All language subtitles for Apollo.The.Forgotten.Films.2019.1080p.AMZN.WEBRip.DDP2.0.X264-QOQ-Obfuscated
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Eߣ�B��B��B�B�B��matroskaB��B��S�g ��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��0yM��S��T�gS���<�O� I�f@�*ױ�B@M��libebml v1.3.6 + libmatroska v1.4.9WA�mkvmerge v30.1.0 ('Forever And More') 64-bitD��AS�@ Da� z�Ցf s������ɼ�U���E�T�k���ׁsň���;������ �� ��S_TEXT/UTF8�D% C�u��F����� Narrator: HIDDEN IN THE ARCHIVES
FOR OVER 50 YEARS...��=�����= King: 11.���C�u@������� ...THOUSANDS OF REELS
OF FORGOTTEN FILM...��
������
� 10.��ߠ����` ...BROUGHT TOGETHER
FOR THE FIRST TIME...���C�u��:����� 9.��������� ...TO REVEAL A SEEMINGLY
IMPOSSIBLE CHALLENGE.��������= IGNITION SEQUENCE START.���C�u@��R������ Griffin: I THOUGHT, "NO WAY.��U�����U ARE YOU KIDDING ME?"����ȡ� Anders: EVERY DAY HAD SOMETHING
THAT I HAD NEVER SEEN BEFORE.��\C�u��u0����� RELEASE.��
�����
Narrator:
AN INCREDIBLE DECADE OF TRIAL...�� �����
ALL SYSTEMS ARE GO.��ZC�u�炊������ ...AND ERROR.��������9 Griffin: AT THE END OF THE DAY,
WE ALL KNEW THE RISK.��GC�u�炨����� Armstrong: WE GOT SKIRT SEP.��w�����w Narrator: A TEAM OF OVER 400,000
MEN AND WOMEN...���C�u�炾T�ʡā Worden:
EVERY SINGLE ONE OF THOSE PEOPLE
HAD ONE GOAL IN MIND.������ Narrator: ...CAUGHT ON CAMERA.��
�C�u���"����� Lovell: I WAS AT THE RIGHT PLACE
AT THE RIGHT TIME.��������� King: 3.��-C�u���ࠫ��� Narrator:
WITH UNSEEN FOOTAGE...��8�����8 2....AND EXCLUSIVE INTERVIEWS...��7�����o AND THAT'S 1.���C�u������� ...THE STORY OF MANKIND'S
MOST AUDACIOUS ADVENTURE.������ LIFT-OFF.
WE HAVE A LIFT-OFF.���C�u�������� LIFT-OFF ON APOLLO 11.�� K����� K Schmitt:
THERE'S NO TURNING BACK.��.C�u��4u����� YOU'RE GOING TO THE MOON.������� --Captions by VITAC--
www.vitac.com���C�u��HB����� CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS���C�u��_Ԡȡ Cronkite: WE'RE COUNTING DOWN
TOWARD THE LAUNCH OF APOLLO 11.��0�����0 3 HOURS AND 32 MINUTES
FROM NOW,�� (C�u@��{,����� MAN BEGINS THE GREATEST
ADVENTURE IN HIS HISTORY --���š�� A TRIP TO THE MOON, WITH THE
EXPECTATION OF LANDING THERE.��tC�u@��������� Narrator:
APOLLO 11 IS READY FOR LAUNCH.����� IT'S TAKEN AN ARMY��r�����e OF ALMOST HALF A MILLION
SCIENTISTS AND ENGINEERS���C�u��������� NEARLY A DECADE
TO GET TO THIS POINT.��֠����� NOW A TREASURE TROVE
OF FORGOTTEN FILM���C�u��ݣ�¡�� REVEALING THIS HISTORIC MISSION
IN JAW-DROPPING DETAIL.��&C�u��=����� THREE HOURS BEFORE LAUNCH,��������� NASA CAMERAS CAPTURE
THE APOLLO 11 CREW SUITING UP.��C�u��'t����� MY NAME IS MIKE COLLINS.������� ON APOLLO 11, I WAS
THE COMMAND MODULE PILOT.���C�u��@_����� FLYING TO AND FROM THE MOON
IS A THREE-MAN JOB.������ WE EACH HAD SPECIALTIES.�� )C�u@��YK����� Narrator: THE MISSION COMMANDER
IS NEIL ARMSTRONG,��Ѡ����� RESPONSIBLE FOR GETTING HIS TEAM
TO THE MOON AND BACK.��`C�u��y|����� BUZZ ALDRIN,
THE LUNAR MODULE PILOT,��ڠ����� WILL ATTEMPT THE LANDING
WITH ARMSTRONG��jC�u��������� WHILE MIKE COLLINS
WILL STAY IN LUNAR ORBIT.��������� Collins:
IT WAS A QUESTION OF CAMARADERIE�� C�u���X����� AND ALL PITCHING TOGETHER
TO GET THE JOB DOWN.��
������Q Narrator:
SUITED UP AND READY TO GO...���C�u@���l����� ...THE ASTRONAUTS LEAVE
FOR THE PAD.��
������
� King:
RIGHT ON TIME, THE PRIME CREW��������* NOW DEPARTING FROM
THEIR CREW QUARTERS��#C�u��湠���� HERE AT THE KENNEDY
SPACE CENTER.��Z�����H Narrator:
NEIL ARMSTRONG LEADS THE CREW��wC�u���x����� INTO THE GLARE
OF THE WORLD'S PRESS.�� �C�u��)!�¡�� EIGHT MILES AWAY, THE MOST
POWERFUL MACHINE EVER BUILT,��������� THE SATURN V ROCKET,���C�u��D������ AWAITS THEIR ARRIVAL.��
=�����
= Collins: I WENT OUT THERE
WITH NEIL AND BUZZ.��C�u@��Z����� 39A WAS OUR PAD.�� ������ � WE'D BEEN ACCUSTOMED
TO GOING OUT TO THE PAD��䠾���� AND FINDING 40 OR 50 WORKMEN
SCAMPERING UP AND DOWN��eC�u��y����� LIKE ANTS ON THE GANTRIES,��������� AND HERE, ON LAUNCH DAY,��
������ NO ONE WAS THERE.�� �C�u���K����� ANYWAY, WE FOUND OUR WAY
UP TO THIS LITTLE ELEVATOR,��j�����j THREE OF US, PLUS TECHNICIAN,�� �C�u��������� AND UP WE WENT
300-AND-SOME FEET IN THE AIR.��
C�u@���Ϡ���� King: THIS IS APOLLO-SATURN
LAUNCH CONTROL.������� SHORTLY, WE'LL EXPECT
ASTRONAUTS NEIL ARMSTRONG��������� AND MICHAEL COLLINS
TO COME ACROSS SWING ARM 9��.C�u��������� AND STAND BY
TO BOARD THE SPACECRAFT.��������� Collins: WHEN I WAS WAITING
FOR MY TURN TO BOARD,���C�u@��
{����� I COULD LOOK TO MY RIGHT,��������� AND I SEE THIS GIGANTIC
PILE OF MACHINERY,��������� 360 FEET TALL FULL OF GADGETS��sC�u��&������ THAT WERE GOING TO
PROPEL ME TO THE MOON.������� ASTRONAUT FRED HAISE
IS ABOUT TO COME OUT�� �C�u��>4����� AFTER GIVING THE THREE
PRIME CREWMEN A HAND�� n����� n IN THEIR PRELIMINARY
CHECKOUTS ABOARD.��
�C�u��Ri����� MY NAME IS FRED HAISE.��������� I WAS THE BACK-UP
LUNAR MODULE PILOT��
頣���� ON THE APOLLO 11 MISSION.���C�u@��k������ I WAS THE LAST PERSON
TO CRAWL OUT OF THE CAPSULE,��Ѡǡ��� LEAVING NEIL, BUZZ, AND MIKE
TO TAKE THEIR TRIP TO THE MOON.���C�u�������� I WAVED GOODBYE TO THEM
AND GAVE THEM A THUMBS-UP,�� ������ � HOPING THINGS GO WELL.��.C�u@���ܠˡŁ Man:
OKAY, THE SWING ARM IS GOING
TO FULL RETRACT AT THIS TIME.��
4�����
4 Narrator: FILLED WITH
SUPER-COOLED LIQUID FUEL,���C�u������ THE SATURN V WEIGHS
OVER 3,200 TONS.���C�u��ϋ�š�� LAUNCHING A ROCKET THIS BIG
IS AN UNPRECEDENTED CHALLENGE.���C�u���_�š�� RARELY SEEN FOOTAGE REVEALS
THE IMMENSE SCALE OF THE TASK.���C�u��2G����� Announcer:
NASA's PROJECT APOLLO.��G�����G ITS MOST URGENT
ENGINEERING CHALLENGE --��
�C�u@��KU����� THE DEVELOPMENT
OF A LAUNCH VEHICLE,������� CAPABLE OF HURTLING
MEN AND MATERIAL�� )�����* TO A POINT
250,000 MILES AWAY --��>C�u��l������ THE MOON.��䠮���� Narrator:
THE SATURN V MUST DELIVER��T�����8 AT LEAST 7.5 MILLION
POUNDS OF THRUST��C�u��������� IN A SUSTAINED...��
3�����
3 CONTROLLED...�� KC�u���{����� WAY.�� ֠���� � FILM FOOTAGE TRACES
ALMOST 10 YEARS�� K�����! DEVELOPING A GIANT
ROCKET ENGINE --��dC�u��� ����� THE F-1.������� MY NAME IS RICK WEISS,
PROPULSION ENGINEER���C�u@��� ����� FOR ALL THE APOLLO MISSIONS.�� ������ � THE F-1 ENGINE WAS PHENOMENAL�� ����R WITH 1.5 MILLION POUNDS
OF THRUST.���C�u@���砻��� Narrator: FILM OF NASA
FACILITIES ACROSS AMERICA����� REVEALS CRITICAL TEST FIRINGS
TO PERFECT THE ENGINE.��GC�u���� Weiss:
THE WHOLE KEY TO IT IS TIMING,��
=��
= THAT THE LIQUID OXYGEN MEETS
THE FUEL AT THE RIGHT TIME,��GC�u@��7u����� AND IT'S BURNED PRECISELY
AT THE RIGHT MOMENT.��Ƞ̡Ɓ� Narrator: THE RESULT IS THE MOST
POWERFUL COMBUSTION ENGINE EVER,���C�u��Y�� WHICH NOW MUST PERFORM PERFECTLY�� n����� n IN FULL VIEW
OF THE WORLD'S CAMERAS.��
C�u�������� FROM THE AIR, FILM FOOTAGE
CAPTURES SPECTATORS������� POURING IN
TO WITNESS THE LAUNCH.��$C�u���-����� King: THE ESTIMATE IS
MORE THAN A MILLION PERSONS������� ARE IN THE IMMEDIATE AREA
IN BREVARD COUNTY��GC�u���D����� TO WATCH THE LAUNCH.��۠¡��� AND AT THE V.I.P. STANDS
3 1/2 MILES AWAY FROM THE PAD,��*C�u���I����� NEWS CAMERAS AND HOME MOVIES
RECORD THE EXCITEMENT.������� I'M KOTCHO SOLACOFF.��|C�u�� ۠���� I'VE KNOWN NEIL SINCE WE WERE
IN THE SIXTH GRADE.��M�����M THE V.I.P. GRANDSTAND
WAS 3 1/2 MILES��
�C�u��'��� FROM WHERE THE ROCKET WAS.��
�����
I FELT VERY SPECIAL TO BE THERE,���C�u��FV����� ALL TO SEE OUR BEST FRIEND
ON THAT ROCKET.��QC�u@��`ߠ���� Morgan: IT WAS JUST PEOPLE,
PEOPLE, PEOPLE EVERYWHERE.��������� THEY JUST WANTED TO BE
A PART OF THE HISTORY.��QC�u��������� I'M JOANN MORGAN, APOLLO 11
INSTRUMENTATION CONTROLLER��Ƞ����� IN THE LAUNCH CONTROL CENTER.��$C�u�������� THE COUNTDOWN IN APOLLO 11�� ������ � WAS MY FIRST TIME
TO BE THERE FOR LIFT-OFF.��oC�u@��Š�ҡ́ Narrator:
EXCLUSIVE NASA FILM FOOTAGE
REVEALS THE FINAL TENSE MOMENTS,��
�����
UNSEEN BY THE OUTSIDE WORLD.��sC�u��� ����� WE JUST PASSED THE 2-MINUTE
MARK ON THE COUNTDOWN.�� K����� K T-MINUS 1 MINUTE,
54 SECONDS AND COUNTING.��
yC�u@������� Morgan: THEY LOCKED THE DOORS.��c�����c THEY WANTED THINGS QUIET.��F������ EVERYBODY FOCUSED ON THEIR WORK.��C�u��!��� ALL INDICATIONS COMING IN
TO THE CONTROL CENTER��
_�����
_ INDICATE WE ARE GO.��wC�u@��; ���� Donnelly:
APOLLO 11, THE LAUNCH TEAM��c�����c WISHES YOU GOOD LUCK
AND GODSPEED.��$�ȡ� Armstrong: AH, THANK YOU VERY
MUCH. KNOW IT'LL BE A GOOD ONE.��
�C�u��S2����� King: T-MINUS 15 SECONDS.
GUIDANCE IS INTERNAL.����� 12, 11, 10, 9...��WC�u��v|����� IGNITION SEQUENCE START.�� )����� ) 6, 5, 4, 3, 2, 1, ZERO.��{C�u@��������� Narrator: HUNDREDS OF FEET
BELOW THE ASTRONAUTS,�� ������ � LAUNCH PAD CAMERAS CAPTURE�������� THE F-1 ENGINES
EXPLODING INTO LIFE.���C�u���T����� Collins: THERE'S THIS GIGANTIC
BELCH OF FIRE.��
�C�u���O����� AND THEN IT SLOWLY ASCENDS.������ Narrator: CAMERAS RUNNING
AT 500 FRAMES A SECOND��C�u�� 1����� CAPTURE A STORM OF ICE�� ������ � SHAKEN FREE
FROM THE ROCKET'S FRIGID SKIN.���C�u�� /������ REMASTERED FOR THE FIRST TIME
IN DECADES...���C�u�� C栽��� ...THIS INCREDIBLY DETAILED
SLOW-MOTION FOOTAGE...��
�C�u�� Y۠ơ�� ...WILL ALLOW ENGINEERS TO
SCRUTINIZE ANY POTENTIAL FAILURE��[�����[ SECOND BY SECOND.��C�u�� yȠ���� LIFT-OFF.
WE HAVE A LIFT-OFF.��Y�����Y 32 MINUTES PAST THE HOUR.�� �����` LIFT-OFF ON APOLLO 11.��C�u�� �3�ơ�� Collins: INSIDE IS ALL KINDS
OF LITTLE JIGS LEFT AND RIGHT.���C�u�� � ����� THE ENGINE'S GIMBALLING
BACK AND FORTH�� L����� L TO KEEP THIS MACHINE IN BALANCE.��
C�u�� �C����� Narrator:
THE CROWD SEE THE LAUNCH,��7�����7 BUT THEY CAN'T HEAR IT...YET.��
xC�u�� ��� Weiss: WHEN THE ROCKET STARTED,
THERE WAS NO NOISE.���C�u��
ؠ���� BUT BIRDS STARTED
FLYING EVERYWHERE.�� LC�u��
������ Solacoff: AT THE BLEACHERS,
ALL OF A SUDDEN,��������� THE BLAST HIT YOU.��
4C�u��
-x����� TOWER CLEARED.��������� YOUR CLOTHES SHOOK.
I COULD NOT BELIEVE IT.��
C�u��
HF����� Morgan: THE SHOCK WAVE HIT,������� AND THE FLOOR IS SHAKING.���C�u��
^����� Cronkite: BUILDING'S SHAKING.��2�����2 WHAT A MOMENT.�������B MAN ON THE WAY TO THE MOON.���C�u��
u��� Solacoff: I WAS SCREAMING,
BUT LIKE EVERYBODY,��������� IT WAS, "GO, GO, GO, GO!"��
�C�u��
�H����� THERE HE GOES.
THERE'S OUR BUDDY NEIL,��
�����
GOING UP THERE
ON THEIR WAY TO THE MOON.���C�u��
�*�š�� McCandless: APOLLO 11, HOUSTON,
YOU'RE GOOD AT ONE MINUTE.��
�C�u@���� Narrator: TRACKING CAMERAS
FOLLOW THE F-1 ENGINES,��
�����
� LIFTING THE ROCKET TO
AN ALTITUDE OF AROUND 40 MILES.��8C�u��4𠹡�� BUT TO GET TO ORBIT
REQUIRES EVEN MORE THRUST.���C�u@��L������ Weiss: IF YOUR MISSION IS
TO GO INTO DEEP SPACE,��䠨���� YOU CAN'T JUST TAKE ONE ROCKET�� K�����/ AND EXPECT IT TO CARRY���C�u@��c������ EVERYTHING THAT
YOU NEED TO CARRY.����� SO YOU BUILD IT IN STAGES.��h�����[ Narrator:
ASSEMBLY FOOTAGE REVEALS��3C�u��y;����� THE SATURN V ISN'T ONE ROCKET --�� K����� K IT'S THREE,�� ������� STACKED ON TOP OF EACH OTHER.���C�u@������� MARK. MODE ONE-CHARLIE.��G�����G Armstrong: ONE-CHARLIE.��T�����
� REMASTERED FILM
FROM TELESCOPIC CAMERAS��
�C�u��������� SHOWS THE SATURN V
AT A DISTANCE OF 55 MILES,��������� CAPTURING THE END
OF THE FIRST-STAGE BURN.��.C�u��ͯ����� McCandless: THIS IS HOUSTON.
YOU ARE GO FOR STAGING.��
�C�u��潠á�� Collins: BOOM. THERE'S AN
EXPLOSION OUTSIDE YOUR WINDOW,�� ������ � ALL KINDS OF YELLOW
AND RED AND FIRE.��
C�u@��������� YOU LURCH FORWARD
IN YOUR STRAPS.��
頝���
� Armstrong: STAGING.��������� Collins: BEFORE YOU HAVE
A CHANCE TO REACT TO THAT,��ZC�u��ɠ���� THE SECOND STAGE LIGHTS UP.��������/ AND IGNITION.��UC�u��9������ IT'S VERY TRAUMATIC.��������� "OH, MY GOD.
IS THIS THING GOING TO EXPLODE?��h����� OR HAS IT EXPLODED?"���C�u@��V������ BEFORE YOU REALIZE, "NO,
IT'S JUST NORMAL STAGING."��
V�ǡ��
V IT'S SHUTTING ONE STAGE DOWN
AND CRANKING UP THE NEXT STAGE.���C�u���1����� YOU CAN'T ENJOY
WHAT YOU'VE ALREADY DONE.��%�����% YOU HAVE THE NEXT THING AHEAD --��C�u���l����� IGNITION OF YOUR
THIRD-STAGE ROCKET.��.C�u��
������ AND IGNITION.��2�����[ McCandless: IGNITION CONFIRMED.
THRUST IS GO, 11.��
�C�u��
V������ Cronkite:
APOLLO 11 IS ON THE WAY,��������� RIDING THAT PILLAR OF FLAME
FROM THE SATURN V�� C�u��
kX����� INTO THE SKIES��������� WHERE THE MOON IS WAITING.��|C�u��
�T����� Weiss:
THE LAUNCH TEAM DID IT.��
�ǡ��
� WE JUST SMILED AND RELISHED
IN THE THOUGHT THAT IT WAS DONE.���C�u��
�蠷��� TO SEE THE LAUNCHER THERE
WITH NOTHING ON IT��.�����. IS JUST -- I MEAN,
IT WAS JUST UNBELIEVABLE.��GC�u@��
�]����� THE ROCKET'S GONE.��2�����2 THERE'S NOTHING THERE.��A�����s WHAT JUST HAPPENED, YOU KNOW?�������� WE WERE JUST WORKING
ON IT YESTERDAY.��
�C�u��
�!����� Morgan: ONCE THAT VEHICLE
HAS CLEARED THE TOWER,�� ������ � THE PEOPLE AT MISSION CONTROL
IN HOUSTON���C�u��
������ ARE IN CHARGE
WITH THE REST OF THE FLIGHT.��.C�u@��'��� McCandless: APOLLO 11, APOLLO
11, THIS IS HOUSTON, OVER.������� Narrator:
FOUND DEEP IN THE NASA ARCHIVES,�� �C�u@�Bu����� FILM FROM INSIDE MISSION CONTROL��Z�����Z WILL REVEAL EVERY ASPECT����L OF APOLLO 11's DARING JOURNEY.���C�u��b������ I'M GERRY GRIFFIN,
FLIGHT DIRECTOR FOR APOLLO 11.��C�u@��w������ WHEN YOU WALK
INTO MISSION CONTROL��������� AND YOU'RE GOING TO THE MOON,�� ������� COLORS ARE A LITTLE DIFFERENT.���C�u@������� DISPLAYS LOOK BRIGHTER.�� ������ � IT'S THE ADRENALINE.�� ����� Armstrong: HELLO, HOUSTON.
HELLO, HOUSTON.���C�u@��������� THIS IS APOLLO 11.
I'M READING YOU LOUD AND CLEAR.�� ՠ���� � GO AHEAD. OVER.��2����� MY NAME IS GLYNN LUNNEY,���C�u���X����� A FLIGHT DIRECTOR FOR APOLLO 11.��G�����G IT WAS AN EXCITING TIME FOR ME.��
<C�u@���۠���� WHEN I SAT AT THE CONSOLE,
I WAS RESPONSIBLE��Q�ġ��Q FOR EVERYTHING THAT HAPPENED
TO THE VEHICLE AND THE CREW.��jC�u@���Ҡ���� THE AVERAGE AGE
IN MISSION CONTROL�� ������ � WAS ABOUT 27.�� n�ˡŁ! Griffin: IT WAS KIND OF LIKE THE
NATION GAVE THE KEYS TO THE CAR��
�C�u��ܠ���� TO A BUNCH OF KIDS AND SAID,
"GO TO THE MOON."��������� THE ASTRONAUTS,
THEY HAD TO FLY THE SPACECRAFT,���C�u@��74����� BUT WE COULD SEE
THOUSANDS OF MEASUREMENTS --�� ������ � TEMPERATURES, VOLTAGES,�������� ALL KINDS OF THINGS
THAT THEY COULDN'T.��8C�u��O.����� McCandless:
APOLLO 11, THIS IS HOUSTON.��h�����h YOU ARE CONFIRMED GO FOR ORBIT.�� �C�u@��z&�ӡ́ Narrator:
ARMSTRONG, ALDRIN, AND COLLINS
HAVE MADE IT INTO EARTH ORBIT,��������� WHERE THEY'RE TREATED
TO A SPECTACULAR SIGHT.���C�u���堭��� STILL PHOTOGRAPHS
TAKEN BY COLLINS������� PROVIDE A PERSPECTIVE OF EARTH
FEW HAVE SEEN.��9C�u��
$����� THE CREW OF APOLLO 11
ARE LESS THAN TWO HOURS������� INTO THE GREATEST JOURNEY
OF THEIR LIVES...��LC�u@��7!����� ...THE LATEST CHAPTER
IN AN ADVENTURE��8�����8 THAT BEGAN EIGHT YEARS EARLIER�� ������� WITH AN EVENT
THAT SHOOK THE WORLD.��.C�u��������� IN APRIL 1961,��P�����P SOVIET COSMONAUT YURI GAGARIN���C�u��������� BECOMES THE FIRST MAN IN ORBIT.��
ࠦ���
� Morgan: THAT WAS VERY SCARY,��TC�u��������� BECAUSE THE RUSSIANS
HAVE THIS ASTRONAUT.�� ������ � WHAT IN THE WORLD
IS GOING TO HAPPEN NEXT?��.C�u���s����� Narrator:
DETERMINED TO OUTDO THE SOVIETS,��Ѡ����� PRESIDENT KENNEDY
ANNOUNCES A BOLD INITIATIVE.���C�u�������� I BELIEVE THAT THIS NATION
SHOULD COMMIT ITSELF��������� TO ACHIEVING THE GOAL
BEFORE THIS DECADE IS OUT��9C�u������� OF LANDING A MAN ON THE MOON��2�����2 AND RETURNING HIM
SAFELY TO THE EARTH.��C�u��T�ʡā Griffin: WHEN KENNEDY SAID WE'RE
GOING TO DO IT IN THIS DECADE,��B�����B I THOUGHT, "ARE YOU KIDDING ME?�� �C�u��3&����� THIS IS 1961.������� WE'RE GOING TO DO IT
IN THIS DECADE?�� �����% NO WAY."��wC�u��Qܠ���� Narrator:
IT'S AN AUDACIOUS CHALLENGE.��䠣���� NASA HAS NO TIME TO LOSE.���C�u��u'�ġ�� Baldwin: THE COUNTDOWN BEGINS
AT CAPE CANAVERAL, FLORIDA,��B�����B FOR ONE OF MAN'S
GREATEST ADVENTURES.���C�u@���f����� JOHN GLENN IS ONE
OF SEVEN ASTRONAUTS��������� SELECTED FOR PROJECT MERCURY.��
Ơ����e Narrator: PHASE ONE --
THE MERCURY MISSIONS.��
C�u���ܠ���� THE GOAL --
TO LAUNCH A MAN INTO ORBIT��
������
� AND BRING HIM HOME SAFELY.���C�u����� Lunney: THE MERCURY PROJECT
WAS A ONE-MAN CAPSULE.������� FIRST TIME WE PUT
PEOPLE IN SPACE.��
4C�u���=����� Man: 6, 5, 4, 3, 2, 1, ZERO.���C�u�������� Narrator:
A CAMERA FILMS JOHN GLENN��7�����7 AS HE BECOMES THE FIRST AMERICAN
TO ORBIT EARTH.���C�u��7������ Glenn: ALL SYSTEMS ARE GO.��������� MY NAME IS WALTER CUNNINGHAM.���C�u��Kܠ���� I WAS FLYING WITH
THE MARINE CORPS RESERVE.��������� I HEARD THIS VOICE SCREAMING,�� C�u@��`������ "YOU LUCKY SON OF A BITCH."��������� AND I LOOKED AROUND
AND REALIZED IT WAS ME.�� ՠ����� I HAD DONE THAT SCREAMING.���C�u@��|����� NOW THIS IS FRIENDSHIP 7.�� ����� BEAUTIFUL VIEW
OF THE AFRICAN COAST.��䠫���� THE HORIZON IS
A BRILLIANT BLUE.��`C�u�������� Narrator: WITH THE SUCCESS
OF THE MERCURY PROGRAM...��
������ ...NASA PLANS
MORE COMPLEX SPACE FLIGHTS.���C�u��������� RARE REELS OF FILM
RECORD THEIR SEARCH FOR PILOTS��i�����i WITH THE RIGHT STUFF
TO FLY THEM.�� LC�u@��ꬠ���� Collins: WHEN THE SPACE PROGRAM
WAS FIRST CREATED,��d�ȡd PEOPLE DIDN'T KNOW WHAT SORT
OF BACKGROUND THEY SHOULD SELECT��LC�u��\����� FOR THIS STRANGE, NEW
SPACE ROLE.��0�ơ��0 Narrator: MIKE COLLINS, SEEN
IN THIS NEWLY TRANSFERRED FILM��
�C�u��'k����� FROM 1962,��F�����F HOPES HE'S GOT WHAT IT TAKES.��
yC�u@��<*�Ρȁ Collins:
THEN SOMEONE SAID THAT THE
CANDIDATES SHOULD BE GRADUATES��P�����P OF AN ACCREDITED
TEST PILOT SCHOOL.��sC�u��d ����� Narrator: THESE MEN, INCLUDING
A YOUNG NEIL ARMSTRONG,��}�����} REGULARLY RISK THEIR LIVES,��C�u��{������ PUSHING UNTRIED AIRCRAFT
TO THE LIMITS.��e�����e Man: RELEASE.��������R Man #2: CLEAN BREAK.���C�u@����ơ�� Collins: THE ROLE OF THE TEST
PILOT IS TO DO THINGS BETTER,��
࠰���
� TO DO THEM HIGHER,
TO DO THEM FASTER.���C�u�������� Man #3: AT A MACH NUMBER 1
AND CLIMBING TO 35.�� ������ � Narrator: IT'S EXACTLY
WHAT NASA'S LOOKING FOR.���C�u��ʬ����� AND THERE'S NO SHORTAGE
OF APPLICANTS.�� )������ MY NAME IS JIM LOVELL.���C�u@���"����� I WAS AT THE NAVAL ACADEMY
AT THE TIME.��
�����
I'M AL WORDEN.��ˠȡ� I HAD THE TEST PILOT TRAINING.
I WAS LESS THAN THE AGE LIMIT.��
�C�u���𠰡�� I THOUGHT,
"WHAT HAVE I GOT TO LOSE?"��
�ġ��
Narrator: RARE ARCHIVE FILM
SHOWS THE SUCCESSFUL RECRUITS���C�u�������� MEETING THE WORLD'S PRESS.��
`�����
` I'M BILL ANDERS.������0 TO MY AMAZEMENT, I GOT SELECTED.���C�u��4������ I'M HARRISON SCHMITT.�� ����� I BELONG TO THE GROUP 4
SCIENTIST-ASTRONAUTS.���C�u��Lc����� I'M ASTRONAUT CHARLIE DUKE.��8�̡Ɓ8 A MOON FLIGHT, IF I GOT ONE, WAS
GONNA BE THE ULTIMATE ADVENTURE.��C�u��e������ Narrator: AMONG THE NEW
ASTRONAUTS ARE THREE MEN��Q�����Q DESTINED TO ATTEMPT
THE FIRST MOON LANDING.���C�u���젿��� Collins: WE KNEW EXACTLY
WHAT NASA WAS TRYING TO DO.��
������
� IT WAS GOING TO BE
A SUCCESSFUL PROGRAM.��
<C�u@���$����� McCandless:
APOLLO 11, THIS IS HOUSTON.����� SLIGHTLY LESS THAN ONE MINUTE
TO IGNITION,��$����� AND EVERYTHING IS GO.��C�u���J����� Narrator:
AFTER 1 1/2 EARTH ORBITS,��������� THE CREW OF APOLLO 11
MUST NOW FLY FURTHER��.C�u@�������� AND FASTER THAN EVER BEFORE.��䠱���� Cronkite:
APOLLO 11, PREPARING TO FIRE�� ������� THE THIRD-STAGE ENGINE AGAIN�� �C�u��������� AND PUT THE MEN
ON THE TRAJECTORY��w�����w OUT TOWARD THE MOON.���C�u@����ɡÁ Collins: YOU'VE GOT TO GET YOUR
SPACECRAFT OUT OF EARTH ORBIT,��~�����~ AND THAT REQUIRES
AND ADDITIONAL BURN.��jC�u��1`����� IT'S CALLED T.L.I. --
TRANS-LUNAR INJECTION.��
�C�u@�HF����� McCandless:
APOLLO 11, THIS IS HOUSTON.��Р����� YOU ARE GO FOR T.L.I. OVER.�� ՠ����� Collins: THANK YOU.��xC�u��k)����� IGNITION.��c�����c Lovell:
WHEN THAT ENGINE LIGHTS,�������
� IT KEEPS GOING
FASTER AND FASTER.��
C�u��Š���� McCandless: WE CONFIRM IGNITION,
AND THE THRUST IS GO.������� 24,000 MILES AN HOUR.��QC�u��������� Collins: IGNITION.McCandless: WE CONFIRM IGNITION,��������� AND THE THRUST IS GO.���C�u���1�� Narrator: THE APOLLO 11 CREW
IS BREAKING AWAY FROM EARTH��۠����� AT EXTRAORDINARY SPEEDS.���C�u���Ġ���� King: 35,000 FEET PER SECOND.��
������
� FILM OF EARTH RAPIDLY SHRINKING�� )C�u�� ������ GIVES A SENSE OF THE
ACCELERATION NEEDED TO ESCAPE --��
�����
OVER 24,000 MILES AN HOUR.��.C�u@��G������ McCandless: ROGER, 11.��|�����| Collins:
THE FLIGHT TO THE MOON��d�����
� IS A VERY FRAGILE
DAISY CHAIN OF EVENTS.��
�C�u@��c����� YOU'VE GOT TO LOOK FOR,
"WHAT'S THE NEXT ONE?����¡��� WHEN IS THAT COMING UP?
HOW AM I GONNA COPE WITH THAT?"��MC�u@�y蠼��� Narrator: UNSEEN FILM GIVES
A FASCINATING INSIGHT��
頺���
� INTO THE YEARS OF TRAINING
THE ASTRONAUTS FACED��C�u���Ӡ���� BEFORE EVER LEAVING THE GROUND.�� �C�u���䠙��� Man: 5, 4, 3...��
�����
FOR A FLIGHT TO THE MOON,��������� FAILURE IS NOT AN OPTION.���C�u@���U�ȡ Lovell: WE USE SIMULATORS TO
PRACTICE FOR THE ACTUAL MISSION.��>�����> WE DO EVERYTHING FROM LIFT-OFF. ROLL COMPLETE.��
�C�u�������� WE LEARN HOW THE ROCKET
IS PERFORMING.�� )����� ) PRESSURE'S DECREASING.���C�u@��-����� Narrator: ASTRONAUTS ALSO NEED
TO PREPARE THEMSELVES��������� FOR THE ENORMOUS STRAIN
OF LAUNCH AND LANDING.���C�u@��9������ Lovell: IN OUR CENTRIFUGE,
WE HAD TO GET UP TO 6 "G"s,���ǡ��� BECAUSE THAT IS THE "G"-LOADING
THAT WE GET DURING RE-ENTRY.���C�u@��Zr�ɡÁ Anders: IF YOU'VE NEVER HAD AN
ELEPHANT SITTING ON YOUR CHEST,��
頣���
� THAT'S WHAT IT FELT LIKE.��x�����a THE BLOOD ALL POOLS
IN THE BACK OF YOUR HEAD.��
3C�u��y����� Lovell: AFTER ABOUT 4 "G"s,��������� IT'S DIFFICULT
TO GET TO THE SWITCHES.��LC�u@���ؠ���� Narrator:
AS THIS SHOCKING FILM REVEALS,�� ������ � NASA EVEN USED TEST SUBJECTS�� )������ TO ANALYZE THE AFFECTS
OF EXTREME LAUNCH VIBRATIONS.��9C�u��������� Schmitt: THE LEAD CONDUCTOR
OF THESE SIMULATIONS��
�����
WAS A SIMULATION SUPERVISOR,��
�C�u��ܳ����� SOME DEVIL-MAY-CARE KIND OF GUY��
Ǡ����
� THAT WOULD JUST
DRIVE YOU INSANE.��PC�u���ʠ���� THEY'RE CONSTANTLY
TRYING TO KILL YOU.��
�����
� Anders: THE TEAM HAD ENOUGH
FAILURES IN THE SIMULATOR��
=C�u��
砬��� TO MAKE A NINE-LIFE CAT
LOOK BAD.��
頺���
� I MEAN, I MUST HAVE BEEN KILLED
20 OR 30 TIMES,��
�C�u�� ������ MAYBE PER DAY.��������� Narrator:
BUT WITH EVERY FAILURE,��w������ THEIR SKILLS ONLY IMPROVE.��QC�u@��>堯��� Worden:
IT'S LIKE PLAYING A PIANO --��������� YOU CAN PRACTICE
EIGHT HOURS A DAY FOR MONTHS,��
頼���� TO THE POINT WHERE
YOU DON'T EVEN THINK ABOUT IT.��$C�u@��U��� YOU JUST DO IT.����ġ��� Collins: LEARNING HOW TO COPE
WITH ALL THESE DIFFICULTIES�� ������/ GAVE US A GREAT
FEELING OF CONFIDENCE��|C�u��p������ THAT WE REALLY KNEW OUR MACHINE.����t Narrator: BUT IN SPACE,
THERE'S LITTLE MARGIN FOR ERROR.��GC�u��������� JUST OVER THREE HOURS
AFTER LAUNCH,�� n����� n MIKE COLLINS PREPARES FOR
THE NEXT CRITICAL MANEUVER.��`C�u���ˠǡ�� Griffin: WHAT MIKE HAD TO DO WAS
SEPARATE THE COMMAND MODULE��B�����B FROM THE THIRD STAGE
OF THE SATURN,�� �C�u�������� AND THEN TURN AROUND,
180-DEGREE MANEUVER,��L�����L DOCK, EJECT THE LUNAR MODULE,
AND THEN BACK AWAY.���C�u@��
J����� Cronkite: WE'RE WAITING
FOR THE LUNAR MODULE�� ����� TO COME AND PULL IT OUT.��������
� AND HERE WE HEAR THEM.��c������ McCandless:
APOLLO 11, THIS IS HOUSTON.��iC�u��$������ YOU'RE GO FOR SEPARATION.��#������ Narrator:
AS THE SPACECRAFT TURNS AROUND,��C�u��>k����� MIKE'S TARGET
LINES UP IN THE LENS.��PC�u��[렴��� Griffin:
IT REQUIRES SKILL TO GET DOCKED.��
Ơ����
� VERY, VERY SLOW MOTION.���C�u��r������ VERY PRECISE.��w�����o NO REASON TO HURRY.���C�u��������� HE HAD A LONG TIME
TO GET IT OFF OF THERE.��C�u@���㠣��� MIKE DID A WONDERFUL JOB.������� EVERYTHING WORKED FINE.��ޠ����� Cronkite: THE THREE
APOLLO 11 ASTRONAUTS --��xC�u@���N����� ARMSTRONG, ALDRIN,
AND MIKE COLLINS --��Z�����Z NOW WITH THE LUNAR MODULE
ATTACHED TO THEIR NOSE,��
������� THEY'LL BE ON THEIR WAY
TO THE MOON.���C�u���<����� Narrator:
THE CREW NOW FACED EIGHT DAYS��������� IN THE MOST HOSTILE
ENVIRONMENT KNOWN TO MAN.��GC�u�������� MY NAME IS BILL CARPENTIER.��Z�����Z I WAS THE FLIGHT SURGEON
ASSIGNED TO APOLLO 11.���C�u�� ������ WITH THE GOAL OF SENDING
A MAN TO THE MOON��B�����B AND RETURNING HIM
SAFELY TO EARTH,���C�u@��4Ƞ���� WHAT WE DIDN'T KNOW��ˠ����� WAS HOW A MAN WAS GOING
TO FUNCTION IN SPACE.����ǡ��� Narrator: REMASTERED FILM SHOWS
NASA LEFT NOTHING TO CHANCE.���C�u@��}������ BACK IN 1964, THE SPACE PROGRAM
IS GATHERING PACE.����ơ��� BUT WITH UNDER THREE DAYS OF
HUMAN SPACE FLIGHT EXPERIENCE,��C�u���v����� NASA EMBARKS ON PHASE 2
OF THEIR GRAND PLAN --��������� PROJECT GEMINI.�� �C�u@��������� Lovell: THE GEMINI PROGRAM
WAS TO TRY TO FIGURE OUT��������� ALL THE PROBLEMS THAT WE'D HAVE
GOING TO THE MOON.���C�u�������� NASA LAUNCHES 10 TWO-MANNED
EARTH-ORBITING MISSIONS��
y�����
y TO PRACTICE SPACE WALKS...��
xC�u��������� ...RENDEZVOUS...���C�u����� ...AND DOCKING MANEUVERS.���C�u@�8������ BUT THE GREATEST UNKNOWN
IS THE MOST CRITICAL.��������� CAN HUMANS SURVIVE THE DURATION
OF A MOON MISSION?���C�u��W1�¡�� REDISCOVERED NASA FILM REVEALS
ASTRONAUTS GORDON COOPER��
ߠ����
� AND PETE CONRAD'S JOURNEY
TO FIND OUT.��~C�u��t������ MY NAME IS JAY BARBREE.��������� I REPORTED APOLLO 11
FOR NBC NEWS.��RC�u���k����� GEMINI V WAS KNOWN
AS 8 DAYS OR BUST.����¡��� IT WAS TO PROVE THAT WE COULD
LIVE IN SPACE LONG ENOUGH���C�u@���력��� TO GO TO THE MOON AND BACK.�� ֠ԡ � Griffin:
IT WAS VERY IMPORTANT, BECAUSE
NO ONE HAD EVER FLOWN THAT LONG.���C�u���o����� Man: 5, 4, 3, 2, 1, ZERO.���C�u�������� IGNITION.��������� LIFT-OFF.���C�u���@����� Carpentier:
NOBODY KNEW WHAT WOULD HAPPEN.��������� FOR HOW LONG COULD MAN ADAPT
TO WEIGHTLESSNESS?��
yC�u��+4����� GEMINI V, SEE YOU GUYS
IN EIGHT DAYS.�� �C�u@��G~����� IT'S BEEN A BUSY DAY FOR
ASTRONAUTS CONRAD AND COOPER.�� ������ � THEY'RE NOW IN
THEIR 50th REVOLUTION,��h����� PASSING OVER SOUTH AMERICA.���C�u@��rݠ���� Mission Control: ROGER.��������� Young: GORDON COOPER
AND PETE CONRAD TONIGHT��������� ARE NEARLY MIDWAY
THROUGH THEIR EIGHT-DAY FLIGHT��������C AND SHOWING NO SIGNS
OF ANY ILL EFFECT.��C�u���5�ӡ́ Barbree:
ON THE FIFTH DAY, WE TOOK OVER
THE ENDURANCE TIME FROM RUSSIA.���C�u���r����� Mission Control:
ROGER. CONGRATULATIONS.��������� Carpentier:
THE MAIN CONCERN WAS RE-ENTRY.��C�u@�������� THERE WAS NO INFORMATION
ABOUT HOW THE ASTRONAUTS��
������
� WOULD HANDLE "G"-FORCES��ߠ����` AFTER EIGHT DAYS
OF WEIGHTLESSNESS.��*C�u��ˡŁ WHAT COULD BE EXPECTED WHEN THEY
RETURNED TO EARTH, NOBODY KNEW.��9C�u�� ������ Narrator:
FILM FOUND IN THE NASA ARCHIVES����� DOCUMENTS THE HEALTH
OF THE MEN DURING RECOVERY.��C�u�� ������ Carpentier: I WAS WAITING
FOR THEM IN THE HELICOPTER.�� ������ � THE CREW WAS ABLE TO STAND UP.�� �C�u��4K����� THEY WERE ABLE TO WAVE.��
�����
THEY WERE IN VERY GOOD SPIRITS.���C�u@��N'����� BOTH OF THEM WERE JOKING AROUND.��
Ǡ����
� THEY WERE NORMAL.��h�ˡŁ/ AND SO GEMINI V GAVE CONFIDENCE
THAT WE CAN SEND MAN TO THE MOON��CC�u��s������ AND EXPECT HIM TO FUNCTION
AFTER EIGHT DAYS IN SPACE.��HC�u���g����� McCandless:
11, THIS IS HOUSTON.��2�����2 WE'RE RECEIVING A TV PICTURE
COMING DOWN FROM YOU ALL.��CC�u���ܠġ�� Narrator: A DAY AFTER LAUNCH,
THE APOLLO 11 CREW TRANSMIT������� THEIR FIRST LIVE TV BROADCAST���C�u��ؠ����� TO MILLIONS OF VIEWERS ON EARTH.��Ѡ����� Duke:
THAT'S BIG MIKE COLLINS THERE.�� (C�u@����� Collins: YEAH, HELLO, THERE,
SPORTS FANS.��������� YOU GOT A LITTLE BIT OF ME,��������Q PLUS NEIL'S IN
THE CENTER COUCH.��
�C�u@�������� BUZZ IS DOING THE CAMERA
WORK THIS TIME.��.�ǡ��. Collins: AT THE LAST MINUTE,
THEY LOAD ON BOARD A TV CAMERA.��C�u��!Ġ���� WE DID THE BEST WE COULD
WITH IT.��������� WE TRIED TO PUT ON
AN ENTERTAINING SHOW.���C�u@��6=����� BUT OUT PRIME JOB
WAS TO GET TO THE MOON SAFELY,����ɡÁ� AND THE TV CAMERA WAS NOT GONNA
HELP US AT ALL IN THAT REGARD.��C�u@��Z࠴��� Narrator:
WITH MOST OF THE MISSION AHEAD,��8�����8 THE CREW MUST TRUST THEIR CRAFT��������� TO PROTECT THEM FROM
THE DEADLY ENVIRONMENT OF SPACE.��.C�u���<����� Collins: HOUSTON, APOLLO 11.Duke: GO AHEAD, 11.���C�u@���Ԡ���� Narrator: THANKS TO STUNNING
REMASTERED FILM FOOTAGE,��e�����e WE'RE SEEING THE APOLLO 11
MISSION LIKE NEVER BEFORE.���C�u@�������� Collins: YEAH, NEIL'S STANDING
ON HIS HEAD AGAIN.��#�����# HE'S TRYING TO MAKE ME NERVOUS.��������� Duke: ROGER.��2������ IN THE VOID OF SPACE,
THE CREW'S SURVIVAL���C�u��池���� DEPENDS ON THE COMMAND MODULE --�� ������ � A SPACECRAFT BORN
FROM A PAINFUL PAST.��iC�u��'7����� AFTER THE MERCURY
AND GEMINI MISSIONS,��
������
� NASA BEGINS ITS ULTIMATE
PUSH TO THE MOON --���C�u��>b����� THE APOLLO PROGRAM,��#�����# THEIR BIGGEST UNDERTAKING EVER.���C�u��T4�ȡ UNCOVERED FILM ARCHIVE REVEALS
THE UNPRECEDENTED PREPARATIONS��������� FOR LANDING MEN ON THE MOON.��
�C�u��qo����� Griffin: THE DIFFERENCE BETWEEN
THE GEMINI PROGRAM��
頭���
� AND THE APOLLO PROGRAM
WAS MARKED.���C�u@���<����� FOR ONE THING, WE HAD
THREE ASTRONAUTS ON BOARD.��������� Narrator:
CARRYING THREE ASTRONAUTS��2������ DEMANDS A MUCH MORE
COMPLEX SPACECRAFT.��
�C�u@��������� Announcer: COCKPIT,
CREW QUARTERS, COMMAND CENTER.��������� WHEN AMERICA'S THREE
ASTRONAUTS TRAVEL TO THE MOON,��
�C�u���'�ơ�� THEY'LL USE THE APOLLO COMMAND
MODULE FOR ALL THESE THINGS.��>�����> MY NAME'S JERRY GOODMAN.���C�u���R����� I WORKED ON THE INTERIOR DESIGN��������� OF THE COMMAND MODULE.��
�C�u���Ѡ���� THE COMMAND MODULE HAS
TO PROTECT AGAINST THE VACUUM��j�����j OUTSIDE OF THE VEHICLE.�� �C�u�� ˠ���� AND YOU HAD TO HAVE
ENVIRONMENTAL CONTROL,������� TEMPERATURE CONTROL,
FOOD AND WATER,��C�u�� ٠���� WASTE MANAGEMENT,��F�ơ��F AND ALL THE REST OF THE SUPPLIES
NECESSARY TO SUSTAIN THEM.��iC�u�� 3������ IT WAS VERY COMPLEX.����ԡ� Narrator:
WITH GOAL OF LANDING ON THE MOON
BEFORE THE END OF THE DECADE,��C�u�� M ����� ENGINEERS ARE PUSHED FOR TIME.��������� Cunningham: THE FIRST ONE
WAS SCHEDULED TO FLY���C�u�� d����� IN FEBRUARY OF '67.��s�����s THERE WAS PRESSURE
TO GET THIS DONE.���C�u�� |#����� WE WERE WORKING 24 HOURS A DAY.��ڠ����� Goodman: THERE'S NO DOUBT
WE WERE MOVING QUICKLY.��
=C�u�� �:����� WE WERE WORKING OUR TAILS OFF.��dC�u@�� ��ϡɁ Narrator:
RARE FILM FROM THE VAULTS
REVEALS NASA's PRESS CONFERENCE��o�����o ANNOUNCING THE FIRST CREW
OF THEIR NEW SPACECRAFT.���C�u�� �n����� Man: GENTLEMEN,
THE OCCASION, OF COURSE,������� IS THE NAMING OF
THE FIRST APOLLO FLIGHT CREW.���C�u�� ������� LIEUTENANT COLONEL
VIRGIL GUS GRISSOM,��.�����. LIEUTENANT COLONEL
EDWARD H. WHITE,���C�u@��!ɠ���� AND LIEUTENANT
ROGER B. CHAFFEE.��
��ġ��
� Man #2: I REALIZE THAT THIS
ISN'T THE FLIGHT TO THE MOON,��F������ BUT IF IT WERE,
WHICH TWO MEN WOULD GO DOWN?��
�C�u��!.5����� IF IT WAS THIS CREW, IT WOULD
BE ME AND SOMEBODY ELSE.��
�����t NEEDLESS TO SAY,
I'M EXTREMELY EXCITED,�� nC�u@��!J����� AND I THINK I'VE GOT A COUPLE
OF THE GREATEST MEN������� IN THE WORLD TO WORK WITH.�������� IT'S GONNA BE A LOT OF FUN.���C�u��!oD�ơ�� Narrator: REMASTERED FILM SHOWS
THE APOLLO 1 COMMAND MODULE��Ѡ����� PREPARING FOR A LAUNCH TEST.�� )C�u��!�>����� Griffin: WE WERE GETTING READY
FOR THE FIRST FLIGHT,��䠰���� AND EVERYTHING
WAS REALLY LOOKING UP.��C�u@��!�)����� Man #3: READY TO BEGIN CHECKUP
OF FLIGHT CREW.��������� Man #4: ROGER. LET'S START
WITH COMMANDER.��������
x ROGER.��P������ BAILER BAR DOWN AND LOCKED. CHECK.��C�u��!������ NECK RING LOCKED. CHECK.��c�����c TIE DOWN FRONT AND BACK. CHECK.��
������� IT WAS A PLUGS-OUT TEST,��C�u��!������� A DRESS REHEARSAL,
IF YOU CAN THINK OF IT THAT WAY.������ Narrator:
FIXED BLACK-AND-WHITE TV CAMERAS���C�u��!�͠���� PROVIDE LIVE PICTURES
OF THE PAD TESTS.��
�����
LET ME KNOW WHEN YOU
HAVE SECURED THE DOOR.�� C�u@��!�䠰��� Griffin:
WE WOULD COUNT DOWN TO ZERO,������� AND IT WOULD STOP.��#�����
3 THIS IS E.C.S. GO AHEAD, E.C.S.��iC�u��"������ THE HATCH DOOR IS SECURED. ROGER.���ġ��� Narrator: WITH GRISSOM, WHITE,
AND CHAFFEE SEALED INSIDE,��0C�u��"1������ THE APOLLO 1 COUNTDOWN
TEST CONTINUES.��
x�����
x Man: THAT WASN'T
ON MY TRANSCRIPT TODAY.��7C�u@��"GR����� Grissom: OKAY, I'M JUST
BARELY READING YOU.��Z�����Z Griffin: WE WERE HAVING TROUBLE
WITH COMMUNICATION.��
_������ COMMANDER GUS GRISSOM
WAS REALLY COMPLAINING ABOUT IT.���C�u��"h������ THEY STOPPED THE COUNTDOWN��������� TO SEE IF THEY COULD FIX
THE COMMUNICATION.�� nC�u��"�t����� I KEPT MY HEADSET ON,������� AND I HEARD THIS STATIC,��
頜���� KIND OF A CRACKLE.��
=C�u��"������� SAID, "SOMETHING'S GOING ON
AT THE CAPE."��.�����. I SUSPECT
BY THE TIME I GOT THAT OUT,��
C�u��"�֠���� IT WAS OVER.�� �C�u@�"�;����� WE DON'T KNOW TO THIS DAY
EXACTLY WHERE IT SPARKED,��ˠ����� BUT A FIRE STARTED
INSIDE THE COMMAND MODULE.��~C�u��#������ IN THOSE DAYS,
WE USED 100% OXYGEN.����ơ��� IF YOU EVER GET A FIRE STARTED
IN A 100% OXYGEN ATMOSPHERE,���C�u��# ������ YOU CAN BURN ALMOST ANYTHING.����š��
Cunningham: WE HAD A HATCH
THAT IS SEALED FROM THE INSIDE,��
�C�u��#@Ƞ���� AND IT GOT A SPARK
JUST LIKE THAT.��������� THEY WERE ALL GONE
IN ABOUT 18 SECONDS.��eC�u@��#�S�ˡŁ Lovell:
WE WERE DEVASTATED BY THE LOSS
OF THREE OF OUR FRIENDS.�� ����� GOING TO THE MOON
OR GOING AROUND THE EARTH,�� �C�u��#�I����� YOU'RE WILLING TO TAKE THE RISK,������� BUT SITTING IN
AN UN-FUELED SPACECRAFT,��*C�u��#�~����� THAT WAS NOT THE WAY TO GO.��Z�����! THAT WAS NOT
WHAT WE HAD JOINED FOR.��eC�u��#��ơ�� Narrator: AMERICA IS STUNNED BY
THE DEATHS OF THREE HEROES,���C�u��#���� BUT THE ARCHIVES REVEAL
A DETERMINATION��P�����P THAT THIS SHOULD
NEVER HAPPEN AGAIN.�� �C�u��$����� Griffin: AFTER THE FIRE,
I WAS PUT ON A TEAM��
_�����
_ TO STRAIGHTEN OUT
THE COMMAND MODULE.���C�u��$/U����� WE CHANGED THE AIR,��������� MAKE SURE WE WENT
TO A MIX OF OXYGEN AND NITROGEN.���C�u��$Hˠ���� WE REDESIGNED THE INTERIOR��
_�����
_ SO NOTHING WAS FLAMMABLE.���C�u��$^������ Goodman: WE DECIDED TO GO
TO A UNIFIED HATCH�� ՠ���� � THAT YOU COULD OPEN
OUTWARD VERY FAST.���C�u��$w������ Narrator:
BEHIND-THE-SCENES FOOTAGE������� DOCUMENTS A RADICAL REDESIGN
OF THE COMMAND MODULE.��oC�u��$������ BY OCTOBER 1968,��䠪���� AFTER ALMOST TWO YEARS OF DELAY,��
�C�u��$������� NASA FINALLY HAS A SPACECRAFT
READY TO GO TO THE MOON.���C�u��$�j�� Goodman: THE FIRE REMINDED US
THAT WE HAD TO BE CAREFUL.���C�u��$�7����� THE CREW PAID A BIG PRICE,
BUT THEY MAY HAVE SAVED US.���C�u@��% O����� Narrator:
SAFE IN THEIR COMMAND MODULE,��7�����7 1/4 MILLION MILES FROM EARTH,��.�����e APOLLO 11 IS CLOSING IN
ON THE MOON.��BC�u@��%H.����� Collins: THE TRIP TO THE MOON
IS RATHER STRANGE,����� IN THAT YOU'RE NOT ALLOWED
TO LOOK AT THE MOON.�� ������� THE REASON HAS TO DO
WITH THERMAL CONDITIONS.���C�u@��%e���� TO KEEP THE HEAT
EVENLY DISTRIBUTED,��Z�����Z YOU HAVE TO TURN BROADSIDE
TO THE SUN��
������� AND ROTATE THE MACHINE
LIKE A CHICKEN ON A ROTISSERIE.���C�u��%�`����� Narrator:
BUT THAT'S ABOUT TO CHANGE.��s�����s APOLLO 11 MUST FIRE
ITS ROCKET ENGINE��
�C�u��%�w����� AND BE CAPTURED
BY THE MOON'S GRAVITY,������ A MANEUVER CALLED
LUNAR ORBIT INSERTION.��
�C�u��%�"����� A MISTAKE AT THIS STAGE
COULD PROVE FATAL.��
4�����
4 Anders:
LUNAR ORBIT INSERTION WAS ONE���C�u@��%������ OF THE MORE CHALLENGING ASPECTS
OF THE FLIGHT.����ǡ��� McCandless: 11, THIS IS HOUSTON.
YOU ARE GO FOR L.O.I. OVER.���C�u��%蛠���� Aldrin: ROGER.��F�����F THE MANEUVER HAD TO BE
ESSENTIALLY PERFECT.��
C�u@��%��� Narrator: THE CAPTURE HAPPENS
BEHIND THE MOON,�� K����� K OUT OF SIGHT
OF MISSION CONTROL.��
��e IF ANYTHING GOES WRONG,
THE ASTRONAUTS ARE ON THEIR OWN.���C�u��U����� McCandless: WE'LL SEE YOU
ON THE OTHER SIDE. OVER.��Ƞ����� WE NOW HAVE HAD CONFIRMATION���C�u��&;٠���� OF LOSS OF SIGNAL
FROM THE APOLLO 11.�� )C�u��&X