All language subtitles for Catherine Aymerie nude - Point de fuite (1987)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:09,000 An exclusive work from the Mediacity translation team 2 00:00:19,070 --> 00:00:22,200 escape point 3 00:00:53,700 --> 00:01:10,950 Translation and editing Aligma 4 00:01:28,110 --> 00:01:30,670 sit down 5 00:01:58,270 --> 00:02:00,500 As I said in the previous meeting 6 00:02:00,680 --> 00:02:04,580 In this session, we will examine the laws of depth. 7 00:02:05,450 --> 00:02:11,450 Who can say what depth view is? (Deep view or perspective of drawing and painting techniques for 3D rendering) 8 00:02:14,960 --> 00:02:18,260 Profoundness is the reflection of light lines in the mind 9 00:02:19,890 --> 00:02:23,850 The way these lines collide causes a three-dimensional image to be transmitted in the mind 10 00:02:25,830 --> 00:02:27,630 In fact, this is a practical move 11 00:02:27,800 --> 00:02:30,460 I mean in two ways 12 00:02:30,640 --> 00:02:32,300 We can calculate the third dimension 13 00:02:33,140 --> 00:02:37,170 Remember that in the third view of trigonometry 14 00:02:37,350 --> 00:02:39,280 The angles of the lines are particularly important 15 00:02:39,450 --> 00:02:41,420 This point in industrial drawing 16 00:02:41,580 --> 00:02:43,950 And especially the design of airplanes is very important 17 00:02:45,690 --> 00:02:49,180 On the surface, depth view is done in two dimensions 18 00:02:49,790 --> 00:02:51,880 From one dimension, it shows something as it is 19 00:02:52,060 --> 00:02:54,530 And from now on 20 00:02:54,700 --> 00:02:57,290 It shows something that can be 21 00:02:58,500 --> 00:03:01,400 This problem in design and paintings in the form 22 00:03:01,570 --> 00:03:05,230 Length, width, height are used 23 00:03:07,610 --> 00:03:11,840 As I said last week In the Middle Ages, depth perception was also discussed in a scientific way 24 00:03:12,010 --> 00:03:16,510 This theory was about the visual connection of objects in the mind 25 00:03:17,350 --> 00:03:20,290 Who can explain about this theory that scientists and 26 00:03:20,460 --> 00:03:23,550 How did the designers of the 17th century use this problem? 27 00:03:35,670 --> 00:03:38,700 Isabel. What do you think? 28 00:04:12,780 --> 00:04:15,780 Get naked like us 29 00:05:11,170 --> 00:05:12,290 OK 30 00:05:13,530 --> 00:05:17,540 But remember, you cannot close the classroom with this 31 00:06:04,990 --> 00:06:07,480 Apparently you all forgot that 32 00:06:07,920 --> 00:06:09,620 This issue is for 33 00:06:09,790 --> 00:06:13,160 How important it was for the designers of the Renaissance period 34 00:06:14,030 --> 00:06:15,720 Fixed orifice 35 00:06:16,960 --> 00:06:19,400 On flat or grid surfaces 36 00:06:20,170 --> 00:06:24,180 The main problem is that the lines reach zero, or the fixed aperture 37 00:06:26,570 --> 00:06:28,940 Today we will scientifically examine the issue of depth perception 38 00:06:29,110 --> 00:06:31,310 This is one of the common methods 39 00:06:31,480 --> 00:06:35,140 There are shapes and planes in showing the common points 40 00:06:36,480 --> 00:06:40,210 This problem consists of several formulas 41 00:06:53,630 --> 00:06:55,860 O point 42 00:06:57,310 --> 00:06:58,830 Fixed orifice 43 00:06:59,870 --> 00:07:03,370 which is basically the center, the beholder's eye 44 00:07:03,540 --> 00:07:05,510 In other words, it is also called zero point 45 00:07:07,550 --> 00:07:09,070 We start from point O 46 00:07:10,750 --> 00:07:12,720 R to dot 47 00:07:13,960 --> 00:07:16,620 This is the main line in the eye of the beholder 48 00:07:16,790 --> 00:07:20,090 Suppose there is a depth view in a painting 49 00:07:23,700 --> 00:07:24,670 In this panel 50 00:07:26,030 --> 00:07:29,370 The only vertical point of the image is the T point 51 00:07:29,540 --> 00:07:31,940 And the viewer is looking at the center of the image 52 00:07:32,640 --> 00:07:34,370 Horizontal surface line 53 00:07:38,010 --> 00:07:39,780 R crosses the line 54 00:07:39,950 --> 00:07:41,410 The image is decomposed 55 00:07:41,580 --> 00:07:44,550 H below a horizontal line called 56 00:07:45,250 --> 00:07:47,220 which represents the bottom horizon of the image 57 00:07:47,390 --> 00:07:49,360 This line is at the top of the picture 58 00:07:49,520 --> 00:07:52,650 T horizontal lines meet only one vertical line 59 00:07:53,030 --> 00:07:55,020 LT is a line perpendicular to the ground 60 00:07:55,200 --> 00:07:57,860 The horizontal line at the bottom of the board 61 00:07:58,030 --> 00:08:00,930 It is located at the farthest point from the center of the image 62 00:08:01,100 --> 00:08:04,700 The eye of the observer and the rest of the points on the plane O between the points 63 00:08:06,870 --> 00:08:08,600 The main problem is that the lines reach the zero point 64 00:08:08,780 --> 00:08:12,800 H vertical points collide with the horizontal plane 65 00:08:14,150 --> 00:08:15,810 D1 66 00:08:17,790 --> 00:08:19,480 D2 and 67 00:08:21,290 --> 00:08:24,990 FP is located in an equal and horizontal position with respect to the point 68 00:08:25,960 --> 00:08:28,450 It becomes H, which reduces the distance between the image and the point 69 00:08:28,660 --> 00:08:31,150 OFP is formed in the end of the image at the point 70 00:08:31,730 --> 00:08:35,070 From where the side and outer space of the image It doesn't matter to the viewer 71 00:08:35,240 --> 00:08:38,800 and D and FP if the distance between the points These two outer lines can be seen 72 00:08:39,270 --> 00:08:41,870 It can cause visual illusion in the viewer 73 00:08:42,040 --> 00:08:45,770 Depth shots use this illusion as an anamorphic technique (anamorphic) 74 00:08:45,950 --> 00:08:48,140 This technique gives you a different view of the image 75 00:08:48,480 --> 00:08:50,850 As a result, we can draw a straight line and deviation Let's imagine at the bottom of the table 76 00:08:51,020 --> 00:08:54,680 That represents all the lines of all the points below Connects the image together 77 00:08:54,860 --> 00:08:58,360 In the 17th century, this problem was also called image distortion 78 00:09:06,900 --> 00:09:08,930 here you are 79 00:09:10,930 --> 00:09:20,930 Translation and arrangement Aligma 80 00:09:24,000 --> 00:09:34,030 An exclusive work from the Mediacity translation team 6640

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