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These are the user uploaded subtitles that are being translated: 1 00:00:15,815 --> 00:00:17,550 * WYATT EARP * 2 00:00:17,584 --> 00:00:19,753 * WYATT EARP * 3 00:00:19,786 --> 00:00:23,423 * BRAVE, COURAGEOUS, AND BOLD * 4 00:00:23,456 --> 00:00:25,425 * LONG LIVE HIS FAME * 5 00:00:25,458 --> 00:00:27,427 * AND LONG LIVE HIS GLORY * 6 00:00:27,460 --> 00:00:31,898 * AND LONG MAY HIS STORY BE TOLD. * 7 00:00:47,380 --> 00:00:48,882 [ANNOUNCER] COWHANDS ON A HOO-RAH 8 00:00:48,915 --> 00:00:50,617 WEREN'T THE ONLY TROUBLEMAKERS IN DODGE CITY 9 00:00:50,650 --> 00:00:52,318 WHEN WYATT EARP WAS MARSHAL. 10 00:00:52,352 --> 00:00:54,320 - THERE WERE TOUGH BUFFALO HUNTERS... - [GUNSHOT] 11 00:00:54,354 --> 00:00:56,222 ...WHO WENT ON SPREES IN DODGE. 12 00:00:56,256 --> 00:00:58,858 AND THERE WERE THE RAILROAD CONSTRUCTION GANGS OF THE SANTA FE, 13 00:00:58,892 --> 00:01:02,462 WHO TRIED TO MAKE GOOD THEIR BOAST THAT DODGE WAS HELL ON WHEELS. 14 00:01:02,495 --> 00:01:05,732 IN 1876, THESE TWO GROUPS OF HOODLUMS FOUGHT EACH OTHER 15 00:01:05,765 --> 00:01:08,735 FOR POSSESSION OF THE DANCE HALL RUN BY DORA HAND, 16 00:01:08,768 --> 00:01:10,970 THE QUEEN OF DODGE CITY'S NIGHT LIFE. 17 00:01:11,071 --> 00:01:14,074 DORA HAND, A BEAUTIFUL AND MYSTERIOUS YOUNG WOMAN 18 00:01:14,107 --> 00:01:16,343 WHO WAS A LEGEND IN HER OWN LIFETIME. 19 00:01:16,376 --> 00:01:20,980 MEN SHOT OR MAIMED ONE ANOTHER IN FIGHTS OVER DORA AND THE GIRLS OF HER DANCE HALL. 20 00:01:21,081 --> 00:01:23,416 [CLAMORING] 21 00:01:28,855 --> 00:01:29,923 COME ON! 22 00:01:29,956 --> 00:01:31,491 CUT HIM UP! 23 00:01:35,095 --> 00:01:37,297 YOU GOT HIM! 24 00:01:38,832 --> 00:01:40,333 YOU GOT HIM, ROGAN! 25 00:01:40,367 --> 00:01:41,434 [BOTTLE SHATTERS] 26 00:01:41,468 --> 00:01:44,104 WHY'D YOU DO THAT? THAT WAS ROGAN. 27 00:01:44,137 --> 00:01:46,773 - [ALL CLAMORING] - [WYATT] THE FIGHT'S OVER! 28 00:01:46,806 --> 00:01:49,209 TAKE IT EASY. 29 00:01:49,242 --> 00:01:50,977 NOW WHAT'S ALL THIS ABOUT? 30 00:01:51,011 --> 00:01:52,645 IT WAS JUST AN ARGUMENT, MARSHAL. 31 00:01:52,679 --> 00:01:54,881 THERE'S NO NEED TO ARREST THEM. THEY'LL BEHAVE. 32 00:01:54,914 --> 00:01:57,117 TAKE THEM BOTH TO JAIL, HAL. 33 00:01:57,150 --> 00:01:58,685 COME ON. 34 00:01:58,718 --> 00:02:00,253 NOW LOOK, MISS DORA, THIS IS THE THIRD FIGHT 35 00:02:00,286 --> 00:02:02,322 YOU'VE HAD IN HERE SINCE NOON. 36 00:02:02,355 --> 00:02:06,059 SAM, DRINKS ON THE HOUSE. 37 00:02:06,059 --> 00:02:08,461 MARSHAL. 38 00:02:08,495 --> 00:02:10,864 I'LL TAKE ONE OF THOSE DRINKS... 39 00:02:10,897 --> 00:02:15,602 I WOULD HAVE BROKEN IT UP. THE MEN LISTEN TO ME. 40 00:02:15,635 --> 00:02:18,171 THAT BUFFALO HUNTER WOULD HAVE CUT HIM TO RIBBONS. 41 00:02:18,204 --> 00:02:20,173 WELL, THE RAILROAD MAN STARTED IT. 42 00:02:20,206 --> 00:02:23,877 LOOK, YOU'VE GOT A ROUGH MIXTURE HERE-- 43 00:02:23,910 --> 00:02:26,079 BUFFALO HUNTERS AND RAILROAD MEN. 44 00:02:26,112 --> 00:02:30,150 YOU'RE GONNA HAVE TO MAKE UP YOUR MIND TO BAR ONE CROWD OR THE OTHER. 45 00:02:30,183 --> 00:02:31,584 THAT'S NOT EASY, MARSHAL. 46 00:02:31,618 --> 00:02:33,620 WHAT ABOUT THE COWHANDS AND THE SOLDIERS? 47 00:02:33,653 --> 00:02:37,757 NO, WHAT I NEED ARE BIGGER AND BRAVER BARKEEPS. 48 00:02:37,791 --> 00:02:38,992 THEY'LL STOP ALL THE ROUGH STUFF. 49 00:02:39,092 --> 00:02:41,327 MISS DORA, THAT ISN'T GONNA WORK EITHER. 50 00:02:41,361 --> 00:02:45,465 THERE HAVE ALWAYS BEEN FIGHTS ON THIS SIDE OF THE LINE. 51 00:02:45,498 --> 00:02:47,267 WHEN MEN DRINK AND ARGUE ABOUT WOMEN, 52 00:02:47,300 --> 00:02:48,735 THERE ARE BOUND TO BE FIGHTS. 53 00:02:48,768 --> 00:02:51,504 NOT WITH KNIVES AND GUNS, THEY'RE NOT GONNA FIGHT. 54 00:02:51,538 --> 00:02:53,239 WHAT'S THIS LEADING TO, MARSHAL? 55 00:02:53,273 --> 00:02:55,308 ARE YOU PLANNING TO CLOSE ME? 56 00:02:55,342 --> 00:02:57,744 I SURE DON'T WANT TO, MISS DORA, BUT-- 57 00:02:59,813 --> 00:03:01,047 KEEP OUT OF THIS. 58 00:03:01,047 --> 00:03:03,917 I ONLY WANT TO MAKE A SUGGESTION TO MARSHAL EARP. 59 00:03:03,950 --> 00:03:07,721 JUST SAY IN YOUR REPORT THE HOO-RAH WAS AT MY PLACE. 60 00:03:07,754 --> 00:03:09,522 THAT WAY SHE WON'T GET MENTIONED IN THE PAPERS. 61 00:03:09,556 --> 00:03:11,291 NO! KEEP OUT OF IT! 62 00:03:11,324 --> 00:03:15,061 MR. KELLY IS IN ONE OF HIS GALLANT MOODS THIS EVENING. 63 00:03:15,095 --> 00:03:17,297 I HANDLE MY OWN BEEFS, KELLY. 64 00:03:17,330 --> 00:03:19,265 YOU HIT ONE OF THEM ON THE HEAD WITH A WHISKEY BOTTLE. 65 00:03:19,299 --> 00:03:20,533 IS THAT LADYLIKE? 66 00:03:20,567 --> 00:03:22,936 I TOLD YOU YOU COULD NEVER MAKE A LADY OUT OF ME! 67 00:03:22,969 --> 00:03:26,673 WHAT DID YOU DO TO JIM? ARE YOU A HYPNOTIST OR SOMETHING? 68 00:03:26,706 --> 00:03:27,674 NO, MA'AM. 69 00:03:27,707 --> 00:03:29,242 EARP AIN'T ANY FRIEND OF MINE. 70 00:03:29,275 --> 00:03:30,810 DON'T TRY TO STRING ME! 71 00:03:30,844 --> 00:03:32,345 EARP'S GOT YOU ACTING RESPECTABLE. 72 00:03:32,379 --> 00:03:36,116 COUNCILMAN KELLY, THEY CALL HIM. THE LAW AND ORDER MAN. 73 00:03:36,149 --> 00:03:37,751 THIS IS BETWEEN US. 74 00:03:37,784 --> 00:03:39,919 YOU CAN SAY I'M A PUBLIC NUISANCE AND CLOSE ME, I GUESS. 75 00:03:39,953 --> 00:03:42,789 - OH, NO, NOW! - OH, SHUT UP! 76 00:03:42,822 --> 00:03:44,758 WHAT'S THE VERDICT, MARSHAL? 77 00:03:47,327 --> 00:03:48,695 WELL, MISS DORA, 78 00:03:48,728 --> 00:03:52,732 I COULD ASSIGN AN EXTRA DEPUTY HERE FOR A FEW DAYS. 79 00:03:52,766 --> 00:03:54,200 YEAH. GOOD IDEA. 80 00:03:54,234 --> 00:03:56,536 OH, IT'S NOT A GOOD IDEA AT ALL! 81 00:03:56,569 --> 00:03:59,906 THE BUFFALO MEN WILL SAY YOU'RE SIDING WITH THE SANTA FE CROWD 82 00:03:59,939 --> 00:04:02,442 AND THE SANTA FE CROWD WILL TELL MAJOR PAXTON 83 00:04:02,475 --> 00:04:03,943 THAT YOU'RE FAVORING THE BUFFALO MEN. 84 00:04:04,044 --> 00:04:06,346 WELL, WHAT DO YOU SUGGEST? 85 00:04:06,379 --> 00:04:09,282 I SUGGEST-- 86 00:04:09,315 --> 00:04:11,051 WHY DON'T YOU LET ME TALK TO ALL THE MEN? 87 00:04:11,084 --> 00:04:13,053 IF THEY KNOW THAT YOU'RE THREATENING TO CLOSE ME, 88 00:04:13,053 --> 00:04:16,356 THEY'LL STOP ALL THE ROUGH STUFF. 89 00:04:16,389 --> 00:04:18,491 ALL RIGHT, MA'AM, YOU'RE ENTITLED TO THAT CHANCE. 90 00:04:18,525 --> 00:04:20,794 - GOOD EVENING. - THANK YOU, MARSHAL. 91 00:04:22,495 --> 00:04:23,463 NOW DORA-- 92 00:04:23,496 --> 00:04:25,331 OH, SHUT UP, KELLY. 93 00:04:26,399 --> 00:04:28,535 EARP, WAIT FOR ME! I WANT TO TALK TO YOU. 94 00:04:38,378 --> 00:04:39,946 I THOUGHT YOU WANTED TO TALK TO ME. 95 00:04:39,979 --> 00:04:42,649 I DO. BUT NOT AS A FRIEND, MIND YOU. 96 00:04:43,917 --> 00:04:45,685 ALL RIGHT. 97 00:04:45,719 --> 00:04:48,755 AND DON'T GET ANY WRONG IDEAS ABOUT MISS DORA AND ME. 98 00:04:48,788 --> 00:04:52,092 SHE CONSIDERS HERSELF TOO GOOD TO MARRY A SALOON KEEPER. 99 00:04:52,125 --> 00:04:54,794 BY GEORGE, SHE'S RIGHT. 100 00:04:54,828 --> 00:04:56,296 YES, SIR. 101 00:04:56,329 --> 00:04:57,931 YOU DON'T KNOW MISS DORA! 102 00:04:57,964 --> 00:05:01,134 ALL YOU SEE IS A DANCE HALL OWNER AND JUMP TO CONCLUSIONS. 103 00:05:01,167 --> 00:05:04,504 I'VE JUMPED A LOT OF TIMES, MR. KELLY, 104 00:05:04,537 --> 00:05:07,307 BUT NEVER TO A CONCLUSION. 105 00:05:07,340 --> 00:05:09,909 YOU MIGHT AS WELL KNOW THE TRUTH, FAIR AND SQUARE. 106 00:05:09,943 --> 00:05:11,845 I'M ON MISS DORA'S SIDE. 107 00:05:11,878 --> 00:05:13,313 YOU IN LOVE WITH HER? 108 00:05:13,346 --> 00:05:15,615 THAT'S NONE OF YOUR BUSINESS! 109 00:05:15,648 --> 00:05:18,918 WE HIRED YOU TO KEEP LAW AND ORDER IN THIS TOWN, 110 00:05:18,952 --> 00:05:21,888 NOT TO GO STICKING YOUR NOSE INTO PERSONAL MATTERS. 111 00:05:23,723 --> 00:05:25,091 ALL RIGHT, MR. KELLY. 112 00:05:25,125 --> 00:05:26,760 I'LL HAVE TO TELL YOU THE TRUTH, 113 00:05:26,793 --> 00:05:28,094 "FAIR AND SQUARE." 114 00:05:28,128 --> 00:05:30,063 WHAT TRUTH? 115 00:05:30,096 --> 00:05:32,732 I CAN'T KEEP SUNDAY-SCHOOL ORDER IN THIS PART OF TOWN 116 00:05:32,766 --> 00:05:34,100 AND I'D BE A FOOL TO EVEN TRY, 117 00:05:34,134 --> 00:05:36,102 BUT I DO DRAW THE LINE AT KNIFIN' AND SHOOTIN'. 118 00:05:36,136 --> 00:05:38,471 IF MISS DORA CAN'T CONTROL HER CUSTOMERS, 119 00:05:38,505 --> 00:05:39,539 SHE'S JUST GONNA HAVE TO CLOSE. 120 00:05:39,572 --> 00:05:42,242 CLOSE HER? OVER MY DEAD BODY! 121 00:05:44,144 --> 00:05:45,879 SHE'LL STILL HAVE TO CLOSE. 122 00:05:45,912 --> 00:05:48,081 EARP, I HAD YOU RIGHT IN THE FIRST PLACE. 123 00:05:48,081 --> 00:05:51,251 YOU'RE NOTHING BUT A STUPID, SANCTIMONIOUS JOHN LAW! 124 00:05:51,284 --> 00:05:52,252 NOW LET ME TELL YOU-- 125 00:05:52,285 --> 00:05:53,953 HOLD IT, KELLY. 126 00:05:53,987 --> 00:05:56,089 DON'T GET TOUGH WITH THE MARSHAL. 127 00:05:56,122 --> 00:05:58,692 LET MAJOR PAXTON HANDLE HIM. 128 00:06:01,027 --> 00:06:03,029 WHO'S MAJOR PAXTON? 129 00:06:03,029 --> 00:06:05,865 HE'S BOSS OF CONSTRUCTION FOR THE SANTA FE, THAT'S WHO. 130 00:06:05,899 --> 00:06:07,300 A FINE MAN, PAXTON. 131 00:06:07,334 --> 00:06:09,302 I'LL STAND YOU ALL A ROUND OF DRINKS ON IT. 132 00:06:09,336 --> 00:06:11,905 WILL YOU DRINK TO THE RAILROAD, MR. EARP? 133 00:06:11,938 --> 00:06:14,407 I'M SORRY. I DON'T DRINK. 134 00:06:14,441 --> 00:06:16,576 YOU CAN ALSO TELL MAJOR PAXTON 135 00:06:16,609 --> 00:06:18,578 I DON'T HANDLE EASY EITHER. 136 00:06:18,611 --> 00:06:20,814 DOUBLE ROUND OF DRINKS. FREE. 137 00:06:20,847 --> 00:06:22,682 ALL RIGHT. 138 00:06:22,716 --> 00:06:25,318 - ALL RIGHT, WE'LL HAVE A NICE PEACEABLE SHINDIG. - [KELLY] YEAH. 139 00:06:28,922 --> 00:06:32,726 HERE'S TO MISS DORA, THE DAISY BELL OF KANSAS. 140 00:06:32,759 --> 00:06:34,427 TO MISS DORA! 141 00:06:34,461 --> 00:06:36,763 [ALL] MISS DORA! 142 00:06:36,796 --> 00:06:40,133 AND WE DON'T WANT ANY MORE DIRTY BUFFALO HUNTERS CAUSING TROUBLE. 143 00:06:40,166 --> 00:06:44,270 WE'RE GOING OVER TO HER PLACE AND WE'RE GONNA THROW THEM OUT! 144 00:06:45,438 --> 00:06:47,774 IT'LL BE FOR RAILROAD MEN ONLY. 145 00:06:47,807 --> 00:06:49,376 - [ALL MUTTER AGREEMENT] - NOW, WHOA, NOW, OLD FRIEND. 146 00:06:49,409 --> 00:06:51,578 DO YOU SEE THAT, KELLY? 147 00:06:51,611 --> 00:06:54,447 IT'S A LANTERN. 148 00:06:54,481 --> 00:06:56,616 WE'RE GONNA HANG IT ON THE DOOR. 149 00:06:56,649 --> 00:07:00,086 AND THAT WILL MEAN THAT DORA'S PLACE IS FOR RAILROAD MEN ONLY! 150 00:07:02,455 --> 00:07:04,157 ARE YOU DRINKING TO THAT, KELLY? 151 00:07:04,190 --> 00:07:05,225 WELL, SURE. 152 00:07:05,258 --> 00:07:07,027 WE'LL ALL DRINK TO THAT! 153 00:07:07,027 --> 00:07:08,395 AND ON THE HOUSE! 154 00:07:08,428 --> 00:07:10,630 AND ON THE HOUSE! ON THE HOUSE! 155 00:07:10,663 --> 00:07:13,466 [KELLY] YES, SIR, THIS IS SANTA FE NIGHT IN JIM KELLY'S. 156 00:07:13,500 --> 00:07:15,235 ANY MORE RAILROAD MEN IN THE HOUSE? 157 00:07:15,268 --> 00:07:20,373 STEP RIGHT UP HERE. I'M BUYING YOU A DRINK. BELLY UP! 158 00:07:36,956 --> 00:07:38,725 YOU BETTER GET OVER TO THE ALHAMBRA RIGHT AWAY. 159 00:07:38,758 --> 00:07:39,959 THERE'S BEEN A CRIME COMMITTED. 160 00:07:40,060 --> 00:07:43,129 KELLY'S? WHAT IS IT? A BARROOM BRAWL? 161 00:07:43,163 --> 00:07:45,098 WORSE THAN THAT. 162 00:07:51,538 --> 00:07:53,573 ALL RIGHT. PUT THIS ONE IN THE BACK ROOM TOO. 163 00:07:53,606 --> 00:07:55,775 EASY. NICE AND GENTLE NOW. 164 00:07:55,809 --> 00:07:59,479 I DON'T WANT A BRUISE OR A MARK ON 'EM. OKAY... 165 00:08:03,049 --> 00:08:04,617 WHAT HAPPENED, MR. KELLY? 166 00:08:04,651 --> 00:08:06,353 UH, BAD LIQUOR. 167 00:08:06,386 --> 00:08:09,222 THEY GOT IT AT CHALK BEESON'S PLACE ACROSS THE STREET. 168 00:08:09,255 --> 00:08:12,125 WHAT HE USES IN HIS WHISKEY I'LL NEVER KNOW. 169 00:08:12,158 --> 00:08:14,027 PUT HIM DOWN, MR. KELLY. 170 00:08:14,027 --> 00:08:16,296 - IT'S JUST SOME BAD LIQUOR-- - NEVER MIND. 171 00:08:18,598 --> 00:08:20,133 HOLY SMOKE! 172 00:08:21,868 --> 00:08:23,770 CHLORAL HYDRATE. 173 00:08:23,803 --> 00:08:25,939 ANYBODY ELSE BESIDES THESE THREE MEN GET MICKEY FINNS? 174 00:08:26,039 --> 00:08:27,173 MARSHAL, I SWEAR-- 175 00:08:27,207 --> 00:08:29,142 I THOUGHT YOU WERE SMARTER THAN THIS. 176 00:08:30,210 --> 00:08:31,878 - I HAD TO DO IT! - WHY? 177 00:08:31,911 --> 00:08:33,279 THEY WERE GOING OVER TO MISS DORA'S 178 00:08:33,313 --> 00:08:35,048 TO PICK A FIGHT WITH THE BUFFALO HUNTERS. 179 00:08:35,048 --> 00:08:38,218 DON'T YOU KNOW THAT KNOCKOUT DROPS CAN KILL A MAN, THAT IT'S POISONOUS? 180 00:08:38,251 --> 00:08:40,553 NAH! THEY'RE RAILROAD MEN. 181 00:08:40,587 --> 00:08:42,555 YOU COULDN'T KILL A RAILROAD MAN WITH A MICKEY FINN. 182 00:08:42,589 --> 00:08:45,291 CHLORAL HYDRATE IS A DEADLY POISON. 183 00:08:45,325 --> 00:08:48,061 I OUGHTA CHARGE YOU WITH ATTEMPTED MURDER. 184 00:08:48,061 --> 00:08:49,662 CHARGE ME! 185 00:08:49,696 --> 00:08:51,965 HERE I THOUGHT THE OLD JIM KELLY WAS DEAD, 186 00:08:52,065 --> 00:08:54,134 THAT YOU'D PUT AN END TO ALL THIS HOODLUM STUFF. 187 00:08:54,167 --> 00:08:55,669 COME ON, LOCK ME UP! 188 00:08:55,702 --> 00:08:56,903 DON'T YOU EVEN STOP TO THINK? 189 00:08:56,936 --> 00:08:58,705 ROGAN AND HUMPY PUT ON A DANCE HALL FIGHT. 190 00:08:58,738 --> 00:09:02,776 NOW YOU SPREAD THAT ROUTE TO ALL THE BUFFALO HUNTERS AND ALL THE RAILROAD MEN. 191 00:09:02,809 --> 00:09:04,477 WELL, I DONE IT FOR HER. 192 00:09:04,511 --> 00:09:06,279 A DANCE HALL GIRL AND A PRETTY FACE. 193 00:09:06,312 --> 00:09:07,647 NOW YOU STOP RIGHT THERE! 194 00:09:07,681 --> 00:09:11,251 SHE'S A MINISTERING ANGEL, THAT'S WHAT SHE IS. 195 00:09:11,284 --> 00:09:13,653 SHE'S WHAT? 196 00:09:13,687 --> 00:09:16,923 YOU GO OVER TO REVEREND HAWKUT'S CHURCH IN THE MORNING AND-- 197 00:09:17,023 --> 00:09:18,925 NO. NEVER MIND. 198 00:09:19,025 --> 00:09:20,060 COME ON, LOCK ME UP! 199 00:09:20,093 --> 00:09:23,196 NEVER MIND. I'LL DO THAT LATER. 200 00:09:23,229 --> 00:09:25,832 I'M GONNA SEND DOC McCARTY OVER HERE TO TAKE CARE OF THESE MEN. 201 00:09:25,865 --> 00:09:29,903 YOU PAY THE DOC, AND YOU JUST BETTER HOPE THEY ALL WAKE UP BY TOMORROW MORNING. 202 00:09:34,574 --> 00:09:36,109 AND I'M NO PRUDE, MARSHAL. 203 00:09:36,142 --> 00:09:39,879 I EXPECT MY MEN TO GET DRUNK AND CHASE DANCE HALL GIRLS. 204 00:09:39,913 --> 00:09:42,615 BUT I CAN'T LET IT INTERFERE WITH THEIR WORK FOR THE RAILROAD. 205 00:09:42,649 --> 00:09:44,050 WE'RE PUSHING IRON-- 206 00:09:44,084 --> 00:09:45,785 TWO TO FOUR MILES OF TRACK A DAY. 207 00:09:45,819 --> 00:09:48,054 YES, SIR. 208 00:09:48,054 --> 00:09:50,056 THIS IS A PRETTY KETTLE OF FISH! 209 00:09:50,090 --> 00:09:52,092 ROGAN MY TOP BOSS ON THE SPIKE CREW, 210 00:09:52,125 --> 00:09:53,426 LAID UP WITH A FRACTURED SKULL. 211 00:09:53,460 --> 00:09:55,695 SEVEN TERRIERS GROGGY FROM DRUGGED LIQUOR. 212 00:09:55,729 --> 00:09:58,598 DO YOU THINK THE RAILROAD'S GONNA STAND FOR THIS? 213 00:09:58,631 --> 00:10:02,335 YOUR MEN KIND OF ASK FOR TROUBLE, MAJOR PAXTON. 214 00:10:02,369 --> 00:10:04,637 ARE YOU DEFENDING THIS DORA HAND? 215 00:10:04,671 --> 00:10:06,172 - AM I TO INFER-- - NO, SIR. 216 00:10:06,206 --> 00:10:09,009 I'M NOT TAKING SIDES WITH MISS DORA OR MR. KELLY. 217 00:10:09,042 --> 00:10:12,312 I THINK WE MAY BE DOING THEM BOTH AN INJUSTICE. 218 00:10:12,345 --> 00:10:13,880 INJUSTICE? 219 00:10:13,913 --> 00:10:16,716 GREAT SCOTT, THIS HAND WOMAN HAS GIVEN ME MORE TROUBLE 220 00:10:16,750 --> 00:10:19,085 THAN ALL THE OTHER DANCE HALL OPERATORS COMBINED! 221 00:10:20,687 --> 00:10:22,756 I DIDN'T COME HERE TO ARGUE. 222 00:10:22,789 --> 00:10:24,791 I DEMAND THAT YOU CLOSE THIS WOMAN'S PLACE. 223 00:10:24,824 --> 00:10:26,092 RUN HER OUT OF DODGE. 224 00:10:26,126 --> 00:10:28,495 IF I DECIDE THAT'S THE WAY TO HANDLE IT, 225 00:10:28,528 --> 00:10:30,330 I'LL DO IT. 226 00:10:30,363 --> 00:10:33,933 HOW LONG DO YOU THINK IT'LL TAKE YOU TO MAKE UP YOUR MIND? 227 00:10:33,967 --> 00:10:35,735 NOT LONG, MAJOR. 228 00:10:35,769 --> 00:10:37,504 I'LL GIVE YOU UNTIL TOMORROW. 229 00:10:37,537 --> 00:10:40,874 AFTER THAT, THE RAILROAD WILL TAKE IT TO THE TOWN COUNCIL. 230 00:10:42,709 --> 00:10:44,477 TOMORROW WILL BE TIME ENOUGH. 231 00:10:44,511 --> 00:10:46,246 GOOD. 232 00:10:46,279 --> 00:10:48,448 THERE'S JUST ONE LITTLE THING THAT BOTHERS ME. 233 00:10:48,481 --> 00:10:50,383 YEAH? 234 00:10:50,417 --> 00:10:52,452 THE BLANKET CAMPS OUTSIDE OF TOWN 235 00:10:52,485 --> 00:10:53,787 ARE FULL OF BUFFALO MEN. 236 00:10:53,820 --> 00:10:56,823 YOU GOT A BIG CREW DRIVING TRACK. 237 00:10:56,856 --> 00:10:59,392 I THINK I CAN CALM DOWN THE BUFFALO MEN. 238 00:10:59,426 --> 00:11:00,727 I USED TO BE A HIDE HUNTER MYSELF. 239 00:11:00,760 --> 00:11:01,728 BUT WHAT ABOUT YOUR CREW? 240 00:11:01,761 --> 00:11:04,330 THEY'LL BE BUSY ON THE RAILROAD. 241 00:11:04,364 --> 00:11:08,802 SEE THAT THEY STAY THAT WAY. OTHERWISE WE MAY HAVE A LITTLE FIGHT ON OUR HANDS. 242 00:11:08,835 --> 00:11:10,870 YOU GOING OUT TO THOSE BUFFALO CAMPS NOW? 243 00:11:10,904 --> 00:11:13,940 LATER. I GOTTA GO TO CHURCH FIRST. 244 00:11:26,086 --> 00:11:29,622 [DORA SINGING OUT OF KEY] * LEAD KINDLY LIGHT * 245 00:11:29,656 --> 00:11:34,194 * AMID THE ENCIRCLING GLOOM * 246 00:11:34,227 --> 00:11:39,165 * LEAD THOU ME ON * 247 00:11:39,199 --> 00:11:42,268 * THE NIGHT IS DARK * 248 00:11:42,302 --> 00:11:46,906 * AND I AM FAR FROM HOME * 249 00:11:46,940 --> 00:11:50,877 * LEAD THOU ME ON * 250 00:11:50,910 --> 00:11:55,281 * KEEP THOU MY FEET * 251 00:11:55,315 --> 00:12:00,487 * I DO NOT ASK TO SEE * 252 00:12:00,520 --> 00:12:04,524 * THE DISTANT SCENE * 253 00:12:04,557 --> 00:12:08,895 * ONE STEP ENOUGH * 254 00:12:08,928 --> 00:12:13,633 * FOR ME. * 255 00:12:13,667 --> 00:12:15,168 VERY GOOD, MISS HAND. 256 00:12:15,201 --> 00:12:17,504 NOW THEN, WE'LL TRY THE RECESSIONAL HYMN. 257 00:12:17,537 --> 00:12:19,372 I'M AFRAID YOU'LL HAVE TO EXCUSE ME. 258 00:12:19,406 --> 00:12:22,409 I PROMISED REVEREND HAWKUT TO TAKE UP A COLLECTION FOR HIM. 259 00:12:22,442 --> 00:12:23,710 OH, YES, I HAD FORGOTTEN. 260 00:12:23,743 --> 00:12:25,445 ANOTHER CHOIR PRACTICE SATURDAY? 261 00:12:25,478 --> 00:12:26,980 YES, I'LL BE HERE. 262 00:12:27,080 --> 00:12:28,915 GOOD DAY TO YOU ALL. GOOD DAY. 263 00:12:28,948 --> 00:12:31,551 GOOD DAY, MISS. 264 00:12:31,584 --> 00:12:34,654 WE'LL GO RIGHT TO THE RECESSIONAL HYMN... 265 00:12:38,558 --> 00:12:39,993 WELL SAY IT. 266 00:12:40,093 --> 00:12:41,695 SAY WHAT? 267 00:12:41,728 --> 00:12:43,430 THAT I'M ON THE WRONG SIDE OF TOWN, 268 00:12:43,463 --> 00:12:45,532 THAT I SHOULDN'T DARE TO ENTER A CHURCH. 269 00:12:45,565 --> 00:12:48,268 I COULDN'T VERY WELL SAY THAT, MISS DORA. 270 00:12:48,301 --> 00:12:50,737 AFTER ALL, THEY LET ME IN CHURCH TOO. 271 00:12:50,770 --> 00:12:54,708 MR. KELLY GOT MAD AND TOLD ME I SHOULD TALK TO THE REVEREND HAWKUT ABOUT YOU. 272 00:12:54,741 --> 00:12:57,143 THAT KELLY! 273 00:12:57,177 --> 00:13:00,680 HE ALSO CALLED YOU A MINISTERING ANGEL. 274 00:13:00,714 --> 00:13:01,948 BLARNEY. 275 00:13:02,048 --> 00:13:04,851 SURE, I KICKED IN SOME MONEY TO HELP BUILD THE CHURCH, 276 00:13:04,884 --> 00:13:06,486 BUT SO DID EVERY PLACE ELSE IN TOWN. 277 00:13:06,519 --> 00:13:09,422 THE REVEREND HAWKUT ASKED ME TO JOIN THE CHOIR 278 00:13:09,456 --> 00:13:12,525 BECAUSE I SING A LITTLE BIT BETTER THAN THE REST. 279 00:13:12,559 --> 00:13:14,060 YOU HAVE A VERY NICE VOICE. 280 00:13:14,094 --> 00:13:15,562 THIS HAS NOTHING TO DO 281 00:13:15,595 --> 00:13:17,864 WITH WHETHER YOU'RE GOING TO CLOSE MY DANCE HALL OR NOT. 282 00:13:17,897 --> 00:13:19,499 ARE YOU? 283 00:13:19,532 --> 00:13:21,901 DID YOU TALK TO THE MEN? 284 00:13:21,935 --> 00:13:24,170 YES, I TALKED TO THEM. 285 00:13:24,204 --> 00:13:26,373 THEY ALL PROMISED THEY'D STOP ALL THE ROUGH STUFF. 286 00:13:28,308 --> 00:13:31,978 BUT TO BE HONEST WITH YOU, MR. EARP, I DON'T BELIEVE IT. 287 00:13:32,078 --> 00:13:34,414 THAT'S BAD NEWS. 288 00:13:34,447 --> 00:13:37,384 LOTS OF PEOPLE WILL GET HURT. 289 00:13:37,417 --> 00:13:39,419 INCLUDING YOU? 290 00:13:39,452 --> 00:13:41,187 YOU DON'T HAVE TO WORRY ABOUT ME. 291 00:13:41,221 --> 00:13:43,390 I'LL TAKE CARE OF MYSELF. 292 00:13:44,657 --> 00:13:46,226 I LIKE YOU, MISS DORA. 293 00:13:48,395 --> 00:13:50,997 AND YOU LIKE JIM KELLY. 294 00:13:51,097 --> 00:13:52,899 IT'S FOOLISH OF YOU, MR. EARP. 295 00:13:52,932 --> 00:13:55,835 LIKING US IS GOING TO GET YOU INTO LOTS OF TROUBLE, 296 00:13:55,869 --> 00:13:59,572 SO MUCH TROUBLE YOU'LL HAVE TO LEAVE DODGE. 297 00:13:59,606 --> 00:14:03,677 I DON'T NEED ANYBODY'S HELP TO GET ME INTO TROUBLE. 298 00:14:03,710 --> 00:14:05,645 [DORA] HERE IT COMES. 299 00:14:05,679 --> 00:14:08,515 EXCUSE ME. WYATT, THE WHOLE SECTION GANG'S GONE DOWN TO THAT BLANKET CAMP. 300 00:14:08,548 --> 00:14:11,051 THEY SAID THEY'RE GONNA RUN THOSE BUFFALO HUNTERS RIGHT OUT OF KANSAS. 301 00:14:11,051 --> 00:14:14,054 GUESS I BETTER SADDLE UP. EXCUSE ME, MA'AM. 302 00:14:14,087 --> 00:14:16,690 WATCH YOURSELF, MARSHAL! THEY'RE A PRETTY TOUGH LOT. 303 00:14:27,567 --> 00:14:29,235 [MAN] LOOK OUT! RAILROAD MEN! 304 00:14:35,975 --> 00:14:37,210 TEAR IT DOWN! 305 00:14:41,815 --> 00:14:43,416 STACK IT UP OVER HERE! 306 00:14:53,560 --> 00:14:54,594 [PISTOL BLASTS] 307 00:14:54,627 --> 00:14:55,762 HOLD IT! 308 00:14:55,795 --> 00:14:57,697 YOU'RE A MITE LATE, AIN'T YOU, EARP? 309 00:14:57,731 --> 00:14:59,666 YEAH, I GUESS I AM. 310 00:14:59,699 --> 00:15:02,869 ANOTHER ONE OF YOUR GANG JUST BURNED OUT A BUFFALO CAMP A MILE DOWN THE ROAD. 311 00:15:02,902 --> 00:15:06,039 BUT WE'RE IN PLENTY OF TIME TO MAKE YOU PAY FOR THE DAMAGES. 312 00:15:06,039 --> 00:15:08,041 NOW I WANT YOUR HANDS TO COME UP AND I WANT THEM TO COME UP EMPTY. 313 00:15:10,076 --> 00:15:11,411 PUT 'EM UP! WAY UP! 314 00:15:16,950 --> 00:15:19,285 ALL RIGHT, MR. FROHM, YOU CLAIM THERE WAS 315 00:15:19,319 --> 00:15:22,088 ABOUT $750 WORTH OF DAMAGE, HUH? 316 00:15:22,122 --> 00:15:23,123 THEY BURN ANY RIFLES? 317 00:15:23,156 --> 00:15:26,126 YEAH, TWO SHARPS AND A WINCHESTER. 318 00:15:26,159 --> 00:15:29,095 THAT'S ABOUT $150 MORE. 319 00:15:31,498 --> 00:15:32,799 I'LL TAKE CARE OF THIS. 320 00:15:36,536 --> 00:15:38,138 YOU BETTER TAKE CARE OF IT. 321 00:15:38,171 --> 00:15:40,273 MY WHOLE BALLAST CREW PULLED OFF OF THE JOB. 322 00:15:40,306 --> 00:15:43,109 - WE'RE A MILE AND A HALF BEHIND SCHEDULE. - DON'T LECTURE ME. 323 00:15:43,143 --> 00:15:45,345 - WHAT WAS THAT? - I DON'T WANT ANY RAILROAD BIG TALK! 324 00:15:45,378 --> 00:15:47,180 YOUR MEN WERE CAUGHT DEAD TO RIGHTS. 325 00:15:47,213 --> 00:15:49,449 THEY RAIDED AND BURNED A HIDE HUNTERS' CAMP AND THE DAMAGE IS $900! 326 00:15:49,482 --> 00:15:51,351 - THE RAILROAD WON'T PAY A CENT! - THEN THEY STAY IN JAIL! 327 00:15:51,384 --> 00:15:54,087 YOU HAD NO RIGHT TO ARREST THEM! YOU'RE A TOWN MARSHAL. 328 00:15:54,087 --> 00:15:58,491 I'M ALSO A UNITED STATES DEPUTY MARSHAL! 329 00:15:58,525 --> 00:16:01,094 NOW IF I WERE YOU, I'D GET THAT MONEY AND GET IT FAST. 330 00:16:01,127 --> 00:16:03,897 AND I'LL TRY AND TALK THE BUFFALO HUNTERS OUT OF MAKING THEIR OWN RAID. 331 00:16:03,930 --> 00:16:07,334 ARE YOU THREATENING THE RAILROAD? 332 00:16:07,367 --> 00:16:09,202 I DON'T WASTE MY TIME, MAJOR. 333 00:16:09,235 --> 00:16:10,637 IF YOU DON'T HAVE THAT MONEY IN TWO HOURS, 334 00:16:10,670 --> 00:16:12,038 I WON'T EVEN TRY AND STOP THEM. 335 00:16:12,038 --> 00:16:13,640 NOW WHO DO YOU THINK YOU'RE FOOLING WITH? 336 00:16:13,673 --> 00:16:15,175 THOSE BUFFALO HUNTERS ARE TOUGHER MAN FOR MAN 337 00:16:15,208 --> 00:16:17,844 THAN ANY COWHANDS YOU EVER HEARD OF! 338 00:16:17,877 --> 00:16:19,813 WHAT DO YOU THINK THEY'LL DO? 339 00:16:22,415 --> 00:16:24,250 WHILE THEY CHASE YOUR CREWS OFF THE RACK, 340 00:16:24,284 --> 00:16:27,087 THEY'LL TEAR UP ABOUT FIVE MILES OF TRACK, 341 00:16:27,120 --> 00:16:28,688 WOULD BE MY GUESS. 342 00:16:28,722 --> 00:16:31,057 - IT'S ALL YOUR FAULT! - OH? 343 00:16:31,091 --> 00:16:32,692 I ASKED YOU TO RUN THAT WOMAN OUT OF TOWN. 344 00:16:32,726 --> 00:16:34,127 THAT FANCY BELLE DORA HAND-- 345 00:16:34,160 --> 00:16:36,663 SHE HAD NOTHING TO DO WITH IT! 346 00:16:36,696 --> 00:16:38,631 YOU'RE WASTING YOUR TIME, MAJOR. 347 00:16:40,433 --> 00:16:42,135 ALL RIGHT. 348 00:16:42,168 --> 00:16:43,937 I'LL GET THE MONEY. 349 00:16:43,970 --> 00:16:45,939 BUT IT'S BLACKMAIL! 350 00:16:45,972 --> 00:16:48,608 DO YOU WANT TO REPEAT THAT? 351 00:16:48,641 --> 00:16:51,745 NO, I GUESS NOT. 352 00:16:51,778 --> 00:16:53,780 SORRY. 353 00:17:06,192 --> 00:17:07,761 A BARKEEP BROUGHT A MESSAGE FROM MISS DORA. 354 00:17:07,794 --> 00:17:09,129 WANTS TO SEE YOU RIGHT AWAY. 355 00:17:09,162 --> 00:17:10,463 SAYS IT'S VERY IMPORTANT. 356 00:17:10,497 --> 00:17:12,132 YEAH, ALL RIGHT. 357 00:17:18,038 --> 00:17:19,939 AND DON'T TRY TO SOFT-SOAK ME! 358 00:17:20,040 --> 00:17:23,410 YOU GOT ME INTO THIS MESS, YOU AND YOUR MICKEY FINNS! 359 00:17:23,443 --> 00:17:26,146 AND DON'T SAY YOU DID IT TO KEEP THE FIGHTING OUT OF MY PLACE! 360 00:17:26,179 --> 00:17:28,682 - YOU DID IT FOR EARP! - EARP? I DON'T EVEN LIKE HIM! 361 00:17:28,715 --> 00:17:31,451 OH, YES YOU DO! AND HE LIKES YOU. HE TOLD ME SO. 362 00:17:31,484 --> 00:17:34,054 YEAH? SINCE WHEN DID YOU AND EARP GET SO FRIENDLY? 363 00:17:34,054 --> 00:17:35,455 DON'T CHANGE THE SUBJECT! 364 00:17:35,488 --> 00:17:37,290 THE SUBJECT IS THOSE HIDE HUNTERS! 365 00:17:37,323 --> 00:17:39,292 YOU KNOW WHAT THEY'RE AIMING TO DO TO THE RAILROAD. 366 00:17:39,325 --> 00:17:40,527 I AIN'T ADMITTING THAT. 367 00:17:41,861 --> 00:17:43,663 - YOU BETTER ADMIT IT! - NOW DORA! 368 00:17:43,697 --> 00:17:45,899 EARP'S COMING HERE. I SENT FOR HIM. 369 00:17:45,932 --> 00:17:47,500 AND YOU BETTER TELL HIM THE TRUTH 370 00:17:47,534 --> 00:17:49,602 BECAUSE I'M TIRED OF YOUR HOODLUM SHENANIGANS! 371 00:17:49,636 --> 00:17:51,671 I'M A HOODLUM? JUST LOOK WHO'S TALKING! 372 00:17:51,705 --> 00:17:53,373 HOWDY, FOLKS. 373 00:17:53,406 --> 00:17:54,674 HOWDY, MR. EARP. 374 00:17:54,708 --> 00:17:58,345 MISS DORA WAS SHOWING ME THIS STATUE. 375 00:17:58,378 --> 00:18:01,014 JUST FEEL THE WEIGHT OF IT. 376 00:18:01,014 --> 00:18:04,451 IT'S, UH-- QUITE HANDSOME. 377 00:18:04,484 --> 00:18:07,554 ALL RIGHT, KELLY, TELL MR. EARP. 378 00:18:07,587 --> 00:18:09,489 TELL HIM WHAT? 379 00:18:09,522 --> 00:18:12,559 THE BUFFALO HUNTERS ARE AIMING TO GET EVEN WITH THE RAILROAD CREW 380 00:18:12,592 --> 00:18:14,794 FOR WRECKING THEIR CAMP. JIM KNOWS ALL ABOUT IT. 381 00:18:16,096 --> 00:18:17,764 I'M KEEPING YOU OUT OF THIS. 382 00:18:17,797 --> 00:18:19,799 THERE'S NO CALL FOR YOU TO GET IN THE MIDDLE 383 00:18:19,833 --> 00:18:21,301 BETWEEN THEM BUFFALO HUNTERS AND THE RAILROAD. 384 00:18:21,334 --> 00:18:23,303 YOU SEE? HE WANTS TO BE YOUR FRIEND, 385 00:18:23,336 --> 00:18:25,105 BUT HE'S SUCH A HOODLUM HE DOESN'T KNOW HOW. 386 00:18:25,138 --> 00:18:27,040 ALL RIGHT, I'M A HOODLUM! 387 00:18:27,040 --> 00:18:28,641 AND YOU'RE A LADY. 388 00:18:28,675 --> 00:18:31,077 - THAT'S AN ODD TERM. - WHAT'S AN ODD TERM? 389 00:18:31,111 --> 00:18:33,646 WHAT I MEAN, MR. KELLY, 390 00:18:33,680 --> 00:18:35,782 IS THAT YOU CAN'T KEEP A PEACE OFFICER OUT OF TROUBLE. 391 00:18:35,815 --> 00:18:37,150 THAT'S WHAT HE GETS PAID FOR. 392 00:18:37,183 --> 00:18:41,154 IF HE KNOWS THE RIGHT CARDS HE'S GOT A BETTER CHANCE! 393 00:18:41,187 --> 00:18:42,922 HE'D HAVE NO CHANCE AT ALL. 394 00:18:42,956 --> 00:18:45,658 MAJOR PAXTON OFFERED TO PAY THE DAMAGES. 395 00:18:45,692 --> 00:18:46,860 WON'T THAT CALM THE BOYS DOWN? 396 00:18:46,893 --> 00:18:48,695 NO. IT'S TOO LATE FOR DAMAGES. 397 00:18:50,063 --> 00:18:51,464 ALL RIGHT. 398 00:18:51,498 --> 00:18:53,266 WHO'S LEADING THEM AND WHERE CAN I FIND THEM? 399 00:18:53,299 --> 00:18:54,734 AT YOUR PLACE? 400 00:18:54,768 --> 00:18:58,905 TELL HIM, JIM, OR I'LL NEVER EVEN THINK ABOUT MARRYING YOU. 401 00:18:58,938 --> 00:19:01,074 - DORA! - WELL. 402 00:19:01,107 --> 00:19:04,277 WELL, MR. EARP, WE WERE GONNA GIVE UP THIS SORT OF LIFE, 403 00:19:04,310 --> 00:19:05,779 TOGETHER, BOTH OF US. 404 00:19:05,812 --> 00:19:07,180 BUT EVERY TIME THE CHIP ARE DOWN 405 00:19:07,213 --> 00:19:09,215 IT'S THAT OLD HOODLUM KELLY! 406 00:19:09,249 --> 00:19:12,118 I'M QUITTING THE CHURCH! 407 00:19:12,152 --> 00:19:14,387 I'M NEVER GONNA GO INSIDE THERE AGAIN. 408 00:19:14,421 --> 00:19:16,856 - NO, DORA NO. I'LL TELL-- - DON'T TOUCH ME. 409 00:19:18,658 --> 00:19:21,928 THE BUFFALO HUNTERS LEFT FOR THE END OF THE TRACK ABOUT AN HOUR AGO. 410 00:19:22,028 --> 00:19:24,731 WITH GUNS? 411 00:19:24,764 --> 00:19:27,167 THEY AIM TO BUSHWHACK THE SANTA FE? 412 00:19:27,200 --> 00:19:29,436 NO! PLAIN STANDUP FIGHT. 413 00:19:29,469 --> 00:19:31,037 DON'T GO OUT THERE. 414 00:19:31,037 --> 00:19:34,074 IT WOULD BE LIKE RIDING BETWEEN THE FEDERALS AND THE JOHNNY REBS. 415 00:19:34,107 --> 00:19:35,475 HE'S RIGHT, MR. EARP. 416 00:19:35,508 --> 00:19:37,277 WE THOUGHT IT WAS JUST GONNA BE A SNEAK RAID 417 00:19:37,310 --> 00:19:39,245 MAJOR PAXTON OFFERED TO PAY THE DAMAGES. 418 00:19:39,279 --> 00:19:41,348 THOSE FELLAS START SHOOTING, THEY'LL WIND UP IN JAIL. 419 00:19:41,381 --> 00:19:42,449 I'LL SEE YOU ALL LATER. 420 00:19:44,117 --> 00:19:45,618 WELL, YOU TOLD HIM, KELLY. 421 00:19:45,652 --> 00:19:48,621 I HOPE YOU'RE SATISFIED. I KNOW WHAT I'M GONNA DO! 422 00:20:13,046 --> 00:20:15,582 BUFFALO HUNTERS! 423 00:20:15,615 --> 00:20:17,217 BREAK OUT THE GUNS! 424 00:20:17,250 --> 00:20:21,254 BUFFALO HUNTERS! BREAK FOR COVER! GRAB THE GUNS! 425 00:20:21,287 --> 00:20:22,722 [GUNS BLASTING] 426 00:21:15,175 --> 00:21:17,744 [KELLY] I TOLD YOU. 427 00:21:17,777 --> 00:21:19,746 I GOT THE MONEY. WHAT DO THEY WANT? 428 00:21:19,779 --> 00:21:21,214 GIVE ME THE MONEY, MAJOR. 429 00:21:21,247 --> 00:21:23,483 [KELLY] USE YOUR HEAD! DON'T TRY TO GO BETWEEN 'EM! 430 00:21:23,516 --> 00:21:24,551 THEY'LL CUT YOU DOWN! 431 00:21:24,584 --> 00:21:25,985 MAYBE NOT. 432 00:21:30,490 --> 00:21:31,991 CEASE FIRE! 433 00:21:32,092 --> 00:21:34,394 HEY, BUFFALO MEN, I'VE GOT YOUR MONEY! 434 00:21:34,427 --> 00:21:36,896 THE RAILROAD PAID THE DAMAGES! HOLD YOUR FIRE! 435 00:21:39,232 --> 00:21:41,601 KEEP BACK, WYATT! TOO LATE FOR TALKING! 436 00:21:59,285 --> 00:22:02,055 GO BACK, MISS DORA! GO BACK! 437 00:22:02,055 --> 00:22:04,124 THAT IS MISS DORA! HOLD YOUR FIRE! 438 00:22:06,893 --> 00:22:08,294 QUIT SHOOTING! YOU'LL HIT MISS DORA! 439 00:22:12,165 --> 00:22:13,466 YOU AIN'T HURT, MISS DORA? 440 00:22:13,500 --> 00:22:16,069 NO, BUT IT'S A SMALL WONDER. 441 00:22:16,069 --> 00:22:19,506 YOU IDIOTS OUT HERE SHOOTING EACH AT OTHER IN A DAMN FOOL ROW. 442 00:22:19,539 --> 00:22:21,341 PUT DOWN YOUR GUNS, ALL OF YOU, 443 00:22:21,374 --> 00:22:24,811 OR YOU'LL NEVER GET A WELCOME AGAIN FROM ME OR MY GIRLS, AND I MEAN IT. 444 00:22:24,844 --> 00:22:27,681 LOOK, THE RAILROAD PAID YOUR DAMAGES. $900. 445 00:22:27,714 --> 00:22:29,516 IT AIN'T ENOUGH, WYATT. 446 00:22:29,549 --> 00:22:30,950 IT'S ALL YOU'RE GONNA GET. 447 00:22:30,984 --> 00:22:32,886 IF YOU MEN HANG AROUND HERE WITH GUNS, 448 00:22:32,919 --> 00:22:34,954 THE RAILROAD'S GONNA START THE SOLDIERS AFTER YOU. 449 00:22:34,988 --> 00:22:37,090 YOU BUFFALO HUNTERS HAVEN'T CHANGED A BIT 450 00:22:37,123 --> 00:22:38,692 FROM THE DAYS I WAS A HIDE HUNTER. 451 00:22:38,725 --> 00:22:40,860 YOU'RE ALL STILL STUBBORN AND CANTANKEROUS. 452 00:22:40,894 --> 00:22:42,128 THAT SETTLES IT. 453 00:22:42,162 --> 00:22:43,997 UNLESS YOU BEHAVE YOURSELVES, 454 00:22:44,097 --> 00:22:46,666 NO MORE BUFFALO MEN WELCOME IN MY DANCE HALL. 455 00:22:46,700 --> 00:22:49,102 OH, WE TAKE THE DEAL, MISS DORA, 456 00:22:49,102 --> 00:22:50,270 AND WE BEHAVE, DON'T WE, BOYS? 457 00:22:50,303 --> 00:22:51,738 [ALL] YEAH! WE AGREE... 458 00:23:05,151 --> 00:23:08,922 YOU CAN TAKE THIS TO THE CITY COUNCIL. THAT'S YOUR PRIVILEGE. 459 00:23:08,955 --> 00:23:12,058 BUT WHAT MISS DORA DID THIS AFTERNOON 460 00:23:12,058 --> 00:23:15,495 MORE THAN MAKES UP FOR ANY TROUBLE THAT WAS CAUSED AT HER PLACE. 461 00:23:15,528 --> 00:23:17,797 I'LL ARGUE AGAINST CLOSING HER, 462 00:23:17,831 --> 00:23:20,667 AND JIM KELLY CONTROLS THE MAJORITY VOTE ON THE COUNCIL. 463 00:23:20,700 --> 00:23:22,969 I GUESS YOU'RE RIGHT. 464 00:23:25,171 --> 00:23:26,373 NO HARD FEELINGS? 465 00:23:28,274 --> 00:23:30,176 NO, SIR. 466 00:23:30,210 --> 00:23:33,480 YES, SIR, QUITE A WOMAN, ISN'T SHE? 467 00:23:33,513 --> 00:23:35,782 CAN I TELL HER THAT AS COMING FROM YOU? 468 00:23:35,815 --> 00:23:38,785 GREAT SCOTT, NO! I'M A HAPPILY MARRIED MAN! 469 00:23:55,235 --> 00:23:57,303 EVENING, MISS DORA. 470 00:23:57,337 --> 00:23:59,239 OH, HOWDY. 471 00:23:59,272 --> 00:24:02,308 DID YOU HAVE YOUR TALK WITH REVEREND HAWKUT? 472 00:24:02,342 --> 00:24:03,677 HE WANTS ME TO STAY ON IN THE CHOIR. 473 00:24:03,710 --> 00:24:06,880 THE WOMEN ARE RAISING SUCH NED. 474 00:24:06,913 --> 00:24:10,083 I'VE CAUSED ENOUGH TROUBLE ALREADY. 475 00:24:10,116 --> 00:24:12,919 FOOLISH NOTION. ME IN A CHURCH. 476 00:24:12,952 --> 00:24:15,055 WAIT A MINUTE. WHAT IS A CHURCH FOR, 477 00:24:15,055 --> 00:24:16,790 EXCEPT FOR GOOD PEOPLE AND SINNERS? 478 00:24:16,823 --> 00:24:19,926 - I'M GOING BACK IN THERE AND TELL THEM-- - WHOA, MARSHAL! 479 00:24:19,959 --> 00:24:22,062 "LOVE THY NEIGHBOR." 480 00:24:22,062 --> 00:24:24,297 "BE GOOD TO THEM THAT HATE YOU," REMEMBER? 481 00:24:24,330 --> 00:24:28,735 YOU DON'T SMILE. YOU DON'T FEEL LIKE SMILING? 482 00:24:28,768 --> 00:24:30,970 NO I DON'T. 483 00:24:31,071 --> 00:24:33,940 - YOU WERE ABOUT TO SAY-- - I WAS ABOUT TO SAY THAT-- 484 00:24:35,275 --> 00:24:37,811 IN THIS TOWN OF WOMEN, YOU ARE A GREAT LADY. 485 00:24:37,844 --> 00:24:39,512 THANK YOU. 486 00:24:45,251 --> 00:24:47,921 * WELL, HE CLEANED UP THE COUNTRY * 487 00:24:47,954 --> 00:24:49,923 * THE OLD WILD WEST COUNTRY * 488 00:24:49,956 --> 00:24:53,693 * HE MADE LAW AND ORDER PREVAIL * 489 00:24:53,727 --> 00:24:55,995 * AND NONE CAN DENY IT * 490 00:24:56,096 --> 00:24:57,931 * THE LEGEND OF WATT * 491 00:24:57,964 --> 00:25:02,268 * FOREVER WILL LIVE ON THE TRAIL * 492 00:25:02,302 --> 00:25:04,504 * OH, WYATT EARP * 493 00:25:04,537 --> 00:25:06,606 * WYATT EARP * 494 00:25:06,639 --> 00:25:10,643 * BRAVE, COURAGEOUS, AND BOLD * 495 00:25:10,677 --> 00:25:12,579 * LONG LIVE HIS FAME * 496 00:25:12,612 --> 00:25:14,347 * AND LONG LIVE HIS GLORY * 497 00:25:14,381 --> 00:25:19,085 * AND LONG MAY HIS STORY BE TOLD * 498 00:25:19,119 --> 00:25:24,324 * LONG MAY HIS STORY BE TOLD. *37794

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