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I was just a kid when I first read that
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wonderful novel by Alexandre Dumas The
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Count of Monte Cristo
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there was one episode that I could never
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forget it's when Edmond Dantes removed
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the body of his friend from the burial
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sack and he's shown himself inside of it
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instead he believed that when the burial
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sack is carried to the prison Cemetery
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he may be able to escape but something
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heavy is attached to his legs
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the Cannonball even then he doesn't
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realize that the cemetery of his prison
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is the sea deep below
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unexpectedly he feels himself being
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swung back and forth and then being
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carried down into the sea inside the
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sack which can become his shroud but in
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my wildest nightmares I never thought a
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day would come when it would be me
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inside that burial sack
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claustrophobia is something that you
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just cannot sever from if you've worked
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as I have beneath the sea and I've been
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in some pretty confined places too
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they'd give almost anyone close to
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phobia
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I've been closed up inside of a two-man
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sub with Hawley room to move I've been
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in a natural tunnel deep in an
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underwater rock so narrow in places that
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I could barely squeeze through once I
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spent a full hour encased in an
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underwater pipeline but never have I
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felt the full terror of claustrophobia
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myself until that experience inside the
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burial sack
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it all began when I received a phone
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call from the atlas movie studios they
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wanted me to come to the location where
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they were making a new version of The
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Count of Monte Cristo I walk through the
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grounds of what seemed like a castle no
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doubt the Chateau d'If
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the prison from which data escapes
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then down below I spotted the company on
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the beach is he photographing a scene
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man that I was looking for would be down
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there
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the producer director was a man that I
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respected Walter Wilcox
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he had a reputation for integrity and
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realism in his pictures Mike I want to
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try something different
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with the aid of underwater photography
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when that burial sack goes down into the
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sea I want the audience to go right down
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into the sea with it I want the audience
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to be able to look at this man
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underwater fighting his way out of that
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sack I want to shoot this scene in the
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sea itself
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with your help I sounds great want me to
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W star huh well maybe he does but I
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don't well this is our star Bill Hill
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well excuse me this is our leading lady
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Laura pepper you're excused just leave
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him here you want to watch out for her
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Mike oh this is mr. Hill secretary and
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stand-in mr. Mercer Mike Nelson mr.
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Nelson stem I said mr. Hill thinks he's
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perfectly capable of doing this stunts
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himself in that bill we disagree
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Waldo that's part of my box office
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remember I do my own stunts and I'm
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going to do this one what I'd like to
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view mr. Nelson is to train me and then
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be my safety man when I try it well we
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can argue that point later maybe this
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stunt can't be done safely at all we'll
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have to find that out first and Mike
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that'll be up to you you want to take it
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on please do it mr. Nelson
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well if the Count of Monte Cristo could
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do it I don't see why I can't it sounds
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like a lot of fun
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they started by looking over the area in
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which the scene would have to be filmed
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currents didn't seem to be any problem
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and it certainly was deep enough
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I took regular readings on a light meter
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water at the clarity needed to permit
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excellent photography
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sharks
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I made a mental note to recommend that
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the cameraman should work from inside a
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cage I was reasonably certain that these
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sharks wouldn't bother us but he worked
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better buying some protection
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altogether everything seemed to be
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satisfactory but the big question still
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wasn't answered whether a man inside
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that burial sack could cut himself out
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in time to escape drowning more sharks
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or anything else that might happen it
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was one way to find out try it myself
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that would be next
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penny yes sir night
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to dog but this is supposed to be a
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crude knife that money crystal makes in
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jail himself I just want to be able to
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get out of that sack in time huh yes sir
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mr. Nelson mr. Wilcox says you're the
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boss and I think you want oh what's
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wrong cannonballs much too heavy take a
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man down too fast and too far but mr.
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Wilcox likes authentic props these are
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the real McCoy I wanted him away to
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watch you two make a dummy one that
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looks like it the weighs a lot less yes
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or anything you say hey and that knife
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too huh yes sir razor sharp mr. Nelson
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sharper alright nothing see ya when you
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make that trial diverse afternoon or not
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I'd like to be your safety we see I've
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done quite a bit of scuba diving in well
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if you haven't made any other
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arrangement I'd really appreciate the
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chance as a matter of fact I was just my
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way now to see if I get a safety man
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my check at first no not at all thanks
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for the break mr. Nelson
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we call that a break well it could get
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mr. Wilcox to really notice me and he's
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got another picture coming up with a
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part that's well if a director really
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likes you can mean a lot besides mr.
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Wilcox has his way I'm the one who'll do
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this time my bill all right I gonna say
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with Bill I have been worrying about
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bill since we were in college it's time
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I started worrying about me he got his
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break I'm still waiting for mine a guy
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can't wait forever
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I see you to block
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I checked it out a few hours later he
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handled himself very well he knew all
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the signals and more important he
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understood teamwork
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being underwater for a prolonged period
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didn't seem to bother him at all and I
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wanted to make sure I tried him out on a
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sharp turn to see whether his reflexes
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to become a sluggish or had been
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affected in any way but he just ate it
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up
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it was a real eager beaver ready to show
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me every trick in his book
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he wanted to keep right on they finally
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had to stop him before we went out of
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there but I was well satisfied he'd be
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an excellent safety man hi Mike well
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recognize this is what I wear in the
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prison scenes okay hey Donna
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here we go I'll see y'all later
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hike yeah it's me you alright yeah
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should my nose itches you got that
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stopwatch yes I'll time it from the
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moment you hit the surface to the moment
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you reappear you sure you've got the
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knife right good
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hey Benny yeah uh give me a couple of
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seconds now before you throw me over the
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me hyperventilate
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okay where we put the counterpoint on
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that huh
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he acted as my safety man he took his
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position at 50 feet
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okay
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boy Seve
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a movie director and his crew were
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counting the seconds anxiously while I
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made myself the guinea pig and an
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underwater test it was to see whether a
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man sewn into a loose sack with a
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cannonball tied to his legs could hold
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his breath cut himself free and reached
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the surface before blacking out
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keep and add a minute 20 seconds and the
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safety man was standing by with air if I
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needed it but before I let anyone else
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try it I had to know what the limit
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would be it took all my willpower to
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resist it's helped my lungs felt like
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balloons about the first
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I had made it
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look great honey trouble a little feel
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all right
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Oh Oh in my time it was an eternity I
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thought you'd never come up
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oh that's much too long what's my night
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for one thing tie this down penny all
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right cut a knife down right to the
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wrist uh okay a couple of things like
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that that need to be done before I let
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you man get out of that sacking but your
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stunt can be done it'll work good
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how many more rehearsals do you think
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you'll need before we can shoot it just
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one more ought to do it not going to be
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the safety man no on I figure the man
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who really does a stunt out I have at
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least one rehearsal inside of that
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sacking before you take it what do you
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say well I think so too
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who's that man going to be Edie can you
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be ready for the dress rehearsal by
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tomorrow morning yeah your system will
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give you both a definite call
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that's gonna be alright you're right
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Benny there's plenty of room and every
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camera crew
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we shit through these windows here
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and I've made up my mind about this
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stunt I just got too much at stake to
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let anybody else do it and telling the
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press for weeks now that nobody being
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that sacking but me and that's who it's
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got to be not this was settled look Mike
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I'll level with you I know I'm not the
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world's greatest actor but this physical
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stuff would that's my special angle my
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big appeal yeah I know bill but mr.
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Wilcox said that I and you're still
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working for me and that's the way I want
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it and that's final
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Thanks
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he has ed told you that this was his big
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opportunity but I suppose he told you in
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the last two years I've got him no less
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than three screen tests and he mocked
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them all
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ask anybody in the crew that's Benny
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it's true he just hasn't got what it
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takes this stunt is still my
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responsibility Mike I've got a
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proposition for you I want to try it if
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I foul up or you say I'm too slow
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whatever I'll accept it word about it uh
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I'll go mr. Wilcox you'll never forgive
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me he'll be there a safety man what
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could go wrong he'll pass your tests I
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tell you to forget all about it
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there'll be no arguments with me or with
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mr. Wilcox not another word which you
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got to carry a diving lung in that sack
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wa t okay it's a deal I didn't know
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whether I was making mistake or not but
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I didn't see how I could lose either way
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if bill handle himself badly underwater
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he'd be out of our hair if he handled
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himself well it would make my job easier
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bill was a superb natural athlete he was
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out of the sacking and it freed himself
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an amazing time as though everything and
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zippers I couldn't do any better myself
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nor did I know anyone else who could
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bill can be sure that I'd give him the
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highest marks he was counting on that in
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his showdown with the director and it
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was a showdown
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you know I'm not trying to be
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temperamental I'm just trying to do the
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same thing you are make a better more
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exploitable picture we can't shoot it
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today anyway so what happens tomorrow I
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do it then
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Walter
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look supposing something happens to you
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down there things going to happen to me
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Michael be there with me why don't you
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leave it up to him I'll go along with
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anything he says but just asking
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you heard it well I'm asking
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oh he can do it
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on your say-so
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okay
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bill was made up as The Count of Monte
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Cristo and the director was giving him
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his last-minute instructions and telling
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him that I had arrived at a last-minute
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decision to just to play it as safe as
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humanly possible
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I had notified the director that I was
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taking bill standing down with me as an
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additional safety man bill agree that
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this was a good idea
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relying on it was to prove a tragic
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mistake but none of us knew it then it
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also was very agreeable to the
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suggestion if things went as he had
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planned them he'd be my last resort and
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he had his own ideas about that
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I directed ed toward the position that I
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wanted him to take as the reserve safety
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man
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the shark-cage with a camera crew inside
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was lowered into the water
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the cameraman released a marker a signal
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that they were all set after that things
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move fast
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another second or two we would have a
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knife out and cut himself free instead
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he kept on kicking and twisting this
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wasn't what they were supposed to do it
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all
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I thought at first that bill was acting
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prolonging it for the sake of the drama
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it was logical more seconds went by too
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many precious seconds I waited until I
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could wait no longer
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and I went
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I cut it the second my knife wouldn't
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penetrate
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I realized that somehow I had the wrong
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knife i beckoned for head to come and I
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tore the sacking with my hands I pulled
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with everything I had trying to make a
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stitches give with a prompt man at soma
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i signaled ahead again but instead of
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swimming to me he swam away from me
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then the sacking party I gave bill hair
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to a strength came back
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you
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