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These are the user uploaded subtitles that are being translated: 1 00:00:01,695 --> 00:00:05,132 [MUSIC] 2 00:00:05,165 --> 00:00:06,300 >> YOU KNOW THAT FEELING 3 00:00:06,333 --> 00:00:07,735 WE ALL GET WHEN WWE IS TOTALLY 4 00:00:07,768 --> 00:00:09,270 AWESOME? 5 00:00:09,304 --> 00:00:10,906 >> OH, YES. 6 00:00:10,939 --> 00:00:13,275 [CROWD CHEERS] >> THAT FEELING 7 00:00:13,308 --> 00:00:15,977 OF FUN, NOSTALGIA, THE MEMORIES 8 00:00:16,012 --> 00:00:20,149 THAT MADE YOU A LIFELONG FAN. 9 00:00:20,183 --> 00:00:23,420 LIKE A SUPERSTAR'S ENTRANCE. 10 00:00:23,454 --> 00:00:24,589 >> UNBELIEVABLE. 11 00:00:24,622 --> 00:00:26,724 WHAT A RIDE. 12 00:00:26,758 --> 00:00:28,726 >> THE ICONIC MUSIC. 13 00:00:28,761 --> 00:00:30,129 [GLASS SHATTERS] >> AND THAT 14 00:00:30,162 --> 00:00:31,196 SIGNATURE SWAGGER THAT COMES 15 00:00:31,230 --> 00:00:32,598 ALONG WITH IT. 16 00:00:32,631 --> 00:00:34,233 >> HE'S AS DEADLY AS THEY COME, 17 00:00:34,267 --> 00:00:36,803 THE CEREBRAL ASSASSIN. 18 00:00:36,836 --> 00:00:37,938 >> THESE ARE THE MOMENTS THAT 19 00:00:37,972 --> 00:00:39,840 DEFINED US AS A UNIVERSE. 20 00:00:39,874 --> 00:00:41,642 >> WOLFPAC IN THE- [CROWD 21 00:00:41,676 --> 00:00:47,315 SCREAMS "HOUSE."] 22 00:00:47,350 --> 00:00:48,384 >> AND BROUGHT 23 00:00:48,418 --> 00:00:49,285 US TO OUR FEET. 24 00:00:49,319 --> 00:00:50,086 >> THIS IS HOW YOU MAKE AN 25 00:00:50,119 --> 00:00:50,954 ENTRANCE. 26 00:00:50,987 --> 00:00:52,422 >> TO CHANT IN UNISON. 27 00:00:52,456 --> 00:00:55,859 THIS IS AWESOME. 28 00:00:55,893 --> 00:00:57,127 [CROWD CHANTS "THIS IS 29 00:00:57,162 --> 00:01:06,972 AWESOME."] 30 00:01:07,007 --> 00:01:07,975 [APPLAUSE] 31 00:01:08,008 --> 00:01:08,842 WELCOME, EVERYONE TO THIS IS 32 00:01:08,876 --> 00:01:09,843 AWESOME, THE ONLY SHOW THAT 33 00:01:09,877 --> 00:01:11,078 DIVES INTO THE MOST AWESOME 34 00:01:11,111 --> 00:01:12,379 EVERYTHING THEN, NOW, AND 35 00:01:12,413 --> 00:01:17,318 FOREVER. 36 00:01:17,353 --> 00:01:18,287 I'M YOUR HOST, GREG MILLER, 37 00:01:18,320 --> 00:01:19,455 @GAMEOVERGREGGY, AND SOMETIMES, 38 00:01:19,488 --> 00:01:20,723 I MOONLIGHT AS SHIRTLESS 39 00:01:20,756 --> 00:01:22,057 SPIDERMAN'S PHOTOGRAPHER. 40 00:01:22,092 --> 00:01:23,393 IF YOU WANT TO SEE A FUTURE 41 00:01:23,426 --> 00:01:24,828 EPISODE WITH SHIRTLESS 42 00:01:24,861 --> 00:01:25,962 SPIDERMAN, USE THE HASHTAG 43 00:01:25,997 --> 00:01:27,631 SHIRTLESSGREG. 44 00:01:27,632 --> 00:01:28,633 THE POWERS THAT BE WILL HAVE TO 45 00:01:28,666 --> 00:01:30,201 DO IT. 46 00:01:30,234 --> 00:01:31,702 THEY CAN'T STOP IT. 47 00:01:31,737 --> 00:01:32,638 THEY CAN STOP IT? 48 00:01:32,671 --> 00:01:33,638 DOESN'T MATTER. 49 00:01:33,639 --> 00:01:34,473 USE THE HASHTAG. 50 00:01:34,506 --> 00:01:35,374 WELL, I WANT TO START OFF THIS 51 00:01:35,407 --> 00:01:36,241 EPISODE BY SAYING THERE'S 52 00:01:36,276 --> 00:01:37,143 NOTHING QUITE LIKE BEING IN THE 53 00:01:37,176 --> 00:01:38,144 LIVE AUDIENCE. 54 00:01:38,177 --> 00:01:39,479 I WAS AT THIS PAST SUMMERSLAM 55 00:01:39,512 --> 00:01:40,980 AND, DAMN, IT WAS SUCH A GOOD 56 00:01:41,015 --> 00:01:41,916 TIME. 57 00:01:41,949 --> 00:01:43,650 THE SHEER SPECTACLE, FROM THE 58 00:01:43,651 --> 00:01:45,119 KILLER MATCHES TO ONE OF MY 59 00:01:45,153 --> 00:01:46,187 FAVORITE PARTS OF THE WWE, THE 60 00:01:46,221 --> 00:01:48,857 ABSOLUTELY AWESOME SUPERSTAR 61 00:01:48,890 --> 00:01:50,725 ENTRANCES. 62 00:01:50,760 --> 00:01:53,195 THIS IS AWESOME. 63 00:01:53,229 --> 00:01:57,233 [MUSIC] 64 00:01:57,267 --> 00:01:58,435 >> THE PRESENTATION OF A 65 00:01:58,468 --> 00:01:59,636 WWE SUPERSTAR GOING TO THE RING 66 00:01:59,671 --> 00:02:02,473 IS EVERYTHING. 67 00:02:02,507 --> 00:02:03,508 >> IT'S LITERALLY THE FIRST 68 00:02:03,608 --> 00:02:04,608 THING THAT PEOPLE ARE GOING TO 69 00:02:04,610 --> 00:02:05,744 JUDGE YOU ON. 70 00:02:05,778 --> 00:02:09,715 >> IT'S ABOUT TO BECOME REALITY. 71 00:02:09,749 --> 00:02:10,617 >> THE ENTRANCE IS EVERYTHING. 72 00:02:10,650 --> 00:02:13,153 [CROWD CHEERS] 73 00:02:13,186 --> 00:02:15,055 [STEVE AUSTIN'S MUSIC PLAYS] 74 00:02:15,089 --> 00:02:16,290 >> STONE COLD. 75 00:02:16,324 --> 00:02:18,893 STONE COLD. 76 00:02:18,927 --> 00:02:21,997 >> JOHN CENA IS HERE. 77 00:02:22,030 --> 00:02:23,832 >> IT'S LIKE IN A CONCERT. 78 00:02:23,866 --> 00:02:25,368 THE BAND STRIKES THE FIRST 79 00:02:25,401 --> 00:02:27,470 CHORD. 80 00:02:27,503 --> 00:02:28,471 [ELECTRIC GUITAR PLAYING] >> THE 81 00:02:28,504 --> 00:02:29,472 PEOPLE SEE IT. 82 00:02:29,506 --> 00:02:30,541 "AH, YES." 83 00:02:30,641 --> 00:02:31,442 >> THE ROOM ABOUT TO EXPLODE 84 00:02:31,475 --> 00:02:33,477 HERE. 85 00:02:33,511 --> 00:02:35,313 >> THE VISUALS, SEEING THESE 86 00:02:35,347 --> 00:02:36,948 PYRO AND THESE CUPS FLYING 87 00:02:36,982 --> 00:02:39,050 EVERYWHERE. 88 00:02:39,085 --> 00:02:40,152 >> THE DUDLEYS HAD THE MISSILES 89 00:02:40,186 --> 00:02:41,887 COMING DOWN. 90 00:02:41,921 --> 00:02:43,089 RAY HAS THE POP-UP ELEVATOR. 91 00:02:43,123 --> 00:02:45,025 [EXPLOSION] >> BATISTA HAS THE 92 00:02:45,058 --> 00:02:46,693 MACHINE GUN PYRO [FIREWORK 93 00:02:46,727 --> 00:02:52,699 SOUNDS] 94 00:02:52,735 --> 00:02:57,006 >> I LIKE ALL THE PYRO. 95 00:02:57,039 --> 00:02:57,672 >> BOOM. 96 00:02:57,674 --> 00:02:58,508 >> WITH MY ENTRANCE, LOTS OF 97 00:02:58,541 --> 00:02:59,376 CROWD PARTICIPATION. 98 00:02:59,409 --> 00:03:00,744 WHAT'S UP? 99 00:03:00,777 --> 00:03:01,845 [CROWD CHANTS "WHAT'S UP?"] 100 00:03:01,878 --> 00:03:03,380 WHEN YOU SEE A SUPERSTAR 101 00:03:03,414 --> 00:03:06,684 ACKNOWLEDGING THE PEOPLE THAT 102 00:03:06,717 --> 00:03:07,518 ARE THERE TO SEE THEM. 103 00:03:07,619 --> 00:03:08,253 >> THANK YOU, BRETT. 104 00:03:08,287 --> 00:03:09,054 >> THAT CAN BE THEIR MOST 105 00:03:09,087 --> 00:03:09,988 SPECIAL WWE MOMENT. 106 00:03:10,022 --> 00:03:11,256 >> I LOVE YOU. 107 00:03:11,290 --> 00:03:12,791 I LOVE YOU. 108 00:03:12,825 --> 00:03:14,227 >> WHEN YOU BUILD THAT 109 00:03:14,260 --> 00:03:15,795 CONNECTION WITH THE AUDIENCE, I 110 00:03:15,828 --> 00:03:16,829 THINK IT'S SUPER IMPORTANT JUST 111 00:03:16,864 --> 00:03:18,332 BECAUSE THAT'S HOW YOU GET THAT 112 00:03:18,365 --> 00:03:20,267 MEGASTAR FEELING, AND JUST HAVE 113 00:03:20,301 --> 00:03:22,002 EVERYBODY INVOLVED IN WHAT'S 114 00:03:22,037 --> 00:03:24,706 GOING ON. 115 00:03:24,739 --> 00:03:30,445 [SETH ROLLINS' MUSIC PLAYS] 116 00:03:30,479 --> 00:03:34,750 BEST ENTRANCE. 117 00:03:34,785 --> 00:03:36,920 >> MACHO MAN RANDY SAVAGE, HE 118 00:03:36,955 --> 00:03:39,656 WOULD COME OUT LIKE HE WAS JUST 119 00:03:39,657 --> 00:03:41,225 SHOWING THE WORLD WHO HE WAS. 120 00:03:41,260 --> 00:03:42,528 >> BIANCA. 121 00:03:42,561 --> 00:03:43,996 I LOVE THE HAIR SWING. 122 00:03:44,029 --> 00:03:49,835 I LOVE THE WHIP NOISE. 123 00:03:49,869 --> 00:03:51,504 >> I WOULD PROBABLY SAY- 124 00:03:51,539 --> 00:03:52,672 >> THAT 125 00:03:52,673 --> 00:03:53,541 THE PLACE WOULD BE QUIET AND ALL 126 00:03:53,574 --> 00:03:55,376 OF A SUDDEN, "CAN YOU SMELL?" 127 00:03:55,410 --> 00:03:59,614 [THE ROCK'S MUSIC PLAYS] 128 00:03:59,615 --> 00:04:00,515 EVERYBODY STILL DOING RIKISHI, 129 00:04:00,617 --> 00:04:02,051 TOO COOL DANCE. 130 00:04:02,085 --> 00:04:03,419 >> TOO COOL AND RIKISHI BUSTING 131 00:04:03,453 --> 00:04:06,389 THEIR MOVES. 132 00:04:06,423 --> 00:04:09,226 >> AH, IT'S DIFFICULT. 133 00:04:09,260 --> 00:04:10,094 >> HEY, THAT'S WHAT I CALL 134 00:04:10,128 --> 00:04:11,629 MAKING AN INTEREST. 135 00:04:11,630 --> 00:04:13,531 >> OH, MY GOD. 136 00:04:13,632 --> 00:04:15,267 OH, MY GOD. 137 00:04:15,301 --> 00:04:17,503 THIS IS ABSOLUTELY INCREDIBLE. 138 00:04:17,536 --> 00:04:19,105 >> MUSIC IS AN ESSENTIAL PART OF 139 00:04:19,138 --> 00:04:22,708 WWE. 140 00:04:22,743 --> 00:04:23,677 >> THERE'S JUST SOMETHING 141 00:04:23,710 --> 00:04:24,678 SPECIAL ABOUT A LIVE 142 00:04:24,712 --> 00:04:26,180 PERFORMANCE. 143 00:04:26,214 --> 00:04:30,318 [RANDY ORTON'S MUSIC PLAYS] 144 00:04:30,352 --> 00:04:31,253 YOU GET CHILLS. 145 00:04:31,287 --> 00:04:32,154 THIS IS SO COOL. 146 00:04:32,187 --> 00:04:33,656 THIS IS SO ELECTRIC. 147 00:04:33,689 --> 00:04:44,199 [RONDA ROUSEY'S MUSIC PLAYS] 148 00:04:54,949 --> 00:04:56,016 I DON'T KNOW IF I CAN PICK, I'LL 149 00:04:56,050 --> 00:04:58,485 BE HONEST. 150 00:04:58,520 --> 00:04:59,454 >> I'M RIGHT THERE WITH YOU, 151 00:04:59,487 --> 00:05:00,455 WOODS. 152 00:05:00,488 --> 00:05:01,622 I CAN'T PICK EITHER, BUT I SURE 153 00:05:01,623 --> 00:05:02,691 AS HELL CAN NARROW IT DOWN. 154 00:05:02,724 --> 00:05:04,392 ONE OF MY FAVES IS PROBABLY 155 00:05:04,427 --> 00:05:05,628 GOING TO BE ONE OF YOUR FAVES 156 00:05:05,661 --> 00:05:07,196 TOO. 157 00:05:07,229 --> 00:05:09,031 GRAB A BROKEN SKULL IPA, MY 158 00:05:09,066 --> 00:05:18,442 PEOPLE AND ENJOY. 159 00:05:18,477 --> 00:05:22,681 [STEVE AUSTIN'S MUSIC PLAYS] 160 00:05:22,716 --> 00:05:26,086 WHEN YOU HEAR THE GLASS SHATTER, 161 00:05:26,119 --> 00:05:27,554 YOU GET HYPED. 162 00:05:27,655 --> 00:05:29,991 IT'S DEFINITELY AN ICONIC SOUND. 163 00:05:30,024 --> 00:05:31,125 >> WHEN YOU HEAR THAT GLASS 164 00:05:31,158 --> 00:05:33,127 BREAKING, THAT WAS IT. 165 00:05:33,161 --> 00:05:34,662 THE HAIR ON THE BACK OF YOUR 166 00:05:34,663 --> 00:05:36,031 NECK WOULD STAND UP. 167 00:05:36,064 --> 00:05:36,999 >> WHEN YOU HEAR THAT GLASS 168 00:05:37,033 --> 00:05:38,134 SHATTER, THE PLACE ERUPTS. 169 00:05:38,167 --> 00:05:39,335 IT'S LIKE, "SAY NO MORE. 170 00:05:39,369 --> 00:05:40,236 HOLD MY BEER." 171 00:05:40,270 --> 00:05:43,306 IT'S INCREDIBLE. 172 00:05:43,340 --> 00:05:44,174 >> NO CHAMPION HAS EVER ENTERED 173 00:05:44,208 --> 00:05:45,409 MADISON SQUARE GARDEN WITH THAT 174 00:05:45,442 --> 00:05:47,144 KIND OF OVATION. 175 00:05:47,178 --> 00:05:48,313 I LITERALLY FELT THIS BUILDING 176 00:05:48,346 --> 00:05:50,949 SHAKE. 177 00:05:50,983 --> 00:05:52,985 >> AS SOON THAT GLASS BREAKS, 178 00:05:53,019 --> 00:05:54,020 IT'S AN INSTANT HIGH. 179 00:05:54,053 --> 00:05:55,888 IT'S LIKE, "I'M ALREADY AT 11, 180 00:05:55,922 --> 00:05:57,224 AND SOMEONE JUST TURNS ME UP TO 181 00:05:57,257 --> 00:05:59,625 101 AND THAT'S WHAT IT DOES FOR 182 00:05:59,626 --> 00:06:01,627 ME EVERY SINGLE TIME." 183 00:06:01,629 --> 00:06:03,398 [MUSIC] 184 00:06:03,431 --> 00:06:04,232 >> WHEN AUSTIN WOULD 185 00:06:04,265 --> 00:06:05,066 RAISE HIS HANDS AND YOU SEE THE 186 00:06:05,099 --> 00:06:06,367 WHOLE CROWD RAISE THEM AT THE 187 00:06:06,402 --> 00:06:07,836 SAME TIME, THAT FAN INTERACTION 188 00:06:07,870 --> 00:06:10,806 AND THAT FEEL. 189 00:06:10,840 --> 00:06:11,841 >> HE JUST COMES OUT AND HE'S 190 00:06:11,875 --> 00:06:13,009 FEELING THE PEOPLE, AND THEY'RE 191 00:06:13,043 --> 00:06:15,145 FEELING HIM, MAN. 192 00:06:15,179 --> 00:06:16,347 IT'S JUST THAT CONNECTION YOU 193 00:06:16,380 --> 00:06:17,515 GET. 194 00:06:17,548 --> 00:06:18,516 >> HIS IDEA IS TO MAKE SURE THAT 195 00:06:18,549 --> 00:06:19,417 EVERYBODY IN THAT ARENA KNOWS 196 00:06:19,450 --> 00:06:20,751 THAT HE'S THERE. 197 00:06:20,786 --> 00:06:21,520 THAT'S WHY HE GOES TO ALL THOSE 198 00:06:21,553 --> 00:06:23,288 FOUR CORNERS, WHICH ITSELF IS 199 00:06:23,322 --> 00:06:24,356 KIND OF ICONIC BECAUSE I DON'T 200 00:06:24,389 --> 00:06:25,090 THINK ANYONE ELSE DOES THAT 201 00:06:25,124 --> 00:06:26,292 ANYMORE. 202 00:06:26,326 --> 00:06:27,093 >> IT'S A SYNERGY TYPE THING. 203 00:06:27,126 --> 00:06:29,662 THE MUSIC IS BADASS BY ITSELF, 204 00:06:29,697 --> 00:06:31,031 IT JUST HAPPENS TO BE PAIRED 205 00:06:31,065 --> 00:06:32,132 PERFECTLY WITH THE CHARACTER OF 206 00:06:32,166 --> 00:06:33,901 STONE COLD. 207 00:06:33,934 --> 00:06:34,868 >> HE COMES OUT WITH ALL HIS 208 00:06:34,903 --> 00:06:36,104 CHARISMA AND ALL HIS CONFIDENCE 209 00:06:36,137 --> 00:06:39,841 AND STYLE. 210 00:06:39,875 --> 00:06:40,943 HE GRABS THE BEERS AND YOU KNOW, 211 00:06:40,977 --> 00:06:43,879 CLANKS SOME, SKULLS THEM. 212 00:06:43,913 --> 00:06:46,048 >> DOES ANYBODY HAVE A COLD BEER 213 00:06:46,083 --> 00:06:47,718 FOR STEVE AUSTIN? 214 00:06:47,751 --> 00:06:49,553 [CROWD CHEERS] >> HE'S GOT THAT 215 00:06:49,587 --> 00:06:51,556 SUPERSTAR AURA AROUND HIM, AND 216 00:06:51,589 --> 00:06:53,191 YOU CAN FEEL IT EXUDING THROUGH 217 00:06:53,224 --> 00:06:54,892 THE AUDIENCE. 218 00:06:54,927 --> 00:06:56,128 >> OH, WAIT A MINUTE, LOOK AT 219 00:06:56,161 --> 00:06:57,997 THAT. 220 00:06:58,030 --> 00:06:59,498 [CROWD CHEERS] 221 00:06:59,532 --> 00:07:00,400 [MUSIC] 222 00:07:00,433 --> 00:07:01,001 >> AS 223 00:07:01,034 --> 00:07:01,735 STONE COLD STEVE AUSTIN'S 224 00:07:01,768 --> 00:07:02,469 POPULARITY GREW TO ENORMOUS 225 00:07:02,502 --> 00:07:03,837 HEIGHTS, SO TOO DID HIS 226 00:07:03,871 --> 00:07:05,506 ENTRANCES. 227 00:07:05,539 --> 00:07:09,076 [STEVE AUSTIN'S MUSIC PLAYS] 228 00:07:09,111 --> 00:07:17,953 WHAT? 229 00:07:17,988 --> 00:07:18,655 >> AUSTIN IS IN A BEER TRUCK. 230 00:07:18,656 --> 00:07:19,657 >> LOOK OUT. 231 00:07:19,690 --> 00:07:24,428 >> AUSTIN DRIVES A BEER TRUCK. 232 00:07:24,462 --> 00:07:25,730 >> HE WAS SO RELATABLE AND HAD 233 00:07:25,764 --> 00:07:28,300 AN INTENSITY THAT JUST BROUGHT 234 00:07:28,334 --> 00:07:30,269 EVERYBODY UP. 235 00:07:30,303 --> 00:07:36,709 [STEVE AUSTIN'S MUSIC PLAYS] 236 00:07:36,743 --> 00:07:37,844 STONE COLD IS HERE. 237 00:07:37,879 --> 00:07:40,982 HE'S HERE. 238 00:07:41,015 --> 00:07:43,051 >> STONE COLD'S ENTRANCE, IT WAS 239 00:07:43,085 --> 00:07:44,853 SO LOUD. 240 00:07:44,887 --> 00:07:46,956 MY GOD, THERE WAS JUST ENERGY IN 241 00:07:46,990 --> 00:07:48,691 THE AIR, MAN. 242 00:07:48,692 --> 00:07:49,526 >> THERE'S NEVER BEEN A MORE 243 00:07:49,559 --> 00:07:51,795 EXPLOSIVE OR BIGGER PERSONALITY 244 00:07:51,829 --> 00:07:52,897 TO WALK THROUGH THE CURTAIN THAN 245 00:07:52,930 --> 00:07:55,733 STONE COLD STEVE AUSTIN. 246 00:07:55,766 --> 00:07:57,935 AT WRESTLEMANIA 38, AFTER 19 247 00:07:57,970 --> 00:08:00,472 YEARS, THE TEXAS RATTLESNAKE GOT 248 00:08:00,505 --> 00:08:02,474 A CHANCE TO OPEN UP ONE LAST CAN 249 00:08:02,508 --> 00:08:04,277 OF WHOOP ASS. 250 00:08:04,310 --> 00:08:05,878 [STEVE AUSTIN'S MUSIC PLAYS] 251 00:08:05,912 --> 00:08:16,155 [CROWD CHEERS] 252 00:08:23,700 --> 00:08:24,568 >> ENTRANCE IN 253 00:08:24,668 --> 00:08:25,836 WRESTLEMANIA 38 HAS GOT TO GO ON 254 00:08:25,870 --> 00:08:27,972 THE ALL-TIME LIST. 255 00:08:28,006 --> 00:08:29,673 THE FACT THAT THE PEOPLE STILL 256 00:08:29,674 --> 00:08:32,143 REMEMBERED ME AT THE LEVEL THEY 257 00:08:32,177 --> 00:08:35,180 DID, IT FELT AWESOME. 258 00:08:35,215 --> 00:08:43,056 [MUSIC] 259 00:08:43,090 --> 00:08:44,125 >> I STILL GET 260 00:08:44,158 --> 00:08:45,326 GOOSEBUMPS EVERY TIME I HEAR 261 00:08:45,360 --> 00:08:47,462 THAT GLASS SHATTER. 262 00:08:47,496 --> 00:08:48,864 CHEERS TO STONE COLD. 263 00:08:48,897 --> 00:08:50,298 THERE'S NOBODY QUITE LIKE HIM. 264 00:08:50,333 --> 00:08:51,734 LET'S MOVE ON FROM SKULLS TO 265 00:08:51,768 --> 00:08:54,203 CEREBRAL ASSASSINS. 266 00:08:54,238 --> 00:08:56,940 IT'S TIME TO PLAY THE GAME. 267 00:08:56,974 --> 00:09:01,812 [LAUGHS] 268 00:09:01,846 --> 00:09:03,181 [MUSIC] >> THE 14-TIME 269 00:09:03,214 --> 00:09:05,317 WWE CHAMPION, TRIPLE H. 270 00:09:05,351 --> 00:09:06,552 >> TRIPLE H IS A WIZARD WHEN IT 271 00:09:06,652 --> 00:09:08,653 COMES TO ENTRANCES. 272 00:09:08,655 --> 00:09:10,023 >> THIS IS AS LOUD AS ANY 273 00:09:10,057 --> 00:09:11,657 SUSTAINED ROAR I HAVE EVER 274 00:09:11,658 --> 00:09:13,493 HEARD. 275 00:09:13,528 --> 00:09:14,495 >> LIKE UNDERTAKER, THEY JUST 276 00:09:14,529 --> 00:09:15,697 GET IT. 277 00:09:15,730 --> 00:09:16,864 THEY SEE SOMETHING THAT MOST 278 00:09:16,898 --> 00:09:17,999 DON'T, ESPECIALLY WHEN IT COMES 279 00:09:18,032 --> 00:09:19,467 TO ENTRANCES AND HOW TO PRESENT 280 00:09:19,501 --> 00:09:22,471 THEMSELVES TO THE AUDIENCE. 281 00:09:22,504 --> 00:09:24,873 >> ARE YOU READY? 282 00:09:24,908 --> 00:09:26,675 >> FOR THE THOUSANDS IN 283 00:09:26,676 --> 00:09:28,445 ATTENDANCE, FOR THE MILLIONS 284 00:09:28,479 --> 00:09:31,849 WATCHING AT HOME. 285 00:09:31,882 --> 00:09:33,417 [D-GENERATION X'S MUSIC PLAYS] 286 00:09:33,452 --> 00:09:35,120 >> THEIR DX ENTRANCES WITH THE 287 00:09:35,153 --> 00:09:37,189 GREEN, THE PYRO GOING SIDE TO 288 00:09:37,222 --> 00:09:38,790 SIDE MAKING THAT X. 289 00:09:38,825 --> 00:09:40,059 IT WAS ALL ABOUT FEEL AND 290 00:09:40,093 --> 00:09:42,362 ATTITUDE. 291 00:09:42,396 --> 00:09:43,530 >> I FEEL LIKE EVERY KID AT THAT 292 00:09:43,564 --> 00:09:46,433 TIME WAS INTO D-GENERATION X AND 293 00:09:46,467 --> 00:09:49,770 THE MUSIC AND THE HAND SYMBOL. 294 00:09:49,804 --> 00:09:53,475 >> ARE YOU READY? 295 00:09:53,509 --> 00:09:58,814 [CROWD CHEERS] 296 00:09:58,849 --> 00:09:59,916 >> I'M GOING TO 297 00:09:59,950 --> 00:10:00,951 TELL YOU ONE OF MY FAVORITE 298 00:10:00,984 --> 00:10:02,185 ENTRANCES EVER. 299 00:10:02,220 --> 00:10:03,287 MAN, WHEN HE GOT LEMMY TO DO 300 00:10:03,321 --> 00:10:04,656 THAT, "IT'S TIME TO PLAY THE 301 00:10:04,689 --> 00:10:05,456 GAME." 302 00:10:05,490 --> 00:10:09,027 [MUSIC] 303 00:10:09,061 --> 00:10:09,728 >> IT'S TIME TO PLAY THE 304 00:10:09,762 --> 00:10:11,063 GAME. 305 00:10:11,096 --> 00:10:12,865 >> I GET GOOSEBUMPS THINKING 306 00:10:12,899 --> 00:10:13,900 ABOUT IT THE FIRST TIME I HEARD 307 00:10:13,933 --> 00:10:14,634 THAT. 308 00:10:14,668 --> 00:10:15,402 >> YES, THERE'S ONLY ONE 309 00:10:15,435 --> 00:10:16,970 SUPERSTAR GREAT ENOUGH TO HAVE 310 00:10:17,004 --> 00:10:19,407 THE WORLD-FAMOUS BAND MOTÖRHEAD 311 00:10:19,440 --> 00:10:20,741 PLAY YOUR ENTRANCE MUSIC AS YOU 312 00:10:20,775 --> 00:10:21,942 COME TO THE RING FOR THE WORLD 313 00:10:21,977 --> 00:10:23,011 CHAMPIONSHIP AND THAT'S THE 314 00:10:23,045 --> 00:10:24,846 GAME. 315 00:10:24,880 --> 00:10:30,686 [TRIPLE H'S MUSIC PLAYS] 316 00:10:30,721 --> 00:10:31,955 ABSOLUTELY PERFECT FIT FOR WHAT 317 00:10:31,989 --> 00:10:34,058 HE WAS DOING. 318 00:10:34,091 --> 00:10:35,092 IT'S A BIG-TIME BAND. 319 00:10:35,125 --> 00:10:36,360 WE ALL WANT THAT. 320 00:10:36,394 --> 00:10:37,595 IT DON'T GET NO BETTER THAN 321 00:10:37,629 --> 00:10:40,465 THAT. 322 00:10:40,499 --> 00:10:41,967 >> THAT WAS EMBODYING THE 323 00:10:42,001 --> 00:10:44,537 ATTITUDE, THE PERSONA, AND IT 324 00:10:44,570 --> 00:10:46,772 REALLY HELPED YOU FEEL THIS 325 00:10:46,807 --> 00:10:49,643 INTENSITY BECAUSE OF THE MUSIC. 326 00:10:49,676 --> 00:10:51,611 >> HE'S AS DEADLY AS THEY COME, 327 00:10:51,646 --> 00:10:53,781 THE CEREBRAL ASSASSIN. 328 00:10:53,815 --> 00:10:55,049 >> I THINK IT WAS PART OF THE 329 00:10:55,084 --> 00:10:56,452 PERFORMANCE, PART OF THE 330 00:10:56,485 --> 00:10:58,821 COMPETITION. 331 00:10:58,854 --> 00:10:59,822 >> TRIPLE H'S ENTRANCE IS 332 00:10:59,856 --> 00:11:01,024 FANTASTIC. 333 00:11:01,057 --> 00:11:02,125 THE WAY THAT HE CAME OUT, IT WAS 334 00:11:02,158 --> 00:11:04,461 CAPTIVATING. 335 00:11:04,495 --> 00:11:06,330 >> THE FANS KNEW EXACTLY WHEN HE 336 00:11:06,364 --> 00:11:08,099 WAS DOING SOMETHING AND THEY 337 00:11:08,132 --> 00:11:11,902 KNEW WHEN TO REACT. 338 00:11:11,937 --> 00:11:13,205 >> HE LEANS BACK AND JUST DOES 339 00:11:13,238 --> 00:11:15,740 LIKE A POOF. 340 00:11:15,742 --> 00:11:16,476 NO ONE SPITS WATER OUT LIKE 341 00:11:16,509 --> 00:11:18,945 TRIPLE H. 342 00:11:18,979 --> 00:11:19,947 >> SOMETIMES, IT IS THE SIMPLE 343 00:11:19,980 --> 00:11:22,750 THINGS LIKE SPITTING WATER THAT 344 00:11:22,783 --> 00:11:25,285 PEOPLE REMEMBER. 345 00:11:25,320 --> 00:11:26,921 >> HE HAS THE DOPEST ENTRANCE. 346 00:11:26,955 --> 00:11:28,189 IT DRAWS YOU IN. 347 00:11:28,223 --> 00:11:29,257 YOU ATTACH TO IT FROM THE 348 00:11:29,291 --> 00:11:30,226 BEGINNING. 349 00:11:30,259 --> 00:11:31,327 PEOPLE ARE SEEING THAT. 350 00:11:31,360 --> 00:11:32,461 THEY'RE GETTING INVOLVED WITH 351 00:11:32,495 --> 00:11:33,763 IT. 352 00:11:33,797 --> 00:11:35,065 THEY'RE GETTING EMOTIONALLY 353 00:11:35,098 --> 00:11:35,999 INVESTED IN IT. 354 00:11:36,033 --> 00:11:37,034 IT ADDS EVERYTHING TO IT. 355 00:11:37,067 --> 00:11:40,137 IT ADDS THAT SPICE. 356 00:11:40,171 --> 00:11:41,005 >> THE KING OF KINGS IS HERE. 357 00:11:41,039 --> 00:11:42,607 >> HE JUST HAS SO MANY DIFFERENT 358 00:11:42,640 --> 00:11:43,975 ENTRANCES THAT COULD STAND TO 359 00:11:44,009 --> 00:11:47,312 THE TEST OF TIME IN ANY ERA. 360 00:11:47,346 --> 00:11:48,614 THE KING OF ALL KINGS, SO THE 361 00:11:48,648 --> 00:11:49,649 KING OF ALL KINGS ALWAYS HAS THE 362 00:11:49,683 --> 00:11:51,818 KING OF ALL KING'S ENTRANCES. 363 00:11:51,851 --> 00:11:52,819 >> I REALLY DON'T THINK THERE'S 364 00:11:52,853 --> 00:11:54,088 ANYONE THAT COMES TO RING WITH 365 00:11:54,121 --> 00:11:58,292 MORE INTENSITY THAN THE GAME. 366 00:11:58,326 --> 00:12:00,228 >> BEHOLD THE KING, THE KING OF 367 00:12:00,262 --> 00:12:07,069 KINGS. 368 00:12:07,104 --> 00:12:08,372 >> ALL HAIL TRIPLE H. 369 00:12:08,405 --> 00:12:10,007 ALL HAIL THE KING. 370 00:12:10,040 --> 00:12:11,942 THE KING OF ALL THINGS SEXY, 371 00:12:11,976 --> 00:12:13,778 THAT TITLE BELONGS TO ANOTHER 372 00:12:13,812 --> 00:12:16,747 WWE SUPERSTAR, THE HEARTBREAK 373 00:12:16,749 --> 00:12:18,851 KID'S ENTRANCE SENT CHILLS UP 374 00:12:18,884 --> 00:12:20,052 AND DOWN THE SPINE OF EVERYBODY 375 00:12:20,086 --> 00:12:21,387 IN THE CROWD AND HAD THE WWE 376 00:12:21,421 --> 00:12:25,926 UNIVERSE SWOON. 377 00:12:25,959 --> 00:12:27,527 >> I WILL GIVE YOU A SHOW LIKE 378 00:12:27,562 --> 00:12:28,963 YOU HAVE NEVER, EVER SEEN 379 00:12:28,996 --> 00:12:30,331 BEFORE. 380 00:12:30,365 --> 00:12:31,765 WHY? 381 00:12:31,767 --> 00:12:33,402 BECAUSE I CAN. 382 00:12:33,435 --> 00:12:34,403 [MUSIC] >> SHAWN MICHAELS, ONE 383 00:12:34,436 --> 00:12:35,770 OF THE BEST EXAMPLES OF 384 00:12:35,771 --> 00:12:39,141 SUPERSTAR ENTRANCE. 385 00:12:39,175 --> 00:12:40,944 >> SHAWN, AT LEAST AT THAT TIME, 386 00:12:40,978 --> 00:12:42,246 STRUCK ME AS A GUY WHO THOUGHT 387 00:12:42,279 --> 00:12:46,450 VERY HIGHLY OF HIMSELF. 388 00:12:46,485 --> 00:12:48,587 >> KNEW HE WAS HOT --. 389 00:12:48,620 --> 00:12:49,788 FELT THE ENERGY OF THE ROOM, 390 00:12:49,821 --> 00:12:52,524 CAPTIVATED AN AUDIENCE. 391 00:12:52,558 --> 00:12:53,793 >> HE KNEW HOW TO WORK IT, AND 392 00:12:53,826 --> 00:12:55,695 THE WOMEN LOVED IT. 393 00:12:55,796 --> 00:12:57,264 THE MEN HATED IT. 394 00:12:57,297 --> 00:12:58,232 >> I DON'T KNOW IF THERE'S EVER 395 00:12:58,265 --> 00:12:59,500 BEEN ANYONE IN THIS INDUSTRY 396 00:12:59,533 --> 00:13:01,268 THAT'S HAD MORE CHARISMA THAN 397 00:13:01,302 --> 00:13:03,171 THAT MAN. 398 00:13:03,204 --> 00:13:04,105 >> HE'D COME OUT HE'D DO HIS 399 00:13:04,139 --> 00:13:05,807 LITTLE STRUT. 400 00:13:05,841 --> 00:13:10,546 >> YES, [INDISTINCT] 401 00:13:10,580 --> 00:13:11,515 >> THE OLD 402 00:13:11,548 --> 00:13:12,549 SQUAT DOWN, HBK POSE, SHOW THEM 403 00:13:12,582 --> 00:13:13,483 THE BICEPS. 404 00:13:13,517 --> 00:13:14,451 >> THE BEST THING ABOUT A 405 00:13:14,485 --> 00:13:15,920 SUPERSTAR THEME IS THAT IT'S 406 00:13:15,953 --> 00:13:18,389 CATCHY, SOMETHING THAT YOU 407 00:13:18,423 --> 00:13:21,492 ALMOST CAN RECITE THE LYRICS, 408 00:13:21,527 --> 00:13:24,363 AND HBK IS A PRIME EXAMPLE. 409 00:13:24,397 --> 00:13:25,398 >> YOU'RE GOING TO MAKE ME SING 410 00:13:25,432 --> 00:13:26,599 IT. 411 00:13:26,633 --> 00:13:27,766 >> WE SURE ARE. 412 00:13:27,767 --> 00:13:29,135 HIT IT. 413 00:13:29,170 --> 00:13:30,971 [SHAWN MICHAELS' MUSIC PLAYS] 414 00:13:31,005 --> 00:13:31,806 OH, SHAWN. 415 00:13:31,839 --> 00:13:33,541 >> I THINK I'M CUTE 416 00:13:33,574 --> 00:13:34,241 >> I KNOW 417 00:13:34,276 --> 00:13:35,644 I'M SEXY 418 00:13:35,677 --> 00:13:37,846 >> I'VE GOT THE LOOKS. 419 00:13:37,879 --> 00:13:39,948 THAT DRIVES THE GIRLS WILD 420 00:13:39,982 --> 00:13:42,985 I'VE GOT THE MOVES 421 00:13:43,019 --> 00:13:43,953 >> THAT 422 00:13:43,987 --> 00:13:46,957 REALLY MOVE THEM 423 00:13:46,990 --> 00:13:47,790 >> I SEND 424 00:13:47,791 --> 00:13:48,692 CHILLS. 425 00:13:48,793 --> 00:13:49,794 UP AND DOWN THEIR SPINES. 426 00:13:49,828 --> 00:13:50,361 >> I'M JUST A SEXY BOY. 427 00:13:50,395 --> 00:13:52,063 (SEXY BOY) 428 00:13:52,097 --> 00:13:53,064 >> I'M NOT YOUR BOY 429 00:13:53,099 --> 00:13:53,798 TOY. 430 00:13:53,799 --> 00:13:55,800 (BOY TOY) 431 00:13:55,801 --> 00:13:56,969 >> I'M JUST A SEXY 432 00:13:57,002 --> 00:13:57,870 BOY. 433 00:13:57,904 --> 00:14:00,307 (SEXY BOY) 434 00:14:00,340 --> 00:14:01,575 >> I'M NOT YOUR BOY 435 00:14:01,608 --> 00:14:02,609 TOY. 436 00:14:02,643 --> 00:14:04,245 (BOY TOY) 437 00:14:04,278 --> 00:14:04,846 >> WE DIDN'T HAVE ANY 438 00:14:04,879 --> 00:14:06,047 GIRL SINGERS AT THAT TIME. 439 00:14:06,080 --> 00:14:06,814 I DIDN'T HAVE ENOUGH TIME TO GET 440 00:14:06,848 --> 00:14:07,949 THEM IN, SO THAT'S ME ON THE 441 00:14:07,983 --> 00:14:09,418 BACKUP VOCALS GOING SEXY BOY, SO 442 00:14:09,451 --> 00:14:11,553 I DOUBLED MY VOICE ABOUT FIVE 443 00:14:11,587 --> 00:14:13,655 TIMES. 444 00:14:13,757 --> 00:14:15,091 ONCE WE PUT ECHO, REVERB ON IT, 445 00:14:15,125 --> 00:14:16,192 IT SOUNDS LIKE SOME GIRLS 446 00:14:16,226 --> 00:14:17,060 SINGING IT. 447 00:14:17,094 --> 00:14:19,063 IT WORKED OUT PRETTY GOOD. 448 00:14:19,096 --> 00:14:21,599 >> SEXY BOY. 449 00:14:21,632 --> 00:14:22,933 >> YEARS LATER, WE HEAR THE 450 00:14:22,968 --> 00:14:24,136 SONG, WE KNOW IT'S SHAWN 451 00:14:24,169 --> 00:14:25,504 MICHAELS. 452 00:14:25,537 --> 00:14:26,405 IT'S PROBABLY ONE OF THE TOP 453 00:14:26,438 --> 00:14:29,041 CLASSIC SONGS IN THE INDUSTRY. 454 00:14:29,075 --> 00:14:30,209 >> THE ENERGY THAT HE BRINGS 455 00:14:30,243 --> 00:14:31,978 WITH THAT LOOK, THE FLASHY 456 00:14:32,012 --> 00:14:34,381 OUTFIT. 457 00:14:34,415 --> 00:14:36,483 EVERYTHING ABOUT IT WAS HITTING 458 00:14:36,518 --> 00:14:39,354 ON ALL CYLINDERS WITH HIM. 459 00:14:39,387 --> 00:14:43,558 >> UNBELIEVABLE, WHAT A RIDE? 460 00:14:43,592 --> 00:14:45,027 >> AS THEY SAY, IF YOU'RE GOING 461 00:14:45,061 --> 00:14:46,929 TO TALK THE TRASH, YOU GOT TO BE 462 00:14:46,963 --> 00:14:48,999 ABLE TO STRUT THE STUFF. 463 00:14:49,032 --> 00:14:50,300 >> WHEN YOU GET ENTRANCE MUSIC 464 00:14:50,333 --> 00:14:51,468 LIKE THAT, THAT'S SO 465 00:14:51,502 --> 00:14:52,904 CAPTIVATING, IT DRAWS MORE EYES, 466 00:14:52,937 --> 00:14:55,173 IT MAKES YOU PAY MORE ATTENTION, 467 00:14:55,206 --> 00:14:57,041 AND IT JUST GETS YOU OFF YOUR 468 00:14:57,076 --> 00:14:58,810 SEAT A LITTLE MORE. 469 00:14:58,811 --> 00:15:00,646 >> THERE'S ONLY ONE HEARTBREAK 470 00:15:00,747 --> 00:15:09,989 KID, SHAWN MICHAELS. 471 00:15:10,024 --> 00:15:10,925 >> YOU GOT TO GIVE IT TO HBK. 472 00:15:10,959 --> 00:15:12,828 HIS SEXY SAUNTER TO THE RING 473 00:15:12,861 --> 00:15:14,262 CAPTIVATED WOMEN AND MEN ALIKE, 474 00:15:14,296 --> 00:15:16,932 BUT IT'S TIME TO TALK ABOUT A 475 00:15:16,966 --> 00:15:19,802 QUEEN, DON'T YOU THINK? 476 00:15:19,837 --> 00:15:21,004 [CHARLOTTE FLAIR'S MUSIC PLAYS] 477 00:15:21,038 --> 00:15:23,773 >> FROM THE QUEEN CITY, 478 00:15:23,774 --> 00:15:30,180 CHARLOTTE FLAIR. 479 00:15:30,216 --> 00:15:32,017 >> I THINK CHARLOTTE IS 480 00:15:32,051 --> 00:15:34,220 QUINTESSENTIAL SUPERSTAR. 481 00:15:34,254 --> 00:15:35,789 >> TRULY A MAGNIFICENT SIGHT, AN 482 00:15:35,822 --> 00:15:39,693 ENTRANCE FIT FOR A QUEEN. 483 00:15:39,794 --> 00:15:40,794 >> SHE LOOKS VERY REGAL. 484 00:15:40,795 --> 00:15:41,829 SHE LOOKS VERY POISED, VERY 485 00:15:41,863 --> 00:15:46,334 QUEEN ENERGY 486 00:15:46,368 --> 00:15:47,269 >> BOW DOWN TO THE 487 00:15:47,302 --> 00:15:48,303 QUEEN. 488 00:15:48,337 --> 00:15:51,306 >> CHARLOTTE IS PROBABLY THE 489 00:15:51,341 --> 00:15:52,909 REAL DEFINITION OF A QUEEN. 490 00:15:52,942 --> 00:15:53,910 >> CHARLOTTE'S ENTRANCES ARE 491 00:15:53,944 --> 00:15:55,279 DISTINGUISHED BY HER SHIMMERING 492 00:15:55,312 --> 00:15:56,580 AND FLOWING ROBES. 493 00:15:56,614 --> 00:15:57,982 PUTTING THE 13-TIME WORLD 494 00:15:58,015 --> 00:16:00,017 CHAMPION IN A LEAGUE OF HER OWN. 495 00:16:00,051 --> 00:16:01,520 >> SHE'LL BE THE CHAMPION UNTIL 496 00:16:01,553 --> 00:16:04,956 SHE DECIDES TO HANG HER ROBE UP. 497 00:16:04,991 --> 00:16:09,862 [MUSIC] 498 00:16:09,897 --> 00:16:10,964 >> AT THE BEGINNING, IT 499 00:16:10,998 --> 00:16:11,999 WAS JUST TRIAL AND ERROR, LIKE 500 00:16:12,032 --> 00:16:12,966 WRESTLEMANIA 32, DALLAS TEXAS, 501 00:16:13,001 --> 00:16:14,335 AT&T STADIUM WAS MY FIRST ROBE. 502 00:16:14,369 --> 00:16:15,370 I WAS GOING TO DO IT. 503 00:16:15,403 --> 00:16:16,604 >> THAT ROBE IS MADE WITH ACTUAL 504 00:16:16,638 --> 00:16:18,673 PIECES OF THE ROBE THAT HER 505 00:16:18,774 --> 00:16:20,443 FATHER RIC FLAIR WORE AT 506 00:16:20,476 --> 00:16:24,046 WRESTLEMANIA 24. 507 00:16:24,081 --> 00:16:25,549 THAT'S WHAT A CHAMPION LOOKS 508 00:16:25,582 --> 00:16:27,350 LIKE. 509 00:16:27,385 --> 00:16:28,653 >> I STARTED TO COSPLAY A LITTLE 510 00:16:28,686 --> 00:16:29,654 BIT. 511 00:16:29,687 --> 00:16:31,122 I CAME OUT WITH A CRUELLA DE VIL 512 00:16:31,155 --> 00:16:34,358 ROBE, A POISON IVY ROBE, A VENOM 513 00:16:34,393 --> 00:16:36,328 ROBE. 514 00:16:36,361 --> 00:16:38,130 >> SHE IS A WICKED QUEEN AND 515 00:16:38,164 --> 00:16:40,633 LONG MAY SHE REIGN. 516 00:16:40,667 --> 00:16:42,836 >> I WAS JUST TRYING TO EVOLVE. 517 00:16:42,870 --> 00:16:44,205 THAT JUST WAS MY TRAIN OF 518 00:16:44,238 --> 00:16:45,706 THOUGHT. 519 00:16:45,806 --> 00:16:46,874 LIKE, "HOW DO I SWITCH THEM UP? 520 00:16:46,908 --> 00:16:48,276 HOW DO I TAKE THE FLARE OUT OF 521 00:16:48,310 --> 00:16:49,711 THEM LIKE MY DAD'S AND MAKE THEM 522 00:16:49,811 --> 00:16:51,279 MY OWN?" 523 00:16:51,314 --> 00:16:53,815 >> IT REMINDS THE FANS OF HER 524 00:16:53,816 --> 00:16:55,817 FATHER'S LEGACY AND INTERTWINES 525 00:16:55,818 --> 00:16:59,021 IT WITH HER OWN PATH. 526 00:16:59,056 --> 00:17:00,524 >> RIC FLAIR DIDN'T MAKE THIS 527 00:17:00,557 --> 00:17:04,795 KIND OF ENTRANCE, COLE. 528 00:17:04,829 --> 00:17:05,997 >> SHE SURE IS GOOD AT MAKING A 529 00:17:06,031 --> 00:17:10,069 BIG ENTRANCE. 530 00:17:10,102 --> 00:17:11,270 >> AND WHEN THIS WOMAN WALKS 531 00:17:11,304 --> 00:17:13,773 DOWN THE AISLE, THERE SHOULD BE 532 00:17:13,774 --> 00:17:17,444 AND ALWAYS ARE FIREWORKS. 533 00:17:17,478 --> 00:17:19,947 >> PYRO, LIGHTS, THE GRAPHICS, 534 00:17:19,981 --> 00:17:21,115 IT ALL PLAYS A HUGE PART IN THE 535 00:17:21,150 --> 00:17:22,985 FINAL PACKAGE. 536 00:17:23,018 --> 00:17:24,153 IT MAKES PEOPLE NEVER BE ABLE TO 537 00:17:24,186 --> 00:17:26,021 FORGET MOMENTS LIKE THAT. 538 00:17:26,055 --> 00:17:27,223 >> IT'S ABOUT CHARLOTTE FLAIR 539 00:17:27,257 --> 00:17:33,563 CONTINUING TO CEMENT HER LEGACY. 540 00:17:33,597 --> 00:17:34,932 >> SHE IS SO CONFIDENT. 541 00:17:34,966 --> 00:17:36,701 SHE ISN'T PLAYING THE CHARACTER. 542 00:17:36,802 --> 00:17:38,069 SHE IS THE CHARACTER, AND THAT'S 543 00:17:38,103 --> 00:17:39,037 HER. 544 00:17:39,070 --> 00:17:40,305 >> SHE BELIEVES SHE IS THE 545 00:17:40,339 --> 00:17:41,641 ONE-WOMAN FRANCHISE. 546 00:17:41,674 --> 00:17:44,510 >> WOOO. 547 00:17:44,545 --> 00:17:45,579 >> CHARLOTTE LIVES RIGHT UP 548 00:17:45,612 --> 00:17:46,880 THERE AT THE TOP BECAUSE SHE 549 00:17:46,914 --> 00:17:48,048 BELIEVES EVERY SINGLE THING SHE 550 00:17:48,082 --> 00:17:49,316 DOES AND EVERY STEP MEANS 551 00:17:49,350 --> 00:17:50,518 SOMETHING. 552 00:17:50,552 --> 00:17:52,053 HER PRESENTATION'S INCREDIBLE. 553 00:17:52,087 --> 00:17:53,488 >> ABSOLUTELY ENCHANTING ARRIVAL 554 00:17:53,521 --> 00:17:56,124 FOR PERHAPS THE GREATEST PURE 555 00:17:56,158 --> 00:17:59,562 ATHLETE IN THE WWE. 556 00:17:59,596 --> 00:18:01,064 THIS IS HOW YOU MAKE AN 557 00:18:01,098 --> 00:18:02,532 ENTRANCE. 558 00:18:02,566 --> 00:18:08,505 THERE CAN ONLY BE ONE QUEEN. 559 00:18:08,540 --> 00:18:09,774 >> ONLY ONE QUEEN INDEED, BUT 560 00:18:09,775 --> 00:18:12,010 WHEN IT COMES TO WHO HAS MORE 561 00:18:12,044 --> 00:18:14,580 RICHES, ONE MAN MADE IT KNOWN 562 00:18:14,614 --> 00:18:17,016 LOUD AND CLEAR THAT IT WAS HIM. 563 00:18:17,050 --> 00:18:21,888 [MUSIC] 564 00:18:21,922 --> 00:18:23,090 AN ENTRANCE STRAIGHT OUT 565 00:18:23,125 --> 00:18:24,292 OF THE LIFESTYLES OF THE RICH 566 00:18:24,326 --> 00:18:25,594 AND FAMOUS COULD ONLY GO ON TO 567 00:18:25,627 --> 00:18:27,662 ONE MAN. 568 00:18:27,696 --> 00:18:29,598 [MUSIC] >> MILLION DOLLAR MAN, 569 00:18:29,632 --> 00:18:33,035 TED DIBIASE. 570 00:18:33,070 --> 00:18:34,138 >> DIBIASE DISPLAYED THE UGLIEST 571 00:18:34,171 --> 00:18:36,806 TRAITS OF WEALTH, ARROGANCE, 572 00:18:36,807 --> 00:18:40,344 UNNECESSARILY EXPENSIVE ATTIRE, 573 00:18:40,378 --> 00:18:42,147 AND OBNOXIOUS LAUGH. 574 00:18:42,181 --> 00:18:45,017 >> [LAUGHS] 575 00:18:45,050 --> 00:18:46,852 [TED DIBIASE'S MUSIC PLAYS] 576 00:18:46,886 --> 00:18:47,353 >> [LAUGHS] 577 00:18:47,387 --> 00:18:49,356 >> [LAUGHS] 578 00:18:49,389 --> 00:18:50,823 THAT WAS TERRIBLE. 579 00:18:50,824 --> 00:18:52,859 HOLY --, THAT SUCKED. 580 00:18:52,894 --> 00:18:54,929 >> EVERYBODY'S GOT A PRICE. 581 00:18:54,962 --> 00:18:56,130 >> JIMMY HART WROTE MY ENTRANCE 582 00:18:56,164 --> 00:18:57,732 MUSIC. 583 00:18:57,833 --> 00:18:58,667 >> BRUCE PRITCHARD CAME TO ME 584 00:18:58,700 --> 00:18:59,868 AND SAID, "VINCE, I WANT YOU TO 585 00:18:59,902 --> 00:19:00,836 WRITE A SONG FOR THE MILLION 586 00:19:00,869 --> 00:19:01,603 DOLLAR MAN." 587 00:19:01,638 --> 00:19:02,771 I SAID, "OKAY, GREAT." 588 00:19:02,772 --> 00:19:03,873 I SAID, "TED, CAN YOU SING? 589 00:19:03,907 --> 00:19:05,675 "NO." 590 00:19:05,775 --> 00:19:06,543 >> WELL, I HAVE A VERY DEEP 591 00:19:06,577 --> 00:19:07,578 VOICE, BUT I COULDN'T HOLD A 592 00:19:07,611 --> 00:19:08,778 TUNE IF IT HAD HANDLES ON IT. 593 00:19:08,779 --> 00:19:09,914 >> I SAID, "OKAY, CAN YOU TALK 594 00:19:09,947 --> 00:19:11,348 IT THROUGH LIKE A PROMO?" 595 00:19:11,383 --> 00:19:12,384 HE GOES, "YES, I CAN TRY IT." 596 00:19:12,417 --> 00:19:13,118 I SAID, "GREAT." 597 00:19:13,151 --> 00:19:15,320 WE PUT HIM IN THE STUDIO. 598 00:19:15,353 --> 00:19:16,188 >> IT WAS NOT SO MUCH ME SINGING 599 00:19:16,222 --> 00:19:20,259 IT AS IT WAS ME SAYING IT. 600 00:19:20,293 --> 00:19:21,461 AND YOU WILL BE BOUGHT. 601 00:19:21,495 --> 00:19:22,496 >> THAT SONG, MAN. 602 00:19:22,529 --> 00:19:23,464 IT CAN GET IN YOUR HEAD REAL 603 00:19:23,497 --> 00:19:24,331 QUICK. 604 00:19:24,364 --> 00:19:27,067 JUST THAT BEAT. 605 00:19:27,102 --> 00:19:28,870 >> OH, MONEY, MONEY, MONEY. 606 00:19:28,903 --> 00:19:32,207 >> [MUSIC] 607 00:19:32,241 --> 00:19:33,008 MONEY, MONEY, MONEY 608 00:19:33,042 --> 00:19:33,808 >> EVERYBODY'S GOT A PRICE, 609 00:19:33,809 --> 00:19:34,910 EVERYBODY'S GOT TO PAY. 610 00:19:34,944 --> 00:19:35,811 >> BECAUSE I'M THE MILLION 611 00:19:35,846 --> 00:19:37,714 DOLLAR MAN, AND HE ALWAYS GETS 612 00:19:37,814 --> 00:19:39,249 HIS WAY. 613 00:19:39,282 --> 00:19:42,953 [LAUGHS] 614 00:19:42,987 --> 00:19:44,021 >> AS THE CHORUS OF HIS 615 00:19:44,055 --> 00:19:44,956 MEMORABLE SONG BLARED, THE 616 00:19:44,990 --> 00:19:46,258 MOMENT THE MILLION DOLLAR MAN 617 00:19:46,291 --> 00:19:47,359 BROKE THROUGH THE CURTAIN, HE 618 00:19:47,392 --> 00:19:49,328 ELICITED A COURSE OF BOOS FROM 619 00:19:49,361 --> 00:19:51,230 THE WWE UNIVERSE. 620 00:19:51,264 --> 00:19:54,901 [MUSIC] 621 00:19:54,935 --> 00:19:55,903 >> TED WAS DESPISED. 622 00:19:55,936 --> 00:19:57,071 WHO WOULD LIKE A MAN THAT HAS 623 00:19:57,104 --> 00:19:58,706 MILLIONS OF DOLLARS, FLAUNTS HIS 624 00:19:58,739 --> 00:20:01,542 WEALTH? 625 00:20:01,576 --> 00:20:02,744 >> DIBIASE EVEN FED HIS OWN 626 00:20:02,778 --> 00:20:03,979 VANITY BY CREATING AN 627 00:20:04,012 --> 00:20:05,914 OSTENTATIOUS CHAMPIONSHIP BELT. 628 00:20:05,948 --> 00:20:09,852 [CROWD BOOS] 629 00:20:09,887 --> 00:20:10,854 >> THAT MILLION 630 00:20:10,888 --> 00:20:11,922 DOLLAR BELT FULL OF DIAMONDS AND 631 00:20:11,955 --> 00:20:12,990 GOLD. 632 00:20:13,023 --> 00:20:14,024 [MUSIC] >> THE ONE THING 633 00:20:14,058 --> 00:20:15,059 EVERYBODY HATES IS SOMEONE WHO 634 00:20:15,093 --> 00:20:16,060 BY VIRTUE OF THEIR WEALTH, THEY 635 00:20:16,094 --> 00:20:18,696 LOOK DOWN THEIR NOSE AT PEOPLE. 636 00:20:18,731 --> 00:20:19,765 >> THE AVERAGE PERSON THAT WORKS 637 00:20:19,799 --> 00:20:20,966 FOR A LIVING, HOW CAN YOU NOT 638 00:20:21,000 --> 00:20:22,501 HATE THAT GUY? 639 00:20:22,535 --> 00:20:23,569 [MUSIC] >> LOOK AT THE RECEPTION 640 00:20:23,603 --> 00:20:25,939 THEY'RE GIVING THE MILLION 641 00:20:25,972 --> 00:20:29,743 DOLLAR MAN 642 00:20:29,777 --> 00:20:30,745 >> JUST GIVE ME A 643 00:20:30,778 --> 00:20:31,646 BREAK. 644 00:20:31,679 --> 00:20:41,823 [MUSIC] 645 00:20:44,662 --> 00:20:45,529 >> THE MILLION DOLLAR 646 00:20:45,563 --> 00:20:47,832 MAN'S ENTRANCE WAS INCREDIBLE. 647 00:20:47,866 --> 00:20:48,900 IT'S LIKE, "DUDE, WE'RE ALL 648 00:20:48,934 --> 00:20:50,268 WORRIED ABOUT MONEY," AND HE'S 649 00:20:50,302 --> 00:20:52,437 JUST RUBBING IT IN YOUR FACE? 650 00:20:52,472 --> 00:20:53,673 >> BOY, DOES HE LOOK CONFIDENT, 651 00:20:53,706 --> 00:20:54,774 BRAIN? 652 00:20:54,807 --> 00:20:55,975 >> HE'S A SMART BUSINESSMAN 653 00:20:56,008 --> 00:20:57,143 MONSOON. 654 00:20:57,177 --> 00:20:58,579 HE CAN BUY THIS BUILDING. 655 00:20:58,612 --> 00:21:00,013 >> OH, YOU CAN BUY ALL OF US. 656 00:21:00,047 --> 00:21:02,849 MUST BE NICE, TED. 657 00:21:02,851 --> 00:21:04,319 >> EVERYBODY HAS A PRICE FOR THE 658 00:21:04,352 --> 00:21:06,020 MILLION DOLLAR MAN. 659 00:21:06,054 --> 00:21:15,463 [LAUGHS] 660 00:21:15,499 --> 00:21:16,433 >> OLD SCHOOL WWE HAD 661 00:21:16,467 --> 00:21:18,903 SO MANY RAD THEMES. 662 00:21:18,936 --> 00:21:19,870 IT'S REALLY HARD TO PICK A 663 00:21:19,871 --> 00:21:20,938 FAVORITE. 664 00:21:20,972 --> 00:21:21,906 HOWEVER, WHEN IT COMES TO PURE, 665 00:21:21,940 --> 00:21:24,443 PUNCH-YOU-IN-THE-FACE-AND-LIKE-I 666 00:21:24,476 --> 00:21:25,877 T ADRENALINE, IS THERE ANYTHING 667 00:21:25,878 --> 00:21:27,346 BETTER THAN THE ULTIMATE 668 00:21:27,380 --> 00:21:31,584 WARRIOR'S ENTRANCE? 669 00:21:31,619 --> 00:21:32,920 >> WAIT UNTIL YOU HEAR THIS 670 00:21:32,953 --> 00:21:34,054 EXPLOSION AS SOON AS THEY HEAR 671 00:21:34,088 --> 00:21:36,290 THAT MUSIC. 672 00:21:36,324 --> 00:21:38,226 >> SOON AS THAT MUSIC HIT. 673 00:21:38,260 --> 00:21:39,461 [THE ULTIMATE WARRIOR'S MUSIC 674 00:21:39,494 --> 00:21:44,099 PLAYS] 675 00:21:44,133 --> 00:21:45,001 >> HOW COULD YOU NOT GET 676 00:21:45,034 --> 00:21:46,235 PUMPED UP ON THAT? 677 00:21:46,270 --> 00:21:48,639 >> THE ULTIMATE WARRIOR. 678 00:21:48,672 --> 00:21:53,510 >> PURE, RAW ENERGY 679 00:21:53,545 --> 00:21:54,579 >> HE'S ON 680 00:21:54,612 --> 00:21:55,480 FIRE. 681 00:21:55,514 --> 00:21:56,582 HE'S GOT THIS CAPACITY CROWD LIT 682 00:21:56,615 --> 00:21:57,650 UP AS WELL. 683 00:21:57,683 --> 00:21:58,651 >> CRAZINESS. 684 00:21:58,684 --> 00:21:59,752 >> WHEN I WAS A KID, I JUST 685 00:21:59,853 --> 00:22:01,054 THOUGHT, "GOD, HE'S INSANE, MAN. 686 00:22:01,087 --> 00:22:04,658 THIS GUY'S CRAZY." 687 00:22:04,692 --> 00:22:06,160 >> THE ENTRANCE ITSELF. 688 00:22:06,194 --> 00:22:08,763 >> COME ON IN. 689 00:22:08,863 --> 00:22:10,264 >> THE INTENSITY RIGHT OFF THE 690 00:22:10,299 --> 00:22:11,866 BAT, THAT'S WHAT GRABS THE 691 00:22:11,867 --> 00:22:13,535 VIEWER. 692 00:22:13,569 --> 00:22:16,205 >> COLORS EVERYWHERE, STREAMERS 693 00:22:16,239 --> 00:22:18,174 ON THE ARM, FRINGE ON THE BOOTS. 694 00:22:18,208 --> 00:22:19,776 >> YOU'RE JUST MAGNETICALLY 695 00:22:19,877 --> 00:22:20,778 SUCKED IN. 696 00:22:20,878 --> 00:22:22,680 >> COMPLETELY BERSERK. 697 00:22:22,713 --> 00:22:24,381 >> THE MUSIC WOULD HIT, AND HE'D 698 00:22:24,416 --> 00:22:25,917 JUST COME OUT AND HE'S RUNNING, 699 00:22:25,951 --> 00:22:27,452 HE'S BREATHING HARD, AND HE'S 700 00:22:27,486 --> 00:22:28,753 SHAKING THE ROPES, AND HE'S 701 00:22:28,788 --> 00:22:30,790 FIRED UP AND HE'S [BREATHES 702 00:22:30,890 --> 00:22:35,328 HEAVILY] 703 00:22:35,362 --> 00:22:36,330 >> HE'S LIKE A RUNAWAY 704 00:22:36,363 --> 00:22:37,297 LOCOMOTIVE WHEN HE GETS GOING. 705 00:22:37,331 --> 00:22:38,432 >> I WOULD KNOW BECAUSE I'D BE 706 00:22:38,466 --> 00:22:39,801 GETTING READY TO WRESTLE AGAINST 707 00:22:39,901 --> 00:22:40,502 HIM, I'D GO PEEK IN ON HIM, AND 708 00:22:40,535 --> 00:22:41,603 HE'S RUNNING AND ROCKING BACK 709 00:22:41,636 --> 00:22:43,004 AND FORTH. 710 00:22:43,037 --> 00:22:44,072 >> HERE HE COMES, HE'S RUNNING. 711 00:22:44,106 --> 00:22:45,474 >> I'M LIKE, "OH, MY GOD," AND 712 00:22:45,508 --> 00:22:47,009 THIS IS 10 MINUTES BEFORE WE 713 00:22:47,042 --> 00:22:49,545 WORK. 714 00:22:49,579 --> 00:22:50,447 >> I DON'T KNOW HOW HE DID THAT 715 00:22:50,480 --> 00:22:51,615 AND HAVE A MATCH. 716 00:22:51,648 --> 00:22:52,549 HOLY. 717 00:22:52,582 --> 00:22:53,583 THAT'S A LOT OF RUNNING, MAN. 718 00:22:53,618 --> 00:22:54,418 >> IT'S A HARD THING TO DO. 719 00:22:54,452 --> 00:22:55,586 HIS CARDIO MUST HAVE BEEN 720 00:22:55,620 --> 00:22:56,554 AMAZING. 721 00:22:56,587 --> 00:22:58,289 >> I HAVE TO BE CARRIED OUT IN A 722 00:22:58,323 --> 00:22:59,424 BLEEDING AMBULANCE AFTER DOING 723 00:22:59,458 --> 00:23:01,160 THAT TYPE OF ENTRANCE. 724 00:23:01,193 --> 00:23:02,494 >> YOU'RE SPENT BY THE TIME YOU 725 00:23:02,529 --> 00:23:03,862 GET TO THE RING WHEN YOU DO 726 00:23:03,863 --> 00:23:04,863 THAT. 727 00:23:04,864 --> 00:23:05,899 >> WELL, NO DOUBT THIS GUY IS 728 00:23:05,932 --> 00:23:07,233 STRONG, BUT HE'S NUTS. 729 00:23:07,268 --> 00:23:08,469 >> I THINK THAT THERE WAS A REAL 730 00:23:08,502 --> 00:23:11,871 TRADE-OFF BETWEEN GETTING THE 731 00:23:11,872 --> 00:23:14,041 CROWD REALLY EXCITED AND THEN 732 00:23:14,075 --> 00:23:15,177 CATCHING YOUR BREATH SO YOU 733 00:23:15,210 --> 00:23:16,444 COULD ACTUALLY ENGAGE IN AN 734 00:23:16,478 --> 00:23:19,114 ATHLETIC PERFORMANCE. 735 00:23:19,148 --> 00:23:20,316 >> IN THE EYES OF THE FANS, THIS 736 00:23:20,349 --> 00:23:23,085 GUY WAS READY TO GO. 737 00:23:23,120 --> 00:23:24,755 >> IT WAS ALMOST LIKE THIS 738 00:23:24,788 --> 00:23:26,890 PERFECT PACKAGE OF EVERYTHING 739 00:23:26,925 --> 00:23:28,226 THAT CREATED SOMETHING YOU'D SEE 740 00:23:28,259 --> 00:23:30,094 IN A MOVIE. 741 00:23:30,128 --> 00:23:30,962 MAN, IT WAS LIKE SOMEONE COMING 742 00:23:30,995 --> 00:23:32,497 TO SAVE THE DAY. 743 00:23:32,531 --> 00:23:34,266 >> JUMP ON MY BACK, GRAB A BODY 744 00:23:34,300 --> 00:23:38,137 PART AND HANG ON. 745 00:23:38,171 --> 00:23:39,606 >> IT'S FUN TO SEE THAT IT'S NOT 746 00:23:39,639 --> 00:23:41,708 JUST ABOUT THE SLOW BURN AND THE 747 00:23:41,742 --> 00:23:43,211 ANTICIPATION WHICH GOES A LONG 748 00:23:43,244 --> 00:23:45,513 WAY WITH CERTAIN FOLKS. 749 00:23:45,546 --> 00:23:46,781 THERE'S ALSO THAT, "HEAR IT 750 00:23:46,815 --> 00:23:48,916 COMES, LET'S GO." 751 00:23:48,917 --> 00:23:49,818 >> THIS IS JUST THE ENTRANCE, 752 00:23:49,918 --> 00:23:50,752 WHAT'S GOING TO HAPPEN IN THE 753 00:23:50,787 --> 00:23:51,721 MATCH? 754 00:23:51,754 --> 00:23:52,655 >> WITH THE OUTFIT. 755 00:23:52,689 --> 00:23:53,990 >> HAIR GOING WILD. 756 00:23:54,023 --> 00:23:54,923 >> PAINT. 757 00:23:54,924 --> 00:23:56,159 >> INTENSITY. 758 00:23:56,193 --> 00:23:57,461 >> PERFECTION WHEN IT COMES TO 759 00:23:57,495 --> 00:23:59,029 THAT. 760 00:23:59,063 --> 00:24:00,864 >> IF HE DIDN'T HAVE THAT 761 00:24:00,866 --> 00:24:02,167 ENTRANCE, HE WOULDN'T HAVE BEEN 762 00:24:02,200 --> 00:24:03,702 AS BIG A STAR, I KNOW IT. 763 00:24:03,735 --> 00:24:05,003 >> IT'S DEAFENING, YOU CAN'T 764 00:24:05,036 --> 00:24:06,438 HEAR YOURSELF. 765 00:24:06,472 --> 00:24:07,773 >> PEOPLE WERE JUST DYING FOR 766 00:24:07,874 --> 00:24:09,208 IT, MAN. 767 00:24:09,242 --> 00:24:10,576 >> YOU FED OFF OF HIS ENERGY. 768 00:24:10,611 --> 00:24:12,279 HE FED OFF OF THE CROWD'S 769 00:24:12,312 --> 00:24:13,514 ENERGY. 770 00:24:13,547 --> 00:24:14,681 >> TO CLIMB THE ULTIMATE 771 00:24:14,715 --> 00:24:15,916 WARRIOR, IT'S SOMETHING THAT YOU 772 00:24:15,950 --> 00:24:17,418 WANT TO FEEL, THAT YOU WANT TO 773 00:24:17,452 --> 00:24:18,453 TASTE. 774 00:24:18,486 --> 00:24:22,457 [CROWD CHEERS] 775 00:24:22,491 --> 00:24:23,492 >> YOU KNEW THAT 776 00:24:23,526 --> 00:24:24,693 YOU WERE IN FOR A TREAT JUST 777 00:24:24,728 --> 00:24:26,062 BASED OFF THE ENTRY. 778 00:24:26,096 --> 00:24:26,897 >> IT'S SOMETHING THAT WHEN YOU 779 00:24:26,930 --> 00:24:28,898 TURN ON THAT TV SCREEN, OR WHEN 780 00:24:28,899 --> 00:24:30,267 YOU BUY TICKETS IN THOSE ARENAS, 781 00:24:30,301 --> 00:24:31,135 YOU KNOW THAT IT'S GOING TO BE 782 00:24:31,169 --> 00:24:32,136 EXCITING. 783 00:24:32,170 --> 00:24:34,372 >> NONSTOP TOTAL ENERGY. 784 00:24:34,406 --> 00:24:35,641 >> THE ULTIMATE WARRIOR DID THAT 785 00:24:35,674 --> 00:24:37,409 JUST AS WELL, IF NOT BETTER THAN 786 00:24:37,442 --> 00:24:40,779 ANYBODY HAS EVER DONE IT. 787 00:24:40,813 --> 00:24:46,953 >> TOTALLY OUT OF CONTROL. 788 00:24:46,987 --> 00:24:47,821 >> WHILE THE ULTIMATE WARRIOR 789 00:24:47,922 --> 00:24:49,623 GOT FANS IN A FRENZY, THE RED 790 00:24:49,658 --> 00:24:53,361 AND BLACK, NWO FACTION, THE 791 00:24:53,396 --> 00:24:55,264 WOLFPAC COMMANDED AUDIENCE'S 792 00:24:55,298 --> 00:24:56,499 ATTENTION BY OOZING SO MUCH 793 00:24:56,532 --> 00:24:58,100 COOL, OR AS THEY WOULD SAY THAT 794 00:24:58,135 --> 00:24:59,203 THEY DRIP, SO MUCH DRIP, DUE IN 795 00:24:59,236 --> 00:25:02,306 LARGE PART THEIR UNIVERSALLY 796 00:25:02,339 --> 00:25:03,874 LAUDED ENTRANCE. 797 00:25:03,908 --> 00:25:05,076 AN ENTRANCE THAT WAS JUST TOO 798 00:25:05,109 --> 00:25:07,445 SWEET. 799 00:25:07,478 --> 00:25:11,382 AWOO. 800 00:25:11,417 --> 00:25:14,119 >> HEY, YO. 801 00:25:14,154 --> 00:25:15,922 >> NWO WOLFPAC, THAT WAS 802 00:25:15,956 --> 00:25:17,257 PROBABLY ONE OF THE MOST EPIC 803 00:25:17,290 --> 00:25:19,793 TEAMS EVER CREATED. 804 00:25:19,894 --> 00:25:21,229 >> I WAS WOLFPAC GUY, BLACK AND 805 00:25:21,262 --> 00:25:24,432 RED ALL THE WAY. 806 00:25:24,466 --> 00:25:27,703 >> THE COOLEST GUYS EVER. 807 00:25:27,737 --> 00:25:29,105 >> WOLFPAC, SCOTT HALL, KEVIN 808 00:25:29,138 --> 00:25:33,909 NASH, KONNAN, LEX LUGER? 809 00:25:33,911 --> 00:25:36,413 WHO KNOWS? 810 00:25:36,447 --> 00:25:39,383 AT SOME POINT, EVERYBODY JOINED. 811 00:25:39,417 --> 00:25:40,418 >> WE NEED TO STOP AND LISTEN 812 00:25:40,452 --> 00:25:41,919 INTO THIS BRAND-NEW MUSIC AS THE 813 00:25:41,921 --> 00:25:46,592 WOLFPAC MAKES ITS WAY OUT. 814 00:25:46,627 --> 00:25:48,996 >> WOLFPAC IN THE- 815 00:25:49,029 --> 00:25:50,130 [CROWD SCREAMS "HOUSE."] 816 00:25:50,163 --> 00:26:00,574 [WOLFPAC'S MUSIC PLAYS] 817 00:26:01,077 --> 00:26:01,745 >> THE SONG HAS 818 00:26:01,778 --> 00:26:03,480 SUCH A LITTLE SWAG TO IT. 819 00:26:03,513 --> 00:26:04,648 >> IT'S ALMOST LIKE THIS COOL 820 00:26:04,681 --> 00:26:07,617 RAP THAT YOU COULD GET BEHIND 821 00:26:07,652 --> 00:26:09,987 AND YOU COULD RAP ALONG WITH. 822 00:26:10,021 --> 00:26:10,988 >> WHAT A ROAR AS THE WOLFPAC 823 00:26:11,023 --> 00:26:13,891 MAKES ITS WAY HERE. 824 00:26:13,892 --> 00:26:15,160 >> ONCE AGAIN, THE MAN BEHIND 825 00:26:15,194 --> 00:26:16,895 THIS ICONIC THEME IS NONE OTHER 826 00:26:16,930 --> 00:26:19,432 THAN WWE HALL OF FAMER AND 827 00:26:19,465 --> 00:26:22,235 MUSICAL MASTERMIND, JIMMY HART. 828 00:26:22,269 --> 00:26:23,404 >> I WANTED TO MAKE SURE WE HAD 829 00:26:23,437 --> 00:26:24,672 SOMETHING THAT THEY COULD COME 830 00:26:24,705 --> 00:26:26,106 OUT TO THE RING TO THAT MADE 831 00:26:26,141 --> 00:26:28,443 THEM DO THEIR LITTLE SLIDE WALK 832 00:26:28,476 --> 00:26:29,411 THAT THEY ALWAYS DID WITH THE 833 00:26:29,444 --> 00:26:32,747 NWO. 834 00:26:32,782 --> 00:26:35,184 IT FELT LIKE SOMETHING PEOPLE 835 00:26:35,219 --> 00:26:44,228 WERE GOING TO REALLY CHANT TO. 836 00:26:44,263 --> 00:26:44,964 >> WHEN THE MUSIC HITS, YOU'RE 837 00:26:44,997 --> 00:26:46,065 ALMOST LIKE-- 838 00:26:46,098 --> 00:26:46,932 YOU'RE ATTACHED TO 839 00:26:46,966 --> 00:26:48,267 IT. 840 00:26:48,300 --> 00:26:49,235 >> YOU GOT A SONG LIKE THAT TO 841 00:26:49,269 --> 00:26:50,203 COME OUT TO, IT'S EASY TO GET 842 00:26:50,237 --> 00:26:52,839 INTO IT. 843 00:26:52,939 --> 00:26:53,940 >> YOU DON'T WANT NONE OF THE 844 00:26:53,975 --> 00:26:56,043 WOLFPAC. 845 00:26:56,077 --> 00:26:57,411 >> I KNOW THE MUSIC'S SWEET, BUT 846 00:26:57,445 --> 00:27:01,148 WE GOT TO CUT IT FOR A MINUTE. 847 00:27:01,183 --> 00:27:02,517 >> AS A 12, 13, 14-YEAR-OLD KID, 848 00:27:02,551 --> 00:27:05,754 I WANTED TO WALK AROUND AND TOO 849 00:27:05,788 --> 00:27:07,590 SWEET MY FRIENDS. 850 00:27:07,624 --> 00:27:08,925 WE DID THIS AND PLAYED THE 851 00:27:08,959 --> 00:27:11,295 WOLFPAC THEME, IN DA HOUSE. 852 00:27:11,328 --> 00:27:12,930 >> WHOLE LOT OF RED AND BLACK 853 00:27:12,963 --> 00:27:15,299 GOING ON TONIGHT. 854 00:27:15,333 --> 00:27:17,769 >> THE WOLFPAC WAS MORE HIP. 855 00:27:17,802 --> 00:27:19,904 IT WAS MORE STREET. 856 00:27:19,906 --> 00:27:22,642 IT WAS MORE POP CULTURE. 857 00:27:22,675 --> 00:27:24,076 >> I'D LOVE TO SEE WHEN WWE 858 00:27:24,111 --> 00:27:26,213 MUSIC CROSSES OVER AT BASEBALL 859 00:27:26,246 --> 00:27:28,782 GAMES, WHICH GOES TO SHOW YOU 860 00:27:28,816 --> 00:27:30,351 HOW MANY PEOPLE ARE WATCHING 861 00:27:30,385 --> 00:27:32,120 WRESTLING. 862 00:27:32,153 --> 00:27:33,288 >> I'M SITTING AT HOME ONE DAY 863 00:27:33,322 --> 00:27:34,323 WATCHING BASEBALL, AND NOW UP TO 864 00:27:34,356 --> 00:27:35,724 BAT JASON GIAMBI. 865 00:27:35,758 --> 00:27:37,226 ALL OF A SUDDEN, I HEAR THE 866 00:27:37,260 --> 00:27:39,296 WOLFPAC SONG, "AWOO, [HUMS 867 00:27:39,329 --> 00:27:44,501 SONG]" 868 00:27:44,535 --> 00:27:45,436 JASON GIAMBI, THAT WAS 869 00:27:45,469 --> 00:27:46,470 HIS THEME SONG COMING UP TO BAT 870 00:27:46,504 --> 00:27:47,338 AND I'M GOING, "OH MY GOSH, THIS 871 00:27:47,372 --> 00:27:48,273 IS A HOME RUN." 872 00:27:48,307 --> 00:27:50,375 >> JUST WANT TO FINISH IT OFF BY 873 00:27:50,409 --> 00:27:55,647 SAYING HANGING WITH THE WOLFPAC 874 00:27:55,682 --> 00:27:57,083 IS JUST TOO [CROWD SCREAMS 875 00:27:57,117 --> 00:28:01,888 "SWEET"] 876 00:28:01,890 --> 00:28:02,657 >> WHEN YOU REALLY 877 00:28:02,691 --> 00:28:03,892 THINK ABOUT IT, THE BEST THEMES 878 00:28:03,925 --> 00:28:05,893 ALL SHARE A COMMON THREAD. 879 00:28:05,894 --> 00:28:07,229 THEY ELICIT A FEELING AND 880 00:28:07,263 --> 00:28:08,998 EMOTIONAL RESPONSE, ESPECIALLY 881 00:28:09,031 --> 00:28:14,704 THIS NEXT ENTRANCE. 882 00:28:14,738 --> 00:28:17,708 [THE BROOD MUSIC PLAYS] 883 00:28:17,742 --> 00:28:18,543 >> WE 884 00:28:18,576 --> 00:28:20,612 ARE WHO WE ARE. 885 00:28:20,646 --> 00:28:23,482 THE UNHOLY TRIO. 886 00:28:23,515 --> 00:28:25,551 >> GANGREL, EDGE, AND CHRISTIAN, 887 00:28:25,585 --> 00:28:30,657 THE MYSTERIOUS BROOD. 888 00:28:30,691 --> 00:28:31,792 [MUSIC] 889 00:28:31,826 --> 00:28:32,927 >> THEIR ENTRANCE DRAWS 890 00:28:32,960 --> 00:28:36,430 YOU IN. 891 00:28:36,465 --> 00:28:38,267 >> THEY'RE VAMPIRES, DARK, 892 00:28:38,300 --> 00:28:40,168 GOTHIC. 893 00:28:40,203 --> 00:28:41,638 THEY ARE THE BROOD, A RATHER 894 00:28:41,671 --> 00:28:44,607 INTERESTING PHENOMENON. 895 00:28:44,641 --> 00:28:45,642 >> IN THE LATE '90S, THE BROOD 896 00:28:45,676 --> 00:28:47,077 CREATED THE ENTRANCE SO 897 00:28:47,111 --> 00:28:48,479 PROVOCATIVE AND AWE-INSPIRING 898 00:28:48,512 --> 00:28:50,347 THAT IT STILL RESONATES TO THIS 899 00:28:50,382 --> 00:28:53,351 VERY DAY. 900 00:28:53,385 --> 00:28:54,586 >> THE THEME SONG ITSELF IS BY 901 00:28:54,620 --> 00:28:55,954 FAR ONE OF THE BEST-WRITTEN 902 00:28:55,955 --> 00:28:57,089 THEME SONGS IN THE HISTORY OF 903 00:28:57,123 --> 00:29:01,994 THIS BUSINESS, PERIOD. 904 00:29:02,029 --> 00:29:03,630 >> THERE'S SOME WHISPERING IN 905 00:29:03,664 --> 00:29:07,467 IT. 906 00:29:07,502 --> 00:29:08,436 THE SECRET IS IT'S WORDS BEING 907 00:29:08,469 --> 00:29:09,771 PLAYED BACKWARDS TO ACHIEVE THAT 908 00:29:09,805 --> 00:29:13,908 SOUND. 909 00:29:13,910 --> 00:29:15,145 >> THE BROOD SONG IS ONE OF 910 00:29:15,178 --> 00:29:16,379 THOSE BEATS THAT YOU'LL ALWAYS 911 00:29:16,413 --> 00:29:18,914 REMEMBER. 912 00:29:18,916 --> 00:29:20,451 >> THE COOL MUSIC, I THINK I 913 00:29:20,484 --> 00:29:21,986 HAVE THAT AS A RING TONE STILL. 914 00:29:22,019 --> 00:29:24,055 >> GANGREL EMERGES FROM THE RING 915 00:29:24,089 --> 00:29:26,358 OF FIRE. 916 00:29:26,391 --> 00:29:27,993 THROUGH THE SMOKE, COME EDGE AND 917 00:29:28,026 --> 00:29:31,096 CHRISTIAN. 918 00:29:31,130 --> 00:29:32,098 >> YOU'RE KIND OF WATCHING THAT 919 00:29:32,131 --> 00:29:33,333 THINKING, "WHO WALKS OUT THROUGH 920 00:29:33,367 --> 00:29:36,937 FIRE LIKE THAT?" 921 00:29:36,971 --> 00:29:37,938 >> EVEN THEIR SWAG TO GO ALONG 922 00:29:37,973 --> 00:29:40,308 WITH THE BEAT OF THE SONG. 923 00:29:40,342 --> 00:29:41,576 >> THESE ARE SOME WEIRD DUDES 924 00:29:41,610 --> 00:29:42,978 RIGHT HERE. 925 00:29:43,012 --> 00:29:44,247 >> YOU WERE TAKING THE SAME 926 00:29:44,280 --> 00:29:46,549 EFFECTS FROM MAYBE A HORROR 927 00:29:46,582 --> 00:29:48,117 MOVIE AND ADDING IT INTO THE 928 00:29:48,151 --> 00:29:51,555 ENTRANCE TO THE RING. 929 00:29:51,588 --> 00:29:52,856 >> WHAT A REACTION FOR THE 930 00:29:52,957 --> 00:29:54,092 BROOD. 931 00:29:54,125 --> 00:29:55,159 >> THE LIGHTING. 932 00:29:55,193 --> 00:29:56,361 IT IS SO COOL. 933 00:29:56,394 --> 00:29:57,795 IT WAS LIKE A STROBE EFFECT. 934 00:29:57,830 --> 00:30:01,667 TALK ABOUT THEATRICS. 935 00:30:01,700 --> 00:30:05,604 >> MORE THEATRICS WOULD ENSUE 936 00:30:05,639 --> 00:30:06,907 WHEN VAMPIRIC TRIO WOULD REACH 937 00:30:06,941 --> 00:30:09,076 RINGSIDE. 938 00:30:09,110 --> 00:30:10,211 >> GANGREL WITH THAT GLASS OF 939 00:30:10,244 --> 00:30:14,248 THAT RED LIQUID. 940 00:30:14,283 --> 00:30:15,350 >> GANGREL WOULD DRINK SOME 941 00:30:15,384 --> 00:30:16,785 BLOOD FROM A CHALICE AND HE'D 942 00:30:16,819 --> 00:30:20,356 SPIT OUT THE BLOOD. 943 00:30:20,390 --> 00:30:21,190 >> I ALWAYS KEPT THINKING AS A 944 00:30:21,225 --> 00:30:22,393 KID, "IS THAT REAL BLOOD IN THE 945 00:30:22,426 --> 00:30:23,527 CUP, OR IS THAT JUST FRUIT 946 00:30:23,560 --> 00:30:25,529 PUNCH?" 947 00:30:25,562 --> 00:30:26,397 >> THE BLOOD WOULD SKEEVE ME 948 00:30:26,431 --> 00:30:28,099 OUT. 949 00:30:28,133 --> 00:30:29,167 WHOSE BLOOD IS IT? 950 00:30:29,200 --> 00:30:30,335 IT CAN BE FROM ANYWHERE, WHICH 951 00:30:30,368 --> 00:30:33,672 IS GROSS. 952 00:30:33,706 --> 00:30:34,707 >> THE CAPTIVATING ELEMENTS OF 953 00:30:34,740 --> 00:30:35,875 THE BROOD'S ENTRANCE PROVED TO 954 00:30:35,909 --> 00:30:37,377 BE A HIT IN ANY ERA WHEN EDGE 955 00:30:37,411 --> 00:30:39,546 TURNED BACK THE CLOCK AT 956 00:30:39,580 --> 00:30:43,250 SUMMERSLAM 2021. 957 00:30:43,284 --> 00:30:48,189 [CROWD CHEERS] 958 00:30:48,223 --> 00:30:49,792 [THE BROOD MUSIC PLAYS] 959 00:30:49,825 --> 00:30:51,093 >> OVER 20 YEARS AGO, 960 00:30:51,127 --> 00:30:52,495 EDGE, PART OF THE GROUP KNOWN AS 961 00:30:52,529 --> 00:30:55,498 THE BROOD. 962 00:30:55,533 --> 00:30:57,802 THEY HAVEN'T FORGOT. 963 00:30:57,835 --> 00:30:59,236 >> WATCHING EDGE USE THAT BROOD 964 00:30:59,270 --> 00:31:00,571 THEME AND THAT STYLE OF 965 00:31:00,606 --> 00:31:01,973 ENTRANCE, IT'S STILL, TO THIS 966 00:31:01,974 --> 00:31:02,608 DAY, ONE OF THE COOLEST THINGS 967 00:31:02,641 --> 00:31:09,615 I'VE EVER SEEN. 968 00:31:09,650 --> 00:31:10,384 >> ANOTHER LEGEND THAT CONTINUES 969 00:31:10,417 --> 00:31:11,652 TO THRILL AND DOMINATE IS THE 970 00:31:11,685 --> 00:31:14,521 MAN THEY CALL GOLDBERG. 971 00:31:14,556 --> 00:31:16,091 IN FACT, GOLDBERG IS SO AWESOME, 972 00:31:16,124 --> 00:31:17,992 HIS EPIC ENTRANCE STARTS GETTING 973 00:31:17,993 --> 00:31:19,160 THE CROWD PUMPED BEFORE HE EVEN 974 00:31:19,195 --> 00:31:23,366 COMES OUT OF THE CURTAIN. 975 00:31:23,399 --> 00:31:24,166 [KNOCKING] 976 00:31:24,201 --> 00:31:28,272 [GOLDBERG SCREAMS] 977 00:31:28,305 --> 00:31:29,206 GOLDBERG'S MUSIC WOULD HIT, AND 978 00:31:29,240 --> 00:31:31,576 EVERYBODY KNEW IT WAS COMING. 979 00:31:31,609 --> 00:31:33,311 IT WAS LIKE, "UH-OH." 980 00:31:33,344 --> 00:31:34,379 [GOLDBERG'S MUSIC PLAYS] >> THE 981 00:31:34,413 --> 00:31:35,447 FANS WOULD START CHANTING HIS 982 00:31:35,481 --> 00:31:37,082 NAME. 983 00:31:37,116 --> 00:31:41,086 >> GOLDBERG, GOLDBERG. 984 00:31:41,121 --> 00:31:42,022 >> ALL OF THAT JUST BUILT 985 00:31:42,055 --> 00:31:44,391 ANTICIPATION IN THE AUDIENCE. 986 00:31:44,425 --> 00:31:45,593 >> THERE'S NOT A BUTT ON A CHAIR 987 00:31:45,626 --> 00:31:47,027 IN THIS PLACE. 988 00:31:47,028 --> 00:31:48,896 >> AS IT STARTED TO BUILD, HERE 989 00:31:48,931 --> 00:31:50,565 COMES THE BANG ON THE DOOR. 990 00:31:50,599 --> 00:31:52,067 [KNOCKING] >> THE ADDED 991 00:31:52,100 --> 00:31:53,602 ANTICIPATION OF THE SECURITY 992 00:31:53,636 --> 00:31:55,638 KNOCKING ON HIS DOOR. 993 00:31:55,672 --> 00:31:57,840 >> THE MAN IS ON HIS WAY. 994 00:31:57,875 --> 00:31:59,510 >> THIS GUY'S TRAPS ARE INSANE. 995 00:31:59,543 --> 00:32:03,681 HIS INTENSITY IS OFF THE CHARTS. 996 00:32:03,715 --> 00:32:04,982 >> WE HAVE NEVER SEEN A MAN 997 00:32:04,983 --> 00:32:06,651 QUITE LIKE THIS. 998 00:32:06,685 --> 00:32:08,253 >> HE IS BEING ESCORTED BY THE 999 00:32:08,287 --> 00:32:10,323 COPS RIGHT ON UP THROUGH THE 1000 00:32:10,356 --> 00:32:12,458 ENTRANCE. 1001 00:32:12,492 --> 00:32:14,261 >> JUST THAT WALK ALONE, IT CAN 1002 00:32:14,294 --> 00:32:16,996 SAY IT ALL. 1003 00:32:16,998 --> 00:32:18,266 >> IN THE CASE OF GOLDBERG, 1004 00:32:18,299 --> 00:32:20,635 ACTIONS ALWAYS SPOKE LOUDER THAN 1005 00:32:20,668 --> 00:32:22,070 WORDS, BUT NOTHING SPARKED MORE 1006 00:32:22,104 --> 00:32:23,305 ATTENTION THAN WHAT HAPPENED 1007 00:32:23,339 --> 00:32:24,406 ONCE HE BROKE THROUGH THE 1008 00:32:24,440 --> 00:32:25,708 CURTAIN. 1009 00:32:25,741 --> 00:32:26,909 >> THE MAN IS HERE. 1010 00:32:27,010 --> 00:32:29,079 >> GOLDBERG SOMEWHERE LOST IN 1011 00:32:29,112 --> 00:32:31,348 THAT FIRE. 1012 00:32:31,382 --> 00:32:33,016 >> HE GETS CAUGHT IN ALL OF THAT 1013 00:32:33,017 --> 00:32:37,020 PYRO. 1014 00:32:37,022 --> 00:32:38,123 >> IF YOU'RE WILLING TO BE 1015 00:32:38,156 --> 00:32:39,191 BURNED BEFORE YOU EVEN GET IN 1016 00:32:39,224 --> 00:32:41,893 THE RING, IT'S A SCARY THING. 1017 00:32:41,928 --> 00:32:43,029 >> THEN, HE WOULD BREATHE OUT 1018 00:32:43,062 --> 00:32:44,397 THAT SMOKE, IT WAS LIKE A DRAGON 1019 00:32:44,430 --> 00:32:46,199 BREATHING FIRE. 1020 00:32:46,233 --> 00:32:47,835 >> IT SHOWED THE LAYER OF 1021 00:32:47,868 --> 00:32:49,336 FEROCITY AND INVULNERABILITY 1022 00:32:49,370 --> 00:32:50,237 THAT ULTIMATELY WOULD BE 1023 00:32:50,271 --> 00:32:54,074 GOLDBERG. 1024 00:32:54,109 --> 00:32:55,210 >> THE LONG ENTRANCES, THE 1025 00:32:55,243 --> 00:32:56,444 MUSIC, THE DRAMA, THE SECURITY 1026 00:32:56,479 --> 00:32:57,780 GUARDS, ALL THAT HAD A PRIZE 1027 00:32:57,813 --> 00:33:00,449 FIGHT FEEL TO IT. 1028 00:33:00,484 --> 00:33:01,984 >> LADIES AND GENTLEMEN, IT'S 1029 00:33:01,985 --> 00:33:03,687 TIME. 1030 00:33:03,720 --> 00:33:04,721 >> MICHAEL BUFFER'S THAT RING 1031 00:33:04,755 --> 00:33:05,789 ANNOUNCER THAT ONLY COMES OUT 1032 00:33:05,823 --> 00:33:07,292 FOR THOSE REALLY SPECIAL FIGHTS. 1033 00:33:07,325 --> 00:33:08,393 >> MAKING HIS ENTRANCE TO THE 1034 00:33:08,426 --> 00:33:16,601 RING, THE MAN, GOLDBERG. 1035 00:33:16,636 --> 00:33:17,337 >> I THINK ALL OF THAT FELT SO 1036 00:33:17,370 --> 00:33:19,539 UNIQUE. 1037 00:33:19,573 --> 00:33:20,708 >> WHO'S NEXT? 1038 00:33:20,741 --> 00:33:22,008 >> ONCE THE CURTAIN OPENED, 1039 00:33:22,009 --> 00:33:22,843 YOU'D FEEL THE ELECTRICITY, AND 1040 00:33:22,877 --> 00:33:24,345 IT WAS TIME TO GO OUT AND DO MY 1041 00:33:24,379 --> 00:33:25,514 THING. 1042 00:33:25,547 --> 00:33:26,548 >> HE WASN'T PANDERING TO 1043 00:33:26,581 --> 00:33:27,783 ANYBODY. 1044 00:33:27,816 --> 00:33:28,717 HE WAS ON HIS WAY TO KICK YOUR 1045 00:33:28,750 --> 00:33:30,052 ASS. 1046 00:33:30,086 --> 00:33:31,019 >> YOU ALWAYS HOPE THAT YOUR 1047 00:33:31,020 --> 00:33:32,622 ENTRANCE WOULD MAKE THE BIGGEST 1048 00:33:32,655 --> 00:33:35,825 SPLASH HUMANLY POSSIBLE. 1049 00:33:35,859 --> 00:33:36,927 EVERY ONE OF YOU WILL BE LYING 1050 00:33:37,027 --> 00:33:38,195 IF YOU SAID YOU DIDN'T WANT TO 1051 00:33:38,228 --> 00:33:39,863 SEE IT. 1052 00:33:39,898 --> 00:33:49,174 [CROWD CHANTS "GOLDBERG"] 1053 00:33:49,209 --> 00:33:50,110 >> FEW 1054 00:33:50,143 --> 00:33:51,043 SUPERSTARS MATCHED THE LEVEL OF 1055 00:33:51,044 --> 00:33:52,145 INTENSITY AND INTIMIDATION THAN 1056 00:33:52,179 --> 00:33:53,714 THE MAN THEY CALL GOLDBERG, BUT 1057 00:33:53,748 --> 00:33:57,318 THERE WERE ONE TO SURPASS THEM 1058 00:33:57,352 --> 00:33:59,220 ALL IN TERMS OF INDUCING FEAR 1059 00:33:59,254 --> 00:34:01,757 AND BEING SO EPICLY EPIC, THE 1060 00:34:01,790 --> 00:34:04,159 KING MIGHT JUST BE THE ENTRANCE 1061 00:34:04,194 --> 00:34:06,996 FOR WWE'S LORD OF DARKNESS, THE 1062 00:34:06,997 --> 00:34:13,770 PHENOM, THE UNDERTAKER. 1063 00:34:13,805 --> 00:34:15,107 >> FROM DEATH VALLEY, I GIVE YOU 1064 00:34:15,140 --> 00:34:19,911 THE UNDERTAKER. 1065 00:34:20,013 --> 00:34:21,080 >> IT'S THE MOST AWE-INSPIRING 1066 00:34:21,114 --> 00:34:22,582 ENTRANCE. 1067 00:34:22,616 --> 00:34:23,884 IT WOULD GIVE YOU GOOSEBUMPS. 1068 00:34:23,917 --> 00:34:25,219 TO BE ABLE TO BE A PART OF IT 1069 00:34:25,252 --> 00:34:29,923 AND SEE IT LIVE WAS ABSOLUTELY 1070 00:34:30,025 --> 00:34:31,025 INCREDIBLE. 1071 00:34:31,026 --> 00:34:31,593 >> THE PHENOM. 1072 00:34:31,626 --> 00:34:33,028 >> THE PRINCE OF DARKNESS. 1073 00:34:33,062 --> 00:34:34,730 >> HE'S TRULY SUPERHUMAN. 1074 00:34:34,764 --> 00:34:36,132 >> THE UNDERTAKER'S ENTRANCE 1075 00:34:36,165 --> 00:34:39,034 ITSELF IS AN ATTRACTION. 1076 00:34:39,036 --> 00:34:40,370 I DON'T THINK THERE'S ANYBODY 1077 00:34:40,404 --> 00:34:42,539 ELSE THAT HAD JUST AN ENTRANCE 1078 00:34:42,573 --> 00:34:43,941 THAT STANDS ALONE SO WELL AS THE 1079 00:34:44,042 --> 00:34:50,348 UNDERTAKER. 1080 00:34:50,382 --> 00:34:52,084 [THE UNDERTAKER'S MUSIC PLAYS] 1081 00:34:52,118 --> 00:34:57,457 [CROWD CHEERS] 1082 00:34:57,491 --> 00:34:58,125 >> IF I HEARD 1083 00:34:58,159 --> 00:35:00,161 THAT GONG, I'D GET CHILLS. 1084 00:35:00,194 --> 00:35:01,262 IT'S TERRIFYING, BUT AT THE SAME 1085 00:35:01,296 --> 00:35:02,431 TIME, YOU'RE LOVING EVERY SECOND 1086 00:35:02,464 --> 00:35:05,334 OF BEING TERRIFIED. 1087 00:35:05,367 --> 00:35:07,169 >> WHEN YOU HEAR THAT DOM, 1088 00:35:07,203 --> 00:35:10,473 SOMEONE'S GETTING HURT. 1089 00:35:10,507 --> 00:35:13,077 >> IT IS A EERIE FEELING. 1090 00:35:13,110 --> 00:35:14,378 IT IS SOMETHING SPECIAL. 1091 00:35:14,411 --> 00:35:15,679 YOU SEE THIS ICONIC FIGURE 1092 00:35:15,714 --> 00:35:17,014 WALKING DOWN. 1093 00:35:17,015 --> 00:35:17,916 HE'S LARGER THAN LIFE, LITERALLY 1094 00:35:18,016 --> 00:35:19,284 AND FIGURATIVELY. 1095 00:35:19,317 --> 00:35:20,819 >> PLEASE FEAR THE REAPER. 1096 00:35:20,853 --> 00:35:23,522 THE PHENOM IS HERE. 1097 00:35:23,556 --> 00:35:24,690 >> THAT SLOW MOTION WALK THAT 1098 00:35:24,725 --> 00:35:27,728 ONLY HE CAN DO. 1099 00:35:27,761 --> 00:35:29,229 LIKE THAT, I FORGOT EVERY SINGLE 1100 00:35:29,262 --> 00:35:30,664 THING THAT I WANTED TO 1101 00:35:30,698 --> 00:35:32,200 ACCOMPLISH IN THAT MATCH. 1102 00:35:32,233 --> 00:35:34,102 >> IT BEING SO DEMONIC AND SO 1103 00:35:34,135 --> 00:35:37,372 CREEPY AND EERIE, AND PEOPLE 1104 00:35:37,406 --> 00:35:39,108 GETTING SO EXCITED ABOUT IT, 1105 00:35:39,141 --> 00:35:42,878 IT'S FANTASTIC. 1106 00:35:42,912 --> 00:35:44,447 >> HE IS THE ONE, HE IS THE 1107 00:35:44,482 --> 00:35:47,284 ONLY, HE IS THE UNDERTAKER. 1108 00:35:47,318 --> 00:35:48,919 LOOK AT THAT. 1109 00:35:48,954 --> 00:35:50,489 HE'S GOT TO DROP IN AND BEAT 1110 00:35:50,522 --> 00:35:51,623 SOMEBODY UP. 1111 00:35:51,657 --> 00:35:52,791 >> IT'S THE GREATEST ENTRANCE OF 1112 00:35:52,824 --> 00:35:53,959 ALL TIME. 1113 00:35:54,060 --> 00:35:55,628 I THINK FANS WOULD PAY BIG TIME 1114 00:35:55,662 --> 00:35:57,230 MONEY JUST TO SEE HIS ENTRANCE 1115 00:35:57,263 --> 00:35:59,432 ALONE. 1116 00:35:59,466 --> 00:36:01,000 >> EVERY SINGLE NIGHT WHEN THAT 1117 00:36:01,001 --> 00:36:03,437 MUSIC WOULD HIT, THERE WAS AN 1118 00:36:03,471 --> 00:36:09,009 ELEMENT OF MAGIC AT HAND. 1119 00:36:09,011 --> 00:36:12,515 >> THE DEAD MAN HAS RISEN. 1120 00:36:12,548 --> 00:36:14,317 >> YOU KNOW THAT AN ENTRANCE IS 1121 00:36:14,351 --> 00:36:17,154 GREAT IF YOU CAN HAVE IT FOR 30 1122 00:36:17,187 --> 00:36:24,026 YEARS, AND IT WORKS, AND PEOPLE 1123 00:36:24,029 --> 00:36:26,465 STILL GET EXCITED FOR IT. 1124 00:36:26,498 --> 00:36:27,700 >> PERSONALLY, I LIKE THE OLD 1125 00:36:27,734 --> 00:36:29,602 UNDERTAKER. 1126 00:36:29,636 --> 00:36:30,904 >> OH, MY GOD. 1127 00:36:30,937 --> 00:36:32,572 THAT IS A HEARSE. 1128 00:36:32,606 --> 00:36:34,075 >> MY FAVORITE, PERSONALLY, WAS 1129 00:36:34,108 --> 00:36:35,343 AROUND THE LORD OF DARKNESS, 1130 00:36:35,376 --> 00:36:37,545 MINISTRY OF DARKNESS ERA. 1131 00:36:37,579 --> 00:36:39,715 AH, IT WAS JUST SO CAPTIVATING. 1132 00:36:39,748 --> 00:36:41,550 >> MY FAVORITE ONE DEFINITELY 1133 00:36:41,583 --> 00:36:44,386 HAD TO BE THE ONE WITH DRUIDS AT 1134 00:36:44,420 --> 00:36:46,289 WRESTLEMANIA 14. 1135 00:36:46,322 --> 00:36:47,724 >> FOR A FEW MOMENTS, MY 1136 00:36:47,758 --> 00:36:50,894 DISBELIEF WAS SUSPENDED. 1137 00:36:50,928 --> 00:36:52,896 THAT'S HOW EMOTIONALLY POWERFUL 1138 00:36:52,931 --> 00:36:54,399 AND WELL-DONE THE UNDERTAKER'S 1139 00:36:54,432 --> 00:36:56,935 ENTRANCE IS. 1140 00:36:56,969 --> 00:36:58,704 [MUSIC] >> YOU HEAR THE ROAR OF 1141 00:36:58,738 --> 00:37:00,406 THAT CROWD AND THE LOVE THAT 1142 00:37:00,439 --> 00:37:02,308 THEY'RE THROWING OUT, I CAN'T 1143 00:37:02,342 --> 00:37:03,877 THINK OF A BETTER WAY TO SPEND 1144 00:37:03,910 --> 00:37:07,280 THE LAST 30+ YEARS OF MY LIFE 1145 00:37:07,315 --> 00:37:08,616 THAN GOING OUT THERE AND 1146 00:37:08,649 --> 00:37:10,318 PERFORMING FOR THE PEOPLE THAT 1147 00:37:10,351 --> 00:37:12,019 HAVE FOLLOWED ME ALL THESE 1148 00:37:12,021 --> 00:37:13,756 YEARS. 1149 00:37:13,789 --> 00:37:15,024 >> I DON'T THINK THERE'S ANY 1150 00:37:15,057 --> 00:37:16,025 DOUBT THAT IS THE MOST AWESOME 1151 00:37:16,059 --> 00:37:18,395 ENTRANCE OF ANY SUPERSTAR IN 1152 00:37:18,428 --> 00:37:20,330 HISTORY. 1153 00:37:20,363 --> 00:37:22,198 [GONG RINGS] 1154 00:37:22,233 --> 00:37:30,107 [MOTORCYCLE ENGINE REVS] 1155 00:37:30,143 --> 00:37:31,077 [MUSIC] 1156 00:37:31,110 --> 00:37:31,844 >> I HOPE YOU 1157 00:37:31,878 --> 00:37:32,779 ENJOYED OUR LOOK BACK AT THE 1158 00:37:32,812 --> 00:37:33,813 MOST AWESOME ENTRANCES IN WWE 1159 00:37:33,846 --> 00:37:34,947 HISTORY. 1160 00:37:35,049 --> 00:37:35,916 THESE AND SO MUCH MORE ARE 1161 00:37:35,949 --> 00:37:37,384 REMINDERS OF THE SUPERB 1162 00:37:37,418 --> 00:37:38,385 SPECTACLE YOU CAN ONLY GET IN 1163 00:37:38,419 --> 00:37:40,220 WWE. 1164 00:37:40,255 --> 00:37:41,923 I'M KINDA FUNNY'S GREG MILLER. 1165 00:37:41,956 --> 00:37:43,258 THIS HAS BEEN AWESOME, AND WE'LL 1166 00:37:43,291 --> 00:37:46,961 SEE YOU NEXT TIME. 1167 00:37:47,063 --> 00:37:49,265 ON THE NEXT THIS IS AWESOME, THE 1168 00:37:49,298 --> 00:37:50,566 MOST BADASS WOMEN IN WWE 1169 00:37:50,600 --> 00:37:52,402 HISTORY. 1170 00:37:52,436 --> 00:37:54,137 >> WELCOME TO THE BIG TIME. 1171 00:37:54,172 --> 00:37:56,808 >> THE 9TH WONDER OF THE WORLD 1172 00:37:56,841 --> 00:37:59,744 >> THE EST OF WWE. 1173 00:37:59,778 --> 00:38:00,879 >> SEE IF YOUR FAVORITE MAKES 1174 00:38:00,913 --> 00:38:04,016 THE CUT, ONLY ON THE NEXT WWE 1175 00:38:04,050 --> 00:38:06,152 THIS IS AWESOME. 1176 00:38:06,186 --> 00:38:08,021 [CHEERS] 1177 00:38:08,071 --> 00:38:12,621 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 74092

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