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[MUSIC]
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>> YOU KNOW THAT FEELING
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WE ALL GET WHEN WWE IS TOTALLY
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AWESOME?
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>> OH, YES.
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[CROWD CHEERS] >> THAT FEELING
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OF FUN, NOSTALGIA, THE MEMORIES
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THAT MADE YOU A LIFELONG FAN.
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LIKE A SUPERSTAR'S ENTRANCE.
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>> UNBELIEVABLE.
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WHAT A RIDE.
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>> THE ICONIC MUSIC.
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[GLASS SHATTERS] >> AND THAT
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SIGNATURE SWAGGER THAT COMES
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ALONG WITH IT.
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>> HE'S AS DEADLY AS THEY COME,
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THE CEREBRAL ASSASSIN.
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>> THESE ARE THE MOMENTS THAT
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DEFINED US AS A UNIVERSE.
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>> WOLFPAC IN THE- [CROWD
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SCREAMS "HOUSE."]
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>> AND BROUGHT
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US TO OUR FEET.
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>> THIS IS HOW YOU MAKE AN
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ENTRANCE.
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>> TO CHANT IN UNISON.
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THIS IS AWESOME.
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[CROWD CHANTS "THIS IS
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AWESOME."]
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[APPLAUSE]
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WELCOME, EVERYONE TO THIS IS
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AWESOME, THE ONLY SHOW THAT
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DIVES INTO THE MOST AWESOME
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EVERYTHING THEN, NOW, AND
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FOREVER.
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I'M YOUR HOST, GREG MILLER,
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@GAMEOVERGREGGY, AND SOMETIMES,
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I MOONLIGHT AS SHIRTLESS
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SPIDERMAN'S PHOTOGRAPHER.
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IF YOU WANT TO SEE A FUTURE
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EPISODE WITH SHIRTLESS
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SPIDERMAN, USE THE HASHTAG
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SHIRTLESSGREG.
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THE POWERS THAT BE WILL HAVE TO
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DO IT.
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THEY CAN'T STOP IT.
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THEY CAN STOP IT?
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DOESN'T MATTER.
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USE THE HASHTAG.
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WELL, I WANT TO START OFF THIS
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EPISODE BY SAYING THERE'S
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NOTHING QUITE LIKE BEING IN THE
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LIVE AUDIENCE.
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I WAS AT THIS PAST SUMMERSLAM
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AND, DAMN, IT WAS SUCH A GOOD
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TIME.
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THE SHEER SPECTACLE, FROM THE
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KILLER MATCHES TO ONE OF MY
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FAVORITE PARTS OF THE WWE, THE
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ABSOLUTELY AWESOME SUPERSTAR
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ENTRANCES.
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THIS IS AWESOME.
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[MUSIC]
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>> THE PRESENTATION OF A
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WWE SUPERSTAR GOING TO THE RING
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IS EVERYTHING.
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>> IT'S LITERALLY THE FIRST
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THING THAT PEOPLE ARE GOING TO
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JUDGE YOU ON.
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>> IT'S ABOUT TO BECOME REALITY.
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>> THE ENTRANCE IS EVERYTHING.
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[CROWD CHEERS]
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[STEVE AUSTIN'S MUSIC PLAYS]
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>> STONE COLD.
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STONE COLD.
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>> JOHN CENA IS HERE.
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>> IT'S LIKE IN A CONCERT.
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THE BAND STRIKES THE FIRST
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CHORD.
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[ELECTRIC GUITAR PLAYING] >> THE
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PEOPLE SEE IT.
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"AH, YES."
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>> THE ROOM ABOUT TO EXPLODE
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HERE.
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>> THE VISUALS, SEEING THESE
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PYRO AND THESE CUPS FLYING
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EVERYWHERE.
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>> THE DUDLEYS HAD THE MISSILES
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COMING DOWN.
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RAY HAS THE POP-UP ELEVATOR.
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[EXPLOSION] >> BATISTA HAS THE
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MACHINE GUN PYRO [FIREWORK
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SOUNDS]
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>> I LIKE ALL THE PYRO.
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>> BOOM.
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>> WITH MY ENTRANCE, LOTS OF
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CROWD PARTICIPATION.
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WHAT'S UP?
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[CROWD CHANTS "WHAT'S UP?"]
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WHEN YOU SEE A SUPERSTAR
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ACKNOWLEDGING THE PEOPLE THAT
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ARE THERE TO SEE THEM.
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>> THANK YOU, BRETT.
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>> THAT CAN BE THEIR MOST
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SPECIAL WWE MOMENT.
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>> I LOVE YOU.
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I LOVE YOU.
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>> WHEN YOU BUILD THAT
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CONNECTION WITH THE AUDIENCE, I
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THINK IT'S SUPER IMPORTANT JUST
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BECAUSE THAT'S HOW YOU GET THAT
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MEGASTAR FEELING, AND JUST HAVE
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EVERYBODY INVOLVED IN WHAT'S
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GOING ON.
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[SETH ROLLINS' MUSIC PLAYS]
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BEST ENTRANCE.
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>> MACHO MAN RANDY SAVAGE, HE
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WOULD COME OUT LIKE HE WAS JUST
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SHOWING THE WORLD WHO HE WAS.
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>> BIANCA.
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I LOVE THE HAIR SWING.
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I LOVE THE WHIP NOISE.
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>> I WOULD PROBABLY SAY-
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>> THAT
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THE PLACE WOULD BE QUIET AND ALL
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OF A SUDDEN, "CAN YOU SMELL?"
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[THE ROCK'S MUSIC PLAYS]
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EVERYBODY STILL DOING RIKISHI,
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TOO COOL DANCE.
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>> TOO COOL AND RIKISHI BUSTING
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THEIR MOVES.
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>> AH, IT'S DIFFICULT.
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>> HEY, THAT'S WHAT I CALL
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MAKING AN INTEREST.
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>> OH, MY GOD.
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OH, MY GOD.
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THIS IS ABSOLUTELY INCREDIBLE.
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>> MUSIC IS AN ESSENTIAL PART OF
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WWE.
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>> THERE'S JUST SOMETHING
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SPECIAL ABOUT A LIVE
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PERFORMANCE.
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[RANDY ORTON'S MUSIC PLAYS]
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YOU GET CHILLS.
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THIS IS SO COOL.
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THIS IS SO ELECTRIC.
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[RONDA ROUSEY'S MUSIC PLAYS]
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I DON'T KNOW IF I CAN PICK, I'LL
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BE HONEST.
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>> I'M RIGHT THERE WITH YOU,
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WOODS.
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I CAN'T PICK EITHER, BUT I SURE
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AS HELL CAN NARROW IT DOWN.
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ONE OF MY FAVES IS PROBABLY
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GOING TO BE ONE OF YOUR FAVES
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TOO.
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GRAB A BROKEN SKULL IPA, MY
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PEOPLE AND ENJOY.
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[STEVE AUSTIN'S MUSIC PLAYS]
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WHEN YOU HEAR THE GLASS SHATTER,
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YOU GET HYPED.
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IT'S DEFINITELY AN ICONIC SOUND.
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>> WHEN YOU HEAR THAT GLASS
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BREAKING, THAT WAS IT.
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THE HAIR ON THE BACK OF YOUR
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NECK WOULD STAND UP.
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>> WHEN YOU HEAR THAT GLASS
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SHATTER, THE PLACE ERUPTS.
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IT'S LIKE, "SAY NO MORE.
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HOLD MY BEER."
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IT'S INCREDIBLE.
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>> NO CHAMPION HAS EVER ENTERED
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MADISON SQUARE GARDEN WITH THAT
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KIND OF OVATION.
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I LITERALLY FELT THIS BUILDING
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SHAKE.
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>> AS SOON THAT GLASS BREAKS,
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IT'S AN INSTANT HIGH.
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IT'S LIKE, "I'M ALREADY AT 11,
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AND SOMEONE JUST TURNS ME UP TO
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101 AND THAT'S WHAT IT DOES FOR
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ME EVERY SINGLE TIME."
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[MUSIC]
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>> WHEN AUSTIN WOULD
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RAISE HIS HANDS AND YOU SEE THE
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WHOLE CROWD RAISE THEM AT THE
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SAME TIME, THAT FAN INTERACTION
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AND THAT FEEL.
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>> HE JUST COMES OUT AND HE'S
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FEELING THE PEOPLE, AND THEY'RE
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FEELING HIM, MAN.
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IT'S JUST THAT CONNECTION YOU
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GET.
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>> HIS IDEA IS TO MAKE SURE THAT
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EVERYBODY IN THAT ARENA KNOWS
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THAT HE'S THERE.
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THAT'S WHY HE GOES TO ALL THOSE
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FOUR CORNERS, WHICH ITSELF IS
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KIND OF ICONIC BECAUSE I DON'T
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THINK ANYONE ELSE DOES THAT
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ANYMORE.
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>> IT'S A SYNERGY TYPE THING.
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THE MUSIC IS BADASS BY ITSELF,
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IT JUST HAPPENS TO BE PAIRED
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PERFECTLY WITH THE CHARACTER OF
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STONE COLD.
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>> HE COMES OUT WITH ALL HIS
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CHARISMA AND ALL HIS CONFIDENCE
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AND STYLE.
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HE GRABS THE BEERS AND YOU KNOW,
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CLANKS SOME, SKULLS THEM.
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>> DOES ANYBODY HAVE A COLD BEER
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FOR STEVE AUSTIN?
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[CROWD CHEERS] >> HE'S GOT THAT
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SUPERSTAR AURA AROUND HIM, AND
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YOU CAN FEEL IT EXUDING THROUGH
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THE AUDIENCE.
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>> OH, WAIT A MINUTE, LOOK AT
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THAT.
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[CROWD CHEERS]
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[MUSIC]
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>> AS
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STONE COLD STEVE AUSTIN'S
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POPULARITY GREW TO ENORMOUS
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HEIGHTS, SO TOO DID HIS
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ENTRANCES.
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[STEVE AUSTIN'S MUSIC PLAYS]
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WHAT?
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>> AUSTIN IS IN A BEER TRUCK.
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>> LOOK OUT.
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>> AUSTIN DRIVES A BEER TRUCK.
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>> HE WAS SO RELATABLE AND HAD
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AN INTENSITY THAT JUST BROUGHT
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EVERYBODY UP.
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[STEVE AUSTIN'S MUSIC PLAYS]
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STONE COLD IS HERE.
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HE'S HERE.
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>> STONE COLD'S ENTRANCE, IT WAS
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SO LOUD.
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MY GOD, THERE WAS JUST ENERGY IN
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THE AIR, MAN.
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>> THERE'S NEVER BEEN A MORE
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EXPLOSIVE OR BIGGER PERSONALITY
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TO WALK THROUGH THE CURTAIN THAN
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STONE COLD STEVE AUSTIN.
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AT WRESTLEMANIA 38, AFTER 19
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YEARS, THE TEXAS RATTLESNAKE GOT
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A CHANCE TO OPEN UP ONE LAST CAN
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OF WHOOP ASS.
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[STEVE AUSTIN'S MUSIC PLAYS]
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[CROWD CHEERS]
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>> ENTRANCE IN
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WRESTLEMANIA 38 HAS GOT TO GO ON
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THE ALL-TIME LIST.
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THE FACT THAT THE PEOPLE STILL
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REMEMBERED ME AT THE LEVEL THEY
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DID, IT FELT AWESOME.
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[MUSIC]
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>> I STILL GET
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GOOSEBUMPS EVERY TIME I HEAR
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THAT GLASS SHATTER.
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CHEERS TO STONE COLD.
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THERE'S NOBODY QUITE LIKE HIM.
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LET'S MOVE ON FROM SKULLS TO
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00:08:51,768 --> 00:08:54,203
CEREBRAL ASSASSINS.
266
00:08:54,238 --> 00:08:56,940
IT'S TIME TO PLAY THE GAME.
267
00:08:56,974 --> 00:09:01,812
[LAUGHS]
268
00:09:01,846 --> 00:09:03,181
[MUSIC] >> THE 14-TIME
269
00:09:03,214 --> 00:09:05,317
WWE CHAMPION, TRIPLE H.
270
00:09:05,351 --> 00:09:06,552
>> TRIPLE H IS A WIZARD WHEN IT
271
00:09:06,652 --> 00:09:08,653
COMES TO ENTRANCES.
272
00:09:08,655 --> 00:09:10,023
>> THIS IS AS LOUD AS ANY
273
00:09:10,057 --> 00:09:11,657
SUSTAINED ROAR I HAVE EVER
274
00:09:11,658 --> 00:09:13,493
HEARD.
275
00:09:13,528 --> 00:09:14,495
>> LIKE UNDERTAKER, THEY JUST
276
00:09:14,529 --> 00:09:15,697
GET IT.
277
00:09:15,730 --> 00:09:16,864
THEY SEE SOMETHING THAT MOST
278
00:09:16,898 --> 00:09:17,999
DON'T, ESPECIALLY WHEN IT COMES
279
00:09:18,032 --> 00:09:19,467
TO ENTRANCES AND HOW TO PRESENT
280
00:09:19,501 --> 00:09:22,471
THEMSELVES TO THE AUDIENCE.
281
00:09:22,504 --> 00:09:24,873
>> ARE YOU READY?
282
00:09:24,908 --> 00:09:26,675
>> FOR THE THOUSANDS IN
283
00:09:26,676 --> 00:09:28,445
ATTENDANCE, FOR THE MILLIONS
284
00:09:28,479 --> 00:09:31,849
WATCHING AT HOME.
285
00:09:31,882 --> 00:09:33,417
[D-GENERATION X'S MUSIC PLAYS]
286
00:09:33,452 --> 00:09:35,120
>> THEIR DX ENTRANCES WITH THE
287
00:09:35,153 --> 00:09:37,189
GREEN, THE PYRO GOING SIDE TO
288
00:09:37,222 --> 00:09:38,790
SIDE MAKING THAT X.
289
00:09:38,825 --> 00:09:40,059
IT WAS ALL ABOUT FEEL AND
290
00:09:40,093 --> 00:09:42,362
ATTITUDE.
291
00:09:42,396 --> 00:09:43,530
>> I FEEL LIKE EVERY KID AT THAT
292
00:09:43,564 --> 00:09:46,433
TIME WAS INTO D-GENERATION X AND
293
00:09:46,467 --> 00:09:49,770
THE MUSIC AND THE HAND SYMBOL.
294
00:09:49,804 --> 00:09:53,475
>> ARE YOU READY?
295
00:09:53,509 --> 00:09:58,814
[CROWD CHEERS]
296
00:09:58,849 --> 00:09:59,916
>> I'M GOING TO
297
00:09:59,950 --> 00:10:00,951
TELL YOU ONE OF MY FAVORITE
298
00:10:00,984 --> 00:10:02,185
ENTRANCES EVER.
299
00:10:02,220 --> 00:10:03,287
MAN, WHEN HE GOT LEMMY TO DO
300
00:10:03,321 --> 00:10:04,656
THAT, "IT'S TIME TO PLAY THE
301
00:10:04,689 --> 00:10:05,456
GAME."
302
00:10:05,490 --> 00:10:09,027
[MUSIC]
303
00:10:09,061 --> 00:10:09,728
>> IT'S TIME TO PLAY THE
304
00:10:09,762 --> 00:10:11,063
GAME.
305
00:10:11,096 --> 00:10:12,865
>> I GET GOOSEBUMPS THINKING
306
00:10:12,899 --> 00:10:13,900
ABOUT IT THE FIRST TIME I HEARD
307
00:10:13,933 --> 00:10:14,634
THAT.
308
00:10:14,668 --> 00:10:15,402
>> YES, THERE'S ONLY ONE
309
00:10:15,435 --> 00:10:16,970
SUPERSTAR GREAT ENOUGH TO HAVE
310
00:10:17,004 --> 00:10:19,407
THE WORLD-FAMOUS BAND MOTÖRHEAD
311
00:10:19,440 --> 00:10:20,741
PLAY YOUR ENTRANCE MUSIC AS YOU
312
00:10:20,775 --> 00:10:21,942
COME TO THE RING FOR THE WORLD
313
00:10:21,977 --> 00:10:23,011
CHAMPIONSHIP AND THAT'S THE
314
00:10:23,045 --> 00:10:24,846
GAME.
315
00:10:24,880 --> 00:10:30,686
[TRIPLE H'S MUSIC PLAYS]
316
00:10:30,721 --> 00:10:31,955
ABSOLUTELY PERFECT FIT FOR WHAT
317
00:10:31,989 --> 00:10:34,058
HE WAS DOING.
318
00:10:34,091 --> 00:10:35,092
IT'S A BIG-TIME BAND.
319
00:10:35,125 --> 00:10:36,360
WE ALL WANT THAT.
320
00:10:36,394 --> 00:10:37,595
IT DON'T GET NO BETTER THAN
321
00:10:37,629 --> 00:10:40,465
THAT.
322
00:10:40,499 --> 00:10:41,967
>> THAT WAS EMBODYING THE
323
00:10:42,001 --> 00:10:44,537
ATTITUDE, THE PERSONA, AND IT
324
00:10:44,570 --> 00:10:46,772
REALLY HELPED YOU FEEL THIS
325
00:10:46,807 --> 00:10:49,643
INTENSITY BECAUSE OF THE MUSIC.
326
00:10:49,676 --> 00:10:51,611
>> HE'S AS DEADLY AS THEY COME,
327
00:10:51,646 --> 00:10:53,781
THE CEREBRAL ASSASSIN.
328
00:10:53,815 --> 00:10:55,049
>> I THINK IT WAS PART OF THE
329
00:10:55,084 --> 00:10:56,452
PERFORMANCE, PART OF THE
330
00:10:56,485 --> 00:10:58,821
COMPETITION.
331
00:10:58,854 --> 00:10:59,822
>> TRIPLE H'S ENTRANCE IS
332
00:10:59,856 --> 00:11:01,024
FANTASTIC.
333
00:11:01,057 --> 00:11:02,125
THE WAY THAT HE CAME OUT, IT WAS
334
00:11:02,158 --> 00:11:04,461
CAPTIVATING.
335
00:11:04,495 --> 00:11:06,330
>> THE FANS KNEW EXACTLY WHEN HE
336
00:11:06,364 --> 00:11:08,099
WAS DOING SOMETHING AND THEY
337
00:11:08,132 --> 00:11:11,902
KNEW WHEN TO REACT.
338
00:11:11,937 --> 00:11:13,205
>> HE LEANS BACK AND JUST DOES
339
00:11:13,238 --> 00:11:15,740
LIKE A POOF.
340
00:11:15,742 --> 00:11:16,476
NO ONE SPITS WATER OUT LIKE
341
00:11:16,509 --> 00:11:18,945
TRIPLE H.
342
00:11:18,979 --> 00:11:19,947
>> SOMETIMES, IT IS THE SIMPLE
343
00:11:19,980 --> 00:11:22,750
THINGS LIKE SPITTING WATER THAT
344
00:11:22,783 --> 00:11:25,285
PEOPLE REMEMBER.
345
00:11:25,320 --> 00:11:26,921
>> HE HAS THE DOPEST ENTRANCE.
346
00:11:26,955 --> 00:11:28,189
IT DRAWS YOU IN.
347
00:11:28,223 --> 00:11:29,257
YOU ATTACH TO IT FROM THE
348
00:11:29,291 --> 00:11:30,226
BEGINNING.
349
00:11:30,259 --> 00:11:31,327
PEOPLE ARE SEEING THAT.
350
00:11:31,360 --> 00:11:32,461
THEY'RE GETTING INVOLVED WITH
351
00:11:32,495 --> 00:11:33,763
IT.
352
00:11:33,797 --> 00:11:35,065
THEY'RE GETTING EMOTIONALLY
353
00:11:35,098 --> 00:11:35,999
INVESTED IN IT.
354
00:11:36,033 --> 00:11:37,034
IT ADDS EVERYTHING TO IT.
355
00:11:37,067 --> 00:11:40,137
IT ADDS THAT SPICE.
356
00:11:40,171 --> 00:11:41,005
>> THE KING OF KINGS IS HERE.
357
00:11:41,039 --> 00:11:42,607
>> HE JUST HAS SO MANY DIFFERENT
358
00:11:42,640 --> 00:11:43,975
ENTRANCES THAT COULD STAND TO
359
00:11:44,009 --> 00:11:47,312
THE TEST OF TIME IN ANY ERA.
360
00:11:47,346 --> 00:11:48,614
THE KING OF ALL KINGS, SO THE
361
00:11:48,648 --> 00:11:49,649
KING OF ALL KINGS ALWAYS HAS THE
362
00:11:49,683 --> 00:11:51,818
KING OF ALL KING'S ENTRANCES.
363
00:11:51,851 --> 00:11:52,819
>> I REALLY DON'T THINK THERE'S
364
00:11:52,853 --> 00:11:54,088
ANYONE THAT COMES TO RING WITH
365
00:11:54,121 --> 00:11:58,292
MORE INTENSITY THAN THE GAME.
366
00:11:58,326 --> 00:12:00,228
>> BEHOLD THE KING, THE KING OF
367
00:12:00,262 --> 00:12:07,069
KINGS.
368
00:12:07,104 --> 00:12:08,372
>> ALL HAIL TRIPLE H.
369
00:12:08,405 --> 00:12:10,007
ALL HAIL THE KING.
370
00:12:10,040 --> 00:12:11,942
THE KING OF ALL THINGS SEXY,
371
00:12:11,976 --> 00:12:13,778
THAT TITLE BELONGS TO ANOTHER
372
00:12:13,812 --> 00:12:16,747
WWE SUPERSTAR, THE HEARTBREAK
373
00:12:16,749 --> 00:12:18,851
KID'S ENTRANCE SENT CHILLS UP
374
00:12:18,884 --> 00:12:20,052
AND DOWN THE SPINE OF EVERYBODY
375
00:12:20,086 --> 00:12:21,387
IN THE CROWD AND HAD THE WWE
376
00:12:21,421 --> 00:12:25,926
UNIVERSE SWOON.
377
00:12:25,959 --> 00:12:27,527
>> I WILL GIVE YOU A SHOW LIKE
378
00:12:27,562 --> 00:12:28,963
YOU HAVE NEVER, EVER SEEN
379
00:12:28,996 --> 00:12:30,331
BEFORE.
380
00:12:30,365 --> 00:12:31,765
WHY?
381
00:12:31,767 --> 00:12:33,402
BECAUSE I CAN.
382
00:12:33,435 --> 00:12:34,403
[MUSIC] >> SHAWN MICHAELS, ONE
383
00:12:34,436 --> 00:12:35,770
OF THE BEST EXAMPLES OF
384
00:12:35,771 --> 00:12:39,141
SUPERSTAR ENTRANCE.
385
00:12:39,175 --> 00:12:40,944
>> SHAWN, AT LEAST AT THAT TIME,
386
00:12:40,978 --> 00:12:42,246
STRUCK ME AS A GUY WHO THOUGHT
387
00:12:42,279 --> 00:12:46,450
VERY HIGHLY OF HIMSELF.
388
00:12:46,485 --> 00:12:48,587
>> KNEW HE WAS HOT --.
389
00:12:48,620 --> 00:12:49,788
FELT THE ENERGY OF THE ROOM,
390
00:12:49,821 --> 00:12:52,524
CAPTIVATED AN AUDIENCE.
391
00:12:52,558 --> 00:12:53,793
>> HE KNEW HOW TO WORK IT, AND
392
00:12:53,826 --> 00:12:55,695
THE WOMEN LOVED IT.
393
00:12:55,796 --> 00:12:57,264
THE MEN HATED IT.
394
00:12:57,297 --> 00:12:58,232
>> I DON'T KNOW IF THERE'S EVER
395
00:12:58,265 --> 00:12:59,500
BEEN ANYONE IN THIS INDUSTRY
396
00:12:59,533 --> 00:13:01,268
THAT'S HAD MORE CHARISMA THAN
397
00:13:01,302 --> 00:13:03,171
THAT MAN.
398
00:13:03,204 --> 00:13:04,105
>> HE'D COME OUT HE'D DO HIS
399
00:13:04,139 --> 00:13:05,807
LITTLE STRUT.
400
00:13:05,841 --> 00:13:10,546
>> YES, [INDISTINCT]
401
00:13:10,580 --> 00:13:11,515
>> THE OLD
402
00:13:11,548 --> 00:13:12,549
SQUAT DOWN, HBK POSE, SHOW THEM
403
00:13:12,582 --> 00:13:13,483
THE BICEPS.
404
00:13:13,517 --> 00:13:14,451
>> THE BEST THING ABOUT A
405
00:13:14,485 --> 00:13:15,920
SUPERSTAR THEME IS THAT IT'S
406
00:13:15,953 --> 00:13:18,389
CATCHY, SOMETHING THAT YOU
407
00:13:18,423 --> 00:13:21,492
ALMOST CAN RECITE THE LYRICS,
408
00:13:21,527 --> 00:13:24,363
AND HBK IS A PRIME EXAMPLE.
409
00:13:24,397 --> 00:13:25,398
>> YOU'RE GOING TO MAKE ME SING
410
00:13:25,432 --> 00:13:26,599
IT.
411
00:13:26,633 --> 00:13:27,766
>> WE SURE ARE.
412
00:13:27,767 --> 00:13:29,135
HIT IT.
413
00:13:29,170 --> 00:13:30,971
[SHAWN MICHAELS' MUSIC PLAYS]
414
00:13:31,005 --> 00:13:31,806
OH, SHAWN.
415
00:13:31,839 --> 00:13:33,541
>> I THINK I'M CUTE
416
00:13:33,574 --> 00:13:34,241
>> I KNOW
417
00:13:34,276 --> 00:13:35,644
I'M SEXY
418
00:13:35,677 --> 00:13:37,846
>> I'VE GOT THE LOOKS.
419
00:13:37,879 --> 00:13:39,948
THAT DRIVES THE GIRLS WILD
420
00:13:39,982 --> 00:13:42,985
I'VE GOT THE MOVES
421
00:13:43,019 --> 00:13:43,953
>> THAT
422
00:13:43,987 --> 00:13:46,957
REALLY MOVE THEM
423
00:13:46,990 --> 00:13:47,790
>> I SEND
424
00:13:47,791 --> 00:13:48,692
CHILLS.
425
00:13:48,793 --> 00:13:49,794
UP AND DOWN THEIR SPINES.
426
00:13:49,828 --> 00:13:50,361
>> I'M JUST A SEXY BOY.
427
00:13:50,395 --> 00:13:52,063
(SEXY BOY)
428
00:13:52,097 --> 00:13:53,064
>> I'M NOT YOUR BOY
429
00:13:53,099 --> 00:13:53,798
TOY.
430
00:13:53,799 --> 00:13:55,800
(BOY TOY)
431
00:13:55,801 --> 00:13:56,969
>> I'M JUST A SEXY
432
00:13:57,002 --> 00:13:57,870
BOY.
433
00:13:57,904 --> 00:14:00,307
(SEXY BOY)
434
00:14:00,340 --> 00:14:01,575
>> I'M NOT YOUR BOY
435
00:14:01,608 --> 00:14:02,609
TOY.
436
00:14:02,643 --> 00:14:04,245
(BOY TOY)
437
00:14:04,278 --> 00:14:04,846
>> WE DIDN'T HAVE ANY
438
00:14:04,879 --> 00:14:06,047
GIRL SINGERS AT THAT TIME.
439
00:14:06,080 --> 00:14:06,814
I DIDN'T HAVE ENOUGH TIME TO GET
440
00:14:06,848 --> 00:14:07,949
THEM IN, SO THAT'S ME ON THE
441
00:14:07,983 --> 00:14:09,418
BACKUP VOCALS GOING SEXY BOY, SO
442
00:14:09,451 --> 00:14:11,553
I DOUBLED MY VOICE ABOUT FIVE
443
00:14:11,587 --> 00:14:13,655
TIMES.
444
00:14:13,757 --> 00:14:15,091
ONCE WE PUT ECHO, REVERB ON IT,
445
00:14:15,125 --> 00:14:16,192
IT SOUNDS LIKE SOME GIRLS
446
00:14:16,226 --> 00:14:17,060
SINGING IT.
447
00:14:17,094 --> 00:14:19,063
IT WORKED OUT PRETTY GOOD.
448
00:14:19,096 --> 00:14:21,599
>> SEXY BOY.
449
00:14:21,632 --> 00:14:22,933
>> YEARS LATER, WE HEAR THE
450
00:14:22,968 --> 00:14:24,136
SONG, WE KNOW IT'S SHAWN
451
00:14:24,169 --> 00:14:25,504
MICHAELS.
452
00:14:25,537 --> 00:14:26,405
IT'S PROBABLY ONE OF THE TOP
453
00:14:26,438 --> 00:14:29,041
CLASSIC SONGS IN THE INDUSTRY.
454
00:14:29,075 --> 00:14:30,209
>> THE ENERGY THAT HE BRINGS
455
00:14:30,243 --> 00:14:31,978
WITH THAT LOOK, THE FLASHY
456
00:14:32,012 --> 00:14:34,381
OUTFIT.
457
00:14:34,415 --> 00:14:36,483
EVERYTHING ABOUT IT WAS HITTING
458
00:14:36,518 --> 00:14:39,354
ON ALL CYLINDERS WITH HIM.
459
00:14:39,387 --> 00:14:43,558
>> UNBELIEVABLE, WHAT A RIDE?
460
00:14:43,592 --> 00:14:45,027
>> AS THEY SAY, IF YOU'RE GOING
461
00:14:45,061 --> 00:14:46,929
TO TALK THE TRASH, YOU GOT TO BE
462
00:14:46,963 --> 00:14:48,999
ABLE TO STRUT THE STUFF.
463
00:14:49,032 --> 00:14:50,300
>> WHEN YOU GET ENTRANCE MUSIC
464
00:14:50,333 --> 00:14:51,468
LIKE THAT, THAT'S SO
465
00:14:51,502 --> 00:14:52,904
CAPTIVATING, IT DRAWS MORE EYES,
466
00:14:52,937 --> 00:14:55,173
IT MAKES YOU PAY MORE ATTENTION,
467
00:14:55,206 --> 00:14:57,041
AND IT JUST GETS YOU OFF YOUR
468
00:14:57,076 --> 00:14:58,810
SEAT A LITTLE MORE.
469
00:14:58,811 --> 00:15:00,646
>> THERE'S ONLY ONE HEARTBREAK
470
00:15:00,747 --> 00:15:09,989
KID, SHAWN MICHAELS.
471
00:15:10,024 --> 00:15:10,925
>> YOU GOT TO GIVE IT TO HBK.
472
00:15:10,959 --> 00:15:12,828
HIS SEXY SAUNTER TO THE RING
473
00:15:12,861 --> 00:15:14,262
CAPTIVATED WOMEN AND MEN ALIKE,
474
00:15:14,296 --> 00:15:16,932
BUT IT'S TIME TO TALK ABOUT A
475
00:15:16,966 --> 00:15:19,802
QUEEN, DON'T YOU THINK?
476
00:15:19,837 --> 00:15:21,004
[CHARLOTTE FLAIR'S MUSIC PLAYS]
477
00:15:21,038 --> 00:15:23,773
>> FROM THE QUEEN CITY,
478
00:15:23,774 --> 00:15:30,180
CHARLOTTE FLAIR.
479
00:15:30,216 --> 00:15:32,017
>> I THINK CHARLOTTE IS
480
00:15:32,051 --> 00:15:34,220
QUINTESSENTIAL SUPERSTAR.
481
00:15:34,254 --> 00:15:35,789
>> TRULY A MAGNIFICENT SIGHT, AN
482
00:15:35,822 --> 00:15:39,693
ENTRANCE FIT FOR A QUEEN.
483
00:15:39,794 --> 00:15:40,794
>> SHE LOOKS VERY REGAL.
484
00:15:40,795 --> 00:15:41,829
SHE LOOKS VERY POISED, VERY
485
00:15:41,863 --> 00:15:46,334
QUEEN ENERGY
486
00:15:46,368 --> 00:15:47,269
>> BOW DOWN TO THE
487
00:15:47,302 --> 00:15:48,303
QUEEN.
488
00:15:48,337 --> 00:15:51,306
>> CHARLOTTE IS PROBABLY THE
489
00:15:51,341 --> 00:15:52,909
REAL DEFINITION OF A QUEEN.
490
00:15:52,942 --> 00:15:53,910
>> CHARLOTTE'S ENTRANCES ARE
491
00:15:53,944 --> 00:15:55,279
DISTINGUISHED BY HER SHIMMERING
492
00:15:55,312 --> 00:15:56,580
AND FLOWING ROBES.
493
00:15:56,614 --> 00:15:57,982
PUTTING THE 13-TIME WORLD
494
00:15:58,015 --> 00:16:00,017
CHAMPION IN A LEAGUE OF HER OWN.
495
00:16:00,051 --> 00:16:01,520
>> SHE'LL BE THE CHAMPION UNTIL
496
00:16:01,553 --> 00:16:04,956
SHE DECIDES TO HANG HER ROBE UP.
497
00:16:04,991 --> 00:16:09,862
[MUSIC]
498
00:16:09,897 --> 00:16:10,964
>> AT THE BEGINNING, IT
499
00:16:10,998 --> 00:16:11,999
WAS JUST TRIAL AND ERROR, LIKE
500
00:16:12,032 --> 00:16:12,966
WRESTLEMANIA 32, DALLAS TEXAS,
501
00:16:13,001 --> 00:16:14,335
AT&T STADIUM WAS MY FIRST ROBE.
502
00:16:14,369 --> 00:16:15,370
I WAS GOING TO DO IT.
503
00:16:15,403 --> 00:16:16,604
>> THAT ROBE IS MADE WITH ACTUAL
504
00:16:16,638 --> 00:16:18,673
PIECES OF THE ROBE THAT HER
505
00:16:18,774 --> 00:16:20,443
FATHER RIC FLAIR WORE AT
506
00:16:20,476 --> 00:16:24,046
WRESTLEMANIA 24.
507
00:16:24,081 --> 00:16:25,549
THAT'S WHAT A CHAMPION LOOKS
508
00:16:25,582 --> 00:16:27,350
LIKE.
509
00:16:27,385 --> 00:16:28,653
>> I STARTED TO COSPLAY A LITTLE
510
00:16:28,686 --> 00:16:29,654
BIT.
511
00:16:29,687 --> 00:16:31,122
I CAME OUT WITH A CRUELLA DE VIL
512
00:16:31,155 --> 00:16:34,358
ROBE, A POISON IVY ROBE, A VENOM
513
00:16:34,393 --> 00:16:36,328
ROBE.
514
00:16:36,361 --> 00:16:38,130
>> SHE IS A WICKED QUEEN AND
515
00:16:38,164 --> 00:16:40,633
LONG MAY SHE REIGN.
516
00:16:40,667 --> 00:16:42,836
>> I WAS JUST TRYING TO EVOLVE.
517
00:16:42,870 --> 00:16:44,205
THAT JUST WAS MY TRAIN OF
518
00:16:44,238 --> 00:16:45,706
THOUGHT.
519
00:16:45,806 --> 00:16:46,874
LIKE, "HOW DO I SWITCH THEM UP?
520
00:16:46,908 --> 00:16:48,276
HOW DO I TAKE THE FLARE OUT OF
521
00:16:48,310 --> 00:16:49,711
THEM LIKE MY DAD'S AND MAKE THEM
522
00:16:49,811 --> 00:16:51,279
MY OWN?"
523
00:16:51,314 --> 00:16:53,815
>> IT REMINDS THE FANS OF HER
524
00:16:53,816 --> 00:16:55,817
FATHER'S LEGACY AND INTERTWINES
525
00:16:55,818 --> 00:16:59,021
IT WITH HER OWN PATH.
526
00:16:59,056 --> 00:17:00,524
>> RIC FLAIR DIDN'T MAKE THIS
527
00:17:00,557 --> 00:17:04,795
KIND OF ENTRANCE, COLE.
528
00:17:04,829 --> 00:17:05,997
>> SHE SURE IS GOOD AT MAKING A
529
00:17:06,031 --> 00:17:10,069
BIG ENTRANCE.
530
00:17:10,102 --> 00:17:11,270
>> AND WHEN THIS WOMAN WALKS
531
00:17:11,304 --> 00:17:13,773
DOWN THE AISLE, THERE SHOULD BE
532
00:17:13,774 --> 00:17:17,444
AND ALWAYS ARE FIREWORKS.
533
00:17:17,478 --> 00:17:19,947
>> PYRO, LIGHTS, THE GRAPHICS,
534
00:17:19,981 --> 00:17:21,115
IT ALL PLAYS A HUGE PART IN THE
535
00:17:21,150 --> 00:17:22,985
FINAL PACKAGE.
536
00:17:23,018 --> 00:17:24,153
IT MAKES PEOPLE NEVER BE ABLE TO
537
00:17:24,186 --> 00:17:26,021
FORGET MOMENTS LIKE THAT.
538
00:17:26,055 --> 00:17:27,223
>> IT'S ABOUT CHARLOTTE FLAIR
539
00:17:27,257 --> 00:17:33,563
CONTINUING TO CEMENT HER LEGACY.
540
00:17:33,597 --> 00:17:34,932
>> SHE IS SO CONFIDENT.
541
00:17:34,966 --> 00:17:36,701
SHE ISN'T PLAYING THE CHARACTER.
542
00:17:36,802 --> 00:17:38,069
SHE IS THE CHARACTER, AND THAT'S
543
00:17:38,103 --> 00:17:39,037
HER.
544
00:17:39,070 --> 00:17:40,305
>> SHE BELIEVES SHE IS THE
545
00:17:40,339 --> 00:17:41,641
ONE-WOMAN FRANCHISE.
546
00:17:41,674 --> 00:17:44,510
>> WOOO.
547
00:17:44,545 --> 00:17:45,579
>> CHARLOTTE LIVES RIGHT UP
548
00:17:45,612 --> 00:17:46,880
THERE AT THE TOP BECAUSE SHE
549
00:17:46,914 --> 00:17:48,048
BELIEVES EVERY SINGLE THING SHE
550
00:17:48,082 --> 00:17:49,316
DOES AND EVERY STEP MEANS
551
00:17:49,350 --> 00:17:50,518
SOMETHING.
552
00:17:50,552 --> 00:17:52,053
HER PRESENTATION'S INCREDIBLE.
553
00:17:52,087 --> 00:17:53,488
>> ABSOLUTELY ENCHANTING ARRIVAL
554
00:17:53,521 --> 00:17:56,124
FOR PERHAPS THE GREATEST PURE
555
00:17:56,158 --> 00:17:59,562
ATHLETE IN THE WWE.
556
00:17:59,596 --> 00:18:01,064
THIS IS HOW YOU MAKE AN
557
00:18:01,098 --> 00:18:02,532
ENTRANCE.
558
00:18:02,566 --> 00:18:08,505
THERE CAN ONLY BE ONE QUEEN.
559
00:18:08,540 --> 00:18:09,774
>> ONLY ONE QUEEN INDEED, BUT
560
00:18:09,775 --> 00:18:12,010
WHEN IT COMES TO WHO HAS MORE
561
00:18:12,044 --> 00:18:14,580
RICHES, ONE MAN MADE IT KNOWN
562
00:18:14,614 --> 00:18:17,016
LOUD AND CLEAR THAT IT WAS HIM.
563
00:18:17,050 --> 00:18:21,888
[MUSIC]
564
00:18:21,922 --> 00:18:23,090
AN ENTRANCE STRAIGHT OUT
565
00:18:23,125 --> 00:18:24,292
OF THE LIFESTYLES OF THE RICH
566
00:18:24,326 --> 00:18:25,594
AND FAMOUS COULD ONLY GO ON TO
567
00:18:25,627 --> 00:18:27,662
ONE MAN.
568
00:18:27,696 --> 00:18:29,598
[MUSIC] >> MILLION DOLLAR MAN,
569
00:18:29,632 --> 00:18:33,035
TED DIBIASE.
570
00:18:33,070 --> 00:18:34,138
>> DIBIASE DISPLAYED THE UGLIEST
571
00:18:34,171 --> 00:18:36,806
TRAITS OF WEALTH, ARROGANCE,
572
00:18:36,807 --> 00:18:40,344
UNNECESSARILY EXPENSIVE ATTIRE,
573
00:18:40,378 --> 00:18:42,147
AND OBNOXIOUS LAUGH.
574
00:18:42,181 --> 00:18:45,017
>> [LAUGHS]
575
00:18:45,050 --> 00:18:46,852
[TED DIBIASE'S MUSIC PLAYS]
576
00:18:46,886 --> 00:18:47,353
>> [LAUGHS]
577
00:18:47,387 --> 00:18:49,356
>> [LAUGHS]
578
00:18:49,389 --> 00:18:50,823
THAT WAS TERRIBLE.
579
00:18:50,824 --> 00:18:52,859
HOLY --, THAT SUCKED.
580
00:18:52,894 --> 00:18:54,929
>> EVERYBODY'S GOT A PRICE.
581
00:18:54,962 --> 00:18:56,130
>> JIMMY HART WROTE MY ENTRANCE
582
00:18:56,164 --> 00:18:57,732
MUSIC.
583
00:18:57,833 --> 00:18:58,667
>> BRUCE PRITCHARD CAME TO ME
584
00:18:58,700 --> 00:18:59,868
AND SAID, "VINCE, I WANT YOU TO
585
00:18:59,902 --> 00:19:00,836
WRITE A SONG FOR THE MILLION
586
00:19:00,869 --> 00:19:01,603
DOLLAR MAN."
587
00:19:01,638 --> 00:19:02,771
I SAID, "OKAY, GREAT."
588
00:19:02,772 --> 00:19:03,873
I SAID, "TED, CAN YOU SING?
589
00:19:03,907 --> 00:19:05,675
"NO."
590
00:19:05,775 --> 00:19:06,543
>> WELL, I HAVE A VERY DEEP
591
00:19:06,577 --> 00:19:07,578
VOICE, BUT I COULDN'T HOLD A
592
00:19:07,611 --> 00:19:08,778
TUNE IF IT HAD HANDLES ON IT.
593
00:19:08,779 --> 00:19:09,914
>> I SAID, "OKAY, CAN YOU TALK
594
00:19:09,947 --> 00:19:11,348
IT THROUGH LIKE A PROMO?"
595
00:19:11,383 --> 00:19:12,384
HE GOES, "YES, I CAN TRY IT."
596
00:19:12,417 --> 00:19:13,118
I SAID, "GREAT."
597
00:19:13,151 --> 00:19:15,320
WE PUT HIM IN THE STUDIO.
598
00:19:15,353 --> 00:19:16,188
>> IT WAS NOT SO MUCH ME SINGING
599
00:19:16,222 --> 00:19:20,259
IT AS IT WAS ME SAYING IT.
600
00:19:20,293 --> 00:19:21,461
AND YOU WILL BE BOUGHT.
601
00:19:21,495 --> 00:19:22,496
>> THAT SONG, MAN.
602
00:19:22,529 --> 00:19:23,464
IT CAN GET IN YOUR HEAD REAL
603
00:19:23,497 --> 00:19:24,331
QUICK.
604
00:19:24,364 --> 00:19:27,067
JUST THAT BEAT.
605
00:19:27,102 --> 00:19:28,870
>> OH, MONEY, MONEY, MONEY.
606
00:19:28,903 --> 00:19:32,207
>> [MUSIC]
607
00:19:32,241 --> 00:19:33,008
MONEY, MONEY, MONEY
608
00:19:33,042 --> 00:19:33,808
>> EVERYBODY'S GOT A PRICE,
609
00:19:33,809 --> 00:19:34,910
EVERYBODY'S GOT TO PAY.
610
00:19:34,944 --> 00:19:35,811
>> BECAUSE I'M THE MILLION
611
00:19:35,846 --> 00:19:37,714
DOLLAR MAN, AND HE ALWAYS GETS
612
00:19:37,814 --> 00:19:39,249
HIS WAY.
613
00:19:39,282 --> 00:19:42,953
[LAUGHS]
614
00:19:42,987 --> 00:19:44,021
>> AS THE CHORUS OF HIS
615
00:19:44,055 --> 00:19:44,956
MEMORABLE SONG BLARED, THE
616
00:19:44,990 --> 00:19:46,258
MOMENT THE MILLION DOLLAR MAN
617
00:19:46,291 --> 00:19:47,359
BROKE THROUGH THE CURTAIN, HE
618
00:19:47,392 --> 00:19:49,328
ELICITED A COURSE OF BOOS FROM
619
00:19:49,361 --> 00:19:51,230
THE WWE UNIVERSE.
620
00:19:51,264 --> 00:19:54,901
[MUSIC]
621
00:19:54,935 --> 00:19:55,903
>> TED WAS DESPISED.
622
00:19:55,936 --> 00:19:57,071
WHO WOULD LIKE A MAN THAT HAS
623
00:19:57,104 --> 00:19:58,706
MILLIONS OF DOLLARS, FLAUNTS HIS
624
00:19:58,739 --> 00:20:01,542
WEALTH?
625
00:20:01,576 --> 00:20:02,744
>> DIBIASE EVEN FED HIS OWN
626
00:20:02,778 --> 00:20:03,979
VANITY BY CREATING AN
627
00:20:04,012 --> 00:20:05,914
OSTENTATIOUS CHAMPIONSHIP BELT.
628
00:20:05,948 --> 00:20:09,852
[CROWD BOOS]
629
00:20:09,887 --> 00:20:10,854
>> THAT MILLION
630
00:20:10,888 --> 00:20:11,922
DOLLAR BELT FULL OF DIAMONDS AND
631
00:20:11,955 --> 00:20:12,990
GOLD.
632
00:20:13,023 --> 00:20:14,024
[MUSIC] >> THE ONE THING
633
00:20:14,058 --> 00:20:15,059
EVERYBODY HATES IS SOMEONE WHO
634
00:20:15,093 --> 00:20:16,060
BY VIRTUE OF THEIR WEALTH, THEY
635
00:20:16,094 --> 00:20:18,696
LOOK DOWN THEIR NOSE AT PEOPLE.
636
00:20:18,731 --> 00:20:19,765
>> THE AVERAGE PERSON THAT WORKS
637
00:20:19,799 --> 00:20:20,966
FOR A LIVING, HOW CAN YOU NOT
638
00:20:21,000 --> 00:20:22,501
HATE THAT GUY?
639
00:20:22,535 --> 00:20:23,569
[MUSIC] >> LOOK AT THE RECEPTION
640
00:20:23,603 --> 00:20:25,939
THEY'RE GIVING THE MILLION
641
00:20:25,972 --> 00:20:29,743
DOLLAR MAN
642
00:20:29,777 --> 00:20:30,745
>> JUST GIVE ME A
643
00:20:30,778 --> 00:20:31,646
BREAK.
644
00:20:31,679 --> 00:20:41,823
[MUSIC]
645
00:20:44,662 --> 00:20:45,529
>> THE MILLION DOLLAR
646
00:20:45,563 --> 00:20:47,832
MAN'S ENTRANCE WAS INCREDIBLE.
647
00:20:47,866 --> 00:20:48,900
IT'S LIKE, "DUDE, WE'RE ALL
648
00:20:48,934 --> 00:20:50,268
WORRIED ABOUT MONEY," AND HE'S
649
00:20:50,302 --> 00:20:52,437
JUST RUBBING IT IN YOUR FACE?
650
00:20:52,472 --> 00:20:53,673
>> BOY, DOES HE LOOK CONFIDENT,
651
00:20:53,706 --> 00:20:54,774
BRAIN?
652
00:20:54,807 --> 00:20:55,975
>> HE'S A SMART BUSINESSMAN
653
00:20:56,008 --> 00:20:57,143
MONSOON.
654
00:20:57,177 --> 00:20:58,579
HE CAN BUY THIS BUILDING.
655
00:20:58,612 --> 00:21:00,013
>> OH, YOU CAN BUY ALL OF US.
656
00:21:00,047 --> 00:21:02,849
MUST BE NICE, TED.
657
00:21:02,851 --> 00:21:04,319
>> EVERYBODY HAS A PRICE FOR THE
658
00:21:04,352 --> 00:21:06,020
MILLION DOLLAR MAN.
659
00:21:06,054 --> 00:21:15,463
[LAUGHS]
660
00:21:15,499 --> 00:21:16,433
>> OLD SCHOOL WWE HAD
661
00:21:16,467 --> 00:21:18,903
SO MANY RAD THEMES.
662
00:21:18,936 --> 00:21:19,870
IT'S REALLY HARD TO PICK A
663
00:21:19,871 --> 00:21:20,938
FAVORITE.
664
00:21:20,972 --> 00:21:21,906
HOWEVER, WHEN IT COMES TO PURE,
665
00:21:21,940 --> 00:21:24,443
PUNCH-YOU-IN-THE-FACE-AND-LIKE-I
666
00:21:24,476 --> 00:21:25,877
T ADRENALINE, IS THERE ANYTHING
667
00:21:25,878 --> 00:21:27,346
BETTER THAN THE ULTIMATE
668
00:21:27,380 --> 00:21:31,584
WARRIOR'S ENTRANCE?
669
00:21:31,619 --> 00:21:32,920
>> WAIT UNTIL YOU HEAR THIS
670
00:21:32,953 --> 00:21:34,054
EXPLOSION AS SOON AS THEY HEAR
671
00:21:34,088 --> 00:21:36,290
THAT MUSIC.
672
00:21:36,324 --> 00:21:38,226
>> SOON AS THAT MUSIC HIT.
673
00:21:38,260 --> 00:21:39,461
[THE ULTIMATE WARRIOR'S MUSIC
674
00:21:39,494 --> 00:21:44,099
PLAYS]
675
00:21:44,133 --> 00:21:45,001
>> HOW COULD YOU NOT GET
676
00:21:45,034 --> 00:21:46,235
PUMPED UP ON THAT?
677
00:21:46,270 --> 00:21:48,639
>> THE ULTIMATE WARRIOR.
678
00:21:48,672 --> 00:21:53,510
>> PURE, RAW ENERGY
679
00:21:53,545 --> 00:21:54,579
>> HE'S ON
680
00:21:54,612 --> 00:21:55,480
FIRE.
681
00:21:55,514 --> 00:21:56,582
HE'S GOT THIS CAPACITY CROWD LIT
682
00:21:56,615 --> 00:21:57,650
UP AS WELL.
683
00:21:57,683 --> 00:21:58,651
>> CRAZINESS.
684
00:21:58,684 --> 00:21:59,752
>> WHEN I WAS A KID, I JUST
685
00:21:59,853 --> 00:22:01,054
THOUGHT, "GOD, HE'S INSANE, MAN.
686
00:22:01,087 --> 00:22:04,658
THIS GUY'S CRAZY."
687
00:22:04,692 --> 00:22:06,160
>> THE ENTRANCE ITSELF.
688
00:22:06,194 --> 00:22:08,763
>> COME ON IN.
689
00:22:08,863 --> 00:22:10,264
>> THE INTENSITY RIGHT OFF THE
690
00:22:10,299 --> 00:22:11,866
BAT, THAT'S WHAT GRABS THE
691
00:22:11,867 --> 00:22:13,535
VIEWER.
692
00:22:13,569 --> 00:22:16,205
>> COLORS EVERYWHERE, STREAMERS
693
00:22:16,239 --> 00:22:18,174
ON THE ARM, FRINGE ON THE BOOTS.
694
00:22:18,208 --> 00:22:19,776
>> YOU'RE JUST MAGNETICALLY
695
00:22:19,877 --> 00:22:20,778
SUCKED IN.
696
00:22:20,878 --> 00:22:22,680
>> COMPLETELY BERSERK.
697
00:22:22,713 --> 00:22:24,381
>> THE MUSIC WOULD HIT, AND HE'D
698
00:22:24,416 --> 00:22:25,917
JUST COME OUT AND HE'S RUNNING,
699
00:22:25,951 --> 00:22:27,452
HE'S BREATHING HARD, AND HE'S
700
00:22:27,486 --> 00:22:28,753
SHAKING THE ROPES, AND HE'S
701
00:22:28,788 --> 00:22:30,790
FIRED UP AND HE'S [BREATHES
702
00:22:30,890 --> 00:22:35,328
HEAVILY]
703
00:22:35,362 --> 00:22:36,330
>> HE'S LIKE A RUNAWAY
704
00:22:36,363 --> 00:22:37,297
LOCOMOTIVE WHEN HE GETS GOING.
705
00:22:37,331 --> 00:22:38,432
>> I WOULD KNOW BECAUSE I'D BE
706
00:22:38,466 --> 00:22:39,801
GETTING READY TO WRESTLE AGAINST
707
00:22:39,901 --> 00:22:40,502
HIM, I'D GO PEEK IN ON HIM, AND
708
00:22:40,535 --> 00:22:41,603
HE'S RUNNING AND ROCKING BACK
709
00:22:41,636 --> 00:22:43,004
AND FORTH.
710
00:22:43,037 --> 00:22:44,072
>> HERE HE COMES, HE'S RUNNING.
711
00:22:44,106 --> 00:22:45,474
>> I'M LIKE, "OH, MY GOD," AND
712
00:22:45,508 --> 00:22:47,009
THIS IS 10 MINUTES BEFORE WE
713
00:22:47,042 --> 00:22:49,545
WORK.
714
00:22:49,579 --> 00:22:50,447
>> I DON'T KNOW HOW HE DID THAT
715
00:22:50,480 --> 00:22:51,615
AND HAVE A MATCH.
716
00:22:51,648 --> 00:22:52,549
HOLY.
717
00:22:52,582 --> 00:22:53,583
THAT'S A LOT OF RUNNING, MAN.
718
00:22:53,618 --> 00:22:54,418
>> IT'S A HARD THING TO DO.
719
00:22:54,452 --> 00:22:55,586
HIS CARDIO MUST HAVE BEEN
720
00:22:55,620 --> 00:22:56,554
AMAZING.
721
00:22:56,587 --> 00:22:58,289
>> I HAVE TO BE CARRIED OUT IN A
722
00:22:58,323 --> 00:22:59,424
BLEEDING AMBULANCE AFTER DOING
723
00:22:59,458 --> 00:23:01,160
THAT TYPE OF ENTRANCE.
724
00:23:01,193 --> 00:23:02,494
>> YOU'RE SPENT BY THE TIME YOU
725
00:23:02,529 --> 00:23:03,862
GET TO THE RING WHEN YOU DO
726
00:23:03,863 --> 00:23:04,863
THAT.
727
00:23:04,864 --> 00:23:05,899
>> WELL, NO DOUBT THIS GUY IS
728
00:23:05,932 --> 00:23:07,233
STRONG, BUT HE'S NUTS.
729
00:23:07,268 --> 00:23:08,469
>> I THINK THAT THERE WAS A REAL
730
00:23:08,502 --> 00:23:11,871
TRADE-OFF BETWEEN GETTING THE
731
00:23:11,872 --> 00:23:14,041
CROWD REALLY EXCITED AND THEN
732
00:23:14,075 --> 00:23:15,177
CATCHING YOUR BREATH SO YOU
733
00:23:15,210 --> 00:23:16,444
COULD ACTUALLY ENGAGE IN AN
734
00:23:16,478 --> 00:23:19,114
ATHLETIC PERFORMANCE.
735
00:23:19,148 --> 00:23:20,316
>> IN THE EYES OF THE FANS, THIS
736
00:23:20,349 --> 00:23:23,085
GUY WAS READY TO GO.
737
00:23:23,120 --> 00:23:24,755
>> IT WAS ALMOST LIKE THIS
738
00:23:24,788 --> 00:23:26,890
PERFECT PACKAGE OF EVERYTHING
739
00:23:26,925 --> 00:23:28,226
THAT CREATED SOMETHING YOU'D SEE
740
00:23:28,259 --> 00:23:30,094
IN A MOVIE.
741
00:23:30,128 --> 00:23:30,962
MAN, IT WAS LIKE SOMEONE COMING
742
00:23:30,995 --> 00:23:32,497
TO SAVE THE DAY.
743
00:23:32,531 --> 00:23:34,266
>> JUMP ON MY BACK, GRAB A BODY
744
00:23:34,300 --> 00:23:38,137
PART AND HANG ON.
745
00:23:38,171 --> 00:23:39,606
>> IT'S FUN TO SEE THAT IT'S NOT
746
00:23:39,639 --> 00:23:41,708
JUST ABOUT THE SLOW BURN AND THE
747
00:23:41,742 --> 00:23:43,211
ANTICIPATION WHICH GOES A LONG
748
00:23:43,244 --> 00:23:45,513
WAY WITH CERTAIN FOLKS.
749
00:23:45,546 --> 00:23:46,781
THERE'S ALSO THAT, "HEAR IT
750
00:23:46,815 --> 00:23:48,916
COMES, LET'S GO."
751
00:23:48,917 --> 00:23:49,818
>> THIS IS JUST THE ENTRANCE,
752
00:23:49,918 --> 00:23:50,752
WHAT'S GOING TO HAPPEN IN THE
753
00:23:50,787 --> 00:23:51,721
MATCH?
754
00:23:51,754 --> 00:23:52,655
>> WITH THE OUTFIT.
755
00:23:52,689 --> 00:23:53,990
>> HAIR GOING WILD.
756
00:23:54,023 --> 00:23:54,923
>> PAINT.
757
00:23:54,924 --> 00:23:56,159
>> INTENSITY.
758
00:23:56,193 --> 00:23:57,461
>> PERFECTION WHEN IT COMES TO
759
00:23:57,495 --> 00:23:59,029
THAT.
760
00:23:59,063 --> 00:24:00,864
>> IF HE DIDN'T HAVE THAT
761
00:24:00,866 --> 00:24:02,167
ENTRANCE, HE WOULDN'T HAVE BEEN
762
00:24:02,200 --> 00:24:03,702
AS BIG A STAR, I KNOW IT.
763
00:24:03,735 --> 00:24:05,003
>> IT'S DEAFENING, YOU CAN'T
764
00:24:05,036 --> 00:24:06,438
HEAR YOURSELF.
765
00:24:06,472 --> 00:24:07,773
>> PEOPLE WERE JUST DYING FOR
766
00:24:07,874 --> 00:24:09,208
IT, MAN.
767
00:24:09,242 --> 00:24:10,576
>> YOU FED OFF OF HIS ENERGY.
768
00:24:10,611 --> 00:24:12,279
HE FED OFF OF THE CROWD'S
769
00:24:12,312 --> 00:24:13,514
ENERGY.
770
00:24:13,547 --> 00:24:14,681
>> TO CLIMB THE ULTIMATE
771
00:24:14,715 --> 00:24:15,916
WARRIOR, IT'S SOMETHING THAT YOU
772
00:24:15,950 --> 00:24:17,418
WANT TO FEEL, THAT YOU WANT TO
773
00:24:17,452 --> 00:24:18,453
TASTE.
774
00:24:18,486 --> 00:24:22,457
[CROWD CHEERS]
775
00:24:22,491 --> 00:24:23,492
>> YOU KNEW THAT
776
00:24:23,526 --> 00:24:24,693
YOU WERE IN FOR A TREAT JUST
777
00:24:24,728 --> 00:24:26,062
BASED OFF THE ENTRY.
778
00:24:26,096 --> 00:24:26,897
>> IT'S SOMETHING THAT WHEN YOU
779
00:24:26,930 --> 00:24:28,898
TURN ON THAT TV SCREEN, OR WHEN
780
00:24:28,899 --> 00:24:30,267
YOU BUY TICKETS IN THOSE ARENAS,
781
00:24:30,301 --> 00:24:31,135
YOU KNOW THAT IT'S GOING TO BE
782
00:24:31,169 --> 00:24:32,136
EXCITING.
783
00:24:32,170 --> 00:24:34,372
>> NONSTOP TOTAL ENERGY.
784
00:24:34,406 --> 00:24:35,641
>> THE ULTIMATE WARRIOR DID THAT
785
00:24:35,674 --> 00:24:37,409
JUST AS WELL, IF NOT BETTER THAN
786
00:24:37,442 --> 00:24:40,779
ANYBODY HAS EVER DONE IT.
787
00:24:40,813 --> 00:24:46,953
>> TOTALLY OUT OF CONTROL.
788
00:24:46,987 --> 00:24:47,821
>> WHILE THE ULTIMATE WARRIOR
789
00:24:47,922 --> 00:24:49,623
GOT FANS IN A FRENZY, THE RED
790
00:24:49,658 --> 00:24:53,361
AND BLACK, NWO FACTION, THE
791
00:24:53,396 --> 00:24:55,264
WOLFPAC COMMANDED AUDIENCE'S
792
00:24:55,298 --> 00:24:56,499
ATTENTION BY OOZING SO MUCH
793
00:24:56,532 --> 00:24:58,100
COOL, OR AS THEY WOULD SAY THAT
794
00:24:58,135 --> 00:24:59,203
THEY DRIP, SO MUCH DRIP, DUE IN
795
00:24:59,236 --> 00:25:02,306
LARGE PART THEIR UNIVERSALLY
796
00:25:02,339 --> 00:25:03,874
LAUDED ENTRANCE.
797
00:25:03,908 --> 00:25:05,076
AN ENTRANCE THAT WAS JUST TOO
798
00:25:05,109 --> 00:25:07,445
SWEET.
799
00:25:07,478 --> 00:25:11,382
AWOO.
800
00:25:11,417 --> 00:25:14,119
>> HEY, YO.
801
00:25:14,154 --> 00:25:15,922
>> NWO WOLFPAC, THAT WAS
802
00:25:15,956 --> 00:25:17,257
PROBABLY ONE OF THE MOST EPIC
803
00:25:17,290 --> 00:25:19,793
TEAMS EVER CREATED.
804
00:25:19,894 --> 00:25:21,229
>> I WAS WOLFPAC GUY, BLACK AND
805
00:25:21,262 --> 00:25:24,432
RED ALL THE WAY.
806
00:25:24,466 --> 00:25:27,703
>> THE COOLEST GUYS EVER.
807
00:25:27,737 --> 00:25:29,105
>> WOLFPAC, SCOTT HALL, KEVIN
808
00:25:29,138 --> 00:25:33,909
NASH, KONNAN, LEX LUGER?
809
00:25:33,911 --> 00:25:36,413
WHO KNOWS?
810
00:25:36,447 --> 00:25:39,383
AT SOME POINT, EVERYBODY JOINED.
811
00:25:39,417 --> 00:25:40,418
>> WE NEED TO STOP AND LISTEN
812
00:25:40,452 --> 00:25:41,919
INTO THIS BRAND-NEW MUSIC AS THE
813
00:25:41,921 --> 00:25:46,592
WOLFPAC MAKES ITS WAY OUT.
814
00:25:46,627 --> 00:25:48,996
>> WOLFPAC IN THE-
815
00:25:49,029 --> 00:25:50,130
[CROWD SCREAMS "HOUSE."]
816
00:25:50,163 --> 00:26:00,574
[WOLFPAC'S MUSIC PLAYS]
817
00:26:01,077 --> 00:26:01,745
>> THE SONG HAS
818
00:26:01,778 --> 00:26:03,480
SUCH A LITTLE SWAG TO IT.
819
00:26:03,513 --> 00:26:04,648
>> IT'S ALMOST LIKE THIS COOL
820
00:26:04,681 --> 00:26:07,617
RAP THAT YOU COULD GET BEHIND
821
00:26:07,652 --> 00:26:09,987
AND YOU COULD RAP ALONG WITH.
822
00:26:10,021 --> 00:26:10,988
>> WHAT A ROAR AS THE WOLFPAC
823
00:26:11,023 --> 00:26:13,891
MAKES ITS WAY HERE.
824
00:26:13,892 --> 00:26:15,160
>> ONCE AGAIN, THE MAN BEHIND
825
00:26:15,194 --> 00:26:16,895
THIS ICONIC THEME IS NONE OTHER
826
00:26:16,930 --> 00:26:19,432
THAN WWE HALL OF FAMER AND
827
00:26:19,465 --> 00:26:22,235
MUSICAL MASTERMIND, JIMMY HART.
828
00:26:22,269 --> 00:26:23,404
>> I WANTED TO MAKE SURE WE HAD
829
00:26:23,437 --> 00:26:24,672
SOMETHING THAT THEY COULD COME
830
00:26:24,705 --> 00:26:26,106
OUT TO THE RING TO THAT MADE
831
00:26:26,141 --> 00:26:28,443
THEM DO THEIR LITTLE SLIDE WALK
832
00:26:28,476 --> 00:26:29,411
THAT THEY ALWAYS DID WITH THE
833
00:26:29,444 --> 00:26:32,747
NWO.
834
00:26:32,782 --> 00:26:35,184
IT FELT LIKE SOMETHING PEOPLE
835
00:26:35,219 --> 00:26:44,228
WERE GOING TO REALLY CHANT TO.
836
00:26:44,263 --> 00:26:44,964
>> WHEN THE MUSIC HITS, YOU'RE
837
00:26:44,997 --> 00:26:46,065
ALMOST LIKE--
838
00:26:46,098 --> 00:26:46,932
YOU'RE ATTACHED TO
839
00:26:46,966 --> 00:26:48,267
IT.
840
00:26:48,300 --> 00:26:49,235
>> YOU GOT A SONG LIKE THAT TO
841
00:26:49,269 --> 00:26:50,203
COME OUT TO, IT'S EASY TO GET
842
00:26:50,237 --> 00:26:52,839
INTO IT.
843
00:26:52,939 --> 00:26:53,940
>> YOU DON'T WANT NONE OF THE
844
00:26:53,975 --> 00:26:56,043
WOLFPAC.
845
00:26:56,077 --> 00:26:57,411
>> I KNOW THE MUSIC'S SWEET, BUT
846
00:26:57,445 --> 00:27:01,148
WE GOT TO CUT IT FOR A MINUTE.
847
00:27:01,183 --> 00:27:02,517
>> AS A 12, 13, 14-YEAR-OLD KID,
848
00:27:02,551 --> 00:27:05,754
I WANTED TO WALK AROUND AND TOO
849
00:27:05,788 --> 00:27:07,590
SWEET MY FRIENDS.
850
00:27:07,624 --> 00:27:08,925
WE DID THIS AND PLAYED THE
851
00:27:08,959 --> 00:27:11,295
WOLFPAC THEME, IN DA HOUSE.
852
00:27:11,328 --> 00:27:12,930
>> WHOLE LOT OF RED AND BLACK
853
00:27:12,963 --> 00:27:15,299
GOING ON TONIGHT.
854
00:27:15,333 --> 00:27:17,769
>> THE WOLFPAC WAS MORE HIP.
855
00:27:17,802 --> 00:27:19,904
IT WAS MORE STREET.
856
00:27:19,906 --> 00:27:22,642
IT WAS MORE POP CULTURE.
857
00:27:22,675 --> 00:27:24,076
>> I'D LOVE TO SEE WHEN WWE
858
00:27:24,111 --> 00:27:26,213
MUSIC CROSSES OVER AT BASEBALL
859
00:27:26,246 --> 00:27:28,782
GAMES, WHICH GOES TO SHOW YOU
860
00:27:28,816 --> 00:27:30,351
HOW MANY PEOPLE ARE WATCHING
861
00:27:30,385 --> 00:27:32,120
WRESTLING.
862
00:27:32,153 --> 00:27:33,288
>> I'M SITTING AT HOME ONE DAY
863
00:27:33,322 --> 00:27:34,323
WATCHING BASEBALL, AND NOW UP TO
864
00:27:34,356 --> 00:27:35,724
BAT JASON GIAMBI.
865
00:27:35,758 --> 00:27:37,226
ALL OF A SUDDEN, I HEAR THE
866
00:27:37,260 --> 00:27:39,296
WOLFPAC SONG, "AWOO, [HUMS
867
00:27:39,329 --> 00:27:44,501
SONG]"
868
00:27:44,535 --> 00:27:45,436
JASON GIAMBI, THAT WAS
869
00:27:45,469 --> 00:27:46,470
HIS THEME SONG COMING UP TO BAT
870
00:27:46,504 --> 00:27:47,338
AND I'M GOING, "OH MY GOSH, THIS
871
00:27:47,372 --> 00:27:48,273
IS A HOME RUN."
872
00:27:48,307 --> 00:27:50,375
>> JUST WANT TO FINISH IT OFF BY
873
00:27:50,409 --> 00:27:55,647
SAYING HANGING WITH THE WOLFPAC
874
00:27:55,682 --> 00:27:57,083
IS JUST TOO [CROWD SCREAMS
875
00:27:57,117 --> 00:28:01,888
"SWEET"]
876
00:28:01,890 --> 00:28:02,657
>> WHEN YOU REALLY
877
00:28:02,691 --> 00:28:03,892
THINK ABOUT IT, THE BEST THEMES
878
00:28:03,925 --> 00:28:05,893
ALL SHARE A COMMON THREAD.
879
00:28:05,894 --> 00:28:07,229
THEY ELICIT A FEELING AND
880
00:28:07,263 --> 00:28:08,998
EMOTIONAL RESPONSE, ESPECIALLY
881
00:28:09,031 --> 00:28:14,704
THIS NEXT ENTRANCE.
882
00:28:14,738 --> 00:28:17,708
[THE BROOD MUSIC PLAYS]
883
00:28:17,742 --> 00:28:18,543
>> WE
884
00:28:18,576 --> 00:28:20,612
ARE WHO WE ARE.
885
00:28:20,646 --> 00:28:23,482
THE UNHOLY TRIO.
886
00:28:23,515 --> 00:28:25,551
>> GANGREL, EDGE, AND CHRISTIAN,
887
00:28:25,585 --> 00:28:30,657
THE MYSTERIOUS BROOD.
888
00:28:30,691 --> 00:28:31,792
[MUSIC]
889
00:28:31,826 --> 00:28:32,927
>> THEIR ENTRANCE DRAWS
890
00:28:32,960 --> 00:28:36,430
YOU IN.
891
00:28:36,465 --> 00:28:38,267
>> THEY'RE VAMPIRES, DARK,
892
00:28:38,300 --> 00:28:40,168
GOTHIC.
893
00:28:40,203 --> 00:28:41,638
THEY ARE THE BROOD, A RATHER
894
00:28:41,671 --> 00:28:44,607
INTERESTING PHENOMENON.
895
00:28:44,641 --> 00:28:45,642
>> IN THE LATE '90S, THE BROOD
896
00:28:45,676 --> 00:28:47,077
CREATED THE ENTRANCE SO
897
00:28:47,111 --> 00:28:48,479
PROVOCATIVE AND AWE-INSPIRING
898
00:28:48,512 --> 00:28:50,347
THAT IT STILL RESONATES TO THIS
899
00:28:50,382 --> 00:28:53,351
VERY DAY.
900
00:28:53,385 --> 00:28:54,586
>> THE THEME SONG ITSELF IS BY
901
00:28:54,620 --> 00:28:55,954
FAR ONE OF THE BEST-WRITTEN
902
00:28:55,955 --> 00:28:57,089
THEME SONGS IN THE HISTORY OF
903
00:28:57,123 --> 00:29:01,994
THIS BUSINESS, PERIOD.
904
00:29:02,029 --> 00:29:03,630
>> THERE'S SOME WHISPERING IN
905
00:29:03,664 --> 00:29:07,467
IT.
906
00:29:07,502 --> 00:29:08,436
THE SECRET IS IT'S WORDS BEING
907
00:29:08,469 --> 00:29:09,771
PLAYED BACKWARDS TO ACHIEVE THAT
908
00:29:09,805 --> 00:29:13,908
SOUND.
909
00:29:13,910 --> 00:29:15,145
>> THE BROOD SONG IS ONE OF
910
00:29:15,178 --> 00:29:16,379
THOSE BEATS THAT YOU'LL ALWAYS
911
00:29:16,413 --> 00:29:18,914
REMEMBER.
912
00:29:18,916 --> 00:29:20,451
>> THE COOL MUSIC, I THINK I
913
00:29:20,484 --> 00:29:21,986
HAVE THAT AS A RING TONE STILL.
914
00:29:22,019 --> 00:29:24,055
>> GANGREL EMERGES FROM THE RING
915
00:29:24,089 --> 00:29:26,358
OF FIRE.
916
00:29:26,391 --> 00:29:27,993
THROUGH THE SMOKE, COME EDGE AND
917
00:29:28,026 --> 00:29:31,096
CHRISTIAN.
918
00:29:31,130 --> 00:29:32,098
>> YOU'RE KIND OF WATCHING THAT
919
00:29:32,131 --> 00:29:33,333
THINKING, "WHO WALKS OUT THROUGH
920
00:29:33,367 --> 00:29:36,937
FIRE LIKE THAT?"
921
00:29:36,971 --> 00:29:37,938
>> EVEN THEIR SWAG TO GO ALONG
922
00:29:37,973 --> 00:29:40,308
WITH THE BEAT OF THE SONG.
923
00:29:40,342 --> 00:29:41,576
>> THESE ARE SOME WEIRD DUDES
924
00:29:41,610 --> 00:29:42,978
RIGHT HERE.
925
00:29:43,012 --> 00:29:44,247
>> YOU WERE TAKING THE SAME
926
00:29:44,280 --> 00:29:46,549
EFFECTS FROM MAYBE A HORROR
927
00:29:46,582 --> 00:29:48,117
MOVIE AND ADDING IT INTO THE
928
00:29:48,151 --> 00:29:51,555
ENTRANCE TO THE RING.
929
00:29:51,588 --> 00:29:52,856
>> WHAT A REACTION FOR THE
930
00:29:52,957 --> 00:29:54,092
BROOD.
931
00:29:54,125 --> 00:29:55,159
>> THE LIGHTING.
932
00:29:55,193 --> 00:29:56,361
IT IS SO COOL.
933
00:29:56,394 --> 00:29:57,795
IT WAS LIKE A STROBE EFFECT.
934
00:29:57,830 --> 00:30:01,667
TALK ABOUT THEATRICS.
935
00:30:01,700 --> 00:30:05,604
>> MORE THEATRICS WOULD ENSUE
936
00:30:05,639 --> 00:30:06,907
WHEN VAMPIRIC TRIO WOULD REACH
937
00:30:06,941 --> 00:30:09,076
RINGSIDE.
938
00:30:09,110 --> 00:30:10,211
>> GANGREL WITH THAT GLASS OF
939
00:30:10,244 --> 00:30:14,248
THAT RED LIQUID.
940
00:30:14,283 --> 00:30:15,350
>> GANGREL WOULD DRINK SOME
941
00:30:15,384 --> 00:30:16,785
BLOOD FROM A CHALICE AND HE'D
942
00:30:16,819 --> 00:30:20,356
SPIT OUT THE BLOOD.
943
00:30:20,390 --> 00:30:21,190
>> I ALWAYS KEPT THINKING AS A
944
00:30:21,225 --> 00:30:22,393
KID, "IS THAT REAL BLOOD IN THE
945
00:30:22,426 --> 00:30:23,527
CUP, OR IS THAT JUST FRUIT
946
00:30:23,560 --> 00:30:25,529
PUNCH?"
947
00:30:25,562 --> 00:30:26,397
>> THE BLOOD WOULD SKEEVE ME
948
00:30:26,431 --> 00:30:28,099
OUT.
949
00:30:28,133 --> 00:30:29,167
WHOSE BLOOD IS IT?
950
00:30:29,200 --> 00:30:30,335
IT CAN BE FROM ANYWHERE, WHICH
951
00:30:30,368 --> 00:30:33,672
IS GROSS.
952
00:30:33,706 --> 00:30:34,707
>> THE CAPTIVATING ELEMENTS OF
953
00:30:34,740 --> 00:30:35,875
THE BROOD'S ENTRANCE PROVED TO
954
00:30:35,909 --> 00:30:37,377
BE A HIT IN ANY ERA WHEN EDGE
955
00:30:37,411 --> 00:30:39,546
TURNED BACK THE CLOCK AT
956
00:30:39,580 --> 00:30:43,250
SUMMERSLAM 2021.
957
00:30:43,284 --> 00:30:48,189
[CROWD CHEERS]
958
00:30:48,223 --> 00:30:49,792
[THE BROOD MUSIC PLAYS]
959
00:30:49,825 --> 00:30:51,093
>> OVER 20 YEARS AGO,
960
00:30:51,127 --> 00:30:52,495
EDGE, PART OF THE GROUP KNOWN AS
961
00:30:52,529 --> 00:30:55,498
THE BROOD.
962
00:30:55,533 --> 00:30:57,802
THEY HAVEN'T FORGOT.
963
00:30:57,835 --> 00:30:59,236
>> WATCHING EDGE USE THAT BROOD
964
00:30:59,270 --> 00:31:00,571
THEME AND THAT STYLE OF
965
00:31:00,606 --> 00:31:01,973
ENTRANCE, IT'S STILL, TO THIS
966
00:31:01,974 --> 00:31:02,608
DAY, ONE OF THE COOLEST THINGS
967
00:31:02,641 --> 00:31:09,615
I'VE EVER SEEN.
968
00:31:09,650 --> 00:31:10,384
>> ANOTHER LEGEND THAT CONTINUES
969
00:31:10,417 --> 00:31:11,652
TO THRILL AND DOMINATE IS THE
970
00:31:11,685 --> 00:31:14,521
MAN THEY CALL GOLDBERG.
971
00:31:14,556 --> 00:31:16,091
IN FACT, GOLDBERG IS SO AWESOME,
972
00:31:16,124 --> 00:31:17,992
HIS EPIC ENTRANCE STARTS GETTING
973
00:31:17,993 --> 00:31:19,160
THE CROWD PUMPED BEFORE HE EVEN
974
00:31:19,195 --> 00:31:23,366
COMES OUT OF THE CURTAIN.
975
00:31:23,399 --> 00:31:24,166
[KNOCKING]
976
00:31:24,201 --> 00:31:28,272
[GOLDBERG SCREAMS]
977
00:31:28,305 --> 00:31:29,206
GOLDBERG'S MUSIC WOULD HIT, AND
978
00:31:29,240 --> 00:31:31,576
EVERYBODY KNEW IT WAS COMING.
979
00:31:31,609 --> 00:31:33,311
IT WAS LIKE, "UH-OH."
980
00:31:33,344 --> 00:31:34,379
[GOLDBERG'S MUSIC PLAYS] >> THE
981
00:31:34,413 --> 00:31:35,447
FANS WOULD START CHANTING HIS
982
00:31:35,481 --> 00:31:37,082
NAME.
983
00:31:37,116 --> 00:31:41,086
>> GOLDBERG, GOLDBERG.
984
00:31:41,121 --> 00:31:42,022
>> ALL OF THAT JUST BUILT
985
00:31:42,055 --> 00:31:44,391
ANTICIPATION IN THE AUDIENCE.
986
00:31:44,425 --> 00:31:45,593
>> THERE'S NOT A BUTT ON A CHAIR
987
00:31:45,626 --> 00:31:47,027
IN THIS PLACE.
988
00:31:47,028 --> 00:31:48,896
>> AS IT STARTED TO BUILD, HERE
989
00:31:48,931 --> 00:31:50,565
COMES THE BANG ON THE DOOR.
990
00:31:50,599 --> 00:31:52,067
[KNOCKING] >> THE ADDED
991
00:31:52,100 --> 00:31:53,602
ANTICIPATION OF THE SECURITY
992
00:31:53,636 --> 00:31:55,638
KNOCKING ON HIS DOOR.
993
00:31:55,672 --> 00:31:57,840
>> THE MAN IS ON HIS WAY.
994
00:31:57,875 --> 00:31:59,510
>> THIS GUY'S TRAPS ARE INSANE.
995
00:31:59,543 --> 00:32:03,681
HIS INTENSITY IS OFF THE CHARTS.
996
00:32:03,715 --> 00:32:04,982
>> WE HAVE NEVER SEEN A MAN
997
00:32:04,983 --> 00:32:06,651
QUITE LIKE THIS.
998
00:32:06,685 --> 00:32:08,253
>> HE IS BEING ESCORTED BY THE
999
00:32:08,287 --> 00:32:10,323
COPS RIGHT ON UP THROUGH THE
1000
00:32:10,356 --> 00:32:12,458
ENTRANCE.
1001
00:32:12,492 --> 00:32:14,261
>> JUST THAT WALK ALONE, IT CAN
1002
00:32:14,294 --> 00:32:16,996
SAY IT ALL.
1003
00:32:16,998 --> 00:32:18,266
>> IN THE CASE OF GOLDBERG,
1004
00:32:18,299 --> 00:32:20,635
ACTIONS ALWAYS SPOKE LOUDER THAN
1005
00:32:20,668 --> 00:32:22,070
WORDS, BUT NOTHING SPARKED MORE
1006
00:32:22,104 --> 00:32:23,305
ATTENTION THAN WHAT HAPPENED
1007
00:32:23,339 --> 00:32:24,406
ONCE HE BROKE THROUGH THE
1008
00:32:24,440 --> 00:32:25,708
CURTAIN.
1009
00:32:25,741 --> 00:32:26,909
>> THE MAN IS HERE.
1010
00:32:27,010 --> 00:32:29,079
>> GOLDBERG SOMEWHERE LOST IN
1011
00:32:29,112 --> 00:32:31,348
THAT FIRE.
1012
00:32:31,382 --> 00:32:33,016
>> HE GETS CAUGHT IN ALL OF THAT
1013
00:32:33,017 --> 00:32:37,020
PYRO.
1014
00:32:37,022 --> 00:32:38,123
>> IF YOU'RE WILLING TO BE
1015
00:32:38,156 --> 00:32:39,191
BURNED BEFORE YOU EVEN GET IN
1016
00:32:39,224 --> 00:32:41,893
THE RING, IT'S A SCARY THING.
1017
00:32:41,928 --> 00:32:43,029
>> THEN, HE WOULD BREATHE OUT
1018
00:32:43,062 --> 00:32:44,397
THAT SMOKE, IT WAS LIKE A DRAGON
1019
00:32:44,430 --> 00:32:46,199
BREATHING FIRE.
1020
00:32:46,233 --> 00:32:47,835
>> IT SHOWED THE LAYER OF
1021
00:32:47,868 --> 00:32:49,336
FEROCITY AND INVULNERABILITY
1022
00:32:49,370 --> 00:32:50,237
THAT ULTIMATELY WOULD BE
1023
00:32:50,271 --> 00:32:54,074
GOLDBERG.
1024
00:32:54,109 --> 00:32:55,210
>> THE LONG ENTRANCES, THE
1025
00:32:55,243 --> 00:32:56,444
MUSIC, THE DRAMA, THE SECURITY
1026
00:32:56,479 --> 00:32:57,780
GUARDS, ALL THAT HAD A PRIZE
1027
00:32:57,813 --> 00:33:00,449
FIGHT FEEL TO IT.
1028
00:33:00,484 --> 00:33:01,984
>> LADIES AND GENTLEMEN, IT'S
1029
00:33:01,985 --> 00:33:03,687
TIME.
1030
00:33:03,720 --> 00:33:04,721
>> MICHAEL BUFFER'S THAT RING
1031
00:33:04,755 --> 00:33:05,789
ANNOUNCER THAT ONLY COMES OUT
1032
00:33:05,823 --> 00:33:07,292
FOR THOSE REALLY SPECIAL FIGHTS.
1033
00:33:07,325 --> 00:33:08,393
>> MAKING HIS ENTRANCE TO THE
1034
00:33:08,426 --> 00:33:16,601
RING, THE MAN, GOLDBERG.
1035
00:33:16,636 --> 00:33:17,337
>> I THINK ALL OF THAT FELT SO
1036
00:33:17,370 --> 00:33:19,539
UNIQUE.
1037
00:33:19,573 --> 00:33:20,708
>> WHO'S NEXT?
1038
00:33:20,741 --> 00:33:22,008
>> ONCE THE CURTAIN OPENED,
1039
00:33:22,009 --> 00:33:22,843
YOU'D FEEL THE ELECTRICITY, AND
1040
00:33:22,877 --> 00:33:24,345
IT WAS TIME TO GO OUT AND DO MY
1041
00:33:24,379 --> 00:33:25,514
THING.
1042
00:33:25,547 --> 00:33:26,548
>> HE WASN'T PANDERING TO
1043
00:33:26,581 --> 00:33:27,783
ANYBODY.
1044
00:33:27,816 --> 00:33:28,717
HE WAS ON HIS WAY TO KICK YOUR
1045
00:33:28,750 --> 00:33:30,052
ASS.
1046
00:33:30,086 --> 00:33:31,019
>> YOU ALWAYS HOPE THAT YOUR
1047
00:33:31,020 --> 00:33:32,622
ENTRANCE WOULD MAKE THE BIGGEST
1048
00:33:32,655 --> 00:33:35,825
SPLASH HUMANLY POSSIBLE.
1049
00:33:35,859 --> 00:33:36,927
EVERY ONE OF YOU WILL BE LYING
1050
00:33:37,027 --> 00:33:38,195
IF YOU SAID YOU DIDN'T WANT TO
1051
00:33:38,228 --> 00:33:39,863
SEE IT.
1052
00:33:39,898 --> 00:33:49,174
[CROWD CHANTS "GOLDBERG"]
1053
00:33:49,209 --> 00:33:50,110
>> FEW
1054
00:33:50,143 --> 00:33:51,043
SUPERSTARS MATCHED THE LEVEL OF
1055
00:33:51,044 --> 00:33:52,145
INTENSITY AND INTIMIDATION THAN
1056
00:33:52,179 --> 00:33:53,714
THE MAN THEY CALL GOLDBERG, BUT
1057
00:33:53,748 --> 00:33:57,318
THERE WERE ONE TO SURPASS THEM
1058
00:33:57,352 --> 00:33:59,220
ALL IN TERMS OF INDUCING FEAR
1059
00:33:59,254 --> 00:34:01,757
AND BEING SO EPICLY EPIC, THE
1060
00:34:01,790 --> 00:34:04,159
KING MIGHT JUST BE THE ENTRANCE
1061
00:34:04,194 --> 00:34:06,996
FOR WWE'S LORD OF DARKNESS, THE
1062
00:34:06,997 --> 00:34:13,770
PHENOM, THE UNDERTAKER.
1063
00:34:13,805 --> 00:34:15,107
>> FROM DEATH VALLEY, I GIVE YOU
1064
00:34:15,140 --> 00:34:19,911
THE UNDERTAKER.
1065
00:34:20,013 --> 00:34:21,080
>> IT'S THE MOST AWE-INSPIRING
1066
00:34:21,114 --> 00:34:22,582
ENTRANCE.
1067
00:34:22,616 --> 00:34:23,884
IT WOULD GIVE YOU GOOSEBUMPS.
1068
00:34:23,917 --> 00:34:25,219
TO BE ABLE TO BE A PART OF IT
1069
00:34:25,252 --> 00:34:29,923
AND SEE IT LIVE WAS ABSOLUTELY
1070
00:34:30,025 --> 00:34:31,025
INCREDIBLE.
1071
00:34:31,026 --> 00:34:31,593
>> THE PHENOM.
1072
00:34:31,626 --> 00:34:33,028
>> THE PRINCE OF DARKNESS.
1073
00:34:33,062 --> 00:34:34,730
>> HE'S TRULY SUPERHUMAN.
1074
00:34:34,764 --> 00:34:36,132
>> THE UNDERTAKER'S ENTRANCE
1075
00:34:36,165 --> 00:34:39,034
ITSELF IS AN ATTRACTION.
1076
00:34:39,036 --> 00:34:40,370
I DON'T THINK THERE'S ANYBODY
1077
00:34:40,404 --> 00:34:42,539
ELSE THAT HAD JUST AN ENTRANCE
1078
00:34:42,573 --> 00:34:43,941
THAT STANDS ALONE SO WELL AS THE
1079
00:34:44,042 --> 00:34:50,348
UNDERTAKER.
1080
00:34:50,382 --> 00:34:52,084
[THE UNDERTAKER'S MUSIC PLAYS]
1081
00:34:52,118 --> 00:34:57,457
[CROWD CHEERS]
1082
00:34:57,491 --> 00:34:58,125
>> IF I HEARD
1083
00:34:58,159 --> 00:35:00,161
THAT GONG, I'D GET CHILLS.
1084
00:35:00,194 --> 00:35:01,262
IT'S TERRIFYING, BUT AT THE SAME
1085
00:35:01,296 --> 00:35:02,431
TIME, YOU'RE LOVING EVERY SECOND
1086
00:35:02,464 --> 00:35:05,334
OF BEING TERRIFIED.
1087
00:35:05,367 --> 00:35:07,169
>> WHEN YOU HEAR THAT DOM,
1088
00:35:07,203 --> 00:35:10,473
SOMEONE'S GETTING HURT.
1089
00:35:10,507 --> 00:35:13,077
>> IT IS A EERIE FEELING.
1090
00:35:13,110 --> 00:35:14,378
IT IS SOMETHING SPECIAL.
1091
00:35:14,411 --> 00:35:15,679
YOU SEE THIS ICONIC FIGURE
1092
00:35:15,714 --> 00:35:17,014
WALKING DOWN.
1093
00:35:17,015 --> 00:35:17,916
HE'S LARGER THAN LIFE, LITERALLY
1094
00:35:18,016 --> 00:35:19,284
AND FIGURATIVELY.
1095
00:35:19,317 --> 00:35:20,819
>> PLEASE FEAR THE REAPER.
1096
00:35:20,853 --> 00:35:23,522
THE PHENOM IS HERE.
1097
00:35:23,556 --> 00:35:24,690
>> THAT SLOW MOTION WALK THAT
1098
00:35:24,725 --> 00:35:27,728
ONLY HE CAN DO.
1099
00:35:27,761 --> 00:35:29,229
LIKE THAT, I FORGOT EVERY SINGLE
1100
00:35:29,262 --> 00:35:30,664
THING THAT I WANTED TO
1101
00:35:30,698 --> 00:35:32,200
ACCOMPLISH IN THAT MATCH.
1102
00:35:32,233 --> 00:35:34,102
>> IT BEING SO DEMONIC AND SO
1103
00:35:34,135 --> 00:35:37,372
CREEPY AND EERIE, AND PEOPLE
1104
00:35:37,406 --> 00:35:39,108
GETTING SO EXCITED ABOUT IT,
1105
00:35:39,141 --> 00:35:42,878
IT'S FANTASTIC.
1106
00:35:42,912 --> 00:35:44,447
>> HE IS THE ONE, HE IS THE
1107
00:35:44,482 --> 00:35:47,284
ONLY, HE IS THE UNDERTAKER.
1108
00:35:47,318 --> 00:35:48,919
LOOK AT THAT.
1109
00:35:48,954 --> 00:35:50,489
HE'S GOT TO DROP IN AND BEAT
1110
00:35:50,522 --> 00:35:51,623
SOMEBODY UP.
1111
00:35:51,657 --> 00:35:52,791
>> IT'S THE GREATEST ENTRANCE OF
1112
00:35:52,824 --> 00:35:53,959
ALL TIME.
1113
00:35:54,060 --> 00:35:55,628
I THINK FANS WOULD PAY BIG TIME
1114
00:35:55,662 --> 00:35:57,230
MONEY JUST TO SEE HIS ENTRANCE
1115
00:35:57,263 --> 00:35:59,432
ALONE.
1116
00:35:59,466 --> 00:36:01,000
>> EVERY SINGLE NIGHT WHEN THAT
1117
00:36:01,001 --> 00:36:03,437
MUSIC WOULD HIT, THERE WAS AN
1118
00:36:03,471 --> 00:36:09,009
ELEMENT OF MAGIC AT HAND.
1119
00:36:09,011 --> 00:36:12,515
>> THE DEAD MAN HAS RISEN.
1120
00:36:12,548 --> 00:36:14,317
>> YOU KNOW THAT AN ENTRANCE IS
1121
00:36:14,351 --> 00:36:17,154
GREAT IF YOU CAN HAVE IT FOR 30
1122
00:36:17,187 --> 00:36:24,026
YEARS, AND IT WORKS, AND PEOPLE
1123
00:36:24,029 --> 00:36:26,465
STILL GET EXCITED FOR IT.
1124
00:36:26,498 --> 00:36:27,700
>> PERSONALLY, I LIKE THE OLD
1125
00:36:27,734 --> 00:36:29,602
UNDERTAKER.
1126
00:36:29,636 --> 00:36:30,904
>> OH, MY GOD.
1127
00:36:30,937 --> 00:36:32,572
THAT IS A HEARSE.
1128
00:36:32,606 --> 00:36:34,075
>> MY FAVORITE, PERSONALLY, WAS
1129
00:36:34,108 --> 00:36:35,343
AROUND THE LORD OF DARKNESS,
1130
00:36:35,376 --> 00:36:37,545
MINISTRY OF DARKNESS ERA.
1131
00:36:37,579 --> 00:36:39,715
AH, IT WAS JUST SO CAPTIVATING.
1132
00:36:39,748 --> 00:36:41,550
>> MY FAVORITE ONE DEFINITELY
1133
00:36:41,583 --> 00:36:44,386
HAD TO BE THE ONE WITH DRUIDS AT
1134
00:36:44,420 --> 00:36:46,289
WRESTLEMANIA 14.
1135
00:36:46,322 --> 00:36:47,724
>> FOR A FEW MOMENTS, MY
1136
00:36:47,758 --> 00:36:50,894
DISBELIEF WAS SUSPENDED.
1137
00:36:50,928 --> 00:36:52,896
THAT'S HOW EMOTIONALLY POWERFUL
1138
00:36:52,931 --> 00:36:54,399
AND WELL-DONE THE UNDERTAKER'S
1139
00:36:54,432 --> 00:36:56,935
ENTRANCE IS.
1140
00:36:56,969 --> 00:36:58,704
[MUSIC] >> YOU HEAR THE ROAR OF
1141
00:36:58,738 --> 00:37:00,406
THAT CROWD AND THE LOVE THAT
1142
00:37:00,439 --> 00:37:02,308
THEY'RE THROWING OUT, I CAN'T
1143
00:37:02,342 --> 00:37:03,877
THINK OF A BETTER WAY TO SPEND
1144
00:37:03,910 --> 00:37:07,280
THE LAST 30+ YEARS OF MY LIFE
1145
00:37:07,315 --> 00:37:08,616
THAN GOING OUT THERE AND
1146
00:37:08,649 --> 00:37:10,318
PERFORMING FOR THE PEOPLE THAT
1147
00:37:10,351 --> 00:37:12,019
HAVE FOLLOWED ME ALL THESE
1148
00:37:12,021 --> 00:37:13,756
YEARS.
1149
00:37:13,789 --> 00:37:15,024
>> I DON'T THINK THERE'S ANY
1150
00:37:15,057 --> 00:37:16,025
DOUBT THAT IS THE MOST AWESOME
1151
00:37:16,059 --> 00:37:18,395
ENTRANCE OF ANY SUPERSTAR IN
1152
00:37:18,428 --> 00:37:20,330
HISTORY.
1153
00:37:20,363 --> 00:37:22,198
[GONG RINGS]
1154
00:37:22,233 --> 00:37:30,107
[MOTORCYCLE ENGINE REVS]
1155
00:37:30,143 --> 00:37:31,077
[MUSIC]
1156
00:37:31,110 --> 00:37:31,844
>> I HOPE YOU
1157
00:37:31,878 --> 00:37:32,779
ENJOYED OUR LOOK BACK AT THE
1158
00:37:32,812 --> 00:37:33,813
MOST AWESOME ENTRANCES IN WWE
1159
00:37:33,846 --> 00:37:34,947
HISTORY.
1160
00:37:35,049 --> 00:37:35,916
THESE AND SO MUCH MORE ARE
1161
00:37:35,949 --> 00:37:37,384
REMINDERS OF THE SUPERB
1162
00:37:37,418 --> 00:37:38,385
SPECTACLE YOU CAN ONLY GET IN
1163
00:37:38,419 --> 00:37:40,220
WWE.
1164
00:37:40,255 --> 00:37:41,923
I'M KINDA FUNNY'S GREG MILLER.
1165
00:37:41,956 --> 00:37:43,258
THIS HAS BEEN AWESOME, AND WE'LL
1166
00:37:43,291 --> 00:37:46,961
SEE YOU NEXT TIME.
1167
00:37:47,063 --> 00:37:49,265
ON THE NEXT THIS IS AWESOME, THE
1168
00:37:49,298 --> 00:37:50,566
MOST BADASS WOMEN IN WWE
1169
00:37:50,600 --> 00:37:52,402
HISTORY.
1170
00:37:52,436 --> 00:37:54,137
>> WELCOME TO THE BIG TIME.
1171
00:37:54,172 --> 00:37:56,808
>> THE 9TH WONDER OF THE WORLD
1172
00:37:56,841 --> 00:37:59,744
>> THE EST OF WWE.
1173
00:37:59,778 --> 00:38:00,879
>> SEE IF YOUR FAVORITE MAKES
1174
00:38:00,913 --> 00:38:04,016
THE CUT, ONLY ON THE NEXT WWE
1175
00:38:04,050 --> 00:38:06,152
THIS IS AWESOME.
1176
00:38:06,186 --> 00:38:08,021
[CHEERS]
1177
00:38:08,071 --> 00:38:12,621
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