠�����-Beautiful view. -Isn't that something?�� �C�u��9������-Magnificent sight out here. -Magnificent desolation.��/�����/Narrator: BUT HOW DO THE ASTRONAUTS KNOW��8C�u��9�����WHAT THE SCIENTISTS WANT COLLECTED?��L�����LNEWLY UNCOVERED FILM REVEALS���C�u��96%�����THE GREAT LENGTHS THEY WENT TO TO LEARN.���C�u@��9q�����Schaber: YOU CAN'T JUST GO TO THE MOON���������AND JUST PICK UP A FEW ROCKS.�� ȡ~YOU'VE GOT TO HAVE THEM AT LEAST DESCRIBE THEIR LANDING SITE,�� 3C�u��9�������AND THEY COULDN'T SAY SOMETHING GEOLOGICAL�� ����� UNLESS THEY WERE TRAINED IN GEOLOGY.�� LC�u��9�Р����Narrator: CAMERAS FOLLOW THE ASTRONAUTS��Y�����YAS THEY SWAP FLYING FOR FIELDWORK.�� �C�u��9���ʡāSchaber: I'M JERRY SCHABER, PART OF THE APOLLO 11 GEOLOGY TEAM.���C�u��9�֠����TRAINING THE GROUPS OF ASTRONAUTS WAS DIFFICULT�� ����� BECAUSE, IF YOU'RE A TEST PILOT,�� KC�u��9�-�����GEOLOGY IS THE LAST THING ON YOUR MIND.��~�����~THEY WERE FULL OF TESTOSTERONE,��C�u��9�������SO THEY WERE ALWAYS FOOLING AROUND.�� �á���IT WAS LIKE HAVING A CLASS THAT WASN'T PAYING ATTENTION.�� sC�u��:!2�����Narrator: FOR THE RELUCTANT ROCK HOUNDS,�� ������ �NASA SINGLES OUT THE MOST REALISTIC LUNAR LANDSCAPES.���C�u@��:@-�����Schaber: IN HAWAII,��٠�����WE WOULD TAKE THEM TO THE VOLCANIC ERUPTIONS�� Q�����*SO THEY COULD SEE GEOLOGY HAPPENING IN REAL TIME.���C�u��:a �����Worden: I CAN REMEMBER WALKING ON A LAVA LAKE��n�����nWHERE YOU COULD SEE THE MOLTEN LAVA DOWN BELOW.�� C�u@��:�������Schaber: ONE OF THE ASTRONAUTS SAID, "I SMELL RUBBER."�� 頦��� �THAT WAS THEIR BOOTS BURNING��ߠ�����BECAUSE THE LAVA UNDER THEM WAS STILL HOT.���C�u��:������Worden: WE WENT UP TO WHERE IT WAS FLOWING.���������SUDDENLY, THERE WAS A SMALL ERUPTION.���C�u��:�s�����THE LIQUID STARTED TO BUBBLE UP MORE AND MORE.�� ����� WE GOT OUT OF THERE JUST IN THE NICK OF TIME.��oC�u��:������WE WERE VERY LUCKY, I THINK,��2�����2WE DIDN'T GET TRAPPED WITH THE LAVA FLOWS THERE.��>C�u��:�r�����Narrator: DESPITE THE HAZARDS...��G�����GTHE ASTRONAUTS SOON PICK UP THE KNOWLEDGE NEEDED�� �C�u��;@�����TO PRACTICE GEOLOGY ON THE LUNAR SURFACE.���������Duke: YOU LEARN HOW TO IDENTIFY THE VARIOUS ROCK TYPES�� �C�u��;3ؠ����THAT YOU MIGHT ENCOUNTER ON THE MOON.�� ������ �WE STUDIED VOLCANIC ROCKS,��iC�u��;GȠ����IGNEOUS ROCKS LIKE GRANITE...��$�����$SEDIMENTARY ROCKS.�� �C�u��;_������YOU LEARNED IF A ROCK WAS UNUSUAL.�� B�����CNarrator: THE MONTHS OF FIELDWORK ARE CRITICAL.��DC�u��;�H�����ON THE MOON, THEY'LL HAVE LESS THAN THREE HOURS�� ������ �TO PUT THEIR TRAINING INTO PRACTICE.�� �C�u��;�������ALDRIN: So-called kangaroo hop.�� B����� BNarrator: LIVE TV COVERAGE OF ARMSTRONG AND ALDRIN�� �C�u��;�⠷���DOESN'T JUST ENTHRALL MILLIONS OF VIEWERS --�� ڠ���� �IT HELPS GEOLOGISTS MONITOR THE MISSION,�� VC�u��;������REVEALED HERE IN THE FORGOTTEN FILMS.�� ������ �Schaber: I WAS GIVEN THE ASSIGNMENT���C�u��;�8�����TO KEEP TRACK OF THE ASTRONAUTS ON THE MOON.�� V����� VI HAD A MAP AND TWO LITTLE PAPER CUTOUTS.��*C�u��<������ONE OF THEM WAS MARKED FOR "COMMANDER."���C�u��<7#�á��AND ONE OF THEM WAS MARKED "LMP" FOR LUNAR MODULE PILOT.���C�u@�� ������ARMSTRONG: Houston, Tranquility Base.���á���We're in the process of, uh, using up what film we have.���C�u@��>Bؠ����MISSION CONTROL: Tranquility Base, Houston.��F�����FYou're cleared for takeoff.����ȡ�ARMSTRONG: Roger, understand. We're number one on the runway.��[C�u��>e1�ȡLunney: IT WAS TENSE, AND THERE WAS NOTHING THAT WE COULD DO.�������ALDRIN: 9...8...7...6...5...���C�u��>�������abort stage,��T�����Tengine arm ascent,��P����� �proceed.��C�u��>�Ǡ����Narrator: JUST AFTER LIFTOFF,��ʠ�����ALDRIN STARTS THE FILM CAMERA.�� �C�u��>�������TO EVERYONE'S RELIEF,�������THE ASCENT-STAGE ENGINE FIRES FLAWLESSLY.���C�u@��?_1�����AFTER 21 HOURS ALONE IN THE COMMAND MODULE, COLUMBIA,���������MIKE COLLINS PREPARES TO PICK UP HIS CREW MATES.���C�u@��?�������Collins: GETTING THEM UP OFF THE MOON��$�����$AND SAFELY BACK TO COLUMBIA��h������HAD WORRIED ME FOR MONTHS.��}C�u��?� �����Narrator: COLLINS FILMS THE APPROACHING LUNAR MODULE.��%C�u��?�ؠ����ARMSTRONG: Pretty good.�������Narrator: CAMERAS ON THE TWO SPACECRAFT�������� �SHOW THEM LINING UP.��7C�u��?�������Collins: I STAYED IN A PERFECT 60-MILE ORBIT,��꠼����AND NEIL AND BUZZ CLIMBED UP INTO ORBIT BELOW ME.��>C�u��@꠽���THEN WE COULD BRING THE TWO VEHICLES BACK TOGETHER�� n����� nAS WE HAD TRAINED TO DO.���C�u��@=������Narrator: BACK TOGETHER,���������THE ASTRONAUTS REIGNITE THE COMMAND MODULE'S ENGINE...�� VC�u��@UI�����...BEGINNING THEIR THREE-DAY JOURNEY HOME.�� �C�u@��@�������DUKE: Roger.�� ����� THE ASTRONAUTS OF APOLLO 11,�� ����� ON THEIR WAY BACK HOME FOR A SPLASHDOWN ON THURSDAY.��C�u��@�堯���Collins: THE WAY BACK FROM THE MOON,��2�����2IT'S PRETTY QUIET TIME ABOARD COLUMBIA.�� _C�u��@�ʠ����COLLINS: That'd be nice.����á���Narrator: ON EARTH, CAMERAS RECORD RECOVERY PREPARATIONS��%C�u@�@�š��TARGETED FOR A SMALL SPLASHDOWN ZONE IN THE SOUTH PACIFIC.���������Collins: WHAT YOU'RE WORRIED ABOUT IS,��AC�u��A R�����FROM A DISTANCE OF A QUARTER OF A MILLION MILES,�� ����� YOU'RE TRYING TO HIT A TINY, LITTLE AREA.�� �C�u@��A!8�š��Narrator: MISS THEIR TARGET, AND THE ASTRONAUTS MAY END UP�� Q����� QIN ONE OF THE MOST HOSTILE PLACES ON OUR PLANET.���C�u��A> �¡��RESTORED FOOTAGE SHOWS HOW THEY PREPARED FOR THE WORST.��oC�u��Ak��á��Duke: IF YOU LANDED ON LAND, YOU COULD LAND IN A DESERT.�� ������ �YOU COULD LAND IN THE JUNGLES.�� mC�u��A�������AND SO WE LEARNED HOW TO SURVIVE FOR THREE DAYS.���������Narrator: IN THE REMOTE WASTELANDS OF AMERICA,��$C�u@��A�L�����CAMERAS FOLLOW THE ASTRONAUTS���������AS THEY LEARN TO FEND FOR THEMSELVES�� .�¡���USING ONLY WHAT THEY CAN SALVAGE FROM THEIR SPACECRAFT.���C�u��Aë�����Anders: THEY GAVE US A BAG OF WATER���������AND A SHOVEL AND A PARACHUTE.�� 3C�u@��A�i�����Collins: YOU'VE GOT ACRES OF NYLON MATERIAL,�� ��á�� �AND FROM THAT MATERIAL, YOU CAN BUILD TENTS AND CLOTHING���C�u��A񼠹���TO PROTECT YOURSELF FROM THE BLAZING SUNLIGHT.���������Anders: WE HAD TO MAKE ARAB-TYPE DRESS.�� sC�u��B ������ONE THING I DID LEARN IS, IF YOU WERE IN THE DESERT,�� _����� _THE IDEA IS TO CONSERVE YOUR SWEAT.���C�u@��B$ɠ����Narrator: PARACHUTES CAN EVEN HELP QUENCH YOUR THIRST.��$�����$Anders: YOU DIG A HOLE AND YOU PUT A CAN IN THE BOTTOM�� �C�u��B>Ƞ����AND TAKE A PIECE OF PARACHUTE,���ʡāAND AT NIGHT, THE DEW COMES DOWN AND DRAINS DOWN THIS PARACHUTE���C�u��BV}�����SO YOU GET WATER.��h������Narrator: KEEPING COOL IN THE DESERT IS ONE THING --���C�u��Bx֠����FINDING FOOD IN THE JUNGLE IS ANOTHER.���������Collins: THE GUY LIVING IN HOUSTON, TEXAS --��|C�u@��B�ՠ����WHAT DOES HE KNOW ABOUT THE JUNGLE?�� .����� .NOTHING.�������LSO THEY PUT US LOOSE DOWN IN PANAMA FOR A WEEK,��HC�u��B�i�����AND WE HAD TO LIVE OFF THE LAND.�� ������ �Anders: MIKE COLLINS AND I WERE TEAMED UP�� )C�u��B�,�����FOR JUNGLE SURVIVAL SCHOOL.����ȡ�BUT WE WERE TRAINED IN ALL THE GOOD THINGS THERE WERE TO EAT.���C�u��B�k�����YOU COULD CHOP THE VINE AND GET WATER.�� K����� KYOU COULD PICK FRUIT.�� �C�u@��B�n�����THEY'D HIRE A NATIVE,�������AND HE WOULD SERVE YOU ALL THESE GOODIES.�� �������I DECIDED, "GORGE THE NIGHT BEFORE,�� �C�u@��C������AND, IF NECESSARY, GO FOOD-LESS FOR THREE DAYS."����á���MIKE RACED ALL AROUND THE JUNGLE, NEVER CAUGHT ANYTHING,�� 4C�u��C6~�����AND WAS ABOUT TO COLLAPSE FROM EXHAUSTION.�� �C�u��CJ(�����Duke: YOU HAD TO FIND CRITTERS, IF YOU COULD.���������WE TRAPPED A SNAKE THAT WE SKINNED.��jC�u��Cr������Anders: IT WAS AN INTRIGUING KIND OF MEAL.�� ������ �TASTES A LITTLE BIT LIKE CHICKEN.�� KC�u��C������IT WAS A GOOD LEARNING EXPERIENCE.��򠾡���AND SNAKE'S PRETTY TASTY, REALLY, IF YOU'RE HUNGRY.�� �C�u��C�J�����Narrator: THE ASTRONAUTS ARE NOW PREPARED�������FOR ANY EVENTUALITY BACK ON EARTH.��C�u��C�a�����BUT THEY HAVE TO GET THERE FIRST.�� /C�u��C�y�����MISSION CONTROL: Apollo 11, this is Houston.��h�����hAre you still up there? Over.���C�u��D������Narrator: ARMSTRONG, ALDRIN, AND COLLINS��h�����hFACE ONE FINAL PERILOUS CHALLENGE --���C�u��D)䠺���SURVIVING THE SEARING HEAT AND INCREDIBLE SPEED��[�����[OF COMING HOME.��wC�u��Db�����ARMSTRONG: It's Apollo 11 signing off.�� _C�u��D�\�����COLLINS: And the sun is going down on schedule.���������It's getting real dark in here.��C�u��D�s�����Narrator: APOLLO 11 IS ALMOST HOME.�� ������ �THE CREW USES UP ITS LAST FRAMES OF FILM�� sC�u��D£�����BEFORE BRAVING THE FIRES OF REENTRY.�� �C�u@��D�ݠ����Griffin: THERE'S ALWAYS THAT CONCERN���������THAT YOU'VE FLOWN THIS ENTIRE MISSION,��������GAND THEN YOU MIGHT LOSE THEM ON LANDING.��C�u��D�&�����BUT THERE'S NO ALTERNATIVE.��U�����UYOU'VE GOT TO GO THROUGH IT.���C�u@��E+������Narrator: ALDRIN TURNS ON HIS MOUNTED CAMERA���������FOR THE LAST TIME,��F�ġ���RECORDING THE INFERNO AS THEY SLAM THROUGH THE ATMOSPHERE�� C�u��EM렧���AT OVER 24,000 MILES AN HOUR.���C�u��Eb���Collins: WHEN YOU GET INTO THE THIN UPPER AIR,���������THERE'S VARIOUS COLORS, HUES,���C�u��Ey�����LITTLE SUBTLE LAVENDERS AROUND THE EDGE.��R�����RAS THE AIR THICKENS,��2C�u��E�������YOU MELD INTO THE YELLOWS, THE ORANGES,�� ������ �THE FIRES OF FRICTION.�� �C�u��E�������Narrator: AS THE PROTECTIVE HEAT SHIELD MELTS AWAY,�� ۠���� �A BLAZING TRAIL OF BURNING DEBRIS�� �C�u��E‘�����SPEWS FROM THE SPACECRAFT.�� C�u@��E�s�����THERE'S BLACKOUT.����¡���Griffin: IF YOU'RE GONNA BURN UP IN A HEAT-SHIELD FAIL,�� P������IT WOULD BE DURING THAT HOTTEST PERIOD.���C�u��E�<�����Narrator: AN AIRBORNE CAMERA FLYING AT 40,000 FEET��\�����\CATCHES THE FIRST SIGHT OF APOLLO 11�� C�u��F������STREAKING THROUGH THE EARTH'S ATMOSPHERE,�� ����� ENGULFED IN A BALL OF FIRE.�� eC�u��F/"�����MAN: ARIA 3 reported a visual contact.���������Worden: TO SEE IT REENTER THE EARTH'S ATMOSPHERE,�� �C�u��FG>�����YOU WOULD SAY, "HERE COMES A SHOOTING STAR."�� �C�u��F�������MAN: Apollo 11, Houston through ARIA.�� nC�u@��Fă�¡��Narrator: WITH THE COMMAND MODULE REENTERING ON TARGET,�� V����� VIN THE PACIFIC OCEAN, THE USS HORNET SCOURS THE SKIES��}C�u��F�V�����FOR THEIR FIRST GLIMPSE OF THE RETURNING ASTRONAUTS.�� yC�u@��G!t�����MAN: Apollo 11, Apollo 11.���������This is Hornet. Hornet. Over.��ˠ���� �ARMSTRONG: Hello, Hornet.��������oThis is Apollo 11 reading you loud and clear.���C�u��G:������Our position 1330, 16915.��kC�u��GUڠ����MAN: 11, Hornet. Copy.��$C�u��G�J�����MAN #2: Splashdown. Apollo has splashdown.�� ����� MAN: Hornet, copy.��FC�u@��G�s�����Cronkite: THE ASTRONAUTS OF APOLLO 11,�� n����� nHAVING LEFT THEIR FOOTPRINTS ON THE MOON,��������HAVE NOW RETURNED TO EARTH.��C�u��G� ����Narrator: IN MISSION CONTROL,��ˠ�����THE CAMERAS ARE ALSO ROLLING, CAPTURING THE ELATION.���C�u��G�^�����Man: DAVE AUBREY IS AT THE MANNED SPACECRAFT CENTER,�� Ơ���� �WHERE A REAL CELEBRATION IS UNDER WAY.�� �C�u��H�����Aubrey: PEOPLE ARE GATHERING AROUND HERE,�� ������ �CHEERING ONE ANOTHER, CONGRATULATING ONE ANOTHER.���C�u@��Hܠ����Duke: EVERYBODY LIT UP THESE GREAT BIG CIGARS,��򠚡���AND PUFFING AWAY������� AND WAVING AMERICAN FLAGS.�� C�u��HN������Narrator: BUT FOR ARMSTRONG, ALDRIN, AND COLLINS,�� ������ �THE CELEBRATIONS WILL HAVE TO WAIT.�� QC�u@��He������FOR THEM, A WHOLE NEW PHASE OF THE MISSION BEGINS,��󠾡���ONE DESIGNED TO SAFEGUARD THE SURVIVAL OF HUMANITY.���C�u@��H�������MAN: The first astronaut is now emerging.�� ՠǡ�� �Collins: A LOT OF SCIENTISTS THOUGHT THERE WAS A POSSIBILITY�� dC�u@��H�젺���THAT THE MOON HARBORS VERY DANGEROUS PATHOGENS,�� `�¡�� `AND THAT WE WERE GOING TO CONTAMINATE THE WHOLE PLANET.�� �C�u��H�Ӡ����Narrator: LONG-LENS FILM FOOTAGE REVEALS�� ����� THE FIRST STEPS TAKEN TO PREVENT CONTAGION --��/C�u��H������USING PROTECTIVE CLOTHING.�� Q����� QCollins: THE SUITS WERE JUST RUBBER BLADDERS.�� �C�u��H�$�ǡ��THE SOUTH PACIFIC WAS KIND OF WARM, AND THE SUN WAS SHINING.��D�����DI WAS SWEATING PROFUSELY.���C�u��IL�����Narrator: ON BOARD USS HORNET,�� ������ �NEWS CREWS JOCKEY TO GET THE FIRST FOOTAGE�� �C�u��I&������OF THE RETURNING ASTRONAUTS.�� ��� �Carpentier: I OPENED THE DOOR OF THE HELICOPTER,�� nC�u��I=S�ơ��AND THE CREW WALKED TOWARDS THE MOBILE QUARANTINE FACILITY.���C�u��IUנ����Collins: THEN, BINGO --��A�����ATHE DOORS OPENED TO OUR LITTLE ENCLOSURE.�� �C�u@��Io������Narrator: THE CREW WAS SEALED���������INSIDE A MODIFIED GULF STREAM TRAILER�� ꠺���oAND TRANSPORTED BACK TO HOUSTON FOR QUARANTINE.���C�u@��I�������Man: ARRIVING AT THE MANNED SPACECRAFT CENTER���������IN HOUSTON,��-����� �THE ASTRONAUTS WILL SPEND THE REMAINDER��ޠ�����OF THEIR 21-DAY ISOLATION PERIOD�� �C�u��I�;�����IN THIS $8 MILLION SPECIAL BUILDING,��Z�����ZTHE LUNAR RECEIVING LABORATORY.�� BC�u@��I�נ����AND STEPPING OUT FIRST, COMMANDER NEIL ARMSTRONG.�� ������ �Narrator: PREVIOUSLY UNSEEN FOOTAGE REVEALS THE LAB�� �C�u@��I�󠻡��WHERE ASTRONAUTS AND SUPPORT STAFF ARE HOLED UP.��Ѡ�����INSIDE, NASA's CAMERAS AREN'T JUST WATCHING THE CREW.��&C�u@��J꠩���Collins: WE WERE IN QUARANTINE���������WITH THIS LOVELY COLONY OF WHITE MICE.�� s�����Griffin: THEY WERE EXPOSED TO THE LUNAR MATERIAL�� PC�u��J+V�����TO TEST FOR VIRUSES.��c�����cIF THERE WERE MICROBES FOUND�� ����%THAT WERE DANGEROUS TO THE EARTH,���C�u��JAK�����WE MAY BE QUARANTINED FOR A VERY LONG TIME --�� ̠���� �MAYBE FOREVER?��|C�u��JV������Collins: IF THE WHITE MICE LIVED,��}�����}THEN OLé -- WE'D CARRIED THIS THING OFF.�� �C�u��Jj꠻���IF THE WHITE MICE DIED, WE WERE IN DEEP TROUBLE.���������Narrator: CAMERAS ROLL ON BOTH MICE AND MEN��C�u��J�������FOR ANOTHER 12 DAYS.��C�u��J�������THANKFULLY FOR EVERYONE, THE MICE SURVIVE.���C�u��J�b�����NEWS CAMERAS WATCH AMERICA'S HEROES�� _����� _ENTER A WORLD CHANGED FOREVER BY THEIR ACTIONS.��oC�u��J�A�����Collins: JOHN F. KENNEDY GAVE US OUR MANDATE --�� 3����� 3GET TO THE SURFACE OF THE MOON SAFELY�� .C�u��K������AND RETURN HOME ALL IN ONE PIECE.�� ������ �AND THAT'S WHAT WE HAD DONE.���C�u@��K4J�����Narrator: TODAY, THE FORGOTTEN FILM FOOTAGE�� K����� KFROM HALF A CENTURY AGO�� )�����tKEEPS THE MEMORIES OF APOLLO 11 AS FRESH AS EVER.��LC�u@��Ko�����Griffin: IT WAS THE BEST JOB I EVER HAD IN MY LIFE.�� )����� )IT WAS FUN.��c������IT WAS REALLY, REALLY FUN.�� �C�u��K�S�����Duke: APOLLO WAS THE ULTIMATE ADVENTURE.�� �¡�� �IT WAS A SIGNIFICANT ACHIEVEMENT IN THE HISTORY OF MAN.���C�u@��K��ǡ��Lovell: IT WAS NOT A PROGRAM JUST FOR THE AMERICAN PEOPLE --���������IT WAS APOLLO TO EVERYBODY THAT SAW IT.�� xC�u��Kұ�����Collins: IT WAS WONDERFUL.����á���FOR A SHORT TIME, IT SEEMED LIKE ALL MANKIND WAS UNITED.��RC�u��K��á��Solacoff: NEIL TOLD ME -- HE SAID, "I WAS JUST ONE MAN."��>�����>HE SAID, "I JUST FLEW THE THING.�� C�u@��LA�����I'M NOT A HERO. I WAS JUST A PILOT.�� ��ɡÁ �THE HEROES ARE ALL THOSE PEOPLE THAT DID ALL THIS OTHER WORK."��C�u��Lķ��������� �����KK��������M�������R������=����U����YN�����=��,�� �����eԷ����=��L��\����u0���������� ����y:���������� �����@��������O��Z�����������L����������ӷ����L����G���������������w��������������,��û����T��������� ���B�������P�� ໔���"���������������鳷�������D��-�����෎��������8�������������1��7�����O��������]��л��������v���� �� �����v��E�� ﻕ������������� K����)G��������'�� .����4u�����D��������<������D��*�� �����HB���������� �����_Է���������0����r��������O�� (����{,�����h���������/�����h��E��t����������������󻕳�����������:��r�������������X�� ﻕ��������������ֻ����ͷ�������7��ֻ���ݣ���������&����=�����S��������� ȷ����S��+������'t��������������.u��������)��껕��@_�����+����û���P"�����+��A�� )����YK����������ѻ���h��������D��`����y|�����"���� ڻ����V�����"��6��j����������������������Q��������>�� �����X����� ���� ������������ ��@��󻕳��l����� ����� ����������� ���6�������ߖ����� 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