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* WYATT EARP *
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* WYATT EARP *
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* BRAVE, COURAGEOUS,AND BOLD *
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00:00:23,456 --> 00:00:25,425
* LONG LIVE HIS FAME *
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00:00:25,458 --> 00:00:27,427
* AND LONG LIVE HIS GLORY *
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00:00:27,460 --> 00:00:31,898
* AND LONG MAYHIS STORY BE TOLD. *
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[ANNOUNCER]COWHANDS ON A HOO-RAH
8
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WEREN'T THE ONLYTROUBLEMAKERS IN DODGE CITY
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00:00:50,650 --> 00:00:52,318
WHEN WYATT EARP WAS MARSHAL.
10
00:00:52,352 --> 00:00:54,320
- THERE WERE TOUGHBUFFALO HUNTERS...
- [GUNSHOT]
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00:00:54,354 --> 00:00:56,222
...WHO WENT ON SPREESIN DODGE.
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00:00:56,256 --> 00:00:58,858
AND THERE WERE THERAILROAD CONSTRUCTION GANGSOF THE SANTA FE,
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00:00:58,892 --> 00:01:02,462
WHO TRIED TO MAKE GOODTHEIR BOAST THAT DODGEWAS HELL ON WHEELS.
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00:01:02,495 --> 00:01:05,732
IN 1876, THESE TWO GROUPSOF HOODLUMS FOUGHT EACH OTHER
15
00:01:05,765 --> 00:01:08,735
FOR POSSESSION OF THEDANCE HALL RUN BY DORA HAND,
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00:01:08,768 --> 00:01:10,970
THE QUEEN OF DODGE CITY'SNIGHT LIFE.
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DORA HAND, A BEAUTIFULAND MYSTERIOUS YOUNG WOMAN
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00:01:14,107 --> 00:01:16,343
WHO WAS A LEGENDIN HER OWN LIFETIME.
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MEN SHOT OR MAIMED ONE ANOTHERIN FIGHTS OVER DORA AND THEGIRLS OF HER DANCE HALL.
20
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[CLAMORING]
21
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COME ON!
22
00:01:29,956 --> 00:01:31,491
CUT HIM UP!
23
00:01:35,095 --> 00:01:37,297
YOU GOT HIM!
24
00:01:38,832 --> 00:01:40,333
YOU GOT HIM, ROGAN!
25
00:01:40,367 --> 00:01:41,434
[BOTTLE SHATTERS]
26
00:01:41,468 --> 00:01:44,104
WHY'D YOU DO THAT?
THAT WAS ROGAN.
27
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- [ALL CLAMORING]
- [WYATT] THE FIGHT'S OVER!
28
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TAKE IT EASY.
29
00:01:49,242 --> 00:01:50,977
NOW WHAT'S ALL THIS ABOUT?
30
00:01:51,011 --> 00:01:52,645
IT WAS JUST AN ARGUMENT,
MARSHAL.
31
00:01:52,679 --> 00:01:54,881
THERE'S NO NEED TO ARREST
THEM. THEY'LL BEHAVE.
32
00:01:54,914 --> 00:01:57,117
TAKE THEM BOTH
TO JAIL, HAL.
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00:01:57,150 --> 00:01:58,685
COME ON.
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NOW LOOK, MISS DORA,
THIS IS THE THIRD FIGHT
35
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YOU'VE HAD IN HERE
SINCE NOON.
36
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SAM, DRINKS
ON THE HOUSE.
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00:02:06,059 --> 00:02:08,461
MARSHAL.
38
00:02:08,495 --> 00:02:10,864
I'LL TAKE ONE
OF THOSE DRINKS...
39
00:02:10,897 --> 00:02:15,602
I WOULD HAVE BROKEN IT UP.
THE MEN LISTEN TO ME.
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00:02:15,635 --> 00:02:18,171
THAT BUFFALO HUNTER
WOULD HAVE CUT HIM
TO RIBBONS.
41
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WELL, THE RAILROAD MAN
STARTED IT.
42
00:02:20,206 --> 00:02:23,877
LOOK, YOU'VE GOT
A ROUGH MIXTURE HERE--
43
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BUFFALO HUNTERS
AND RAILROAD MEN.
44
00:02:26,112 --> 00:02:30,150
YOU'RE GONNA HAVE TO
MAKE UP YOUR MIND TO BAR
ONE CROWD OR THE OTHER.
45
00:02:30,183 --> 00:02:31,584
THAT'S NOT EASY,
MARSHAL.
46
00:02:31,618 --> 00:02:33,620
WHAT ABOUT THE COWHANDS
AND THE SOLDIERS?
47
00:02:33,653 --> 00:02:37,757
NO, WHAT I NEED ARE
BIGGER AND BRAVER BARKEEPS.
48
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THEY'LL STOP ALL
THE ROUGH STUFF.
49
00:02:39,092 --> 00:02:41,327
MISS DORA, THAT ISN'T
GONNA WORK EITHER.
50
00:02:41,361 --> 00:02:45,465
THERE HAVE ALWAYS BEEN
FIGHTS ON THIS SIDE
OF THE LINE.
51
00:02:45,498 --> 00:02:47,267
WHEN MEN DRINK AND ARGUE
ABOUT WOMEN,
52
00:02:47,300 --> 00:02:48,735
THERE ARE
BOUND TO BE FIGHTS.
53
00:02:48,768 --> 00:02:51,504
NOT WITH KNIVES AND GUNS,
THEY'RE NOT GONNA FIGHT.
54
00:02:51,538 --> 00:02:53,239
WHAT'S THIS LEADING TO,
MARSHAL?
55
00:02:53,273 --> 00:02:55,308
ARE YOU PLANNING
TO CLOSE ME?
56
00:02:55,342 --> 00:02:57,744
I SURE DON'T WANT TO,
MISS DORA, BUT--
57
00:02:59,813 --> 00:03:01,047
KEEP OUT OF THIS.
58
00:03:01,047 --> 00:03:03,917
I ONLY WANT TO
MAKE A SUGGESTION
TO MARSHAL EARP.
59
00:03:03,950 --> 00:03:07,721
JUST SAY IN YOUR REPORT
THE HOO-RAH WAS AT MY PLACE.
60
00:03:07,754 --> 00:03:09,522
THAT WAY SHE
WON'T GET MENTIONED
IN THE PAPERS.
61
00:03:09,556 --> 00:03:11,291
NO! KEEP OUT OF IT!
62
00:03:11,324 --> 00:03:15,061
MR. KELLY IS IN ONE
OF HIS GALLANT MOODS
THIS EVENING.
63
00:03:15,095 --> 00:03:17,297
I HANDLE MY OWN
BEEFS, KELLY.
64
00:03:17,330 --> 00:03:19,265
YOU HIT ONE OF THEM
ON THE HEAD WITH
A WHISKEY BOTTLE.
65
00:03:19,299 --> 00:03:20,533
IS THAT LADYLIKE?
66
00:03:20,567 --> 00:03:22,936
I TOLD YOU YOU COULD
NEVER MAKE A LADY
OUT OF ME!
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00:03:22,969 --> 00:03:26,673
WHAT DID YOU DO TO JIM?
ARE YOU A HYPNOTIST
OR SOMETHING?
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00:03:26,706 --> 00:03:27,674
NO, MA'AM.
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00:03:27,707 --> 00:03:29,242
EARP AIN'T ANY
FRIEND OF MINE.
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00:03:29,275 --> 00:03:30,810
DON'T TRY TO STRING ME!
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00:03:30,844 --> 00:03:32,345
EARP'S GOT YOU
ACTING RESPECTABLE.
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00:03:32,379 --> 00:03:36,116
COUNCILMAN KELLY,
THEY CALL HIM.
THE LAW AND ORDER MAN.
73
00:03:36,149 --> 00:03:37,751
THIS IS BETWEEN US.
74
00:03:37,784 --> 00:03:39,919
YOU CAN SAY I'M
A PUBLIC NUISANCE
AND CLOSE ME, I GUESS.
75
00:03:39,953 --> 00:03:42,789
- OH, NO, NOW!
- OH, SHUT UP!
76
00:03:42,822 --> 00:03:44,758
WHAT'S THE VERDICT,
MARSHAL?
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WELL, MISS DORA,
78
00:03:48,728 --> 00:03:52,732
I COULD ASSIGN AN EXTRA
DEPUTY HERE FOR A FEW DAYS.
79
00:03:52,766 --> 00:03:54,200
YEAH. GOOD IDEA.
80
00:03:54,234 --> 00:03:56,536
OH, IT'S NOT
A GOOD IDEA AT ALL!
81
00:03:56,569 --> 00:03:59,906
THE BUFFALO MEN WILL SAY YOU'RE
SIDING WITH THE SANTA FE CROWD
82
00:03:59,939 --> 00:04:02,442
AND THE SANTA FE CROWD
WILL TELL MAJOR PAXTON
83
00:04:02,475 --> 00:04:03,943
THAT YOU'RE FAVORING
THE BUFFALO MEN.
84
00:04:04,044 --> 00:04:06,346
WELL, WHAT
DO YOU SUGGEST?
85
00:04:06,379 --> 00:04:09,282
I SUGGEST--
86
00:04:09,315 --> 00:04:11,051
WHY DON'T YOU LET ME
TALK TO ALL THE MEN?
87
00:04:11,084 --> 00:04:13,053
IF THEY KNOW THAT YOU'RE
THREATENING TO CLOSE ME,
88
00:04:13,053 --> 00:04:16,356
THEY'LL STOP
ALL THE ROUGH STUFF.
89
00:04:16,389 --> 00:04:18,491
ALL RIGHT, MA'AM,
YOU'RE ENTITLED
TO THAT CHANCE.
90
00:04:18,525 --> 00:04:20,794
- GOOD EVENING.
- THANK YOU, MARSHAL.
91
00:04:22,495 --> 00:04:23,463
NOW DORA--
92
00:04:23,496 --> 00:04:25,331
OH, SHUT UP, KELLY.
93
00:04:26,399 --> 00:04:28,535
EARP, WAIT FOR ME!
I WANT TO TALK TO YOU.
94
00:04:38,378 --> 00:04:39,946
I THOUGHT YOU
WANTED TO TALK TO ME.
95
00:04:39,979 --> 00:04:42,649
I DO. BUT NOT AS A FRIEND,
MIND YOU.
96
00:04:43,917 --> 00:04:45,685
ALL RIGHT.
97
00:04:45,719 --> 00:04:48,755
AND DON'T GET ANY WRONG IDEAS
ABOUT MISS DORA AND ME.
98
00:04:48,788 --> 00:04:52,092
SHE CONSIDERS HERSELF
TOO GOOD TO MARRY
A SALOON KEEPER.
99
00:04:52,125 --> 00:04:54,794
BY GEORGE,
SHE'S RIGHT.
100
00:04:54,828 --> 00:04:56,296
YES, SIR.
101
00:04:56,329 --> 00:04:57,931
YOU DON'T KNOW
MISS DORA!
102
00:04:57,964 --> 00:05:01,134
ALL YOU SEE IS
A DANCE HALL OWNER
AND JUMP TO CONCLUSIONS.
103
00:05:01,167 --> 00:05:04,504
I'VE JUMPED A LOT
OF TIMES, MR. KELLY,
104
00:05:04,537 --> 00:05:07,307
BUT NEVER
TO A CONCLUSION.
105
00:05:07,340 --> 00:05:09,909
YOU MIGHT AS WELL KNOW
THE TRUTH, FAIR AND SQUARE.
106
00:05:09,943 --> 00:05:11,845
I'M ON MISS DORA'S SIDE.
107
00:05:11,878 --> 00:05:13,313
YOU IN LOVE WITH HER?
108
00:05:13,346 --> 00:05:15,615
THAT'S NONE
OF YOUR BUSINESS!
109
00:05:15,648 --> 00:05:18,918
WE HIRED YOU TO KEEP
LAW AND ORDER IN THIS TOWN,
110
00:05:18,952 --> 00:05:21,888
NOT TO GO STICKING YOUR NOSE
INTO PERSONAL MATTERS.
111
00:05:23,723 --> 00:05:25,091
ALL RIGHT, MR. KELLY.
112
00:05:25,125 --> 00:05:26,760
I'LL HAVE TO TELL YOU
THE TRUTH,
113
00:05:26,793 --> 00:05:28,094
"FAIR AND SQUARE."
114
00:05:28,128 --> 00:05:30,063
WHAT TRUTH?
115
00:05:30,096 --> 00:05:32,732
I CAN'T KEEP SUNDAY-SCHOOL
ORDER IN THIS PART OF TOWN
116
00:05:32,766 --> 00:05:34,100
AND I'D BE A FOOL
TO EVEN TRY,
117
00:05:34,134 --> 00:05:36,102
BUT I DO DRAW THE LINE
AT KNIFIN' AND SHOOTIN'.
118
00:05:36,136 --> 00:05:38,471
IF MISS DORA CAN'T
CONTROL HER CUSTOMERS,
119
00:05:38,505 --> 00:05:39,539
SHE'S JUST GONNA
HAVE TO CLOSE.
120
00:05:39,572 --> 00:05:42,242
CLOSE HER?
OVER MY DEAD BODY!
121
00:05:44,144 --> 00:05:45,879
SHE'LL STILL HAVE TO CLOSE.
122
00:05:45,912 --> 00:05:48,081
EARP, I HAD YOU RIGHT
IN THE FIRST PLACE.
123
00:05:48,081 --> 00:05:51,251
YOU'RE NOTHING BUT A STUPID,
SANCTIMONIOUS JOHN LAW!
124
00:05:51,284 --> 00:05:52,252
NOW LET ME TELL YOU--
125
00:05:52,285 --> 00:05:53,953
HOLD IT, KELLY.
126
00:05:53,987 --> 00:05:56,089
DON'T GET TOUGH
WITH THE MARSHAL.
127
00:05:56,122 --> 00:05:58,692
LET MAJOR PAXTON
HANDLE HIM.
128
00:06:01,027 --> 00:06:03,029
WHO'S MAJOR PAXTON?
129
00:06:03,029 --> 00:06:05,865
HE'S BOSS OF
CONSTRUCTION FOR THE
SANTA FE, THAT'S WHO.
130
00:06:05,899 --> 00:06:07,300
A FINE MAN, PAXTON.
131
00:06:07,334 --> 00:06:09,302
I'LL STAND YOU ALL
A ROUND OF DRINKS ON IT.
132
00:06:09,336 --> 00:06:11,905
WILL YOU DRINK TO THE
RAILROAD, MR. EARP?
133
00:06:11,938 --> 00:06:14,407
I'M SORRY.
I DON'T DRINK.
134
00:06:14,441 --> 00:06:16,576
YOU CAN ALSO
TELL MAJOR PAXTON
135
00:06:16,609 --> 00:06:18,578
I DON'T
HANDLE EASY EITHER.
136
00:06:18,611 --> 00:06:20,814
DOUBLE ROUND
OF DRINKS. FREE.
137
00:06:20,847 --> 00:06:22,682
ALL RIGHT.
138
00:06:22,716 --> 00:06:25,318
- ALL RIGHT, WE'LL HAVE
A NICE PEACEABLE SHINDIG.
- [KELLY] YEAH.
139
00:06:28,922 --> 00:06:32,726
HERE'S TO MISS DORA,
THE DAISY BELL OF KANSAS.
140
00:06:32,759 --> 00:06:34,427
TO MISS DORA!
141
00:06:34,461 --> 00:06:36,763
[ALL] MISS DORA!
142
00:06:36,796 --> 00:06:40,133
AND WE DON'T WANT ANY
MORE DIRTY BUFFALO HUNTERS
CAUSING TROUBLE.
143
00:06:40,166 --> 00:06:44,270
WE'RE GOING OVER TO
HER PLACE AND WE'RE
GONNA THROW THEM OUT!
144
00:06:45,438 --> 00:06:47,774
IT'LL BE FOR
RAILROAD MEN ONLY.
145
00:06:47,807 --> 00:06:49,376
- [ALL MUTTER AGREEMENT]
- NOW, WHOA, NOW, OLD FRIEND.
146
00:06:49,409 --> 00:06:51,578
DO YOU SEE THAT, KELLY?
147
00:06:51,611 --> 00:06:54,447
IT'S A LANTERN.
148
00:06:54,481 --> 00:06:56,616
WE'RE GONNA HANG IT
ON THE DOOR.
149
00:06:56,649 --> 00:07:00,086
AND THAT WILL MEAN THAT DORA'S
PLACE IS FOR RAILROAD MEN ONLY!
150
00:07:02,455 --> 00:07:04,157
ARE YOU DRINKING
TO THAT, KELLY?
151
00:07:04,190 --> 00:07:05,225
WELL, SURE.
152
00:07:05,258 --> 00:07:07,027
WE'LL ALL DRINK TO THAT!
153
00:07:07,027 --> 00:07:08,395
AND ON THE HOUSE!
154
00:07:08,428 --> 00:07:10,630
AND ON THE HOUSE!
ON THE HOUSE!
155
00:07:10,663 --> 00:07:13,466
[KELLY] YES, SIR,THIS IS SANTA FE NIGHTIN JIM KELLY'S.
156
00:07:13,500 --> 00:07:15,235
ANY MORE RAILROAD MENIN THE HOUSE?
157
00:07:15,268 --> 00:07:20,373
STEP RIGHT UP HERE.
I'M BUYING YOU A DRINK.
BELLY UP!
158
00:07:36,956 --> 00:07:38,725
YOU BETTER GET OVER
TO THE ALHAMBRA RIGHT AWAY.
159
00:07:38,758 --> 00:07:39,959
THERE'S BEEN
A CRIME COMMITTED.
160
00:07:40,060 --> 00:07:43,129
KELLY'S? WHAT IS IT?
A BARROOM BRAWL?
161
00:07:43,163 --> 00:07:45,098
WORSE THAN THAT.
162
00:07:51,538 --> 00:07:53,573
ALL RIGHT. PUT THIS ONE
IN THE BACK ROOM TOO.
163
00:07:53,606 --> 00:07:55,775
EASY. NICE
AND GENTLE NOW.
164
00:07:55,809 --> 00:07:59,479
I DON'T WANT A BRUISE
OR A MARK ON 'EM.
OKAY...
165
00:08:03,049 --> 00:08:04,617
WHAT HAPPENED,
MR. KELLY?
166
00:08:04,651 --> 00:08:06,353
UH, BAD LIQUOR.
167
00:08:06,386 --> 00:08:09,222
THEY GOT IT AT
CHALK BEESON'S PLACE
ACROSS THE STREET.
168
00:08:09,255 --> 00:08:12,125
WHAT HE USES
IN HIS WHISKEY
I'LL NEVER KNOW.
169
00:08:12,158 --> 00:08:14,027
PUT HIM DOWN,
MR. KELLY.
170
00:08:14,027 --> 00:08:16,296
- IT'S JUST SOME
BAD LIQUOR--
- NEVER MIND.
171
00:08:18,598 --> 00:08:20,133
HOLY SMOKE!
172
00:08:21,868 --> 00:08:23,770
CHLORAL HYDRATE.
173
00:08:23,803 --> 00:08:25,939
ANYBODY ELSE BESIDES
THESE THREE MEN
GET MICKEY FINNS?
174
00:08:26,039 --> 00:08:27,173
MARSHAL, I SWEAR--
175
00:08:27,207 --> 00:08:29,142
I THOUGHT YOU WERE
SMARTER THAN THIS.
176
00:08:30,210 --> 00:08:31,878
- I HAD TO DO IT!
- WHY?
177
00:08:31,911 --> 00:08:33,279
THEY WERE GOING OVER
TO MISS DORA'S
178
00:08:33,313 --> 00:08:35,048
TO PICK A FIGHT WITH
THE BUFFALO HUNTERS.
179
00:08:35,048 --> 00:08:38,218
DON'T YOU KNOW THAT
KNOCKOUT DROPS CAN KILL A MAN,
THAT IT'S POISONOUS?
180
00:08:38,251 --> 00:08:40,553
NAH! THEY'RE RAILROAD MEN.
181
00:08:40,587 --> 00:08:42,555
YOU COULDN'T
KILL A RAILROAD MAN
WITH A MICKEY FINN.
182
00:08:42,589 --> 00:08:45,291
CHLORAL HYDRATE
IS A DEADLY POISON.
183
00:08:45,325 --> 00:08:48,061
I OUGHTA CHARGE YOU
WITH ATTEMPTED MURDER.
184
00:08:48,061 --> 00:08:49,662
CHARGE ME!
185
00:08:49,696 --> 00:08:51,965
HERE I THOUGHT
THE OLD JIM KELLY
WAS DEAD,
186
00:08:52,065 --> 00:08:54,134
THAT YOU'D PUT AN END
TO ALL THIS HOODLUM STUFF.
187
00:08:54,167 --> 00:08:55,669
COME ON, LOCK ME UP!
188
00:08:55,702 --> 00:08:56,903
DON'T YOU EVEN STOP
TO THINK?
189
00:08:56,936 --> 00:08:58,705
ROGAN AND HUMPY PUT ON
A DANCE HALL FIGHT.
190
00:08:58,738 --> 00:09:02,776
NOW YOU SPREAD THAT ROUTE
TO ALL THE BUFFALO HUNTERS
AND ALL THE RAILROAD MEN.
191
00:09:02,809 --> 00:09:04,477
WELL, I DONE IT
FOR HER.
192
00:09:04,511 --> 00:09:06,279
A DANCE HALL GIRL
AND A PRETTY FACE.
193
00:09:06,312 --> 00:09:07,647
NOW YOU STOP RIGHT THERE!
194
00:09:07,681 --> 00:09:11,251
SHE'S A MINISTERING ANGEL,
THAT'S WHAT SHE IS.
195
00:09:11,284 --> 00:09:13,653
SHE'S WHAT?
196
00:09:13,687 --> 00:09:16,923
YOU GO OVER TO
REVEREND HAWKUT'S CHURCH
IN THE MORNING AND--
197
00:09:17,023 --> 00:09:18,925
NO. NEVER MIND.
198
00:09:19,025 --> 00:09:20,060
COME ON,
LOCK ME UP!
199
00:09:20,093 --> 00:09:23,196
NEVER MIND.
I'LL DO THAT LATER.
200
00:09:23,229 --> 00:09:25,832
I'M GONNA SEND
DOC McCARTY OVER HERE
TO TAKE CARE OF THESE MEN.
201
00:09:25,865 --> 00:09:29,903
YOU PAY THE DOC, AND YOU JUST
BETTER HOPE THEY ALL WAKE UP
BY TOMORROW MORNING.
202
00:09:34,574 --> 00:09:36,109
AND I'M NO PRUDE,
MARSHAL.
203
00:09:36,142 --> 00:09:39,879
I EXPECT MY MEN
TO GET DRUNK AND CHASE
DANCE HALL GIRLS.
204
00:09:39,913 --> 00:09:42,615
BUT I CAN'T LET IT
INTERFERE WITH THEIR
WORK FOR THE RAILROAD.
205
00:09:42,649 --> 00:09:44,050
WE'RE PUSHING IRON--
206
00:09:44,084 --> 00:09:45,785
TWO TO FOUR MILES
OF TRACK A DAY.
207
00:09:45,819 --> 00:09:48,054
YES, SIR.
208
00:09:48,054 --> 00:09:50,056
THIS IS A PRETTY
KETTLE OF FISH!
209
00:09:50,090 --> 00:09:52,092
ROGAN MY TOP BOSS
ON THE SPIKE CREW,
210
00:09:52,125 --> 00:09:53,426
LAID UP WITH
A FRACTURED SKULL.
211
00:09:53,460 --> 00:09:55,695
SEVEN TERRIERS GROGGY
FROM DRUGGED LIQUOR.
212
00:09:55,729 --> 00:09:58,598
DO YOU THINK THE RAILROAD'S
GONNA STAND FOR THIS?
213
00:09:58,631 --> 00:10:02,335
YOUR MEN KIND OF
ASK FOR TROUBLE,
MAJOR PAXTON.
214
00:10:02,369 --> 00:10:04,637
ARE YOU DEFENDING
THIS DORA HAND?
215
00:10:04,671 --> 00:10:06,172
- AM I TO INFER--
- NO, SIR.
216
00:10:06,206 --> 00:10:09,009
I'M NOT TAKING SIDES
WITH MISS DORA OR MR. KELLY.
217
00:10:09,042 --> 00:10:12,312
I THINK WE MAY BE DOING
THEM BOTH AN INJUSTICE.
218
00:10:12,345 --> 00:10:13,880
INJUSTICE?
219
00:10:13,913 --> 00:10:16,716
GREAT SCOTT, THIS HAND WOMAN
HAS GIVEN ME MORE TROUBLE
220
00:10:16,750 --> 00:10:19,085
THAN ALL THE OTHER
DANCE HALL OPERATORS
COMBINED!
221
00:10:20,687 --> 00:10:22,756
I DIDN'T COME HERE
TO ARGUE.
222
00:10:22,789 --> 00:10:24,791
I DEMAND THAT YOU CLOSE
THIS WOMAN'S PLACE.
223
00:10:24,824 --> 00:10:26,092
RUN HER OUT OF DODGE.
224
00:10:26,126 --> 00:10:28,495
IF I DECIDE THAT'S
THE WAY TO HANDLE IT,
225
00:10:28,528 --> 00:10:30,330
I'LL DO IT.
226
00:10:30,363 --> 00:10:33,933
HOW LONG DO YOU
THINK IT'LL TAKE YOU
TO MAKE UP YOUR MIND?
227
00:10:33,967 --> 00:10:35,735
NOT LONG, MAJOR.
228
00:10:35,769 --> 00:10:37,504
I'LL GIVE YOU
UNTIL TOMORROW.
229
00:10:37,537 --> 00:10:40,874
AFTER THAT, THE
RAILROAD WILL TAKE IT
TO THE TOWN COUNCIL.
230
00:10:42,709 --> 00:10:44,477
TOMORROW WILL BE
TIME ENOUGH.
231
00:10:44,511 --> 00:10:46,246
GOOD.
232
00:10:46,279 --> 00:10:48,448
THERE'S JUST ONE
LITTLE THING THAT
BOTHERS ME.
233
00:10:48,481 --> 00:10:50,383
YEAH?
234
00:10:50,417 --> 00:10:52,452
THE BLANKET CAMPS
OUTSIDE OF TOWN
235
00:10:52,485 --> 00:10:53,787
ARE FULL OF BUFFALO MEN.
236
00:10:53,820 --> 00:10:56,823
YOU GOT A BIG CREW
DRIVING TRACK.
237
00:10:56,856 --> 00:10:59,392
I THINK I CAN CALM DOWN
THE BUFFALO MEN.
238
00:10:59,426 --> 00:11:00,727
I USED TO BE
A HIDE HUNTER MYSELF.
239
00:11:00,760 --> 00:11:01,728
BUT WHAT ABOUT YOUR CREW?
240
00:11:01,761 --> 00:11:04,330
THEY'LL BE BUSY
ON THE RAILROAD.
241
00:11:04,364 --> 00:11:08,802
SEE THAT THEY STAY THAT WAY.
OTHERWISE WE MAY HAVE
A LITTLE FIGHT ON OUR HANDS.
242
00:11:08,835 --> 00:11:10,870
YOU GOING OUT TO
THOSE BUFFALO CAMPS NOW?
243
00:11:10,904 --> 00:11:13,940
LATER. I GOTTA GO
TO CHURCH FIRST.
244
00:11:26,086 --> 00:11:29,622
[DORA SINGING OUT OF KEY]* LEAD KINDLY LIGHT *
245
00:11:29,656 --> 00:11:34,194
* AMID THE ENCIRCLING GLOOM *
246
00:11:34,227 --> 00:11:39,165
* LEAD THOU ME ON *
247
00:11:39,199 --> 00:11:42,268
* THE NIGHT IS DARK *
248
00:11:42,302 --> 00:11:46,906
* AND I AM FAR FROM HOME *
249
00:11:46,940 --> 00:11:50,877
* LEAD THOU ME ON *
250
00:11:50,910 --> 00:11:55,281
* KEEP THOU MY FEET *
251
00:11:55,315 --> 00:12:00,487
* I DO NOT ASK TO SEE *
252
00:12:00,520 --> 00:12:04,524
* THE DISTANT SCENE *
253
00:12:04,557 --> 00:12:08,895
* ONE STEP ENOUGH *
254
00:12:08,928 --> 00:12:13,633
* FOR ME. *
255
00:12:13,667 --> 00:12:15,168
VERY GOOD, MISS HAND.
256
00:12:15,201 --> 00:12:17,504
NOW THEN, WE'LL TRY
THE RECESSIONAL HYMN.
257
00:12:17,537 --> 00:12:19,372
I'M AFRAID YOU'LL
HAVE TO EXCUSE ME.
258
00:12:19,406 --> 00:12:22,409
I PROMISED REVEREND HAWKUT
TO TAKE UP A COLLECTION
FOR HIM.
259
00:12:22,442 --> 00:12:23,710
OH, YES,
I HAD FORGOTTEN.
260
00:12:23,743 --> 00:12:25,445
ANOTHER CHOIR PRACTICE
SATURDAY?
261
00:12:25,478 --> 00:12:26,980
YES, I'LL BE HERE.
262
00:12:27,080 --> 00:12:28,915
GOOD DAY TO YOU ALL.
GOOD DAY.
263
00:12:28,948 --> 00:12:31,551
GOOD DAY, MISS.
264
00:12:31,584 --> 00:12:34,654
WE'LL GO RIGHT TO
THE RECESSIONAL HYMN...
265
00:12:38,558 --> 00:12:39,993
WELL SAY IT.
266
00:12:40,093 --> 00:12:41,695
SAY WHAT?
267
00:12:41,728 --> 00:12:43,430
THAT I'M ON
THE WRONG SIDE OF TOWN,
268
00:12:43,463 --> 00:12:45,532
THAT I SHOULDN'T DARE
TO ENTER A CHURCH.
269
00:12:45,565 --> 00:12:48,268
I COULDN'T VERY WELL
SAY THAT, MISS DORA.
270
00:12:48,301 --> 00:12:50,737
AFTER ALL, THEY LET ME
IN CHURCH TOO.
271
00:12:50,770 --> 00:12:54,708
MR. KELLY GOT MAD AND TOLD ME
I SHOULD TALK TO THE REVEREND
HAWKUT ABOUT YOU.
272
00:12:54,741 --> 00:12:57,143
THAT KELLY!
273
00:12:57,177 --> 00:13:00,680
HE ALSO CALLED YOU
A MINISTERING ANGEL.
274
00:13:00,714 --> 00:13:01,948
BLARNEY.
275
00:13:02,048 --> 00:13:04,851
SURE, I KICKED IN SOME MONEY
TO HELP BUILD THE CHURCH,
276
00:13:04,884 --> 00:13:06,486
BUT SO DID EVERY PLACE
ELSE IN TOWN.
277
00:13:06,519 --> 00:13:09,422
THE REVEREND HAWKUT
ASKED ME TO JOIN THE CHOIR
278
00:13:09,456 --> 00:13:12,525
BECAUSE I SING A LITTLE BIT
BETTER THAN THE REST.
279
00:13:12,559 --> 00:13:14,060
YOU HAVE A VERY
NICE VOICE.
280
00:13:14,094 --> 00:13:15,562
THIS HAS NOTHING TO DO
281
00:13:15,595 --> 00:13:17,864
WITH WHETHER YOU'RE
GOING TO CLOSE MY
DANCE HALL OR NOT.
282
00:13:17,897 --> 00:13:19,499
ARE YOU?
283
00:13:19,532 --> 00:13:21,901
DID YOU TALK
TO THE MEN?
284
00:13:21,935 --> 00:13:24,170
YES, I TALKED TO THEM.
285
00:13:24,204 --> 00:13:26,373
THEY ALL PROMISED THEY'D
STOP ALL THE ROUGH STUFF.
286
00:13:28,308 --> 00:13:31,978
BUT TO BE HONEST
WITH YOU, MR. EARP,
I DON'T BELIEVE IT.
287
00:13:32,078 --> 00:13:34,414
THAT'S BAD NEWS.
288
00:13:34,447 --> 00:13:37,384
LOTS OF PEOPLE
WILL GET HURT.
289
00:13:37,417 --> 00:13:39,419
INCLUDING YOU?
290
00:13:39,452 --> 00:13:41,187
YOU DON'T HAVE TO
WORRY ABOUT ME.
291
00:13:41,221 --> 00:13:43,390
I'LL TAKE CARE OF MYSELF.
292
00:13:44,657 --> 00:13:46,226
I LIKE YOU, MISS DORA.
293
00:13:48,395 --> 00:13:50,997
AND YOU LIKE JIM KELLY.
294
00:13:51,097 --> 00:13:52,899
IT'S FOOLISH OF YOU,
MR. EARP.
295
00:13:52,932 --> 00:13:55,835
LIKING US IS GOING TO GET YOU
INTO LOTS OF TROUBLE,
296
00:13:55,869 --> 00:13:59,572
SO MUCH TROUBLE YOU'LL
HAVE TO LEAVE DODGE.
297
00:13:59,606 --> 00:14:03,677
I DON'T NEED ANYBODY'S HELP
TO GET ME INTO TROUBLE.
298
00:14:03,710 --> 00:14:05,645
[DORA] HERE IT COMES.
299
00:14:05,679 --> 00:14:08,515
EXCUSE ME. WYATT, THE WHOLE
SECTION GANG'S GONE DOWN
TO THAT BLANKET CAMP.
300
00:14:08,548 --> 00:14:11,051
THEY SAID THEY'RE GONNA
RUN THOSE BUFFALO HUNTERS
RIGHT OUT OF KANSAS.
301
00:14:11,051 --> 00:14:14,054
GUESS I BETTER SADDLE UP.
EXCUSE ME, MA'AM.
302
00:14:14,087 --> 00:14:16,690
WATCH YOURSELF, MARSHAL!
THEY'RE A PRETTY TOUGH LOT.
303
00:14:27,567 --> 00:14:29,235
[MAN] LOOK OUT!
RAILROAD MEN!
304
00:14:35,975 --> 00:14:37,210
TEAR IT DOWN!
305
00:14:41,815 --> 00:14:43,416
STACK IT UP OVER HERE!
306
00:14:53,560 --> 00:14:54,594
[PISTOL BLASTS]
307
00:14:54,627 --> 00:14:55,762
HOLD IT!
308
00:14:55,795 --> 00:14:57,697
YOU'RE A MITE LATE,
AIN'T YOU, EARP?
309
00:14:57,731 --> 00:14:59,666
YEAH, I GUESS I AM.
310
00:14:59,699 --> 00:15:02,869
ANOTHER ONE OF YOUR GANG
JUST BURNED OUT A BUFFALO CAMP
A MILE DOWN THE ROAD.
311
00:15:02,902 --> 00:15:06,039
BUT WE'RE IN PLENTY
OF TIME TO MAKE YOU
PAY FOR THE DAMAGES.
312
00:15:06,039 --> 00:15:08,041
NOW I WANT YOUR HANDS
TO COME UP AND I WANT
THEM TO COME UP EMPTY.
313
00:15:10,076 --> 00:15:11,411
PUT 'EM UP! WAY UP!
314
00:15:16,950 --> 00:15:19,285
ALL RIGHT, MR. FROHM,
YOU CLAIM THERE WAS
315
00:15:19,319 --> 00:15:22,088
ABOUT $750 WORTH
OF DAMAGE, HUH?
316
00:15:22,122 --> 00:15:23,123
THEY BURN ANY RIFLES?
317
00:15:23,156 --> 00:15:26,126
YEAH, TWO SHARPS
AND A WINCHESTER.
318
00:15:26,159 --> 00:15:29,095
THAT'S ABOUT $150 MORE.
319
00:15:31,498 --> 00:15:32,799
I'LL TAKE CARE
OF THIS.
320
00:15:36,536 --> 00:15:38,138
YOU BETTER
TAKE CARE OF IT.
321
00:15:38,171 --> 00:15:40,273
MY WHOLE BALLAST CREW
PULLED OFF OF THE JOB.
322
00:15:40,306 --> 00:15:43,109
- WE'RE A MILE AND A HALF
BEHIND SCHEDULE.
- DON'T LECTURE ME.
323
00:15:43,143 --> 00:15:45,345
- WHAT WAS THAT?
- I DON'T WANT ANY
RAILROAD BIG TALK!
324
00:15:45,378 --> 00:15:47,180
YOUR MEN WERE CAUGHT
DEAD TO RIGHTS.
325
00:15:47,213 --> 00:15:49,449
THEY RAIDED AND BURNED
A HIDE HUNTERS' CAMP
AND THE DAMAGE IS $900!
326
00:15:49,482 --> 00:15:51,351
- THE RAILROAD
WON'T PAY A CENT!
- THEN THEY STAY IN JAIL!
327
00:15:51,384 --> 00:15:54,087
YOU HAD NO RIGHT TO
ARREST THEM! YOU'RE
A TOWN MARSHAL.
328
00:15:54,087 --> 00:15:58,491
I'M ALSO A UNITED STATES
DEPUTY MARSHAL!
329
00:15:58,525 --> 00:16:01,094
NOW IF I WERE YOU,
I'D GET THAT MONEY
AND GET IT FAST.
330
00:16:01,127 --> 00:16:03,897
AND I'LL TRY AND TALK
THE BUFFALO HUNTERS OUT
OF MAKING THEIR OWN RAID.
331
00:16:03,930 --> 00:16:07,334
ARE YOU THREATENING
THE RAILROAD?
332
00:16:07,367 --> 00:16:09,202
I DON'T WASTE
MY TIME, MAJOR.
333
00:16:09,235 --> 00:16:10,637
IF YOU DON'T HAVE
THAT MONEY IN TWO HOURS,
334
00:16:10,670 --> 00:16:12,038
I WON'T EVEN TRY
AND STOP THEM.
335
00:16:12,038 --> 00:16:13,640
NOW WHO DO YOU THINK
YOU'RE FOOLING WITH?
336
00:16:13,673 --> 00:16:15,175
THOSE BUFFALO HUNTERS
ARE TOUGHER MAN FOR MAN
337
00:16:15,208 --> 00:16:17,844
THAN ANY COWHANDS
YOU EVER HEARD OF!
338
00:16:17,877 --> 00:16:19,813
WHAT DO YOU THINK
THEY'LL DO?
339
00:16:22,415 --> 00:16:24,250
WHILE THEY CHASE YOUR CREWS
OFF THE RACK,
340
00:16:24,284 --> 00:16:27,087
THEY'LL TEAR UP ABOUT
FIVE MILES OF TRACK,
341
00:16:27,120 --> 00:16:28,688
WOULD BE MY GUESS.
342
00:16:28,722 --> 00:16:31,057
- IT'S ALL YOUR FAULT!
- OH?
343
00:16:31,091 --> 00:16:32,692
I ASKED YOU TO RUN
THAT WOMAN OUT OF TOWN.
344
00:16:32,726 --> 00:16:34,127
THAT FANCY BELLE
DORA HAND--
345
00:16:34,160 --> 00:16:36,663
SHE HAD NOTHING
TO DO WITH IT!
346
00:16:36,696 --> 00:16:38,631
YOU'RE WASTING
YOUR TIME, MAJOR.
347
00:16:40,433 --> 00:16:42,135
ALL RIGHT.
348
00:16:42,168 --> 00:16:43,937
I'LL GET THE MONEY.
349
00:16:43,970 --> 00:16:45,939
BUT IT'S BLACKMAIL!
350
00:16:45,972 --> 00:16:48,608
DO YOU WANT
TO REPEAT THAT?
351
00:16:48,641 --> 00:16:51,745
NO, I GUESS NOT.
352
00:16:51,778 --> 00:16:53,780
SORRY.
353
00:17:06,192 --> 00:17:07,761
A BARKEEP BROUGHT
A MESSAGE FROM MISS DORA.
354
00:17:07,794 --> 00:17:09,129
WANTS TO SEE YOU
RIGHT AWAY.
355
00:17:09,162 --> 00:17:10,463
SAYS IT'S
VERY IMPORTANT.
356
00:17:10,497 --> 00:17:12,132
YEAH, ALL RIGHT.
357
00:17:18,038 --> 00:17:19,939
AND DON'T TRY
TO SOFT-SOAK ME!
358
00:17:20,040 --> 00:17:23,410
YOU GOT ME INTO THIS MESS,
YOU AND YOUR MICKEY FINNS!
359
00:17:23,443 --> 00:17:26,146
AND DON'T SAY YOU DID IT
TO KEEP THE FIGHTING
OUT OF MY PLACE!
360
00:17:26,179 --> 00:17:28,682
- YOU DID IT FOR EARP!
- EARP? I DON'T EVEN LIKE HIM!
361
00:17:28,715 --> 00:17:31,451
OH, YES YOU DO!
AND HE LIKES YOU.
HE TOLD ME SO.
362
00:17:31,484 --> 00:17:34,054
YEAH? SINCE WHEN DID YOU
AND EARP GET SO FRIENDLY?
363
00:17:34,054 --> 00:17:35,455
DON'T CHANGE THE SUBJECT!
364
00:17:35,488 --> 00:17:37,290
THE SUBJECT IS
THOSE HIDE HUNTERS!
365
00:17:37,323 --> 00:17:39,292
YOU KNOW WHAT THEY'RE AIMING
TO DO TO THE RAILROAD.
366
00:17:39,325 --> 00:17:40,527
I AIN'T ADMITTING THAT.
367
00:17:41,861 --> 00:17:43,663
- YOU BETTER ADMIT IT!
- NOW DORA!
368
00:17:43,697 --> 00:17:45,899
EARP'S COMING HERE.
I SENT FOR HIM.
369
00:17:45,932 --> 00:17:47,500
AND YOU BETTER
TELL HIM THE TRUTH
370
00:17:47,534 --> 00:17:49,602
BECAUSE I'M TIRED
OF YOUR HOODLUM
SHENANIGANS!
371
00:17:49,636 --> 00:17:51,671
I'M A HOODLUM?
JUST LOOK WHO'S TALKING!
372
00:17:51,705 --> 00:17:53,373
HOWDY, FOLKS.
373
00:17:53,406 --> 00:17:54,674
HOWDY, MR. EARP.
374
00:17:54,708 --> 00:17:58,345
MISS DORA WAS SHOWING
ME THIS STATUE.
375
00:17:58,378 --> 00:18:01,014
JUST FEEL
THE WEIGHT OF IT.
376
00:18:01,014 --> 00:18:04,451
IT'S, UH--
QUITE HANDSOME.
377
00:18:04,484 --> 00:18:07,554
ALL RIGHT, KELLY,
TELL MR. EARP.
378
00:18:07,587 --> 00:18:09,489
TELL HIM WHAT?
379
00:18:09,522 --> 00:18:12,559
THE BUFFALO HUNTERS
ARE AIMING TO GET EVEN
WITH THE RAILROAD CREW
380
00:18:12,592 --> 00:18:14,794
FOR WRECKING THEIR CAMP.
JIM KNOWS ALL ABOUT IT.
381
00:18:16,096 --> 00:18:17,764
I'M KEEPING YOU
OUT OF THIS.
382
00:18:17,797 --> 00:18:19,799
THERE'S NO CALL FOR YOU
TO GET IN THE MIDDLE
383
00:18:19,833 --> 00:18:21,301
BETWEEN THEM
BUFFALO HUNTERS
AND THE RAILROAD.
384
00:18:21,334 --> 00:18:23,303
YOU SEE? HE WANTS
TO BE YOUR FRIEND,
385
00:18:23,336 --> 00:18:25,105
BUT HE'S SUCH A HOODLUM
HE DOESN'T KNOW HOW.
386
00:18:25,138 --> 00:18:27,040
ALL RIGHT,
I'M A HOODLUM!
387
00:18:27,040 --> 00:18:28,641
AND YOU'RE A LADY.
388
00:18:28,675 --> 00:18:31,077
- THAT'S AN ODD TERM.
- WHAT'S AN ODD TERM?
389
00:18:31,111 --> 00:18:33,646
WHAT I MEAN,
MR. KELLY,
390
00:18:33,680 --> 00:18:35,782
IS THAT YOU CAN'T
KEEP A PEACE OFFICER
OUT OF TROUBLE.
391
00:18:35,815 --> 00:18:37,150
THAT'S WHAT
HE GETS PAID FOR.
392
00:18:37,183 --> 00:18:41,154
IF HE KNOWS THE RIGHT CARDS
HE'S GOT A BETTER CHANCE!
393
00:18:41,187 --> 00:18:42,922
HE'D HAVE
NO CHANCE AT ALL.
394
00:18:42,956 --> 00:18:45,658
MAJOR PAXTON OFFERED
TO PAY THE DAMAGES.
395
00:18:45,692 --> 00:18:46,860
WON'T THAT
CALM THE BOYS DOWN?
396
00:18:46,893 --> 00:18:48,695
NO. IT'S TOO LATE
FOR DAMAGES.
397
00:18:50,063 --> 00:18:51,464
ALL RIGHT.
398
00:18:51,498 --> 00:18:53,266
WHO'S LEADING THEM
AND WHERE CAN I
FIND THEM?
399
00:18:53,299 --> 00:18:54,734
AT YOUR PLACE?
400
00:18:54,768 --> 00:18:58,905
TELL HIM, JIM, OR
I'LL NEVER EVEN THINK
ABOUT MARRYING YOU.
401
00:18:58,938 --> 00:19:01,074
- DORA!
- WELL.
402
00:19:01,107 --> 00:19:04,277
WELL, MR. EARP,
WE WERE GONNA GIVE UP
THIS SORT OF LIFE,
403
00:19:04,310 --> 00:19:05,779
TOGETHER, BOTH OF US.
404
00:19:05,812 --> 00:19:07,180
BUT EVERY TIME
THE CHIP ARE DOWN
405
00:19:07,213 --> 00:19:09,215
IT'S THAT
OLD HOODLUM KELLY!
406
00:19:09,249 --> 00:19:12,118
I'M QUITTING THE CHURCH!
407
00:19:12,152 --> 00:19:14,387
I'M NEVER GONNA GO
INSIDE THERE AGAIN.
408
00:19:14,421 --> 00:19:16,856
- NO, DORA NO. I'LL TELL--
- DON'T TOUCH ME.
409
00:19:18,658 --> 00:19:21,928
THE BUFFALO HUNTERS LEFT
FOR THE END OF THE TRACK
ABOUT AN HOUR AGO.
410
00:19:22,028 --> 00:19:24,731
WITH GUNS?
411
00:19:24,764 --> 00:19:27,167
THEY AIM TO BUSHWHACK
THE SANTA FE?
412
00:19:27,200 --> 00:19:29,436
NO! PLAIN STANDUP FIGHT.
413
00:19:29,469 --> 00:19:31,037
DON'T GO OUT THERE.
414
00:19:31,037 --> 00:19:34,074
IT WOULD BE LIKE RIDING
BETWEEN THE FEDERALS
AND THE JOHNNY REBS.
415
00:19:34,107 --> 00:19:35,475
HE'S RIGHT, MR. EARP.
416
00:19:35,508 --> 00:19:37,277
WE THOUGHT IT WAS JUST
GONNA BE A SNEAK RAID
417
00:19:37,310 --> 00:19:39,245
MAJOR PAXTON OFFERED TO
PAY THE DAMAGES.
418
00:19:39,279 --> 00:19:41,348
THOSE FELLAS START SHOOTING,
THEY'LL WIND UP IN JAIL.
419
00:19:41,381 --> 00:19:42,449
I'LL SEE YOU ALL LATER.
420
00:19:44,117 --> 00:19:45,618
WELL, YOU TOLD HIM,
KELLY.
421
00:19:45,652 --> 00:19:48,621
I HOPE YOU'RE SATISFIED.
I KNOW WHAT I'M GONNA DO!
422
00:20:13,046 --> 00:20:15,582
BUFFALO HUNTERS!
423
00:20:15,615 --> 00:20:17,217
BREAK OUT THE GUNS!
424
00:20:17,250 --> 00:20:21,254
BUFFALO HUNTERS!
BREAK FOR COVER!
GRAB THE GUNS!
425
00:20:21,287 --> 00:20:22,722
[GUNS BLASTING]
426
00:21:15,175 --> 00:21:17,744
[KELLY] I TOLD YOU.
427
00:21:17,777 --> 00:21:19,746
I GOT THE MONEY.
WHAT DO THEY WANT?
428
00:21:19,779 --> 00:21:21,214
GIVE ME THE MONEY,
MAJOR.
429
00:21:21,247 --> 00:21:23,483
[KELLY] USE YOUR HEAD!
DON'T TRY TO GO BETWEEN 'EM!
430
00:21:23,516 --> 00:21:24,551
THEY'LL CUT YOU DOWN!
431
00:21:24,584 --> 00:21:25,985
MAYBE NOT.
432
00:21:30,490 --> 00:21:31,991
CEASE FIRE!
433
00:21:32,092 --> 00:21:34,394
HEY, BUFFALO MEN,
I'VE GOT YOUR MONEY!
434
00:21:34,427 --> 00:21:36,896
THE RAILROAD
PAID THE DAMAGES!
HOLD YOUR FIRE!
435
00:21:39,232 --> 00:21:41,601
KEEP BACK, WYATT!
TOO LATE FOR TALKING!
436
00:21:59,285 --> 00:22:02,055
GO BACK, MISS DORA!
GO BACK!
437
00:22:02,055 --> 00:22:04,124
THAT IS MISS DORA!
HOLD YOUR FIRE!
438
00:22:06,893 --> 00:22:08,294
QUIT SHOOTING!
YOU'LL HIT MISS DORA!
439
00:22:12,165 --> 00:22:13,466
YOU AIN'T HURT,
MISS DORA?
440
00:22:13,500 --> 00:22:16,069
NO, BUT IT'S
A SMALL WONDER.
441
00:22:16,069 --> 00:22:19,506
YOU IDIOTS OUT HERE
SHOOTING EACH AT OTHER
IN A DAMN FOOL ROW.
442
00:22:19,539 --> 00:22:21,341
PUT DOWN YOUR GUNS,
ALL OF YOU,
443
00:22:21,374 --> 00:22:24,811
OR YOU'LL NEVER GET A WELCOME
AGAIN FROM ME OR MY GIRLS,
AND I MEAN IT.
444
00:22:24,844 --> 00:22:27,681
LOOK, THE RAILROAD
PAID YOUR DAMAGES.
$900.
445
00:22:27,714 --> 00:22:29,516
IT AIN'T ENOUGH,
WYATT.
446
00:22:29,549 --> 00:22:30,950
IT'S ALL YOU'RE
GONNA GET.
447
00:22:30,984 --> 00:22:32,886
IF YOU MEN HANG AROUND
HERE WITH GUNS,
448
00:22:32,919 --> 00:22:34,954
THE RAILROAD'S GONNA
START THE SOLDIERS AFTER YOU.
449
00:22:34,988 --> 00:22:37,090
YOU BUFFALO HUNTERS
HAVEN'T CHANGED A BIT
450
00:22:37,123 --> 00:22:38,692
FROM THE DAYS
I WAS A HIDE HUNTER.
451
00:22:38,725 --> 00:22:40,860
YOU'RE ALL STILL STUBBORN
AND CANTANKEROUS.
452
00:22:40,894 --> 00:22:42,128
THAT SETTLES IT.
453
00:22:42,162 --> 00:22:43,997
UNLESS YOU
BEHAVE YOURSELVES,
454
00:22:44,097 --> 00:22:46,666
NO MORE BUFFALO MEN
WELCOME IN MY DANCE HALL.
455
00:22:46,700 --> 00:22:49,102
OH, WE TAKE THE DEAL,
MISS DORA,
456
00:22:49,102 --> 00:22:50,270
AND WE BEHAVE,
DON'T WE, BOYS?
457
00:22:50,303 --> 00:22:51,738
[ALL] YEAH! WE AGREE...
458
00:23:05,151 --> 00:23:08,922
YOU CAN TAKE THIS
TO THE CITY COUNCIL.
THAT'S YOUR PRIVILEGE.
459
00:23:08,955 --> 00:23:12,058
BUT WHAT MISS DORA
DID THIS AFTERNOON
460
00:23:12,058 --> 00:23:15,495
MORE THAN MAKES UP FOR
ANY TROUBLE THAT WAS CAUSED
AT HER PLACE.
461
00:23:15,528 --> 00:23:17,797
I'LL ARGUE AGAINST
CLOSING HER,
462
00:23:17,831 --> 00:23:20,667
AND JIM KELLY CONTROLS
THE MAJORITY VOTE
ON THE COUNCIL.
463
00:23:20,700 --> 00:23:22,969
I GUESS YOU'RE RIGHT.
464
00:23:25,171 --> 00:23:26,373
NO HARD FEELINGS?
465
00:23:28,274 --> 00:23:30,176
NO, SIR.
466
00:23:30,210 --> 00:23:33,480
YES, SIR,
QUITE A WOMAN,
ISN'T SHE?
467
00:23:33,513 --> 00:23:35,782
CAN I TELL HER THAT
AS COMING FROM YOU?
468
00:23:35,815 --> 00:23:38,785
GREAT SCOTT, NO!
I'M A HAPPILY MARRIED MAN!
469
00:23:55,235 --> 00:23:57,303
EVENING, MISS DORA.
470
00:23:57,337 --> 00:23:59,239
OH, HOWDY.
471
00:23:59,272 --> 00:24:02,308
DID YOU HAVE YOUR TALK
WITH REVEREND HAWKUT?
472
00:24:02,342 --> 00:24:03,677
HE WANTS ME TO STAY ON
IN THE CHOIR.
473
00:24:03,710 --> 00:24:06,880
THE WOMEN ARE RAISING
SUCH NED.
474
00:24:06,913 --> 00:24:10,083
I'VE CAUSED ENOUGH
TROUBLE ALREADY.
475
00:24:10,116 --> 00:24:12,919
FOOLISH NOTION.
ME IN A CHURCH.
476
00:24:12,952 --> 00:24:15,055
WAIT A MINUTE.
WHAT IS A CHURCH FOR,
477
00:24:15,055 --> 00:24:16,790
EXCEPT FOR GOOD PEOPLE
AND SINNERS?
478
00:24:16,823 --> 00:24:19,926
- I'M GOING BACK IN THERE
AND TELL THEM--
- WHOA, MARSHAL!
479
00:24:19,959 --> 00:24:22,062
"LOVE THY NEIGHBOR."
480
00:24:22,062 --> 00:24:24,297
"BE GOOD TO THEM
THAT HATE YOU,"
REMEMBER?
481
00:24:24,330 --> 00:24:28,735
YOU DON'T SMILE. YOU
DON'T FEEL LIKE SMILING?
482
00:24:28,768 --> 00:24:30,970
NO I DON'T.
483
00:24:31,071 --> 00:24:33,940
- YOU WERE ABOUT TO SAY--
- I WAS ABOUT TO SAY THAT--
484
00:24:35,275 --> 00:24:37,811
IN THIS TOWN OF WOMEN,
YOU ARE A GREAT LADY.
485
00:24:37,844 --> 00:24:39,512
THANK YOU.
486
00:24:45,251 --> 00:24:47,921
* WELL, HE CLEANED UPTHE COUNTRY *
487
00:24:47,954 --> 00:24:49,923
* THE OLD WILD WEST COUNTRY *
488
00:24:49,956 --> 00:24:53,693
* HE MADE LAW AND ORDERPREVAIL *
489
00:24:53,727 --> 00:24:55,995
* AND NONE CAN DENY IT *
490
00:24:56,096 --> 00:24:57,931
* THE LEGEND OF WATT *
491
00:24:57,964 --> 00:25:02,268
* FOREVER WILL LIVEON THE TRAIL *
492
00:25:02,302 --> 00:25:04,504
* OH, WYATT EARP *
493
00:25:04,537 --> 00:25:06,606
* WYATT EARP *
494
00:25:06,639 --> 00:25:10,643
* BRAVE, COURAGEOUS,AND BOLD *
495
00:25:10,677 --> 00:25:12,579
* LONG LIVE HIS FAME *
496
00:25:12,612 --> 00:25:14,347
* AND LONG LIVE HIS GLORY *
497
00:25:14,381 --> 00:25:19,085
* AND LONG MAYHIS STORY BE TOLD *
498
00:25:19,119 --> 00:25:24,324
* LONG MAY HIS STORYBE TOLD. *37794
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