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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,008 --> 00:00:10,178 THE LAST TIME MARK HAD A PROBLEM, 2 00:00:10,181 --> 00:00:12,041 HE WAS AWAY FROM HOME TESTIFYING IN ONE OF HIS CASES. 3 00:00:12,043 --> 00:00:14,153 WHY CAN'T YOU REMEMBER EVERYTHING? 4 00:00:14,145 --> 00:00:16,045 BECAUSE I WAS LOADED, OKAY? 5 00:00:16,047 --> 00:00:18,487 BEFORE HE TURNED AROUND, THE FLASH-FORWARD ENDED. 6 00:00:18,489 --> 00:00:20,719 SO I DON'T THINK HE SAW ME. HIS SON'S YOUR PATIENT. 7 00:00:20,721 --> 00:00:22,421 MY SON'S CONDITION MAKES HIM A LITTLE HARD TO READ. 8 00:00:22,423 --> 00:00:25,203 DYLAN'S AUTISTIC. YOU'RE PANICKED OVER WHAT MIGHT HAPPEN. 9 00:00:25,196 --> 00:00:28,196 BUT WE'VE GOTTA USE THESE FLASH-FORWARDS TO OUR ADVANTAGE. (cell phone rings) 10 00:00:28,199 --> 00:00:31,159 HEY, MARK. WE GOT OUR FUNDING. MOSAIC'S STILL ALIVE. 11 00:00:31,162 --> 00:00:32,732 (tires screech) MARK? 12 00:00:38,369 --> 00:00:41,409 (train whistle blows) 13 00:00:49,680 --> 00:00:52,220 I KNOW WHAT CAUSED THE FLASH-FORWARDS. 14 00:00:57,057 --> 00:00:59,057 YOU DON'T BELIEVE ME. 15 00:00:59,059 --> 00:01:00,789 WELL, OF COURSE I DO. 16 00:01:00,791 --> 00:01:02,831 THE WORLD'S GREATEST MYSTERY'S BEEN SOLVED BY A BOOZER 17 00:01:02,833 --> 00:01:04,803 ON A TRAIN BOUND FOR LOS ANGELES. 18 00:01:04,795 --> 00:01:07,265 CAN YOU CONNECT TO THE INTERNET WITH THAT? 19 00:01:07,268 --> 00:01:09,568 REAL QUICK, DO AN IMAGE SEARCH 20 00:01:09,570 --> 00:01:12,200 FOR "QUANTUM PHYSICIST GENIUS." 21 00:01:12,203 --> 00:01:15,183 GO ON. I'LL WAIT. 22 00:01:17,248 --> 00:01:19,348 WHICH POPPED UP FIRST-- 23 00:01:19,350 --> 00:01:21,180 ME WINNING THE ROBERT WILSON AWARD 24 00:01:21,182 --> 00:01:23,712 OR THE JAUNTY ONE OF ME HOLDING LAB GOGGLES 25 00:01:23,714 --> 00:01:26,224 OVER MY GENITALS? 26 00:01:26,217 --> 00:01:29,617 HOLD UP. YOU REALLY-- 27 00:01:29,620 --> 00:01:32,090 I'M OBVIOUSLY WASTING MY TIME. 28 00:01:32,092 --> 00:01:35,132 I'M SORRY. I'VE JUST HEARD THAT LINE A HUNDRED TIMES BEFORE. 29 00:01:35,126 --> 00:01:37,696 YOU GENUINELY WANT TO KNOW? OF COURSE. 30 00:01:37,698 --> 00:01:40,298 THE FLASH-FORWARDS WERE CAUSED BY YOU. 31 00:01:40,301 --> 00:01:43,671 (train whistle blows) IT'S SIMPLE QUANTUM MECHANICS, REALLY. 32 00:01:43,674 --> 00:01:46,144 WHENEVER A HEAVENLY BODY 33 00:01:46,137 --> 00:01:48,237 CARRIES SUCH AN INTENSE FORCE OF ATTRACTION, 34 00:01:48,239 --> 00:01:51,109 THE UNIVERSE JUST GOES... BANANAS. 35 00:01:51,111 --> 00:01:54,721 SOUNDS TECHNICAL. HELPS IF YOU HAVE A PhD OR TWO. 36 00:01:54,715 --> 00:01:57,215 IF MY CALCULATIONS ARE CORRECT, 37 00:01:57,218 --> 00:02:00,118 YOUR DARK ENERGY COULD BRING ABOUT ANOTHER CATASTROPHE 38 00:02:00,120 --> 00:02:02,120 AT ANY MOMENT. 39 00:02:02,122 --> 00:02:04,602 LUCKILY, I'VE PINPOINTED THE ONE LOCATION ON EARTH 40 00:02:04,595 --> 00:02:08,455 THAT HAS AN IRRESISTIBLE ENOUGH FORCE TO COUNTERACT YOU. 41 00:02:08,459 --> 00:02:11,629 LET ME GUESS-- YOUR SLEEPER CAR. 42 00:02:11,632 --> 00:02:14,442 GRAB YOUR PURSE. WE'VE NOT A MOMENT TO LOSE. 43 00:02:16,167 --> 00:02:18,167 I THOUGHT FOR SURE THAT WOULD WORK. 44 00:02:18,169 --> 00:02:20,439 MAYBE FOR A 21-YEAR-OLD SORORITY GIRL. 45 00:02:20,441 --> 00:02:24,621 BUT, UM, I'VE LEARNED NEVER TO GO ANYWHERE 46 00:02:24,615 --> 00:02:27,415 UNLESS I'M GONNA GET THE REAL THING. 47 00:02:27,418 --> 00:02:29,418 THE ACTUAL CAUSE? 48 00:02:29,420 --> 00:02:30,620 MM. 49 00:02:30,621 --> 00:02:32,621 I HAVE A THEORY, BUT THE, UH... 50 00:02:32,623 --> 00:02:35,163 THE SCIENCE IS A LITTLE COMPLICATED. 51 00:02:35,155 --> 00:02:37,425 I'M A COMPLICATED GIRL. 52 00:02:37,428 --> 00:02:40,528 THE MOST BASIC CONCEPT YOU NEED TO UNDERSTAND 53 00:02:40,531 --> 00:02:41,831 IS QUANTUM SUPERPOSITIONS. 54 00:02:41,832 --> 00:02:45,172 ARE YOU AWARE OF THE DOUBLE SLIT EXPERIMENT? 55 00:02:45,165 --> 00:02:47,195 WELL, THERE WAS THAT ONE TIME IN COLLEGE... 56 00:02:47,198 --> 00:02:50,168 WHAT ABOUT SCHRODINGER'S CAT? NO, I'M NOT THAT KINKY. 57 00:02:50,170 --> 00:02:51,900 CLOSE YOUR EYES. 58 00:02:51,902 --> 00:02:54,582 GIVE ME YOUR HAND. 59 00:02:57,948 --> 00:03:04,588 OKAY. NOW IMAGINE YOU HAVE A CAT... 60 00:03:04,585 --> 00:03:07,515 B.L.'s A LITER IN THE FIELD AND ONLY ONE P.I.V. 61 00:03:07,518 --> 00:03:10,388 WE NEED ACCESS HERE! 62 00:03:10,391 --> 00:03:12,191 (indistinct shouting) 63 00:03:12,192 --> 00:03:14,902 A TEENY, TINY CAT... 64 00:03:14,895 --> 00:03:17,695 (Olivia) WHAT HAVE WE GOT? (man) WE'VE GOT A GUNSHOT WOUND TO THE ABDOMEN. 65 00:03:17,698 --> 00:03:20,828 WE NEED TO SET UP A PERIPHERAL. WE NEED ACCESS HERE! JANIS? 66 00:03:20,831 --> 00:03:23,201 THAT FITS IN THE PALM OF YOUR HAND. 67 00:03:23,203 --> 00:03:25,683 (monitor beeping) 68 00:03:25,676 --> 00:03:28,836 YOU ALSO HAVE A POISONOUS SARDINE. 69 00:03:28,839 --> 00:03:31,209 ONCE WE CLOSE YOUR PALM, 70 00:03:31,211 --> 00:03:32,881 THERE ARE TWO POSSIBLE SCENARIOS. 71 00:03:32,883 --> 00:03:34,993 (beeping rapidly) 72 00:03:34,985 --> 00:03:38,345 (Olivia) BRING THE CODE CART. COME ON, LET'S GO. 73 00:03:38,349 --> 00:03:39,819 (defibrillator whines) CLEAR. 74 00:03:41,452 --> 00:03:44,732 EITHER THE CAT EATS THE SARDINE AND DIES, OR THE CAT DOESN'T EAT 75 00:03:44,725 --> 00:03:46,755 THE SARDINE AND LIVES. (emitting continuous tone) 76 00:03:46,757 --> 00:03:48,457 NO RESPONSE. GOING AGAIN. 77 00:03:48,459 --> 00:03:50,929 (thump) QUANTUM PHYSICS SAYS 78 00:03:50,931 --> 00:03:53,961 UNTIL WE OPEN YOUR HAND TO DISCOVER THE CAT'S FATE, 79 00:03:53,964 --> 00:03:57,344 BOTH EVENTUALITIES OCCUR AT THE SAME TIME. 80 00:03:57,338 --> 00:03:58,768 (Olivia) CLEAR. (thump) 81 00:03:58,769 --> 00:04:00,939 STILL NO RESPONSE. 82 00:04:00,941 --> 00:04:02,471 DO C.P.R. 83 00:04:02,473 --> 00:04:05,923 FOR US, THE CAT IS BOTH LIVING AND DECEASED. 84 00:04:05,916 --> 00:04:08,816 (woman) BUT HOW CAN THAT BE? THAT'S THE MIRACLE OF QUANTUM MECHANICS-- 85 00:04:08,819 --> 00:04:11,249 THE OBSERVER GETS TO DECIDE. 86 00:04:11,251 --> 00:04:13,421 THE KITTY'S ALREADY MADE UP ITS MIND. 87 00:04:13,424 --> 00:04:14,934 ALIVE OR DEAD? 88 00:04:14,925 --> 00:04:18,885 (monitor emitting continuous tone) SEE FOR YOURSELF. 89 00:04:21,261 --> 00:04:26,001 ♪♪ 90 00:04:25,996 --> 00:04:28,266 (monitor beeping steadily) 91 00:04:28,268 --> 00:04:30,268 (woman) HEMOGLOBIN'S HOLDING AT 12. 92 00:04:30,270 --> 00:04:32,600 (Bryce) HALLELUJAH. 93 00:04:32,603 --> 00:04:35,283 (Olivia) OKAY. FASCIA'S CLOSED. 94 00:04:35,275 --> 00:04:38,305 "O" SILK ON A DRIVER TO DR. VARLEY. 95 00:04:38,309 --> 00:04:39,879 I'M GONNA BE HONEST. 96 00:04:39,880 --> 00:04:42,980 A FEW HOURS AGO, I DIDN'T THINK WE'D GET THIS FAR. 97 00:04:42,983 --> 00:04:45,863 CLOSE THE SKIN. LET ME KNOW WHEN SHE WAKES UP. 98 00:04:49,019 --> 00:04:51,859 (woman speaking indistinctly over P.A.) 99 00:04:51,862 --> 00:04:53,822 This is Mark. (sighs) 100 00:04:53,824 --> 00:04:56,634 Leave it here. I'll get back to you. (beep) 101 00:04:56,627 --> 00:04:59,697 (sighs) HI. IT'S ME. WHERE ARE YOU? 102 00:04:59,700 --> 00:05:01,970 I HAVE BEEN CALLING AND CALLING. 103 00:05:01,972 --> 00:05:06,012 I TRIED DEMETRI AND STAN. I JUST CAN'T GET THROUGH. 104 00:05:06,006 --> 00:05:09,906 I TRIED THE OFFICE, AND THEY'RE JUST STONEWALLING ME. 105 00:05:09,910 --> 00:05:11,910 AFTER THIS THING WITH JANIS, 106 00:05:11,912 --> 00:05:14,922 I DON'T KNOW, I'M WORRIED. 107 00:05:14,915 --> 00:05:16,785 CAN YOU JUST CALL ME? 108 00:05:16,787 --> 00:05:19,817 PLEASE? 109 00:05:19,820 --> 00:05:21,820 I LOVE YOU. 110 00:05:23,824 --> 00:05:25,834 I LOVE YOU. 111 00:05:27,728 --> 00:05:29,428 (beep) 112 00:05:32,963 --> 00:05:34,973 OHH. 113 00:05:37,968 --> 00:05:40,368 AGAIN, DADDY, AGAIN. 114 00:05:40,371 --> 00:05:42,571 YOU'RE NOT BORED WITH THIS ONE? 115 00:05:42,573 --> 00:05:44,583 NO! CARDS. MAKE THE CARDS. 116 00:05:44,575 --> 00:05:47,675 OKAY. I'LL TURN AROUND, AND YOU CHOOSE. 117 00:05:50,551 --> 00:05:52,551 SO, DYLAN, 118 00:05:52,553 --> 00:05:54,963 YOU KNOW IT'S ALMOST TIME FOR YOU TO LEAVE THE HOSPITAL. 119 00:05:54,955 --> 00:05:57,885 WE'RE GONNA GO TO PALO ALTO. 120 00:05:57,888 --> 00:05:59,428 WHICH ONE? 121 00:05:59,430 --> 00:06:01,730 WHICH ONE? 122 00:06:01,732 --> 00:06:03,992 DID YOU PICK A CARD? UH-HUH. 123 00:06:03,994 --> 00:06:07,044 OKAY, NOW LOOK AT IT AND REMEMBER. 124 00:06:08,899 --> 00:06:10,569 OKAY? 125 00:06:10,571 --> 00:06:12,871 UH-HUH. 126 00:06:12,873 --> 00:06:14,883 OKAY. 127 00:06:14,875 --> 00:06:18,145 SO NOW IT'S JUST YOU AND ME. 128 00:06:18,148 --> 00:06:20,578 I WAS THINKING THAT THE BEST IDEA 129 00:06:20,581 --> 00:06:23,051 IS YOU COME AND LIVE IN MY HOUSE WITH ME. 130 00:06:23,053 --> 00:06:24,423 NO. 131 00:06:24,415 --> 00:06:26,615 DYLAN. 132 00:06:28,689 --> 00:06:29,959 CARDS. 133 00:06:29,960 --> 00:06:32,120 WE ALL LIVED THERE BEFORE YOUR MOTHER AND I... 134 00:06:32,122 --> 00:06:36,432 I MEAN, YOU'LL HAVE YOUR OWN ROOM. IT'LL BE GREAT. 135 00:06:36,427 --> 00:06:38,697 CARDS! 136 00:06:38,699 --> 00:06:40,999 PLEASE. I NEED YOU TO GO ALONG WITH THIS. 137 00:06:43,033 --> 00:06:45,583 UH... 138 00:06:45,576 --> 00:06:48,906 UM, OKAY. UH... 139 00:06:48,909 --> 00:06:51,979 IS THIS YOUR CARD? 140 00:06:51,982 --> 00:06:54,622 IT'S MY HOUSE, TOO. 141 00:06:54,615 --> 00:06:56,945 HEY, BUDDY. ALMOST TIME FOR TRICK-OR-TREATING. 142 00:06:56,947 --> 00:07:00,047 THAT'S TODAY? YEAH, IT'S THE 31st. IT'S HALLOWEEN. 143 00:07:00,050 --> 00:07:03,190 THE KIDS GO FROM ROOM-- NO, NO, NO, I KNOW. I JUST FORGOT TO GET HIM A COSTUME. 144 00:07:03,193 --> 00:07:05,703 UM, I'LL BE RIGHT BACK, OKAY? 145 00:07:05,696 --> 00:07:08,026 EXCUSE ME. 146 00:07:08,028 --> 00:07:10,058 PLAYING CARDS, BUD? 147 00:07:10,060 --> 00:07:12,930 IT'S MY HOUSE, TOO. 148 00:07:15,165 --> 00:07:17,905 HOW'S JANIS? TWO UNIFORMED COPS OUTSIDE HER ROOM. 149 00:07:17,908 --> 00:07:21,168 ONLY HER DOCTOR AND FBI BADGES ARE ALLOWED INSIDE. GOOD WORK. 150 00:07:21,171 --> 00:07:23,611 NO ONE WILL BE ABLE TO GET TO HER. 151 00:07:23,614 --> 00:07:25,624 BUT WHAT ABOUT YOU GUYS? 152 00:07:25,616 --> 00:07:27,816 WHOEVER IT WAS THAT CAME AFTER YOU LAST NIGHT, 153 00:07:27,818 --> 00:07:30,478 WHAT'S TO STOP THEM FROM TRYING AGAIN? 154 00:07:30,481 --> 00:07:31,821 NOTHING. 155 00:07:38,929 --> 00:07:41,059 (chair scrapes) 156 00:07:43,594 --> 00:07:45,004 (whispering) HEY. 157 00:07:44,995 --> 00:07:47,165 HEY! 158 00:07:47,167 --> 00:07:49,597 ARE YOU OKAY? WHAT HAPPENED? 159 00:07:49,600 --> 00:07:51,740 YEAH, YEAH. IT'S NOTHING. IT'S NOTHING. 160 00:07:51,742 --> 00:07:53,742 BUT YOU HAVE BLOOD ON YOUR SHIRT. 161 00:07:53,744 --> 00:07:56,054 (lowered voice) WELL, NOW LISTEN. LISTEN. 162 00:07:56,046 --> 00:07:58,646 THERE'S A ROOM FULL OF FBI AGENTS THAT NEED A DOCTOR 163 00:07:58,649 --> 00:08:01,179 TO TELL 'EM IF JANIS IS GONNA MAKE IT. 164 00:08:01,181 --> 00:08:03,151 OH. OKAY. ALL RIGHT. 165 00:08:03,153 --> 00:08:05,663 OKAY. OKAY, OKAY. 166 00:08:05,656 --> 00:08:07,886 OKAY. 167 00:08:07,888 --> 00:08:09,818 HI. HEY. 168 00:08:09,820 --> 00:08:11,820 WE HAD HER IN SURGERY FOR FIVE HOURS. 169 00:08:11,822 --> 00:08:14,832 THE BULLET DID SOME DAMAGE, BUT THERE SHOULDN'T BE 170 00:08:14,825 --> 00:08:16,965 ANY LASTING EFFECTS. AND? 171 00:08:16,967 --> 00:08:18,897 AND SHE'S IN RECOVERY. SHE'S SEDATED. 172 00:08:18,899 --> 00:08:20,929 WE'LL KNOW MORE WHEN SHE WAKES UP. 173 00:08:20,931 --> 00:08:24,001 OLIVIA, YOU SAVED HER LIFE. THANK YOU. 174 00:08:24,004 --> 00:08:26,684 ALL RIGHT, EVERYBODY, IT'S BEEN A LONG NIGHT FOR ALL OF US. 175 00:08:26,677 --> 00:08:29,037 IT'LL BE A WHILE BEFORE WE KNOW ANYTHING MORE. 176 00:08:29,039 --> 00:08:31,639 THE HOSPITAL DOESN'T NEED US CLOGGING THINGS UP. 177 00:08:31,642 --> 00:08:33,942 SO I GOT YOUR NUMBERS. GET SOME REST. 178 00:08:33,944 --> 00:08:36,924 I'LL CALL YOU IF I HEAR ANYTHING. YOU, TOO, DEMETRI. 179 00:08:36,917 --> 00:08:38,987 I'M SORRY, BOSS, NO. 180 00:08:38,989 --> 00:08:41,119 I'M EITHER STAYING HERE TO SEE HER THROUGH, 181 00:08:41,121 --> 00:08:43,991 OR I'M GOING OUT AND FINDING THE PEOPLE WHO DID THIS TO US. 182 00:08:43,994 --> 00:08:46,134 THERE ARE ALREADY TWO DOZEN AGENTS WORKING THIS 183 00:08:46,126 --> 00:08:49,126 WHO DIDN'T HAVE A GRENADE LAUNCHED AT 'EM LAST NIGHT. 184 00:08:49,129 --> 00:08:51,129 NOW I'M SERIOUS. GET OUTTA HERE. 185 00:08:51,131 --> 00:08:53,831 AND IF IT HELPS, CONSIDER IT AN ORDER. 186 00:08:53,834 --> 00:08:55,714 COME ON. 187 00:08:58,839 --> 00:09:00,239 YOU TIRED? 188 00:09:00,240 --> 00:09:02,810 WELL, WEDECK TOLD US TO GO HOME. 189 00:09:02,813 --> 00:09:05,983 NO. HE SAID FOR US TO GET OUT OF THE HOSPITAL. 190 00:09:08,218 --> 00:09:11,178 IT'S A SURFACE WOUND. JUST LEAVE IT. ARE YOU KIDDING ME? 191 00:09:11,181 --> 00:09:13,281 I WANT TO SEE WHAT THOSE D.C. DOCTORS DID. 192 00:09:13,283 --> 00:09:16,663 OH, LIVY, IT'S NOTHING. COME ON. YOU WANT TO TELL ME WHAT HAPPENED? 193 00:09:16,657 --> 00:09:19,057 YOU DON'T-- I WANT TO KNOW. 194 00:09:19,059 --> 00:09:21,959 (sighs) 195 00:09:21,962 --> 00:09:23,962 WE WERE ATTACKED. 196 00:09:23,964 --> 00:09:27,304 UM, PRETTY BAD FIREFIGHT. 197 00:09:27,297 --> 00:09:30,137 WEDECK AND DEMETRI KILLED ONE OF THEM. 198 00:09:30,140 --> 00:09:32,740 THE OTHERS ESCAPED. 199 00:09:32,743 --> 00:09:35,983 IT'S GOTTA BE CONNECTED TO THE GUYS WHO CAME AFTER JANIS. 200 00:09:35,976 --> 00:09:38,576 SIMULTANEOUS ATTACKS. 201 00:09:38,578 --> 00:09:40,578 BECAUSE YOU'RE INVESTIGATING THE BLACKOUT? 202 00:09:40,580 --> 00:09:43,910 WHY WOULD ANYONE WANT TO KILL YOU BECAUSE OF THAT? 203 00:09:43,914 --> 00:09:46,364 I DON'T KNOW. I DON'T KNOW. 204 00:09:46,356 --> 00:09:49,856 STILL TRYING TO FIGURE IT ALL OUT. 205 00:09:49,860 --> 00:09:53,290 OH, SEE? I KNEW I SHOULDN'T HAVE TOLD YOU. 206 00:09:53,293 --> 00:09:56,133 NO. 207 00:09:56,126 --> 00:09:58,126 NO, IT'S NOT THAT. 208 00:09:58,128 --> 00:10:00,198 IT'S... 209 00:10:00,200 --> 00:10:02,200 WHEN THEY BROUGHT JANIS IN, 210 00:10:02,202 --> 00:10:04,912 I COULDN'T GET AHOLD OF YOU. 211 00:10:04,905 --> 00:10:06,905 MY IMAGINATION JUST RAN WILD-- 212 00:10:06,907 --> 00:10:08,907 I MEAN, NOT KNOWING WHERE YOU WERE, 213 00:10:08,909 --> 00:10:12,139 NOT KNOWING WHAT WAS GOING ON. 214 00:10:12,142 --> 00:10:15,822 IT WAS HORRIBLE. 215 00:10:15,816 --> 00:10:17,816 BUT I'M HERE, 216 00:10:17,818 --> 00:10:20,088 AND I'M OKAY, ALL RIGHT? 217 00:10:20,090 --> 00:10:23,090 I'M ALL RIGHT. 218 00:10:23,093 --> 00:10:25,963 WE HAVE JUST BEEN SO... (sniffles) 219 00:10:25,956 --> 00:10:28,256 OBSESSED WITH WHAT WE SAW, 220 00:10:28,258 --> 00:10:30,228 AND WITH THE FUTURE, 221 00:10:30,230 --> 00:10:32,230 WITH WHAT MIGHT OR MIGHT NOT HAPPEN. 222 00:10:32,232 --> 00:10:35,112 AND IT'S-- IT'S A DISTRACTION. 223 00:10:35,105 --> 00:10:37,865 IT'S JUST PULLING US OUT OF TODAY, AND TODAY, RIGHT NOW 224 00:10:37,868 --> 00:10:39,938 THIS MOMENT IS ALL WE HAVE, BABE. 225 00:10:39,940 --> 00:10:42,310 IT'S ALL WE HAVE. 226 00:10:42,312 --> 00:10:44,982 I DON'T WANT TO MISS IT. 227 00:10:47,978 --> 00:10:49,948 ME NEITHER. 228 00:10:59,189 --> 00:11:00,989 YO. 229 00:11:00,991 --> 00:11:02,991 HEY, DEWEY. 230 00:11:02,993 --> 00:11:04,433 HOW IS SHE? 231 00:11:04,434 --> 00:11:07,744 A LOT BETTER THAN THESE GUYS. ATTAGIRL, JANIS. 232 00:11:07,738 --> 00:11:09,738 DO YOU MIND? 233 00:11:12,372 --> 00:11:15,052 GOT NO I.D... 234 00:11:15,045 --> 00:11:16,845 NO CELL PHONE, NO KEYS. 235 00:11:16,847 --> 00:11:18,977 NO FINGERPRINTS, NO DENTAL RECORDS. 236 00:11:18,979 --> 00:11:21,679 IT'S JUST LIKE OUR GUY IN THE PARKING GARAGE IN D.C. 237 00:11:21,681 --> 00:11:23,381 WE GOT NOTHING. 238 00:11:23,383 --> 00:11:24,993 GOT NOTHING. 239 00:11:24,985 --> 00:11:29,985 THERE'S NO QUESTION NOW WE'RE UP AGAINST REAL PROS. 240 00:11:29,990 --> 00:11:33,220 WHAT ABOUT, UM, MEDICAL HISTORY, DEWEY? 241 00:11:33,223 --> 00:11:36,133 SO FAR JUST ONE REMOVED APPENDIX HERE, 242 00:11:36,126 --> 00:11:38,096 ONE ACHILLES SURGERY THERE. 243 00:11:38,098 --> 00:11:40,768 I'M CHECKING FOR RADIAL KERATOTOMY SCARS 244 00:11:40,771 --> 00:11:42,231 AS WE SPEAK. 245 00:11:44,374 --> 00:11:46,984 HEY, DEMETRI. 246 00:11:46,977 --> 00:11:48,207 DEMETRI. 247 00:11:48,208 --> 00:11:51,108 YEAH? WHAT? 248 00:11:51,111 --> 00:11:52,441 YOU DOING OKAY IN HERE? 249 00:11:52,442 --> 00:11:54,822 YEAH. WHY? 250 00:11:54,815 --> 00:11:57,485 YOU PUT YOURSELF ON MOSAIC. 251 00:11:57,487 --> 00:12:00,987 YOU THINK THERE'S ANYBODY IN THE OFFICE 252 00:12:00,991 --> 00:12:03,491 WHO DOESN'T KNOW BY NOW? 253 00:12:03,493 --> 00:12:06,863 BUT THE POINT IS, YOU JUST GOT SHOT AT 12 HOURS AGO. 254 00:12:06,857 --> 00:12:11,027 NOW YOU'RE STANDING IN A MORGUE ACTING KIND OF WEIRD. 255 00:12:11,031 --> 00:12:14,201 (chuckles) 256 00:12:14,204 --> 00:12:16,344 LISTEN, AL, YOU'VE BEEN ACTING KIND OF WEIRD 257 00:12:16,336 --> 00:12:17,936 FOR A COUPLE OF WEEKS YOURSELF, ALL RIGHT? 258 00:12:17,938 --> 00:12:20,268 SO, UM, YOU WANT TO TALK ABOUT OUR FEELINGS, 259 00:12:20,270 --> 00:12:23,210 OR YOU WANT TO GET BACK TO WORK? WORK SOUNDS GOOD. 260 00:12:23,213 --> 00:12:26,223 THIS GUY'S RIGHT EYE IS COVERED WITH CORNEAL SCARRING. 261 00:12:27,948 --> 00:12:29,978 NO BIG SURPRISE THERE. 262 00:12:29,980 --> 00:12:33,850 WHAT ASSASSIN WORTH HIS SALT DOESN'T GET LASIK? 263 00:12:33,854 --> 00:12:37,034 SHOULD PRACTICALLY BE A UNION REQUIREMENT. 264 00:12:37,027 --> 00:12:39,487 WAIT. 265 00:12:39,489 --> 00:12:41,829 YOU SEE THAT? 266 00:12:41,832 --> 00:12:44,292 LOOKS LIKE A HAND STAMP FROM A BAR. 267 00:12:44,294 --> 00:12:45,974 NO, IT'S A BLUE HAND. 268 00:12:45,966 --> 00:12:48,196 IT'S A CLUE FROM MARK'S BOARD. 269 00:12:48,198 --> 00:12:50,098 (whoosh) SOMETHING ABOUT BALTIMORE-- 270 00:12:50,100 --> 00:12:52,340 A HAND--A BLUE HAND. (whoosh) 271 00:12:54,104 --> 00:12:57,114 THIS SON OF A BITCH IS GONNA BE USEFUL AFTER ALL. 272 00:13:08,088 --> 00:13:10,188 THAT COSTUME IS SUPER FLY. 273 00:13:10,190 --> 00:13:13,120 IT WAS THE LAST THING THEY HAD LEFT IN HIS SIZE. NO, I LIKE IT. REALLY, IT'S COOL. 274 00:13:13,123 --> 00:13:15,533 ALTHOUGH HE DOESN'T SEEM TO LIKE THIS VERY MUCH. 275 00:13:15,525 --> 00:13:17,525 YEAH, IT'S HARD TO TELL WITH HIM. 276 00:13:17,527 --> 00:13:20,167 I THINK HE'S MAD AT ME ABOUT THE MOVE. 277 00:13:20,170 --> 00:13:24,370 OH, I WAS JUST WONDERING IF IN THE NEXT COUPLE OF DAYS 278 00:13:24,374 --> 00:13:27,544 DR. BENFORD MIGHT COME BY SO WE COULD, UH, SAY OUR GOOD-BYES. 279 00:13:27,537 --> 00:13:30,207 YEAH. YEAH, SURE, I'LL LET HER KNOW. 280 00:13:30,210 --> 00:13:32,380 GREAT, THANKS. 281 00:13:40,991 --> 00:13:44,051 HEY. 282 00:13:44,054 --> 00:13:46,534 I'M GLAD SHE'S OKAY. 283 00:13:46,526 --> 00:13:49,226 YEAH. IT'S PRETTY SCARY STUFF FOR ALL OF US. 284 00:13:49,229 --> 00:13:51,099 YEAH. 285 00:13:51,101 --> 00:13:54,361 LISTEN, IT'S BEEN A ROUGH WEEK, 286 00:13:54,364 --> 00:13:56,374 AND MAYBE I SAID SOME THINGS 287 00:13:56,366 --> 00:13:58,566 THAT WERE OUT OF LINE. 288 00:13:58,568 --> 00:14:00,108 UM... 289 00:14:03,143 --> 00:14:05,153 LET'S TAKE A DEEP BREATH 290 00:14:05,145 --> 00:14:08,245 AND GET BACK ON TRACK HERE, HMM? 291 00:14:11,551 --> 00:14:14,931 OHH. THIS ONLY TAKES QUARTERS. 292 00:14:14,925 --> 00:14:15,985 MM-HMM. 293 00:14:15,986 --> 00:14:18,086 I GOT IT. 294 00:14:18,088 --> 00:14:20,628 THERE. THANK YOU. 295 00:14:20,630 --> 00:14:22,490 WE'RE EVEN NOW. 296 00:14:27,067 --> 00:14:29,197 THE GUYS WHO CAME AFTER YOU, 297 00:14:29,199 --> 00:14:31,499 THE GUYS WHO SHOT JANIS-- ALL ASIAN. 298 00:14:31,501 --> 00:14:33,501 WHY DON'T I HEAD OVER TO HUANG'S OFFICE, 299 00:14:33,503 --> 00:14:36,053 SEE IF BLUE HAND HAS SOME SPECIAL SIGNIFICANCE 300 00:14:36,046 --> 00:14:38,446 IN CANTONESE OR MANDARIN? MANDARIN? COME ON, MAN. 301 00:14:38,448 --> 00:14:41,208 ACCORDING TO THE CIA, CHINA MIGHT HAVE CAUSED THE BLACKOUT. 302 00:14:41,211 --> 00:14:44,181 IF THEY DID, TRYING TO BLOW UP A TEAM OF FEDERAL AGENTS 303 00:14:44,184 --> 00:14:46,194 SEEMS A LITTLE SHOWY, DON'T YOU THINK? 304 00:14:46,186 --> 00:14:48,316 WELL, IN THEIR MINDS, 305 00:14:48,318 --> 00:14:50,988 I MEAN, IT COULD BE AS SIMPLE AS NEUTRALIZING A THREAT. WELL, THEN WHY COME AFTER US? 306 00:14:50,991 --> 00:14:53,161 THE CIA AGENT WHO TESTIFIED AT THE HEARINGS YESTERDAY 307 00:14:53,163 --> 00:14:55,933 IS FINE, BUT MARK TALKS ABOUT D. GIBBONS, SUSPECT ZERO, 308 00:14:55,926 --> 00:14:58,026 THE CROWS FOR THE FIRST TIME OUTSIDE OF THIS OFFICE, 309 00:14:58,028 --> 00:15:00,098 AND THEN EIGHT HOURS LATER, IT'S... 310 00:15:00,100 --> 00:15:03,200 CHINA IS A DEAD END. 311 00:15:03,203 --> 00:15:05,683 I DON'T WANT BLUE HAND TO BECOME ONE, TOO. 312 00:15:05,675 --> 00:15:10,105 (Olivia) ALL RIGHT, DO YOU KNOW WHERE YOU ARE? I AM IN A HOSPITAL? 313 00:15:10,110 --> 00:15:13,140 VERY GOOD. DO YOU KNOW WHO I AM? 314 00:15:16,046 --> 00:15:18,046 NO. 315 00:15:18,048 --> 00:15:20,518 (monitor beeping) 316 00:15:20,520 --> 00:15:23,390 BUT FOR SOME WEIRD REASON, 317 00:15:23,393 --> 00:15:26,003 I GET THE FEELING THAT YOUR HUSBAND IS 318 00:15:25,996 --> 00:15:27,996 A LITTLE BIT OF A NEAT FREAK. 319 00:15:27,998 --> 00:15:29,258 (chuckles) 320 00:15:29,259 --> 00:15:32,029 I DON'T KNOW. SOMETHING ABOUT HOW HE DOESN'T LIKE 321 00:15:32,032 --> 00:15:35,012 HIS BLACK PENS TO TOUCH HIS BLUE PENS. 322 00:15:35,005 --> 00:15:38,165 DOES THAT SOUND FAMILIAR? UH-HUH. 323 00:15:40,070 --> 00:15:41,410 SHE'S BACK. 324 00:15:43,373 --> 00:15:45,683 YOU'RE AN AMAZING DOCTOR. 325 00:15:45,675 --> 00:15:47,575 AND AN OVERWORKED ONE. 326 00:15:47,577 --> 00:15:49,577 I WISH I COULD BE WITH YOU GUYS TONIGHT. 327 00:15:49,579 --> 00:15:51,279 OH, WE'LL TAKE PICTURES. 328 00:15:51,281 --> 00:15:53,721 CAN YOU MAKE SURE SHE DOESN'T EAT TOO MUCH CANDY? 329 00:15:53,723 --> 00:15:56,063 SURE. JUST, LIKE, A COUPLE OF PIECES OR SOMETHING. 330 00:15:56,056 --> 00:15:58,156 COUPLE? 20. 331 00:15:58,158 --> 00:16:01,558 (whispers) I'LL SEE WHAT I CAN DO. 332 00:16:01,561 --> 00:16:03,961 BYE. 333 00:16:03,963 --> 00:16:07,173 WHEN MARK HAD YOU PIN THE BLUE HAND CARD TO THE BOARD, 334 00:16:07,167 --> 00:16:09,497 HE KNEW IT WAS SOMEHOW RELATED TO THE WORD "BALTIMORE." 335 00:16:09,499 --> 00:16:11,499 YES, THAT'S WHAT I'M SAYING, SPARKY. 336 00:16:11,501 --> 00:16:14,001 OKAY, BALTIMORE STREET IS 5 MILES AWAY. 337 00:16:14,004 --> 00:16:17,714 LET'S GO CHECK IT OUT. BUT YOU WERE ATTACKED LAST NIGHT IN D.C. 338 00:16:17,707 --> 00:16:20,147 SO BALTIMORE, MARYLAND, IS THE BETTER BET. 339 00:16:20,150 --> 00:16:22,280 YEAH, BUT THE GUY WHO HAD THE BLUE HAND STAMP ON HIM 340 00:16:22,282 --> 00:16:24,282 WAS IN L.A., ALL RIGHT? 341 00:16:24,284 --> 00:16:26,564 BALTIMORE STREET IS IN SILVER LAKE. 342 00:16:26,556 --> 00:16:31,456 IF I'M WRONG--IF I'M WRONG, WE'VE WASTED AN HOUR. WHAT? SO YOU BELIEVE IN THESE VISIONS NOW? 343 00:16:31,461 --> 00:16:34,061 IT'S--IT'S COMPLICATED. 344 00:16:34,064 --> 00:16:35,704 NO, I GET IT. 345 00:16:35,695 --> 00:16:38,195 I MEAN, IF I HADN'T HAD A FLASH-FORWARD, 346 00:16:38,198 --> 00:16:40,698 I'D BE DOING EVERYTHING I COULD TO PROVE 347 00:16:40,700 --> 00:16:43,000 THOSE VISIONS WEREN'T TRUE. 348 00:16:43,002 --> 00:16:45,582 LISTEN, IF WE HAD ANYTHING TO GO ON AT ALL HERE, 349 00:16:45,575 --> 00:16:48,005 ANY REAL-LIFE LEAD WHATSOEVER, 350 00:16:48,007 --> 00:16:50,677 BELIEVE ME, I'D BE THE FIRST GUY TALKING TO BALLISTICS 351 00:16:50,680 --> 00:16:54,010 OR FORENSICS OR WHATEVER, ALL RIGHT? BUT WE DON'T. 352 00:16:54,013 --> 00:16:57,023 I JUST WANT TO FIND THE ANIMALS THAT ARE TRYING TO KILL US, 353 00:16:57,016 --> 00:17:00,116 AND BALTIMORE STREET IS THE ONLY THING I CAN THINK OF, 354 00:17:00,120 --> 00:17:02,550 ALL RIGHT? SO COME ON. 355 00:17:02,552 --> 00:17:05,802 I'LL BUY YOU A PRESSED SANDWICH FROM THE CUBAN PLACE. 356 00:17:05,795 --> 00:17:07,555 SOLD. 357 00:17:07,557 --> 00:17:10,257 ONE OUT. 358 00:17:10,260 --> 00:17:12,030 (children laughing) 359 00:17:12,031 --> 00:17:14,131 (woman) OH, YEAH! 360 00:17:14,134 --> 00:17:18,314 (laughs evilly) SUPER SHARK HAS MONKEY-SEE AND MONKEY-DO IN HIS HELMET! 361 00:17:18,308 --> 00:17:21,138 HE'S TRYING TO EAT THEM! DADDY, THAT PULLS. 362 00:17:21,141 --> 00:17:23,341 HAPPY HALLOWEEN. OH, A PIRATE. JUST BE STILL. I'VE ALMOST GOT IT. 363 00:17:23,343 --> 00:17:26,053 I CAN'T BELIEVE YOU DON'T HAVE A COSTUME. 364 00:17:26,045 --> 00:17:28,445 YOU ALWAYS HAVE A COSTUME. I'VE BEEN A LITTLE BUSY LATELY. 365 00:17:28,448 --> 00:17:31,378 I CAN FINISH UP WITH HER IF YOU WANT TO GET IN YOUR COSTUME. 366 00:17:31,381 --> 00:17:33,581 THANKS, NICOLE, BUT I'M NOT WEARING A COSTUME. 367 00:17:33,583 --> 00:17:35,833 YOU COULD GO AS TIM-TIM'S DAD, JIM TIM. 368 00:17:35,825 --> 00:17:38,825 (sighs) WHAT DOES TIM-TIM'S DAD LOOK LIKE? 369 00:17:38,828 --> 00:17:42,358 DON'T SAY A WORD, OBI-WAN. 370 00:17:42,362 --> 00:17:44,232 (chuckles) 371 00:17:44,234 --> 00:17:47,444 (children speaking indistinctly) 372 00:17:47,437 --> 00:17:49,297 YOU'VE GOT TO BE KIDDING ME. WHOA. 373 00:17:53,173 --> 00:17:56,083 WAS THAT A KANGAROO? 374 00:17:56,075 --> 00:17:58,145 THAT IS THE BEST COSTUME I HAVE EVER SEEN. 375 00:18:04,454 --> 00:18:07,364 HEY, I GOT SOME MILK FROM THE NURSES' STATION TO... 376 00:18:07,357 --> 00:18:09,187 DYLAN? 377 00:18:09,189 --> 00:18:11,689 I'M--I'M SORRY. I SEEM TO HAVE LOST MY SON. 378 00:18:11,691 --> 00:18:15,301 WHAT'S HE LOOK LIKE? UH, HE'S ABOUT THIS BIG, UH, WEARING, UM... 379 00:18:15,295 --> 00:18:17,625 WELL--WELL, A PIMP'S OUTFIT. 380 00:18:17,627 --> 00:18:20,827 I MEAN, I ONLY TURNED MY HEAD FOR A SECOND. HAVEN'T SEEN HIM, BUT THERE ARE TONS OF KIDS AROUND. 381 00:18:20,830 --> 00:18:27,440 YOU MIGHT WANT TO CHECK THE NURSES' STATION. OKAY, THANK YOU. 382 00:18:27,437 --> 00:18:30,437 I'M SURE AFTER EVERYTHING THAT HAPPENED LAST NIGHT, 383 00:18:30,440 --> 00:18:32,140 THE OFFICE IS CHAOTIC. 384 00:18:32,142 --> 00:18:34,312 I'M RIGHT WHERE I NEED TO BE. 385 00:18:34,314 --> 00:18:37,224 I JUST FEEL REALLY UNCOMFORTABLE 386 00:18:37,217 --> 00:18:39,347 IN THIS GOWN AND... 387 00:18:39,349 --> 00:18:42,119 YEAH, I ASSOCIATE THOSE CRAPPY GOWNS 388 00:18:42,121 --> 00:18:45,201 WITH MY WIFE DELIVERING OUR SON. 389 00:18:45,195 --> 00:18:47,795 AFTER YOU'VE SEEN A THING LIKE THAT... 390 00:18:47,797 --> 00:18:49,827 WAS IT AWFUL? 391 00:18:49,829 --> 00:18:52,259 JUST THE OPPOSITE. IT'S... PRIMAL. 392 00:18:52,262 --> 00:18:54,762 YOU FEEL LIKE YOU'RE THERE AT THE BEGINNING 393 00:18:54,764 --> 00:18:57,674 OF SOMETHING... MIRACULOUS... 394 00:18:57,667 --> 00:18:59,907 A NEW LIFE. 395 00:18:59,909 --> 00:19:04,539 (whoosh) 396 00:19:04,544 --> 00:19:06,224 YOU'LL SEE. 397 00:19:06,216 --> 00:19:09,616 (monitor beeping rapidly) 398 00:19:09,619 --> 00:19:13,149 WHAT'S THAT? THAT LITTLE MONITOR UP THERE. 399 00:19:15,225 --> 00:19:17,885 EXCUSE ME. WHAT-- JANIS, I'M SORRY. WE HAVE TO TAKE YOU BACK TO THE O.R. 400 00:19:17,887 --> 00:19:20,257 BRING THE TYPE SPECIFIC. WHAT'S WRONG? 401 00:19:20,260 --> 00:19:22,860 YOUR BLOOD COUNT'S DROPPING. GET HER ON A PORTABLE. WHAT--WHAT'S GOING ON? WHAT HAPPENED? 402 00:19:22,862 --> 00:19:24,862 DON'T KNOW. 403 00:19:24,864 --> 00:19:29,204 (train whistle blows) 404 00:19:29,199 --> 00:19:31,199 (laughing) 405 00:19:31,201 --> 00:19:32,671 TIMES SQUARE. 406 00:19:32,672 --> 00:19:33,872 APRIL 29th. 407 00:19:33,873 --> 00:19:35,883 THE ESTIMATES ON THE MOSAIC WEB SITE 408 00:19:35,875 --> 00:19:38,445 HAVE US AT HALF A MILLION PEOPLE ALREADY. 409 00:19:38,448 --> 00:19:41,208 THE BALL IS GONNA DROP AND EVERYTHING. 410 00:19:41,211 --> 00:19:43,851 HALF A MILLION PEOPLE GOING TO THEIR FUTURE. 411 00:19:43,853 --> 00:19:46,963 MM-HMM. IT'S A GLORIFIED NEW YEAR'S PARTY. 412 00:19:46,956 --> 00:19:49,586 DO YOU HAVE SOMETHING BETTER TO DO? 413 00:19:49,589 --> 00:19:51,859 YEAH, YOU COULD SAY THAT. 414 00:19:51,861 --> 00:19:53,661 WHO IS SHE? 415 00:19:53,663 --> 00:19:56,873 OH, COME ON. I TOLD YOU MINE. 416 00:19:58,898 --> 00:20:01,868 HE... 417 00:20:01,871 --> 00:20:04,731 HAD A NECK LIKE AN OX... 418 00:20:04,734 --> 00:20:07,544 SMELLED LIKE A MEAT LOCKER... 419 00:20:07,537 --> 00:20:10,437 WHAT THE HELL WERE YOU GUYS DOING? 420 00:20:10,440 --> 00:20:13,780 I HAD MY HANDS AROUND HIS NECK. 421 00:20:13,783 --> 00:20:17,223 (grunting) I DON'T KNOW WHERE I WAS 422 00:20:17,216 --> 00:20:20,686 OR WHO THE MAN WAS... (grunting) 423 00:20:20,690 --> 00:20:25,460 BUT I FELT MY THUMBS PRESS DOWN ON HIS TRACHEA... 424 00:20:25,455 --> 00:20:27,995 (snaps) UNTIL SOMETHING SNAPPED. 425 00:20:31,401 --> 00:20:35,311 AND THEN I LET GO... 426 00:20:35,305 --> 00:20:38,235 LOOKED DOWN AT HIS LIFELESS BODY, 427 00:20:38,237 --> 00:20:41,667 QUITE SATISFIED. 428 00:20:45,515 --> 00:20:47,845 AREN'T YOU GLAD YOU ASKED? 429 00:20:55,985 --> 00:20:59,025 I FOUND THIS ON THE SOUTH EXIT CAMERA. YEAH, THAT'S HIM. HOW LONG AGO WAS THIS? 430 00:20:59,028 --> 00:21:00,858 17 MINUTES. 431 00:21:00,860 --> 00:21:03,390 WHERE COULD HE BE HEADED THIS TIME OF NIGHT? 432 00:21:03,393 --> 00:21:05,703 I HAVE NO IDEA. 433 00:21:12,041 --> 00:21:14,571 (brakes hiss) 434 00:21:17,046 --> 00:21:18,346 YOU GETTING ON? 435 00:21:18,348 --> 00:21:20,378 MM-HMM. 436 00:21:20,380 --> 00:21:22,910 THEN GET ON. COME ON. WE GOTTA GO. 437 00:21:22,912 --> 00:21:26,062 HEY, KID, YOU GOTTA PAY THE FARE! HEY! 438 00:21:26,055 --> 00:21:29,285 HEY, KID. (snaps fingers) 439 00:21:29,288 --> 00:21:32,058 YOU GOTTA PAY THE FARE. NOW DO YOU HAVE IT OR NOT? 440 00:21:32,061 --> 00:21:34,921 YO. 441 00:21:34,924 --> 00:21:36,934 ARE YOU LOST? 442 00:21:36,926 --> 00:21:38,666 TO OUR FRIENDS 443 00:21:38,668 --> 00:21:41,498 AT 25696 SAWYER COURT, 444 00:21:41,501 --> 00:21:45,071 LOS ANGELES, CALIFORNIA, 90024. 445 00:21:45,074 --> 00:21:47,344 WHAT IS HE, BRAIN DAMAGED OR SOMETHING? 446 00:21:47,337 --> 00:21:51,937 IS HE ONE OF THOSE-- I'M GONNA PUT YOU DOWN LIKE A SICK DOG IF YOU DON'T SHUT UP. 447 00:21:51,941 --> 00:21:55,591 IT'S MY HOUSE, TOO. THAT'S YOUR HOUSE? 448 00:21:55,585 --> 00:21:57,885 YOU KNOW THAT ADDRESS? 449 00:21:57,887 --> 00:22:00,947 YEAH, AND HE'S GONNA NEED A TRANSFER. 450 00:22:00,950 --> 00:22:03,790 THAT'S $1.55. 451 00:22:06,025 --> 00:22:08,025 (sighs) 452 00:22:08,027 --> 00:22:10,397 DON'T WORRY, KID. 453 00:22:10,400 --> 00:22:12,000 DO YOU KNOW ANY MAGIC TRICKS? 454 00:22:12,001 --> 00:22:15,471 NO, MIJO. I DON'T DO MAGIC. 455 00:22:17,767 --> 00:22:20,337 YOU SAID AN HOUR. IT'S BEEN OVER THREE. 456 00:22:20,339 --> 00:22:21,809 (beep) 457 00:22:21,811 --> 00:22:23,911 SHE'S BACK IN SURGERY. 458 00:22:23,913 --> 00:22:26,553 SHE'LL PULL THROUGH. WHY? 459 00:22:26,546 --> 00:22:29,046 SHE HAD A FLASH-FORWARD, SO SHE HAS A FUTURE? 460 00:22:29,048 --> 00:22:31,778 (woman) 450 OUT, AND SHE'S TACHY IN THE 130s. 461 00:22:31,781 --> 00:22:33,721 WHAT ARE WE WAITING FOR? 462 00:22:33,723 --> 00:22:34,983 WE ONLY HAVE ONE REAL OPTION HERE. 463 00:22:34,984 --> 00:22:36,534 5-0 VICRYL. 464 00:22:36,526 --> 00:22:38,886 WITH ALL DUE RESPECT, DR. BENFORD-- 465 00:22:38,888 --> 00:22:41,558 WE'RE GONNA DO A B-LYNCH. 466 00:22:41,561 --> 00:22:43,531 DID I EVER TELL YOU ABOUT THE NIGHT BEFORE 467 00:22:43,533 --> 00:22:45,903 SHE AND I GRADUATED FROM QUANTICO? 468 00:22:45,895 --> 00:22:48,765 NO. WE'RE AT SOME DORM ROOM GETTING HAMMERED. 469 00:22:48,768 --> 00:22:51,498 I GET US A BEER. WE FINISH. SHE GETS US A COUPLE MORE, 470 00:22:51,501 --> 00:22:55,001 THEN A COUPLE OF SHOTS, AND, UH, I'M STARTING TO WORRY 471 00:22:55,004 --> 00:22:56,984 THAT NERDY LITTLE GIRL'S GONNA HAVE TO HAVE 472 00:22:56,976 --> 00:23:00,076 HER STOMACH PUMPED, RIGHT? THERE'S NO GUARANTEE THAT A B-LYNCH 473 00:23:00,079 --> 00:23:01,879 WILL CONTAIN THE BLEEDING. A B-LYNCH IS A FAR LESS INVASIVE PROCEDURE. 474 00:23:01,881 --> 00:23:04,911 GIVES HER A FIGHTING CHANCE OF STILL HAVING 475 00:23:04,914 --> 00:23:06,924 A NORMAL, HEALTHY UTERUS. BARELY. 476 00:23:06,916 --> 00:23:09,156 (Demetri) NEXT THING I KNOW, IT'S 4:00 A.M. 477 00:23:09,158 --> 00:23:12,688 I WAKE UP ON LINOLEUM, GOT A FOOT IN THE TOILET. 478 00:23:12,692 --> 00:23:15,062 I LOOK OVER. JANIS IS AT THE KITCHEN TABLE 479 00:23:15,064 --> 00:23:18,004 PLAYING QUARTERS AGAINST HERSELF. 480 00:23:17,997 --> 00:23:19,997 HER INSIDES ARE STRONGER THAN ANY BULLET. 481 00:23:19,999 --> 00:23:23,099 I'LL TELL YOU THAT MUCH. BE HONEST-- 482 00:23:23,102 --> 00:23:25,172 WOULD YOU BE MAKING THE SAME DECISION 483 00:23:25,174 --> 00:23:27,914 IF YOU DIDN'T KNOW THIS PATIENT PERSONALLY? 484 00:23:27,907 --> 00:23:31,137 5-0 VICRYL. 485 00:23:31,140 --> 00:23:32,940 LET ME GET THIS STRAIGHT-- 486 00:23:32,942 --> 00:23:35,952 YOU BLACKED OUT AFTER FIVE DRINKS, 487 00:23:35,945 --> 00:23:37,945 AND THEY LET YOU KEEP YOUR BADGE? 488 00:23:37,947 --> 00:23:40,887 THAT'S... (chuckles) YOU KNOW WHY? 489 00:23:40,890 --> 00:23:44,050 BECAUSE I'M ALWAYS RIGHT ABOUT EVERYTHING. 490 00:23:54,033 --> 00:23:57,913 IT'S LIKE THE HAND ON MARK'S BOARD. 491 00:23:59,709 --> 00:24:02,009 (children) TRICK OR TREAT! (laughing) 492 00:24:02,011 --> 00:24:05,681 HEY, GUYS. DIG IN, COWBOY, PRINCESS. 493 00:24:05,675 --> 00:24:09,015 A VERY COOL COSTUME. 494 00:24:09,018 --> 00:24:10,848 HI. 495 00:24:10,850 --> 00:24:12,950 AND? 496 00:24:12,952 --> 00:24:14,222 UM? 497 00:24:19,228 --> 00:24:21,058 HEY! 498 00:24:21,060 --> 00:24:24,230 IT'S MY HOUSE, TOO. 499 00:24:24,233 --> 00:24:27,203 YOU REALLY SHOULD SEE A DENTIST. 500 00:24:27,196 --> 00:24:31,636 MY PARENTS COULDN'T AFFORD BRACES. 501 00:24:31,641 --> 00:24:32,901 (chuckles) 502 00:24:32,902 --> 00:24:36,082 THANKS FOR COMING OUT TONIGHT. 503 00:24:36,075 --> 00:24:38,005 I LOVE HALLOWEEN. 504 00:24:38,007 --> 00:24:40,147 AND, UH, I WAS WORRIED ABOUT YOU. 505 00:24:40,149 --> 00:24:42,909 IT'S GOOD TO SEE YOU OUT DOING NORMAL STUFF. 506 00:24:42,912 --> 00:24:46,122 YEAH, I THINK IT'S A GOOD IDEA FOR ALL OF US TO START... 507 00:24:46,115 --> 00:24:47,915 LET'S GET GOING! 508 00:24:47,917 --> 00:24:51,017 OKAY. PAYING A LITTLE BIT MORE... 509 00:25:13,883 --> 00:25:17,123 (Mark) WATCH HER. 510 00:25:17,116 --> 00:25:19,046 HEY! 511 00:25:21,120 --> 00:25:22,990 FBI! STOP! 512 00:25:22,992 --> 00:25:26,062 (children shouting indistinctly) FBI! STAY WHERE YOU ARE! 513 00:25:32,201 --> 00:25:35,231 SAME HAND, ONLY THIS ONE'S MISSING SOME FINGERS. 514 00:25:35,234 --> 00:25:39,014 AND, UM, THE OTHER WAY. 515 00:25:39,008 --> 00:25:42,968 THAT WAS THE ORIENTATION ON OUR ASSAILANT. 516 00:25:42,972 --> 00:25:47,882 AM I CRAZY, OR DOES IT LOOK LIKE IT'S POINTING THAT WAY? 517 00:25:47,877 --> 00:25:50,917 (man) ♪ SCARY MONSTERS ♪ 518 00:25:50,920 --> 00:25:53,850 ♪ AND SUPER CREEPS ♪ 519 00:25:53,853 --> 00:25:57,163 ♪ KEEP ME RUNNING ♪ 520 00:25:57,156 --> 00:26:01,086 ♪ RUNNING SCARED ♪ 521 00:26:01,090 --> 00:26:04,590 ♪ SCARY MONSTERS ♪ 522 00:26:04,594 --> 00:26:06,944 ♪ AND SUPER CREEPS ♪ 523 00:26:08,598 --> 00:26:10,868 ♪ KEEP ME RUNNING ♪ 524 00:26:10,870 --> 00:26:14,100 ♪ RUNNING SCARED ♪ 525 00:26:14,103 --> 00:26:18,053 ♪♪ 526 00:26:51,681 --> 00:26:53,011 (grunts) 527 00:26:53,012 --> 00:26:54,982 WASN'T MY-- 528 00:26:54,984 --> 00:26:58,894 IT WASN'T MY IDEA! 529 00:26:58,888 --> 00:27:02,088 I DIDN'T THROW ANY EGGS! I JUST THREW SOME TOILET PAPER! 530 00:27:02,091 --> 00:27:05,961 (breathing heavily) WHERE DID YOU GET THIS MASK? 531 00:27:05,955 --> 00:27:07,355 99 CENTS STORE, MAN. 532 00:27:07,356 --> 00:27:09,956 YOU'RE NOT GONNA CALL MY DAD, ARE YOU? 533 00:27:09,959 --> 00:27:12,799 (cell phone rings) 534 00:27:12,802 --> 00:27:14,932 (ring) 535 00:27:14,934 --> 00:27:16,944 (ring, beep) 536 00:27:16,936 --> 00:27:20,266 YEAH, NICOLE? 537 00:27:20,269 --> 00:27:24,109 I'LL BE RIGHT THERE. 538 00:27:24,113 --> 00:27:26,053 MAKES SENSE. YOU RUN AN UNDERGROUND CLUB, 539 00:27:26,045 --> 00:27:29,215 YOU WANT TO MAKE SURE ONLY THE RIGHT PEOPLE FIND IT. 540 00:27:29,218 --> 00:27:31,248 IF THE HAND'S POSITIONING IS THE DIRECTION, 541 00:27:31,250 --> 00:27:32,750 WHY THE MISSING FINGERS? 542 00:27:32,752 --> 00:27:35,082 THE LAST HAND HAD THREE FINGERS, RIGHT? 543 00:27:35,084 --> 00:27:38,864 WE JUST DROVE THREE BLOCKS. 544 00:27:41,761 --> 00:27:43,431 THAT'S IT. 545 00:27:43,432 --> 00:27:45,292 NICE. 546 00:27:45,294 --> 00:27:48,074 I'M SORRY TO BOTHER YOU, BUT I TRIED OLIVIA FIRST. 547 00:27:48,067 --> 00:27:50,937 SHE'S IN SURGERY. YOU DID THE RIGHT THING. 548 00:27:50,940 --> 00:27:53,940 HE CAME OUT OF NOWHERE, AND HE HAD ON THIS HOSPITAL BRACELET 549 00:27:53,943 --> 00:27:56,853 THAT I WAS ABLE TO GET OFF AND CALL HIS DAD. 550 00:27:56,846 --> 00:27:59,946 HE'S ON HIS WAY OVER. I'M MARK. WHAT'S YOUR NAME? 551 00:27:59,949 --> 00:28:02,279 MY NAME IS DYLAN. MY FAVORITE BOOK IS 552 00:28:02,281 --> 00:28:05,991 "HARRY POTTER," PRISONERS OF AZKABAN. 553 00:28:05,985 --> 00:28:08,185 MY DAD DOES MAGIC. 554 00:28:08,187 --> 00:28:10,857 OKAY, UM, DYLAN, 555 00:28:10,860 --> 00:28:12,890 DOES YOUR DAD KNOW YOU'RE HERE? 556 00:28:12,892 --> 00:28:15,322 THIS IS MY HOUSE, TOO. 557 00:28:15,324 --> 00:28:18,904 NO, DYLAN, THIS IS MY HOUSE, AND I'M TRYING TO FIND OUT 558 00:28:18,898 --> 00:28:20,968 HOW YOU GOT HERE FROM THE HOSPITAL. 559 00:28:22,832 --> 00:28:24,732 (whoosh) 560 00:28:27,837 --> 00:28:30,437 GO AHEAD. IT'S YOUR HOUSE, TOO. 561 00:28:33,182 --> 00:28:36,892 HOW DID YOU KNOW THIS ADDRESS? 562 00:28:36,886 --> 00:28:38,046 (whoosh) 563 00:28:38,047 --> 00:28:42,887 "TO OUR FRIENDS AT 25696 SAWYER COURT, 564 00:28:42,892 --> 00:28:44,722 "LOS ANGELES, CALIFORNIA, 565 00:28:44,723 --> 00:28:46,733 90024." 566 00:28:46,725 --> 00:28:49,495 HEY, DYLAN! HI, CHARLIE. 567 00:28:49,498 --> 00:28:51,358 NUTS TO YOU, SQUIRRLIO! 568 00:28:51,360 --> 00:28:55,460 TOOT, TOOT! TOOT, TOOT! 569 00:28:55,464 --> 00:28:58,774 WHAT WAS THAT? 570 00:28:58,768 --> 00:29:02,838 IT'S FROM THE CARTOON. CHARLIE, DO YOU-- DO YOU KNOW DYLAN FROM SCHOOL? 571 00:29:02,842 --> 00:29:04,212 NO, HE'S JUST MY FRIEND. 572 00:29:04,213 --> 00:29:06,123 (knock on door) 573 00:29:06,115 --> 00:29:08,445 WHAT? 574 00:29:11,250 --> 00:29:13,450 HELLO. I THINK MY SON IS HERE. 575 00:29:13,452 --> 00:29:17,132 (Nicole) YEAH, HE'S RIGHT HERE. COME ON IN. 576 00:29:17,126 --> 00:29:20,056 OH, MY GOD. ARE YOU ALL RIGHT? DON'T WORRY, HE SEEMS FINE. 577 00:29:20,059 --> 00:29:22,059 HE JUST SLIPPED OUT OF THE HOSPITAL. 578 00:29:22,061 --> 00:29:24,391 I-I CAN'T BELIEVE HE'D JUST WANDER OFF. 579 00:29:24,393 --> 00:29:27,303 UM, THANK YOU FOR TAKING SUCH GOOD CARE OF HIM... SURE. 580 00:29:27,296 --> 00:29:29,966 MR... BENFORD. MARK BENFORD. 581 00:29:29,969 --> 00:29:31,969 RIGHT. AND I DIDN'T CATCH YOUR NAME. 582 00:29:31,971 --> 00:29:35,141 UH... L-LLOYD SIMCOE. 583 00:29:40,109 --> 00:29:43,949 UH, UH, THIS IS MY SON DYLAN. 584 00:29:43,953 --> 00:29:46,163 SIMCOE? 585 00:29:46,155 --> 00:29:47,885 WAIT. 586 00:29:47,887 --> 00:29:49,087 BENFORD? 587 00:29:49,088 --> 00:29:52,058 ARE YOU SOMEHOW RELATED TO OLIVIA-- 588 00:29:52,061 --> 00:29:54,121 UM, UM, DR. BENFORD? 589 00:29:54,123 --> 00:29:56,973 I'M HER HUSBAND. 590 00:29:56,966 --> 00:29:59,296 OF--OF COURSE. THAT-- THAT MAKES PERFECT SENSE-- 591 00:29:59,298 --> 00:30:03,298 UH, YOUR NAME BEING BENFORD, HER NAME BEING BENFORD. 592 00:30:03,302 --> 00:30:05,302 UH... 593 00:30:05,304 --> 00:30:07,484 (singsong voice) TRICK OR TREAT! 594 00:30:12,241 --> 00:30:14,081 OH. 595 00:30:28,297 --> 00:30:30,127 (whoosh) 596 00:30:30,129 --> 00:30:33,099 HEY, HONEY. 597 00:30:33,102 --> 00:30:35,102 (whoosh) 598 00:30:37,266 --> 00:30:41,006 (chuckles) 599 00:30:41,010 --> 00:30:42,610 YOU'RE HER. 600 00:30:42,611 --> 00:30:44,241 NOT YET. 601 00:30:47,046 --> 00:30:48,276 UM... 602 00:30:48,277 --> 00:30:50,247 YOU KNOW, CHARLIE... 603 00:30:50,249 --> 00:30:52,949 WHY DON'T WE DOUBLE CHECK YOUR CANDY IN THE KITCHEN? (Nicole) GOOD IDEA. 604 00:30:52,952 --> 00:30:56,032 NICOLE, YOU WANT TO COME? 605 00:30:57,556 --> 00:31:00,126 WHAT'S GOING ON? 606 00:31:00,129 --> 00:31:02,029 I THOUGHT YOU MIGHT KNOW. 607 00:31:02,031 --> 00:31:04,861 DYLAN CAME HERE. 608 00:31:04,863 --> 00:31:07,373 WHY? THIS IS MY HOUSE, TOO. 609 00:31:07,366 --> 00:31:11,536 (whoosh) IT'S YOUR HOUSE, TOO, DYLAN. 610 00:31:11,540 --> 00:31:13,040 (whoosh) 611 00:31:13,042 --> 00:31:15,202 HE KEEPS SAYING THAT. 612 00:31:15,204 --> 00:31:18,454 DYLAN IS AUTISTIC. THE REPETITIVE SPEECH-- 613 00:31:18,447 --> 00:31:20,577 I DON'T NEED A DIAGNOSIS. 614 00:31:22,651 --> 00:31:25,991 NOW I UNDERSTAND. 615 00:31:25,985 --> 00:31:27,555 WHAT? 616 00:31:27,556 --> 00:31:30,156 WHY I MADE HER-- WHY I MADE YOU SO-- 617 00:31:30,159 --> 00:31:31,389 UNCOMFORTABLE? YES. 618 00:31:31,390 --> 00:31:33,490 UM, OKAY, CLEARLY, UM, 619 00:31:33,492 --> 00:31:36,572 THIS IS AN UNUSUAL SITUATION. 620 00:31:36,565 --> 00:31:39,625 NO KIDDING. MARK, DON'T BE LIKE THAT. 621 00:31:39,628 --> 00:31:43,628 I CAN MAKE THIS COMFORTABLE FOR EVERYBODY. 622 00:31:43,632 --> 00:31:46,182 YOU LEAVE... 623 00:31:46,175 --> 00:31:49,035 YOU DON'T COME BACK. 624 00:31:57,386 --> 00:32:02,116 I'M VERY SORRY IF WE'VE CAUSED YOU ANY INCONVENIENCE. 625 00:32:02,121 --> 00:32:04,121 THANK YOU... 626 00:32:04,123 --> 00:32:06,033 BOTH... 627 00:32:06,025 --> 00:32:08,325 FOR THE KINDNESS YOU'VE SHOWN DYLAN. 628 00:32:20,209 --> 00:32:22,269 THANK YOU. 629 00:32:22,271 --> 00:32:24,211 IT'S MY HOUSE, TOO. 630 00:32:24,213 --> 00:32:27,283 (whispers) OKAY. COME ON. GOOD NIGHT, OLIVIA. 631 00:32:27,276 --> 00:32:29,276 (Lloyd) COME ON, DYLAN. LET'S GO. 632 00:32:29,278 --> 00:32:31,278 GOOD NIGHT, DYLAN. 633 00:32:31,280 --> 00:32:33,280 (door closes) 634 00:32:35,184 --> 00:32:36,534 LOOKS LIKE THE PARTY'S OVER. 635 00:32:36,525 --> 00:32:39,355 DEFINITELY OVER. 636 00:32:57,246 --> 00:32:59,246 (Demetri) FBI! 637 00:33:31,180 --> 00:33:34,080 (whoosh) 638 00:33:39,388 --> 00:33:45,018 THESE CAME FROM A FRIEND OF YOURS NAMED MAYA... 639 00:33:45,023 --> 00:33:47,333 WORRIED ABOUT YOU. 640 00:33:49,798 --> 00:33:52,458 YOU OKAY? 641 00:33:57,066 --> 00:33:59,606 WHEN I GOT SHOT... 642 00:34:01,670 --> 00:34:03,710 THE BULLET... 643 00:34:03,712 --> 00:34:07,182 BOUNCED AROUND ALL OVER THE PLACE. 644 00:34:07,176 --> 00:34:11,446 THE ONLY THING THEY SAID THEY COULD DO 645 00:34:11,450 --> 00:34:14,480 WITHOUT TAKING THE WHOLE THING OUT... 646 00:34:17,086 --> 00:34:20,056 OLIVIA DID THIS THING CALLED A B-LYNCH. 647 00:34:22,060 --> 00:34:25,560 (voice breaking) BUT WITH ALL THE SCARRING... 648 00:34:25,564 --> 00:34:27,344 (sniffles) 649 00:34:27,336 --> 00:34:31,566 THEY SAID THAT IT'S GONNA BE ALMOST IMPOSSIBLE... 650 00:34:33,572 --> 00:34:36,182 (crying) 651 00:34:36,175 --> 00:34:37,845 WHY AM I CRYING? 652 00:34:37,846 --> 00:34:43,776 I NEVER EVEN WANTED TO HAVE A BABY. 653 00:34:43,782 --> 00:34:46,122 IT'S GONNA BE ALL RIGHT. 654 00:34:46,115 --> 00:34:49,855 (crying) 655 00:34:56,865 --> 00:34:58,525 (blows) 656 00:35:03,472 --> 00:35:06,382 I CAN SEE WHY YOU LIKE HIM. HE'S VERY CHARMING. 657 00:35:06,375 --> 00:35:08,635 I DON'T LIKE HIM. COME ON. 658 00:35:08,637 --> 00:35:11,607 CAN YOU STOP SO WE CAN ACTUALLY TALK ABOUT THIS? (dishes clattering loudly) 659 00:35:11,610 --> 00:35:14,140 I DON'T LIKE HIM. 660 00:35:14,143 --> 00:35:16,853 HE'S THE FATHER OF ONE OF MY PATIENTS. 661 00:35:16,845 --> 00:35:18,845 I KNOW WHO HE IS. 662 00:35:18,847 --> 00:35:22,417 WHAT I WANT TO KNOW IS HOW HIS SON FOUND HIS WAY HERE. I HAVE NO IDEA. 663 00:35:22,421 --> 00:35:24,821 REALLY? YEAH. 664 00:35:24,823 --> 00:35:28,863 WELL, I'M A LITTLE CONFUSED, BECAUSE I THOUGHT YOU SAID 665 00:35:28,857 --> 00:35:31,827 YOU HAD DYLAN MOVED OFF YOUR ROTATION. I DID. 666 00:35:31,830 --> 00:35:33,660 YOU DID? 667 00:35:36,305 --> 00:35:38,635 THEN WHY ARE YOU LISTED AS THE ATTENDING 668 00:35:38,637 --> 00:35:40,867 ON HIS WRISTBAND? OH, GOD. 669 00:35:40,869 --> 00:35:43,209 I HAD NOTHING TO DO WITH THAT. 670 00:35:43,212 --> 00:35:47,152 MY BOSS MADETHE DECISION. YOUR BOSS ALSO TELL YOU NOT TO SAY ANYTHING ABOUT IT? 671 00:35:47,145 --> 00:35:49,445 NO, I DIDN'T SAY ANYTHING ABOUT IT BECAUSE I THOUGHT 672 00:35:49,448 --> 00:35:52,448 IT WOULD MAKE A HORRENDOUS SITUATION THAT MUCH WORSE. 673 00:35:52,451 --> 00:35:55,151 OH, SO YOU THOUGHT HIDING IT WAS A BETTER PLAN. 674 00:35:55,153 --> 00:35:57,293 THAT'S NOT WHAT WAS GOING ON, MARK. 675 00:35:57,286 --> 00:36:01,356 DON'T TURN ME INTO SOMEONE I'M NOT. DON'T YOU TURN THIS AROUND AND MAKE IT ABOUT ME. 676 00:36:01,360 --> 00:36:03,530 THE MAN YOU MIGHT BE SLEEPING WITH IN SIX MONTHS' TIME 677 00:36:03,532 --> 00:36:06,402 WAS JUST IN OUR LIVING ROOM, AND I SURE AS HELL 678 00:36:06,395 --> 00:36:09,195 DIDN'T BRING HIM INTO OUR LIVES. YOU DID! THAT'S NOT FAIR. 679 00:36:09,198 --> 00:36:11,398 JUST BE HONEST. JUST BE HONEST. 680 00:36:11,400 --> 00:36:13,740 HAVE--HAVE YOU BEEN TALKING TO HIM AT WORK? 681 00:36:13,742 --> 00:36:17,352 OH, COME ON! COME ON, MARK. 682 00:36:17,346 --> 00:36:21,246 HUH? HAVE YOU DONE ANYTHING ELSE I SHOULD KNOW ABOUT? MARK, DON'T INTERROGATE ME. 683 00:36:21,250 --> 00:36:24,180 THEN BE HONEST WITH ME! I AM! 684 00:36:24,182 --> 00:36:26,762 ARE YOU BEING HONEST WITH ME? 685 00:36:26,755 --> 00:36:28,455 OH, WHAT ARE YOU TALKING ABOUT? 686 00:36:28,457 --> 00:36:31,317 ALL THE OLD PATTERNS ARE BACK, MARK. 687 00:36:31,320 --> 00:36:34,720 YOU'RE OUT OF THE HOUSE ALL THE TIME. 688 00:36:34,723 --> 00:36:37,433 YOU'RE MORE AND MORE SECRETIVE. 689 00:36:37,426 --> 00:36:40,566 SO I'M ASKING YOU THE SAME THING THAT YOU ASKED ME... 690 00:36:40,569 --> 00:36:42,569 BE HONEST. 691 00:36:42,571 --> 00:36:47,441 ARE YOU HIDING ANYTHING FROM ME? 692 00:36:47,436 --> 00:36:49,436 (silverware clinking) 693 00:36:51,880 --> 00:36:53,840 MARK? 694 00:36:58,917 --> 00:37:00,987 (lowered voice) IN MY FLASH-FORWARD... 695 00:37:03,252 --> 00:37:05,722 I WAS DRINKING. 696 00:37:07,796 --> 00:37:09,526 WOW. 697 00:37:14,763 --> 00:37:16,843 HERE WE ARE AGAIN. 698 00:37:16,835 --> 00:37:19,465 OLIVIA, THIS ISN'T LIKE BEFORE. 699 00:37:19,468 --> 00:37:21,238 THE LYING'S ALREADY STARTED. 700 00:37:21,239 --> 00:37:23,239 WHAT? NO, IT HASN'T. THIS ISN'T THE SAME. 701 00:37:23,241 --> 00:37:25,771 DON'T CONDEMN ME FOR SOMETHING I HAVEN'T DONE YET. 702 00:37:25,774 --> 00:37:28,684 DID YOU EVEN HEAR WHAT YOU JUST SAID? 703 00:37:28,677 --> 00:37:31,017 YOU'VE BEEN PUNISHING ME THIS WHOLE TIME 704 00:37:31,019 --> 00:37:33,649 FOR AN IMAGINARY RELATIONSHIP. 705 00:37:33,652 --> 00:37:37,592 BUT WHEN IT COMES BACK TO YOU, YOU WANT TO BE LET OFF THE HOOK. 706 00:37:37,586 --> 00:37:40,456 BUT OUR PAST TOGETHER, MARK-- 707 00:37:40,459 --> 00:37:43,689 ALL WE'VE BEEN THROUGH WITH YOUR DRINKING... 708 00:37:43,692 --> 00:37:46,602 THAT'S REAL. 709 00:37:46,595 --> 00:37:50,035 THAT STILL HURTS. 710 00:37:50,038 --> 00:37:53,868 I'M NOT GOING THROUGH IT AGAIN. 711 00:37:53,872 --> 00:37:56,612 I PROMISE YOU... 712 00:37:56,605 --> 00:37:57,905 I'M NOT GONNA DRINK. 713 00:37:57,906 --> 00:37:59,976 BUT IT'S NOT ABOUT THE DRINKING. 714 00:37:59,978 --> 00:38:02,778 YOU KNOW THAT. 715 00:38:02,781 --> 00:38:05,951 IT'S ABOUT TRUST. 716 00:38:05,954 --> 00:38:09,964 IT'S ABOUT TRUST, AND WE DON'T TRUST EACH OTHER ANYMORE. 717 00:38:11,990 --> 00:38:16,330 SO EVERYTHING WE SAID AT THE HOSPITAL TODAY 718 00:38:16,325 --> 00:38:20,725 ABOUT ONLY LIVING IN THE MOMENT, WELL... 719 00:38:20,729 --> 00:38:22,799 ALL THAT WAS A LIE? 720 00:38:24,873 --> 00:38:26,743 IT'S NOT A LIE. 721 00:38:26,735 --> 00:38:28,935 IT'S WHAT I WANT. 722 00:38:28,937 --> 00:38:32,537 I JUST DON'T KNOW IF IT'S POSSIBLE ANYMORE... 723 00:38:34,443 --> 00:38:36,623 NOT NOW... 724 00:38:36,615 --> 00:38:39,645 NOT WITH US. 725 00:38:53,962 --> 00:38:56,572 (indistinct radio chatter) HEY, DEMETRI? 726 00:38:56,565 --> 00:38:58,565 AM I MISSING SOMETHING? 727 00:38:58,567 --> 00:39:00,967 I MEAN, ON THE SAME NIGHT OUR GUY TRIES TO KILL JANIS, 728 00:39:00,969 --> 00:39:05,969 HE'S HANGING OUT HERE? I DON'T KNOW, BUT THEY FOUND THIS ON ONE OF THE BODIES. 729 00:39:05,974 --> 00:39:08,654 REMEMBER THE RUTHERFORD CASE? (whoosh) 730 00:39:08,647 --> 00:39:09,877 WE WERE TALKING ABOUT A CASE 731 00:39:09,878 --> 00:39:12,078 THAT I DON'T THINK EVEN EXISTS YET-- 732 00:39:12,080 --> 00:39:13,980 THE RUTHERFORD CASE. (whoosh) 733 00:39:13,982 --> 00:39:16,792 IT BEGINS TONIGHT. 734 00:39:16,785 --> 00:39:19,025 (camera shutter clicks) 735 00:39:23,532 --> 00:39:24,932 (whoosh) 736 00:39:27,666 --> 00:39:29,666 (whoosh) 737 00:39:32,701 --> 00:39:35,871 ALL RIGHT. 738 00:39:35,874 --> 00:39:37,984 IT WAS QUITE A DAY, HUH? 739 00:39:37,976 --> 00:39:40,876 IS IT GONNA BE HALLOWEEN AGAIN TOMORROW? 740 00:39:40,879 --> 00:39:44,009 NO. 741 00:39:44,012 --> 00:39:46,962 JUST TODAY. 742 00:39:46,955 --> 00:39:49,915 GOOD, 'CAUSE IT WAS KIND OF SCARY. 743 00:39:51,990 --> 00:39:54,690 YEAH. 744 00:39:54,693 --> 00:39:57,973 YES, IT WAS. 745 00:40:03,432 --> 00:40:05,972 I'LL SEE YOU IN THE MORNING. 746 00:40:05,974 --> 00:40:08,614 ("Across the Universe" playing) 747 00:40:08,607 --> 00:40:10,937 THANKS FOR COMING TO GET ME, DADDY. 748 00:40:10,939 --> 00:40:15,909 (Rufus Wainwright) ♪ WORDS ARE FLOWING OUT LIKE ENDLESS RAIN ♪ 749 00:40:15,914 --> 00:40:17,754 ♪ INTO A PAPER CUP ♪ 750 00:40:17,746 --> 00:40:20,016 ♪ THEY SLITHER WHILE THEY PASS ♪ 751 00:40:20,018 --> 00:40:24,618 ♪ THEY SLIP AWAY ACROSS THE UNIVERSE ♪ 752 00:40:24,623 --> 00:40:27,163 ♪ POOLS OF SORROW, WAVES OF JOY ♪ 753 00:40:27,155 --> 00:40:30,855 ♪ ARE DRIFTING THROUGH MY OPEN MIND ♪ 754 00:40:30,859 --> 00:40:35,629 ♪ POSSESSING AND CARESSING ME ♪ 755 00:40:35,634 --> 00:40:42,044 ♪ JAI GURU DEVA ♪ 756 00:40:42,040 --> 00:40:44,870 ♪ OM ♪ 757 00:40:44,873 --> 00:40:51,753 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 758 00:40:51,750 --> 00:40:58,230 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 759 00:40:58,226 --> 00:41:04,656 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 760 00:41:04,663 --> 00:41:08,543 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 761 00:41:08,537 --> 00:41:10,997 (typing on keyboard) 762 00:41:10,999 --> 00:41:14,169 ♪ SOUNDS OF LAUGHTER, SHADES OF EARTH ♪ 763 00:41:14,172 --> 00:41:17,512 ♪ ARE RINGING THROUGH MY OPEN MIND ♪ 764 00:41:17,506 --> 00:41:22,506 ♪ INCITING AND INVITING ME ♪ 765 00:41:22,511 --> 00:41:25,051 ♪ LIMITLESS, UNDYING LOVE ♪ 766 00:41:25,053 --> 00:41:29,023 ♪ WHICH SHINES AROUND ME LIKE A MILLION SUNS ♪ 767 00:41:29,017 --> 00:41:31,917 ♪ IT CALLS ME ON AND ON ♪ 768 00:41:31,920 --> 00:41:36,800 ♪ ACROSS THE UNIVERSE ♪ 769 00:41:36,795 --> 00:41:43,195 ♪ JAI GURU DEVA ♪ 770 00:41:43,201 --> 00:41:46,501 ♪ OM ♪ 771 00:41:46,504 --> 00:41:50,844 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 772 00:41:50,839 --> 00:41:52,939 (car alarm chirps) 773 00:41:52,941 --> 00:41:58,921 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 774 00:41:58,917 --> 00:42:03,587 ♪ NOTHING'S GONNA CHANGE MY WORLD ♪ 775 00:42:03,592 --> 00:42:07,032 OHH! 776 00:42:07,025 --> 00:42:09,655 OH, DAMN IT, SIMON. YOU SCARED ME HALF TO DEATH. 777 00:42:09,658 --> 00:42:11,798 DID YOU EVER TAKE THE TRAIN DOWN THE COAST, LLOYD? 778 00:42:11,800 --> 00:42:15,030 BREATHTAKING. 779 00:42:15,033 --> 00:42:18,173 WHAT DO YOU WANT? 780 00:42:18,166 --> 00:42:20,806 YOU DISAPPEAR TO LOS ANGELES. 781 00:42:20,809 --> 00:42:22,769 YOU DON'T RETURN MY CALLS. 782 00:42:22,771 --> 00:42:25,041 I'M WORRIED ABOUT YOU. WE ALL ARE. 783 00:42:25,043 --> 00:42:27,053 YEAH, WELL, I MADE IT PERFECTLY CLEAR 784 00:42:27,045 --> 00:42:30,275 I DON'T WANT TO SEE ANY OF YOU RIGHT NOW. 785 00:42:30,278 --> 00:42:32,678 I DON'T CARE. WE HAVE TO TALK. 786 00:42:32,681 --> 00:42:36,081 OUR EXPERIMENT KILLED 20 MILLION PEOPLE, SIMON. 787 00:42:36,084 --> 00:42:39,064 WHAT MORE IS THERE TO SAY? 788 00:42:39,057 --> 00:42:42,757 (starts engine) 53645

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