All language subtitles for Project Runway - 4x09 - Even Designers Get the Blues.DSR.ORENJi.en

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These are the user uploaded subtitles that are being translated: 1 00:00:00,300 --> 00:00:02,400 previously on ??? 2 00:00:02,400 --> 00:00:03,500 For your ??? 3 00:00:03,500 --> 00:00:06,100 You will ??? 4 00:00:06,100 --> 00:00:09,300 and ??? 5 00:00:09,300 --> 00:00:11,900 The ??? 6 00:00:14,300 --> 00:00:18,000 I'm ??? 7 00:00:18,700 --> 00:00:20,200 I'm not ??? ??? 8 00:00:20,200 --> 00:00:21,100 OKEY. 9 00:00:21,100 --> 00:00:23,100 The ??? 10 00:00:23,100 --> 00:00:24,400 Don't ??? 11 00:00:24,400 --> 00:00:26,600 I just ??? 12 00:00:26,600 --> 00:00:29,100 I ??? 13 00:00:29,100 --> 00:00:30,900 THERE WILL BE ANOTHER LOOK 14 00:00:30,900 --> 00:00:32,500 WALKING DOWN THE RUNWAY TOMORROW. 15 00:00:33,400 --> 00:00:35,700 ANOTHER LOOK. 16 00:00:35,700 --> 00:00:40,000 MY REACTION IS HORROR, NAUSEA. 17 00:00:40,000 --> 00:00:45,800 ����Ļ����ѧϰ�������Ͻ�������ҵ��; 18 00:00:45,800 --> 00:00:47,500 CONGRATULATIONS... 19 00:00:47,500 --> 00:00:48,700 CHRISTIAN. 20 00:00:48,700 --> 00:00:50,600 YOU'RE THE WINNER OF THIS CHALLENGE. 21 00:00:50,600 --> 00:00:52,100 THANK YOU VERY MUCH. 22 00:00:52,100 --> 00:00:55,400 RAMI, I WONDER IF THERE'S SOMETHING ELSE THAT YOU COULD DO. 23 00:00:55,400 --> 00:00:56,700 IT'S NOT AVANT-GARDE. 24 00:00:56,700 --> 00:00:58,700 IT'S CHEAP, IT'S REAL CHEAP. 25 00:00:58,700 --> 00:01:00,600 KIT, YOU'RE OUT. 26 00:01:05,600 --> 00:01:09,200 THE WINNER OF PROJECT RUNWAY WILL RECEIVE A SPREAD IN ELLE MAGAZINE, 27 00:01:09,200 --> 00:01:12,500 AN OPPORTUNITY TO SELL THEIR LINE ON BLUEFLY.COM, 28 00:01:12,500 --> 00:01:14,900 AN ALL-NEW 2008 SATURN ASTRA, 29 00:01:14,900 --> 00:01:17,300 AND $100,000 TO START THEIR OWN LINE 30 00:01:17,300 --> 00:01:20,100 FURNISHED BY TRESEMME PROFESSIONAL HAIR CARE. 31 00:01:20,100 --> 00:01:22,000 THIS IS PROJECT RUNWAY. 32 00:01:22,000 --> 00:01:23,000 LET'S GO. 33 00:01:23,000 --> 00:01:24,100 HELL, YES, I'M THE BEST. 34 00:01:24,100 --> 00:01:26,100 YOU'RE EITHER IN, OR YOU'RE OUT. 35 00:01:26,100 --> 00:01:28,300 I'M IN...THEY'RE OUT. 36 00:01:28,300 --> 00:01:30,200 I WOULDN'T BE CAUGHT DEAD IN HIS CLOTHES. 37 00:01:30,200 --> 00:01:31,400 FASHION IS MY LIFE. 38 00:01:31,400 --> 00:01:33,300 WHO WILL BE THE NEXT BIG FASHION DESIGNER? 39 00:01:33,300 --> 00:01:34,300 THAT'S ME. 40 00:01:34,300 --> 00:01:36,200 BOTTOM LINE, I'M THE BEST. 41 00:01:36,200 --> 00:01:38,100 I WILL OWN THE RUNWAY. 42 00:01:38,100 --> 00:01:39,400 FOR THESE 15 DESIGNERS, 43 00:01:39,400 --> 00:01:42,800 PROJECT RUNWAY IS THE CHANCE OF A LIFETIME. 44 00:01:42,800 --> 00:01:47,900 -==http://www.ragbear.com==- Ƭ�� ��N����N�� 45 00:01:47,900 --> 00:01:51,800 -=��������Ļ��=- ���룺����ID У�ԣ�����ID ʱ����: ����&&Сsu 46 00:01:51,800 --> 00:01:53,800 KIT, YOU'RE NOT GONNA HAVE ANY MORE COFFEE, RIGHT? 47 00:01:53,800 --> 00:01:55,100 MY NAME'S NOT KIT. 48 00:01:55,100 --> 00:01:56,700 I'M SORRY. 49 00:01:56,700 --> 00:01:58,200 KIT GOT ELIMINATED. 50 00:01:58,200 --> 00:01:59,500 SHE'S JUST [bleep] COOL, 51 00:01:59,500 --> 00:02:00,700 AND, LIKE, I'M GONNA MISS HER. 52 00:02:00,700 --> 00:02:02,300 DO YOU WANT A PEANUT BUTTER SANDWICH, KIT, 53 00:02:02,300 --> 00:02:03,300 SINCE OUR BREAKFAST-- 54 00:02:03,300 --> 00:02:04,400 MY NAME'S NOT KIT. 55 00:02:04,400 --> 00:02:06,200 OH, I'M SORRY, SWEET P. 56 00:02:06,200 --> 00:02:07,600 MY NAME IS SWEET P. 57 00:02:07,600 --> 00:02:09,100 I'M SORRY, SWEET P. 58 00:02:11,100 --> 00:02:13,900 WE HAVE SEVEN PEOPLE LEFT. 59 00:02:13,900 --> 00:02:15,000 BUT NOTHING CHANGED HERE. 60 00:02:15,000 --> 00:02:16,100 WE'RE ALL STILL HERE. 61 00:02:16,100 --> 00:02:16,900 THAT'S TRUE. 62 00:02:16,900 --> 00:02:18,900 WE'RE THE ONLY APARTMENT 63 00:02:18,900 --> 00:02:21,200 THAT HASN'T LOST ANYBODY. 64 00:02:21,200 --> 00:02:22,300 GET OUT. 65 00:02:24,200 --> 00:02:25,700 I'M NOT READY TO GO HOME YET. 66 00:02:25,700 --> 00:02:28,200 I'M TRYING TO BE EXCITED ABOUT EVERYTHING, 67 00:02:28,200 --> 00:02:30,900 BUT IT'S HARD TO BE EXCITED ABOUT EVERYTHING 68 00:02:30,900 --> 00:02:32,900 WHEN EVERY TIME YOU GO TO ELIMINATION, 69 00:02:32,900 --> 00:02:35,700 YOU'RE TOLD THAT YOU'RE NOT GOOD ENOUGH. 70 00:02:37,000 --> 00:02:38,100 READY TO GO? 71 00:02:48,400 --> 00:02:49,400 HELLO. 72 00:02:49,400 --> 00:02:51,800 HI. HI. 73 00:02:51,800 --> 00:02:54,100 BEFORE WE TALK ABOUT YOUR NEXT CHALLENGE, 74 00:02:54,100 --> 00:02:57,900 LET'S BRING OUT THE WINNING AND LOSING DESIGNERS' MODELS. 75 00:03:06,600 --> 00:03:10,700 MODELS, THIS IS A COMPETITION FOR YOU TOO. 76 00:03:10,700 --> 00:03:13,100 THE MODEL PAIRED WITH THE WINNING DESIGNER 77 00:03:13,100 --> 00:03:16,500 WILL GET A FASHION SPREAD IN ELLE MAGAZINE. 78 00:03:16,500 --> 00:03:17,300 CHRISTIAN, 79 00:03:17,300 --> 00:03:19,400 YOU WERE THE WINNER OF THE LAST CHALLENGE, 80 00:03:19,400 --> 00:03:22,800 SO YOU HAVE THE OPTION OF SWAPPING MODELS 81 00:03:22,800 --> 00:03:25,200 WITH ??? 82 00:03:25,200 --> 00:03:27,300 Your ??? 83 00:03:27,300 --> 00:03:31,300 If you ??? MARIE WILL BE OUT. 84 00:03:31,300 --> 00:03:32,800 IF YOU DECIDE TO SWAP, 85 00:03:32,800 --> 00:03:35,400 I WILL BRING OUT ALL THE MODELS FOR YOU TO CHOOSE FROM. 86 00:03:35,400 --> 00:03:37,200 WHAT DO YOU WANT TO DO? 87 00:03:37,200 --> 00:03:38,500 MARIE, I LOVE YOU, 88 00:03:38,500 --> 00:03:41,100 BUT I HAVE TO STAY WITH LISA. 89 00:03:43,900 --> 00:03:45,500 THAT MEANS, MARIE, YOU'RE OUT. 90 00:03:45,500 --> 00:03:46,600 ??? Thank you. 91 00:03:49,000 --> 00:03:51,300 THANK YOU MORE THAN LIFE. 92 00:03:51,300 --> 00:03:52,600 BYE. 93 00:03:58,000 --> 00:03:59,500 READY FOR YOUR NEXT CHALLENGE? 94 00:03:59,500 --> 00:04:00,700 YEAH. 95 00:04:00,700 --> 00:04:03,700 GOOD, BECAUSE TIM IS WAITING FOR YOU IN THE LOBBY. 96 00:04:03,700 --> 00:04:07,400 HE WILL BE TAKING YOU ON A LITTLE FIELD TRIP. 97 00:04:07,400 --> 00:04:09,600 SO LET'S NOT KEEP HIM WAITING. 98 00:04:09,600 --> 00:04:11,500 GET GOING. 99 00:04:11,500 --> 00:04:13,100 AND I'LL SEE YOUON THE RUNWAY. 100 00:04:13,100 --> 00:04:14,400 BYE. 101 00:04:15,200 --> 00:04:17,600 A FIELD TRIP COULD GO EITHER WAY. 102 00:04:17,600 --> 00:04:19,100 COULD BE SOMETHING TRAGIC, 103 00:04:19,100 --> 00:04:20,600 LIKE YOU END UP IN A GARBAGE CAN, 104 00:04:20,600 --> 00:04:22,900 TRYING TO MAKE A WEDDING GOWN OUT OF IT. 105 00:04:22,900 --> 00:04:25,000 OR ??? GOING TO PARIS, 106 00:04:25,000 --> 00:04:28,700 ??? CRAZY COUTURE GOWN OR SOMETHING LIKE THAT. 107 00:04:28,700 --> 00:04:30,000 ALL RIGHT, EVERYBODY. 108 00:04:30,000 --> 00:04:32,400 WE'RE TAKING A LITTLE FIELD TRIP. 109 00:04:32,400 --> 00:04:34,100 SO COME WITH ME. 110 00:04:40,600 --> 00:04:43,300 ARE WE GONNA MEET SOMEBODY FABULOUS TODAY? 111 00:04:43,300 --> 00:04:44,300 WE ARE FABULOUS. 112 00:04:44,300 --> 00:04:46,500 WE DON'T NEED TO MEET ANYBODY FABULOUS. 113 00:04:47,500 --> 00:04:49,400 WHEN ??? WHO KNOWS WHERWE'RE GOING. 114 00:04:49,400 --> 00:04:51,100 ALL OF A SUDDEN, WE'RE GOING ELY A UGH BRIDGE 115 00:04:51,100 --> 00:04:53,000 So ??? 116 00:04:53,000 --> 00:04:55,300 And ??? 117 00:04:55,300 --> 00:04:57,500 Oh. LOOK HOW ??? LOOR THERE. 118 00:04:57,500 --> 00:04:59,800 I THINK WE HAVE A ??? 119 00:04:59,800 --> 00:05:00,600 YOU THINK SO? 120 00:05:00,600 --> 00:05:01,200 YEAH. 121 00:05:01,200 --> 00:05:03,600 WE'RE DESIGNING CEMENT GALOSHES. 122 00:05:11,700 --> 00:05:16,500 WE END THIER ON THE ??? 123 00:05:16,500 --> 00:05:18,400 WE WALK OVER TO IS GARAGE, 124 00:05:18,400 --> 00:05:21,100 AND THERE'S A WOMAN STANDING THERE. 125 00:05:21,100 --> 00:05:23,100 AND WE DON'T KNOW WHO SHE IS. 126 00:05:24,100 --> 00:05:26,900 DESIGNERS, I WANT TO INTRODUCE CAROLINE CALVIN. 127 00:05:26,900 --> 00:05:29,400 SENIOR VICE PRESIDENT OF DESIGN FOR LEVI'S. 128 00:05:29,400 --> 00:05:32,100 GOODMORNING DESOGNERS GOODMORING 129 00:05:32,100 --> 00:05:35,500 Behind ??? 130 00:05:39,100 --> 00:05:41,800 THE GARAGEOOR WARAING PRETTY SLOWLY, 131 00:05:41,800 --> 00:05:42,700 AND I DON'T EVEN KNOW 132 00:05:42,700 --> 00:05:46,100 IF I WANT TO KNOW WHATN THE OTHER SIDE OF THAT DOOR. 133 00:05:51,600 --> 00:05:54,600 FABULOUS, WOW. 134 00:05:56,900 --> 00:05:58,100 THE DOORS OPEN, 135 00:05:58,100 --> 00:06:01,100 AND THERE ARE HUNDREDS AND HUNDRES OF LEVI'S JEANS 136 00:06:01,100 --> 00:06:03,600 JUST HANGING ON CLOTHESLINES. 137 00:06:03,600 --> 00:06:05,100 INSIDE THIS WAREHOUSE, 138 00:06:05,100 --> 00:06:10,300 YOU'LL FIND MORE THAN ??? 139 00:06:10,300 --> 00:06:13,000 As ??? 140 00:06:13,000 --> 00:06:15,400 THESE ARE THE W MATERIALS FO CHALLENGE 141 00:06:15,400 --> 00:06:18,300 So ??? 142 00:06:18,300 --> 00:06:21,800 Is to ??? 143 00:06:21,800 --> 00:06:25,300 THAT CAPTURES THE SPIRIT ORIGINALITY AND CREATIVITY 144 00:06:25,300 --> 00:06:28,300 THAT HAS LIVED IN THE HEART OF THE LEVI'S BRAND. 145 00:06:28,300 --> 00:06:30,200 I ??? 146 00:06:30,200 --> 00:06:32,100 SO I'M REALLY EXCITED 147 00:06:32,100 --> 00:06:35,000 There are ??? 148 00:06:35,000 --> 00:06:35,900 When I ??? 149 00:06:35,900 --> 00:06:40,000 You ??? 150 00:06:40,000 --> 00:06:46,700 ??? WERE HUNG ??? way 151 00:06:46,700 --> 00:06:48,100 All right? 152 00:06:49,300 --> 00:06:50,700 YOU READY? 153 00:06:52,100 --> 00:06:52,800 Go! 154 00:06:56,000 --> 00:06:57,600 ??? 155 00:07:00,100 --> 00:07:01,600 I LOST A SHOE. 156 00:07:01,600 --> 00:07:04,500 Thay ran ??? 157 00:07:04,500 --> 00:07:06,700 It's so ??? 158 00:07:06,700 --> 00:07:07,900 ??? OU SEE MY FOOT 159 00:07:09,500 --> 00:07:13,500 My ???GET ALTHE RK PAIRS 160 00:07:13,500 --> 00:07:16,200 THAT I WAN CAUSE I'M THINKI TO GO ??? 161 00:07:17,600 --> 00:07:19,700 I ??? AND JEANS. 162 00:07:19,700 --> 00:07:22,800 ??? 163 00:07:23,400 --> 00:07:24,800 So crazy. 164 00:07:26,600 --> 00:07:30,200 We are ???. 165 00:07:30,200 --> 00:07:32,300 ??? 166 00:07:33,400 --> 00:07:36,100 Honestly ??? 167 00:07:36,100 --> 00:07:38,000 And I ??? 168 00:07:38,000 --> 00:07:39,600 but I ??? 169 00:07:40,800 --> 00:07:42,000 All right. One min 170 00:07:43,500 --> 00:07:44,500 There ??? 171 00:07:45,200 --> 00:07:47,300 UM, I THINKEY MIGHT BE MINE, BUT... 172 00:07:47,300 --> 00:07:48,800 Yeah, ??? 173 00:07:48,800 --> 00:07:50,200 I ??? 174 00:07:50,200 --> 00:07:52,400 I'm ??? 175 00:07:52,400 --> 00:07:55,500 We ??? 176 00:07:55,500 --> 00:07:58,400 YOU DON'T HAVE TIME TO STOP AND LOOK. 177 00:08:00,200 --> 00:08:01,500 THEY'RE DIRTY. OH. 178 00:08:02,300 --> 00:08:03,600 LOOK AT THE FILTH. 179 00:08:05,300 --> 00:08:06,700 FIVE SECONDS. 180 00:08:06,700 --> 00:08:07,900 IT'S NOT FITTING. 181 00:08:08,700 --> 00:08:11,000 ALL RIGHT, TIME. 182 00:08:11,900 --> 00:08:13,700 I NEED TO GET MY SHOE. 183 00:08:13,700 --> 00:08:15,700 I KNEW YOUR SHOE WAS GONNA COME OFF. 184 00:08:27,200 --> 00:08:28,700 ALL RIGHT, EVERYBODY. 185 00:08:28,700 --> 00:08:33,400 THERE ARE A TON OF NOTIONS FROM LEVI'S, OKAY? 186 00:08:33,400 --> 00:08:34,300 COOL. 187 00:08:34,300 --> 00:08:36,900 YOU HAVE UNTIL MIDNIGHT TONIGHT. 188 00:08:38,200 --> 00:08:38,800 GO, GO. 189 00:08:38,800 --> 00:08:41,100 THANK YOU. 190 00:08:44,100 --> 00:08:46,400 OOH, THESE LOOK KIND OF CUTE. 191 00:08:46,400 --> 00:08:48,200 I THINK DENIM'S FUN TO WORK WITH. 192 00:08:48,200 --> 00:08:50,500 I MAKE MY HATS SOMETIMES OUT OF DENIM. 193 00:08:50,500 --> 00:08:52,800 I THOUGHT TO MYSELF, IT NEEDS TO BE 194 00:08:52,800 --> 00:08:55,400 SOMETHING THAT NO ONE ELSE HERE CAN DO. 195 00:08:55,400 --> 00:08:57,200 I KNEW THAT NO ONE COULD FIT DENIM 196 00:08:57,200 --> 00:08:58,700 LIKE I CAN FIT IT. 197 00:08:58,700 --> 00:09:00,200 SO I CHOSE A CORSET, 198 00:09:00,200 --> 00:09:02,600 WHICH AGAIN IS AN ICONIC PIECE. 199 00:09:03,200 --> 00:09:04,600 I'M MAKING A COAT 200 00:09:04,600 --> 00:09:06,600 THAT'S KIND OF FUTURISTIC LOOKING. 201 00:09:06,600 --> 00:09:10,100 IT HAS TO BE DRAMATIC AND INTERESTING AND FORWARD. 202 00:09:10,100 --> 00:09:12,300 I USED MOSTLY THE 501 JEANS 203 00:09:12,300 --> 00:09:16,000 AND I'M USING THE LABELS AS AN EPAULETTE ON THE ONE SHOULDER. 204 00:09:16,000 --> 00:09:18,000 IT LOOKS LIKE JILLIAN GOT THE MOST STUFF. 205 00:09:19,200 --> 00:09:21,400 I THINK RAMI GOT THE MOST STUFF. 206 00:09:21,400 --> 00:09:23,200 HE JUST GRABBED WHATEVER HE WANTED. 207 00:09:23,200 --> 00:09:24,300 GREEDY BITCH. 208 00:09:24,300 --> 00:09:25,000 GREEDY BITCH? 209 00:09:25,000 --> 00:09:26,600 I WAS THE ONE BEHIND ALL OF YOU GUYS. 210 00:09:26,600 --> 00:09:27,600 I KNOW, RIGHT? 211 00:09:29,000 --> 00:09:32,900 I'M NOT SPECIFICALLY AN AMERICAN DESIGNER. 212 00:09:32,900 --> 00:09:35,700 I WAS BORN IN THE CITY OF JERUSALEM, 213 00:09:35,700 --> 00:09:39,600 LIVING IN A POLITICALLY COMPLICATED ENVIRONMENT 214 00:09:39,600 --> 00:09:42,000 WHERE THREE MAJOR RELIGIONS 215 00:09:42,000 --> 00:09:44,700 SORT OF MIX AND HAVE CONFLICT. 216 00:09:44,700 --> 00:09:46,500 AND BECAUSE OF LACK OF ACTIVITIES, 217 00:09:46,500 --> 00:09:48,200 I GAINED A LOVE FOR SKETCHING AND DESIGN, 218 00:09:48,200 --> 00:09:49,600 AND IT WAS THE PERFECT ESCAPE 219 00:09:49,600 --> 00:09:52,800 AT THE AGE OF FIVE OR SIX OR SEVEN. 220 00:09:52,800 --> 00:09:55,000 BECAUSE I'M NOT FROM THE UNITED STATES, 221 00:09:55,000 --> 00:09:56,400 MY TAKE IS A LITTLE BIT DIFFERENT. 222 00:09:56,400 --> 00:09:59,700 IT'S A LITTLE BIT MORE FASHION FORWARD, MORE EDGY. 223 00:09:59,700 --> 00:10:01,500 THE SKIRT AND THE SHIRT THAT I'M MAKING 224 00:10:01,500 --> 00:10:04,400 IS GOING TO SHOW THAT LEVI'S CAN BE 225 00:10:04,400 --> 00:10:06,700 A LITTLE BIT MORE REFINED YET HIP. 226 00:10:09,500 --> 00:10:10,500 MINE ARE FILTHY. 227 00:10:10,500 --> 00:10:13,200 YOU, LIKE, ROLLED AROUND ON THE FLOOR, I THINK. 228 00:10:13,200 --> 00:10:14,100 I KNOW. 229 00:10:14,100 --> 00:10:16,400 I'LL JUST BANG OUT THE DIRT. 230 00:10:16,400 --> 00:10:18,400 MY JEANS ARE TOTALLY DIRTY THAT I GOT TODAY, 231 00:10:18,400 --> 00:10:21,200 'CAUSE LIKE AN IDIOT, I DROPPED 'EM ALL ON THE GROUND. 232 00:10:21,200 --> 00:10:22,800 Hey Chris, you're super smart. 233 00:10:23,800 --> 00:10:24,700 OH, REALLY? 234 00:10:24,700 --> 00:10:26,600 IS THERE A GOOD WAY TO GET DIRT OUT OF THIS STUFF? 235 00:10:26,600 --> 00:10:28,100 I WOULD WAIT UNTIL YOU'RE DONE, 236 00:10:28,100 --> 00:10:30,000 AND THEN I WOULD, LIKE, DAMP-CLOTH IT. 237 00:10:30,000 --> 00:10:30,600 I WOULDN'T, 238 00:10:30,600 --> 00:10:32,800 I WOULD WIPE IT WITH A DRY PIECE OF DENIM. 239 00:10:32,800 --> 00:10:34,000 BUT THEN, IF YOU... 240 00:10:34,000 --> 00:10:36,000 WIPE ITWITH A LITTLE BIT OF A DAMP CLOTH-- 241 00:10:36,000 --> 00:10:37,000 NO, LADY. 242 00:10:37,000 --> 00:10:38,900 WIPE IT DRY, OR IT'LL SEEP INTO THE DENIM 243 00:10:38,900 --> 00:10:39,700 AND YOU'LL NEVER GET IT OUT. 244 00:10:39,700 --> 00:10:42,600 I DON'T KNOW HOW MANY TIMES YOU'VE BEEN PAID AS A STYLIST. 245 00:10:42,600 --> 00:10:44,600 OBVIOUSLY I KNOW MORE THAN YOU, 246 00:10:44,600 --> 00:10:47,300 SINCE YOU'RE GONNA WET DENIM. 247 00:10:47,800 --> 00:10:50,100 IT'S SO CUTE TO SEE YOUTH. 248 00:10:51,200 --> 00:10:53,300 I THINK THAT CHRISTIAN'S VERY TALENTED, 249 00:10:53,300 --> 00:10:56,200 AND THERE'S NOTHING WRONG WITH HAVING A HIGH LEVEL OF CONFIDENCE, 250 00:10:56,200 --> 00:10:59,600 BUT I THINK THAT CHRISTIAN IS VERY IMMATURE. 251 00:10:59,600 --> 00:11:01,600 DECONSTRUCT DENIM. 252 00:11:01,600 --> 00:11:03,400 MAKE IT YOUR OWN. 253 00:11:03,400 --> 00:11:05,400 DECONSTRUCT, GREAT. 254 00:11:05,400 --> 00:11:09,100 SOMEBODY NEEDS TO GIVE HIM A BOTTLE AND SEND HIM TO BED. 255 00:11:11,300 --> 00:11:13,800 LIKE, WHAT AM I SUPPOSED TO DO WITH THIS? 256 00:11:15,000 --> 00:11:17,600 I FEEL LIKE I'M IN FIRST GRADE. 257 00:11:17,600 --> 00:11:19,800 PLEASE DECONSTRUCT. 258 00:11:19,800 --> 00:11:23,400 WOW, I DID THAT WHEN I WAS IN FASHION SCHOOL. 259 00:11:23,400 --> 00:11:25,800 CHRISTIAN IS LIKE A CARTOON CHARACTER. 260 00:11:25,800 --> 00:11:28,300 THERE'S SO MUCH YAKKING AND BITCHING. 261 00:11:28,300 --> 00:11:30,600 IF I HAD HAIR ON MY HEAD, I'D WANT TO TEAR IT OUT. 262 00:11:30,600 --> 00:11:35,300 OH, MY GOD, I'M GONNA DIE OF BARFNESS. 263 00:11:35,300 --> 00:11:37,000 IT'S SO DISGUSTING. 264 00:11:38,300 --> 00:11:42,000 MY GOD, THIS IS NOT HOW FASHION IS. 265 00:11:45,900 --> 00:11:47,600 DID YOU LIKE DOING DENIM? 266 00:11:47,600 --> 00:11:48,400 IT'S INTERESTING, 267 00:11:48,400 --> 00:11:50,600 BUT I JUST COULDN'T DO IT EVERY DAY. 268 00:11:50,600 --> 00:11:52,800 MY IDEA WAS TO DO A COAT, 269 00:11:52,800 --> 00:11:55,600 A VERY CLASSIC TRENCH. 270 00:11:56,600 --> 00:11:58,000 ONE OF THE REASONS WHY 271 00:11:58,000 --> 00:11:59,700 I THINK I'M SO INTO FASHION 272 00:11:59,700 --> 00:12:01,400 IS BECAUSE MY MOTHER HAS ALWAYS BEEN 273 00:12:01,400 --> 00:12:03,400 A SOURCE OF INSPIRATION FOR ME. 274 00:12:03,400 --> 00:12:04,600 WHEN I WAS GROWING UP, 275 00:12:04,600 --> 00:12:07,200 SHE ALWAYS MADE EVERYTHING I WANTED. 276 00:12:07,200 --> 00:12:08,500 I WOULD SKETCH THINGS, 277 00:12:08,500 --> 00:12:11,100 AND SHE WOULD SEW THEM UP BEAUTIFULLY. 278 00:12:11,100 --> 00:12:13,700 SO I'D LIKE TO THINK THAT SHE'D BE HAPPY AND PROUD 279 00:12:13,700 --> 00:12:15,600 IF I MAKE IT TO THE FINALS. 280 00:12:16,100 --> 00:12:18,100 JILLIAN'S DOING A JACKET TOO. 281 00:12:18,100 --> 00:12:19,800 I KNOW, I HEARD HER WHEN SHE WAS SAYING IT, 282 00:12:19,800 --> 00:12:22,300 BUT I WASN'T GONNA CHANGE MY CONCEPT. 283 00:12:22,300 --> 00:12:23,700 YEAH. 284 00:12:23,700 --> 00:12:25,400 VERY TRUE. 285 00:12:28,900 --> 00:12:31,000 I DIDN'T EVEN REALIZE IT UNTIL, LIKE, HALFWAY THROUGH, 286 00:12:31,000 --> 00:12:34,800 I LOOKED OVER AND I SAW THAT SHE WAS ALSO MAKING A DENIM COAT. 287 00:12:34,800 --> 00:12:37,000 SO I WAS LIKE, WOW, THAT'S KIND OF CRAZY. 288 00:12:37,000 --> 00:12:39,500 WE JUST WORKED ON THE PREVIOUS CHALLENGE TOGETHER, 289 00:12:39,500 --> 00:12:41,700 AND I MADE THAT COAT, 290 00:12:41,700 --> 00:12:45,000 AND I DIDN'T EVEN KNOW SHE HAD ANY INTEREST IN COATS. 291 00:12:45,000 --> 00:12:47,100 IT'S JUST REALLY ANNOYING, ACTUALLY. 292 00:12:49,500 --> 00:12:51,200 COMING UP ON PROJECT RUNWAY... 293 00:12:52,100 --> 00:12:53,900 I'M BLEEDING EVERYWHERE. 294 00:12:54,500 --> 00:12:56,900 I FEEL LIKE A MESS. 295 00:12:59,000 --> 00:12:59,900 Oh, no. 296 00:13:04,900 --> 00:13:07,100 I FEEL SO MANLY WORKING WITH DENIM. 297 00:13:07,100 --> 00:13:09,400 IT'S LIKE A MACY'S DAY PARADE UP IN HERE. 298 00:13:10,700 --> 00:13:14,100 WE WERE GIVEN THIS, LIKE, LEVI'S LOOK BOOK, 299 00:13:14,100 --> 00:13:18,600 AND INSIDE THIS BOOK WAS THIS DENIM TRUCKER JACKET, 300 00:13:18,600 --> 00:13:21,600 AND IMMEDIATELY WHEN I HEARD THE NAME, 301 00:13:21,600 --> 00:13:23,100 JUST LIKE TRUCKER JACKET, 302 00:13:23,100 --> 00:13:28,600 I INSTANTLY CLICKED WITH THIS EDGY BIKER OUT OF IT FOR A WOMAN. 303 00:13:29,900 --> 00:13:32,100 DENIM'S COOL BECAUSE IT'S EASY TO SEW, 304 00:13:32,100 --> 00:13:35,100 IT'S EASY TO CUT, SO I AM MAKING A WEDDING DRESS. 305 00:13:35,100 --> 00:13:37,300 THE WEDDING DRESS I WORE WAS-- 306 00:13:37,300 --> 00:13:40,300 I DON'T WANT TO SAY CASUAL, BUT IT'S NOT LIKE A BIG SATIN DRESS 307 00:13:40,300 --> 00:13:42,300 THAT LOOKS LIKE YOU'RE ON A WEDDING CAKE. 308 00:13:42,300 --> 00:13:45,200 SAGE AND I GOT MARRIED ABOUT A YEAR AGO. 309 00:13:45,200 --> 00:13:46,400 FOR THE LAST TWO YEARS, 310 00:13:46,400 --> 00:13:50,300 SAGE HAS BEEN SUPPORTING ME FINANCIALLY. 311 00:13:50,300 --> 00:13:53,900 I THINK MY HUSBAND WILL BE REALLY PROUD WHEN HE SEES THE DRESS. 312 00:13:53,900 --> 00:13:55,200 OH, MY GOD, I LIKE IT. 313 00:13:58,600 --> 00:14:01,800 IT'S SO QUIET WITH EVERYONE GONE. I KNOW. 314 00:14:01,800 --> 00:14:03,100 WEIRD. EVERYBODY'S GONE. 315 00:14:03,100 --> 00:14:04,800 I MEAN THERE'S NOT THAT MANY OF US LEFT. 316 00:14:04,800 --> 00:14:05,900 I DON'T LIKE IT. 317 00:14:05,900 --> 00:14:10,300 IT'S HARD WHEN SOME OF YOUR FAVORITE PEOPLE ARE JUST LEAVING. 318 00:14:10,300 --> 00:14:13,200 I KNOW, AND SOME ANNOYING PEOPLE ARE STILL LEFT, GOD. 319 00:14:16,300 --> 00:14:17,100 BLAH. 320 00:14:17,900 --> 00:14:20,100 THE FACT THAT RICKY'S HERE, I THINK IS A JOKE, 321 00:14:20,100 --> 00:14:22,800 BECAUSE I THINK HE SHOULD HAVE GONE HOME INSTEAD OF KIT. 322 00:14:22,800 --> 00:14:24,100 HIS WORK HAS BEEN 323 00:14:24,100 --> 00:14:26,500 THE SAME BORING THING SINCE DAY ONE. 324 00:14:26,500 --> 00:14:28,600 I THINK HE HAS NO VISION AT ALL. 325 00:14:28,600 --> 00:14:29,700 GOD 326 00:14:31,600 --> 00:14:33,500 BECAUSE I'VE BEEN ON THE BOTTOM SO MUCH, 327 00:14:33,500 --> 00:14:34,700 I'VE BEEN GETTING THESE LOOKS, 328 00:14:34,700 --> 00:14:37,300 LIKE I AM SO NOT WORTHY OF BEING HERE. 329 00:14:37,300 --> 00:14:40,000 I'M NOT THE KIND OF PERSON THAT HAS ALL-AROUND FEARS 330 00:14:40,000 --> 00:14:41,200 AND ME, ME, ME, 331 00:14:41,200 --> 00:14:42,400 BUT I THINK THE DESIGNERS DON'T KNOW 332 00:14:42,400 --> 00:14:44,400 THAT I HAVE THE EXPERIENCE I HAVE. 333 00:14:44,400 --> 00:14:47,700 I WAS AN ASSISTANT DESIGNER FOR THE VALENTINO LINGERIE. 334 00:14:47,700 --> 00:14:50,000 I WORKED WITH OSCAR DE LA RENTA. 335 00:14:50,000 --> 00:14:53,700 I WAS THE VP OF DESIGN FOR THE VERA WANG LINGERIE. 336 00:14:53,700 --> 00:14:56,200 I KNOW FOR A FACT THAT I'M A GREAT DESIGNER, 337 00:14:56,200 --> 00:14:57,500 SO I'M OKAY WITH THAT. 338 00:15:04,400 --> 00:15:06,900 Do you think Chris is lonely all by himself? 339 00:15:06,900 --> 00:15:07,900 PROBABLY. 340 00:15:07,900 --> 00:15:08,900 ACTUALLY, YOU KNOW WHAT? NO. 341 00:15:08,900 --> 00:15:11,500 HE'S PROBABLY TALKING TO HIMSELF LIKE A CRACKHEAD. 342 00:15:11,500 --> 00:15:13,500 LET'S SEE, HOW ELSE COULD I DO THIS? 343 00:15:13,500 --> 00:15:15,800 I GUESS I COULD JUST PIN THIS UP THERE. 344 00:15:17,200 --> 00:15:19,100 WHY DOES HE TALK TO HIMSELF LIKE THAT? 345 00:15:19,100 --> 00:15:20,400 IT'S SO WEIRD. 346 00:15:21,600 --> 00:15:25,300 I WANT TO, LIKE, LET THE JEANS SPEAK. 347 00:15:25,300 --> 00:15:25,600 TO ME, 348 00:15:25,600 --> 00:15:29,000 THE MOST ICONIC FASHION PIECE IS THE LITTLE BLACK DRESS, 349 00:15:29,000 --> 00:15:32,300 SO I'M MAKING A LITTLE BLUE DRESS OUT OF DENIM. 350 00:15:32,300 --> 00:15:33,600 I LIKE THAT. 351 00:15:33,600 --> 00:15:35,500 WHEN I WORK ON SOMETHING, 352 00:15:35,500 --> 00:15:36,800 I TALK TO IT. 353 00:15:36,800 --> 00:15:38,300 YOU'RE SO CUTE. 354 00:15:38,300 --> 00:15:40,000 THAT'S JUST THE WAY THAT I WORK. 355 00:15:40,000 --> 00:15:41,600 ARE YOU TALKING TO YOURSELF, HONEY? 356 00:15:41,600 --> 00:15:44,200 SORRY. DOES MY TALKING TO MY GARMENT DISTURB YOU? 357 00:15:44,200 --> 00:15:45,500 A LITTLE. 358 00:15:45,500 --> 00:15:47,400 I DON'T REALLY CARE. 359 00:15:47,400 --> 00:15:48,100 SHUT UP. 360 00:15:50,100 --> 00:15:52,100 HI, TIM. HI 361 00:15:52,100 --> 00:15:53,300 SO RICKY, HOW ARE YOU? 362 00:15:53,300 --> 00:15:54,500 I'M GOOD, I'M GOOD. 363 00:15:54,500 --> 00:15:55,300 TALK TO ME. 364 00:15:55,300 --> 00:15:57,700 WELL, I NEED TO KEEP AN EYE ON MY STRENGTHS 365 00:15:57,700 --> 00:15:58,600 AND WORK WITH THAT. 366 00:15:58,600 --> 00:16:00,800 ALL RIGHT, I AGREE. YEAH. 367 00:16:00,800 --> 00:16:03,500 I DO LINGERIE, BUT I THINK I'M REALLY GOOD AT DRESSES. 368 00:16:03,500 --> 00:16:05,100 IT'S STUNNING. 369 00:16:05,100 --> 00:16:07,200 JUST DELIVER IT. 370 00:16:07,200 --> 00:16:08,200 OF COURSE. ALL RIGHT? 371 00:16:08,200 --> 00:16:10,100 THANKS, RICKY. OKAY. THANK YOU. 372 00:16:10,100 --> 00:16:12,900 YOU KNOW, I HAVE TO REALLY WOW THE JUDGES. 373 00:16:12,900 --> 00:16:14,300 I'M STILL TRYING TO FIGURE OUT 374 00:16:14,300 --> 00:16:16,500 HOW TO FINISH IT OFF, HOW TO WOW IT, 375 00:16:16,500 --> 00:16:19,000 BUT I THINK THAT THAT'S GONNA COME. 376 00:16:19,000 --> 00:16:20,200 IT'LL WOTHEM 377 00:16:20,600 --> 00:16:22,200 CHRIS. HELLO. 378 00:16:22,200 --> 00:16:23,300 HOW ARE YOU? 379 00:16:23,300 --> 00:16:25,200 GOOD. HOW ARE YOU? I'M GOOD. 380 00:16:25,200 --> 00:16:26,700 AND WHAT ARE YOU DOING WITH THIS? 381 00:16:26,700 --> 00:16:28,600 THIS IS STAYING THIS WAY. 382 00:16:28,600 --> 00:16:30,200 REALLY? YEAH. 383 00:16:33,800 --> 00:16:35,700 WHY? 384 00:16:35,700 --> 00:16:38,000 'CAUSE I LIKE IT. 385 00:16:38,000 --> 00:16:40,200 IT LOOKS INCONGRUOUS TO ME. 386 00:16:40,200 --> 00:16:43,200 I REALLY LIKE IT A LOT, SO I'M HAPPY WITH IT. 387 00:16:43,200 --> 00:16:44,900 ALL RIGHT. OKAY. 388 00:16:44,900 --> 00:16:46,400 CARRY ON. THANKS. 389 00:16:48,500 --> 00:16:49,500 HOW ARE YOU DOING? 390 00:16:49,500 --> 00:16:51,000 I'M DOING OKAY. YEAH? 391 00:16:51,000 --> 00:16:52,700 JUST TRYING TO RUSH TO GET IT DONE. 392 00:16:52,700 --> 00:16:55,100 AND I'M TRYING TO CREATE 393 00:16:55,100 --> 00:17:00,600 A COAT THAT HAS, LIKE, A LITTLE BIT OF A FUTURISTIC EDGE TO IT. 394 00:17:03,400 --> 00:17:05,100 I THINK YOU HAVE A WAYS TO GO. 395 00:17:05,100 --> 00:17:07,500 A WAYS TO GO? YEAH. 396 00:17:07,500 --> 00:17:08,200 GO. 397 00:17:08,200 --> 00:17:09,400 GO, GO, GO. 398 00:17:09,400 --> 00:17:10,400 THANK YOU, JILLIAN. 399 00:17:10,400 --> 00:17:11,700 THANK YOU, TIM. 400 00:17:11,700 --> 00:17:13,000 SO HOW'S RAMI? 401 00:17:13,000 --> 00:17:13,800 I'M GOOD. 402 00:17:13,800 --> 00:17:15,200 JUST RUSHING, YOU KNOW? 403 00:17:15,200 --> 00:17:18,700 YOU KNOW, I SAW THIS ACROSS THE ROOM, 404 00:17:18,700 --> 00:17:20,800 THE FACT THAT IT'S A ZIPPER, IT'S FABULOUS. 405 00:17:20,800 --> 00:17:21,600 YOU LIKE THAT? 406 00:17:21,600 --> 00:17:24,700 IT HAS POTENTIAL FOR... 407 00:17:24,700 --> 00:17:25,900 BLOWING EVERYBODY AWAY. 408 00:17:25,900 --> 00:17:27,100 I HOPE SO. 409 00:17:27,100 --> 00:17:28,600 IT REALLY DOES. 410 00:17:28,600 --> 00:17:29,500 OKAY. ALL RIGHT. 411 00:17:29,500 --> 00:17:30,700 THANK YOU, TIM. THANKS, RAMI. 412 00:17:30,700 --> 00:17:32,000 THANKS. 413 00:17:32,000 --> 00:17:34,500 HI, TIM. HI, TALK TO ME. 414 00:17:34,500 --> 00:17:39,300 WELL, I WANTED TO DO JUST, LIKE, A CLASSIC LITTLE TRENCH. 415 00:17:39,300 --> 00:17:43,500 I JUST WILL SAY THAT IT'S LOOKING PATCHWORKY. 416 00:17:43,500 --> 00:17:44,300 OKAY. 417 00:17:44,300 --> 00:17:47,600 AND I DON'T KNOW THAT THAT'S GOING TO BE TO YOUR ADVANTAGE. 418 00:17:47,600 --> 00:17:50,000 UM, I DIDN'T WANT IT TO BE PATCHWORKY EITHER. 419 00:17:50,000 --> 00:17:51,200 I HATE THAT. YEAH. 420 00:17:51,200 --> 00:17:52,700 AND SO, THE ONLY WAY, 421 00:17:52,700 --> 00:17:55,500 SINCE I DIDN'T REALLY HAVE A LOT OF DENIM THAT MATCHED 422 00:17:55,500 --> 00:17:59,500 WAS TO USE THE UNDERSIDE OF A WASHED DENIM. 423 00:17:59,500 --> 00:18:01,700 JUST MAKE IT LOOK RIGHT. 424 00:18:01,700 --> 00:18:04,600 OKAY. THANK YOU. THANKS. 425 00:18:05,400 --> 00:18:07,000 SO TALK TO ME. WHAT ARE YOU DOING? 426 00:18:07,000 --> 00:18:09,800 I'M MAKING A WEDDING DRESS. 427 00:18:09,800 --> 00:18:11,200 MM-HMM. 428 00:18:11,200 --> 00:18:12,400 IS IT SCARING YOU? 429 00:18:12,400 --> 00:18:13,500 MM-HMM. 430 00:18:13,500 --> 00:18:14,900 OH, NO. 431 00:18:14,900 --> 00:18:17,100 IT'S SCARING ME. IT IS? 432 00:18:17,100 --> 00:18:19,900 IT'S LOOKING VERY... 433 00:18:19,900 --> 00:18:22,530 HAPPY HANDS AT HOME GRANNY CIRCLE. 434 00:18:22,530 --> 00:18:23,500 OH, NO. YEAH. 435 00:18:23,500 --> 00:18:24,600 OH, GOD. 436 00:18:24,600 --> 00:18:26,000 I DID THINK IT LOOKED A LITTLE, 437 00:18:26,000 --> 00:18:27,500 UH, HIPPIE. 438 00:18:29,200 --> 00:18:30,900 IT'S HIPPY DIPPY. 439 00:18:30,900 --> 00:18:33,500 MAYBE I SHOULD JUST MAKE IT A DRESS. 440 00:18:33,500 --> 00:18:35,200 CUT ALL THAT OTHER STUFF OFF? 441 00:18:35,200 --> 00:18:37,600 RESOLVE THE SKIRT. 442 00:18:37,600 --> 00:18:40,800 OKAY. I'VE GOTTA GET TO WORK. 443 00:18:40,800 --> 00:18:42,100 ALL RIGHT. THANKS. 444 00:18:42,100 --> 00:18:43,500 THANK YOU, SWEET P. 445 00:18:43,500 --> 00:18:44,800 I'LL FIX IT. 446 00:18:47,300 --> 00:18:51,100 ALL RIGHT, DESIGNERS, YOU HAVE... 447 00:18:51,100 --> 00:18:54,700 TWO HOURS REMAINING TONIGHT, ALL RIGHT? 448 00:18:54,700 --> 00:18:57,000 SO MAKE IT WORK. THANKS. 449 00:18:57,000 --> 00:18:59,200 I'LL SEE YOU IN THE MORNING, ALL RIGHT? 450 00:18:59,200 --> 00:19:00,400 CARRY ON. 451 00:19:07,100 --> 00:19:08,900 HOLY [bleep]. 452 00:19:08,900 --> 00:19:11,500 I THOUGHT I HAD A REALLY GREAT IDEA, BUT, UH, 453 00:19:11,500 --> 00:19:14,300 I REALLY TAKE TIM'S WORD, 454 00:19:14,300 --> 00:19:16,500 SO I DECIDED TO SHORTEN IT. 455 00:19:16,500 --> 00:19:19,400 IF I'M NOT THE MOST ICONIC, I'M JUST ASSUMING. 456 00:19:21,300 --> 00:19:23,700 JUST LAUGHING THAT WE HAVE AN HOUR LEFT. 457 00:19:24,500 --> 00:19:26,400 ISN'T THIS FUN, JILLIAN? 458 00:19:26,400 --> 00:19:29,300 I DON'T MIND IT, IF THERE WAS TIME TO DO THE WORK. 459 00:19:29,300 --> 00:19:31,300 WELL YEAH, HELLO? 460 00:19:31,300 --> 00:19:33,300 WHAT DID YOU EXPECT? 461 00:19:33,300 --> 00:19:35,600 I'M JUST KIND OF VENTING OUT LOUD, 462 00:19:35,600 --> 00:19:36,900 THE WAY YOU DO. 463 00:19:40,000 --> 00:19:42,300 IF YOU DON'T UNDERSTAND THE SITUATION BY NOW, 464 00:19:42,300 --> 00:19:44,500 YOU'RE REFUSING TO LEARN. 465 00:19:44,500 --> 00:19:46,500 UM, JILLIAN... 466 00:19:46,500 --> 00:19:50,500 MAYBE IT'S NOT SUCH A GOOD IDEA TO TAKE ON SUCH A COMPLICATED THING 467 00:19:50,500 --> 00:19:53,800 WHEN YOU KNOW YOU HAVE LESS THAN TEN HOURS TO MAKE IT IN. 468 00:20:11,400 --> 00:20:13,600 I CAN'T-I KEEP CUTTING MYSELF. 469 00:20:13,600 --> 00:20:16,500 I KNOW. YOU LOOK ALL BLOODY AND BRUISED. 470 00:20:20,600 --> 00:20:22,100 ARE YOU ALL RIGHT, JILLIAN? 471 00:20:23,800 --> 00:20:24,600 COME ON. 472 00:20:24,600 --> 00:20:26,700 I'm bleeding everywhere. 473 00:20:26,700 --> 00:20:28,200 WHERE? 474 00:20:28,200 --> 00:20:29,200 EVERYWHERE. 475 00:20:29,200 --> 00:20:29,900 BLOOD? 476 00:20:29,900 --> 00:20:31,600 I DON'T SEE IT. 477 00:20:31,600 --> 00:20:33,200 I DON'T EVEN SEE IT. MOVE YOUR HAND FROM IT. 478 00:20:33,200 --> 00:20:36,800 I JUST KEEP STABBING MY FINGERTIPS 479 00:20:36,800 --> 00:20:38,600 OVER AND OVER AND OVER, 480 00:20:38,600 --> 00:20:41,400 AND I FEEL LIKE A MESS, 481 00:20:41,400 --> 00:20:45,300 AND I'M IN A REALLY BAD MENTAL CONDITION. 482 00:20:45,300 --> 00:20:48,600 IN TEN MINUTES, YOU CAN FREAK OUT, BUT NOT RIGHT NOW. 483 00:20:50,300 --> 00:20:51,700 JUST KEEP SEWING. 484 00:20:52,900 --> 00:20:54,400 THIS CHALLENGE, IT WAS A TOUGH ONE. 485 00:20:54,400 --> 00:20:57,200 I DON'T THINK ANYBODY ELSE IS REALLY THAT CLOSE TO BEING FINISHED. 486 00:20:57,200 --> 00:20:58,800 I WAS SEWING, LIKE, SO FAST. 487 00:20:58,800 --> 00:21:00,600 I WASN'T EVEN TALKING TO PEOPLE. 488 00:21:00,600 --> 00:21:03,300 THANK GOD I HAVE IMMUNITY, SO I KNOW I'M SAFE. 489 00:21:13,200 --> 00:21:15,400 COMING UP ON PROJECT RUNWAY... 490 00:21:15,400 --> 00:21:17,500 I'M CONCERNED AND I'M FREAKING OUT. 491 00:21:17,500 --> 00:21:19,200 THEY'LL HATE IT, BUT WHATEVER. [bleep] THEM. 492 00:21:19,200 --> 00:21:20,500 JILLIAN. COMING. 493 00:21:20,500 --> 00:21:21,200 COME ON. 494 00:21:28,300 --> 00:21:30,400 I'M REALLY VERY WELL AWARE 495 00:21:30,400 --> 00:21:32,900 THAT BRYANT PARK IS GETTING REALLY CLOSE, 496 00:21:32,900 --> 00:21:34,800 BUT I FEEL LIKE I'VE MADE IT THIS FAR 497 00:21:34,800 --> 00:21:36,300 AND I'M GONNA KEEP GOING. 498 00:21:38,500 --> 00:21:41,200 TRUST ME, IT'S GONNA BE OUT OF CONTROL ON THAT RUNWAY. 499 00:21:41,200 --> 00:21:43,200 THEY'RE GONNA FREAK OUT ON ALL OF US. 500 00:21:43,900 --> 00:21:46,900 MAYBE NINA'S GONNA JUMP UP ON THE STAGE AND STRANGLE YOU. 501 00:21:46,900 --> 00:21:47,600 NO, WAIT. 502 00:21:47,600 --> 00:21:50,700 YOU'RE GONNA JUMP DOWN FROM THE STAGE AND STRANGLE HER. 503 00:21:53,300 --> 00:21:54,600 GOOD THINK I HAVE IMMUNITY. 504 00:21:55,500 --> 00:21:56,500 YOU LUCKY BITCH. 505 00:21:56,600 --> 00:21:58,100 OKAY, ARE YOU READY, LITTLE DARLIN'? 506 00:21:58,100 --> 00:21:58,900 YES. 507 00:21:59,000 --> 00:22:00,200 ARRIBA, ARRIBA! 508 00:22:01,200 --> 00:22:03,400 I DON'T REMEMBER HOW TO SAY "SHUT UP." 509 00:22:12,600 --> 00:22:14,200 SHE'S RUNNIN' IN THOSE HEELS. 510 00:22:14,300 --> 00:22:15,600 COME ON, PEOPLE, LET'S DO THIS. 511 00:22:15,700 --> 00:22:16,700 THE FIRST THING THAT I DO 512 00:22:16,800 --> 00:22:18,200 WHEN I ENTER THE WORKROOM IN THE MORNING 513 00:22:18,300 --> 00:22:20,200 IS RUN TO MY DESK. 514 00:22:20,300 --> 00:22:22,100 I NEED TO GET BACK TO WORK. I HAVE A LOT TO DO. 515 00:22:22,500 --> 00:22:25,400 RAMI, CROSS YOUR FINGERS AND PRAY FOR TWO HOURS. 516 00:22:25,600 --> 00:22:26,400 I AM. 517 00:22:27,500 --> 00:22:28,000 TO MAKE A COAT IN ONE DAY, 518 00:22:28,400 --> 00:22:30,400 TO BE HONEST, IT'S JUST RIDICULOUS. 519 00:22:30,500 --> 00:22:33,100 I'M HOT-GLUING EVERY LAST THING. 520 00:22:34,000 --> 00:22:36,400 I NEED HER SO I CAN FIT THIS. 521 00:22:36,500 --> 00:22:37,600 IS MY GLUE GUN ON? 522 00:22:38,100 --> 00:22:39,500 GOOD MORNING, DESIGNERS. 523 00:22:39,600 --> 00:22:41,000 -GOOD MORNING. -HOW IS EVERYBODY? 524 00:22:41,200 --> 00:22:42,600 -GOOD. -GOOD. 525 00:22:42,700 --> 00:22:45,000 ALL RIGHT, DESIGNERS, YOU WILL HAVE AN HOUR 526 00:22:45,200 --> 00:22:47,100 TO SEND YOUR MODELS TO THE TRESEMME HAIR SALON 527 00:22:47,200 --> 00:22:48,800 AND THE L'OREAL PARIS MAKEUP ROOM. 528 00:22:48,900 --> 00:22:51,500 AND REMEMBER, USE THE BLUEFLY.COM ACCESSORY WALL. 529 00:22:51,600 --> 00:22:53,400 I KNOW YOU WILL. OKAY? 530 00:22:53,500 --> 00:22:54,800 -MAKE IT WORK. -THANK YOU. 531 00:22:54,900 --> 00:22:56,000 ALL RIGHT? 532 00:22:56,100 --> 00:22:56,800 I'M SENDING IN YOUR MODELS. 533 00:22:56,900 --> 00:22:57,900 THANK YOU,TIM. 534 00:22:59,300 --> 00:23:00,100 WHERE'S LISA? 535 00:23:00,500 --> 00:23:01,900 SO I'M GONNA FIT YOU REALLY QUICK 536 00:23:02,000 --> 00:23:03,600 AND THEN GO BACK TO THE SEWING ROOM 537 00:23:03,700 --> 00:23:05,100 'CAUSE THERE'S MUCH TO BE DONE. 538 00:23:05,200 --> 00:23:05,800 FABULOUS. 539 00:23:08,400 --> 00:23:11,400 OH, LET ME HAVE ANOTHER DRINK. 540 00:23:12,200 --> 00:23:12,900 CAN YOU TRY THIS ON? 541 00:23:13,000 --> 00:23:14,000 'CAUSE I THINK I MADE IT TOO SHORT. 542 00:23:14,100 --> 00:23:15,000 IT'S JUST GONNA BE THIS. 543 00:23:15,300 --> 00:23:16,700 MY GOD, WHAT DID VICTORIA MAKE? 544 00:23:16,800 --> 00:23:17,900 IT'S LIKE, SHE DOESN'T DO ANYTHING. 545 00:23:18,200 --> 00:23:20,000 I THINK A COUPLE OF PEOPLE IN THE ROOM 546 00:23:20,100 --> 00:23:21,200 COULD HAVE MADE WHAT SHE MADE 547 00:23:21,300 --> 00:23:23,400 IN PROBABLY, LIKE, TWO HOURS. 548 00:23:23,500 --> 00:23:27,000 IT JUST WAS LIKE A JACKET WITH SOME STUFF ADDED ON. 549 00:23:27,400 --> 00:23:29,100 DON'T EVER EXPECT ME TO BE FINISHED 550 00:23:29,200 --> 00:23:29,900 WHEN YOU GET HERE. 551 00:23:30,300 --> 00:23:31,300 BUT GUESS WHAT, GIRL? 552 00:23:31,400 --> 00:23:33,800 I'M TAKING YOU WITH ME TO THE TOP EVERY TIME. 553 00:23:34,400 --> 00:23:36,100 -WE HAVE SOME TIME, SO... -OKAY. 554 00:23:36,200 --> 00:23:38,300 I JUST NEED TO TAKE IT EASY AND MAKE IT BEAUTIFUL. 555 00:23:38,400 --> 00:23:40,000 WHEN SHE FINALLY HAD THE LOOK ON, 556 00:23:40,100 --> 00:23:41,200 SHE LOOKED AMAZING. 557 00:23:41,300 --> 00:23:42,400 I JUST THINK, WOW, 558 00:23:42,800 --> 00:23:44,800 THAT'S EXACTLY WHAT I WANTED IT TO LOOK LIKE. 559 00:23:45,600 --> 00:23:46,800 IT'S FUCKING GORGEOUS. 560 00:23:47,600 --> 00:23:49,300 THEY'LL HATE IT, BUT WHATEVER,FUCK THEM. 561 00:23:49,400 --> 00:23:50,000 I'M OVER THEM. 562 00:23:50,500 --> 00:23:51,700 I DON'T KNOW IF WHAT I'M DOING 563 00:23:51,800 --> 00:23:53,200 IS WHAT THE JUDGES WANT, 564 00:23:54,100 --> 00:23:55,100 BUT I KEEP TELLING MYSELF 565 00:23:55,200 --> 00:23:56,900 THAT WHAT I'M DOING IS WHAT I WANT. 566 00:23:57,300 --> 00:23:58,600 IT WAS GONNA BE A WEDDING DRESS. 567 00:23:58,700 --> 00:24:01,200 IT JUST LOOKED TOO HIPPIE, AND TIM WAS LIKE, 568 00:24:01,300 --> 00:24:02,400 IT LOOKS, LIKE, HIPPIE. 569 00:24:03,300 --> 00:24:06,400 WE PUT ON THE DRESS AND SHE JUST LOOKS GREAT, 570 00:24:06,500 --> 00:24:07,700 SO I FEEL REALLY CONFIDENT. 571 00:24:07,800 --> 00:24:09,800 I'M STILL NOT SURE I'LL BE IN THE TOP, 572 00:24:10,300 --> 00:24:12,600 BUT I'M POSITIVE I'LL BE SAFE. 573 00:24:12,800 --> 00:24:14,400 DAMN, CHRISTIAN, YOU'RE GOOD. 574 00:24:15,200 --> 00:24:16,300 LET ME SEE BOOTY. 575 00:24:17,200 --> 00:24:18,500 OH,SO HOT. 576 00:24:18,600 --> 00:24:20,100 I'M, LIKE, SO NERVOUS RIGHT NOW 577 00:24:20,200 --> 00:24:22,400 FOR SOME REASON, 'CAUSE I JUST WANT TO GET THIS RIGHT. 578 00:24:22,500 --> 00:24:25,400 RIGHT NOW, AGAIN, I FIND MYSELF VERY PRESSED FOR TIME. 579 00:24:25,500 --> 00:24:27,300 I JUST WANT TO MAKE IT TO THE FINALS. 580 00:24:27,600 --> 00:24:30,600 DESPITE ALL OF THIS, I STILL WANT TO MAKE IT TO THE FINALS. 581 00:24:31,000 --> 00:24:32,000 CRAZY. 582 00:24:32,800 --> 00:24:36,500 VICTORYA'S OUTFIT LOOKS SO SIMILAR TO MINE THIS TIME 583 00:24:37,000 --> 00:24:38,400 IT DOES NOT LOOK CUTE. 584 00:24:38,500 --> 00:24:40,800 I KNOW. STILL,IT'S JUST ANNOYING. 585 00:24:40,900 --> 00:24:42,600 OKAY, LET'S GO TO HAIR AND MAKEUP. 586 00:24:44,600 --> 00:24:46,500 MAKE IT WORK, MAKE IT WORK. 587 00:24:47,600 --> 00:24:48,500 BUMP HERE. 588 00:24:55,800 --> 00:24:57,200 A LITTLE BIT OF AN EEH! 589 00:25:03,400 --> 00:25:04,100 SO HOT. 590 00:25:04,200 --> 00:25:05,200 OH, MY GOD, I LOVE IT. 591 00:25:05,500 --> 00:25:07,200 I THINK I DESERVE TO WIN ON THIS CHALLENGE 592 00:25:07,300 --> 00:25:09,600 BECAUSE I ACTUALLY MADE A JACKET AND A PAIR OF JEANS, 593 00:25:09,700 --> 00:25:11,500 WHICH IS SUCH AN ICONIC LOOK, 594 00:25:11,600 --> 00:25:13,600 BUT I MADE IT IN A COMPLETELY NEW WAY. 595 00:25:13,700 --> 00:25:15,700 THE BOTTOM OF THE PANTS WAS ACTUALLY 596 00:25:15,800 --> 00:25:17,800 OUT OF THE SLEEVE OF A JACKET. 597 00:25:17,900 --> 00:25:21,000 YOU KNOW, IF I HAVE TO SEE ANOTHER TUBE DRESS, 598 00:25:21,100 --> 00:25:22,200 I'M GONNA KILL MYSELF. 599 00:25:22,300 --> 00:25:24,600 LIKE I CAN'T EVEN STAND IT, I'M GONNA DIE. 600 00:25:24,700 --> 00:25:26,800 WHAT IS IT? COME CLOSER WITH ME. 601 00:25:27,100 --> 00:25:29,000 I'M CONCERNED AND I'M FREAKING OUT. 602 00:25:29,100 --> 00:25:32,000 MY ONLY OPTION IS TO GLUE THE BUTTONS ONTO MY SKIRT 603 00:25:32,100 --> 00:25:34,100 BECAUSE TIME IS JUST GOING BY REALLY QUICK 604 00:25:34,200 --> 00:25:36,600 AND I HAVE TO FIGURE OUT A WAY TO REALLY GET IT ALL DONE. 605 00:25:40,600 --> 00:25:42,300 OH, BOY, I'M NERVOUS. 606 00:25:44,700 --> 00:25:45,800 TIME IS RUNNING OUT. 607 00:25:47,200 --> 00:25:48,500 ALL RIGHT, DESIGNERS, 608 00:25:48,600 --> 00:25:51,100 MODELS, IT'S TIME FOR THE RUNWAY. 609 00:25:51,300 --> 00:25:53,200 I NEED TO GET ONE MORE GLUE STICK. 610 00:25:54,500 --> 00:25:56,400 SO COME WITH ME, ALL RIGHT? 611 00:25:56,800 --> 00:25:57,700 OKAY. 612 00:25:58,400 --> 00:25:59,400 HOLD ON ONE SECOND. 613 00:26:00,000 --> 00:26:00,900 COME, COME, COME. 614 00:26:01,400 --> 00:26:03,100 DEFINITELY, I WAS WORKING 615 00:26:03,200 --> 00:26:04,600 TILL THE VERY LAST SECOND, 616 00:26:04,700 --> 00:26:07,700 AND I WASN'T VERY PROUD OF MY WORKMANSHIP. 617 00:26:07,800 --> 00:26:10,400 I JUST SHOULD HAVE SIMPLIFIED MY DESIGN. 618 00:26:10,500 --> 00:26:11,400 JILLIAN. 619 00:26:11,900 --> 00:26:13,100 -COMING. -COME. 620 00:26:15,500 --> 00:26:16,200 THANK YOU. 621 00:26:18,200 --> 00:26:19,900 COMING UP ON PROJECT RUNWAY.... 622 00:26:20,500 --> 00:26:22,400 YOU KNOW, IT'S NOT VERY FLATTERING ON HER. 623 00:26:23,200 --> 00:26:25,000 YOU WERE NOT INSPIRED BY THIS AT ALL. 624 00:26:31,700 --> 00:26:33,100 WELCOME TO THE RUNWAY 625 00:26:33,200 --> 00:26:35,000 AS YOU KNOW IN FASHION ONE DAY YOU ARE IN 626 00:26:35,300 --> 00:26:37,800 THE NEXT DAY YOU ARE OUT 627 00:26:39,000 --> 00:26:42,800 FOR THIS CHALLENGE WE ASK YOU TO CREAT AN ICONIC DENIM LOOK 628 00:26:43,300 --> 00:26:46,900 USING LEVI'S 501s JEANS AS YOUR RATERIS. 629 00:26:47,400 --> 00:26:49,300 THE COMPITION IS GETTING TOUGH 630 00:26:49,600 --> 00:26:53,100 SO I.M WERE NOT BE GIVEN TO THE WINNER OF THIS CHALLENGE 631 00:26:53,200 --> 00:26:57,200 OR TO THE WINNERS OF ANY OTHER CHALLENGES MOVING FORWARD. 632 00:26:58,000 --> 00:26:59,000 LET'S MEET THE JUDGES. 633 00:27:00,700 --> 00:27:03,400 FIRST WE HAVE TOP AMERICAN DESIGNER MICHAEL KORS. 634 00:27:03,600 --> 00:27:04,300 HEY, GUYS. 635 00:27:04,800 --> 00:27:05,700 HI. 636 00:27:06,000 --> 00:27:07,300 NEXT WE HAVE NINA GARCIA, 637 00:27:07,400 --> 00:27:09,200 FASHION DIRECTOR OF ELLE MAGAZINE 638 00:27:09,600 --> 00:27:11,500 -HELLO, EVERYONE. -HI, NINA. 639 00:27:11,600 --> 00:27:14,500 AND SENIOR VICE PRESIDENT OF DESIGN FOR LEVI'S, 640 00:27:14,600 --> 00:27:15,800 CAROLINE CALVIN. 641 00:27:16,000 --> 00:27:17,100 -HI. -HI. 642 00:27:17,300 --> 00:27:19,800 WE WILL SCORE YOUR DESIGNS AS THEY COME DOWN THE RUNWAY. 643 00:27:20,200 --> 00:27:21,500 ONE OF YOU WILL BE NAMED THE WINNER, 644 00:27:22,500 --> 00:27:23,400 AND ONE OF YOU 645 00:27:23,500 --> 00:27:24,300 WILL BE OUT. 646 00:27:25,700 --> 00:27:26,600 LET'S START THE SHOW. 647 00:27:35,000 --> 00:27:37,000 I'M REALLY HAPPY WITH MY WORK 648 00:27:37,100 --> 00:27:39,800 I THINK ???? 649 00:27:39,900 --> 00:27:41,500 IT'S ???? 650 00:27:41,600 --> 00:27:42,800 IT'S REALLY PRETTY. 651 00:27:43,000 --> 00:27:44,800 I THINK IT'S REALLY ??. I LOVE IT 652 00:27:52,200 --> 00:27:54,600 WHEN I SEE ??, I ENJOY IT. 653 00:27:54,700 --> 00:27:56,300 SHE LOOKED LIKE ONE OF MY SKETCHES. 654 00:27:56,400 --> 00:27:57,800 SHE LOOKED LIKE THE GIRL IN MY HEAD 655 00:27:57,900 --> 00:27:58,400 IT FEEL SO GOOD 656 00:27:58,500 --> 00:28:00,700 IT FELT AMAZING TO SEE HER LIKE THAT. 657 00:28:07,800 --> 00:28:09,200 I LOVE MY FINAL LOOK. 658 00:28:09,300 --> 00:28:11,200 IT LOOKED REALLY CLEAN AND POLISHED. 659 00:28:11,300 --> 00:28:13,900 IT DIDN'T LOOK HIPPIE OR WOODSTOCK AT ALL. 660 00:28:25,600 --> 00:28:29,100 JACQUELINE ALWAYS DOES SUCH A GREAT JOB WALKING ON THE RUNWAY, 661 00:28:29,100 --> 00:28:31,000 I WAS WORKING INTO THE VERY LSAT MINUTE, 662 00:28:31,100 --> 00:28:33,800 BUT I WAS ??? WITH THE WAY SHE LOOKED. 663 00:28:43,400 --> 00:28:46,300 ????? 664 00:28:46,400 --> 00:28:46,900 I LOVE IT 665 00:28:47,000 --> 00:28:49,200 ???? 666 00:28:49,300 --> 00:28:51,800 ???? 667 00:28:57,700 --> 00:28:58,800 ???? 668 00:28:59,000 --> 00:29:01,000 ???? 669 00:29:01,100 --> 00:29:04,200 ???? 670 00:29:04,300 --> 00:29:05,700 ???? 671 00:29:05,800 --> 00:29:08,000 AND IT WORKED OUT REALLY COOL,REALLY HIGH 672 00:29:15,300 --> 00:29:18,200 I'M KINDA HAPPY WITH THE LOOK I THINK THAT I COULD HAVE DONE 673 00:29:18,300 --> 00:29:19,500 A WHOLE LOT MORE WITH IT, 674 00:29:19,600 --> 00:29:21,600 BUT I ALMOST KIND OF LIKED IT, ACTUALL 675 00:29:21,700 --> 00:29:23,800 I THOUGHT THAT THERE WAS POTENTIN THAT COAT. 676 00:29:33,100 --> 00:29:34,400 WE'VE SCORED YOUR DESIGNS, 677 00:29:35,000 --> 00:29:36,900 AND WE WOULD LIKE TO TALK TO ALL OF YOU. 678 00:29:39,000 --> 00:29:40,100 LET'S BRING OUT YOUR MODELS. 679 00:29:54,800 --> 00:29:57,500 CHRISTIAN TELL US ABOUT YOUR LOOK 680 00:29:57,600 --> 00:30:00,400 I WANTED TO CREATE THIS KIND OF TRUCKER,MOTORCYCLE 681 00:30:00,500 --> 00:30:01,800 KIND OF LOOK. 682 00:30:01,900 --> 00:30:03,800 FOR THE JACKET, I ACTUALLY USED 683 00:30:03,900 --> 00:30:06,800 ALL 501 JEANS, TWO DIFFENT WASHES. 684 00:30:07,100 --> 00:30:09,200 FOR THE JEAN, 685 00:30:09,400 --> 00:30:12,000 I ACTUALLY USE THE TRUCKER JACKET 686 00:30:12,100 --> 00:30:15,700 AS THE LENGTHENING OF THE BOTTOM OF THE JEAN. 687 00:30:15,800 --> 00:30:17,400 THE FACT THAT YOU'VE TAKEN A JACKET 688 00:30:17,500 --> 00:30:18,800 AND MADE IT INTO PART OF THE JEAN, 689 00:30:18,900 --> 00:30:21,300 THAT YOU TOOK ALL THE DIFFENT ELEMENTS OF THE 501, 690 00:30:21,400 --> 00:30:23,000 THAT'S VERY INNOVATIVE, I LIKE THAT. 691 00:30:23,100 --> 00:30:23,700 THANK YOU. 692 00:30:24,000 --> 00:30:26,500 I LOVE THE FACT THAT YOU WERE INVENTIVE. 693 00:30:26,600 --> 00:30:29,300 IT'S THE MOTOCROSS JEAN, YOU KNOW. 694 00:30:29,400 --> 00:30:32,100 MAYBE THAT IS THE ICONIC ELEMENT. 695 00:30:32,200 --> 00:30:33,400 THAT'S WHAT I WAS GOING FOR. 696 00:30:33,800 --> 00:30:35,500 I THINK THEY FIT HER REALLY WELL. 697 00:30:35,600 --> 00:30:36,700 THEY'RE NOT STRETCH. 698 00:30:36,900 --> 00:30:37,600 NOT AT ALL. 699 00:30:38,100 --> 00:30:39,800 THEY WERE HARD TO GET ON HER, LET ME TELL YOU. 700 00:30:40,100 --> 00:30:42,000 I THINK YOU DID A BRILLIANT JOB TAILORING IT. 701 00:30:42,400 --> 00:30:43,400 GREAT. THANK YOU. 702 00:30:45,500 --> 00:30:46,100 CHRIS 703 00:30:46,200 --> 00:30:47,400 TELL US ABOUT YOUR LOOK. 704 00:30:47,500 --> 00:30:49,400 MY IDEA BEHIND MY LOOK WAS.... 705 00:30:49,500 --> 00:30:52,000 TO TAKE THE LITTLE BLACK DRESS 706 00:30:52,100 --> 00:30:53,900 AND MAKE A LITTLE BLUE DRESS. 707 00:30:54,000 --> 00:30:56,700 THE LITTLE BLACK DRESS ???? 708 00:30:56,800 --> 00:30:58,300 WHAT IS AN ICONIC ITEM? 709 00:30:58,400 --> 00:30:59,900 IT HAS TO LOOK TIMELESS. 710 00:31:00,100 --> 00:31:02,600 AND THIS ITEM TO ME LOOKS DATED. 711 00:31:03,300 --> 00:31:06,100 I THINK YOU HAVE A START OF A REALLY GREAT DRESS. 712 00:31:06,300 --> 00:31:08,200 BUT IT DOES LOOK LIKE TWO IDEAS 713 00:31:08,300 --> 00:31:10,300 AND THAT IT'S NOT QUITE YET FINISHED. 714 00:31:11,100 --> 00:31:12,700 WHEN I SAW HER COMING DOWN THE RUNWAY, 715 00:31:12,800 --> 00:31:15,400 I NOTICED THE THREADS STRAIGHT AWAY. 716 00:31:15,500 --> 00:31:17,500 I KIND OF LEFT IT THAT WAY ON PURPOSE. 717 00:31:17,600 --> 00:31:18,800 BUT TO ME, IT'S KIND OF LIKE, 718 00:31:19,000 --> 00:31:21,400 WHY DIDN'T HE PLAY WITH FRAYING ALL OVER THE DRESS? 719 00:31:21,500 --> 00:31:22,900 IT LOOKS A LITTLE HOME-SEWN. 720 00:31:25,600 --> 00:31:27,500 RAMI,TELL US ABOUT YOUR DENIMS LOOK. 721 00:31:27,600 --> 00:31:30,800 ???? 722 00:31:30,900 --> 00:31:32,800 ???? 723 00:31:33,000 --> 00:31:36,300 ???? 724 00:31:36,400 --> 00:31:38,000 ???? 725 00:31:38,100 --> 00:31:40,500 IN TERMS OF ORIGINALITY AND CREATIVITY, 726 00:31:40,600 --> 00:31:41,300 I THINK IT'S GREAT FUN. 727 00:31:42,000 --> 00:31:42,600 THANKS. 728 00:31:42,700 --> 00:31:44,800 ???? 729 00:31:44,900 --> 00:31:46,900 ???? 730 00:31:47,000 --> 00:31:50,300 ???? 731 00:31:50,400 --> 00:31:51,300 ???? 732 00:31:51,500 --> 00:31:52,700 ???? 733 00:31:53,000 --> 00:31:55,100 ???? 734 00:31:56,000 --> 00:31:57,900 ???? 735 00:31:58,000 --> 00:32:02,000 ???? 736 00:32:03,300 --> 00:32:03,800 THANKS. 737 00:32:05,500 --> 00:32:07,600 RICKY, TELL US ABOUT YOUR LOOK. 738 00:32:07,800 --> 00:32:09,400 I WANT TO MAKE A LITTLE COCAIL DRESS. 739 00:32:10,000 --> 00:32:11,100 DENIM DONE UP, YOU KNOW? 740 00:32:11,500 --> 00:32:12,700 AND IT SAYS SOMETHING ABOUT ME. 741 00:32:13,000 --> 00:32:13,900 THAT LITTLE BITCH IN ME. 742 00:32:15,000 --> 00:32:16,900 IT FITS HER LIKE A GLOVE. 743 00:32:17,400 --> 00:32:20,000 I ALSO LOVE THE WHOLE OUTFIT I LOVE THE HAIR. 744 00:32:20,200 --> 00:32:21,700 I THOUGHT IT WAS VERY SWEET. 745 00:32:21,800 --> 00:32:25,700 I THINK IT'S A 501 MADE INTO A FANTASTIC DRESS. 746 00:32:26,100 --> 00:32:28,000 I CAN SEE YOUR CRAFTSMANSHIP. 747 00:32:28,100 --> 00:32:29,200 IT'S JUST REALLY COOL. 748 00:32:31,000 --> 00:32:32,500 I LOVE AMY WINEHOUSE, 749 00:32:33,000 --> 00:32:34,100 AND OBVIOUSLY 750 00:32:34,500 --> 00:32:36,800 YOU MUST LOVE AMY WINEHOUSE TOO, 751 00:32:36,900 --> 00:32:38,800 SINCE SHE'S MODELING TODAY. 752 00:32:40,000 --> 00:32:43,700 I THINK THIS IS THE FIRST THING THAT I'VE SEEN FROM YOU 753 00:32:44,300 --> 00:32:47,700 WHERE INSTEAD OF ME HEARING THAT YOU WORK ON LINGERIE, 754 00:32:48,300 --> 00:32:50,300 AND THEN I DON'T SEE THE RESULTS, 755 00:32:50,500 --> 00:32:52,800 TODAY I SEE THE RESULTS. 756 00:32:52,900 --> 00:32:53,400 THANK YOU. 757 00:32:53,800 --> 00:32:54,700 IT LOOKS IMPECCABLE, 758 00:32:54,800 --> 00:32:57,800 AND THAT'S WHAT WE'VE BEEN EXPECTING FROM YOUR WORK, 759 00:32:57,900 --> 00:32:59,400 AND YOU'VE DELIVERED IT. 760 00:33:00,600 --> 00:33:01,300 THANK YOU. 761 00:33:04,700 --> 00:33:05,400 WHAT'S UP WITH YOU? 762 00:33:08,000 --> 00:33:09,200 THIS IS LIKE A ROLLER-COASTER. 763 00:33:09,300 --> 00:33:10,300 YOU DON'T KNOW WHERE TO GO. 764 00:33:10,400 --> 00:33:12,400 YOU DON'T KNOW IF YOU SUCK, 765 00:33:12,500 --> 00:33:13,800 IF YOU DON'T SUCK, AND-- 766 00:33:15,300 --> 00:33:17,600 -IT DOESN'T GO AWAY. -I KNOW. 767 00:33:18,600 --> 00:33:20,000 IT JUST DOESN'T GO AWAY. 768 00:33:20,100 --> 00:33:20,900 I KNOW, I KNOW. 769 00:33:23,000 --> 00:33:25,300 OKAY, JILLIAN, TELL US ABOUT YOUR DENIM LOOK. 770 00:33:25,400 --> 00:33:27,100 I JUST TOOK A LOT OF 771 00:33:27,200 --> 00:33:29,000 DIFFERENT PAIRS OF JEANS AND ATTACHED THEM 772 00:33:29,100 --> 00:33:30,100 TO CONSTRUCT THE SHAPE, 773 00:33:30,200 --> 00:33:32,000 AND MOLDED THE TOP 774 00:33:32,100 --> 00:33:33,800 AND WENT FOR A FREE-FLOWING BOTTOM. 775 00:33:34,500 --> 00:33:37,200 I WANTED TO TAKE THAT AND BRING IT INTO THE FUTURE. 776 00:33:37,500 --> 00:33:39,200 I WAS A LITTLE SURPRISED, JILLIAN, 777 00:33:39,300 --> 00:33:41,700 ESPECIALLY COMING OFF THE LAST CHALLENGE, 778 00:33:41,800 --> 00:33:44,000 WHERE YOU DID THIS IMPECCABLE JACKET. 779 00:33:45,000 --> 00:33:46,600 TODAY, I'M NOT SO MUCH IN LOVE. 780 00:33:46,700 --> 00:33:48,200 I THINK THAT IT MIGHT BE A CASE 781 00:33:48,300 --> 00:33:50,200 THAT I WAS AMBITIOUS TO MAKE A COAT 782 00:33:50,300 --> 00:33:51,500 IN A SMALL PERIOD OF TIME. 783 00:33:51,800 --> 00:33:54,100 THE RED TABS, THERE'S A LITTLE BIT TOO MANY. 784 00:33:54,200 --> 00:33:56,800 ON ONE SIDE, IT'S A LITTLE BIT DISTRACTING. 785 00:33:57,100 --> 00:33:58,700 IT'S OVERLY-COMPLICATED. 786 00:33:59,000 --> 00:34:00,500 YOU HAVE SOME GOOD IDEAS. 787 00:34:00,600 --> 00:34:02,600 IT'S JUST THAT THERE'S TOO MANY OF THEM. 788 00:34:03,100 --> 00:34:03,800 OKAY. 789 00:34:03,900 --> 00:34:06,200 I DON'T KNOW. SHE LOOKS BIGGER TOO, YOU KNOW? 790 00:34:06,300 --> 00:34:07,900 IT'S NOT VERY FLATTERING ON HER. 791 00:34:08,100 --> 00:34:10,800 I WANT TO SEE THE MODEL LOOK FABULOUS, 792 00:34:11,200 --> 00:34:14,400 AND SHE LOOKS FABULOUS, BUT NOT IN THAT. 793 00:34:17,400 --> 00:34:19,100 SWEET P, TELL US ABOUT YOUR LOOK. 794 00:34:19,200 --> 00:34:20,900 I WANTED TO PLAY WITH PATCHWORK, 795 00:34:21,600 --> 00:34:23,800 AND IT ORIGINALLY STARTED AS A LONG DRESS 796 00:34:24,500 --> 00:34:27,800 AND IT LOOKED TOO '70s, SO I CUT IT OFF 797 00:34:28,200 --> 00:34:29,600 AND IT INSTANTLY TOOK AWAY 798 00:34:29,700 --> 00:34:31,100 THE HIPPY-DIPPINESS OF IT. 799 00:34:31,600 --> 00:34:32,800 I THINK IT'S SUPER CHIC. 800 00:34:33,400 --> 00:34:34,500 REALLY REALLY CHIC 801 00:34:34,600 --> 00:34:37,100 I THINK IT MIX OF THE DENIMS IS GREAT. 802 00:34:37,500 --> 00:34:40,500 AND ALSO,IT'S GOT THE VOODOT, I CALL IT. 803 00:34:40,600 --> 00:34:42,100 -IT ???. -SLIMMING VOODOO. 804 00:34:42,200 --> 00:34:44,000 SLIMMING VOODOO,EXACTLY. 805 00:34:44,200 --> 00:34:45,200 I THINK ANY OF US 806 00:34:45,300 --> 00:34:46,600 GIRLS HERE,EXCEPT FOR MICHAEL. 807 00:34:46,700 --> 00:34:48,400 -WOULD WEAR IT. -WITH THE RIGHT SHOES. 808 00:34:51,600 --> 00:34:54,900 ???? 809 00:34:55,000 --> 00:34:56,200 WHICH IS VERY IMPORTANT 810 00:34:56,600 --> 00:34:58,200 THE ONE THING THAT I WAS THINKING IS 811 00:34:58,300 --> 00:35:00,000 I AM MISSING A BIT OF THE-- 812 00:35:00,100 --> 00:35:02,400 THE LEVI'S 501 IN THERE BUT IN TERMS 813 00:35:02,500 --> 00:35:04,400 OF THE ???? 814 00:35:04,500 --> 00:35:05,800 IT'S SPECTACULAR. 815 00:35:06,100 --> 00:35:06,800 THANK YOU. 816 00:35:08,700 --> 00:35:10,400 VICTORYA, TELL US ABOUT YOUR LOOK. 817 00:35:10,500 --> 00:35:13,100 ???? 818 00:35:13,200 --> 00:35:14,500 YOU KNOW, AND I STARTE TO DRAPE, 819 00:35:14,700 --> 00:35:18,700 ????? LIKE A STORM FLAP. 820 00:35:19,900 --> 00:35:22,000 SO IN MY EYES, IT DOESN'T SEEM LIKE THEN, 821 00:35:22,100 --> 00:35:23,800 U DIDN'T HAVE THAT MUCH TO DO. 822 00:35:24,000 --> 00:35:26,100 YOU WOULD THINK THATRE WASN'T A LOT OF WO INVOLVE 823 00:35:26,200 --> 00:35:30,200 ????? 824 00:35:30,700 --> 00:35:33,600 WELL,???? 825 00:35:33,700 --> 00:35:34,800 A TRIM LITTLE TRENCH COAT 826 00:35:34,900 --> 00:35:37,600 PERHAPS WAS A GOOD IDEA BUT I DON'T THINK 827 00:35:37,700 --> 00:35:39,300 ???? 828 00:35:39,600 --> 00:35:42,200 ???? 829 00:35:42,400 --> 00:35:44,200 ???? 830 00:35:44,400 --> 00:35:47,800 ???? 831 00:35:48,100 --> 00:35:52,100 ???? 832 00:35:52,400 --> 00:35:55,100 IT'S ALMOST ???? 833 00:35:58,500 --> 00:36:00,000 ???? 834 00:36:00,200 --> 00:36:01,700 WE NEED SOME TIME TO TALK. 835 00:36:02,100 --> 00:36:03,000 U CAN LEAVE THE RUNWAY. 836 00:36:03,200 --> 00:36:03,700 THANK YOU 837 00:36:14,000 --> 00:36:15,100 ???? 838 00:36:15,400 --> 00:36:18,800 I THINK RICKY'S DRESS WAS VERY CLEVER 839 00:36:18,900 --> 00:36:20,900 USING THE BUTT FLY UP THE FRONT OF THE DRESS 840 00:36:21,000 --> 00:36:23,800 HE REALLY WAS VERY ?? ABOUT HIS WORK 841 00:36:24,400 --> 00:36:25,900 THE SEAMING WAS BEAUTIFUL. 842 00:36:26,000 --> 00:36:28,400 ???? 843 00:36:28,500 --> 00:36:29,800 ???? 844 00:36:30,100 --> 00:36:32,000 ???? 845 00:36:32,400 --> 00:36:34,700 ???? 846 00:36:35,400 --> 00:36:37,700 ???? 847 00:36:37,800 --> 00:36:40,000 ???? 848 00:36:44,000 --> 00:36:45,900 ???? 849 00:36:46,000 --> 00:36:49,300 ???? 850 00:36:49,600 --> 00:36:52,400 ???? 851 00:36:52,500 --> 00:36:56,000 ???? 852 00:36:56,100 --> 00:36:58,900 ???? 853 00:36:59,000 --> 00:37:01,100 I THINK A LOT OF PEOPLE ???? 854 00:37:05,000 --> 00:37:05,600 SWEET P 855 00:37:06,000 --> 00:37:08,100 SWEET P,IT WAS ALL ABOUT 856 00:37:08,200 --> 00:37:10,300 TURNING DENIM INTO A VERY ELEGAN 857 00:37:10,400 --> 00:37:13,700 CHIC AND ICONIC KIND OF DRESS 858 00:37:13,800 --> 00:37:15,500 U COULD DRESS IT UP U COULD DRESS IT DOWN 859 00:37:16,700 --> 00:37:17,700 I LOVE IT 860 00:37:21,400 --> 00:37:23,000 RAMI WASN'T TOO BAD EITHER. 861 00:37:23,200 --> 00:37:25,800 I LOVED THE ZIPPER OUTLINING. 862 00:37:26,300 --> 00:37:29,300 ???? 863 00:37:29,400 --> 00:37:31,100 ???? 864 00:37:31,200 --> 00:37:32,900 ???? 865 00:37:33,100 --> 00:37:33,900 ??? 866 00:37:39,100 --> 00:37:41,700 SO WHO ARE OUR LEAST ?? TODAY? 867 00:37:41,800 --> 00:37:43,100 WHY DON'T WE START WITH JILLIAN. 868 00:37:43,300 --> 00:37:44,900 SHE SHOULD HAVE KEPT IT SIMPLE. 869 00:37:45,200 --> 00:37:46,800 SHE HAD SOME GOOIDEAS, 870 00:37:47,000 --> 00:37:48,500 BUT SHE HAD SOME BAD IDEAS TOO. 871 00:37:48,600 --> 00:37:50,800 I MEAN, TO HAVE THAT MUCH JEAN-- 872 00:37:50,900 --> 00:37:52,000 ???? 873 00:37:52,100 --> 00:37:55,100 ???? 874 00:37:58,000 --> 00:37:59,600 CHRIS TO ME IS VERY BORING 875 00:37:59,700 --> 00:38:02,700 IT HAD ROUGH EDGES BUT NOT ROUGH ENOUGH 876 00:38:02,800 --> 00:38:04,900 ???? 877 00:38:05,100 --> 00:38:06,500 ???? 878 00:38:07,100 --> 00:38:09,500 IS KIND OF LIKE, WHICH LANE IS HE GOING DOWN? 879 00:38:09,600 --> 00:38:10,800 IT LOOKED DATED TO ME. 880 00:38:11,000 --> 00:38:13,800 YOU KNOW VERY WORKING GIRL, JOAN CUSACK IN WORKING GIRL . 881 00:38:16,300 --> 00:38:17,200 VICTORYA 882 00:38:17,300 --> 00:38:19,700 ERYBODY'S HAD FUNVWITH A PROJECT 883 00:38:19,800 --> 00:38:21,700 AND I DON'T THINK SHE DID AND SHOWED 884 00:38:22,500 --> 00:38:24,600 MY BIGGEST IUSSE WAS THAT IT LOOKED LIKE A JEAN JACKET 885 00:38:24,700 --> 00:38:27,800 THAT I ALREADY HAVE, WITH A LITTLE SKIRT ATTACHED TO IT. 886 00:38:28,100 --> 00:38:30,100 MAYBE IF SHE DIDN'T HAVE THE JACKET TO START, 887 00:38:30,500 --> 00:38:31,500 SHE COULD HAVE GOT THERE. 888 00:38:31,600 --> 00:38:33,300 I MEAN, IT JUST MADE NO SENSE AT ALL. 889 00:38:37,100 --> 00:38:38,600 SO WE' MADE OUR DECISION? 890 00:38:40,100 --> 00:38:41,500 GOOD, LET'S BRING THEM BACK OUT. 891 00:38:51,000 --> 00:38:52,500 ONE OF YOU WILL BE NAMED THE WINNER. 892 00:38:54,700 --> 00:38:56,800 ONE OF YOU WILL BE OUT. 893 00:39:03,800 --> 00:39:05,400 ONE OF YOU WILL BE NAMED THE WINNER. 894 00:39:07,700 --> 00:39:09,600 ONE OF YOU WILL BE OUT. 895 00:39:14,100 --> 00:39:14,700 RAMI 896 00:39:15,800 --> 00:39:16,400 YOU'RE IN. 897 00:39:16,500 --> 00:39:17,600 YOU CAN LEAVE THE RUNWAY 898 00:39:18,100 --> 00:39:19,100 -THANK YOU. -THANK YOU. 899 00:39:25,100 --> 00:39:26,600 NOW,FOR THE WINNER OF THIS CHALLENGE 900 00:39:30,000 --> 00:39:31,200 CONGRATULATIONS! 901 00:39:34,300 --> 00:39:35,400 RICKY. 902 00:39:36,400 --> 00:39:37,800 YOU'RE THE WINNER OF THIS CHALLENGE 903 00:39:38,100 --> 00:39:39,800 AND CAROLINE HAS SOMETHING TO TELL YOU 904 00:39:39,900 --> 00:39:42,100 RICKY WE WOULD LIKE TO SELL A LIMITED EDITION 905 00:39:42,800 --> 00:39:45,100 OF YOUR DRESS ON LEVI.COM 906 00:39:45,500 --> 00:39:48,300 SO CONGRATULATIONS THIS IS REALLY ?? 907 00:39:48,400 --> 00:39:49,400 -THANK YOU -IT WAS GREAT. 908 00:39:50,300 --> 00:39:52,300 -WOW COOL -OK,YOU CAN LEAVE THE RUNWAY 909 00:39:59,200 --> 00:40:00,200 YEAH, I'M VERY HAPPY. 910 00:40:01,600 --> 00:40:03,900 JUST THE FACT THAT THE JUDGES REALLY LIKE 911 00:40:04,000 --> 00:40:06,700 WHAT I DID THEY SAW THE WORK I PUT TO IT 912 00:40:07,100 --> 00:40:08,400 THAT WAS ALL WORTH 913 00:40:09,100 --> 00:40:10,200 TO ME THAT WAS WINNING 914 00:40:17,600 --> 00:40:18,400 SWEET P. 915 00:40:19,000 --> 00:40:19,700 GOOD JOB. 916 00:40:19,800 --> 00:40:20,800 U CAN LEAVE THE RUNWAY 917 00:40:21,000 --> 00:40:21,700 THANK YOU 918 00:40:30,900 --> 00:40:31,600 CHRISTIAN, 919 00:40:32,400 --> 00:40:33,000 YOU'RE IN. 920 00:40:33,200 --> 00:40:34,400 U CAN LEAVE THE RUNWAY 921 00:40:41,100 --> 00:40:41,800 CHRIS 922 00:40:43,100 --> 00:40:44,000 YOU ARE IN 923 00:40:44,200 --> 00:40:45,500 YOU CAN LEAVE THE RUNWAY 924 00:40:58,500 --> 00:41:00,500 JILLIAN,VICTORYA 925 00:41:01,000 --> 00:41:02,900 ONE OF YOU WILL BE OUT 926 00:41:07,300 --> 00:41:10,000 JILLIAN,YOUR LOOK WAS ?? 927 00:41:10,400 --> 00:41:11,600 ???? 928 00:41:11,700 --> 00:41:14,100 ???? 929 00:41:15,400 --> 00:41:16,100 VICTORYA, 930 00:41:16,200 --> 00:41:18,300 YOU GAVE US A DOLL OUTFIT 931 00:41:18,400 --> 00:41:20,500 THAT REALLY LEFT US A UNSPIRED 932 00:41:26,500 --> 00:41:27,400 JILLIAN 933 00:41:30,400 --> 00:41:31,200 YOU ARE IN 934 00:41:33,500 --> 00:41:35,100 THAT MEANS VICTORYA YOU ARE OUT 935 00:41:47,500 --> 00:41:48,400 AUF WIEDERSEHE 936 00:41:57,000 --> 00:41:58,000 IT'S REALLY HARD FOR ME 937 00:41:58,100 --> 00:41:59,800 BECAUSE I'M A COMPETITIVE PERSON 938 00:41:59,900 --> 00:42:03,700 AND I ALWAYS TRY TO LET MY WORK, BASICALLY, 939 00:42:04,000 --> 00:42:05,600 SPEAK FOR SELF 940 00:42:09,500 --> 00:42:10,800 -SO,VICTORYA -YES. 941 00:42:11,100 --> 00:42:13,300 WE HAVE TO SEND YOU UPSTAIRS TO CLEAN UP YOUR ?? 942 00:42:16,800 --> 00:42:18,400 BYE,GUYS.I DON'T WANNA -- 943 00:42:18,500 --> 00:42:19,400 I'LL GIVE A GOOD-- 944 00:42:21,600 --> 00:42:24,200 ???? 945 00:42:24,700 --> 00:42:27,300 ???? 946 00:42:28,000 --> 00:42:29,300 ???? 947 00:42:29,400 --> 00:42:31,500 AND I FEEL LIKE HAVE A LOT MORE TO SAY 948 00:42:31,700 --> 00:42:35,500 ???? 949 00:42:40,000 --> 00:42:41,600 NEXT ON PROJECT RUNWAY 950 00:42:41,900 --> 00:42:45,200 ???? 951 00:42:46,200 --> 00:42:47,400 ???? 952 00:42:48,100 --> 00:42:50,300 ???? 953 00:42:50,700 --> 00:42:53,100 OH MY GOD.OH NO 954 00:42:53,600 --> 00:42:55,100 ???? 955 00:42:57,000 --> 00:42:58,700 ???? 956 00:42:59,700 --> 00:43:01,300 I THINK THIS IS THE HARDEST CHALLENGE 957 00:43:01,400 --> 00:43:05,300 IT'S SORTA LIKE ??? 958 00:43:05,400 --> 00:43:08,100 ???? 959 00:43:09,200 --> 00:43:10,900 I HATE THE COLOR 960 00:43:11,500 --> 00:43:13,300 ???? 961 00:43:13,500 --> 00:43:15,400 I MEAN,I AM JUST LIKE "WOW" 962 00:43:16,500 --> 00:43:22,500 ��������Ļ�� -==http://www.ragbear.com==- ��ӭ���� 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 65091

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